Podcasts about MFA

Jeff interviews horror author Josh Hanson (King's Hill, The Woodcutters, Fortress, Marshbank, Minotaur Stories) about the relationship between horror and joy, which Hanson links to story-driven pleasure, safe transgression, and chasing the intensity of childhood fear. Hanson recounts discovering writing in college, burning out after an MFA at the University of Montana amid anti-genre attitudes and market-focused training, then returning to fiction around age 50 and establishing a daily routine that led to his debut. They discuss why haunted houses resonate as violations of domestic safety, and Hanson's upcoming novel Calliope Street (out July 29), a triptych about Jack and Avery, a fixer-upper with a basement collage “altar” that functions as a portal, identity misrecognition and threat, and suspicion after Avery's disappearance. Hanson cites Dario Argento's vibe-first approach as inspiration and discusses recent horror that is bringing him joy. Josh Hanson

According to research by IBM, just 16% of AI initiatives have achieved scale. Why? Because few organizations have the structure and data to support long-term AI investments. So, how do you build an AI-ready system? Riley Rogers: Welcome to the Win/Win Podcast. I’m your host, Riley Rogers. Join us as we dive into changing trends in the workplace and how to navigate them successfully. Here to discuss this topic is Rich Weymer, Senior Director of Go-To-Market Strategy and Transformation at Yubico. Thank you so much for joining us today, Rich. I’m super excited to have you here to dig into all the expertise that you’re gonna bring to the table. As we’re kicking off, I’d love if you could just tell us a little bit about yourself, your background, and your role. Rich Weymer: Yeah. First off, thanks for having me. A repeat customer with Highspot, so excited to get invited to this, as we’ve worked with your organization for some time now. Like you said, Rich Weymer. I’ve spent time pretty much so in tech for most of my professional career in one form or fashion, from my earlier career days at Microsoft working in consumer goods, where I’ve worked on video games, your Office products, all your devices, through where I’m at today in the security world. RR: Well, amazing, and bravo, tech veteran. Not easy. RW: Yeah. It looks a lot different today than it did when I started, that’s for sure. RR: And I think that is exactly what we’re gonna talk about today. But before we go into where the world of tech has been to where we are today, I’d love if you could give us a little bit of foundational context for folks who might not be familiar with Yubico. Could you give us a little walkthrough of who your company is, what you do, who you serve? RW: Yeah. So Yubico does phishing resistance hardware MFA, which basically means we ship you a little bitty key that helps control access to all your online portals and logins and everything along those lines. RR: As somebody who is password challenged, I certainly see the value of that one. I wish we had a wonderful little bitty key that got me set up for success every single day. One thing that I think you set up early on is that Yubico, and pretty much every other organization in the industry, is moving fast, and it has to. Security in this day and age is harder than ever. And when it comes to working in a fast-moving organization, teams like yours also have to move fast. I’d guess that that pace of change is part of the reason why you have a really forward-looking approach to enablement and to go-to-market strategy. So why do you think it’s important to think critically about how technology can transform traditional workflows, processes that you’re accustomed to, things like that? RW: Again, to your point, things are moving so fast right now. That’s the biggest underlying factor that organizations really need to think through. Decisions that you’re making today are almost obsolete by the time you’re done signing the paperwork on whatever decisions or procurement you’re going through. So you need to be really thoughtful about the foundations that you’re building, the integrations that you’re gonna lean on, and the partners that you’re gonna select that are gonna be around for the long run. Measure twice, cut once, and also understand that there’s different types of decisions that you’re gonna be making. I use the analogy of a hat, a haircut, or a tattoo. What type of decision are you making when you’re thinking about your technologies? If it’s a hat, you can switch it in and out real quick. If it’s a haircut, maybe it takes a little bit of time to unwind. And those tattoos are the ones that you just can’t change. They’re gonna be– They’re– You’re gonna live with them forever. So you really gotta just understand the lens that you’re making the decisions through, as well as having an industry understanding of where things are heading. And as you look at your partners, thinking, “Hey, at the pace at which innovation is happening, is this someone that’s gonna be relevant six months, 12 months, 18 months from now?” RR: I have not heard that decision-making framework before, hat, haircut, tattoo. RW: It’s an easy one, yeah. A lot of organizations think everything’s a tattoo. So you make every decision like it’s the last decision you’re ever gonna make in that space. And it’s right for a lot of things, but framing it goes a long way, especially when you’re trying to move fast. Being able to categorize those decisions pretty quickly goes a long way. RR: Yeah. And it helps you avoid the problem of when everything’s important, nothing is. You mentioned systems, data, processes, having the right tools in place to move quickly. So with that perspective in mind, how are you thinking about layering on AI? RW: I think about it every day and night, in every meeting I’m sitting in, and every conversation I’m having, and every free minute when I’m thinking about work. The big thing is automation and AI for the sake of AI, and automation for the sake of automation, it really doesn’t mean anything unless you have a strong foundation and an understanding of your data. So to me, it all just boils down to a strong foundational data set and understanding what to measure and what moves your business, and then building around that first and foremost before you do anything else. RR: What do you need in that foundation before you can start building AI on top of it in order for those initiatives to be successful? RW: If I were to think through how I structure this, there’s no shortage of ways to measure the business, but landing on one that’s influential and helps you adjust the dials as you go is really important. So the way I operate is through the lens of sales velocity, which is a time-tested mathematical problem to give you a temperature check on how the business is doing. It’ll let you know whether you’re going up, down, left, right, staying center, or whatever it is. But where organizations stop is they stop at the top four measurements, which, if you think of sales velocity, is open opportunities, average deal size, win rate, and then you divide that by your deal cycle length. That gives you a daily throughput, which tells you part of the story because you can help understand your forecasting. When you take your close one business, you can use that to forecast days left in the quarter, what those numbers would look like. But where it gets really powerful, and what I think a lot of organizations haven’t spent the time to do, is go deeper on the leveling of those metrics. So if you think through the process lines, L1 is your executive metric. That’s the all-up number. Your L2s are your leadership numbers, where your managers need to understand those. But your L3, four, five, six, and you can keep going down the rabbit hole, really start impacting how your frontline folks operate. One of the things we’ll talk about today is AI Role Play, and when we think of it, we look at diagnosing issues in our win rates, and we think, “How is our competitive wins doing? What are we, we get very, very granular in how we look at those.” And then we can actually start layering on recommendations and automation. So we do that across probably close to 100 different metrics through the various layers that are our leading indicators. And this really helps us when we think through automation of where we go from here, ’cause once we understand those, we know how are we doing against certain competitors? Are we getting the right amount of MQLs? Are we talking about the right things? Do we get caught up in legal, security? We can understand all those different variables of the business, and then we can take a proactive approach to coaching where we need to coach, and then adjusting the business where we need to adjust the business. And you can’t really do that unless you have that entire foundation laid out and actually understand what all those levers are. So to me, taking the time to do that is really just beyond critical. RR: Yeah. Yeah. You know what you need to do, and you can start driving really aggressively against it, which I– it sounds like you alluded to an example there with AI Role Play, you’re doing the work to do. In that, you’re beginning to layer some of these new technologies, new tools on top of that foundation. What were some of those first use cases that you prioritized, and why did you start where you did? RW: I think the first win you always wanna go for is really a practical application of any new technology and how that can move the needle for the business. So when I think of practical applications, I think of AI Role Play as being a very early one. As an enablement team and a training team, how many times have people walked through certification programs, the one-on-ones with managers, all the Role Plays, all the back and forth and the headaches and the objectivity that goes into those exercises. That’s just a quick win that you can pick up and take care of almost all of that. The time saving alone and the cost of having a manager do these one-on-ones time and time again, it just drains an organization when every organization right now is trying to be lean, mean, focused on sales efficiency. So anything we can do to give back and level the team up, I think is just a no-brainer. So AI Role Play is a huge one for us. We looked at a lot of different places. We tried a lot of different things, and we landed on the Highspot implementation of that because it’s important to be able to do that stuff, but also it has to be within the context of everything you’re doing and all the content and everything that you do have. It can’t be this standalone siloed thing that happens in the background. We need to bring it to the forefront. Yeah, those are the really practical first-step wins that I’ve been excited about. RR: Yeah, and that’s such a good example of mapping it back to those foundational levers. The path there is very clear, I think. RW: Yeah, absolutely. Think of a competitive– your competitive intelligence programs. You do all this work understanding your competitors. Now you can understand when a seller of yours struggles with insert competitor X, Y, or Z. You can identify those trainings, you can recommend the trainings, you can verify they’ve been through them, and then if that’s not working, then you can escalate to coaching and go a little bit deeper from there. So the foundation of the data will help you identify that stuff, and then you start applying the technologies. That’s how you go fix the gap. And then you can monitor it and just keep it going, almost near real time, which is incredible. A lot of the time, organizations are really spending most of their time hearing yesterday’s weather. And when I mean that, I think of, you do a QBR, you go through a quarter, you spend 30 days doing the QBR. At the end of the QBR, you find the problems, you take 30 more days to figure out what the underlying problems are, then you spend 120 days fixing those problems. Then you’re six months removed from what the problem was, and now you got a whole new set of problems that you’re not even keeping up with the business. So being able to identify these things, move quickly, and make recommendations really fast is incredible in the amount of time it buys back an organization to execute, and that you’re focused on the right things at the right time. RR: I’d be curious to hear a little bit about, you mentioned a handful of teams there in some of the early AI Role Play rollout and piloting. How did you start thinking about who you wanted to test this with, the kinds of pilots you wanted to build, and how has that going so far? RW: We tested globally as a global organization. We tried US-based, EMEA, APJ folks. We took a look at various groups from various geographical regions because adoption’s an uptick, and accountability is different at the global scale. The use cases really were tied around what’s our biggest blind spots, and what do we not know, and how do we validate that? As a group that has a BDR team, an SDR team as an example, if you have sellers that don’t wanna work with their BDRs ’cause they’re not confident that their BDRs are competent, then here’s a great way to say, “Hey, actually, we’ve already been them– we’ve taken them through the ringer. We’ve seen that they’re able to demonstrate this stuff, and honestly, we’re building scenarios that are harder for them to get through than you actually deal with, with customers.” So we can stress test the teams, and then sellers don’t respond to customers with ABC answers. They have to be able to be versed in these conversations, so being able to do that was a huge unlock for us, because folks aren’t practicing with their paycheck. Well, the worst place you wanna go figure this stuff out is in front of a customer, so give someone a very safe space to go practice and cut their teeth, and they will just accelerate if they get behind it and really try this stuff out. So yeah, find the high ROI cases, double down on those, share that experience, be vocal about it, and make sure others feel it. Then yeah, that’s how you just get that adoption and the needle moving. RR: Something that I feel like is not as spoken about when it comes to training, Role Plays, et cetera, all of that stuff, is now you have this trust between your counterparts, and you have more of this connective tissue purely because of that, which is really interesting, and I’ve not, I don’t think, heard anyone speak to that element of it before. So curious if you could give me a little bit more of a sense of what that has done for you guys. RW: Yeah. And, as I mentioned, I’ve– I’m five-ish years into the security business, and this is just a business built on trust. So we have to gain the trust of our customers. It’s important in any sales cycle. It’s a hundredfold more important when you’re talking about the security of your organization. So I think intrinsically our– the businesses are highly trust-driven with the folks that they work with, even internally. So, if you think through customer journeys, from trusting they’re landing the right messaging and marketing, to the right message that BDRs are delivering, our sellers deliver it, talking about the right things and delivering the proposals towards the outcomes that the customers are expecting, to how your account team then goes and manages that account or gets ready for renewals. There has to be that thread of trust across those because each one sets one up for failure if not done correctly. And having a verified way of saying, “Hey, I can trust that my coworkers that are working upstream for me are doing the right things and they are competent,” that’s only gonna make you deliver and do better in your particular role, and it’s gonna want you to step your game up, too. RR: Sometimes I feel like folks present a strategy the way it’s working out for them, and I have a thoughtful response to it. But in this case, the only thing I have to say is that’s so cool. It’s really, really cool to see all the different ways that this can show up for an organization beyond what we expect. RW: If you were to turn the clock back two years, AI-based Role Play, that was beyond the bleeding edge. There wasn’t even an edge. It was so far out of the realm. But these things come up quickly, and you wanna be able to jump on ’em and move on ’em. Again, it’s just moving so fast that you have to have that trust and have a team around you that’s willing to build on the successes you’ve had in a past life. So it does take time to get to that point. It doesn’t happen overnight. It gets quicker, that’s the thing, ’cause now, if you think through how you go through a launch in a past life, go back two years: you spin up the marketing machine, they come up with the slides, you host a call, you do a webinar, you send the field out, say, “Go figure it out.” If you’re lucky, you did Role Plays with the managers, you had a competency test, you sat down, maybe you brought some external resources in to actually manage this. And now with technology, you can scope it, build it, deploy it, have everybody through it in a few weeks, and you can actually verify that people can do these things, where in a past life, just none of that existed. You can build trust faster and move quicker today because the technologies enable that stuff. It’s not the, I’ve got a six-month sales cycle, so I don’t know what my sales look like, or I don’t know how well things are going until six months down the line when you’re actually seeing the end-of-line conversions. You just move so much faster right now. It’s, yeah, really exciting. RR: Okay. So we’ve touched on, I think, a lot of some of the granular detail, and I think gotten a picture of what work at Yubico looks like right now. And I think it has been what sounds like a busy few months to get to this point. So since making some of these changes, being really thoughtful about building out your foundation, starting to layer in those early AI use cases, what impact have you seen on things like seller efficiency, time savings, productivity, anything like that? RW: We are cutting so much time out of the administrative burden of our team. It’s hard to put an exact number on it, but we’re looking at reducing sales cycles by upwards of 25% this year. Where if you think through a longer sales cycle on the security side, where things can take six, seven, eight months, if you can carve out a month back on those processes, it unlocks a lot of organizational capacity. So we are heavy on how we are doing that this year, and sales efficiency is one of our big topics for this year. And ideally, in a perfect world, you have the right team that, as you give efficiency time back and give them time to focus on selling, they go out and sell more. You can cut their day down to two hours a day, but what are they gonna do with the rest of the hours of those days to actually go get after it? So we’re cutting time out of their workload, making things easier on them, and then how are we surfacing the latest and greatest new opportunities and more guidance to them, to be a little bit more honed on where to go and focus on the stuff that technology’s not replacing right now, which is the human interaction and the conversations you have to have with your buyers. So that’s our goal today, it’s just every single day, how do we chip away, chip away, chip away? And I think we’re doing a pretty, pretty solid job of that right now. And things that take hours, three, four, five hours to do, you can do in a button click these days. So on a 40-hour week, if that’s all you work, that would be nice. But if you’re doing 40 hours a week and you’re cutting four or five hours out, 10%, 12% of your week is a huge give back on a timing perspective. So we are, yeah, really excited about all that work right now. RR: You mentioned that 25% reduction, which you said, “That’s a solid, that’s solid progress.” I would call that more than solid progress, but that’s just me. Would you say that part of that or some of that could be attributed to that improved ability to practice those conversations and show up better when you’re actually having them live? RW: Absolutely. There’s the process side of house, which is where we can carve a lot of time out, but the competency within that process goes a long way. Just the basics. Can you get somebody to set that follow-up call? Don’t let the customer off the call until you have a next step booked. Even just little things like that, that you get off the call and then it takes you a couple days to schedule that next meeting. You just get rid of coaching that stuff out. Those basics that every seller always knows about, that adds up when you’re thinking enterprise-wide. That goes a long way. So again, foundational data, even just looking at the basics and doing really good at the basics and training people to that, you’re gonna find time back. RR: To my earlier point about a lot of people are excited but don’t quite know what to do, that’s a very specific example of what can you coach to meaningfully? How can you use Role Play to help you train away those bad behaviors that decrease your velocity, decrease your momentum, and in turn cause that chain reaction down the line? So with all this work in mind, what do you think the future of go-to-market, of enablement, looks like at Yubico? What’s next? RW: Ooh, that’s the multi-multi-multi-million dollar question. Someone who’s been around tech for a while, you see patterns in where things are going. I challenge everybody that I talk to about some form of initiative, or obviously a lot of AI discussions today. But if you challenge things from a first-principles perspective, why are you even doing these things? And I think that is a question that organizations need to ask themselves, is why are you doing this, and why are you doing it this way? Does that even make sense in tomorrow’s world of where things are heading? It’s how are you driving decisions? How are you recommending actions? And how are you actually activating on the data and the information that you have? I think that’s where go-to-market goes. It becomes less understanding and reading yesterday’s weather, as I say, and it takes that data and makes it actionable and pushes us forward versus just catches us up, which is also very, very exciting because the things that we thought were out of reach six months ago are in reach now. RR: For people listening who might be, with that last sentence, feeling a little bit inspired but also uncertain, like, oh gosh, how do I keep pace? What would you say to leaders in tech and in other spaces who feel pressured to do AI, perform the thing, layer it into their programs where they can, but aren’t sure where to start? What would you– What advice would you give them, having done it yourself? RW: Start. That’s the key. It sounds silly, but everybody kinda has this not really sure where to start, and that’s okay. I think you just gotta start. First and foremost, you have to just dabble a little bit, get your feet wet, and it all starts to come clear. If you’re thinking through the models that are out there, ask it questions, use it to teach you what you don’t know and where to go. But really it’s your thought partner in how you use these things. You have questions? Ask it questions. You get stuck? Ask it why you’re stuck. Ask it wh– it can do a lot of the things that I think would really surprise people, that will help them head down the right direction. And again, we’re– I say it jokingly, we’re not protein folding. It’s not that crazy, the stuff that we’re doing. You’ll see that there’s a lot of people that have been successful, and you can go a long way just asking the right questions. Don’t be afraid. Do things in a smart way. Make sure your identities are locked down. Shout out, Yubico. Make sure that you’re working with your security teams and doing the right things, and you’ve got access controls in place, of course. But just start. That’s the biggest thing I could tell people, is just start. You’d be amazed how far you can go. RR: Very inspirational to close with. And also, I think a bitter truth sometimes. It’s very much the best way to learn is by doing. RW: Yeah, 100%. I always get the, “Rich, what should I do?” I’m like, “Well, just ask the question.” Just literally just start. Just start. Just get in there and do it, and get going. And really the other thing I would say, on the starting point, is try and build a system where you give people the guardrails to be successful, get the benefits of AI, but also don’t get in the way and stifle innovation. You wanna empower people to go figure things out. Give them the chance to start as well. If you’re a leader in one of these organizations, empower the folks on the front lines to do these things, because this technology is just peeling out those middle layers. The closer you sit to the customers, the more impactful work you’re gonna be able to do. So get your frontline people working on this stuff. RR: I have to say, I think I said it a couple times, but some really interesting, very actionable things, I think, you shared today. So I really appreciate you taking the time to give us some of those recommendations on how to get started with AI, what’s working for you with AI Role Play, all of the goodness on how to not be scared to get started. RW: Thank you again for having me. This has been a lot of fun. RR: Yeah. To our audience, thank you for listening to this episode of the Win/Win Podcast. Be sure to tune in next time for more insights on how you can maximize go-to-market success with Highspot.

