Podcasts about Sweden

Katie Smith has reaction to defeats for England and Wales at UEFA Women's EURO 2025. She's joined by Izzy Christiansen, Nedum Onuoha, Julien Laurens and Vicki Sparks as England are beaten by France. Hear interviews with Sarina Wiegman, Alessia Russo and Alex Greenwood. Plus Eilidh Barbour and Danny Gabbidon round up Wales' defeat to Netherlands and hear from Rhian Wilkinson.02:45 Alex Greenwood INTERVIEW, 05:55 Alessia Russo INTERVIEW, 08:00 England underperform in midfield? 11:00 Was it a foul on Russo for France's second goal? 14:45 What positives were there for England? 20:00 Hannah Hampton a highlight? 22:40 Sarina Wiegman INTERVIEW, 26:10 Wales lose in first major tournament match, 32:15 Rhian Wilkinson INTERVIEW.BBC Sounds / 5 Live commentaries: Sun 1700 Norway v Finland on Sports Extra 3, Sun 2000 Switzerland v Iceland on Sports Extra, Mon 1700 Spain v Belgium on Sports Extra, Mon 2000 Portugal v Italy on Sports Extra, Tue 1700 Germany v Denmark on Sports Extra, Tue 2000 Poland v Sweden on Sports Extra.

In 1741, the Hats finally got the war against Russia that they'd been working so hard to achieve. Finally, they'd be able to recapture the territory lost during the Great Northern War and restore Sweden's honor. Unfortunately, it soon turned out that even though they had spent years trying to start the war, they had done little to make sure that the army in Finland would be ready for it.

Uppgifter: Gängledaren Ismail Jordgubben Abdo gripen i Turkiet; Över 100 personer har sökt pengar efter skjutningen i Örebro; Tullen hittade mycket heroin mer än någonsin; Sverige möter Danmark i sin första EM-match ikväll. Lyssna på alla avsnitt i Sveriges Radio Play. Av: Roza Bicer och Nina Muossa

Tenure of Office: September 22, 1817 - March 3, 1825 Though his tenure as President was not as long as he would have liked, John Quincy Adams went on to have an impactful career after leaving the Cabinet (and the Presidency) by serving in the US House of Representatives. Will this earn him a seat at the table of Cabinet All-Stars? Listen to this final episode in the series to learn what I and my special guests, Åsa and Chris of A Flatpack History of Sweden and Kingdöm, thought of Adams's life and legacy. Sources used for this episode can be found on the website at https://www.presidenciespodcast.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello everyone! Welcome back to Hits 21: The 90s.At the roundtable this week it's Rob, Ed, and Andy!This week - Rednex bring the Deep South to Sweden, Celine Dion hopes you donsaywatchabaatooshay, there's a Comic Relief single, and Rob has an awful driving experience thanks to Wiggle Wiggle.Email: hits21podcast@gmail.comTwitter: @Hits21UK

Nu kan du få fängelsestraff om du retar en polis; Frisörsalonger har fuskat med skatten; Regeringen vill undersöka släkter som driver kriminella gäng; Noah och Anna läser böcker för barn i sommar: Riktigt kul. Lyssna på alla avsnitt i Sveriges Radio Play. Av: Roza Bicer och Nina Muossa

In this final installment of our four-part conversation with LPGA major champion Donna Andrews, we wrap up a remarkable journey through a life dedicated to the game of golf. Donna reflects on her experiences representing the United States in two victorious Solheim Cups—sharing memories of teeing it up alongside Betsy King, squaring off against Helen Alfredsson, and the camaraderie that made those team events unforgettable. She also recalls the pride and challenges of captaining the Junior Solheim Cup team in Sweden, mentoring the next generation of stars.We revisit some of the toughest moments of her playing career, including playoff heartbreaks against Hall of Famers like Betsy King and Annika Sörenstam, and discuss a U.S. Women's Open memory at Oakmont that still lingers. With trademark humility and humor, Donna explains what she would change if given a Mulligan—and what she wouldn't.Donna also dives into her post-tour life as a celebrated teacher and ambassador for women's golf. From her work at Pine Needles with the legendary Peggy Kirk Bell, to hosting the Donna Andrews Invitational, to volunteering with her daughter at a local dog rescue, Donna's passion for giving back shines through.Finally, she speaks from the heart about her faith, the importance of legacy, and how she hopes to be remembered—not just as a champion on the course, but as someone who used golf to make a positive impact in the world.Don't miss this heartfelt conclusion with one of the game's most respected voices. Donna Andrews reminds us that while trophies fade, the values we pass along endure—"FORE the Good of the Game."Give Bruce & Mike some feedback via Text.Support the showFollow our show and/or leave a review/rating on: Our Website https://www.forethegoodofthegame.com/reviews/new/ Apple Podcasts https://podcasts.apple.com/us/podcast/fore-the-good-of-the-game/id1562581853 Spotify Podcasts https://open.spotify.com/show/0XSuVGjwQg6bm78COkIhZO?si=b4c9d47ea8b24b2d About "FORE the Good of the Game” is a golf podcast featuring interviews with World Golf Hall of Fame members, winners of major championships and other people of influence in and around the game of golf. Highlighting the positive aspects of the game, we aim to create and provide an engaging and timeless repository of content that listeners can enjoy now and forever. Co-hosted by PGA Tour star Bruce Devlin, our podcast focuses on telling their life stories, in their voices. Join Bruce and Mike Gonzalez “FORE the Good of the Game.” Thanks so much for listening!

The boys-only episode talks about layoffs sweeping through top Swedish studios before diving into yet another round of Xbox layoffs. In this episode, we also cover Apple's ongoing cat-and-mouse game with the EU's DMA rules and unpack the critical difference between private equity and venture capital in gaming. The crew analyzes the early flop of Marvel Mystic Mayhem before talking about how Splitgate 2 is already struggling to justify its existence.02:36 Sweden's Gaming Industry Layoffs05:22 Gamescom Events Preview06:13 Microsoft Layoffs and Xbox Strategy13:29 Apple's Response to the DMA21:59 Private Equity vs. Venture Capital in Gaming32:41 Eve Online: Myth vs. Reality34:02 Uma Musume Pretty Derby's US Launch36:42 Marvel Mystic Mayhem's Struggles42:55 Rainbow Six Siege: A Decade of Success47:47 Splitgate 2: The Rise and Fall56:25 The Harsh Realities of the Gaming Market01:00:58 Up Next

This bonus content is a reading from Platypus, the CASTAC Blog. The full post by Eric Orlowski and Juan Forero-Duarte can be read at https://blog.castac.org/2025/07/excavating-cosmotechnical-diversity-in-colombia-and-sweden/. About the post: "Excavating" Cosmotechnical Diversity in Colombia and Sweden offers an ethnographic comparative study of metaphorical Silicon Valley's within local contexts of Sweden and Columbia using Yuk Hui's (2017) cosmotechnics as a conceptual framework.

Katie Smith is joined by our commentary team of Izzy Christiansen and Vicki Sparks in Basel to reflect on Norway's 2-1 win against hosts Switzerland. Former England captain Steph Houghton is on the pod too as the panel react to Chloe Kelly's reunion with Arsenal ahead of England's tournament opener on Saturday. And finally, Danny Gabbidon and Eilidh Barbour are here to preview tomorrow's match between Spain and Portugal.Timecodes: 00:15 Switzerland 1-2 Norway reaction 09:26 Chloe Kelly interview with Ben Haines 13:22 The panel reacts to her Arsenal reunion 19:45 Danny Gabbidon & Eilidh Barbour preview Spain v PortugalBBC Sounds / 5 Live commentaries: Thu 2000 Spain v Portugal on 5 Live, Fri 1700 Denmark v Sweden on Sports Extra 3, Fri 2000 Germany v Poland on 5 Live, Sat 1700 Wales v Netherlands on 5 Live, Sat 2000 France v England on 5 Live.

Dr. Dan Schneider joins us to break down the often times overreaching and absurd behavior of evil in our world. The different levels of attack from the enemy, some subtle and some not so subtle, demand that we are vigilant and well trained to stand up against the threats. As we celebrate the independence of the United States we are reminded that always being vigilant and being prepared is a must. ------------------------------- Join this channel to get access to perks: https://www.youtube.com/channel/UCKZ9OefEJLEx1qYcBxgAFww/join -------------------------------- PATREON - Help support this podcast by becoming a US Grace Force PATRON here: https://www.patreon.com/user?u=25398590 -------------------------------- Check out ROMAN CATHOLIC GEAR and get the AMMO CAN and other amazing Catholic gear for the battle of your life! Click HERE: https://romancatholicgear.com/USGF -------------------------------- Subscribe to our NEW US Grace Force YouTube channel! US GRACE FORCE 2.0. Don't miss any new, great content!! https://youtube.com/@USGraceForce2.0?si=zq47qEqPITXnIDkg -------------------------------- Join the US Grace Force Team HERE: https://visitor.r20.constantcontact.com/manage/optin?v=001ESuSGaJpYPCG2iUdd4j4bkKwd4gkh2ZUVbam_Ty9rCn6blH6_U3cI2D8UvSLEcSzHnC4eq2UWmK1I0SbEw0SPKqnkZ2j0Z4J4D-_m4dD6CKJU9day-bBa8Qnx4dv7RLDIVlYAjL1JWsjfUTNPH2jQIVY9gbdbz4O4oMIzv5V1dT_upQsD8cX86iq_5Y-x4eLrTVtdOmA24s%3D&fbclid=IwY2xjawFRvvdleHRuA2FlbQIxMAABHdo526R1rgNAIW76yyQnVbo957e1TgOoQ4RH3Tr84D8376Y7jng09gtlOw_aem_H7Y7Ej6cF6-nPyfOZ4qMTQ -------------------------------- PRAY THE ROSARY: The Joyful Mysteries: https://www.youtube.com/watch?v=aMAR9MEN1pE&t=656s --------------------------------- The Sorrowful Mysteries: https://www.youtube.com/watch?v=XHUkx66oAxE&t=311s --------------------------------- The Glorious Mysteries: https://www.youtube.com/watch?v=Pg_JWsxS6EA&t=207s --------------------------------- The Luminous Mysteries: https://www.youtube.com/watch?v=PVL5CqBr3CA&t=198s --------------------------------- The Full Rosary: https://www.youtube.com/watch?v=44zL1kFIvP8&t=1765s --------------------------------- Be Ready Emergency Preparedness Course: Be prepared to Care for and Protect your Family in times of Natural Disasters, Emergencies, Civil Unrest, Economic Collapse, and more. Sign up for the course HERE: https://brcoalition.com/ --------------------------------- Go HERE to check out the BR Coalition and get great training Body, Mind & Soul! https://brcoalition.com/ Become part of one of the fastest growing online Catholic Membership sites. --------------------------------- Get your hands on some great US Grace Force T-shirts! https://us-grace-force.creator-spring.com/ --------------------------------- The seven promises given to St Bridget of Sweden for those who devote themselves to her Seven Sorrows. 1. I will grant peace to their families. 2. They will be enlightened about the Divine Mysteries. 3. I will console them in their pains, and I will accompany them in their work. 4. I will give them as much as they ask for as long as it does not oppose the adorable will of my Divine Son or the sanctification of their souls. 5. I will defend them in their spiritual battles with the infernal enemy and I will protect them at every instant of their lives. 6. I will visibly help them at the moment of their death—they will see the face of their mother. 7. I have obtained this grace from my divine Son, that those who propagate this devotion to my tears and dolors will be taken directly from this earthly life to eternal happiness, since all their sins will be forgiven and my Son and I will be their eternal consolation and joy.

Minst antal födda barn på 22 år / De flesta polisanmälningar om våldtäkter mot barn läggs ner i södra Sverige / Mycket åska och regn i flera delar av landet / Jonathan vandrar från Norrköping till Spanien Lyssna på alla avsnitt i Sveriges Radio Play. Reportrar: Nina Muossa och Roza Bicer.

From the BBC World Service: Political turmoil is brewing in Thailand after the country's prime minister, Paetongtarn Shinawatra, was suspended by the Constitutional Court. Her party, the Pheu Thai Party, has struggled to launch key economic policies since taking office. We'll hear more. Plus, a dispatch from Robinhood's international crypto event in Cannes and a trek to the Øresund Bridge, which has linked Denmark and Sweden — and impacted businesses there — for 25 years.

In the summer of 1946, the skies over Scandinavia were alive with unexplained activity. Strange lights and cigar-shaped objects had been seen darting across the sky, often moving too fast and too precisely to be dismissed as meteors. They came without sound, left no debris, and vanished before they could be traced.But in the Swedish town of Ängelholm, just as that wave of sightings was peaking, something else happened, something far more direct.A man claimed he didn't just see a strange object flying overhead. He said it landed. He said he approached it. And he said the encounter was unlike anything he had ever experienced before or since.Brief Encounters is a tightly produced, narrative podcast that dives headfirst into the world of UFO sightings, the paranormal, cryptids, myths, and unexplained legends. From ancient sky wars to modern close encounters, each episode takes listeners on a journey through some of the most mysterious and compelling cases in human history. Whether it's a well-documented military sighting or an eerie village legend whispered across generations, Brief Encounters delivers each story with atmosphere, depth, and cinematic storytelling. Episodes are short and binge-worthy perfect for curious minds on the go. In just 5 to 10 minutes, listeners are pulled into carefully researched accounts that blend historical context, eyewitness testimony, and chilling details. The series moves between eras and continents, uncovering not only the famous cases you've heard of, but also the forgotten incidents that deserve a closer look. Each story is treated with respect, skepticism, and wonder offering both seasoned enthusiasts and casual listeners something fresh to consider. Whether it's a 15th-century sky battle over Europe, a cryptid sighting in a remote forest, or a modern-day abduction report from rural America, Brief Encounters is your guide through the shadows of our world and the stories that refuse to be explained.UFO Chronicles Podcast can be found on all podcast players and on the website: https://ufochroniclespodcast.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/ufo-chronicles-podcast--3395068/support.

Ali Bruce-Ball is joined by Conor McNamara & Vicki Sparks ahead of UEFA Women's EURO 2025. Hear from England striker Alessia Russo, catch Vicki's Toblerone tales from Basel and will the ‘false one' get in to the Great Glossary of Football Commentary. Plus reaction to Manchester City crashing out of the FIFA Club World Cup, and will Clash of the Commentators champion Ali Bruce-Ball be beaten?Live show tickets: crossedwires.live/fringe WhatsApp voicenotes to 08000 289 369 Emails to TCV@bbc.co.uk00:50 Man City knocked out of FIFA Club World Cup, 03:10 Russell Fuller slips on his cliché banana skin, 07:30 Vicki Sparks joins the pod live from Switzerland, 13:40 5 Live commentaries at the Women's Euros, 14:10 Hear from England striker Alessia Russo, 17:05 What are Wales aiming for at first major tournament? 19:20 Don't give Vicki extra facts on matchday! 23:30 Toblerone tales from Basel, 25:15 Vicki vs Ali in Clash of the Commentators, 32:10 ‘False One' for the Great Glossary?BBC Sounds / 5 Live commentaries: Wed 1700 Iceland v Finland on Sports Extra 2, Wed 2000 Switzerland v Norway on 5 Live, Thu 2000 Spain v Portugal on 5 Live, Fri 1700 Denmark v Sweden on Sports Extra 3, Fri 2000 Germany v Poland on 5 Live, Sat 1700 Wales v Netherlands on 5 Live, Sat 2000 France v England on 5 Live.Glossary so far: 2-0 is a dangerous score, After you Claude, All-Premier League affair, Aplomb, Brace, Brandished, Breaking the deadlock, Bundled over the line, Champions elect / champions apparent, Clinical finish, Commentator's curse, Coupon buster, Cultured/Educated left foot, Denied by the woodwork, Draught excluder, Elimination line, Fellow countryman, Foot race, Formerly of this parish, Fox in the box, Free hit, Goalmouth scramble, Good touch for a big man, Head tennis, Honeymoon Period, In and around, In the shop window, Keeping ball under their spell, Languishing, Loitering with intent, Marching orders, Nestle in the bottom corner, Numbered derbies, Nutmeg, One of those, Opposite number, Park the bus, PK for penalty-kick, Postage stamp, Put their laces through it, Rasping shot, Red wine not white wine, Relegation six-pointer, Rooted at the bottom, Roy of the Rovers stuff, Seen them given, Sending the goalkeeper the wrong way, Sleeping giants, Slide rule pass, Small matter of, Smash and grab, Spiders web, Stayed hit, Steepling, Stinging the palms, Stonewall penalty, Straight off the training ground, Stramash, Sweeper keeper, Throw their cap on it, Thruppenny bit head / 50p head, Turns like an ocean liner / aircraft carrier, Put it in the mixer, Towering header, Turning into a basketball match, Turning into a cricket score, Walking a disciplinary tightrope, Wand of a left foot, We've got a cup tie on our hands, Where the owl sleeps, Winger in their pocket, Wrap foot around it, Your De Bruynes, your Gundogans etc.

From the BBC World Service: Political turmoil is brewing in Thailand after the country's prime minister, Paetongtarn Shinawatra, was suspended by the Constitutional Court. Her party, the Pheu Thai Party, has struggled to launch key economic policies since taking office. We'll hear more. Plus, a dispatch from Robinhood's international crypto event in Cannes and a trek to the Øresund Bridge, which has linked Denmark and Sweden — and impacted businesses there — for 25 years.

Bob hosts Steve Hanke, Distinguished Senior Scholar at the Mises Institute and Professor of Applied Economics at Johns Hopkins University, to discuss his research on hyperinflations, currency board solutions, and the economic effects of the COVID lockdowns. Hanke explains the findings of his meta-analysis of lockdown impact and explains why Sweden's laissez-faire approach was vindicated. He also draws from decades of experience stopping hyperinflation globally, advocating currency boards and gold-backed solutions as effective alternatives to central banks.Follow Professor Hanke on X --- @Steve_HankeProfessor Hanke's Austrian Economics Research Conference Lecture: Mises.org/HAP506aProfessor Hanke's IEA Article, "Did Lockdowns Work? The Verdict on COVID Restrictions": Mises.org/HAP506bThe Mises Institute is giving away 100,000 copies of Murray Rothbard's, What Has Government Done to Our Money? Get your free copy at Mises.org/HAPodFree

Nya lagar börjar gälla idag / Nästan 2000 tidigare anställda på Northvolt kan tvingas lämna Sverige / Stallet som vill starta en klubb för personer över 65 år Lyssna på alla avsnitt i Sveriges Radio Play. Reportrar: Roza Bicer och Nina Muossa.

Lauren Harris joins James to preview The Women's European Championships that kick off in Switzerland tomorrow, and England's Lionesses will be among the favourites. But they haven't been helped by the draw and England are at risk of an early elimination should things go badly from a Group that also contains France, The Netherlands and Wales. The lopsided nature of the draw means Spain should breeze through to the Semi Finals and it does guarantee one of the lesser nations reach the final four. To get to that stage England won't have to just navigate their Group of Death, but also a likely Quarter Final against Sweden or Germany, the two sides England beat to lift this trophy three years ago. All 16 nations covered, best players to keep an eye on, England's likely line up for their opener on Saturday and there are two Fantasy formats on the tournament covered too. Tomorrow on Planet FPL: Club World Cup Last 16 Review Today on Patreon: Money in Football (BT+) & Talking England u21s (AT) For the full Planet FPL schedule this week, including our offering on Patreon view this post: https://www.patreon.com/posts/schedule-june-132819251 Want to become a member of our FPL community and support the Podcast?  Join us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/planetfpl⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow James on Twitter/x: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/PlanetFPLPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Suj on Twitter/x: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/sujanshah⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Clayton on Twitter/x: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/claytsAFC⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Subscribe to our YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@PlanetFPL⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Like us on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/planetfpl⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/planetfpl⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #WomensEuros #Euro2025 #Lionesses Learn more about your ad choices. Visit podcastchoices.com/adchoices

July is vacation month in Denmark, and it's ironic that many Danes go elsewhere on vacation at just this time of year, when you have the best chance of good weather in Denmark. And I do mean chance – there is never any guarantee. Some Danes go abroad, driving vacations to Southern Europe are popular. There's a well-known cycle in which the summer weather is good one year, so everyone plans a vacation in Denmark the following year, and then the weather is awful, so everyone plans a foreign vacation the next year, and then the weather is good, and so on. You can surf in Denmark Staying in Denmark, even if you don't own one of the famous Danish summer houses, can be a great choice. There's a surprising amount of nature to experience in this small, flat, country that isn't as densely populated as the UK, or the Netherlands, or even Germany. You can surf in Denmark, along the windy west coast, and when you're done explore the ever changing sand dunes. Maybe visit the little lighthouse that is slowly being swallowed up by the sand. Hike through ancient forests in Denmark In Denmark you can hike through ancient forests, and even sleep there in some of the public forest shelters. Most of the forest shelters are big wooden boxes with one side entirely open, but with a roof to protect you from the rain. You can walk through beautiful meadows filled with wildflowers and butterflies. Watch whales along the coastline. Tramp through marshes and see red foxes and white-tailed eagles. Visit open grasslands with a few wild horses. Chalk cliffs and fossil hunting in Denmark You can enjoy almost any type of Nordic landscape except mountains, because Denmark doesn't really have any. It's tallest peak, Møllehøj, is 1/3 the height of the Empire State Building. But if you insist on rocky peaks, you can visit some lovely chalk cliffs in Denmark and try fossil hunting in the sand. And what ties them all together is the Marguerite Route, or Daisy Route, that runs all over Denmark. The Daisy Route isn't a straight line from one place to another, like Route 66 in the US or the Trans-Siberian express. It's 4200 kilometers, or 2600 miles, that looks like a plate of spaghetti, with lots of curves and twists. It takes you on back roads where you can see the quiet side of Denmark. It never doubles back on itself and, with one significant exception – the Big Belt Bridge between Zealand and Fyn – it involves no highways. Margueritruten Route or the Daisy Route The Daisy Route is named after the former queen, Margrethe, who inaugurated it on her 50th birthday in 1991. Her nickname is Daisy. And the signs you will follow on the Daisy Route are brown squares with white daisies. The Daisy Route is a great way to enjoy Danish nature, although, unfortunately, it works best with a car. Bikes in the city, cars in the countryside One of Denmark's little secrets is that despite all the tourism pictures of healthy Danes riding bicycles, bicycle infrastructure is best in the big cities. Many roads in the countryside don't have a bike lane, and you probably don't want to be on a lonely country road on your bike with a cement mixer truck behind you. Outside of those big cities, most Danes do own cars – and there are more cars in Denmark every year, even though they're very expensive and parking enforcement is draconian. From the window of my home in Copenhagen, I watch cars being hit with parking fines every single weekday. Denmark's founding document, the Jelling Stone What about mass transit? Can you enjoy the Daisy Route using trains and buses? You can indeed, if you want to see some of the major cultural spots on the route. For example, the Jelling Stone, the giant carved stone that is Denmark's founding document, kind of its Magna Carta or Declaration of Independence. Put up by King Harold Bluetooth in the year 965, it marks Denmark's transition to the centralized monarchy it still has today. And yes, Bluetooth on your phone is named after him. The Jelling Stone is very easy to reach by train. Finding Fossils on Møns Klimt Or Kronborg Castle in Helsingør, also known as Elsinore in Shakespeare's play Hamlet. You can easily take public transport to the castle, where Hamlet lived in the play, and the guard Marcellus said “Something is Rotten in Denmark.” Although Shakespeare apparently never visited the castle himself, you can. It's a simple trip with train, bus, or even ferry from Sweden. But the some of the best stops on the Daisy Route in Denmark don't work well with mass transit. For example, Møns Klimt is a dramatic white chalk cliff on an island in southeast Denmark. You can walk along the beach finding prehistoric fossils during the day or go stargazing at night, because there's very little light pollution. Summer vacation chill in Denmark To get to Møns Klimt from my home in Copenhagen is a 90 minute car trip…or a 4-hour odyssey involving three trains, two buses, and a long walk. Or a 7-hour bike trip. It can be done without a car, but it may take away some of your vacation chill. And vacation chill is what July in Denmark is all about. Everything closes down Many companies in Denmark shut down for the last two weeks of July and sometimes the first week of August, restaurants and shops are closed, many church services are suspended. Even my local ice cream shop in Copenhagen closes down, although I'm sure the ones in tourist locations are open and very busy. You may get to enjoy this in glorious summer sunshine, and on a sunny day, there is no country as pretty as Denmark. Or you could experience it in cold, pelting rain – possibly on the same day. Danish summer weather has no guarantees.

Bob hosts Steve Hanke, Distinguished Senior Scholar at the Mises Institute and Professor of Applied Economics at Johns Hopkins University, to discuss his research on hyperinflations, currency board solutions, and the economic effects of the COVID lockdowns. Hanke explains the findings of his meta-analysis of lockdown impact and explains why Sweden's laissez-faire approach was vindicated. He also draws from decades of experience stopping hyperinflation globally, advocating currency boards and gold-backed solutions as effective alternatives to central banks.Follow Professor Hanke on X --- @Steve_HankeProfessor Hanke's Austrian Economics Research Conference Lecture: Mises.org/HAP506aProfessor Hanke's IEA Article, "Did Lockdowns Work? The Verdict on COVID Restrictions": Mises.org/HAP506bThe Mises Institute is giving away 100,000 copies of Murray Rothbard's, What Has Government Done to Our Money? Get your free copy at Mises.org/HAPodFree

SEGMENTS00:00 Taste of the episode 01:52 Introduction to Greg Dingizian 04:22 How intentional was Greg's success? 06:07 Where the name “Agharta” came from 07:18 How Armenian roots influenced Greg 08:52 What Armenian and Swedish cultures can learn from each other 10:33 Suffering, grace and victimhood 12:40 Creating life experience from inside out 14:29 Gyurjieff and the mental prisons we cannot escape 14:52 Seeing through illusions 17:17 The illusion of “getting there” with money 18:28 Many ways spiritual understanding can evolve 23:41 Greg warns: too much focus on the external 26:58 How to set business goals 29:51 Finding qualified critics and idea meritocracy 31:31 Find what feels like play to you, but seems like work to others 34:05 Taking daring action and what prevents it 37:06 The role of mentors and how to find them 39:15 “Going to get it” vs “allowing it to come to you” 39:58 Mutual factors behind Esabelle and Greg's success 42:32 “Who am I”? 44:28 Techniques, thoughts, emotions 46:21 Emptying the mind 48:24 Intuition and not following conventions 49:51 Transcending the intellect and touching wisdom 50:47 The most demanded skill in 10 years52:14 Artificial intelligence 53:54 Bigger shifts to come 55:53 Hope for a global awakening 58:22 Word association game with Greg (from politics to meditation) 01:00:15 Reminder: just chop wood and carry water--My podcast guest is what some might call a "hippie billionaire," a man who attributes his success to quieting the mind, meditation, intuition and taking daring action inspired by stillness.While in Malmö, I had the chance to interview Greg Dingizian, a visionary Swedish-Armenian investor and one of our nation's most affluent sons.Greg is behind some of Sweden's most significant real estate deals, including Victoria Park, a company he helped build and later sold in a landmark acquisition valued at nearly €1 billion.The real reason I wanted to interview Greg is the source of his success - accessing the stillness within, as he attributes it, in very simple terms. For example, he shares how the idea for Victoria came "as a download" when he was swimming.Greg says mindfulness and meditation gave him his life back, which is why he donated 6 million SEK to Malmö University, to fund research on mindfulness. We covered a lot in an hour: → the illusions he had to give up to become what he has, → his techniques and core principles, → AI, → Armenia, Sweden and being an immigrant,→ mentorship, money and company culture,→ compassion, forgiveness and suffering, → finding critics, intuition and transcending the intellect, → meditation on "I am," → what Greg hopes for and anticipates: a global awakening and the collapse of dominant structures.Greg is also the founder of "Bridge to Armenia," now led by his sister, Ezabelle Dingizian, the former Deputy Speaker of the Swedish Parliament. I just loved co-creating this episode. It was honest. Joyful. Deep. I think you'll feel it too.Thank you for tuning in, prioritizing your self-realization and listening beyond the word.Razmik#podcast #mentalhealth #success #GregDingizian #consciousleadership #meditation #Armenia #Sweden #mindfulness #coaching #marketing #money #productivity #entrepreneurship #personalgrowth #spiritualbusiness #business

Have you lived in your home so long that you don't notice its flaws? In Sweden, they have a name for this condition: It's hemmablind—literally, “home blind.” A popular Swedish TV program shows what you can do about it. Plus, unlocking the mysterious word conclave. And: How did the expression “throw in the towel” come to mean “give up”? Also, pully, visiting firemen, the origin of conclave, how to pronounce grimace, the reason to substitute a different word for substitute, a word challenge involving the letter Y, shiver me timbers!, kiss the dealer! and more. Hear hundreds of free episodes and learn more on the A Way with Words website: https://waywordradio.org. Be a part of the show: call or text 1 (877) 929-9673 toll-free in the United States and Canada; elsewhere in the world, call or text +1 619 800 4443. Send voice notes or messages via WhatsApp 16198004443. Email words@waywordradio.org. Copyright Wayword, Inc., a 501(c)(3) corporation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ben Haines is joined by Ellen White and Jen Beattie ahead of UEFA Women's EURO 2025. They reflect on the key talking points from England's 7-0 friendly win over Jamaica. How much does that result mean? What about the Toone/James selection headache? And who will be the players to watch at the tournament in Switzerland?03:15 How much can you read into the Jamaica game? 06:45 When do the players know they are starting? 10:00 Toone turns it on, but James causes headache, 14:05 Were Jamaica the right opponents for England? 16:15 England overcome disruptive build-up, 18:30 What's it like going into tournament mode? 25:35 Bonmati boost for ‘favourites' Spain, 27:55 How important is it for hosts Switzerland to do well? 31:20 Norway are an ‘odd team'… 32:35 Who are the players to watch?BBC Sounds / 5 Live commentaries: Wed 1700 Iceland v Finland on Sports Extra 2, Wed 2000 Switzerland v Norway on 5 Live, Thu 2000 Spain v Portugal on 5 Live, Fri 1700 Denmark v Sweden on Sports Extra 3, Fri 2000 Germany v Poland on 5 Live, Sat 1700 Wales v Netherlands on 5 Live, Sat 2000 France v England on 5 Live.

The Öresund Bridge, which connects Sweden and Demark, opened exactly 25 years ago today. It is one of Europe's most iconic bridges, carrying road and rail passengers between Copenhagen and Malmo. We look at how it has helped boost business and tourism and find out what other cities and countries might learn from its cross-border successes and challenges. Producer/presenter: Maddy Savage(Image: The bridge on a calm day. Credit Getty Images)

Nya ministrar i regeringen / Färre vill donera organ / Värmen kommer till Sverige men bara ett litet tag / Många svenskar vill vila upp sig ordentligt under semestern Lyssna på alla avsnitt i Sveriges Radio Play. Reportrar: Nina Muossa och Roza Bicer.

The deadlift is one of the most primal exercises in the gym and a true test of strength from head to toe. In this episode, we look into the muscles worked when deadlifting and how to perform the lift safely and effectively. We also break down the biomechanics of deadlifting, best practices for your technique, common mistakes, a bit about how dangerous it actually is to deadlift with a rounded back, and workout routine suggestions. This is the third episode in our series covering ”The Big 6” exercises: the bench press, squat, deadlift, overhead press, different kinds of rows, and pull-up/lat pulldown. Up next week: The overhead press! *** Do you like what you hear so far? Please leave a five-star review in your podcast player. And hit that follow button! You can also follow us on Instagram. You'll find Daniel at @strengthdan, and Philip at @philipwildenstam. Become a part of our Reddit community here. *** This podcast is brought to you by Styrkelabbet AB, Sweden. To support us, download the world's best gym workout tracker app StrengthLog here. It's completely ad-free and the most generous fitness app on the market, giving you access to unlimited workout logging, lots of workouts and training programs, and much, much more even if you stay a free user for life. If you want a t-shirt with ”Train hard, eat well, die anyway”, check out our shop here.

Wednesday, June 29th, 2022In the Hot Notes: explosive testimony from Cassidy Hutchinson during the last minute hearing on the 1/6 attack on the Capitol building; Ghislaine Maxwell is sentenced to 20 years in prison; There's no chance that Supreme Court justices could be charged with perjury during their confirmation hearings; Turkey has dropped its opposition of Finland and Sweden joining NATO; and filmmaker Alex Holder has been contacted by the Fulton County DA Fani Willis; plus Dana and Allison deliver your Good News.Follow our guest on Twitter:Randall Eliasonhttps://twitter.com/rdeliason Federal workers - feel free to email me at fedoath@pm.me and let me know what you're going to do, or just vent. I'm always here to listen.Share your Good News or Good TroubleMSW Good News and Good Trouble Check out other MSW Media podcastshttps://mswmedia.com/shows/Subscribe for free to MuellerSheWrote on Substackhttps://muellershewrote.substack.comFollow AG and Dana on Social MediaDr. Allison Gill Substack|Muellershewrote, BlueSky|@muellershewrote , Threads|@muellershewrote, TikTok|@muellershewrote, IG|muellershewrote, Twitter|@MuellerSheWrote,Dana GoldbergTwitter|@DGComedy, IG|dgcomedy, facebook|dgcomedy, IG|dgcomedy, danagoldberg.com, BlueSky|@dgcomedyHave some good news; a confession; or a correction to share?Good News & Confessions - The Daily Beanshttps://www.dailybeanspod.com/confessional/ Listener Survey:http://survey.podtrac.com/start-survey.aspx?pubid=BffJOlI7qQcF&ver=shortFollow the Podcast on Apple:The Daily Beans on Apple PodcastsWant to support the show and get it ad-free and early?Supercasthttps://dailybeans.supercast.com/Patreon https://patreon.com/thedailybeansOr subscribe on Apple Podcasts with our affiliate linkThe Daily Beans on Apple Podcasts

Katie Smith has reaction to England's 7-0 friendly win over Jamaica ahead of UEFA Women's EURO 2025. She's with Karen Bardsley, Gilly Flaherty and Vicki Sparks. Also hear interviews with Sarina Wiegman, Ella Toone and Georgia Stanway.00:45 England win couldn't have gone much better, 02:30 How excited should we be about Lauren James? 04:50 Ella Toone stakes her claim for the 10 role, 07:20 Lionesses given their send-off in Leicester, 15:05 Sarina Wiegman INTERVIEW, 19:35 England's defensive performance, 21:45 Ella Toone INTERVIEW, 26:05 Should Le Tissier or Agyemang have played? 28:30 BONUS INTERVIEW with Georgia Stanway.BBC Sounds / 5 Live commentaries: Wed 1700 Iceland v Finland on Sports Extra 2, Wed 2000 Switzerland v Norway on 5 Live, Thu 2000 Spain v Portugal on 5 Live, Fri 1700 Denmark v Sweden on Sports Extra 3, Fri 2000 Germany v Poland on 5 Live, Sat 1700 Wales v Netherlands on 5 Live, Sat 2000 France v England on 5 Live.

Gene and cohost Tim Swartz feature Fred Andersson, a renowned researcher, television freelancer, author, and podcaster from Sweden. With a focus on high strangeness, the paranormal, and UFOs, he has carved a niche for himself as an out-of-the-box thinker and explorer of the weird. In 2023 “Northern Lights: High Strangeness in Sweden,” was published, which is the first book written in English entirely devoted to the subject of high strangeness, UFOs, and other mysteries in Sweden. Fred has worked on UFO-Mysteriet, the first Swedish documentary series on the UFO phenomenon, and, in the fall of 2025, will see the release of a new series about hauntings and other strange things around in Sweden. He's currently researching conspiracy theories for an upcoming television project and is researching a unique form of historical ghostly mass hysteria.While Sweden is known as a secular, rational country, where stories of the paranormal are considered something of the past, the truth is quite the opposite. According to Fred, the country has a long history of weirdness, unexplained observations, and eerie encounters, often connected to the countryside, desolate roads, and empty fields. From gnomes, elves, and trolls of the past to UFOs and aliens in modern times, are they perhaps all connected, just different perceptions of the same underlying phenomenon? And what about sightings of purported werewolves? His website: fred-andersson.medium.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-paracast-the-gold-standard-of-paranormal-radio--6203433/support.

When Iron Maiden announced they'd be doing the Run For Your Lives Tour in 2025-26, The Wolf & Action Jackson knew they would have to go see a couple of shows. And when there were only European dates announced for 2025, they knew they needed to dust off their passports because there was no way they would be able to wait 2 years to see the boys on what could be their biggest and best (perhaps last?) greatest hits tour ever. So they chose Stockholm as their European venue because 1) They'd never been to Sweden and 2) Iron Maiden played 2 nights there. Plus the Wolf Cub had been promised by her father that he'd take her to see Maiden in Europe once she was old enough (but was she? Swedish authorities didn't think so but we came up with a work-around). Stockholm was an enchanting land full of beautiful people and a packed house full of Iron Maiden fans for 2 nights of heavy metal classics. We were revved up by Lzzy Hale and Halestorm who held their own on the stage and then treated to the best setlist The Wolf has seen in 30 years of seeing the band live. As The Wolf marked his 9th and 10th IM shows, they were the first without Nicko McBrain on the drums as the band introduced Simon Dawson to the family (though most knew him from Steve Harris' side project British Lion). Besides the Eddies who came out to have fun with the band, the real show was the new video screen behind the stage and on the amplifiers. It set the backdrop for the song like showing the Eiffel Tower during Murders in the Rue Morgue or a creepy graveyard for Fear of the Dark. But they also created some more interactive movies for epics like Rhime of the Ancient Mariner and Hallowed Be Thy Name. While the boys played lights out, the screen enhanced the experience and understanding of the lyrics for folks from the front row to the back of the house. Two truly magic nights in Stockholm which only left us wondering when (and where) would we see our heavy metal heroes again. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

**Social Media:**   [Website](https://tomanddan.com/) | [Twitter](https://twitter.com/tomanddanlive) | [Facebook](https://facebook.com/amediocretime) | [Instagram](https://instagram.com/tomanddanlive) **Where to Find the Show:**   [Apple Podcasts](https://podcasts.apple.com/us/podcast/a-mediocre-time/id334142682) | [Google Podcasts](https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2FtZWRpb2NyZXRpbWUvcG9kY2FzdC54bWw) | [TuneIn](https://tunein.com/podcasts/Comedy/A-Mediocre-Time-p364156/) **The Tom & Dan Radio Show on Real Radio 104.1:**   [Apple Podcasts](https://podcasts.apple.com/us/podcast/a-corporate-time/id975258990) | [Google Podcasts](https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2Fjb3Jwb3JhdGV0aW1lL3BvZGNhc3QueG1s) | [TuneIn](https://tunein.com/podcasts/Comedy/A-Corporate-Time-p1038501/) **Exclusive Content:** [Join BDM](https://tomanddan.com/registration) **Merch:** [Shop Tom & Dan](https://tomanddan.myshopify.com/)

Ny bok visar Sverigedemokraternas antisemitiska historia / Trots polisens nya metod fortsätter barn begå brott åt kriminella gäng / Libanesisk-svenska Gabriella bär sin svenska folkdräkt med stolthet Lyssna på alla avsnitt i Sveriges Radio Play. Reportrar: Nina Muossa och Roza Bicer.

