Podcasts about choreographers

Interview date: December 7th, 2025Episode Summary:Brooke Lipton—Emmy-nominated choreographer and longtime Hollywood Vibe faculty member—joins Business of Dance to share her journey from booking her first professional job at 12 to building a lasting career in dance, television, and choreography. She reflects on moving to Los Angeles at 18, training relentlessly, learning how to care for her body, and developing the discipline needed to survive in a competitive industry.Brooke opens up about touring with Britney Spears, becoming a young mother, and making the pivotal transition from performer to choreographer. She breaks down how assisting, understanding life on set, and respecting every department shaped her leadership style and allowed her to create healthier, more sustainable environments for dancers.In the Q&A, Brooke delivers honest advice on confidence, comparison, and work ethic—urging dancers to go “full out,” attack their weaknesses, stay adaptable, and remember that joy and resilience are essential to longevity in this industry.Shownotes:(0:00) – Welcome + introduction to Brooke Lipton(6:10) – Career overview: tours, TV, choreography credits(9:46) – Phoenix beginnings + first job at 12(12:30) – Moving to LA at 18, full-time training(14:29) – Health, body awareness, and longevity(17:28) – The haircut moment: identity and visibility(21:54) – Britney Spears tours + touring realities(25:49) – Touring while pregnant, life balance(31:52) – Transition into choreography via Glee(34:33) – Hiring dancers and creating opportunities(45:37) – Advice: fundamentals, weaknesses, discipline(1:17:50) – Closing message: confidence, joy, resilienceBiography:Brooke Lipton's energy is contagious. Originally known as an exceptional natural dancer, she is now an accomplished choreographer who thoroughly understands the requirements of dramatic TV photography and production.A native of Phoenix, AZ, Brooke was already a rising star in the LA dance scene at the age of 12. She moved to LA to pursue her dream of being a professional dancer, and has since worked with artists including Madonna, Janet Jackson, Beyonce, and Paula Abdul. Brooke toured the world with Britney Spears for over eight years, including the “Dream Within A Dream” Tour, “The Onyx Hotel” Tour and “Circus” promo tour.Later, she was a key member of the choreographic team on the mega-hit Fox TV series “Glee”, starting as Associate and rising to Choreographer over the show's six seasons, during which the team created more than 750 musical numbers as well as the show's two live-performance world tours, plus “The Glee Project” unscripted series and “Glee Live 3D The Movie”.Brooke's work has also been featured on many other major TV series including “Dr. Odyssey”, “9-1-1: Lone Star”, “Dancing with the Stars”, “Lucifer”, “National Treasure”, “Bones”, and “American Horror Story”. Most recently, she choreographed seasons 1 and 2 of the magnificent new Apple+ series “Palm Royale”.As a choreographer, Brooke has worked with such iconic stars as Shirley MacLaine, Carol Burnett, Kate Hudson, Gwyneth Paltrow, Kristen Chenoweth and Ricky Martin, and has two Emmy nominations in Outstanding Choreography For Scripted Programming one for “Lucifer” and the other for season 1 of “Palm Royale”.Connect on Social Media:Instagram: https://www.instagram.com/brooke_lipton/

Marcia Milgrom Dodge is an acclaimed director and choreographer. She is a Tony, a Drama Desk and an Astaire Award Nominated Director & Choreographer for her 2009 revival of RAGTIME. She's known for her work in major New York revivals, groundbreaking regional theater, and international spectacles. Her other works include LA CAGE AUX FOLLES; DISNEY'S BEAUTY & THE BEAST; EVITA; and FIDDLER ON THE ROOF. She's worked with stars like Stephen Sondheim, Richard Maltby and William Finn among many others.My featured song is my recent single called “The Rich Ones All Stars”. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH MARCIA:www.marciamilgromdodge.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

A dash of mystery, a sparkle of magic, and all things cozy! Elle interviews fellow cozy authors in this bookish podcast from Authors on the Air. Today on the podcast, meet Seth Panitch, author of Antique! Elle and Seth talk about everyday magic, what authors owe to their readers, Antiques Roadshow, and more. Happy listening! Seth's Bio: ANTIQUE is Seth's first novel. His films Service to Man and The Coming are both distributed by are both available for streaming on most digital platforms. His plays Dammit, Shakespeare!, Hell: Paradise Found (Broadway Play Publishing, Inc.), Alcestis Ascending, and Separate and Equal have all been produced Off Broadway. He is a Professor of Theatre and directs the MFA Acting Program at the University of Alabama. Far more importantly, he is married to Laura Earnest Panitch, who does not seem to mind when he creeps upstairs to write, or when he lets their dog Moses use him as a jungle gym. Seth is a proud member of the Author's Guild, the Dramatists Guild of America, the Society of Directors and Choreographers, and the Illuminati – although he has steadfastly refused to have their name tattooed onto his chest. Find Seth and His Work Online: https://sethpanitch.com/ ~~~ Elle Hartford's Bio: Elle Hartford writes cozy mystery with a fairy tale twist. The award-winning first book in her Alchemical Tales series, Beauty and the Alchemist, finds amateur sleuth Red mixed up with murderous beasts and moody beauties, and a set of missing books besides! Elle has also written two spin-off series, the cozy fantasy-goes-to-the-beach Marine Magic series as well as Pomegranate Cafe Romance. For other writers and authors looking into “wide” indie publishing, Elle offers coaching as well as the Beyond Writing blog (ellehartford.substack.com) with how-tos and resources. Find Elle Online: https://ellehartford.com

Welcome to the DMF! I'm Justin Younts, and in this episode I sit down with Alexandra Beller to dive deep into the role of movement in theater and performance.Alexandra breaks down how movement evolves organically through collaboration between actors, directors, and designers. She explains how the actor's body, the director's vision, and the text itself all interact to create a fully realized performance. Rather than treating movement as something added on, Alexandra emphasizes how it emerges naturally when those elements are truly in dialogue with one another.She shares insight into analyzing character dynamics and highlights the importance of timing in dialogue. Using examples from television, Alexandra contrasts the rapid-fire rhythm of shows like Gilmore Girls with the more spacious, emotionally driven pacing of This Is Us, illustrating how tempo and rhythm shape audience response.Alexandra also discusses the significance of space onstage—how proximity, distance, and physical orientation can deeply influence emotional stakes and storytelling. Her approach offers practical tools for actors to make clearer, more grounded choices that resonate with audiences.Whether you're an aspiring actor or a seasoned performer, this conversation is packed with valuable techniques to deepen your craft. Join us as Alexandra Beller reveals how movement, timing, and physical awareness can bring authenticity, clarity, and emotional power to performance.00:00:00 - Introduction00:00:17 - The Evolution of Movement00:01:36 - The Importance of Timing00:02:27 - Stylization and Its Impact00:04:38 - The Role of Space00:05:20 - Reading Characters00:06:14 - Understanding Body Language00:07:22 - The Role of the Director00:07:57 - The Balance Between Instinct and Analysis00:09:14 - Nonverbal Communication and Characterization00:11:21 - Experiencing Film in a Meditative State00:12:53 - The Influence of Different Forms of Theater00:13:55 - The Concept of Constellatory Thinking00:15:28 - Working with Directors00:17:28 - Choreography and Directing00:18:58 - Theater and Cultural Influence00:21:18 - Praxis Space: A Creative Community00:21:20 - The Anatomy of Art: A New Book00:29:59 - Daily Routines and Practices00:31:15 - Personal Health and Fitness00:31:30 - Reading and Learning Preferences00:32:07 - Music Interests00:32:53 - Current TV Shows and Movies00:33:23 - Discussion on Superman Movie00:36:29 - Contact and Course InformationCheck out her website: ⁠⁠⁠⁠⁠⁠https://www.alexandrabellerdances.org/

Showing Off is often associated with being negative. But dancers need to in fact "SHOW OFF" their skills in auditions and to choreographers. How do our dancers show off in a way that is humble and kind? Can that even be done? Today Michelle Reagan: Dancer, Choreographer, and Author of Hey Dancers Lets Talk About It  Joins us to discuss what makes a dancer shine without the pick me energy! Welcome to Two Dance Moms Podcast!MICHELLE LEAGANSInstagram: Michelle LeagansInstagram: Power IntensivesHey Dancers, Lets Talk About It  (AMAZON)EMAIL: mleagansdance@gmail.comEPISODE SPONSORSDream Duffel, the original rolling duffel with a built in garment rack! Choose from multiple sizes, colors, patterns, & styles!www.dreamduffel.comApolla Performance Compression Socks, Made by dancers for dancers! Increase stability and support, while reducing pain and fatigue. www.apollaperformance.comRATE & REVIEWRate & Review Apple Podcast Rate on Spotify SOCIALS Instagram: https://www.instagram.com/twodancemomspodcast/

Coming at you LIVE from Benny Frank's! Where we are joined by Food Network's ‘Chopped' Champion Chef Enrique where he gives us some incite to being a chef, his speciality menu at Benny Frank's and the perks of being Chef Enrique. Plus Voo hits us with 21 questions where things get a little spicy. Follow us on social media @AaronScenesAfterParty

Linda Love-Simmons returns to the Feeding the Starving Artist podcast!Linda is an award winning director and choreographer who has created special events from Los Angeles to New York City for Disney, Barbie, Monster High, the 2002 Olympics, Megan Mulally, Paramount Pictures, the Radio City Music Hall Rockettes, Holland America cruise lines, Sesame Street Live, Oakley, and Under Armor.  Stage Choreography credits include SWING, A CHORUS LINE, THE PRODUCERS, LEGALLY BLONDE, 9 TO 5, THE PRODUCERS, THE CRYSTAL CATHEDRALS-CREATION, SAVIOR OF THE WORLD, ONCE, DISNEY'S  TARZAN and KINKY BOOTS. For Disney, Linda is an entertainment show director and choreographer of hundreds special events and shows including, DISNEY CHANNEL FAN FEST,  THE ANIMATION ACADEMY, THE ALL AMERICAN COLLEGE BAND, THE DISNEYLAND BAND, THE YOUTH EDUCATION SERIES AND DISNEY PERFORMING ARTS. More than just creating technical and energetic choreography and thoughtful dramatic pieces Linda has a personal mantra of creating positive success experiences.  By inspiring performers to strive for their very best and encouraging them to dwell in the realm of possibility there is passion and excitement in everything she does. Leading by example and having no tolerance for low expectations she creates an environment where everyone she works with can attain the same personal excellence that she strives for in herself.

Welcome to the DMF! I'm Justin Younts, and in this episode, Alexandra Beller takes us deep into the role of movement in acting and how it naturally evolves through collaboration between actors, directors, and designers.Alexandra explains that movement isn't something imposed on a performance—it emerges from the relationship between body language, text, and the energetic exchange between characters. She talks about recognizing when something feels “off” in a scene and how that friction can actually be used as a creative tool to strengthen performance rather than something to avoid.Drawing from examples in television, Alexandra discusses how shows like Gilmore Girls and This Is Us use timing, rhythm, and dialogue to generate emotional impact. She emphasizes the importance of authenticity and stakes, noting how a director's guidance around movement can deepen narrative clarity and emotional truth.Throughout the conversation, Alexandra highlights how physical choices can reveal character intention and elevate storytelling. She also introduces her upcoming book, The Anatomy of Art, which explores the artistic process and includes practical exercises designed to help creatives grow through embodied practice.If you're interested in how movement, energy, and intention intersect in performance, this episode offers valuable insight into how physicality can transform acting from the inside out.00:00:00 - Introduction00:00:18 - Collaboration in Art00:01:05 - Analyzing and Understanding Actors00:01:37 - Interpreting and Directing Dialogues00:02:51 - Stylization and Context in Film00:04:39 - Reading Characters and Predicting Outcomes00:06:12 - Understanding Body Language in Acting00:09:14 - Interpreting Non-Verbal Communication00:11:21 - Experiencing Film and Theater00:11:50 - Engagement and Authenticity in Performance00:12:54 - Influence of Global Theater on Work00:13:07 - Working with Directors00:13:55 - Constellatory Thinking in Directing00:15:45 - The Role of Embodiment in Directing00:17:30 - The Art of Choreography00:18:58 - Influence of Global Theater Styles00:21:21 - Praxis Space: An Artistic Community00:21:22 - The Anatomy of Art: A New Book00:21:22 - The Anatomy of Art: A Deeper Dive00:25:47 - The Role of Directing in Acting00:30:00 - Inside the Actor's Studio: Quick Answers00:31:29 - Reading Habits and Preferences00:32:04 - Listening Preferences00:32:04 - Watching Preferences00:33:16 - Discussion on Recent Movies00:33:22 - In-depth Analysis of Superman Reboot00:36:24 - Contact Information and Course Offerings00:37:24 - Closing RemarksCheck out her website: ⁠⁠⁠⁠https://www.alexandrabellerdances.org/

Welcome to the DMF. I'm Justin Younts, and in this episode, Alexandra Beller dives deep into the four categories of energy: weight, space, time, and flow—and how understanding these elements can radically transform an actor's process.Alexandra explains that each category exists on a spectrum, and learning to work with them gives actors practical, embodied tools instead of vague direction. She addresses a common frustration performers face: when a director asks for something like “more aggressive” without explaining what that actually means. Alexandra breaks down how to translate those abstract notes into clear, physical choices that live in the body.She emphasizes that the body often understands things language can't articulate, and that tapping into physical instinct leads to more truthful, grounded performances. Alexandra also shares her approach to directing, which prioritizes physicality, intuition, and energetic awareness over rigid intellectual analysis.Throughout the conversation, she explores how actors can use energy dynamics to deepen their work—whether in rehearsal, performance, or character preparation. Alexandra also discusses the balance between instinct and analysis, showing how both can coexist to elevate an actor's craft rather than compete with each other.If you're an actor looking to unlock new levels of creativity, presence, and expression, this episode offers powerful tools to rethink how you approach performance. Join us as we explore the language of energy—and how it can revolutionize your acting journey.00:00:00 - Introduction00:00:05 - Understanding the Four Categories of Energy00:00:38 - Interpreting Directing Terms00:00:56 - Interpreting Directing Terms: Case Study00:01:27 - The Limitations of Traditional Directing Terms00:02:35 - The Role of Embodiment in Acting00:04:10 - The Limitations of Vocabulary00:04:41 - The Power of Body Language00:06:44 - The Role of Contradiction in Acting00:08:36 - The Importance of Balance Between Analysis and Intuition00:11:04 - The Role of Analysis in the Creative Process00:11:15 - The Role of Intuition in the Creative Process00:12:57 - The Importance of Tasting the Work00:14:08 - The Role of Animal Instincts in Acting00:15:20 - Analyzing an Actor's Kinesphere00:16:03 - The Case of Antonio's Song00:16:51 - Using Animal Instincts in Character Development00:17:42 - The Process of Character Movement Analysis00:18:14 - Creating Character Profiles for Performance00:19:08 - The Challenge of Multiple Characters in One PerformanceCheck out her website: ⁠⁠https://www.alexandrabellerdances.org/

In episode 221, host Galit Friedlander and guest Kim Holmes (widely respected director, choreographer, dance educator) explore the roots of house and hip-hop culture through lived experience, mentorship, and time spent inside New York City's party and club scenes before these styles became widely visible. Kim shares her journey into dance, discovering house at a young age, and learning directly with pioneers like Marjory Smarth during a formative era that shaped how she moves, teaches, and thinks about longevity. Together, Galit and Kim reflect on what it meant to come up in spaces where culture was built in real time—long before social media or conventions—and how being “the it kids” back then came with both opportunity and responsibility. The conversation also moves into technique, recovery, listening to the body, trusting timing, and how mindset and intuition quietly guide long careers in dance. Originally recorded in 2019, this episode feels especially relevant today as dancers revisit foundations, lineage, and what it truly means to sustain a life in dance beyond trends. Follow Galit: Instagram – https://www.instagram.com/gogalit Website – https://www.gogalit.com/ Fit From Home – https://galit-s-school-0397.thinkific.com/courses/fit-from-home You can connect with Kim Holmes on Instagram https://www.instagram.com/kimd.holmes. Listen to DanceSpeak on Apple Podcasts and Spotify.

Its another episode of the After Party and on this one we feature the man behind the mask smgbc! He comes on to tell us about his move from Tampa Bay to El Paso, some horny stories and working and promoting in the EP nightlife. Follow us on social media @AaronScenesAfterParty

Welcome to the DMF! I'm Justin Younts, and today I'm thrilled to introduce you to Alexandra Beller, an incredible artist, choreographer, and soon-to-be-published author. In this first part of our conversation, we dive deep into Alexandra's upbringing in Queens during the vibrant 80s, a time that profoundly influenced her artistic journey. She shares how the rich diversity of characters and experiences around her shaped her resilience and creativity. From sneaking into the Metropolitan Museum to sketch Rembrandts to her first dance class at summer camp, Alexandra's story is one of passion and discovery. We explore the importance of embodiment in dance and how it transcends mere movement, allowing for a deeper connection to oneself. Alexandra also discusses her academic journey at the University of Michigan, where she double-majored in dance and English, seeking a balance between technical skill and literary prowess. This conversation is not just about dance; it's about finding your voice, challenging societal norms, and embracing the complexities of human expression. Join us as we uncover the layers of creativity and the power of asking 'why' in art. Don't miss out on this inspiring dialogue that encourages you to explore your own artistic potential!00:00:00 - Introduction00:00:29 - Growing Up in Queens, New York00:00:39 - Influence of New York on Career00:02:26 - Early Exposure to Art and Culture00:03:31 - Discovering Dance00:05:08 - College Experience and Majoring in Dance and English00:06:57 - Influence of Literature and Bible Study00:08:42 - Changing Perspectives and Adapting00:09:16 - Challenging Established Norms in Art00:11:11 - Pushing Boundaries in Casting and Directing00:14:01 - Addressing Controversial Content in Older Stories00:15:29 - Questioning Societal Norms in Storytelling00:16:04 - Reimagining Macbeth00:19:17 - The Need for Empathy in Storytelling00:20:00 - Staying True to the Text00:21:52 - The Importance of 'How' in Storytelling00:23:35 - The Role of Improvisation in Creativity00:24:45 - Introduction to Laban and Bartenieff00:25:08 - The Influence of Laban and Bartenieff on Dance00:30:52 - Using Movement for Character Development00:31:30 - Recognizing Non-Neutrality in Acting00:32:04 - Associations and Emotions in Acting00:32:25 - Interpreting Anger in Acting00:34:05 - Understanding Personal Energy in Acting00:34:32 - The Role of Laban's Effort in Acting00:35:57 - Manipulating Energy in Acting00:36:19 - ConclusionCheck out her website: https://www.alexandrabellerdances.org/

COURTSIDE MAVERICK feat. @xo.mariza_ & @louis.lit We're kicking off the new year with the OG horny crew! Mariza comes by for a little after party reunion as we catch up with her and her latest move to Dallas. She tells us why El Paso men give her the ick and she tells us all about her throuple in paradise. Follow us on social media @AaronScenesAfterParty

Linda Love-Simmons is an award winning director and choreographer who has created special events from Los Angeles to New York City for Disney, Barbie, Monster High, the 2002 Olympics, Megan Mulally, Paramount Pictures, the Radio City Music Hall Rockettes, Holland America cruise lines, Sesame Street Live, Oakley, and Under Armor.  Stage Choreography credits include SWING, A CHORUS LINE, THE PRODUCERS, LEGALLY BLONDE, 9 TO 5, THE PRODUCERS, THE CRYSTAL CATHEDRALS-CREATION, SAVIOR OF THE WORLD, ONCE, DISNEY'S  TARZAN and KINKY BOOTS. For Disney, Linda is an entertainment show director and choreographer of hundreds special events and shows including, DISNEY CHANNEL FAN FEST,  THE ANIMATION ACADEMY, THE ALL AMERICAN COLLEGE BAND, THE DISNEYLAND BAND, THE YOUTH EDUCATION SERIES AND DISNEY PERFORMING ARTS. More than just creating technical and energetic choreography and thoughtful dramatic pieces Linda has a personal mantra of creating positive success experiences.  By inspiring performers to strive for their very best and encouraging them to dwell in the realm of possibility there is passion and excitement in everything she does. Leading by example and having no tolerance for low expectations she creates an environment where everyone she works with can attain the same personal excellence that she strives for in herself.

Guests - Tommy Tibball, Madi Hicks, Jason Williams, and Courtney BarclayHosted By - Courtney Ortiz and Lesley MealorIn Episode 248 of Making The Impact - A Dance Competition Podcast, the 2025 A.C.E. Awards winners join us for a look inside the prestigious competition, which took place in New York City in August. This event brings together choreographers and dancers from all over the country, and the competition was fierce. Enjoy this chat with the winners!Topics Include: How each choreographer developed their vision for their piece What the casting and rehearsal process was like Advice for up-and-coming choreographersHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceTommy Tibball - @TommytibbsMadi Hicks - @madihicksJason Williams - @thejasonwilliamsexperience Courtney Barclay - @courtneyraebarclayThis episode is sponsored by:The DanceOne Summit The premier event for dance teachers and studio owners to unite. share. inspire! This summer in New York City - August 13-16th, 2026.Register now for $100 off using promo code: 100Summit2026 Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Happy New Year from The Learning Vibes Podcast.  Vibe on this episode again.  It takes us all the way back to September of 2019--our second episode.  In this episode, you'll hear from Choreographer, Emily Ashburn; Visual Artist, Martha Kelly; and Musician, Nathan Sickmeier.  They share their artistic process and how learning is bolstered through that process.  

The former Dallas Cowboys Cheerleader presently serves as director of the squad, and has been known for transforming the group into a global brand name.  

Interview Date: October 19th, 2025Episode Summary:In this empowering episode, Dana Wilson—dancer, choreographer, creative director, and podcast host—joins The Business of Dance Podcast to share an inside look at her two-decade career working alongside icons like Justin Timberlake, Marty Kudelka, Baz Luhrmann, and Chris Scott. From her early years at the Michelle Latimer Dance Academy to performing on three world tours and serving on the Choreographers Guild, Dana reflects on what it takes to sustain longevity in entertainment while staying grounded in self-awareness, mindset, and creative purpose. She opens up about her first big break assisting Marty Kudelka and performing on Justin Timberlake's FutureSex/LoveShow, her transition into choreography, acting, and voiceover work (Pinocchio, Elvis, In the Heights, La La Land), and the creation of her Words That Move Me podcast and coaching community. Dana also dives into how the dance industry has evolved—from agency systems to AI and the digital creator era—sharing invaluable advice on processing rejection, developing emotional resilience, and “turning the grave into a garden.” With wisdom, humor, and refreshing honesty, Dana reminds dancers that success is nonlinear, mentorship is invaluable, and feeling your feelings is a superpower.Shownotes:(0:00) – Opening chat: motherhood, dogs, and pre-interview setup(4:00) – Reviewing Dana's career highlights and credits(8:45) – Starting the session: Justin Timberlake music intro(12:00) – Dana's early dance training, family background, and move to LA(17:00) – Booking her first tour with Justin Timberlake and working with Marty Kudelka(22:00) – 20 years of collaboration with Justin: tours, SNL, and Super Bowl(27:00) – Creating Words That Move Me podcast + turning rejection into education(33:00) – The power of coaching, mindset, and mental health for artists(42:00) – The Choreographers Guild, AI, and how the dance industry is evolving(54:00) – Q&A: Finding mentors, dealing with rejection, and touring lessonsBiography:"People who call Dana Wilson a “Joy Machine” are not wrong. Her work is a joy to behold and she is a joy to work with.Dana Wilson is a choreographer, performer, movement coach, educator, Apple Top 100 Performing Arts Podcast host, and activist who understands how to move real people.Her work is undeniably bright, refined and classic, yet bizarre with a healthy dose of happy. She works at the highest level across mediums from TV/ Film and Commercials to Tours/ Music Videos, and even Stop Motion Animation/ Motion Capture. From Apple to Amazon, Justin Timberlake to Paula Abdul, Elvis to Pinocchio, her impact is singular and she carves paths for others to shine as well.Connect on Social Media:Instagram:  https://www.instagram.com/danadaners/Website: thedanawilson.com

Interview Date: October 5th, 2025Episode Summary:In this powerful and nostalgic episode, Emmy-nominated choreographer and MTV Award winner Tina Landon takes us behind the scenes of her legendary career shaping the choreography that defined an era of pop culture. From her early days as a Laker Girl under Paula Abdul to becoming the creative force behind Janet Jackson's “If”, “The Velvet Rope Tour,” and Ricky Martin's “Livin' La Vida Loca,” Tina shares the artistry, discipline, and vision that made her one of the most sought-after choreographers in the world.Tina opens up about her journey transitioning from dancer to choreographer, how she built trust with industry icons, and what it takes to bring stories to life through movement. She discusses the evolution of dance over the decades—from the golden age of music videos to the rise of social media—and how professionalism, consistency, and genuine artistry still remain the keys to success.This episode is perfect for anyone striving to understand the bridge between commercial artistry and lasting impact — a true masterclass in dance history and creative leadership.Shownotes:(0:00) – Welcome & introduction to Tina Landon and her legendary career(3:15) – Tina's start as a dancer & transition from Laker Girl to choreographer(7:40) – Founding her creative style: working with Janet Jackson & early MTV era(12:25) – Behind “If” & “The Velvet Rope Tour” – storytelling through choreography(22:10) – What makes a dancer stand out in auditions and rehearsals(35:05) – How the dance industry evolved from 90s tours to today's viral world(50:12) – Professionalism, mindset, and respect in the rehearsal room(1:02:30) – The importance of longevity & self-care for working dancers(1:13:05) – Tina's message: know your history, learn from the greats(1:16:16) – Gala of the Stars — Tina's legacy & inspiration for the next generationBiography:Tina Landon is a multi award winning and Emmy nominated creative director/choreographer. She is best known for her sensual yet strong movement that dominated the landscape of dance in music videos and live tours since the mid 90's. Some of her most memorable and signature moves can be seen on artists like Janet Jackson, Michael Jackson, Rihanna, Jennifer Lopez, Christina Aguilera, Ricky Martin, Britney Spears and Shakira to name a few.Tina's love and passion for dance began as early as she can remember when her mother of Mexican-American heritage and lover of dance and music, made sure her children would fare better by mandating dance lessons in their household. Falling in love with dance and yearning for more, Tina left her home in Lancaster, California to pursue her dreams in Hollywood. Auditioning for various dance productions around town, she landed a gig as a Laker Girl. She was well on her way, yet what could be considered a “big break” would be just the beginning when she was booked as a principal dancer for Michael Jackson's “Smooth Criminal” music video.Tina's hard work and commitment eventually landed her many dance roles in various music videos including her first spot as a touring dancer on Janet Jackson's Rhythm Nation Tour. She eventually went on to choreograph Janet's next two world tours “Janet” and “The Velvet Rope” which earned her an Emmy nomination for the HBO special. She has also directed and choreographed national and world tours for many other artists. Tina is a 9-time MTV Choreography Award nominee and a 2 time MTV Award recipient for Michael and Janet Jackson's “Scream” and for Ricky Martin's “Livin La Vida Loca'.Her latest passion is giving back and helping young dancers navigate careers in the music industry by sharing and coaching them through her extensive experience and knowledge.Connect on Social Media:Instagram: https://www.instagram.com/iamtinalandon/

Bongani Bingwa speaks to Owen Lonzar, Choreographer of Madagascar – A Musical Adventure JR. Madagascar JR. is stomping onto the stage for its final week this festive season. That zany, family-friendly musical adventure Move it! Move it! with all your favourite zoo escapees bounding across the stage at the Peoples Theatre! 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702See omnystudio.com/listener for privacy information.

It's another Christmas edition of the After Party featuring the one and only Freddy! As he comes on shares his horny story, tells us who broke his heart and how he became a horny boy/party boy in El Paso. Plus Voo lines up some questions so we can roundtable! Follow us on social media @AaronScenesAfterParty

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In episode 220, host Galit Friedlander and guest Chad Geiger (dance agent at The Movement Talent Agency) pull back the curtain on what representation really looks like from the agency side and what dancers often misunderstand about it. We talk about essential pieces of a sustainable dance career: communication, contracts, headshots and resumes that actually serve you, and how your choices off the floor impact your opportunities just as much as your training on it. Chad shares insight on navigating direct bookings, building trust with your team, and why “doing the basics well” is still one of the biggest differentiators in today's industry. Follow Galit: Instagram – https://www.instagram.com/gogalit Website – https://www.gogalit.com/ Fit From Home – https://galit-s-school-0397.thinkific.com/courses/fit-from-home You can connect with Chad Geiger on https://www.instagram.com/chad_geiger Listen to DanceSpeak on Apple Podcasts and Spotify.

Today's episode of the America's Work Force Union Podcast spotlights Carrie Lee Patterson, a multifaceted arts professional and proud member of four unions. As an actor, director, writer and dialect coach, Patterson is affiliated with Actors' Equity Association, SAG-AFTRA, the American Guild of Musical Artists and the Society of Stage Directors and Choreographers. Patterson discussed her career journey, the importance and challenges posed by artificial intelligence in the entertainment industry, her impact as an educator and her advocacy in a historic Illinois public transit campaign that united 30 different unions. America's Work Force Union Podcast welcomed Jay Edwards, Republican candidate for Ohio State Treasurer, who discussed his background and steadfast support for labor. As a former Ohio House representative hailing from Nelsonville, Ohio, Edwards has made a name for himself by defying party stereotypes and championing union issues. Edwards discussed his upbringing in southeast Ohio, his personal connection to the working class, his approach to labor relations and his vision for the office of the state Treasurer.

As we revisit this 2024 Nutcracker chat, we start with three of our dancers - Talbot Rue, Anna Orzulak, and Abby Zinsser, who tell us what dancing in The Nutcracker every year means to them, both artistically and nostalgically. Then, we join Jim and Karen for a discussion on bringing new elements to this staging of the Christmas classic.*Notice: This episode discussed last year's relocation to the University of Saint Francis Robert Goldstine PAC. This year, Fort Wayne Ballet has returned to the newly renovated Arts United Center.

Pippa speaks to acclaimed choreographer Gerard Charles who will weaving his magic on Cape Town City Ballet’s brand-new production of Alice in Wonderland Lunch with Pippa Hudson is CapeTalk’s mid-afternoon show. This 2-hour respite from hard news encourages the audience to take the time to explore, taste, read and reflect. The show - presented by former journalist, baker and water sports enthusiast Pippa Hudson - is unashamedly lifestyle driven. Popular features include a daily profile interview #OnTheCouch at 1:10pm. Consumer issues are in the spotlight every Wednesday while the team also unpacks all things related to health, wealth & the environment. Thank you for listening to a podcast from Lunch with Pippa Hudson Listen live on Primedia+ weekdays between 13:00 and 15:00 (SA Time) to Lunch with Pippa Hudson broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/MdSlWEs or find all the catch-up podcasts here https://buff.ly/fDJWe69 Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

In this episode of "Dance Talk” ® with Joanne Carey , host Joanne Carey interviews Emily CoatesIn this episode of  "Dance Talk” ® with Joanne Carey engages in a deep conversation with dancer, choreographer, and writer Emily Coates. They explore Emily's journey from her early dance training in ballet to her transition into modern dance, her experiences working with renowned figures like Baryshnikov, and her current project 'Tell Me Where It Comes From.' Tell Me Where It Comes From, was sparked by the discovery of an archival box housed at the Wadsworth Atheneum Museum of Art in Hartford, Connecticut, chronicling George Balanchine's brief touchdown there in 1933. The discussion highlights the importance of following one's artistic instincts, the role of dance history, and the collaborative nature of creating new work. Emily shares insights on the creative process, the significance of archival research, and the impact of dance on personal and artistic growth.Emily Coates is a dancer, choreographer, and writer and has performed internationally with New York City Ballet (1992-98), Mikhail Baryshnikov's White Oak Dance Project (1998-2002), Twyla Tharp Dance (2001-2003), and Yvonne Rainer and Group (2005-present), and worked with an array of choreographers, including Jerome Robbins, Angelin Preljocaj, Trisha Brown, Deborah Hay, Mark Morris, John Jasperse, and Sarah Michelson. Career highlights include performing three duets with Baryshnikov, in works by Morris, Karole Armitage, and Erick Hawkins.Her choreographic work has been commissioned and presented by Danspace Project, Performa, Baryshnikov Arts Center, Works & Process at the Guggenheim, Ballet Memphis, Wadsworth Atheneum, Carnegie Hall, University of Chicago, Yale Repertory Theatre, Yale Art Gallery, and Columbia Ballet Collaborative, among other venues. She is currently completing a film project titled “Dancing in the Invisible Universe” in collaboration with filmmaker John Lucas and Yale's Wright Laboratory.Her essays have appeared in PAJ: A Journal of Performance and Art, The Huffington Post, Theater, PEAK Journal, programs and an exhibition catalogue for the Paris Opera Ballet, and in the forthcoming Oxford Handbook of Contemporary Ballet. Her awards and distinctions include the School of American Ballet's Mae L. Wein Award for Outstanding Promise; the Martha Duffy Memorial Fellowship at the Baryshnikov Arts Center; Yale's Poorvu Family Award for Interdisciplinary Teaching; a grant from the Alfred P. Sloan Foundation in the category of Public Understanding of Science, Technology, and Economics; a 2016 Fellowship at the Center for Ballet and the Arts at NYU; and a 2019 Jerome Robbins Dance Division Dance Research Fellowship at the New York Public Library for the Performing Arts at Lincoln Center. She graduated magna cum laude with a BA in English and holds an MA and MPhil in American Studies from Yale. Her first book, Physics and Dance, co-written with her longtime collaborator, particle physicist Sarah Demers, was released in January 2019 by Yale University Press.She is Professor in the Practice in Theater, Dance and Performance Studies at Yale University, with a secondary appointment in Directing at the Yale School of Drama. She has directed the dance studies concentration at Yale since its inception in 2006.Informationhttps://campuspress.yale.edu/emilycoates/Make plans to check out this piece on tour!February 26, 2026 at The Avery Theater , Hartford ConnecticutApril 23 & 24th 2026 at Schwarzman Center , Yale University“Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."https://dancetalkwithjoannecarey.com/Please leave us a Review.You support the podcast:https://gofund.me/e561b42acFollow Joanne Carey on Instagram@westfieldschoolofdance

It's a Nutcracker Replay! We're sending you once again on this journey into Nutcracker past. Jim Sparrow hosts this introspective look back at past Kinetic Conversations, all about our favorite Holiday show. This episode originally released in November of 2023.

Interview Date: June 22nd, 2025Episode Summary:Dytto (aka Courtney Kelly) — the fembot icon of the dance community whose viral “Barbie Girl” freestyle on World of Dance launched a global following of ~10M across platforms. A professional mover, personality, and director, she's appeared on The Ellen DeGeneres Show, starred in national campaigns (Android Wear, Target), and most recently served as Assistant Choreographer for Shakira.In this conversation, Dytto traces her path from studio kid and cheerleader to self-driven freestyler, sharing how an alter ego helped her overcome stage fright and claim a unique lane in a male-dominated popping/animation space. She breaks down the business: why brand deals followed when she started talking (not just dancing), how she balances content “pillars,” and the realities of name usage, credits, and trademarking a stage name.We also dive into monetization (and why dancing to copyrighted music pays everyone but the dancer), creating original music (Fembot Files), and her upcoming training app The Next Move—a practical system for turning freestyle fear into confidence. In the live Q&A she offers concrete drills, mindset resets, and career advice on evolving publicly, navigating street vs. commercial worlds, booking without auditions, and staying grounded in who you are—especially when everyone's watching.Shownotes:(0:00) – Welcome & intro: “Barbie Girl” viral phenom joins the show(2:13) – Early dance journey: from studio kid to freestyler(4:27) – The making of “Barbie Girl” — purpose behind the moment(6:20) – Creating “Dytto”: alter ego that conquered stage fright(11:43) – Managing identity: real name vs. stage name(15:50) – Viral momentum → brand deals, Ellen, and global recognition(19:47) – $100K brand deal & secret to attracting sponsorships(25:16) – New ventures: launching The Next Move freestyle app(26:56) – Owning creativity: why she makes her own music (Fembot Files)(1:18:16) – Final reflections: authenticity, vulnerability, and self-beliefBiography:Dytto, the fembot icon of the dance community, is a professional mover, personality, and director. You may have seen her as a 17 yr old in her first viral freestyle on World of Dance called 'Barbie Girl' which launched her into a fruitful career. Since, she's been in numerous commercials, campaigns, and productions, some even of her own, being self-directed and produced for her infamous Youtube channel. Most recently, we watch her work come to life from her time assistant choreographing for the one and only, Shakira.Connect on Social Media:Instagram - https://www.instagram.com/iam_dytto/Website - iamdytto.com

Gary Hirsch, Director, Wendy DeGeest, Choreographer, and Music Director Kennedy Niska from Stage North Theater stop by to preview their upcoming production of A Nutcracker Christmas, running December 10–14 at the Franklin Arts Center. They share what makes this holiday show special, how the cast has brought the story to life, and why it's the perfect way to celebrate the season with family and friends.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Interview Date: June 22nd, 2025Episode Summary:Dytto (aka Courtney Kelly) — the fembot icon of the dance community whose viral “Barbie Girl” freestyle on World of Dance launched a global following of ~10M across platforms. A professional mover, personality, and director, she's appeared on The Ellen DeGeneres Show, starred in national campaigns (Android Wear, Target), and most recently served as Assistant Choreographer for Shakira.In this conversation, Dytto traces her path from studio kid and cheerleader to self-driven freestyler, sharing how an alter ego helped her overcome stage fright and claim a unique lane in a male-dominated popping/animation space. She breaks down the business: why brand deals followed when she started talking (not just dancing), how she balances content “pillars,” and the realities of name usage, credits, and trademarking a stage name.We also dive into monetization (and why dancing to copyrighted music pays everyone but the dancer), creating original music (Fembot Files), and her upcoming training app The Next Move—a practical system for turning freestyle fear into confidence. In the live Q&A she offers concrete drills, mindset resets, and career advice on evolving publicly, navigating street vs. commercial worlds, booking without auditions, and staying grounded in who you are—especially when everyone's watching.Podcast Shownotes:(0:00) – Welcome & intro: “Barbie Girl” viral phenom joins the show(2:13) – Early dance journey: from studio kid to freestyler(4:27) – The making of “Barbie Girl” — purpose behind the moment(6:20) – Creating “Dytto”: alter ego that conquered stage fright(11:43) – Managing identity: real name vs. stage name(15:50) – Viral momentum → brand deals, Ellen, and global recognition(19:47) – $100K brand deal & secret to attracting sponsorships(25:16) – New ventures: launching The Next Move freestyle app(26:56) – Owning creativity: why she makes her own music (Fembot Files)(1:18:16) – Final reflections: authenticity, vulnerability, and self-beliefBiography:Dytto, the fembot icon of the dance community, is a professional mover, personality, and director. You may have seen her as a 17 yr old in her first viral freestyle on World of Dance called 'Barbie Girl' which launched her into a fruitful career. Since, she's been in numerous commercials, campaigns, and productions, some even of her own, being self-directed and produced for her infamous Youtube channel. Most recently, we watch her work come to life from her time assistant choreographing for the one and only, Shakira.Connect on Social Media:Instagram - https://www.instagram.com/iam_dytto/Website - iamdytto.com

Interview Date: June 1st, 2025Episode Summary:Menina sits down with Tara-Jean Popowich—winner of So You Think You Can Dance Canada Season 2—for an inspiring look at resilience, self-belief, and adventure. From moving out at 15 to chase training, to struggling with $5/hour jobs in L.A., to the heartbreak of being cut from SYTYCD Season 1 and the comeback that won her the crown, Tara-Jean shares how grit, heart, and community shaped her career.She reflects on the whirlwind that followed—international tours, Bollywood, Dancing with the Stars India, and performing across 74 countries. We hear how she built longevity in an unpredictable industry, the challenges of visas and branding, and her passion project Human First, Dancer Second. Tara-Jean's honesty about comparison, mindset, and mental health is a gift to young dancers navigating their own journeys.This episode is perfect for dancers chasing professional careers, teachers mentoring students with big dreams, and anyone curious about building a life in the arts that balances adventure, resilience, and authenticity.Show Notes(0:00) - Welcome & intro to Tara-Jean Popowich (9:02) - Starting in small-town Alberta; cruise ships as “only dream” (10:59) - Moving out at 15; juggling work, school, and dance (13:20) - First LA move; cleaning studios to train (16:09) - Cut from SYTYCD Season 1; comeback mindset (20:49) - Winning Season 2; confetti, cash prize, new doors (23:42) - Life after SYTYCD; global whirlwind of jobs (24:05) - India chapter: Bollywood, DWTS, love & challenges (30:21) - Years abroad: London, Costa Rica, NY base (32:02) - New focus: creative direction & Human First convention(34:57) - Advice to younger self: believe earlier, avoid comparison (36:01) - Q&A: mindset, favorite projects, navigating LA (42:30) - The power of personal brand & social media (45:00) - Visa realities: O-1s, green cards, legal path (49:00) - Q&A: favorite country, advice for young dancers (56:13) - Balancing passion vs. career; finding other outlets (57:53) - Final advice: stop comparing, find joy, trust your pathBiography:Tara-Jean Popowich is most known for winning "So you think you can dance"-Canada Season 2. Since the show she has been based out of NYC, LA, London, and India. During her time in NYC she was "Carly Rae Jepsen's" Choreographer and dancer seen on "Jimmy Fallon" and "Live with Kelly". Tara-Jean is also seen in Pharrells music video "Happy", "Turn it up" American tour, "Groove Street productions" , “Excel” guest faculty, choreographer for "So you think you can dance" Ukraine and special guest performer, choreographed and performed for Ballet Africa, IDS instructor in Madrid Spain, yearly performer with "SYTYCD" USA All-stars in China,  Dove Cameron's new video with Disney, is 1 of 6 featured dancers in a feature film based in Scotland, with choreographer Stacey Tookey. TJ was living in India and made top 6 as the celebrity on "Dancing with the stars"-season 7.  TJ was named one of the "hottest top 12 convention teachers" in the U.S. Tara-Jean is seen in Calvin klein's, "Dance in my calvin's" campaign. More recently on tour with VORTEX around South America and Europe. Check out Tara-Jean dancing for Shania Twain “swinging with my eyes closed” video. Also An official judge for “world of dance” in Poland. Tara-Jean is also an official ambassador for “MOVE IT” the biggest dance event in the UK. 28,000 dancers from around the world. Where Tj will be teaching, performing, autograph sessions, and photo sessions.Tara-Jean directed and choreographed for the famous hand to hand acrobat's “Charolette an Nicolas” from France's got talent. Keep your eye out for her dancing in the hit TV series “What we do in the shadows” FX network. Connect on Social Media:Instagram - https://www.instagram.com/tarajeanpopowich/Website - www.tara-jean.com

Mhkeeba interviews Hadar Shalom, a Professional Dancer & Choreographer based in Los Angeles, about her experience moving from Israel to follow her passion and build her dream dance career. Hadar shares some of the challenges she faced and how determination, focus and hard work led her to touring with artists such as Jason Derulo, Snoop Dogg, Mario, Bia, Nicky Jam, and Young Miko. Hadar Shalom Instagram Linktree - Hadar Shalom Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.