Podcasts about scenic set design

The panel of lighting designers -- Jules Fisher (seven-time Tony Award winner for, among others, Pippin, Chicago, Dancin’ and Jelly’s Last Jam) and Donald Holder (Tony Awards for The Lion King and the 2008 revival of South Pacific), scenic designers Eugene Lee (Tony winner for Candide, Sweeny Todd and Wicked) and Ming Cho Lee (from the Public Theater and 1983 Tony Award winner for his scenic designs for K2), and The Lion King associate costume designer Mary Peterson -- discuss the challenges of designing their current shows, how sets, lighting, and costumes complement each other, display and detail a costume from The Lion King, and present a model of one of the Ragtime sets.

The panel of lighting designers Jules Fisher ("Ragtime") and Donald Holder ("The Lion King"), scenic designers Eugene Lee ("Ragtime") and Ming Cho Lee (The Public Theater), and "The Lion King" associate costume designer Mary Peterson discuss the challenges of designing their current shows, how sets, lighting, and costumes complement each other, display and detail a costume from "The Lion King", and present a model of one of the "Ragtime" sets.

This broad panel of designers -- lighting designer Michael Chybowski (Moby Dick and Other Stories, Wit), scenic designer David Hays, sound designer Abe Jacob (Pippin, Evita), special effects designer Greg Meeh (Phantom of the Opera, Miss Saigon, Cirque du Soleil) and costume designer Ann Roth (Crucifer of Blood, The Royal Family, The House of Blue Leaves) -- discuss their purpose and accomplishments, collaborating with a production's creative team, apprentices and learning through hands-on experience, and the increase of sound and light levels over time.

This broad panel of designers - lighting designer Michael Chybowski ("Moby Dick and Other Stories", "Wit"), scenic designer David Hays, sound designer Abe Jacob ("Pippin", "Evita"), special effects designer Greg Meeh ("Phantom of the Opera", "Miss Saigon", Cirque du Soleil) and costume designer Ann Roth ("Crucifer of Blood", "The Royal Family", "The House of Blue Leaves") -- discuss their purpose and accomplishments, collaborating with a production's creative team, apprentices and learning through hands-on experience, and the increase of sound and light levels over time.