Podcast appearances and mentions of andy rotman

O capítulo 6 do Farol da Certeza lida com questões de pramana, isto é, lógica e epistemologia budistas. Esta é uma apresentação geral do tema. Estudo de o Farol da Certeza https://tzal.org/estudo-de-o-farol-da-certeza/#60 Mipham's Beacon of Certainty https://www.amazon.com.br/dp/0861711572/?tag=tzal-20 Este podcast também está disponível em formato de vídeo em https://tzal.org/questoes-epistemicas/ Hungry Ghosts https://www.amazon.com.br/dp/1614297215?tag=tzal-20 livro sobre fantasmas famintos de Andy Rotman. (na amazon.com.br, em inglês) A arte do thumbnail é de Tashi Norbu, um artista tibetano de arte contemporânea https://m.facebook.com/museumofcontemporarytibetanart/photos/world-water-day-celebrating-water-element-the-tibetan-artist-tashi-norbu-thinks-/1852432214862650/ Para receber informações sobre a produção de Padma Dorje: https://tzal.org/boletim-informativo/ Por favor ajude esse canal: https://tzal.org/patronagem/ Lista completa de conteúdos no canal tendrel, com descrição: https://tzal.org/tendrel-lista-completa-de-videos/ Centros de darma que recomendo https://tzal.org/centros-de-darma-que-recomendo/ Para me ajudar comprando na amazon https://tzal.org/amazon Contribuições e perguntas podem ser feitas por email, que também funciona como chave PIX (conexoesauspiciosas@gmail.com)

In this episode, I speak with Dr. Andy Rotman, professor in the Religion Department and Buddhist Studies program at Smith College in Massachusetts where he teaches a course on "spiritual but not religious," one of the fastest-growing demographics in the United States. In our discussion, we talk about who identifies as spiritual but not religious, what it might mean, but also some of the key themes driving what Andy refers to as a "movement of discontent" including economic, racial, social, and environmental justice. Andy Rotman https://www.smith.edu/academics/faculty/andy-rotman Support Rebel Spirit Radio https://www.paypal.me/rebelspiritradio

We often look to buddhas and bodhisattvas as the heroic protagonists of the Buddhist cosmos. But even the most wretched creatures can teach us a thing or two about the dharma. Andy Rotman, a scholar of South Asian religions at Smith College in Northampton, Massachusetts, is one of the few academics researching the history of hungry ghosts—the denizens of hell who suffer from greed and envy cultivated in past lives. Rotman and Tricycle's editor-in-chief James Shaheen discuss ancient ghost stories in today's episode of Tricycle Talks. Together, they reflect on how these cautionary tales and nightmarish images reveal not only some of the fears and concerns of early Buddhist communities but also many of our own. What these tormented souls are meant to do, according to Rotman, is to shock us out of selfish complacency and delusion and wake us up to a more compassionate way of being.

Milford Graves-- percussionist, acupuncturist, herbalist, martial artist, programmer, professor and pioneer of improvised music-- left this world on February 12, 2021. Join me in this celebration of his music and his life in a Deep Focus from July of 2019 with the brilliant Pheeroan Aklaff.  Splendor! As a special bonus, if I get just one request, I will also post the interview that Andy Rotman and I did with Milford in July of 1987(!). #WKCR #MitchGoldman #DeepFocus #PheeroanakLaff #MilfordGraves #Jazz #JazzRadio #JazzInterview

Milford Graves-- percussionist, acupuncturist, herbalist, martial artist, programmer, professor and pioneer of improvised music-- left this world on February 12, 2021. Join me in this celebration of his music and his life in a Deep Focus from July of 2019 with the brilliant Pheeroan Aklaff.  Splendor! As a special bonus, if I get just one request, I will also post the interview that Andy Rotman and I did with Milford in July of 1987(!). #WKCR #MitchGoldman #DeepFocus #PheeroanakLaff #MilfordGraves #Jazz #JazzRadio #JazzInterview

Here for you is a bonus episode.  Since we are remembering Milford Graves, this is an interview that Andy Rotman and I did with him in 1987 on the topic of Albert Ayler.  Thank you for the music, Milford!

Here for you is a bonus episode.  Since we are remembering Milford Graves, this is an interview that Andy Rotman and I did with him in 1987 on the topic of Albert Ayler.  Thank you for the music, Milford!

Milford Graves-- percussionist, acupuncturist, herbalist, martial artist, programmer, professor and pioneer of improvised music-- left this world on February 12, 2021. Join me in this celebration of his music and his life in a Deep Focus from July of 2019 with the brilliant Pheeroan Aklaff.  Splendor! As a special bonus, if I get just one request, I will also post the interview that Andy Rotman and I did with Milford in July of 1987(!). #WKCR #MitchGoldman #DeepFocus #PheeroanakLaff #MilfordGraves #Jazz #JazzRadio #JazzInterview Photo credit: Milford Graves by Andy Newcombe Farnborough, UK, CC BY-SA 2.0 creativecommons.org/licenses/by-sa/2.0, via Wikimedia Commons

Milford Graves-- percussionist, acupuncturist, herbalist, martial artist, programmer, professor and pioneer of improvised music-- left this world on February 12, 2021. Join me in this celebration of his music and his life in a Deep Focus from July of 2019 with the brilliant Pheeroan Aklaff.  Splendor! As a special bonus, if I get just one request, I will also post the interview that Andy Rotman and I did with Milford in July of 1987(!). #WKCR #MitchGoldman #DeepFocus #PheeroanakLaff #MilfordGraves #Jazz #JazzRadio #JazzInterview Photo credit: Milford Graves by Andy Newcombe Farnborough, UK, CC BY-SA 2.0 creativecommons.org/licenses/by-sa/2.0, via Wikimedia Commons

Milford Graves-- percussionist, acupuncturist, herbalist, martial artist, programmer, professor and pioneer of improvised music-- left this world on February 12, 2021. Join me in this celebration of his music and his life in a Deep Focus from July of 2019 with the brilliant Pheeroan Aklaff. Splendor! As a special bonus, if I get just one request, I will also post the interview that Andy Rotman and I did with Milford in July of 1987(!). #WKCR #MitchGoldman #DeepFocus #PheeroanakLaff #MilfordGraves #Jazz #JazzRadio #JazzInterview Photo credit: Milford Graves by Andy Newcombe Farnborough, UK, CC BY-SA 2.0 creativecommons.org/licenses/by-sa/2.0, via Wikimedia Commons

Milford Graves-- percussionist, acupuncturist, herbalist, martial artist, programmer, professor and pioneer of improvised music-- left this world on February 12, 2021. Join me in this celebration of his music and his life in a Deep Focus from July of 2019 with the brilliant Pheeroan Aklaff. Splendor! As a special bonus, if I get just one request, I will also post the interview that Andy Rotman and I did with Milford in July of 1987(!). #WKCR #MitchGoldman #DeepFocus #PheeroanakLaff #MilfordGraves #Jazz #JazzRadio #JazzInterview Photo credit: Milford Graves by Andy Newcombe Farnborough, UK, CC BY-SA 2.0 creativecommons.org/licenses/by-sa/2.0, via Wikimedia Commons

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discover the powerful teachings on philosophy and faith woven into the classical stories of early Buddhism. In this episode of the Wisdom Podcast we meet Andy Rotman, professor of religion and Buddhist studies at Smith College and chief editor for Wisdom's Classics of Indian Buddhism series. An expert in the field of Buddhist literature, Andy shares with us […] The post Andy Rotman: The Divine Stories of Early Buddhism appeared first on The Wisdom Experience.