Podcast appearances and mentions of william elison

William Elison's The Neighborhood of Gods: The Sacred and the Visible at the Margins of Mumbai(University of Chicago Press, 2018) explores how slum residents, tribal people, and members of other marginalized groups use religious icons to mark urban spaces in Mumbai. Interestingly, not all of Elison's interview subjects identify as Hindu, which bolsters has argument that sacred space in Mumbai is created by visual and somatic practices performed across religious boundaries. Join as as we discuss Elison's rich fieldwork in the streets, slums, and movie studios of Mumbai. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

William Elison's The Neighborhood of Gods: The Sacred and the Visible at the Margins of Mumbai(University of Chicago Press, 2018) explores how slum residents, tribal people, and members of other marginalized groups use religious icons to mark urban spaces in Mumbai. Interestingly, not all of Elison's interview subjects identify as Hindu, which bolsters has argument that sacred space in Mumbai is created by visual and somatic practices performed across religious boundaries. Join as as we discuss Elison's rich fieldwork in the streets, slums, and movie studios of Mumbai. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

William Elison's The Neighborhood of Gods: The Sacred and the Visible at the Margins of Mumbai(University of Chicago Press, 2018) explores how slum residents, tribal people, and members of other marginalized groups use religious icons to mark urban spaces in Mumbai. Interestingly, not all of Elison's interview subjects identify as Hindu, which bolsters has argument that sacred space in Mumbai is created by visual and somatic practices performed across religious boundaries. Join as as we discuss Elison's rich fieldwork in the streets, slums, and movie studios of Mumbai. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

William Elison's The Neighborhood of Gods: The Sacred and the Visible at the Margins of Mumbai(University of Chicago Press, 2018) explores how slum residents, tribal people, and members of other marginalized groups use religious icons to mark urban spaces in Mumbai. Interestingly, not all of Elison's interview subjects identify as Hindu, which bolsters has argument that sacred space in Mumbai is created by visual and somatic practices performed across religious boundaries. Join as as we discuss Elison's rich fieldwork in the streets, slums, and movie studios of Mumbai. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

William Elison's The Neighborhood of Gods: The Sacred and the Visible at the Margins of Mumbai(University of Chicago Press, 2018) explores how slum residents, tribal people, and members of other marginalized groups use religious icons to mark urban spaces in Mumbai. Interestingly, not all of Elison's interview subjects identify as Hindu, which bolsters has argument that sacred space in Mumbai is created by visual and somatic practices performed across religious boundaries. Join as as we discuss Elison's rich fieldwork in the streets, slums, and movie studios of Mumbai. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

William Elison's The Neighborhood of Gods: The Sacred and the Visible at the Margins of Mumbai(University of Chicago Press, 2018) explores how slum residents, tribal people, and members of other marginalized groups use religious icons to mark urban spaces in Mumbai. Interestingly, not all of Elison's interview subjects identify as Hindu, which bolsters has argument that sacred space in Mumbai is created by visual and somatic practices performed across religious boundaries. Join as as we discuss Elison's rich fieldwork in the streets, slums, and movie studios of Mumbai. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at... Learn more about your ad choices. Visit megaphone.fm/adchoices

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices