Podcasts about Coast

A gambler with a run of good luck receives a free car from a mysterious man with gray eyes. As his winnings pile up, the gray‑eyed stranger reappears again and again, even after the gambler witnesses him commit murder. It's a chiller from Sleep No More! | #RetroRadio EP0476Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Graven Image” (September 06, 1976)00:45:33.445 = Radio City Playhouse, “Blind Vengeance” (March 21, 1949)01:14:50.442 = Ripley's Believe It Or Not, “Strange Vigil” (1930) ***WD01:15:51.501 = Sam Spade, “Prodigal Panda Caper” (December 29, 1950) ***WD01:44:45.271 = The Sealed Book, “Death Spins a Web” (April 01, 1945) ***WD02:14:07.119 = The Shadow, “The Laughing Corpse” (March 10, 1940) ***WD02:39:48.766 = Sleep No More, “Over the Hill” and “The Man in the Black Hat” (December 05, 1956) ***WD03:03:08.645 = BBC Spine Chillers, “The Light of the Moon” (1984)03:17:05.922 = Strange Wills, “Emily” (August 31, 1946)03:46:46.558 = Strange, “Flying Dutchman” (1955) ***WD03:59:44.311 = Suspense, “Singing Walls” (September 02, 1943)04:29:19.384 = Tales of the Frightened, “White House” (December 20, 1957) ***WD04:33:39.410 = The Saint, “Christmas Eve Problems” (December 24, 1950)05:03:05.399 = Theater Five, “All Bright Young Ones” (October 12, 1964)05:24:06.434 = The Unexpected, “Revenge” (1948) ***WD05:38:52.106 = Dark Venture, “Chase” (August 03, 1946) ***WD (LQ)06:07:11.642 = The Weird Circle, “Burial of Roger Malvin” (October 22, 1944)06:34:16.694 = The Whistler, “Till Death Do Us Part” (July 30, 1944) ***WD07:01:49.673 = Witch's Tale, “Troth of Death” (May 29, 1933)07:25:13.650 = X Minus One, “The Seventh Order” (May 08, 1956)07:53:24.377 = ABC Mystery Time, “Death Walked In” (1956-1957) ***WD08:17:25.579 = Strange Adventure, “A Savage Honor” (1945) ***WD08:20:40.223 = Appointment With Fear, “And The Deep Shuddered” (November 20, 1945) ***WD08:46:23.888 = Beyond The Green Door, “James Neal And Bowler” (1966)08:49:56.610 = Boston Blackie, “The Ghost of Flo Newton” (May 28, 1947)09:15:03.289 = Box 13, “Speed To Burn” (June 26, 1949)09:41:33.885 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =#TrueCrime #Paranormal #ScienceFiction #OldTimeRadio #OTR #OTRHorror #ClassicRadioShows #HorrorRadioShows #VintageRadioDramas #SuspenseRadioClassics #1940sRadioHorror #OldRadioMysteryShows #CreepyOldRadioShows #TrueCrimeRadio #SupernaturalRadioPlays #GoldenAgeRadio #EerieRadioMysteries #MacabreOldTimeRadio #NostalgicThrillers #ClassicCrimePodcast #RetroHorrorPodcast #WeirdDarkness #WeirdDarknessPodcast #RetroRadio #ClassicRadioCUSTOM WEBPAGE: https://weirddarkness.com/WDRR0476

Reports of unexplained phenomena on roads across six continents include multiple eyewitness accounts of spectral figures, phantom vehicles, and fatal accidents attributed to supernatural encounters, with documented incidents ranging from the 1920s to present day.Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateTake the WEIRD DARKNESS LISTENER SURVEY and help mold the future of the podcast: https://weirddarkness.com/surveyIN THIS EPISODE: Ghost brides, phantom cars, disappearing hitchhikers, and other strangeness. We'll look at some of the most haunted roads from around the world. ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.SOURCES AND RESOURCES FROM THE EPISODE…BOOK: “Scottish Ghosts” by Dane Love: https://amzn.to/3PC4xrt“Haunted Roads” by Marcus Lowth for UFO Insight: https://weirddarkness.tiny.us/289enem5=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: September 13, 2023EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/HauntedRoads#HauntedRoads #GhostRoads #PhantomCars #VanishingHitchhiker #HauntedHighways #ParanormalRoads #GhostBride #Hellhounds #StocksbridgeBypass #ClintonRoad #Highway666 #BloodsPointRoad #HauntedBridges #RoadGhosts #PhantomVehicles #SupernaturalHighways #CursedRoads #KellyRoad #WakehurstParkway #GhostlyApparitions #DeadMansCurve #ShadesOfDeathRoad #MountMiseryRoad #ZombieRoad #HighwaySpirits #RoadHauntings #GhostSightings #UrbanLegends #ParanormalInvestigation #HauntedPlaces #SupernaturalEncounters #GhostStories #MysteriousRoads #SpookyHighways #ParanormalHotspots #GhostHitchhiker #PhantomLorry #HauntedTunnels #ScreamingTunnel #GoatmansBridge #DonkeyLadyBridge #WeirdDarkness #TrueCrime #Paranormal #Supernatural #UnsolvedMysteries #CreepyStories #HorrorPodcast #TrueHorror #DarkHistory

Fighting When Discussing Money by Maine's Coast 93.1

Spanking Celebration and Tabasco Todd by Maine's Coast 93.1

Have You Vetoed a Friends Relationship or Engagement by Maine's Coast 93.1

Are Liam Neeson & Pam Anderson Dating by Maine's Coast 93.1

What the Kids Say- 'In the Big Two Five' by Maine's Coast 93.1

Tuna Salad & What Else Should be Banned From Eating on Planes by Maine's Coast 93.1

Still In Touch with Ex's Mom by Maine's Coast 93.1

Today, we welcome legendary alternative comics creator Evan Dorkin for a wild and woolly interview that (sometimes) explores his unique career and projects. He shares his origin story of discovering comics as a kid growing up in Brooklyn and Staten Island, working at comic retailer Jim Hanley's store during high school, and his transition from wanting to study animation at the School of Visual Arts to focusing on comics at NYU. We jump into his cult classics Milk and Cheese and Dork (from Slave Labor Graphics), discussing the independent comics scene in the late '80s and early '90s and how he developed his unique brand of anarchic humor that both celebrates and satirizes fandom. Evan opens up about his most beloved and infamous creation, The Eltingville Club, which earned him multiple Eisner Awards for its brutal takedown of toxic fan culture. We touch on his work writing for animation including Space Ghost Coast to Coast and Superman: The Animated Series (where he and wife Sarah Dyer created the character Livewire), his irreverent Superman and Batman: World's Funnest one-shot, and his multiple Eisner Award-winning collaboration with Jill Thompson on Beasts of Burden. We even get into his satirical superhero character Fight-Man, why this is the greatest time to be a geek, and why we all still complain so much!You can find and follow Evan all over social media, including Instagram, Bluesky, Tumblr and more: @evandorkin. And check out his Patreon: patreon.com/evandorkin!Support the show___________________Check out video versions of this and other episodes on YouTube: youtube.com/dollarbinbandits!If you like this podcast, please rate, review, and subscribe on Apple Podcasts or wherever you found this episode. And if you really like this podcast, become a member of the Dollar Bin Boosters on Patreon: patreon.com/DollarBinBoosters.You can follow us @dollarbinbandits on Facebook, Instagram, and Bluesky, or @DBBandits on X. You can email us at dollarbinbandits@gmail.com.___________________Dollar Bin Bandits is the official podcast of TwoMorrows Publishing. Check out their fine publications at twomorrows.com. ___________________ Thank you to Sam Fonseca for our theme music, Sean McMillan for our graphics, and Pat McGrath for our logo.

Tonight, our focus is on the WJC Summer Showcase and specifically the star studded Canadian roster! Join Scott, Paul, & Tom on ITHSWpodcasts.Podbean.com, or wherever you get your favorite podcast! For more, click like and subscribe and go to ITHSWpodcasts.podbean.com  

Clare's coastal gems are now easier than ever to reach, without a car. The new TFI Local Link Route 351 connects Galway City to Doolin Pier and the Cliffs of Moher, with up to five services daily. The service opens up key Wild Atlantic Way destinations including Ballyvaughan, Fanore, and Doolin, and links with ferry departures to the Aran Islands. It's a major boost for sustainable travel and local tourism. To find out more, Derrick Lynch was joined by Liam O'Brien, owner of Doolin Ferry.

Democrats try a new tone: Less scripted, more cursing, Trumpier insults Please Subscribe + Rate & Review Philip Teresi on KMJ wherever you listen! --- KMJ’s Philip Teresi is available on the KMJNOW app, Apple Podcasts, Spotify, Amazon Music or wherever else you listen. --- Philip Teresi, Weekdays 2-6 PM Pacific News/Talk 580 & 105.9 KMJ DriveKMJ.com | Podcast | Facebook | X | Instagram --- Everything KMJ: kmjnow.com | Streaming | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

Barney Shynkaruk is your host for the Tuesday Edition of the SportsCage! Lots of CFL and Baseball talk today, with Bob Wilkie talking 1986 Swift Current Broncos, Regina Red Sox Head Coach Rye Pothakos, Coast to Coast with Arash Madani, and Press Coverage with Glen Suitor.

Thank you so much for listening to the Bob Harden Show, celebrating nearly 14 years broadcasting on the internet. On Wednesday's show, we discuss the Free Society Coalition, and we continue our review of the last Supreme Court session with Cato Institute Chairman Emeritus Bob Levy. Professor and author Andrew Joppa and I discuss a … The post The Free Society Coalition Celebrating Our 250th Anniversary appeared first on Bob Harden Show.

A terrified maid's claim of seeing a ghost in the Worthington mansion leads Boston Blackie to uncover a deadly plot of greed, madness, and murder where nothing supernatural is quite what it seems. | #RetroRadio EP0475Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Magic Cay” (September 02, 1976)00:45:29.119 = Philip Marlowe, “Dude From Manhattan” (July 02, 1949)01:14:41.883 = Boston Blackie, “The Worthington Ghost” (March 19, 1946)01:41:09.671 = The Black Mass, “All Hallows” (September 06, 1963)02:19:59.468 = Beyond Midnight, “Harry” (December 13, 1968) ***WD (LQ)02:46:16.539 = MindWebs, “Helen Oloy” (April 15, 1979)03:14:29.935 = Guests of Doom, “Program 11 & 12 – Incomplete Story, But I Explain” (1930s) ***WD03:40:12.646 = Mystery In The Air, “Mask of Medusa” (September 04, 1947) ***WD04:09:11.099 = Molle Mystery Theater, “Triangle of Death” (March 28, 1947) ***WD04:38:13.813 = Results, Inc., “Mummysitting With Queen Sheshack” (December 30, 1944)05:07:28.066 = Murder at Midnight, “The Man Who Was Death” (September 23, 1946)05:33:21.263 = The Black Museum, “Canvas Bag” (February 19, 1952)05:58:33.912 = The Mysterious Traveler, “No Grave Can Hold Me” (June 14, 1949)06:27:22.258 = Mystery House, “Death With a Punch” (April 28, 1946) ***WD06:53:22.682 = CBS's Nightfall, “Mr. Agostino” (April 30, 1982) ***WD07:22:33.140 = Obsession, “Amnesia” (February 19, 1951) ***WD07:45:44.822 = Origin of Superstition, “Whistling In The Dressing Room” (1935)07:59:44.737 = Mystery Playhouse, “Criminal At Large” (April 11, 1944) ***WD (LQ)08:29:15.320 = Price of Fear, “Speciality of the House” (April 13, 1974) ***WD08:57:46.402 = The Adventures of Ellery Queen, “Mischief Maker” (January 15, 1944) ***WD09:23:11.205 = Quiet Please, “It's Later Than You Think” (August 02, 1948)09:48:05.017 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =#TrueCrime #Paranormal #ScienceFiction #OldTimeRadio #OTR #OTRHorror #ClassicRadioShows #HorrorRadioShows #VintageRadioDramas #SuspenseRadioClassics #1940sRadioHorror #OldRadioMysteryShows #CreepyOldRadioShows #TrueCrimeRadio #SupernaturalRadioPlays #GoldenAgeRadio #EerieRadioMysteries #MacabreOldTimeRadio #NostalgicThrillers #ClassicCrimePodcast #RetroHorrorPodcast #WeirdDarkness #WeirdDarknessPodcast #RetroRadio #ClassicRadioCUSTOM WEBPAGE: https://weirddarkness.com/WDRR0475

When phantom footsteps echo behind you on a lonely Japanese road, the only thing standing between you and an invisible stalker is knowing the right words to say.Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateTake the WEIRD DARKNESS LISTENER SURVEY and help mold the future of the podcast: https://weirddarkness.com/surveyIN THIS EPISODE: From Puerto Rican farm animals found completely drained of blood to hairless creatures stalking Texas ranches, the chupacabra has terrorized livestock owners across the Americas for decades — but the truth behind these vampiric attacks reveals something far stranger than fiction. (The Goat Sucker) *** A Russian woman traveled 5,500 miles for love, only to end up dead on a remote Oregon logging road — while her fiancé desperately searched the internet for ways to travel back in time to save her. (The Bride, The Lover, and the Time Travel Obsession) *** From babies crying in morgue freezers to a man waking up as the autopsy blade touched his skin, there are numerous documented cases of doctors sometimes sending a body to cold storage with the dead, only to find out later they were alive the entire time. (When Death Gets It Wrong) *** On dark mountain roads across Japan, travelers report hearing phantom footsteps matching their pace — the Betobeto-san, with wooden sandals clicking against stone, always just behind, never quite catching up, and when you turn to face it there is nothing there. (Betobeto-san)ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Lead-In, “The Dark That Follows After The Last Train To Sakaiminato”00:04:51.668 = Show Open00:06:56.210 = Betobeto-San00:18:23.477 = The Bride, The Lover, and the Time Travel Obsession00:29:22.172 = When Death Gets it Wrong00:42:25.121 = The Goat Sucker00:57:40.565 = Show CloseSOURCES AND RESOURCES FROM THE EPISODE…Betobeto-san: https://weirddarkness.com/betobeto-san-japanese-footsteps-yokai/The Bride, The Lover, and the Time Travel Obsession: https://weirddarkness.com/murder-of-anna-repkina/When Death Gets It Wrong: https://weirddarkness.com/people-wake-up-morgue-declared-dead/The Goat Sucker: https://weirddarkness.com/chupacabra-blood-drained-history-goat-sucker-cryptid/=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: July 28, 2025NOTE: Some of this content may have been created with assistance from AI tools, but it has been reviewed, edited, narrated, produced, and approved by Darren Marlar, creator and host of Weird Darkness — who, despite popular conspiracy theories, is NOT an AI voice.EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/betobetosan#Betobetosan #JapaneseYokai #InvisibleFootsteps #JapaneseFolklore #YokaiStories #SupernaturalJapan #GhostStories #ShigeruMizuki #JapaneseHorror #ParanormalFootsteps #InvisibleStalker #YokaiEncounters #GeGeGeNoKitaro #JapaneseUrbanLegends #SupernaturalSounds #JapaneseMythology #InvisibleHorror #YokaiFolklore #JapaneseGhosts #Bishagatsuku #WoodenGeta #AuditoryHaunting #FearEntities #YokaiCulture #TraditionalFolklore #JapaneseDemons #SupernaturalBeings #NightTerrors #ParanormalJapan #MysteriousFootsteps

