Podcasts about matsutake worlds research group

ABOUT THIS EPISODE: In this episode, host Megan Cole talks to Michael Hathaway. Michael's book What A Mushroom Lives For: Matsutake and the Worlds They Make won the 2023 Jim Deva Prize for Writing that Provokes, and was a finalist for the 2023 Hubert Evans Non-Fiction Prize. In their conversation, Michael talks about human exceptional, the varying cultural relationships to mushrooms, and how he made his book accessible to a non-academic audience. Visit BC and Yukon Book Prizes: https://bcyukonbookprizes.com/ About WHAT A MUSHROOM LIVES FOR: https://bcyukonbookprizes.com/project/what-a-mushroom-lives-for-matsutake-and-the-worlds-they-make/ ABOUT MICHAEL HATHAWAY: Michael J. Hathaway is professor of anthropology at Simon Fraser University in Vancouver, Canada, and the author of the award-winning Environmental Winds: Making the Global in Southwest China. He is a member of the Matsutake Worlds Research Group. ABOUT MEGAN COLE: Megan Cole the Director of Programming and Communications for the BC and Yukon Book Prizes. She is also a writer based on the territory of the Tla'amin Nation. Megan writes creative nonfiction and has had essays published in Chatelaine, This Magazine, The Puritan, Untethered, and more. She has her MFA in creative nonfiction from the University of King's College and is working her first book. Find out more about Megan at megancolewriter.com ABOUT THE PODCAST: Writing the Coast is recorded and produced on the territory of the Tla'amin Nation. As a settler on these lands, Megan Cole finds opportunities to learn and listen to the stories from those whose land was stolen. Writing the Coast is a recorded series of conversations, readings, and insights into the work of the writers, illustrators, and creators whose books are nominated for the annual BC and Yukon Book Prizes. We'll also check in on people in the writing community who are supporting books, writers and readers every day. The podcast is produced and hosted by Megan Cole.

Anna L. Tsing‘s new book is on my new (as of this post) list of Must-Read-Books-That-All-Humans-Who-Can-Read-Should-Read-And-That-Nonhumans-Should-Find-A-Way-To-Somehow-Engage-Even-If-Reading-Is-Not-Their-Thing. The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins (Princeton University Press, 2015) joyfully bursts forth in a “riot of short chapters” that collectively open out into a mushroom-focused exploration of what Tsing refers to as a “third nature,” or “what manages to live despite capitalism.” Tsing’s book is based on fieldwork conducted between 2004 and 2011 in the US, Japan, Canada, China, and Finland, plus interviews with scientists, foresters, and matsutake traders in those places and in Denmark, Sweden, and Turkey. The book is an exemplar of the kind of work that can come out of thoughtful and extended scholarly collaboration, here resulting from Tsing’s work with the Matsutake Worlds Research Group. The book treats matsutake mushrooms as objects and companions that are good to think with, offering an exuberant picture of what it might look like to live “in our messes” as parts of contaminated and contaminating multispecies worlds and assemblages. Tsing calls for renewed attention to the importance of “arts of noticing,” of curiosity, of play, of polyphony, of adventure. And at the same time as it accomplishes all of this, The Mushroom at the End of the World is deeply committed to telling stories, taking us into moments in the lives of individual smellers and sellers and pickers and tasters and bosses and crusaders. It is a wonderful work of ethnography that, in many ways, transcends genre and discipline. Learn more about your ad choices. Visit megaphone.fm/adchoices

Anna L. Tsing‘s new book is on my new (as of this post) list of Must-Read-Books-That-All-Humans-Who-Can-Read-Should-Read-And-That-Nonhumans-Should-Find-A-Way-To-Somehow-Engage-Even-If-Reading-Is-Not-Their-Thing. The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins (Princeton University Press, 2015) joyfully bursts forth in a “riot of short chapters” that collectively open out into a mushroom-focused exploration of what Tsing refers to as a “third nature,” or “what manages to live despite capitalism.” Tsing’s book is based on fieldwork conducted between 2004 and 2011 in the US, Japan, Canada, China, and Finland, plus interviews with scientists, foresters, and matsutake traders in those places and in Denmark, Sweden, and Turkey. The book is an exemplar of the kind of work that can come out of thoughtful and extended scholarly collaboration, here resulting from Tsing’s work with the Matsutake Worlds Research Group. The book treats matsutake mushrooms as objects and companions that are good to think with, offering an exuberant picture of what it might look like to live “in our messes” as parts of contaminated and contaminating multispecies worlds and assemblages. Tsing calls for renewed attention to the importance of “arts of noticing,” of curiosity, of play, of polyphony, of adventure. And at the same time as it accomplishes all of this, The Mushroom at the End of the World is deeply committed to telling stories, taking us into moments in the lives of individual smellers and sellers and pickers and tasters and bosses and crusaders. It is a wonderful work of ethnography that, in many ways, transcends genre and discipline. Learn more about your ad choices. Visit megaphone.fm/adchoices

Anna L. Tsing‘s new book is on my new (as of this post) list of Must-Read-Books-That-All-Humans-Who-Can-Read-Should-Read-And-That-Nonhumans-Should-Find-A-Way-To-Somehow-Engage-Even-If-Reading-Is-Not-Their-Thing. The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins (Princeton University Press, 2015) joyfully bursts forth in a “riot of short chapters” that collectively open out into a mushroom-focused exploration of what Tsing refers to as a “third nature,” or “what manages to live despite capitalism.” Tsing’s book is based on fieldwork conducted between 2004 and 2011 in the US, Japan, Canada, China, and Finland, plus interviews with scientists, foresters, and matsutake traders in those places and in Denmark, Sweden, and Turkey. The book is an exemplar of the kind of work that can come out of thoughtful and extended scholarly collaboration, here resulting from Tsing’s work with the Matsutake Worlds Research Group. The book treats matsutake mushrooms as objects and companions that are good to think with, offering an exuberant picture of what it might look like to live “in our messes” as parts of contaminated and contaminating multispecies worlds and assemblages. Tsing calls for renewed attention to the importance of “arts of noticing,” of curiosity, of play, of polyphony, of adventure. And at the same time as it accomplishes all of this, The Mushroom at the End of the World is deeply committed to telling stories, taking us into moments in the lives of individual smellers and sellers and pickers and tasters and bosses and crusaders. It is a wonderful work of ethnography that, in many ways, transcends genre and discipline. Learn more about your ad choices. Visit megaphone.fm/adchoices

Anna L. Tsing‘s new book is on my new (as of this post) list of Must-Read-Books-That-All-Humans-Who-Can-Read-Should-Read-And-That-Nonhumans-Should-Find-A-Way-To-Somehow-Engage-Even-If-Reading-Is-Not-Their-Thing. The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins (Princeton University Press, 2015) joyfully bursts forth in a “riot of short chapters” that collectively open out into a mushroom-focused exploration of what Tsing refers to as a “third nature,” or “what manages to live despite capitalism.” Tsing’s book is based on fieldwork conducted between 2004 and 2011 in the US, Japan, Canada, China, and Finland, plus interviews with scientists, foresters, and matsutake traders in those places and in Denmark, Sweden, and Turkey. The book is an exemplar of the kind of work that can come out of thoughtful and extended scholarly collaboration, here resulting from Tsing’s work with the Matsutake Worlds Research Group. The book treats matsutake mushrooms as objects and companions that are good to think with, offering an exuberant picture of what it might look like to live “in our messes” as parts of contaminated and contaminating multispecies worlds and assemblages. Tsing calls for renewed attention to the importance of “arts of noticing,” of curiosity, of play, of polyphony, of adventure. And at the same time as it accomplishes all of this, The Mushroom at the End of the World is deeply committed to telling stories, taking us into moments in the lives of individual smellers and sellers and pickers and tasters and bosses and crusaders. It is a wonderful work of ethnography that, in many ways, transcends genre and discipline. Learn more about your ad choices. Visit megaphone.fm/adchoices

Anna L. Tsing‘s new book is on my new (as of this post) list of Must-Read-Books-That-All-Humans-Who-Can-Read-Should-Read-And-That-Nonhumans-Should-Find-A-Way-To-Somehow-Engage-Even-If-Reading-Is-Not-Their-Thing. The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins (Princeton University Press, 2015) joyfully bursts forth in a “riot of short chapters” that collectively open out into a mushroom-focused exploration of what Tsing refers to as a “third nature,” or “what manages to live despite capitalism.” Tsing’s book is based on fieldwork conducted between 2004 and 2011 in the US, Japan, Canada, China, and Finland, plus interviews with scientists, foresters, and matsutake traders in those places and in Denmark, Sweden, and Turkey. The book is an exemplar of the kind of work that can come out of thoughtful and extended scholarly collaboration, here resulting from Tsing’s work with the Matsutake Worlds Research Group. The book treats matsutake mushrooms as objects and companions that are good to think with, offering an exuberant picture of what it might look like to live “in our messes” as parts of contaminated and contaminating multispecies worlds and assemblages. Tsing calls for renewed attention to the importance of “arts of noticing,” of curiosity, of play, of polyphony, of adventure. And at the same time as it accomplishes all of this, The Mushroom at the End of the World is deeply committed to telling stories, taking us into moments in the lives of individual smellers and sellers and pickers and tasters and bosses and crusaders. It is a wonderful work of ethnography that, in many ways, transcends genre and discipline. Learn more about your ad choices. Visit megaphone.fm/adchoices

Anna L. Tsing‘s new book is on my new (as of this post) list of Must-Read-Books-That-All-Humans-Who-Can-Read-Should-Read-And-That-Nonhumans-Should-Find-A-Way-To-Somehow-Engage-Even-If-Reading-Is-Not-Their-Thing. The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins (Princeton University Press, 2015) joyfully bursts forth in a “riot of short chapters” that collectively open out into a mushroom-focused exploration of what Tsing refers to as a “third nature,” or “what manages to live despite capitalism.” Tsing’s book is based on fieldwork conducted between 2004 and 2011 in the US, Japan, Canada, China, and Finland, plus interviews with scientists, foresters, and matsutake traders in those places and in Denmark, Sweden, and Turkey. The book is an exemplar of the kind of work that can come out of thoughtful and extended scholarly collaboration, here resulting from Tsing’s work with the Matsutake Worlds Research Group. The book treats matsutake mushrooms as objects and companions that are good to think with, offering an exuberant picture of what it might look like to live “in our messes” as parts of contaminated and contaminating multispecies worlds and assemblages. Tsing calls for renewed attention to the importance of “arts of noticing,” of curiosity, of play, of polyphony, of adventure. And at the same time as it accomplishes all of this, The Mushroom at the End of the World is deeply committed to telling stories, taking us into moments in the lives of individual smellers and sellers and pickers and tasters and bosses and crusaders. It is a wonderful work of ethnography that, in many ways, transcends genre and discipline. Learn more about your ad choices. Visit megaphone.fm/adchoices