Podcasts about MFA

Mischa Willett is a poet and writing professor. He is the Director of the Whitworth Writers' Workshop MFA in Creative Writing at Whitworth University in Spokane, Washington. In this episode, Mischa Willett and Jonathan Rogers talk about MFA programs, failure as a means of getting work done, and apology letters written by robots. This episode is sponsored by The Habit Writer Development Cohorts. Join "Cohort Week Zero" a free mini-class, TheHabit.co/Development.Support the show: https://therabbitroom.givingfuel.com/memberSee omnystudio.com/listener for privacy information.

Napa, CA-based artist Arleene Correa Valencia talks about: Why she lives in Napa, CA, and the two distinct versions of the town, for the wealthy and for the poor ("you're either the owner of the vineyard, or you're working the vineyard," as she put it); how she's the first generation to not be working the vineyards, his dad having worked the vineyard for a period before transitioning to hand-painting etched wine bottles for a winery (which he had to ultimately leave for lack of being paid enough because he didn't have an MFA); her favorite wines by grape (Pinots and Cabs from Sonoma mainly), and more recently a master fabricator color theorist and surface touch-up artist; making her dad's dreams to become an artist come to fruition through her; how she always refers to the work she makes as 'ours,' assuming everyone knows that her father always has a hand in the projects, in addition to consistently collaborating with makers from her culture of origin; the letters she exchanged with her father, while he was working to lay a foundation for the family to move to the U.S., among the artworks acquired by Stanford's Cantor Arts Center; her complicated DACA (Dreamer) status, and the exhibition she was able to have in Mexico (in Puebla, about 2 hours from Mexico City) which ultimately allowed her to apply for, and get, a green card; how she had to defer her dream to go to a 4-year university or art school until she received DACA status, and then she got a Diversity Scholarship that allowed her to attend California College of the Arts, which she would never otherwise would have been able to afford; how one of her 1st interviews was for someone interested in learning about being undocumented in the arts (originally published in Hyperallergic, she had to have it taken down for legal reasons to protect her); how her various supporters propelled her into her art-making and her art school education, and in turn the questions she asks herself about how she can help others, undocumented and otherwise… This podcast relies on listener support; please consider becoming a Patreon supporter of the podcast, for as little as $1/month, here: https://www.patreon.com/theconversationpod         In the 2nd half of our conversation (available on Patreon), Arleene talks about: How her mom comes from a family with 36 brothers and sisters, so is part of an enormous extended family; the BRCA mutation in her family, in which bodies are much more susceptible to various cancers, including breast cancer and ovarian; why ICE hasn't been active in the Napa Valley area, very likely because people of wealth and/or power won't allow their wine supply to be affected; how aware she is of her career and her sales, and that she's proud of her production rate and the work her gallery is doing with her; the demand for her truck paintings, and why she has a need to make those paintings, not producing them for a paycheck; when she requested a collector give her more time to finish a piece that she wasn't happy with, and re-made it; how integral her dad is to her work and her process, and how he's celebrated along with her, if only through his tremendous pride in her, and that it wouldn't all happen without him; the work they do with a tattoo family, and how it's similar to the dynamic that she and her dad as a family do together, which she acknowledges is a bit like the man behind the curtain; her Tochtli (rabbit) tattoo, a symbol in her family that signifies selflessness and the ultimate sacrifice; how the evolution of her being tattooed, which started when she was 18, has been about honoring the story of her ancestry and claiming her identity, and how her brothers, like her, are acquiring full body suits of tattoos.  

Episode SummaryThis week, host Justin Boark sits down with award-winning playwright, director, and educator James Ijames, the creative force behind plays including Kill Move Paradise, The Most Spectacularly Lamentable Trial of Miz Martha Washington, and the Pulitzer Prize-winning, Tony-nominated Fat Ham. Their conversation digs into process, purpose, and the responsibility of telling stories that reshape the American stage. If you care about bold writing, fearless storytelling, and the next wave of theatrical innovationEpisode NotesGuestJames Ijames – @jwijames  | Official Website - https://www.jamesijames.com/Playwright of Abandon, Good Bones, Reverie, Youth, History of Walking, Matter Out of Place, Kill Move Paradise, White, Moon Man Walk, The Most Spectacularly Lamentable Trial of Miz Martha Washington, The Threshing Floor, Fat Ham, and TJ Loves Sally 4 Ever.Topics Covered• Acting, directing, and writing• Philadelphia, PA• The work of playwright August Wilson• Finding the comedy in Hamlet James Ijames Bio – James' plays have been produced by Flashpoint Theater Company, Orbiter 3, Theatre Horizon, Wilma Theatre, Theatre Exile, Azuka Theatre (Philadelphia, PA), The National Black Theatre, JACK, The Public Theater (NYC), Hudson Valley Shakespeare Theater, Steppenwolf Theatre, Definition Theatre, Timeline Theater (Chicago IL) Shotgun Players (Berkeley, CA) and have received development with PlayPenn New Play Conference, The Lark, Playwright's Horizon, Clubbed Thumb, Villanova Theater, Wilma Theater, Azuka Theatre and Victory Garden. James is the 2011 F. Otto Haas Award for an Emerging Artist recipient, and two Barrymore Awards for Outstanding Direction of a Play for The Brothers Size with Simpatico Theatre Company and Gem of the Ocean with Arden Theatre. James is a 2015 Pew Fellow for Playwriting, the 2015 winner of the Terrance McNally New Play Award for WHITE, the 2015 Kesselring Honorable Mention Prize winner for ....Miz Martha, a 2017 recipient of the Whiting Award, a 2019 Kesselring Prize for Kill Move Paradise, a 2020 and 2022 Steinberg Prize, the 2022 Pulitzer Prize in Drama recipient and a 2023 Tony nominee for Best Play for Fat HamJames was a founding member of Orbiter 3, Philadelphia's first playwright producing collective. He received a BA in Drama from Morehouse College in Atlanta, GA and an MFA in Acting from Temple University in Philadelphia, PA.The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - EditorAdditional music and sound effects licensed through Envato ElementsLinksBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene NewsletterSpecial ThanksJennifer IsaacsonLauren KardosJeffery KeilholtzShow ContributorsLeah BarkerJustin BorakJim ColleranZach DulliJames IjamesKJ Lampar The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - Editor Additional music and sound effects licensed through Envato Elements LINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene Newsletter

ABOUT THIS EPISODE: In this episode, host Megan Cole talks to Rina Hadziev. Rina is the executive director of the BC Library Association. In their conversation, Rina talks about how she began working in libraries, and the role that libraries play in promoting BC and Yukon books. ABOUT RINA HADZIEV: Rina is an experienced librarian, drawing from public library leadership roles and a passion for accessible library services, collaboration, inclusion, and collections. She's worked atthe Greater Victoria Public Library (GVPL) and the Centre for Equitable Library Access (CELA). In her role with the GVPL, Rina led the indigenization of the library catalogue and integration of new technologies, e-resources, and digital collections. Recently with CELA she advanced partnerships and programming integral to facilitating equitable access for patrons with print disabilities. Rina holds a Bachelor of Arts from the University of Victoria and a Master of Library and Information Studies from the School of Library, Archival and Information Studies at the University of British Columbia. ABOUT MEGAN COLE: Megan Cole the Director of Programming and Communications for the BC and Yukon Book Prizes. She is also a writer based on the territory of the Tla'amin Nation. Megan writes creative nonfiction and has had essays published in Chatelaine, The Puritan, Untethered, Invisible publishing's invisiblog, This Magazine and more. She has her MFA in creative nonfiction from the University of King's College and is working her first book titled Head Over Feet: The Lasting Heartache of First Loves. Find out more about Megan at megancolewriter.com ABOUT THE PODCAST: Writing the Coast is recorded and produced on the traditional territory of the Tla'amin Nation. As a settler on these lands, Megan Cole finds opportunities to learn and listen to the stories from those whose land was stolen. Writing the Coast is a recorded series of conversations, readings, and insights into the work of the writers, illustrators, and creators whose books are nominated for the annual BC and Yukon Book Prizes. We'll also check in on people in the writing community who are supporting books, writers and readers every day. The podcast is produced and hosted by Megan Cole.

I loved reconnecting with Lauren Messina for part ten of our Belhaven Dance Alumni series! Lauren is an award-winning choreographer, community builder, and founder of Skool Dance, an innovative online space connecting dancers of all backgrounds worldwide.In our conversation, Lauren shares about her journey in dance, the importance of community, and her experiences at Belhaven for both her undergraduate and MFA studies. We also dive into her current work in New Orleans as well as the founding of Skool Dance. We chat about the significance of community for artists, the joy of movement, and the resilience of artists in challenging times. Lauren's voice is one of encouragement as she reminds us to embrace the joy of dance in everyday life.Several other Belhaven Dance Alumni have shared their stories on the podcast over the years, so we've gathered all the episodes together in a playlist for you! Check out the ⁠⁠⁠⁠⁠⁠⁠⁠playlist on Spotify⁠⁠⁠⁠⁠⁠⁠⁠!. . . . .Welcome to The Creative Impact Podcast, where you will find encouragement to live out your calling as an artist.. . . . .Watch this episode on YouTube! Check out our YouTube Channel and be sure to like and subscribe!⁠http://www.youtube.com/@creativeimpactpodcast⁠Join our Patreon community for behind-the-scenes and bonus content!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ patreon.com/creativeimpactpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find the show notes and more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://creativeimpactpodcast.com/episode-137/Some topics we chat about in today's episode include:Belhaven University, dance, community, MFA, choreography, New Orleans, online community, motherhood, joy in movement, advice for artists. . . . .Let's Connect!Instagram & Facebook:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@creativeimpactpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. . . . .The podcast music was produced by Michael Cash.

Send us a textIn this episode of Talking Book Publishing, hosts Kathleen and Adanna sit down with Naomi Kim Eagleson, writer, editor, and founder of The Artful Editor, for a deep dive into the full editing journey—whether you're self-publishing or going the traditional route. Naomi takes us through her four-phase editing model and explains why many manuscripts spend too long in “line-edit purgatory” when what they really need is a developmental overhaul.We talk manuscript critiques vs. developmental edits vs. line-editing vs. proofreading — Naomi breaks each one down, explains when they belong in your publishing timeline, and shows why waiting too long (or paying too early) can hurt your book. She also shares veteran insights on what agents look for in your first 5–10 pages, why voice matters more than perfect punctuation at query time, and how simple tactics like reading your work aloud or letting Word speak it back can reveal structural problems you'll miss by eye alone.Whether you're polishing your first draft or prepping your launch, this episode delivers practical, actionable advice to elevate your manuscript and position your book for success.Resources: • Website ArtfulEditor.com • Instagram: @artfuleditor • Facebook: @artfuleditorAbout our guest: Naomi Kim Eagleson is a Los Angeles-based writer and editor who founded The Artful Editor, an editorial agency dedicated to helping writers of all stripes elevate their manuscripts for publication. Originally from Hawai‘i, Naomi began her career at Manoa, an award-winning literary journal, where she honed her editorial expertise. After earning her MFA from the Iowa Writers' Workshop, she moved to California in 2010 and launched her own agency offering full-service editing—developmental edits, copyedits, and query reviews. With more than a decade of experience guiding authors toward their publishing goals, Naomi brings deep respect for craft, clear process, and a compassionate edit-mindset to every project.Related Episodes: • Season 5 | Episode 8 • Kim Dower • Season 5 | Episode 7 • Penny SansevieriReady to level up your manuscript? Subscribe to Talking Book Publishing on Apple Podcasts, Spotify, or your favourite platform—and please leave us a review! Your feedback helps more writers discover these conversations. We'd like to hear from you. If you have topics or speakers you'd like us to interview, please email us at podcast@talkingbookpublishing.today and join the conversation in the comments on our Instagram @writerspubsnet.

In the 2016 documentary The Happy Film, designer Stefan Sagmeister started the film's creative process with one set of expectations and ultimately became a co-director who took multiple risks, and suffered a tremendous loss. During the filmmaking, co-director Hillman Curtis passed away. Stefan's movie about happiness not only forces us to look at his life but also our own lives with a fresh perspective, and it teaches us the importance of coping with harsh, tragic, and unforeseen realities.-Stefan Sagmeister is an Austrian designer living and working in New York. He received his MFA from the University of Applied Arts in Vienna, and as a Fulbright Scholar he earned his MFA in communication design from The Pratt Institute. In 2025 he received an honorary degree from Pratt, the Doctor of Fine Arts, for being a creative and innovative leader in the field. He's also been honored by the AIGA, received a National Design Award from the the Cooper-Hewitt National Design Museum, and exhibited his solo and collaborative designs internationally. Early in his career, Stefan brought new life to music packaging with his memorable, interactive designs for albums by the Talking Heads, Brian Eno, and David Byrne, among others, winning two Grammy Awards. His work is in multiple permanent collections, including the Museum of Modern Art, and he is the author of "Things I Have Learned in My Life So Far" a blend of visual whimsy, serious plan, and sound advice. https://sagmeister.com/‍ ‍https://www.grammy.com/artists/stefan-sagmeister/9972‍ ‍https://www.moma.org/artists/30682-stefan-sagmeister‍ ‍-The Happy Film (2016)rent/buy @ Amazonhttps://amzn.to/3WIdnb6‍ ‍https://www.imdb.com/title/tt5134870/‍ ‍-Sagmeister's "Now Is Better"https://amzn.to/4hP4J49‍ ‍-Sagmeister's "Things I Have Learned in My Life So Far"https://amzn.to/49UmPzD‍ ‍-Other movies and shows discussed:Comedian (2002)

Melissa Rosenberg - creator of JESSICA JONES, head writer of DEXTER, and screenwriter of the TWILIGHT films - joins Lorien to talk about what it takes to stay grounded as a storyteller. From building creative communities to rediscovering her artistic voice after decades in Hollywood, Melissa reflects on the evolving balance between ambition, authenticity, and healing through story. --- Looking for more support on your writing journey? Join Meg and Lorien inside ⁠TSL Workshops ⁠- your first 5 days are free. Episode Links: Bennington College's new MFA in Screenwriting Check out the TSL merch shop TSL on Instagram, TikTok, and Bluesky The Screenwriting Life is produced by Jonathan Hurwitz and edited by Kate Mishkin. Email us at thescreenwritinglife@gmail.com. --- Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode Hilliard and guest co-host writer/director Gregg Simon sat down for almost two hours with DANIEL PEARLE Executive Producer of the new Netflix thriller called THE BEAST IN ME starring Claire Daines and Matthew Rhys.Daniel Pearle is an American playwright and screenwriter. His plays have been produced and developed at Lincoln Center Theater, London's Old Vic, The Vineyard, Ars Nova, and at regional theaters around the country. His play A Kid Like Jake premiered in a sold-out run at LCT3/Lincoln Center Theater (NY Times Critic's Pick). The play won the 2013 Laurents/Hatcher Foundation Award and was also awarded the prestigious Blanche and Irving Laurie Foundation's Theatre Visions Grant.Daniel's feature film adaptation of A Kid Like Jake premiered at the 2018 Sundance Film Festival. The film is directed by Silas Howard and stars Claire Danes, Jim Parsons, Octavia Spencer, Priyanka Chopra, Amy Landecker, and Ann Dowd. IFC Films acquired domestic rights for the film, which opened in theaters June 1, 2018. He is currently writing an original feature film for Warner Bros.His other plays include Freefall (finalist, 2017 O'Neill Playwrights Conference), Remote Viewing (semi-finalist, 2015 O'Neill Playwrights Conference), The Prodigies (semi-finalist, 2013 O'Neill Playwrights Conference), and Plunder (winner, 2008 Loeb Drama Center's Phyllis Anderson Prize). His short play The Truth About Christmas was a winner of the 2011 Samuel French Off-Off Broadway Short Play Festival.Daniel was a recipient of the 2018 Humanitas New Voices Grant for emerging writers in television. He received a WGA Award Nomination for his work on FX's Impeachment: American Crime Story. Other TV credits include One of Us Is Lying (Peacock) and Accused (Fox). He is an alum of Ars Nova's Play Group and a MacDowell Fellow. He earned his BA from Harvard University and his MFA from The New School for Drama.

What really happens during a cyber attack? Not the Hollywood version — the real one. The kind businesses experience every single day when a single compromised password, phishing email, or zero-day vulnerability ignites a full-scale crisis.In this full episode, we take you inside the anatomy of a real data breach with digital first responders from NetGain Technologies — the cybersecurity professionals who live inside ransomware events, Business Email Compromise (BEC) incidents, and wire-fraud attacks every week.You'll see how attacks start, how fast they spread, what attackers do once they're inside your email, and the exact steps that decide whether a company recovers… or collapses.What You'll Learn: • How a phishing email turns into credential theft and internal compromise • Why Business Email Compromise (BEC) is now the #2 most expensive breach type • The tricks attackers use to hide inside inboxes and impersonate executives • How wire transfer fraud really happens — and how the 2-person rule stops it • What zero-days look like in the wild (and why patches aren't enough) • The role of MFA, phishing-resistant MFA, email controls, and layered security • Why backups must be immutable, air-gapped, and isolated • How incident response teams contain malware without destroying evidence • When to call cyber insurance, law enforcement, and breach counsel • The IR playbook: detection → containment → communication → forensics → recovery • Why every business — no matter how small — IS a target⌚ CHAPTERS 00:00 – Intro: What BEC Really Looks Like Today 03:42 – How One Email Starts the Attack Chain 11:20 – Why Finance Teams Are Target #1 19:05 – The Social Engineering Playbook 27:48 – Live Breakdown of a Real BEC Incident 38:22 – What Happens During Wire Fraud Recovery 46:10 – Technical Controls That Actually Work 55:36 – How to Build a No-NonsSend us a textGrowth without Interruption. Get peace of mind. Stay Competitive-Get NetGain. Contact NetGain today at 844-777-6278 or reach out online at www.NETGAINIT.com Support the show

Welcome back to ARTMATTERS: The Podcast for Artists.My guest today is Jameson Green. Jameson is an artist living and working in Hudson, NY. He holds an MFA from Hunter College. Green has exhibited extensively with Derek Eller Gallery and Almine Rech, including solo exhibitions in New York, Paris, London, Brussels, and Santa Monica. His work has been featured in group exhibitions at the Dallas Museum of Art, Museo Picasso Málaga, and ICA Miami. You can also find Green's work in the public collections of the Musée d'Art Moderne de la Ville de Paris, the High Museum of Art, the Dallas Museum of Art, and the Pérez Art Museum in Miami.A couple weeks ago, Jameson braved a wild rainstorm to visit my Greenpoint studio—a rare reversal for this show. What followed was one of the most fluid and wide-ranging conversations I've had on ARTMATTERS, so I've split it into two episodes. On today's show Jameson and I discuss the three elements of great painting, draftsmen vs. pure painters, drawing, sampling from art books and other paintings, rhythm, abstraction, narrative, and why great paintings are littered with hypocrisy. We also discuss Frances Bacon, John Singer Sargent, Guston, Picasso, Matisse, and Jenna Gribbon. Enjoy this conversation with Jameson Green.Special shoutout to my fluffy silent producer who finally made a sound mid-episode. Extra points if you hear her over the rain:)ARTMATTERS is listener-supported. If you want more conversations like this, take 30 seconds right now to leave a five-star review. It's the single most effective way to keep the show going.Support this podcast on Patreon: https://www.patreon.com/c/artmatterspodcastHost: Isaac Mannwww.isaacmann.comInstagram: @isaac.mannGuest: Jameson Greenwww.derekeller.comInstagram: @r.jamesonMusic by ARRN, Detroit-based artist and instrumentalist.

This week on Tipsy Casting! We are so thrilled to have a FIRST on the show as we welcome the extremely talented cinematographer, Ed Wu to the podcast! Ed is a man of many talents including being a classically-trained Violinist, Ultimate Frisbee Athlete and most importantly a cat lover! Ed was recognized as one of the Rising Stars of Cinematography in the February 2017 issue of American Cinematographer. In 2016, he was selected to be a part of Variety's Below-the-Line Impact Report - Up Next Category. Ed transplanted to Los Angeles from Long Island, NY in search of uncovering and learning the magic behind visual storytelling. To refine his craft, Ed was accepted to study at the prestigious American Film Institute, receiving an MFA in cinematography. Through his experiences as a cinematographer and wanderer of the world, he's seen the power of an image and constantly continues to search for the perfect frame to tell the story. He is extremely knowledgeable and I was able to see that first hand on the films we have worked on together like LINOLEUM and SLEGHT. His other recent credits include MOTHER OF THE BRIDE, PONYBOI and LOST ODYSSEY: SHADOWS OF DESTINY to name a few. In this episode we discuss...How he went from being a violinist/sports guy to learning the cinematography wold and wanting to train up in it. He breaks down all the terminology of the roles within the camera and lighting departments so we can best understand each role. We dive into the many different ways to go about gaining experience and climbing the preverbal ladder. He breaks down 2 of his favorite scenes from the film LINOLEUM and how they pulled off these not only amazing shots of dropping a car but also the emotional breakdown of scenes and the challenges. We discuss how being the head of department has its advantages but also disadvantages in running the crew and how the intimate relationship with the director really comes into play. How he approaches working with actors in such a close environment from the day they meet to the evolution throughout the shoot.He gives his tips to actors on how to best be an actor's DP and help him help you look your best on screen!And lastly any particular genres or types of films that are on his manifesting list to be a part of Make sure you are subscribed to Tipsy Casting on all platforms as well as rate and review the podcast!!!Resources: ⁠⁠⁠⁠⁠Ed's WebsiteEd's IMDBEd's Instagram──────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting Journeys 

In this episode of Cybersecurity Today, host David Shipley covers the latest threats in the cybersecurity landscape. Highlights include the emergence of the quantum root redirect (QRR) phishing kit, a sophisticated automated phishing platform targeting Microsoft 365 credentials across 90 countries. The hospitality industry is also being hit with a new 'click fix' phishing campaign, compromising booking systems and targeting hotel guests. Researchers discover new vulnerabilities in ChatGPT, exposing private data via indirect prompt injection attacks. Additionally, the University of Pennsylvania confirms a massive data breach, highlighting the risks of not implementing comprehensive MFA protocols. Stay informed with the latest cybersecurity news and insights to protect your organization. Cybersecurity Today would like to thank Meter for their support in bringing you this podcast. Meter delivers a complete networking stack, wired, wireless and cellular in one integrated solution that's built for performance and scale. You can find them at Meter.com/cst 00:00 Introduction and Sponsor Message 00:46 Quantum Root Redirect: A New Phishing Threat 03:47 Click Fix Phishing Attacks on Hotels 07:58 ChatGPT Vulnerabilities and AI Security Risks 11:37 University of Pennsylvania Data Breach 15:12 Conclusion and Call to Action

In this episode of "Dance Talk” ® with Joanne Carey , host Joanne Carey interviews choreographer, Jeevika BhatIn this episode of "Dance Talk” ® host Joanne Carey interviews Jeevika Bhatt, a choreographer and dancer premiering her work 'Clothesline,' which explores the cultural significance of the sari through dance. Jeevika shares her journey in dance, her experiences moving to New York, and the creative process behind her latest project. The conversation delves into themes of cultural identity, the evolution of traditions, and the impact of modernization on heritage. Jeevika reflects on the questions of home and belonging, and how her work seeks to bridge the gap between her Indian roots and her American upbringing.Jeevika Bhat Jeevika Bhat is a dancer and choreographer who explores the confluence of her cultures through a contemporary Indian medium. Her technical background is in Odissi, an East Indian classical dance form known for its nuanced storytelling and graceful fluidity, which she studies under the guidance of Guru Jyoti Rout. Academically, she is a graduate of UC San Diego, where she earned a BS in Mathematics with minors in Linguistics and Dance, and UC Irvine, where she earned an MFA in Dance. Her upcoming work, Clothesline, which is co-presented by the CUNY Dance Initiative at The City College of New York, is additionally supported by the Lower Manhattan Cultural Council Creative Engagement Grant and the GALLIM Moving Artist Residency.Clothesline is a contemporary Indian dance story, told from the perspective of a sari which is passed down through generations of Indian women. In addition to exploring themes of home, homesickness, and heritage inheritance, this show is largely about laundry, musing about how culture fades with each wash.tinyurl.com/clotheslinetickets“Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Joanne Carey on Instagram@westfieldschoolofdance

Join LFS Board Member Rachel Annette Helson as she sits down with Tamlin Hall to talk about his new film, Red Camellia, film here in Louisville.Tamlin Hall is an Emmy Award-winning filmmaker who's films have won top prizes at Dances With Films, Atlanta Film Festival, and the Breckenridge Film Festival. Hall's work has been supported by the National Endowment for the Arts. Hall received his MFA from UCLA.Support the show

Anne Abel joins Let's Talk Memoir for a conversation about her experiences winning the Moth StorySLAM, what she learned from the storytelling community, the lifelong toll of her parents' abuse and her chronic, recurrent depression, overcoming self-loathing, how Bruce Springsteen changed her life, following a hunch, overcoming writers block, why it's better to overwrite than underwrite, her giant following on TikTok and Instagram, why it's never too late to move forward, taking a leap and landing on our feet, allowing ourselves to persevere and dream, and her new memoir High Hopes.   Also in this episode: -capturing story -leaning into dialogue -why it's never too late to move forward Books mentioned in this episode:  -Autobiography of a Face by Lucy Grealy -Born to Run by Bruce Springsteen -Educated by Tara Westover -Small Fry by Lisa Brennan-Jobs   Anne Abel is an author, storyteller, and influencer with over 700 thousand followers. Her first memoir, Mattie, Milo, and Me, (2024), about unwittingly rescuing an aggressive dog, was inspired by her Moth StorySLAM win in New York City. Her second memoir, High Hopes, was inspired by her Moth StorySLAM win in Chicago. It will be published September, 23, 2025. In January, 2025 she was featured in Newsweek, “Boomer's Story About How She Met Her Husband of 45 Years Captivates Internet.” She holds an MFA from The New School for Social Research, an MBA from the University of Chicago, and a BS in chemical engineering from Tufts University. She has freelanced for multiple outlets over the course of her career.   Anne lives in New York City with her husband, Andy, and their cavapoo puppy, Wendell. You can follow her on Facebook, Instagram, and Tik Tok: @annesimaabel Connect with Anne: Instagram, TikTok, FB @annesimaabel Website: www.anneabelauthor.com High Hopes: A Memoir: https://a.co/d/88HiMkb Mattie, Milo, and Me: A Memoir: https://a.co/d/aiDwCqw – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

HIPAA isn't a moving target—it's a framework that still defines how patient data must be protected in 2025 and beyond.This episode features our full webinar, Your Actual HIPAA Requirements, presented by Jordan Scherich, Lead Business Analyst at Medcurity. She breaks down what regulators expect right now, how upcoming Security Rule updates will change encryption, MFA, and vendor oversight, and the practical steps every covered entity and business associate should take to stay compliant.We cover the biggest misconceptions, the real focus areas in OCR enforcement, and how to keep compliance continuous—not reactive. Whether you're updating your Security Risk Analysis or building everyday compliance habits, this session will help you strengthen your program with clarity and confidence.Learn more about Medcurity here: https://medcurity.com#Healthcare #Cybersecurity #Compliance #HIPAA #SecurityRiskAnalysis #RiskManagement #VendorRisk #OCR #Privacy #SecurityRule

In this episode – recorded live at the 2025 Writers Conference – I have an intimate conversation, in front of 1500 people, with the novelist and poet Ocean Vuong. When he was two years old, in 1990, Ocean immigrated with his family from Vietnam. They settled in East Hartford, CT, seven relatives sharing a one-bedroom apartment. His mother worked at a nail salon. When Ocean learned to read at 11, he became the first literate member of his family. Then he became the first to attend college, eventually earning an MFA in writing from NYU. In 2016, he published his debut poetry collection, “Night Sky with Exit Wounds,” which drew immediate attention and acclaim. In 2019, his first autobiographical novel, “On Earth We're Briefly Gorgeous,” written in the form of letters from a Vietnamese American son to his mother, became a bestseller and led to his being awarded a MacArthur Genius grant. By every outward sign, he had seemingly achieved the American Dream as a writer. Then his mother, who'd never been able to read his books, died of cancer. Another celebrated poetry collection, “Time is a Mother,” followed. And now we have Ocean's magnificent second novel, “The Emperor of Gladness.” Photo credit – Tom Hines Learn more about your ad choices. Visit megaphone.fm/adchoices

Based in New York City, Carol prefers to leave the studio and seek out the immediacy of city life, whether sidewalks, parks, boxing studios, or Coney Island. In this conversation, Carol Fabricatore shares her extensive experience as a professional illustrator and how she teaches advanced MFA students to advance on their creative journey. She talks about the mystery of capturing motion and energy in drawing, the role of fearlessness in artistic practice, and the transformative journey of students in MFA programs. She emphasizes the value of leaving the computer and drawing by hand, the necessity of experimenting and taking risks, and the significance of narrative and storytelling in art. Carol encourages even experienced artists to explore beyond their comfort zones, leave their existing style behind, and pursue a creative journey toward new ways of seeing and working. Carol began her career in editorial and book illustration, with work appearing in The New York Times, The Wall Street Journal, and The Chicago Tribune. Over the years, her practice has expanded into fine art, where she combines acrylic and gouache to capture both the complexity and vulnerability of human experience. With a BFA from Parsons School of Design and an MFA from the School of Visual Arts, Carol has spent more than two decades teaching narrative drawing. For additional information: Carol's web site Music by license from SoundStripe: "Uptown Lovers Instrumental" by AFTERNOONZ "Miss Missy" by AFTERNOONZ "What's the Big Deal" by Ryan Saranich   Copyright (c) 2026 Keith Sawyer

We delve into the evolving landscape of filmmaking in the region, the importance of authentic, locally rooted narratives, and the critical role of institutions like the Doha Film Institute in fostering emerging talent. Award-winning filmmaker and associate professor at Northwestern Qatar, Rana Kazkaz, offers a glimpse into her current project "The Hakawati's Daughter," and provides recommendations for essential Arab cinema. She shares her experiences teaching film in the Arab world, highlighting the unique challenges and immense joys of mentoring a new generation of storytellers. This episode is in collaboration with Qatar Foundation. 0:00 Introduction0:23 The Joy of Mentoring Arab Students3:19 The "Why" of Storytelling: Finding Your Authentic Voice4:44 Navigating Censorship and Risk in Filmmaking7:24 How Technology is Shaping New Narratives10:47 Shifting Away from the "Other" Narrative14:55 Building the Filmmaking Pipeline: The Role of the Doha Film Institute19:39 The Critical Need for Producers in the Arab World21:39 The Impact of Non-Regional Producers on Arab Films26:12 Recommending Authentic Arab Films for Students29:28 Addressing Class Bias in the Film Industry31:19 Unlearning Self-Orientalism in Storytelling33:40 The Genesis of "The Hakawati's Daughter"41:26 Essential Films from the Arab World Rana Kazkaz is a filmmaker and associate professor in residence at Northwestern University Qatar. Her films have been recognized at the world's leading festivals including Cannes, Sundance, Toronto, Tallinn, Tribeca, and Abu Dhabi. She received her MFA from Carnegie Mellon University/Moscow Art Theater and BA from Oberlin College. With a focus on Syrian stories, her producing, screenwriting, and directing portfolio includes The Translator (2020), Mare Nostrum (2016), Searching for the Translator (2016), Deaf Day (2011), and Kemo Sabe (2007). Her current film projects include The Hakawati's Daughter and Honest Politics. She is a member of the Académie des César and was awarded fellowships with the Buffett Institute, MacDowell and the American Film Institute's Directing Workshop for Women.Connect with Rana Kazkaz

Host Shayla Oulette Stonechild hosts Chyana Marie Sage on the Matriarch Movement Podcast, discussing her new book ‘Soft as Bones,' which has become a national bestseller. Chyana shares her journey from a tumultuous childhood marked by abuse and intergenerational trauma to becoming a renowned storyteller. She emphasizes the importance of cultural roots, storytelling, and healing through writing and ceremony. Chyana also discusses her foundation's mission to create spaces for Indigenous storytelling and her ongoing projects, including a novel adaptation and a short film. The conversation highlights the power of Indigenous storytelling in healing and community building. More about Chyana Marie Sage: Chyana Marie Sage is a Cree, Métis, and Salish writer from Edmonton, Alberta. She has an MFA in creative nonfiction from Columbia University and lives in New York City. Chyana loves to travel and be with nature. She shares the pain of growing up with her father, a crack dealer who went to prison for molesting her older sister. In revisiting her family's history, Chyana examines the legacy of generational abuse, which began with her father's father, who was forcibly removed from his family by the residential schools and Sixties Scoop programs. Yet hers is also a story of hope, as it was the traditions of her people that saved her life, healing one small piece in the mosaic that makes up the dark past of colonialism shared by Indigenous people throughout Turtle Island. https://www.instagram.com/softasbones/ https://storestock.massybooks.com/item/temoIPlhFAidq8S_8vUqOw/⁠ https://chyanamariesage.com/ Thanks for checking out this episode of the Matriarch Movement podcast! If you enjoyed the conversation, please leave a comment and thumbs-up on YouTube, or leave a five star review on your favourite podcast app! Find Shayla Oulette Stonechild on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/shayla0h/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Find more about Matriarch Movement at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://matriarchmovement.ca/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ This podcast is produced by Women in Media Network ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.womeninmedia.network/show/matriarch-movement/ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Why Distance Learning, hosts Seth Fleischauer, Tami Moehring, and Allyson Mitchell welcome Cassie Bride, Director of School Programs, and Lauren Yockel, School Programs Education Specialist at the Museum of Fine Arts, Boston (MFA). Together, they explore how one of the nation's most renowned cultural institutions is transforming museum education through live virtual programming—making world-class art accessible to students anywhere.Museums have long been seen as places you must visit in person to truly experience their magic. But how can educators bring the depth, texture, and storytelling of art to students who may never set foot in a gallery? Traditional outreach—slideshows, static images, or “loan boxes”—often fails to capture the atmosphere, intimacy, and discovery of the real museum experience.Cassie and Lauren share how the MFA Boston reimagined its approach by taking students inside the galleries through interactive live video sessions. Using simple technology—an iPad on a mobile tripod—they bring artworks, curators, and educators directly to classrooms. Students not only see art up close but also hear the sounds of visitors and experience the living energy of the museum.They discuss how this approach:Deepens students' curiosity and contextual understanding of art.Extends the museum's mission by reaching beyond geography and accessibility barriers.Creates hybrid experiences where virtual and in-person visits enrich one another.Builds relationships—teachers and students often recognize Lauren as a “celebrity” when they visit in person!Strengthens collaboration with Boston Public Schools, ensuring alignment between curriculum, distance learning, and professional development.For educators and cultural organizations, the MFA's model offers a powerful lesson: distance learning doesn't replace the field trip—it multiplies it. Start small. Use simple, mobile setups. Focus on creating authentic connections rather than high-tech production. Whether you're teaching art, science, or history, virtual access can spark awe, equity, and engagement in ways that complement, not compete with, in-person learning.Episode Links:Museum of Fine Arts, Boston – Distance Learning ProgramsHost Links:Discover more virtual learning opportunities and resources at CILC.org with Tami Moehring and Allyson Mitchell.Seth Fleischauer's Banyan Global Learning provides meaningful global learning experiences that prepare students across the globe for success in an interconnected world.

October — Dante's New South: Dario Plevnik - was born in 1969 in Osijek, Croatia. A guitarist and composer since age 10, he creates the music, lyrics, arrangements, and production for his songs, performing all instruments except winds, with classical guitar as his first passion. He recorded four albums for Croatia Records: “Duše” (1994), “Iskre strasti” (1998), the instrumental “Snovi” (2000), and “English Songs” (2000). An instrumental from “Snovi” appeared on the UK release Chrisanne Collection IV alongside Henry Mancini, Nat King Cole, Bill Elliott, and Pedro Garcia. In 1999 he combined the tamburica and electric guitar in “Slavonian Horses,” representing Croatia at major European ethno festivals in Austria and Hungary. His piece “Mogu” supported therapeutic horseback riding and represented the Croatian team at the 2004 Paralympic Games in Athens. Active on TikTok with 167k+ followers, fans call his sound “Croatian Heart & Soul.”Links: https://linktr.ee/darioplevnik • https://www.tiktok.com/@dario.plevnikBen Smith has served as Senior Pastor of Central Baptist Church in Waycross, Georgia, since 2012, with prior ministry in Georgia, South Carolina, and Texas. He holds a B.S. in Christian Ministry from Shorter University and an M.Div. from Southwestern Baptist Theological Seminary. His ministry centers on clear, verse-by-verse expository preaching that helps believers live out Scripture.Website: https://www.BenSmithSr.orgFacebook: https://www.facebook.com/BenSmithSr.orgX: https://www.x.com/BenSmithSrInstagram: https://www.instagram.com/BensmithsrAmanda Dennis is the author of Her Here and Beckett and Embodiment. Her work appears in the Los Angeles Review of Books, Times Literary Supplement, and Guernica. She has held fellowships at the Iowa Writers' Workshop, Columbia and Cambridge Universities, and UC Berkeley's humanities center in Madrid. She co-directs the MFA in Creative Writing at The American University of Paris.Website: https://www.amandadennis.netInstagram: https://www.instagram.com/amargaretdennisKeith “Hip” Hughes is a longtime educator known for his HipHughes History YouTube channel, with 55M+ views and more than 250k subscribers. He has also served as an adjunct professor of multimodal literacy at the University at Buffalo.YouTube: https://youtube.com/@hiphughesInstagram: http://instagram.com/hiphughesAdditional Music: Dario Plavnik — https://www.tiktok.com/@dario.plevnikAdvertisers:The Crown: https://www.thecrownbrasstown.comLinden Row Inn: https://www.lindenrowinn.comRed Phone Booth: https://www.redphonebooth.comWe Appreciate:UCLA Extension Writing Program: https://www.uclaextension.eduMercer University Press: https://www.mupress.orgAlain Johannes: https://www.alainjohannes.comHost: Clifford Brooks — The Draw of Broken Eyes & Whirling Metaphysics, Athena Departs, Old Gods.Order books: https://www.cliffbrooks.com/how-to-order

My guest this episode is Lynne Golodner, a former journalist who built a successful marketing business before deciding to make creative writing her priority. She now writes full time, runs her own publishing imprint, and helps other writers gain the confidence to tell their stories. Her novels weave Jewish identity into contemporary life, and she's found freedom and success as an independent author. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of 2,000+ blog posts, and a handy search box to find key info on the topic you need. We invite you to join our organization and become a self-publishing ally. About the Host Howard Lovy has been a journalist for 40 years and now amplifies the voices of independent author-publishers and works with authors as a developmental editor. Find Howard at howardlovy.com, LinkedIn, and X. About the Guest Lynne Golodner is the award-winning author of twelve bestselling books and hundreds of essays and articles, as well as a marketing expert, writing coach, and retreat leader. With an MFA in poetry, she has lived in New York and Washington, D.C., and eventually settled in her Detroit hometown, where she raised four children and now lives with her husband, Dan.

本期嘉宾是汤禹成，我的老朋友，同龄人中出色的记者。带着些许怀旧情绪探索他在美国小镇如何与孤独周旋，如何以写作扎根，如何观察这个分裂年代的美国。【聊天的人】汤禹成记者、作者，曾任职于南方周末、人物杂志，纽约大学非虚构写作MFA，现于加州小镇报道地方新闻，记录聚光灯外的美国。【将会听到】02:30 美国扎根式报道VS中国空降式报道07:32 做媒体是为了提供信息服务，而不是改变世界11:37 美国小地方在发生什么14:02 把语言和思维带上，我可以在任何地方写作17:02 远离尘嚣的孤独感24:02 弱关系也可以成为心灵支柱27:20 主动迎来的变化不会陷入困顿32:19 故事讲得足够好，道理就在其中了34:12 非母语的叙事触发潜意识的觉知44:12 一场大火永远改变了一个镇的生活51:12 共同创伤塑造集体记忆和身份认同54:12 大城市年轻人的返乡潮60:00 社会分裂的体感65:12 为社会作贡献带来人生第二春75:12 移民的生活琐事让我充满警惕81:20 平静的生活足够完美制作 曹福楼配乐 Family of the Year - Hero

Mark is joined by Charlie Batch this hour to talk Steelers and Chargers. MFA makes his picks for the weekend Ask Mark Anything

Mark is joined by Charlie Batch this hour to talk Steelers and Chargers. MFA makes his picks for the weekend Ask Mark Anything See omnystudio.com/listener for privacy information.

"I have this desire to write as a novelist might write but write nonfiction," says Sasha Bonet, the author of The Waterbearers: A Memoir of Mothers and Daughters (Knopf).Today we have the brilliant writer, the brilliant mind, Sasha Bonet, author of The Waterbearers: A Memoir of Mothers and Daughters. This book is a masterpiece that chronicles the matriarchal lineage of Sasha's family, and the pain, and the struggle, and the triumph of will, of the slow, methodical, generational march forward and the residue of generational trauma, what we can outrun and we can never outrun. Damn, man, it's something of a family epic that brought to mind A Hundred Years of Solitude to me in its scope, in its sweep. I don't know. Maybe I have no clue what I'm talking about.Sasha is a writer, critic, and editor living in the socialist hellscape of New York City, woot, woot!Her essays have appeared in the Paris Review, Aperture, New York Magazine, Vogue, and BOMB, among others. She earned an MFA from Columbia University and teaches nonfiction writing at Columbia's School of the Arts and Barnard College. You can learn more about Sasha at sashabonet.com and follow her on the gram @sasha.bonet.This is a rich conversation about: Community The in-between place Not holding back Her influences Her writing practice And how jazz informs her writingShe's also good friends with G'Ra Asim, who appeared on these podcast airwaves way back on Ep. 256.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

The Museum of Fine Arts (MFA) in Boston, US, has agreed to return two works from 1857 by the enslaved 19th-century potter David Drake to his present-day descendants. By the terms of the contract, one vessel will remain on loan to the museum for at least two years. The other—known as the “Poem Jar”—has been purchased back by the museum from the heirs for an undisclosed sum and now comes with “a certificate of ethical ownership”. Ben Luke talks to Ethan Lasser, the MFA's chair of the art of Americas, about this landmark agreement. At the Museum of Modern Art in New York, the exhibition Wifredo Lam: When I Don't Sleep, I Dream opens on Monday. Lam, who was of African and Chinese descent, is now widely regarded as a key, and singular, figure in Modernist painting. Connected in his long life to the Surrealists and Pablo Picasso, and to literary greats including Aimé Césaire and Edouard Glissant, his distinctive practice was above all centred on a profound engagement with Black diasporic culture. Ben talks to the two lead curators of the exhibition, Beverly Adams, curator of Latin American Art at MoMA, and the museum's new director, Christophe Cherix. And this episode's Work of the Week is the Adoration of the Magi (1488) by Domenico Ghirlandaio. The painting is in the Ospedale degli Innocenti, the first hospital for unwanted or orphaned infants, or foundlings, in Europe, built by the great Renaissance architect, Filippo Brunelleschi. The Innocenti, as it is called, is the subject of a new book, called The Innocents of Florence: The Renaissance Discovery of Childhood, by Joseph Luzzi, and Ben speaks to him about the painting and its significance in the Innocenti's collection.Wifredo Lam, Museum of Modern Art, New York, 10 November-11 April 2026.The Innocents of Florence: The Renaissance Discovery of Childhood, published in hardback by WW Norton, from 11 November in the US, priced $29.99, and from 28 November in the UK, priced £23.New subscription offer: eight-week free digital trial of The Art Newspaper. The subscription auto-renews at full price for your region. Cancel anytime. www.theartnewspaper.com/subscriptions-8WEEKSOFFER Hosted on Acast. See acast.com/privacy for more information.

Brittany Deininger reads her poems "The Seed Collectors," "Sarah's Dream," and "Rebirth Motif."Brittany Deininger is a poet, feminist theologian, and educator. She received an MFA in poetry from Sarah Lawrence College and an MATC from The Seattle School of Theology and Psychology. Her work has appeared in On Being, EcoTheo Review, The Ekphrastic Review, Metphrastics, Pensive and elsewhere. She lives in New York.

Although they cater to different senses, photography and music share much in common. In both these arts, timing, rhythm, and mood are key. It's been a while since we've mixed photography and music on the show, so we're particularly excited about today's chat with two photographers who share a passion for documenting musicians and their fans—in particular, devotes of punk and indie rock. From early memories of being truly moved by music to practical tips about photo access, image rights and restrictions, plus the complexities of organizing your work for a book, the conversation doesn't miss a beat. So, turn up the volume as Bootsy Holler reminisces about dropping into the Seattle music scene in the early 1990's to capture the raw energy of her favorite bands, now compiled in the book Making It: An Intimate Documentary about the Seattle Indie, Rock and Punk Scene. And Chris Ortiz describes how the house parties he captured at a punk commune in Kansas served as the foundation for his skills as a music photographer with a keen eye for differentiating himself in the photo pit. As Chris points out when it comes to preparing for a show. "It goes back to knowing that music and knowing the band, and being able to sit back and say, Yes, I am a fan of the band, but I also am professional, so this is what I'm going to look for when the band comes out." Guests: Bootsy Holler & Chris Ortiz Episode Timeline: 3:20: Bootsy Holler recalls her early days dropping into the Seattle music scene, photographing garage bands and dive bars. 9:41: Chris Ortiz talks about his start in photography, and his time photographing house parties at a punk rock commune in Lawrence, Kansas. 12:01: The difference between documenting live music and making portraits of musicians, where you need to develop a rapport with your subjects.  17:32: A tip of the hat to Chris as a longtime podcast superfan, plus what he's learned from listening to our 10-year archive of shows.   20:20: Bootsy's early stylistic influences and its effect on her art and music photography. 25:54: The earliest memory of being truly moved by music and the songs Bootsy and Chris were listening to when they truly got it. 31:56: Applying the inner feels of music to photographing a concert and connecting with the rhythm to grab key moments. 39:00: Negotiating access, shooting from the photo pit vs the side of the stage, plus differentiating your pictures from other photographers' work. 48:00: Episode Break 48:56: Chris talks more about current dynamics for gaining access when shooting music and concerts.  53:44: Current limits on concert photo usage and restrictions on contracts offered by some artists and entertainment companies. 58:28: Legal parameters related to pictures in Bootsy's book, plus the difference between concert pictures and portrait situations. 1:02:26: Bootsy's nine-year process of assembling a book, working with a designer for big picture decisions, plus leaving room to break the rules. 1:08:09: Finding publishers, choosing between options, plus the importance of owning the rights to your images. 1:10:20: Bootsy and Chris name the band at the top of their bucket lists to photograph.   Guest Bios: Bootsy Holler has spent 30 years capturing the essential personality and emotions of her subjects. Best known for her work as a portraitist, Bootsy's journey began with intimate depictions of herself and friends at the center of Seattle's pivotal music scene during the early 1990s. These formative years at both ends of the lens cemented her style as well as the methodology behind her empathic and journalistic approach. Bootsy's work has been recognized by the Society of Photographic Journalism and twice selected for the Critical Mass Top 50. Her photos have been exhibited and published internationally and are included in the permanent collection of the Grammy Museum. In 2019 she published the monograph, TREASURES: objects I've known all my life. Most recently, her book Making It: An Intimate Documentary about the Seattle Indie, Rock and Punk Scene, was released by Damiani books. Stay Connected: Website: https://bootsyholler.com/  Instagram: https://www.instagram.com/bootsyholler/  Facebook: https://www.facebook.com/shop.BootsyHoller/  YouTube: https://www.youtube.com/@BootsyHoller    Chris Ortiz has enjoyed a relationship with photography since age six, when he learned the basics from his stepfather. He's specialized in music and documentary subjects since 1998, shooting with both digital and medium format black and white film. After earning a bachelor's degree in art history, Chris obtained an MFA in photography from the Savannah College of Art and Design. Select documentary projects include Portraits of Latinx Identity, and We Are All We Have Tonight, featuring portraits and personal narratives from punk rock enthusiasts, describing each subject's connection to the scene. Additionally, Chris works as news editor for the Prescott Daily Courier, covering area news and events.  Stay Connected: Website: https://www.chris-ortiz.com/  Instagram: https://www.instagram.com/fastboyent/   Credits: Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens  

Too many artists graduate from art school with crushing debt and then spend years figuring out how to make money while trying to maintain a studio practice. Stephanie Brown did the opposite. She graduated from a private art school debt-free, secured a fully funded MFA, and has been treating her art career like a business from day one. In this conversation with host Alyson Stanfield, Stephanie breaks down exactly how she did it, and why being strategic about money doesn't make you any less of an artist.

Send us a textRansomware doesn't wait for your change window, and neither do we. This episode takes you inside the decisions that matter when privileged accounts start hopping across systems, Exchange servers attract fresh exploits, and the clock is running on recovery. We open with the newest CISA guidance on Microsoft Exchange and translate it into moves you can apply today: enforce least privilege with a real PAM, choose stronger MFA than SMS, disable basic auth, and lock in transport protections that withstand downgrade tricks.From there, we get practical about TLS and HSTS. Rolling TLS everywhere sounds simple until certificates, ciphers, and legacy services push back. We map a staged path that starts with critical links, reduces misconfigurations, and grows coverage without breaking internal apps. HSTS then adds a policy backbone that reduces user error, blocks session hijacking, and tightens browser behavior, with clear notes on latency, preload lists, and subdomain scope.When incidents hit, priorities flip. We break down the right call when lateral movement continues during a ransomware event: disable privileged accounts and switch to preapproved emergency access. On evidence handling, we reinforce the nonnegotiable step for integrity—cryptographic hashing before and after imaging—plus secondary measures for custody and confidentiality. Disaster recovery gets the same scrutiny: meeting RTO while missing RPO means your backup cadence or replication policy failed, not your failover drill. We also cover immutable logs with WORM storage to prevent admin tampering and why emergency patches should be followed by a retrospective CAB review to keep governance intact after the fire is out.If you're preparing for the CISSP or sharpening day-to-day security operations, this session delivers clear, actionable guidance you can put to work immediately. Subscribe, share with your team, and leave a review to help more practitioners find these practical playbooks. What's the one control you'd implement tomorrow to cut lateral movement in half?Gain exclusive access to 360 FREE CISSP Practice Questions at FreeCISSPQuestions.com and have them delivered directly to your inbox! Don't miss this valuable opportunity to strengthen your CISSP exam preparation and boost your chances of certification success. Join now and start your journey toward CISSP mastery today!

Your Wi‑Fi might be your biggest blind spot, and we're putting it under a bright light. We dig into the push to ban TP‑Link in the U.S., what “firmware callbacks” really mean, and the simple, concrete steps that actually harden a home network: changing default credentials, updating firmware at least yearly, enabling WPA3, and leaning on MFA to shut down credential theft. No scare tactics—just the playbook that keeps real people safer.From there we pull the thread on attention economics in the oddest place: public restrooms. In parts of China, you now scan a QR code and watch an ad to get a ration of toilet paper or pay a few cents to skip it. Officials call it anti‑waste; users call it sponsored dignity. We unpack why this matters beyond bathrooms, and how “rewarded attention” business models creep into public infrastructure when no one's looking.We also put a $20,000 humanoid robot under the microscope. Neo can open doors and flip switches, but it relies on remote human operators for the hard stuff—folding laundry, loading dishes, organizing shelves. That's not autonomy; that's telepresence with great PR. We talk costs, privacy, and whether you're paying to be a beta tester while the AI learns on your dime. If you want actual help today, a local cleaner still wins on speed, cost, and accountability.Scam fighters, this one's for you: a convincing QuickBooks “relationship manager” email that funnels to a Calendly form harvesting bank details, and a fake invoice attachment that mimics a Microsoft 365 login to steal your password before opening your inbox so you don't suspect a thing. We show you the red flags and the countermeasures—verify domains, never type creds from an email, use a password manager, and lock in MFA.We round out with a quick look at Apple's iOS keyboard bug and AirPods static, a throwback to the Morris Worm's chaotic lesson on unintended consequences, and a preview of police cruisers that launch drones for aerial patrols. Plus, our whiskey semifinal, banter, and a secret sound challenge to test your ear.If this mix of practical security, tech trends, and a little humor hits the spot, follow the show, share it with a friend, and leave a quick review. Your support helps more curious listeners find us—and keeps us fueled for next week's deep dive.Support the show

Send us a textStart with a simple truth: when the platform breaks, your clever architecture won't save you. We dig into the AWS US‑East‑1 outage where DynamoDB's role in DNS planning for load balancers collided with a race condition, leaving empty records and stalled EC2 instances. Forget the finger‑wagging about “well‑architected” apps—this was a platform failure with limited customer escape routes. We weigh multi‑region and multi‑cloud trade‑offs with a sober look at cost, complexity, and operational burden.Security took center stage with two high‑risk stories you need to act on. First, a critical WSUS flaw enabling remote unauthenticated code execution against the very servers meant to protect fleets. If WSUS is still live, patch immediately or take it offline until you can. Then, the F5 source code theft: not a cloning threat, but a blueprint for discovering subtle bugs and crafting precise exploits. Attribution points toward Chinese state‑sponsored actors, which means targeted, quiet use rather than noisy mass exploitation. The risk isn't gone when headlines fade; it's just harder to see.We connect this to rising exploitation of vSock across hypervisors like VMware ESXi. With public PoCs and active abuse, vSock opens covert channels from host to guest, making segmentation and management plane isolation non‑negotiable. Patch aggressively, gate access through jump hosts, enforce MFA, and consider disabling vSock where viable on QEMU stacks. These are concrete steps that cut real risk.Then we turn to the elephant in the data center: AI ROI. Vendors keep shipping agentic assistants and copilots, but few can show durable returns outside a subsidized token economy. We share a pragmatic lens for measuring value—cycle time, MTTR, defect rates—while acknowledging the dot‑com‑style arc ahead: hype, correction, then durable wins that prioritize efficiency. As AI demand drives massive new builds, the physical footprint of the cloud is showing up in local power grids and skylines. Infrastructure choices now carry community and energy implications leaders can't ignore.Subscribe, share with a colleague who owns platform reliability or security, and leave a review with your biggest takeaway or question—what will you patch, segment, or measure first?Purchase Chris and Tim's book on AWS Cloud Networking: https://www.amazon.com/Certified-Advanced-Networking-Certification-certification/dp/1835080839/ Check out the Monthly Cloud Networking Newshttps://docs.google.com/document/d/1fkBWCGwXDUX9OfZ9_MvSVup8tJJzJeqrauaE6VPT2b0/Visit our website and subscribe: https://www.cables2clouds.com/Follow us on BlueSky: https://bsky.app/profile/cables2clouds.comFollow us on YouTube: https://www.youtube.com/@cables2clouds/Follow us on TikTok: https://www.tiktok.com/@cables2cloudsMerch Store: https://store.cables2clouds.com/Join the Discord Study group: https://artofneteng.com/iaatj

Lamar Peterson (b. 1974, St. Petersburg, Florida) is a painter whose work explores the psychological and social space between refuge and exposure. For more than two decades, he has rendered the everyday experiences of Black life with a language that merges stylized figuration, domestic ritual, and surreal distortion. Across both painting and collage, Peterson creates scenes where tranquility and unease coexist: suburban gardens bloom into uncanny environments, rooms soften and dissolve into landscape, and figures pursue moments of rest and care even as the outside world presses near. Peterson's visual vocabulary ranges from cartoon inflections and bold color to pared-down forms that verge on the symbolic. In his hands, a gesture—cooking a meal, tending a plant, pausing in thought—becomes a quietly radical act of autonomy. His subjects often appear in transitional spaces: windows, thresholds, and gardens that double as emotional terrain, reflecting the fragile distance between sanctuary and scrutiny, vulnerability and strength. Peterson has held solo exhibitions at Deitch Projects, New York; Carl Kostyál, Stockholm; and Fredericks & Freiser, New York, where he is represented. He has also had institutional solo exhibitions at The Studio Museum in Harlem; the Orlando Museum of Art; the University Art Museum at SUNY Albany; and the Rochester Art Center, among others. His work has been featured in group exhibitions at SITE Santa Fe, The Drawing Center, the Kemper Museum of Contemporary Art, the Katonah Museum of Art, the International Print Center New York, and the Yale University Art Gallery. Peterson received his MFA from the Rhode Island School of Design in 2001. He lives and works in Minneapolis, where he is Associate Professor of Drawing & Painting at the University of Minnesota. Lamar Peterson, The Proud Gardener, 2021, Oil on canvas, 70 x 85 inches. Courtesy Fredericks & Freiser, New York, Photo Credit: Cary Whittier Lamar Peterson, The Worrier, 2024, Oil on canvas, 30 x 24 inches. Courtesy Fredericks & Freiser, New York, Photo Credit: Cary Whittier Lamar Peterson, Exhilarated, 2025, Mixed media and collage on paper, 17 x 12 inches. Courtesy Fredericks & Freiser, New York, Photo Credit: Cary Whittier

Stephanie interviews Elise Tegegne, author of In Praise of House Flies. They discuss finding God's presence, grace, and growth in the ordinary and sometimes challenging moments of daily life. Spiritual growth is cultivated not by spectacular moments, but by surrender, humility, dependence, and wonder woven into the fabric of everyday life. As Elise's experience, book, and wisdom reveal, God meets us in the little things—if we will simply open our eyes and hearts to Him. Elise's story begins with her call to serve as a missionary teacher in Ethiopia—an experience that brought her, for the first time, into the depths of her own inadequacy. Far from home and outside her comfort zone, she quickly realized she could not succeed on her own. Failure and discomfort became a means by which she experienced true intimacy with God. When everything felt overwhelming, the only option was to get “on her knees,” literally and figuratively, praying for help. Elise discusses how being confronted with her own limits brought a new kind of freedom. Growing up as a high-performing student, she hadn't needed to rely on anyone but herself. But in Ethiopia, humility was forced upon her—and it led to spiritual liberation. Humility is the posture that opens us to God's grace. It's not natural or easy—especially for those of us wired for achievement or “Martha” types—but it's essential. Elise points out that praying for humility is scary, but necessary, and God has ways to gently answer that prayer. True humility is not self-deprecation but a realistic acknowledgment of need—opening the way for grace. God “gives grace to the humble” (1 Peter 5:5). Cultivating humility by embracing moments that challenge our sense of control, happens by asking Him for a gentle, transforming touch. Motherhood and daily life made Elise redefine prayer. No longer only reserved for a quiet hour, prayer became integrated into every moment: while nursing her baby, washing dishes, or shopping with her in-laws, who taught her to pray over even the smallest activities. Prayer can permeate our entire day. Turn every activity—however small—into a moment of connection and dependence on God. “In everything, by prayer and supplication, make your requests known to God.” The title of Elise's book, In Praise of House Flies, inspires us to look for God's presence even in the annoyances and the mundane: the “house fly” moments we'd rather swat away. Life is lived not just in the big events, but in myriad little acts of faithfulness, wonder, and surrender. Adopting a childlike wonder, Elise encourages us to practice gratitude, see the holy in the everyday, and recognize God's gifts everywhere. Resist waiting for the “next big thing.” Instead, let's train our attention on the daily opportunities God gives for transformation, gratitude, and worship. Like children, we marvel at the beauty and sacredness embedded in the ordinary. MORE ABOUT ELISE TEGEGNE AND HER BOOK, “IN PRAISE OF HOUSEFLIES” Through the lens of personal experience, Elise Tegegne reflects on the redemptive glimmers in ordinary challenges ranging from canceled flights to insomnia. In Praise of Houseflies gives readers an opportunity to listen for what their own everyday quandaries can teach and to delight in the abundant graces blossoming within them. It is an essential message of hope, joy, and redemption imparted through deep, nourishing reflection. Elise says of herself, “Living alone and young as a high school French teacher in Ethiopia, I found a world that beautifully upended mine. I found God with skin and bones. And I found the one my soul loves. After giving birth to my son, I left my teaching career to pursue the delights of motherhood and writing. Since then I've been listening for God's voice in the rhythms of everyday life, keeping my eyes open for abundant graces—and seeking to capture what I find in words. My first book In Praise of Houseflies: Meditations on the Gifts in Everyday Quandaries (Calla Press) is now available wherever books are sold. I received a BA in Creative Writing and French from Indiana University and hold an MFA from Seattle Pacific University. “ More at https://www.elisetegegne.com/  Support us on Gospel Spice, PayPal and Venmo!

Heather Sweeney joins Let's Talk Memoir for a conversation about her quest to find out who she was apart from her life as a military wife, mining 20 years worth of journals, uncovering internal dynamics through writing, knowing where to begin a memoir, managing multiple settings with a chronological timeline, cutting redundancies, retitling a memoir late in the game, killing our darlings, writing about exes, coping strategies, reclaiming identity, being true to our own writing process, and her new memoir Camouflage: How I Emerged from the Shadows of a Military Marriage.   Also in this episode: -writing when you can -the e-structure -brainstorming for titles Books mentioned in this episode: -Seven Drafts Allison K. Williams -Wild by Cheryl Strayed -On Writing by Stephen King -Bird by Bird by Anne Lammott -Big Magic by Elizabeth GIlbert -Before and After the Book Deal by Courtney Maum -The Art of Memoir by Mary Karr -The Book Bible by Sue Shapiro -A Thousand Words by Jamie Attenberg   Heather Sweeney is the author of the memoir Camouflage: How I Emerged from the Shadows of a Military Marriage. She writes about divorce, life as a military spouse, parenting, and women's health, and her work has appeared in The New York Times, The Washington Post, HuffPost, TODAY.com, Newsweek, Business Insider, Good Housekeeping, Healthline, Grown and Flown, Military.com, and many others. She lives in Virginia with her boyfriend, two college-aged kids, and their geriatric Labrador retriever. Connect with Heather: Website: https://www.heatherlsweeney.com/ Instagram: https://www.instagram.com/writersweeney  Threads: https://www.threads.net/@writersweeney  TikTok: https://www.tiktok.com/@heathersweeneywrites  Substack: https://heathersweeney.substack.com/  Amazon: http://posthill.to/B0F316HJTD Barnes & Noble: https://www.barnesandnoble.com/w/camouflage-heather-sweeney/1147211233 Bookshop: https://bookshop.org/p/books/camouflage-how-i-emerged-from-the-shadows-of-a-military-marriage-heather-sweeney/22522585 Target: https://www.target.com/p/camouflage-by-heather-sweeney-paperback/-/A-1003183204   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank   Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

Suhaila Salimpour, of Sicilian-Greek and Kurdish-American heritage, is a second-generation belly dancer and a pioneering figure in the global dance community. A former house dancer at the legendary Byblos nightclub in Beverly Hills, she toured internationally for over a decade, performing across the Middle East, Europe, Asia, and North America. As the visionary creator of the first codified pedagogy and certification system in belly dance, she transformed both performance and teaching, building a worldwide network rooted in discipline, anatomy, and cultural respect. Now directing the Salimpour School of Dance, she continues her mother's legacy through global online education, choreography, and community leadership. A recipient of the Gerbode Foundation's 2024 dance award and the Isadora Duncan Special Award (2023/24), she also serves on multiple dance boards and is completing her MFA in Dance at Saint Mary's College of California.In this episode you will learn about:- Suhaila's decision to pursue an MFA in Dance after decades on stage- The need for Arab and immigrant voices in academia- Her research on how colonization codified cultural dance forms, and the idea of “outside and inside colonization”- The growth of the Salimpour School into a full online institute- Three generations of Salimpour women carrying the dance forward.Show Notes to this episode:Find Suhaila Salimpour on Instagram, FB, YouTube, TikTok, and website.Previous interview with Suhaila Salimpour: Ep 156. Suhaila Salimpour: Renegotiating Your Dance IdentityDetails and training materials for the BDE castings are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast

What do poets and humorists have in common? For Caylin Capra-Thomas, whose writing is sure to make you laugh, both pay close attention to life's idiosyncrasies in the search for truth. In this episode, she also tells Jared about her experience getting a PhD in creative writing for an advantage in the academic job market (it worked: she's a professor!), conquering the comprehensive exam, and key differences between the PhD and the MFA.Caylin Capra-Thomas is the author of a poetry collection, Iguana Iguana, and her poetry and essays have appeared widely, including in Georgia Review, Pleiades, Longreads, 32 Poems, New England Review, and elsewhere. Her scholarship has appeared in the T.S. Eliot Studies Annual. The recipient of fellowships from the Vermont Studio Center and the Sewanee Writers Conference, she earned an MFA in creative writing (poetry) from the University of Montana, and a PhD in English and creative writing (nonfiction) from the University of Missouri in Columbia. She now teaches English and creative writing at Stephens College. Find her at caylincaprathomas.com.MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.BE PART OF THE SHOWDonate to the show at Buy Me a Coffee.Leave a rating and review on Apple Podcasts.Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience.Apply to be a guest on the show by filling out our application.STAY CONNECTEDTwitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com

Marisa brings 15+ years of UX design experience to Amazon, where she helps shoppers leverage Prime benefits across thousands of sites. She co-chairs the Luxury Education Foundation's Alumni Executive Council, supporting 1,500 Columbia Business School and Parsons alumni. She holds an MFA from Parsons, won the 2013 Nokia Design Challenge, completed a fellowship at Nokia's London Design Studio, and created interactive Hermès experiences featured in Forbes and Women's Wear Daily.Advika Aggarwal chats with Marisa about her design journey from winning a global Nokia competition to pioneering UX at Tory Burch and Amazon. She reveals how curiosity, user research, and embracing AI have shaped her path across startups and Big Tech.

