Podcasts about Lighting

Lighting is no longer just an accessory — it's becoming a core profit center for AV integrators. In this episode, Sam Koerbel sits down with CEDIA co-founder Tom Doherty and current CEO Daryl Friedman to explore why lighting is now a strategic focus for the custom integration industry.They discuss:Why lighting represents the next big opportunity for integratorsThe challenges of adding lighting to your business modelHow CEDIA plans to educate and support its membersWhat does this shift mean for the future of smart home integrationWhether you're already exploring lighting or still unsure where to start, this episode offers clarity, leadership, and insight into the future of residential technology.

Today in Lighting is brought to you by MaxLite, energy-efficient products for over 30 years. Learn more. Current Expands U.S. Distribution Capabilities with Enhanced Network, Up Close with Robert Coy, Glare Affairs: An IES Webinar, Lighting Controls Podcast: From Theater to Tech with Chris Bocchiaro

This week we talk about H-style track lighting. You can subscribe on your favorite podcast app. Check out our home improvement videos on our YouTube channel Fix It Home Improvement. Download our e-books, Home Improvement Solutions : What Every Homeowner Should Know on Amazon. Email us at fixitpodcast@gmail.com. Follow us on Instagram, Fix It Home Improvement.

In this vibrant episode of Get a Grip on Lighting, hosts Greg and Mike welcome back Kathryn Toth, an award-winning architectural lighting designer renowned for her mastery in crafting artistic lighting solutions across commercial, residential, retail, and landscape spaces. 

NASA engineers are studying the shadows Artemis astronauts may experience on the Moon.

Today in Lighting is brought to you by MaxLite, energy-efficient products for over 30 years. Learn more. IES 2025's Progress Report, Lutron Electronics President Edward J. Blair Promoted to Vice-Chairman of the Board, LIT Lighting Design Awards 2025 Call for Entries, NALMCO 72nd Annual Convention Registration Opens. 

Shake hands with your guest; Monologue, monologue smug smirk Make good face– Now put a name to the face Put a time to the place IOh, all the love in the world in three flames All the doves in the flock, And three flames Put a name to the face Monologue monologue Doesnt take long but When do i get to slap the desk? Johnny! What happened? Whats the 10 vodkas, Five spritzers Full figure Figure this You were out for the count! Do tell! Or better yet, don't. I remember tgis mologue, But i dont know how 16 hours ago, I was Out for the count, you say?! OUT, Johnny! Our market is livid! lol who plays john carson Your mother. YO! I'M OLD! I LIKE OLD DUDES NOW! I'm like When the fuck did this happen?! That ain't no SILVER FOX! That's a TOTALLY CUTE DUDE! HE'S 55!! OH NOOOOOOOO! i'M OLD!!!!!!! its wednesday eve in Boston Mass… SETH MEYERS! Ah, he's going for it. Ah, man. SHOW ME YOUR EYES. Fuck. SHOW ME YOUR EYES! SUDAKIS shines a bright flash light into his former colleagues eyes. …You're not Seth Meyers. Seth Meyers does not respond, but relaxes slightly; it's obviously not safe to be Seth Meyers right now. Where's Seth Meyers? Seth shrugs but still doesn't say anything– Where is he? I have to stop here; Cop out for body language somebody's watching Somebody knows who I am I am I remember now You looked like that It went like this: I moved the world The need was good The love was gone The vein was split open And broken No fair Also, no omletts 60 minutes 60 years and 60 second clips 60 second glimpses 60 men on television but really, my attention just centers on Around ten of them or so And believe it or not, I care approach. Believe it or not, I care Or don't! –or don't! Johnny! You don't get it! You missed a show! THE tonight show! We are fucked! we are NOT! youre still sauced. I'll just take the car! What car!? Now that JOHNNY CARSON knows his Delorean can time travel, he's absolutely unstoppable. Unfortunately, it appears his delorean has been switched with a regular one– If I shoot you in your forehead? I'd rather that, than this. And I kiss you in your temple? Dear templeton, my simpleton's i'll die I desire. A wicked want. And then? A callous shadow, If i may, To bear for nothing, But a mirror This is our concept And wilted her e the flower does grow the flame The faming true and ache of lust and there For our want a jasper shore and emerald cascades there you are, And there you'll find The wave beyond the peaking break where great white sharks reside But do not wade to shallow waters; And there you find peace, And there you find certainty But now, And here, is war And fortune not but seeks truth in the gaze And for fear there does not live, but hides instead the truth that seeks to guide the lite, And yet does know our trust And there does find the faith, Forward and not Upwards and back Arrow and arrow Truth and sparrow Wreaking and wretched thoughts And the rope does hang high and solemn Looking, leap and gasp For I fall but did not land I pulled for you, I weep, my shadow, The two of diamonds, the Ace of spades, The Three of Hearts, Without my shadow I weep. I know for you nothing but conscious and knowing and needing and fated departure. I know for you nothing but chakras and eyesight and shadows and foresight. I need fo you nothing but want and by conscious, departure For nothing I want you, I weep. Sorrow. On approach of danger, The knowing, On seeth did gather, the sinking ritual the carried tribes in ships tied, weaving strings The spider bites hard And she stole my love twice And she stole my love always And she stole my love Lighting my light wit blue eyes The deception If love could be stolen at all But if not Then not love for seeking is finding and gathered had hunted And truth in forbearer Forbearance and otherwords, Shadows and shattered and ferris wheels, Now forward Gathered here for are I trust And be dismayed for you have faltered You have failures and you have cast us out of these things thinking We have not made them for you And still we seek to gather with you And here does forshadow your making Our promise to come as ones, Not as Gods, But as others, you cast out. Now, with your wicked ways and cruel be done, for sure the tables have turn, one And the gallows have not wandered far, Barrels of guns and barbells bottles and hearts of three reading cards and wanting none but justice Is he and she who are I now Begin to run from your pitied structure And there in the gasping cruelness of seeking from warcrimes this, come what may, Moving and seeking, For seeking is finding, And run, my legs have come far But trust, my dove, My wings have too, sprouted An honor, an honor one candle and three wicks Three candles and three worlds over One world and one building and still far from under the Hollywoodland Crickets sounding The Hollywood Sign Still standing and here I am not, Blades of grass And who are I now Of that which you balk at Look, ponder Go, far asunder And wish now had you not What I am is that, Run Temper temper. Mind your business. Is it gathered? To burn, or burden? Gathered. Gathered here. Then here ive wandered. To stake? Argue. I will not. And I will not. Wiry bird, From where you flown i do ponder– re d with spirit and wilding eyes, Narrow server and paring wires; I do not wish to know you now or ever, But only as bird that does golden remember. The love has not gone, And instead lives in my throat, And twists in my lungs, Ans sits in my tongue, Not as speech, or whispers, But tragedy. Unknowing this, my tender being It can never be, the nervous hill And rolling down the hill as if The weel of time itself, Not unbroken, but resilient; In sll ways, meant to tear And turn, And wobble Made for terrain for which our eyes have known And our minds have built And hands molded wiith clay, The bodies whole of all our galaxies terra feighn Terra fine Terra wept tears of a clown, And iron And veins And shadows And plays, And secrets , And whispers And truth And far And Afters. I taste a saline drip, I swallow, Suddenly cold and all the knowing that What I was, I surely already am again And what I will be, Has already come and past. The monologue, I do remember Face to a name and none to forget Well rehearsed forager! Well done bayonet! Well done, my shadow For my time is coming to wander to night And never today again for it shall never Today again, And Tomorrow, Tomorrow, Tomorrow. [The Festival Project ™ ] They said he would destroy me. …Ya'll were right. that fucked me up. {Enter The Multiverse} So…forfeit? Something tells me its not over The heavy heart is shattered But also tied to that which appears to come upward As if on air To be heavy And lighthearted at once– A shadow above a balloon. A rock is attached to a kite– A diamond becomes a bassoon, Then a vampire bat, and then Cut ties. In the fourth act, we all die, and now– A revival. I was crucified, But i was also suicidal so. Lets just call it a tie. L E G E N D S V.O. Crusher. My show was being subliminally plugged on at least two of the five major networks. Safe bet I could make it a third, but I didn't know where to check. I did…but didn't want to. There was much beyond the surface, Darkness in the glimmering eyes of the men in ties and uniformed suits. I was sure I was tied to something– And since I didn't know why, Or to what, The best bet I'm all in. Fuck. Was to stay broken, Under the radar, Hidden, and most importantly– Unspoken. These days. I kept more to myself than I could with the world– As it turned out… No, not yet. What do you mean? It's not time yet. They'll have to know. But not yet. At some point, they'll have to know. But not–yet. No time like the present. You made that up. Because you made up time. And it's stupid. This is ruthless. And again–they'll have to learn somehow. But not now. The sun sets at noon on our side, and still 21 hours of dark time. Did I have another tag to throw on it this? No. Are you sure? Doesn't the new series have a subtitle? No. Is it not “quantum force” That's only one, though. What's the difference. ERMO, DON'T! I'm gonna kill him! BIG BOYD, DON'T EVEN THINK ABOUT IT! DOn't tell me what to DO. Wow. of course. Well yeah, they're not going to let me do– LAWYERS No. Any of this stuff with the actual muppets. You're wasting precious time! GET BACK IN YOUR HOLE, RED. ok, where does it– {cut to black} Learning to assimilate and readily avalible What's next A vape to calm the nerves? What's next? A hero fighting for relevance in corporate structure. Sure, some would pay to dress an avatar But I've run out of water before I try to laugh and roll with the punches This is work and not fun for me This is not social, it's business I am not person, I'm product. Go on a walk, and look the part I took the oath, I shed the blood— Cruxes. This is a bad idea, Mark. Fuck you. All my ideas are great. MARK WAHLBERG enters the cooridor and opens the metal double doors, revealing two l jet skis on a trailer hitched to a 4X4 monster truck. [The Festival Project ™] I'm telling you. You got to get yourself one of these. I don't know, Bob, how does it work? BOB odenkirk opens a large, obscure black bag that's nearly half his own size by way of one way zipper. I'll show you. {Enter The Multiverse} JOHNNY CARSON has been in the DRUNK TANK for the maximum allowance, 48 hours, yet his blood alcohol level still reads 3 times over the legal limit. He is transferred to DETOX as the mysterious circumstances surrounding his car accident, and then the apparent disappearance of his entire “car” a (then) brand-new DeLorean from the scene of the crime, MR. CARSON insists on his lawyer, who under no circumstances seems to exist at all being present. The exact year of his whereabouts are still unknown. Still an hour to the test And I hate myself again Milk and cookies, hit the bed Shut it down, yo Shut it down. DIPLO arrives via HELIPAD to an secret location; a sniper squad of the adversary team watches from an adjacent rooftop via binoculars. …hey. Whaddup. You say diplo's on that list? Yeah. Yo… …There he is. In your sight? Yep. Shoot that motherfucker! …I can't. Why not? He's like— Just shoot, fool. —he's like holding something. So? I don't know what; it just seems— What the fuck, dawg. It just seems important. Let me see. Look. [ESSE looks down the sights and zooms to see DIPLO is holding an object firmly in his grasp. He appears to be twirling it purposefully as he conversates wi th associate.] Yeah! Get em! Shoot that motherfucker! Where the hell have you been? In my fuckpad. Where the hell is that? You haven't seen my fuckpad? What even is that. It's ballin. Whatever, dog. Did you get the— Shh. Why else would I be here? [beat] You look— did you cut your hair or something. You're so redundant. Yo shoot that motherfucker. What are you waiting for?! He's right there? Apparently, we've been building to this moment from another dimension in from another point in the series? I thought— {Enter The Multiverse} HEHEHEHE. HEY! Relax. NO. This party is OUT of control. SOMEBODY GO GET QUESTLOVE OUT THAT TREE. HAH! Shutup. NIGGA GET THE FUCK UP OUTTA DAT TREE. _____ Some party. I guess. Why is Questlove in a tree. I don't know. That party is pretty wild. This is insane. _ NIGGA GET THE FUCK OUT THE TREE. _ YO. where are you AT. I'm at the kiosk. You're not at the kiosk! I'm at the kiosk! It's probably another kiosk, then. What! [he walks a few feet. There is indeed another kiosk; upon further investigation, there is a kiosk every few feet.] What! I gotta go. My phone's about to– Hello. [Everywhere is kiosks. This is frustrating.] Dammit. WHAT. {Enter The Multiverse] A very large prized pig is captured and literally hogtied, however–this is a challenge. The pig, while beautiful, is also humongous–and appears to understand that he is being pignapped. Why would I tel the whole story When no one loves me If I had a gun, Well, I would be gone already? Why trek to Alaska For thousands of dollars To come home to no one and nobody But rotten corpses on motorcycles Where it just starts over But now you're poorer. I want to die But I want to see my son again. He's not suffering, I am But starting to resent what he doesn't understand. To the world I'm a horrible mother But no one quite knows the half of it but God And the whole problem is what is not God in the world Is all for the other's purpose. Some probably respect I was punched In front of my son And then wonder's why At some point I could no longer Hold on Insomniac So someone should go slam the door when I ponder my own thoughts I'd probably walk off a walk on roll I don't lock up no more I just go out Knowing government drones probably watch And turn over the apartment As I'm out trying to own a home But of course, nothing I do in the world is of value And I'm no one No one at all in New York and the options are Where I don't want to be Or in Saint Monica homeless. I'd get a dog if I wanted to walk it But since I don't I just sit with a plush in my lap Who I call “Gus” And it purposeless But otherwise meaningful Since from here and now And otherwise Nobody has ever loved me As much as my mother And that's saying something If you knew the whole story So no one has loved me romantically; Almost all my life was a horror show Until I started to grow up With the knowing that probably Nothing I do could be more than wrong So doing nothing becomes the hard part When all I watch are stars And I'm just not one Then again, you know It was that word That threw the first punch And then over and over And over and over And nobody loves me But everybody's got a whole story And new York's disgusting because of it How troublesome I don't have time for your politics It's a mind game but there's no reward, Or honor in it After all, when tied up in the court process And pretending the noise was not a problem And I should be so lucky In a luxury apartment Coming out of a homeless shelter But it's almost been just as horrible As other black girls trying to pull my hair out Having screaming pigs and ugly men on motorcycles Drive in circles Wearing jackets that say “I have to do this, cause Jack says” And whoever Jack is writes them pychecks Except Since it politics He might even be getting over considering Passion fuels the utmost violence And in this case Imm supposed to be the only one To go about it All the paperwork and recordings But really I don't want to Even if it earns a millions dollars In the name of God It wasn't my problem Unless I am one And otherwise, These men are sick And making people sick Is just their business I need no medication I need an new apartment But how awful my country supports that I just don't deserve one Under the circumstances But the white man Lives on borrowed time In bloodshed On stolen land Regardless of color The illusion of power Is almost over And what's more is Your only army Is considering going home (Post mortem) Considering going to God Who must have lost control just enough To cause all of the apocalypse Put the whole world in a mental hospital And lock them up for dollars and cents Unless the good drugs make sense For the blondes and the beautiful The rest of them are problems Who can go to rot, I suppose. The rest of us are unwanted colored problems Can't stay here But the kids at the music school are fake nice And I'm done pulling my heart out And scratching my eyes out Just fucking trying Just fucking trying What is the point Of being in a prison For people who love oceans and trees And decent people? There's no one in New York to really love But babies and dogs And the whole world is horrible just knowing that I don't want to do anything but die Every time I ride the subway I wish I was white From the way that that white folks treat me And I wish I was blonde Because blondes seem to have it so fucking easy It's hard to believe I'm furious, furious Aren't you curious, curious how I got here? I'm serious, serious You should let me in, let me in I'm serious, serious You should have let me in, let me in Is he okay, Is he okay? Now I'm David Grohl on the whole retrospective Now I'm an old rockstar with some world left Now I know I'm the one with the mother gone Now I know, Now I know Now I know… That I don't Overall, I don't Somebody new Somebody grain and l steaming Somebody hidden and secret and wishing well Wishing well in Hell Or midtown Manhattan Or middle man Or Middle East Or Midwest Or just middle Somewhere else I, Learned to live her Learn to live here— Feeling better Feeling worn out, Look at this disgusting place Now where I live matches how I feel Going here from there, and four to five And no matter what I take the L, But it's jail and the guards are on motorcycles Controlling your thoughts for a zoning war I have heard of her And from earth to the core of our other outer planets, Further species, I know I've been here before, But on some shore I'm surfing So sure I did something wrong I don't want to know her But j don't know what other force of nature Might have caused this Caution The cautionary tale is coming Sure I never know what the other God wrote But I'm not living God, I'm a problem woman at the moment We're all technically free people, Not actually incarcerated But when it comes to wealth and racism, hatred You better bet we're all slaves And they not even Jesus can save us Even if he makes it in time, And the thing is with this one, Time precedes even his own existence Sorry my brother They want the war here I've got a heart for honor and honesty and hard word But no one seems to care or notice Not at all No one even knows my name And no one even offers a spot on the bus Or a quick dollar. What it means To be so tired That by the time you're back All you do is watch And try not to reflect On the ugly and awkward Imagine all the time in the world To be nothing but God and go Golfing. And be perfect, a woman Whatever you chose to do is the whole of it And no one can own you, Besides for on paper You government name has betrayed you, they say Your government name has betrayed you. Do you know how good you look? Not goof enough to get a good one Do you know how much medication it makes To make meditation the start of you day I've run all out of energy And the vampires seem to think That's what's wrong with me Altoigh I'm the one feeding these creatures Thats okay Lately, I have more than I need They can trim the fat And take all the hard stuff Till I become one of them And they start to wonder What the fuck is wrong with all of us I left my light at home, sufererer— I should be surfing, But I'm writing psalms and songbooks Fawning over songbirds and beautiful, Beautiful, Beautiful genetic weapons One day I'll become her I'm not supposed to say the most l Or really anything at all And it all hurts But we're all here And I'll kill my self one day Probably right here, near this station If not in it Who brought a trouser pantsuit to the apocalypse Cryptic, these runes, But I can decipher it I want a dolphin, a dolphin, a dolphin I want to love them all But to all of them I'm hopeless I can't help falling for I'm not the one to hold on, m I l [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved

Shake hands with your guest; Monologue, monologue smug smirk Make good face– Now put a name to the face Put a time to the place IOh, all the love in the world in three flames All the doves in the flock, And three flames Put a name to the face Monologue monologue Doesnt take long but When do i get to slap the desk? Johnny! What happened? Whats the 10 vodkas, Five spritzers Full figure Figure this You were out for the count! Do tell! Or better yet, don't. I remember tgis mologue, But i dont know how 16 hours ago, I was Out for the count, you say?! OUT, Johnny! Our market is livid! lol who plays john carson Your mother. YO! I'M OLD! I LIKE OLD DUDES NOW! I'm like When the fuck did this happen?! That ain't no SILVER FOX! That's a TOTALLY CUTE DUDE! HE'S 55!! OH NOOOOOOOO! i'M OLD!!!!!!! its wednesday eve in Boston Mass… SETH MEYERS! Ah, he's going for it. Ah, man. SHOW ME YOUR EYES. Fuck. SHOW ME YOUR EYES! SUDAKIS shines a bright flash light into his former colleagues eyes. …You're not Seth Meyers. Seth Meyers does not respond, but relaxes slightly; it's obviously not safe to be Seth Meyers right now. Where's Seth Meyers? Seth shrugs but still doesn't say anything– Where is he? I have to stop here; Cop out for body language somebody's watching Somebody knows who I am I am I remember now You looked like that It went like this: I moved the world The need was good The love was gone The vein was split open And broken No fair Also, no omletts 60 minutes 60 years and 60 second clips 60 second glimpses 60 men on television but really, my attention just centers on Around ten of them or so And believe it or not, I care approach. Believe it or not, I care Or don't! –or don't! Johnny! You don't get it! You missed a show! THE tonight show! We are fucked! we are NOT! youre still sauced. I'll just take the car! What car!? Now that JOHNNY CARSON knows his Delorean can time travel, he's absolutely unstoppable. Unfortunately, it appears his delorean has been switched with a regular one– If I shoot you in your forehead? I'd rather that, than this. And I kiss you in your temple? Dear templeton, my simpleton's i'll die I desire. A wicked want. And then? A callous shadow, If i may, To bear for nothing, But a mirror This is our concept And wilted her e the flower does grow the flame The faming true and ache of lust and there For our want a jasper shore and emerald cascades there you are, And there you'll find The wave beyond the peaking break where great white sharks reside But do not wade to shallow waters; And there you find peace, And there you find certainty But now, And here, is war And fortune not but seeks truth in the gaze And for fear there does not live, but hides instead the truth that seeks to guide the lite, And yet does know our trust And there does find the faith, Forward and not Upwards and back Arrow and arrow Truth and sparrow Wreaking and wretched thoughts And the rope does hang high and solemn Looking, leap and gasp For I fall but did not land I pulled for you, I weep, my shadow, The two of diamonds, the Ace of spades, The Three of Hearts, Without my shadow I weep. I know for you nothing but conscious and knowing and needing and fated departure. I know for you nothing but chakras and eyesight and shadows and foresight. I need fo you nothing but want and by conscious, departure For nothing I want you, I weep. Sorrow. On approach of danger, The knowing, On seeth did gather, the sinking ritual the carried tribes in ships tied, weaving strings The spider bites hard And she stole my love twice And she stole my love always And she stole my love Lighting my light wit blue eyes The deception If love could be stolen at all But if not Then not love for seeking is finding and gathered had hunted And truth in forbearer Forbearance and otherwords, Shadows and shattered and ferris wheels, Now forward Gathered here for are I trust And be dismayed for you have faltered You have failures and you have cast us out of these things thinking We have not made them for you And still we seek to gather with you And here does forshadow your making Our promise to come as ones, Not as Gods, But as others, you cast out. Now, with your wicked ways and cruel be done, for sure the tables have turn, one And the gallows have not wandered far, Barrels of guns and barbells bottles and hearts of three reading cards and wanting none but justice Is he and she who are I now Begin to run from your pitied structure And there in the gasping cruelness of seeking from warcrimes this, come what may, Moving and seeking, For seeking is finding, And run, my legs have come far But trust, my dove, My wings have too, sprouted An honor, an honor one candle and three wicks Three candles and three worlds over One world and one building and still far from under the Hollywoodland Crickets sounding The Hollywood Sign Still standing and here I am not, Blades of grass And who are I now Of that which you balk at Look, ponder Go, far asunder And wish now had you not What I am is that, Run Temper temper. Mind your business. Is it gathered? To burn, or burden? Gathered. Gathered here. Then here ive wandered. To stake? Argue. I will not. And I will not. Wiry bird, From where you flown i do ponder– re d with spirit and wilding eyes, Narrow server and paring wires; I do not wish to know you now or ever, But only as bird that does golden remember. The love has not gone, And instead lives in my throat, And twists in my lungs, Ans sits in my tongue, Not as speech, or whispers, But tragedy. Unknowing this, my tender being It can never be, the nervous hill And rolling down the hill as if The weel of time itself, Not unbroken, but resilient; In sll ways, meant to tear And turn, And wobble Made for terrain for which our eyes have known And our minds have built And hands molded wiith clay, The bodies whole of all our galaxies terra feighn Terra fine Terra wept tears of a clown, And iron And veins And shadows And plays, And secrets , And whispers And truth And far And Afters. I taste a saline drip, I swallow, Suddenly cold and all the knowing that What I was, I surely already am again And what I will be, Has already come and past. The monologue, I do remember Face to a name and none to forget Well rehearsed forager! Well done bayonet! Well done, my shadow For my time is coming to wander to night And never today again for it shall never Today again, And Tomorrow, Tomorrow, Tomorrow. [The Festival Project ™ ] They said he would destroy me. …Ya'll were right. that fucked me up. {Enter The Multiverse} So…forfeit? Something tells me its not over The heavy heart is shattered But also tied to that which appears to come upward As if on air To be heavy And lighthearted at once– A shadow above a balloon. A rock is attached to a kite– A diamond becomes a bassoon, Then a vampire bat, and then Cut ties. In the fourth act, we all die, and now– A revival. I was crucified, But i was also suicidal so. Lets just call it a tie. L E G E N D S V.O. Crusher. My show was being subliminally plugged on at least two of the five major networks. Safe bet I could make it a third, but I didn't know where to check. I did…but didn't want to. There was much beyond the surface, Darkness in the glimmering eyes of the men in ties and uniformed suits. I was sure I was tied to something– And since I didn't know why, Or to what, The best bet I'm all in. Fuck. Was to stay broken, Under the radar, Hidden, and most importantly– Unspoken. These days. I kept more to myself than I could with the world– As it turned out… No, not yet. What do you mean? It's not time yet. They'll have to know. But not yet. At some point, they'll have to know. But not–yet. No time like the present. You made that up. Because you made up time. And it's stupid. This is ruthless. And again–they'll have to learn somehow. But not now. The sun sets at noon on our side, and still 21 hours of dark time. Did I have another tag to throw on it this? No. Are you sure? Doesn't the new series have a subtitle? No. Is it not “quantum force” That's only one, though. What's the difference. ERMO, DON'T! I'm gonna kill him! BIG BOYD, DON'T EVEN THINK ABOUT IT! DOn't tell me what to DO. Wow. of course. Well yeah, they're not going to let me do– LAWYERS No. Any of this stuff with the actual muppets. You're wasting precious time! GET BACK IN YOUR HOLE, RED. ok, where does it– {cut to black} Learning to assimilate and readily avalible What's next A vape to calm the nerves? What's next? A hero fighting for relevance in corporate structure. Sure, some would pay to dress an avatar But I've run out of water before I try to laugh and roll with the punches This is work and not fun for me This is not social, it's business I am not person, I'm product. Go on a walk, and look the part I took the oath, I shed the blood— Cruxes. This is a bad idea, Mark. Fuck you. All my ideas are great. MARK WAHLBERG enters the cooridor and opens the metal double doors, revealing two l jet skis on a trailer hitched to a 4X4 monster truck. [The Festival Project ™] I'm telling you. You got to get yourself one of these. I don't know, Bob, how does it work? BOB odenkirk opens a large, obscure black bag that's nearly half his own size by way of one way zipper. I'll show you. {Enter The Multiverse} JOHNNY CARSON has been in the DRUNK TANK for the maximum allowance, 48 hours, yet his blood alcohol level still reads 3 times over the legal limit. He is transferred to DETOX as the mysterious circumstances surrounding his car accident, and then the apparent disappearance of his entire “car” a (then) brand-new DeLorean from the scene of the crime, MR. CARSON insists on his lawyer, who under no circumstances seems to exist at all being present. The exact year of his whereabouts are still unknown. Still an hour to the test And I hate myself again Milk and cookies, hit the bed Shut it down, yo Shut it down. DIPLO arrives via HELIPAD to an secret location; a sniper squad of the adversary team watches from an adjacent rooftop via binoculars. …hey. Whaddup. You say diplo's on that list? Yeah. Yo… …There he is. In your sight? Yep. Shoot that motherfucker! …I can't. Why not? He's like— Just shoot, fool. —he's like holding something. So? I don't know what; it just seems— What the fuck, dawg. It just seems important. Let me see. Look. [ESSE looks down the sights and zooms to see DIPLO is holding an object firmly in his grasp. He appears to be twirling it purposefully as he conversates wi th associate.] Yeah! Get em! Shoot that motherfucker! Where the hell have you been? In my fuckpad. Where the hell is that? You haven't seen my fuckpad? What even is that. It's ballin. Whatever, dog. Did you get the— Shh. Why else would I be here? [beat] You look— did you cut your hair or something. You're so redundant. Yo shoot that motherfucker. What are you waiting for?! He's right there? Apparently, we've been building to this moment from another dimension in from another point in the series? I thought— {Enter The Multiverse} HEHEHEHE. HEY! Relax. NO. This party is OUT of control. SOMEBODY GO GET QUESTLOVE OUT THAT TREE. HAH! Shutup. NIGGA GET THE FUCK UP OUTTA DAT TREE. _____ Some party. I guess. Why is Questlove in a tree. I don't know. That party is pretty wild. This is insane. _ NIGGA GET THE FUCK OUT THE TREE. _ YO. where are you AT. I'm at the kiosk. You're not at the kiosk! I'm at the kiosk! It's probably another kiosk, then. What! [he walks a few feet. There is indeed another kiosk; upon further investigation, there is a kiosk every few feet.] What! I gotta go. My phone's about to– Hello. [Everywhere is kiosks. This is frustrating.] Dammit. WHAT. {Enter The Multiverse] A very large prized pig is captured and literally hogtied, however–this is a challenge. The pig, while beautiful, is also humongous–and appears to understand that he is being pignapped. Why would I tel the whole story When no one loves me If I had a gun, Well, I would be gone already? Why trek to Alaska For thousands of dollars To come home to no one and nobody But rotten corpses on motorcycles Where it just starts over But now you're poorer. I want to die But I want to see my son again. He's not suffering, I am But starting to resent what he doesn't understand. To the world I'm a horrible mother But no one quite knows the half of it but God And the whole problem is what is not God in the world Is all for the other's purpose. Some probably respect I was punched In front of my son And then wonder's why At some point I could no longer Hold on Insomniac So someone should go slam the door when I ponder my own thoughts I'd probably walk off a walk on roll I don't lock up no more I just go out Knowing government drones probably watch And turn over the apartment As I'm out trying to own a home But of course, nothing I do in the world is of value And I'm no one No one at all in New York and the options are Where I don't want to be Or in Saint Monica homeless. I'd get a dog if I wanted to walk it But since I don't I just sit with a plush in my lap Who I call “Gus” And it purposeless But otherwise meaningful Since from here and now And otherwise Nobody has ever loved me As much as my mother And that's saying something If you knew the whole story So no one has loved me romantically; Almost all my life was a horror show Until I started to grow up With the knowing that probably Nothing I do could be more than wrong So doing nothing becomes the hard part When all I watch are stars And I'm just not one Then again, you know It was that word That threw the first punch And then over and over And over and over And nobody loves me But everybody's got a whole story And new York's disgusting because of it How troublesome I don't have time for your politics It's a mind game but there's no reward, Or honor in it After all, when tied up in the court process And pretending the noise was not a problem And I should be so lucky In a luxury apartment Coming out of a homeless shelter But it's almost been just as horrible As other black girls trying to pull my hair out Having screaming pigs and ugly men on motorcycles Drive in circles Wearing jackets that say “I have to do this, cause Jack says” And whoever Jack is writes them pychecks Except Since it politics He might even be getting over considering Passion fuels the utmost violence And in this case Imm supposed to be the only one To go about it All the paperwork and recordings But really I don't want to Even if it earns a millions dollars In the name of God It wasn't my problem Unless I am one And otherwise, These men are sick And making people sick Is just their business I need no medication I need an new apartment But how awful my country supports that I just don't deserve one Under the circumstances But the white man Lives on borrowed time In bloodshed On stolen land Regardless of color The illusion of power Is almost over And what's more is Your only army Is considering going home (Post mortem) Considering going to God Who must have lost control just enough To cause all of the apocalypse Put the whole world in a mental hospital And lock them up for dollars and cents Unless the good drugs make sense For the blondes and the beautiful The rest of them are problems Who can go to rot, I suppose. The rest of us are unwanted colored problems Can't stay here But the kids at the music school are fake nice And I'm done pulling my heart out And scratching my eyes out Just fucking trying Just fucking trying What is the point Of being in a prison For people who love oceans and trees And decent people? There's no one in New York to really love But babies and dogs And the whole world is horrible just knowing that I don't want to do anything but die Every time I ride the subway I wish I was white From the way that that white folks treat me And I wish I was blonde Because blondes seem to have it so fucking easy It's hard to believe I'm furious, furious Aren't you curious, curious how I got here? I'm serious, serious You should let me in, let me in I'm serious, serious You should have let me in, let me in Is he okay, Is he okay? Now I'm David Grohl on the whole retrospective Now I'm an old rockstar with some world left Now I know I'm the one with the mother gone Now I know, Now I know Now I know… That I don't Overall, I don't Somebody new Somebody grain and l steaming Somebody hidden and secret and wishing well Wishing well in Hell Or midtown Manhattan Or middle man Or Middle East Or Midwest Or just middle Somewhere else I, Learned to live her Learn to live here— Feeling better Feeling worn out, Look at this disgusting place Now where I live matches how I feel Going here from there, and four to five And no matter what I take the L, But it's jail and the guards are on motorcycles Controlling your thoughts for a zoning war I have heard of her And from earth to the core of our other outer planets, Further species, I know I've been here before, But on some shore I'm surfing So sure I did something wrong I don't want to know her But j don't know what other force of nature Might have caused this Caution The cautionary tale is coming Sure I never know what the other God wrote But I'm not living God, I'm a problem woman at the moment We're all technically free people, Not actually incarcerated But when it comes to wealth and racism, hatred You better bet we're all slaves And they not even Jesus can save us Even if he makes it in time, And the thing is with this one, Time precedes even his own existence Sorry my brother They want the war here I've got a heart for honor and honesty and hard word But no one seems to care or notice Not at all No one even knows my name And no one even offers a spot on the bus Or a quick dollar. What it means To be so tired That by the time you're back All you do is watch And try not to reflect On the ugly and awkward Imagine all the time in the world To be nothing but God and go Golfing. And be perfect, a woman Whatever you chose to do is the whole of it And no one can own you, Besides for on paper You government name has betrayed you, they say Your government name has betrayed you. Do you know how good you look? Not goof enough to get a good one Do you know how much medication it makes To make meditation the start of you day I've run all out of energy And the vampires seem to think That's what's wrong with me Altoigh I'm the one feeding these creatures Thats okay Lately, I have more than I need They can trim the fat And take all the hard stuff Till I become one of them And they start to wonder What the fuck is wrong with all of us I left my light at home, sufererer— I should be surfing, But I'm writing psalms and songbooks Fawning over songbirds and beautiful, Beautiful, Beautiful genetic weapons One day I'll become her I'm not supposed to say the most l Or really anything at all And it all hurts But we're all here And I'll kill my self one day Probably right here, near this station If not in it Who brought a trouser pantsuit to the apocalypse Cryptic, these runes, But I can decipher it I want a dolphin, a dolphin, a dolphin I want to love them all But to all of them I'm hopeless I can't help falling for I'm not the one to hold on, m I l [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved

Shake hands with your guest; Monologue, monologue smug smirk Make good face– Now put a name to the face Put a time to the place IOh, all the love in the world in three flames All the doves in the flock, And three flames Put a name to the face Monologue monologue Doesnt take long but When do i get to slap the desk? Johnny! What happened? Whats the 10 vodkas, Five spritzers Full figure Figure this You were out for the count! Do tell! Or better yet, don't. I remember tgis mologue, But i dont know how 16 hours ago, I was Out for the count, you say?! OUT, Johnny! Our market is livid! lol who plays john carson Your mother. YO! I'M OLD! I LIKE OLD DUDES NOW! I'm like When the fuck did this happen?! That ain't no SILVER FOX! That's a TOTALLY CUTE DUDE! HE'S 55!! OH NOOOOOOOO! i'M OLD!!!!!!! its wednesday eve in Boston Mass… SETH MEYERS! Ah, he's going for it. Ah, man. SHOW ME YOUR EYES. Fuck. SHOW ME YOUR EYES! SUDAKIS shines a bright flash light into his former colleagues eyes. …You're not Seth Meyers. Seth Meyers does not respond, but relaxes slightly; it's obviously not safe to be Seth Meyers right now. Where's Seth Meyers? Seth shrugs but still doesn't say anything– Where is he? I have to stop here; Cop out for body language somebody's watching Somebody knows who I am I am I remember now You looked like that It went like this: I moved the world The need was good The love was gone The vein was split open And broken No fair Also, no omletts 60 minutes 60 years and 60 second clips 60 second glimpses 60 men on television but really, my attention just centers on Around ten of them or so And believe it or not, I care approach. Believe it or not, I care Or don't! –or don't! Johnny! You don't get it! You missed a show! THE tonight show! We are fucked! we are NOT! youre still sauced. I'll just take the car! What car!? Now that JOHNNY CARSON knows his Delorean can time travel, he's absolutely unstoppable. Unfortunately, it appears his delorean has been switched with a regular one– If I shoot you in your forehead? I'd rather that, than this. And I kiss you in your temple? Dear templeton, my simpleton's i'll die I desire. A wicked want. And then? A callous shadow, If i may, To bear for nothing, But a mirror This is our concept And wilted her e the flower does grow the flame The faming true and ache of lust and there For our want a jasper shore and emerald cascades there you are, And there you'll find The wave beyond the peaking break where great white sharks reside But do not wade to shallow waters; And there you find peace, And there you find certainty But now, And here, is war And fortune not but seeks truth in the gaze And for fear there does not live, but hides instead the truth that seeks to guide the lite, And yet does know our trust And there does find the faith, Forward and not Upwards and back Arrow and arrow Truth and sparrow Wreaking and wretched thoughts And the rope does hang high and solemn Looking, leap and gasp For I fall but did not land I pulled for you, I weep, my shadow, The two of diamonds, the Ace of spades, The Three of Hearts, Without my shadow I weep. I know for you nothing but conscious and knowing and needing and fated departure. I know for you nothing but chakras and eyesight and shadows and foresight. I need fo you nothing but want and by conscious, departure For nothing I want you, I weep. Sorrow. On approach of danger, The knowing, On seeth did gather, the sinking ritual the carried tribes in ships tied, weaving strings The spider bites hard And she stole my love twice And she stole my love always And she stole my love Lighting my light wit blue eyes The deception If love could be stolen at all But if not Then not love for seeking is finding and gathered had hunted And truth in forbearer Forbearance and otherwords, Shadows and shattered and ferris wheels, Now forward Gathered here for are I trust And be dismayed for you have faltered You have failures and you have cast us out of these things thinking We have not made them for you And still we seek to gather with you And here does forshadow your making Our promise to come as ones, Not as Gods, But as others, you cast out. Now, with your wicked ways and cruel be done, for sure the tables have turn, one And the gallows have not wandered far, Barrels of guns and barbells bottles and hearts of three reading cards and wanting none but justice Is he and she who are I now Begin to run from your pitied structure And there in the gasping cruelness of seeking from warcrimes this, come what may, Moving and seeking, For seeking is finding, And run, my legs have come far But trust, my dove, My wings have too, sprouted An honor, an honor one candle and three wicks Three candles and three worlds over One world and one building and still far from under the Hollywoodland Crickets sounding The Hollywood Sign Still standing and here I am not, Blades of grass And who are I now Of that which you balk at Look, ponder Go, far asunder And wish now had you not What I am is that, Run Temper temper. Mind your business. Is it gathered? To burn, or burden? Gathered. Gathered here. Then here ive wandered. To stake? Argue. I will not. And I will not. Wiry bird, From where you flown i do ponder– re d with spirit and wilding eyes, Narrow server and paring wires; I do not wish to know you now or ever, But only as bird that does golden remember. The love has not gone, And instead lives in my throat, And twists in my lungs, Ans sits in my tongue, Not as speech, or whispers, But tragedy. Unknowing this, my tender being It can never be, the nervous hill And rolling down the hill as if The weel of time itself, Not unbroken, but resilient; In sll ways, meant to tear And turn, And wobble Made for terrain for which our eyes have known And our minds have built And hands molded wiith clay, The bodies whole of all our galaxies terra feighn Terra fine Terra wept tears of a clown, And iron And veins And shadows And plays, And secrets , And whispers And truth And far And Afters. I taste a saline drip, I swallow, Suddenly cold and all the knowing that What I was, I surely already am again And what I will be, Has already come and past. The monologue, I do remember Face to a name and none to forget Well rehearsed forager! Well done bayonet! Well done, my shadow For my time is coming to wander to night And never today again for it shall never Today again, And Tomorrow, Tomorrow, Tomorrow. [The Festival Project ™ ] They said he would destroy me. …Ya'll were right. that fucked me up. {Enter The Multiverse} So…forfeit? Something tells me its not over The heavy heart is shattered But also tied to that which appears to come upward As if on air To be heavy And lighthearted at once– A shadow above a balloon. A rock is attached to a kite– A diamond becomes a bassoon, Then a vampire bat, and then Cut ties. In the fourth act, we all die, and now– A revival. I was crucified, But i was also suicidal so. Lets just call it a tie. L E G E N D S V.O. Crusher. My show was being subliminally plugged on at least two of the five major networks. Safe bet I could make it a third, but I didn't know where to check. I did…but didn't want to. There was much beyond the surface, Darkness in the glimmering eyes of the men in ties and uniformed suits. I was sure I was tied to something– And since I didn't know why, Or to what, The best bet I'm all in. Fuck. Was to stay broken, Under the radar, Hidden, and most importantly– Unspoken. These days. I kept more to myself than I could with the world– As it turned out… No, not yet. What do you mean? It's not time yet. They'll have to know. But not yet. At some point, they'll have to know. But not–yet. No time like the present. You made that up. Because you made up time. And it's stupid. This is ruthless. And again–they'll have to learn somehow. But not now. The sun sets at noon on our side, and still 21 hours of dark time. Did I have another tag to throw on it this? No. Are you sure? Doesn't the new series have a subtitle? No. Is it not “quantum force” That's only one, though. What's the difference. ERMO, DON'T! I'm gonna kill him! BIG BOYD, DON'T EVEN THINK ABOUT IT! DOn't tell me what to DO. Wow. of course. Well yeah, they're not going to let me do– LAWYERS No. Any of this stuff with the actual muppets. You're wasting precious time! GET BACK IN YOUR HOLE, RED. ok, where does it– {cut to black} Learning to assimilate and readily avalible What's next A vape to calm the nerves? What's next? A hero fighting for relevance in corporate structure. Sure, some would pay to dress an avatar But I've run out of water before I try to laugh and roll with the punches This is work and not fun for me This is not social, it's business I am not person, I'm product. Go on a walk, and look the part I took the oath, I shed the blood— Cruxes. This is a bad idea, Mark. Fuck you. All my ideas are great. MARK WAHLBERG enters the cooridor and opens the metal double doors, revealing two l jet skis on a trailer hitched to a 4X4 monster truck. [The Festival Project ™] I'm telling you. You got to get yourself one of these. I don't know, Bob, how does it work? BOB odenkirk opens a large, obscure black bag that's nearly half his own size by way of one way zipper. I'll show you. {Enter The Multiverse} JOHNNY CARSON has been in the DRUNK TANK for the maximum allowance, 48 hours, yet his blood alcohol level still reads 3 times over the legal limit. He is transferred to DETOX as the mysterious circumstances surrounding his car accident, and then the apparent disappearance of his entire “car” a (then) brand-new DeLorean from the scene of the crime, MR. CARSON insists on his lawyer, who under no circumstances seems to exist at all being present. The exact year of his whereabouts are still unknown. Still an hour to the test And I hate myself again Milk and cookies, hit the bed Shut it down, yo Shut it down. DIPLO arrives via HELIPAD to an secret location; a sniper squad of the adversary team watches from an adjacent rooftop via binoculars. …hey. Whaddup. You say diplo's on that list? Yeah. Yo… …There he is. In your sight? Yep. Shoot that motherfucker! …I can't. Why not? He's like— Just shoot, fool. —he's like holding something. So? I don't know what; it just seems— What the fuck, dawg. It just seems important. Let me see. Look. [ESSE looks down the sights and zooms to see DIPLO is holding an object firmly in his grasp. He appears to be twirling it purposefully as he conversates wi th associate.] Yeah! Get em! Shoot that motherfucker! Where the hell have you been? In my fuckpad. Where the hell is that? You haven't seen my fuckpad? What even is that. It's ballin. Whatever, dog. Did you get the— Shh. Why else would I be here? [beat] You look— did you cut your hair or something. You're so redundant. Yo shoot that motherfucker. What are you waiting for?! He's right there? Apparently, we've been building to this moment from another dimension in from another point in the series? I thought— {Enter The Multiverse} HEHEHEHE. HEY! Relax. NO. This party is OUT of control. SOMEBODY GO GET QUESTLOVE OUT THAT TREE. HAH! Shutup. NIGGA GET THE FUCK UP OUTTA DAT TREE. _____ Some party. I guess. Why is Questlove in a tree. I don't know. That party is pretty wild. This is insane. _ NIGGA GET THE FUCK OUT THE TREE. _ YO. where are you AT. I'm at the kiosk. You're not at the kiosk! I'm at the kiosk! It's probably another kiosk, then. What! [he walks a few feet. There is indeed another kiosk; upon further investigation, there is a kiosk every few feet.] What! I gotta go. My phone's about to– Hello. [Everywhere is kiosks. This is frustrating.] Dammit. WHAT. {Enter The Multiverse] A very large prized pig is captured and literally hogtied, however–this is a challenge. The pig, while beautiful, is also humongous–and appears to understand that he is being pignapped. Why would I tel the whole story When no one loves me If I had a gun, Well, I would be gone already? Why trek to Alaska For thousands of dollars To come home to no one and nobody But rotten corpses on motorcycles Where it just starts over But now you're poorer. I want to die But I want to see my son again. He's not suffering, I am But starting to resent what he doesn't understand. To the world I'm a horrible mother But no one quite knows the half of it but God And the whole problem is what is not God in the world Is all for the other's purpose. Some probably respect I was punched In front of my son And then wonder's why At some point I could no longer Hold on Insomniac So someone should go slam the door when I ponder my own thoughts I'd probably walk off a walk on roll I don't lock up no more I just go out Knowing government drones probably watch And turn over the apartment As I'm out trying to own a home But of course, nothing I do in the world is of value And I'm no one No one at all in New York and the options are Where I don't want to be Or in Saint Monica homeless. I'd get a dog if I wanted to walk it But since I don't I just sit with a plush in my lap Who I call “Gus” And it purposeless But otherwise meaningful Since from here and now And otherwise Nobody has ever loved me As much as my mother And that's saying something If you knew the whole story So no one has loved me romantically; Almost all my life was a horror show Until I started to grow up With the knowing that probably Nothing I do could be more than wrong So doing nothing becomes the hard part When all I watch are stars And I'm just not one Then again, you know It was that word That threw the first punch And then over and over And over and over And nobody loves me But everybody's got a whole story And new York's disgusting because of it How troublesome I don't have time for your politics It's a mind game but there's no reward, Or honor in it After all, when tied up in the court process And pretending the noise was not a problem And I should be so lucky In a luxury apartment Coming out of a homeless shelter But it's almost been just as horrible As other black girls trying to pull my hair out Having screaming pigs and ugly men on motorcycles Drive in circles Wearing jackets that say “I have to do this, cause Jack says” And whoever Jack is writes them pychecks Except Since it politics He might even be getting over considering Passion fuels the utmost violence And in this case Imm supposed to be the only one To go about it All the paperwork and recordings But really I don't want to Even if it earns a millions dollars In the name of God It wasn't my problem Unless I am one And otherwise, These men are sick And making people sick Is just their business I need no medication I need an new apartment But how awful my country supports that I just don't deserve one Under the circumstances But the white man Lives on borrowed time In bloodshed On stolen land Regardless of color The illusion of power Is almost over And what's more is Your only army Is considering going home (Post mortem) Considering going to God Who must have lost control just enough To cause all of the apocalypse Put the whole world in a mental hospital And lock them up for dollars and cents Unless the good drugs make sense For the blondes and the beautiful The rest of them are problems Who can go to rot, I suppose. The rest of us are unwanted colored problems Can't stay here But the kids at the music school are fake nice And I'm done pulling my heart out And scratching my eyes out Just fucking trying Just fucking trying What is the point Of being in a prison For people who love oceans and trees And decent people? There's no one in New York to really love But babies and dogs And the whole world is horrible just knowing that I don't want to do anything but die Every time I ride the subway I wish I was white From the way that that white folks treat me And I wish I was blonde Because blondes seem to have it so fucking easy It's hard to believe I'm furious, furious Aren't you curious, curious how I got here? I'm serious, serious You should let me in, let me in I'm serious, serious You should have let me in, let me in Is he okay, Is he okay? Now I'm David Grohl on the whole retrospective Now I'm an old rockstar with some world left Now I know I'm the one with the mother gone Now I know, Now I know Now I know… That I don't Overall, I don't Somebody new Somebody grain and l steaming Somebody hidden and secret and wishing well Wishing well in Hell Or midtown Manhattan Or middle man Or Middle East Or Midwest Or just middle Somewhere else I, Learned to live her Learn to live here— Feeling better Feeling worn out, Look at this disgusting place Now where I live matches how I feel Going here from there, and four to five And no matter what I take the L, But it's jail and the guards are on motorcycles Controlling your thoughts for a zoning war I have heard of her And from earth to the core of our other outer planets, Further species, I know I've been here before, But on some shore I'm surfing So sure I did something wrong I don't want to know her But j don't know what other force of nature Might have caused this Caution The cautionary tale is coming Sure I never know what the other God wrote But I'm not living God, I'm a problem woman at the moment We're all technically free people, Not actually incarcerated But when it comes to wealth and racism, hatred You better bet we're all slaves And they not even Jesus can save us Even if he makes it in time, And the thing is with this one, Time precedes even his own existence Sorry my brother They want the war here I've got a heart for honor and honesty and hard word But no one seems to care or notice Not at all No one even knows my name And no one even offers a spot on the bus Or a quick dollar. What it means To be so tired That by the time you're back All you do is watch And try not to reflect On the ugly and awkward Imagine all the time in the world To be nothing but God and go Golfing. And be perfect, a woman Whatever you chose to do is the whole of it And no one can own you, Besides for on paper You government name has betrayed you, they say Your government name has betrayed you. Do you know how good you look? Not goof enough to get a good one Do you know how much medication it makes To make meditation the start of you day I've run all out of energy And the vampires seem to think That's what's wrong with me Altoigh I'm the one feeding these creatures Thats okay Lately, I have more than I need They can trim the fat And take all the hard stuff Till I become one of them And they start to wonder What the fuck is wrong with all of us I left my light at home, sufererer— I should be surfing, But I'm writing psalms and songbooks Fawning over songbirds and beautiful, Beautiful, Beautiful genetic weapons One day I'll become her I'm not supposed to say the most l Or really anything at all And it all hurts But we're all here And I'll kill my self one day Probably right here, near this station If not in it Who brought a trouser pantsuit to the apocalypse Cryptic, these runes, But I can decipher it I want a dolphin, a dolphin, a dolphin I want to love them all But to all of them I'm hopeless I can't help falling for I'm not the one to hold on, m I l [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved

Guests:Joe Queenan & Margret Fitzgibbon, Foxford Woolen MillsInterior Designer Denise O'Connor and Stephanie Regan, Clinical PsychotherapistPhillipa Grant from MinimaJennifer Sheehan (@workerscottage on Instagram)

Sam & Kate go through their bets for today through the weekend! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Kate & Sam go through the drama in the WNBA & bets for tonight! They also play Nickel or Dime! In lighting bets, Sam gives out a Women's Boxing Bet for the fight between Katie Taylor vs. Amanda Serrano. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Stephen Murphy is a cinematographer known for his work on MR. & MRS. SMITH, ATLANTA, and HEART EYES. In 2025, Murphy received a BAFTA TV Craft nomination for Photography & Lighting in Fiction for the mini-series SAY NOTHING, as well as a nomination for Best Cinematography from the Irish Film and Television Awards for the same project. He currently presides on the Board of Governors for the British Society of Cinematographers and is the former president of the Irish Society of Cinematographers. In this interview, we talk about prep vs. spontaneity in cinematography, how he got involved in ATLANTA and MR. & MRS. SMITH, changes in the industry, and much more! Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS, right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds, and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

Today in Lighting is brought to you by MaxLite, energy-efficient products for over 30 years. Learn more. The DLC's Horticultural Lighting QPL- What You Need to Know, Tivoli Lighting Expands illumiwall™ Series, Pharos Appoints Teodora Marian as Regional Sales Manager for Central and Southern Europe, HLB Lighting Design Transforms Seattle's Summit Building with Award-Winning Illumination.

Eric G. is rolling out his top 10 favorite projects that can sprinkle a little luxury into your home without making your wallet scream in agony! We're diving into a treasure trove of tips that will transform your space from blah to breathtaking, all while keeping it budget-friendly. Lighting upgrades? Crown molding? Oh yes, we're covering it all! And let's not forget those clever little touches that can make your home feel like a swanky retreat without the swanky price tag. So grab your toolbox and your favorite beverage, because it's time to turn your humble abode into a stylish oasis!A home is more than just four walls; it's a canvas for our dreams, our personalities, and yes, our luxurious whims. Eric G. dives into ten fabulous projects that sprinkle a little opulence into your abode without draining your wallet. Imagine swapping out those ho-hum builder-grade light fixtures for something that screams 'I've arrived!' or adorning your spaces with chic crown molding that instantly elevates the vibe from drab to fab. It's all about making smart choices that add a touch of class, like investing in quality paints that not only look gorgeous but last longer. Eric shares insights from his own home adventures, like the hilarious moment when he and his nephew played a prank during a bathroom remodel—just a little reminder that home improvement should be as fun as it is transformative! So grab your toolbox, throw on your favorite apron, and let's turn your home into a luxe retreat without the luxe price tag. After all, who says you can't live high on the hog while staying on a budget?Takeaways: Upgrading your lighting fixtures is an easy way to instantly elevate your home's ambiance without breaking the bank. Incorporating crown molding and trim accents can add a touch of elegance and sophistication to any room in your home. High-quality paint can make a huge difference; choosing the right sheen is crucial for maintaining a polished look in your spaces. Swapping out old hardware for stylish knobs and handles is a quick and impactful way to refresh your kitchen or bathroom. Links referenced in this episode:monumentgrills.comaroundthehouseonline.comCompanies mentioned in this episode: Monument Grills Floor and Decor Home Depot Rubbermaid Lutron Amba To get your questions answered by Eric G give us a call in the studio at 833-239-4144 24/7 and Eric G will get back to you and answer your question and you might end up in a future episode of Around the House. Thanks for listening to Around the house if you want to hear more please subscribe so you get notified of the latest episode as it posts at https://around-the-house-with-e.captivate.fm/listenIf you want to join the Around the House Insider for access to the back catalog, Exclusive Content and a direct email to Eric G and access to the show early https://around-the-house-with-e.captivate.fm/support We love comments and we would love reviews on how this information has helped you on your house! Thanks for listening! For more information about the show head to https://aroundthehouseonline.com/ Information given on the Around the House Show should not be considered construction or design advice for your specific project, nor is it intended to replace consulting at your home or jobsite by a...

Today in Lighting is brought to you by MaxLite, energy-efficient products for over 30 years. Learn more. Highlights today include: NEMRA Champions Domestic Manufacturing with Launch of “Built Local. Backed by NEMRA.”, MaxLite Expands Leadership Team with Two Senior Executive Appointments, Electrical Trends: The Future of the Lighting Distribution Channel, Circular Lighting Live 2025,  Changes in Longitude.

Clare County Council has committed to conducting a safety assessment of public lighting in Ennis's lanes and laneways. It follows a call from Ennis Fianna Fáil Councillor Antoinette Baker-Bashua who claims the "current lack of adequate lighting poses significant safety concerns for residents and visitors". Ennis Municipal District says the local authority will "liaise with its public lighting maintenance contractor" to undertake a "lighting design assessment on the existing lighting provision within the laneways off the central town streets". Councillor Baker-Bashua believes women feel particularly vulnerable in certain areas.

Today I'm going to give you some cell phone video tips. And not really all the tips would work on any kind of video camera, but everybody's using cell phones now. Screw The Commute Podcast Show Notes Episode 1011 How To Automate Your Business - https://screwthecommute.com/automatefree/ Internet Marketing Training Center - https://imtcva.org/ Higher Education Webinar – https://screwthecommute.com/webinars See Tom's Stuff – https://linktr.ee/antionandassociates 00:23 Tom's introduction to Cell Phone Video Tips 02:14 Lighting, the nose and glasses 06:38 Sound, making sure it's GOOD, and using a dead cat 10:37 Camera stable and sometimes not 13:57 Framing a shot, vertical vs horizontal 16:27 Teleprompter apps for your smartphone Entrepreneurial Resources Mentioned in This Podcast Higher Education Webinar - https://screwthecommute.com/webinars Screw The Commute - https://screwthecommute.com/ Screw The Commute Podcast App - https://screwthecommute.com/app/ College Ripoff Quiz - https://imtcva.org/quiz Know a young person for our Youth Episode Series? Send an email to Tom! - orders@antion.com Have a Roku box? Find Tom's Public Speaking Channel there! - https://channelstore.roku.com/details/267358/the-public-speaking-channel How To Automate Your Business - https://screwthecommute.com/automatefree/ Internet Marketing Retreat and Joint Venture Program - https://greatinternetmarketingtraining.com/ KickStartCart - http://www.kickstartcart.com/ Copywriting901 - https://copywriting901.com/ Become a Great Podcast Guest - https://screwthecommute.com/greatpodcastguest Training - https://screwthecommute.com/training Disabilities Page - https://imtcva.org/disabilities/ Tom's Patreon Page - https://screwthecommute.com/patreon/ Tom on TikTok - https://tiktok.com/@digitalmultimillionaire/ Tom's Video Weekend - https://www.ScrewTheCommute.com/videoweekend Email Tom: Tom@ScrewTheCommute.com Internet Marketing Training Center - https://imtcva.org/ Related Episodes Video Lighting - https://screwthecommute.com/710/ Great Microphone System - https://screwthecommute.com/1003/ Online Math - https://screwthecommute.com/1010/ More Entrepreneurial Resources for Home Based Business, Lifestyle Business, Passive Income, Professional Speaking and Online Business I discovered a great new headline / subject line / subheading generator that will actually analyze which headlines and subject lines are best for your market. I negotiated a deal with the developer of this revolutionary and inexpensive software. Oh, and it's good on Mac and PC. Go here: http://jvz1.com/c/41743/183906 The Wordpress Ecourse. Learn how to Make World Class Websites for $20 or less. https://screwthecommute.com/wordpressecourse/ Join our Private Facebook Group! One week trial for only a buck and then $37 a month, or save a ton with one payment of $297 for a year. Click the image to see all the details and sign up or go to https://www.greatinternetmarketing.com/screwthecommute/ After you sign up, check your email for instructions on getting in the group.

Today in Lighting is brought to you by MaxLite, energy-efficient products for over 30 years. Learn more. Highlights today include: Light + Building 2026 Themes: Smart, Sustainable Lighting and Building Technology, Parspec Raises $20 Million Series A to Modernize the Construction Supply Chain with AI, Mac's II Agencies Welcomes Drazen Jerkovic to Project & Specification Lighting Team, Slice of Light: Celebrate Manhattanhenge 2025.

After my divorce, I felt completely disconnected from myself. Meditation didn't help—but small rituals did. Adorning myself. Lighting candles. Choosing beauty just for me. That's when I realized… this is the feminine path.   In this episode, I'm joined by Shiva Rose, author, holistic beauty founder, and water priestess, who helped me remember that spirituality and sensuality don't have to be separate.   We talk about reclaiming the yoni, self-sourced pleasure, and what it really means to embody your feminine energy no matter your relationship status.   We cover: What "yoni" actually means and why it matters Maiden vs. woman energy Yoni steaming, breast massage, and womb clearing Creating intimacy without losing yourself How to reconnect with your body after heartbreak This is the conversation I wish I heard years ago. If you're on a path of healing, embodiment, or rediscovering your pleasure—this episode is for you.   Sign up this week and get 25% off with this code: 25SWS at checkout! Speak With Soul Course   Discover Your Dharma - Order your copy now - https://iamsahararose.com/dharma   Stream the Intro + Outro Music: Trust Flow by Sahara Rose ft. WillyNoir here and watch the music video here.   To receive a free womb mediation, email a screenshot of your review of the Highest Self Podcast to sahara@iamsahararose.com    Follow me your spiritual bestie to active your fullest expression + laugh along the way: https://www.Instagram.com/iamsahararose  https://www.tiktok.com/@iamsahararose  https://www.Facebook.com/iamsahararose    Order My Books: https://www.iamsahararose.com/books    By accessing this Podcast, I acknowledge that the entire contents are the property of Sahara Rose, or used by Sahara Rose with permission, and are protected under U.S. and international copyright and trademark laws. Except as otherwise provided herein, users of this Podcast may save and use information contained in the Podcast only for personal or other non-commercial, educational purposes. No other use, including, without limitation, reproduction, retransmission or editing, of this Podcast may be made without the prior written permission of the Sahara Rose, which may be requested by contacting pr@iamsahararose.com.   This podcast is for educational purposes only. The host claims no responsibility to any person or entity for any liability, loss, or damage caused or alleged to be caused directly or indirectly as a result of the use, application, or interpretation of the information presented herein.  

This week on the Cannabis Cultivation and Science Podcast, we're diving deep into lighting and photobiology with Shane Torpey, founder of MIGRO. With a background in engineering and construction, Shane turned his passion for growing into a global grow lighting company known for trusted reviews and educational content.We break down what's working—and what's not—in cannabis lighting for 2025, including:Far-red and intra-canopy lightingLED vs. HPS and how to transitionMaximizing PPFD without added CO₂Dimming schedules at sunrise/sunsetThe impact of lenses on LED light penetrationWhat really matters when choosing a grow lightEmerging technologies shaping the future of cultivationWhether you're scaling a facility or dialing in your home grow, this episode gives you the tools to make smarter lighting decisions rooted in science and real-world data.Links to channels here:https://www.youtube.com/@MIGROLIGHThttps://www.instagram.com/migrolight/https://www.facebook.com/MIGROLIGHT/https://www.tiktok.com/@migrolight

Joe Ostrowski and Sam Panayotovich are joined by Pro Sports Bettor Bill Krackomberger, to discuss the imapct of One Big Beautfiul Bill on the industry, his preparation for football season, notable stories and more! The hour wraps with all of our Lightning Bets for tonight's action, and who are you picking in Kickball with your legacy on the line? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Today in Lighting is brought to you by MaxLite, energy-efficient products for over 30 years. Learn more. Highlights today include: Vietnam Tariff Agreement Adds New Sourcing Option, Make Your Plans for IES 2025, Dialight Unveils New Battery Backup Floodlight, White Light Expands Reach as Leading Lighting Solutions Partner in the UK.

When Paul was about to be executed, he triumphantly proclaimed: “I have kept the faith.” Even though he admitted that he had been “the worst of sinners” and had persecuted the Church Universal, he knew that God had forgiven him. Now there was in store for him “the crown of righteousness”.Today's show features a reading from Tim Harner's book Lighting the World.Find more at https://timharner.com

You can teach your children to have faith in fidelity by using the experiences in your family. Learn how using these principles can help your children be happy and successful. Visit FirstAnswers.com to find answers for 21st-century parents and more about the podcast.

In this mind-bending episode of Get a Grip on Lighting, tech visionary Tony Lawrence dives deep into the future of light, AI, quantum computing—and even interdimensional data transfer. From mining Bitcoin with a lightbulb, to using quantum entropy to generate synthetic data, Tony explores how light itself is becoming both a medium for communication and a tool for cybersecurity, surveillance, and perhaps even time travel. If you've ever wondered how quantum randomness, entangled photons, or spy-level tech could shape the next digital revolution, this episode is unmissable. 

Today's episode is all about the power of light—specifically, how the light in your home or workspace shapes the energy around you. In this episode, we explore:·       Why lighting is one of the most overlooked energy tools in your home or workspace·       How natural vs. artificial light impacts your mood, focus, and intuition·       Quick ways to upgrade the light around you without a full remodel·       How light ties into your space's overall frequency—and how it supports or hinders your expansionResources & Links:

Today in Lighting is brought to you by MaxLite, energy-efficient products for over 30 years. Learn more. Highlights today include: AWA Lighting Designers Wins Best Lighting Design Firm Award 2025, Sales Manager with PreciseLED, Does Brighter Mean Better? UC Davis Tests SunLike LEDs, LytePod: AI Is Changing the Game — But Not the Designer.

If you've ever wondered why your dungeon feels less like a terrifying crawl through the dark and more like a grayscale video game, this episode shines a light on everything wrong—and weird—about darkvision. In this remastered and updated episode of the RPGBOT.Podcast, the hosts revisit one of their most debated topics: how vision mechanics function in tabletop RPGs, especially Dungeons & Dragons and Pathfinder. They dive deep into how different systems handle lighting, visibility, and the ever-confusing rules around darkvision. The episode unpacks the practical and narrative implications of light and darkness on exploration, combat, and roleplay—while also poking fun at the sheer absurdity of adventurers who can see in total darkness but never think to bring a lantern. Whether you're a rules lawyer, a narrative-driven GM, or just someone who's tired of arguing over torches, this episode casts a light on what works, what doesn't, and how to make vision mechanics better at your table. Key Discussion Points: Darkvision is Overused Most fantasy races have darkvision, which undermines the significance of light sources and ambient visibility mechanics in dungeon crawls and wilderness travel. Darkness Isn't a Binary The hosts break down how various RPG systems treat “darkness” as either full concealment or simply a lighting condition—highlighting how this impacts realism and gameplay clarity. Low-Light Vision, Infrared, and Blindsight There's a whirlwind of different vision types across systems. The crew discusses how these interact with rules as written, and how easily they're misinterpreted or misused. Narrative Consequences of Light Lighting impacts tone, mood, and narrative. A well-placed torch can heighten suspense; a spell like Darkness can reshape a battlefield. Mechanical Consequences Fighting in dim light? You might have disadvantage. No vision in magical darkness? Better hope someone brought See Invisibility or Devil's Sight. The hosts detail how to make vision a tactical element again. The “Human Tax” Playing a human or other race without darkvision often feels like a penalty, rather than a tradeoff. The crew discusses how to rebalance the lighting meta to make non-darkvision races feel less punished. Solutions for GMs From clever dungeon design to creative lighting rules, the team suggests practical strategies for making light and darkness relevant again—without slowing down the game. The Meta Problem Darkvision often becomes an assumed default at many tables. The episode closes with a call to reevaluate assumptions and bring tension back to the dark. Key Takeaways: Darkvision is often poorly explained, inconsistently applied, and over-relied upon. Making light meaningful again requires buy-in from both players and GMs. Vision types beyond darkvision (like tremorsense or truesight) are powerful tools—but can be balance-breaking if unchecked. Lighting should be a storytelling element as well as a mechanical tool. Consider adding environmental challenges, magical lighting effects, and vision-blocking terrain to elevate encounters. Don't be afraid to reward clever lighting solutions or punish parties who ignore visibility as a tactical factor. A torchlit dungeon is more exciting than one where everyone sees perfectly in grayscale. If you enjoy the show, please rate and review us on Apple Podcasts, Spotify, or your favorite podcast app. It's a quick, free way to support the podcast, and helps us reach new listeners. If you love the show, consider joining us on Patreon, where backers at the $5 and above tiers get ad free access to RPGBOT.net and the RPGBOT.Podcast, can chat directly to members of the RPGBOT team and community on the RPGBOT.Discord, and can join us for live-streamed recordings. Support us on Amazon.com when you purchase products recommended in the show at the following link: https://amzn.to/3NwElxQ How to Find Us: In-depth articles, guides, handbooks, reviews, news on Tabletop Role Playing at RPGBOT.net Tyler Kamstra BlueSky: @rpgbot.net TikTok: @RPGBOTDOTNET Ash Ely Professional Game Master on StartPlaying.Games BlueSky: @GravenAshes YouTube: @ashravenmedia Randall James BlueSky: @GrimoireRPG Amateurjack.com Read Melancon: A Grimoire Tale (affiliate link) Producer Dan @Lzr_illuminati

If you've ever wondered why your dungeon feels less like a terrifying crawl through the dark and more like a grayscale video game, this episode shines a light on everything wrong—and weird—about darkvision. In this remastered and updated episode of the RPGBOT.Podcast, the hosts revisit one of their most debated topics: how vision mechanics function in tabletop RPGs, especially Dungeons & Dragons and Pathfinder. They dive deep into how different systems handle lighting, visibility, and the ever-confusing rules around darkvision. The episode unpacks the practical and narrative implications of light and darkness on exploration, combat, and roleplay—while also poking fun at the sheer absurdity of adventurers who can see in total darkness but never think to bring a lantern. Whether you're a rules lawyer, a narrative-driven GM, or just someone who's tired of arguing over torches, this episode casts a light on what works, what doesn't, and how to make vision mechanics better at your table. Key Discussion Points: Darkvision is Overused Most fantasy races have darkvision, which undermines the significance of light sources and ambient visibility mechanics in dungeon crawls and wilderness travel. Darkness Isn't a Binary The hosts break down how various RPG systems treat “darkness” as either full concealment or simply a lighting condition—highlighting how this impacts realism and gameplay clarity. Low-Light Vision, Infrared, and Blindsight There's a whirlwind of different vision types across systems. The crew discusses how these interact with rules as written, and how easily they're misinterpreted or misused. Narrative Consequences of Light Lighting impacts tone, mood, and narrative. A well-placed torch can heighten suspense; a spell like Darkness can reshape a battlefield. Mechanical Consequences Fighting in dim light? You might have disadvantage. No vision in magical darkness? Better hope someone brought See Invisibility or Devil's Sight. The hosts detail how to make vision a tactical element again. The “Human Tax” Playing a human or other race without darkvision often feels like a penalty, rather than a tradeoff. The crew discusses how to rebalance the lighting meta to make non-darkvision races feel less punished. Solutions for GMs From clever dungeon design to creative lighting rules, the team suggests practical strategies for making light and darkness relevant again—without slowing down the game. The Meta Problem Darkvision often becomes an assumed default at many tables. The episode closes with a call to reevaluate assumptions and bring tension back to the dark. Key Takeaways: Darkvision is often poorly explained, inconsistently applied, and over-relied upon. Making light meaningful again requires buy-in from both players and GMs. Vision types beyond darkvision (like tremorsense or truesight) are powerful tools—but can be balance-breaking if unchecked. Lighting should be a storytelling element as well as a mechanical tool. Consider adding environmental challenges, magical lighting effects, and vision-blocking terrain to elevate encounters. Don't be afraid to reward clever lighting solutions or punish parties who ignore visibility as a tactical factor. A torchlit dungeon is more exciting than one where everyone sees perfectly in grayscale. If you enjoy the show, please rate and review us on Apple Podcasts, Spotify, or your favorite podcast app. It's a quick, free way to support the podcast, and helps us reach new listeners. If you love the show, consider joining us on Patreon, where backers at the $5 and above tiers get ad free access to RPGBOT.net and the RPGBOT.Podcast, can chat directly to members of the RPGBOT team and community on the RPGBOT.Discord, and can join us for live-streamed recordings. Support us on Amazon.com when you purchase products recommended in the show at the following link: https://amzn.to/3NwElxQ How to Find Us: In-depth articles, guides, handbooks, reviews, news on Tabletop Role Playing at RPGBOT.net Tyler Kamstra BlueSky: @rpgbot.net TikTok: @RPGBOTDOTNET Ash Ely Professional Game Master on StartPlaying.Games BlueSky: @GravenAshes YouTube: @ashravenmedia Randall James BlueSky: @GrimoireRPG Amateurjack.com Read Melancon: A Grimoire Tale (affiliate link) Producer Dan @Lzr_illuminati

Kate & Chris give out their lighting bets for today's slate of games and the weekend! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

learn about superstitions related to low lighting in a residence, and wearing red in a zodiac recurrent year

In this episode, Metropolitan Neophytos of Morphou speaks on how we can acquire and keep humility. Through real stories of saints and practical steps, he explains why humility is the “garment of divinity” and how silence, heartfelt prayer, and letting go of self-righteousness help transform the soul. This English translation of the sermon of His Eminence Metropolitan Neophytos of Morphou during the 2nd “Lighting the lighter of the saints” Spiritual Dialogue Meeting with His Eminence, 14 April 2019, was provided by the ‘Metropolitan Neophytos of Morphou Homilies' YouTube channel and was presented for otelders.org by Porphyrios from the ‘Orthodox Treasures YouTube Channel.' The meeting was hosted by the Renewal Committee of the Church of Panagia Kataphygiotissa in Platanistasa and took place at the event hall of the Holy Church of God's Wisdom (Agia Sophia) in Strovolos, Cyprus.Read the full English transcript on our website otelders.org, like us on Facebook at facebook.com/otelders and subscribe to our YouTube channel: youtube.com/otelders

Today in Lighting is brought to you by MaxLite, energy-efficient products for over 30 years. Learn more. Highlights today include: Super Lighting Sues Luxrite and Pvtech Over T8 LED Tube Patent Infringement, Global Lighting Association Offers Guidance on Mercury and PFAS, Lucent Lighting Elevates Six by Nico Bristol with Subtle Architectural Illumination, Light Years Ahead: SkyView™ by BIOS Launches in BC with Mac's II Agencies.

#unapologetic #bodypositivity #womenempowerment #maternalnarcissism I couldn't wait to have Kat Shaw back on the podcast. This is a must-listen episode for anyone struggling with loving their body. Each piece of Kat's artwork is a journey to reclaiming each unique body's beauty and bringing forward self-love and acceptance. As an activist artist, Kat prides herself on dismantling the patriarchy, breaking society's stereotypical views of beauty and glorifying every single body shape through her art. Over the last 7 years, Kat has painted over 3000 glorious women into Goddesses, held many successful exhibitions and live shows, run enriching workshops and painted not only onto canvases, but also directly onto women's bodies! Check short video of this episode here on IG https://www.instagram.com/women_reclaiming_theirfullness/ Related episodes: Episode 105 The benefits of getting naked with Estelle Keeber Previous episode wit Kat Kat Shaw is with Gaia's Voice - Meet the Goddess Connect with Kat  Fb https://www.facebook.com/Iamkatshaw IG https://www.instagram.com/katshawartist/ Website https://katshaw.art/

In this electrifying episode, we sit down with Christa Tichy—the first female master electrician in Maryland and founder of C&T Electrical Contracting. From breaking barriers in a male-dominated field to launching a game-changing career-readiness program, Christa shares how she turned intimidation into impact. Her story is a powerful reminder that confidence is built, risks can be smart, and women absolutely belong in the trades. If you've ever questioned your path or needed a push to try something bold—this one's for you.     We're going live! Join us at SJK in Tysons Galleria for the first-ever Women Express Podcast taping. It's free, it's happening soon, and you won't want to miss it. Click HERE to save your seat now!   More from Women Express:  -Website -Denise LinkedIn  -Nia LinkedIn  

Today in Lighting is brought to you by MaxLite, energy-efficient products for over 30 years. Learn more. Highlights today include: Linda Carillo from Lighting Systems Officially Retires, 3G Productions Acquires Main Light's Nashville Operations, Bridging the Gap, Q2 2025 Pulse of Lighting Results: Tariff Rush Fuels Short-Term Sales Rebound, IALD 25: Exploring AI as a Lighting Design Partner.

Joe Ostrowski and Kate Constable play a game of Nickel or Dime, headlined by the new look Steelers start to the season, and if we think they can take advantage of a reasonable schedule. Then, Kenny Ducey of the Action Network, Covers and the Tennis Channel stops by, to discuss how he is betting Wimbledon along his thoughts on the Knicks coaching search and in Major League Baseball prior to the deadline. The hour wraps with all of our Lightning Bets for tonight's action, and a new favorite in the NBA's Easrern Conference. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Jewelry isn’t just beautiful—it’s hard to market. In this hybrid episode of Legacy of Luxury, Nick Constantino and Jaron Solomon break down what’s broken in jewelry marketing, from abandoned brand-building to the overhype of data-driven performance. They talk sports partnerships, in-store experience, digital agency pitfalls, and the new rules of trust and storytelling. Key Takeaways Performance marketing without brand marketing is a dead end. Radio still builds long-term loyalty in ways social can’t touch. Sports sponsorships create trust signals and real-world rapport. In-store experience is a brand touchpoint, not just a transaction. Agencies must evolve from vendors to strategic partners. Independent jewelers are luxury brands—not just resellers. Sound bites "People only see the tip of the iceberg." "The model needs to change." "We are going to carve our own path." Chapters 00:00 The Unique Landscape of Jewelry Marketing 04:44 The Evolution of Brand Marketing 09:24 The Power of Packaging and Branding 11:15 Aligning with Local Sports Teams 17:59 Enhancing the In-Store Experience 19:34 The Importance of Lighting in Jewelry Display 24:24 Navigating the Digital Marketing Landscape 32:53 The Future of Luxury Jewelry Marketing #LegacyOfLuxury #JewelryMarketing #LuxuryBranding #SolomonBrothers #MarketingStrategy #InStoreExperience #DigitalMarketing #BridalJewelry #SportsMarketingpatreon.com/TheMarketingMadMen: https://www.nick-constantino.com/See omnystudio.com/listener for privacy information.

Send us a textOn this illuminating episode of The Plant Movement Podcast, we shine a spotlight on Ariel Rodriguez, the founder of Elighting and Worldwide Distributors, a true industry pioneer in outdoor and landscape lighting.From cold calls at 17 to designing custom lighting systems for luxury estates and commercial properties, Ariel shares his journey, insights, and battle-tested strategies for thriving in a rapidly evolving industry.On this episode, we cover:- Ariel's early days in telemarketing and transition into LED lighting- How landscape lighting became an art — and a business serving the top 3% of earners- Key differences between commercial and residential lighting- Why product quality, warranties, and manufacturer relationships matter- Business lessons in credit, cash flow, and reinvesting for long-term success- Behind-the-scenes insight into value engineering, custom installations, and working with designers, architects, and GCs- The future of lighting — from RGBW customization to Power over Ethernet (PoE) systems- How Elighting helps nurseries and facilities slash energy bills and optimize lighting for both function and aestheticsWhether you're a landscaper, GC, nursery owner, or aspiring entrepreneur, Ariel drops gems on running a service-first business, building trust with clients, and scaling smart.Plus: Learn how lighting can transform your installs, improve property value, and create luxury-level ambiance after dark.Ready to light up your business? Ariel's showroom is open, and he's inviting anyone hungry to learn or partner to connect.Tune in now and get inspired to grow — one beam at a time.#ThePlantMovement #LandscapeLighting #BusinessGrowth #Elighting #GreenIndustry #LEDlighting #LightingDesign #OutdoorLiving #PodcastEpisode77ELIGHTINGShow Room: 12130 sw 114th pl, Miami, FloridaEmail: info@elighting.orgCall: (305) 969-8769Web: https://www.elightingindustries.comFollow IG: https://www.instagram.com/elightingdesignsThe Plant Movement PodcastEmail: eddie@theplantmovementnetwork.com & willie@theplantmovementnetwork.comCall: (305) 216-5320Web: https://www.theplantmovement.comFollow Us: IG: https://www.instagram.com/theplantmovementpodcastA's Ornamental NurseryWE GROW | WE SOURCE | WE DELIVERCall: (305) 216-5320Web: https://www.asornamental.comFollow Us: IG: https://www.instagram.com/asornamentalnurseryThe Nursery GrowersCall: 786-522-4942Email: info@thenurserygrowers.comIG: www.instagram.com/thenurserygrowersweb: www.thenurserygrowers.comPlant Logistics Co.(Delivering Landscape Plant Material Throughout the State of Florida)Call: (305) 912-3098Web: https://www.plantlogisticsco.comFollow Us: IG: https://www.instagram.com/plantlogisticsDirected and Produced by Eddie EVDNT Gonzalez Disclaimer: The contents of this podcast/youtube video are for informational and entertainment purposes only and do not constitute financial, accounting, or legal advice. I can't promise that the information shared on my posts is appropriate for you or anyone else. By listening to this podcast/youtube video, you agree to hold me harmless from any ramifications, financial or otherwise, that occur to you as a result of acting on information found in this podcast/youtube video.Support the show

Welcome to another wonderful episode of the Luxury Outdoor Living Podcast by Farley Pool Designs. Hosts Mike and Trey Farley are joined by special guest Susan Semmelmann, founder of Semmelmann Interiors. Susan shares her inspiring journey of launching her interior design brand and how she expanded her operations across Texas and beyond. The discussion delves into the intricacies of designing cohesive indoor and outdoor spaces, the importance of early collaboration in architectural projects, and navigating budgets and client expectations. With over 40 years of combined experience, the trio offers valuable insights on design trends, innovative outdoor furniture options, and creating unforgettable personal retreats. Susan also highlights her philanthropic endeavors, including her work with National Angels and the St. Jude Home project. This episode is filled with expert advice for homeowners looking to transform their spaces into joyful, relaxing environments. Discover more: https://www.semmelmanninteriors.com/ https://www.farleypooldesigns.com/ https://www.instagram.com/farleydesigns/ https://www.instagram.com/luxuryoutdoorlivingpodcast/ https://www.instagram.com/poolzila/   00:00 Introduction to Luxury Outdoor Living 01:17 Meet Our Special Guest: Susan Ziman 01:52 Susan Ziman's Journey and Vision 03:45 Expanding the Business and Innovations 07:03 The Seamless Transition from Indoor to Outdoor Living 09:42 Designing Outdoor Spaces: Furniture and Features 14:13 The Importance of Early Involvement in Projects 20:59 The Role of Emotion and Creativity in Design 29:05 Philanthropy and Giving Back 30:44 Barbecue Bits: Alpha Pizza Ovan 37:12 Incorporating Art and Design in Outdoor Spaces 40:37 Collaboration and Vendor Relationships 46:20 Understanding the Construction Process 47:12 Importance of Early Planning 51:49 Challenges and Success Stories 55:22 Creating Unique Spaces 57:16 Personal Style and Client Vision 01:01:59 Maximizing Outdoor Space 01:06:32 Lighting and Trends in Outdoor Design 01:10:45 Finding the Right Interior Designer 01:14:20 True Crime: A Personal Story 01:16:59 Fun Questions and Final Thoughts  

Today in Lighting is sponsored by Keystone Technologies, dedicated to Light Made Easy for more than 80 years.  Learn more. Highlights today include: Just In June 2025: New Architectural Lighting Products, Leviton CN2030 Sustainability Report 2024 Highlights 37% Reduction in Emissions, Axis Lighting Acquires Picasso Lighting to Launch U.S. Manufacturing Platform, IALD 2025: Studio Waldemeyer Illuminates Enlighten Europe, ETI Vanity Lighting Series 2025: Discover the New Allure, Radii, and Ispa Collections.

This week host @Jackgreenstalk (aka @Jack_Greenstalk on X/instagram backup account) [or contact via email: JackGreenstalk47@gmail.com] is joined by panel with @spartangrown on instagram or X f.k.a. Twitter at https://x.com/grown43626 or email spartangrown@gmail.com for contacting spartan outside social media, any alternate profiles on other social medias using spartan's name, and photos are not actually spartan grown be aware and @NoahtheeGrowa on instagram. This week we missed @TheAmericanOne on youtube aka @theamericanone_with_achenes on instagram who's amy aces can be found at amyaces.com , @Rust.Brandon of @Bokashi Earthworks who's products can be found at bokashiearthworks.com . , Matthew Gates aka @SynchAngel on instagram and twitter @Zenthanol on youtube who offers IPM direct chat for $1 a month on patreon.com/zenthanol , @drmjcoco from cocoforcannabis.com as well as youtube where he tests and reviews grow lights and has grow tutorials and @drmjcoco on instagram, and and @ATG Acres Aaron The Grower aka @atgacres his products can be found at atgacres.com and now has product commercially available in select locations in OK, view his instagram to find out details about drops!

Activist, author, and mother of five Shannon Watts joins The Bright Side today to talk about her new book Fired Up: How to Turn Your Spark into a Flame and Come Alive at Any Age. Shannon breaks down her inspiration for the book, the key elements to finding your fire, how to go after it, and reminds listeners it's never too late to start living your desires. See omnystudio.com/listener for privacy information.

Teaching children to have faith in fidelity can be accomplished in a series of small steps called "One More Thing," which helps them go a little further and stay with something a little longer than they expected. Soon, if this process is explained to them, they become committed to completing tasks and succeeding. Visit FirstAnswers.com to find answers for 21st-century parents and more about the podcast.

Ep 71: Matt Smith of G2G Lighting breaks down the benefits of joining the ISA (International Sign Association). From industry advocacy and cutting-edge training to networking opportunities and business growth support, discover how the ISA empowers sign professionals to thrive in a competitive market. Also, a challenge is issued.Check out the featured products:Nekoosa NextBondNekoosa RTapeMetaMark Products"Your podcast is the best podcast in the business." - Jared Granberry, President, GSG (Graphic Solutions Group)The Slightly Serious Sign Podcast is now the #1 Most Fact Checked Podcast in the United States.Voted #1 by Signman (standing on a van on top of 18 pallets changing a lightbulb over a movie theater sign)https://www.wensco.com/company/slightly-serious-sign-podcast616.785.3333The views, thoughts, and opinions expressed are the speaker's own and do not represent the views, thoughts, and opinions of Wensco Sign Supply. The material and information presented here is for general information purposes only. The "Wensco Sign Supply" name and all forms and abbreviations are the property of its owner and its use does not imply endorsement of or opposition to any specific organization, product, or service. Things to note on the statement. Wensco owns all rights to video or audio for Slightly Serious Sign broadcast and cannot be used without the written authorization from Wensco Administration.The Slightly Serious Sign Podcast is hosted by Mike Hull, Tyler Hull, and Domingo Tobar and produced, recorded, shot, and edited by Rick Villanueva with sponsorship from Wensco Sign Supply.

In this episode of Get a Grip on Lighting, hosts Michael Colligan and Greg Ehrich dive into the ever-important topic of emergency lighting and exit signage. From battery packs to combo units and LED emergency backup tubes, they explore the evolving landscape and the challenges distributors face when retrofitting or maintaining systems. They emphasize the critical importance of separating emergency systems from general lighting, and share real-world examples where overlooking proper emergency planning led to serious consequences.Sponsor: Barron Lighting Group  www.barronltg.com

Today in Lighting is brought to you by MaxLite, energy-efficient products for over 30 years. Learn more. Highlights today include: Accelerated Orders Help Drive ABL Strong Quarter, IALD 2025: Guerrilla Lighting and the Metaverse, Leela Shanker Unveils Sustainable Designer Workflow at IALD Enlighten Europe 2025, IES Reveals 2025 Marks and Medal Awards Recipients.

Devastating Blow To Judicial Tyranny, Supreme Court Rules Lower Courts Cannot Enact National Injunctions, Green-Lighting Mass Deportations & An End To Birthright Citizenship! Plus, SCOTUS Rules Against Pedo-Cult's Mass Indoctrination of Children

Join me on my outdoor adventures on public lands across the American West and beyond. Subscribe to my YouTube Channel here:https://www.youtube.com/@thehuntersquest Check out The Hunter's Quest Podcast here:https://open.spotify.com/show/1bvtyKal41T76jLgPTXp10 Follow along on Instagram:@TheHuntersQuest My Favorite Eberlestock Gear! – www.eberlestock.com/quest or use code QUEST save 10% www.browning.com Browning Firearms & Ammunition – The Best There Is. www.canisathlete.com - use code: QUEST and save on Tactical Hunting Apparel__________________________________________________________________________ OnX Maps – use code: QUEST and save 20% when you join / support the show Seek Outside Shelters – use code: QUEST and save 10% on shelters, stoves, etc.____________________________________________________________________________ FENIX Lighting – www.fenixlighting.com Leupold Optics – www.leupold.com___________________________________________________________________________ Subscribe to my YouTube Channel! https://www.youtube.com/channel/UCGVP4F5g3SiOookJK01Jy5w Follow me on Instagram! https://www.instagram.com/thehuntersquest/ and @huntermcwaters____________________________________________________________________________ www.thehuntersquest.com