Podcasts about Media studies

Most people think of romantic music as background noise for dates, movies, or weddings. But researchers have found that music can actually influence romantic behavior and attraction in measurable ways. Listen to discover how love songs may be doing more than simply setting the mood. https://www.sciencedaily.com/releases/2010/06/100618112139.htm Take a look around you and notice how many buttons surround you. Elevator buttons. Crosswalk buttons. Remote controls. Keyboards. Car dashboards. Humans push buttons all day long—and often repeatedly, even when pushing again does absolutely nothing. There's something deeply satisfying and psychologically powerful about pressing a button and getting an immediate response. But buttons are a surprisingly recent invention, and they fundamentally changed how humans interact with machines, technology, and even each other. Rachel Plotnick, associate professor of Cinema and Media Studies at Indiana University, explores the strange history and psychology of buttons, why people are so drawn to them, and how “push-button culture” transformed modern life. She is author of Power Button: A History of Pleasure, Panic, and the Politics of Pushing (https://amzn.to/3xvIj5j). Humans don't just enjoy games—we seem to need them. From sports and gambling to video games, puzzles, and board games, people everywhere devote enormous amounts of time and energy to play. But games may be doing far more than entertaining us. Neuroscientist and physicist Kelly Clancy explains how games shape human behavior, influence culture, teach strategy, reward risk-taking, and even help societies evolve. In our conversation, she reveals why games are woven so deeply into human nature and why understanding games may help explain the way humans learn, compete, cooperate, and make decisions. Kelly is author of Playing with Reality: How Games Have Shaped Our World (https://amzn.to/3W02BNR). Online product reviews have become incredibly influential. A surprisingly large number of people now trust reviews from strangers almost as much as recommendations from friends. We discuss how those reviews can dramatically affect what consumers buy, avoid, or return. https://www.cardrates.com/news/consumers-rely-on-online-reviews-study/ PLEASE SUPPORT OUR SPONSORS POCKET HOSE: For a limited time, when you purchase a new Pocket Hose Ballistic, you'll get a FREE 360 degree rotating pocket pivot and a FREE thumb drive nozzle! Just text SYSK to 64000 AQUA TRU: Take the guesswork out of pure, great-tasting water. Head to ⁠⁠⁠⁠⁠⁠https://AquaTru.com⁠⁠⁠⁠⁠⁠ now and get 20% off your purifier using promo code SYSK. AquaTru even comes with a 30-day best-tasting water guarantee or your money back. RULA: This Mental Health Awareness Month, don't just think about your mental health - actually take the step to take care of it. Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://Rula.com/sysk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to get started. QUINCE: Refresh your everyday with luxury you will actual use! Go to ⁠⁠⁠⁠⁠⁠⁠⁠https://Quince.com/sysk⁠⁠⁠⁠⁠⁠⁠⁠ for free shipping on your order and 365-day returns. Now available in Canada, too! DELL:  With the Dell Pro laptop powered by Intel Core Ultra with vPro, no matter how many interruptions you have, your laptop won't be one of them. With battery that's optimized for the way you work, and built-in intelligence that quiets distractions the moment you're trying to focus, your tech won't slow you down.  Find out more at ⁠⁠⁠https://Dell.com/Dell-Pro⁠⁠⁠ SHOPIFY: It's time to turn those "what ifs" into CHA CHING with Shopify Today! Sign up for your $1 per month trail and start selling today at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://Shopify.com/sysk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Around 2016, buoyed by so-called data kranti  ("data revolution"), an aspirational neo-middle class of users in India accessed internet for the first time on their mobile phones. Unlimited: Aspirational Politics and Mobile Media Distribution (MIT Press, 2026) tells the story of digital infrastructures that are being created by state-corporations for content and money to move and reach such users. It interrogates how their design impact the forms of inclusions and exclusions enacted as well as the horizon of social behaviors and expectations in "Digital India." The book contends that to understand the possibilities and limits of India's aspirational politics, media studies scholars should attend to infrastructures of aspiration: the distributional logistics of streaming content and mobile money are the infrastructural backbone that recalibrate thresholds of aspirational goals.  Digital content media distribution is also shaped by how user practices get entangled with particular affordances of platforms, and hence the need to study both participatory cultures of circulation and logistics of distribution together. Drawing on in-depth interviews, ethnographic fieldwork, critical discourse analysis and participant observation, the book traces the supply chains of content delivery networks enabling streaming video-on-demand services and informal ways of circulating "vernacular" music videos through memory cards. Unlimited does not restrict itself to formal media infrastructures, but also researches online phishing and lending scam assemblages to understand how such scams perform critical boundary work to reveal the cracks in and workings of financial distribution networks. This book offers a systematic examination of distribution considerations—including localization strategies—required for imagining mobile phone users across the varied regional geographies of "Digital India." Rahul Mukherjee is Associate Professor of TV & New Media and graduate chair in the Department of Cinema & Media Studies at University of Pennsylvania. His teaching and research focus on the logistical and environmental dimensions of digital infrastructures and platforms. Rahul is the author of the monograph Radiant Infrastructures, and his work has been published in Critical Inquiry, SM+S, New Media & Society, and Science, Technology & Human Values. He has co-edited a special issue on "Media Power in Digital Asia" for Media, Culture & Society journal.   Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body, and her work has been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at the New Books Network and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website and you can follow her on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this week's episode, hosts Ryan Baxter and Mark Ambrogio interview Jasmine Proctor, a PhD candidate in Media Studies, in Western's Faculty of Information and Media Studies (FIMS).  Jasmine ("Jazz") is interested in how queer K-pop fan communities negotiate gender and sexuality through transcultural networked fan labour across digital platforms.  Ryan and Mark ask Jazz about the emergence of K-pop and the interesting phenomenon of K-pop's mass appeal to a North American audience.  More broadly, they discuss fandom, popular music, and popular culture.   Jasmine also discusses the PhD program in Media Studies and helpful ways of de-stressing, including running, listening to music (of course), and reading. For further information on Jasmine's research:  Jasmine Proctor Profile  Jasmine's doctoral supervisor is Dr. Norma Coates, cross-listed between FIMS and Western's Faculty of Music. Recorded on Tuesday, May 26, 2026 Produced by Mark Ambrogio, with help from Ryan Baxter Theme song provided by FreeBeats.io (Produced by WhiteHot)

Happy Pride y'all!This week, Pornhub launches a sapphic site for queer women and nonbinary viewers, Queen Latifah and Colman Domingo share their coming out stories, and we get into the latest WNBA updates.In Am I A Bad Queer?, we're talking lying about your body count, whether you've made your therapist hate your partner, and being jealous that all your friends are in relationships for the summer. Plus, Bad Queer Opinions on Queen Latifah's “come out without coming out” blueprint and Young M.A's comments about only dating (DL) straight women.Shoutouts:Kris: PrideBrary: Video library with pride created by Jess, an Emmy-nominated producer with a degree in Media Studies, exploring LGBTQ+, race, and gender representation in media and pop culture. Subscriber on Youtube @PrideBraryShana: National Queer and Trans Therapists of Color Network: Connecting QTPOC Folks to therapists and healing justice resources. Follow on IG @nqttcnEpisode notes:1:07 - Queer Urban Dictionary 5:02- Category is: Pornhub Sapphic? Pornhub launches new site for queer women 9:05 - Category is: Queen Latifah + Colman Domingo talk coming out14:27- Category is: WNBA updates28:17- Am I A Bad Queer?39:10 - Bad Queer Opinions 47:30 - ShoutoutsShare your Am I A Bad Queer? hereSupport the showPATREON: patreon.com/BadQueersPodcastSubscribe to our Youtubehttps://www.youtube.com/@BadQueersPodcast The opinions expressed during this podcast are conversational in nature and expressed only for comedic purposes. Not all of the facts will be correct but we attempt to be as accurate as possible. BQ Media LLC, the hosts, nor any guest host(s) hold no liability over the conversations on this podcast and by using this podcast you understand that it is solely for entertainment purposes. Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, parody, scholarship and research.  

The Five Ws on the Word's Etymology and the Orchid's HabitatCopyright © 2026 ISBN: 978-976-97942-8-3.mp3Academic Topic StatementThis conversation examines the enduring significance of the "Five Ws"—Who, What, When, Where, and Why—as foundational instruments of inquiry within journalism, literature, media studies, cultural theory, theology, and ecological observation. By tracing the etymology of the word as a vehicle of meaning and exploring the orchid as a symbol of environmental adaptation, cultural representation, and biological specificity, the work establishes a methodological framework that connects language, place, identity, and knowledge production.As a writer, photojournalist, media arts specialist, publisher, podcaster, cultural theorist, and Doctor of Divinity, the author argues that every act of observation begins with a question and every meaningful question seeks context. The orchid's habitat serves as a metaphor for the situated nature of knowledge, while the etymological evolution of words demonstrates how human understanding is cultivated through historical, social, and spiritual environments.(https://botanic-garden.bristol.ac.uk/2018/02/12/the-wacky-wonderful-world-of-orchids/)Central Research Questions1. How do the Five Ws function as universal tools of investigation across disciplines?2. What does the etymology of words reveal about the historical development of human thought?3. How does the orchid's habitat illustrate the relationship between environment, adaptation, and meaning?4. In what ways do media, journalism, and cultural narratives shape our understanding of place and identity?5. How can theological reflection contribute to a deeper interpretation of language, ecology, and human experience?AbstractThe intersection of language and environment offers a unique lens through which to examine human inquiry. This work investigates the Five Ws as epistemological foundations for research and communication, linking the historical evolution of words with the ecological realities of orchid habitats. Through interdisciplinary analysis, the study demonstrates that language and landscape function as parallel systems of meaning-making. Drawing from journalism, media studies, cultural theory, theology, and environmental observation, as an author I propose that asking the crucial question is both an intellectual and spiritual act. The resulting framework provides us scholars, writers, educators, and communicators with a model for understanding how words, places, and experiences shape human knowledge.When all else is equal, I have developed the academic practice of using keywords in my literary works since they provide structure and serve as the fundamental ideas and vocabulary that characterize my discourse. Crucially, they serve as "digital fingerprints" and operate at the nexus of accessibility and clarity.Five Ws; Etymology; Orchid Habitat; Journalism; Media Studies; Cultural Theory; Ecology; Theology; Knowledge Production; Communication Studies; Environmental Humanities; Interdisciplinary Research.This formulation is appropriate for a scholarly book, doctoral lecture, conference presentation, or academic journal proposal under your authorship credentials. Dr. William Anderson Gittens, D.D.Podcast 295 Episode Title:The Five Ws on the Word's Etymology and the Orchid's HabitatCopyright © 2026 ISBN: 978-976-97942-8-3 By Dr. William Anderson Gittens, D.D. Devgro Media Arts Services Publishing®2015 In collaboration with iMovie present Podcast 295 Episode Title:The Five Ws on the Word's Etymology and the Orchid's HabitatCopyright © 2026 ISBN: 978-976-97942-8-3 By Dr. William Anderson Gittens, D.D. RECOGNITIONSAs I take a moment to reflect on my journey, I am filled with profound gratitude for the Creator's guiding hand that has led me every step of the way. Life has brought me countless blessings, and at the forefront of these blessings is the immeasurable debt of thanks I owe to my late parents, Charles and Ira Gittens. They bestowed upon me their wisdom and creative spirit, which have been a consistent source of inspiration throughout my life. Their counsel and encouragement continue to resonate within me, shaping my path and purpose. To my beloved wife, Magnola Gittens, your unwavering support has been my anchor in turbulent seas. Your love and understanding provide the strength necessary to navigate life's complexities. I am eternally grateful for your presence, which comforts and uplifts me. To my brothers—Shurland, Charles, Ricardo, and my late brothers Arnott and Stephen—as well as my sisters, Emerald, Marcella, and Cheryl, thank you for being my steadfast companions along this journey. Each of you has contributed uniquely to my narrative, reminding me of the importance of family ties in shaping who I am today. I extend my heartfelt appreciation to my cousins: Joy Mayers, Kevin and Ernest Mayers, Donna Archer, Avis Dyer, and Jackie Clarke. Your love and camaraderie have enriched my life beyond measure. To my uncles, Clifford, Leonard Mayers, David Bruce, and Collin Rock, your support has been invaluable, strengthening the bonds of our family. To my children, Laron and Lisa, grandson Elijah you are my pride and joy, the motivation behind my work, fuelling my desire to create and inspire.Moreover, I am equally grateful to all who have believed in me and wanted nothing but the best for my growth. Mr. and Mrs. Andrew Platizky, Mr. Matthew Sutton, Mr. Juan Arroyo, Mr. and Mrs. David Lavine, and many others have played pivotal roles in my development, encouraging me to pursue my passions relentlessly. During my time at New Jersey City University (NJCU), I had the privilege of receiving guidance from exceptional mentors, including the late Dr. Joseph Drew, Merline Mayers, Mrs. Ellen Gordon, Dr. Nicholas Gordon, Rev. Dr. Scofield Eversley BSS, and many others. Conversations about enhancing my writing skills after graduating were integral to my growth, providing the foundation for my future endeavours. Over the past three decades, my experiences in the leisure activities industry have significantly shaped my journey. From 1995 to 2026, I have devoted myself to writing, resulting in 469 E-Publications and 295 podcasts that resonate within the community. In recognition of the profound impact Dr. Joseph Drew had on my academic and personal development, I dedicated my 66th publication, "A Tribute to Culture" Vol. 1, to him—a small token of gratitude for his enormous influence on my life.As I look forward to what lies ahead, I remain thankful to all who have contributed to my story and to the Creator for the endless possibilities this journey holds. Each person's presence has left an indelible mark on my life, guiding me toward a future filled with hope and potential.Dr. William Anderson Gittens, D.D.ReferencesAristotle. (2007). The art of rhetoric (H. C. Lawson-Tancred, Trans.). Penguin Classics. (Original work published ca. 350 B.C.E.)Chase, M. W., Cameron, K. M., Freudenstein, J. V., Pridgeon, A. M., Salazar, G., Van den Berg, C., & Schuiteman, A. (2015). An updated classification of Orchidaceae. Botanical Journal of the Linnean Society, 177(2), 151–174. https://doi.org/10.1111/boj.12234Crystal, D. (2010). The Cambridge encyclopedia of language (3rd ed.). Cambridge University Press.Dressler, R. L. (1993). Phylogeny and classification of the orchid family. Cambridge University Press.Hall, S. (1997). Representation: Cultural representations and signifying practices. Sage Publications.McHugh, S. (2016). How podcasters built a new kind of radio. NPR.Newton, J. H. (2001). The burden of visual truth: The role of photojournalism in mediating reality. Routledge.The Holy Bible, King James Version. (1611). Matthew 6:28; Hebrews 11:3.Support the showCultural Factors Influence Academic Achievements© 2024 ISBN978-976-97385-7-7 A_MEMOIR_OF_Dr_William_Anderson_Gittens_D_D_2024_ISBNISBN978_976_97385_0_8Academic.edu. Chief of Audio Visual Aids Officer Mr. Michael Owen Chief of Audio Visual Aids Officer Mr. Selwyn Belle Commissioner of Police Mr. Orville Durant Dr. William Anderson Gittens, D.D En.wikipedia.org/wiki/Lifelong_learning Hackett Philip Media Resource Development Officer Holder, B,Anthony Episcopal Priest,https://brainly.com/question/36353773https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-19https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-:2-18https://independent.academia.edu/WilliamGittens/Bookshttps://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=william+anderson+gittens+barbados&oq=william+anderson+gittenshttps://www.academia.edu/123754463/https://www.buzzsprout.com/429292/episodes. https://www.youtube.com/@williamandersongittens1714. Mr.Greene, Rupert

#WillDodson #Comebacks #Gloria Monti #MitchHamptonInside this episode with your host, Mitch Hampton:I enjoyed the discussion with Will Dodson so much that I had to have him back for a second episode. I think this might be one of the few podcast episodes wherein we mention figures as varied as Jimmy Stewart, Woody Strode, John Ford, Chuck Vincent, Gloria Swanson, Fred Olen Ray, Wes Craven and Pam Grier, but that is the kind of thing that can happen when Will and I come into contact. Not only was I happy that Gloria Monti brought the wonderful book that is Comebacks: The Return of the Aging Film Star (Wayne State UP, 2025) into our world that she co-edited with Martin Shinglerand. They bring the story of artists like Woody Strode to future generations but I can't help but feel that, speaking philosophically, the subject or concept of the comeback itself might be one that is most integral to all of the arts in any age. I hope you share in our enthusiasm on this one.Will's Bio and Links:Will Dodson is a writer and editor; film, rhetoric, and literature professor; audio commentary and visual essay producer .He is a Lecturer of Media Studies and co-editor of The Anthem Series on Exploitation and Industry in World Cinema, Foundations of Horror Studies (Manchester UP), and American Twilight: The Cinema of Tobe Hooper (University of Texas Press). His most recent essays are “One Thing About Time:' Woody Strode's Late Films,” included in Comebacks: The Return of the Aging Film Star (Wayne State UP, 2025)Links to Will's Social Media and works:LinkTree: @linktr.ee/willdodsonInstagram: https://www.instagram.com/wdodson52/Amazon Author Page ( link embedded)Additional links:Series Co-editor, The Anthem Series on Exploitation and Industry in World CinemaSeries Co-editor, Foundations of Horror StudiesCo-editor, American Twilight: The Cinema of Tobe Hooper#cinema #television #johnford #western #spaghettiwestern #expolitationmovie #blackploitation #pamgreir #jimmystewart #willaimholden #gloriaswanson #sunsetboulevard #billywider #silentmovie #1920s #1930s #1940s #1950s #1960s #1970s #1980s #1990s #directtovideo  #vhs #compactdisc #computer #bodymodification #lifeextension #genetics #race #civilrights #nativeamerican #indigenous #italy #horror #gothic #erotica #screamqueen #jimwynorski #jewelshepard #juliestrain #shannontweed #genesimmons #howardberger #bluray #restoration #jade #williamfriedkin #davidcaruso #lindafiorentino #eroticthriller #blackpanther #blackpanthers #fredwilliamson #jimbrown #jimkelly #larrycohen #joedante #jonathandemme #jonathankaplan #rogercorman #theater #thirdplace #jackiebrown #quentintarantino #robertforster #johntravolta #jackhill #claudiajennings #gatorbait #francisfordcoppola #stanleykubrick #spartacus #gorevidal #howardfast #plutarch #daltontrumbo #kirkdouglas #laurenceolivier #tonycurtis #jeansimmons #lisakudrow #hbomax #stream #sports #football #integration

Is 2026 a bridge year, or are the New York Giants playoff-bound? On this episode of Giant Mess, Neal Lynch breaks down the monstrous New York Giants offseason, starting with the massive culture shift brought on by new Head Coach John Harbaugh.We react to the heartbreaking Dexter Lawrence trade, grade the NFL Draft, and dive deep into the completely overhauled coaching staff. Will Matt Nagy actually elevate Jaxson Dart? Why are we hoarding former Titans coaches like Dennard Wilson and Brian Callahan? Plus, we go game-by-game through the 2026 Giants schedule release to predict whether this squad is destined for a 7-10 rebuild or a shocking playoff run.Episode Highlights:The Harbaugh Effect: Why the Giants are suddenly a destination franchise again.The Nagy Dilemma: Can Matt Nagy recreate his Patrick Mahomes magic with Jaxson Dart, or are we doomed for a Chicago Bears repeat?Life After Sexy Dexy: Reacting to the Dexter Lawrence blockbuster trade and what it means for the defensive interior.Coaching Carousel: Analyzing the additions of Greg Roman, Dennard Wilson, and Charlie Bowen.Schedule Predictions: Examining the full New York Giants schedule release for guaranteed wins and brutal primetime matchupsNew York Giants Fan Rants & Analysis - https://bit.ly/NYGiantsYTPlaylist NY Mets Fan Rants & Analysis - https://bit.ly/MetsYTPlaylist Movie Reviews - https://bit.ly/GiantMessMovieReviews TV Show Reactions - https://bit.ly/GiantMessTV Funny Stories -  https://bit.ly/GiantMessFunnyStoriesABOUT NEAL LYNCH:Neal Lynch is the creator and host of Giant Mess, a podcast blending sports commentary, pop culture analysis, and storytelling. Former 4th string quarterback and middle relief pitcher at a Division III school. Degrees in Film & Media Studies and Communications. Helped multiple major media and entertainment publishers develop, produce, optimize, distribute, and promote videos across web, video, and social media platforms. Single dad who loves to blog, podcast, write, edit, optimize, strategize, and over-analyze.  ABOUT "GIANT MESS":"Giant Mess" is a weird sports and entertainment comedy podcast hosted by a giant mess, the Real Cinch Neal Lynch. Neal covers New York Giants football, NY Mets baseball, movies, and TV shows, mixing in funny stories along the way.  Episodes focus on movie reviews, tv show recaps, post-game analysis, predictions, breakdowns, reactions, and funny stories.Subscribe to Giant Mess on YouTube: ⁠⁠https://bit.ly/GiantMessYT⁠⁠ Follow me on:* Link Tree - ⁠⁠https://linktr.ee/neallynch⁠⁠  * My Official Blog - ⁠⁠http://bit.ly/neallynchBLOG⁠⁠ * Facebook Page - ⁠⁠http://bit.ly/GiantMessFB⁠⁠    * Twitter - ⁠⁠http://bit.ly/NealLynchTW⁠⁠     * Personal Instagram - ⁠⁠http://bit.ly/NealLynchIG⁠⁠    * Podcast Instagram - ⁠⁠https://bit.ly/GiantMessInstagram⁠⁠  * Subscribe on Apple Podcasts - ⁠⁠http://bit.ly/GiantMessApple⁠⁠  * Subscribe on Spotify - ⁠⁠http://bit.ly/GiantMessSpotify⁠⁠ 

Film Diplomacy: A Media History of Turkey-US Relations (Columbia UP, 2026) offers a powerful new account of how film shaped international relations and national identity. Drawing on previously unexamined and recently declassified archives in Turkey and the United States, Ayşehan Jülide Etem demonstrates how both countries used educational films to align institutional agendas and geopolitical interests. By tracing the transnational network of educational cinema, Etem uncovers how film functioned as infrastructure, circulating ideologies, organizing institutions, and training citizens. Moving beyond conventional accounts of propaganda and soft power, this book exposes how film was central to the making of modern Turkey and sheds new light on the media's role in global politics. Author Ayşehan Jülide Etem is Assistant Professor of Media Studies at the University of Virginia, where she also directs the Film Studies Concentration. A media studies scholar, Dr. Etem's research examines how film operates within infrastructures, how it is strategically sponsored, produced, exhibited, and circulated to shape public behavior, manage populations, and mediate power. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Film Diplomacy: A Media History of Turkey-US Relations (Columbia UP, 2026) offers a powerful new account of how film shaped international relations and national identity. Drawing on previously unexamined and recently declassified archives in Turkey and the United States, Ayşehan Jülide Etem demonstrates how both countries used educational films to align institutional agendas and geopolitical interests. By tracing the transnational network of educational cinema, Etem uncovers how film functioned as infrastructure, circulating ideologies, organizing institutions, and training citizens. Moving beyond conventional accounts of propaganda and soft power, this book exposes how film was central to the making of modern Turkey and sheds new light on the media's role in global politics. Author Ayşehan Jülide Etem is Assistant Professor of Media Studies at the University of Virginia, where she also directs the Film Studies Concentration. A media studies scholar, Dr. Etem's research examines how film operates within infrastructures, how it is strategically sponsored, produced, exhibited, and circulated to shape public behavior, manage populations, and mediate power. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Film Diplomacy: A Media History of Turkey-US Relations (Columbia UP, 2026) offers a powerful new account of how film shaped international relations and national identity. Drawing on previously unexamined and recently declassified archives in Turkey and the United States, Ayşehan Jülide Etem demonstrates how both countries used educational films to align institutional agendas and geopolitical interests. By tracing the transnational network of educational cinema, Etem uncovers how film functioned as infrastructure, circulating ideologies, organizing institutions, and training citizens. Moving beyond conventional accounts of propaganda and soft power, this book exposes how film was central to the making of modern Turkey and sheds new light on the media's role in global politics. Author Ayşehan Jülide Etem is Assistant Professor of Media Studies at the University of Virginia, where she also directs the Film Studies Concentration. A media studies scholar, Dr. Etem's research examines how film operates within infrastructures, how it is strategically sponsored, produced, exhibited, and circulated to shape public behavior, manage populations, and mediate power. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Film Diplomacy: A Media History of Turkey-US Relations (Columbia UP, 2026) offers a powerful new account of how film shaped international relations and national identity. Drawing on previously unexamined and recently declassified archives in Turkey and the United States, Ayşehan Jülide Etem demonstrates how both countries used educational films to align institutional agendas and geopolitical interests. By tracing the transnational network of educational cinema, Etem uncovers how film functioned as infrastructure, circulating ideologies, organizing institutions, and training citizens. Moving beyond conventional accounts of propaganda and soft power, this book exposes how film was central to the making of modern Turkey and sheds new light on the media's role in global politics. Author Ayşehan Jülide Etem is Assistant Professor of Media Studies at the University of Virginia, where she also directs the Film Studies Concentration. A media studies scholar, Dr. Etem's research examines how film operates within infrastructures, how it is strategically sponsored, produced, exhibited, and circulated to shape public behavior, manage populations, and mediate power. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Film Diplomacy: A Media History of Turkey-US Relations (Columbia UP, 2026) offers a powerful new account of how film shaped international relations and national identity. Drawing on previously unexamined and recently declassified archives in Turkey and the United States, Ayşehan Jülide Etem demonstrates how both countries used educational films to align institutional agendas and geopolitical interests. By tracing the transnational network of educational cinema, Etem uncovers how film functioned as infrastructure, circulating ideologies, organizing institutions, and training citizens. Moving beyond conventional accounts of propaganda and soft power, this book exposes how film was central to the making of modern Turkey and sheds new light on the media's role in global politics. Author Ayşehan Jülide Etem is Assistant Professor of Media Studies at the University of Virginia, where she also directs the Film Studies Concentration. A media studies scholar, Dr. Etem's research examines how film operates within infrastructures, how it is strategically sponsored, produced, exhibited, and circulated to shape public behavior, manage populations, and mediate power.

Film Diplomacy: A Media History of Turkey-US Relations (Columbia UP, 2026) offers a powerful new account of how film shaped international relations and national identity. Drawing on previously unexamined and recently declassified archives in Turkey and the United States, Ayşehan Jülide Etem demonstrates how both countries used educational films to align institutional agendas and geopolitical interests. By tracing the transnational network of educational cinema, Etem uncovers how film functioned as infrastructure, circulating ideologies, organizing institutions, and training citizens. Moving beyond conventional accounts of propaganda and soft power, this book exposes how film was central to the making of modern Turkey and sheds new light on the media's role in global politics. Author Ayşehan Jülide Etem is Assistant Professor of Media Studies at the University of Virginia, where she also directs the Film Studies Concentration. A media studies scholar, Dr. Etem's research examines how film operates within infrastructures, how it is strategically sponsored, produced, exhibited, and circulated to shape public behavior, manage populations, and mediate power. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Mind the Gap, Tom Sherrington and Emma Turner are joined by Tom Needham - teacher, school leader, and author of Engelmann's Direct Instruction in Action - to explore what direct instruction really means. Marking the final book in the In Action series, the conversation digs into Siegfried Engelmann's work, from the power of carefully sequenced examples and non-examples to the importance of “sameness,” big ideas, generative content, and tightly designed practice. Tom explains how direct instruction transformed his teaching of English, particularly for pupils who had struggled with writing, spelling and foundational skills, while also showing how its principles apply across subjects from maths and science to history and geography. Along the way, they discuss the philosophical and practical objections to scripted programmes, the role of teacher expertise in curriculum design, and why precise instruction can be a route to greater pupil success, confidence and independence.Tom Needham has been teaching for nearly twenty years. He has previously taught English in International schools in Malaysia and Nigeria; EFL in Bangkok and Harrogate, as well as Sociology, Media Studies and all the Humanities in Croydon. He is author of Explicit English Teaching, and most recently Engelmann's Direct Instruction in Action, which will be available on the 19th of June. Tom is currently an Assistant Headteacher at a school in Charlton.Tom Sherrington has worked in schools as a teacher and leader for 30 years and is now a consultant specialising in teacher development and curriculum & assessment planning. He regularly contributes to conferences and CPD sessions locally and nationally and is busy working in schools and colleges across the UK and around the world. Follow Tom on X ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@teacherhead⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Emma Turner FCCT is a school improvement advisor, education consultant, trainer and author. She has almost three decades of primary teaching, headship and leadership experience across the sector, working and leading in both MATs and LAs. She works nationally and internationally on school improvement including at single school level and at scale. She has a particular interest in research informed practice in the primary phase, early career development, and CPD design. Follow Emma on X ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@emma_turner75⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠This podcast is sponsored by Teaching WalkThrus and produced in association with Haringey Education Partnership. Find out more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://walkthrus.co.uk/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://haringeyeducationpartnership.co.uk/⁠⁠

Sir Thomas seems to have it all - an inquisitive mind, a dreamer's spirit, a great relationship with his sister…but all is not what it seems on the surface.  Sip some tea with us to see what lurks beneath the red clays of Crimson Peak (2015). ***CONTENT WARNING: death of a parent, death of a infant, inc*st, animal cruelty Follow us on Instagram at @thewhorrorspodcastEmail us at thewhorrorspodcast@gmail.comArtwork by Gabrielle Fatula (gabrielle@gabriellefatula.com)Music: Epic Industrial Music Trailer by SeverMusicProdStandard Music License Sources: ​Briefel, Aviva. "Live Burial: The Deep Intertextuality of Jordan Peele's Get Out." Narrative, vol. 29 no. 3, 2021, p. 297-320. Project MUSE, doi:10.1353/nar.2021.0019.​Crimson Peak (2015 Film) Wiki: https://en.wikipedia.org/wiki/Crimson_Peak  ​Crimson Peak (2015) IMDB: https://www.imdb.com/title/tt2554274/ ​Kindinger, Evangelia. “The Ghost Is Just a Metaphor: Guillermo del Toro's Crimson Peak, Nineteenth-Century Female Gothic, and the Slasher.” NECSUS: European Journal of Media Studies, 6 Dec. 2017, https://necsus-ejms.org/the-ghost-is-just-a-metaphor-guillermo-del-toros-crimson-peak-nineteenth-century-female-gothic-and-the-slasher/​Miquel-Baldellou, Marta. “‘As Soon As Ever She Died, the Hauntings Began': Revisiting the Victorian Fallen Woman as a Gothic Archetype in Susan Hill's The Woman in Black." Ex-centric Narratives: Journal of Anglophone Literature, Culture and Media [Online], 0.5 (2021): 164-183. Web. 27 Apr. 2023 ​Roberts, Robin. “Gender, Adaptation, and Authorship: Three Decades of The Woman in Black”. Studies in Theatre and Performance 34:2, pages 126-139. Web. 24 Apr. 2023

Five nations boycott Eurovision, citing Israel's participation. Their action is against Israel's war in Gaza and allegations of vote manipulation in the song contest. But why is it so important for Israel to take part? And is the competition's future under threat? In this episode: Steve Wall, musician, actor, and member of the Irish Palestinian Solidarity Campaign Jonathan Hendrickx, Assistant Professor in Media Studies at the University of Copenhagen Ori Goldberg, Political commentator in Tel Aviv Host: Folly Bah Thibault Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube

Quantum Nurse https://graceasagra.com/ Freedom International Livestream Thursday, April 23, 2026 @ 12:00 PM EST Guest: Dr Reza John Vedadi Topic: IRAN RISING: Power, Conflict and Future   Follow:  Instagram, LinkedIn   Bio:   Dr Reza John Vedadi has spent the past 12 years directing, producing, and filming over 50 documentaries on West Asian and Muslim identity and culture. He began his academic journey with a degree in Media Studies from London Guildhall University, followed by master's degrees in film production at London Metropolitan University and Islamic Studies at Middlesex University. In 2023, he earned a PhD from Loughborough University London, specializing in communication, politics, and culture. Dr. Vedadi's research explores the intersection of socio-political dynamics and the representation of West Asian and Muslim identity in Hollywood, as well as US culture and foreign policy. Alongside his filmmaking career, he is an active academic, presenting papers at various international conferences. He also researches and writes about the complex relationship between the film industry, international relations, and the decolonial framework, demonstrating his commitment to enriching understanding in these areas.     Special Guest Hosts: NICK PITRUZELLO (Algo Cowboy)              https://www.youtube.com/@AlgoFactory   Drago Bosnic BRICS portal (infobrics.org) Telegram -CerFunhouse   www.GlobalResearch.Ca Warren Monty Quesnell Facebook – Citizen Journalist   Nikki Watson               https://www.youtube.com/@beyondthelinespodcast1                         Creator Host:   Grace Asagra, RN MA Podcast:  Quantum Nurse: Out of the Rabbit Hole from Stress to Bliss TIP/DONATE LINK for Grace Asagra @ Quantum Nurse Podcast https://patron.podbean.com/QuantumNurse https://www.paypal.com/donate/?hosted_button_id=FHUXTQVAVJDPU Venmo - @Grace-Asagra 609-203-5854 WELLNESS RESOURCES Premier Research Labs - https://prlabs.com/customer/account/create/code/59n84f/ - 15% discount - 15%_59N84F_05 Standing Co-Host:   Hartmut Schumacher www.dragonnous.com

What does The Fast and the Furious actually tell us about Hollywood—and about us?This week on Reckoning with Jason Herbert, I'm joined by Dan Hassler-Forest to break down one of the most unlikely blockbuster franchises of the 21st century. From its origins as a street racing film in 2001 to a global, multi-billion-dollar saga, Fast & Furious didn't just evolve—it helped reshape how Hollywood thinks about franchises, audiences, and storytelling.We dive into the rise of serialized blockbusters, the meaning of “family,” the franchise's approach to masculinity and diversity, and why this series resonates with audiences around the world. Along the way, we explore the turning points—from The Fast and the Furious to Fast Five—and ask whether the franchise ever jumped the shark… or if that's the whole point.If you've ever wondered why these films endure—or why you can't stop watching them—this episode is for you.

What happens when we assume women's presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women's Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press. The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiving the Past is a fascinating account of some of the many women in France whose labor had a decisive role in the formation of cinema history across the twentieth century. Aurore shows that the film-historical archive has always been a site of feminist agency and power, even if women's work in and around the archive has been diminished, interrupted, erased, or ignored. In this conversation with fellow feminist film scholar Alix Beeston, Aurore shares about the historical, methodological, and political stakes of her work, from the archive to the classroom. She describes her process for discerning the traces of women's archival labor, however fleeting, contingent, or speculative they may be. She reflects on how gendered ideas and norms have defined—and limited—our sense of what counts as film-historical labor. And she ruminates on what it means for feminist scholars, in and beyond film and media studies, to collect and recollect the past—for the sake of the feminist present and its still-possible futures. Alix Beeston is Reader in Literature and Visual Culture at Cardiff University. She's the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford UP, 2018) and the co-editor of the award-winning volume Incomplete: The Feminist Possibilities of the Unfinished Film (University of California Press, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What happens when we assume women's presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women's Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press. The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiving the Past is a fascinating account of some of the many women in France whose labor had a decisive role in the formation of cinema history across the twentieth century. Aurore shows that the film-historical archive has always been a site of feminist agency and power, even if women's work in and around the archive has been diminished, interrupted, erased, or ignored. In this conversation with fellow feminist film scholar Alix Beeston, Aurore shares about the historical, methodological, and political stakes of her work, from the archive to the classroom. She describes her process for discerning the traces of women's archival labor, however fleeting, contingent, or speculative they may be. She reflects on how gendered ideas and norms have defined—and limited—our sense of what counts as film-historical labor. And she ruminates on what it means for feminist scholars, in and beyond film and media studies, to collect and recollect the past—for the sake of the feminist present and its still-possible futures. Alix Beeston is Reader in Literature and Visual Culture at Cardiff University. She's the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford UP, 2018) and the co-editor of the award-winning volume Incomplete: The Feminist Possibilities of the Unfinished Film (University of California Press, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The Fantasy/Animation podcast welcomes as its special guest for Episode 172 Professor Karen Redrobe, who is Elliot and Roslyn Jaffe Professor and Undergraduate Chair in the Department of Cinema and Media Studies at the University of Pennsylvania. Her work traverses film theory, animation, and feminism, and she is the author of Vanishing Women: Magic, Film, and Feminism (2003) and the new book Undead: (Inter)(in)animation, Feminisms, and the Art of War (2025), as well as editor of Animating Film Theory (2014) and Deep Mediations: Thinking Space in Cinema and Digital Cultures (2021, with Jeff Scheible). In this instalment, Karen introduces Chris and Alex to the life and career of the artist and filmmaker Helen Hill, who died in 2007 aged only 36, but whose ebullient imagination on display across her experimental shorts pushed at the boundaries of direct animation, stop-motion, and do-it-yourself methods of animated filmmaking. Listen as the trio discuss Hill's last short The Florestine Collection (2011) completed by her husband Paul Gailiunas, alongside earlier works Mouseholes (1999), and Madame Winger Makes A Film (2001), to reflect on mixed media film as a negotiation of trauma and mode of catharsis; unfinished animation and the political act of recovery; film-based activism, education, and the interpretive form of experimental animation; pantomime aesthetics and the role of paper, puppets, fabric and ‘stuff' in crafting worlds that only animation can access; and the playfulness of Hill's animated experiments and projects that expressed not just her delight in life but confronted what it means for a community to have filmmaking at its centre. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot's 25 Best London Education Podcasts** **As featured on MillionPodcast's Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK**

What happens when we assume women's presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women's Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press. The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiving the Past is a fascinating account of some of the many women in France whose labor had a decisive role in the formation of cinema history across the twentieth century. Aurore shows that the film-historical archive has always been a site of feminist agency and power, even if women's work in and around the archive has been diminished, interrupted, erased, or ignored. In this conversation with fellow feminist film scholar Alix Beeston, Aurore shares about the historical, methodological, and political stakes of her work, from the archive to the classroom. She describes her process for discerning the traces of women's archival labor, however fleeting, contingent, or speculative they may be. She reflects on how gendered ideas and norms have defined—and limited—our sense of what counts as film-historical labor. And she ruminates on what it means for feminist scholars, in and beyond film and media studies, to collect and recollect the past—for the sake of the feminist present and its still-possible futures. Alix Beeston is Reader in Literature and Visual Culture at Cardiff University. She's the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford UP, 2018) and the co-editor of the award-winning volume Incomplete: The Feminist Possibilities of the Unfinished Film (University of California Press, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices

What happens when we assume women's presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women's Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press. The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiving the Past is a fascinating account of some of the many women in France whose labor had a decisive role in the formation of cinema history across the twentieth century. Aurore shows that the film-historical archive has always been a site of feminist agency and power, even if women's work in and around the archive has been diminished, interrupted, erased, or ignored. In this conversation with fellow feminist film scholar Alix Beeston, Aurore shares about the historical, methodological, and political stakes of her work, from the archive to the classroom. She describes her process for discerning the traces of women's archival labor, however fleeting, contingent, or speculative they may be. She reflects on how gendered ideas and norms have defined—and limited—our sense of what counts as film-historical labor. And she ruminates on what it means for feminist scholars, in and beyond film and media studies, to collect and recollect the past—for the sake of the feminist present and its still-possible futures. Alix Beeston is Reader in Literature and Visual Culture at Cardiff University. She's the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford UP, 2018) and the co-editor of the award-winning volume Incomplete: The Feminist Possibilities of the Unfinished Film (University of California Press, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What happens when we assume women's presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women's Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press. The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiving the Past is a fascinating account of some of the many women in France whose labor had a decisive role in the formation of cinema history across the twentieth century. Aurore shows that the film-historical archive has always been a site of feminist agency and power, even if women's work in and around the archive has been diminished, interrupted, erased, or ignored. In this conversation with fellow feminist film scholar Alix Beeston, Aurore shares about the historical, methodological, and political stakes of her work, from the archive to the classroom. She describes her process for discerning the traces of women's archival labor, however fleeting, contingent, or speculative they may be. She reflects on how gendered ideas and norms have defined—and limited—our sense of what counts as film-historical labor. And she ruminates on what it means for feminist scholars, in and beyond film and media studies, to collect and recollect the past—for the sake of the feminist present and its still-possible futures. Alix Beeston is Reader in Literature and Visual Culture at Cardiff University. She's the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford UP, 2018) and the co-editor of the award-winning volume Incomplete: The Feminist Possibilities of the Unfinished Film (University of California Press, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Boom to Bust is a timely investigation into the rise of Peak TV and the perfect storm that caused a rapid decline in Hollywood work. When Hollywood writers and actors went on strike in 2023, they drew attention to the rapidly changing nature of film and television production. In Boom to Bust, media industry experts Miranda Banks and Kate Fortmueller combine economic and cultural analysis and interviews with industry workers to capture the lived experience of Hollywood in crisis. Tracking major disruptions of the preceding decade—including the transformation of streaming services into studios, the overproduction of series during Peak TV, as well as #MeToo and COVID—the authors explain how the conflicting interests of studio executives, creative workers, and workers' unions compelled a renegotiation of the terms of work. Grounding readers in the history of Hollywood labor negotiations, the authors provide a road map to make sense of Hollywood's present—and what comes next. Miranda Banks is Professor of Film, Television, and Media Studies at Loyola Marymount University, author of The Writers: A History of American Screenwriters and Their Guild, and coeditor of Production Studies. Kate Fortmueller is Associate Professor of Film and Media History at Georgia State University and author of Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production and Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Boom to Bust is a timely investigation into the rise of Peak TV and the perfect storm that caused a rapid decline in Hollywood work. When Hollywood writers and actors went on strike in 2023, they drew attention to the rapidly changing nature of film and television production. In Boom to Bust, media industry experts Miranda Banks and Kate Fortmueller combine economic and cultural analysis and interviews with industry workers to capture the lived experience of Hollywood in crisis. Tracking major disruptions of the preceding decade—including the transformation of streaming services into studios, the overproduction of series during Peak TV, as well as #MeToo and COVID—the authors explain how the conflicting interests of studio executives, creative workers, and workers' unions compelled a renegotiation of the terms of work. Grounding readers in the history of Hollywood labor negotiations, the authors provide a road map to make sense of Hollywood's present—and what comes next. Miranda Banks is Professor of Film, Television, and Media Studies at Loyola Marymount University, author of The Writers: A History of American Screenwriters and Their Guild, and coeditor of Production Studies. Kate Fortmueller is Associate Professor of Film and Media History at Georgia State University and author of Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production and Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Boom to Bust is a timely investigation into the rise of Peak TV and the perfect storm that caused a rapid decline in Hollywood work. When Hollywood writers and actors went on strike in 2023, they drew attention to the rapidly changing nature of film and television production. In Boom to Bust, media industry experts Miranda Banks and Kate Fortmueller combine economic and cultural analysis and interviews with industry workers to capture the lived experience of Hollywood in crisis. Tracking major disruptions of the preceding decade—including the transformation of streaming services into studios, the overproduction of series during Peak TV, as well as #MeToo and COVID—the authors explain how the conflicting interests of studio executives, creative workers, and workers' unions compelled a renegotiation of the terms of work. Grounding readers in the history of Hollywood labor negotiations, the authors provide a road map to make sense of Hollywood's present—and what comes next. Miranda Banks is Professor of Film, Television, and Media Studies at Loyola Marymount University, author of The Writers: A History of American Screenwriters and Their Guild, and coeditor of Production Studies. Kate Fortmueller is Associate Professor of Film and Media History at Georgia State University and author of Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production and Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Boom to Bust is a timely investigation into the rise of Peak TV and the perfect storm that caused a rapid decline in Hollywood work. When Hollywood writers and actors went on strike in 2023, they drew attention to the rapidly changing nature of film and television production. In Boom to Bust, media industry experts Miranda Banks and Kate Fortmueller combine economic and cultural analysis and interviews with industry workers to capture the lived experience of Hollywood in crisis. Tracking major disruptions of the preceding decade—including the transformation of streaming services into studios, the overproduction of series during Peak TV, as well as #MeToo and COVID—the authors explain how the conflicting interests of studio executives, creative workers, and workers' unions compelled a renegotiation of the terms of work. Grounding readers in the history of Hollywood labor negotiations, the authors provide a road map to make sense of Hollywood's present—and what comes next. Miranda Banks is Professor of Film, Television, and Media Studies at Loyola Marymount University, author of The Writers: A History of American Screenwriters and Their Guild, and coeditor of Production Studies. Kate Fortmueller is Associate Professor of Film and Media History at Georgia State University and author of Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production and Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Boom to Bust is a timely investigation into the rise of Peak TV and the perfect storm that caused a rapid decline in Hollywood work. When Hollywood writers and actors went on strike in 2023, they drew attention to the rapidly changing nature of film and television production. In Boom to Bust, media industry experts Miranda Banks and Kate Fortmueller combine economic and cultural analysis and interviews with industry workers to capture the lived experience of Hollywood in crisis. Tracking major disruptions of the preceding decade—including the transformation of streaming services into studios, the overproduction of series during Peak TV, as well as #MeToo and COVID—the authors explain how the conflicting interests of studio executives, creative workers, and workers' unions compelled a renegotiation of the terms of work. Grounding readers in the history of Hollywood labor negotiations, the authors provide a road map to make sense of Hollywood's present—and what comes next. Miranda Banks is Professor of Film, Television, and Media Studies at Loyola Marymount University, author of The Writers: A History of American Screenwriters and Their Guild, and coeditor of Production Studies. Kate Fortmueller is Associate Professor of Film and Media History at Georgia State University and author of Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production and Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Boom to Bust is a timely investigation into the rise of Peak TV and the perfect storm that caused a rapid decline in Hollywood work. When Hollywood writers and actors went on strike in 2023, they drew attention to the rapidly changing nature of film and television production. In Boom to Bust, media industry experts Miranda Banks and Kate Fortmueller combine economic and cultural analysis and interviews with industry workers to capture the lived experience of Hollywood in crisis. Tracking major disruptions of the preceding decade—including the transformation of streaming services into studios, the overproduction of series during Peak TV, as well as #MeToo and COVID—the authors explain how the conflicting interests of studio executives, creative workers, and workers' unions compelled a renegotiation of the terms of work. Grounding readers in the history of Hollywood labor negotiations, the authors provide a road map to make sense of Hollywood's present—and what comes next. Miranda Banks is Professor of Film, Television, and Media Studies at Loyola Marymount University, author of The Writers: A History of American Screenwriters and Their Guild, and coeditor of Production Studies. Kate Fortmueller is Associate Professor of Film and Media History at Georgia State University and author of Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production and Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Boom to Bust is a timely investigation into the rise of Peak TV and the perfect storm that caused a rapid decline in Hollywood work. When Hollywood writers and actors went on strike in 2023, they drew attention to the rapidly changing nature of film and television production. In Boom to Bust, media industry experts Miranda Banks and Kate Fortmueller combine economic and cultural analysis and interviews with industry workers to capture the lived experience of Hollywood in crisis. Tracking major disruptions of the preceding decade—including the transformation of streaming services into studios, the overproduction of series during Peak TV, as well as #MeToo and COVID—the authors explain how the conflicting interests of studio executives, creative workers, and workers' unions compelled a renegotiation of the terms of work. Grounding readers in the history of Hollywood labor negotiations, the authors provide a road map to make sense of Hollywood's present—and what comes next. Miranda Banks is Professor of Film, Television, and Media Studies at Loyola Marymount University, author of The Writers: A History of American Screenwriters and Their Guild, and coeditor of Production Studies. Kate Fortmueller is Associate Professor of Film and Media History at Georgia State University and author of Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production and Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

How teachers and students are using AI at school and beyond. About John Dolman John Dolman is a Media Studies teacher at Ponteland Community High School. He holds an MEd in Educational Leadership and Practitioner Enquiry and a Postgraduate Certificate in Education from Newcastle University. He has worked in schools in the UK, Malaysia and the United Arab Emirates, teaching English and Media and holding leadership roles including Head of Languages and Cultures and Raising Achievement Deputy. His responsibilities have included curriculum development, teacher training and mentoring, data analysis, and performance management. He is interested in using AI and generative AI in practical ways to support teaching and learning. Outside of work, he enjoys the outdoors, practises martial arts, and cares about the environment and his local community. LinkedIn: https://www.linkedin.com/in/john-dolman-3836b8251/  Resources https://theaienglishteacher.wordpress.com/  https://activelyintelligent.org/about John Mikton on Social Media LinkedIn: https://www.linkedin.com/in/jmikton/ Twitter: https://twitter.com/jmikton Web: beyonddigital.org Dan Taylor on social media: LinkedIn: https://www.linkedin.com/in/appsevents  Twitter: https://twitter.com/appdkt  Web: www.appsevents.com Listen on: iTunes / Podbean / Stitcher / Spotify / YouTube Do a full security audit of your Workspace for free at https://workspaceaudit.com Would you like to have a free 1 month trial of the new Google Workspace Plus (formerly G Suite Enterprise for Education)? Just fill out this form and we'll get you set up bit.ly/GSEFE-Trial

Two of our earliest guests are back — and 200 episodes later, the conversation is better than ever.Jason sits down with Emily Contois (Associate Professor of Media Studies at the University of Tulsa and author of *Diners, Dudes, and Diets*) and Mark Johnson (Assistant Professor of History at UT Chattanooga and author of the newly released *American Bacon: The History of a Food Phenomenon*) to dig into the 2022 satirical horror film *The Menu* — and end up covering pretty much everything worth knowing about American food culture along the way.What starts as a film discussion quickly becomes a wide-ranging conversation about class anxiety and culinary capital, the rise (and fall) of the celebrity chef, the myth of Southern food exceptionalism, why farm-to-table can only exist after industrialization, and what it really means when you pull out your phone to photograph your dinner. They debate who deserves their fate in the film, why the cheeseburger scene might be the most important moment in the whole movie, and whether food can ever truly be "authentic."Plus: Jose Andres, Anthony Bourdain's complicated legacy, Mario Batali, the bread scene, s'mores as satire, Noma's $1,500 tasting menu, and why gumbo might just be the most American food there is.*Spoilers throughout — watch the film first.*---*Emily Contois is on Instagram and Bluesky. Her book Diners, Dudes, and Diets is available wherever books are sold. Mark Johnson's American Bacon is out now — and he'll be back on the pod soon for a dedicated book episode.*

Recorded April 14th 2026. Join Trinity's Professor of English, Eve Patten, for a discussion on literary character formation with Professor James Chandler, William B. Ogden Distinguished Service Professor in the Department of English, Department of Cinema and Media Studies at the University of Chicago; Professor Sharon Marcus, Orlando Harriman Professor of English and Comparative Literature at Columbia University; and Professor Claire Connolly, Chair of Modern English at University College Cork. This event is organised by the Trinity Long Room Hub in association with the Society of Fellows and Heyman Center for the Humanities at Columbia University. Learn more at www.tcd.ie/trinitylongroomhub

Tonight, on The Panel, Wallace Chapman is joined by panellists Andrew Clay and Lizzie Marvelly. First up, the bottleneck at the Strait of Hormuz isn't going anywhere, and it's threatening a global recession. Australian National University international law Professor Donald Rothwell joins with his analysis. Then, in an annual AUT survey, public trust in news has risen for the first time in six years. What's driving the increase? Associate Professor in Media Studies, Peter Thompson, shares his thoughts.

University of Chicago Assistant Professor in the Department of Cinema and Media Studies, AE Stevenson and Rutgers University–New Brunswick, Assistant Professor of Journalism and Media Studies Brooklyne Gipson join us to talk about digital Black feminism online. We start our discussion with America's relations with the platform TikTok, and how it is a large social media site for Black creators. We then explore how to define community and culture, especially for Black people online, in a world resistant to progress. Building from this, AE and Brooklyne discuss how certain communicative practices in the Black community focus on storytelling as a vehicle for critical thought rather than a lack of media literacy education. This leads to the larger topic of online discourse around the films Sinners and One Battle After Another. We end with dissecting how the recognition of, or lack thereof, Black culture affects people's views of these films. Although they both feature Black actors, they interact with culture very differently. Ultimately, we push for an awareness of the multilayered discussions of media seen as progressive or discursive. They should think about what cultures and communities are being featured and how.        Here are some of the references from this episode, for those who want to dig a little deeper: Academic/Educational readings and resources: Race After Technology: Abolitionist Tools for the New Jim Code Algorithms of Oppression  Dark Matters: On the Surveillance of Blackness Renegades: Digital Dance Cultures from Dubsmash to TikTok Digital Pleasure and Danger: A Roundtable Discussion Niggas on the Internet: Scenes of a Black Social Life (Dissertation) Sites of Chaos: Scenes of a Black Social Life (book in progress) he Black Mirror World: Racialized Disinformation and Misogynoir Online (book in progress) The Comet (1920) [short story, article] The Souls of Black Folk Black Oscars: From Mammy to Minny, What the Academy Awards Tell Us about African Americans People & Places: Ruha Benjamin Ryan Coogler Teyana Taylor Safiya Noble Simone Browne Jasmine Crockett Centinela Drive-In Steve Jobs Charli D'Amelio Leonardo Chiariglione Toni Cade Bambara W. E. B. Du Bois Denzel Washington Lupita Nyong'o Michael B. Jordan Nia DaCosta Sonja Norwood (wickdconfections) Leonardo DiCaprio Timothée Chalamet Sam Raimi Kevin Samuels Andrew Tate Candace Owens Charlie Kirk Erika Kirk Nicki Minaj Steve Bannon Paul Thomas Anderson Maya Rudolph Minnie Riperton Media: Michael B. Jordan Wins Best Actor | 98th Oscars Speech (2026) Sinners (2025) One Battle After Another (2026) Twister (1996) #OscarsSoWhite and The Legacy of Halle Berry by Be Kind Rewind Scream franchise Scream (1996) Scream 7 (2026) Scary Movie franchise Scary Movie (2026 film) Black Panther (2018) Black Panther: Wakanda Forever (2022) Bugonia (2025) Magnolia (1999) Punch-Drunk Love (2002) Inherent Vice (2014) Phantom Thread (2017) Licorise Pizza (2021) Moonlight (2016) James Bond series Live and Let Die (1973) Oregon Trail (game) Lex Marie artwork A Thousand and One (2023) From Dusk Till Dawn (1996) The Jazz Singer (1980) TikTok finalizes deal to form new U.S. unit with major American investors Is the new US TikTok safer? Candace Owens takes on Erika Kirk in 'The Bride of Charlie' Erika Kirk Accidentally Mixes Up 'Grift' Instead of 'Grit' in Awkward Moment at Turning Point USA Event Vine TikTok YouTube Wickdconfections Black American recipe series Exalted (book) ––––––––––––––––––––––––––––––Share your thoughts via Twitter with Henry, Colin and the How Do You Like It So Far? account! You can also email us at howdoyoulikeitsofarpodcast@gmail.com.Music:“In Time” by Dylan Emmett and “Spaceship” by Lesion X.In Time (Instrumental) by Dylan Emmet https://soundcloud.com/dylanemmetSpaceship by Lesion X https://soundcloud.com/lesionxbeatsCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: https://bit.ly/in-time-instrumentalFree Download / Stream: https://bit.ly/lesion-x-spaceshipMusic promoted by Audio Library https://youtu.be/AzYoVrMLa1Q––––––––––––––––––––––––––––––

In this episode of "Giant Mess", we're heading to the Death Planet Genna for our full movie review and cinematic breakdown of Predator: Badlands. We dive deep into Dan Trachtenberg's latest entry in the franchise , exploring how the controversial PG-13 rating totally worked by substituting human gore for "synth-on-synth crime". We analyze Dek, the underdog "Gen-Z" Yautja protagonist played by Dimitrius Schuster-Koloamatangi , and his unconventional alliance with a damaged Weyland-Yutani synthetic named Thia, played by Elle Fanning.We also break down the incredible organic tech and creature designs—from razor grass and bone bison to the unkillable Kalisk and fan-favorite infant sidekick, Bud. Plus, what do the Alien universe Easter eggs mean for the future of the franchise? We connect the dots between Badlands, Prey, Alien: Romulus, and the Alien: Earth TV series , and explore the insane ending theories surrounding Dek's "Mother" and a potential live-action return for Arnold Schwarzenegger's Dutch.See where Predator: Badlands ranks in our ultimate Alien and Predator timeline , and why the Yautja Renaissance has ushered in a new era.New York Giants Fan Rants & Analysis - https://bit.ly/NYGiantsYTPlaylist NY Mets Fan Rants & Analysis - https://bit.ly/MetsYTPlaylist Movie Reviews - https://bit.ly/GiantMessMovieReviews TV Show Reactions - https://bit.ly/GiantMessTV Funny Stories -  https://bit.ly/GiantMessFunnyStoriesABOUT NEAL LYNCH:Neal Lynch is the creator and host of Giant Mess, a podcast blending sports commentary, pop culture analysis, and storytelling. Former 4th string quarterback and middle relief pitcher at a Division III school. Degrees in Film & Media Studies and Communications. Helped multiple major media and entertainment publishers develop, produce, optimize, distribute, and promote videos across web, video, and social media platforms. Single dad who loves to blog, podcast, write, edit, optimize, strategize, and over-analyze.  ABOUT "GIANT MESS":"Giant Mess" is a weird sports and entertainment comedy podcast hosted by a giant mess, the Real Cinch Neal Lynch. Neal covers New York Giants football, NY Mets baseball, movies, and TV shows, mixing in funny stories along the way.  Episodes focus on movie reviews, tv show recaps, post-game analysis, predictions, breakdowns, reactions, and funny stories.Subscribe to Giant Mess on YouTube: ⁠⁠https://bit.ly/GiantMessYT⁠⁠ Follow me on:* Link Tree - ⁠⁠https://linktr.ee/neallynch⁠⁠  * My Official Blog - ⁠⁠http://bit.ly/neallynchBLOG⁠⁠ * Facebook Page - ⁠⁠http://bit.ly/GiantMessFB⁠⁠    * Twitter - ⁠⁠http://bit.ly/NealLynchTW⁠⁠     * Personal Instagram - ⁠⁠http://bit.ly/NealLynchIG⁠⁠    * Podcast Instagram - ⁠⁠https://bit.ly/GiantMessInstagram⁠⁠  * Subscribe on Apple Podcasts - ⁠⁠http://bit.ly/GiantMessApple⁠⁠  * Subscribe on Spotify - ⁠⁠http://bit.ly/GiantMessSpotify⁠⁠ 

In this episode of In Jewish History, Michael sits down with Ross Melnick to discuss Sid Grauman—the Hoosier Jewish showman who helped shape Hollywood's golden age.Melnick is a professor of Film and Media Studies at the University of California, Santa Barbara. He was named an Academy Film Scholar and an NEH Fellow for his acclaimed book, Hollywood's Embassies: How Movie Theaters Projected American Power Around the World, which explores how movie theaters became powerful tools of American cultural influence worldwide.

Universities, long celebrated as sanctuaries of free thought and intellectual rigour, have for centuries been regarded as the best way to educate and conduct research. But increasingly, this assumption is being questioned. A recent study found that two-thirds of academics feel their freedom to teach and study is being curtailed. In 2022 alone, over 1,000 instances of content warnings or text removals were documented across UK universities. While some academics now criticise PhD programmes as a way to extract "fees and cheap labour" from students, reports suggest that most academic papers are read by an average of just ten people. More than half of respondents now say that going to university is not worth it. And in the US, graduate student debt averages over $71,000, while similar information is often freely available online.Should we call time on the age of the university and find new, innovative ways to educate people? Should we leave research and innovation to the business sector and free-market forces? Or are universities still vital to our education and culture and can a radical overhaul restore them to their original purpose?Yaron Brook is a political scientist, and chairman of the Ayn Rand Institute. He's a bestselling author and the host of The Yaron Brook Show. Catherine Liu is a Professor of Film and Media Studies at the University of California, Irvine. She's the author of Virtue Hoarders: The Case against the Professional Managerial Class. Eric Kaufmann is Professor of Politics at the University of Buckingham. He's the author of Taboo and Whiteshift: Immigration, Populism and the Future of White Majorities. Jay Shapiro hosts.Email us at podcast@iai.tv with your thoughts on the episode!To see your favourite thinkers tackle philosophy's most current issues, buy tickets for our upcoming festival: https://howthelightgetsin.org/festivals/And visit our website for many more articles, videos, and podcasts like this one: https://iai.tv/You can find everything we referenced here: https://linktr.ee/philosophyforourtimesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Is this the most chaotic offseason in New York Mets franchise history? We break down the "Great Purge," David Stearns' roster overhaul, and give our official 2026 Mets season predictions.In this Giant Mess, Neal Lynch dives into the state of the Mets empire on the eve of Opening Day. After saying goodbye to franchise cornerstones like Pete Alonso, Edwin Diaz, Brandon Nimmo, and Jeff McNeil, the front office rebuilt a pennant contender in just 90 days.We cover all the blockbuster signings and trades, including Bo Bichette's shocking move to third base, Jorge Polanco at first, Luis Robert Jr. taking over center field, and Juan Soto's shift to left. Plus, we look at the revamped pitching rotation featuring Freddy Peralta, Nolan McLean, and the bullpen additions of Devin Williams and Luke Weaver. Will this completely retooled roster be enough to guarantee a playoff spot, or will it backfire?Intro: The State of the Mets EmpireThe "Great Purge" (Losing Alonso, Diaz, Nimmo, & McNeil)David Stearns' Masterclass: Rebuilding in 90 DaysThe New Infield: Polanco, Semien & Bo BichetteOutfield Shuffle: Juan Soto in Left & Luis Robert Jr. in CenterStarting Rotation Breakdown: Freddy Peralta & Nolan McLeanFixing the Bullpen: Luke Weaver & Devin WilliamsSeason Predictions & Player Projections#NewYorkMets #Mets #LGM #MetsPodcast #GiantMess #JuanSoto #BoBichette #MLB #MetsFansNew York Giants Fan Rants & Analysis - https://bit.ly/NYGiantsYTPlaylist NY Mets Fan Rants & Analysis - https://bit.ly/MetsYTPlaylist Movie Reviews - https://bit.ly/GiantMessMovieReviews TV Show Reactions - https://bit.ly/GiantMessTV Funny Stories -  https://bit.ly/GiantMessFunnyStoriesABOUT NEAL LYNCH:Neal Lynch is the creator and host of Giant Mess, a podcast blending sports commentary, pop culture analysis, and storytelling. Former 4th string quarterback and middle relief pitcher at a Division III school. Degrees in Film & Media Studies and Communications. Helped multiple major media and entertainment publishers develop, produce, optimize, distribute, and promote videos across web, video, and social media platforms. Single dad who loves to blog, podcast, write, edit, optimize, strategize, and over-analyze.  ABOUT "GIANT MESS":"Giant Mess" is a weird sports and entertainment comedy podcast hosted by a giant mess, the Real Cinch Neal Lynch. Neal covers New York Giants football, NY Mets baseball, movies, and TV shows, mixing in funny stories along the way.  Episodes focus on movie reviews, tv show recaps, post-game analysis, predictions, breakdowns, reactions, and funny stories.Subscribe to Giant Mess on YouTube: ⁠⁠https://bit.ly/GiantMessYT⁠⁠ Follow me on:* Link Tree - ⁠⁠https://linktr.ee/neallynch⁠⁠  * My Official Blog - ⁠⁠http://bit.ly/neallynchBLOG⁠⁠ * Facebook Page - ⁠⁠http://bit.ly/GiantMessFB⁠⁠    * Twitter - ⁠⁠http://bit.ly/NealLynchTW⁠⁠     * Personal Instagram - ⁠⁠http://bit.ly/NealLynchIG⁠⁠    * Podcast Instagram - ⁠⁠https://bit.ly/GiantMessInstagram⁠⁠  * Subscribe on Apple Podcasts - ⁠⁠http://bit.ly/GiantMessApple⁠⁠  * Subscribe on Spotify - ⁠⁠http://bit.ly/GiantMessSpotify⁠⁠ 

Producer's note: In case the title has stirred up some strong emotions, women account for 75-80% of this genre. Professor Catharine Lumby is an Australian academic, author and journalist, and is currently Chair of the Department of Media and Communications at the University of Sydney. Before transitioning to academia, Lumby had an extensive career in journalism, working as a feature writer and columnist for The Sydney Morning Herald, a news reporter for the ABC, and a columnist and senior writer at The Bulletin. She obtained her PhD from Macquarie University, after completing an Arts/Law degree at the University of Sydney, and went on to become the foundation Chair of the Media and Communications Department at the University of Sydney. Her academic career has included senior roles at UNSW, where she was the foundation Director of the Journalism and Media Research Centre, and at Macquarie University as Professor of Media, before returning to the University of Sydney as Professor of Media Studies. With research interests spanning gender, sexuality and popular culture, Lumby is also a widely published author and media commentator on gender and media, which makes her insights into the intersection of media consumption and social behaviors particularly impactful. Key Takeaways: The true crime genre has historical roots in 16th-century Britain and has evolved from public ballads to podcasts. Women's consumption of true crime is often linked to a desire for empowerment and understanding in a world with prevalent gendered violence. Fictional detectives use empirical reasoning as a counterpart to be analysed alongside faith-focused narratives in crime. The host's discussion touches upon legal responses to crime and human fascination with extreme acts, pushing listeners to consider moral and spiritual reflections. Empathy is highlighted as critical to understanding the broader implications of true crime stories, beyond mere voyeurism. Notable Quotes: "True crime is an opportunity to really perhaps understand things from the victim's point of view, the survivor's point of view..." - Professor Catharine Lumby "The Bible is a realistic book and it doesn't shy away from…difficult things." - Megan Powell du Toit "At its deepest, realising that none of us are that far…from what we might see as monstrous." - Professor Catharine Lumby "Empathy, for me, is the highest quality." - Professor Catharine Lumby "The cross itself is a kind of true crime. It's a realistic display of evil and ultimate redemption." - Michael Jensen Resources: Helen Garner's Works: Noted for her insightful writing on justice and human behavior. Truman Capote's "In Cold Blood": A seminal true crime book mentioned during the discussion. Teacher's Pet Podcast: Explored as a notable example of true crime media in Australia. See omnystudio.com/listener for privacy information.

Special guest Dr. Elain Price (Senior Lecturer in Media Studies, Swansea University) joins Chris and Alex for this rundown of SuperTed (Mike Young, 1982-1986) where they reflect on the series' contribution to - and place within - histories of animation, including its influence upon the development of Welsh animation production over the last 40 years. Focusing on the episodes “SuperTed and the Inca Treasure” (S1E1, 1982), “SuperTed and the Giant Kites” (S1E4, 1983) and “SuperTed on Planet Spot” (S1E12, 1983), topics for Episode 170 include Elain's own work on Welsh-language television channel S4C (the first to be aimed at a Welsh-speaking audience) and the broadcast of SuperTed on the first night of the channel in 1982; industry, investment, and the marketing of Mike Young's television adaptation of his own childen's books; links between the anthropomorphic character of SuperTed and Sid Griffith's silent-era Welsh cartoon series Jerry the Troublesome Tyke (1925-1927); regional fantasy and parochial Welsh representation; and what SuperTed can tell us about national identity and the transportable nature of children's television more broadly. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot's 25 Best London Education Podcasts** **As featured on MillionPodcast's Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK**

Irish Digital Cultures: Identity, Contexts, Space (Routledge, 2025) explores how questions of Ireland and Irishness are represented in online environments, and what these phenomena say about contemporary Irish identities both within the country and globally. It will interest Irish Studies, Media Studies, Cultural Studies, Sociology, Race, Gender, Identity, and New Media. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Irish Digital Cultures: Identity, Contexts, Space (Routledge, 2025) explores how questions of Ireland and Irishness are represented in online environments, and what these phenomena say about contemporary Irish identities both within the country and globally. It will interest Irish Studies, Media Studies, Cultural Studies, Sociology, Race, Gender, Identity, and New Media. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Irish Digital Cultures: Identity, Contexts, Space (Routledge, 2025) explores how questions of Ireland and Irishness are represented in online environments, and what these phenomena say about contemporary Irish identities both within the country and globally. It will interest Irish Studies, Media Studies, Cultural Studies, Sociology, Race, Gender, Identity, and New Media. Learn more about your ad choices. Visit megaphone.fm/adchoices

Irish Digital Cultures: Identity, Contexts, Space (Routledge, 2025) explores how questions of Ireland and Irishness are represented in online environments, and what these phenomena say about contemporary Irish identities both within the country and globally. It will interest Irish Studies, Media Studies, Cultural Studies, Sociology, Race, Gender, Identity, and New Media. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Irish Digital Cultures: Identity, Contexts, Space (Routledge, 2025) explores how questions of Ireland and Irishness are represented in online environments, and what these phenomena say about contemporary Irish identities both within the country and globally. It will interest Irish Studies, Media Studies, Cultural Studies, Sociology, Race, Gender, Identity, and New Media. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Scholar of science and technology studies and Associate Professor of Information Sciences and Media Studies at the University of Illinois Urbana-Champaign, Dr. Anita Say Chan, is back to break down the fight between the Pentagon and Claude A.I., & explain big tech's increasingly obvious and ominous gestures to a techno feudalist future where intelligence is paywalled, human bodies exist to be rented by AI agents, and big tech runs the American military machine. Subscribe to Bad Faith on YouTube for video of this episode. Find Bad Faith on Twitter (@badfaithpod) and Instagram (@badfaithpod). Produced by Armand Aviram. Theme by Nick Thorburn (@nickfromislands).

Bounce: Balls, Walls, and Bodies in Games and Play (MIT Press, 2026) follows an array of bouncing balls through the histories of nonelectronic and electronic games, across the spectrum of play, game, and sport, and into the domains of physics, material science, animation, and computing. The book's focus on bounce sidesteps the focus on play found in much of the game studies literature and broadens the scope of game history by spotlighting an interaction that is central to thousands of physical and digital games and sports. The book is divided into three sections that introduce different kinds of bounce to address the matter of the ball, the virtuality of bounce, and bounded spectacle: Ricochet in ancient tennis is set against modern tennis's true bounce; squash and stretch in animation serves as a mirror of the pings and pongs of computer bounce; and the bounce feel in Electronic Art's FIFA video game series and pok ta pok of the Mesoamerican game ulama elaborate the contrasting positions of these two mythological games. Carlin Wing is Associate Professor of Media Studies at Scripps College. Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Has the internet always been a magical space?Shira Chess, a Professor of Entertainment and Media Studies at the University of Georgia and a leading scholar of digital folklore, dive into her new book, The Unseen Internet: Conjuring the Occult in Digital Discourse, to explore the hidden spiritual architecture of our digital lives.From the open-source creation of digital cryptids like Slender Man on early forums to the summoning of AI entities in latent space, Chess argues that technology and magic have become indistinguishable. Rushkoff and Chess discuss how the countercultural, techno-shamanic roots of the 1990s internet (including the Mondo 2000 era) transformed into today's algorithm-driven corporate landscape, and how we might reclaim our agency by finding subversive ways to use these technologies.They also unpack algorithmic conspirituality, exploring why we treat our social media feeds like modern-day oracles, and how meme magic has evolved from an online joke into a force that shapes political reality. Ultimately, is our digital occultism a path to liberation, or just a new way to decorate our corporate cages?Substack: Subscribe to The Unseen Internet at https://unseeninternet.substack.com/Book: Get The Unseen Internet: Conjuring the Occult in Digital Discourse wherever books are sold.Team Human is proudly sponsored by Everyone's Earth.Learn more about Everyone's Earth: https://everyonesearth.com/Change Diapers: https://changediapers.com/Cobi Dryer Sheets: https://cobidryersheets.com/Use the code “rush10” to receive 10% off of Cobi Dryer sheets: https://cobidryersheets.com/Support Team Human on Patreon: https://www.patreon.com/teamhumanFollow Team Human with Douglas Rushkoff:Instagram: https:/www.instagram.com/douglasrushkoffYouTube: https://www.youtube.com/@douglasrushkoffTikTok: https://www.tiktok.com/douglasrushkoffBluesky: https://bsky.app/profile/rushkoff.com Hosted on Acast. See acast.com/privacy for more information.