Podcasts about nation harvard university press

Pieter Judson established himself as one of the top scholars of the East Central Europe with his first two books Exclusive Revolutionaries (University of Michigan Press, 1996) and Guardians of the Nation (Harvard University Press, 2006). His latest book, The Habsburg Empire: A New History (Harvard University Press, 2016) provides scholars with the first major general history of the Empire since a new wave of scholarship began chipping away at the myths built up in various national historiographies. Not only does his book offer a reappraisal of Habsburg history that incorporate concepts like national indifference, but more than previous histories it gets out of the purely political realm to look at economic changes. In so doing beyond offering a new more nuanced understanding of how and why Austria-Hungary fell apart, he also suggests the the twenty years before 1848 were much more interesting than the conventional narrative has allowed. It was a pleasure to speak with Pieter again about this book. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pieter Judson established himself as one of the top scholars of the East Central Europe with his first two books Exclusive Revolutionaries (University of Michigan Press, 1996) and Guardians of the Nation (Harvard University Press, 2006). His latest book, The Habsburg Empire: A New History (Harvard University Press, 2016) provides scholars with the first major general history of the Empire since a new wave of scholarship began chipping away at the myths built up in various national historiographies. Not only does his book offer a reappraisal of Habsburg history that incorporate concepts like national indifference, but more than previous histories it gets out of the purely political realm to look at economic changes. In so doing beyond offering a new more nuanced understanding of how and why Austria-Hungary fell apart, he also suggests the the twenty years before 1848 were much more interesting than the conventional narrative has allowed. It was a pleasure to speak with Pieter again about this book. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pieter Judson established himself as one of the top scholars of the East Central Europe with his first two books Exclusive Revolutionaries (University of Michigan Press, 1996) and Guardians of the Nation (Harvard University Press, 2006). His latest book, The Habsburg Empire: A New History (Harvard University Press, 2016) provides scholars with the first major general history of the Empire since a new wave of scholarship began chipping away at the myths built up in various national historiographies. Not only does his book offer a reappraisal of Habsburg history that incorporate concepts like national indifference, but more than previous histories it gets out of the purely political realm to look at economic changes. In so doing beyond offering a new more nuanced understanding of how and why Austria-Hungary fell apart, he also suggests the the twenty years before 1848 were much more interesting than the conventional narrative has allowed. It was a pleasure to speak with Pieter again about this book. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pieter Judson established himself as one of the top scholars of the East Central Europe with his first two books Exclusive Revolutionaries (University of Michigan Press, 1996) and Guardians of the Nation (Harvard University Press, 2006). His latest book, The Habsburg Empire: A New History (Harvard University Press, 2016) provides scholars with the first major general history of the Empire since a new wave of scholarship began chipping away at the myths built up in various national historiographies. Not only does his book offer a reappraisal of Habsburg history that incorporate concepts like national indifference, but more than previous histories it gets out of the purely political realm to look at economic changes. In so doing beyond offering a new more nuanced understanding of how and why Austria-Hungary fell apart, he also suggests the the twenty years before 1848 were much more interesting than the conventional narrative has allowed. It was a pleasure to speak with Pieter again about this book. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices