Podcasts about Wicked

Send us Fan MailTara and EmKay dive into the world of 1940's "The Blue Bird," starring Shirley Temple! The gals discuss crossover with the land of Oz, highlights of Shirley's career, and more!Apologies for the lower quality sound for a few minutes halfway through!Show Notes:Oddment and TweakMoonchild TrinketsThe Truth About Shirley Temple's "Wizard of Oz" ConnectionChild Star: An Autobiography by Shirley Temple BlackThe Wizard of Oz (1982 anime) with Down the Yellow Brick Pod - Once Upon a VHSInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: www.emilykayshrader.netPatreon: https://www.patreon.com/downtheyellowbrickpodEtsy: https://www.etsy.com/market/down_the_yellow_brick_podMusic by: Shane ChapmanEdited by: Emily Kay ShraderDown the Yellow Brick Pod: A Wizard of Oz Podcast preserving the history and legacy of Oz

Cardinal McElroy, the Cardinal Archbishop of Washington, DC, is pushing the Nu Synodal Church forward by preventing reverent reception of the Holy Eucharist.Sponsored by Nelson Insurance Advisorshttps://www.nelsonplan.comSources:https://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

Originally aired Oct 1st, 2019: This 2-time Tony-nominated actor made his Broadway debut in Wicked as 2008 as Boq, and since then has gone on to roles in Assassins, Matilda the Musical, Big Fish, and School of Rock where he originated the role of Dewey Finn, earning him his first Tony nomination. His TV/Film credits include Royal Pains, The Good Fight, and Documentary Now! among many others, He now holds the title role in Beetlejuice on Broadway which brought him his second Tony nomination. This interview shows a unique and different side of Alex. Known as the funny man, he has a deeply real part of himself that he taps into before every performance. Connect with Alex online: Twitter: @⁠ABrightMonster⁠ Connect with The Theatre Podcast: Support us on Patreon: ⁠Patreon.com/TheTheatrePodcast⁠ Twitter & Instagram: ⁠@theatre_podcast⁠ ⁠Facebook.com/OfficialTheatrePodcast⁠⁠TheTheatrePodcast.com⁠ Alan's personal Instagram: ⁠@alanseales⁠ Email us at feedback@thetheatrepodcast.com. We want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailYou asked for some horror coverage, and that's exactly what you're getting! Today we're here with CJ Leede, THE Queen of horror, to get to know her, introduce her brand new book Headlights and discuss why horror with feminist themes is so important and is resonating on a different level with readers right now. Don't worry, this episode is entirely spoiler free, so if you're horror curious but not sure if it's for you, stick around to find out why we think the thriller and fantasy girlies might just be on track to embrace a new, spookier genre.Headlights is now available everywhere you find your favorite books including Audible (starring audiobook narrator Andrew Eiden who many of you may know as Teddy Hamilton…!). The scream we scrempt when CJ told us that fact should've been recorded - oh wait! It was. What can we say? It was the best possible audiobook surprise. We talk briefly about her previous comedic slasher release Maeve Fly, the USA Today bestseller, winner of the Golden Poppy Octavia E. Butler Award, the Splatterpunk Award for Best Novel, and a Bram Stoker Award nominee, and her second apocalyptic feminist horror novel American Rapture named one of the best horror books of 2024 by Esquire Magazine, a Goodreads and Publisher's Weekly Editor's pick and A Splatterpunk Award finalist. What should you expect when you pick up one of CJ's books? Why are they all wildly different? And how scary is Headlights, really? In addition to being a horror writer, CJ is a hiker and Trekkie, and when she's not driving around the country, she can be found in LA with her boyfriend and rescue dogs. Make sure to go follow her @ceejthemoment for all the latest updates on her book tour! We're bringing you all of this, plus CJ's “Fave & Fail” Headlights edition, and a rapid fire smash or pass with all of our favorite horror movie men. Check out CJ Leede here https://us.macmillan.com/author/cjleedeAnd on Instagram https://www.instagram.com/ceejthemoment?igsh=NTc4MTIwNjQ2YQ==Don't be shy, subscribe! New Podcasts every Tuesday!! (And sometimes Friday!…)Shop our Merch line | *  https://besties-and-the-books-shop.fourthwall.comCheck out these narrator interviews? ⬇️Anthony Palmini gives us the lowdown on what it's like to voice act Rhysand, Kingfisher, AND Slade Ravinger! https://youtu.be/zcCyrlZ5Jcc?si=2k7ULbRPgZl_5pUJCheck out these author interviews? ⬇️Penn Cole talks with us about Strong Female Characters, Feminist Themes, and her debut bestselling Spark of the Everflame Series! https://youtu.be/7ukNImyoObw?si=7C3Y9kOUMN4hfcKbWe interviewed Callie Hart all about her NYT Bestseller Quicksilver! Watch it here! https://youtu.be/CED5s7qDBdQ?si=8xtIRO1IzX6Rsld4Check the official Follow Up Author Interview with Lindsay Straube of the Split or Swallow Universe all about Between Two Kings! https://youtu.be/OW1cxXTVcTc?si=oOxVIzbIheET_bNENikki St. Crowe, the queen of spicy fairy tale retellings chats with us about diving into the land of Oz with West of Wicked! https://youtu.be/wwFYSDKcbtE?si=X6iNmUVAE6Xhmv7B____Shop Bookish Merch we are wearing:Ashley is wearing a wolf hoodie from @killcrew | https://killcrew.co/products/lone-wolf-hoodie-black?srsltid=AfmBOorw2XGvXG1YQi4SGSSR_cI7Sh-x7v3RKVQAWNx6PpTUIvwBuhQCLiz is wearing one of our Besties and the Books Cropped Hoodies | * https://besties-and-the-books-shop.fourthwall.com/products/cropped-hoodie-besties-anti-social-crowAny link with an * is an affiliate link through the service Magic Links and is eligible for a commission to us with no extra cost to you. Thank you for helping support our podcast!Support the showYouTube | TikTok | Instagram | Podcast Platforms@BestiesandtheBooksPodcast Besties and the Book Club on Fable!https://fable.co/bestiesandthebookclub-474863489358Liz Instagram | TikTok@TheRealLifeVeganWife AshleyInstagram | TikTok@AshleyEllix

Send us Fan MailTara and EmKay dive into the world of 1940's "The Blue Bird," starring Shirley Temple! The gals discuss crossover with the land of Oz, highlights of Shirley's career, and more!Stay tuned for Part 2 dropping Wednesday!Show Notes:Drawn by BryanDrawn by Bryan RedBubbleDrawn by Bryan TeePublic@JoliCreates Instagram@JoliCreates Tik TokInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: www.emilykayshrader.netPatreon: https://www.patreon.com/downtheyellowbrickpodEtsy: https://www.etsy.com/market/down_the_yellow_brick_podMusic by: Shane ChapmanEdited by: Emily Kay ShraderDown the Yellow Brick Pod: A Wizard of Oz Podcast preserving the history and legacy of Oz

Tapping into fandom with animal protection and vegan messages, The Protego Foundation accesses sci-fi, fantasy, and other other devoted fan communities to advocate for animals. Our guest is Brittany Drake, campaigns director for The Protego Foundation. Brittany talks about the foundation's creative campaigns such as getting vegan butter beer offered at the Harry Potter theme parks, a Game of Thrones inspired campaign encouraging vendors at fan conventions not to use wild animals as props for photos, and their latest campaign around the release of the movie sequel, Wicked For Good. Brittany and Hope go on to talk about the animal rights and vegan themes in numerous movies and televisions entertainment, unpacking the animal personhood vision of Wicked, the strong animal characters in The Wizard of Oz, disturbing animal eating parallels in Stargate Atlantis, and vegetarianism in Avatar: The Last Airbender. They also talk about how the use of fictional creatures and characters can garner an audience's imagination and empathy for animals.Brittany Drake is the campaigns director for The Protego Foundation. She has helped with countless campaigns and seen several achieve success including Starbucks' dropping of the vegan upcharge for nondairy milks, Harvard and UMass closing their monkey labs, and Farmer John closing their Los Angeles slaughterhouse. In addition to her campaign work, she has rescued farmed animals and been arrested for civil disobedience on multiple occasions.Resources:The Protego FoundationThe Protego Foundation Mailing List(related) Hope for the Animals Podcast, episode 127: From Teddy Bears to Talking Fish: Children's Media and Animal Personhood with Cogen and Hope Bohanec Recommended Movies: Wicked and Wicked For GoodRemarkably Bright CreaturesChimp CrazyOkja Support this podcast:Hope for the Animals PodcastCompassionate LivingSocial Media:FacebookInstagramYouTube 

After betrayal, it is natural to want the whole map before you move. You want to know if your marriage can be saved, if they are telling the truth, whether you will regret staying or leaving, and if you will ever feel like yourself again. But what if the map does not appear until you move? In this episode, Lora Cheadle shares a story from her 10-year podcast anniversary trip to New York, where her GPS kept spinning and recalculating until she finally started walking. That moment became the perfect metaphor for betrayal recovery: standing still does not always create clarity. Sometimes movement creates clarity. Through stories from New York, Broadway, The Wizard of Oz, Wicked, and her own betrayal recovery journey, Lora explores why healing requires more than listening, learning, or waiting to see what your partner will do. Healing requires a path, a plan, support, and the willingness to take the next step. If you are tired of spiraling, eroding your boundaries, betraying yourself to keep the peace, or waiting for someone else to become clear before you reclaim your own life, this episode will help you understand why it is time to stop waiting for the map to appear and take the path.   Top 3 Takeaways The map may not appear until you move. After betrayal, it is tempting to wait for certainty before taking action. But clarity often comes through movement, not before it. Listening is not the same as having a plan. Podcasts, books, therapy, and support groups can all be helpful, but gathering information is not the same as walking a structured recovery path. You do not have to walk the path alone. Healing after betrayal requires heart, head, courage, support, and action. Like Dorothy gathering companions along the Yellow Brick Road, you need people and a process to help you move forward.   Favorite Quote “The map will not appear until you move. But you do not have to keep walking the journey alone.”   About Lora Lora Cheadle, JD, CHt is a former attorney turned betrayal recovery coach, hypnotherapist, and author who helps women rebuild their identity and reclaim their power after infidelity and profound emotional betrayal. Using her signature Life Choreography® approach, she integrates legal insight, nervous system regulation, somatic practices, and deep spiritual support to help clients move from shattered to sovereign.   Resources & Links Download the free Betrayal Recovery Guide: https://betrayalrecoveryguide.com Book your $97 Introductory Session: https://introductorysession.com Follow on YouTube, Instagram, and Facebook @loracheadle   This podcast is sponsored by BetterHelp. Healing after betrayal often requires more than insight alone. Therapy can provide additional support, stabilization, and guidance as you navigate the emotional impact of infidelity and betrayal trauma.

Dr. Alex Bina sits down with wide receiver Bryant Wesco Jr. and tight end Olsen Patt-Henry to discuss the energy surrounding Clemson's revamped offense under Chad Morris, the demanding summer conditioning program led by Dennis Love, and the mindset driving the Tigers through the offseason grind. Along the way, they share insights on recovery, take a trip down memory lane, and outline the unwritten rules of a great touchdown celebration.Watch the Full Episode on www.ClemsonPlus.com

In Episode 107, Brennan is joined by San Francisco-based writer/ director/ standup comedian/ etc., Nova Bradford, as they discuss the Bay Area art scene, fringe theatre, and the creation of "Luigi: The Musical"! Taking risks is the name of the game in this business, but it's also the best way to create some real, gritty, meaningful art that can actually make a difference in the world!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

Send us Fan MailWe're kicking off a series that hasn't been done since 2023 (but is one of Derek's favorites!).  Over the next 3 episodes, we are looking at Psalm 37 and it's implication for our lives as believers.  As we dive into the first few verses, we see that there are commands for us as Christians to follow.  Fret not, delight in the Lord, be still, wait patiently...all of these commands require obedience.  But the heart of the obedient one is a heart the Lord blesses.  As we journey through verses 1-13, we see Psalm 37 shows the Lord as a protector and that we have a blessed inheritance in Him.  Would love to have you join me for these next 3 episodes!  

From #1 Amazon bestselling author & USA Today bestseller Nikki St. Crowe comes WEST OF WICKED, an unexpected, sexy & dark reimagining of the classic tale, where Dorothy searches for the truth about her origins in the cursed, dark land of Oz. This inventive, fantastical new romance puts a spicy and creative twist on a beloved story, while adding a yellow-brick-road's worth of tension, banter & murder. Complete with a mysterious & charming scarecrow and an axe throwing ‘shadow daddy' tinman, WEST OF WICKED is the perfect new read for fans of Apples Dipped in Gold by Scarlett St. Clair and Neon Gods by Katee Robert. About West of Wicked: Dorothy Gale doesn't know where she came from. At the age of five, she was dropped on Em and Henry's doorstep while a terrible storm rolled across the Kansas prairie. Now as an adult, Dorothy has made the most of her life on the farm. But when a cyclone tears through the night, ripping her, her dog, and the farmhouse away, Dorothy wakes to find herself far from home in the strange, cursed land of Oz. Desperate to find her way back, Dorothy takes the advice of the Witch of the North and sets off on the yellow brick road to find a wizard…with a warning to avoid forest monsters, heartless mercenaries, and wicked witches. It isn't long before Dorothy encounters the dark side of Oz, stumbling on a man beaten and bloody, tied to a pole in a cornfield. Not unlike the scarecrows on the Kansas farm. With no memories, the mysterious stranger joins Dorothy. Rook is ridiculously handsome, endlessly charming, and somehow understands Dorothy in a way no one ever has. But when they cross paths with the infamous Tinman and his axe, Rook proves he may be hiding his own secret. Nothing and no one is what they seem in the cursed land of Oz…maybe even Dorothy herself.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Listen to Pastor David's sermon, "The Short-Lived Success of the Wicked," on Psalm 10:1–18.

This week is the Lost In Dreams Megamix.1. Covex - Regret 00:00:432. Robokid - Without Me 00:03:543. Covex - Smile 00:06:184. Elephante & soleil - Anywhere With You 00:08:085. Manila Killa - Run Away (Manila Killa Remix) 00:11:186. MADI - Deep Feeling 00:13:097. Audien - Audien 00:16:168. Deniz Koyu & Raiden - Am I 00:19:309. Baauer - Supersonic 00:20:4710. SABAI, HALIENE & ANDe - Say It To Me 00:22:4311. Kaleena Zanders & Yung Bae - Time Never Stops 00:26:5812. Raiden - House 00:30:0313. Porter Robinson - Language 00:31:0314. Audien & Sam Harper - Sacrifice 00:32:4515. Habstrakt ft. Julienne By - Don't Let Me Down 00:35:4616. AOBeats - WannaPlay 00:39:3417. Chet Porter - Aura 00:43:2018. William Black & TW3LVE - Run 00:46:1819. Babsy. - Babsy 00:49:1520. Align & Babsy. - Heart Racing 00:52:1021. Nikita, The Wicked & Elohim - Control 00:55:0122. SPORTMODE - Circles 00:57:3223. Dabin - In The End 01:00:1624. yetep ft. Rosie Darling - Same Love Twice 01:03:1725. Daniel Allan, Louis The Child & Stresshead - Club Weapon 01:06:2926. ARMNHMR & Jessica Audiffred - Stay 01:09:2427. jigitz & Louis The Child - tell you straight (Louis The Child's Version) 01:11:3828. SPORTMODE - Backspin 01:14:4329. Slushii & HYO - Money 01:16:4330. Chet Porter - You 01:19:1231. Baauer - Tribal Hit 01:21:5032. William Black - Unlove U 01:25:0933. What So Not & Ganz ft. Joy - Lone 01:27:3034. Wavedash - Wavedash 01:30:2035. Jessica Audiffred - Mess 01:34:0936. ARMNHMR - Motion Sickness 01:37:0837. Elephante & GONE ASTRAY - Shine 01:39:5038. Wavedash - Bang 01:43:0239. Jason Ross, Dabin & Cate Downey - Everything 01:45:4840. SABAI, Elephante & Anjulie - Look At Me Now 01:48:4941. LE SSERAFIM - Easy (Johnny Chay Remix) 01:52:2542. sober rob - Atom Mirror 01:54:4443. Louis The Child & Elohim - Love Is Alive 01:57:02

In the first installment of Through Art's Open Door,  I chatted with Broadway actress Jennafer Newberry Peery, who plays Glinda in Wicked on Broadway.  Jennafer shares what it's really like to perform in one of the most beloved musicals in the world while balancing family life, motherhood, and the demands of eight-show weeks. We explore art as a spiritual practice, the courage it takes to remain tender in a world that rewards efficiency, and why changing our minds may be one of the bravest acts of justice available to us. Jennafer reflects on the works of art that have become thin places in her own life–from film and poetry to sunsets, theater, and holding her daughter in her arms. Whether you're an artist, a parent, a person of faith, or simply someone longing to reconnect with wonder, this conversation offers an invitation to notice the beauty that is already speaking to you. Works of Art Mentioned Arrival (2016) Hamnet "There Is Something" poem by Ted Loder "On the Nature of Daylight" by Max Richter Resources & Links Preorder Art Is How God Loves Us  Follow Jennafer Newberry Peery on Instagram: Instagram  Sacred Salon: An Evening of Music and Conversation in New York City Other launch events I'd love to hear about the works of art that have become thin places in your own life. In fact, we are doing a call for guest-post submissions over on Substack. You can learn more and submit yours by visiting: https://artistsforjoy.org/artsopendoor  

In Episode 496 of the Reformed Brotherhood, Tony Arsenal and Jesse Schwamb open with a rich discussion on the theology of congregational singing — including the Trinity Psalter Hymnal, the Getty's Sing!, and why psalm-singing belongs at the heart of Christian worship. The main event, however, is the first installment of their study of the Parable of the Talents (Matthew 25:14–30). Tony and Jesse argue that this parable is widely misread as a lesson in personal productivity or spiritual gift deployment, when in fact its center of gravity is entirely eschatological and theological: the wicked servant's failure is not financial incompetence — it is a catastrophic misunderstanding of who the master is, and therefore, who he himself is as a servant of that master. Key Takeaways The parable is eschatological, not motivational. Situated in Matthew 25 as the second of three eschatological parables in the Olivet Discourse, the Parable of the Talents answers the disciples' question about the sign of Christ's coming — not a general lesson about using your abilities for God. "Talents" refers to an enormous monetary sum, not personal giftedness. A single talent represented roughly 20 years of a laborer's wages. Even the least-endowed servant received an immense, unearned gift — which makes the wicked servant's inaction all the more indefensible. The wicked servant's problem is theological, not financial. He doesn't bury the talent out of ignorance or fear alone — he actively mischaracterizes the master as exploitative and unjust. His failure is a failure of theology: he does not know who his master is. The commendation "Well done, good and faithful servant" is the basic reward of every believer, not a tiered prize for the most productive. The five-talent and two-talent servants receive identical commendations, suggesting the measure is proportional faithfulness, not absolute output. Faithful stewardship is active, not passive. Both faithful servants are marked by immediacy and energetic engagement. The parable does not explain how they doubled their talents because the mechanics are not the point — their disposition of active, risk-taking faithfulness is. The parable resists works-righteousness readings. Whether one is Augustine or an anonymous deathbed convert, every justified believer enters into the same joy of the master. The parable is not a theology of graduated heavenly rewards but a distinction between those who understand their master and those who do not. The talents represent the stewardship of the Gospel and the Kingdom itself. The master entrusting his servants with his property is a picture of Christ entrusting the church with the message of salvation — ownership remains with the master, the servants are stewards, not proprietors. Key Concepts The Wicked Servant's Problem Is Who He Thinks the Master Is The most common misreading of this parable locates the wicked servant's failure in laziness or timidity — he was simply too afraid to act. But Tony Arsenal argues compellingly that the servant's own words expose something far more serious. He says, "I knew you to be a hard man, reaping where you did not sow." This is not a confession of fear; it is an accusation. The servant has constructed a theology of his master as an exploitative, unjust overseer who doesn't deserve a return. What he catastrophically misses is that the very possession of 20 years' worth of wages — an unearned, unimaginable gift — is the master sowing into him. His refusal to act is, at its root, a refusal to acknowledge the master's generosity and authority. This is the parable's most penetrating theological edge. "Well Done" Is for Every Believer, Not Just the Most Productive One of the episode's most pastorally significant observations is Tony's argument that the commendation "Well done, good and faithful servant — enter into the joy of your master" is not reserved for spiritual high-achievers. Because the five-talent and two-talent servants receive word-for-word identical commendations despite wildly different absolute returns, the logical entailment is that the one-talent servant, had he been faithful, would have received the same words. This means the commendation is not calibrated to productivity — it is the basic inheritance of every believer who enters glory. The soul-winner and the deathbed convert, Augustine and the unknown faithful, all hear the same welcome. The parable is therefore not teaching a graduated hierarchy of heavenly reward, but a binary distinction: those who know their master and act accordingly, and those who do not. The Parable Cannot Be Detached from Its Eschatological Context Jesse Schwamb is careful to anchor the parable in its literary and theological context: this is the second of three eschatological parables in Matthew 25, all part of the Olivet Discourse, all delivered in direct response to the disciples' question about the sign of Christ's return and the end of the age. Detaching the Parable of the Talents from that frame — and reading it instead as a general productivity principle or a theology of spiritual gifts — drains it of what Jesse calls its "gravity." The master going away and returning after a long time is a direct image of the ascended Christ and his parousia. The servants' task during the interval is not self-improvement or career stewardship — it is watchful, active discipleship in the time between the first and second comings. Everything in the parable, including the staggering sums of money, is calibrated to that eschatological frame. Memorable Quotes The real difference is that the former servants understood that their master had trusted them with a task and expected something of them, and the unfaithful, wicked, lazy servant had a total misunderstanding of who the master was — and therefore what his role as the master's servant was. That's the point of this parable. — Tony Arsenal Well done, good and faithful servant — that's not a special commendation that only the most amazing Christian servants get. That's the basic commendation that every Christian who enters into glory will receive. Whether you have been the most productive soul-winner in the world... you're going to receive the same commendation as the person who dies, and on their deathbed the last thing that they think is, 'I trust Jesus.' — Tony Arsenal God's measure of faithfulness is proportional, not absolute. The two-talent servant is not judged by the five-talent standard. He is judged by what he received. — Jesse Schwamb Full Transcript [00:00:08] Tony Arsenal: that's not a special commendation that only the most amazing Christian servants get, right? That's the basic commendation that every Christian who enters into glory will receive. Whether you have been the most productive soul-winner in the world, whether you are the most, you know, the most sanctified Christian who's ever lived, whether you are, the most amazing person and millions of people have come to faith because of your ministry, you're going to receive the same commendation as the person who dies, and on their deathbed the last thing that they think is, I trust Jesus." Right. And they've produced no converts, no ministry, and maybe no one even knows that they were justified, because in their final moments before the lights went out, they trusted in Jesus, right? They hear the same well done, good and faithful servant when they enter into glory. Welcome to episode 496 of the Reformed Brotherhood. I'm Jesse.  And I'm Tony, and this is the podcast with ears to hear. Hey, brother.  [00:01:19] Jesse Schwamb: Hey, brother.  [00:01:21] Parable Teaser [00:01:21] Jesse Schwamb: You know, the parables just keep coming for us, like we've said. And on this episode, to, just to tee it up, to whet everybody's appetites, we've got three servants, one absent master, an uncomfortable amount of money. What could go wrong? Yeah. As it turns out, quite a bit, especially if you're the kind of person who responds to divine generosity by finding the nearest shovel. So we're gonna get to all of that in this, what I call, this now sandwich of eschatological parables or teachings of Jesus in Matthew 25. So hopefully you're curious, hopefully you're stoked. But you can go put your thumb right in the scriptures there, because you're gonna meet us there very, very, very, very shortly. But first we got business. It's always the business we must do, the part of the podcast where we affirm with something or deny against something. And as always, I'm really curious what you have, and now I understand you have a list, or you're keeping a list. So- I do ... never again will there be something like that falls to the cutting room floor, brothers and sisters. Tony is always gonna have for us whatever was- ... what came to his brilliant mind as an affirmation or denial at any point, day or night.  [00:02:29] Tony Arsenal: Yeah. Yeah. Do you, Jesse, do you ever have... I know the answer to this question is going to be yes- Yeah. That's good ... but I'm gonna ask it- All right ... mostly for rhetorical effect here. This is good podcasting.  [00:02:38] Psalm 67B Praise [00:02:38] Tony Arsenal: Do you have, do you have those situations where, like, the, the so- a song hits you, and it's just, like, the right combination of words, but also the right combination of, like, musicality?  [00:02:49] Jesse Schwamb: For sure.  [00:02:50] Tony Arsenal: Where it just, like, it just, it just feels- For sure like, right and good in every part of your being. So- All the time, yep ... I, I'm affirming, um, th- this is like the most Presbyterian thing ever. I'm affirming the, the arrangement in the Trinity, uh, psalter hymnal for Psalm 67B. Now, I'm not gonna try to sing it for you, but I wanna read the words, because obviously it's, it's a paraphrase of a psalm. So, like, that's the first thing. Like, people, like, calm down. Like, it's okay to sing paraphrases. It's okay to sing. No one is actually singing the Hebrew psalms. Right. Amen. So, like, just calm down a little bit. Amen. Uh, there is a place for us to dedicate specific focus to psalms and songs that are from the psalms, but that can be something like Better Is One Day. Like, that's a song from a psalm. Anyway, that's a whole different, that's a whole different thing. Yes, I'm affirming psalm singing. Uh, yes, I'm denying overly rigid understandings of what that is. But here's the words for Psalm 67, Setting B. That's important It's, "O God, show mercy to us and bless us with your grace and cause to shine upon us the brightness of your face, so that the whole world over may truly know your way and so that your salvation all nations see displayed. O God, let peoples praise you. Let all the peoples praise. Let nations come rejoicing and songs of gladness rise, raise." Then, um, stanza two, "For you will judge the peoples with perfect equity. To nations of the whole Earth a governor you'll be. O God, let the peoples praise you. Let all the peoples praise. The Earth has brought its bounty throughout its harvest days.  [00:04:24] Why Sing Psalms [00:04:24] Tony Arsenal: Since God our God will bless us, yes, God will blessing send, that all the Earth may fear Him to its remotest end." Now, there are lots of really great, uh, theologically sound, edifying hymns and worship choruses, but there's just something about the Psalms, right? It's inspired- Um- ... it's perfect. Again, like I said, nobody is singing the actual Hebrew Psalms, or even, I shouldn't say nobody, most people are not singing, like, the Psalms from the ESV, right? These are almost all paraphrases. They're, they're translations. But there's just something about the Psalms that I have grown so much to appreciate since joining a Presbyterian church. That's not to say other traditions don't sing Psalms in their own right, and again, like, we would sing Better Is One Day and other songs that were based on Psalms. Um, even, like, real direct translations or real direct versions of Psalms, like Better Is One Day or Create In Me A Clean Heart, there's all sorts of them. But there's just something about singing the Psalms, and this particular musical setting, it's triumphant, but not in the, like, fanfare kind of triumphant. Do you know what I mean, Jesse? Like- Mm-hmm ... it's, it's a triumphant melody, and it has, like, really interesting rises and falls and... So I, I'm gonna probably try to put this at the end of the episode. So listen. Hopefully I'll get the whole thing. Let me just, let me just do this. Hold on a second. It's just gorgeous. It's just beautiful. So I, I, I don't know what it was this morning. Uh, it's, I wasn't, like, promo- particularly emotional. It didn't, like, make me cry. Yeah. But all of that's fine. Like, I've been brought to tears in worship before, and that's, that's all good and well. There was just something about it that resonated, and I was like, "This is just good." Like, this is just good music. It's good singing. Something about hearing, uh, the whole congregation singing together. Like, it was just beautiful. It was just a beautiful moment. So if you are not in a psalm-singing church, first of all, why aren't you in a psalm-singing church? Uh, no worship leader on Earth, no, no person who is worth... Uh, when I say worship leader, I mean the person who's responsible for leading musical worship. No one who's leading worshipful music, worshipful? Worship music, if you approach them and say, "I would like to sing more songs that are based on the Psalms," if they say, "We don't wanna sing Psalms here," then you just go somewhere else. Like, someone who tells you, like, "We don't wanna s- we don't wanna sing God's Word," that doesn't make any sense to me.  [00:06:56] Jesse Schwamb: Right.  [00:06:56] Tony Arsenal: Um, now again, like, there's a way to do it. Sometimes musically they're challenging, especially if you're singing out of something like the hymnal. But again, there are plenty of really good modern style songs and hymn style songs that are either based on the Psalms or are paraphrases, very similar to what you get in the, in the Trinity Psalter Hymnal. Or most, most people who are leading in musical worship are competent enough to just sort of take the sheet music and figure out how to do it on guitar or figure out how to play it on piano. Um, they're not that difficult. So you will be edified if you do this. Your church will be edified. There's probably a lot of people out there responsible for musical worship that actually would really like to do this, and they're kind of probably, like, just waiting for that nudge, so you may even be benefiting them. But yeah, this, this psalm is beautiful. It's just a gorgeous arrangement, and it's, it's perfect, inspired words. Really was a, just a, a balm to my soul this morning.  [00:07:51] Jesse Schwamb: I love it. And o- of course, a lot of that is still happening, which is such a glorious gift to the church. The couple of times that I've had the privilege of writing music for my own church has been right from the scriptures, and for me recently that was, like, Ephesians 1 and Psalm 16. And that's mainly because, like, as a lyricist, I'm not that creative, and I'd rather go direct to the source. And all those end up being a paraphrase, like you said, anyway. Es- especially if you wanna get turn of phrase or if you wanna have a little bit of rhyming, which is always a beautiful thing. I love the Psalter, and my, my hot take on that is I sometimes find that I like, I don't wanna call them, like, the alternate, but, like, the other secondary arrangements-  Yeah and  lyrics better. I don't know why. I don't think that's purposeful, of course. It's probably just my taste. But I always find them to be, like, super fire. I, I don't know why. The, the B and C versions always kinda grab me, especially if... And here's another thing that I appreciate about the Psalter, as you know, is sometimes those B or C versions will be written in an alternate key or a minor key. Yeah. And that's even more awesome, because there's not a lot of, let's say, like, cla- I don't wanna say classic. Classic slash contemporary, uh, Christian music or wors- quote-unquote worship music that's written in minor keys. But it's good to lament, as we've talked about before. So- Yeah ... you're gonna get that full breath and scope in the Psalter there. [00:09:06] Tony Arsenal: Yeah.  [00:09:07] Beyond Music Styles [00:09:07] Tony Arsenal: A- and, you know, maybe let me put in one more little plug here. Um- I am not one of those people that is gonna say that there's like a particular style of music that's more godly than another. I've heard people try to make arguments that there's like certain kinds of rhythms or certain kinds of like beats that are- Right either, either more godly or somehow demonic or less godly. Um, I think there might be an argument to be made that some styles of worship are not suited well for congregational singing, so they may not be appropriate for like a, a congregational worship service. Like, you're probably not gonna go in and do a lot of hip hop and have the congregation be able to like stick with you. Right. That doesn't mean that you can't worship God through that or that it somehow is less like intrinsically beautiful. But, um, there are a lot of Let me just put it this way. In modern contemporary Western Christianity, uh, there's a lot of songs that are basically just the same thing musically. You know, you'll find, um, if you go to, like, YouTube, and, and maybe, like, be careful, 'cause sometimes some of these are, they're funny but they're a little bit crass. But if you look up, like, a video about how, like, every song is Pachel Bell's Canon. Right. Right? Every song follows the same basic arrangement of chords, and this gets even more pronounced when you're talking about modern worship music or contemporary mu- worship music, because it's designed to be able to be very simple and very easily played. Um, a lot of times worship directors are not super classically trained. Um, you think of, like, the youth pastor with the guitar around the campfire. Like, those kinds of songs have to be easy, 'cause they're not, like, classically trained guitar players. They probably picked up a chord book and figured out how to play a couple easy songs like Jesus, Lover of My Soul and things like that. That's how I learned how to play guitar. That's the extent of my skills, so I'm not, I'm not banging on that person. Um, but there are a lot, there's a lot more to music. Um, there's a lot more to singing, and there's a lot more to choral music than, you know, GCDC kind of like worship courses. Uh, and singing something like the Psalter, or even just singing out of a good hymnal- Right will actually expand your musical horizons. And there's something to be said about the creativity of our God being reflected in the creativity of His people that I do think we miss out on when we are locked into really simplistic worship styles. Um, again, like, I interpret Psalms, hymns, and spiritual songs to mean, like, sing in the vernacular of the people. Um, and I, you know, that's a different episode. We can talk about that sometime. But th- that, that requires the songs to be singable, and I think sometimes, uh, sometimes some of the song- some of the Psalters, some of the songs in the Psalter hymnals, and sometimes hymnals in general, are very difficult to sing. And so I think a congregation, the people leading in music need to be thoughtful of that. But I think you would do well to, like, open your horizons a little bit to something a little bit more challenging and a little bit off the beaten path. Like, this melody, I don't know the chords behind it. It may not be anything crazy, but that, like, musicality and that, that sort of, like, melody is not a typical... And this might be why it resonated with me. It's not a typical kind of melody you're gonna find in contemporary music. Um, it's, it's very different. It's older. It's more classically styled. The, it's, it's meant to sort of bring you up to these crescendos in ways that modern music is not necessarily. So enough about that. I don't know a lot about music theory, so I might be totally wrong and, and- ... people might be rolling their eyes. But I, I do think that there's something to it. Like, a lot of the older hymns- utilize chord progressions and melodies and harmonies and things like that that we're just not used to. You're not gonna get that listening to, you know, even something like, like the more musical kind, uh, more technically proficient music like something like Bethel or Hillsong, which is at times musically very good. Uh, I don't know that I would recommend listening to it, but the music is actually, like, technically very good in some instances. Uh, even there you're not gonna find a lot of this stuff. So instead of going there for, like, really nice sounding musical worship, just go to something like the Trinity Psalter app. You know, for $10 on a- on your iPhone you can sing with it. Um, yeah, enough about that. I, I, I could talk about how great the Psalms are and how great psalm singing is for an entire episode. We should do that episode- We should ... when we're done with the parables, 'cause I know we've done a lot of episodes on, like, uh, on, on, like, the regulative principle and- Right I, I think we're still both in the same spot that, like- Right ... exclusive psalmody is probably not where we would land. Right. But I think I'm coming to the conviction that the psalms should have a much greater portion of our worship diet, uh- Hmm ... than they do in most churches. Um, and I really only came to that conviction when I was in a church where psalm singing was the norm. Uh, I know that we try to have at least one s- one canonical psalm for every single worship service. Usually there's multiple, but, um, even in a, a, a setting where we normally wouldn't be so focused on that, we still try to have at least one, and it's been a, a really huge edifying thing to my soul.  [00:14:06] Jesse Schwamb: Yeah. I absolutely love that. You'll find no complaint from me on that. I think that that's a good reminder for all of us.  [00:14:13] Tony Arsenal: Yeah.  [00:14:14] Book Sing Recommendation [00:14:14] Tony Arsenal: Jesse, what do you have?  [00:14:15] Jesse Schwamb: Well, it's, we're not gonna stop this conversation, just so you know. Because we don't sync up on these things ever, but it just so happens that I'm affirming with a book that it's a really simple primer on congregational singing-  There you go that has  long been on my list and overdue to read, and I am coming in hot with a recommendation for this, and that is the book entitled Sing! How Worship Transforms Your Life, Family, and Church by Keith and Kristyn Getty. And really, it covers so many of the things that you already talked about. I, I think at the foremost, it's a reminder that God cares whether in what we sing, but he does not mind how well we sing. Yes. But it is, like, the, this... What's true is that our voices might not be of a professional standard, but they are of a confessional standard. Yeah. And so it is incumbent upon every Christian to sing. And if you need just, like, a little bit of inspiration, so to speak, or a reminder of why that's important, I highly commend this book to you. In fact, in the back they have what's called, like, these bonus tracks. It's like four or five separate chapters that they've written just to particular people in the church, pastors, laypeople, musicians, even the people that help produce the sound. I found that bit to be so lovely and pastoral. It, it's gentle, the tone is encouraging, but it is also strong, and I appreciate that. So a lot of it is some of the themes that we've just talked about, but my conviction grows all the time of just how important congregational singing is, and how everything you just said, the music, the liturgy that we bring forward- has to be of a deliberate kind to strengthen that exercise, to make it easy, so to speak. And that does come into practical things like if you look at the psalter, and I, I don't... I have it on my phone, but I don't know where my phone is, so I was gonna look at the one you were referencing. My guess is it's, it's in probably a key with a couple of sharps in it, because those are the ones that are easiest to sing. So even little things like that matter. What you hear on the radio often is, or radio? People still listen to the radio? What you hear, like, in, like, contemporary music, like, often is not necessarily for congregational singing just in its key, and, and that's okay. And so even in my own church, we transpose things to make it reasonable and approachable. But what I think was, like, the critical question put forward in this book that I absolutely loved as a great reminder was: how did the congregation sing? It's very interesting that they kind of bring forward this thesis that that's how you should be judging your music. How did the congregation sing? And I think if we started asking that, it might slightly tweak or maybe change altogether, to your point, the methods and the practices that we use when we undergo worship by way or through music. So this is really great. It's easily readable, and it's for everybody, and it, there's a chapter on family worship as well, how to bring singing into your home and music into your home all the time as an act of worship so that when you get to the Lord's Day, your kids are like, "Yeah, this is our jam." Uh, especially maybe even recognizing some of the pieces of music and be excited about that. So there was a lot that made me think about here. It's fantastic. And to your point, Tony, I would say the Gettys, especially in, like, "Christ Alone," some of the other things, this is probably the closest to what you're talking about, where they've taken and imported kind of the classical hymn structures-  [00:17:26] Tony Arsenal: Yeah [00:17:27] Jesse Schwamb: but modernized a little bit just the language while without sacrificing any of the theological richness or the musicality that draws your ear to those beautiful rising and falling melodies, the swelling of the vocal there, without, like, distracting from anything that's going on there. It's not emotionalism- Yeah but it certainly is filled with the emotion of what it means to be a Christian and to sing in response as an act of praise to God.  [00:17:50] Tony Arsenal: Yeah.  [00:17:52] Family Worship Singing [00:17:52] Tony Arsenal: Yeah, I mean, I can't underscore enough the importance of congregational singing. We, we've, we've actually talked about, about it in context of, like, how important it is for the men of the congregation to sing, which is something I, I really appreciate about my congregation, is, is the m- the men just go all out. Like, people are, like- Love it ... nobody is, nobody is ashamed of the fact that they squawk on a note that they're not used to or anything like that. And where this really pays out, um, at least in our congregation, but I'd, I'd be willing to bet if you go to any congregation where the, where the men particularly are passionate and active in musical worship, right? Um, I think where this plays out is you see the children very quickly picking up those songs and learning them and singing them. And the, the favorite part of my day, this is gon- any parent of toddlers is gonna be like, "What are you talking about?" Bedtime is one of my favorite times of day, not just because it means that, like, in a little while I'm gonna get a little peace and quiet. Like, that's part of it, too, but there are two songs that we sing almost every single night, and Augie leads them, which is really great. He always wants to start, and he always wants to sing, and it's the Doxology and the Gloria Patri. And these are songs that he has just picked up from being in the congregation, and, you know, I, I don't remember consciously teaching him any of these songs. And now, now Adeline, who is, uh, my two-year-old daughter, almost two, she's starting to pick those songs up, and she's starting to sing them, and she recognizes them, and she responds very differently to those songs than she does to other songs. Um, it's funny because I don't, I don't know where she got this. Neither my wife nor I are particularly, uh, charismatic, emotive people. Like, we don't raise our hands when we're singing, but she, she does. She, she, when we start singing- My girl ... the Gloria Patri or the Doxology, her hand is in the air, and she's looking at the sky, and she's waving her hands around. Yeah. And, um, she recognizes that those songs have a different place than a Miss Rachel song. She doesn't put her hands in the air and wave and look up at the ceiling when Miss Rachel comes on or when Baby Shark comes on. She knows those songs. She can sing those songs. Um, but she doesn't- Respond to those in the same way. And that is a direct result of the fact that congregational singing is an important thing in the life of our church and in the life of our family. And I think a book like Sing, I haven't read it, but I've heard very good things about it, and the, the Gettys are rock solid, like- Right ... theologically. Yes. Musically. They're, they're well within our Reformed tradition, at least broadly speaking. Um, and, and they have a, they have one of the strongest sort of theologies of praise music that you're gonna find. Mm-hmm. It's not quite like a liturgiology or something like that, but it's, it's, it's a theology of praise worship, praise and worship music. Right. Um, and that's not something that's super common, right? There's a lot of theology of liturgy. There's a lot of practical theology on liturgy. Um, the Gettys have developed a really unique kind of place in things in that they've really developed this idea that congregational singing has a specific theological import, and they've developed it in a way that's approachable. So yeah, I haven't read it and I sh- I probably should, but it, it sounds like a really great book. And, um, I c- just can't underscore it enough. And- Maybe this is my little plug. Like, uh, family worship is really tough, and it's not something I've mastered. Like, we don't, we, we don't have a regular rhythm. But what we do have is we have a consistent, uh, we consistently pray at night before bed, and we consistently sing one or both of those songs. And that by itself, like, the kids are learning and they are, they're absorbing that by osmosis. Um, they're picking up the phrasing, right? Augie can tell you who the three persons of the Trinity are, and that's partially 'cause we do catechism questions, but it's also partially, and I would actually argue probably more, because of the Trinitarian structure of those two songs. Right. He's picked up the language of the Father, the Spirit, and the Son from the Gloria Patri and from the doxology in ways that probably I wouldn't have been able to teach him otherwise. So yeah. Anyway, I, I just co-opted your affirmation. But, um, but yeah. I'm here for it. Congregational worship, family worship, singing, uh, to our Lord is commanded, and it's commanded for our good- Right and for his, his benefit and his blessing. Um, and so any book that is, is solid and will help you do that, I, I'm wholeheartedly behind.  [00:22:17] Jesse Schwamb: Yeah. This is... All that is fire. This is fire.  [00:22:19] Reclaim Congregational Song [00:22:19] Jesse Schwamb: God designed our psyche for singing, and we're probably, uh, I would say contractually obligated since Reformed is in the name of the title of the podcast- to remind ourselves and everybody else that one of the things the Reformation did was reclaim the singing of God's word by his own people. Yes. Taking it out of that performatory space back into literally the voice boxes of the people who are sitting in worship together. So sometimes we might have to do that again. You know, there is a little bit, I think, of... There, there is in some places, not everywhere, this kind of tilting of that time of worship through music to be vouchsafed or relegated to those who are, uh, let's say, like, the most, like, talented in doing that, and somehow we participate merely by observing or by- Yeah just, uh, you know, being an audience spectator of that, and that's totally backwards. So I get it. The thing is- We're all singers. We may not all be very good singers, but we're all created to be singers nonetheless. This is what the Bible tells us. So we need to lean into that. We need to invest in that. Yeah. And so I, I like, of course, what you're doing with, uh, your kids because you're not only teaching them to sing, and this makes me so happy, but you're teaching them to love singing to the Lord. Yeah. And so that is, I think, what a lot of our congregations miss, is sometimes we do it, and I'm among them often, but grudgingly. And so to get to a place where we come excited that our reasonable response, our reasonable preparation on the Lord's day is to sing together, to hear that gospel message in melody in the ear of our... You know, the voice of our neighbor in our own ear is a wild thing. It's just, like, un- unheard of. And it's like, uh, we gotta stop, right? It's one of those things also that, like- ... we've, we've talked about how it's just kind of otherworldly. Not, not only in the sense that it gives us this really kind of foundational sense of God's, you know, kind of transcendence, of what it means to participate in the worship of someone who is transcendent because it is all these voices together, but also this is something that rarely happens in any other way, especially in the Western culture anymore. This coming together to express and to participate in something where we're all reading literally from the same sheet music is just an entirely different experience, increasingly relegated to this kind of experience. So we, we must protect it, not only because God says that we ought to, but also because, again, it is, it is our reasonable response. Yeah. And it is something, like you've just said, that brings Him glory and is certainly for our good. So, uh, this is the Singcast, so everybody- ... everybody get to it. You can make your own music. God has commanded us to sing. So the sooner we just understand, like, hey, it's, it's... You know. Uh, but... And the last thing I'll say is this is one of those things that's, like, practice too. A- and I get it. Like, you may say, like, "Listen, I can only hit two notes, and that's all I'm gonna hit no matter what the music is." Well, then belt the two notes, and also know that, like, the more you practice that kind of thing, honestly, the better that you'll get and the more comfortable that you'll become. The voice is an instrument like any other instrument that takes, like, a little bit of practice and a little bit of work. But even that can cause, I think, great benefits and build a little bit of confidence. But just the example of singing and doing it from a heart that is keen to worship God and that is filled with passion to respond to Him with gratitude and, you know, adoration is really the key thing. And so I, I'd rather have a entire group full of worshipers that are singing off-key but, like, with just resounding passion than to have this performance of just a handful of voices because they feel like they're the most capable to do it. Yeah. I think we'd, we'd rather have everybody else, and to hear the congregation mixed as one of those instruments. So sing. Yeah.  [00:26:05] Everyone Can Sing [00:26:05] Tony Arsenal: Yeah, and y- you and I have made the point in the past, too, like- I, I don't think, uh, maybe I'm wrong. Uh, we are a top 50 healthcare podcast, so maybe some doctor- I'm sure you're correct ... is gonna... Right. Like, I don't think being tone deaf is actually a physical condition. Like- Mm. I, I mean, I, I mean, obviously, like, some people have hearing problems, and that means they have trouble singing. I hear what you're saying. But, like, the people who are like, "Well, I j- I just can't sing. I'm just not capable of that," uh, like, I think the, the physical conditions that would make you incapable of singing are not usually what people are talking about. Like- Right. Yeah ... you know, some people have, like, vocal fold disorders or they have hearing problems, and I guess maybe, like, if perfect pitch is a thing, which it, it is. Like, perfect pitch is a... I don't know what causes it, but some people are born with perfect pitch. I suppose in theory that means some people must be born with, like, the opposite of perfect pitch. But I think most people who say, like, "Well, I just, I'm just tone deaf. I can't carry a tone," that, that's probably not true. Like, it just means you need practice. Um, and some people's voices, like physically, their bodies are more, more designed by God to produce a pleasant sound than other people. But I, I think actually just about anybody with a little bit of practice, and mostly I think this is probably just the confidence to actually sing and a little bit of practice to learn how your body works, like how your voice works, um, could probably get to a point where singing is not only very relatively comfortable and easy, but it's something that is pleasant and is not overly challenging. This is actually something that I think we've lost in the church. We should... This, I mean, this is about to come the episode, but, um- ... something we've lost in the church when we have sort of changed from a true genuine congregational singing model, which was the norm- And I've heard people make arguments about the importance of hymnals, and I, I agree with those arguments, although I know some people have moved them into almost like a realm of, like, divine mandate- Right that you have to use hymnals because it trains people to teach. But we have lost something with both the sort of commercialization of worship music and the pro- like making it a professional thing, and we've lost congregational singing. The, the people in the church throughout history have learned to sing. Many of them have learned to read, learned the scriptures, learned theology, not in the seminary and not in the monastery, but in the pew as they sing God's word and as they sing- Right ... the great theological hymns of, of the church. There's so much you can learn through that process that I just think we've lost. And I think going back to something like a hymnal or the Trinity Psalter Hymnal or whatever, whatever standard music your church is gonna use, and I mean standard music. Like, whether this is a collection of worship choruses that has been curated for the church or it's a published hymnal or something like that, going back to something like that teaches the church how to sing. And I don't remember who wrote it, but the trellis and the vine, like the worship that we sing, I know Mike Horton makes this point. The worship that we sing is the tre- is the trellis that the vine of our wor- of our- Yes ... faith grows on, right? That's true. Like, what the, what the church lex credendi, lex orandi. Like, the church, what the church prays, the church believes. What the church sings, the church believes. So all of that to say, like, the, the importance of congregational singing can't be under-emphasized, and it's... I, I mean, I don't know that I would I don't know that most theologists say technically s- like, congregational singing is an element of worship, but praising the Lord through song certainly is. Yes. It's, it's evidence. Um, and, and so I think that's definitely something that the church has lost in general. Um, and I know there are churches... I- it's funny, when Ashley and I were between churches, uh, very briefly after, um, our previous church closed down, um, we went to a local sort of, like, high, high, uh, production, seeker-sensitive church, very Steven Furtick-esque, and we only lasted, like, 10 minutes in this, in this service. We went in and the production value was great, and the music sounded great, but we couldn't hear ourselves, we couldn't sing- Right ... and it was very performative, and we just left. We were only there for a few minutes, and we left. And I think that's something we've lost as we've sort of migrated worship to almost, like, a professional class. So yeah, bring it back to the pews. Bring it back to your- Bring it back ... bring it back to your house, bring it back to your kid's bedroom when you're tucking them in. Everywhere. Bring it back to the car on the way to work, in the bus. Right. Like, just let's everywhere we go, let's sing and worship the Lord. [00:30:30] Jesse Schwamb: Yeah, that's right.  [00:30:31] Train Your Voice [00:30:31] Jesse Schwamb: Uh, so as a final thing, let me compound your hot take and say that I agree with you, that I... And I think professionals would as well, and I'm gonna stand on a resource that I'm gonna recommend to everybody here in a second, that in fact the Getty say, "If you can speak, you can sing." And there are a f- a few conditions that would prevent you from doing that, of course. And even there, they wanna explore opportunities for you, for instance, signing, for instance, to ensure that you can participate in worship. Uh, the hot take is I do think that because the instrument that God has given us in the vocal cords is exactly that, that it can be trained, and that actually most people can sing. And if you're serious about that, if you think, "You know what? I'd like to be able to do that. How can I explore that?" Here's a book for you. It's called Set Your Voice Free by Roger Love. The full title is How to Get the Singing or Speaking Voice You Want. Roger Love is, like, this amazing behind-the-scenes vocal coach. He has coached, like, a ton of really talented recording artists, and this is his very contention in the book, is that everybody can sing. It's really about how much or little work you wanna put into it. And in fact, this book comes with, like, these exercises that you can listen to and then record yourself. And then he, from a distance basically, can give you some pointers based on allowing you to kinda evaluate what you hear in your own recording back. So if you really are the kind of person that's like, "Listen, I, I dare you. I cannot sing," I would challenge you, I would double dog dare you to get this book, Set Your Voice Free, and if you're really serious about wanting to try and see if it can make a difference, I, I think it can. And I've, I myself have enjoyed this book, gone back to it many times, use it in my own work and practice because I found it to be helpful. So there you go. Sing, sing, and sing again.  [00:32:06] Tony Arsenal: Yeah.  [00:32:07] Singing Apps and Practice [00:32:07] Tony Arsenal: And if you're not a reader, first of all, why are you listening to the podcast? But second of all, if for some reason you're not a reader I'm, I'm joking. I'm sure there are people that are listening to the podcast who are not readers. That was, like, a super smug thing to say. How dare you. I'm sorry about that. How dare you. Um, if for some reason you don't wanna read that book or you're not a reader, um, y- you can do something as simple as looking up Yousician on your Yousician, Y-O-U- Yeah ... S-I, like the word musician, but U instead of, like, Y-O-U instead of, uh, musician. Um, there are plenty of apps out there. I just, I mention Yousician just because I've used that on, like, a free trial basis with some guitar teaching, and it's a reputable source. They also have a vocal module. So, like, if you wanna learn to sing, there are plenty of resources out there who can help you train your voice. A- and it- Again, I'm not a doctor, I'm not a vocal coach, I'm not a professional singer. I'm not even that great of a singer, and I, I probably could be a better singer if I wanted to devote the time to it. Um, it doesn't take much to, to be able- Right ... to become a competent singer. Um, I think most of us, you pick up one s- just like I learned guitar, you pick one or two songs that you really like and you wanna learn, and you learn to sing those songs, and then those skills will develop over time. So enough about that, Jesse. We've got, speaking of talents- ... we've got some talents to talk about. There it is. Boom, bazinga. Baza-bazom. I'm  [00:33:27] Jesse Schwamb: back. There it is. Yeah, so- I was excited  [00:33:31] Tony Arsenal: about that one ...  [00:33:32] Jesse Schwamb: that, that was really good. And, and we should just h- honor everyone. That's it.  [00:33:37] Tony Arsenal: That's it. Tip your waiters and waitresses, folks. It  [00:33:39] Jesse Schwamb: was so good. We're here all week.  [00:33:41] Parable Context Setup [00:33:41] Jesse Schwamb: So we're in Matthew 25, uh, verses 14 through 28, and this is at least gonna be a two-parter for us. This goes by the name you might be familiar of, which is The Parable of the Talents. But before we get to it, just a quick reminder that we've been speaking about this parable, not like in a special way, but hopefully in the more contextual sense. So this is the second of three eschatological parables in Matthew 25. So the first was The 10 Virgins, which we went through. We're in The Talents, and then we're coming up to everybody's favorite, The Sheep and the Goats. All three are part of this Olivet Discourse, which is, of course, Jesus' final teaching block before his Passion. And I think it h- behooves us so that we do not get distracted from, like, the center of gravity of this thing, that this is delivered in response to the disciples' question about the sign of his coming and the age to come. Because I've heard so many, like, little talks, maybe homilies is more the right word, on this particular parable that lack gravity. So little gravity that basically NASA could train their astronauts in it. So we wanna stay away from that and I think get into, like, the, the proper context. So Tony, do you have it in front of you by any chance? And would  [00:34:50] Tony Arsenal: you- I do. I do, yeah. Yeah. Read it for us? I'll read it here.  [00:34:52] Reading the Parable [00:34:52] Tony Arsenal: So this is, uh, starting in, uh, Matthew 25 verse 14, and I'm gonna read down through, uh, the end of verse 30 here. So it, it reads here, "For it will be like a man going on a journey, who called his servants and entrusted them, entrusted to them his property. To one he gave five talents, to another two, and to another one, to each according to his ability. Then he went away. He who had received the five talents went at once and traded with them, and he made five talents more. So also he who had the two talents made two talents more. But he who had received the one talent went and dug in the ground and hid his master's money. Now after a long time, the master of those servants came and settled accounts with them. And he who had received the five talents came forward bringing five talents more, saying, 'Master, you delivered to me five talents. Here I have made five talents more.' His master said to him, 'Well done, good and faithful servant. You have been faithful over a little. I will set you over much. Enter into the joy of your master.' And he also who had the two talents came forward, saying, "Master, you delivered to me two talents. Here I have made two talents more." His master said to him, "Well done, good and faithful servant. You have been faithful over a little. I will set you over much. Enter into the joy of your master." He also who had received one talent came forward, saying, "Master, I knew you to be a hard man, reaping where you did not sow, and gathering where you scattered no seed. So I was afraid, and I went and hid your talent in the ground. Here, you have what is yours." But his master answered him, "You wicked and slothful servant. You knew that I reap where I have not sown and gather where I scattered no seed? Then you ought to have invested my money with the bankers, and at my coming, I should have received what was my own with interest. So take the talent from him who gave it, who give it to him who has 10 talents. For to everyone who has will more be given, and he will have an abundance. For, uh, but from the one who has not, even what he has will be taken away. And cast the worthless servant into the outer darkness in that place where there will be weeping and gnashing of teeth."  [00:36:56] Watchfulness and Stewardship [00:36:56] Jesse Schwamb: So it starts with that amazing connective, which we really spoke about in the last episode, in verse four- 14, starting with four. So it's tying, like we said, this parable directly to verse 13, which we know is in the, the parable of the ten virgins. But it's this idea of watchfulness. "Watch therefore, for you know neither the day nor the hour." So th- I think this is the point we really drove last time, that we really felt highly convicted about, that this parable is not like a detached economic lesson, but it's really like an expedition, exposition, not expedition- ... of what watchful discipleship actually looks like during the interval of the master's absence. Like, that's the whole setup here. So it's starting with this idea of like the master goes away, but here we have these slaves or these servants who are entrusted. And to me, again, that's like such a linchpin in this whole thing, 'cause it's, it's carrying the sense that of course, like, he's handing over stewardship. It's a deposit held on another's behal- I love this parable because it has some banking language in it. It's, it's a deposit held on another's behalf, and that's like the key covenant concept of the entire thing. Ownership remains with the master. The servants are stewards. They're not proprietors. And that language, I think, really anticipates, like, the entire New Testament theology of stewardship, which is developed by Paul. So like when Paul writes in 1 Corinthians, "This is how one should regard us, as servants of Christ and stewards of the mysteries of God. Moreover, it is required of stewards that they be found faithful." So like all of that, that's like just one verse for me. Like, that's an incredible setup.  [00:38:27] Tony Arsenal: Yeah.  [00:38:28] Common Misreadings [00:38:28] Tony Arsenal: Yeah, and you know, I think it bears saying, too, um, I wanna be careful how I say this because I don't wanna impugn, uh, poor motives or anything like that on, on the, the people that I'm about to speak to. And I say this a little bit tongue in cheek, but also I say this as someone who used to be deeply involved in youth ministry. There's kind of like a, a youth ministry, um- international version of the Bible, I guess, if you wanna put it that way, where, like, there are certain, certain passages and parables that s- for some reason seem really prone to misapplication- Sure in, in some context. And I would say, like, youth ministry is the one I have in mind. Like, um, one of them is, like, in Matthew 18 where it's like, "Where two or three are gathered in my name, there I am in the midst of them." Like, that's a, that's a statement about God's, God's presence in the judgment of the church and excommunicating an un- like, a, an unrepentant, uh, person who identifies with Christ. And, and ironically here, maybe not ironically, but, like, casting them into the outer darkness of excommunication, which is representative of casting them out into the actual inner darkness of damnation. Right. Like, th- there's a, there's a misapplication of that, that like, well, you know, like, if only a couple people came to youth group tonight, like, it's still worth meeting because where two or three are gathered, there I am in the midst of them. Um, this, this parable has a very similar kind of misapplication that is maybe a, a little bit less of a misapplication. Like, I think there is something to say in this parable about the fact that God entrusts us with abilities, talents, treasure, t- our time. Like, He's entrusted us with resources, and He does expect us to use those resources, uh, in a way that is honoring to Him and beneficial for the, for the gospel and for the kingdom. Um, that's true in a broad sense, but I don't think actually that this is what that... But, like, that's not what this passage- Mm ... is teaching. Right. I think I, I kinda joked last time, but, like, I've heard more than one sermon that draws the parallel between the word talent here and our talents in terms of, like, our spiritual gifts or our ability to play guitar or, like, to bounce a basketball and, like, thr- like, throw a free throw. Like, that's not the kinda talent we're talking about here. So I wanna, I wanna sorta, like, point that out just to sort of exclude that from the conversation. Yes, God gifts His people, and He expects His people to use those gifts for His glory and for their own benefit. Um, but that's not what this parable is talking about. This is a parable about the fact that God has entrusted the kingdom of heaven on Earth to His people.  [00:41:08] Jesse Schwamb: That's right.  [00:41:08] Tony Arsenal: And He expects His people to make use of that in a way that expands the kingdom and also in a way that does not... And this is, this is, I actually think, the main point of the parable. In a way that properly understands the nature of the king. The, the punchline or the main point of the parable here, it, just to sort of, like, I don't know, give away the ending or, like, unbury the lead, I don't know, whatever that is. The point of this parable- It's not that, like, it's a really good thing to double what God has resourced you with. The point of the parable, the reason that, just like the, um, just like it wasn't the virgins falling asleep in the last parable that was the problem because everybody fell asleep, in this instance, uh, the amount of money or the amount of return on investment that the servants produce is not the point of the parable. That's not the real difference between them. The real difference is that the former servants understood that their master had trusted them with a task and expected something of them, and the, the unfaithful, wicked, lazy servant had a total misunderstanding of who the master was- Right ... and therefore what his role as the master's servant was. That's the point of this parable, and I think, this is the last thing I'll say before I, I, I take a breath here. There's a lot of people that would look at this parable and might read some sort of works righteousness or, um, and this is more understandable and I think has a place within the Reformed tradition, although I don't necessarily hold this view. But would look at this as sort of like a theology which would, would argue that we receive some sort of enhanced rewards in heaven based on our faithfulness. There's plenty of good, faithful Reformed Bible teachers that would hold that position. I actually think whether or not that's true, this is still also not what this passage is getting at. [00:43:00] Jesse Schwamb: I, I totally agree with you there.  [00:43:02] Talents as Huge Wealth [00:43:02] Jesse Schwamb: I, I think one of the reasons that we know that is because we can look at some of these details and let the details speak to us about the magnitude in their representation, why they're given. So of course, whenever the scripture gives us detail, especially in a context like a parable, it can be helpful of cour- of course not to overanalyze them, but to respect their place in the context of the story, and that's why verse 15 I think is so important. So to one he gave five talents, to another two, to another one, to each according to his ability, then he went away. Now, this, this varies slightly, but there's a lot of, I think, very common historicity here that points us to understanding, like, the talents as a unit of monetary weight, and there is some discrepancy about its exact weight. But what we can say for sure is this: that we're talking about, as I teased at the beginning, a huge sum of money. So in other words, like, this is a gift from God himself. It's a divine gift. Yeah. It's something that's not earned. It's something that's given and something that's entrusted. So in the first-century Roman world, a talent was roughly equivalent to, like, 6,000 denarii, depending on who you talk to, which would mean that a single talent represented approximately, like, 20 years on average of a laborer's wages. So the sums then here we're talking about are staggering even at the lowest one. So the five-talent servant is receiving essentially approximately equivalent of a century's wages, and the one-talent servant is receiving 20 years' worth. There's no such thing as a small gift in Christ's economy, I think is the point here, and even the least endowment is immense beyond our reckoning. Yeah. So the distribution also is deliberately unequal. It's five, one, two, and the text doesn't offer any apology for this inequality. The master distributes to each according to his ability, which as I say that, I realize that could probably be its own episode, that we could talk about what that even means. Yeah. But he is matching and entrusting to capacity, and that's not arbitrary. Of course, that's wise and personal, and even the Greek here for this idea of capacity or power suggests the master knows his servants intimately and calibrates the stewardship accordingly. But nonetheless, it proves the point you're making here, which is not just about, like, well, do you have some kind of innate ability that's above average that God has endowed you with here? That's not even what we're talking about. Again, the whole point of this is to answer the question eschatologically about what the end means and when the time is coming and what good discipleship looks like. And so in that way, we understand then these talents to be these divinely appointed and massively generous gifts of God, essentially, like you said, the stewarding of the gospel in the story of salvation itself unto his people, and then to make something of that, so to speak, by the power of the Holy Spirit that earns a return for the kingdom, that is all empowered by God, that is under the volition of the person, uh, the Christian who says, "As a disciple, it is my responsibility to steward these gifts." That is really what we're after. So we do kind of get in this place where when you take this and say, "Well, what are you doing with," let's say- your home, if you have a nice home, are you being hospitable enough? If you have, let's say, a good singing voice by talent, are you using that to make sure that you're on the, quote-unquote, "praise and worship team," is not, like, entirely wrong, but it's not right either- Yeah to use this passage- Yeah ... for that purpose. There's a bigger theme here. There is, there's a much stronger and widescale framework that God is drawing us to and examine, and it's about the stewardship of the church itself.  [00:46:30] Tony Arsenal: Yes. Yeah, yeah, yeah.  [00:46:31] The Foolish Servant Exposed [00:46:31] Tony Arsenal: That's really key, and this is what struck me as, as you were speaking about that, is like we see in so many of the kinda like, uh, like the chump in the parable. Like, there's- Yeah ... a lot of these parables have like a chump- Right ... where like you're looking at and you're like, nothing about what you've decided to do makes any sense. We're talking about people who've been given, in the first case, 100 years worth of, worth of wages. Right. Right? Any one of these people, and again, we're talking about a timeframe where, like, you could just take that money and run and, like, nobody's gonna find you. There's no digital trail on any of this, right? If I stole, if I stole 100 years worth of labor from my manager or from my, my employer, they would find me, right? That's not the situation we're talking about. So even the chump who decided, "I'm not gonna do anything with this," he could've just take- taken off with the money and had 20 years worth of labor. Right. Just 20 years worth of wages. Right. This is a, this is a sum of money that makes all f- all three of these servants unimaginably wealthy instantly, right? The point of this is, in part, that the final servant has no idea the amazing blessing and responsibility that he's been given. And again, I come back to this. It's not because he is dumb or because he is, um, somehow less competent in a strict sense, right? It, it's so funny to me, like, we also gloss over the fact that, like, the guy who has five talents, he's got 100 years worth of money, 100 years worth of wages. Right. And he just goes and gets 100 more. Like- Right he just goes and trades and- Right ... comes up with 100 years worth of wages that he brings back. Like, that's, in itself is, like, phenomenally, amazingly outrageous. We ran into this too with the, um, the parable of the unmerciful servant, right? We've, we've got one guy who's got this unimaginable debt, like, like, thousands of years worth of, uh, worth of wages that he could never make up, and he thinks he's gonna somehow come up with it if you just give him enough time. It's kind of like the opposite here. This guy's got this unimaginable amount of instant wealth, and he just buries it in the ground. First of all, how much... We're also talking about an era where money was a physical, entirely physical.  [00:48:53] Jesse Schwamb: Right.  [00:48:53] Tony Arsenal: There were no, there were no digital banks. Like- No zeros and ones most of our money exists as ones and zeros in a computer program right now. Right. Like, in reality, like- Right ... my money doesn't exist. We don't have, like, a physical gold standard anymore in America. Jesse could probably s- I'm probably making dumb things up right now. No, that's that's- Like, it used- Right on to be that, like, every dollar that the United States government printed had, like, a piece of gold sitting at Fort Knox- Yes ... uh, like backing it up, but we just don't have that anymore. Most of the money that exists in our system is entirely imaginary. It's an entirely, like, made-up digital currency way before, like, Bitcoin was a thing. That's not the case in this timeframe. This dude who buried 20 years worth of money in the ground, that's a significant amount of labor in and of itself- Right ... to even be able to do that. So we're not talking about, like... And I think this is the thing we miss when we, when we read the word talents, and one, when we obscure it and we, like, we misappropriate the word talent to mean, like, abilities, 'cause it, that's a convenient, like, illustration tool. We're talking about a huge sum of probably gold or silver that this dude just buries in the ground, and then, like, digs it up when the master comes back.  [00:50:01] Jesse Schwamb: Right.  [00:50:01] Tony Arsenal: And I think, like- When we don't realize how much money this is, we miss the force of the master's like, "You stupid, dumb, wicked, slothful servant." Like, if you had even taken this money to the bank and done the least imaginable- Yes ... effort. Exactly. Like, if you had done anything at all, like how mu- how difficult, granted more difficult back in this age than it is now, but like if you had even done something as simple requiring as little labor as possible and just brought this to the bank and let them collect interest on it, we'd still be talking about a huge return. [00:50:35] Jesse Schwamb: That's right.  [00:50:36] Tony Arsenal: And he doesn't even do that, and that's, that's the point. There's the people who do, and they gloss over this. The parable totally glosses over the amazing effort and work that it must have taken to take 100 years worth of la- of wages and turn it into 200 years worth of wages. Right. Or to take 40 years worth of wages and turn it into 80 years worth of wages. That's an amazing, probably almost miraculous return on, on investment. Whatever they did is amazing, and the parable's like, "Yeah, they did that." They just took it to the traders and they brought back five more talents. Like, it's nothing. And then this idiot, and I say idiot in like the most like, like exegetically sound, idios, like, like foolish idiot person. [00:51:20] Jesse Schwamb: Right.  [00:51:20] Tony Arsenal: This idiot just buries it in the ground and doesn't even bother to bring it to the bank where he's gonna get some return on it. This is the picture of the fool who does not make use of the means of salvation. This is the picture of the fool who refuses to receive Christ as savior, who refuses to make use of the benefit and blessing of salvation that is available to all who will trust in Christ and turn to him. This is the same picture as the idiot virgins who didn't buy enough oil and just fell asleep when they knew that the bridegroom was coming, right? Right. It's not that they fell asleep, it's that they didn't do the most obvious, simple,

In this week's mini-sode, we are shining the spotlight on this year's 79th Annual Tony Awards! In our annual post-Tony's episode we are giving you the breakdown of all performances, awards, and general goings on at this year's awards ceremony!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

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Benvenuti su Bookatini 2.0 - il podcast per chi è ghiotto di libri.Le ospiti di questa puntata wrap up sono Laura e Gabriella del podcast lettarario Due Pagine Dopo i Pasti. Le trovate qui https://www.instagram.com/duepaginedopoipasti/ e su tutte le piattaforme di podcastInsieme abbiamo chiacchierato di alcune delle nostre più recenti letture ovvero:- "Wicked", Gregory Maguire,Mondadori- "Non ti sento", Valentina Petri, Rizzoli- "Le indegne", Augustina Bazterrica, Eris Edizioni *giftedPotete contattarmi, scrivere commenti, suggerimenti, domande e condividre con me le vostre letture su questo tema contattandomi alla pagina Instagram Bookatini_podcast.Se volete sostenermi e godere di contenuti aggiuntivi, potete unirvi a 4 possibili livelli di Patreon che trovate al link: https://www.patreon.com/bookatiniLa sigla di Bookatini è scritta e suonata da Andrea Cerea

Send us Fan MailTara and EmKay continue into the world of Judy Garland for a deep dive into Garland biopics: the 2019 film "Judy" and the 1978 film "Rainbow"!Show Notes:Protego FoundationSharon - Oz Dolls - smcommins@msn.com Costume Designer Jany Temime Looked to the Colorful Past For ‘Judy'Judy Standout Jessie Buckley on Playing Judy Garland's Guardian Angel, Bonding With Renée Zellweger, MoreDrag star Jinkx Monsoon: ‘It makes sense for me to play Judy Garland. It just does'‘Judy' Review: The Singer (Disaster, Legend) at Rainbow's EndHertfordshire school shares in Renée Zellweger's Oscars successJudy Garland's Personal Assistant On 'Judy'Renée Zellweger On Playing Judy Garland: 'A Different Kind Of Triumph'Writing the Rainbow: An Interview with Peter QuilterInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: www.emilykayshrader.netPatreon: https://www.patreon.com/downtheyellowbrickpodEtsy: https://www.etsy.com/market/down_the_yellow_brick_podMusic by: Shane ChapmanEdited by: Emily Kay ShraderDown the Yellow Brick Pod: A Wizard of Oz Podcast preserving the history and legacy of Oz

This week on Rick and Elaine Discuss the Book of Job, we continue our journey through chapters 20 and 21, where Job dismantles the rigid assumptions of his friend Zophar point by point. What begins as a confident declaration about how God supposedly deals with the wicked quickly unravels as Job responds with a simple but devastating observation: the world does not actually work the way Zophar claims. Wicked people often prosper, families flourish, and injustice can appear to go unanswered. Through this exchange, we begin to see the deeper brilliance of the book of Job. Rather than presenting easy answers, Scripture allows the tension to stand and invites us to wrestle honestly with suffering, justice, and the mystery of God's purposes.Along the way we also step outside the Bible briefly to examine ancient wisdom literature that wrestled with the same problem of the righteous sufferer. What makes Job unique is that it refuses to settle for simplistic systems and instead pushes us toward a deeper understanding of God Himself. The conversation eventually turns to one of the most profound truths in Scripture: that our ultimate portion is not prosperity or ease, but God Himself. Through pressure, hardship, and the “oil press” moments of life, faith is refined and something beautiful emerges. If you've ever wondered why suffering exists or how God might use it for good, this episode offers a thoughtful and deeply encouraging reflection on one of the Bible's most sophisticated books.We appreciate you listening and welcome any questions or comments along the way. Lots of love to you all!

Send us Fan MailRayman Legends Retold, Disney•Pixar Toy Story 3 Complete Edition and Rero Roundup!, Tomb Raider: Legacy of Atlantis, LEGO Smart Play Pokemon sets announced, Gravity Circuit 2, No Rest for the Wicked, Call of Duty: Modern Warfare 4, Minecraft Chaos Cubed Drop release date, Star Fox, Stray Switch 2 upgrade, LEGO Batman: Legacy of the Dark Knight, The Adventures of Elliot: The Millennium Tales, Mina The Hollower, Nintendo Music browser and app support update, Pikmin and Mario Kart World added to Nintendo Music, Minecraft Switch 2 edition ESRB leak, Super Yooka-Laylee Kart Playtest, Nintendo Direct June 2026 rumourSupport the show

The fabulous Jeff Goldblum pulls up a seat at the table this week. In the midst of his whirlwind tour of promoting his brand new album, Night Blooms, Jeff popped over to New Cross for lunch. A master storyteller, we heard about Jeff's love of working in the UK, how he met his contortionist wife, why filming Wicked made him pescatarian, the food his family cooked while growing up, and we find out the answer to the ultimate question - ‘at what age should you show your kids the Jurassic Park films?'. Jeff is about to embark on a UK & European tour, including a night at the gorgeous Royal Albert Hall on the 30th June, don't miss it! The brand new album Night Blooms is available now.Listen & watch Table Manners here - https://tablemanners.komi.io/Follow Table Manners on:Instagram - https://www.instagram.com/tablemannerspodcast/TikTok - https://www.tiktok.com/@tablemannerspodcastFacebook - https://www.facebook.com/tablemannerspodcastYouTube - https://www.youtube.com/@TableMannersPodcast Hosted on Acast. See acast.com/privacy for more information.

What Happens When a Reporter Stops Looking Away?For most people, curiosity lasts a few moments.For Matt Birkbeck, it became a life's work.Long before true crime podcasts dominated streaming platforms and documentary series filled television schedules, Birkbeck was chasing leads, knocking on doors, digging through court records, and asking questions others overlooked.His reporting led him deep into stories involving organized crime, political corruption, missing persons, financial fraud, and some of the most notorious figures in modern American history.In this episode of HarmonyTALK, host Greg Frigoletto sits down with the award-winning investigative journalist and bestselling author whose work helped uncover the stories behind Mafia kingpin Russell Bufalino, mob boss William "Big Billy" D'Elia, Robert Durst, and Suzanne Sevakis, whose tragic story later became the global Netflix documentary Girl in the Picture.The conversation explores what motivates someone to spend a lifetime pursuing difficult truths, the emotional toll of living inside dark stories, and the patience required to earn trust from people who often have every reason not to talk.Birkbeck also discusses his latest creative chapter, The Wicked, a historical thriller inspired by the Molly Maguires and the coal region of Northeastern Pennsylvania. After decades devoted exclusively to facts, documents, and evidence, he explains why fiction offered a different kind of freedom while still satisfying his instinct to investigate.From New York City and Hollywood, to the Poconos and Pittston, PA, and beyond,  Birkbeck's career has been driven by one simple question:What story has not been told yet?

From the Music History Today Podcast Network, this is the Music History Today Podcast for June 10. On today's show, A musical about witches premieres, while the legend who played a memorable role in the movie version of the book that the musical is based on is born.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:34 What happened on this date in music history12:32 Music award ceremonies that were held on this date in music history14:55 Albums released on this date in music history 25:31 Singles released on this date in music history 28:58 Birthdays of music artists on this date in music history 38:56 Passings of music artists on this date in music history 41:49 What's on tomorrow's episode

Ariana Grande is single again after splitting with her Wicked co-star, and one Love Island contestant got caught breaking and entering. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Matt Slick Live (Live Broadcast of 06/9/2026) is a production of the Christian Apologetics Research Ministry (CARM). Matt answers questions on topics such as: The Bible, Apologetics, Theology, World Religions, Atheism, and other issues! You can also email questions to Matt using: info@carm.org, Put "Radio Show Question" in the Subject line! Answers will be discussed in a future show. Topics Include: Types of sin/commission, omission/ Wicked are taken first/ Wheat and Tares/ Once Saved Always Saved' Rocky and Thorne Soil/ Can we lose our salvation?/ Certificate of Debt at the Cross/ June 9, 2026

In Episode 106, Brennan is joined by LA actor James Tolbert, as they discuss the discovery of MT BFA culture, the decision to transition from NYC to LA, and the desire and benefits of being a true multi-hyphenate! In a world of shiny, commercialized art-media, you gotta stay true to yourself and chase those ventures that truly make your heart happy!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

Send us Fan MailSo, here's the thing… Today we're bringing you a spoiler free, homework free, judgement free (kinda) episode where we ruin fantasy books for you by being naysayers. We're bringing light to what we're calling “Fantasy Probs,” aka those things in our favorite books that pull us right out of the story because… well, they're just not realistic. And hey, if you like this go check out our first ruining fantasy episode for more! Believe us, we know this sounds completely insane when we have no problems accepting hidden realms, magical creatures, and hidden powers. But there are just certain things we can't deny that stand out as simply unbelievable. Like, shadow daddies almost never eat… anything other than you know what… or the fact that no one has a day job, inns with one bed exist around every remote corner, and everyone's wielding swords after slashing their palms left and right. Things are just not adding up. We've got spicy time with no showers, MMCs winking and giving us the icks, medieval settings with modern names and phrases, and the undeniable fantasy urge to trust a person in their teens or early twenties to literally save the planet. We're bringing you all of this, plus a weekly fave and fail about a lost diamond and “going into the woods…” and a smash or pass “petty reasons why I dnf-ed a book” edition. Don't be shy, subscribe! New Podcasts every Tuesday!! (And sometimes Friday!…)Shop our Merch line | *  https://besties-and-the-books-shop.fourthwall.comCheck out these narrator interviews? ⬇️Anthony Palmini gives us the lowdown on what it's like to voice act Rhysand, Kingfisher, AND Slade Ravinger! https://youtu.be/zcCyrlZ5Jcc?si=2k7ULbRPgZl_5pUJCheck out these author interviews? ⬇️Penn Cole talks with us about Strong Female Characters, Feminist Themes, and her debut bestselling Spark of the Everflame Series! https://youtu.be/7ukNImyoObw?si=7C3Y9kOUMN4hfcKbWe interviewed Callie Hart all about her NYT Bestseller Quicksilver! Watch it here! https://youtu.be/CED5s7qDBdQ?si=8xtIRO1IzX6Rsld4Check the official Follow Up Author Interview with Lindsay Straube of the Split or Swallow Universe all about Between Two Kings! https://youtu.be/OW1cxXTVcTc?si=oOxVIzbIheET_bNENikki St. Crowe, the queen of spicy fairy tale retellings chats with us about diving into the land of Oz with West of Wicked! https://youtu.be/wwFYSDKcbtE?si=X6iNmUVAE6Xhmv7B____Shop Bookish Merch we are wearing:Ashley is wearing a Bryce Starborn Crescent City Shirt from @caffeineandCurses | https://caffeineandcurses.com/collections/crescent-city-merch/products/bryce-quinlan-t-shirt-crescent-city?variant=43137855357128Liz is wearing our Besties Pullover Color Anti Social Crow Design | https://besties-and-the-books-shop.fourthwall.com/products/pullover-hoodie-besties-color-anti-social-crowAny link with an * is an affiliate link through the service Magic Links and is eligible for a commission to us with no extra cost to you. Thank you for helping support our podcast!Support the showYouTube | TikTok | Instagram | Podcast Platforms@BestiesandtheBooksPodcast Besties and the Book Club on Fable!https://fable.co/bestiesandthebookclub-474863489358Liz Instagram | TikTok@TheRealLifeVeganWife AshleyInstagram | TikTok@AshleyEllix

Taylor Swift has supposedly picked her wedding venue and it makes no sense. Madonna does a free show in New York City - and I want my money back! Ariana Grande says goodbye to Wicked. Spencer Pratt is pretty much out of the Los Angeles mayoral race! See omnystudio.com/listener for privacy information.

Disney's "Descendants: Wicked Wonderland" Teaser Trailer Released https://whatsondisneyplus.com/disneys-descendants-wicked-wonderland-teaser-trailer-released/   #DisneyPlus  VISIT ONLINE -  http://www.WhatsOnDisneyPlus.com If you enjoy my content, please consider supporting me by becoming a YouTube Channel Member for as little as $2 a month and get access to exclusive content and much more.  

Disney's "Descendants: Wicked Wonderland" Teaser Trailer Released https://whatsondisneyplus.com/disneys-descendants-wicked-wonderland-teaser-trailer-released/   #DisneyPlus  VISIT ONLINE -  http://www.WhatsOnDisneyPlus.com If you enjoy my content, please consider supporting me by becoming a YouTube Channel Member for as little as $2 a month and get access to exclusive content and much more.  

Class 1 from this series was used in GCT Episode 403.

Disney's "Descendants: Wicked Wonderland" Teaser Trailer Released https://whatsondisneyplus.com/disneys-descendants-wicked-wonderland-teaser-trailer-released/   #DisneyPlus  VISIT ONLINE -  http://www.WhatsOnDisneyPlus.com If you enjoy my content, please consider supporting me by becoming a YouTube Channel Member for as little as $2 a month and get access to exclusive content and much more.  

Send us Fan MailTara and EmKay continue into the world of Judy Garland for a deep dive into Garland biopics: the 2019 film "Judy" and the 1978 film "Rainbow"!Stay tuned for Part 1 dropping this Wednesday!Show Notes:Wicked: The Graphic Novel Part IWicked: The Graphic Novel Part II"Wonderfully Wicked"TV: “Rainbow"Instagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: www.emilykayshrader.netPatreon: https://www.patreon.com/downtheyellowbrickpodEtsy: https://www.etsy.com/market/down_the_yellow_brick_podMusic by: Shane ChapmanEdited by: Emily Kay ShraderDown the Yellow Brick Pod: A Wizard of Oz Podcast preserving the history and legacy of Oz

Worship led by Jeff Anderson

1 Samuel 2:12–36 // 1 Samuel: God's Authority Over Wicked Rulers // Larron Smith // June 7, 2026

Magbittertruth.com

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Gary Seligson: The Grammy-Winning Broadway Drummer Phil Collins Refused to Work WithoutPhil Collins snuck into a performance of Wicked one night without telling Gary Seligson he was coming.The next morning, he walked into Tarzan rehearsal and told the producers he didn't care who else they put in the band. There was one guy he wanted on drums. Not Chuck Burgi — who had literally replaced Phil Collins in Brand X and was calling in every favor he had to get the gig. Gary Seligson. The one he heard play in the theater when nobody knew he was watching.That's the kind of reputation you build over a career that most Broadway musicians would trade anything for.I chatted with Gary on August 24, 2021. The video is on the Broadway Drumming 101 YouTube channel. Now the audio is available everywhere you get your podcasts — Apple Podcasts, Spotify, wherever you listen.Gary is a Grammy Award winner who originated the drum books and recorded the cast albums for Aida, Wicked, Tarzan, A Little Princess, School of Rock, and Soft Power. He held the drum chair on Billy Elliot for over three years. He's on the Motown: The Musical cast recording playing percussion. His Broadway credits span more than two decades — from The Gershwins' Fascinating Rhythm in 1999 through Bob Fosse's Dancin' and Harmony in 2023. In 2025, he headed back out on the road with the Beauty and the Beast revival. He's also subbed on more than 20 Broadway productions, including Chicago, The Lion King, Les Misérables, Miss Saigon, Cats, and Rent.Gary grew up in West Orange, New Jersey, banging on his mother's pots and pans before his father bought him a tiny metal snare drum at age three. He studied with the same teacher from second grade through twelfth grade. He went to the Hartt School of Music in Hartford. He found his way to Gary Chester in New York, who completely rewired how he thought about the instrument, and then told him flat out: never leave town for more than four weeks.Gary took a touring gig anyway.Nine years on the road followed. And the moment he pulled into his mother's driveway after finally deciding to come home, the phone rang. It was Bob Billig calling about Chicago. That's how this business works when you've done the groundwork.We get into his first Broadway subbing experience at The King and I — walking into the pit two hours before curtain, sitting down at a drum set that felt completely foreign, getting thrown out by the stage manager before the show even started, then spending an hour and forty-five minutes walking around Midtown getting more nervous with every step. Trial by fire. He made the cut, and word traveled fast.We talk about what it felt like to play alongside Elton John in an Aida rehearsal room. We talk about Phil Collins tapping a pencil on a desk during Tarzan rehearsals — not even playing, just tapping — and how the groove was so wide the entire room felt it. And we talk about the moment Gary flew himself to San Francisco on JetBlue just to watch Wicked out of town, because he needed to know for himself whether to leave Aida for it.He knew by the first number.Gary is a Pearl Drums, Sabian Cymbals, Pro-Mark Sticks, Grover Percussion, and Remo Heads endorser, and has been featured in Modern Drummer and DRUM magazine multiple times.Press play. And if this episode gives you something, please leave us a glowing five-star review wherever you're listening. It takes 30 seconds and it means everything to the show.If you're serious about your own path in this industry, pick up Broadway Bound and Beyond at broadwayboundbook.com. Signed copies at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Jim Hill and Eric Hersey cover a busy Universal news week, from Universal Kids Resort pricing and seasonal operations to new rotating experiences planned for Universal Horror Unleashed in Las Vegas. They also check in on Universal Studios Hollywood's Mega Movie Summer, including Wicked meet-and-greets, Minions menu items, Fast and Furious teases, Jaws treats, and Christopher Nolan's The Odyssey getting some serious backlot synergy. Then Jim digs into the surprisingly fiery history of Universal Studios Hollywood, tracing nearly a century of backlot blazes, rebuilds, and close calls. NEWS • Universal Kids Resort in Frisco now has a July 1 grand opening date, with one-day tickets, two-day tickets, annual passes, and resort packages revealed. • Universal Horror Unleashed in Las Vegas appears to be leaning into a year-round event calendar, with rotating seasonal experiences planned through 2027. • Universal Studios Hollywood's Mega Movie Summer includes The Odyssey props, Minions meet-and-greets, Fast and Furious food, Jaws-themed treats, and Wicked photo opportunities. • Jim and Eric speculate that all the Fast and Furious activity at Universal Hollywood may point to Hollywood Drift getting closer to opening. FEATURE • Jim walks through the major fires that have hit Universal Studios Hollywood, from brush fires in the 1930s and 1940s to suspected arson on the lower lot. • The episode revisits the devastating 1990 fire that destroyed portions of New York Street, Courthouse Square, classic cars, and parts of the tram tour. • Jim explains how the 2008 backlot fire destroyed the King Kong Encounter and led to King Kong 360 3D becoming part of the Studio Tour. • The conversation also touches on Universal's repeated rebuilding efforts, its water-pressure problems, and why so much of the backlot is more recreation than original movie history. HOSTS • Jim Hill - X/Twitter: @JimHillMedia, Instagram: @JimHillMedia, Website: jimhillmedia.com • Eric Hersey - X/Twitter: @erichersey, Instagram: @erichersey, Website: strongmindedagency.com FOLLOW • Facebook: @JimHillMediaNews • YouTube: @jimhillmedia • TikTok: @jimhillmedia • Patreon: https://www.patreon.com/jimhillmedia/ SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR Planning a trip to Universal Orlando or Walt Disney World? Epic Universal listeners can save up to 12% on theme park tickets and now purchase ExpressPass through UnlockedMagic.com. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Ignite your taste buds with a Firework Freeze 5-hour ENERGY® flavor explosion.https://click2cart.com/274100cb?utm_source=kf&utm_medium=paid_video&utm_campaign=fwf_bnReddit is where all the real gamers are. Download the Reddit app and dive into r/GamingLeaksandRumors for the latest gaming updates. Download the Reddit app today.Thank you for the support! Run of Show - - Start - Future 007 games will be ‘theoretically' published by Amazon Game Studios, not IO Interactive - No Rest for the Wicked director says Xbox version won't release alongside PS5 because ‘Series S is making that rough' - SuperChats - Elden Ring Tarnished Edition launches August 28 - A Leak Just Forced Atlus To Acknowledge The Next Persona Game - The release date for Respawn's strategy game Star Wars Zero Company has leaked ahead of its SGF gameplay reveal - Wee News! - SuperChats & You‘re Wrong Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailTara and EmKay dive into the world of Judy Garland for a special three part series! Special guest Brittany Galioto joins to break down the final section of the miniseries, EmKay shares highlights from the film, and Tara shares highlights from Lorna Luft's memoir.Show Notes:Life with Judy Garland: Me & My Shadows (Part 1/3) Audio CommentaryMe And My Shadows - The Making Of"Me and My Shadows: A Family Memoir" By Lorna LuftOddment and Tweak"Galinda" by Gregory MaguireInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: www.emilykayshrader.netPatreon: https://www.patreon.com/downtheyellowbrickpodEtsy: https://www.etsy.com/market/down_the_yellow_brick_podMusic by: Shane ChapmanEdited by: Emily Kay ShraderDown the Yellow Brick Pod: A Wizard of Oz Podcast preserving the history and legacy of Oz

Tommy asks Kirstin some hot rapid fire questions that the fans are dying to know, and the conversations goes in all sorts of fun directions! Subscribe, rate, and leave a written review if you enjoy this conversation! Tune in every week for new episodes of I’ve Never Said This Before. Executive Producers: iHeart Media and Elvis Duran Podcast Network Producers: Andrew Pugliese & Stephanie Lane Follow us on socials! Instagram: @neversaidthisbefore YouTube: @NeverSaidThisBeforeSee omnystudio.com/listener for privacy information.

It's June-sical Theatre Month! Everyone's favorite musical theatre themed summer tradition from everyone's favorite Star Wars review podcast that isn't really about Star Wars anymore! This week...Wicked. The stage show. Not the movie. Get it right.You can contact the show at agoodpodcast@gmail.com and find us @HowStarWarsIsIt on all platforms, but since all platforms are kind of evil now, you should probably just email us. That's the best way to get a hold of us! You can also follow Mike @WordGospel09 on Youtube and Instagram and Josiah @JosiahDotBiz on social media, but once again, just email us. And don't forget to rate and review on iTunes, or wherever you get your podcasts! And if you REALLY like the show head over to our Patreon at patreon.com/howstarwarsisit for bonus episodes, Star Wars movie commentaries, and more!

Guest host Ryan Wrecker and author Jeff Belanger discuss the enduring legends and lore of New England.See omnystudio.com/listener for privacy information.

Stoopkid Crew! Welcome back to Season 10 Episode 12!I am currently in Dallas,TX with Wicked! Send me an email at melly@stoopkidstories.com for meetups!Byron can't wait for summer soccer season—until he finds out his grades might keep him off the field!When Byron learns he may have to attend summer school instead of playing soccer with his friends, he's faced with a tough challenge. Listeners will explore themes of responsibility, perseverance, self-discipline, growth mindset, effort, and self-discovery.Perfect for elementary school students, classrooms, counselors, teachers, and families, this engaging story opens the door to meaningful conversations about making choices, working toward goals, and finding strengths you never knew you had.Support the show

In today's episode, we present a chat with Screenwriter and Entrepreneur, Michael Elliot, creator of Cinema Puzzles! Michael was kind enough to send us a few Jurassic Cinema Puzzles and chat about the creation of the new business. Plus, we dive into the latest Jurassic News around the world! Sit back, relax and ENJOY this episode of The Jurassic Park Podcast!Cinema Puzzles InstagramDavid Koepp's Rebirth ScriptLet's Talk Jurassic featuring Muzzammil ShaikUniversal Kids ResortJurassic World Evolution 3 UpdatePlease check out my Newsletter featured on Substack! You can sign up for the newsletter featuring the latest from Jurassic Park Podcast and other shows I'm featured on - plus other thoughts and feelings towards film, theme parks and more!FOLLOW USWebsite: https://www.jurassicparkpodcast.com/YouTube: https://www.youtube.com/@JurassicParkPodcastInstagram: https://www.instagram.com/jurassicparkpodcast/Bluesky: https://bsky.app/profile/jurassicparkpod.bsky.socialThreads: https://www.threads.net/@jurassicparkpodcastFacebook: https://www.facebook.com/jurassicparkpodcastApple Podcasts: https://apple.co/2VAITXfSpotify:  https://spoti.fi/2Gfl41TDon't forget to give our voicemail line a call at 732-825-7763!Catch us on YouTube with Wednesday night LIVE STREAMS, Toy Hunts, Toy Unboxing and Reviews, Theme Park trips, Jurassic Discussion, Analysis and so much more.

What does it take to become a Broadway performer in productions of Wicked, Hello Dolly, Hairspray, and more, and can you guess which stories are true? In this gameshow podcast for kids, Mindy Thomas gets to know Hayley Podschun, as she shares surprising facts and sneaky fibs about her life! This interactive interview podcast for kids invites listeners to play along, think critically, and discover what it really means to star on Broadway and be a TV host!In this podcast that puts a WOW twist on ‘Two Truths and A Lie' , kids and families will learn all about Hayley Podschun and being a performer for the stage and screen. Together, hear unbelievable stories about the joys, the challenges, and the journeys of people who are doing amazing things in the world, like performing as Glinda in Wicked on Broadway. But not everything you hear is true… Can you figure out which facts are real?This episode blends gameplay with real conversation as Mindy and Hayley Podschun share stories that are surprising, funny, and sometimes totally unbelievable. From childhood memories, fears, and hidden talents, listeners will explore how Broadway performer and television host Hayley Podschun WOWs each and every day!Along the way, kids and grownups will get to combine curiosity and play, discover the joy of human connection, and see how curiosity can lead to some of the coolest jobs! Designed for families to listen together, this episode encourages communication, imagination, and connection in a screen-free way.Whether your Wowzer is curious about acting and singing on Broadway in shows like Wicked; Hello Dolly; and Hairspray; or being a TV host; or loves solving a good mystery, this episode helps kids build confidence, ask better questions, and connect with the people around them. It's all about learning through play, conversation, and curiosity.✨ Don't miss the chance to laugh together even more: Grownups can visit https://bit.ly/4pU76WO to join the World Organization of Wowzers (WOW) and unlock exclusive activities, birthday cards, quarterly mailings, first dibs at events, and a welcome kit with an autographed photo of Mindy & Guy Raz! Plus, Grownups help support our podcast and our mission to create content and experiences that connect laughter to learning, curiosity to innovation and kids to the WOWs in their world!This episode of Two Whats?! And A Wow!: People Who Wow Edition introduces kids and families to a Broadway actor, singer, and TV host through gameplay, storytelling, and curiosity-driven conversation.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Penn takes a new view on plastics, TV algorithm suggestions, Matt gets asked a confusing question following his show at The Magician's Room, thoughts on the most requested magic trick of all time, and lots more.