The Hunting Wives by Maine's Coast 93.1

The Social Lurking Mother-in-Law by Maine's Coast 93.1

Christmas Cookie Mystery by Maine's Coast 93.1

Men Wait 10 Years to Change This by Maine's Coast 93.1

Teen Borrowing Parents Clothes by Maine's Coast 93.1

An Ick You Can't Recover From by Maine's Coast 93.1

Pill Organizers by Maine's Coast 93.1

Kids Dirt Bike Game by Maine's Coast 93.1

Summer Personas by Maine's Coast 93.1

40 Diet Pepsis a Day by Maine's Coast 93.1

First Call- Marissa the SuperMom & the Fisherman by Maine's Coast 93.1

BOSSes, get ready for an inspiring conversation with a true powerhouse of performance. In this episode of the VO Boss Podcast, we welcome the incredibly talented Stacia Newcomb, a veteran voice actor and performer who has been lighting up the mic and screen for over 20 years!   00:01 - Speaker 1 (Announcement) Hey bosses, if you're ready to start that demo journey, let's craft your professional demo together. As an award-winning professional demo producer, I'll collaborate with you to showcase your talent in the best possible light. From refining your delivery to selecting the perfect scripts to showcase your brand, I'll ensure your demo reflects your skills and personality. Let's create a demo that opens doors and paves the way for your success. Schedule your session at anneganguzza.com today.  00:33 - Speaker 2 (Announcement) It's time to take your business to the next level, the Boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a Boss a VO Boss. Now let's welcome your host, Anne Ganguzza.  00:52 - Anne (Host) Hey, hey everyone. Welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I'm here with a very special guest who's been lighting up the mic and the screen for over 20 years. Who's been lighting up the mic and the screen for over 20 years?  01:09 Stacia Newcomb is a powerhouse voice actor, performer and creator whose work spans just about every medium, let's say television, radio, video games, audiobooks and even puppetry. You might recognize her as the star voice See what I did there and fuzzy face of star from the Good Night Show on Sprout, where she's brought warmth and comfort to bedtime for kids for over a decade. Not only that, but she's voiced characters for Disney, nickelodeon, pbs, kids and Cartoon Network. And, of course, you've heard her in campaigns for brands like Geico, verizon, subway and Dunkin'. She's made her mark on stage and screen from a memorable appearance on 30 Rock, which I found to be quite interesting We'll talk about that in a minute to sold-out off-Broadway comedy shows like Can I Say this? I Can Shit Show and Potty in the USA. I can't say that because it's my podcast. Yes, these days she's running her own studio in the Berkshires Sound and the Furry where she produces family-friendly content and helps other performers find their voice. Welcome to the show Stacia.  02:12 - Stacia (Guest) Wow, thank you. That was quite the intro.  02:15 - Anne (Host) I'm like wow, I was like wow, I don't think 30 minutes is enough time for us, Stacia, to go through everything that you've done. Let's not, then We'll talk about whatever we want to. It's just, it's so amazing. I mean, so you've been in the industry for over 20 years, which actually to me, I've been in it just the voiceover aspect for like 18. And so 20 years feels like it was yesterday to me. But talk to us a little bit, talk to the bosses and tell us a little bit how you first got into performance. I assume performance was before voiceover.  02:50 - Stacia (Guest) Yeah, yeah, hey, bosses. Yeah, I started as an actor. I wanted to be an actor for as long as I can remember, I mean when I was little. My mom still tells a story about how I performed for all of my five-year-old friends at my fifth birthday party, which sounds like still a good party to me, right? So, yeah, so I started as an actor and through that I tried to just branch off into any direction that I could, to be living a creative life and be able to continue performing in whatever medium I could. You know.  03:34 - Anne (Host) So what was one of the first things that you did? Performance wise, professionally, yes, professionally.  03:38 - Stacia (Guest) So I this is so random, but there is. I'm from Massachusetts, that's where I grew up. In Newport, rhode Island, which I don't know if there are any Gilded Age fans out there there was a mansion, the Astors Beachwood, and the Astors Beachwood was owned by the Astors at the time when I graduated high school. At the time, for about 10 or 15 years, I think they had. They hired actors from all over the country to live there and perform as both aristocrats and servants of the 1890s the year was 1891. And we yeah, it was all improv, like some days I'd be an aristocrat and some days I'd be a little housemaid.  04:22 - Anne (Host) Wow, that sounds so interesting. Now you said Massachusetts. Now see, I'm originally a New York State girl, right, and I've been up and down the East Coast, so Massachusetts would suggest that you have an accent in there somewhere. Yeah, I sure do.  04:37 - Stacia (Guest) It's right there.  04:38 - Anne (Host) Yeah, and of course I feel like, because I had a very New York State accent which was kind of similar, believe it or not, not quite as I don't know, not quite as accented as, not as ugly. Is that what you're trying to say? Oh no, because I would say things like car and water and it would be like really flat with my A is water.  05:01 And when I moved to New Jersey, oh my gosh did they make fun of me, and so I should not make fun of you?  05:04 in New Jersey, in New.  05:04 - Stacia (Guest) Jersey, they say, they say water.  05:05 - Anne (Host) They say water, what's water, and so I literally like and I think you're, I think possibly at the time this was before voiceover I said, oh gosh, all right, so let me try to tame that, and so I did my own taming of my own accent and then ultimately, I got into voiceover.  05:36 And back when I got into voiceover it was a thing to neutral, to quote, unquote, neutralize, whatever that means, neutralize your accent. And I said it was in a pink envelope and I brought it to the backstage door and so I heard myself say that and I was like and so from then on I just I started pronouncing my R's and have never looked back.  06:02 I imagine once you do, you have family that's still in the area.  06:05 - Stacia (Guest) Yes, in fact, we just moved my mom out of the area.  06:08 - Anne (Host) Yeah, when you go to family reunions and I think that when I get around my you know, my family in New Jersey, like we all start talking quicker and then we start, you know, well, let's talk about you know, we just like get into that accent and it just happens inadvertently but outside of the accent. So that's a really cool first gig. And so then did you go to school for theater?  06:33 - Stacia (Guest) We did OK. So I had done a little dinner theater and then I but I had been auditioning in New York. I had a big callback when I was like 18. I was called back for Les Mis and it didn't happen, unfortunately. But it's cool because it led me on other adventures.  06:52 - Anne (Host) Sure, that was one of my first shows by the way that I saw that. I saw that. I was in a show. No, yeah. No, I can't claim that, but but a callback for Les Mis is really awesome.  07:01 - Stacia (Guest) Yeah, it was a big deal, I and I, so I always. The plan was always to move to New York City, but it just takes a while to get on your feet and New York City is very expensive and a little scary when you're you know, sure is Absolutely Very scary.  07:15 Yeah, and so I ended up getting there eventually. But I did go to college and then I quit college because I realized at some point, like I'm getting a degree in musical theater and what am I going to do with that degree? And I'm spending so much money, but when you're 19 years old you don't realize what you're signing on the dot. You're signing your name on the dotted line for thousands upon thousands of dollars and it's the program itself ended up falling apart. And there were all these promises that were made to me, like you know I, because they gave me a bunch of credits because I'd already been working as an actor, and then I was going to go to London and then they were going to give me my master's so I should have had my master's within five years master's in theater performance. They also had a program where, like I would get my equity card and they do theater during the summers. But it was a small liberal arts Catholic college in Minnesota and the program sort of fell apart and I escaped. I was like this is not.  08:21 - Anne (Host) I had to get out of there. I escaped. That was a lot of that was a lot of words, and I'm not going to make this political at all, but that was a lot of words when you said Minnesota Catholic theater. Coming from a Catholic girl.  08:35 - Stacia (Guest) So I get that. Yes, so it was run by these two incredible gay men who were. They were amazing, but as you can imagine the politics at the time and just yeah, they were amazing, but as you can imagine the politics at the time and just yeah, yeah, yeah, absolutely, and so all right.  08:48 - Anne (Host) So you quit college. And then what? I quit college.  08:53 - Stacia (Guest) But I got a job before I left, so I needed the impetus and the excuse to get out, which so I ended up working for Goodspeed Musicals, which is in Connecticut and they're a really pretty famous like regional theater. They'd won a lot of awards at the musical Annie started there, so I went there to be an intern in costuming and then I left that because I was like this is not what I want to be doing, I want to be performing. But it got me back east, which was great, and then from there I ended up taking like odd jobs, living with my parents for a little bit until I landed a show that took me on tour as a one person it was actually two different one woman shows for this company that's an educational theater company, and so I did that for like five years and while I was doing that I was able to make enough money to move to New York City and just keep going.  09:47 - Anne (Host) Now, what shows were those that you did that? The one woman shows, because that's quite a thing to do, a one woman show.  09:53 - Stacia (Guest) Yeah, and they're educational. So we would go to I would go alone really, I would travel all over the country, and one of them I played the fictional best friend of Anne Frank, and then the other one I played this young Irish girl who came over during the great wave of immigrants in the early 1900s. So I would go to, like schools and libraries and small theaters, and it was.  10:16 - Anne (Host) It was really incredible, an incredible job for a learning experience Now, at any given time at this point in your life. Did your parents or anyone ever say to you well, okay, so when are you going to get a real job? Do you know what I mean? Is it that? Was it ever like that for you?  10:35 - Stacia (Guest) I mean, yeah, I mean, I think probably in my own mind I thought not real job, but like when's the real, when are we gonna you know, and certainly when I would do my? You know, when that really happens is like around March or April, when you start doing your taxes and you're like exactly, theater doesn't pay, and so yeah, but I didn't get pressure like that from my parents. I got, I was lucky to get their support.  11:05 - Anne (Host) Yeah, that's wonderful.  11:06 - Stacia (Guest) I mean, they didn't have to support me financially and that's, I think, all that mattered to them.  11:10 - Anne (Host) Well, that's actually huge.  11:12 - Speaker 2 (Announcement) And.  11:12 - Anne (Host) I love that Because you had support to be able to go out and follow your creative dreams, which, I mean, my gosh, you, you've actually I mean you have the gamut of of creative things that you've done, and I imagine that just gives you such wonderful experience, because you're so rounded in all the areas that would make it important for you to be successful in any of those business areas.  11:38 - Stacia (Guest) Thank you, I think it's it's. It's also like trying new things and being new at things and, um, trying to not get be stagnant. You know, like just um, and and even always in my voiceover career, it's like I have to remind myself to uh, like that I get to do this and that that this is what I love, and just to to make it. How do you make it fresh when you've been doing it for so long?  12:08 - Anne (Host) For so long, absolutely.  12:11 - Stacia (Guest) And it's a different thing when you look at whatever you're about to experience or do with fresh eyes or like beginner eyes or like from a beginner experience, because you immediately are like, whoa, I love this, you know, and sometimes I think that can easily bring back the magic to whatever you're working on.  12:34 - Anne (Host) Yeah, yeah. So, these days are you mostly doing voiceover, doing voiceover and performing.  12:41 - Stacia (Guest) Yeah Well, so the pandemic changed a lot of things for me. We, because I've been in New York City and you know I'm still. We still have our apartment in New York City, but I'm mostly up at our house in the woods in the Berkshires. Yeah, I am still auditioning, I am still doing voice, a lot of voiceover. So yeah, I'm kind of all over the place and sort of open to whatever happens. I'm not I think I haven't been fully steering my own ship. I've kind of been like I don't know where are we going to go, Whatever you know, and just being open to whatever.  13:15 - Anne (Host) And there's so much good to be said in that though.  13:18 Yeah kind of allowing it to happen. I, I think for me and I don't know, I don't know what to call it, but for me I've always followed my gut or my intuition, and a lot of times, if things don't come right away, I know they will at some point, but I don't. I try not to rush myself to get to any specific spot, because I know that if it's going to happen, it's going to happen, and and the time it takes to kind of evolve the solution or the you know, to actually say okay, yes, now I know I have more, I have more direction, and now I'm heading in this direction. So I love that you said that. I love that Because you're not always sure right, you're not.  13:55 - Stacia (Guest) You're not. And you know the business has changed so much over the last, you know, over the last five years. I mean it's. It's kind of crazy. It's a new world and it's different. Navigating it is different, even though I'm with the same agents, even though I'm, you know, still in the business and I know the casting people or the producers that I know and have worked with. It's just, it's different. Approaching it like, hey, yeah, I don't have to rush. I really love that, Anne, because I feel like there is a rush.  14:30 - Anne (Host) There's always a rush I want it now. Yeah, no, I agree, I think so many of my students are always. They want it, they want it now, and I'm like, well, there's something to be said to letting it marinate and letting it evolve and letting it happen.  14:43 - Stacia (Guest) And also like looking in the other direction or seeing what else you know, I think. I think a lot of times, artists, especially if you're focused on one particular medium, you just focus on that one thing. And I, I recently started painting. Am I good at it?  15:01 - Anne (Host) No, I love it. I love it, but I don't think anybody could ever accuse you of not like experiencing or exploring different mediums, but it keeps you alive, it keeps you like, creative and happy, and that's what I want.  15:14 - Stacia (Guest) It'd be exactly that like lightens you up and it opens you up to when you are approaching commercial copy or whatever. It is Right Because you're, because you haven't been like. Why am I not looking? Why am I not? What am I? Who do I?  15:31 - Anne (Host) need to be for this piece of copy and you're just, you're just letting it, you're letting it happen. Yeah, yeah, I love that. Oh my gosh. So what? Before I actually talk to you about, let's say, some character, I want to. I have some character questions to ask you, because I think you're always a character in voiceover and no matter what genre you're working on. But I do want to talk about puppetry and what got you into that?  15:51 - Stacia (Guest) I had been doing Pokemon. I was very lucky. When I moved to New York I worked as a cater waiter when I wasn't doing the that one of those one woman shows and a friend had introduced me to the studio that that at the time was recording Pokemon. So you know how it's like things trickle Around. That same time this show was off Broadway it was called Avenue Q and then that musical came to Broadway, which is where I was finally able to get tickets, because you could not get tickets to it and it was crazy and it was such a special show. It's just so funny. The music is great and touching. It has so much heart to it. I mean it's a little dated now, but at the time it was, it was just extraordinary.  16:38 - Anne (Host) And it's still yeah.  16:39 - Stacia (Guest) So in that show for anyone who any of the bosses out there that that haven't seen it or don't know about it in that musical you see the full-on puppeteers playing the puppets on stage and it's so revealing. And me, as a young woman, I always loved puppets. I had puppets as a kid. I had like an Alf puppet from Burger King. I had a Kermit the Frog puppet. I loved puppets. Never thought that it could be a career, never thought in a million years. And when you think about it there aren't a lot of. It seems like there aren't a lot of female puppeteers. There are and there are more, but as I was growing up it was all men really, and then you would have like even the female characters. I mean Miss Piggy's, like one of the most famous women female characters of all time. She's played by a man and so you know the idea of being able to play a, be a puppet. It just was not. It never, you know. And so I saw that show and it was just incredibly revealing to me. It was like a light bulb moment. So I immediately got a puppet and started training.  17:52 I actually was so lucky that I got into a class that John Tartaglia had been teaching at that point in the city and I got to study with him, which was amazing and he's a beautiful human being, and so from there it was just kind of magical. Somehow this show was uh happening. I did another little uh on camera thing, but then this show the good night show happened. I auditioned for it and I had already created this little four-year-old girl character. They wanted me to change it up and make it a boy character. Well, those voices are going to be very similar, because a four-year-old boy and girls can sound pretty similar oh yeah yeah, Actually I was listening to it, I was trying to figure out.  18:35 - Anne (Host) You know, I felt like it could have been either yeah, right, right, because it's so young.  18:41 - Stacia (Guest) So yeah, so I auditioned for it and I booked that job and it became a huge part of my life. I ended up creating a part of the show and writing for the show and helping create the spinoff of the show, and so there's your, there's your acting, your puppetry, your your voiceover.  19:00 - Anne (Host) I mean you're, I mean production, I mean it's all aspects.  19:04 - Stacia (Guest) Yeah, absolutely yeah that's, that's amazing. It was, it was a really it was a really special show and a beautiful community and even now I, michelle who, michelle Lepe, who was the host on the show she still gets messages about, you know, from the kids who grew up with it, just like how much it meant to them, which is very sweet. I don't because no one, because I don't look like this.  19:29 - Anne (Host) Well, you know, I can say something similar because I was a teacher for 20 years and so I watched my kids grow up and I literally had one of them contact me just recently on LinkedIn thanking me for setting them on the path, and I was like, oh my gosh, like that just meant the world to me, and so I think that's beautiful.  19:49 Right, and that's one of the reasons why I love doing any educational voiceover. Sure, because I feel like there's, and not just e-learning, but like medical, like I mean anything that educates an explainer that can help someone, and even corporate. Do you know what I mean? Because you're always come at it from an aspect of how can I help you, the person that I'm talking to, you know, look better, feel better, be better, you know, and really that's commercial too, because it really should be about how you're helping the person that's listening to you, yeah, and connecting in that way, and not necessarily what you sound like while you're doing it, yeah.  20:31 Let's not get wrapped up in that, yeah, no. And so with that, it's a good segue to start talking about characters, because you've done so many characters, but you also have done commercials. So when it comes to characters in voiceover, let's talk a little bit about that. How is it that you prepare for any given piece of copy? Is it always a character?  20:56 - Stacia (Guest) Is it always a character you mean like with?  21:00 - Anne (Host) character copy or what you mean, or any kind of copy. Do you create a character for any type of copy, any type of copy, I think?  21:06 - Stacia (Guest) for me, my approach to commercial copy is it depends on the spot but it also is like how you know the age old question how would I talk to? A friend about this sitcom, you know, like whatever it is, but I and so it's just about bringing my authentic self to it. But also there's a there's. I think there is a musicality to it, but also it really depends on what's on the page right or what we're selling, you know do you ever envision?  21:37 - Anne (Host) do you ever envision yourself as the um, the, the? On camera the zip cream or the character zip cream or the. The person on camera. The character Zipcreme or the person on camera.  21:47 - Stacia (Guest) Sure, yeah, I think I mean I love when you get any kind of visual or if they give you the break of what is gonna be on screen and then you can kind of I love visualizing. I think visualizing because what it does for me is it brings my imagination to life, which immediately I'm having way more fun in the booth yeah. Yeah, and it's enjoyable, even when the copy is like maybe a little like dry or sad or whatever, like liven it up by visualizing what's happening.  22:26 - Anne (Host) Yeah absolutely Believe it or not. That's a big thing. Even if I'm doing e-learning, I'm imagining that I'm the teacher, because I was a teacher for so long and so I can draw upon that experience, and it's better for me to talk almost like a one-on-one coaching with a student. And if I try to envision myself in front of the class, even when I was a teacher, I was always looking at one person at any given time. Yes, so it made it much more personal, of course, and so for e-learning, I'm a character Corporate narration. I'm a character because I work for the company and I'm trying to provide a solution that is going to help the person that I'm talking to, which makes it a whole lot more interesting than if you're just reading about it to someone.  23:15 - Stacia (Guest) Totally yeah, or sound, trying to sound like someone who reads these kinds of things. Right, it's like, because it's a really I think what it comes down to is connection and we, as actors, need to connect right copy, which means I probably need to understand it. That's, that's excellent.  23:25 - Anne (Host) So yeah, so how? What are your steps for connecting to copy?  23:28 - Stacia (Guest) It really depends on the piece. Recently I had to do what was pretty lengthy and I had to do the spot in 15 seconds and it was like okay, I don't usually read things over and over and over again because they feel like there's an element of um, uh, over overdoing it you know, I agree I agree.  23:52 So my booth is here behind me. That's why I'm pointing behind me, in case anyone's wondering Um, and so sometimes when I get in there, I will run it a few times like that particular spot because it had to be so quick. But at the same time, of course, they're going to want it to sound like I just talk, like that, you know, and so it's like it's marrying those two things right when I want it to come off like it feels like me. I'm just sort of having this talk, but I'm also. It's very quick and rapid and it falls within the 15 seconds. Yeah, so my approach is not always the same thing. It really depends on what I'm working with, and sometimes there isn't enough time, like in that 15 seconds, there's not enough time to visualize or do this. It's wall to wall copy and it's also I'm talking about this cool thing that you're going to love, and so it's just about like who sometimes I like playing with? Who am I talking to? Where am I? Proximity is such a fun thing to play with too.  24:57 - Anne (Host) You can do that in a minute or two, totally Right. Yeah, and that's the thing I always try to emphasize to my students is that it doesn't take a whole lot of time to figure out who you are and who you're talking to and maybe set a scene up, yeah, and to get yourself rolling on that. I mean it's nice if you have the entire scene as it progresses through, because that allows you to help tell the story. But if you don't have all the time in the world, but a lot of times we're auditioning in our studios. I mean, we're not live auditioning as much as we used to. Gosh knows that's the case, right? Um, and unless we're like in front of a, we're being live directed. That's a different story, right, but if we've got the time before we go into the studios, I mean, what do you take five minutes?  25:37 - Stacia (Guest) if you put different scenarios on it, because you're probably sending more than one read on this commercial copy and we don't know. But the thing that I've loved playing with recently is I really love doing a take. That's for me what do I want?  25:53 to do with this? How do I want to bring myself to this? Because I think that what makes us viable, that what makes us marketable, is us. We are not disembodied voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are bringing ourselves to this copy and what our lived experiences and our lives, and so that that's really fun to to, just like I would. I would, I would encourage everyone to just do one for you. What do you want it to sound like?  26:29 - Speaker 1 (Announcement) Exactly.  26:30 - Stacia (Guest) Because that's the most empowering feeling is to be like I want to do this with this, and that's when you're collaborating too Sure sure, and is that the take that you submit first?  26:42 - Anne (Host) Not necessarily. Is that take one, or is it the second take?  26:46 - Stacia (Guest) Like lately I have been exploring it and I just feel like I just want to be a little more playful, yeah, and so, yeah, I mean, I say not necessarily.  26:56 - Anne (Host) The truth is I lean towards that one, unless I've worked with the people before.  27:00 - Speaker 2 (Announcement) Yeah, and I know what they're looking for. You know what I mean then I'm gonna just give them what they want.  27:04 - Anne (Host) But uh, if I don't know, and it's not like a critical like I, I always think like it's kind of like gambling for me, right, sure we're all gambling.  27:13 - Stacia (Guest) We're just all right, we're all gambling, right.  27:15 - Anne (Host) So I'm just gonna like, well, you know what, I'm just gonna do my best and I'm gonna, and I'm, and I'm gonna, just, you know, send it and forget it, that kind of thing. So I'm not gonna put so much stock in like, oh my god, did I do the right thing? Did I give them what they wanted? Am I going to get this? I try never to like hope and wish in that way for any job.  27:35 - Stacia (Guest) If you're saying I want to do this and that's where I'm like no, both of those takes are for me. It's not that it's for me, but it's like I'm going to give you what I want to give you, and then I'm going to give you another take of something different that I want to do with this.  27:53 And of course I read all the specs and of course I read and I'll even, you know, watch other spots that they've done to get an idea. Like we got to do our homework right, but then it's like you asked me to do this. I'm going to got to do our homework right, but then it's like you asked me to do this. I'm gonna do it my way. See, it's fun. I'm gonna have fun with it. I'm gonna. It's so much easier to let go when you like, because if you hold on to what you like, if you, if you don't give the what you want to do with it, read, then it's like you might live with regret yeah, you know, or like it sounds like everybody else's yeah right  28:29 at the end of the day maybe even they're all gonna sound somewhat the same, anyway, you know, but it's like at least you know you had fun with it. You felt like your authentic self and you and you played yeah yeah, you know.  28:43 - Anne (Host) So, being a singer, which I, that was the other part of the medium that I didn't really talk to you about, but I mean, I can actually hear just your talking voice, although I've never heard you sing. Except I did, I did go, you know, I did my homework, I did my, I did my YouTube. You have a gorgeous voice.  28:58 Oh, thank you, but I can hear that.  29:00 I can hear that in your voice as you speak to me, and it's so funny because I think that no one should have to try, right.  29:10 I think that no one should have to try right to create a voice that somebody thinks they want to hear. Because when we're connecting right and I actually listened to quite a different number of songs that you did in different styles, and one was from your potty show, and so you had such a range there and what was so cool is that you were just undoubtedly yourself and just like in all aspects of yourself, and that was just so cool because it was connecting and that was what I was looking for as a human being. I was looking for that, that connection in the voice and while you were on stage and while you were communicating to me, and I feel like it's the same exact thing. It's the same exact thing for voiceover, right. It's all about like your voice is beautiful, no matter what you're you know what I mean, no matter what you're doing, you don't have to try and so just connect with me, and that's really what I'm looking for as a human being, and I think that's what most casting directors are looking for.  30:04 And they tell me over and over again, that's really what they're looking for. Is connection, not necessarily the sound.  30:11 - Stacia (Guest) I think we get caught up in the sound. The sound or I flubbed on this, or I you know this or that, whatever it is, and it's like I. I don't want to be listening and I am because it's so hard when you're doing this yourself.  30:28 - Anne (Host) It is hard not to listen.  30:30 - Stacia (Guest) You have to take off the director hat while you're the actor, and then you have to take off the engineering.  30:39 - Anne (Host) You know you have to compartmentalize, because if you don't, and you don't because you'll, and then when you come back, Because if you don't and you don't because you'll, and then when you come back and you're the engineer slash director and you listen back and you're like, oh, as an actor, I really loved that last take, that's weird. I don't like listening to it, like I don't. I don't have that feeling brought this up because it's hard. It's hard for us to separate the ears, right. It's like you have to develop an ear, right, you have to develop an ear as an actor, you have to develop an ear as an audio engineer and you have to be able to separate them.  31:13 And it's funny because I've always maintained back, when I was really, you know, moving on this in this career, I was in a place where they were doing construction outside my home and I had, when I was in my studio, I had my headphones on. I had to keep them on because I had to make sure that there was none of that sound coming in, and so I had my headphones on a lot of time. And if, if you get good at it, I always say the headphones are just amplifying your voice, and so if you can not listen to your voice and just you know what I mean, like you can record with your headphones on. I mean, right, you got to do it when you're live directed anyways. So I'm always saying people are saying, oh, I don't wear my headphones because I try to listen to myself.  31:53 I'm like I could listen to myself with my headphones off. Do you know what I mean? But you've got to be able to compartmentalize, and I love that you said that, because that is a skill and it's a skill that I think takes a little bit of time for for people to to really really get to be able to to say, okay, this is my, this is my actor ears. Yeah, versus what do I sound like?  32:16 - Stacia (Guest) right, it's that constant like don't listen what you sound like and it's. It's also like there's because there is that judgment that comes in you and that when you are wearing cans, if you aren't telling your self limiter I talk about this a lot and we'll talk about it when when we work together with everyone, but if you aren't challenging them and saying I don't need you here right now, it's very powerful to send them away, to send that voice to me. For some reason, it's right here.  32:48 - Anne (Host) It's just very like right, that's like the magic secret Stacia, I mean I love that it works for me. So, I want to say that we are going to be having you as a VO Boss workshop guest director, so, and and we are going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be doing in that class.  33:08 - Stacia (Guest) What I would love to do is see where everyone's at, what they want to play with, and, of course, do that, but also, I think, for everyone, I would love to share the self limiter and what I, what I do to get rid of that sort of you know, it's a, it's a protection right. That's what that voice is doing. It's trying to help you, but it's not helpful. I love that.  33:34 - Anne (Host) Oh my gosh, that's like secret sauce.  33:36 - Speaker 2 (Announcement) Yeah, yeah, I think so.  33:38 - Anne (Host) I know how hard that I mean. It's just, it's so hard. I mean, and you do have to, you have to be able to, you have to be able to separate it, you have to wrangle that?  33:46 - Stacia (Guest) Yeah, because that that voice that's trying to protect you inevitably is is keeping you safe. It's keeping you safe, it's doing its job and you don't. You do not want anyone keeping you safe when you're in your booth. Yeah, it is not a place for safety.  34:04 - Anne (Host) It is a place to play.  34:06 - Stacia (Guest) If you're playing safe and you're in a dramatic role for a video game and you're, you know you're about to I don't know shoot up some monsters, or you're afraid for your life or it, or you're, you know, some silly little kid like you got to be a little kid, you got to be playful and you know, or you got to be scared of those monsters or whatever's on that page. It is not a place for you to be protected or be playing it safe.  34:33 - Anne (Host) Yeah, yeah, I love that. Did I just get on a soapbox? I think I did. I think that, no, I love that and and all right. So, from a different perspective right, I mean a different perspective, it the way that it hit me, but I love that. You teach that because I am.  34:47 You know, I've had health issues, right, I had cancer, and before I was diagnosed, I was like so worried about what I was sounding like and what. You know how the audition went and did. Should I have done it this way? Should I have you know? And then all of a sudden, it was like whoa, like what was I? Like that just didn't seem important anymore. I shouldn't be.  35:09 Why was I so worried about what I sounded like when, in fact, I just, you know, I'm fighting this disease right now, and so it gave me such a license to permit myself to be free. Yeah, just not worry and not have that self-judgmental voice on me all the time. It was an amazing thing that happened to me and unfortunately I mean well, I mean fortunately I'm here and everything's good, you know. So nobody, nobody, has to worry about it. But in reality, it was one of the best things that could have happened for my performance, for my actor, my actor self, was to say what the hell was I so damn worried about? What was I? What was I trying to be? You know what? Just screw it Like, isn't it incredible?  35:47 - Stacia (Guest) how? So empowering? So it's like grief is off. Grief is awful and we all, as humans, live through it and the way that it can have some magical elements and empowerment in it is really incredible. Talking about that and how you're like I don't care, Like I don't. Why am I going to concentrate on what I sound like? That was not a priority.  36:16 - Anne (Host) No, Well, what I sounded like is not a priority anymore.  36:19 - Stacia (Guest) No, no no, it was amazing, because it's like a reminder of who you are, who your soul is Like. You want to connect with people and that's what you do. I love it.  36:29 - Anne (Host) Oh, my God, I'm so excited, so excited for you to join us. So, bosses, make sure that you check out the show notes and I'll have a link to the VO. Boss, or just go right to the VO Boss website.  36:41 - Stacia (Guest) Is it down here? Is it? Should I point to things?  36:45 - Anne (Host) I'll be putting it in the post. So it's on VeoBosscom. You guys check out the events and sign up for Stacia, because it's going to be an amazing class. And, stacia, I just want to say thank you, this has been so much fun. Thank you so much for joining us.  36:59 - Stacia (Guest) It was a pleasure.  37:00 - Anne (Host) Yeah, it's been wonderful Really getting really getting to know you even better. I'm so excited.  37:05 - Stacia (Guest) Back at you. You're an incredible interviewer. It's really what a joy.  37:10 - Anne (Host) Thank you Well thank you, I appreciate it. Well, look, bosses. I'm going to give a shout out to our sponsor, ipdtl. You too can connect and network like bosses, like Stacia and myself. Find out more at IPDTLcom. Bosses have an amazing week and we'll see you at Stacia's class right. Yay, in August. I'll be there and we'll be with you next week with another episode. Thanks, so much.  37:33 - Speaker 2 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content. Sign up for our mailing list at vobosscom and receive exclusive content industry revolutionizing tips and strategies and new ways to rock your business like a Boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

In this conversation, Mikey speaks with Jacob and Faye from the Charlotte-based emo band blankstate. They discuss the band's origins, their experiences in the Charlotte music scene, the challenges of finding all-ages venues, and their influences in emo music. The conversation also touches on the supportive nature of the emo community, the dynamics of the Charlotte music scene, and their upcoming shows, including an exciting tour in Japan. The band reflects on the evolution of emo music and their aspirations for the future.Power chords and crashing boards. Mikey, Tom, and Justin talk music, hockey, and anything else that gets in their way. Tom and Mikey are lifelong friends that grew up on Long Island during the glory days of alternative music where our local bands were As Tall As Lions, Brand New, Taking Back Sunday, Bayside, The Sleeping, Envy on the Coast, you get the point. We spent many nights together at The Downtown, catching any pop-punk, indie, hardcore, or emo band that came through. This was not a phase, Mom! Fast forward 20 years and we are still just as passionate about the scene as we were during our girl jeans and youth XL band tees days. Tom and Mikey are diehard New York Islanders fans, but Justin (Bolts fan) likes to remind us that we are #notanislespodcast. As we got older we realized we can like more than one thing and running beside our love for music has always been our love for hockey. We have realized we are not alone in this thinking, actually there are many of us that love these two things! This podcast explores just how connected they are!NEW EPISODE EVERY TUESDAY! SUBSCRIBE SO YOU NEVER MISS A GREAT INTERVIEW!FOLLOW:INSTAGRAM: https://www.instagram.com/bardownbrea...TWITTER: https://twitter.com/bardownbreakdwnFACEBOOK: https://www.facebook.com/BarDownBreak...WEBSITE: https://bardownbreakdown.comMERCH: https://isles-meetups.creator-spring.comPLAYLISTS: https://open.spotify.com/playlist/7Fo...#poppunk #punk #emo #hardcore #hockey #nhl #podcast #elderemo #bardownbreakdown #bardownbreakfest

Thank you so much for listening to the Bob Harden Show, celebrating nearly 14 years broadcasting on the internet. On Tuesday's show, we visit with our Florida State Senator Kathleen Passidomo about term limits in the Florida Legislature and candidates for the next election cycle. We visit with Collier County Clerk of Courts and Comptroller … The post Defunding Planned Parenthood appeared first on Bob Harden Show.

When UFO researcher Budd Hopkins discovered three women who experienced eerily similar fake job interviews before their alien abductions, he uncovered a disturbing pattern that suggested something far more calculated than random encounters.IN THIS EPISODE: Three alien abductees investigated by the late Budd Hopkins are intriguing, not so much for the abductions themselves, but of a seemingly trivial detail involving bizarre interview scenarios that each woman experienced. As Hopkins investigated these curious setups further, he arrived at the conclusion that they are seemingly another layer of the alien abduction phenomena. Of particular concern is the notion that these truly strange encounters are suggestive of an end goal of a hybridization program being directly connected to alien abductions. And that the people themselves were actually alien-human hybrids, carrying some part of the mission to this concerning agenda. Of course, what the end goal of this alien-human hybridization program might be is another topic of debate. Are aliens looking to invade Earth discreetly without us even being aware of it? Or might they simply leave and venture elsewhere once their program's goals have been achieved? Tonight we'll look at the strange case of the multiple-abductions of one woman, and testimonies of other abductees who, while abducted, were manipulated somehow to believe that what they were seeing was ordinary people, items, and buildings - as opposed to the possibly grotesque and horrifying reality that was truly in front of them at the time. Was it done through mind control? Alien implants? And why do many of these abductees see humans alongside the extraterrestrials? ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Cold Open00:01:50.289 = Show Intro00:02:53.957 = Alien Abduction and Mind-Manipulation (Part 1)00:15:44.582 = Alien Abduction and Mind-Manipulation (Part 2)00:28:10.496 = Alien Mind Control Implants (Part 1)00:54:16.741 = Alien Mind Control Implants (Part 2)01:08:08.817 = Alien Mind Control Implants (Part 3)01:17:11.267 = Show CloseSOURCES AND RESOURCES FROM THE EPISODE…BOOK: “Sight Unseen: Science, UFO Invisibility and Transgenic Being” by Budd Hopkins and Carol Rainey: https://amzn.to/3LpPr6TBOOK: “Underground Bases And Tunnels: What Is The Government Trying To Hide?” by Richard Sauder, PHD: https://amzn.to/3EzKLYkBOOK: “Top Secret Alien Abduction Files: What The Government Doesn't Want You To Know” by Nick Redfern: https://amzn.to/455LKKRBOOK: “From Deep Within The Archives Of UFO Insight: History's Most Biarre, Outlandish, And Controversial UFO And Alien Encounters!” by Marcus Lowth: https://amzn.to/3rbDc77“Alien Abduction and Fake Interviews” by Marcus Lowth for UFO Insight: https://weirddarkness.tiny.us/3mnv3vye“Alien Mind Control And Human Presence During Abductions” by Marcus Lowth for UFO Insight: https://weirddarkness.tiny.us/2p8cbf5p=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: September 12, 2024NOTE: Some of this content may have been created with assistance from AI tools, but it has been reviewed, edited, narrated, produced, and approved by Darren Marlar, creator and host of Weird Darkness — who, despite popular conspiracy theories, is NOT an AI voice.EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/JobInterviewAlienAbduction#AlienAbduction #BuddHopkins #MissingTime #UFOEncounters #AlienHybrids #AlienInterviews #MindControl #TerryWinthrop #GreyAliens #AlienImplants #MKUltraUFO #MilitaryAbductions #AbductionMemories #HypnoticRegression #AlienExperiments #ScreenMemories #UFOResearch #AlienBreeding #HumanAlienCollaboration #ViennaWoodsIncident #A70Abduction #BettyAndreasson #ConsciousnessManipulation #StagedEncounters #UFOPsyOps #AlienMedicalExams #TargetedAbductions #UFOTruth #AlienAgenda #AbductionPatterns

When a farmer dreams of murder and disaster, he awakens to find his horrible dreams spilling into reality in “The Edge of the Shadow” from Dark Fantasy! | #RetroRadio EP0474Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Night Shift” (August 30, 1976)00:45:39.986 = Murder By Experts, “Murder By Prescription” (July 11, 1949)01:15:07.245 = Exploring Tomorrow, “Population Control Gun” (ADU)01:34:20.551 = Dark Fantasy, “Edge of Shadow” (April 10, 1942) ***WD01:58:59.486 = Diary of Fate, “Stanley Becker” (July 27, 1948) ***WD02:24:26.448 = BBC's Fear on 4, “A Child Crying” (April 02, 1989) ***WD02:53:40.140 = Five Minute Mysteries, “Marks of Death” (late 1940s)02:58:33.495 = Tales From The Tomb, “Comfort Lies In The Dark” (1960s)03:02:51.549 = Future Tense, “Pictures Don't Lie” (May 09, 1974) ***WD03:30:14.235 = BBC Ghosts From The Past, “The Boat Hook” (April 15, 1992)04:13:42.071 = Calling All Cars, “Triple Cross” (May 22, 1936) ***WD04:43:08.288 = Hall of Fantasy, “He Who Follows Me” (March 11, 1950)05:07:35.286 = BBC's Haunted Tales of the Supernatural, “Channel Crossing” (July 14, 1984) ***WD05:34:09.790 = The Haunting Hour, “Assignment Death” (May 23, 1949) ***WD06:01:40.937 = Hermit's Cave, “Mystery of the Thing” (November 17, 1946) ***WD06:25:38.843 = Mystery Is My Hobby, “Stephanie Brent Murdered” (October 14, 1945)06:48:48.259 = Sherlock Holmes, “The Living Doll” (March 11, 1946)07:16:42.826 = The House of Mystery, “The Ghost Who Forgot Halloween” (October 27, 1945) ***WD07:48:04.335 = Incredible But True, “Death Gives a Warning” (1948)07:51:57.504 = Inner Sanctum, “Confession” (December 22, 1946)08:21:44.515 = The Key, “One Hundred Fifty Thousand Dollars Embezzled” (1956) ***WD08:46:33.103 = Lights Out, “The Author and the Thing” (September 28, 1943)09:09:42.855 = Macabre, “The Avenger” (December 18, 1961) ***WD09:38:31.671 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =#TrueCrime #Paranormal #ScienceFiction #OldTimeRadio #OTR #OTRHorror #ClassicRadioShows #HorrorRadioShows #VintageRadioDramas #SuspenseRadioClassics #1940sRadioHorror #OldRadioMysteryShows #CreepyOldRadioShows #TrueCrimeRadio #SupernaturalRadioPlays #GoldenAgeRadio #EerieRadioMysteries #MacabreOldTimeRadio #NostalgicThrillers #ClassicCrimePodcast #RetroHorrorPodcast #WeirdDarkness #WeirdDarknessPodcast #RetroRadio #ClassicRadioCUSTOM WEBPAGE: https://weirddarkness.com/WDRR0474

Alison drops her new single "Iwannaliveinadream", alongside tracks from AVELLO, Wooli, ILLENIUM, Yellow Claw, Ninajirachi, Fred Again.., Mary Droppinz & more!Don't forget to rate & review on all of your favorite podcast apps! Post your comments on twitter @awonderland #RADIOWONDERLANDTracklist:Alison Wonderland - Iwannaliveinadream 00:00ILLENIUM & HAYLA - In My Arms (Wooli Remix) 00:45RayJhin ft. LÉA - Reach The Light 03:58Bafu - Genesis Sequence 06:24Yellow Claw - Take It All 09:32Skybreak - ANXIETY 12:19Virtual Riot & Viperactive - What U Got 15:05WHIPPED CREAM - collide 17:26Koven - Gold 19:23GRiZ ft. Flowdan - Coast 2 Coast 21:42Ninajirachi - Infohazard 25:34Ely Oaks & LAVINIA - Borderline (AVELLO Remix) 28:25Fred again.., Skepta, PlaqueBoyMax, Denzel Curry, Hanumankind & That Mexican OT - Victory Lap Four 32:45Skybreak & Subten - STONE KOLD 35:03Mary Droppinz - Drop In 39:10Boombox Cartel, MIRZHA & Insowmya - Manzil 41:34Dillon Francis & Marten Hørger - Cut The Midrange 44:01Proppa, Rich DietZ & Smith & Sorren - Work 47:31What So Not & Daktyl ft. Riz La Vie - Wash Over 49:46Fabian Mazur - Cash 52:29Alison Wonderland - Again? Fuck. 54:14PinkPantheress - Illegal (Nia Archives Remix) 56:52Emma Louise & Flume - Easy Goodbye 59:03

ILLENIUM plays new music from Excision, Sullivan King, Virtual Riot, Seven Lions, Audien and more!Don't forget to rate & review on all of your favorite podcast apps! Post your comments on twitter @ILLENIUM #PHOENIXRADIOTracklist:PHOENIX RADIO OPENER 00:00Seven Lions, Quackson & Grabbitz - Take Me To My Grave 00:52Blanke & Linney - How It Feels 05:09Audien ft. Rory Hope - Lose It All 08:25Oliver Heldens & Poppy Baskcomb - Heart Cry 12:59Alan Walker & FAANGS - Heartbreak Melody 17:00Jauz & Silent Child - Shake Shit Up 19:56Yellow Claw - Take It All 22:24NGHTMRE & GorillaT ft. IRAH - Everybody Knows 24:44Virtual Riot & Viperactive - What U Got 27:23ILLENIUM & Annika Wells - Nightlight 29:52Ely Oaks & LAVINIA - Borderline (AVELLO Remix) 33:18GRiZ ft. Flowdan - Coast 2 Coast 35:46Steve Aoki - Legacy 38:38Excision & Sullivan King - Encore 42:11William Black, Fairlane & Amidy - Nightmare 44:50Virtual Riot & DJ DIESEL ft. Shaquille O'Neal - Damage 48:49ILLENIUM, HAYLA - In My Arms (Wooli Remix) 51:45SLANDER, San Holo, Julia Church - Broken Hearted 54:27Shadient - SECRET PATH 57:55

Kelly Offended Someone with Her Pole by Maine's Coast 93.1

Who was the Unexpected 3rd on a Date by Maine's Coast 93.1

Guess the State- Turtles & Chuck E Cheese by Maine's Coast 93.1

Lost in a Crack by Maine's Coast 93.1

Made Out with Her Best Friend's Brother by Maine's Coast 93.1