Podcasts about Ragtime

This week, Scott was joined by his Lawfare colleagues Benjamin Wittes, Michael Feinberg, and Molly Roberts to talk through the week's big news in national security, including:“Blanche Check.” DOJ may soon have a new permanent leader, as President Trump has now formally nominated Acting Attorney General Todd Blanche to the role permanently. But to secure Trump's support, Blanche has indulged some of Trump's most concerning instincts, as evidenced by the attempt to establish an anti-weaponization fund for Trump allies and renewed indictments of figures like former FBI Director James Comey. Meanwhile, DOJ has seen scandal after scandal during Blanche's tenure over the rapidly declining quality and credibility of its work, exemplified most recently by evidence of grand jury tampering, arguably, in the Broadview Six prosecutions. What should we expect of DOJ under a confirmed Blanche? And how enduring will some of the harm that may result be for the department?“Tinker, Tailor, Realtor, Spy.” President Trump's decision to dual-hat Federal Housing Finance Agency director Bill Pulte—a man with no national security experience, who is best known for using his role at the FHFA to facilitate some of Trump's most transparent attacks on perceived political enemies—as Acting Director of National Intelligence has triggered strong reactions across the political spectrum. This includes a threat by congressional Democrats to kill renewal of Section 702 surveillance authorities if Pulte remains in the acting position. But Trump has thus far refused to back down. What does Pulte's appointment—and the potential expiration of Section 702—mean for national security?“Pratt Falls.” The open primary in the Los Angeles mayor's race is over, and Trump-endorsed candidate Spencer Pratt finished just outside the final two who will proceed into the general election. But U.S. Attorney Bill Essayli, a Trump loyalist, has suggested that voter fraud investigations are ongoing, leading some other Republican officials and leaders to call the results into question. What should we make of these unsubstantiated allegations? And are they a preview of what Republicans have planned for 2026? In object lessons, Mike is kraken himself up over his plans to create the ultimate toy for his child. Ben is announcing the beta release of RAGtime, the tool that he (and Claude) developed to comb through large, messy datasets. Scott is heating things up in his backyard with his new Gozney pizza oven. And Molly is quacking up about her mallard, acquired from (the now unfortunately closed) Archipelago in Maine. To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

This week, Scott was joined by his Lawfare colleagues Benjamin Wittes, Michael Feinberg, and Molly Roberts to talk through the week's big news in national security, including:“Blanche Check.” DOJ may soon have a new permanent leader, as President Trump has now formally nominated Acting Attorney General Todd Blanche to the role permanently. But to secure Trump's support, Blanche has indulged some of Trump's most concerning instincts, as evidenced by the attempt to establish an anti-weaponization fund for Trump allies and renewed indictments of figures like former FBI Director James Comey. Meanwhile, DOJ has seen scandal after scandal during Blanche's tenure over the rapidly declining quality and credibility of its work, exemplified most recently by evidence of grand jury tampering, arguably, in the Broadview Six prosecutions. What should we expect of DOJ under a confirmed Blanche? And how enduring will some of the harm that may result be for the department?“Tinker, Tailor, Realtor, Spy.” President Trump's decision to dual-hat Federal Housing Finance Agency director Bill Pulte—a man with no national security experience, who is best known for using his role at the FHFA to facilitate some of Trump's most transparent attacks on perceived political enemies—as Acting Director of National Intelligence has triggered strong reactions across the political spectrum. This includes a threat by congressional Democrats to kill renewal of Section 702 surveillance authorities if Pulte remains in the acting position. But Trump has thus far refused to back down. What does Pulte's appointment—and the potential expiration of Section 702—mean for national security?“Pratt Falls.” The open primary in the Los Angeles mayor's race is over, and Trump-endorsed candidate Spencer Pratt finished just outside the final two who will proceed into the general election. But U.S. Attorney Bill Essayli, a Trump loyalist, has suggested that voter fraud investigations are ongoing, leading some other Republican officials and leaders to call the results into question. What should we make of these unsubstantiated allegations? And are they a preview of what Republicans have planned for 2026? In object lessons, Mike is kraken himself up over his plans to create the ultimate toy for his child. Ben is announcing the beta release of RAGtime, the tool that he (and Claude) developed to comb through large, messy datasets. Scott is heating things up in his backyard with his new Gozney pizza oven. And Molly is quacking up about her mallard, acquired from (the now unfortunately closed) Archipelago in Maine. To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute. Hosted on Acast. See acast.com/privacy for more information.

Scott Fullerton and David Reddish break down the latest entertainment headlines, from Masters of the Universe performing well overseas to the return of Scary Movie. They also recap the Tony Awards, celebrate Ragtime's Broadway resurgence, unpack the Dean Cain and Supergirl controversy, discuss Spielberg's upcoming Disclosure, the Spider-Man trailer leak, Glenn Close's honorary Oscar, and Bowen Yang's reported SNL frustrations.Dean Cain faces backlash for criticizing the Millie Alcock Supergirl casting. We examine his comments and the reaction from fans.This breakdown covers the controversy surrounding Dean Cain and his recent remarks comparing Millie Alcock to a Star Trek alien. We look at the irony behind his critique, specifically questioning his own cosmetic procedures and career trajectory. This analysis is for viewers tracking pop culture commentary and the ongoing discourse around DC casting choices.

Three-time Tony Award-winning producer and actor Lamar Richardson and first-time Tony Award-winning sound designer Mikaal Sulaiman celebrate their historic wins as the youngest Black lead producer for the musical Ragtime and Best Sound Design of a Play for Death of a Salesman, respectively.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

THIS IS A PREVIEW PODCAST. NOT THE FULL EPISODE. Please check out the full podcast episode on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture The 79th annual Tony Awards were held last night, and it was an incredible show with equally incredible winners, speeches, musical numbers, and other memorable moments, with Pink hosting. The big winners of the evening were "Schmigadoon!," "Ragtime," "Liberation," "Arthur Miller's Death of a Salesman," and "The Lost Boys." How did Cody Dericks, Dan Bayer, and Lauren LaMagna do on their predictions? Please tune in to listen to them along with Ben Langford for the first time on the show as they discuss the highs and lows of last night's show in this season's final episode. Thank you, and we hope you enjoy it! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailThis week on Broadway Besties, Mark and Carson are diving headfirst into Broadway's biggest night: the 2026 Tony Awards!From the jaw-dropping performances and emotional acceptance speeches to the shocking snubs, surprise wins, and a few moments that left us scratching our heads, nothing is off limits.We break down Pink's debut as host, discuss whether Schmigadoon! deserved its Best Musical win, celebrate the incredible success of Ragtime, The Lost Boys, and Death of a Salesman, and share our thoughts on the performances, the fashion, and the moments everyone will be talking about all week.Did the voters get it right? Which winners thrilled us? Which decisions left us frustrated? And what moments will be remembered long after the curtain came down?Whether you watched every second of the broadcast or you're just catching up on Broadway's biggest headlines, we've got you covered with plenty of laughs, strong opinions, and a whole lot of theater love.Grab your Playbill and join us for our annual Tony Awards deep dive as we discuss the good, the bad, and yes... the ugly.

High School Student Anderson Pries describes his appreciation for Ragtime, plus its history and various forms.  Mr. Pries is founder of a new ragtime festival in South Elgin, Illinois, August 22, 2026: FOX RIVER RAGTIME FESTIVAL (Google Fox River Trolley Museum or look at https://www.facebook.com/people/Fox-River-Ragtime-Festival/61588084132100/)

Last night, Broadway celebrated the end of another season of new openings with the 2026 TONY Awards, hosted by recording artist P!nk.In a ceremony that saw Schmigadoon!, Death of a Salesman, Ragtime, Liberation, Cats the Jellicle Ball and the Lost Boys winning some of the night's biggest prizes, actors Joshua Henry, John Lithgow, Caissie Levy, Lesley Manville, Shoshana Bean, Ali Louis Bourzghui, Alden Ehrenreich, and Laurie Metcalf were recognised for their performances.A day later, Mickey-Jo is ready to discuss his thoughts on the ceremony itself, the evening's biggest winners, the impact the awards will have on these shows, and the conspicuous omission of a particular producer...check out Mickey-Jo's free weekly substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction01:49 | the ceremony07:50 | the winners15:36 | the speeches21:35 | the performances28:08 | the implications About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Seth Doane heads to Barcelona for a visit to La Sagrada Família, the largest unfinished Catholic Church in the world, designed by the late pioneering architect Antoni Gaudí, which has been under construction since 1882. Ben Mankiewicz talks with legendary director Steven Spielberg about his new film “Disclosure Day,” his career, and Spielberg's belief that there are aliens among us. Mo Rocca goes behind the scenes of the Tony-nominated Broadway musical “Ragtime,” based on the bestselling novel by E.L. Doctorow.

durée : 01:28:53 - par : Laurent Valière - "Schmigadoon" et "Ragtime" ont été couronnées meilleures comédie musicales de l'année aux Tony Awards . Pour cette première émission à New York, Laurent Valière rencontre les auteurs de ces deux shows ainsi que les créateurs d'un remarquable outsider "Two strangers (Carry a Cake Across New York"). - réalisation : Céline Parfenoff, Martine Mony Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

From Death of a Salesman to Ragtime, here are the Broadway shows we're expecting to see in the winners circle on Sunday night. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Tony awards are coming up, and we have our predictions! NYC actor, writer, producer, and casting director Helene Galek joins us to discuss this past Broadway season. Is the hilarious Broadway spoof "Schmigadoon!" the fun show the voters want right now? Will the brave reimagining of "Cats" win out over the beloved "Ragtime" revival? Is "Death of a Salesman" a shoo-in? We'll find out on June 7th!

Each spring, in the months leading up to the Tony Awards, Wesley Morris tries to see as many Broadway shows as he can. And this season's spree (including “Ragtime,” “Cats: The Jellicle Ball,” “Proof,” “Dog Day Afternoon” and “Giant") left him with the question: Where are the challenging shows? There were some great performances, but the productions seemed designed to reflect his values and make him feel good. Doesn't the best theater raise uncomfortable questions, and not give clear answers? Shouldn't the shows vying for Broadway's top awards be a bit more difficult? To work through these feelings, and to help wrap his head around this season, Wesley invites Helen Shaw, The Times's chief theater critic, to compare notes. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of The Music in Me, I dive into one of the most exciting times of the year for Broadway fans — Tony Awards season! I take a closer look at the 2026 Tony nominees for Best Musical and Best Revival of a Musical, including The Lost Boys, Schmigadoon!, Titaníque, Two Strangers (Carry a Cake Across New York), Ragtime, Cats: The Jellicle Ball, and The Rocky Horror Show. Even though I didn't know much about some of these musicals before the nominations were announced, that is exactly why I love doing episodes like this. It gives me the chance to discover new Broadway shows, explore incredible music and stories, and share my excitement with all of you along the way. I talk about vampire rock musicals, hilarious comedy parodies, emotional historical storytelling, bold Broadway revivals, cult musical fandoms, and why theater continues reinventing itself year after year. I also share my personal Tony predictions, the musicals I most want to see, and my disappointment over Beaches and Jessica Vosk being left out of the nominations. If you love Broadway, musical theater, Tony Awards discussions, or just discovering new musicals to become obsessed with, this episode is for you!BEST MUSICAL NOMINEES...The Lost BoysSchmigadoonTitaniqueTwo Strangers (Carry a Cake Across New York)BEST REVIVAL OF A MUSICAL NOMINEES..Cats: The Jellicle BallRagtimeThe Rocky Horror ShowWhat did you think of this episode? Support the showKeep listening, keep grooving, and let the music in you continue to shine.  Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY:  Hayley GremardINTRODUCTION BY: Gavin Bruno

This weekend, the 2026 Tony Awards will be held at Radio City Music Hall, celebrating the best of another year of Broadway theatre.This year's nominated plays and musicals include The Lost Boys, Schmigadoon!, Cats: the Jellicle Ball, Ragtime, Death of a Salesman, Giant, Oedipus, Liberation, The Balusters, Two Strangers (Carry a Cake Across New York), Titaníque, and more.Check out this video to find out who and what Mickey-Jo and his stagey fiancé @AeronJames think will win at this year's ceremony...•00:00 | introduction02:32 | the performances18:26 | direction / writing31:27 | technical / design44:47 | the shows55:07 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

We hear a variety of American music from Bernstein's West Side Story to ragtime piano and a young composer's jazz-inspired saxophone performance.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

The Tony Awards often celebrate the names on a show poster, but every Broadway production is carried by countless artists whose work rarely fits neatly into a category. So in anticipation of this year's awards ceremony, we're spotlighting a few of the performers, collaborators, and creative forces behind nominated productions. Allison Blackwell knows the power of ensemble storytelling firsthand. Currently appearing in Ragtime at Lincoln Center Theater as Sarah's Friend, Allison is part of the acclaimed company behind one of Broadway's most resonant productions this season. She has built a career defined by extraordinary versatility, emotional depth, and a deep commitment to collaboration onstage.  In this conversation, Allison reflects on the path that brought her back to theater after nearly pursuing law school; what it has meant to revisit Ragtime across multiple productions; and what recognition for ensemble artists means to her personally. ----- LINKS Allison Blackwell: https://www.allisonblackwell.com/ Ragtime at Lincoln Center Theater: https://www.lct.org/shows/ragtime/  The New York Public Library for the Performing Arts: https://www.nypl.org/locations/lpa 

The governors of New Jersey and Pennsylvania are seeking measures to limit the growth of AI data centers as community members decry their expansion. Jo Ling Kent reports. GPS data appears to contradict Brian Hooker's account of his wife's disappearance in the Bahamas, a source tells CBS News. Cristian Benavides reports. Texas state Rep. James Talarico is reacting to Ken Paxton's win in the Republican runoff that set up what's bound to be a pivotal race in the 2026 midterms. Ed O'Keefe reports. Meta says its rolling out paid social subscriptions that will include exclusive features like "super reactions" and customizable themes. Kelly O'Grady reports. Board-certified psychiatrist Dr. Sue Varma explains what high-functioning burnout is and how it can have long-term health consequences. Reality TV is one of the most beloved and controversial genres to emerge from the 20th century. For the "USA to Z" series, Vladimir Duthiers takes a look at how it has shaped American culture. Broadway star Joshua Henry joins "CBS Mornings" to discuss his role in the "Ragtime" musical, which depicts the stories of Americans at the turn of the 20th century.

The stars of the Broadway musical 'Ragtime' join Alison Stewart live in The Greene Space at WNYC. Joshua Henry, Caissie Levy, Brandon Uranowitz, Nichelle Lewis, Ben Levi Ross, and Shaina Taub perform songs from the show and discuss stepping into one of the largest casts on Broadway. Director Lear deBessonet shares his experiences directing the production. This event is part of All Of It's Broadway on the Radio series. Click  to watch a livestream of the event. Event photo by Zach Gottehrer-Cohen/WNYC Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This episode will expire in 24 hours! Missed an episode? Pick it back up anytime! Want the back catalog? Become a supporter on Patreon! patreon.com/mercuryradio More info about ARTC And Mercury at artc.org/mercury  Follow us on Bluesky @mercury870

**Apologies for the three week break, life got crazy and we weren't able to get an episode out last week. We are now back to the every otehr week schedule!This week, Paige recaps and review the shows she has seen on Broadway in 2026, including Chess, 25th Annual Putnam County Spelling Bee, Oh Mary, and Ragtime.Email: thetruthsleuthspod@gmail.com Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thetruthsleuths⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Truth Sleuths⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Alex's YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alexisme12

"Ragtime" Rick Grafing speaks with Fred about Spring Into Swing Dyslexia Fundraiser taking place this Thursday at the Maumee Bay Brewing Event Center. Live music, Rick's famous chili, and tons of prizes. Tickets are only $10 and available at door or Baumann Ford on navarre in Oregon. Doors open at 5p entertainment starts at 6p. You do not have to be present for the drawings so buy a ticket now. For information on help with dyslexia visit DYSLEXIA EDUCATION TRAINING CENTER

The Lincoln Center revival of Ragtime — with music by Stephen Flaherty, lyrics by Lynn Ahrens, and a book by Terrence McNally, adapted from the novel by E. L. Doctorow — has just garnered 11 Tony Award nominations, including Best Revival of a Musical, along with multiple acting nods for its acclaimed cast. This new production feels more timely and resonant than the one that first played on Broadway in 1998. In addition to the fictional Coalhouse Walker Jr. and the archetypal figures known simply as Father, Mother, and Younger Brother, Ragtime brings to life several real celebrities and power brokers from turn-of-the-century New York. Anna Grace Barlow, who portrays Broadway sensation Evelyn Nesbit, and Rodd Cyrus, who embodies legendary illusionist Harry Houdini, join Carl Raymond from The Gilded Gentleman podcast for a behind-the-scenes conversation about their characters and their experiences bringing this revival to the stage. This show is brought to you by The Gilded Gentleman podcast, produced by the Bowery Boys and edited and produced by Kieran Gannon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

When this year's Tony nominations were announced, many were shocked that Lea Michele was not recognised for her leading performance in the revival of Chess.In fact, this is the latest chapter in a long story for Michele, who missed out on a nomination for her breakout performance in Spring Awakening before earning major recognition on the hit TV series, Glee.At this point, Michele has returned to Broadway as a legitimate stage star, and was celebrated for her performance in the recent revival of Funny Girl but, for multiple reasons, she still has yet to be nominated for a Tony.Check out Mickey-Jo's thoughts on the eligibility issues, tough competition, brand image problems and insufficient material that have kept Lea from a Tony Nomination thus far...check out Mickey-Jo's brand new substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction03:50 | the years before Glee10:48 | the Broadway comeback17:34 | the leading lady era23:17 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Colm and Thos are back to discuss two more diverse musical theatre gems from Colm's recent visit to Broadway: Ragtime and Maybe Happy Ending - one musical looking back - and one looking forward. They also discuss changing attitudes to taste and tastelessness in musicals - including the Doctor Crippen musical, Belle, and, perhaps surprisingly to a modern eye, the Titanic story itself - as well as more modern musical parodies like Titanique.  And is what was right with Ragtime in the 1990s now its main weakness in the 2020s?  All this and more in a jam packed in-depth episode (Warning: contains spoilers for Maybe Happy Ending)

It's time for another Broadway episode!Andrew Tomlins (West End Frame Editor) is live in New York City, with regular co-host Lisa Martland (Editor of Musical Theatre Review) zooming in from the UK.In this episode, they discuss Ragtime (Vivian Beaumont Theater, Lincoln Center) and Just In Time starring Jeremy Jordan (Circle in the Square). Having spent many years at The Stage – including five years as Deputy Editor – Lisa Martland is a theatre journalist who has worked for theatrical publications such as Musical Stages, Musicals Magazine, London Theatre, Stage Faves and My Theatre Mates. She is the Founding Editor of www.MusicalTheatreReview.com.Stay tuned for more Broadway episodes coming soon!This podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Peter Filichia, James Marino, Michael Portantiere, and Carey Purcell talk about The Balusters. Schmigadoon, Kenrex, Rocky Horror, Ragtime, Fallen Angels, Broadway's Next Hit Musical @ 54 Below, Proof, Beaches, and The Lost Boys “This Week on Broadway” has been coming to you every week since 2009. It is the longest-running read more

This week on Entertainment Exposed, Scott Fullerton and David Reddish break down the biggest stories in entertainment news, from the latest Tony Awards nominations and the buzz around the Rocky Horror Broadway revival to emotional reflections on Johnny Shuffield and the legacy of classic Hollywood.We also dive into why Ragtime may be one of Broadway's most underrated musicals, the upcoming Strange Journey documentary, current box office wins and flops, The White Lotus casting shakeups, and what the Harry Potter series renewal could mean for fans.Plus: queer cinema, Broadway surprises, film reviews, and the entertainment stories everyone will be talking about.

THIS IS A PREVIEW PODCAST. NOT THE FULL EPISODE. Please check out the full podcast episode on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture The nominations for the 79th annual Tony Awards were announced yesterday and were led by "The Lost Boys" and "Schmigadoon!" with 12 nominations each. "Ragtime" received 11 nominations, while "Cats: The Jellicle Ball," "Death of a Salesman," and "Richard O'Brien's The Rocky Horror Show" each received 9 nominations. What did Cody Dericks, Lauren LaMagna & Dan Bayer think of this year's nominees? Which nominations surprised them, made them happy, and left them feeling the most disappointed? Please tune in below to listen to their thoughts and find out. NBT will return with a winner predictions episode shortly before the 2026 Tony Awards on June 7th. Thank you for all of your support. Enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

On Tuesday 5th May, the nominations for the 79th Annual Tony Awards will be announced, celebrating the best of the 2026/2027 Broadway season.In today's video, Mickey-Jo and his stagey fiancé Aeron James are predicting which shows, performers and creatives might be nominated amidst a hugely busy year that included the likes of The Lost Boys, Titanique, Giant, Every Brilliant Thing, Oedipus, Cats the Jellicle Ball, Ragtime, Chess, Two Strangers (Carry a Cake across New York), Liberation, Death of a Salesman, and more.Check out this new episode for Mickey-Jo and Aeron's thoughts and make sure to comment down below with all of yours!check out Mickey-Jo's brand new free substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction01:39 | plays and musicals07:43 | writers and directors16:48 | design / technical creatives25:10 | performances in plays31:54 | performances in musicals40:02 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Al Jolson and Bing Crosby recorded "Alexander's Ragtime Band" for Decca about a month before this live broadcast. Here they recreate the number, with a few differences from the recording, and maybe some more pep as well. There is much more material in the complete program which, along with other Jolson radio shows, circulates on the Official Al Jolson Website at www.jolson.org.

You can catch Elysa's theater criticism in the New York Sun and New York Stage Review. You can catch Joe's theater criticism all over social media, especially at @overthinkingtheatre on TikTok. You can catch Dan's theater criticism by visiting Slant Magazine and Theatermania.  Follow The Present Stage on Instagram at @thepresentstage The Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews  and in The New Yorker's Briefly Noted column. The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Ellenore Scott joins the show to discuss her historic season, where she has achieved the rare feat of having multiple productions running simultaneously on and off Broadway. She shares the incredible story of her son Ford's birth, which took place less than twenty-four hours after she walked the red carpet for the opening night of Ragtime at Lincoln Center. Ellenore reveals the logistical gymnastics of negotiating with her doctor to delay her C-section so she wouldn't miss her opening night, and how she transitioned from celebrating a professional milestone to welcoming her first child the very next morning. The conversation dives deep into her creative process, specifically how she builds a unique movement language for vastly different shows like Ragtime and Titanique. Ellenore explains her history as a "TikTok girly" during the pandemic and how she successfully choreographed the viral Ratatouille: The TikTok Musical entirely over Zoom. She also breaks down her secret "choreographic signature"—the "bitch swerve"—and tells us exactly where to look for it in her current productions. Ellenore Scott is an acclaimed choreographer, director, and performer whose work spans Broadway, television, and digital media. A former finalist on So You Think You Can Dance, she has choreographed Broadway productions including Funny Girl, Mr. Saturday Night, and the current revival of Ragtime, as well as the long-running Off-Broadway hit Little Shop of Horrors. She is a multiracial artist with a heritage encompassing African American, Indigenous, Filipino, Mexican, Hawaiian, and Irish roots. Ellenore is also the founder of her own dance company and has served as an associate to Andy Blankenbuehler on the Broadway revival of Cats. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Ellenore: IG: @helloellenore Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Noah Hadland Is Subbing Seven Broadway Shows at Once.He didn't get there by sending cold emails and waiting.He got there by running after a stranger with a stick bag outside the Book of Mormon stage door. By sight-reading act one of MJ on Broadway with 45 minutes of prep. By buying the right person a beer in 2019 and not asking for anything until 2023 — when that same person handed him a Broadway chair.Noah is 30 years old. He's subbing Ragtime, The Great Gatsby, Just in Time, Wicked, 25th Annual Putnam County Spelling Bee, Chess, and Death Becomes Her. And in this episode, he breaks down exactly how he built that — the networking, the touch problem of juggling multiple shows, how to take a conductor's note without pushing back, and what he'd tell his 22-year-old self who came out of NYU convinced he should already be playing Hamilton.Watch the full episode above.Building a theater career and want the roadmap? I wrote the book. Broadway Bound and Beyond is at broadwayboundbook.comClayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

The stars of the Broadway musical 'Ragtime' join Alison Stewart live in The Greene Space at WNYC. Joshua Henry, Caissie Levy, Brandon Uranowitz, Nichelle Lewis, Ben Levi Ross, and Shaina Taub perform songs from the show and discuss stepping into one of the largest casts on Broadway. Director Lear deBessonet shares his experiences directing the production. This event is part of All Of It's Broadway on the Radio series. Click here to watch a livestream of the event. Photo by Matthew Murphy

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.He came out of NYU convinced he should already be playing Hamilton.He isn't playing Hamilton.He is subbing seven Broadway shows at once.That didn't happen because he sent the right email. It happened because he ran after a stranger with a stick bag outside the Broadway stage door of Book of Mormon. That stranger was Dan Berkery. They talked, stayed in touch, and built a real relationship. So years later, when MJ on Broadway had an emergency — the sub tested positive for COVID 90 minutes before curtain and nobody else was available — the call went to Dan. Dan was already booked. But he knew exactly who to pass the name to. Noah ran to H&M in Times Square to grab black clothes, got to the theater with 45 minutes to spare, flipped through the charts, and sight-read act one of MJ on Broadway in front of a live audience. One conversation outside a stage door changed everything.Over time, his name got around. Now he's one of the busiest subs on Broadway — currently covering seven shows, and by the time you read this, maybe eight or nine. The seven: Ragtime, The Great Gatsby, Just in Time, Wicked, 25th Annual Putnam County Spelling Bee, Chess, and Death Becomes Her. That's not luck. That's years of showing up, staying ready, and never burning a bridge.He's still learning. Still building. And I have no doubt that his own Broadway chair is coming — it's just a matter of time.In this episode, Noah breaks down exactly how he built his career.We get into the networking — not the theory of it, the actual mechanics of how relationships in this industry form and pay off years later. We talk about the touch problem: what it actually takes to juggle seven shows without dropping any of them. How to take a conductor's note without pushing back. And what he'd tell the 22-year-old version of himself who came out of school thinking he was already behind.He wasn't behind. He just hadn't started yet.Noah Hadland: https://www.instagram.com/noahhadland/If You're Not Subscribed Yet, I'm Asking You NowIf you're already a subscriber — thank you. You're the reason this show keeps going.If you're not, I'm asking you to subscribe today. Free or paid. Every subscription helps cover the production of this podcast and keeps it alive. This is an independent show built for working musicians and people who want to become one. That only works if people show up for it.Subscribe. It matters more than you know.Two Resources If You're Serious About ThisThe first is free. The How to Land a Broadway Gig Roadmap breaks down how the industry actually works — the key players, how sub lists function, how to build relationships that lead somewhere. Grab it instantly at broadwayboundbook.com/roadmap when you subscribe.The second is The Broadway Sub Playbook — $7.99 at signaturebrandworks.com. From the moment you get the call to show day. How to study the score, build your sub book, take the conductor's notes, and walk into that pit like you belong there.Want the full picture? Broadway Bound and Beyond is available everywhere books are sold online. Signed copy at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit broadwaydrumming101.substack.com/subscribe

The Lux Radio Theatre presented a radio adaptation of the film, "Alexander's Ragtime Band," on April 7, 1947. Here, from that broadcast, is Al Jolson singing the title tune, as only he could. There is much more material in the complete program which, along with other Jolson radio shows, circulates on the Official Al Jolson Website at www.jolson.org.

durée : 00:28:49 - par : Laurent Valière - Ragtime est une comédie musicale dont la musique est composée par Stephen Flaherty et les paroles écrites par Lynn Ahrens - réalisation : Céline Parfenoff, Martine Mony Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Listen: Lauren Class Schneider talks to Rodd Cyrus, Harry Houdini in “Ragtime” at the Vivian Beaumont Theater at Lincoln Center. Production photo by Matthew Murphy “Class Notes” actively covers New York's current theater season on, off, and off-off Broadway. For a transcript of this episode, please email transcripts@broadwayradio.com and include read more

Ragtime music — a blend of European styles and African American rhythms considered the forerunner of jazz — has found an unlikely home in Durango, Colo. For nearly 70 years, the Diamond Bell Saloon at the historic Strater Hotel has featured live ragtime piano, making it one of the only venues in the country where audiences can hear the music performed regularly. A pianist who holds a master's degree in historical musicology from the Peabody Conservatory plays up to six nights a week on an 1902 upright grand piano, calling the experience "time travel" for audiences.Now, that same musician has launched the Durango Ragtime and Early Jazz Festival, now in its second year as a nonprofit. The festival brings approximately seven of the country's top ragtime and early jazz musicians to Durango each year, with the goal of preserving the music and introducing it to new audiences. Organizers say Durango's size, rich ragtime history and the Strater Hotel — built during the ragtime era — make it an ideal home for the festival. For more information, visit durangoragtime.com.By Paige SparksThis story is sponsored by Tafoya Barrett & Associates and Keesee Motor CompanyWatch this story at durangolocal.newsSupport the show

Ragtime is currently playing on Broadway at Lincoln Center Theater's Vivian Beaumont Theater in an open-ended run. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

THE HUNCHBACK OF NOTRE DAME is one of the most popular musicals to never have a Broadway run, but its epic story of Quasimodo and his bell tower home had reached legend status long before the Disney produced stage musical premiered in Germany. Here to chat about the film, the novel it's based on, and the story of how they found their way to the stage is someone who knows a thing or two about epic musicals. This week, actor Rodd Cyrus brings not only his experience with HUNCHBACK, but also the hit revival of RAGTIME and, maybe most importantly, an impressive knowledge of Disney straight-to-home video sequels. Get ready, Disney fans. You're gonna love this one. Follow Rodd on Instagram at @roddcyrus and see him as Harry Houdini in Ragtime : Lincoln Center Theater. If you enjoyed this episode, check out one of our most popular episodes: BEAUTY AND THE BEAST with Kim Huber If you're not already with us at ⁠⁠⁠⁠PATREON!⁠⁠⁠⁠ enjoying the contests, essays, and bonus episodes, what are you waiting for?! Be sure to follow and share our content on ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ and ⁠⁠⁠⁠TikTok⁠⁠⁠⁠ and subscribe to the show wherever you listen to podcasts! Looking to give back? We have designs at our ⁠⁠⁠⁠TeePublic Store⁠⁠⁠⁠, and the profits we receive are donated to ⁠⁠⁠⁠Broadway Cares/Equity Fights AIDS⁠⁠⁠⁠. Above all, thank you for being part of this wonderful podcasting community! Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 01:28:45 - Joshua Henry, le baryton de Broadway - par : Laurent Valière - A l'affiche successivement de Hamilton, Carousel, Porgy and Bess et Ragtime, Joshua Henry est une voix qui porte aujourd'hui à Broadway. Portrait d'un ténor avec beaucoup d'extra en haut et en bas de sa tessiture. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

What happens when a self-described "pants and baggy sweaters" girl gets nominated for an Oscar and invited to the Academy Awards? Between an outfit that's a walking wardrobe malfunction, and a showdown with the biggest movie of all time, the red carpet beneath Lynn Ahren's shoes feels like the entrance to a bullring.Learn about legendary lyricist and composer Lynn Ahren's work (Ragtime, Once On This Island, Anastasia) here: https://ahrensandflaherty.com/This episode of the Writers Read podcast was produced and hosted by Edward McCann, with engineering help from Victor Scoppa.If you're new to the show, welcome; we're so glad you're here! Find and follow us on Instagram, and please email us with voice memos, pep talks, questions, suggestions or critiques at info@writersread.orgPodcast # 88

“When you use humor to degrade people, you can get away with it—but you're also doing something that's completely devastating.” — Rhae Lynn BarnesDonald Trump's recent retweet of Barack and Michelle Obama depicted as apes was dismissed by his supporters as “just a joke”—another example, they claimed, of liberals lacking a sense of humor. But Princeton historian Rhae Lynn Barnes argues that this kind of “humor” is anything but innocent. It draws on a centuries-long white supremacist tradition of dehumanization—one that stretches back to the origins of American mass entertainment itself.In her book, Darkology: Blackface and the American Way of Entertainment, Barnes traces how Blackface minstrelsy became the quintessential American cultural form—America's first great entertainment export—shaping music, comedy, performance, and politics from the 19th century through the 20th. Barnes explains how P.T. Barnum helped popularize the grotesque “scientific” spectacle of Black people as the missing link in evolution, and how the Barnum model of hoax-driven mass media foreshadows Trump's own relationship with controversy, “fake news,” and attention.Barnes argues that Blackface wasn't merely a fringe theatrical practice. It was normalized—then institutionalized—through schools, churches, civic clubs, and even the federal government. The result was an intergenerational system for teaching white supremacy through catchy songs, jokes, and seemingly harmless performance.For Barnes, the most important chapter of the Darkology story is the Black resistance minstrelsy triggered—from Frederick Douglass's campaign of dignified self-representation to NAACP organizers and Black veterans who fought to remove minstrel shows from schools and public life. Rather than anti-American, Barnes insists that confronting this censored cultural history is the patriotic duty of all Americans. That's America's defining story, she says. The pursuit of freedom—and the ongoing struggle to live up to it. Five Takeaways1. Racist Humor Has Deep Roots: What gets dismissed today as “just a joke” belongs to a centuries-old tradition of dehumanizing caricature that masked cruelty as entertainment.1. Blackface Was America's Cultural Foundation: Minstrelsy shaped American comedy, music, performance—and even political campaigning. It was the quintessential American entertainment form.1. Barnum Invented the Spectacle Model: Hoax-driven media sensation fused with racial pseudo-science and spectacle long before modern political showmanship adopted the formula.1. White Supremacy Was Taught as Fun: Catchy songs, simple dances, and comic routines created an intergenerational system of racial socialization embedded in schools, churches, and civic clubs.1. Patriotism Requires Historical Honesty: Confronting this censored past strengthens democracy. America's defining story is the pursuit of freedom—not the denial of injustice. About the GuestRhae Lynn Barnes is a historian and professor at Princeton University. She is the author of Darkology: Blackface and the American Way of Entertainment. ReferencesPrevious Keen On episodes mentioned:1. None About Keen On AmericaNobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States—hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,800 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting.WebsiteSubstackYouTubeApple PodcastsSpotify Chapters:(00:00) - Introduction (00:25) - Trump, race, and “just a joke” (01:31) - The long history behind the meme (02:30) - P.T. Barnum and the “What Is It?” (03:41) - Barnum, hoaxes, and Trump's media instinct (05:39) - Blackface as America's signature entertainment (07:34) - When “minstrelsy” goes mainstream (09:50) - Black responses: Douglass to Ragtime (12:28) - Veterans, schools, and the NAACP fightback (17:54) - Presidents, power, and “Whiteology” (19:50) - Humor as an intergenerational weapon (21:20) - Immigration and learning “whiteness” (22:30) - Is American history defined by white supremacy? (24:00) - The pursuit of freedom—and confronting the past (28:18) - Why this history still matters now (31:11) - Gerald Ford and the politics of Blackface (32:56) - Closing thoughts and goodbye

Great theater starts by creating trusted conditions for talent and creativity to thrive. Cody Renard Richard is a Tony Award-winning producer and stage manager whose career spans Broadway, television, opera, and even Cirque du Soleil. Along the way, his backstage leadership has shaped acclaimed productions like the 2025 revival of Ragtime and this spring's CATS: The Jellicle Ball. In this episode, Cody talks about what it really means to lead from behind the scenes, and why stage management is such a powerful training ground for leadership. He reflects on his path through the industry, how he's navigated power and visibility in a field that doesn't always make room for everyone, and what it looks like to advocate for artists and audiences without burning out or losing yourself in the process. ----- LINKS: Cody Renard Richard: https://www.codyrenard.com/ Ragtime at Lincoln Center: https://www.lct.org/shows/ragtime/ CATS: The Jellicle Ball: https://catsthejellicleball.com/  RISE Theatre Directory: https://risetheatre.org/

EVEN MORE about this episode!What happens when divine guidance moves through music, creativity, and the courage to trust your calling?Join Julie Ryan and Broadway star Pamela Bob as they explore spiritual channeling, divine timing, singing as sacred expression, and how play and creativity reveal why we incarnate. In this heartfelt and inspiring episode, Pamela opens up about the sacred vulnerability of singing, why performing for an intimate room can feel more terrifying than a packed theater, and how music aligns with our unique energetic vibration. From the emotional force of shows like Ragtime to a childhood moment of divine recognition—“I think this is God”—this conversation dives deep into artistry as a spiritual calling.Listeners will be captivated by Pamela's jaw-dropping story of channeling June Carter Cash during a nightly, unscripted improvisation—an experience so powerful that Julie reveals June herself chose Pamela in the audition and guided her through every performance. Pamela also shares the brutal truth behind elite performing arts training, where she was repeatedly told she couldn't sing, yet trusted her inner knowing enough to persevere when others were cut. That same guidance later led her from a lucid dream to creating the award-winning Livin' On a Prairie, as the right people and opportunities appeared at exactly the right time.This episode is ultimately a love letter to play, joy, and remembering who you were before the world told you who to be. Pamela reflects on the transformative power of creativity through stories like Encore, where adults rediscover themselves through performance, and offers a simple yet profound invitation for anyone feeling stuck: return to what you loved as a child. The conversation closes with a tear-filled reflection on why we incarnate at all—sparked by a dying woman's final words: “It was so much fun.”Guest Biography:Pamela Bob is a multifaceted actor, singer, and award-winning screenwriter whose career spans Broadway, Off-Broadway, film, television, and podcasting. On Broadway, she appeared in the Tony-nominated Hand to God and the Tony Award–winning A Gentleman's Guide to Love and Murder, where she famously covered all six female roles and regularly stepped into leading performances. Off-Broadway, she starred as Clarice Starling in the cult hit Silence! The Musical—named one of Time Magazine's ten must-see NYC shows—and earned a BroadwayWorld nomination for Best Actor for her role in Cracked Open. Pamela is also the creator and star of the acclaimed series Livin' On a Prairie, an award-winning, festival-selected exploration of pop culture obsession inspired by Little House on the Prairie, which won Best TV Series and Best Actress at the LA International Film Fest. She currently co-hosts the Little House on the Prairie 50th Anniversary Podcast, which has surpassed one million downloads and recently sold out its first live NYC event. Pamela is a graduate of the University of Cincinnati–Conservatory of Music.Episode Chapters:(0:02:00) - When Talent Becomes Sacred(0:05:00) - The Power of Music and Vibration(0:08:00) - Pamela Sings "My Favorite Things"(0:10:00) - Channeling Spirit on Stage(0:12:00) - The June Carter Cash Story(0:17:00) - Actor Who Sings vs. Musical Theater Actor(0:19:00) - Surviving the Cincinnati Conservatory(0:24:00) - Intuition in Landing Roles(0:28:00) - Stage vs. Camera Performance(0:32:00) - Creating "Living on a Prairie"(0:38:00) - Divine Guidance and Trusting the Process(0:40:00) - Advice for Those Feeling Stuck(0:42:00) - The Transformative Power of Play(0:45:00) - Rapid Fire Questions(0:50:00) - Angel Signs and Feathers(0:52:00) - Why We Incarnate➡️Subscribe to Ask Julie Ryan YouTube➡️Subscribe to Ask Julie Ryan Español YouTube➡️Subscribe to Ask Julie Ryan Português YouTube➡️Subscribe to Ask Julie Ryan Deutsch YouTube➡️Subscribe to Ask Julie Ryan Français YouTube✏️Ask Julie a Question!

Live Feb 11, 2026 | Yaron Brook ShowSeason 12, Episode 27El Paso Closure; Jobs; Bondi; Grand Jury; Moltbook; Starlink; Vax; Intel, Cuba | Yaron Brook ShowCollapse, Corruption & Control: Who's Really Running America?Is America unraveling—or finally revealing what it really is?From the El Paso shutdown to Big Tech regulation fantasies… from grand juries and political corruption to vaccines, Starlink, Intel, Cuba, and the economic myths strangling job creation—this episode pulls no punches.Yaron breaks down the week's biggest stories through the lens of reason, individual rights, and capitalism. Why are politicians obsessed with regulating innovation? Why do grand juries suddenly matter—until they don't? What's behind the El Paso closure? And what happens when economic ignorance meets political power?Plus: live audience questions on Noam Chomsky, Big Tech regulation, landlord contracts, Puerto Rico expats, music, Star Trek, The Offspring, and more.If you care about freedom, prosperity, and intellectual honesty—this episode is for you.

Risk is usually something leaders are told to minimize. But for Sammi Cannold, it's essential to success. As an award-winning director across Broadway, film, and television, Sammi has built her career on ambitious projects—like staging Violet on a moving bus and reimagining Ragtime on Ellis Island. What stands out isn't just the boldness of the choices, but the intention behind them: using place and performance to help audiences experience even the most familiar stories in new ways.  In this episode, Sammi shares how she found her voice as a young woman in a male-dominated field; how she brings new perspective to beloved works while still honoring their legacy; and what it means to be an "actor's director" whether she's working on stage or the silver screen. Plus, she shares why advocacy in entertainment doesn't always have to feel like eating your vegetables, and breaks down the false dichotomy between mission-driven and commercial work. LINKS: Sammi Cannold: https://www.sammicannold.com/ The Agnes Index: https://www.instagram.com/theagnesindex/?hl=en Broadway Briefing: https://broadwaybriefing.com/

Al chats with Jenna and Sheinelle about reaching a historic milestone of 30 years at TODAY — and the partnership and life mottos behind his success. Plus, Will Forte shares the latest on his partnership with Honestly HD and how he is raising awareness for Huntington's disease. Also, Women's Health Executive Health & Fitness Director Jaqueline Andriakos taps into the latest trends in workout gear to help you look and feel good in the new year. And Broadway superstar Caissie Levy talks about starring in the Lincoln Center Theater revival of the hit musical "Ragtime" and recording the official cast album. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.