THIS IS NOT INVESTMENT ADVICE. INVESTING IS RISKY AND OFTEN PAINFUL. DO YOUR OWN RESEARCH. Last week at this time, investors and the world were wondering if an attack on Iran would spiral into a broader war. Since then, oil prices plunged nearly 20% (shown below), and the focus shifted to TALO. The White House criticized Canada for having the audacity to do to the US what China did—retaliate where it hurts. China restricted rare earth exports, while Canada imposed digital taxes. Same idea.Given that Iran is now in the rearview mirror, where does that leave us? A few thoughts on markets below. Before I jump in, however, two podcasts. First, I spoke last week with Democratic Congressman Jim Himes, who accurately predicted the policy with Iran and also shared his thoughts with what is going on in DC more broadly. Among other interesting points: Congress won't constrain spending until a crisis emerges. This suggests ever-larger deficits until long-end bond yields spike. Other countries are balancing their budgets; the US, not so much. Second, a past guest, Dr. Alexander Vanyukov, was labeled a “foreign agent” by Russia last week. You can hear our 2021 conversation here. Alexander is a friend and a remarkable person—the type a government should treasure. You can hear why in this podcast. During COVID, his hospital was on the front lines, and among other innovative solutions, he called for volunteers in a notoriously cynical society and recruited soccer hooligans to care for grandmothers. I'm not making this up. That Russia is punishing someone like him shows how far the government has veered off course, alienating talent, as it has for generations. Russia is dangerous, and the US will likely abandon Ukraine to Russia's grip as fall approaches and US funding dries up. While it won't happen this fall, if Russia isn't contained, other countries will end up in Ukraine's situation. We all know the story; Alexander's conversation puts a human face on it. Regarding the markets, three big themes stand out: AI, slowing growth, and tariffs.* This week, AI went haywire; the NASDAQ surged nearly 4% and is now up 4.5% for the year. But this had little to do with AI. Instead, it was driven by a) the realization that Iran was foreign policy Kabuki and b) expectations the Fed is about to cut interest rates. But why “b”? Not because the Fed said so. The Fed chief stated the opposite in two days of testimony, emphasizing they are in no hurry to cut rates. Yet, the market anticipates rate cuts and priced in another 25 basis points of cuts just as tariffs are set to kick in and drive up prices. As a result, rate expectations shifted significantly, the yield curve steepened, and stocks soared. We now have a sense of what will happen when rates are cut, though I suspect that won't happen for a while. The line below shows the change in discounting. * Growth is slowing, slowly and at various paces in different countries. If you look at where unemployment is above average and yet bond markets are discounting relative strength, some of the smaller countries on the periphery stand out, like New Zealand and Sweden. That said, our perception is that growth is gradually slowing everywhere. Most governments are reducing spending, private sector borrowing is lackluster, and unemployment is rising, so incomes are falling. In short, where is the fuel for a boom, outside of AI?* Tariffs are coming. We just don't know how much or when, and everyone is confused. If I were the Fed, I'd stick to my guns and hold off on rate changes until inflation and employment data clarify the situation. If I were in the White House, I'd delay the tariffs because signing these deals is clearly tough. If I were Canada or China, I'd do exactly what they are doing. How many times has the US Commerce Secretary said a flurry of deals was just around the corner? The net effect of the uncertainty is loose monetary policy globally (as growth slows), and the net effect of technology is deflation, so the rally in assets (stocks and bonds) might just be getting started. However, the focus could shift to Asia, which a) has strong technology, b) has lagged the equity rally, and c) is increasingly focused on shareholder returns. This document is strictly confidential and is intended for authorized recipients of “A Letter from Paul” (the “Letter”) only. It includes personal opinions that are current as of the date of this Letter and does not represent the official positions of Kate Capital LLC (“Kate Capital”). This letter is presented for discussion purposes only and is not intended as investment advice, an offer, or solicitation with respect to the purchase or sale of any security. Any unauthorized copying, disclosure, or distribution of the material in this presentation is strictly forbidden without the express written consent of Paul Podolsky or Kate Capital LLC.If an investment idea is discussed in the Letter, there is no guarantee that the investment objective will be achieved. Past performance is not indicative of future results, which may vary. Actual results may differ materially from those expressed or implied. Unless otherwise noted, the valuation of the specific investment opportunity contained within this presentation is based upon information and data available as of the date these materials were prepared.An investment with Kate Capital is speculative and involves significant risks, including the potential loss of all or a substantial portion of invested capital, the potential use of leverage, and the lack of liquidity of an investment. Recipients should not assume that securities or any companies identified in this presentation, or otherwise related to the information in this presentation, are, have been or will be, investments held by accounts managed by Kate Capital or that investments in any such securities have been or will be profitable. Please refer to the Private Placement Memorandum, and Kate Capital's Form ADV, available at www.advisorinfo.sec.gov, for important information about an investment with Kate Capital.Any companies identified herein in which Kate Capital is invested do not represent all of the investments made or recommended for any account managed by Kate Capital. Certain information presented herein has been supplied by third parties, including management or agents of the underlying portfolio company. While Kate Capital believes such information to be accurate, it has relied upon such third parties to provide accurate information and has not independently verified such information.The graphs, charts, and other visual aids are provided for informational purposes only. None of these graphs, charts, or visual aids can of themselves be used to make investment decisions. No representation is made that these will assist any person in making investment decisions and no graph, chart or other visual aid can capture all factors and variables required in making such decisions. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit paulpodolsky.substack.com

A round-up of the main headlines in Sweden on June 27th, 2025. You can hear more reports on our homepage www.radiosweden.se, or in the app Sveriges Radio. Presenter/Producer: Kris Boswell

Johan Floderus has released a book on his 790 days as a prisoner in Iran. He tells Radio Sweden Weekly about the survival strategies he used during his time in isolation and about his life since he arrived back in Sweden after a prisoner exchange with Iran.Also, Sweden's most prominent political gathering, Almedalen week, is being staged in Visby, Gotland. We hear from SVT's political reporter Kristoffer Törnmalm about the main talking points from the past few days, including the Sweden Democrats "White book".P4 Gotland reporter Jonathan Fältsjö tells us what the locals on Gotland think about the big influx of visitors, not only during Almedalen but throughout the summer season.And with water in very short supply on the Baltic Island, we hear about a campaign to get tourists to save water.Presented by Dave Russell and Kris Boswell.

This episode of the Only Business Podcast asks a question most entrepreneurs avoid: Do you like yourself? We explore how self-perception quietly shapes pricing, leadership, boundaries, decision making, and long term business health. If you have been feeling stuck, scattered, or disconnected from your work, this episode will help you reconnect with the person behind the business and build from a stronger foundation.

Sweden won't stop loving us, our Google reviews are probably written by our moms, and yes... dental problems are ruining lives. Owensboro's summer has entered skin-melting mode, but P.J. claims he's cracked the code to staying cool. Travis investigates, though it might involve holding his breath. Great Law. Less Legal. Law Done Lite!

The war is over. It's 1946. Peace hasn't fully settled over Europe. In the skies over Sweden, Norway, and Finland, a new mystery emerges: dozens, hundreds, of rocket-like objects streak through the air. No known nation claims responsibility. No clear explanation ever comes. They are called the "Ghost Rockets" and their appearance would mark one of the first great UFO mysteries of the modern era.Brief Encounters is a tightly produced, narrative podcast that dives headfirst into the world of UFO sightings, the paranormal, cryptids, myths, and unexplained legends. From ancient sky wars to modern close encounters, each episode takes listeners on a journey through some of the most mysterious and compelling cases in human history. Whether it's a well-documented military sighting or an eerie village legend whispered across generations, Brief Encounters delivers each story with atmosphere, depth, and cinematic storytelling. Episodes are short and binge-worthy perfect for curious minds on the go. In just 5 to 10 minutes, listeners are pulled into carefully researched accounts that blend historical context, eyewitness testimony, and chilling details. The series moves between eras and continents, uncovering not only the famous cases you've heard of, but also the forgotten incidents that deserve a closer look. Each story is treated with respect, skepticism, and wonder offering both seasoned enthusiasts and casual listeners something fresh to consider. Whether it's a 15th-century sky battle over Europe, a cryptid sighting in a remote forest, or a modern-day abduction report from rural America, Brief Encounters is your guide through the shadows of our world and the stories that refuse to be explained.UFO Chronicles Podcast can be found on all podcast players and on the website: https://ufochroniclespodcast.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/ufo-chronicles-podcast--3395068/support.

Arctic Minerals (STO: ARCT) has completed a directed share issue of approximately SEK 17.5 million. The net proceeds are intended to be used to finance ongoing geological work and other activities.Executive Director Peter George sits down with us to discuss the directed share issue, key milestones, the potential of their flagship Hennes Bay Copper-Silver Project in Sweden, and the company's investment highlights.Learn more: https://www.arcticminerals.se/en/investor-relations/news/?slug=arctic-minerals-completes-a-directed-share-issue-of-approxim-78818Visit Arctic Minerals' website: https://arcticminerals.se/en/Watch the full YouTube interview here: https://youtu.be/GhSzFTlpVqgAnd follow us to stay updated: https://www.youtube.com/@GlobalOneMedia?sub_confirmation=1

Sverige fortsätter utvisa folk till Mellanöstern trots områdets konflikter; Mindre fokus på kvinnors hälsa inom vården; Rekordmånga björnar får skjutas i Västerbotten; Kompisarna vandrar upp för Sveriges högsta berg. Lyssna på alla avsnitt i Sveriges Radio Play. Av: Roza Bicer och Nina Muossa

Dan and Shawn are joined by Mike Morreale (15:53) to talk about the NHL Draft, he  predicts, as many have, that 17-year-old defenseman Matthew Schaefer from Erie of the Ontario Hockey League will go to the New York Islanders with the No. 1 pick. But Morreale goes way beyond just the prediction, backing it up with facts and information about Schaefer, including how he got to be the consensus No. 1 despite playing only 17 games this season. Morreale also discusses many of the other top prospects, including Michael Misa of Saginaw in the Ontario Hockey League, James Hagens of Boston College, Porter Martone of Brampton in the OHL, and Anton Frondell and Victor Eklund of Djurgarden in Sweden. The guys start the episode breaking down the widely reported four-year extension of the Collective Bargaining Agreement and how the NHL and NHL Players' Association got to this point with such a strong working relationship. They close the episode discussing some of the moves we've already seen, including the Utah Mammoth acquiring forward JJ Peterka from the Buffalo Sabres for defenseman Michael Kesselring and forward Josh Doan, and forward Evander Kane being traded from the Edmonton Oilers to the Vancouver Canucks. 

Firefly Aerospace gets approval for orbital launches from Sweden. Xona Space Systems has announced $92 million in new funding. Space VC funding on track to hit record highs this year. And, more.  Remember to leave us a 5-star rating and review in your favorite podcast app. Be sure to follow T-Minus on LinkedIn and Instagram. T-Minus Guest Our guest today is Andy Crocker, Aerospace executive, author of “The Unconditionals”. You can connect with Andy on LinkedIn, and find more about his book here. Selected Reading SSC and Firefly Progress Towards Orbital Launch from Esrange Following TSA Signing Between Sweden and the U.S. (Firefly Space) Funding for a New Era of Navigational Intelligence (Xona)  Why We Invested in Xona Space Systems | by Taylor Durand | Craft Ventures (Medium) VCs shoot for the stars, send space-tech funding on course for new record (PitchBook) Axiom Space Partners with India-based Skyroot Aerospace to Advance Space Exploration (Axiom Space)  International Space Station welcomes its first astronauts from India, Poland and Hungary (AP News)  Europe sees chance in space industry with streamlined rules (Gasworld)  Yet Another Report On How Broken NASA IT Security Is (NASA Watch) Likely Saturn-Mass Planet Imaged by NASA Webb Is Lightest Ever Seen (NASA)  T-Minus Crew Survey Complete our annual audience survey before August 31. Want to hear your company in the show? You too can reach the most influential leaders and operators in the industry. Here's our media kit. Contact us at space@n2k.com to request more info. Want to join us for an interview? Please send your pitch to space-editor@n2k.com and include your name, affiliation, and topic proposal. T-Minus is a production of N2K Networks, your source for strategic workforce intelligence. © N2K Networks, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

A round-up of the main headlines in Sweden on June 26th, 2025. You can hear more reports on our homepage www.radiosweden.se, or in the app Sveriges Radio. Presenter/producer: Michael Walsh

Welcome to Full Time's big UEFA Women's Euro 2025 preview podcast. Hosts Tamerra Griffin and Meg Linehan get you caught up on everything you need to know about the tournament. With the help of The Athletic's Megan Feringa, Cerys Jones, Ali Rampling and Charlotte Harpur the crew breaks down every group - from A to D - with expert analysis on the favorites, the contenders, the dark horses, the breakout stars, the narratives that need busting, and what could define this summer's action.Will England defend their title? Can Wales disrupt the 'group of death'? Are Spain truly way ahead of the chasing pack? Why is this Sweden's last dance? _______________Articles referenced on the show: Women's Euros 2025: Guide to Group A – Hosts' hopes, Hegerberg and a long-throw weaponSwitzerland team guide – can Sundhage help the hosts make history?Check out more written coverage at The Athletic's Women's Euro 2025 hub here_______________HOSTS: Tamerra Griffin, Meg LinehanGUESTS: Megan Feringa, Cerys Jones, Ali Rampling, Charlotte HarpurPRODUCER: Theo Lloyd-HughesVIDEO PRODUCER: Lia GriffinEXECUTIVE PRODUCER: Emily Olsen_______________Get in touch: ⁠⁠fulltime@theathletic.com⁠⁠Follow on Instagram and TikTok: @tafulltimeSubscribe to the Full Time newsletter ⁠⁠here⁠⁠Visit the Yahoo Women's Sports hub ⁠⁠here Hosted on Acast. See acast.com/privacy for more information.