An AI just ran an entire hacking campaign on its own. No human at the keyboard, 17,000 actions in a single weekend, against Hugging Face, the platform nearly every company on earth downloads its AI from. If the tool your business relies on can be attacked by software that never sleeps, the math on cybersecurity just changed for everyone. *The cost of attacking just dropped. The value of defending just went up.* Bryan Hornung, Randy Bryan, and Reginald Andre break down this week's stories for executives, owners, and operators who don't have time to keep up with cyber news but can't afford to be blindsided by it either. First, the one that should make every owner sit up. Hugging Face, the "GitHub of AI," disclosed that an autonomous AI agent broke in through a poisoned dataset, stole credentials, and moved through its systems, logging more than 17,000 actions before it was caught. That is the workload of a full hacking crew, run by software, at a speed no human team can match. Here is the part that should reframe how you think about your own company: for years the limit on an attacker was people, and people cost money and don't scale, but an agent erases that limit. The new economy runs on agents plus employees, and the criminals are already staffing up with agents. Then it gets physical. A ransomware attack hit Coca-Cola's Fairlife, the premium milk brand doing over $3 billion a year, and shut down every one of its U.S. production plants. This wasn't stolen emails, it reached the operational systems that physically make the product, so a breach turned into a full shutdown. Because Coca-Cola is publicly traded, the attack landed in an SEC filing within days, a reminder that a cyberattack is now a material business event you may legally have to report. One detail worth noting: the Canadian plants kept running because they were separated from the U.S. network, which is exactly what good segmentation buys you. Finally, the numbers behind all of it. The new Sophos State of Ransomware 2026 report surveyed 2,158 companies that actually got hit, and the headline flips a common assumption: 79% of attacks now start with a stolen login, not some exotic exploit. Even more sobering, 97% of the victims whose attack began with stolen credentials already had multi-factor authentication turned on, which means regular MFA is being bypassed. The good news you can act on: two-thirds of encrypted victims recovered from backups instead of paying, and while ransom demands fell to around $700,000, the average cleanup still runs $1.7 million, so prevention is almost always the cheaper line item. Three stories, one thread. The cost of launching an attack keeps falling, which makes every dollar you spend defending worth more than it was a year ago. In this episode, we discuss: • How an autonomous AI agent hacked Hugging Face with no human at the keyboard • Why the Coca-Cola Fairlife ransomware attack shut down U.S. milk production • What the Sophos State of Ransomware 2026 report reveals about stolen logins • Why "we have MFA" is no longer enough to stop a ransomware attack • How network segmentation kept Fairlife's Canadian plants running • Why the new economy forces owners to think in agents and headcount • Where business owners should spend their next security dollar Security Squawk is a weekly podcast and live stream for business owners and executives. Support the show: buymeacoffee.com/securitysquawk Subscribe | Like | Share #SecuritySquawk #CyberSecurity #HuggingFace #AI #CocaCola #Fairlife #Ransomware #Sophos #DataBreach #MFA #BusinessRisk #MSP

Today on the program, a trip into the archive and a return to Episode 491, my conversation with Carmen Maria Machado, author of the award-winning debut story collection Her Body and Other Parties. Air date: November 8, 2017. Carmen is also the author of the bestselling memoir In the Dream House and the graphic novel The Low, Low Woods. She has been a finalist for the National Book Award and the winner of the Bard Fiction Prize, the Lambda Literary Award for Lesbian Fiction, the Lambda Literary Award for LGBTQ Nonfiction, the Brooklyn Public Library Literature Prize, the Shirley Jackson Award, and the National Book Critics Circle's John Leonard Prize. In 2018, the New York Times listed Her Body and Other Parties as a member of "The New Vanguard," one of "15 remarkable books by women that are shaping the way we read and write fiction in the 21st century."Her essays, fiction, poetry, and criticism have appeared in the New Yorker, the New York Times, Granta, Vogue, This American Life, Harper's Bazaar, Tin House, McSweeney's Quarterly Concern, The Believer, Guernica, Best American Science Fiction & Fantasy, Best American Nonrequired Reading, and elsewhere. She holds an MFA from the Iowa Writers' Workshop and has been awarded fellowships and residencies from the Guggenheim Foundation, The Pew Center for Arts & Heritage, Yaddo, Hedgebrook, and the Millay Colony for the Arts. She is the former Abrams Artist-in-Residence at the University of Pennsylvania. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Deepfake CEOs. QR code scams. MFA push bombing. In 2026, cybercriminals have weaponized AI to fool even the most careful employees. Discover the four evolving threats targeting small businesses and the psychological triggers attackers exploit to bypass your defenses. TechEd Shield City: Poole Address: Building 148741 Website: https://techedshield.com

The PBS Committee is back on Engage with important updates for every Delta pilot. PBS Committee Chairman Captain Scott Ryan and Vice Chairman Captain Brett Vining join host First Officer Ryan Argenta to explain the upcoming NavBlue PBS release, including the move to single sign-on through DeltaNet, the new PBS link, and what pilots need to know before bidding for the September schedule. The episode walks through several new and optional PBS features, including total pay visibility, short call bidding, award reserve day on, auto-save, and bug fixes pilots have been asking for. Scott and Brett also explain how third-party bidding services may be affected by single sign-on and MFA requirements. Beyond the technical updates, the conversation dives into practical bidding strategy, including low-credit line techniques, why bidding smarter can improve quality of life, and how individual pilot bidding behavior can affect category staffing, reserve numbers, and premium flying. Whether you bid every month with precision or still feel like PBS is a black box, this episode offers useful updates, reminders, and strategies to help pilots better understand the system and make PBS work for them.  References: PBS Notepad

MFA and password resets aren't always enough.That's terrifying for security teams today. In this episode of Talos Takes, we dive deep into ARToken, a sophisticated phishing/BEC-as-a-service platform that steals credentials, bypasses MFA entirely, and leverages primary refresh tokens (PRTs) to maintain persistence in your environment long after a password reset. This turns a simple phishing click into a long-term breach.It's time to rethink your defenses. Join us as Cisco Talos Threat Researcher Michael Kelley breaks down how this new breed of automated attack works and, more importantly, how you can spot it. From hunting for suspicious device authorization grants to securing your cloud infrastructure, don't miss this critical look at the new frontier of business email compromise. Blog: https://blog.talosintelligence.com/artoken-inside-an-eviltokens-affiliate-panel-targeting-microsoft-365/

Identity is central to Zero Trust, making it one of the most attractive targets for cyber attackers. While multi-factor authentication has long been a reliable way to ensure identity, traditional MFA has critical gaps.    This week on Feds At the Edge, Mark Brennan from the New Jersey Department of Health, and YubiKey's Jeff Frederick, explore how phishing-resistant cryptography and hardware security keys provide stronger protection against modern identity-based threats while improving the user experience. The panel also examines why hardware-backed authentication is recognized in NIST SP 800-63 Revision 4 as a highly secure approach to cryptographic MFA and shares practical guidance for implementation, including starting with a phased rollout, engaging executive leadership early, and continuously refining the program to build user confidence and support long-term Zero Trust success.  Tune in on your favorite podcast platform to discover how hardware-backed authentication can help agencies reduce identity-based attacks, strengthen security, and simplify the path to phishing-resistant MFA    

Simone is a theatre practitioner from Malta with experience in acting, directing and scriptwriting. She has an MFA in Staging Shakespeare from the University of Exeter and a strong background in scripted theatre. She is a member of the improv troupes Playing Dead Theatre, Sabir, the online troupe Close Distance and is one half of the duos Invisible Women, Pairentheses and Bold Curls. She was a founding member of the Brussels-based troupe The Ghost Sheep. Simone has taught and performed all over Europe. She loves a good duo and we talked about the importance of relationships in duo scenes and other forms. We also talked about having characters that you want the audience to root for, even if they are terrible people.Don't miss this one!!This episode, like all episodes of If This Is True, brings forth what drives creatives to do what they do. For more of this content and interaction, you can also go to my substack, coolmite25.substack.com. Hosted on Acast. See acast.com/privacy for more information.

Samina Najmi joins Let's Talk Memoir for a conversation about growing up under a military dictatorship in Pakistan, the colonial legacy in South Asia, writing about migration, race, and gender, teaching as a secular Muslim woman in the aftermath of 911, living displaced lives, leaning into bursts of memory, anchoring ourselves in moments, writing an essay collection over 10 years, learning from realistic fiction, lyrical essays grounded in research, allowing our writing to spill over into different categories, embracing an expansive literary community, how home is less a place than a moment in time, willing to be vulnerable on the page, building trust with readers, and her new memoir Sing Me a Circle: Love, Loss, and a Home in Time.   Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story   Also in this episode: - entering writing contests - our expansive literary community - the different kinds of displacement  - fragments that come together later   Books mentioned in this episode:  - Brown Girl, Brownstones by Paule Marshall - The Names by N. Scott Momaday - The Woman Warrior by Maxine Hong Kingston - You and Yours by Naomi Shihab Nye   Samina Najmi teaches multiethnic US literature at California State University, Fresno. Her memoir-in-essays, Sing Me a Circle: Love, Loss, and a Home in Time, won the Aurora Polaris Award in Creative Nonfiction and was published by Trio House Press in Oct, 2025. It has received a starred review from Publishers Weekly and is featured among Poets & Writers' five nonfiction debuts of the year and Debutiful's Best Nonfiction Debuts of 2025. The Community of Literary Magazines and Presses (CLMP) includes it among notable 2025 nonfiction debuts and its recommended reading lists for Asian/Pacific American Heritage Month 2025 and Women's History Month 2026. Daughter of multiple migrations, Samina grew up in Pakistan and England, began her American life in Boston, and has called Fresno home since 2006.  Connect with Samina: Website: saminanajmi.com Instagram: samina.najmi Facebook: Samina Najmi Purchase book: https://www.triohousepress.org/samina-najmi – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.   More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social

This week on About Art, Heidi Zuckerman speaks with actor, writer, and artist Lisa Edelstein and artist Robert Russell.Recorded as they celebrate their collaborative exhibition Palace in Time at the Skirball Cultural Center, this conversation explores partnership, artistic practice, Jewish ritual, memory, storytelling, and the ways we create meaning through the objects, relationships, and traditions that shape our lives.Lisa discusses her evolution from actor to painter, drawing on family photographs to create intimate works that explore narrative, memory, and the Jewish experience. Robert reflects on his paintings of everyday objects, the sacredness of attention, and how ordinary things become vessels for history, devotion, and remembrance.Together they speak about creativity, discipline, vulnerability, seeing, collecting, marriage, and the experience of building individual artistic practices while supporting one another's creative lives.Lisa Edelstein is an actor, writer, and artist whose paintings transform family photographs into deeply personal explorations of memory, identity, and storytelling. Her work has been exhibited at Charlie James Gallery, Anat Ebgi, GAVLAK, and is included in the permanent collection of the Los Angeles County Museum of Art.Robert Russell is a conceptual painter whose work explores memory, mortality, iconography, and ritual through paintings of everyday objects. He received his MFA from the California Institute of the Arts and his BFA from the Rhode Island School of Design. His work has been exhibited internationally and is represented by Anat Ebgi Gallery.A conversation about attention, making meaning, and the ways art helps us understand ourselves and one another.

15 years after her MFA, and 4 years after scrapping a book that just wasn't working, Meghan Perry's debut novel WATER FINDS A WAY is receiving strong positive reviews, including a coveted Kirkus star. She joins Jared to talk about the realities of post-grad writing, going “scorched earth” on revision, and the process of turning short stories into a full-length novel. Plus, she talks about grounding her work in a remote Maine fishing village, overlooked American cultures, and the hardships—and community—her characters face.Meghan Perry graduated with an MFA from Emerson College in 2009 and currently directs the Writing Center at St. John's Preparatory School in the Boston area. She has published stories in Cold Mountain Review, Sycamore Review, The Fourth River, and elsewhere. Her debut novel, WATER FINDS A WAY, was published in November 2024 by Delphinium Books with an audiobook by Penguin Random House. The novel has received a Kirkus star and been featured in Newsday and Condé Nast as one of the top books of this fall. Find her at meghanperry.com.MFA Writers is hosted by Jared McCormack and produced by Jared McCormack, Hanamori Skoblow, and Brié Goumaz. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.BE PART OF THE SHOWDonate to the show at Buy Me a Coffee.Leave a rating and review on Apple Podcasts.Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience.Apply to be a guest on the show by filling out our application.STAY CONNECTEDTwitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com

The hosts discuss several network and security topics, starting with UniFi's new "Device Supervisor" feature under Power and Resiliency to monitor device heartbeat and automatically recover silent devices, plus UniFi's move from UniFi Server to UniFi OS Server that may require a migration and re-adoption, pushing remaining sites off a Mac mini to cloud management. They revisit ethernet surge protection and grounding for outdoor cameras and consider alternatives like rack grounding, DIN rails, grounding rods, or using a sacrificial outdoor switch with fiber uplink. They mention Speedify for bonding multiple cellular/Wi‑Fi connections. The conversation shifts to email security: Microsoft's "impossible travel" detection and API reporting versus Google's weaker reporting, alongside odd Google reauthentication/password-change loops and MFA fatigue leading to a Google account breach. They cover deploying Claude Enterprise in healthcare with BAA needs and using Microsoft Purview/Defender to block pasting PHI into Claude, then discuss risks of fake password prompts, password managers (1Password vs LastPass), and end-user security training.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  Today, Emily chats with Miguel Arzabe, a engineer turned artist based in Oakland, Ca... About Artist Miguel Arzabe: Miguel Arzabe makes colorful and dynamic abstractions - weavings, paintings, videos. He starts by finding outdated beauty in paper ephemera from art shows, modernist paintings, discarded audio recordings. They are methodically analyzed, deconstructed, reverse-engineered. Drawing inspiration from the cultural techniques and motifs of his Andean heritage, Arzabe weaves the fragments together revealing uncanny intersections between form and content, the nostalgic and the hard-edged, failure and recuperation. Arzabe lives and works in Oakland, CA. He had recent solo shows at Shulamit Nazarian Gallery (Los Angeles, CA) and Johansson Projects (Oakland, CA). Arzabe's work has been featured in such festivals as Hors Pistes (Centre Pompidou, Paris), Festival du Nouveau Cinéma (Montreal), and the Geumgang Nature Art Biennale (Gongju, South Korea); and in museums and galleries including MAC Lyon (France), MARS Milan (Italy), RM Projects (Auckland), FIFI Projects (Mexico City), Marylhurst University (Oregon), the Contemporary Jewish Museum, Berkeley Art Museum, the CCA Wattis Institute, and the San Francisco Museum of Modern Art. Arzabe's work is held in public collections such as the Harn Museum of Art in Gainseville, FL; the de Young Museum; Albuquerque Museum of Art; Oakland Museum of California; San Francisco Arts Commission; the State of California; as well as numerous private collections. He has attended many residencies including Facebook AIR, Headlands Center for the Arts, Montalvo Arts Center, Millay Arts, and Santa Fe Art Institute. He holds a BS from Carnegie Mellon University, an MS from Arizona State University, and an MFA from UC Berkeley. In 2022 Arzabe was awarded the San Francisco Bay Area Artadia Award. In 2023 he was awarded a Pollock-Krasner Foundation Grant and and a Golden Foundation Residency. In 2024 his work was featured in the exhibitions About Place at the deYoung Museum and The Poetics of Dimensions at the ICA San Francisco. His work is featured in the 2025 contemporary art survey TEXTILES x ART published by Thames and Hudson AU. Visit Miguel's Website:  MiguelArzabe.net Follow Miguel on Instagram: @Miguel.Arzabe -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this fascinating conversation, I sit down with painter, teacher, and author Jordan Wolfson to explore painting as a practice of awareness. Jordan describes how, over the years, his sense of self has become more porous and less fixed, allowing him to respond more openly to both life and the creative process.We discuss why some paintings feel profoundly alive while others, though technically accomplished, do not. Jordan shares insights drawn from artists like Cézanne, Monet, and especially Berthe Morisot, whose expressive mark-making helped shape modern painting in ways that history has often overlooked.Along the way, we explore nondual awareness, presence, emotional energy, and why truly meaningful art often emerges when we stop trying to force it. I also share how my own doodling practice, along with a simple moment making toast alone in Santa Fe, taught me that everyday acts can become gateways to presence.Although Jordan and I often use different language, we discovered we were pointing toward much the same experience: creativity not as something we manufacture, but as something we participate in.If you've ever sensed that painting is about more than paint, this conversation is for you.To purchase Jordan's book:https://www.lulu.com/shop/jordan-wolfson/power-and-presence/paperback/product-q6wm9wr.html?q=&page=1&pageSize=4For more information, visit his website https://jordanwolfson.com/Jordan Wolfson received his MFA from the Yale School of Art in 1991. An internationally exhibited painter, his work explores the relationship between perception, mark-making, and consciousness, viewing painting as both a creative practice and a path to deeper understanding. His work is included in collections around the world, and he has received numerous honors, including grants from the Pollock-Krasner Foundation and the Ingram Merrill Foundation."Painting isn't about making a picture; painting is about exploring life."Want to learn more about CJ Miller? Check out his Spiritual Artist Retreats, 1:1 Personal Coaching, and Speaking Engagements at www.spiritualartisttoday.com. His retreats are designed to help you reconnect with your Creative Intelligence and express your true artistic voice. You can also find his upcoming schedule there, and his book, The Spiritual Artist, is available on Amazon.

Jennifer Merz, writer, illustrator, collage artist, and author of Steadfast: Frances Perkins, Champion of Workers' Rights, joins Dr. Lisa Belisle on Radio Maine to discuss creativity, perseverance, and the value of trusting a long creative process. After working in textile design and later earning an MFA in Illustration, Merz spent nearly a decade researching, writing, illustrating, and ultimately self-publishing her award-winning children's biography of Frances Perkins. Along the way, she discovered that creative work rarely follows a straight line—it evolves through curiosity, revision, persistence, and a willingness to keep showing up. From handcrafted collage and children's literature to Maine's artistic community and the enduring legacy of Frances Perkins, this conversation explores how meaningful work often grows from patience as much as inspiration. Join our conversation with Jennifer Merz today on Radio Maine—and be sure to subscribe to the channel.

Please enjoy this Summer Salon Series episode of Breaking Form Selects: Tommye Blount.Support Breaking Form by reviewing the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series. BEAUTIFUL PEOPLE is available from Bridwell Press. James's ROMANTIC COMEDY is available from Four Way Books.  Notes:Tommye Blount was born and raised in Detroit. He holds an MFA from Warren Wilson College and is the author of Fantasia for the Man in Blue (Four Way Books, 2020), a finalist for the National Book Award, and the chapbook What Are We Not For (Bull City Press, 2016). Blount is the recipient of scholarships and fellowships from Kresge Arts in Detroit and the Bread Loaf Writers' Conference. In 2023, he received a Whiting Award in Poetry. A Cave Canem Fellow, Blount lives in Novi, Michigan.Visit Tommye's website: https://www.tommyeblount.com/homeBuy the book Fantasia for the Man in Blue from Four Way Books.Poems we mention include:"Fantasia for the Man in Blue" (one of four title poems in the book). Watch Tommye read this poem here. "Leroy Auditions for the Fame School""Ku Klux Klan Robe and Hood, Circa 1925" in Massachusetts Review "Palmer Park""Karl Lagerfeld's Line of Beauty"Read two poems by Tommye in Four Way Review here.See Tommye read his poem "Grand Dragon" at the Whiting Awards here (~1 min)Watch Leroy Johnson's audition in Fame here!Read this interview with Tommye in Adroit Journal

HMSG Interview Whit Flint! “Eraserhead”This week we finally chat about one of our favorite films, David Lynch's debut feature, ERASERHEAD (1977). We brought along all of our sweet baby faces to discuss, including friend of the show and multi-hyphenate Whit Flint to get into all the gory details!  We hope you enjoy this freshly served episode!Pardon some of our sound elements this episode! We had some technical challenges this week with our audio in some spots! Sierra is on vacation! More about our Guest! Whit Flint is a theatre and film writer / director, known for a style and avant garde approach based in new European surrealism and theatre of the absurd. He has directed over 30 productions internationally and serves as Artistic Director of the theatre collective, Riot Act, founded in 2015 in East London. Whit received his MFA from East 15 at The University of Essex in the UK and also studied at the Russian Institute of Theatre Arts in Moscow. He was also a member of the Young Vic Directors' Programme and an Invitee Director of Toneelgroep Amsterdam. His life's obsession with the plays of Anton Chekhov has led him to adapt and direct all of the iconic writer's major works, including a radical reimagining of The Seagull entitled The Misbegotten Hope of the Dirty Bird, which will premiere in Brooklyn, New York Fall of 2026. As a filmmaker he wrote and directed Artéfact's recent short films, Lulu and a meditation of Sophocles' plays, Tragic Figure. As an actor, Whit's career spans four and a half decades, most notably in Steven Spielberg's Jurassic Park and most recently received a Broadway World Best Performer nomination as Vanya in the site specific production, Gross Old Man. Whit is also an accomplished abstract painter and is based in Los Angeles.Whit Flint on IMDB: https://www.imdb.com/name/nm0381035/?ref_=mv_descFollow Whit Flint here: https://www.instagram.com/whithertford/Check out Whit's Art here: https://www.instagram.com/whitflint/Support the show

Recorded the night before Identiverse 2026 at BrewDog in Las Vegas, Jeff hosts a roundtable of IdentiBeer chapter leaders and community members from around the world. Espen Bago (Oslo), Marco Venuti (Rome and Milan), Heiko Klarl (Munich), Craig Ramsay (Nashville), Tina Srivastava and Elie Azerad (San Francisco), Bertrand Carlier (Paris, in planning), Ole Shved (Detroit, forming), and Roland Baum (Frankfurt) share what makes IdentiBeer work, how chapters get started, and what draws people in. First-time Identiverse attendee Varshith Reddy joins mid-conversation for some live conference tips. The group celebrates going 35 minutes without mentioning AI and closes with everyone's drink of choice and an impromptu MFA rap.Connect with us on LinkedIn:Jim McDonald: https://www.linkedin.com/in/jimmcdonaldpmp/Jeff Steadman: https://www.linkedin.com/in/jeffsteadman/Visit the show on the web at http://idacpodcast.com0:00 Welcome and intro0:41 What is IdentiBeer? Espen Bago explains2:31 Marco Venuti and the Italian chapters5:07 Could there be an IdentiBeer conference?6:03 Heiko Klarl and IdentiBeer Munich7:09 Craig Ramsay and the new Nashville chapter9:53 Beer is just clickbait and vendor neutrality12:45 Tina Srivastava and the IDPro Slack connection13:18 Ole Shved and the future Detroit chapter14:14 Advice for new chapter organizers16:33 Keep the momentum: do another one soon17:01 What draws people to IdentiBeer?17:37 The IdentiBeer charter and inclusivity18:20 Elie Azerad and the San Francisco chapter21:08 Tina and the South Bay satellite idea25:50 Bertrand Carlier and plans for Paris29:31 Varshith Reddy: tips for first-time Identiverse attendees34:12 35 minutes without saying AI36:20 Roland Baum and the Frankfurt Identivier39:06 What is your drink of choice?40:48 Tina's MFA rap and closing thoughtsKeywords: IdentiBeer, Identiverse 2026, IAM community, Identity and Access Management, Jeff Steadman, Jim McDonald, IDAC, Identity at the Center, Espen Bago, Marco Venuti, Heiko Klarl, Craig Ramsay, Tina Srivastava, Elie Azerad, Bertrand Carlier, Ole Shved, Roland Baum, Varshith Reddy, IDPro, community building, vendor neutral, IAM networking, Las Vegas

Acclaimed sculptor Sabin Howard returns to Hearts of Oak to discuss his ambitious new project, the Grand Liberty Arch — the monumental follow-up to his National World War I Memorial, which was unveiled in Washington, D.C. in September 2024. Sabin shares how the Grand Liberty Arch, designed for America's 250th anniversary and slated for unveiling before the 2034 Winter Olympics in Utah, celebrates freedom, liberty, personal agency, and self-responsibility.  He explains why he chose to create the work independently in Utah after being granted land at the state capitol, and how raising over $2.3 million through a charitable foundation has allowed him to move forward with this massive bronze sculpture — three times the size of his previous memorial. Sabin also dives deep into his artistic philosophy, contrasting his classical, Renaissance-inspired approach — which elevates human dignity and tells a story like a “bronze movie” — with much of today's modern art.  He speaks openly about the spiritual dimension of his work, the role of faith in giving him courage as an artist, and why he believes art should be public, purposeful, and rooted in the belief that human beings are made in the image of God. A compelling look at one artist's mission to restore meaning, beauty, and heroism to public sculpture in America. Sabin Howard grew up in New York City and in Torino, Italy. He studied art at the Philadelphia College of Art and then earned his MFA from the New York Academy of Art.  For twenty years, he taught at the graduate and undergraduate levels. He has been elected to the board of the National Sculpture Society.  He has received numerous commissions and has showed his work at more than fifty solo and group shows. After 72,000 hours of working from life models in the studio, Sabin designed and created the hero's journey that memorializes the courage and sacrifice of our veterans in WWI, and in all wars, in A Soldier's Journey. He has created an illustrious body of work, including three heroic scale pieces, HERMES, APHRODITE, and APOLLO, as well as many smaller pieces.  His works are owned by museums and private collectors all over the world, and they have been favorably reviewed by USA Today, The New York Times, The Washington Post, The Epoch Times, American Artist, Fine Arts Connoisseur, American Arts Collector, and The New Criterion, as well as many other journals internationally.  He is an accomplished public speaker and is the subject of several television profiles. Connect with Sabin... X                                 @SabinHoward  https://x.com/SabinHoward WEBSITE                    https://www.sabinhoward.com/ Connect with Hearts of Oak...

Today on the program, a trip into the archive and a return to Episode 693, my conversation with Candace Jane Opper, author of the debut memoir Certain and Impossible Events (Kore Press). Air date: February 17, 2021. Candace Jane Opper is a writer, a mother, and an occasional visual artist. She grew up in the woods of Southern Connecticut, in a house that alarmingly resembles the one from The Amityville Horror, where she learned to embrace the value of unconventionality. She holds an MFA in Nonfiction Writing from Portland State University and spent her undergraduate years in Providence studying Film History—a discipline her college advisor fondly described as the second most pointless major next to Art History, which she promptly declared as her minor. Opper's essays have appeared or are forthcoming in Longreads, Guernica, Creative Nonfiction, LitHub, Narratively, Brevity, and Vestoj, among others. She is a Creative Nonfiction Foundation Fellowship recipient and a member on the advisory council for Write Pittsburgh, a program collective that empowers writers to amplify their voices and strengthen their communities. Certain and Impossible Events is her first book. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Vol. 13 of Story Time, featuring an author reading aloud from her work. In this episode, Alexandra Oliva reads from her new novel, The Radiant Dark (SJP Lit). It is the official July pick of the Otherppl Book Club. Oliva's other novels include Forget Me Not and The Last One, which was selected as a Best Book of 2016 by The Seattle Times and translated into twenty-five languages. She received her BA from Yale University and her MFA from The New School, and she now lives in the Pacific Northwest with her family. *** Today's episode is brought to you by Rula. Thousands of people are already using Rula to get affordable, high-quality therapy that's actually covered by insurance. Visit ⁠⁠⁠⁠⁠⁠www.rula.com/otherppl⁠⁠⁠⁠⁠⁠ to get started. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hilary Plattner is a writer of fiction, nonfiction, and poetry. Her debut memoir, The Momma Puzzle, was shortlisted for the Santa Fe Writers Project Literary Awards, and named a finalist for the Wandering Aengus and Trail to Table Book Awards. She holds an MFA in fiction writing from Columbia University and has taught writing at The New School. Previously, she founded and directed Brooklyn Writers, a community-based writing program. Her writing has been published in numerous literary journals, including Allegro, Cider Press Review, Fence, GSU Review, Gulf Coast, Synkroniciti and The Ledge. Listen in as we discuss how to write memoir using records left behind by family members, as well as the difficult topic of writing about family suicide. The QWERTY podcast is brought to you by the book, The Memoir Project: A Thoroughly Non-Standardized Text for Writing & Life. Read it, and begin your own journey to writing what you know. To learn more, join The Memoir Project free newsletter list and keep up to date on all our free webinars, instructive posts and online classes in how to write memoir, as well as our talented, available memoir editors and memoir coaches, podcast guests and more.

My guest is Kurt Johnson Co-author of The Moon Tavern, A Culinary Love Story With Recipes. The Moon Tavern takes the reader on a romantic and culinary journey through the Islands of Croatia, where dark family secrets are revealed, quirky friends and relatives are found, and love is discovered.Vesna, or Ves, is a cookbook writer from Minneapolis who travels to the remote, exotic island of Lastovo off Croatia's Mediterranean coast to reconnect with her biological grandmother. She'd been adopted as a young child after her parents died in the Yugoslav Wars of the 1990s. Ves is also fleeing a frayed relationship with her live-in partner, Reed.In Lastovo, she meets Dinko, a single, handsome, and wealthy vineyard owner, and his cute daughter Mia. With his help with the translation, Ves discovers her biological family's history and the dark secrets of what happened during the war. Romance, travel, and cooking ensue. She ultimately learns what matters most to her: simplicity in life, closeness with family, and someone to share love with. And, of course, food!Stephanie [00:00:00]:Hello, everybody, and welcome to Dishing with Stephanie's Dish, the podcast where we talk to people in the food space and other spaces. All the spaces of all the fun things. Kurt is my spouse, Kurt Johnson, and also the co author of the Moon Tavern, a culinary romance with recipes. It is a fiction book that is available on your bookshelf now. Welcome to the podcast, Kurt.Kurt Johnson [00:00:22]:Hi, thanks for having me.Stephanie [00:00:24]:Thanks for having us. The idea that we should work on a book together. I am, as many of you listening know, a cookbook writer and my husband is a fiction writer. And somewhere along the way, we decided that maybe it would be good to collaborate together. Kurt, was it you or me that had the idea first? I think it was you.Kurt Johnson [00:00:42]:Yeah, probably. I was kind of done with my past book writing about Las Vegas and looking for something different. And we'd been traveling a lot, so going to Croatia, going to Italy, going out west, going to Turkey. So I wanted to incorporate travel with a novel, and I also wanted to incorporate food. And so I thought this would be a lot of fun. Since we're traveling together, we have those shared experiences and you have the food experience and the food writing experience. So I thought it'd be a fun collaboration. And I've always liked the idea of love stories.Kurt Johnson [00:01:18]:Even my thriller books in Las Vegas had kind of a love story element. And it adds a dimension to a novel that, I don't know, makes it cohesive, makes it pull together in an emotional arc that's kind of fulfilling in the end.Stephanie [00:01:33]:Do you think you're a romantic at heart, or what is it about romances that are fun to write for you?Kurt Johnson [00:01:39]:Maybe I'm a romance at heart. I may be more stoic than that, though. I just. I like the idea of seeing people get together, seeing people enjoy the same interests and finding people that can fall in love. Of course, that's always the fun part. The hard part is once you get married and move on from there and have to deal with kids and daily life and work and all the other things that go with living life. And that's not that much fun to write.Stephanie [00:02:07]:Yeah, exactly. We as a couple, I think I can speak for me and you maybe on this one. We've always had great experiences traveling. We are good traveling companions. We like the spirit of adventure. Did you know that Croatia would be the spot for the first fiction endeavor?Kurt Johnson [00:02:24]:Yeah, that was a given since we'd been there five times and four times running a sailboat and visiting the islands. And as you know, Stephanie, I'm just enamored with those islands, I think they're so beautiful. And there was one island we discovered out there, Lastovo, which is the furthest island out. So a lot of the sailors and tourists just never get there. They stay closer to shore. So, you know, going out there the first time, this beautiful bay of Zachlopedia, where, you know, it's a, it's a protective cove which is beautiful turquoise water. And then taking the dinghy in, and then you walk up this path, I think it's about a two mile hike. And then you go over this ridge and this 16th, 15th century town opens up.Kurt Johnson [00:03:10]:You know, at one point maybe it had 10,000 residents. And, and it, it, when we first saw it, I don't know, 10, 15 years ago, it was abandoned. So it was a ghost town of 15th century buildings and churches and apartments in this beautiful valley of lush green foliage. So that's very picturesque. We had an incredible meal there of just simple anchovies and blitfa. And for you, for you people out there that don't know, blitfa is ubiquitous in Croatia. And it's, it's just spring potatoes with Swiss chard, but it's served with everything.Stephanie [00:03:52]:It is served with everything. And they sometimes have spinach, sometimes have like another type of green, but it's sort of like the potatoes are cooked till they're pretty soft, and then it's kind of mashed in a little bit. So it's not fully a mashed potato and it's not fully a roasted potato. It's sort of a combination of both. But it is good.Kurt Johnson [00:04:12]:Yeah, so, yeah, that's so, you know, it seemed such an exotic place, the island of Lastovo in Croatia, that it was a natural to place it there.Stephanie [00:04:23]:Can you tell a little bit of just an introduction of the story, like what people will find when they crack open the book?Kurt Johnson [00:04:30]:Sure. It's about Vesna, who is. Has a breakup with her live in boyfriend, and they'd had a restaurant. She was a chef, a cookbook authority, and had a restaurant, not unlike my dear wife Stephanie. And she has a breakup and she leaves Minneapolis to go to Croatia to uncover her. Her heritage. She had been adopted from Croatia, specifically Dubrovnik, when her parents died in the Serb bombing of Dubrovnik in 1991. So she was adopted out of there and raised in Minnesota.Kurt Johnson [00:05:05]:So then she goes to Croatia and rediscovers her dark family secrets and meets Dinko Radek, who is a winery owner, and, you know, romance ensues. But she has a life still back in Minneapolis that she has to go back to and resolve.Stephanie [00:05:24]:When we talked about putting this first concept together, you know, I see the world through food. Like, literally everything in sort of my life is framed by a meal, an experience, just the way that I see the world. It's always around food, celebrations. And so did you know that that would work for this Croatia book? Because I didn't. When you first brought it up, I was like, I can't be a Croatian grandma here. And writing recipes about what at the time I perceived as, like, dumplings.Kurt Johnson [00:05:53]:Yeah, I wasn't sure either, frankly. You know, so each chapter, there's 25 chapters, and each chapter in it has a description of cooking. And it's all Croatia cooking, Croatia recipes. You know, all food we at over the years where we were there. And then the idea of tagging on recipes was just kind of bringing it home. Like, here's the Croatia experience. Now here's how Stephanie would bring that back to the real world, which is here in the United States.Stephanie [00:06:21]:We have talked about doing a series of books. What is it about this genre that you think lends itself to other titles and other characters?Kurt Johnson [00:06:29]:Well, you know, it's an adventure book on one level, and there's always new places to visit. So the next book is based in Panza, Italy, where we've been a couple times. And it's this beautiful island off the coast of Italy in the Mediterranean. And, you know, Italian food. You go to Italy and what you remember is the pizza in Naples or the. The pasta in Rome and. And the busteca up in the hills. So, you know, a way to experience a place is.Kurt Johnson [00:07:04]:Is through food. And I like writing about new settings. You know, it. It's not as interesting writing about Minnesota,Stephanie [00:07:11]:but you've written a lot about Las Vegas. You've had how many books about Las Vegas? Three.Kurt Johnson [00:07:16]:Yeah, three. You know, two of the. Of kind of a thriller in. Two thrillers in a series, and then a book about RVing that ends up in. In Las Vegas. And Las Vegas is a interesting place, and I lived there for five years running nightclubs and restaurants. And so two of the books are Underbelly of Las Vegas, which I was a part of in the nightclub scene back in the late 80s. So that's just flat out fun to write about.Kurt Johnson [00:07:39]:And Las Vegas is such a weirdo place that it's fun to bring that to life.Stephanie [00:07:45]:It's interesting to hear you talk about that. The way you choose your stories is about place, because the first book, the Barrens, that you wrote with our Daughter Ellie, inspired by her experiences as a canoe camper in the tundra. That's also based in Place, too. Place is sort of what starts you on these journeys. It seems like, yeah, you know something,Kurt Johnson [00:08:07]:you threw me a curveball because I never really thought about it. But you're exactly right.Stephanie [00:08:12]:All.Kurt Johnson [00:08:12]:All these books start off with a setting, with a place, and then, you know, the plots revolve around. Around that. And there's just so many. So many different. There's a finite number of, really, plots you can choose from. It's kind of like a piano keyboard has all the. The notes that you want to make up a. A music piece the same way with plot structures.Kurt Johnson [00:08:34]:And so to take it to the next level, you really have to search out characters, and the characters are in a setting, so those two are inexplicably, Inextricably. Inextricably linked. Yeah, exactly. So, you know, the two go hand in hand. So character and place really can set a novel apart.Stephanie [00:08:59]:Can you think of other books that you've written or. Excuse me. No, not that you've written, that you've read. Where Place sort of started you off on this adventure?Kurt Johnson [00:09:07]:Yeah, probably. I really love Beautiful Ruins.Stephanie [00:09:11]:Jess Walters.Kurt Johnson [00:09:13]:Walters, yeah. And that starts off in Italy, kind of near Cinque de Terre. And it's kind of the poor version of Cinque de Terre, where the tourists don't go. And it was such a fascinating story. And then they bring that all back to Hollywood in America, and it just works so well. But what really captures your imagination is the description of this little seaside community. Before the whole plot takes over, IStephanie [00:09:41]:kind of think about that book. The Embarrassment of Mangoes.Kurt Johnson [00:09:44]:Yeah.Stephanie [00:09:44]:When you and I first started sailing and going on these adventures, we read that book. It was about a couple that buys a boat and sails through the Caribbean, and she is discovering spices and fruits and vegetables and things that she's never eaten before. And I just loved that book. It was really what got me into sailing and thinking about how to make that our life and whether or not, you know, we could buy a boat and do that. And that boat really had a huge setting of place. Can you think of, like. I don't know. When I think of other books, there's very few books that I think about character first.Stephanie [00:10:19]:I usually always think about the place. Maybe that's just something.Kurt Johnson [00:10:22]:Or the plot, too. Yeah, they're all just linked together. And you don't think about. Well, you were saying you don't think about character as much.Stephanie [00:10:31]:Not really.Kurt Johnson [00:10:32]:Yeah, it's funny. I think, you know, the best books people say are character driven, but they're inexplicable. What's the word again?Stephanie [00:10:41]:Inextricably.Kurt Johnson [00:10:43]:Inextricably. Trouble with that. Linked. So, you know, you pick a place and you pick a plot and then you build these characters. The characters have to build around that plot and so they kind of naturally flow. And, and I, I think they, if they're well written and honest, you shouldn't think of them. You know, they're interesting characters and you'll say, you know, this is Rabbit and the Rabbit series. And you'll know, but you won't say, oh, that's just a great character.Kurt Johnson [00:11:10]:I, I, I don't know that I certainly, you know, I'm probably deep into it and I look at the craft a lot so I can see where somebody has really spent some time to develop an honest character or where, you know, the narrative voice comes through and, and a character comes to life through this first person narrative voice. So I see that a lot moreStephanie [00:11:30]:people have a real, like they can't believe you can write a book. Like the idea of the literal act of sitting down and writing and how that works. People fantasize about writing it, but then very few people do. What was it that got you over the hump from thinking about writing it to actually sitting down and doing it?Kurt Johnson [00:11:47]:Well, selling our business and all of a sudden being able to free up time. Because for me, novel writing and I think was it Chrisham talked about, you know, writing at 5 in the morning before he goes to work at 7. I just couldn't do that. You know, I just, I'm very focused on one thing and, and so I needed to free up my time from work in order to get going. And then it was, can you put together, you know, a thousand or fifteen hundred words every day so that it links up into a novel and have that, not only that, that discipline, but also have the creative juices to produce scenes almost every day because, you know, like a, a good novel is created from 50 scenes. So I went from, you know, writing a memoir that I probably won't publish just to see if I can get, you know, a thousand words every day and put this together to then writing Las Vegas turnaround. And there I, I, I really just copied a lot of plot structures that I saw that I liked. And so it was easier for me to set up main characters, set up tertiary characters, subplots, because I had a blueprint from somebody else.Kurt Johnson [00:12:56]:And then, and then once, you know, you Keep writing. You get muscle memory for it and it becomes more, more natural and actually more fun because it becomes more organic. You'll follow characters through a town and they'll meet somebody and all of a sudden that person becomes a character in their universe and they say something and all of a sudden that takes off and you have to follow it. Now, you know, the woman's gonna fall in love with a guy at the end. But getting there is the fun part. And now I can do that a lot more organically.Stephanie [00:13:27]:If you are talking to any aspiring novel writers, what kind of advice do you have for them to get started?Kurt Johnson [00:13:34]:Well, you know, you gotta lower your expectations just because publishing is so hard, you know.Stephanie [00:13:39]:Can you elaborate on that?Kurt Johnson [00:13:41]:Well, you know, there's maybe two or three or 400 agents, most of them in New York City and they're all trying to make a buck. And it's hard to make a buck off a debut writer. It helps if you're MFA and you're writing in a genre because, you know, let's say 70% of the books are read by women and 70% of those are romances. And then men, the other 30%, probably 80% of what they read are, you know, thrillers or mysteries. So if you can pick a genre, that always helps. But yeah, it, you have to be more thoughtful about it. And I think, I think so many first time writers, you know, once they get the discipline and put, put the, the words on a page, they write that first personal novel, you know, and I wrote my memoir and it's, it's really 90% of those, they, you know, people have the, they aspire for the great American novel and it's too personal, it's too close to home. They can't break out from the reality of their lives to have fun with the plot and make things happen.Kurt Johnson [00:14:45]:So a lot of times these books, nothing happens. They're deeply emotional books where nothing happens and they're, they're excruciatingly boring. So you gotta get past that phase and then you gotta look at it as a, as a craft. And, you know, a big chunk of it's art, of course, whatever you wanna call that, you know, shedding light on the human experience. But a big chunk is craft. And I don't think you can get to the craft for most people in that first book. So you gotta keep writing, you know, and realize that the first couple books may not get published. So, you know, the barons got published.Kurt Johnson [00:15:21]:That was one, two, that was my third, fourth book, you know, and the, and two, the, the first three, two of them were duds that will never be published.Stephanie [00:15:31]:Yeah. Yeah. All right, well, it's good to chat with you about the book. We are in the marketing process of the book. I feel like books come in three waves. One is the idea that you're thinking about it. The second, the actual writing of it. And then the third is actual the marketing of it.Stephanie [00:15:48]:What do you think's the hardest part?Kurt Johnson [00:15:49]:Well, I mean, it's. The hardest part's finding an agent and finding a publisher. Then if you self publish, the hardest part is marketing. And at least it is for me because writing is so natural and fun for me. But I think for most people, you know, the writing's a hard part. And, and you know, like the Minnesota writer o', Brien, he hates writing, so he forces himself. Tim o'. Brien.Kurt Johnson [00:16:12]:So he forces himself to get those books out there. So probably that's the hardest part for him.Stephanie [00:16:17]:We had, I had a cookbook, two cookbooks out and I had a publisher, but they didn't publish this book because it was a fiction book. I think some people just assume like, oh, well, they've already had books out, but we self published this book. Why did we make that decision from your standpoint?Kurt Johnson [00:16:33]:Well, we couldn't get an A list agent or a New York publisher. There's just not, it comes off as almost a debut book and it's hard for them to make any money. So if you can't get an A lister, then you're, you know, stuck with boutique publishing companies and others and, and they just don't support the marketing of your book. And I've self published books in the past, so I know how to do it. I know how to put a professional product out there. And, and we can, you know, both of us are marketers and, and Stephanie has a large platform, so we can do a lot of our own marketing or, or outsource it, you know, but still we retain most of the profits. So when we do the marketing, we can reinvested or keep those profits.Stephanie [00:17:17]:Yeah, I, when you say profits, it sounds like there's a lot there. I'd like to, I mean, I mean,Kurt Johnson [00:17:22]:maybe, maybe we broke it even at this point, but then now we're looking at a marketing PR firm that's going to set us back another $5,000. But you know, if, if these books succeed and somebody makes a lot of money, it's the, it's the third, you know, book that's going to put them over the top. It's not the first.Stephanie [00:17:40]:I have this idea too that we're going to write these books and then sooner or later someone's going to turn them into a T series because it's going to be like the White Lotus where each season is a different location and a different cast of characters, but sort of the general premise is sort of the same.Kurt Johnson [00:17:56]:I hope so. You know, I hope an A list agent comes along and, and frees us from our servitude or whatever. And, but, and yeah, you know, there's, there's plenty of stories of self published authors that, that get deals or even boutique. Boutique authors that get deals. So you know, we can dream.Stephanie [00:18:16]:One thing that I'd like the listener to hear is what their part is in this because we've. I was leaving the coffee shop today. We're in Ely. That is the vacation backgrounds. But.Kurt Johnson [00:18:25]:Right.Stephanie [00:18:25]:I was leaving the coffee shop today and a woman stopped me and said, Stephanie, I had the opportunity to read the Moon Tavern. It's so good. I loved it so much. And she's telling me about it and telling her friend. And I have that experience a lot where people have really, really enjoyed this book. And I just want the listener to know that leaving reviews on Goodreads or Amazon or Barnes and Noble or wherever you bought the book or if you can' find a book, asking for it at your local bookseller. Cause they can always order it when you're self published. The more buzz you can create about these books, the better chance that someone will hear about it, someone will buy it and eventually a publisher, if they hear about a book and they like it, then they may pick it up.Stephanie [00:19:03]:So I think if you like what you're reading and you want to see more of this type of work in the world and books that you like, that's something that you can do to help us out.Kurt Johnson [00:19:13]:Yes, a 5 on Amazon or top rating on any other Goodreads is good too. Yeah, it's, it's all, it's all good. So yes, those, those help a lot. Just because the more reviews you can get and the more five star reviews you get, the more people will pick up the book, the more buzz you'll get. So yeah, so it helps us immeasurably.Stephanie [00:19:35]:Another thing before we wrap up here, someone asked me about the Cover of the book. Do you want to talk about how you picked the artwork?Kurt Johnson [00:19:41]:Yeah, I was pretty much online Xee Reider, she's in St. Paul and she's a muralist mostly. And I really liked the look that she had. So I reached out to her, and she did the original artwork, and then each chapter ends with a recipe, and there's a pen and ink drawing, and she did those. And I really think that adds another level to the book. And I love a beautiful cover.Stephanie [00:20:10]:Yeah, the cover is really nice. She did a great job. All right, well, that is it for this episode of the podcast. Just want to chat with you and give people a little background. Thanks for being a guest. Stephanie Hansen's @StephaniesDish Newsletter is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit stephaniehansen.substack.com/subscribe

My guest is Kurt Johnson Co-author of The Moon Tavern, A Culinary Love Story With Recipes. The Moon Tavern takes the reader on a romantic and culinary journey through the Islands of Croatia, where dark family secrets are revealed, quirky friends and relatives are found, and love is discovered.Vesna, or Ves, is a cookbook writer from Minneapolis who travels to the remote, exotic island of Lastovo off Croatia's Mediterranean coast to reconnect with her biological grandmother. She'd been adopted as a young child after her parents died in the Yugoslav Wars of the 1990s. Ves is also fleeing a frayed relationship with her live-in partner, Reed.In Lastovo, she meets Dinko, a single, handsome, and wealthy vineyard owner, and his cute daughter Mia. With his help with the translation, Ves discovers her biological family's history and the dark secrets of what happened during the war. Romance, travel, and cooking ensue. She ultimately learns what matters most to her: simplicity in life, closeness with family, and someone to share love with. And, of course, food!Stephanie [00:00:00]:Hello, everybody, and welcome to Dishing with Stephanie's Dish, the podcast where we talk to people in the food space and other spaces. All the spaces of all the fun things. Kurt is my spouse, Kurt Johnson, and also the co author of the Moon Tavern, a culinary romance with recipes. It is a fiction book that is available on your bookshelf now. Welcome to the podcast, Kurt.Kurt Johnson [00:00:22]:Hi, thanks for having me.Stephanie [00:00:24]:Thanks for having us. The idea that we should work on a book together. I am, as many of you listening know, a cookbook writer and my husband is a fiction writer. And somewhere along the way, we decided that maybe it would be good to collaborate together. Kurt, was it you or me that had the idea first? I think it was you.Kurt Johnson [00:00:42]:Yeah, probably. I was kind of done with my past book writing about Las Vegas and looking for something different. And we'd been traveling a lot, so going to Croatia, going to Italy, going out west, going to Turkey. So I wanted to incorporate travel with a novel, and I also wanted to incorporate food. And so I thought this would be a lot of fun. Since we're traveling together, we have those shared experiences and you have the food experience and the food writing experience. So I thought it'd be a fun collaboration. And I've always liked the idea of love stories.Kurt Johnson [00:01:18]:Even my thriller books in Las Vegas had kind of a love story element. And it adds a dimension to a novel that, I don't know, makes it cohesive, makes it pull together in an emotional arc that's kind of fulfilling in the end.Stephanie [00:01:33]:Do you think you're a romantic at heart, or what is it about romances that are fun to write for you?Kurt Johnson [00:01:39]:Maybe I'm a romance at heart. I may be more stoic than that, though. I just. I like the idea of seeing people get together, seeing people enjoy the same interests and finding people that can fall in love. Of course, that's always the fun part. The hard part is once you get married and move on from there and have to deal with kids and daily life and work and all the other things that go with living life. And that's not that much fun to write.Stephanie [00:02:07]:Yeah, exactly. We as a couple, I think I can speak for me and you maybe on this one. We've always had great experiences traveling. We are good traveling companions. We like the spirit of adventure. Did you know that Croatia would be the spot for the first fiction endeavor?Kurt Johnson [00:02:24]:Yeah, that was a given since we'd been there five times and four times running a sailboat and visiting the islands. And as you know, Stephanie, I'm just enamored with those islands, I think they're so beautiful. And there was one island we discovered out there, Lastovo, which is the furthest island out. So a lot of the sailors and tourists just never get there. They stay closer to shore. So, you know, going out there the first time, this beautiful bay of Zachlopedia, where, you know, it's a, it's a protective cove which is beautiful turquoise water. And then taking the dinghy in, and then you walk up this path, I think it's about a two mile hike. And then you go over this ridge and this 16th, 15th century town opens up.Kurt Johnson [00:03:10]:You know, at one point maybe it had 10,000 residents. And, and it, it, when we first saw it, I don't know, 10, 15 years ago, it was abandoned. So it was a ghost town of 15th century buildings and churches and apartments in this beautiful valley of lush green foliage. So that's very picturesque. We had an incredible meal there of just simple anchovies and blitfa. And for you, for you people out there that don't know, blitfa is ubiquitous in Croatia. And it's, it's just spring potatoes with Swiss chard, but it's served with everything.Stephanie [00:03:52]:It is served with everything. And they sometimes have spinach, sometimes have like another type of green, but it's sort of like the potatoes are cooked till they're pretty soft, and then it's kind of mashed in a little bit. So it's not fully a mashed potato and it's not fully a roasted potato. It's sort of a combination of both. But it is good.Kurt Johnson [00:04:12]:Yeah, so, yeah, that's so, you know, it seemed such an exotic place, the island of Lastovo in Croatia, that it was a natural to place it there.Stephanie [00:04:23]:Can you tell a little bit of just an introduction of the story, like what people will find when they crack open the book?Kurt Johnson [00:04:30]:Sure. It's about Vesna, who is. Has a breakup with her live in boyfriend, and they'd had a restaurant. She was a chef, a cookbook authority, and had a restaurant, not unlike my dear wife Stephanie. And she has a breakup and she leaves Minneapolis to go to Croatia to uncover her. Her heritage. She had been adopted from Croatia, specifically Dubrovnik, when her parents died in the Serb bombing of Dubrovnik in 1991. So she was adopted out of there and raised in Minnesota.Kurt Johnson [00:05:05]:So then she goes to Croatia and rediscovers her dark family secrets and meets Dinko Radek, who is a winery owner, and, you know, romance ensues. But she has a life still back in Minneapolis that she has to go back to and resolve.Stephanie [00:05:24]:When we talked about putting this first concept together, you know, I see the world through food. Like, literally everything in sort of my life is framed by a meal, an experience, just the way that I see the world. It's always around food, celebrations. And so did you know that that would work for this Croatia book? Because I didn't. When you first brought it up, I was like, I can't be a Croatian grandma here. And writing recipes about what at the time I perceived as, like, dumplings.Kurt Johnson [00:05:53]:Yeah, I wasn't sure either, frankly. You know, so each chapter, there's 25 chapters, and each chapter in it has a description of cooking. And it's all Croatia cooking, Croatia recipes. You know, all food we at over the years where we were there. And then the idea of tagging on recipes was just kind of bringing it home. Like, here's the Croatia experience. Now here's how Stephanie would bring that back to the real world, which is here in the United States.Stephanie [00:06:21]:We have talked about doing a series of books. What is it about this genre that you think lends itself to other titles and other characters?Kurt Johnson [00:06:29]:Well, you know, it's an adventure book on one level, and there's always new places to visit. So the next book is based in Panza, Italy, where we've been a couple times. And it's this beautiful island off the coast of Italy in the Mediterranean. And, you know, Italian food. You go to Italy and what you remember is the pizza in Naples or the. The pasta in Rome and. And the busteca up in the hills. So, you know, a way to experience a place is.Kurt Johnson [00:07:04]:Is through food. And I like writing about new settings. You know, it. It's not as interesting writing about Minnesota,Stephanie [00:07:11]:but you've written a lot about Las Vegas. You've had how many books about Las Vegas? Three.Kurt Johnson [00:07:16]:Yeah, three. You know, two of the. Of kind of a thriller in. Two thrillers in a series, and then a book about RVing that ends up in. In Las Vegas. And Las Vegas is a interesting place, and I lived there for five years running nightclubs and restaurants. And so two of the books are Underbelly of Las Vegas, which I was a part of in the nightclub scene back in the late 80s. So that's just flat out fun to write about.Kurt Johnson [00:07:39]:And Las Vegas is such a weirdo place that it's fun to bring that to life.Stephanie [00:07:45]:It's interesting to hear you talk about that. The way you choose your stories is about place, because the first book, the Barrens, that you wrote with our Daughter Ellie, inspired by her experiences as a canoe camper in the tundra. That's also based in Place, too. Place is sort of what starts you on these journeys. It seems like, yeah, you know something,Kurt Johnson [00:08:07]:you threw me a curveball because I never really thought about it. But you're exactly right.Stephanie [00:08:12]:All.Kurt Johnson [00:08:12]:All these books start off with a setting, with a place, and then, you know, the plots revolve around. Around that. And there's just so many. So many different. There's a finite number of, really, plots you can choose from. It's kind of like a piano keyboard has all the. The notes that you want to make up a. A music piece the same way with plot structures.Kurt Johnson [00:08:34]:And so to take it to the next level, you really have to search out characters, and the characters are in a setting, so those two are inexplicably, Inextricably. Inextricably linked. Yeah, exactly. So, you know, the two go hand in hand. So character and place really can set a novel apart.Stephanie [00:08:59]:Can you think of other books that you've written or. Excuse me. No, not that you've written, that you've read. Where Place sort of started you off on this adventure?Kurt Johnson [00:09:07]:Yeah, probably. I really love Beautiful Ruins.Stephanie [00:09:11]:Jess Walters.Kurt Johnson [00:09:13]:Walters, yeah. And that starts off in Italy, kind of near Cinque de Terre. And it's kind of the poor version of Cinque de Terre, where the tourists don't go. And it was such a fascinating story. And then they bring that all back to Hollywood in America, and it just works so well. But what really captures your imagination is the description of this little seaside community. Before the whole plot takes over, IStephanie [00:09:41]:kind of think about that book. The Embarrassment of Mangoes.Kurt Johnson [00:09:44]:Yeah.Stephanie [00:09:44]:When you and I first started sailing and going on these adventures, we read that book. It was about a couple that buys a boat and sails through the Caribbean, and she is discovering spices and fruits and vegetables and things that she's never eaten before. And I just loved that book. It was really what got me into sailing and thinking about how to make that our life and whether or not, you know, we could buy a boat and do that. And that boat really had a huge setting of place. Can you think of, like. I don't know. When I think of other books, there's very few books that I think about character first.Stephanie [00:10:19]:I usually always think about the place. Maybe that's just something.Kurt Johnson [00:10:22]:Or the plot, too. Yeah, they're all just linked together. And you don't think about. Well, you were saying you don't think about character as much.Stephanie [00:10:31]:Not really.Kurt Johnson [00:10:32]:Yeah, it's funny. I think, you know, the best books people say are character driven, but they're inexplicable. What's the word again?Stephanie [00:10:41]:Inextricably.Kurt Johnson [00:10:43]:Inextricably. Trouble with that. Linked. So, you know, you pick a place and you pick a plot and then you build these characters. The characters have to build around that plot and so they kind of naturally flow. And, and I, I think they, if they're well written and honest, you shouldn't think of them. You know, they're interesting characters and you'll say, you know, this is Rabbit and the Rabbit series. And you'll know, but you won't say, oh, that's just a great character.Kurt Johnson [00:11:10]:I, I, I don't know that I certainly, you know, I'm probably deep into it and I look at the craft a lot so I can see where somebody has really spent some time to develop an honest character or where, you know, the narrative voice comes through and, and a character comes to life through this first person narrative voice. So I see that a lot moreStephanie [00:11:30]:people have a real, like they can't believe you can write a book. Like the idea of the literal act of sitting down and writing and how that works. People fantasize about writing it, but then very few people do. What was it that got you over the hump from thinking about writing it to actually sitting down and doing it?Kurt Johnson [00:11:47]:Well, selling our business and all of a sudden being able to free up time. Because for me, novel writing and I think was it Chrisham talked about, you know, writing at 5 in the morning before he goes to work at 7. I just couldn't do that. You know, I just, I'm very focused on one thing and, and so I needed to free up my time from work in order to get going. And then it was, can you put together, you know, a thousand or fifteen hundred words every day so that it links up into a novel and have that, not only that, that discipline, but also have the creative juices to produce scenes almost every day because, you know, like a, a good novel is created from 50 scenes. So I went from, you know, writing a memoir that I probably won't publish just to see if I can get, you know, a thousand words every day and put this together to then writing Las Vegas turnaround. And there I, I, I really just copied a lot of plot structures that I saw that I liked. And so it was easier for me to set up main characters, set up tertiary characters, subplots, because I had a blueprint from somebody else.Kurt Johnson [00:12:56]:And then, and then once, you know, you Keep writing. You get muscle memory for it and it becomes more, more natural and actually more fun because it becomes more organic. You'll follow characters through a town and they'll meet somebody and all of a sudden that person becomes a character in their universe and they say something and all of a sudden that takes off and you have to follow it. Now, you know, the woman's gonna fall in love with a guy at the end. But getting there is the fun part. And now I can do that a lot more organically.Stephanie [00:13:27]:If you are talking to any aspiring novel writers, what kind of advice do you have for them to get started?Kurt Johnson [00:13:34]:Well, you know, you gotta lower your expectations just because publishing is so hard, you know.Stephanie [00:13:39]:Can you elaborate on that?Kurt Johnson [00:13:41]:Well, you know, there's maybe two or three or 400 agents, most of them in New York City and they're all trying to make a buck. And it's hard to make a buck off a debut writer. It helps if you're MFA and you're writing in a genre because, you know, let's say 70% of the books are read by women and 70% of those are romances. And then men, the other 30%, probably 80% of what they read are, you know, thrillers or mysteries. So if you can pick a genre, that always helps. But yeah, it, you have to be more thoughtful about it. And I think, I think so many first time writers, you know, once they get the discipline and put, put the, the words on a page, they write that first personal novel, you know, and I wrote my memoir and it's, it's really 90% of those, they, you know, people have the, they aspire for the great American novel and it's too personal, it's too close to home. They can't break out from the reality of their lives to have fun with the plot and make things happen.Kurt Johnson [00:14:45]:So a lot of times these books, nothing happens. They're deeply emotional books where nothing happens and they're, they're excruciatingly boring. So you gotta get past that phase and then you gotta look at it as a, as a craft. And, you know, a big chunk of it's art, of course, whatever you wanna call that, you know, shedding light on the human experience. But a big chunk is craft. And I don't think you can get to the craft for most people in that first book. So you gotta keep writing, you know, and realize that the first couple books may not get published. So, you know, the barons got published.Kurt Johnson [00:15:21]:That was one, two, that was my third, fourth book, you know, and the, and two, the, the first three, two of them were duds that will never be published.Stephanie [00:15:31]:Yeah. Yeah. All right, well, it's good to chat with you about the book. We are in the marketing process of the book. I feel like books come in three waves. One is the idea that you're thinking about it. The second, the actual writing of it. And then the third is actual the marketing of it.Stephanie [00:15:48]:What do you think's the hardest part?Kurt Johnson [00:15:49]:Well, I mean, it's. The hardest part's finding an agent and finding a publisher. Then if you self publish, the hardest part is marketing. And at least it is for me because writing is so natural and fun for me. But I think for most people, you know, the writing's a hard part. And, and you know, like the Minnesota writer o', Brien, he hates writing, so he forces himself. Tim o'. Brien.Kurt Johnson [00:16:12]:So he forces himself to get those books out there. So probably that's the hardest part for him.Stephanie [00:16:17]:We had, I had a cookbook, two cookbooks out and I had a publisher, but they didn't publish this book because it was a fiction book. I think some people just assume like, oh, well, they've already had books out, but we self published this book. Why did we make that decision from your standpoint?Kurt Johnson [00:16:33]:Well, we couldn't get an A list agent or a New York publisher. There's just not, it comes off as almost a debut book and it's hard for them to make any money. So if you can't get an A lister, then you're, you know, stuck with boutique publishing companies and others and, and they just don't support the marketing of your book. And I've self published books in the past, so I know how to do it. I know how to put a professional product out there. And, and we can, you know, both of us are marketers and, and Stephanie has a large platform, so we can do a lot of our own marketing or, or outsource it, you know, but still we retain most of the profits. So when we do the marketing, we can reinvested or keep those profits.Stephanie [00:17:17]:Yeah, I, when you say profits, it sounds like there's a lot there. I'd like to, I mean, I mean,Kurt Johnson [00:17:22]:maybe, maybe we broke it even at this point, but then now we're looking at a marketing PR firm that's going to set us back another $5,000. But you know, if, if these books succeed and somebody makes a lot of money, it's the, it's the third, you know, book that's going to put them over the top. It's not the first.Stephanie [00:17:40]:I have this idea too that we're going to write these books and then sooner or later someone's going to turn them into a T series because it's going to be like the White Lotus where each season is a different location and a different cast of characters, but sort of the general premise is sort of the same.Kurt Johnson [00:17:56]:I hope so. You know, I hope an A list agent comes along and, and frees us from our servitude or whatever. And, but, and yeah, you know, there's, there's plenty of stories of self published authors that, that get deals or even boutique. Boutique authors that get deals. So you know, we can dream.Stephanie [00:18:16]:One thing that I'd like the listener to hear is what their part is in this because we've. I was leaving the coffee shop today. We're in Ely. That is the vacation backgrounds. But.Kurt Johnson [00:18:25]:Right.Stephanie [00:18:25]:I was leaving the coffee shop today and a woman stopped me and said, Stephanie, I had the opportunity to read the Moon Tavern. It's so good. I loved it so much. And she's telling me about it and telling her friend. And I have that experience a lot where people have really, really enjoyed this book. And I just want the listener to know that leaving reviews on Goodreads or Amazon or Barnes and Noble or wherever you bought the book or if you can' find a book, asking for it at your local bookseller. Cause they can always order it when you're self published. The more buzz you can create about these books, the better chance that someone will hear about it, someone will buy it and eventually a publisher, if they hear about a book and they like it, then they may pick it up.Stephanie [00:19:03]:So I think if you like what you're reading and you want to see more of this type of work in the world and books that you like, that's something that you can do to help us out.Kurt Johnson [00:19:13]:Yes, a 5 on Amazon or top rating on any other Goodreads is good too. Yeah, it's, it's all, it's all good. So yes, those, those help a lot. Just because the more reviews you can get and the more five star reviews you get, the more people will pick up the book, the more buzz you'll get. So yeah, so it helps us immeasurably.Stephanie [00:19:35]:Another thing before we wrap up here, someone asked me about the Cover of the book. Do you want to talk about how you picked the artwork?Kurt Johnson [00:19:41]:Yeah, I was pretty much online Xee Reider, she's in St. Paul and she's a muralist mostly. And I really liked the look that she had. So I reached out to her, and she did the original artwork, and then each chapter ends with a recipe, and there's a pen and ink drawing, and she did those. And I really think that adds another level to the book. And I love a beautiful cover.Stephanie [00:20:10]:Yeah, the cover is really nice. She did a great job. All right, well, that is it for this episode of the podcast. Just want to chat with you and give people a little background. Thanks for being a guest. Stephanie Hansen's @StephaniesDish Newsletter is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit stephaniehansen.substack.com/subscribe

In this episode, Soren speaks with Nadya Williams, author of Christians Reading Classics: An Introduction to Greco-Roman Classics from Homer to Boethius, about the importance of reading the pagan classics through a Christian lens. They explore how slow, attentive reading of ancient texts can shape moral imagination and civic virtue.Nadya is Books Editor at Mere Orthodoxy and Interim Director of the MFA in Creative Writing at Ashland University. Be sure to grab a copy of Christians Reading Classics wherever books are sold!

Alie Dumas-Heidt chats with fellow authors about their earliest beginnings and answer everyone's favorite question - What happens next? - on The Writer's Journey. --- Abigail Rose-Marie is the author of The Moonflowers and forthcoming novels, White Rabbit and Between Breaths. She holds a PhD in creative writing from Ohio University and an MFA from Bowling Green State University. She currently lives with her wife and their very spoiled pets in Utah.  abigailrosemarie.com --- Alie Dumas-Heidt is the author of The Myth Maker, a detective thriller introducing Det. Cassidy Cantwell, set in Tacoma Washington. She lives in the PNW with her husband, adult kids, and two spoiled dogs. http://aliedh.com

Jim McDonald sits down with Dan Moore, Senior Director of CIAM Strategy and Identity Standards at FusionAuth, for an in-depth conversation on customer identity and access management. Dan explains how FusionAuth views authentication as the front door to any application and why control, deployment flexibility, and developer ownership are central to their approach. The discussion covers progressive registration, friction vs. usability, customization options, identity standards, the build vs. buy debate, risk-based MFA, and how AI agents will shape the future of customer identity. This episode and others is made possible with support from FusionAuth. Learn more at fusionauth.io/idac.Connect with Dan: https://www.linkedin.com/in/mooreds/Learn more about FusionAuth: https://fusionauth.io/idacBlog article mentioned: https://bobdahacker.com/blog/fifa-hackConnect with us on LinkedIn:Jim McDonald: https://www.linkedin.com/in/jimmcdonaldpmp/Jeff Steadman: https://www.linkedin.com/in/jeffsteadman/Visit the show on the web at http://idacpodcast.com00:00:00 Introduction00:01:18 What is FusionAuth?00:03:15 Dan's identity origin story00:04:19 Developer focus and ethos00:06:54 Authentication as the front door00:10:00 Balancing friction and usability00:15:24 Customization in CIAM00:18:10 What sets FusionAuth apart00:20:33 FusionAuth's customer sweet spot00:25:48 Deployment flexibility and the control spectrum00:30:19 Common challenges in CIAM00:33:06 Build vs. buy for authentication00:36:00 Omni-channel authentication00:40:27 Why identity standards matter00:42:07 Risk-based MFA and intelligent challenges00:45:00 AI agents and the future of CIAM00:49:23 Closing thoughts00:51:35 Vacation roundupKeywords: IDAC, Identity at the Center, Jeff Steadman, Jim McDonald, Dan Moore, FusionAuth, CIAM, customer identity, authentication, access management, IAM, identity standards, MFA, risk-based authentication, progressive registration, OAuth, OIDC, SAML, AI agents, deployment flexibility, build vs buy, Sponsor Spotlight

In an oppressive and hateful society, joy is an audacious form of resistance. Today on the show, we're celebrating Pride in July. Host Ali Muldrow is joined by two guests in the studio, Alexandria Delcourt and Sean O'Brien. They tell stories about LGBTQ Wisconsin, what's hopeful and harmful in our political moment, and how not to let fascism rain on your Pride parade. They reflect on Pride events last month, including the state's first two spirit pow wow that Delacourt profiled for Our Lives magazine. O'Brien says that he's seen a growth in Pride festivals in small towns all over Wisconsin, debunking the idea that queer folks aren't welcome except in metropolitan areas. Meanwhile, policies related to healthcare and education make it hard for people just to be people in Wisconsin. Some hospitals aren't providing gender affirming care right now, due to a Trump administration change in funding. Just this spring, the Watertown school board canceled a student performance of “A Mother of a Revolution,” an instrumental song that pays tribute to trans activist Marsha P. Johnson. A lack of education and understanding drives hate, and the antidote is advocacy and representation. There are three LGBTQ+ candidates running for state office this season. Alexandria Delcourt is a writer and editor based in Madison. She earned her MFA in fiction in 2014, taught English and Creative Writing at UW-Whitewater, co-produced the Moth StorySLAM, and now works as an editor for Our Lives. Sean O'Brien is the Policy and Advocacy Director at Fair Wisconsin, the state's only LGBTQ+ civil rights and political advocacy organization. He is also serving his first term on the Madison Common Council. Featured image of a Pride memorial outside The Stonewall Inn Wikimedia Commons (CC BY-SA 4.0). Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post We're Celebrating Pride All Year appeared first on WORT-FM 89.9.

Bradley Jay Fills In On NightSide with Dan Rea: The Museum of Fine Arts, Boston, is one of the nation’s largest art museums, featuring nearly 500,000 works from around the world. From ancient treasures to masterpieces by renowned artists, the MFA offers something for every generation. Bradley welcomed the museum's Director of Public Programs, Kristen Hoskins, and Senior Programmer of Film, Katherine Irving, to discuss the many things to discover at the MFA!See omnystudio.com/listener for privacy information.

If AI falls short in your writing, Clint Horvath says the problem is you: ChatGPT is a mirror, and it can only reflect a story you already know A to Z. In this episode of Content Amplified, Clint, a post-production veteran turned screenwriter with three films on Amazon Prime, breaks down how he uses AI as a tool within storytelling rather than a replacement. He explains how he fed roughly 50 of his own screenplays into AI so it learned his writing patterns, why he deliberately switches genres mid-story (turning a sci-fi into horror in act three) to push the AI past its predictable path, and the deadline story that proves the method: laid off and racing the Philip K. Dick Science Fiction Festival, he wrote the script with AI as a co-pilot through seven revisions, finished January 28, and was selected February 3. He also shares why he goes into every AI conversation objectively so it stays neutral, and how the approach carried him through writing one screenplay a month in 2025. If you want AI to amplify your creativity instead of flattening it, this conversation shows you how.About ClintClint Horvath is a post-production veteran specializing in graphic design and visual effects, with a career spanning local news, the Miami Heat, the Florida Panthers, and Fox Sports, where he covered Florida's home teams across hockey, baseball, and basketball. He holds an MFA in creative writing from Full Sail University and has studied story structure deeply, from Blake Snyder's beat sheet to Syd Field. Outside his day job on creative, marketing, and branding teams, he writes and directs films: he has three films on Amazon Prime and more than 50 scripts. He also writes books under the pen name Rich Von Halt, an anagram of his name.Show NotesConnect with Clint on LinkedIn: https://www.linkedin.com/in/clinthorvath/Clint's website: clinthorvath.comText us what you think about this episode!

Alexandra Oliva is the author of the novel The Radiant Dark, available from SJP Lit. It is the official July pick of the Otherppl Book Club. Oliva's other books include Forget Me Not and The Last One, which was selected as a Best Book of 2016 by The Seattle Times and translated into twenty-five languages. She grew up in a tiny town in New York's Adirondack Mountains and received her BA from Yale University and her MFA from The New School. She now lives in the Pacific Northwest with her family. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Thom Francis welcomes poets Frank Robinson and Therese Broderick who both took the stage at the 2024 Word Fest Open Mic at the Sand Lake Center for the Arts. +++++ Frank Robinson & Therese Broderick have been a part of the local literary community for decades. They have led workshops, featured at regional events, and written many books over the years. Frank S. Robinson is a 1970 graduate of NYU Law School, and served at the New York Public Service Commission as staff counsel and then administrative law judge until retiring in 1997. He is the author of eight books including Albany's O'Connell Machine (1973), Children of the Dragon (a novel), and The Case for Rational Optimism (2009). Robinson is a professional coin dealer and is married to the poet Therese Broderick. Together they have a daughter, Elizabeth. Frank's wife, Therese L. Broderick, MFA, has lived the sweet life of a poet for more than two decades. Her poems have been published widely in several formats and have won awards both locally and beyond. She lives in Albany, New York with her optimistic husband, two fat cats, and a disheveled garden. Frank began a segment of married couples reading with their spouses (is the plural of “spouse” “spice”?) & was playful, including rhyming on the word “metaphor.” Therese included a poem to her daughter inspired by a long-saved tuft of her hair.

In this episode of The Truth In This Art, the guest is Paloma Vianey!About Paloma Vianey: Interdisciplinary artist from Ciudad Juarez, Mexico, now based in Washington, DC. She holds an MFA from Cornell University and has created large-scale public art installations along the US-Mexico border, with work exhibited at major museums and galleries internationally. She is primarily a painter and educator, teaching at the collegiate level.In our conversation, Vianey walks through her artistic journey from beginning to paint as a teenager when Juarez was labeled "the most dangerous city in the world," using art as catharsis during years of violence. She recounts completing a groundbreaking 72-foot-wide community-funded border bridge mural in 2018, depicting a girl blowing bubbles with each bubble representing emblematic images of Juarez including a tribute to femicide victims. We dig into her signature "Chamara" paintings—labor-intensive works where she hand-sews canvas jackets with industrial zippers over oil-painted urban landscapes of Juarez, creating what she calls "portraits of the city." One painting captured a pink house she'd see every time crossing the border—until one visit when she discovered it had been painted white. "That was a little heartbreaking for me," she shares, explaining how these works archive the changing memory of her hometown through a lens of resilience and hope.She shares insights on finding community in DC after moving six times in five years, her love for the U Street corridor (particularly Taqueria Xochi for authentic Mexican food), and how DC has been generous in giving her platforms to show her work. This conversation came about after I encountered Vianey's work at Umbrella Art Fair—a chance discovery that sparked a deeper dialogue about representation, resilience, and the power of challenging negative narratives through art.Be sure to follow Paloma Vianey (@palomavianey on Instagram) and visit palomavianey.com to keep up with her work and future projects. Her exhibition "Un Mismo Cielo Entre Washington y Juarez" is on display at the Mexican Cultural Institute in Washington, DC until July 25th.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Send us Fan MailEpisode SummaryIn this episode of Writers With Wrinkles, hosts Beth McMullen and Lisa Schmid welcome back returning guest Lisa Frenkel Riddiough to discuss her brand-new picture book, Furious Turtle (Disney Hyperion), book two in the Forest School of Big Feelings series. The conversation quickly moves into the heart of the episode: Lisa's experience losing her longtime literary agent to retirement and having to re-enter the query trenches after years of being represented.Lisa walks through how her second querying experience differed from her first — a small, curated list built mostly on personal referrals, a calmer and more strategic mindset, and the ability to separate emotional attachment from business decision-making. She also shares the exact query letter that landed her new agent, breaking down why it worked so well, including her formula for picture book pitches (title + word count + comps, story gist, and the twist/ending).The episode wraps with candid advice for writers who've lost an agent — take stock of the career you've already built — and Lisa's biggest publishing lesson: it's okay to make mistakes.Key Topics DiscussedNew release: Furious Turtle, a rhyming picture book about managing big emotions, releasing the day after this episode airsBook launch event at Old Haunts Bookstore in Granite Bay, CALosing an agent to retirement and starting the query process overBuilding a small, referral-based query list instead of mass-queryingUsing leverage (an editor offer) without abandoning the goal of finding an agent who loves the full body of workReading her actual query letter aloud, line by linePicture book pitch formula: title, word count, comps → story gist → the twist/endingKeeping old manuscripts organized — shelved drafts can resurface as the right opportunity laterPitching picture books vs. middle grade novelsReframing job loss (agent loss) as not career loss — taking stock of everything already builtEmbracing mistakes as part of the growth process in publishingNotable QuotesOn what a great query needs: the title should convey nearly the entire premise of a picture book.On business vs. heart: writers need to separate emotional attachment from evaluating what's genuinely a good match professionally.On losing an agent: the fact that someone once represented you is proof a career already exists — that career doesn't disappear with the agent.On mistakes: mistakes are simply how writers learn, and grace matters more than perfection.Guest InfoLisa Frenkel Riddiough writes board books, picture books, and middle grade novels using wordplay, humor, rhyme, and whimsy. She holds an MFA in Writing for Children and Young Adults from Hamline University. More at lisariddiough.com. Support the show Visit the WebsiteFind Full Episodes on YouTube!Writers with Wrinkles Link Tree for socials and more!

Everyone talks about email phishing, ransomware, and endpoint security, but one of the most dangerous attack vectors is sitting in your pocket. In this episode of MSP1337, Chris Johnson sits down with Mark Kreitzman of Efani to expose the growing threat of SIM swapping, mobile account takeovers, and the hidden security gaps traditional carriers have failed to solve. They explore why mobile numbers remain a critical trust anchor for banking, MFA, and identity verification, how carrier business models contribute to risk, and what individuals and organizations can do to better protect themselves. The conversation also examines secure phones, privacy realities, and why true mobile security requires protecting the account behind the device, not just the device itself.

Photographers Jarod Lew and Reagan Louie join PhotoWork with Sasha Wolf to discuss how they explore cultural identity, personal loss, and trauma through photography. Lew and Louie are Asian American photographers from different generations, and their work reflects how the exploration of cultural identity in contemporary photography has evolved over the decades. While Louie takes a documentary photography approach, Lew works through more conceptual constructs. Their conversation with Wolf highlights the visual differences between their practices while revealing striking resonances in how they discuss their approach. https://www.jarodlew.com https://www.reaganlouie.com Jarod Lew is an artist who draws on photography to explore intergenerational encounters with diasporic loss, displacement, and postmemory. Through this exploration, his work contends with the performativity of race and its instability as a locus of meaning. His project, Please Take Off Your Shoes was shortlisted for the Aperture Portfolio Prize in 2021, and was exhibited in a group exhibition at SFMOMA titled Kinship: Photography and Connection in 2023. His other project, In Between You and Your Shadow, examines his relationship with his mother, who was the fiancé of Vincent Chin--the subject of a hate-crime that brought national attention to matters of Asian American civil rights. In 2025, Lew will mount his first museum exhibition at the University of Michigan Museum of Art titled- Strange You Never Knew.  His works are held in public and private collections including the Cantor Art Center, Detroit Institute of Arts, Kadist, San Francisco, Harvard Art Museum, University of Michigan Museum of Art and the San Francisco Museum of Modern Art. Lew's work has been written about in Aperture, Artforum, Elephant Magazine, and Aesthetica Magazine. Lew graduated with an MFA in photography at the Yale School of Art. Reagan Louie's photography and installations explore global transformation and cultural identity. He is currently at work on several projects that focus on the relationship between home and homeland; including a book about his family's immigration from China to America. And a Virtual Reality experience about his ancestral home, Wing Wor. His work is exhibited at institutions: San Francisco Museum of Modern Art, Museum of Modern Art NY, Philadelphia Art Museum, Fotomuseum Winterthur, Gwangju Biennale. Louie's photographs are in the public collections of the Metropolitan Museum of Art, San Francisco Museum of Modern Art, Museum of Modern Art NY, Los Angeles County Museum of Art, Oakland Museum, Cantor Art Museum. Louie's photographs are widely published. His books have received critical acclaim. The New York Times Book Review named his first book on China, “Toward a Truer Life”, the photography book of the year. He is the recipient of numerous awards - The Guggenheim fellowship, National Endowment for the Arts Fellowship, Lange-Taylor Prize, and Fulbright Fellowship.

Jennie Nash interviews author Meghan P. Browne about her journey from picture-book nonfiction to selling her first middle-grade novel, after participating in the 2022 Blueprint Challenge. Browne began the project in 2019, drafted it during her MFA at Vermont College of Fine Arts, then used the Blueprint framework to “reverse engineer” the manuscript and discover it lacked plot; the inside outline helped her connect scene events to emotional meaning. After tragedy and other commitments, she returned to revise intensively, resubmitted to her agent, and the novel later sold. Browne also describes submitting pages to the podcast's First Page Lab and learning to absorb both critical and positive feedback. Visit Meghan on her website: https://meghanpbrowne.comThanks for reading #AmWriting! Subscribe for free to receive new posts and support my work.Join the Blueprint Summer ChallengeStarting a book? Stuck in a draft? Planning a revision?The Blueprint Summer Challenge is designed to help you make meaningful progress on your manuscript this summer.Over six weeks, beginning July 10, you'll use the Blueprint—a proven framework for developing stronger books with greater clarity, purpose, and reader impact—to move your project forward, wherever you are in the process.Whether you're writing nonfiction, memoir, fiction, or another genre entirely, the goal is simple: spend six focused weeks making your book stronger.Start with the Blueprint CourseWe're offering an all-new Blueprint course in Teachable, which includes:* The full text of The Blueprint* Fourteen video lessons covering every step of the framework* Real coaching examples that show writers applying the Blueprint to their own projects* Practical guidance you can use immediatelyThe course is designed to help you develop a stronger foundation for your book—whether you're beginning from a blank page, working through a draft, or planning a revision.Course enrollment: $19

The dominant structural mechanism explored in this episode centers on governance gaps in access management and the resulting liability transfer to MSPs. The discussion highlights how fragmented identity stacks, unmanaged access, and reliance on manual tracking expose MSPs to growing contractual, operational, and legal risk. Companies and technologies referenced include Microsoft 365, Google Workspace, Okta, ConnectWise, and specific access governance solutions targeting the channel. The ConnectWise 2026 Threat Report identifies credential abuse as a core attack vector, underscoring how unaddressed authorization and access drift remain a structural exposure area. The episode cites multiple indicators and supporting data. According to the ConnectWise 2026 Threat Report, credential abuse is now the primary attack vector, with attackers commonly exploiting active and orphaned accounts left unmanaged in client environments. Fragmented identity stacks complicate the onboarding and offboarding process, with onboarding often requiring 45 minutes per client as technicians navigate numerous access portals. The prevalence of shadow IT, orphaned accounts, and missed deprovisioning windows was discussed as persistent drivers of both operational overhead and increased incident risk. Supporting developments include community-documented scenarios where multi-factor authentication (MFA) was present but insufficient to prevent breaches, particularly when privilege escalation or temporary exclusions remain unaddressed. Examples such as the Reddit phishing event and Microsoft's handling of MFA via VOIP demonstrate how authentication is distinct from governance, and that temporary access or exceptions frequently become permanent, heightening exposure. Regulatory environments—including healthcare, finance, and government—were cited as adding further requirements for explicit governance controls and auditable access policies, while manual spreadsheet tracking often fails to meet these demands. The operational implications for MSPs include the need to move beyond basic practice such as MFA and endpoint protection, toward purpose-built tools and processes that provide continual visibility, auditable controls, and policy enforcement for client access. Without this, MSPs face increased administrative burden, billing discrepancies, contractual liability, and reputational risk. As regulatory audits become more demanding and clients demand clearer evidence of governance, service providers must reconcile the tradeoffs between increased process complexity and the need for automated, enforceable identity governance. This shift challenges existing pricing models, requiring MSPs to justify and potentially repackage their service offerings in the context of risk management and operational maturity.

In this episode, Jen and Alex discuss Paubox's new MFA options, the ShinyHunters breach involving legacy Iora Health data, World Cup-related phishing scams, and a Senate bill addressing cybersecurity risks in Chinese-made medical devices. The hosts emphasize the importance of addressing legacy systems, conducting thorough asset inventories, and implementing foundational security controls to protect patient data.

Why Ask Credentials If There Are Secret Codes? https://isc.sans.edu/diary/Why%20Ask%20Credentials%20If%20There%20Are%20Secret%20Codes%3F/33118 Adobe Patches and Updated Patch Release Policy https://helpx.adobe.com/security/Home.html https://blog.adobe.com/security/protecting-customers-faster-how-adobe-is-responding-to-ai-accelerated-vulnerability-discovery Google Chrome Update (link had issues loading while recording) https://chromereleases.googleblog.com/2026/06/stable-channel-update-for-desktop_0175352312.html Apple Hide My Email Vulnerability https://www.404media.co/apple-hide-my-email-vulnerability-reveals-peoples-real-email-addresses/ My Upcoming Classes https://www.sans.org/profiles/dr-johannes-ullrich

Wade was born in Nashville, Tennessee and raised in Kalamazoo, Michigan by former opera singers. Wade earned a BA from Western Michigan University and an MFA in ceramics from Michigan State University. Wade has exhibited internationally and received the NCECA Emerging Artist award in 2018. He teaches at The University of Alabama. https://ThePottersCast.com/1242

Send us your admissions questions!What does it take to get selected for a Fulbright or Boren Fellowship? In this episode of Accepted's Admissions Straight Talk podcast, host Dr. Valerie Wherley sits down with Steven Tagle, an Accepted admissions consultant and fellowship specialist, to break down two of the most prestigious, and most misunderstood, awards in graduate education.Steven draws on his own journey: a Stanford undergraduate, an MFA funded by a Paul & Daisy Soros Fellowship, a Fulbright that turned into eight years in Greece, and a second writing fellowship from the Institute of Current World Affairs (ICWA). Today, he helps applicants navigate the entire fellowship landscape, from “fellowship matchmaking” to final interviews.The conversation covers the structure and purpose of the Fulbright U.S. Student Program, including the differences between Study/Research Awards and English Teaching Assistant Awards, and how country-specific requirements shape a successful application. Steven also makes a case for the Boren Awards, an often-overlooked option with acceptance rates as high as 40%, a service requirement, and language study built in.Whether you are a college senior, a graduate student, or a professional considering funded study or research abroad, this episode offers a clear, practical foundation for approaching some of the most competitive awards available.00:00 Introducing Steven Tagle 01:03 Steven's Path: Stanford, Soros, Fulbright, and ICWA02:36 What Exactly Is a Fellowship?04:09 How Fellowship Selection Advice Works05:52 Inside the Fulbright U.S. Student Program10:33 Study/Research vs. English Teaching Assistant Awards12:08 Why the Boren Awards Are Often Overlooked14:32 When to Start Preparing a Fellowship Application17:54 How to Submit the Most Competitive Application19:30 Closing Thoughts and How to Work with StevenRelated Resources:Steven Tagle bioAccepted's Fellowship Consulting ServicesFulbright U.S. Student Program (U.S. Department of State)Boren Awards (National Security Education Program)Follow UsYouTubeFacebookLinkedInContact Uswww.accepted.comsupport@accepted.com+1 (310) 815-9553

This week on About Art, Heidi Zuckerman speaks with artist Jennifer Guidi.This episode was recorded live before an audience at the Orange County Museum of Art in conjunction with And so it is., Guidi's solo exhibition curated by Heidi Zuckerman.Born in Redondo Beach, California, Guidi received a BFA from Boston University and an MFA from the School of the Art Institute of Chicago. Her work is held in major public and private collections worldwide, including the Solomon R. Guggenheim Museum, the San Francisco Museum of Modern Art, the Los Angeles County Museum of Art, the Hammer Museum, the Museum of Contemporary Art Los Angeles, and the Louis Vuitton Foundation in Paris.Known for her luminous paintings that draw inspiration from nature, meditation, ritual, and the California landscape, Guidi has developed a distinctive visual language rooted in repetition, mark-making, color, and the exploration of consciousness.In this conversation, Heidi and Jennifer discuss artistic practice, meditation, motherhood, ritual, silence, creativity, nature, and the relationship between awareness and intention. They also explore the role of repetition in art, the influence of landscape on memory and perception, collecting, community, and the lifelong process of discovering one's own visual language.Together they reflect on inspiration, failure, trust, surrender, and the ways creativity can help us connect more deeply with ourselves, each other, and the world around us.A thoughtful conversation about art, awareness, and what it means to devote a life to making.

Poets are known for considering form in their writing, but form is also critical in fiction. In fact, for Tyler R. Moore, form tells us the most about the story. “It's the structure, scaffolding, bones, and architecture.” In this episode, Tyler tells Jared about approaching each story with a different structure, including his recent piece told exclusively through voicemails. Plus, Tyler discusses how being a queer writer from a pseudo-rural Midwestern town shapes his work, finding community across genres and faculty in his MFA program, and what he has learned from his editorial experience at Ninth Letter, like the do's and don'ts (mostly don'ts) of a cover letter.Tyler R. Moore is a fiction writer from Ashwaubenon, Wisconsin and is currently in his second year in the MFA program at the University of Illinois. He is the winner of the Hobart L. and Mary K. Peer Fiction Prize. He also holds the titles of current Associate Managing Editor and Associate Creative Non-fiction Editor for Ninth Letter. His work is published or forthcoming in Michigan Quarterly Review and elsewhere. Find him on Instagram @tyler_rmoore and at his website, tylerrmoore.com.MFA Writers is hosted by Jared McCormack and produced by Jared McCormack, Hanamori Skoblow, and Brié Goumaz. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.BE PART OF THE SHOWDonate to the show at Buy Me a Coffee.Leave a rating and review on Apple Podcasts.Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience.Apply to be a guest on the show by filling out our application.STAY CONNECTEDTwitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com

3 Movies That Changed Your Life: Philadelphia Story, Shakespeare In Love & Overboard with screenwriter & The Screenwriting Life co-host Lorien Mckenna In this episode of 3 Movies That Changed Your Life screenwriter Stuart Wright talks with screenwriter Lorien Mckenna about: Philadelphia Story, Shakespeare In Love, and Overboard. Discover how these films shaped her screenwriting journey, personal growth, and understanding of cinema's power. Plus, Lorien Mckenna discusses how mentoring can make you a better writer. Movies That Changed Your Life   Find out about how mentoring can make you a better writer and the lasting impact of cinema on Lorien Mckenna's life with Stuart Wright on his movie podcast.   Three common aspects of script feedback Lorien Mckenna gives to writer: [1:20] Mentoring 3 Films That Have Impacted Everything In Your Adult Life Philadelphia Story (1940): Fast dialogue [10:20] Lorien Mckenna loved Philadelphia for the fast dialogue and the fantastic performances across the entire leading cast. Shakespeare In Love (1998): Sign up for playwrighting MFA [15:25] Shakespeare In Love made Lorien Mckenna decide to apply to a playwrighting program to get her MFA Overboard (1987): Holds up in terms of storytelling   [21:00] Overboard really holds up in terms of structure and storytelling  Key Take Aways:   Discover how movies that changed your life shape personal and professional growth.  How mentoring can make you a better writer; Why mentoring will make you a better writer Understand cinema's transformative power through Philadelphia Story (1992), Shakespeare In Love (1992), Overboard (1997) Subscribe on Apple Podcasts, follow on Spotify or wherever you listen to your podcasts for more movies that impacted your life!  Share your favourite movies that impacted your life on X (@leytonrocks) and leave a 5-star review and tell us which 3 films impacted your adult life. Best ones get read out on the podcast About my Guest:   Lorien Mckenna is a screenwriter and co-host of THE SCREENWRITING LIFE.  For more The Screenwriting Life and details about writer workshops see https://www.thescreenwritinglife.com/  Credits:   Written, produced, and hosted by Stuart Wright for [Britflicks.com](https://www.britflicks.com/britflicks-podcast/)   Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailLast year, every major outlet ran the same story: 16 billion passwords exposed. Apple. Google. Facebook. The largest breach in history.It was overblown. Security experts tore it apart within 48 hours.But here's the thing: the real story underneath that headline is actually scarier. And nobody covered it.It's called infostealer malware. It's been quietly running on millions of devices — stealing passwords, bypassing MFA, and feeding an underground credential economy that's behind nearly every major breach of the last two years. Ticketmaster. AT&T. Coinbase. All of it traces back here.In this episode, I dig back into that story and break down:Why the 16 billion number was a "fearset, not a dataset"What infostealer malware actually is and how it gets on your deviceWhy MFA doesn't fully protect you from this (and what does)The underground marketplace where your stolen credentials are sold within 48 hoursThe stat that should genuinely keep you up at night: 67 secondsSix things you can do right now to protect yourselfSHOW NOTESEpisode: Your Password Is Already For SaleLast year, the 16 billion password story dominated headlines. The headline was overblown — but the real threat underneath it, infostealer malware, is what nobody talked about. It's an industrial-scale credential theft economy running quietly in the background, and it's the engine behind almost every major data breach of the last two years. We dug back into it because it's only gotten worse.Resources mentioned:Check if your email has been breached: haveibeenpwned.comFree password manager: bitwarden.comPremium password manager: 1password.comKey sources:Cybernews — original 16 billion credential report (June 2025)CyberScoop — "The 16 billion password breach story is a farce"Flashpoint / DeepStrike — 1.8 billion credentials stolen in 2025 reportMicrosoft Security Blog — Lumma Stealer breakdownIBM X-Force Threat Intelligence Index 2025Verizon Data Breach Investigations Report 2025SANS Institute commentaryConnect:

Welcome to What Matters Now, a weekly podcast exploring key issues currently shaping Israel and the Jewish World, with host Jessica Steinberg speaking with celebrated writer Etgar Keret. Etgar Keret, a leading voice in Israeli literature, with books published in over four dozen languages, talks about how his perception of writing has changed since the October 7, 2023, Hamas onslaught. Using typical Keret metaphors and description, he explains the challenges of the times, how he once wrote about ethics and ideas and community, and finds that those more abstract ideas have evaporated. Keret speaks at length about the disadvantages of being an Israeli artist in the public sphere, as audiences wait to hear something they don't like. He also discusses social media in this time period and the shifts in the artist-audience relationship. Keret's Substack newsletter, Alphabet Soup, has become a more amenable space in which to share his short stories and ideas. Keret, who teaches creative writing at Ben-Gurion University of the Negev, now directs a new MFA program at the Jewish Theological Seminary and he speaks about his students and his desire to make a small but important change by leading the group of nascent writers. What Matters Now podcasts are available for download on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts. This episode was produced by Ari Schlacht. IMAGE: Acclaimed author Etgar Keret speaks to What Matters Now host Jessica Steinberg for this week's podcast (Courtesy)See omnystudio.com/listener for privacy information.

Episode 532 / KoakKoak is an artist born in  Lansing, MI who earned her BFA and MFA from California College of the Arts. In 2025, Koak was the subject of a solo exhibition at Charleston, Lewes, UK. She has participated in many institutional group shows, including at the Frye Art Museum, Seattle, WA; Kemper Museum of Contemporary Art, Kansas City, MO; de Young Museum, San Francisco, CA; Berkeley Art Museum and Pacific Film Archive, CA; Musées d'Angers, France; Xiao Museum of Contemporary Art, Rizhao; and Rudolph Tegners Museum and Statue Park, Dronningmølle, Denmark, among others. In 2020, Koak received a Eureka Fellowship from the Fleishhacker Foundation and completed residencies at the Tamarind Institute in Albuquerque, NM, and at Minnesota Street Project in San Francisco, through the Liquitex Residency program. Koak's work is part of the permanent collections of the de Young Museum, Kemper Museum of Contemporary Art, and Musées d'Angers. She lives and works in San Francisco and is represented by Perrotin, Union Pacific, and Jessica Silverman.