Podcasts about blue leaves

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Best podcasts about blue leaves

Latest podcast episodes about blue leaves

I AM THE SPACE WHERE I AM with John Arnone
Guest: JEFF HAMLIN Topic: LINCOLN CENTER THEATER/BERNARD GERSTEN

I AM THE SPACE WHERE I AM with John Arnone

Play Episode Listen Later Mar 7, 2024 65:27


JEFF HAMLIN Production Manager for Lincoln Center Theater oversaw more than 150 productions from 1985-2014. For Michael Bennett he served as production stage manager on A CHORUS LINE, BALLROOM, and DREAMGIRLS. Today Jeff joins us to discuss the life and career of Bernard Gersten and Lincoln Center Theater. BERNARD GERSTEN affectionately known as “Bernie” Gersten was born on January 30, 1923. From 1960 to 1978 he worked with Joseph Papp as Associate Producer for the New York Shakespeare Festival. He oversaw productions of Hair, That Championship Season, For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf, Streamers, and A Chorus Line. After leaving NYSF he served as Executive Producer at Lincoln Center Theater from 1985 until he retired in 2013. He over saw over 150 productions for which he received 15 Tony Awards including: House of Blue Leaves, Six Degrees of Separation, Sarafina, and The Coast of Utopia. In 2013 he received the Tony Award for Lifetime Achievement. Mr. Gersten died on April 27, 2020.    

The Back Room with Andy Ostroy

Edie Falco is a television, film and stage actor whose roles on HBO's Oz, Showtime's Nurse Jackie and the iconic HBO series The Sopranos have earned her multiple Emmy, Golden Globe, and SAG Awards. She currently stars in the hit Peacock series Bupkis as Pete Davidson's mother. Her Broadway credits include the Tony Award-winning play Sideman, Frankie and Johnny in the Clair De Lune, ‘Night Mother, and The House of Blue Leaves, for which she received a Tony Award Nomination. Off-Broadway she's appeared in The Madrid, This Wide Night, The True, and Morning Sun. Her work in feature film includes Cost of Living (American Film Institute's Best Actress Award), Laws of Gravity (Independent Spirit Award nomination), Sunshine State, Landline, Hurricane, The Funeral, The Addiction, Freedomland, The Land of Steady Habits, Judy Berlin, and the Avatar sequels. …as well as indie film pioneer Hal Hartley's classics The Unbelievable Truth and Trust, which also starred my late wife Adrienne Shelly. Edie and I intimately chat for an hour about childhood, life, family, addiction, her illustrious career, The Sopranos, a possible Nurse Jackie re-boot, Trump and politics, the Knicks, her animal-welfare work and more. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

Table for Two
Patricia Clarkson

Table for Two

Play Episode Listen Later Aug 22, 2023 42:17 Transcription Available


Leaping from Algiers, Louisiana to the Broadway stage and, ultimately, the top-tier of Hollywood, is no simple feat. In Patricia Clarkson's case, it required a daring jump from her native New Orleans to Fordham University, and the fortuitous, essential mentorship of actress Debra Monk. But Clarkson never truly left the South behind, and in fact she relishes her upbringing there, recalling it fondly—especially her mother's Creole cooking. On this week's episode of Table for Two, the Golden Globe Award-winner sits down with host Bruce Bozzi to reflect on her early roles in The House of Blue Leaves and The Untouchables, her adoration of actress and singer Jennifer Holliday, and the values she's gained by growing up the youngest of five sisters. Hear a preview of the episode below, and subscribe wherever you listen to podcasts.See omnystudio.com/listener for privacy information.

Live at the Lortel: An Off-Broadway Podcast

Jerry Zaks currently directs his 26th Broadway show, The Music Man. He has received four Tony Awards and been nominated eight times. He's also received four Drama Desks, two Outer Critics Circle Awards, and an Obie. His credits include Mrs. Doubtfire, Hello, Dolly!, A Bronx Tale: the musical, Steve Martin's Meteor Shower, Nantucket Sleigh Ride, Shows For Days, Sister Act, The Addams Family, Guys and Dolls, Six Degrees of Separation, Lend Me a Tenor, House of Blue Leaves, The Front Page, A Funny Thing...Forum, Smokey Joe's Café, Anything Goes, La Cage aux Folles, Little Shop of Horrors, The Man Who Came to Dinner, The Foreigner, A Bronx Tale, Laughter on the 23rd Floor, and the original production of Assassins. He began his career directing the extraordinary plays of Christopher Durang including Sister Mary Ignatius..., Beyond Therapy, Baby with the Bath Water, and The Marriage of Bette and Boo. He directed the award-winning film Marvin's Room, starring Meryl Streep and Diane Keaton; and Who Do You Love, which was featured in the Toronto Film Festival. Mr. Zaks is a founding member, and serves on the board, of the Ensemble Studio Theater. He received the SDC's George Abbott Award for Lifetime Achievement in the Theatre. Philanthropic/Activist Causes: Ensemble Studio Theatre

Bullseye with Jesse Thorn
Christine Baranski

Bullseye with Jesse Thorn

Play Episode Listen Later Sep 13, 2022 42:20


Christine Baranski is an actor with an impressive resume. She went to Julliard, performed on Broadway in shows like The Real Thing, Rumors, and House of Blue Leaves – she's won two Tony Awards. On the hit sitcom Cybil she played the title character's best friend, Maryann and won an Emmy award for the role. Baranski's an iconic character actor with a distinctive look that commands your attention on screen. In 2009, she got a part on The Good Wife as Diane Lockheart. The show's spin off The Good Fight is airing its final season now on Paramount+. Baranski reflects on her time portraying Diane on The Good Fight as the show wraps up. Plus, she talks about being one of the early graduates of Julliard, and her long-time collaborated relationship with Broadway legend Stephen Sondheim.

Page To Stage
81 - A Beautiful Noise: Kathy Fabian, Props Supervisor

Page To Stage

Play Episode Listen Later Sep 12, 2022 41:41


Kathy Fabian shares the process of creating props, set dressing, and researching for A Beautiful Noise. If you are listening to this on Apple Podcast, we'd love it if you could share your love in a review! ABOUT KATHY FABIAN Fabian's Broadway credits include: The Rose Tattoo, American Son, All My Sons, Burn This, True West, Bernhardt/Hamlet, Pretty Woman, The Parisian Woman, Indecent, Sunday in the Park with George, Falsettos, Fiddler on the Roof, China Doll, On Your Feet, Living On Love, The King and I, An American In Paris, The Real Thing, The Realistic Joneses, If/Then, Rocky, The Bridges of Madison County, I'll Eat You Last, Kinky Boots, Lucky Guy, Breakfast at Tiffany's, The Anarchist, Chaplin, Nice Work If You Can Get It, A Streetcar Named Desire, On a Clear Day You Can See Forever, Stick Fly, Relatively Speaking, Chinglish, The Normal Heart, House of Blue Leaves, Anything Goes, Ghetto Klown, Women on the Verge of a Nervous Breakdown, A Life in the Theatre, Fences, All About Me, A Behanding in Spokane, Race, Fela!, Bye Bye Birdie, A Steady Rain, Waiting for Godot, You're Welcome America, Pal Joey, American Buffalo, Speed the Plow, A Man For All Seasons, Les Liasons Dangereuses, South Pacific, Sunday in the Park with George, The Homecoming, Cyrano de Bergerac, Pygmalion, Old Acquaintance, 110 in the Shade, Talk Radio, Prelude to a Kiss, Spring Awakening, High Fidelity, Barefoot in the Park, Souvenir, Steel Magnolias, Sweet Charity, Match, Fiddler on the Roof, Bobby Boland, Cat On A Hot Tin Roof, and Golda's Balcony. Recent Off Broadway: West Side Story, Stage Around, Tokyo, Mary Jane and Othello, (NYTW) and Turn Me Loose, (Westside Theatre). Recent TV projects include creations for Fosse Verdon, Samantha Bee, and Sesame Street. MENTIONED IN THIS EPISODE: A Beautiful Noise on Instagram: instagram.com/abeautifulnoisemusical A Beautiful Noise on Facebook: facebook.com/ABeautifulNoiseMusical Get Your Tickets: abeautifulnoisethemusical.com --- Come say hi to us! Facebook: @PageToStagePodcast @BroadwayPodcastNetwork Instagram: @PageToStagePodcast @TheMaryDina @BrianSedita @BroadwayPodcastNetwork Twitter: @TheMaryDina @BwayPodNetwork YouTube: @PageToStagePodcast @BroadwayPodcastNetwork #PageToStagePodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Salty Nerd Podcast
Kill Bill Week: Kill Bill Vol. 2 (2004)

Salty Nerd Podcast

Play Episode Listen Later Jul 31, 2022 57:09


Kill Bill Vol. 2 Review from the Salty Nerds has them taking a look at the second part of Quentin Tarantino's masterpiece that crosses kung fu and cowboy westerns in a hodge-podge of awesomeness. When we last left Uma Thurman, she'd just had an epic showdown in the House of the Blue Leaves, and now she only has three more names on her list - Bud, Elle, and BILL. We finally get to see a surprisingly sober David Carradine as Bill in Kill Bill Vol 2, along with an eyepatched Daryl Hannah and a surprisingly smooth Michael Madsen. This rip-roaring tale of revenge heads to a climax with the brutal training of Pai Mei coming in handy, as we finally get to see the five-finger exploding heart technique in action. Among Pulp Fiction, Reservoir Dogs, and Once Upon A Time In Hollywood, the Kill Bill movies rank among some of Tarantino's best - some would even call these movies Quentin Tarantino's masterpiece! What is your Kill Bill Vol. 2 review? Did you like it? Hate it? Would you ever hock a Hatori Hanzo sword? Are your tits filled with rock salt? Are you a renegade killer bee? Let us know in the comments over on our website! Also, if you love our movie review podcast, please leave us a 5-star rating! It really helps us out. If you enjoy our film reviews, please also consider supporting us on Patreon here: http://www.saltynerdclub.com

Salty Nerd Podcast
Kill Bill Week: Kill Bill Vol. 2 (2004)

Salty Nerd Podcast

Play Episode Listen Later Jul 29, 2022 57:00


Kill Bill Vol. 2 Review from the Salty Nerds has them taking a look at the second part of Quentin Tarantino's masterpiece that crosses kung fu and cowboy westerns in a hodge-podge of awesomeness.When we last left Uma Thurman, she'd just had an epic showdown in the House of the Blue Leaves, and now she only has three more names on her list - Bud, Elle, and BILL. We finally get to see a surprisingly sober David Carradine as Bill in Kill Bill Vol 2, along with an eyepatched Daryl Hannah and a surprisingly smooth Michael Madsen. This rip-roaring tale of revenge heads to a climax with the brutal training of Pai Mei coming in handy, as we finally get to see the five-finger exploding heart technique in action.Among Pulp Fiction, Reservoir Dogs, and Once Upon A Time In Hollywood, the Kill Bill movies rank among some of Tarantino's best - some would even call these movies Quentin Tarantino's masterpiece!What is your Kill Bill Vol. 2 review? Did you like it? Hate it? Would you ever hock a Hatori Hanzo sword? Are your tits filled with rock salt? Are you a renegade killer bee? Let us know in the comments over on our website!Also, if you love our movie review podcast, please leave us a 5-star rating! It really helps us out. If you enjoy our film reviews, please also consider supporting us on Patreon here: http://www.saltynerdclub.com

Salty Nerd Podcast
Kill Bill Week: Kill Bill Vol. 1 (2003)

Salty Nerd Podcast

Play Episode Listen Later Jul 27, 2022 81:35


Kill Bill Vol. 1 review from the Salty Nerds has them talking about what could be considered filmmaker Quentin Tarantino's masterpiece. Centered around a character created by Quentin Tarantino and Uma Thurman, Kill Bill is a tale of rip-roaring revenge as The Bride goes on a rampage against those who destroyed her life and left her for dead.David Carradine plays the titular Bill, and his squad of brutal assassins are portrayed by Michael Madsen, Daryl Hannah, Vivica A. Fox, and Lucy Liu. In the first installment of this epic tale, Tarantino delivers a fascinating and pulse-pounding tribute to samurai and kung-fu films he grew up on, all culminating in an epic climax in the House of the Blue Leaves in Japan.This is a favorite of the Salty Nerds and is one of those movies that remind them why they do a movie review podcast. This film review of Kill Bill was a lot of fun - so much fun that they had to do a sketch for the start of it! If you like our film criticism and our movie reviews, be sure to subscribe to the podcast and leave us a 5-star rating!What is your Kill Bill vol. 1 movie review? Did you love it? Hate it? Do you have your own Hitori Hanzo steel? Does theme music play every time you see someone who pisses you off? What is it with Quentin Tarantino and feet? Let us know your thoughts in the comments!And if you want to support the Salty Nerds and their in-depth film reviews and movie criticism, check out our members area where you get exclusive weekly episodes and a HUGE back catalog of hilarious retrospective reviews, along with outtakes videos and commercial-free episodes, all for just $5 a month. Go here and sign up now to support the show: http://www.saltynerdclub.com

Reel Rendezvous
Kill Bill Vol.1 (2003)

Reel Rendezvous

Play Episode Listen Later Apr 3, 2022 95:21


Rattle Snake and King Cobra discuss and review Kill Bill Vol.1 (2004) directed by Quentin Tarantino. What do these kung-fu samurai masters think of the big Q's 4th theatrical outing? Hop on into the House of Blue Leaves and find out! Just try not to lose your head...or arm...or leg.-Instagram: @ReelRendezvous-Twitter: @ReelRendezvous-Check out our YouTube!

Film & TV · The Creative Process
In Memory of TONY WALTON · 1934-2022 (Part 2)

Film & TV · The Creative Process

Play Episode Listen Later Mar 4, 2022


“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info

Film & TV · The Creative Process
In Memory of TONY WALTON · 1934-2022 (Part 1)

Film & TV · The Creative Process

Play Episode Listen Later Mar 4, 2022


Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.www.tonywalton.net www.creativeprocess.info

Theatre · The Creative Process
In Memory of TONY WALTON · 1934-2022 (Part 2)

Theatre · The Creative Process

Play Episode Listen Later Mar 4, 2022


“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info

Theatre · The Creative Process
In Memory of TONY WALTON · 1934-2022 (Part 1)

Theatre · The Creative Process

Play Episode Listen Later Mar 4, 2022


Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.www.tonywalton.net www.creativeprocess.info

Art · The Creative Process
In Memory of TONY WALTON · 1934-2022 (Part 1)

Art · The Creative Process

Play Episode Listen Later Mar 4, 2022


Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.www.tonywalton.net www.creativeprocess.info

Art · The Creative Process
In Memory of TONY WALTON · 1934-2022 (Part 2)

Art · The Creative Process

Play Episode Listen Later Mar 4, 2022


“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info

Music & Dance · The Creative Process
In Memory of TONY WALTON · 1934-2022 (Part 1)

Music & Dance · The Creative Process

Play Episode Listen Later Mar 4, 2022


Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.www.tonywalton.net www.creativeprocess.info

Music & Dance · The Creative Process
In Memory of TONY WALTON · 1934-2022 (Part 2)

Music & Dance · The Creative Process

Play Episode Listen Later Mar 4, 2022


“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info

The Creative Process in 10 minutes or less · Arts, Culture & Society

Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.www.tonywalton.net www.creativeprocess.info

Education · The Creative Process
In Memory of TONY WALTON · 1934-2022 (Part 1)

Education · The Creative Process

Play Episode Listen Later Mar 4, 2022


Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.www.tonywalton.net www.creativeprocess.info

Education · The Creative Process
In Memory of TONY WALTON · 1934-2022 (Part 2)

Education · The Creative Process

Play Episode Listen Later Mar 4, 2022


“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info

The Creative Process Podcast
In Memory of TONY WALTON · 1934-2022 (Part 1)

The Creative Process Podcast

Play Episode Listen Later Mar 4, 2022


Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.www.tonywalton.net www.creativeprocess.info

The Creative Process Podcast
In Memory of TONY WALTON · 1934-2022 (Part 2)

The Creative Process Podcast

Play Episode Listen Later Mar 4, 2022


“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info

The Creative Process · Seasons 1  2  3 · Arts, Culture & Society

Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.www.tonywalton.net www.creativeprocess.info

The Creative Process · Seasons 1  2  3 · Arts, Culture & Society

“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info

The Theater Enthusiast Podcast
The Theater Enthusiast Podcast Season 4 Episode 2- Tally Sessions

The Theater Enthusiast Podcast

Play Episode Listen Later Feb 22, 2022 148:34


This episode we are joined by Broadway actor Tally Sessions!  Tally can currently be seen in the Broadway company of Company.  He has also been on Broadway in Anastasia, School of Rock, Big Fish, House of Blue Leaves and more!  Tally talks about his he life working in theater, where he hopes the future of theater will lead and more.

Talking Dirty
Blue Leaves, Special Salvias and Beginner Jungle Plants with Mike Clifford (Mike's Rare Plants)

Talking Dirty

Play Episode Listen Later Sep 22, 2021 49:46


He's back! Grower of extraordinary plants and seller of rare seeds - Mike Clifford is a plantaholic through and through. In this return appearance to the Talking Dirty Podcast, he shows Alan Gray (East Ruston Old Vicarage) and Thordis his favourite fern, an amazing Sauromatum which has hybridised in his garden and some incredibly rare plants. Plus a few selections for anyone keen to introduce jungle plants to their own plot for the first time. PLANT LIST Echeveria 'Compton Carousel' Aeonium 'Mardi Gras' Musanga cecropioides Lobelia bambuseti Gunnera insignis Deppea splendens Begonia luxurians Montanoa bipinnatifida Trochetiopsis ebenus/Saint Helena ebony Vireya Rhododendron Selaginella siamensis Begonia pavonina Elaphoglossum metallicum Neolepisorus ovatus variegatus Sphaeropteris cooperi/Cyathea cooperi Angiopteris evecta Babaco Vasconcellea pubescens/Mountain Papaya Crocosmia × crocosmiiflora 'Columbus' Salvia oxyphora Salvia sagittata Griffinia liboniana Worsleya procera Paulownia tomentosa Fatsia polycarpa/Megafatsia macrophylla Tetrapanax papyrifer 'Rex' Manihot grahamii Cussonia paniculata  Solanum quitoense Ricinus communis 'New Zealand Purple' Ricinus communis var. zanzibarensis Impatiens pianmaensis Phytolacca icosandra Purpurascens Sauromatum venosum 'Indian Giant' Paulownia tomentosa Fatsia polycarpa/Megafatsia macrophylla Tetrapanax papyrifer 'Rex'

In Tune Radio Show: KWRH-LP 92.9FM
MOONSTONE THEATRE COMPANY: 2021-2022 Season

In Tune Radio Show: KWRH-LP 92.9FM

Play Episode Listen Later Aug 17, 2021 16:31


https://moonstonetheatrecompany.com/about/ (Sharon Hunter) is the Producing Artistic Director of the https://moonstonetheatrecompany.com/ (Moonstone Theatre Company). Moonstone Theatre Company is a new professional performing arts organization in the St. Louis area. Productions will include a wide range of quality theatrical productions while at the same time supporting local arts and education. The 2021-2022 season starts with https://en.wikipedia.org/wiki/Jake%27s_Women (Jake's Women) by Neil Simon (October 14-17, 21-24, and 28-31), followed by the 2001 Pulitzer Prize-winning play https://en.wikipedia.org/wiki/Proof_(play) (Proof) by David Auburn (February 17-20, 24-27, and March 3-6), and the final show of the season is https://en.wikipedia.org/wiki/The_House_of_Blue_Leaves (The House of Blue Leaves) by John Guare (May 19-22, 26-29, and June 2-5). All performances are in the Blackbox of the https://www.kirkwoodmo.org/recreation/arts-and-music/performing-arts-center (Kirkwood Performing Arts Center). Tickets may be purchased by calling 314.821.9956 or by visiting https://moonstonetheatrecompany.com/tickets/ (https://moonstonetheatrecompany.com/tickets/). This is Season 4! #theatre #stlouis #actorsequity #stage #stagemanager #lighting #tickets #kirkwood #neilsimon #davidauburn #JohnGuare #sharonhunter #kirkwoodperformingartscenter #kpac #play #performingarts #theatrearts #costumes #setdesign

ActorSpeak with Austin Basis
ActorSpeak, Episode 1 - James Immekus (Part 2)

ActorSpeak with Austin Basis

Play Episode Listen Later Jun 25, 2021 59:28


On this episode of ActorSpeak, Austin Basis continues to speak with actor James Immekus (Lucifer, The Good Doctor, Grey's Anatomy, Mad Men). In Part 2, we talk about improv, our love of rehearsal, working with good people, and being fully rounded artists- more than just actors. Born in Crystal Lake, Illinois, James grew up in Kennesaw, Georgia, and graduated from the DePaul Theatre School in Chicago with a BFA in Acting. His vast theatre experience includes The Goodman Theatre in Chicago, The Contemporary American Theatre Festival in Shepherdstown, WV and the Center Theatre Group's Mark Taper Forum in Los Angeles, where he appeared in The House of Blue Leaves alongside Jane Kaczmarek, John Pankow, Kate Burton, and Diedrich Bader. But James has really made a name for himself with his extensive TV guest star work. He has over 25 guest stars & recurring roles to his credit in some of the biggest shows on television. He's not only an extremely talented actor & artist who respects his craft, but he's also a great friend & groomsman of mine...! And I couldn't think of better person to share this first episode of ActorSpeak with. WE AUDITION is a video-chat community where actors can audition, self-tape, rehearse, and get expert industry advice. USE promo code: ACTORSPEAK to get 25% off when joining at WeAudition.com

ActorSpeak with Austin Basis
ActorSpeak, Episode 1 - James Immekus (Part 1)

ActorSpeak with Austin Basis

Play Episode Listen Later Jun 25, 2021 54:57


On this episode of ActorSpeak, Austin Basis speaks with actor James Immekus (Lucifer, The Good Doctor, Grey's Anatomy, Mad Men). In Part 1, we discuss James' love of Ladyhawke, Viola Spolin, his mentor Rick Murphy, doing Boxboarders!, and making our way in LA together. Born in Crystal Lake, Illinois, James grew up in Kennesaw, Georgia, and graduated from the DePaul Theatre School in Chicago with a BFA in Acting. His vast theatre experience includes The Goodman Theatre in Chicago, The Contemporary American Theatre Festival in Shepherdstown, WV and the Center Theatre Group's Mark Taper Forum in Los Angeles, where he appeared in The House of Blue Leaves alongside Jane Kaczmarek, John Pankow, Kate Burton, and Diedrich Bader. But James has really made a name for himself with his extensive TV guest star work. He has over 25 guest stars & recurring roles to his credit in some of the biggest shows on television. He's not only an extremely talented actor & artist who respects his craft, but he's also a great friend & groomsman of mine...! And I couldn't think of better person to share this first episode of ActorSpeak with. WE AUDITION is a video-chat community where actors can audition, self-tape, rehearse, and get expert industry advice. USE promo code: ACTORSPEAK to get 25% off when joining at WeAudition.com

Face2Face with David Peck
The Mimic, Sociopaths & Febreeze

Face2Face with David Peck

Play Episode Listen Later Feb 10, 2021 23:09


Thomas Sadoski, Thomas Mazziotti and Face2face host David Peck talk about The Mimic, socio-paths, loss, the old school, mental health issues, rapid fire dialogue, and why you need to keep ringing the bell.TrailerFind out more about the film here.Synopsis:Based on a true story, this clever, intriguing, and hyperbolic comedy follows the main character - the Narrator (Thomas Sadoski) who is befriended by his young new neighbor 'the Kid’ (Jake Robinson), after he joins the local newspaper team. Obsessed with the idea that the Kid may be a sociopath, the Narrator goes to extreme lengths to uncover the truth about him and his wife, a woman he ultimately begins to fancy.Between long walks down the street, a twisted dinner date, and a car drive gone terribly wrong, the Narrator gets closer and closer to the truth about the Kid. But the truth, as he finds, is anything but what he expected. "Sociopaths have been portrayed as a shady bunch up until now. Inspired by true events, this confrontational comedy explores the uncharted territory of the lighter side of a sociopath,” says Mazziotti. “I applaud Gravitas Ventures introducing audiences to an alternate character dynamic which has yet to be portrayed under comedic scrutiny on screen, yet he lives among us all.”About Thomas and Thomas:Thomas Sadoski will next star in the upcoming CBS series Tommy, which stars Edie Falco as the first female chief of police for Los Angeles. Equal parts political, procedural, and family drama, Tommy comes from Paul Attanasio, the creator of Bull and Homicide: Life on the Street. On the big screen, he was most recently featured alongside Shirley MacLaine and Amanda Seyfried in The Last Word, directed by Mark Pellington, and reprised his role as Jimmy in John Wick: Chapter Two, starring Keanu Reeves. He will next star in the independent comedy The Mimic, which also stars Jake Robinson, Gina Gershon and Jessica Walter, and will soon begin production opposite Lucy Liu in the romance drama, The Last Weekend in May, for director Matthew Lillard.A veteran of the stage, Sadoski most recently starred in the Public Theater production of the new Suzan-Lori Parks play, White Noise, directed by Oskar Eustis with Daveed Diggs. Over the course of his stage career, he has starred in and earned raves for his performances in a wide variety of Broadway and off-Broadway productions. His most recent New York stage appearance was opposite Amanda Seyfried in the off-Broadway production of Neil LaBute’s The Way We Get By. His previous collaboration with LaBute on reasons to be pretty earned Sadoski a nomination for a Tony Award in the Leading Actor Category, as well as Drama Desk, Outer Critics Circle and Drama League Award nominations. Sadoski’s other Broadway credits include Other Desert Cities for which he won an Obie Award, The House of Blue Leaves with Ben Stiller and Edie Falco, and Reckless, his Broadway debut opposite Mary-Louise Parker.Off-Broadway credits include Sam Mendes’s Bridge Project productions of As You Like It and The Tempest, Becky Shaw for which he won a Lucille Lortel Award, This is Our Youth with Mark Ruffalo, the world premiere of Elizabeth Merriweather’s The Mistakes Madeline Made, Gemini, Stay, Where We’re Born, Jump/Cut, All This Intimacy, and The General From America.Sadoski’s film credits include the critically-acclaimed film I Smile Back with Sarah Silverman and Josh Charles, the award-winning John Marc Vallee film Wild with Reese Witherspoon and Laura Dern, John Wick with Keanu Reeves, Take Care with Leslie Bibb, and many others.In addition to his role as Don Keefer on HBO’s Golden Globe-nominated Aaron Sorkin series The Newsroom and the hit CBS comedy Life in Pieces, his television credits include the NBC mini-series, The Slap, a recurring role on Law & Order: Special Victims Unit and guest starring roles on and Ugly Betty, Law & Order: Criminal Intent. A graduate of Circle in the Square Theater School in New York City, Sadoski has worked extensively to help develop new theatrical works at New Dramatists, The Lark, The Eugene O’Neill Theatre Center and the Sundance Institute.In his free time, he works closely with the organizations INARA and War Child, which work to support children affected by war. Sadoski resides in Los Angeles.Thomas Mazziotti started in television production at WPIX in New York before graduating both from college and into filmmaking at the same time. He attended the International Film and Television Workshops in Maine, as well as, Laguna Beach, CA.His first effort, The Beep, a 20-minute short film about a killer answering machine received theatrical distribution in N.Y. and L.A. due to a Fast Track article in New York magazine. This attention enabled him to option a play by Neil Bell performed at Playwrights Horizons in N.Y. and bring Sidney Lumet's producer on board to oversee the project. Undertow opened theatrically in N.Y. and garnished much attention due to its controversial subject matter of a young policeman entrapping a gay congressman on videotape. It stars Peter Dobson from Last Exit to Brooklyn.Tom then turned his attention to comedy and optioned a Canadian short story by Peter Sellers. Charlie Hoboken opened theatrically in N.Y. and stars Jennifer Esposito, Amanda Peet, Austin Pendleton, and Tovah Feldshuh. It tells the story of a fast-talking insurance salesman that makes ends meet by being a part-time hit man. The Mimic is Tom's third feature and first original screenplay. Based on a recent true story that happened to him, it reunited him with Austin Pendleton after 20 years. The stylized vision and rapid-fire dialogue enabled him to attract an all-star cast with strong theatrical backgrounds making it possible to shoot fourteen pages of dialogue in one day.Image Copyright and Credit: Thomas Mazziotti and Circus Road Films.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.

Psychotronic Film Society
THE 36TH CHAMBER OF SHAOLIN (1978) | Six Degrees of Kill Bill, Part V

Psychotronic Film Society

Play Episode Listen Later Feb 4, 2021 97:09


When KILL BILL begins, the first image that we see on screen (after the obligatory Miramax logo, of course) is the iconic shield that indicated that we're watching a Shaw Brothers film. The Shaw Brothers Studio was one of the premiere studios in Hong Kong in the 20th century, and their "golden age" would probably have been during the 1960s and 1970s, when they began to produce the Kung Fu films that most western audiences would come to know them for. These Kung Fu films were a major influence on Quentin Tarantino when crafting KILL BILL, especially during the House of Blue Leaves sequence in VOL. 1 and in the Pei Mei chapter for VOL. 2. In this episode, we'll trace the history of the Shaw Brothers Studio, and take a look at what might be their most well-known Kung Fu flick, THE 36TH CHAMBER OF SHAOLIN (1978), starring the legendary Gordon Liu, a performer who would appear in not one, but two different roles in Tarantino's film. And yeah, we talk a lot about Wu-Tang. BUY OUR NEW MERCH: http://cinemashock.threadless.com Coming Up: SHOGUN ASSASSIN (1980) KILL BILL VOL. 1 & VOL. 2 (2003/4) Up Next: The Tragedy of Tobe Hooper Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy. This episode was written, produced and edited by Gary Horne, Justin Bishop, & Todd Davis. Visit our website for episode archives, blogs and more: http://cinemashock.net Follow us: twitter.com/cinema_shock facebook.com/cinemashocknet instagram.com/cinema_shock

The Creative Process Podcast

Tony Walton is an award-winning director and production designer. His work is vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony has been honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he has worked on over 20 films and has received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame and currently he resides in New York City with his wife Gen LeRoy Walton. www.tonywalton.net www.creativeprocess.info

Film & TV · The Creative Process

Tony Walton is an award-winning director and production designer. His work is vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony has been honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he has worked on over 20 films and has received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame and currently he resides in New York City with his wife Gen LeRoy Walton. www.tonywalton.netwww.creativeprocess.info

Film & TV · The Creative Process

Tony Walton is an award-winning director and production designer. His work is vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony has been honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he has worked on over 20 films and has received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame and currently he resides in New York City with his wife Gen LeRoy Walton. www.tonywalton.net www.creativeprocess.info

BEHIND THE CURTAIN: BROADWAY'S LIVING LEGENDS » Podcast

SHOWS: Hello, Dolly, Guys and Dolls, The Music Man   Today's podcast is a master class in the art of direction and your instructor is none other than 4 time Tony Award winner Jerry Zaks, whose onstage credits include Fiddler on the Roof, Grease, Once in a Lifetime, and Tintypes, and most importantly, directing credits that include: The House of Blue Leaves, Anything Goes, Six Degrees of Separation, Guys and Dolls, A Funny Thing Happened On The Way To The Forum, Laughter on the 23rd Floor, Lend Me A Tenor, Smokey Joe's Cafe, Sister Act, Hello, Dolly, and the upcoming Mrs. Doubtfire and The Music Man.   Jerry pulls back the curtain on his career to discuss how a romantic date led to the wonderful world of musical theatre, what are his cardinal rules of directing, and why playing the positive is the greatest note a director can give.   Also, Jerry shines the spotlight on Nathan Lane, Neil Simon, and Zero Mostel! !   Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4   To book a room at Shetler Studios, head on over to: https://www.shetlerstudios.com

The North End Podcast
Episode 34 Ding A Ling

The North End Podcast

Play Episode Listen Later Apr 11, 2019 139:10


Live from The City of Blue Leaves, a brief recap of last weeks results, prediction results, Champions League and its effect on the PL, Top Four and does Kane's injury effect it? A quality ramble we really delve deep into VAR and how it will effect the game we love.

#LIVEatFIVE: a daily Broadway podcast
3/25/19 - Thomas Sadoski of WHITE NOISE

#LIVEatFIVE: a daily Broadway podcast

Play Episode Listen Later Mar 25, 2019 24:15


ntro:Thomas Sadoski is currently appearing in WHITE NOISE at off-Broadway’s The Public Theater. He earned a Tony nomination for his work in Reasons to Be Pretty and his other Broadway credits include Reckless, The House of Blue Leaves and The Other Desert Cities. He has been seen on screen in As the World Turns, The Newsroom, Life in Pieces and more. Follow him on social media at @thomas_sadoskiHosted by Caitlin Moynihan, Beth Stevens and Caitlyn Gallip

#LIVEatFIVE: a daily Broadway podcast
1/10/19 - David Cromer of THE WAVERLY GALLERY

#LIVEatFIVE: a daily Broadway podcast

Play Episode Listen Later Jan 10, 2019 24:27


David Cromer is starring in The Waverly Gallery. A Tony winner for directing The Band's Visit, Cromer has also directed Broadway shows The House of Blue Leaves and Brighton Beach Memoirs. He has also appeared as a performer in A Raisin in the Sun. Cromer has received a Tony Award, Drama Desk Award, three Obie Awards, three Lucille Lortel Awards, a Joe A. Callaway Award, four Jeff Awards, and in 2010 was made a MacArthur Foundation Fellow. Follow him on social media at @davidmcromer!Hosted by Caitlin Moynihan, Ryan Lee Gilbert and Eric King.

SuperHot BadGuy Podcast
17. O-Ren Ishii/Vernita Green of Kill Bill Vol. 1

SuperHot BadGuy Podcast

Play Episode Listen Later Dec 11, 2017 87:48


Celebrating winter the Tarantino way! With a very Lady Snowblood-like battle at the House of Blue Leaves! We're discussing everything from our love/hate relationship with bad action films to Vernita's cute shoes, to O-Ren's Japanese/Chinese/super California speech patterns- It's a Very BadGuy New Year!

The Producer's Perspective Podcast with Ken Davenport

Jerry Zaks is a stage and television director, and actor. He won the Tony Award for Best Direction of a Play and Drama Desk Award for directing The House of Blue Leaves, Lend Me a Tenor, and Six Degrees of Separation and the Tony Award for Best Direction of a Musical and Drama Desk Award for Guys and Dolls. He made his Broadway acting debut in the original production of Grease and made his directing debut with the off-Broadway production of Beyond Therapy. He has also directed many other productions such as Girl Crazy, Stairway to Paradise, 101 Dalmatians Musical, and the Broadway production of Sister Act. His screen credits include Outrageous Fortune, and Husbands and Wives. He received the George Abbott Award for Lifetime Achievement in the Theater in 1994. He’s the go-to guy if you’ve got a musical that’s supposed to make people laugh. And we talked about what it takes to make people slap their knees, as well as . . . How he agreed to direct a show even though he didn’t know what directing really was. The best advice he ever got, which made him change his attitude overnight. Why his rehearsal rooms are CLOSED to everyone but the actors. How (and why) Guys and Dolls wasn’t working and what he and his choreographer did to fix it. What a show has to do within its first ten minutes, or it’s sunk. Once on This Island, Winner of the 2018 Tony Award for Best Revival of a Musical, is the sweeping, universal tale of Ti Moune, a fearless peasant girl in search of her place in the world, and ready to risk it all for love. Check it out here: onceonthisisland.com Keep up with me: @KenDavenportBway www.theproducersperspective.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Talking Theater
6: Doing Your Best Work On Stage with Suzy Newman

Talking Theater

Play Episode Listen Later May 1, 2017 25:16


Suzy Newman resides in San Luis Obispo, California where she is an actor, director, and teacher & coach. She now works frequently on the “Central Coast” for The Great American Melodrama & Vaudeville and the San Luis Obispo Little Theatre, and recently with the Central Coast Shakespeare Festival, Pacific Conservatory Theatre (PCPA) and Oregon Cabaret Theatre. Some of her favorite shows include The Search for Signs of Intelligent Life in the Universe, House of Blue Leaves, Always, Patsy Cline, 9 to 5, and The Foreigner. Suzy completed her MFA in acting at the University of Alabama. Suzy is also the singer with Up in the Air, a rock/world beat band. Suzy and Marc talk about the benefits of her MFA acting program, the decision to begin a career in theater after college, her rehearsal process in a one-person play, and how doing what you love keeps you doing your best work on stage, and much more! This post Doing Your Best Work On Stage appeared first on Talking Theater. To help out this show, please leave and honest review on Apple Podcasts. Your ratings and reviews really make a difference. Also, please click here to Subscribe. Thanks so much for listening!

Chicane Presents Sun:Sets
Chicane Sun:Sets Vol 59

Chicane Presents Sun:Sets

Play Episode Listen Later Sep 11, 2015 59:22


On this week's Sun:Sets Chicane give a little showcase to the new Etherwood album "Blue Leaves", plays a classic 80s TV theme and new music from Nora En Pure, Ben Ivory, Grum, Alex H and many more. 1. Etherwood - Under The Surface (feat. Vinny Ferraro)2. Chicane & Manu Zain - Tuesdays3. Darius - Omeo4. Soundtrack of The Week: (Chosen by Kev in Southampton)Jan Hammer - Crockets Theme (From Miami Vice)5. Oliver Heldens & Shaun Frank ft Delaney Jane - Shades of Grey (Nora En Pure Remix)6. Ben Ivory - Better Love 7. Nick Galemore - Desole 8. Alex H & James Woods - Atitlan (Andrew Benson Remix)9. Apres - Chicago10. Grum - First Contact11. Etherwood - Revive (feat. Logistics & Eva Lazarus)12. Etherwood - For A Time I Was You

Hospital Records Podcast
Hospital Podcast 273 with London Elektricity

Hospital Records Podcast

Play Episode Listen Later Sep 8, 2015 73:08


Hospital podcast 273 features brand new music from Krakota’s forthcoming “Citadels EP”, more stunning music from Etherwood’s chart topping album “Blue Leaves” + music from the likes of Sam Binga, LSB, Calibre + more…

Hospital Records Podcast
Hospital Podcast 272 with London Elektricity & Etherwood

Hospital Records Podcast

Play Episode Listen Later Sep 4, 2015 76:13


Etherwood joins London Elektricity in the podcasts studio to celebrate the release of his excellent second album, ‘Blue Leaves’…

Hospital Records Podcast
Hospital Podcast 271 with Chris Goss

Hospital Records Podcast

Play Episode Listen Later Aug 25, 2015 62:55


Direct from the Purple Gates, Chris Goss steps up to present a brand new Hospital Podcast, featuring music from across the world of drum & bass + exclusive first plays from Etherwood’s new album, ‘Blue Leaves’.

Here's The Thing with Alec Baldwin
John Guare and Lisa Dwan Talk Theater with Alec Baldwin

Here's The Thing with Alec Baldwin

Play Episode Listen Later Jun 22, 2015 62:59


A prestigious agent signed playwright John Guare before he had even graduated from Yale School of Drama, saying he showed promise. In the five decades since, Guare has been one of the most humane—and absurd—voices of American theater. He says "there's no such thing as a 'hit recipe,'" though if one existed, Guare would probably know about it; his acclaimed work includes The House of Blue Leaves, Six Degrees of Separation, and the Oscar-nominated screenplay for the film Atlantic City.   Lisa Dwan began dancing ballet with Rudolf Nureyev when she was just 12, and she carried that poise and fluidity with her as she evolved into an actor. She says nowhere is that more evident than in her recent interpretations of fellow Irishman Samuel Beckett. Dwan gathered critical acclaim for a grueling one-woman show featuring three of Beckett's most intense works: Rockaby, Footfalls, and Not I. The last of these is a stream-of-consciousness monologue, with only Dwan's mouth visible hovering over a black stage.     

The Halli Casser-Jayne Show
MIKE AND MOLLY'S SWOOSIE KURTZ

The Halli Casser-Jayne Show

Play Episode Listen Later May 7, 2015 58:29


She's a multiple Tony, Emmy, Obie, and Drama Desk Award winner, a Broadway icon, a film star and plays the hysterical character Joyce Flynn on the critically acclaimed long-running sitcom Mike & Molly. And she is the author of a brave and riveting memoir PART SWAN, PART GOOSE. She is actress Swoosie Kurtz and she'll be joining Halli at her table on The Halli Casser-Jayne Show,.With a name like Swoosie she was destined to lead an interesting life. From her first appearance on The Donna Reed Show to her Tony Award-winning roles in Lanford Wilson's Fifth of July and John Guare's The House of Blue Leaves to her much-heralded turns on television series Sisters, Pushing Daisies and Mike & Molly, Swoosie has been embraced by critics and fans alike for her quirky, heartfelt, and always attention-getting performances.Born to become a stellar success, Swoosie is the only child of Frank and Margo Kurtz. Her father was an Olympic diving medalist and one of the most decorated aviators in American history. Her mother, nearing 100 years old is an accomplished, opinionated, and filled-to-bursting personality.The fascinating and accomplished Swoosie Kurtz visits The Halli Casser-Jayne Show. Let's talk. For more information visit goo.gl/PzLurH

SDCF Masters of the Stage

Jerry Zaks: Just two months after the opening of his Tony Award winning production of The House of Blue Leaves, Director Jerry Zaks spoke to a packed house at Westside Arts Theater in the first installment of SDCF's three part "Directing for Comedy" lecture series, in July of 1986. One of America's greatest Directors of comedy opens up his process for the audience, taking us step by step from his first read of a script through the perils of keeping comedy fresh over a prolonged run of a show. He expresses his affinity for what he calls "crafted comedy", or moments that he has choreographed meticulously. When explaining the intangible quality of comedic timing, Mr. Zaks teaches us that comedy, by nature, is musical and that the actors he most enjoys working with are comfortable playing within the structure of its strict beat and measure. Above all, he expresses his love for "rich comedy", which he defines as comedy that is always grounded in recognizable human conditions and contains a basic understanding of human needs. As a director who has given us time and again funny, moving and meaningful plays, Jerry Zaks puts in to words the humor inherent to the Human condition, and the importance of connecting intimately to it through theatre. Originally recorded - July 8, 1986. Running Time - 1:30:45 ©1986 SDCF

Paid Actor
Becoming An Actor with Barbara Kingsley

Paid Actor

Play Episode Listen Later Jul 31, 2013 45:00


Trena Bolden Fields interviews the talented Barbara Kingsley on her passion for acting.   Barbara Kingsley is a multi-tasking theater artist. Stage credits include over two hundred productions, at theaters across the country, including Broadway. She has appeared locally at the Guthrie, Ten Thousand Things Theater, Jungle Theater and Park Square Theatre. Barbara won a Kudos award for her performance as Dorine, in Tartuffe and has enjoyed creating a broad spectrum of characters: Hedda Gabler, Bananas, in House of Blue Leaves, Ariel in The Tempest, Alice B. Toklas in Gertrude Stein and a Companion, and most recently, Violet in  August: Osage County. She has been a member of the Dept. of Theatre & Dance adjunct faculty at the University of Minnesota, since 1998 and is a Teaching Artist in the Guthrie Theater Education dept. Writing credits include a screenplay and three stage plays. Barbara is a recipient of a 2011 – 2012 Minnesota State Arts Board/ National Endowment  for the Arts Artist Initiative Grant for her play, Under This Roof and the 2013 MRAC Next Step Grant for her play, I am Proof Of Me.

Beginnings
Beginnings episode 39: Halley Feiffer

Beginnings

Play Episode Listen Later Jan 5, 2012 91:18


Halley Feiffer is a actor and playwright from New York City. She's been in many films including The Squid and the Whale, Margot at the Wedding, and You Can Count on Me and guested on a number of television shows including Flight of the Conchords and Bored to Death. This last year, she made her Broadway debut in The House of Blue Leaves with Ben Stiller and Edie Falco and in 2012, she'll release her film He's Way More Famous Than You, which she co-wrote and stars in. Earlier this week, Halley stopped by the Wrestling Team apartment, and this is what happened! We learned what you can say if you have a black sister! Mark debuted his new stand-up persona, Mr. Hate! Halley takes us on a tour through the (in?)famous Stagedoor Manor! All this and moooooooore!

ATW - Downstage Center
John Guare (#325) - June, 2011

ATW - Downstage Center

Play Episode Listen Later Jun 22, 2011 63:55


John Guare talks about his two Broadway plays of the past season: considering how the world has caught up with and changed audience responses to "The House of Blue Leaves" and which portion of the play is drawn directly from his own life, as well as the origin of "A Free Man of Color" and whether it's his practice to write plays based on ideas suggested by others. He also discusses his development as a playwright while at Georgetown University and the Yale School of Drama; why being an Aquarius was instrumental in the start of his professional career; his never-completed collaboration with Stephen Sondheim and Leonard Bernstein; how "Two Gentlemen of Verona", a musical with 37 songs, was never meant to be a musical; finding a home at The Public Theatre and his conflicted emotions about being a part of the institution at that time, where such plays as "Landscape of the Body" and "Marco Polo Sings a Solo" premiered; how place affected his writing of the "Lydie Breeze" plays and why he chose to revisit and rework them 20 years later; when he first learned of a con man pretending to be Sidney Poitier's son and when that blossomed into "Six Degrees of Separation"; the impact of his work with Signature Theatre Company in New York, including the premiere of "Lake Hollywood", which incorporated a play he'd written 39 years earlier; and why he agreed to adapt "The Front Page" and its gender-shifted remake "His Girl Friday" for the stage. Original air date - June 22, 2011.

ATW - Downstage Center
John Guare (#325) - June, 2011

ATW - Downstage Center

Play Episode Listen Later Jun 22, 2011 63:55


John Guare talks about his two Broadway plays of the past season: considering how the world has caught up with and changed audience responses to "The House of Blue Leaves" and which portion of the play is drawn directly from his own life, as well as the origin of "A Free Man of Color" and whether it's his practice to write plays based on ideas suggested by others. He also discusses his development as a playwright while at Georgetown University and the Yale School of Drama; why being an Aquarius was instrumental in the start of his professional career; his never-completed collaboration with Stephen Sondheim and Leonard Bernstein; how "Two Gentlemen of Verona", a musical with 37 songs, was never meant to be a musical; finding a home at The Public Theatre and his conflicted emotions about being a part of the institution at that time, where such plays as "Landscape of the Body" and "Marco Polo Sings a Solo" premiered; how place affected his writing of the "Lydie Breeze" plays and why he chose to revisit and rework them 20 years later; when he first learned of a con man pretending to be Sidney Poitier's son and when that blossomed into "Six Degrees of Separation"; the impact of his work with Signature Theatre Company in New York, including the premiere of "Lake Hollywood", which incorporated a play he'd written 39 years earlier; and why he agreed to adapt "The Front Page" and its gender-shifted remake "His Girl Friday" for the stage. Original air date - June 22, 2011.

Meet the 2011 Tony Award Nominees
Actress/Featured Role/Play

Meet the 2011 Tony Award Nominees

Play Episode Listen Later Jun 4, 2011 1:31


Meet the 2011 Nominees for Best Performance By An Actress in a Featured Role in a Play - Ellen Barkin (The Normal Heart), Edie Falco (The House of Blue Leaves) , Judith Light (Lombardi), Joanna Lumley (La Bête) and Elizabeth Rodriguez (The Motherf**ker with the Hat).

Tony Award Winners on Downstage Center
Stockard Channing (#305) - February, 2011

Tony Award Winners on Downstage Center

Play Episode Listen Later Feb 2, 2011 63:53


Stockard Channing (1985 Tony Award winner for Best Performance by an Actress in a Leading Role in a Play for “Joe Egg”) discusses her work in Jon Robin Baitz's new play “Other Desert Cities”, acknowledging the ambiguity of the character for the audience and explaining whether she has defined her character's secret motivations with certainty. She also talks about her years breaking into theatre at Harvard, alongside other students like John Lithgow and Tommy Lee Jones, and her subsequent work around Boston before coming to New York and getting her increasingly bigger break in the Broadway musical “Two Gentlemen of Verona”, which also began her association with John Guare; her years in Los Angeles, including a film gig she did simply because she needed money, namely “Grease”; her return to the stage in successive productions of “A Day in the Death of Joe Egg” at Williamstown, Long Wharf, Roundabout and finally Broadway; being given the opportunity to choose between playing Bunny and Bananas in the Lincoln Center Theatre revival of “The House of Blue Leaves”; how it felt, as a native Upper East Side New Yorker, playing an Upper East Side New Yorker in “Six Degrees of Separation”, and how her performance had to change when she acted in the film version; whether she knew how divided response would be to Guare's “Four Baboons Adoring the Sun”; why she wasn't daunted about stepping into the shoes of Rosemary Harris or Katharine Hepburn for “The Lion in Winter” in 1999 -- and what about doing the show did give her pause; what it was like to do “Pal Joey”, her first musical in over two decades (having previously followed Liza Minnelli into “The Rink”); and how she approached the role of Lady Bracknell in “The Importance of Being Earnest” for a production at the Gaiety Theatre in Dublin, Ireland last year.

ATW - Downstage Center
Stockard Channing (#305) - February, 2011

ATW - Downstage Center

Play Episode Listen Later Feb 2, 2011 63:53


Stockard Channing discusses her work in Jon Robin Baitz's new play "Other Desert Cities", acknowledging the ambiguity of the character for the audience and explaining whether she has defined her character's secret motivations with certainty. She also talks about her years breaking into theatre at Harvard, alongside other students like John Lithgow and Tommy Lee Jones, and her subsequent work around Boston before coming to New York and getting her increasingly bigger break in the Broadway musical "Two Gentlemen of Verona", which also began her association with John Guare; her years in Los Angeles, including a film gig she did simply because she needed money, namely "Grease"; her return to the stage in successive productions of "A Day in the Death of Joe Egg" at Williamstown, Long Wharf, Roundabout and finally Broadway; being given the opportunity to choose between playing Bunny and Bananas in the Lincoln Center Theatre revival of "The House of Blue Leaves"; how it felt, as a native Upper East Side New Yorker, playing an Upper East Side New Yorker in "Six Degrees of Separation", and how her performance had to change when she acted in the film version; whether she knew how divided response would be to Guare's "Four Baboons Adoring the Sun"; why she wasn't daunted about stepping into the shoes of Rosemary Harris or Katharine Hepburn for "The Lion in Winter" in 1999 -- and what about doing the show did give her pause; what it was like to do "Pal Joey", her first musical in over two decades (having previously followed Liza Minnelli into "The Rink"); and how she approached the role of Lady Bracknell in "The Importance of Being Earnest" for a production at the Gaiety Theatre in Dublin, Ireland last year. Original air date - February 2, 2011.

ATW - Downstage Center
Stockard Channing (#305) - February, 2011

ATW - Downstage Center

Play Episode Listen Later Feb 2, 2011 63:53


Stockard Channing discusses her work in Jon Robin Baitz's new play "Other Desert Cities", acknowledging the ambiguity of the character for the audience and explaining whether she has defined her character's secret motivations with certainty. She also talks about her years breaking into theatre at Harvard, alongside other students like John Lithgow and Tommy Lee Jones, and her subsequent work around Boston before coming to New York and getting her increasingly bigger break in the Broadway musical "Two Gentlemen of Verona", which also began her association with John Guare; her years in Los Angeles, including a film gig she did simply because she needed money, namely "Grease"; her return to the stage in successive productions of "A Day in the Death of Joe Egg" at Williamstown, Long Wharf, Roundabout and finally Broadway; being given the opportunity to choose between playing Bunny and Bananas in the Lincoln Center Theatre revival of "The House of Blue Leaves"; how it felt, as a native Upper East Side New Yorker, playing an Upper East Side New Yorker in "Six Degrees of Separation", and how her performance had to change when she acted in the film version; whether she knew how divided response would be to Guare's "Four Baboons Adoring the Sun"; why she wasn't daunted about stepping into the shoes of Rosemary Harris or Katharine Hepburn for "The Lion in Winter" in 1999 -- and what about doing the show did give her pause; what it was like to do "Pal Joey", her first musical in over two decades (having previously followed Liza Minnelli into "The Rink"); and how she approached the role of Lady Bracknell in "The Importance of Being Earnest" for a production at the Gaiety Theatre in Dublin, Ireland last year. Original air date - February 2, 2011.

ATW - Downstage Center
Jerry Zaks (#279) - July, 2010

ATW - Downstage Center

Play Episode Listen Later Jul 28, 2010 62:46


Veteran director Jerry Zaks talks about his role as Creative Consultant on "The Addams Family" since joining the production after its opening in Chicago and the work he has planned for "Sister Act" as a result of seeing its current London staging. He also talks about his introduction to theatre while a student at Dartmouth; his early years as an actor in productions including "Grease" and "Tintypes"; his role in the founding of Ensemble Studio Theatre; finding Christopher Durang's "Sister Mary Ignatius" and why a nice Jewish boy was drawn to a play about a nun; how he fully made the shift from acting to directing; his relationships with playwrights Durang ("Beyond Therapy", "Baby With the Bathwater", "The Marriage of Bette and Boo"), Larry Shue ("The Foreigner", "Wenceslas Square") and John Guare ("The House of Blue Leaves", "Six Degrees of Separation"); how he approached productions of such revered classics as "Guys and Dolls" and "Anything Goes"; why he likens his relationship with actor Nathan Lane to that of orchestra conductor and concertmaster; his plans for the new revue of Randy Newman songs "Harps and Angels"; and why he's always hoping to provide his audience with an "ecstatic experience." Original air date - July 28, 2010.

Tony Award Winners on Downstage Center
Jerry Zaks (#279) - July, 2010

Tony Award Winners on Downstage Center

Play Episode Listen Later Jul 28, 2010 62:46


Veteran director Jerry Zaks (Tony Award winner for Best Direction of a Play in 1986 for “The House of Blue Leaves”, in 1989 for “Lend Me a Tenor”, and in 1991 for “Six Degrees of Separation”; 1992 Tony Award winner for Best Direction of a Musical for “Guys and Dolls”) talks about his role as Creative Consultant on “The Addams Family” since joining the production after its opening in Chicago and the work he has planned for “Sister Act” as a result of seeing its current London staging. He also talks about his introduction to theatre while a student at Dartmouth; his early years as an actor in productions including “Grease” and “Tintypes”; his role in the founding of Ensemble Studio Theatre; finding Christopher Durang's “Sister Mary Ignatius” and why a nice Jewish boy was drawn to a play about a nun; how he fully made the shift from acting to directing; his relationships with playwrights Durang (“Beyond Therapy”, “Baby With the Bathwater”, “The Marriage of Bette and Boo”), Larry Shue (“The Foreigner”, “Wenceslas Square”) and John Guare (“The House of Blue Leaves”, “Six Degrees of Separation”); how he approached productions of such revered classics as “Guys and Dolls” and “Anything Goes”; why he likens his relationship with actor Nathan Lane to that of orchestra conductor and concertmaster; his plans for the new revue of Randy Newman songs “Harps and Angels”; and why he's always hoping to provide his audience with an "ecstatic experience.

ATW - Downstage Center
Jerry Zaks (#279) - July, 2010

ATW - Downstage Center

Play Episode Listen Later Jul 28, 2010 62:46


Veteran director Jerry Zaks talks about his role as Creative Consultant on "The Addams Family" since joining the production after its opening in Chicago and the work he has planned for "Sister Act" as a result of seeing its current London staging. He also talks about his introduction to theatre while a student at Dartmouth; his early years as an actor in productions including "Grease" and "Tintypes"; his role in the founding of Ensemble Studio Theatre; finding Christopher Durang's "Sister Mary Ignatius" and why a nice Jewish boy was drawn to a play about a nun; how he fully made the shift from acting to directing; his relationships with playwrights Durang ("Beyond Therapy", "Baby With the Bathwater", "The Marriage of Bette and Boo"), Larry Shue ("The Foreigner", "Wenceslas Square") and John Guare ("The House of Blue Leaves", "Six Degrees of Separation"); how he approached productions of such revered classics as "Guys and Dolls" and "Anything Goes"; why he likens his relationship with actor Nathan Lane to that of orchestra conductor and concertmaster; his plans for the new revue of Randy Newman songs "Harps and Angels"; and why he's always hoping to provide his audience with an "ecstatic experience." Original air date - July 28, 2010.

Tony Award Winners on Working In The Theatre
Performance - September, 1986

Tony Award Winners on Working In The Theatre

Play Episode Listen Later May 17, 2010 90:00


The panel of performers -- Vondie Curtis-Hall (Raisin In The Sun), Ossie Davis (I'm Not Rappaport), Swoosie Kurtz (1981 Featured Actress Tony for Fifth of July and 1986 Featured Actress Tony for the original production of The House of Blue Leaves), Jean Stapleton (Arsenic and Old Lace, and Loretta Swit (The Mystery of Edwin Drood) -- discuss how they got started in the business, Stapleton's experience working at the Stage Door Canteen and attending the American Theatre Wing school, how dance training contributes to overall performance, working with agents and experiences with typecasting, and balancing a film and television career with stage work.

ATW - Working In The Theatre
Performance - September, 1986

ATW - Working In The Theatre

Play Episode Listen Later May 17, 2010 90:00


The panel of performers - Vondie Curtis-Hall ("Raisin In The Sun"), Ossie Davis ("I'm Not Rappaport"), Swoosie Kurtz ("The House of Blue Leaves"), Jean Stapleton ("Arsenic and Old Lace", and Loretta Swit ("The Mystery of Edwin Drood") - discuss how they got started in the business, Stapleton's experience working at the Stage Door Canteen and attending the American Theatre Wing school, how dance training contributes to overall performance, working with agents and experiences with typecasting, and balancing a film and television career with stage work.

ATW - Working In The Theatre
Production: House Of Blue Leaves - September, 1986

ATW - Working In The Theatre

Play Episode Listen Later Apr 26, 2010 90:00


The producing team of the 1986 Tony-nominated play "The House of Blue Leaves" - press representative Merle Debuskey, executive producer Bernard Gersten, playwright John Guare, advertising representative James Russek, and director Jerry Zaks - discuss how they came to work on this mid-1960's domestic comedy at Lincoln Center Theatre, first in the off-Broadway Mitzi E. Newhouse Theater, then transferring to the much larger Vivian Beaumont Theatre which presented its own challenges, eventually moving to the Plymouth Theatre on Broadway; the economics of producing, subscriber base, and ticket prices at a not-for-profit theater; finding key designers; casting sessions, working with strong actors, and maintaining quality performances in an extended run.

Tony Award Winners on Working In The Theatre
Production: House Of Blue Leaves - September, 1986

Tony Award Winners on Working In The Theatre

Play Episode Listen Later Apr 26, 2010 90:00


The producing team of the 1986 Tony-nominated play The House of Blue Leaves -- press representative Merle Debuskey, executive producer Bernard Gersten (whose tenure as Executive Producer of Lincoln Center Theater has scored them numerous Tony Awards including the recent revival of South Pacific, Coast of Utopia and Contact), playwright John Guare (Sweet Smell of Success and Tony Winner for the 1972 musical version of Two Gentlemen of Verona), advertising representative James Russek, and director Jerry Zaks (Tony Award winner for Best Direction in 1986 for The House of Blue Leaves, 1989 for Lend Me a Tenor, 1991 for Six Degrees of Separation and 1992 for Guys and Dolls) -- discuss how they came to work on this mid-1960's domestic comedy at Lincoln Center Theatre, first in the off-Broadway Mitzi E. Newhouse Theater, then transferring to the much larger Vivian Beaumont Theatre which presented its own challenges, eventually moving to the Plymouth Theatre on Broadway; the economics of producing, subscriber base, and ticket prices at a not-for-profit theater; finding key designers; casting sessions, working with strong actors, and maintaining quality performances in an extended run.

Tony Award Winners on Working In The Theatre

The design panel -- lighting designer Beverly Emmons, costume designer Ann Hould-Ward (Tony Award for Beauty and the Beast), and scenic designers David Schulder and Tony Walton (Tony Award winner for, among others, Pippin, the original House of Blue Leaves and 1992’s revival of Guys and Dolls) -- and co-moderater lighting designer Jules Fisher (seven-time Tony Award winner for, among others, Pippin, Chicago, Dancin’ and Jelly’s Last Jam) -- talk about where they studied their craft, how the props can overlap with costuming, how lighting design has evolved, the Ridiculous Theatrical Company's production of Movieland, and a demonstration of Gary Beach's costume from Beauty and the Beast.

ATW - SDCF Masters of the Stage

Just two months after the opening of his Tony Award winning production of "The House of Blue Leaves", Director Jerry Zaks spoke to a packed house at Westside Arts Theater in the first installment of SDCF's three part "Directing for Comedy" lecture series, in July of 1986. One of America's greatest Directors of comedy opens up his process for the audience, taking us step by step from his first read of a script through the perils of keeping comedy fresh over a prolonged run of a show. He expresses his affinity for what he calls "crafted comedy", or moments that he has choreographed meticulously. When explaining the intangible quality of comedic timing, Mr. Zaks teaches us that comedy, by nature, is musical and that the actors he most enjoys working with are comfortable playing within the structure of its strict beat and measure. Above all, he expresses his love for "rich comedy", which he defines as comedy that is always grounded in recognizable human conditions and contains a basic understanding of human needs. As a director who has given us time and again funny, moving and meaningful plays, Jerry Zaks puts in to words the humor inherent to the Human condition, and the importance of connecting intimately to it through theatre.

Tony Award Winners on Working In The Theatre

The five performers -- Matthew Broderick (two-time Tony winner for Brighton Beach Memoirs and How to Succeed in Business without Really Trying), Kathleen Chalfant (Wit), Brian Dennehy (Inherit the Wind and a Tony Award for Death of a Salesman), Elizabeth Franz (1999 Tony Award for her featured role in Death of a Salesman), and Swoosie Kurtz (1981 Featured Actress Tony for Fifth of July and 1986 Featured Actress Tony for the original production of The House of Blue Leaves) -- discuss their current and past acting roles, how research and real life experience shapes one's portrayal of a character, how the audience completes the performance equation, stage versus film work, and where they started their performing careers.

ATW - Working In The Theatre
Design - September, 1999

ATW - Working In The Theatre

Play Episode Listen Later Feb 13, 2008 90:00


This broad panel of designers - lighting designer Michael Chybowski ("Moby Dick and Other Stories", "Wit"), scenic designer David Hays, sound designer Abe Jacob ("Pippin", "Evita"), special effects designer Greg Meeh ("Phantom of the Opera", "Miss Saigon", Cirque du Soleil) and costume designer Ann Roth ("Crucifer of Blood", "The Royal Family", "The House of Blue Leaves") -- discuss their purpose and accomplishments, collaborating with a production's creative team, apprentices and learning through hands-on experience, and the increase of sound and light levels over time.

Tony Award Winners on Working In The Theatre

This broad panel of designers -- lighting designer Michael Chybowski (Moby Dick and Other Stories, Wit), scenic designer David Hays, sound designer Abe Jacob (Pippin, Evita), special effects designer Greg Meeh (Phantom of the Opera, Miss Saigon, Cirque du Soleil) and costume designer Ann Roth (Crucifer of Blood, The Royal Family, The House of Blue Leaves) -- discuss their purpose and accomplishments, collaborating with a production's creative team, apprentices and learning through hands-on experience, and the increase of sound and light levels over time.

Tony Award Winners on Downstage Center
Tony Walton (#183) - January, 2008

Tony Award Winners on Downstage Center

Play Episode Listen Later Jan 7, 2008 63:02


Designer turned director Tony Walton (Tony Award winner for designing, among others, Pippin, the 1986 House of Blue Leaves and 1992 of Guys and Dolls) talks about his work directing the plays of George Bernard Shaw, Oscar Wilde and Noel Coward for New York's Irish Repertory Theatre; considers how his work as a designer influences his work as a director -- and vice versa; remembers his earliest days both at art school in England and as a fledgling designer in the U.S.; recounts anecdotes from his first major Broadway success, A Funny Thing Happened on the Way to the Forum, including a tension filled encounter between star Zero Mostel and show doctor Jerome Robbins; and shares stories about his work with such varied artists and collaborators as George Abbott, Bob Fosse, Boris Aronson, Stephen Sondheim, Mike Nichols -- and even Michael Jackson and Winnie-the-Pooh.

Tony Award Winners on Working In The Theatre

The panelists -- lighting designer Ken Billington (Tony winner for Chicago in 1997), costume and set designer Robert Jones, five time Tony-winning costume designer William Ivey Long, scenery designer Thomas Lynch, costume and scenery designer Tony Walton (Tony Award winner for, among others, Pippin, the original House of Blue Leaves and 1992’s revival of Guys and Dolls), and costume designer David C. Woolard -- discuss the fields of study that led them to design; perceptible styles; the design of Six Degrees of Separation; how actors are effected by design details; how lighting influences audience reaction; contemporary audiences' expectations for brighter, quicker-moving shows; and creating The Yellow Dress in Contact through costume and lighting.

ATW - Downstage Center
John Mahoney (#145) April, 2007

ATW - Downstage Center

Play Episode Listen Later Apr 9, 2007 61:44


John Mahoney talks about returning to Broadway after a 20-year hiatus in the Roundabout Theatre production of "Prelude to a Kiss", including why he had to be conscious of not making his stage role of The Old Man reminiscent of his long-running TV role as "Frasier"'s father; recounts the story of his emigration to America from Manchester, England and how, at age 37, he suddenly decided to take up acting; recalls his early stage work with the St. Nicholas Theatre and being invited by John Malkovich to join the now-celebrated Steppenwolf Theatre ensemble; explains why he declined to travel to New York with Steppenwolf's productions of "And a Nightingale Sang" and "Balm in Gilead"; and remembers his breakthrough performances in "Orphans" and "The House of Blue Leaves", the latter his first major show outside of his Chicago theatre family. Original air date – April 6, 2007.

ATW - Downstage Center
John Mahoney (#145) April, 2007

ATW - Downstage Center

Play Episode Listen Later Apr 9, 2007 61:44


John Mahoney talks about returning to Broadway after a 20-year hiatus in the Roundabout Theatre production of "Prelude to a Kiss", including why he had to be conscious of not making his stage role of The Old Man reminiscent of his long-running TV role as "Frasier"'s father; recounts the story of his emigration to America from Manchester, England and how, at age 37, he suddenly decided to take up acting; recalls his early stage work with the St. Nicholas Theatre and being invited by John Malkovich to join the now-celebrated Steppenwolf Theatre ensemble; explains why he declined to travel to New York with Steppenwolf's productions of "And a Nightingale Sang" and "Balm in Gilead"; and remembers his breakthrough performances in "Orphans" and "The House of Blue Leaves", the latter his first major show outside of his Chicago theatre family. Original air date – April 6, 2007.

Tony Award Winners on Downstage Center
John Mahoney (#145) April, 2007

Tony Award Winners on Downstage Center

Play Episode Listen Later Apr 9, 2007 61:44


John Mahoney (Tony winner for The House of Blue Leaves in 1986) talks about returning to Broadway after a 20-year hiatus in the Roundabout Theatre production of Prelude to a Kiss, including why he had to be conscious of not making his stage role of The Old Man reminiscent of his long-running TV role as Frasier's father; recounts the story of his emigration to America from Manchester, England and how, at age 37, he suddenly decided to take up acting; recalls his early stage work with the St. Nicholas Theatre and being invited by John Malkovich to join the now-celebrated Steppenwolf Theatre ensemble; explains why he declined to travel to New York with Steppenwolf's productions of And a Nightingale Sang and Balm in Gilead; and remembers his breakthrough performances in Orphans and The House of Blue Leaves, the latter his first major show outside of his Chicago theatre family.

Tony Award Winners on Working In The Theatre
Performance - September, 2003

Tony Award Winners on Working In The Theatre

Play Episode Listen Later Mar 16, 2007 90:00


Tovah Feldshuh (Golda's Balcony), Marc Kudisch (Thoroughly Modern Millie), Swoosie Kurtz (Tony winner for Fifth of July and original The House of Blue Leaves), Rebecca Luker (Nine), Denis O'Hare (Take Me Out for which he won a Tony Award) and Lewis J. Stadlen (The Producers) come together in this interview to talk about their careers -- both on Broadway and around the country -- covering a variety of topics, including the challenge of playing real people and ""capturing their essence,"" the effect of typecasting, the value of acting teachers, and how in performance they relate to their audiences.

Tony Award Winners on Working In The Theatre
Leading Ladies - December, 2006

Tony Award Winners on Working In The Theatre

Play Episode Listen Later Jan 16, 2007 60:00


"Leading Ladies" and Tony Award winners Blair Brown (Best Featured Actress Tony Award for Copenhagen in 2000), Blythe Danner (1970 Tony Award for Butterflies Are Free), Swoosie Kurtz (1981 Featured Actress Tony for Fifth of July and 1986 Featured Actress Tony for The House of Blue Leaves) and Julie White (2007 Tony Award for her performance in The Little Dog Laughed) share their thoughts on their careers on stage, from the difference between working in plays and musicals, to whether they still audition for roles, to the experience of working with living playwrights -- and whether they feel they ever have any power on a production.

Tony Award Winners on Downstage Center
Swoosie Kurtz (#124) October, 2006

Tony Award Winners on Downstage Center

Play Episode Listen Later Oct 31, 2006 48:21


Swoosie Kurtz talks about tackling her first role in a play by George Bernard Shaw in "Heartbreak House"; how she went from Air Force brat to the only American student at the London Academy of Music and Dramatic Art; her major stage appearances in the original "Uncommon Women and Others", "Fifth of July" and "The House of Blue Leaves"; and why she personally raised $250,000 to insure that "Frozen" made the leap to Broadway. Original air date - October 27, 2006.

ATW - Downstage Center
Swoosie Kurtz (#124) October, 2006

ATW - Downstage Center

Play Episode Listen Later Oct 31, 2006 48:21


Swoosie Kurtz talks about tackling her first role in a play by George Bernard Shaw in "Heartbreak House"; how she went from Air Force brat to the only American student at the London Academy of Music and Dramatic Art; her major stage appearances in the original "Uncommon Women and Others", "Fifth of July" and "The House of Blue Leaves"; and why she personally raised $250,000 to insure that "Frozen" made the leap to Broadway. Original air date - October 27, 2006.

ATW - Downstage Center
Swoosie Kurtz (#124) October, 2006

ATW - Downstage Center

Play Episode Listen Later Oct 31, 2006 48:21


Swoosie Kurtz talks about tackling her first role in a play by George Bernard Shaw in "Heartbreak House"; how she went from Air Force brat to the only American student at the London Academy of Music and Dramatic Art; her major stage appearances in the original "Uncommon Women and Others", "Fifth of July" and "The House of Blue Leaves"; and why she personally raised $250,000 to insure that "Frozen" made the leap to Broadway. Original air date - October 27, 2006.