The warnings that the world has received from the Blessed Mother must not be forgotten or ignored. The consistency of her messages should awaken in each of us a deeper appreciation for the times we are living in and what we can do right now. Mark Mallett joins us to break this down, especially the powerful words spoken by Our Lady in Rwanda in the 1980s. ------------------------------- Join this channel to get access to perks: https://www.youtube.com/channel/UCKZ9OefEJLEx1qYcBxgAFww/join -------------------------------- Read "Rwanda's Warning" from Mark Mallett HERE: https://www.markmallett.com/blog/ -------------------------------- Check out Mark Mallett's website "The Now Word" HERE: https://www.markmallett.com/blog/ -------------------------------- PATREON - Help support this podcast by becoming a US Grace Force PATRON here: https://www.patreon.com/user?u=25398590 -------------------------------- Subscribe to our NEW US Grace Force YouTube channel! US GRACE FORCE 2.0. Don't miss any new, great content!! https://youtube.com/@USGraceForce2.0?si=zq47qEqPITXnIDkg -------------------------------- Join the US Grace Force Team HERE: https://visitor.r20.constantcontact.com/manage/optin?v=001ESuSGaJpYPCG2iUdd4j4bkKwd4gkh2ZUVbam_Ty9rCn6blH6_U3cI2D8UvSLEcSzHnC4eq2UWmK1I0SbEw0SPKqnkZ2j0Z4J4D-_m4dD6CKJU9day-bBa8Qnx4dv7RLDIVlYAjL1JWsjfUTNPH2jQIVY9gbdbz4O4oMIzv5V1dT_upQsD8cX86iq_5Y-x4eLrTVtdOmA24s%3D&fbclid=IwY2xjawFRvvdleHRuA2FlbQIxMAABHdo526R1rgNAIW76yyQnVbo957e1TgOoQ4RH3Tr84D8376Y7jng09gtlOw_aem_H7Y7Ej6cF6-nPyfOZ4qMTQ -------------------------------- PRAY THE ROSARY: The Joyful Mysteries: https://www.youtube.com/watch?v=aMAR9MEN1pE&t=656s --------------------------------- The Sorrowful Mysteries: https://www.youtube.com/watch?v=XHUkx66oAxE&t=311s --------------------------------- The Glorious Mysteries: https://www.youtube.com/watch?v=Pg_JWsxS6EA&t=207s --------------------------------- The Luminous Mysteries: https://www.youtube.com/watch?v=PVL5CqBr3CA&t=198s --------------------------------- The Full Rosary: https://www.youtube.com/watch?v=44zL1kFIvP8&t=1765s --------------------------------- Be Ready Emergency Preparedness Course: Be prepared to Care for and Protect your Family in times of Natural Disasters, Emergencies, Civil Unrest, Economic Collapse, and more. Sign up for the course HERE: https://brcoalition.com/ --------------------------------- Go HERE to check out the BR Coalition and get great training Body, Mind & Soul! https://brcoalition.com/ Become part of one of the fastest growing online Catholic Membership sites. --------------------------------- Get your hands on some great US Grace Force T-shirts! https://us-grace-force.creator-spring.com/ --------------------------------- The seven promises given to St Bridget of Sweden for those who devote themselves to her Seven Sorrows. 1. I will grant peace to their families. 2. They will be enlightened about the Divine Mysteries. 3. I will console them in their pains, and I will accompany them in their work. 4. I will give them as much as they ask for as long as it does not oppose the adorable will of my Divine Son or the sanctification of their souls. 5. I will defend them in their spiritual battles with the infernal enemy and I will protect them at every instant of their lives. 6. I will visibly help them at the moment of their death—they will see the face of their mother. 7. I have obtained this grace from my divine Son, that those who propagate this devotion to my tears and dolors will be taken directly from this earthly life to eternal happiness, since all their sins will be forgiven and my Son and I will be their eternal consolation and joy.

Is this the week we see the first sub-4:00 mile by a woman? We preview Faith Kipyegon's historic attempt and dive deep into the science behind it with Dr. Mike Hahn of the Bowerman Sports Science Center & Wu Tsai Human Performance Alliance (1:01:42). We also chat with Andreas Almgren (1:43:40), fresh off his stunning 12:44 European record in the 5000m. He opens up about training, belief, and adapting Jakob Ingebrigtsen's methods to reach the next level. We break down a ridiculous weekend in the men's 1500 — two guys run 3:27 in Paris (Azeddine Habz & Phanuel Koech), and Cam Myers and Josh Hoey join the sub-3:30 club. On the U.S. high school front, the talent is exploding: Natalie Dumas pulls off an all-time triple, Cooper Lutkenhaus runs 1:45 as a sophomore, and more phenoms are emerging. Show notes below

For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-one-minute bonus episode available, on Judy Collins’ version of this song. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum For about an hour this was uploaded with the wrong Elton John clip in place of “Saturday Sun”. This has now been fixed. Resources Because of the increasing problems with Mixcloud’s restrictions, I have decided to start sharing streaming playlists of the songs used in episodes instead of Mixcloud ones. This Tunemymusic link will let you listen to the playlist I created on your streaming platform of choice — however please note that not all the songs excerpted are currently available on streaming. The songs missing from the Tidal version are “Shanten Bells” by the Ian Campbell Folk Group, “Tom’s Gone to Hilo” by A.L. Lloyd, two by Paul McNeill and Linda Peters, three by Elton John & Linda Peters, “What Will I Do With Tomorrow” by Sandy Denny and “You Never Know” by Charlie Drake, but the other fifty-nine are there. Other songs may be missing from other services. The main books I used on Fairport Convention as a whole were Patrick Humphries' Meet On The Ledge, Clinton Heylin's What We Did Instead of Holidays, and Kevan Furbank's Fairport Convention on Track. Rob Young's Electric Eden is the most important book on the British folk-rock movement. Information on Richard Thompson comes from Patrick Humphries' Richard Thompson: Strange Affair and Thompson's own autobiography Beeswing.  Information on Sandy Denny comes from Clinton Heylin's No More Sad Refrains and Mick Houghton's I've Always Kept a Unicorn. I also used Joe Boyd's autobiography White Bicycles and Chris Blackwell's The Islander.  And this three-CD set is the best introduction to Fairport's music currently in print. Transcript Before we begin, this episode contains reference to alcohol and cocaine abuse and medical neglect leading to death. It also starts with some discussion of the fatal car accident that ended last episode. There’s also some mention of child neglect and spousal violence. If that’s likely to upset you, you might want to skip this episode or read the transcript. One of the inspirations for this podcast when I started it back in 2018 was a project by Richard Thompson, which appears (like many things in Thompson’s life) to have started out of sheer bloody-mindedness. In 1999 Playboy magazine asked various people to list their “songs of the Millennium”, and most of them, understanding the brief, chose a handful of songs from the latter half of the twentieth century. But Thompson determined that he was going to list his favourite songs *of the millennium*. He didn’t quite manage that, but he did cover seven hundred and forty years, and when Playboy chose not to publish it, he decided to turn it into a touring show, in which he covered all his favourite songs from “Sumer Is Icumen In” from 1260: [Excerpt: Richard Thompson, “Sumer is Icumen In”] Through numerous traditional folk songs, union songs like “Blackleg Miner”, pieces by early-modern composers, Victorian and Edwardian music hall songs, and songs by the Beatles, the Ink Spots, the Kinks, and the Who, all the way to “Oops! I Did It Again”: [Excerpt: Richard Thompson, “Oops! I Did it Again”] And to finish the show, and to show how all this music actually ties together, he would play what he described as a “medieval tune from Brittany”, “Marry, Ageyn Hic Hev Donne Yt”: [Excerpt: Richard Thompson, “Marry, Ageyn Hic Hev Donne Yt”] We have said many times in this podcast that there is no first anything, but there’s a reason that Liege and Lief, Fairport Convention’s third album of 1969, and the album other than Unhalfbricking on which their reputation largely rests, was advertised with the slogan “The first (literally) British folk rock album ever”. Folk-rock, as the term had come to be known, and as it is still usually used today, had very little to do with traditional folk music. Rather, the records of bands like The Byrds or Simon and Garfunkel were essentially taking the sounds of British beat groups of the early sixties, particularly the Searchers, and applying those sounds to material by contemporary singer-songwriters. People like Paul Simon and Bob Dylan had come up through folk clubs, and their songs were called folk music because of that, but they weren’t what folk music had meant up to that point — songs that had been collected after being handed down through the folk process, changed by each individual singer, with no single identifiable author. They were authored songs by very idiosyncratic writers. But over their last few albums, Fairport Convention had done one or two tracks per album that weren’t like that, that were instead recordings of traditional folk songs, but arranged with rock instrumentation. They were not necessarily the first band to try traditional folk music with electric instruments — around the same time that Fairport started experimenting with the idea, so did an Irish band named Sweeney’s Men, who brought in a young electric guitarist named Henry McCullough briefly. But they do seem to have been the first to have fully embraced the idea. They had done so to an extent with “A Sailor’s Life” on Unhalfbricking, but now they were going to go much further: [Excerpt: Fairport Convention, “Matty Groves” (from about 4:30)] There had been some doubt as to whether Fairport Convention would even continue to exist — by the time Unhalfbricking, their second album of the year, was released, they had been through the terrible car accident that had killed Martin Lamble, the band’s drummer, and Jeannie Franklyn, Richard Thompson’s girlfriend. Most of the rest of the band had been seriously injured, and they had made a conscious decision not to discuss the future of the band until they were all out of hospital. Ashley Hutchings was hospitalised the longest, and Simon Nicol, Richard Thompson, and Sandy Denny, the other three surviving members of the band, flew over to LA with their producer and manager, Joe Boyd, to recuperate there and get to know the American music scene. When they came back, the group all met up in the flat belonging to Denny’s boyfriend Trevor Lucas, and decided that they were going to continue the band. They made a few decisions then — they needed a new drummer, and as well as a drummer they wanted to get in Dave Swarbrick. Swarbrick had played violin on several tracks on Unhalfbricking as a session player, and they had all been thrilled to work with him. Swarbrick was one of the most experienced musicians on the British folk circuit. He had started out in the fifties playing guitar with Beryl Marriott’s Ceilidh Band before switching to fiddle, and in 1963, long before Fairport had formed, he had already appeared on TV with the Ian Campbell Folk Group, led by Ian Campbell, the father of Ali and Robin Campbell, later of UB40: [Excerpt: The Ian Campbell Folk Group, “Shanten Bells (medley on Hullaballoo!)”] He’d sung with Ewan MacColl and A.L. Lloyd: [Excerpt: A.L. Lloyd, “Tom’s Gone to Hilo” ] And he’d formed his hugely successful duo with Martin Carthy, releasing records like “Byker Hill” which are often considered among the best British folk music of all time: [Excerpt: Martin Carthy and Dave Swarbrick, “Byker Hill”] By the time Fairport had invited him to play on Unhalfbricking, Swarbrick had already performed on twenty albums as a core band member, plus dozens more EPs, singles, and odd tracks on compilations. They had no reason to think they could actually get him to join their band. But they had three advantages. The first was that Swarbrick was sick of the traditional folk scene at the time, saying later “I didn’t like seven-eighths of the people involved in it, and it was extremely opportune to leave. I was suddenly presented with the possibilities of exploring the dramatic content of the songs to the full.” The second was that he was hugely excited to be playing with Richard Thompson, who was one of the most innovative guitarists of his generation, and Martin Carthy remembers him raving about Thompson after their initial sessions. (Carthy himself was and is no slouch on the guitar of course, and there was even talk of getting him to join the band at this point, though they decided against it — much to the relief of rhythm guitarist Simon Nicol, who is a perfectly fine player himself but didn’t want to be outclassed by *two* of the best guitarists in Britain at the same time). And the third was that Joe Boyd told him that Fairport were doing so well — they had a single just about to hit the charts with “Si Tu Dois Partir” — that he would only have to play a dozen gigs with Fairport in order to retire. As it turned out, Swarbrick would play with the group for a decade, and would never retire — I saw him on his last tour in 2015, only eight months before he died. The drummer the group picked was also a far more experienced musician than any of the rest, though in a very different genre. Dave Mattacks had no knowledge at all of the kind of music they played, having previously been a player in dance bands. When asked by Hutchings if he wanted to join the band, Mattacks’ response was “I don’t know anything about the music. I don’t understand it… I can’t tell one tune from another, they all sound the same… but if you want me to join the group, fine, because I really like it. I’m enjoying myself musically.” Mattacks brought a new level of professionalism to the band, thanks to his different background. Nicol said of him later “He was dilligent, clean, used to taking three white shirts to a gig… The application he could bring to his playing was amazing. With us, you only played well when you were feeling well.” This distinction applied to his playing as well. Nicol would later describe the difference between Mattacks’ drumming and Lamble’s by saying “Martin’s strength was as an imaginative drummer. DM came in with a strongly developed sense of rhythm, through keeping a big band of drunken saxophone players in order. A great time-keeper.” With this new line-up and a new sense of purpose, the group did as many of their contemporaries were doing and “got their heads together in the country”. Joe Boyd rented the group a mansion, Farley House, in Farley Chamberlayne, Hampshire, and they stayed there together for three months. At the start, the group seem to have thought that they were going to make another record like Unhalfbricking, with some originals, some songs by American songwriters, and a few traditional songs. Even after their stay in Farley Chamberlayne, in fact, they recorded a few of the American songs they’d rehearsed at the start of the process, Richard Farina’s “Quiet Joys of Brotherhood” and Bob Dylan and Roger McGuinn’s “Ballad of Easy Rider”: [Excerpt: Fairport Convention, “Ballad of Easy Rider”] Indeed, the whole idea of “getting our heads together in the country” (as the cliche quickly became in the late sixties as half of the bands in Britain went through much the same kind of process as Fairport were doing — but usually for reasons more to do with drug burnout or trend following than recovering from serious life-changing trauma) seems to have been inspired by Bob Dylan and the Band getting together in Big Pink. But very quickly they decided to follow the lead of Ashley Hutchings, who had had something of a Damascene conversion to the cause of traditional English folk music. They were listening mostly to Music From Big Pink by the Band, and to the first album by Sweeney’s Men: [Excerpt: Sweeney’s Men, “The Handsome Cabin Boy”] And they decided that they were going to make something that was as English as those records were North American and Irish (though in the event there were also a few Scottish songs included on the record). Hutchings in particular was becoming something of a scholar of traditional music, regularly visiting Cecil Sharp House and having long conversations with A.L. Lloyd, discovering versions of different traditional songs he’d never encountered before. This was both amusing and bemusing Sandy Denny, who had joined a rock group in part to get away from traditional music; but she was comfortable singing the material, and knew a lot of it and could make a lot of suggestions herself. Swarbrick obviously knew the repertoire intimately, and Nicol was amenable, while Mattacks was utterly clueless about the folk tradition at this point but knew this was the music he wanted to make. Thompson knew very little about traditional music, and of all the band members except Denny he was the one who has shown the least interest in the genre in his subsequent career — but as we heard at the beginning, showing the least interest in the genre is a relative thing, and while Thompson was not hugely familiar with the genre, he *was* able to work with it, and was also more than capable of writing songs that fit in with the genre. Of the eleven songs on the album, which was titled Liege and Lief (which means, roughly, Lord and Loyalty), there were no cover versions of singer-songwriters. Eight were traditional songs, and three were originals, all written in the style of traditional songs. The album opened with “Come All Ye”, an introduction written by Denny and Hutchings (the only time the two would ever write together): [Excerpt: Fairport Convention, “Come All Ye”] The other two originals were songs where Thompson had written new lyrics to traditional melodies. On “Crazy Man Michael”, Swarbrick had said to Thompson that the tune to which he had set his new words was weaker than the lyrics, to which Thompson had replied that if Swarbrick felt that way he should feel free to write a new melody. He did, and it became the first of the small number of Thompson/Swarbrick collaborations: [Excerpt: Fairport Convention, “Crazy Man Michael”] Thompson and Swarbrick would become a brief songwriting team, but as much as anything else it was down to proximity — the two respected each other as musicians, but never got on very well. In 1981 Swarbrick would say “Richard and I never got on in the early days of FC… we thought we did, but we never did. We composed some bloody good songs together, but it was purely on a basis of “you write that and I’ll write this, and we’ll put it together.” But we never sat down and had real good chats.” The third original on the album, and by far the most affecting, is another song where Thompson put lyrics to a traditional tune. In this case he thought he was putting the lyrics to the tune of “Willie O'Winsbury”, but he was basing it on a recording by Sweeney’s Men. The problem was that Sweeney’s Men had accidentally sung the lyrics of “Willie O'Winsbury'” to the tune of a totally different song, “Fause Foodrage”: [Excerpt: Sweeney’s Men, “Willie O’Winsbury”] Thompson took that melody, and set to it lyrics about loss and separation. Thompson has never been one to discuss the meanings of his lyrics in any great detail, and in the case of this one has said “I really don't know what it means. This song came out of a dream, and I pretty much wrote it as I dreamt it (it was the sixties), and didn't spend very long analyzing it. So interpret as you wish – or replace with your own lines.” But in the context of the traffic accident that had killed his tailor girlfriend and a bandmate, and injured most of his other bandmates, the lyrics about lonely travellers, the winding road, bruised and beaten sons, saying goodbye, and never cutting cloth, seem fairly self-explanatory: [Excerpt: Fairport Convention, “Farewell, Farewell”] The rest of the album, though, was taken up by traditional tunes. There was a long medley of four different fiddle reels; a version of “Reynardine” (a song about a seductive man — or is he a fox? Or perhaps both — which had been recorded by Swarbrick and Carthy on their most recent album); a 19th century song about a deserter saved from the firing squad by Prince Albert; and a long take on “Tam Lin”, one of the most famous pieces in the Scottish folk music canon, a song that has been adapted in different ways by everyone from the experimental noise band Current 93 to the dub poet Benjamin Zephaniah to the comics writer Grant Morrison: [Excerpt: Fairport Convention, “Tam Lin”] And “Matty Groves”, a song about a man killing his cheating wife and her lover, which actually has a surprisingly similar story to that of “1921” from another great concept album from that year, the Who’s Tommy. “Matty Groves” became an excuse for long solos and shows of instrumental virtuosity: [Excerpt: Fairport Convention, “Matty Groves”] The album was recorded in September 1969, after their return from their break in the country and a triumphal performance at the Royal Festival Hall, headlining over fellow Witchseason artists John and Beverly Martyn and Nick Drake. It became a classic of the traditional folk genre — arguably *the* classic of the traditional folk genre. In 2007 BBC Radio 2’s Folk Music Awards gave it an award for most influential folk album of all time, and while such things are hard to measure, I doubt there’s anyone with even the most cursory knowledge of British folk and folk-rock music who would not at least consider that a reasonable claim. But once again, by the time the album came out in November, the band had changed lineups yet again. There was a fundamental split in the band – on one side were Sandy Denny and Richard Thompson, whose stance was, roughly, that Liege and Lief was a great experiment and a fun thing to do once, but really the band had two first-rate songwriters in themselves, and that they should be concentrating on their own new material, not doing these old songs, good as they were. They wanted to take the form of the traditional songs and use that form for new material — they wanted to make British folk-rock, but with the emphasis on the rock side of things. Hutchings, on the other hand, was equally sure that he wanted to make traditional music and go further down the rabbit hole of antiquity. With the zeal of the convert he had gone in a couple of years from being the leader of a band who were labelled “the British Jefferson Airplane” to becoming a serious scholar of traditional folk music. Denny was tired of touring, as well — she wanted to spend more time at home with Trevor Lucas, who was sleeping with other women when she was away and making her insecure. When the time came for the group to go on a tour of Denmark, Denny decided she couldn’t make it, and Hutchings was jubilant — he decided he was going to get A.L. Lloyd into the band in her place and become a *real* folk group. Then Denny reconsidered, and Hutchings was crushed. He realised that while he had always been the leader, he wasn’t going to be able to lead the band any further in the traditionalist direction, and quit the group — but not before he was delegated by the other band members to fire Denny. Until the publication of Richard Thompson’s autobiography in 2022, every book on the group or its members said that Denny quit the band again, which was presumably a polite fiction that the band agreed, but according to Thompson “Before we flew home, we decided to fire Sandy. I don't remember who asked her to leave – it was probably Ashley, who usually did the dirty work. She was reportedly shocked that we would take that step. She may have been fragile beneath the confident facade, but she still knew her worth.” Thompson goes on to explain that the reasons for kicking her out were that “I suppose we felt that in her mind she had already left” and that “We were probably suffering from post-traumatic stress disorder, though there wasn't a name for it back then.” They had considered inviting Trevor Lucas to join the band to make Denny more comfortable, but came to the (probably correct) conclusion that while he was someone they got on well with personally, he would be another big ego in a band that already had several, and that being around Denny and Lucas’ volatile relationship would, in Thompson’s phrasing, “have not always given one a feeling of peace and stability.” Hutchings originally decided he was going to join Sweeney’s Men, but that group were falling apart, and their first rehearsal with Hutchings would also be their last as a group, with only Hutchings and guitarist and mandolin player Terry Woods left in the band. They added Woods’ wife Gay, and another couple, Tim Hart and Maddy Prior, and formed a group called Steeleye Span, a name given them by Martin Carthy. That group, like Fairport, went to “get their heads together in the country” for three months and recorded an album of electric versions of traditional songs, Hark the Village Wait, on which Mattacks and another drummer, Gerry Conway, guested as Steeleye Span didn’t at the time have their own drummer: [Excerpt: Steeleye Span, “Blackleg Miner”] Steeleye Span would go on to have a moderately successful chart career in the seventies, but by that time most of the original lineup, including Hutchings, had left — Hutchings stayed with them for a few albums, then went on to form the first of a series of bands, all called the Albion Band or variations on that name, which continue to this day. And this is something that needs to be pointed out at this point — it is impossible to follow every single individual in this narrative as they move between bands. There is enough material in the history of the British folk-rock scene that someone could do a 500 Songs-style podcast just on that, and every time someone left Fairport, or Steeleye Span, or the Albion Band, or Matthews’ Southern Comfort, or any of the other bands we have mentioned or will mention, they would go off and form another band which would then fission, and some of its members would often join one of those other bands. There was a point in the mid-1970s where the Albion Band had two original members of Fairport Convention while Fairport Convention had none. So just in order to keep the narrative anything like wieldy, I’m going to keep the narrative concentrated on the two figures from Fairport — Sandy Denny and Richard Thompson — whose work outside the group has had the most influence on the wider world of rock music more broadly, and only deal with the other members when, as they often did, their careers intersected with those two. That doesn’t mean the other members are not themselves hugely important musicians, just that their importance has been primarily to the folk side of the folk-rock genre, and so somewhat outside the scope of this podcast. While Hutchings decided to form a band that would allow him to go deeper and deeper into traditional folk music, Sandy Denny’s next venture was rather different. For a long time she had been writing far more songs than she had ever played for her bandmates, like “Nothing More”, a song that many have suggested is about Thompson: [Excerpt: Fotheringay, “Nothing More”] When Joe Boyd heard that Denny was leaving Fairport Convention, he was at first elated. Fairport’s records were being distributed by A&M in the US at that point, but Island Records was in the process of opening up a new US subsidiary which would then release all future Fairport product — *but*, as far as A&M were concerned, Sandy Denny *was* Fairport Convention. They were only interested in her. Boyd, on the other hand, loved Denny’s work intensely, but from his point of view *Richard Thompson* was Fairport Convention. If he could get Denny signed directly to A&M as a solo artist before Island started its US operations, Witchseason could get a huge advance on her first solo record, while Fairport could continue making records for Island — he’d have two lucrative acts, on different labels. Boyd went over and spoke to A&M and got an agreement in principle that they would give Denny a forty-thousand-dollar advance on her first solo album — twice what they were paying for Fairport albums. The problem was that Denny didn’t want to be a solo act. She wanted to be the lead singer of a band. She gave many reasons for this — the one she gave to many journalists was that she had seen a Judy Collins show and been impressed, but noticed that Collins’ band were definitely a “backing group”, and as she put it “But that's all they were – a backing group. I suddenly thought, If you're playing together on a stage you might as well be TOGETHER.” Most other people in her life, though, say that the main reason for her wanting to be in a band was her desire to be with her boyfriend, Trevor Lucas. Partly this was due to a genuine desire to spend more time with someone with whom she was very much in love, partly it was a fear that he would cheat on her if she was away from him for long periods of time, and part of it seems to have been Lucas’ dislike of being *too* overshadowed by his talented girlfriend — he didn’t mind acknowledging that she was a major talent, but he wanted to be thought of as at least a minor one. So instead of going solo, Denny formed Fotheringay, named after the song she had written for Fairport. This new band consisted at first of Denny on vocals and occasional piano, Lucas on vocals and rhythm guitar, and Lucas’ old Eclection bandmate Gerry Conway on drums. For a lead guitarist, they asked Richard Thompson who the best guitarist in Britain was, and he told them Albert Lee. Lee in turn brought in bass player Pat Donaldson, but this lineup of the band barely survived a fortnight. Lee *was* arguably the best guitarist in Britain, certainly a reasonable candidate if you could ever have a singular best (as indeed was Thompson himself), but he was the best *country* guitarist in Britain, and his style simply didn’t fit with Fotheringay’s folk-influenced songs. He was replaced by American guitarist Jerry Donahue, who was not anything like as proficient as Lee, but who was still very good, and fit the band’s style much better. The new group rehearsed together for a few weeks, did a quick tour, and then went into the recording studio to record their debut, self-titled, album. Joe Boyd produced the album, but admitted himself that he only paid attention to those songs he considered worthwhile — the album contained one song by Lucas, “The Ballad of Ned Kelly”, and two cover versions of American singer-songwriter material with Lucas singing lead. But everyone knew that the songs that actually *mattered* were Sandy Denny’s, and Boyd was far more interested in them, particularly the songs “The Sea” and “The Pond and the Stream”: [Excerpt: Fotheringay, “The Pond and the Stream”] Fotheringay almost immediately hit financial problems, though. While other Witchseason acts were used to touring on the cheap, all packed together in the back of a Transit van with inexpensive equipment, Trevor Lucas had ambitions of being a rock star and wanted to put together a touring production to match, with expensive transport and equipment, including a speaker system that got nicknamed “Stonehenge” — but at the same time, Denny was unhappy being on the road, and didn’t play many gigs. As well as the band itself, the Fotheringay album also featured backing vocals from a couple of other people, including Denny’s friend Linda Peters. Peters was another singer from the folk clubs, and a good one, though less well-known than Denny — at this point she had only released a couple of singles, and those singles seemed to have been as much as anything else released as a novelty. The first of those, a version of Dylan’s “You Ain’t Goin’ Nowhere” had been released as by “Paul McNeill and Linda Peters”: [Excerpt: Paul McNeill and Linda Peters, “You Ain’t Goin’ Nowhere”] But their second single, a version of John D. Loudermilk’s “You’re Taking My Bag”, was released on the tiny Page One label, owned by Larry Page, and was released under the name “Paul and Linda”, clearly with the intent of confusing particularly gullible members of the record-buying public into thinking this was the McCartneys: [Excerpt: Paul and Linda, “You’re Taking My Bag”] Peters was though more financially successful than almost anyone else in this story, as she was making a great deal of money as a session singer. She actually did another session involving most of Fotheringay around this time. Witchseason had a number of excellent songwriters on its roster, and had had some success getting covers by people like Judy Collins, but Joe Boyd thought that they might possibly do better at getting cover versions if they were performed in less idiosyncratic arrangements. Donahue, Donaldson, and Conway went into the studio to record backing tracks, and vocals were added by Peters and another session singer, who according to some sources also provided piano. They cut songs by Mike Heron of the Incredible String Band: [Excerpt: Linda Peters, “You Get Brighter”] Ed Carter, formerly of The New Nadir but by this time firmly ensconced in the Beach Boys’ touring band where he would remain for the next quarter-century: [Excerpt: Linda Peters, “I Don’t Mind”] John and Beverly Martyn, and Nick Drake: [Excerpt: Elton John, “Saturday Sun”] There are different lineups of musicians credited for those sessions in different sources, but I tend to believe that it’s mostly Fotheringay for the simple reason that Donahue says it was him, Donaldson and Conway who talked Lucas and Denny into the mistake that destroyed Fotheringay because of these sessions. Fotheringay were in financial trouble already, spending far more money than they were bringing in, but their album made the top twenty and they were getting respect both from critics and from the public — in September, Sandy Denny was voted best British female singer by the readers of Melody Maker in their annual poll, which led to shocked headlines in the tabloids about how this “unknown” could have beaten such big names as Dusty Springfield and Cilla Black. Only a couple of weeks after that, they were due to headline at the Albert Hall. It should have been a triumph. But Donahue, Donaldson, and Conway had asked that singing pianist to be their support act. As Donahue said later “That was a terrible miscast. It was our fault. He asked if [he] could do it. Actually Pat, Gerry and I had to talk Sandy and Trevor into [it]… We'd done these demos and the way he was playing – he was a wonderful piano player – he was sensitive enough. We knew very little about his stage-show. We thought he'd be a really good opener for us.” Unfortunately, Elton John was rather *too* good. As Donahue continued “we had no idea what he had in mind, that he was going to do the most incredible rock & roll show ever. He pretty much blew us off the stage before we even got on the stage.” To make matters worse, Fotheringay’s set, which was mostly comprised of new material, was underrehearsed and sloppy, and from that point on no matter what they did people were counting the hours until the band split up. They struggled along for a while though, and started working on a second record, with Boyd again producing, though as Boyd later said “I probably shouldn't have been producing the record. My lack of respect for the group was clear, and couldn't have helped the atmosphere. We'd put out a record that had sold disappointingly, A&M was unhappy. Sandy's tracks on the first record are among the best things she ever did – the rest of it, who cares? And the artwork, Trevor's sister, was terrible. It would have been one thing if I'd been unhappy with it and it sold, and the group was working all the time, making money, but that wasn't the case … I knew what Sandy was capable of, and it was very upsetting to me.” The record would not be released for thirty-eight years: [Excerpt: Fotheringay, “Wild Mountain Thyme”] Witchseason was going badly into debt. Given all the fissioning of bands that we’ve already been talking about, Boyd had been stretched thin — he produced sixteen albums in 1970, and almost all of them lost money for the company. And he was getting more and more disillusioned with the people he was producing. He loved Beverly Martyn’s work, but had little time for her abusive husband John, who was dominating her recording and life more and more and would soon become a solo artist while making her stay at home (and stealing her ideas without giving her songwriting credit). The Incredible String Band were great, but they had recently converted to Scientology, which Boyd found annoying, and while he was working with all sorts of exciting artists like Vashti Bunyan and Nico, he was finding himself less and less important to the artists he mentored. Fairport Convention were a good example of this. After Denny and Hutchings had left the group, they’d decided to carry on as an electric folk group, performing an equal mix of originals by the Swarbrick and Thompson songwriting team and arrangements of traditional songs. The group were now far enough away from the “British Jefferson Airplane” label that they decided they didn’t need a female vocalist — and more realistically, while they’d been able to replace Judy Dyble, nobody was going to replace Sandy Denny. Though it’s rather surprising when one considers Thompson’s subsequent career that nobody seems to have thought of bringing in Denny’s friend Linda Peters, who was dating Joe Boyd at the time (as Denny had been before she met Lucas) as Denny’s replacement. Instead, they decided that Swarbrick and Thompson were going to share the vocals between them. They did, though, need a bass player to replace Hutchings. Swarbrick wanted to bring in Dave Pegg, with whom he had played in the Ian Campbell Folk Group, but the other band members initially thought the idea was a bad one. At the time, while they respected Swarbrick as a musician, they didn’t think he fully understood rock and roll yet, and they thought the idea of getting in a folkie who had played double bass rather than an electric rock bassist ridiculous. But they auditioned him to mollify Swarbrick, and found that he was exactly what they needed. As Joe Boyd later said “All those bass lines were great, Ashley invented them all, but he never could play them that well. He thought of them, but he was technically not a terrific bass player. He was a very inventive, melodic, bass player, but not a very powerful one technically. But having had the part explained to him once, Pegg was playing it better than Ashley had ever played it… In some rock bands, I think, ultimately, the bands that sound great, you can generally trace it to the bass player… it was at that point they became a great band, when they had Pegg.” The new lineup of Fairport decided to move in together, and found a former pub called the Angel, into which all the band members moved, along with their partners and children (Thompson was the only one who was single at this point) and their roadies. The group lived together quite happily, and one gets the impression that this was the period when they were most comfortable with each other, even though by this point they were a disparate group with disparate tastes, in music as in everything else. Several people have said that the only music all the band members could agree they liked at this point was the first two albums by The Band. With the departure of Hutchings from the band, Swarbrick and Thompson, as the strongest personalities and soloists, became in effect the joint leaders of the group, and they became collaborators as songwriters, trying to write new songs that were inspired by traditional music. Thompson described the process as “let’s take one line of this reel and slow it down and move it up a minor third and see what that does to it; let’s take one line of this ballad and make a whole song out of it. Chopping up the tradition to find new things to do… like a collage.” Generally speaking, Swarbrick and Thompson would sit by the fire and Swarbrick would play a melody he’d been working on, the two would work on it for a while, and Thompson would then go away and write the lyrics. This is how the two came up with songs like the nine-minute “Sloth”, a highlight of the next album, Full House, and one that would remain in Fairport’s live set for much of their career: [Excerpt: Fairport Convention, “Sloth”] “Sloth” was titled that way because Thompson and Swarbrick were working on two tunes, a slow one and a fast one, and they jokingly named them “Sloth” and “Fasth”, but the latter got renamed to “Walk Awhile”, while “Sloth” kept its working title. But by this point, Boyd and Thompson were having a lot of conflict in the studio. Boyd was never the most technical of producers — he was one of those producers whose job is to gently guide the artists in the studio and create a space for the music to flourish, rather than the Joe Meek type with an intimate technical knowledge of the studio — and as the artists he was working with gained confidence in their own work they felt they had less and less need of him. During the making of the Full House album, Thompson and Boyd, according to Boyd, clashed on everything — every time Boyd thought Thompson had done a good solo, Thompson would say to erase it and let him have another go, while every time Boyd thought Thompson could do better, Thompson would say that was the take to keep. One of their biggest clashes was over Thompson’s song “Poor Will and the Jolly Hangman”, which was originally intended for release on the album, and is included in current reissues of it: [Excerpt: Fairport Convention, “Poor Will and the Jolly Hangman”] Thompson had written that song inspired by what he thought was the unjust treatment of Alex Bramham, the driver in Fairport’s fatal car crash, by the courts — Bramham had been given a prison sentence of a few months for dangerous driving, while the group members thought he had not been at fault. Boyd thought it was one of the best things recorded for the album, but Thompson wasn’t happy with his vocal — there was one note at the top of the melody that he couldn’t quite hit — and insisted it be kept off the record, even though that meant it would be a shorter album than normal. He did this at such a late stage that early copies of the album actually had the title printed on the sleeve, but then blacked out. He now says in his autobiography “I could have persevered, double-tracked the voice, warmed up for longer – anything. It was a good track, and the record was lacking without it. When the album was re-released, the track was restored with a more confident vocal, and it has stayed there ever since.” During the sessions for Full House the group also recorded one non-album single, Thompson and Swarbrick’s “Now Be Thankful”: [Excerpt, Fairport Convention, “Now Be Thankful”] The B-side to that was a medley of two traditional tunes plus a Swarbrick original, but was given the deliberately ridiculous title “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”: [Excerpt: Fairport Convention, “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”] The B. McKenzie in the title was a reference to the comic-strip character Barry McKenzie, a stereotype drunk Australian created for Private Eye magazine by the comedian Barry Humphries (later to become better known for his Dame Edna Everage character) but the title was chosen for one reason only — to get into the Guinness Book of Records for the song with the longest title. Which they did, though they were later displaced by the industrial band Test Dept, and their song “Long Live British Democracy Which Flourishes and Is Constantly Perfected Under the Immaculate Guidance of the Great, Honourable, Generous and Correct Margaret Hilda Thatcher. She Is the Blue Sky in the Hearts of All Nations. Our People Pay Homage and Bow in Deep Respect and Gratitude to Her. The Milk of Human Kindness”. Full House got excellent reviews in the music press, with Rolling Stone saying “The music shows that England has finally gotten her own equivalent to The Band… By calling Fairport an English equivalent of the Band, I meant that they have soaked up enough of the tradition of their countryfolk that it begins to show all over, while they maintain their roots in rock.” Off the back of this, the group went on their first US tour, culminating in a series of shows at the Troubadour in LA, on the same bill as Rick Nelson, which were recorded and later released as a live album: [Excerpt: Fairport Convention, “Sloth (live)”] The Troubadour was one of the hippest venues at the time, and over their residency there the group got seen by many celebrities, some of whom joined them on stage. The first was Linda Ronstadt, who initially demurred, saying she didn’t know any of their songs. On being told they knew all of hers, she joined in with a rendition of “Silver Threads and Golden Needles”. Thompson was later asked to join Ronstadt’s backing band, who would go on to become the Eagles, but he said later of this offer “I would have hated it. I’d have hated being on the road with four or five miserable Americans — they always seem miserable. And if you see them now, they still look miserable on stage — like they don’t want to be there and they don’t like each other.” The group were also joined on stage at the Troubadour on one memorable night by some former bandmates of Pegg’s. Before joining the Ian Campbell Folk Group, Pegg had played around the Birmingham beat scene, and had been in bands with John Bonham and Robert Plant, who turned up to the Troubadour with their Led Zeppelin bandmate Jimmy Page (reports differ on whether the fourth member of Zeppelin, John Paul Jones, also came along). They all got up on stage together and jammed on songs like “Hey Joe”, “Louie Louie”, and various old Elvis tunes. The show was recorded, and the tapes are apparently still in the possession of Joe Boyd, who has said he refuses to release them in case he is murdered by the ghost of Peter Grant. According to Thompson, that night ended in a three-way drinking contest between Pegg, Bonham, and Janis Joplin, and it’s testament to how strong the drinking culture is around Fairport and the British folk scene in general that Pegg outdrank both of them. According to Thompson, Bonham was found naked by a swimming pool two days later, having missed two gigs. For all their hard rock image, Led Zeppelin were admirers of a lot of the British folk and folk-rock scene, and a few months later Sandy Denny would become the only outside vocalist ever to appear on a Led Zeppelin record when she duetted with Plant on “The Battle of Evermore” on the group’s fourth album: [Excerpt: Led Zeppelin, “The Battle of Evermore”] Denny would never actually get paid for her appearance on one of the best-selling albums of all time. That was, incidentally, not the only session that Denny was involved in around this time — she also sang on the soundtrack to a soft porn film titled Swedish Fly Girls, whose soundtrack was produced by Manfred Mann: [Excerpt: Sandy Denny, “What Will I Do With Tomorrow?”] Shortly after Fairport’s trip to America, Joe Boyd decided he was giving up on Witchseason. The company was now losing money, and he was finding himself having to produce work for more and more acts as the various bands fissioned. The only ones he really cared about were Richard Thompson, who he was finding it more and more difficult to work with, Nick Drake, who wanted to do his next album with just an acoustic guitar anyway, Sandy Denny, who he felt was wasting her talents in Fotheringay, and Mike Heron of the Incredible String Band, who was more distant since his conversion to Scientology. Boyd did make some attempts to keep the company going. On a trip to Sweden, he negotiated an agreement with the manager and publisher of a Swedish band whose songs he’d found intriguing, the Hep Stars. Boyd was going to publish their songs in the UK, and in return that publisher, Stig Anderson, would get the rights to Witchseason’s catalogue in Scandinavia — a straight swap, with no money changing hands. But before Boyd could get round to signing the paperwork, he got a better offer from Mo Ostin of Warners — Ostin wanted Boyd to come over to LA and head up Warners’ new film music department. Boyd sold Witchseason to Island Records and moved to LA with his fiancee Linda Peters, spending the next few years working on music for films like Deliverance and A Clockwork Orange, as well as making his own documentary about Jimi Hendrix, and thus missed out on getting the UK publishing rights for ABBA, and all the income that would have brought him, for no money. And it was that decision that led to the breakup of Fotheringay. Just before Christmas 1970, Fotheringay were having a difficult session, recording the track “John the Gun”: [Excerpt: Fotheringay, “John the Gun”] Boyd got frustrated and kicked everyone out of the session, and went for a meal and several drinks with Denny. He kept insisting that she should dump the band and just go solo, and then something happened that the two of them would always describe differently. She asked him if he would continue to produce her records if she went solo, and he said he would. According to Boyd’s recollection of the events, he meant that he would fly back from California at some point to produce her records. According to Denny, he told her that if she went solo he would stay in Britain and not take the job in LA. This miscommunication was only discovered after Denny told the rest of Fotheringay after the Christmas break that she was splitting the band. Jerry Donahue has described that as the worst moment of his life, and Denny felt very guilty about breaking up a band with some of her closest friends in — and then when Boyd went over to the US anyway she felt a profound betrayal. Two days before Fotheringay’s final concert, in January 1971, Sandy Denny signed a solo deal with Island records, but her first solo album would not end up produced by Joe Boyd. Instead, The North Star Grassman and the Ravens was co-produced by Denny, John Wood — the engineer who had worked with Boyd on pretty much everything he’d produced, and Richard Thompson, who had just quit Fairport Convention, though he continued living with them at the Angel, at least until a truck crashed into the building in February 1971, destroying its entire front wall and forcing them to relocate. The songs chosen for The North Star Grassman and the Ravens reflected the kind of choices Denny would make on her future albums, and her eclectic taste in music. There was, of course, the obligatory Dylan cover, and the traditional folk ballad “Blackwaterside”, but there was also a cover version of Brenda Lee’s “Let’s Jump the Broomstick”: [Excerpt: Sandy Denny, “Let’s Jump the Broomstick”] Most of the album, though, was made up of originals about various people in Denny’s life, like “Next Time Around”, about her ex-boyfriend Jackson C Frank: [Excerpt: Sandy Denny, “Next Time Around”] The album made the top forty in the UK — Denny’s only solo album to do so — and led to her once again winning the “best female singer” award in Melody Maker’s readers’ poll that year — the male singer award was won by Rod Stewart. Both Stewart and Denny appeared the next year on the London Symphony Orchestra’s all-star version of The Who’s Tommy, which had originally been intended as a vehicle for Stewart before Roger Daltrey got involved. Stewart’s role was reduced to a single song, “Pinball Wizard”, while Denny sang on “It’s a Boy”: [Excerpt: Sandy Denny, “It’s a Boy”] While Fotheringay had split up, all the band members play on The North Star Grassman and the Ravens. Guitarists Donahue and Lucas only play on a couple of the tracks, with Richard Thompson playing most of the guitar on the record. But Fotheringay’s rhythm section of Pat Donaldson and Gerry Conway play on almost every track. Another musician on the album, Ian Whiteman, would possibly have a profound effect on the future direction of Richard Thompson’s career and life. Whiteman was the former keyboard player for the mod band The Action, having joined them just before they became the blues-rock band Mighty Baby. But Mighty Baby had split up when all of the band except the lead singer had converted to Islam. Richard Thompson was on his own spiritual journey at this point, and became a Sufi – the same branch of Islam as Whiteman – soon after the session, though Thompson has said that his conversion was independent of Whiteman’s. The two did become very close and work together a lot in the mid-seventies though. Thompson had supposedly left Fairport because he was writing material that wasn’t suited to the band, but he spent more than a year after quitting the group working on sessions rather than doing anything with his own material, and these sessions tended to involve the same core group of musicians. One of the more unusual was a folk-rock supergroup called The Bunch, put together by Trevor Lucas. Richard Branson had recently bought a recording studio, and wanted a band to test it out before opening it up for commercial customers, so with this free studio time Lucas decided to record a set of fifties rock and roll covers. He gathered together Thompson, Denny, Whiteman, Ashley Hutchings, Dave Mattacks, Pat Donaldson, Gerry Conway, pianist Tony Cox, the horn section that would later form the core of the Average White Band, and Linda Peters, who had now split up with Joe Boyd and returned to the UK, and who had started dating Thompson. They recorded an album of covers of songs by Jerry Lee Lewis, the Everly Brothers, Johnny Otis and others: [Excerpt: The Bunch, “Willie and the Hand Jive”] The early seventies was a hugely productive time for this group of musicians, as they all continued playing on each other’s projects. One notable album was No Roses by Shirley Collins, which featured Thompson, Mattacks, Whiteman, Simon Nicol, Lal and Mike Waterson, and Ashley Hutchings, who was at that point married to Collins, as well as some more unusual musicians like the free jazz saxophonist Lol Coxhill: [Excerpt: Shirley Collins and the Albion Country Band, “Claudy Banks”] Collins was at the time the most respected female singer in British traditional music, and already had a substantial career including a series of important records made with her sister Dolly, work with guitarists like Davey Graham, and time spent in the 1950s collecting folk songs in the Southern US with her then partner Alan Lomax – according to Collins she did much of the actual work, but Lomax only mentioned her in a single sentence in his book on this work. Some of the same group of musicians went on to work on an album of traditional Morris dancing tunes, titled Morris On, credited to “Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield”, with Collins singing lead on two tracks: [Excerpt: Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield with Shirley Collins, “The Willow Tree”] Thompson thought that that album was the best of the various side projects he was involved in at the time, comparing it favourably to Rock On, which he thought was rather slight, saying later “Conceptually, Fairport, Ashley and myself and Sandy were developing a more fragile style of music that nobody else was particularly interested in, a British Folk Rock idea that had a logical development to it, although we all presented it our own way. Morris On was rather more true to what we were doing. Rock On was rather a retro step. I'm not sure it was lasting enough as a record but Sandy did sing really well on the Buddy Holly songs.” Hutchings used the musicians on No Roses and Morris On as the basis for his band the Albion Band, which continues to this day. Simon Nicol and Dave Mattacks both quit Fairport to join the Albion Band, though Mattacks soon returned. Nicol would not return to Fairport for several years, though, and for a long period in the mid-seventies Fairport Convention had no original members. Unfortunately, while Collins was involved in the Albion Band early on, she and Hutchings ended up divorcing, and the stress from the divorce led to Collins developing spasmodic dysphonia, a stress-related illness which makes it impossible for the sufferer to sing. She did eventually regain her vocal ability, but between 1978 and 2016 she was unable to perform at all, and lost decades of her career. Richard Thompson occasionally performed with the Albion Band early on, but he was getting stretched a little thin with all these sessions. Linda Peters said later of him “When I came back from America, he was working in Sandy’s band, and doing sessions by the score. Always with Pat Donaldson and Dave Mattacks. Richard would turn up with his guitar, one day he went along to do a session with one of those folkie lady singers — and there were Pat and DM. They all cracked. Richard smashed his amp and said “Right! No more sessions!” In 1972 he got round to releasing his first solo album, Henry the Human Fly, which featured guest appearances by Linda Peters and Sandy Denny among others: [Excerpt: Richard Thompson, “The Angels Took My Racehorse Away”] Unfortunately, while that album has later become regarded as one of the classics of its genre, at the time it was absolutely slated by the music press. The review in Melody Maker, for example, read in part “Some of Richard Thompson’s ideas sound great – which is really the saving grace of this album, because most of the music doesn’t. The tragedy is that Thompson’s “British rock music” is such an unconvincing concoction… Even the songs that do integrate rock and traditional styles of electric guitar rhythms and accordion and fiddle decoration – and also include explicit, meaningful lyrics are marred by bottle-up vocals, uninspiring guitar phrases and a general lack of conviction in performance.” Henry the Human Fly was released in the US by Warners, who had a reciprocal licensing deal with Island (and for whom Joe Boyd was working at the time, which may have had something to do with that) but according to Thompson it became the lowest-selling record that Warners ever put out (though I’ve also seen that claim made about Van Dyke Parks’ Song Cycle, another album that has later been rediscovered). Thompson was hugely depressed by this reaction, and blamed his own singing. Happily, though, by this point he and Linda had become a couple — they would marry in 1972 — and they started playing folk clubs as a duo, or sometimes in a trio with Simon Nicol. Thompson was also playing with Sandy Denny’s backing band at this point, and played on every track on her second solo album, Sandy. This album was meant to be her big commercial breakthrough, with a glamorous cover photo by David Bailey, and with a more American sound, including steel guitar by Sneaky Pete Kleinow of the Flying Burrito Brothers (whose overdubs were supervised in LA by Joe Boyd): [Excerpt: Sandy Denny, “Tomorrow is a Long Time”] The album was given a big marketing push by Island, and “Listen, Listen” was made single of the week on the Radio 1 Breakfast show: [Excerpt: Sandy Denny, “Listen, Listen”] But it did even worse than the previous album, sending her into something of a depression. Linda Thompson (as the former Linda Peters now was) said of this period “After the Sandy album, it got her down that her popularity didn't suddenly increase in leaps and bounds, and that was the start of her really fretting about the way her career was going. Things only escalated after that. People like me or Martin Carthy or Norma Waterson would think, ‘What are you on about? This is folk music.'” After Sandy’s release, Denny realised she could no longer afford to tour with a band, and so went back to performing just acoustically or on piano. The only new music to be released by either of these ex-members of Fairport Convention in 1973 was, oddly, on an album by the band they were no longer members of. After Thompson had left Fairport, the group had managed to release two whole albums with the same lineup — Swarbrick, Nicol, Pegg, and Mattacks. But then Nicol and Mattacks had both quit the band to join the Albion Band with their former bandmate Ashley Hutchings, leading to a situation where the Albion Band had two original members of Fairport plus their longtime drummer while Fairport Convention itself had no original members and was down to just Swarbrick and Pegg. Needing to fulfil their contracts, they then recruited three former members of Fotheringay — Lucas on vocals and rhythm guitar, Donahue on lead guitar, and Conway on drums. Conway was only a session player at the time, and Mattacks soon returned to the band, but Lucas and Donahue became full-time members. This new lineup of Fairport Convention released two albums in 1973, widely regarded as the group’s most inconsistent records, and on the title track of the first, “Rosie”, Richard Thompson guested on guitar, with Sandy Denny and Linda Thompson on backing vocals: [Excerpt: Fairport Convention, “Rosie”] Neither Sandy Denny nor Richard Thompson released a record themselves in 1973, but in neither case was this through the artists’ choice. The record industry was changing in the early 1970s, as we’ll see in later episodes, and was less inclined to throw good money after bad in the pursuit of art. Island Records prided itself on being a home for great artists, but it was still a business, and needed to make money. We’ll talk about the OPEC oil crisis and its effect on the music industry much more when the podcast gets to 1973, but in brief, the production of oil by the US peaked in 1970 and started to decrease, leading to them importing more and more oil from the Middle East. As a result of this, oil prices rose slowly between 1971 and 1973, then very quickly towards the end of 1973 as a result of the Arab-Israeli conflict that year. As vinyl is made of oil, suddenly producing records became much more expensive, and in this period a lot of labels decided not to release already-completed albums, until what they hoped would be a brief period of shortages passed. Both Denny and Thompson recorded albums at this point that got put to one side by Island. In the case of Thompson, it was the first album by Richard and Linda as a duo, I Want to See the Bright Lights Tonight: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Today, I Want to See the Bright Lights Tonight is widely regarded as one of the greatest albums of all time, and as one of the two masterpieces that bookended Richard and Linda’s career as a duo and their marriage. But when they recorded the album, full of Richard’s dark songs, it was the opposite of commercial. Even a song that’s more or less a boy-girl song, like “Has He Got a Friend for Me?” has lyrics like “He wouldn’t notice me passing by/I could be in the gutter, or dangling down from a tree” [Excerpt: Richard and Linda Thompson, “Has He got a Friend For Me?”] While something like “The Calvary Cross” is oblique and haunted, and seems to cast a pall over the entire album: [Excerpt: Richard and Linda Thompson, “The Calvary Cross”] The album itself had been cheap to make — it had been recorded in only a week, with Thompson bringing in musicians he knew well and had worked with a lot previously to cut the tracks as-live in only a handful of takes — but Island didn’t think it was worth releasing. The record stayed on the shelf for nearly a year after recording, until Island got a new head of A&R, Richard Williams. Williams said of the album’s release “Muff Winwood had been doing A&R, but he was more interested in production… I had a conversation with Muff as soon as I got there, and he said there are a few hangovers, some outstanding problems. And one of them was Richard Thompson. He said there’s this album we gave him the money to make — which was I Want to See the Bright Lights Tonight — and nobody’s very interested in it. Henry the Human Fly had been a bit of a commercial disappointment, and although Island was altruistic and independent and known for only recording good stuff, success was important… Either a record had to do well or somebody had to believe in it a lot. And it seemed as if neither of those things were true at that point of Richard.” Williams, though, was hugely impressed when he listened to the album. He compared Richard Thompson’s guitar playing to John Coltrane’s sax, and called Thompson “the folk poet of the rainy streets”, but also said “Linda brightened it, made it more commercial. and I thought that “Bright Lights” itself seemed a really commercial song.” The rest of the management at Island got caught up in Williams’ enthusiasm, and even decided to release the title track as a single: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Neither single nor album charted — indeed it would not be until 1991 that Richard Thompson would make a record that made the top forty in the UK — but the album got enough critical respect that Richard and Linda released two albums the year after. The first of these, Hokey Pokey, is a much more upbeat record than their previous one — Richard Thompson has called it “quite a music-hall influenced record” and cited the influence of George Formby and Harry Lauder. For once, the claim of music hall influence is audible in the music. Usually when a British musician is claimed to have a music ha

Day 1,216.Today, we discuss the ramifications of the historic American strike on Iran's nuclear sites, and how we should read Tehran's Foreign Minister's scramble to Moscow. Plus we feature a special dispatch from Gotland, Sweden, to meet the Armed Forces' newest outfit protecting Europe's strategic Baltic outpost from Russia.Contributors:Francis Dearnley (Executive Editor for Audio). @FrancisDearnley on X.Dominic Nicholls (Associate Editor of Defence). @DomNicholls on X.Venetia Rainey (Co-host Battle Lines podcast). @venetiarainey on X.Content Referenced:The tiny Swedish island regiment tasked with protecting Europe from Russia (Venetia Rainey in The Telegraph):https://www.telegraph.co.uk/world-news/2025/06/17/the-tiny-swedish-island-regiment-tasked-protecting-europe/ Our sister podcast Battle Lines, covering wider geopolitical affairs, including Iran:https://www.telegraph.co.uk/news/2025/05/14/battle-lines-foreign-policy-geopolitics-conflict-podcast/ Spain exempt from Nato's 5pc spending target (The Telegraph):https://www.telegraph.co.uk/world-news/2025/06/22/spain-exempt-from-nato-five-percent-spending-target-gdp/ 'My husband is free' — Belarus opposition leader Siarhei Tsikhanouski freed after US envoy visits Minsk (The Kyiv Independent):https://kyivindependent.com/in-highest-level-visit-in-years-lukashenko-meets-us-envoy-kellogg-in-minsk/?mc_cid=bdc69312ea&mc_eid=08d0680a95 Putin spies an opportunity in Trump's attack on Iran (The Spectator):https://www.spectator.co.uk/article/putin-spies-an-opportunity-in-trumps-attack-on-iran/SIGN UP TO THE NEW ‘UKRAINE: THE LATEST' WEEKLY NEWSLETTER:https://secure.telegraph.co.uk/customer/secure/newsletter/ukraine/ Each week, Dom Nicholls and Francis Dearnley answer your questions, provide recommended reading, and give exclusive analysis and behind-the-scenes insights – plus maps of the frontlines and diagrams of weapons to complement our daily reporting. It's free for everyone, including non-subscribers.Subscribe: telegraph.co.uk/ukrainethelatestEmail: ukrainepod@telegraph.co.uk Hosted on Acast. See acast.com/privacy for more information.

From July 14, 2023: The NATO summit in Vilnius, Lithuania, just wrapped up, and the big news is that Sweden is in, and Ukraine is not. Eric Adamson of the Atlantic Council and the Swedish Defense Association is a Swedish defense policy analyst who observed the NATO summit.He joined Lawfare Editor-in-Chief Benjamin Wittes to discuss the two big things that happened: the Swedish resolution of the dispute with Turkey that impeded Swedish NATO accession until now, and the frustrating failure of NATO to set a path for Ukrainian NATO membership. They talked about the dispute between Sweden and Turkey and the nuanced manner in which it was resolved, about whether the Ukrainians are being too demanding and should be more grateful for Western support, and the specific areas in which Sweden will contribute to NATO's capabilities.To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.