Welcome to another episode of Las Platicas, a show hosted by Comadres y Comics, where we meet with creators and friends to talk about upcoming projects, events and all around awesome news in the comic community. Today we once again have the pleasure of speaking with guest Madeleine Holly-Rosing, a TV, feature film, comic book writer, and novelist. Madeleine holds an MFA in Screenwriting from UCLA where she won numerous awards as well as the Sloan Fellowship. Madeleine has published a number of short stories, novellas, and a novel based on the BOSTON METAPHYSICAL SOCIETY universe. Today she joins us to discuss her current Kickstarter campaign for Boston Metaphysical Society: Mystery at Pikes Peak #1-4. Welcome Madeleine!@queenofmercia.com

JOHN-ANDREW MORRISON -Tony Award Nomination, Lucille Lortel Award, and OBIE for A Strange Loop. Currently stars on Broadway in Oh, Mary. Off Broadway: Blues for an Alabama Sky (KEEN Company, Outer Critics Circle Honoree), The Blacks - A Clown Show, Caligula and Malvolio (Classical Theater of Harlem), Medea of the Laundromat (La MaMa and Lucille Lortel Theater with The Experimentals — for George Ferencz). Regional: 3 Summers of Lincoln (La Jolla Playhouse). BA from Brandeis University and MFA from UC San Diego. Learn more about your ad choices. Visit podcastchoices.com/adchoices

"I kinda hate it when people say writing is fun," says Jack Rodolico, author The Atavist original "The Blue Book Burglar."Today we feature Jack Rodolico, who is a bit of an audio maven, but he comes to us hot off the Atavist presses to talk about "The Blue Book Burglar: The Social Register was a who's who of America's rich and powerful— the heirs of robber barons, scions of political dynasties, and descendants of Mayflower passengers. It was also the perfect hit list for the country's hardest-working art thief."It's a fun, rollicking read, not too heavy, not really heavy at all, merely a great caper.Batting leadoff is lead editor Jonah Ogles, so we talk about his side of the table about what less experienced writers can learn about pitching the Atavist and how Jonah worked with Jack to fix the structure of the piece. As always, really rich stuff from the editing side of things.A bit more about Jack Rodolico, the dude's got it going on … His work has appeared in The Boston Globe, NPR, 99% Invisible, and NHPR … He's earning an MFA in fiction, and that's really helping him with his nonfiction writing, as you'll hear in a moment.You can learn more about Jack at his website journalistjack.com. In this conversation we talk about his Atavist piece, writing fiction, earning trust, why you can't pay sources for information, how he organizes his research and cites his work, beginnings and endings, and how he didn't necessarily want to be a journalist, rather he wanted to be a writer.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

If you thought your Halloween playlist peaked at "Monster Mash," get ready to level up with the Data Mash — a graveyard splash of spooky cybersecurity tales and ghastly good rhymes. In this special Halloween episode, we summon the spirits of password poltergeists, resurrect dusty old policies from the crypt, and stir up a bubbling MFA cauldron. It's cybersecurity with a spooky twist, and yes, there's even a ransomware reaper lurking around with backup regrets. Boo and boo-hoo for bad data hygiene! More info at HelpMeWithHIPAA.com/533

On this episode, we'll follow up on how Threat Prevention blades work without HTTPS Inspection enabled, more about the Public R82.10 Early Availability program, enabling MFA for administrators, and more Maestro discussions and best practices.What real protection do we get from Threat Prevention if HTTPS inspection is disabled?sk184185: Software Blade effectiveness with and without HTTPS InspectionSoftware Blade effectiveness with and without HTTPS Inspection - sk184185R82.10 Public EA Programsk183058: Check Point Early Availability (EA) ProgramsMFA for admin access for checkpoint firewall on Gaia and Smartconsolesk181854: Two-Factor Authentication for Gaia OS loginCreating an Administrator Account with SAML Authentication LoginMaestro Best Practices October 2025Maestro Connection Synchronization During a FailoverMaestro Flush and AckMaestro LicensingClusterXL vs ElasticXLElasticXL vs MaestroMaestro Dual-Site Active/Active

Aaron Henry is the Founder and Managing Director of Foundeast Asia, an award-winning integrated marketing communications agency bridging Southeast Asia and North America. With over two decades of experience in PR, branding, film production, and global marketing, Aaron has helped Fortune 100 companies and startups alike craft compelling stories that resonate across cultures.His career includes leadership roles at Warner Bros., where he helped expand Rotten Tomatoes, and co-founding two Los Angeles agencies before relocating to Southeast Asia. Drawing on his MFA from the USC School of Cinematic Arts and BA in Cultural Anthropology, Aaron blends creative vision with cultural insight to deliver campaigns that connect.⸻

This episode is sponsored by HYPR. Visit hypr.com/idac to learn more.In this episode from Authenticate 2025, Jim McDonald and Jeff Steadman are joined by Bojan Simic, Co-Founder and CEO of HYPR, for a sponsored discussion on the evolving landscape of identity and security.Bojan shares his journey from software engineer to cybersecurity leader and dives into the core mission of HYPR: providing fast, consistent, and secure identity controls that complement existing investments. The conversation explores the major themes from the conference, including the push for passkey adoption at scale and the challenge of securely authenticating AI agents.A key focus of the discussion is the concept of "Know Your Employee" (KYE) in a continuous manner, a critical strategy for today's remote and hybrid workforces. Bojan explains how the old paradigm of one-time verification is failing, especially in the face of sophisticated, AI-powered social engineering attacks like those used by Scattered Spider. They discuss the issue of "identity sprawl" across multiple IDPs and why consolidation isn't always the answer. Instead, Bojan advocates for a flexible, best-of-breed approach that provides a consistent authentication experience and leverages existing security tools.Connect with Bojan: https://www.linkedin.com/in/bojansimic/Learn more about HYPR: https://www.hypr.com/idacConnect with us on LinkedIn:Jim McDonald: https://www.linkedin.com/in/jimmcdonaldpmp/Jeff Steadman: https://www.linkedin.com/in/jeffsteadman/Visit the show on the web at idacpodcast.comChapter Timestamps:00:00 - Introduction at Authenticate 202500:23 - Sponsored Episode Welcome: Bojan Simic, CEO of HYPR01:11 - How Bojan Simic Got into Identity and Cybersecurity02:10 - The Elevator Pitch for HYPR04:03 - The Buzz at Authenticate 2025: Passkeys and Securing AI Agents05:29 - The Trend of Continuous "Know Your Employee" (KYE)07:33 - Is Your MFA Program Enough Anymore?09:44 - Hackers Don't Break In, They Log In: The Scattered Spider Threat11:19 - How AI is Scaling Social Engineering Attacks Globally13:08 - When a Breach Happens, Who's on the Hook? IT, Security, or HR?16:23 - What is the Right Solution for Identity Practitioners?17:05 - The Critical Role of Internal Marketing for Technology Adoption22:27 - The Problem with Identity Sprawl and the Fallacy of IDP Consolidation25:47 - When is it Time to Move On From Your Existing Identity Tools?28:16 - The Role of Document-Based Identity Verification in the Enterprise32:31 - What Makes HYPR's Approach Unique?35:33 - How Do You Measure the Success of an Identity Solution?36:39 - HYPR's Philosophy: Never Leave a User Stranded39:00 - Authentication as a Tier Zero, Always-On Capability40:05 - Is Identity Part of Your Disaster Recovery Plan?41:36 - From the Ring to the C-Suite: Bojan's Past as a Competitive Boxer47:03 - How to Learn More About HYPRKeywords:IDAC, Identity at the Center, Jeff Steadman, Jim McDonald, Bojan Simic, HYPR, Passkeys, Know Your Employee, KYE, Continuous Identity, Identity Verification, Authenticate 2025, Phishing Resistant, Social Engineering, Scattered Spider, AI Security, Identity Sprawl, Passwordless Authentication, FIDO, MFA, IDP Consolidation, Zero Trust, Cybersecurity, IAM, Identity and Access Management, Enterprise Security

Amy Hensen is a ceramic artist exploring figurative hand-built functional forms. Amy's concepts blend maternal feminism, pest animals, and fantastical beasts. A 2022 MFA graduate from UNT, Amy exhibits nationally, teaches in the Dallas area, and helps lead Garland Creates. Amy lives with her family and two cats in Garland, TX. https://ThePottersCast.com/1173

Kelly Foster Lundquist joins Let's Talk Memoir for a conversation about falling in love with creative nonfiction, believing our story is worth sharing, contemplating how to tell it without hurting someone else, shifting from writing academically to personally, taking 20 years to complete a memoir, leaning into and trusting the particularity of our story, learning to stop explaining in our manuscripts, trying different structural approaches, the pattern hungry brain, incorporating culture, history, and research, when writing feels redemptive, liberating, and affirming, and her new memoir Beard: A Memoir of a Marriage.   Also in this episode: -gratitude -conversion therapy -when a story feels too sacred   Books mentioned in this episode: -The Argonauts by Maggie Nelston -The Art of Memoir by Mary Karr -Seven Drafts: Self-Edit Like a Pro from Blank Page to Books by Allison K. Williams -Craft in the Real World: Rethinking Fiction Writing and Workshopping by Matthew Salessas   Kelly Foster Lundquist teaches writing at North Hennepin Community College in Brooklyn Park, MN. Originally from Mississippi, Lundquist has taught writing all over the United States (Boston, Chicago, Mississippi, Seattle, California, etc), as well as in Slovakia and Scotland. Her poetry and nonfiction can be seen in many places, including Villain Era Lit, Last Syllable Lit, Whale Road Review, and Image Journal. Her work has been nominated for a 2024 Best of the Net Award as well as a Pushcart Prize. She is the recipient of grants from the Minnesota State Arts Board as well as the Central Minnesota Arts Board. Her book Beard: A Memoir of a Marriage (Eerdmans) will debut in October 2025. She lives in a little red house in Minnesota with her spouse and daughter.  Connect with Kelly: Instagram: https://www.instagram.com/kellyfosterlundquist Facebook: https://www.facebook.com/share/1EgWxeL94v/?mibextid=wwXIfr Website: https://www.kellyfosterlundquist.com/ Book: https://bookshop.org/p/books/beard-a-memoir-of-a-marriage-kelly-foster-lundquist/22424165?ean=9780802884732&next=t   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank   Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers