Podcasts about Ragtime

“When you use humor to degrade people, you can get away with it—but you're also doing something that's completely devastating.” — Rhae Lynn BarnesDonald Trump's recent retweet of Barack and Michelle Obama depicted as apes was dismissed by his supporters as “just a joke”—another example, they claimed, of liberals lacking a sense of humor. But Princeton historian Rhae Lynn Barnes argues that this kind of “humor” is anything but innocent. It draws on a centuries-long white supremacist tradition of dehumanization—one that stretches back to the origins of American mass entertainment itself.In her book, Darkology: Blackface and the American Way of Entertainment, Barnes traces how Blackface minstrelsy became the quintessential American cultural form—America's first great entertainment export—shaping music, comedy, performance, and politics from the 19th century through the 20th. Barnes explains how P.T. Barnum helped popularize the grotesque “scientific” spectacle of Black people as the missing link in evolution, and how the Barnum model of hoax-driven mass media foreshadows Trump's own relationship with controversy, “fake news,” and attention.Barnes argues that Blackface wasn't merely a fringe theatrical practice. It was normalized—then institutionalized—through schools, churches, civic clubs, and even the federal government. The result was an intergenerational system for teaching white supremacy through catchy songs, jokes, and seemingly harmless performance.For Barnes, the most important chapter of the Darkology story is the Black resistance minstrelsy triggered—from Frederick Douglass's campaign of dignified self-representation to NAACP organizers and Black veterans who fought to remove minstrel shows from schools and public life. Rather than anti-American, Barnes insists that confronting this censored cultural history is the patriotic duty of all Americans. That's America's defining story, she says. The pursuit of freedom—and the ongoing struggle to live up to it. Five Takeaways1. Racist Humor Has Deep Roots: What gets dismissed today as “just a joke” belongs to a centuries-old tradition of dehumanizing caricature that masked cruelty as entertainment.1. Blackface Was America's Cultural Foundation: Minstrelsy shaped American comedy, music, performance—and even political campaigning. It was the quintessential American entertainment form.1. Barnum Invented the Spectacle Model: Hoax-driven media sensation fused with racial pseudo-science and spectacle long before modern political showmanship adopted the formula.1. White Supremacy Was Taught as Fun: Catchy songs, simple dances, and comic routines created an intergenerational system of racial socialization embedded in schools, churches, and civic clubs.1. Patriotism Requires Historical Honesty: Confronting this censored past strengthens democracy. America's defining story is the pursuit of freedom—not the denial of injustice. About the GuestRhae Lynn Barnes is a historian and professor at Princeton University. She is the author of Darkology: Blackface and the American Way of Entertainment. ReferencesPrevious Keen On episodes mentioned:1. None About Keen On AmericaNobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States—hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,800 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting.WebsiteSubstackYouTubeApple PodcastsSpotify Chapters:(00:00) - Introduction (00:25) - Trump, race, and “just a joke” (01:31) - The long history behind the meme (02:30) - P.T. Barnum and the “What Is It?” (03:41) - Barnum, hoaxes, and Trump's media instinct (05:39) - Blackface as America's signature entertainment (07:34) - When “minstrelsy” goes mainstream (09:50) - Black responses: Douglass to Ragtime (12:28) - Veterans, schools, and the NAACP fightback (17:54) - Presidents, power, and “Whiteology” (19:50) - Humor as an intergenerational weapon (21:20) - Immigration and learning “whiteness” (22:30) - Is American history defined by white supremacy? (24:00) - The pursuit of freedom—and confronting the past (28:18) - Why this history still matters now (31:11) - Gerald Ford and the politics of Blackface (32:56) - Closing thoughts and goodbye

Great theater starts by creating trusted conditions for talent and creativity to thrive. Cody Renard Richard is a Tony Award-winning producer and stage manager whose career spans Broadway, television, opera, and even Cirque du Soleil. Along the way, his backstage leadership has shaped acclaimed productions like the 2025 revival of Ragtime and this spring's CATS: The Jellicle Ball. In this episode, Cody talks about what it really means to lead from behind the scenes, and why stage management is such a powerful training ground for leadership. He reflects on his path through the industry, how he's navigated power and visibility in a field that doesn't always make room for everyone, and what it looks like to advocate for artists and audiences without burning out or losing yourself in the process. ----- LINKS: Cody Renard Richard: https://www.codyrenard.com/ Ragtime at Lincoln Center: https://www.lct.org/shows/ragtime/ CATS: The Jellicle Ball: https://catsthejellicleball.com/  RISE Theatre Directory: https://risetheatre.org/

EVEN MORE about this episode!What happens when divine guidance moves through music, creativity, and the courage to trust your calling?Join Julie Ryan and Broadway star Pamela Bob as they explore spiritual channeling, divine timing, singing as sacred expression, and how play and creativity reveal why we incarnate. In this heartfelt and inspiring episode, Pamela opens up about the sacred vulnerability of singing, why performing for an intimate room can feel more terrifying than a packed theater, and how music aligns with our unique energetic vibration. From the emotional force of shows like Ragtime to a childhood moment of divine recognition—“I think this is God”—this conversation dives deep into artistry as a spiritual calling.Listeners will be captivated by Pamela's jaw-dropping story of channeling June Carter Cash during a nightly, unscripted improvisation—an experience so powerful that Julie reveals June herself chose Pamela in the audition and guided her through every performance. Pamela also shares the brutal truth behind elite performing arts training, where she was repeatedly told she couldn't sing, yet trusted her inner knowing enough to persevere when others were cut. That same guidance later led her from a lucid dream to creating the award-winning Livin' On a Prairie, as the right people and opportunities appeared at exactly the right time.This episode is ultimately a love letter to play, joy, and remembering who you were before the world told you who to be. Pamela reflects on the transformative power of creativity through stories like Encore, where adults rediscover themselves through performance, and offers a simple yet profound invitation for anyone feeling stuck: return to what you loved as a child. The conversation closes with a tear-filled reflection on why we incarnate at all—sparked by a dying woman's final words: “It was so much fun.”Guest Biography:Pamela Bob is a multifaceted actor, singer, and award-winning screenwriter whose career spans Broadway, Off-Broadway, film, television, and podcasting. On Broadway, she appeared in the Tony-nominated Hand to God and the Tony Award–winning A Gentleman's Guide to Love and Murder, where she famously covered all six female roles and regularly stepped into leading performances. Off-Broadway, she starred as Clarice Starling in the cult hit Silence! The Musical—named one of Time Magazine's ten must-see NYC shows—and earned a BroadwayWorld nomination for Best Actor for her role in Cracked Open. Pamela is also the creator and star of the acclaimed series Livin' On a Prairie, an award-winning, festival-selected exploration of pop culture obsession inspired by Little House on the Prairie, which won Best TV Series and Best Actress at the LA International Film Fest. She currently co-hosts the Little House on the Prairie 50th Anniversary Podcast, which has surpassed one million downloads and recently sold out its first live NYC event. Pamela is a graduate of the University of Cincinnati–Conservatory of Music.Episode Chapters:(0:02:00) - When Talent Becomes Sacred(0:05:00) - The Power of Music and Vibration(0:08:00) - Pamela Sings "My Favorite Things"(0:10:00) - Channeling Spirit on Stage(0:12:00) - The June Carter Cash Story(0:17:00) - Actor Who Sings vs. Musical Theater Actor(0:19:00) - Surviving the Cincinnati Conservatory(0:24:00) - Intuition in Landing Roles(0:28:00) - Stage vs. Camera Performance(0:32:00) - Creating "Living on a Prairie"(0:38:00) - Divine Guidance and Trusting the Process(0:40:00) - Advice for Those Feeling Stuck(0:42:00) - The Transformative Power of Play(0:45:00) - Rapid Fire Questions(0:50:00) - Angel Signs and Feathers(0:52:00) - Why We Incarnate➡️Subscribe to Ask Julie Ryan YouTube➡️Subscribe to Ask Julie Ryan Español YouTube➡️Subscribe to Ask Julie Ryan Português YouTube➡️Subscribe to Ask Julie Ryan Deutsch YouTube➡️Subscribe to Ask Julie Ryan Français YouTube✏️Ask Julie a Question!

Live Feb 11, 2026 | Yaron Brook ShowSeason 12, Episode 27El Paso Closure; Jobs; Bondi; Grand Jury; Moltbook; Starlink; Vax; Intel, Cuba | Yaron Brook ShowCollapse, Corruption & Control: Who's Really Running America?Is America unraveling—or finally revealing what it really is?From the El Paso shutdown to Big Tech regulation fantasies… from grand juries and political corruption to vaccines, Starlink, Intel, Cuba, and the economic myths strangling job creation—this episode pulls no punches.Yaron breaks down the week's biggest stories through the lens of reason, individual rights, and capitalism. Why are politicians obsessed with regulating innovation? Why do grand juries suddenly matter—until they don't? What's behind the El Paso closure? And what happens when economic ignorance meets political power?Plus: live audience questions on Noam Chomsky, Big Tech regulation, landlord contracts, Puerto Rico expats, music, Star Trek, The Offspring, and more.If you care about freedom, prosperity, and intellectual honesty—this episode is for you.

Risk is usually something leaders are told to minimize. But for Sammi Cannold, it's essential to success. As an award-winning director across Broadway, film, and television, Sammi has built her career on ambitious projects—like staging Violet on a moving bus and reimagining Ragtime on Ellis Island. What stands out isn't just the boldness of the choices, but the intention behind them: using place and performance to help audiences experience even the most familiar stories in new ways.  In this episode, Sammi shares how she found her voice as a young woman in a male-dominated field; how she brings new perspective to beloved works while still honoring their legacy; and what it means to be an "actor's director" whether she's working on stage or the silver screen. Plus, she shares why advocacy in entertainment doesn't always have to feel like eating your vegetables, and breaks down the false dichotomy between mission-driven and commercial work. LINKS: Sammi Cannold: https://www.sammicannold.com/ The Agnes Index: https://www.instagram.com/theagnesindex/?hl=en Broadway Briefing: https://broadwaybriefing.com/

Hi Broadway Besties! Get ready for the highly anticipated RAGTIME REVIEW! Lindsey also recaps seeing Data at the Lucille Lortel Theatre! Broadway News:

We've got DISCOURSE this week on snow shows, calling out, and if it's ethical to have shows during severe weather. We've got thoughts on Chess, Ragtime, and there's tons of work being done in development!

Marcia Milgrom Dodge is an acclaimed director and choreographer. She is a Tony, a Drama Desk and an Astaire Award Nominated Director & Choreographer for her 2009 revival of RAGTIME. She's known for her work in major New York revivals, groundbreaking regional theater, and international spectacles. Her other works include LA CAGE AUX FOLLES; DISNEY'S BEAUTY & THE BEAST; EVITA; and FIDDLER ON THE ROOF. She's worked with stars like Stephen Sondheim, Richard Maltby and William Finn among many others.My featured song is my recent single called “The Rich Ones All Stars”. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH MARCIA:www.marciamilgromdodge.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Al chats with Jenna and Sheinelle about reaching a historic milestone of 30 years at TODAY — and the partnership and life mottos behind his success. Plus, Will Forte shares the latest on his partnership with Honestly HD and how he is raising awareness for Huntington's disease. Also, Women's Health Executive Health & Fitness Director Jaqueline Andriakos taps into the latest trends in workout gear to help you look and feel good in the new year. And Broadway superstar Caissie Levy talks about starring in the Lincoln Center Theater revival of the hit musical "Ragtime" and recording the official cast album. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

La Agrupación Músico- cultural Las Musas de Guadalupe se prepara para afrontar una de sus citas más importantes el próximo 1 de febrero a las 12:00 del mediodía en el Auditorio Víctor Villegas de Murcia, en el marco del ciclo organizado por la Federación de Bandas. Para este evento, la asociación desplazará a unos 60 músicos que interpretarán un repertorio variado en el que participará la banda titular, la coral y la Paprica Jazz Band, una formación de ocho músicos especializada en Dixie, Ragtime y Blues que surgió a raíz de la pandemia.Fundada en 1984, la agrupación cuenta actualmente con una masa social de hasta 300 socios y una escuela de música con una oferta educativa tan amplia que las instalaciones actuales se han quedado pequeñas para atender la demanda. Este concierto, compartido con la banda de Yecla, supone un hito en un intenso calendario para 2026 que incluirá también conciertos de marchas de procesión, festivales de bandas y su participación en la Semana Santa.

Peter Filichia, Jena Tesse Fox, James Marino, and Michael Portantiere review Bug @ the Samuel J. Friedman Theatre, Going Bacharach: The Songs of an Icon @ Marjorie S. Deane Little Theater, The Opening @ The Players Theater, Picnic at Hanging Rock: The Musical @ the Greenwich House Theatre, Ragtime @ read more

In this week's mini-sode, we are shining the spotlight on the very beloved Broadway musical "Ragtime"! With its current Broadway production extending nearly 6 months, this star-studded revival is the talk of the town!Speculative Fiction Writing Made Simple: Write, Edit, and Publish Your Debut NovelMost writing podcasts just inspire. This one teaches the craft skills that hook readers.Listen on: Apple Podcasts SpotifySupport the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

New York, eine schwüle Sommernacht im Juni 1906: Auf dem Dachgarten des Madison Square Garden flackern Lampen, Champagner perlt, Ragtime trägt durch die warme Luft. Inmitten der feinen Gesellschaft sitzt eine junge Frau – erst 21, berühmt in ganz Amerika. Neben ihr: ihr Ehemann, angespannt, fixiert auf einen Mann ein paar Reihen weiter. Dann fallen drei Schüsse. Vor aller Augen. Ein Mann ist tot – und das Leben der Frau neben dem Täter wird für immer an diesen Moment gekettet. Ihr Name: Evelyn Nesbit. In dieser Folge erzählen wir nicht nur die Geschichte des „Trial of the Century“, des Prozesses gegen Harry Kendall Thaw, der den Star-Architekten Stanford White erschoss – angeblich, um „die Ehre“ seiner Frau wiederherzustellen. Wir verschieben den Fokus: weg vom Täter-Mythos, hin zu Evelyn. Denn bevor aus ihrem Gesicht das Gesicht eines Skandals wurde, war Evelyn ein Kind aus armen Verhältnissen, früh geprägt von Verlust, Unsicherheit und Verantwortung. Als Teenager wird sie zum begehrten Model, später zum gefeierten Broadway-Chorus-Girl – und damit zur Projektionsfläche einer ganzen Nation. Männer versprechen Förderung, Schutz, Glanz. Was sie oft meinen: Zugriff. Wir sprechen über Grooming, Abhängigkeit und sexualisierte Gewalt, über die Mechanismen einer Gesellschaft, die mächtige Männer deckt – und das Mädchen zum Skandal erklärt. Über Stanford White, der sie „fördert“ und missbraucht. Und über Harry Thaw, der sich als Retter inszeniert, aber selbst zum Täter wird: Kontrolle, Gewalt, Demütigung – und schließlich ein Mord, der weniger Erlösung als Rachefantasie ist. Triggerwarnung: In dieser Episode geht es um Mord (Schusswaffe), Missbrauch, sexualisierte Gewalt und Suizidversuche. Am Ende bleibt die Frage: Wenn diese Geschichte von etwas handelt – ist es vielleicht nicht der Skandal. Sondern Evelyns Kampf, sich ihre eigene Geschichte zurückzuholen. **Quellen und Literatur: ** - Nesbit, E., The Story of My Life, London 1914 - Nesbit, E., Prodigal Days. The Untold Story, New York 1934, https://archive.org/details/prodigaldaysunto0000nesb/mode/2up - The Love Triangel, Interview von PBS mit Paula Uruburu, https://www.pbs.org/wgbh/americanexperience/features/century-love-triangle/ - Uruburu, P., American Eve. Evelyn Nesbit, Stanford White, the Birth of the It-Girl and the Crime of the Century, New York 2008, https://archive.org/details/isbn_9781594489938 - Gill, B., Sex, Money, and Murder, https://www.pbs.org/wgbh/americanexperience/features/century-sex-money-and-murder/ - Video von Abby Cox, 100 Years of Abusing Child Stars for Profit https://www.youtube.com/watch?v=mL21iRFPoJU - Video von Kaz Rowe, The Tragic Story of Evelyn Nesbit and the Murder of Stanford White, https://www.youtube.com/watch?v=LLIsoNf7_HY // Folgt uns auf Instagram // https://www.instagram.com/frueher.war.mehr.verbrechen/?hl=de // Mail //: https://linktr.ee/fwmv // Kaffeekasse //: https://ko-fi.com/fwmvpodcast GEMAfreie Musik von https://audiohub.de

GET A SYDNEY PLUSH (LAST CHANCE!!!)Audio gathered from various sources at SITE2 on day 1333.MAJOR INSIGHT INTO:Dynamics between ENTITY7 and ENTITY6ENTITY7's propensity for wildlifeMINOR INSIGHT INTO:Complicated affairs between ENTITY7 and his social circleENTITY6's fear of plastic insectsImportant notes:I'm too tired to explain how I was able to rig the outside megaphone and microphones right now, but it's a similar method to the intake for ETITY2's radio.I imagine ENTITY3 will disconnect it come next week.Keep AGENT23 away from this one. It's so soap-opera-like that I imagine she'd have a tonally inappropriate field day, and I'm on my fifth night without sleep.-Disclaimer: Camp Here & There is intended for audiences aged 16+. The story deals with mature themes and graphic horror which may not be suitable for all audiences. Viewer discretion is advised.Performances by Emily Safko, Ty Coker, and Voicebox Vance.With original music composed by Will Wood and produced by Jonathon Maisto.Additional music composed by Kyle Gabler and Another You.Dialogue editing by Emily Safko. Audio engineering by The Leo!Mumbling Crowd sourced from imagefilm.berlinMidwest Clean Guitar sourced from YellowTreeCrashbox effect sourced from MshanenList of people in the crowd: Lacey, Sharpie, Splemonocracy, Riley, Hunter, MK, Shiloh, The Leo, Xan, Cupid, Tundra, Ragtime, Addie, Reese, Rhys, Ren, and CaliWEBSITE⁠⁠⁠⁠⁠⁠⁠⁠PATREON⁠⁠⁠⁠⁠⁠⁠⁠DISCORD

Ron Faber (left) and Stephen Stout (right) in Lucky Stiff. Photo by Peter Cunningham. This episode of Settling Scores dives into the delightfully offbeat world of Lucky Stiff, the cult-favorite musical that helped launch the legendary songwriting team of Lynn Ahrens and Stephen Flaherty. With its rapid-fire wit, breakneck(!) farce, and charming score, Lucky Stiff showcases the early sparks of a musical theatre partnership that would go on to create Ragtime, Once on This Island, and Anastasia. We'll attempt to outline the show's wild plot and swoon over some lovely musical moments, all while tracing how Ahrens and Flaherty's unique voice first took shape. Along the way, we unpack behind-the-scenes stories, creative risks, and why this small, zany musical still punches far above its weight. Call it a love letter to joyful absurdity. Perfect for fans who like their Broadway deep dives smart, irreverent...and perhaps a little feisty! Join us over on our Facebook and Instagram pages for more content and to share your thoughts with us! Stephen Flaherty and Lynn Ahrens circa 1988 Julie White and Stephen Stout in Lucky Stiff. Photo by Peter Cunningham. New York Times review of Lucky Stiff from 4/27/1988   John Scamardella (standing) and Steve Mook (seated). Pull-Tight Players Theatre production of Lucky Stiff, 2025. Photo credit: Three Wishes Photography Jeremy Hargis (left) and Bre Hall (right). Pull-Tight Players Theatre production of Lucky Stiff, 2025. Photo credit: Three Wishes Photography The incomparable Mary Testa.   Original playbill from Playwright's Horizon   The *interesting* movie version of Lucky Stiff.

GET A SYDNEY PLUSH BEFORE TIME RUNS OUT!Audio gathered from various sources at SITE2 on day 1333.MAJOR INSIGHT INTO:ENTITY9's psychological stateENTITY9's pre-limnal memoryconflict between ENTITY9 and ENTITY12ENTITY1's inability to maintain neutralityMINOR INSIGHT INTO:behavioral patterns associated with medication withdrawalENTITY12 and ENTITY9's relationshipImportant notes:I did what you asked and checked local weather channels as far out as Virginia. If we're to believe ENTITY12, then the stations are typical fare.But they do sound concerning.-Disclaimer: Camp Here & There is intended for audiences aged 16+. The story deals with mature themes and graphic horror which may not be suitable for all audiences. Viewer discretion is advised.Performances by Voicebox Vance, Corey Wilder, and Tom Laflin.With original music composed by Will Wood and produced by Jonathon Maisto.Additional music composed by Mollie Maxwell, Kyle Gabler and Another You.Dialogue editing by Emily Safko. Audio engineering by The Leo!Sensitivity read by Ragtime.-WEBSITE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PATREON⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DISCORD⁠

Top Stories for December 13th Publish Date: December 13th PRE-ROLL: SUGAR HILL ICE SKATING From the BG AD Group Studio Welcome to the Gwinnett Daily Post Podcast. Today is Saturday, December 13th and Happy Birthday to Ted Nugent I’m Peyton Spurlock and here are your top stories presented by Gwinnett KIA Mall of Georgia. Suwanee recognizes Eagle Scout projects Suspect arrested after road rage incident leads to stabbing on I-85 in Gwinnett Peachtree Corners Town Center's movie theater is third major closure of 2025 Plus, Leah McGrath from Ingles Markets on milk Break 1: THE STRAND HOLIDAY STORY 1: Suwanee recognizes Eagle Scout projects At November’s City Council meeting, Suwanee took a moment to shine a spotlight on three incredible Eagle Scouts who poured their time, energy, and heart into projects that made the community a little brighter. “Thank you to these young leaders for their creativity and dedication,” the city shared. Here’s what they accomplished: Jocelyn Carsley (Troop 5109) transformed the barn at White Street Park with a kids’ activity area and a colorful mural. Meredith Carsley (Troop 5109) built observation decks for better views at city events. Colin Kenney (Troop 608) revamped the landscaping around the “Mommy” sculpture at PlayTown Suwanee. Amazing work, all around! STORY 2: Suspect arrested after road rage incident leads to stabbing on I-85 in Gwinnett A man accused of stabbing another driver in a road rage clash last month has been arrested, Gwinnett County police announced. The incident happened on Nov. 13 along I-85 South. Peter Chai, the victim, told officers he got into a heated exchange with a white van. Things escalated fast. According to police, the van’s driver, Yoandry Rincon, got out, approached Chai’s window, and stabbed him in the chest. Chai fought back—grabbing a bat from his car—which sent Rincon running back to his van. Chai was hospitalized but has since recovered. Rincon? He’s now in Gwinnett County Jail, facing aggravated assault charges. STORY 3: Peachtree Corners Town Center's movie theater is third major closure of 2025 It’s been a tough year for Peachtree Corners Town Center, and now there’s more bad news to close out 2025—CMX Cinebistro has shut its doors. The theater, which opened in March 2019, quietly disappeared from the CMX website, though it was still being hyped on social media just a few months ago as the go-to spot for date nights and family outings. This marks the third big closure in six months. Lazy Dog left in July, blaming parking headaches, and Uncle Jack’s Meat House followed in August. For a six-year-old development, it’s starting to feel like a rough patch. We have opportunities for sponsors to get great engagement on these shows. Call 770.874.3200 for more info. We’ll be right back Break 2: Ingles Markets - DTL HOLIDAY STORY 4: Housing Matters: HUD pauses changes to housing grants after lawsuit The cost of living is crushing, and it’s forcing people into impossible situations—cramped hotel rooms, shelters, or worse, the streets. Here’s the latest on housing and homelessness: HUD’s Homeless Aid Shake-Up Hits Pause The Trump administration’s plan to cap grants for permanent housing and programs like those supporting transgender communities has been put on hold after a lawsuit. Critics say the changes would displace 170,000 people. HUD now promises a revised policy by January. Atlanta Food Bank’s Big Push With demand up 70%, the Atlanta Community Food Bank is racing to collect 10 million meals by year’s end. A $100,000 match doubles every donation. Housing Market Stalls New home listings dropped 1.7%—the sharpest decline in two years. Buyers and sellers are waiting, unsure of what 2026 will bring. STORY 5: Kim Peeples makes a lifelong impact on Brookwood’s theater family For Kim Peeples, music isn’t just a career—it’s her heartbeat. She retired from Brookwood High in 2019, but let’s be honest, she never really left. This year, she hit a milestone: her 100th musical production, “String,” which won the region one-act competition. Peeples’ journey with Brookwood started in the early ’80s, when she was fresh out of college and working under her middle school chorus teacher, Lori Ziecker. “Lori was everything,” Peeples said, her voice catching. “She passed in May, but her influence is everywhere.” Over the years, Peeples became a cornerstone of Brookwood’s theater and choral programs, working alongside the Lindahl family—first Ken and Patty, and now their daughter, Laura. And family is exactly what Brookwood has been to Peeples. From directing “Evita” in 1990 to the award-winning “1940s Radio Hour” in 1998, and more recent productions like “Ragtime” and “Bright Star,” her passion has left an indelible mark. We’ll be right back. Break 3: Kia Mall of Georgia And now here is Leah McGrath from Ingles Markets on milk - Interview - We’ll have closing comments after this Break 4: VILLA RICA WONDERLAND TRAIN- GCPS Hiring Signoff – Thanks again for hanging out with us on today’s Gwinnett Daily Post Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at www.gwinnettdailypost.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network Show Sponsors: www.ingles-markets.com www.kiamallofga.com Ice Rink – Downtown Sugar Hill Team GCPS NewsPodcast, CurrentEvents, TopHeadlines, BreakingNews, PodcastDiscussion, PodcastNews, InDepthAnalysis, NewsAnalysis, PodcastTrending, WorldNews, LocalNews, GlobalNews, PodcastInsights, NewsBrief, PodcastUpdate, NewsRoundup, WeeklyNews, DailyNews, PodcastInterviews, HotTopics, PodcastOpinions, InvestigativeJournalism, BehindTheHeadlines, PodcastMedia, NewsStories, PodcastReports, JournalismMatters, PodcastPerspectives, NewsCommentary, PodcastListeners, NewsPodcastCommunity, NewsSource, PodcastCuration, WorldAffairs, PodcastUpdates, AudioNews, PodcastJournalism, EmergingStories, NewsFlash, PodcastConversations See omnystudio.com/listener for privacy information.

Music from my home state of Missouri hits all next week on The Music Of America Podcast. Meet Lauren Ash, The Damien Gunn Band, Roy Fry, Ragtime duo of Cherry and Jerry and entertainer, singer and songwriter Bill Lucas

BC/EFA sets new record, Benko to step in for Taub in ‘Ragtime,’ ‘Coyote Ugly’ and ‘August Rush’ musicals in the works Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | read more

The new revival of the musical Ragtime, by Stephen Flaherty and Lynn Ahrens (book by Terrence McNally, based on the novel by E.L. Doctorow), is one of the big hits of the new Broadway season. Lincoln Center Theater has produced the latest rendition, and times have certainly changed since the musical's original Broadway production in 1998. The new revival makes the show's characters and issues even more relevant for our present day. Along with the fictional character Coalhouse Walker Jr. and the archetypal characters Father, Mother, and Younger Brother, the show features several celebrities and power players from turn-of-the-century New York. Anna Grace Barlow, who plays Broadway star Evelyn Nesbit, and Rodd Cyrus, who stars as iconic illusionist Harry Houdini, join The Gilded Gentleman for a behind-the-scenes talk about their characters and their experiences performing in the show. This episode was produced and edited by Kieran Gannon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Patrick Page to lead ‘Titus Andronicus’ Off-Broadway; Jones, Chanler-Berat, and Boyer to do Lee’s ‘Mother Russia’; watch ‘Ragtime’ opening number from Lincoln Center Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is read more

We don't know if we've been changed for the better. This week Nando and Diggins tornado down to the Land of Oz to watch the sequel that will remind you that the good songs are almost all in the first one, Wicked: For Good. They nitpick the witches, the lions, and of course the Boq.   Recommendations: Diggins - The Running Man (movie), Hamnet (movie), Zootopia 2 (movie), Ragtime (musical) Nando - Stranger Things (series), South Park (series), I Love LA (series)   Plugs Mostly Nitpicking on Bluesky The Nando v Movies Discord Roses and Rejections Diggins' Substack - A Little Perspective All of Nando's Links   Mostly Nitpicking theme by Nick Porcaro Logo by Michelle Chapman

This Classic episode goes back to 2021 with drummer Rich Rosenzweig. At the time, he was playing the drum chair for Company. Today, he is the drummer for Ragtime at Lincoln Center. Part One focuses on his early years, his training, and his path into the Broadway world.What we cover in this episode* How Rich transitioned from piano lessons to drums.* Growing up in a home filled with music and support for the arts.* Group snare drum lessons in grammar school and early practice habits.* Playing in the basement, practicing with records, and discovering big band.* Hearing Buddy Rich, Basie's band, and how those experiences shaped his sound.* Getting into jazz as a teenager and forming his first jazz groups.* Studying at UNC Chapel Hill and balancing music with a liberal arts education.* His obsession with film, film scores, and composers like Bernard Herrmann and Ennio Morricone.* Moving to New York with pianist Frank Kimbrough and building a freelance life.* Playing weddings, club dates, and the slow grind toward professional theater work.* Watching Ray Marchica play The Will Rogers Follies and learning what Broadway drumming really requires.* Subbing under conductor Eric Stern and facing a click track for the first time.* Landing his first Broadway chair on State Fair and what he learned from that experience.* Why Broadway drumming demands consistency, reading skills, groove, and a full understanding of the storytelling behind the music.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Why this episode matters* It gives a clear picture of how a Broadway drummer builds a career from scratch.* It highlights the mix of training, influences, timing, and relationships that shape a long career on Broadway.* It shows how jazz, film music, and classical Broadway scoring all feed into a drummer's approach and musical identity.* It offers practical insight for anyone who wants to pursue theater drumming at a high level.Part Two will be released next week.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Pacific St Blues & AmericanaNovember 30, 2025Thanksgiving, Henry ThomasExplore the Nexus of Folk, Ragtime, and Piedmont Blues 1. Boz Scaggs / The Meaning of the Blues 2. Jon Baptiste / Do It All Again 3. Deacon Blues / Last Night I Dreamed of Henry Thomas4. Joanne Shaw Taylor / Irish Christmas 5. Eric Bibb / This One Doesn't6. Mississippi John Hurt / Coffee Blues (Lovin' Spoonful)7. Geoff, Jenni, and Clare Muldaur / Chicken 8. Maria Muldaur / I Go For That 9.Grateful Dead (David Grisman) / Friend of the Devil 10. The Loving Spoonful / Henry Thomas (Twill & Banjo) 11. Henry Thomas / Bull Doze Blues 12. Canned Heat / Going Up to the Country (Bull Doze Blues) 13. Dave Alvin w/ Canned Heat / The Blind Owl 14. Taj Mahal / Fishing Blues15. Guy Davis / Run Mollie, Run 16. Henry Thomas / Old Country Stomp 17. Mississippi Sheiks / Sitting on Top of the World 18. Bob Dylan / Honey, Just Allow Me Once More Chance19. Grateful Dead / Don't Ease Me In 20. Dom Flemons / Texas Easy St (Black Cowboys) 21. Bruce Springsteen / Black Cowboys22. Arlo Guthrie / Alices Restaurant Massacre 

Send us a textThis week on Broadway Besties, we are flying back to Oz and diving headfirst into every magical, chaotic, heart-stopping moment of Wicked Part Two. Mark has seen it, Amy has not, which means we unpack the twists, the tears, the triumphs, and the tiny details you might have missed. Then we switch universes entirely and head to turn-of-the-century America as we dream-cast a full cinematic version of Ragtime. We pick the actors, the directors, and the aesthetics and decide once and for all whether Ragtime deserves the Hollywood treatment. It is drama, nostalgia, and musical theatre mayhem in its purest form.

Today, I'm thrilled to announce my interview with two-time Tony winner Brian Stokes Mitchell. Tune in to hear some of his wonderful stories, including why JELLY'S LAST JAM was the hardest show he's ever done, an out-of-body experience during RAGTIME, learning KING HEDLEY II in nine days, how he came to appreciate KISS ME, KATE, getting slapped by Marin Mazzie, auditioning for OH, KAY! and PORGY AND BESS simultaneously, making his Broadway debut with MAIL, going from the Belleville Dinner Theater to Broadway with MAN OF LA MANCHA, coming back to Broadway with WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN, the pitfalls of adapting movies for the stage, how he got his first big job on TRAPPER JOHN, MD, starring in LOVE LIFE before and after the pandemic, researching the history of SHUFFLE ALONG, his vision for a revival of THE MUSIC MAN, covering Stephen Sondheim's work on his albums, workshopping HERE WE ARE, and so much more. Don't miss this in-depth conversation with a true Broadway legend.

I went back to one of my classic Broadway Drumming 101 conversations this week, and it reminded me why I started this series in the first place. Years ago I sat down with Rich Rosenzweig when he was holding the drum chair for the revival of ‘Company.' Now he's driving the bus for Ragtime at Lincoln Center, and revisiting this talk brought everything back. We got into the real work of subbing on Broadway, the pressure of matching the regular drummer's feel, and the quiet connection with the conductor that determines whether you get asked back.In the clip, Rich breaks down the truth every serious drummer needs to hear. Subbing isn't about chops or showing what you can do. It's about matching the show so well that the conductor can close their eyes and feel the same pulse, the same sound, the same flow they get from the regular drummer. They're not looking for surprises. They want stability. If you're not giving accuracy, presence, and attention to detail, they feel it immediately.Rich also talks about how conductors watch the monitor even when they say they don't. They're looking for someone who is locked in and communicating clearly. Plenty of great drummers have fallen short because they didn't prepare the book with real precision or didn't read the conductor the way the regular drummer does. Most people never hear that part of the job. Subbing is consistency, connection, and trust.Thanks for reading! This post is public so feel free to share it.This conversation is one of my favorites, and I'm bringing it back. Subscribe to Broadway Drumming 101 so you're notified when the re-release goes live. If you're trying to get into Broadway or looking to sharpen your subbing skills, this episode will show you what the job really demands.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Rich Rosenzweig has played more than a dozen Broadway shows and appeared on multiple cast recordings. He's been the drummer for the Kennedy Center Honors orchestra for more than a decade, toured nationally and internationally, and has been the regular drummer for City Center's Encores! series. He performs in progressive jazz ensembles, including his own East Down Septet, teaches privately, and has written several feature screenplays.More episodes like this are coming. Stay tuned.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this episode of Half Hour, Jeff and Richie take a close look at the 2025 Broadway revival of Ragtime at Lincoln Center Theater's Vivian Beaumont Theater, with Joshua Henry, Caissie Levy, Brandon Uranowitz, and Colin Donnell leading the cast. They compare Lear deBessonet's Broadway staging to the earlier New York City Center presentation, weighing the strength of the performances, the impact of a more pared-back production, and how the material lands with today's audiences. The conversation covers the score by Stephen Flaherty and Lynn Ahrens, Terrence McNally's book, design choices that support or undercut the storytelling, and what this revival might mean for the upcoming Tony Awards. Jeff and Richie also discuss how Ragtime's mix of fictional and historical figures speaks to contemporary questions about race, class, immigration, and the American dream. Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Share your thoughts on this Ragtime revival and your own experience at the Vivian Beaumont in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show conversations, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

M

Oscar-nominated actor Elizabeth McGovern (Downton Abbey, Ragtime) is perhaps best known for her role as Cora Crawley, Countess of Grantham on the acclaimed TV series “Downton Abbey.” Now, Elizabeth is in Canada with a new theatre production she wrote and stars in, “Ava: The Secret Conversations,” which sheds light on the life of Hollywood legend Ava Gardner. Elizabeth sits down with Tom Power to tell us the similarities between her life and Ava's, how celebrity culture has changed (and not changed) since the 1980s, and what it was like finally saying goodbye to “Downton Abbey” after 15 years.

This video is a conversation titled "The History of Sound with James M Errington" from the channel Conversations with Strangers.James M. Errington is the creator of the project Centuries of Sound, which compiles a mixtape for every year of recorded sound [00:39]. The interview covers his personal background, musical tastes, and a detailed history of recorded sound technology.Key Topics DiscussedThe History of Recorded SoundThe discussion provides a timeline of recording technology:• 1853 (Édouard-Léon Scott de Martinville): The very earliest known recording, which used a device to mark sound vibrations onto soot-covered paper. This device could not play back the sound, only capture a visual record of it [15:44].• Late 1870s (Thomas Edison): The invention of the phonograph, which was the first machine to both record and play back sound, initially using tin foil and later metallic soap cylinders. Edison originally intended it as a dictation device for businessmen [17:52].• Early 1900s: The shift from cylinders to discs (gramophones). This era saw the rise of Ragtime as a major musical genre [24:16].• Acoustic Recording (Pre-1926): Sound was physically captured using a gigantic brass horn that focused vibrations down to a needle, cutting groves into a wax disc [25:24].• Electrical Recording (Post-1926): The introduction of microphones and electrical recording systems led to a dramatic improvement in sound quality (capturing more bass and treble). The year 1927 is highlighted as an "amazing year" for recorded music, capturing diverse regional genres like folk, jazz, and blues for the first time [28:59].• Magnetic Tape: Technology found in Germany after WWII and popularized in the US by people like Bing Crosby [34:18]. Les Paul is noted as a pioneer in using magnetic tape for multitracking [36:33].• Modern Production: The conversation touches on influential producers like George Martin (The Beatles) [40:02] and Phil Spector (Wall of Sound) [41:06], leading to the current era of digital technology where almost anyone can create music [49:18].James M. Errington's Work• Centuries of Sound: The core project involves compiling a mixtape for every year of recorded sound, including music, news, and other audio from that year [00:54]. The mixes are now hosted on Mixcloud to ensure proper licensing and artist payment [50:55].• Musical Taste: James shares his eclectic musical tastes, which include:• Early 70s Fusion Jazz (his "ultimate sweet spot") [07:29].• His all-time favorite band, Soft Machine [07:45].• A preference for "weird pop music," citing Charlie XCX as a current favorite [13:51].• Other Projects: He also creates ambient experimental music under the name Buff Cuts [53:34].You can find his website here: https://centuriesofsound.com and you can watch the full video here: http://www.youtube.com/watch?v=O6sndFKb6jA

In this WhatsOnStage Podcast special, two of the stars of the Donmar Warehouse production of Next to Normal – Caissie Levy and Jack Wolfe – reunite as they both take on Broadway at the same time. The pair are currently starring in separate shows – Levy as Mother in the critically lauded revival of Ragtime, Wolfe in the role Orpheus in the much-loved Hadestown. Hosted on Acast. See acast.com/privacy for more information.

This episode we are joined by actor Colin Donnell! Colin is currently playing Father in the Lincoln Center Theater production of Ragtime. He was last seen on Broadway in The Shark is Broken and his other Broadway credits include Jersey Boys, Anything Goes and Violet. He's appeared in Love's Labour's Lost at Shakespeare in the Park, New York City Center's Encores in Merrily We Roll Along, Songs for a New World and Ragtime. Colin is also known for his tv work in Arrow, Chicago Med and The Affair.We speak with Colin about what got him into performing, his time working at the MUNY and much more!  But most importantly, we speak to Colin about working on Ragtime! He talks about his experience working on the role of Father, how the show is so important for today and what it's like working with the amazing cast.

Judson and his husband celebrate their 10th wedding anniversary in Eureka Springs, Arkansas, while Brian and his family discover a free gallery show featuring original works by Basquiat, Haring, Koons, Mapplethorpe, Sherman, Warhol, and more. The two hosts each go without physical release for longer than usual and expound on the joys of refraining. Brian then experiences a moment of undeniable divine intervention, and Judson starts his new job. They enjoy a pocket-sized Hookup of the Week about the joys of being Daddy to a pocket-sized partner. Brian spends three nights at the theater seeing Ragtime, Dylan Mulvaney's solo show, The Least Problematic Woman in the World, and, of course, Brandon Kyle Goodman's Heaux Church off-Broadway at Ars Nova—where he was joined by Judson and several Dads and Daddies listeners. Brian then makes a proposal to any theater producers listening to bring this year's queer theater standouts to more audiences. Writer, actor, host, and sexual/mental wellness advocate Brandon Kyle Goodman then sits down with Brian to discuss how writing on Netflix's hit animated series Big Mouth put them on their mission to deshame sex by talking about it. They also cover Brandon's journey with their husband from monogamy to polyamory, how dating other people has benefited their primary relationship, being an educator of oral pleasure, how to make kindness cool within the queer community, and all about the past, present, and future of Heaux Church. The episode concludes with Brandon helping address a Go Ask Your Dad question from a listener frustrated by how their partner prioritizes a dom hookup over their relationship, and finally, with some words of guidance from Brandon on coming together during these difficult times. Brandon Kyle Goodman on the Web: https://www.brandonkylegoodman.com/ Heaux Church at Ars Nova: https://arsnovanyc.com/events/heaux/ Downtown/Uptown - New York in the Eighties at Levy Gorvy Dayan gallery: https://www.levygorvydayan.com/exhibitions/downtown-uptown Email your Hookup of the Week and Go Ask Your Dad submissions to dadsanddaddies@gmail.com Dads and Daddies on the Web: https://www.dadsanddaddies.com/ Dads and Daddies on Instagram: https://www.instagram.com/dadsanddaddiespod Dads and Daddies on TikTok: https://www.tiktok.com/@dadsanddaddiespod Dads and Daddies on Bluesky: https://bsky.app/profile/dadsanddaddiespod.bsky.social Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The new NYC production of "Ragtime" is an epic portrait of American life in the early 20th century. Joshua Henry stars as Coalhouse Walker Jr., a celebrated pianist. Caissie Levy stars as Mother, a wealthy woman living in New Rochelle. And Brandon Uranowitz stars as Tateh, a poor Jewish immigrant from Latvia who arrives in America with his young daughter. For the first half of this conversation the three leads discuss their roles. Then, director Lear DeBessonet shares her approach to staging this massive and complex production, alongside actor Ben Levi Ross, who plays Younger Brother. "Ragtime" is running at Lincoln Center through January 4.

 Listen to the Show Right Click to Save GuestsEvery word.Poetry The Blasphemy of a Good BathAlchemy Theatre  'Night MotherWhat We Talked About Ragtime Purple Rain Trailer for Merrily We Roll Along Film Good Sex Off Broadway No Actor Strike, but musicians? Deaf West Elephant Shoes Commercial for Chess Chorus Line in the Philippines Today Tix Ari Emanuel Moonstruck All Star Reading Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)

  THE SHOW NOTES   Ragtime and the imaginative cooperation      of the audience Intro You think YOU'RE having a bad day… The History Chunk      - October 23rd Ask George      - Non-Rush Canadians? from John H. Religious Moron of the Week      - Joseph Manzi Tell Me Something Good      - Swift Otter Shirt Show Close .........................   SUBSCRIPTION INTERFACE   You can now find our subscription page at GeorgeHrab.com at this link. Many thanks to the sage Evo Terra for his assistance. .........................   Get George's Music Here  https://georgehrab.hearnow.com https://georgehrab.bandcamp.com ................................... SUBSCRIBE! You can sign up at GeorgeHrab.com and become a Geologist or a Geographer. As always, thank you so much for your support! You make the ship go. ................................... Sign up for the mailing list: Write to Geo! Check out Geo's wiki page, thanks to Tim Farley. Have a comment on the show, a Religious Moron tip, or a question for Ask George? Drop George a line and write to Geo's Mom, too!

In this final, super-sized episode of Stagecraft: Listen in on insightful conversations with Broadway's biggest talents, recorded during Variety's annual Business of Broadway breakfast presented by City National Bank. We've got Keanu Reeves and Alex Winter talking "Waiting for Godot"; Lea Michele, Aaron Tveit and Nicholas Christopher on "Chess"; Kristin Chenoweth, Stephen Schwartz, F. Murray Abraham, Lindsey Ferrentino and Michael Arden on "Queen of Versailles"; and John Clay III, Lear deBessonet, Caissie Levy and Brandon Uranowitz on "Ragtime."This is the final episode of Stagecraft as a regularly scheduled podcast, but host Gordon Cox will be contributing theater segments to Variety's daily news briefing, Daily Variety. And stay subscribed to this feed for occasional, standalone episodes of theater talk in the coming months. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey Broadway Besties! Time for our weekly check-in on the Broadway News & Top Selling Shows!In Broadway News:

Peter Filichia, James Marino, and Michael Portantiere talk about Ragtime @ LCT’s Vivian Beaumont Theater, Waiting for Godot @ Hudson Theatre, Mint Theater Company’s production of Crooked Cross @ Theatre Row, Mexodus @ Audible's Minetta Lane Theatre, Let’s Love! @ Atlantic Theater Company, Album Review: Mark William: If I Can read more

Reviews for ‘Ragtime’ revival, stars announced for ‘All Out,’ big names join Encores season Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio For a read more

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This week on Sibling Rivalry, Bob breaks down musical theater vs. opera ticket sales, explains the plot of Ragtime, and debates whether Mamma Mia! and Cats are more iconic than Beetlejuice. Then, they get into OnlyFans. They ask if they'd ever pay for adult content, what visuals they actually respond to, and review Drag Race queens' OnlyFans accounts to decide if they're worth it. Monét reveals the circumstances that might push her to start one herself, they compare how many creators they follow, and ask: what are the signs that an OnlyFans is worth subscribing to? Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at https://www.rula.com/rivalry/ #rulapod Open an account in 2 minutes at https://Chime.com/RIVALRY. Chime. Feels like progress. Want to see exclusive Sibling Rivalry Bonus Content? Head over to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/siblingrivalrypodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to be the first to see our latest Sibling Rivalry Podcast Videos! @BobTheDragQueen @MonetXChange Learn more about your ad choices. Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠megaphone.fm/adchoices⁠⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

New Orleans-set musical announces Broadway plans, Kritzer and Levesque to lead ‘Working Girl’ musical, Nichelle Lewis sings ‘Ragtime’ Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio read more

‘Downton Abbey: The Grand Finale' star Elizabeth McGovern joins the show. Over Greek snapper, Elizabeth tells me about her critically acclaimed play ‘Ava: The Secret Conversations,' which she adapted and stars in. We talk about what inhabiting the Hollywood femme fatale taught her. We also discuss her first series regular gig at age 49 as the iconic Cora Crawley in the hit franchise ‘Downton Abbey', getting an Oscar nomination at age 20 for ‘Ragtime,' and how director Robert Redford changed production for her Juilliard studies during ‘Ordinary People.' The episode was recorded at Estiatorio Milos in Hudson Yards, New York City. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Now kicking off her first season as artistic director of New York's influential Lincoln Center Theater with a revival of "Ragtime," Lear deBessonet talks spectacle, sacred space, community, the value of theater, her season line-up, and what she sees when she looks ahead to the future of LCT. Learn more about your ad choices. Visit megaphone.fm/adchoices

‘Ragtime’ replaces Dawson, ‘Beau the Musical’ to move uptown, Jodi Benson does exciting ‘Little Mermaid’ cover Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio read more

‘Ragtime’ announces full cast, but Dawson withdraws, Renée sues ‘Wanted,’ ‘Saturday Church’ and ‘Art’ start this week Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: read more

Mike Isaacson is the Artistic Director and Executive Producer of The Muny, the third person to hold this position in The Muny's 106 -year history. During his 14 seasons, he has produced 89 Muny shows, 37 new to The Muny stage. He is also a 9 Time Tony Award winning Broadway producer. After his first season at The Muny, The Riverfront Times wrote, “Under the leadership of executive producer Mike Isaacson the quality of Muny productions rose like the proverbial phoenix.” During his tenure, Isaacson has changed the look and feel of The Muny, overseeing a transformation in every aspect of production that culminated in 2019 with the arrival of the theatre's extraordinary James S. McDonnell stage, a state-of-the art stage house that includes revolutionary LED technology, automated sets, and a host of other innovations. In 2016, The Muny embarked on an unprecedented $100 million capital campaign, raising within 5 years a record amount for any theater in the U.S. During the COVID lock-down summer of 2020, Mike produced and created The Muny 2020 Variety Hour, five live online shows that reached a worldwide audience of more than 400,000. For the summer of 2021, The Muny was one of two theaters in the U.S. to reopen, and produced five full productions, receiving acclaim for their artistry and their presence. The 2022 season's productions received 21 nominations from the St. Louis Theatre Critics Circle, more than any other theater in St. Louis. In 2023, The Muny bested its record with 26 nominations, and for it's 2024 season, The Muny received a record 30 nominations – a record for The Muny and for the Theatre Critics Circle. During his time, The Muny's education and outreach programs have grown in number, and their artistic endeavors now incorporate all aspects of theater making – production, performance and administration. The Muny kids and teens are now recognized nationally for their excellence, inspiring a national program where teens from throughout the U.S. audition annually come to St. Louis to be a part of a Muny production. For 27 years, with his partner Kristin Caskey, Mike has produced more than 40 Broadway musicals and plays, national tours, off-Broadway plays, and London productions. This Spring on Broadway, they are producing Jason Robert Brown's The Last Five Years, co-starring Nick Jonas and Adrienne Warren. In 2023, they produced the highly acclaimed Broadway revival of Parade, starring Ben Platt and Micaela Diamond, now on a national tour. Parade also received “Best Revival of a Musical” as well as “Best Musical Revival” from both The Drama Desk and The Outer Critics Circle. In 2022, they produced Neil Simon's Plaza Suite starring Matthew Broderick and Sarah Jessica Parker, which subsequently had a record-breaking run at London's Savoy Theater. Other recent Broadway productions include David Byrne's American Utopia, for which they received a special 2021 Tony Award. It also became a multi-Emmy Award nominated film by Spike Lee for HBO, for which he also served as an executive producer. In 2015, he received the Tony® award for “Best Musical” for the ground-breaking Fun Home. Other producing highlights include Dolls House, Part 2, The Humans (2016 Tony® Award, Best Play); Bring It On The Musical (2013 Tony® nomination for Best Musical); Red (2010 Tony® Award, Best Play); Legally Blonde the Musical (2011 Olivier Award, Best Musical); Thoroughly Modern Millie (2002 Tony® Award, Best Musical); You're a Good Man, Charlie Brown; If/Then; The Seagull; Burn This, Caroline, or Change; One Flew Over the Cuckoo's Nest starring Gary Sinise, and Death of a Salesman (1999 Tony® Award). For the IPN, he served as producer for the Broadway productions of Spamalot (2005 Tony® Award, Best Musical), Ragtime (revival) and The Color Purple. All told, his productions have received more than 139 Tony® Award Nominations, and 40 Tony® Awards. Learn more about your ad choices. Visit podcastchoices.com/adchoices