Podcasts about The Public Theater

Oskar Eustis is a theater director, dramaturg, and the current Artistic Director of the renowned Public Theater in New York City. Throughout his career, Oskar Eustis has been dedicated to making the theater more accessible, uplifting new voices in playwriting, and the development of new plays in addition to directing and producing the classics. Among the productions he has helped bring to life are “Angels in America” and the Tony-winning “Hamilton”. Oskar Eustis has worked as a director, dramaturg, and artistic director for theaters around the United States. He has also produced and directed Shakespeare productions nationwide, notably The Public Theater’s annual (and free) Shakespeare in the Park at the Delacorte Theater in Central Park. He is a professor of dramatic writing and arts and public policy at New York University and has held professorships at UCLA, Middlebury College and Brown University, where he founded and chaired the Trinity Rep/Brown University consortium for professional theater training.See omnystudio.com/listener for privacy information.

Joy Huerta and Benjamin Velez might come from very different musical worlds — Latin pop and musical theatre — but their collaboration on Real Women Have Curves proves just how powerful a cross-genre partnership can be. Meeting for the first time over Zoom in the middle of the pandemic, these two composers built trust, respect, and a Tony-nominated Broadway score entirely online before ever meeting in person. In this episode, they share how they developed unique musical identities for each character, the surprising ways their backgrounds complemented each other, and why their creative process was built on laughter, voice memos, and a lot of mutual admiration. They also open up about the challenges of adaptation, the emotional toll of cutting songs, and the magic of writing a show that celebrates culture, womanhood, and resilience. Joy discusses her transition from pop music to theatre and how it expanded her creative vocabulary, while Benjamin talks about learning to let go of perfection and embrace joyful collaboration. Plus, the duo reflects on what it means to be “activated” — a word you'll never hear the same way again after this conversation. Joy Huerta is a Grammy Award-winning singer-songwriter, best known as one half of the internationally acclaimed Latin pop duo Jesse & Joy. Benjamin Velez is an ASCAP award-winning composer whose work has been developed by Lincoln Center Theater, Ars Nova, and the Public Theater. Together, they co-composed the original Broadway score for Real Women Have Curves, now playing at the James Earl Jones Theatre. Connect with Joy and Benjamin: Joy Huerta: @joy Benjamin Velez: @benjaminvelezmusic Benjamin's Website: benjaminvelez.com Cast album out June 6! Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's episode I sit down with the joyful and supremely talented Xavier Pacheco. We discuss everything from his time at MCC and the Public to his DEEP love for Muhlenberg College.....If you're looking for handmade wooden home decor then my Etsy shop is perfect for you! For a look at my catalog go to: JohnMadWoodworking.Etsy.com You can find more info about my work as an actor and voiceover artist on my website at: www.johnmaddaloni.com Rate and Subscribe to my show on Apple Podcast, Spotify or wherever you're listening to this podcast!Support the show

Today, I'm thrilled to announce my episode with producer Jenny Gersten, who was recently named the new VP and Artistic Director of Musical Theater at City Center. Tune in to hear some of the stories of her legendary career, including how Anne Kauffman and Lear DeBessonet brought her on board at City Center, the true mission of the Encores! series, what she looks for in a potential revival, the challenges of massively reworking a show, her experience running the Williamstown Theater Festival after the pandemic, how changing venues affected the experience of the Festival, how she ended up having the same job as her father at the Public Theater, how transferring a show to Broadway has changed since A CHORUS LINE, how the revival of HAIR transferred to Broadway, developing the marketing strategy for BEETLEJUICE, how they made the off-Broadway revival of SWEENEY TODD financially viable, finding the audience for JUST FOR US using digital marketing, designing the Perelman Arts Center, and so much more. Don't miss this in-depth conversation with one of Broadway's most important creative minds.

Welcome to this Inwood Art Works On Air podcast artist spotlight episode featuring playwright and TV writer, Monet Hurst-Mendoza. Monet Hurst-Mendoza is from Los Angeles and lives in Inwood, NYC. Her plays have been developed with The Alley Theater, Rising Circle Theater Collective, Astoria Performing Arts Center, WP Theater, The Public Theater, Institute of Contemporary Art Boston, Westport Country Playhouse, and Long Wharf Theatre. Monet was a writer/producer for seasons 21-24 of "Law and Order: SVU,” is a 2025 NYSCA Artist Grantee, and a proud member of The Kilroys, The Dramatist Guild, and WGAE.

Ryan J. Haddad is an actor and playwright whose work across theater and television consistently challenges outdated narratives around disability, queerness and identity. He made a striking Off-Broadway playwriting debut with “Dark Disabled Stories” at The Public Theater, which enjoyed a sold-out, extended run and earned him the Obie Award for Best New American Play. His autobiographical solo show “Hi, Are You Single?” has become a defining part of his artistic voice, touring nationally and earning critical acclaim. Ryan's television credits include memorable appearances on Hulu's “A Murder at the End of the World” and Netflix's “The Politician.”In addition to performing, Haddad is a dedicated writer and access advocate. His essays have appeared in The New York Times and Out Magazine, and he is a contributor to the anthology “Disability Intimacy,” curated by Alice Wong. His creative work and activism have earned him a Drama Desk Award, a Paula Vogel Playwriting Award from Vineyard Theatre and a Disability Futures Fellowship. He is also a proud alum of the Public Theater's Emerging Writers Group.In this interview, conducted just a few days before he premiered his latest solo piece, “Hold Me in the Water,” at Playwrights Horizons in New York City, Ryan reflects on the pivotal experiences that shaped his journey as an artist, from performing fairy tales in his childhood living room to commanding major stages and screens. He speaks candidly about navigating the entertainment industry as a gay man with cerebral palsy, building a career on his own terms and advocating for authentic representation and accessibility in the arts.https://www.ryanjhaddad.com/https://www.playwrightshorizons.org/about/production-history/2020s/2425-season/hold-me-in-the-water

A hit like Hamilton can come from nowhere while a sure bet can lose $20 million in a flash. We speak with some of the biggest producers in the game — Sonia Friedman, Jeffrey Seller, Hal Luftig — and learn that there is only one guarantee: the theater owners always win. (Part two of a three-part series.) SOURCES:Debby Buchholz, managing director of La Jolla Playhouse.Sonia Friedman, Broadway producer.Rocco Landesman, Broadway producer, former owner of Jujamcyn Theaters, former chairman of the National Endowment for the Arts.Hal Luftig, Broadway producer.Luis Miranda Jr., political strategist, founding president of the Hispanic Federation, the Northern Manhattan Arts Alliance, Viva Broadway, and The Public Theater.Michael Rushton, professor of arts administration at Indiana University.Jeffrey Seller, Broadway producer.Richard Winkler, Broadway producer.Stacy Wolf, professor of theater at Princeton University. RESOURCES:Theater Kid: A Broadway Memoir, by Jeffrey Seller (2025).Relentless: My Story of the Latino Spirit That Is Transforming America, by Luis Miranda Jr. (2024).Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America, by Stacy Wolf (2019)."‘Hamilton' Inc.: The Path to a Billion-Dollar Broadway Show," by Michael Paulson and David Gelles (New York Times, 2016)."On the Performing Arts: The Anatomy of Their Economic Problems," by W.J. Baumol and W.G. Bowen (The American Economic Review, 1965). EXTRAS:“How to Make the Coolest Show on Broadway,” by Freakonomics Radio (2024).“You Can Make a Killing, but Not a Living,” by Freakonomics Radio (2024).

Kicking off the Season 2 premiere with the ASTOUNDINGLY talented Jennifer Mogbock! We discuss everything from her historic Public Theatre debut in Merry Wives to being an ACOTAR girl.If you're looking for handmade wooden home decor then my Etsy shop is perfect for you! For a look at my catalog go to: JohnMadWoodworking.Etsy.com You can find more info about my work as an actor and voiceover artist on my website at: www.johnmaddaloni.com Be sure to follow/subscribe and rate the podcast wherever you're streaming it!Support the show

pWotD Episode 2892: Val Kilmer Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 3,981,188 views on Wednesday, 2 April 2025 our article of the day is Val Kilmer.Val Edward Kilmer (December 31, 1959 – April 1, 2025) was an American actor. Initially a stage actor, he later found fame as a leading man in films in a wide variety of genres including comedies, dramas, action adventures, westerns, historical films, crime dramas, science-fiction films, and fantasy films. Films in which Kilmer appeared grossed more than $3.8 billion worldwide. In 1992, film critic Roger Ebert remarked, "if there is an award for the most unsung leading man of his generation, Kilmer should get it."Kilmer started his film career in the comedy films Top Secret! (1984) and Real Genius (1985), before transitioning to dramatic films. He rose to prominence for playing Iceman in Top Gun (1986), Jim Morrison in The Doors (1991), Doc Holliday in Tombstone (1993), and Batman / Bruce Wayne in Batman Forever (1995). He also gained acclaim for his roles in Willow (1988), True Romance (1993) and Heat (1995). His later film roles include in The Island of Dr. Moreau (1996), The Ghost and the Darkness (1996), The Saint (1997), The Prince of Egypt (1998), Alexander (2004), Kiss Kiss Bang Bang (2005), Déjà Vu (2006), and The Snowman (2017). Kilmer made his final film appearance in Top Gun: Maverick (2022), reprising his role from the original film.On stage, Kilmer made his Broadway debut acting in the John Byrne working class play The Slab Boys (1983). He also acted in productions of William Shakespeare's history play Henry IV, Part 1 (1981) and in the John Ford tragedy 'Tis Pity She's a Whore (1992) both at The Public Theater. He portrayed Mark Twain in a one-man show he had written entitled, Citizen Twain in a 2012 production in Los Angeles.In 2015, Kilmer was diagnosed with throat cancer. He subsequently underwent a tracheal procedure that damaged his vocal cords, leaving him with severe difficulty speaking. He also underwent chemotherapy and two tracheotomies, and died of pneumonia in 2025. He released his memoir, I'm Your Huckleberry: A Memoir (2020), and the documentary Val (2021), both of which detail struggles over his health and career.This recording reflects the Wikipedia text as of 10:34 UTC on Thursday, 3 April 2025.For the full current version of the article, see Val Kilmer on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Ivy.

Today, I'm thrilled to announce my episode with Tony winning actress Miriam Silverman, who is currently starring in DEEP BLUE SOUND at the Public Theater. Tune in to hear some of the stories of her legendary career, including her long journey with THE SIGN IN SIDNEY BRUSTEIN'S WINDOW, how her birth appeared on national television, choosing between JUNK and MARY JANE, meeting her husband on AWAKE AND SING, balancing being a mother and being an actress, her long collaboration with Anne Kauffmann, developing CULT OF LOVE, her work as a teacher, and so much more. You won't want to miss this open conversation with one of Broadway's best performers.

This episode we are joined by artist Solea Pfeiffer!  Solea is currently starring as Satine in Moulin Rouge on Broadway, which she is great in- 10 out of 10 highly recommend!  Her other Broadway credits include Hadestown and Almost Famous, where she made her Broadway debut.  Her other credits include Gatsby at A.R.T., Evita and Songs For a New World at City Center, Hamlet with The Public Theater's Shakespeare in the Park, The Light in the Piazza, West Side Story at the Hollywood Bowl, and the film A Jazzman's Blues.  We speak with Solea about her the meaning behind her motto "Fuck Um" and how that's helped her throughout her career, allowing herself to let opportunities to come to her, how "artists should be given the permission to be imperfect without judgment" and much more!Solea will also be performing at Café Carlyle April 24th, 25th, and 26th.  Make sure to get your tickets! 

MAKE IT BIG. NO BIGGER—Paula Scher is not really a “magazine person.”But if you ever needed evidence of the value of what we like to call “magazine thinking,” look no further than Pentagram, the world's most influential design firm. The studio boasts a roster of partners whose work is rooted in magazine design: Colin Forbes, David Hillman, Kit Hinrichs, Luke Hayman, DJ Stout, Abbott Miller, Matt Willey, and, yes, today's guest.Paula has been a Pentagram partner since 1991. She's an Art Director's Club Hall of Famer—and AIGA Medalist. She has shaped the visual landscape for iconic brands—Coca-Cola, Citibank, Tiffany, and Shake Shack—always with her instinctive understanding of how typography, design, and storytelling come together.In other words, she plays the same game we do.In 1993, Paula collaborated with Janet Froelich on a redesign of The New York Times Magazine and built a platform for pioneering editorial innovation that continues to this day. In 1995, she helped me break down Fast Company's editorial mission, in her own distinctively reductive way: “It's about the ideas, not the people,” she said. It was a game-changer.But Paula isn't just a design legend—she's also a complete badass.Starting out at a time when the industry was still predominantly male, Paula carved out space for herself by fighting for it. Her work at CBS and Atlantic Records redefined album cover design. Later, her rebranding for cultural institutions like The Public Theater and the Museum of Modern Art helped cement the importance of an unforgettable identity system for any organization.And, as a longtime educator at New York's School of Visual Arts, Paula has molded generations of designers who have gone on to shape the industry in their own ways—including our very own Debra Bishop.We spoke to Paula upon the launch of her new, 500-plus page monograph, Paula Scher: Works.—This episode is made possible by our friends at Commercial Type and Freeport Press. Print Is Dead (Long Live Print!) is a production of Magazeum LLC ©2021–2025

Today, I'm thrilled to announce my interview with Tony winner Kelly Bishop, whose memoir The Third Gilmore Girl is now out from Gallery Books. Tune in to hear some of the stories of her legendary career, including how A CHORUS LINE changed the trajectory of musical theater, how she ended up taking over for Stockard Channing in SIX DEGREES OF SEPARATION, how dying her hair led to her Broadway debut in GOLDEN RAINBOW, why she didn't prepare a Tonys acceptance speech, the miscasting that took place in ON THE TOWN, why PROPOSALS was a disappointing experience, breaking the fire code at the Public Theater, getting put into THE LAST NIGHT OF BALLYHOO, standing up to the creative team during RACHAEL LILY ROSENBLOOM…, why she loved her role in BECKY SHAW, going on the road with IRENE, and more. You won't want to miss this interview with one of stage and screen's best actresses.

A look at the highs and lows of adaptations, plus interviews with Chuck Wilts from UNA Productions and Oskar Eustis from New York's Public Theatre   In this week's episode of the OnStage Colorado Podcast, hosts Alex Miller and Toni Tresca run down what's on stage around the state now and coming up in the next few weeks. Our main topic this week is adaptations — screen to stage or stage to screen. After seeing the production of Back to the Future: The Musical at the Denver Center recently, we were inspired to look back on adapations that worked and some … not so much.   Later in the episode, Alex has two separate interviews related to the University of Colorado at Colorado Springs Cabaret Club series. The first is with drag performer and choreographer Chuck Wilts, who will appear at the ENT Center over Valentine's Day Weekend in a production called Infinity. The other Cabaret Club production, The Forgotten Arm, is already past, but it was a fascinating conversation with Oskar Eustis. In addition to directing this work in progress, Eustis has been the artistic director at New York's Public Theater for 20 years, so he goes into some of that fascinating experience.  And we also review our weekly Top 10 Colorado Headliners — shows coming up we think you might want to check out. Here's this week's list:  Oklahoma!, Candlelight Dinner Playhouse, Johnstown, Jan. 23-March 30 Morning After Grace, Miners Alley Performing Arts Center, Golden, Jan. 24-March 2 Rainbow Cult Presents: Wizard of Oz, Meow Wolf, Denver, Jan. 28 The Mariposa Collective Presents Momentum, Dairy Arts Center, Boulder, Jan. 31-Feb. 2 Casanova, Ellie Caulkins Opera House, Denver, Jan. 31-Feb. 9 The Heart Sellers, ENT Center Colorado Springs, Jan. 30-Feb. 16 We're Still Here, Empathy Jam at Boulder Dairy Center, Jan. 24-Feb. 9 Gee's Bend, Aurora Fox, Jan. 31-Feb. 23 Hope and Gravity, BETC, Jan. 23-Feb. 6 at Savoy Denver; Feb 21-23 at Nomad Playhouse in Boulder Monthly Women's Open Mic, Junkyard Social, Boulder, Feb. 2    Chapters 00:00 Introduction to the Podcast and Recent Shows 06:37 Exploring 'The Reservoir' by Jake Brash 13:43 A Unique Take on 'Jane Eyre' 20:47 Theater Events in Vail and Community Engagement 26:40 Discussion on 'A Case for the Existence of God' 28:37 Main Topic: Adaptations Between Stage and Screen 29:00 Back to the Future: A Musical Disappointment 30:46 The Nature of Adaptations in Theater 33:44 Successful Stage-to-Screen Adaptations 36:06 The Flops: Failed Adaptations 38:28 Screen-to-Stage Adaptations: The Good and the Bad 43:34 Back to the Future: A Deeper Dive 45:02 Lessons from Adaptations: What Works and What Doesn't 56:50 Interview with Chuck Wilt 1:06 Interview with Oskar Eustis

During the most recent adventure of Little Kids, Big Hearts, "Fairness with Vella Lovell and Meredith Holzman," three kids — Bodhi, Aubrey, and Will — travel with LKBH host Todd Loyd to the Land of Qook-a-lackas to help two Qook-a-lacka friends "qook-a-late" to retsore fairness to the Land. Today, we're back to challenge our listeners to go on their own FAIRNESS QUEST, inspired by the episode and the words/actions of Dr. Martin Luther King, Jr. — whose legacy of justice, equality, and human rights we celebrated this week. Todd and LKBH Producer Christy Pusz Decatur issue our first-ever challenge our listeners to (1) notice something that seems unfair, (2) think about ways to help, and then (3) take action to help someone else feel included, valued, or supported. This is our first-ever challenge episode, and we'd be overjoyed if our listeners could take a moment to share how their families interpreted the fairness quest with a few words or a picture! You can share on instagram (@little_kids_big_hearts_podcast), facebook (@LittleKidsBigHeartsPodcast), or just email us: podcast@playsparkler.org.  Following the MISSION, turn up the volume and sing/dance along to a brand-new Little Kids, Big Hearts original song: When Something's Unfair. It's written by amazing educator/composer Benjamin Weiner and performed with Benjamin PLUS Vella Lovell, who played Principal Quella in our fairness episode. Vella currently appears on the Fox comedy Animal Control alongside Joel McHale as “Emily.” Other credits include Mr. Mayor, Crazy Ex Girlfriend, Accused, A Clüsterfünke Christmas, She Ra And the Princesses of Power, Kiff, The Big Sick, Dollface, Girls, Younger, Grace and Frankie, As We See It, Your Place or Mine. On the stage, Vella has appeared in plays at The Geffen Playhouse, Yale Rep, The Public Theater and Williamstown Theatre Festival. She graduated from @nyutisch and @juilliardschool.Learn more online at: https://playsparkler.org/fairness/

Scott Killian has composed scores for Zvi Gotheiner (over 30 works), Shapiro & Smith Dance, Cherylyn Lavagnino, David Dorfman, Susan Marshall, Ralph Lemon, Bebe Miller, Alwin Nikolais and Murray Louis. His works have been performed with Alvin Ailey American Dance Theatre, Limon Dance Company, Hubbard Street Dance Chicago, PACT Dance (South Africa), et al. Venues include The Joyce Theater, Lincoln Center, New York City Center, New York Live Arts, Jacob's Pillow, The Annenberg Center and many regional venues. As a dance musician, he is a regular accompanist at NYC's Gibney 890 Studios and NYU Tisch School of the Arts. As a composer and sound designer for theater, Scott has created works for over 120 professional productions in NYC and at many regional theaters. NYC theatrical venues include Manhattan Theatre Club, The Public Theater, New York Theater Workshop, MCC, Red Bull Theatre, Primary Stages and Rattlestick Theatre. Regional theatres include George Street Playhouse (over 25 productions); Berkshire Theatre Group (Resident Composer--over 50 productions), Alley Theatre (Houston), Shakespeare Theatre (DC), Seattle Repertory Theatre, A.C.T. (San Francisco). Cleveland Playhouse, Shakespeare and Company, Cincinnati Playhouse, Huntington Theatre, Williamstown Theatre Festival.

2024 has been the year of the iconic lovers Romeo and Juliet, and director Sam Gold has brought a bold new production of the timeless tragedy to Broadway. With a fresh, contemporary approach, Gold transforms Shakespeare's classic love story into an immersive experience that features a dynamic young cast led by Rachel Zegler (West Side Story) and Kit Connor (Heartstopper) and an innovative score by Grammy-winning musician Jack Antonoff, blending live music seamlessly into the action. Gold discusses how he re-envisioned the play for today's world, capturing the urgency and intensity of youth while staying true to the emotional heart of the original. He reflects on the challenges and joys of reinterpreting a well-known story and shares the creative process behind staging a Romeo and Juliet that feels relevant to a whole new generation of theatergoers, many of whom may be seeing their first Broadway. Sam Gold is a Tony Award-winning director with an extensive Broadway and theater resume. His Broadway credits include An Enemy of the People (this season) with Jeremy Strong and Michael Imperioli, Macbeth with Daniel Craig and Ruth Negga, King Lear with Glenda Jackson, A Doll's House, Part 2 (Tony Award Nomination), The Glass Menagerie, Fun Home (Tony Award), The Real Thing, The Realistic Joneses, and Seminar. Recent credits include Hamlet at The Public Theater, Othello at New York Theatre Workshop, The Flick (Lucille Lortel Award nomination) at Playwrights Horizons, Barrow Street Theatre, and the National Theatre, The Glass Menagerie (Toneelgroep, Amsterdam), John (Signature Theatre; Obie Award, Lortel and Drama Desk Award nominations), The Village Bike (MCC Theatre), and Uncle Vanya (Soho Repertory Theatre; Drama Desk nomination), among many others. From the Shakespeare Unlimited podcast. Published December 16, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

DAPHNE RUBIN-VEGA BIO  Daphne Rubin-Vega can currently be seen on Hulu's hit series ONLY MURDERS IN THE BUILDING. She can also be heard voicing the role of 'CARMILLA CARMINE' in the hugely popular A24/Prime Video R-rated animated musical comedy series HAZBIN HOTEL. She can be seen in the David Duchovny-directed feature BUCKY F*CKING DENT. She was seen in the Tony Goldwyn-directed feature EZRA, in the Apple TV+ series THE CHANGELING opposite Lakeith Stanfield, and as a guest lead on FOX's anthology series ACCUSED directed by Marlee Matlin.Rubin-Vega starred in the Jon Chu-directed Warner Brothers feature IN THE HEIGHTS as 'Daniela.' During the pandemic, she shot the Netflix series SOCIAL DISTANCE, produced by Jenji Kohan and Tara Hermann, and SAME STORM, the newest Peter Hedges film. Additional TV credits include THE HORROR OF DOLORES ROACH (Prime Video), which Rubin-Vega developed into both scripted podcast and TV iterations, KATY KEENE (CW) and TALES OF THE CITY (Netflix).  A staple of the New York theatre community, Daphne earned a Tony nomination for her portrayal of 'Mimi' in the original cast of RENT, and another for ANNA IN THE TROPICS. She was most recently seen starring in the Signature Theatre's NIGHT OF THE IGUANA opposite Tim Daly and Lea DeLaria. She starred in the musical MISS YOU LIKE HELL at The Public Theatre and in the one-woman show EMPANADA LOCA, which was written for her. She helped adapt the play into the scripted podcast, THE HORROR OF DOLORES ROACH, which was then adapted into a TV series for Amazon. Additional theater credits include Broadway revivals of A STREETCAR NAMED DESIRE, THE ROCKY HORROR PICTURE SHOW, and LES MIS; TWO SISTERS AND A PIANO and F*CKING A at The Public; ROMEO & JULIET at Classic Stage; and JACK GOES BOATING opposite Philip Seymour Hoffman.  ELIZABETH RODRIGUEZ BIO  An award-winning actress who crosses seamlessly from studio films to independent, from the stage to television, Elizabeth Rodriguez played the emotionally complex Aleida Diaz on the groundbreaking Netflix series "Orange Is the New Black" for which she received three consecutive Screen Actors Guild Awards. Most recently, she was seen as a series regular in the CBS drama "East New York". She was also a series regular in the role of Liza Ortiz on AMC's "Fear the Walking Dead", NBC's "Prime Suspect", and Cinemax's "Blanco". Rodriguez recurred as Paz Valdez on Starz' "Power", in Showtime's "Shameless", Hulu's "Chance', "Devious Maids", "Grimm", "The Shield", "ER", and "Six Feet Under.  Rodriguez's film credits include co-starring in the blockbuster film "LOGAN" opposite Hugh Jackman, Michael Mann's "Miami Vice", "The Drop", "Tio Papi" (for which she garnered an Imagen Award Nomination), "Making Babies", "Skate Kitchen", "11:55", "Return to Paradise", and "Jack Goes Boating." Most recently, she completed a starring role in the feature film "Allswell in New York", which she also co-wrote and co-produced. Rodriguez received an Obie Award, as well as a Drama Desk Award nomination, for her performance in "Halfway Bitches Go Straight to Heaven" at the Atlantic Theater, and a Tony Award nomination, and won the Outer Critics Circle Award and the Theatre World Award, for her performance in the role of "Veronica" on Broadway in Stephen Adly Guirgis' "The Motherfu**er With The Hat". Additional theater includes three world premieres at NYC's acclaimed Public Theater in "The Last Days of Judas Iscariot" (directed by Philip Seymour Hoffman), "Unconditional" and "A View from 151st Street". Other notable plays include "Beauty of the Father" (MTC) and "The Power of Duff" (Geffen). Rodriguez is a native New Yorker and member of Labyrinth Theater Company.  ABOUT ALLSWELL IN NEW YORK, AVAILABLE ON DIGITAL NOVEMBER 15th  Three sisters navigate the daunting life challenges of single motherhood, career, and family, all while finding humor and solace within the bond of sisterhood.  Here's the trailer:   Https://www.youtube.com/watch?v=Wb8CKBdXK70 Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.

Andrea Day is a multidisciplinary artist, cultural advocate, accomplished musician, and citizen of the Muscogee Nation. With a profound connection to her culture, Andrea infuses Mvskoke fine art with a contemporary twist through her distinctive medium that combines acrylic paint and meticulously hand-sewn seed beads on stretched canvas. Her dedication to cultural preservation and innovation in ancestral traditions shines through her unique art form, which draws inspiration from the natural world and the collaborative spirit she experienced during her years in New York City.Andrea's artistic journey is marked by her innovative “Acrybead™” technique, which seamlessly blends acrylic paint with intricately hand-sewn seed beads, creating a visually vibrant and culturally rich medium, honoring an ancient Mvskoke beadwork tradition while pushing the boundaries of contemporary art. Andrea showcases her original works and designs through her company, A. Day's Work LLC, offering enhanced giclée prints that incorporate glass bead enhancements to create a three-dimensional effect. Recent solo exhibitions include “Evolve or Perish” at the Paseo Arts & Creativity Center, OKC, in June 2024; and her premiere solo exhibition “A. Day's Work” at the Historic Carnegie Library in Guthrie, OK, in 2023. These exhibitions provided a unique opportunity for viewers to experience Andrea's original artworks and gain insight into her artistic process.Her career in New York City was distinguished by notable achievements, including a solo debut recital at Weill Recital Hall in Carnegie Hall in 2014 and a television debut on "All-Star Celebrity Apprentice" in 2013. Andrea also curated the “Relevant: Reflection - Reformation - Revival” exhibition for AMERINDA, hosted at the Nathan Cummings Foundation in NYC in 2009. This exhibition challenged conventional perceptions of First American art, complemented by her essay, “Relevant: Rethinking American Indian Art,” with an introduction by Dorothy Lichtenstein. Additionally, Andrea made her Off-Broadway debut in William S. Yellow Robe, Jr.'s "Thieves" at The Public Theater in 2009.During her time in New York, Andrea actively contributed to the cultural landscape as a Cultural Development Fund Panelist for the New York City Department of Cultural Affairs. In this role, she assessed numerous organizations' cultural services and facilitated the distribution of The Cultural Fund across multiple fiscal years, enhancing the fine arts community in the city.Andrea's academic background includes a Master of Music in Flute Performance from the University of Oklahoma and a Bachelor of Music in Flute Performance from Pennsylvania State University. She was a Doc Tate Nevaquaya Scholar at the University of Oklahoma and received an American Indian Graduate Center Fellowship in 2004.Now residing in Oklahoma with her husband and daughter, Andrea continues to devote her time and talent to creating new work and supporting her community. Her dedication to cultural and language preservation, coupled with her innovative artistic vision, has allowed her to play a significant role in the Native and broader artistic communities.https://adayswork.arthttps://adayswork.art/instagram

RED-FLAG LAWS – Extreme-Risk Protection October is Domestic Violence Awareness Month, host Libby Edwards explores how red-flag laws can help protect individuals who are under immediate threat of gun violence. Our guest, Tom Verni, a retired NYPD detective with over 27 years in law enforcement and former city-wide LGBTQ+ liaison in NYC, will discuss the red-flag law and how extreme-risk protection orders can be used to stop firearms deaths in cases of domestic violence. We will also review Manuel Oliver's one-man show, "GUAC", now playing at the Public Theater, and "Trickled Down Decadence: Screams for Hope,” an exhibition where the artists address gun violence at the Jamaica Center for Arts and Learning in Jamaica, Queens, NYC. In Remembrance of Ellie Claire Young, 22 years old, 10/19/24, Memphis, Tennessee. If you or someone you know is experiencing a mental health crisis, please call the Suicide and Crisis Lifeline at 988. The National Domestic Violence Hotline is 800-799-7233. Other resources: --New York State Coalition Against Domestic Violence Hotline NYS: 1 (800) 942-6906 Hotline NYC: 1 (800) 621-4673 --The National Domestic Violence Hotline. 800/799-SAFE (7233). Their site is full of information that helps people understand and recognize domestic abuse. Also, through their website, thehotline.org, you can connect by untraceable internet, chat and text, as well as locate resources available in your state. --Additional resources are available from everytownsupportfund.org. --In NYC, the organization W.A.R.M. (weallreallymatter.org) provides support and shelter. Their crisis hotlines are: 917-736-1046, 917-736-0680 and 917-736-1621. --NYC Anti-Violence Project: --AVP.org/get-help Hotline: 212-714-1141. AVP also has walk-in appointments from 1-4 pm, Monday through Thursday at 116 Nassau Street, 3rd Fl. --Additional sites with that provide excellent articles to further the understand the subject of domestic/intimate-partner violence. https://vawnet.org/ https://www.goodhousekeeping.com/domestic-violence/ https://www.thehotline.org/resources/get-help-50-obstacles-to-leaving/ https://www.safehorizon.org/

Guac is playing at the Public Theater through November 3rd. For more information, please visit www.publictheater.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Send Kira a text message!There are so many other talented, dedicated, and caring folks out here supporting everyone who brings a production to life. And this conversation is actually the very first time I met Alexa Smith! She's had a very similar journey to me with acting, motherhood, and EDI consulting. Alexa shares about her early acting career, what led her to become a consultant, and (possibly my favorite topic) how she's navigated motherhood in the theater industry.  Get ready for an amazing conversation, theater friends!In this episode, you will:Discover how Alexa came to be an EDI consultant in the arts.Uncover how Alexa navigated those early days of motherhood and acting.Learn what a day in the life at The Public is like for Alexa.Full Show Notes Here!Mentioned ResourcesHell's Kitchen on BroadwayBeyond Accessibility w/ Brennan SrisirikulConnect with Alexa:WebsiteInstagramLinkedInCONNECT with Kira:@kiratroilo @artandsoulconsulting @inclusivestages"'Black Hair'" Is Hair: An Entertainment Industry Guide WebsiteBecome a PatronJoin our mailing list - scroll to the bottom of the pageThanks for joining me on this episode of Inclusive Stages! If you enjoyed this episode, please leave a review on Apple or a rating on Spotify to help me reach more people ready to collectively shape the future of human-first theater, one stage at a time.Thanks to our music composer, Zachary McConnell, and our producer, Leah Bryant.

Evan Handler is beloved by millions for portraying Harry Goldenblatt, divorce-lawyer-turned-husband to Kristin Davis's Charlotte York, on HBO's groundbreaking series, and films, “Sex and the City,” it's current MAX follow-up, “And Just Like That,” as well as Charlie Runkle on Showtime's seven season “Californication.” In addition to authoring two highly acclaimed books, Time on Fire: My Comedy of Terrors, and It's Only Temporary: The Good News and the Bad News of Being Alive, Evan has played leading roles in ABC's “It's Like, You Know…,” and NBC's “Studio 60 on the Sunset Strip,” STARZ' “Power,” and made numerous memorable guest appearances on “Lost,” “The West Wing,” “Six Feet Under,” “Necessary Roughness,” and “Friends.” In 2000, Evan played Larry Fine in ABC's TV movie “The Three Stooges,” followed by additional “real life” portrayals of Lloyd Blankfein in HBO's “Too Big to Fail,” Alan Dershowitz in FX's “People vs. OJ Simpson,” and Hal Prince in FX's “Fosse/Verdon,” each of which garnered numerous wide-ranging awards. On the big screen, Evan played a leading role in Ron Howard's “Ransom,” starring Mel Gibson, and featured and leading roles Oliver Stone's “Natural Born Killers,” “Taps,” “The Chosen,” and “Sweet Lorraine.” He's currently visible in David Duchovny's directorial effort, “Reverse the Curse.” Prior to his work in film and television, Evan earned acclaim in seven Broadway productions, all performed between his twenty-first and thirtieth birthdays, and all in spite of losing nearly five years of that span to his fight against a supposedly “incurable” leukemia. During this time Evan starred in Broadway productions of “Six Degrees of Separation,” “I Hate Hamlet,” “Brighton Beach Memoirs,” “Broadway Bound” and “Master Harold...and the boys.” Evan also worked extensively in off-Broadway and regional theater at NY's Public Theater, Manhattan Theater Club, Playwrights Horizons, Seattle Rep, and Steppenwolf, performing early plays by Donald Margulies, Robert Schenkkan, Jez Butterworth, and numerous others. Evan's first book, Time On Fire, details his unlikely recovery from the leukemia diagnosed in the mid-1980s. His second book, It's Only Temporary: The Good News and the Bad News of Being Alive, describes the twenty-year period post-illness, and Handler's surprisingly circuitous journey toward gratitude, using tales of serial dating, absurd relationships, unexpected depressions, and, ultimately, lasting love and a miracle conception. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this week's episode of the Black Girl Nerds podcast, we welcome back the team behind Truthteller Productions.  We have Miriam A. Hyman aka Robyn Hood and  East-O aka Chris Herbie Holland joining us.  In our second segment, we breakdown a recap of the films we screened at TIFF 2024! Segment 1: Miriam A. Hyman aka Robyn Hood (Philly native) is a classically trained actress and a Hip Hop Recording Artist. Hood is the CEO of independent music/production label Truth Teller Productions. She's executive all of her solo music projects under her label and has collaborated on songs as a writer and or performer with multiple artists such as Daveed Diggs, Common, Ciara, Lupita Nyong'o, LaLa Anthony, and Junius Bervine. She is also an actor and can be seen in the new film The Lost Holliday premiering this month. The East Oakland California native East-O aka Chris Herbie Holland is an actor,music producer, songwriter and creative. He recently starred in the off-Broadway Pulitzer Prize winning play Fat Ham at the Public Theater in NYC. He teamed up with Robyn Hood/Miriam A. Hyman, a few years back and they've been making magic ever since. He's known for his melodic beats and smart but edgy bars.  Host: Jamie Segment 2: Jeanine and Jamie break break down a recap of the films screened at the 2024 Toronto International Film Festival.  They also discuss the films they loved and hated at the festival. Host: Jamie Music by: Sammus Edited by: Jamie Broadnax

Counting and Cracking, a co-production of The Public Theater and NYU Skirball runs at NYU Skirball through September 22nd. You can learn more information at www.nyuskirball.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

How can educators effectively incorporate discussions about race into the study of Shakespeare and other premodern texts in the college classroom? Barbara Bogaev speaks with scholars Ayanna Thompson and Ruben Espinosa about Throughlines, a pedagogical resource developed by the Arizona Center for Medieval and Renaissance Studies at Arizona State University. This free online tool offers professors a variety of accessible teaching materials for incorporating premodern critical race studies into their teaching. Specifically designed for use in higher education, the materials include lectures, syllabi, and activities on a unique and expansive range of topics that will continue to grow. >>Explore Throughlines, a free online resource for the college classroom at throughlines.org Espinosa and Thompson share their experiences teaching Shakespeare in diverse higher education settings. Their conversation underscores students' need for open dialogue and provides practical strategies for navigating these discussions. They offer valuable insights for experienced professors and those new to teaching, highlighting the value of integrating premodern critical race studies into studying Bard's works and other literature and history. Ayanna Thompson Ayanna Thompson is a Regents Professor of English at Arizona State University and Executive Director of the Arizona Center for Medieval and Renaissance Studies. Thompson, an influential Shakespeare scholar, is the author of many titles, including Blackface and Shakespeare in the Theatre: Peter Sellars. She is currently collaborating with Curtis Perry on the Arden4 edition of Titus Andronicus. Thompson's leadership extends beyond the university, serving on the boards of the Royal Shakespeare Company, Play On Shakespeare, and Folger Shakespeare Library. She is a Shakespeare Scholar in Residence at The Public Theater in New York. In 2021, she was elected to the American Academy of Arts and Sciences. Ruben Espinosa Ruben Espinosa is the Director of the Arizona Center for Medieval and Renaissance Studies and a Professor of English at Arizona State University. He is the author of many titles, and most recently, Shakespeare on the Shades of Racism. He is the current President of the Shakespeare Association of America, and he serves on the Editorial Boards of Shakespeare Quarterly, Exemplaria: Medieval, Early Modern, Theory, and Palgrave's "Early Modern Cultural Studies" series. He is working on his next monograph, Shakespeare on the Border: Language, Legitimacy and La Frontera.

Vermont Public Theater will be presenting an outdoor free presentation of Shakespeare in the Woods production of “Twelfth Night” at Merchants Park in Downtown Bennington, Vermont. The night is a Fundraiser for Bennington County Coalition for the Homeless. The family friendly production of “Twelfth Night” will be performed outside, rain or shine at 2 p.m. on Sunday August 25.

The conversation explores the importance of considering executive function skills when designing classrooms. The guests discuss how classroom design can impact students' executive function and offer practical strategies for creating a supportive environment. They emphasize the need for clear organization, visual cues, and predictable routines to help students manage their working memory and develop executive function skills. The conversation also highlights the role of reflection and flexibility in classroom design, as well as the role of empathy and self-compassion for teachers in supporting students' executive function development. Follow on Twitter: @childsplaynyny @mrs_frommert @jonHarper70bd @bamradionetwork Related Resources: | Using Games to Reinforce Classroom Routines | Games That Boost Working Memor | Playful Classroom Management | Hacking Gen AI in Education Jocelyn Greene is Child's Play NY's founder and executive director, an award-winning theater education company based in New York. She partners with dozens of schools to connect social-emotional learning (SEL) with academics through residencies and professional development. Jocelyn founded Child's Play NY in 2009, drawing from her work as a student (MFA, NYU graduate acting; BA, Wesleyan University), an actor (The Public Theater, LA Shakespeare Festival), and a teacher (Will Power to Youth, Oddfellows Playhouse, Epic Theater) to develop the rigorous curriculum and imagination-based games that ignite the program today. She is a contributor with Mt. Sinai Parenting and writes about the intersection between theater and child development at childsplayinaction.com Sarah Kesty is an executive function and ADHD coach, author, and speaker. She created Brain Tools School and hosts the Executive Function Podcast. A 4-time teacher of the year, Sarah's coaching and learning program supports high school and college students in developing skills and mindset for independence. Crystal Frommert, M.Ed, brings over two decades of diverse educational experience, spanning from elementary to post-secondary levels. She currently holds the positions of middle school math teacher and deputy head of secondary at Awty International School in Houston. Crystal is also a published author of the 2023 book When Calling Parents Isn't Your Calling: A Teacher's Guide to Communicating With Parents.

Zephyr Teachout has blazed a high-profile path on state and national political stages. But lately, the 52-year-old law professor and politician has been spending her time on a tiny stage in Vermont, directing a play about the saga of Israelis and Palestinians.Teachout, who grew up in Norwich, gained national attention in 2004 when she was director of internet organizing for former Gov. Howard Dean's presidential campaign, helping to vault the small-state governor to briefly run at the front of the pack. In 2014, Teachout ran for governor of New York against the powerful incumbent Andrew Cuomo, winning one-third of the vote (Cuomo resigned in 2021 over sexual misconduct allegations). Two years later, Teachout ran for Congress. And, in 2018, she ran for attorney general of New York. She won the endorsement of the New York Times but lost to Letitia James, who later appointed Teachout as a special adviser on economic justice. Teachout is a professor of law at Fordham Law School. She is the author of "Break 'Em Up: Recovering Our Freedom From Big Ag, Big Tech, and Big Money."Far from the halls of power in Albany or the bright lights of Broadway, Teachout has maintained another passion: acting and directing at Unadilla Theater in Marshfield. When Unadilla founder Bill Blachly, who turned 100 this year, asked if she would direct the play “Returning to Haifa” this summer, Teachout quickly agreed.“The more intensely one is involved in whatever it may be professionally and certainly involved in politics, the more that I seek and need art, whether that's visual arts or music or theater as a way to be fully human, to experience both the joys and the griefs that we experience,” she said.“Returning to Haifa” links two tragedies: the Nakba (“catastrophe)” experienced by Palestinians when more than 700,000 of them fled or were driven from their homes following the establishment of the state of Israel in 1948, and the Holocaust, in which 6 million Jews died at the hands of the Nazis during World War II. Some 140,000 Holocaust survivors moved to Israel, many of them into homes abruptly abandoned by Palestinians. The play is based on a novella by Palestinian activist and writer Ghassan Kanafani, who was assassinated at the age of 36 in an operation by Mossad, the Israeli intelligence agency. The story was adapted into a play by Naomi Wallace and Ismail Khalidi. It was commissioned by the Public Theater in New York in 2016, but the production was canceled due to political pressure. It finally premiered in the United Kingdom.“Returning to Haifa” depicts a Palestinian couple returning to Israel in 1967 and visiting their house and their son who they abandoned 20 years earlier in a terrified flight from Israeli forces. The play is described by the Guardian as “a poignant family drama, as a plea for Israeli-Palestinian understanding and as a warning of what will follow without some form of reconciliation.”Teachout was moved to direct the play by a current catastrophe, Israel's war in Gaza that has killed some 40,000 Palestinians, according to the Gaza Health Ministry. Israel invaded Gaza following the Oct. 7 attack by Hamas that killed more than 1,200 Israelis.“It feels very important right now to celebrate Palestinian culture, to introduce people to great writers like Kanafani" who understood "the critical role that literature plays in tying together a community of people,” Teachout said.On the political stage, Teachout offered insights about the special challenges that Vice President Kamala Harris and other women face when running for high office. “It is harder to express anger as a woman and not be dismissed,” said the former gubernatorial candidate. “Men expressing anger on behalf of an angry public don't get the same kind of scrutiny and, frankly, sometimes disdain or disgust that women expressing anger get.”“You've noticed that Harris has chosen to run as a happy warrior,” she said. “If you're in politics, you know these things are choices. It is also a choice that I made in my campaigns and that you see Elizabeth Warren making. There's a lot more comfort with joyful women than angry women … Harris, as a Black woman in particular, faces extraordinary challenges, and she's doing an extraordinary job not letting those challenges define her candidacy.”Teachout credits Harris' rise in the polls to the desire that people have “to see past the next two years, to see a collective future. What I think Harris is tapping into in the last few weeks is a sense that a future is possible. … We're not stuck with these frankly ancient politicians. And I also think that is insufficient," she said.Teachout, who has been a leading scholar and critic of corporate monopolies, said Harris needs to “take on big power.”People “think everybody's in big money's pockets. There's no point to politics (so) why don't we just cause chaos,” Teachout said. “There's kind of a real nihilism to those who either don't vote or decide to vote for Trump just out of a kind of irritation with what's going on.”Harris needs to show that she is “willing to fight, to actually make enemies … (and) take on corporate power,” Teachout said. “For Harris to beat Trump, really leaning into that populism is critical.”

The conversation explores the importance of considering executive function skills when designing classrooms. The guests discuss how classroom design can impact students' executive function and offer practical strategies for creating a supportive environment. They emphasize the need for clear organization, visual cues, and predictable routines to help students manage their working memory and develop executive function skills. The conversation also highlights the role of reflection and flexibility in classroom design, as well as the role of empathy and self-compassion for teachers in supporting students' executive function development. Follow on Twitter:  @childsplaynyny @mrs_frommert  @jonHarper70bd @bamradionetwork Related Resources: | Designing Your Classroom to Support Executive Function Skills  | Edutopia, Using Games to Reinforce Classroom Routines | Games That Boost Working Memor   | Playful Classroom  Management | Hacking Gen AI in Education Jocelyn Greene is Child's Play NY's founder and executive director, an award-winning theater education company based in New York. She partners with dozens of schools to connect social-emotional learning (SEL) with academics through residencies and professional development. Jocelyn founded Child's Play NY in 2009, drawing from her work as a student (MFA, NYU graduate acting; BA, Wesleyan University), an actor (The Public Theater, LA Shakespeare Festival), and a teacher (Will Power to Youth, Oddfellows Playhouse, Epic Theater) to develop the rigorous curriculum and imagination-based games that ignite the program today. She is a contributor with Mt. Sinai Parenting and writes about the intersection between theater and child development at childsplayinaction.com Sarah Kesty is an executive function and ADHD coach, author, and speaker. She created Brain Tools School and hosts the Executive Function Podcast. A 4-time teacher of the year, Sarah's coaching and learning program supports high school and college students in developing skills and mindset for independence. Crystal Frommert, M.Ed, brings over two decades of diverse educational experience, spanning from elementary to post-secondary levels. She currently holds the positions of middle school math teacher and deputy head of secondary at Awty International School in Houston. Crystal is also a published author of the 2023 book When Calling Parents Isn't Your Calling: A Teacher's Guide to Communicating With Parents.

HAMILTON  Book, Music & Lyrics by Lin-Manuel Miranda | Based on Alexander Hamilton by Ron Chernow Works Consulted & Reference :Hamilton (Original Libretto) by Lin-Manuel MirandaHamilton: The Revolution by Jeremy McCarter & Liin-Manuel Miranda Alexander Hamilton by Ron ChernowMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Wait for It" from  Hamilton (Original Broadway Cast Recording)  | Music & Lyrics by Lin-Manuel Miranda | Performed by Leslie Odom Jr.,  Original Broadway Cast of Hamilton"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

Today, I'm thrilled to announce my interview with the brilliant director Michael Greif, who completed a rare trifecta this season, directing the Broadway productions of Hell's Kitchen, Days of Wine and Roses, and The Notebook. Tune in today to hear him share insights from his storied career, including the personal significance of directing at the Shubert Theater, how a production of MACHINAL jumpstarted his career, the challenges and rewards of reviving ANGELS IN AMERICA, what drove him to accept a position as the artistic director of the La Jolla Playhouse, developing and refocusing NEXT TO NORMAL with Tom Kitt and Brian Yorkey, why he uses music in many of his plays, why NEVER GONNA DANCE couldn't ultimately succeed, the joy of collaborating with Patti LuPone, his long tenure with The Public Theater, how he addresses the cast of every production of RENT, the special qualities he saw in Idina Menzel and Maleah Joi Moon at the beginning of their careers, why he decided to bring Schele Williams on as his co-director for THE NOTEBOOK, the play of his that almost moved to Broadway, the musical rule that he discovered while working on GIANT, WAR PAINT, and IF/THEN, and so much more. 

Nonprofit News Feed Podcast Recap: Trust in Nonprofits Rises, Local Journalism Fund, and Innovative Solutions Main Host Update This week's episode is a special solo edition hosted by Nick Azulay. George, CEO and founder of Whole Whale, is on paternity leave after welcoming a new baby. Congratulations to George and his family! Key Topics Covered: Increase in Nonprofit Trust: Independent Sector Report: After four years of decline, trust in nonprofits has increased by 5%, now at 57%. Comparative Trust: Nonprofits are more trusted than media and government, especially in bridging social and political divides. Challenges: Despite this, 74% of respondents believe the country is headed in the wrong direction, and 94% worry about increasing division. Nonpartisan Advocacy: There's growing wariness about nonprofits' involvement in nonpartisan advocacy and political engagement. AP Fund for Journalism: Associated Press Initiative: Launching a $100 million fund to boost local journalism, addressing the financial strain on local news outlets. Impact: This fund aims to support local journalism through financial aid and knowledge sharing, essential for combating misinformation and fostering informed communities. Rebuild Paradise Foundation: Innovative Solution for Fire Victims: Offering grants for building gravel buffers around homes in Paradise, CA, to prevent fire spread. Insurance Premiums: Aims to help homeowners negotiate lower insurance premiums by making homes more fire-resistant. Cafe Momentum's Expansion: Nonprofit Restaurant in Atlanta: Employs justice-involved youth, providing them with skills and opportunities to reduce recidivism. Impact: Highlights the importance of empowering youth through practical skills and supportive environments. Nonprofit Theater Highlights: Oregon Shakespeare Festival: Receiving rave reviews for its interpretation of "Much Ado About Nothing." Public Theater in NYC: Renovating the Delacorte Theatre, home to Shakespeare in the Park, with free streaming of past performances available on PBS. Critical Insights and Quotes: "Nonprofits are seen as more reliable when it comes to providing solutions to bridging social and political divides in America." "Transparency and third-party certifications are key to building trust with donors." Calls to Action: For Nonprofits: Emphasize transparency and trustworthiness through clear communication, financial transparency, and third-party certifications. For Listeners: Check out the Independent Sector report and support local journalism and nonprofit theaters. Closing Thought: In a time of widespread distrust, nonprofits hold a pivotal role in fostering community trust and bridging divides. Their ability to remain transparent, nonpartisan, and community-focused is essential for their continued impact. Feel-Good Story: Nonprofit Theater Excellence: The Oregon Shakespeare Festival's innovative take on a classic play and the Public Theater's upcoming renovations and free streaming options highlight the vital role of nonprofit arts in enriching communities. Joke of the Week: What do you call a nonprofit theater spamming your email inbox with ticket promotions? Spamlet Stay tuned for more updates and special guest appearances from the Whole Whale family in upcoming episodes!

Nonprofit News Feed Podcast Recap: Trust in Nonprofits Rises, Local Journalism Fund, and Innovative Solutions Main Host Update This week's episode is a special solo edition hosted by Nick Azulay. George, CEO and founder of Whole Whale, is on paternity leave after welcoming a new baby. Congratulations to George and his family! Key Topics Covered: Increase in Nonprofit Trust: Independent Sector Report: After four years of decline, trust in nonprofits has increased by 5%, now at 57%. Comparative Trust: Nonprofits are more trusted than media and government, especially in bridging social and political divides. Challenges: Despite this, 74% of respondents believe the country is headed in the wrong direction, and 94% worry about increasing division. Nonpartisan Advocacy: There's growing wariness about nonprofits' involvement in nonpartisan advocacy and political engagement. AP Fund for Journalism: Associated Press Initiative: Launching a $100 million fund to boost local journalism, addressing the financial strain on local news outlets. Impact: This fund aims to support local journalism through financial aid and knowledge sharing, essential for combating misinformation and fostering informed communities. Rebuild Paradise Foundation: Innovative Solution for Fire Victims: Offering grants for building gravel buffers around homes in Paradise, CA, to prevent fire spread. Insurance Premiums: Aims to help homeowners negotiate lower insurance premiums by making homes more fire-resistant. Cafe Momentum's Expansion: Nonprofit Restaurant in Atlanta: Employs justice-involved youth, providing them with skills and opportunities to reduce recidivism. Impact: Highlights the importance of empowering youth through practical skills and supportive environments. Nonprofit Theater Highlights: Oregon Shakespeare Festival: Receiving rave reviews for its interpretation of "Much Ado About Nothing." Public Theater in NYC: Renovating the Delacorte Theatre, home to Shakespeare in the Park, with free streaming of past performances available on PBS. Critical Insights and Quotes: "Nonprofits are seen as more reliable when it comes to providing solutions to bridging social and political divides in America." "Transparency and third-party certifications are key to building trust with donors." Calls to Action: For Nonprofits: Emphasize transparency and trustworthiness through clear communication, financial transparency, and third-party certifications. For Listeners: Check out the Independent Sector report and support local journalism and nonprofit theaters. Closing Thought: In a time of widespread distrust, nonprofits hold a pivotal role in fostering community trust and bridging divides. Their ability to remain transparent, nonpartisan, and community-focused is essential for their continued impact. Feel-Good Story: Nonprofit Theater Excellence: The Oregon Shakespeare Festival's innovative take on a classic play and the Public Theater's upcoming renovations and free streaming options highlight the vital role of nonprofit arts in enriching communities. Joke of the Week: What do you call a nonprofit theater spamming your email inbox with ticket promotions? Spamlet Stay tuned for more updates and special guest appearances from the Whole Whale family in upcoming episodes!

Ryan J. Haddad is an actor, playwright, and autobiographical performer known for his on stage and off. His acclaimed solo play, HI, ARE YOU SINGLE?, premiered at The Public Theater's Under the Radar Festival, and he continued his career with The Public, making his off-Broadway debut as a playwright and performer with his autobiographical DARK DISABLED STORIES, which was named a New York Times Critic's Pick. His latest work, HOLD ME IN THE WATER, was recently announced for the Spring 2025 season at Playwrights Horizons.   In this episode, Ryan shares how he transforms his personal essays into plays, the importance of taking up space, and getting creative about accessibility in live theater.   Ryan Haddad   Playwrights Horizons   Dictionary of Obscure Sorrows

Find out more about this Mobile Unit production of The Comedy of Errors/La Comedia de Errors at www.publictheater.org.  Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

On this week's episode of You Are What You Read, we are joined by Luis A. Miranda with his new memoir, Relentless. Luis is the father to Luz Miranda-Crespo, Miguel Towns, and Lin Manuel Miranda who you all know as the Grammy, Tony, and Pulitzer-Prize winning creator of Hamilton and In the Heights. Champions of community activism, the Miranda family came together to create The Miranda Family Fund, supporting underserved communities throughout New York City, across the country, and in Puerto Rico. Luis is a founding partner of the MirRam Group, founding president of the Hispanic Federation, and chairperson of the Latino Victory Fund, Northern Manhattan Arts Alliance, and Viva Broadway. He is a board member of the Public Theater and The City, and the chair of the Center for Latin American, Caribbean, and Latino Studies at the CUNY Graduate Center. A portion of the proceeds from the sale of RELENTLESS will go to The Miranda Family Fund. Thanks to our wonderful sponsors! This episode of You Are What You Read is sponsored by BetterHelp. Visit BetterHelp.com/WHATYOUREAD today to get 10% off your first month. Get it off your chest, with BetterHelp. We'd also like to thank Book of the Month.  Head over to bookofthemonth.com and use Promo Code ADRI to get your first book for just $9.99. Thank you for listening, and thank you for reading. Learn more about your ad choices. Visit megaphone.fm/adchoices

James Shapiro spoke at the Institute in 2014 about Shakespeare in America, the anthology he edited for the Library of America. He is the Larry Miller Professor of English and Comparative Literature at Columbia University. Professor Shapiro is the author of many books on Shakespeare, including Shakespeare in a Divided America, which was a finalist for the 2020 National Book Critics Circle award for non-fiction. In addition, he is the author of Rival Playwrights: Marlowe, Jonson, Shakespeare (1991); Shakespeare and the Jews (1996); Oberammergau: The Troubling Story of the World's Most Famous Passion Play (2000); 1599: A Year in the Life of William Shakespeare (2005), which was awarded the Samuel Johnson Prize for the best non-fiction book published in Britain; and Contested Will: Who Wrote Shakespeare? (2010). His essays and reviews have appeared in the New York Times, the New Yorker, the Guardian, and the New York Review of Books. He is currently Shakespeare Scholar in Residence at the Public Theater in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

James Shapiro spoke at the Institute in 2014 about Shakespeare in America, the anthology he edited for the Library of America. He is the Larry Miller Professor of English and Comparative Literature at Columbia University. Professor Shapiro is the author of many books on Shakespeare, including Shakespeare in a Divided America, which was a finalist for the 2020 National Book Critics Circle award for non-fiction. In addition, he is the author of Rival Playwrights: Marlowe, Jonson, Shakespeare (1991); Shakespeare and the Jews (1996); Oberammergau: The Troubling Story of the World's Most Famous Passion Play (2000); 1599: A Year in the Life of William Shakespeare (2005), which was awarded the Samuel Johnson Prize for the best non-fiction book published in Britain; and Contested Will: Who Wrote Shakespeare? (2010). His essays and reviews have appeared in the New York Times, the New Yorker, the Guardian, and the New York Review of Books. He is currently Shakespeare Scholar in Residence at the Public Theater in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices

James Shapiro spoke at the Institute in 2014 about Shakespeare in America, the anthology he edited for the Library of America. He is the Larry Miller Professor of English and Comparative Literature at Columbia University. Professor Shapiro is the author of many books on Shakespeare, including Shakespeare in a Divided America, which was a finalist for the 2020 National Book Critics Circle award for non-fiction. In addition, he is the author of Rival Playwrights: Marlowe, Jonson, Shakespeare (1991); Shakespeare and the Jews (1996); Oberammergau: The Troubling Story of the World's Most Famous Passion Play (2000); 1599: A Year in the Life of William Shakespeare (2005), which was awarded the Samuel Johnson Prize for the best non-fiction book published in Britain; and Contested Will: Who Wrote Shakespeare? (2010). His essays and reviews have appeared in the New York Times, the New Yorker, the Guardian, and the New York Review of Books. He is currently Shakespeare Scholar in Residence at the Public Theater in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her latest play, Sally & Tom, Pulitzer Prize-winning playwright Suzan-Lori Parks tackles what is, arguably, one of the most complicated and personal chapters in American history: the relationship between Thomas Jefferson and Sally Hemings, the enslaved woman who gave birth to at least six of his children. Kara and Parks discuss the play in the context of her past work, as well as our nation's trend of revising history to sand down its rough edges, and why wrestling with our nation's past is a sign of love. Sally & Tom is now playing at the Public Theater. You can buy tickets at: https://publictheater.org/productions/season/2324/sally--tom/  Questions? Comments? Email us at on@voxmedia.com or find Kara on Threads/Instagram as @karaswisher  Learn more about your ad choices. Visit podcastchoices.com/adchoices

THE MYSTERY OF EDWIN DROOD  Book, Music, & Lyrics by Rupert Holmes | Based on the novel by Charles Dickens | Original Broadway production produced by New York Shakespeare Festival, Joseph Papp, ProducerWorks Consulted & Reference :The Mystery of Edwin Drood (Original Libretto)The Mystery of Edwin Drood (2012 Revised Libretto)Music Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Perfect Strangers" from  The Mystery of Edwin Drood (The 2013 New Broadway Cast Recording)  | Music & Lyrics by Rupert Holmes | Performed by Stephanie J. Block & Betsy Wolfe"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

A new dramatic play explores the dynamics Black employees face in white-dominant workplaces through the lens of a creative studio assistant named Jordan (played by Naomi Lorrain) and her new colleague, the "director of culture" who is also named Jordan (played by Toby Onwumere). Playwright Ife Olujobi, director Whitney White and actress Kate Walsh who plays the creative studio's owner, Hailey joins us to discuss the show, which is running at The Public Theater through Sunday, May 12.*This segment is guest hosted by Tiffany Hanssen.  

Oskar Eustis is the Artistic Director at the Public Theater in New York City. He sits down with Guy to talk about “falling into the avant-garde rat hole” early in his career; convincing Lin-Manuel Miranda that Hamilton was more than a concept album; bringing theater to senior centers, women's shelters, and prisons; and why he believes performing arts are essential to democracy.See what the Public theater has playing here: https://publictheater.org/Links from the Show: Lin-Manuel Miranda debuts Hamilton at the White House in 2009Oskar's TED TalkBrief profile of the Public Theater's Public Works programShakespeare in the ParkFor more conversations like this – including interviews with theater legends like Audra McDonald and Nathan Lane – go to https://www.thegreatcreators.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Robert Duncan McNeill remembers the good times on tour with Into the Woods and reveals his participation in the Public Theater workshop of Sondheim and Lapine's Muscle, including some major co-Stars! Plus Ben discovers the original table reading cast of Into the Woods! Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Ally—a new play at the Public Theater by Itamar Moses—an Israeli American adjunct professor is forced to confront the limits of his solidarity when his decision to support a Black student seeking justice for the police murder of a cousin becomes entangled with questions of Israel and Palestine. Though set before October 7th, the play is undoubtedly “ripped from the headlines,” taking up questions of campus antisemitism and liberal Jewish discomfort with left politics, and giving every “side” in the argument—hardline Zionists, Palestinians, young Jewish leftists, Black activists, and Jewish liberals—a chance to state its case. But does the play actually push liberal audiences beyond their preconceived biases, or does it allow them to remain in a state of comfortable ambivalence? In this episode, Jewish Currents editor-in-chief Arielle Angel, contributing writer Alisa Solomon, and artist-in-residence Fargo Nissim Tbakhi discuss what The Ally reveals about liberal America's view of the left, and the opportunities and limitations of theater in spurring action. Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).” Plays Mentioned and Further Reading:The Ally by Itamar Moses at The Public TheaterDisgraced by Ayad Akhtar“Who Is Tom Stoppard's “Jewish Play” For?,” On the Nose, Jewish Currents “Jewish Groups Condemn Black Lives Matter Platform for Accusing ‘Apartheid' Israel of ‘Genocide,'” Sam Kestenbaum, Haaretz

Amy Fiore, Managing Director of Sobel Bixel: Consulting for Nonprofits and Director of Development for The Story Pirates and who previously served in executive roles at several esteemed Manhattan-based cultural institutions including The Public Theater, shares her journey of ‘poking the status quo.' She discusses the importance of finding flexibility in work, advises time management tips for consultants, how to find part-time work and the significance of aligning personal and career happiness.  Amy emphasizes listening to all voices, especially those at lower levels, to truly understand and improve organizations. She also delves into the world of nonprofit work, highlighting the impact and challenges it presents.  In this episode you will learn: Poking the status quo in your career (3:48) Her best advice for other consultants (10:49) How to find part-time work (12:27) How listening is actually the most important job you will ever have (19:04) Why you should be strategically planning all the time (28:26) Did you love today's episode? 1. Take a screenshot and share it to your IG stories. Tag me @kimrittberg 2. Leave us a rating and review on Apple Podcasts! LINKS: -FREE...

Work privately with David About David Cady: DAVID CADY is currently a professor of commercial and musical theatre performance at AMDA, NYU, and Pace University. Prior, he was a casting director for Donna DeSeta Casting for close to 30 years. In addition to countless commercials, his casting credits include the original Dirty Dancing, Disney's Enchanted, Michael John LaChiusa's The Petrified Prince for the Public Theater, and the world premiere of Andrew Lloyd Webber and Jim Steinman's Whistle Down the      Wind, directed by Harold Prince.   He was an original cast member of Stephen Sondheim and George Furth's Merrily We Roll Along, and can be seen in Lonny Price's film about the experience, The Best Worst Thing That Ever Could Have Happened. In an enlightening discussion filled with actionable advice and heartfelt stories, David Cady, a veteran of musical theatre, shares his extensive knowledge and passion for the art. This episode is a treasure trove for aspiring and established performers alike, offering guidance on auditions, the importance of self-awareness, and the intrinsic value of kindness and professionalism in the theatre world. Key Takeaways: Mastering Auditions: David discusses the crucial approach to auditions, emphasizing the importance of viewing oneself as a collaborator rather than just a hopeful applicant. The mindset should be about showcasing how you are the answer to a casting call, equipped with meticulously selected material that plays to your current strengths. The Right Material: The selection of audition pieces is paramount. David advises against reaching for material that's beyond one's current range, instead advocating for focusing on pieces that showcase one's abilities best. This includes having self-taped auditions with tracks designed in your key and reflecting your unique voice. Technical Savvy: The conversation turns to the technical aspects of modern auditions, highlighting the need for performers to become adept at using software like GarageBand and iMovie for editing self-tapes. This technical skill set is becoming increasingly crucial in a digital-first auditioning world. Confidence and Growth: Drawing from his own experiences, David talks about the evolution of confidence through the repeated cycle of auditioning, failing, and learning. He stresses that a failure is not a setback but an opportunity for growth. Building and Maintaining Relationships: One of the episode's most poignant messages is the importance of kindness, professionalism, and building lasting relationships in the industry. David shares personal anecdotes to underscore how your behavior and interaction with everyone, from the casting director to the monitor, can significantly impact your career. A Career for Life: The discussion concludes on a reflective note, with David reminding listeners that a career in musical theatre is a lifelong journey. The importance of cherishing and working with your current capabilities, continually learning, and building a reputation of kindness and professionalism cannot be overstated. Special Moments: David shares inspiring stories from his career, including his auditions and the lessons learned along the way. A candid discussion about the mental and emotional aspects of performing, emphasizing self-love and the journey towards finding and owning your voice. For More Information: To explore working with David Cady on your musical theatre auditions, click on the link in the show notes. Learn more about Acting Business Bootcamp and how it can advance your career by also checking the show notes. This episode is a must-listen for anyone passionate about musical theatre, offering insights and advice that span the breadth of a performer's journey from auditions to professional growth and personal fulfillment.

A brand new batch of haunted houses and spooky stories, all from the gaslight era of New York City, the illuminating glow of the 19th century revealing the spirits of another world.Greg and Tom again dive into another batch of terrifying ghost stories, using actual newspaper reports and popular urban legends to reveal a different side to the city's history.If you just like a good scare, you'll enjoy these historical frights. And if you truly believe in ghosts, then these stories should especially disturb you as they take place in actual locations throughout the city -- from the Lower East Side to the Bronx. And even in cases where these 19th-century haunted houses have been demolished, who's to say the spirits themselves aren't still hanging around?Featured in this year's crop of scary stories:-- A ghostly encounter at the Astor Library (today's Public Theater) involving a most controversial set of mysterious books;-- A whole graduating class of ghosts stalks the campus of the Bronx's Fordham University, and it may have something to do with either Edgar Allan Poe or the film The Exorcist;-- Just north of Washington Square Park in Greenwich Village, a haunted townhouse vexes several tenants, the sight of a hunched-over man in a cap driving people insane;-- In the shadow of the Brooklyn Bridge, a small apartment in today's Two Bridges neighborhood becomes possessed by a poltergeist with a penchant for throwing furniture .... and punches. One vainglorious showoff named Jackie Hagerty learns the hard way;-- And before the days of Riverside Drive, a rustic old mansion once sat on the banks of the Upper West Side, with a mysterious locked room that must never be opened.Visit the website to see images of the real-life haunted houses and places featured in this podcast.Listen to the entire collection of Bowery Boys ghost stories podcasts here.

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