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Ever wonder what it takes to run 300+ marathons in full costume? Meet Charlotte, the runner who's redefining what's possible in both endurance and race day fashion.Charlotte brings a refreshing perspective to ultra running that blends serious mileage with joyful celebration. Unlike many elite runners, she didn't start until her mid-30s after making lifestyle changes for better health. What began with simple run-walk intervals around her hometown loop evolved into an extraordinary journey through every U.S. state and beyond. Her approach to marathons—seeing "America 26.2 miles at a time"—reflects her philosophy that the journey matters as much as the finish line.What truly sets Charlotte apart is her unwavering commitment to costumed running. Her motto—"head to toe, start to finish"—means she never sheds costume pieces, no matter the distance. From a three-tiered birthday cake with PVC pipe infrastructure to a space shuttle costume developed with her mom (an accomplished seamstress), Charlotte transforms races into performance art. When fellow runners inevitably ask at the finish, "Did you wear that the whole race?" she takes pride in always answering "Yes."Charlotte's signature move happens at the 100K mark of ultras: her "Fireball dance" complete with Pitbull music and shared shots has earned her the nickname "Fireball Fairy" in ultra running circles. This blend of endurance and celebration perfectly captures her approach to the sport. As an UESCA certified ultra coach, she emphasizes proper pacing and mental resilience over obsessing about speed.Now with her sights set on joining the exclusive "100 100s Club" (only about 32 people worldwide who've completed one hundred 100-mile races), Charlotte continues to embody how extraordinary achievements can come from finding joy in the process. Follow her journey on Instagram @marathoncostumechic or join the community at Disney Day Drinkers Running Team to witness how sparkle and grit can coexist beautifully on the ultra running trail.Have questions or want to chat? Send me a text!Support the showJoin the newsletter list for updates, special offers, and exclusive behind-the-scenes content.Join fellow pod and running enthusiasts at The Stride Collective community on Facebook or follow us on Instagram.
Voice Of Costume - Creating Character through Costume Design
If you are in a creative rut or need a boost of inspiration, this is the episode for you! Kirston bubbles with positive mindset and perspective that any creative will walk away encouraged by. Don't pass on this one to hear some great insights and positivity that anyone can use. Watch more episodes on youtube: @voiceofcostume The “Voice of Costume” is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation between Kirston Mann and Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/
Voice Of Costume - Creating Character through Costume Design
Paula has a facinating rise to costume design through fashion in Europe. Working with Gwen Stefani and many others. Her thoughts on 80's as the last great decade for wardrobe and behind-the-scenes on the latest on the Menendez Brother's in a new series, Monsters. Watch more episodes on youtube: @voiceofcostume The “Voice of Costume” is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation between Paula Bradly and Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/
Voice Of Costume - Creating Character through Costume Design
Caroline shares some great behind-the-scenes into how she grew up and started out pursuing acting. Then found a stronger passion in Costume Design. Hear her 'sliding doors' moment that really set her on a trajectory to a dream job early on. Her relationship with M. Night. Then a wonderful deep dive on the character arcs of Sirens and how it is all in the costumes! Watch more episodes on youtube: @voiceofcostume The “Voice of Costume” is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation between Caroline Duncan and Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/
Voice Of Costume - Creating Character through Costume Design
What an episode! Great insights into how to think positively, have an identity apart from work, go after what you want, and a treasure trove of behind-the-scenes on several costumes from the series, "Nobody Wants This". You will gain a lot of creative and personal inspiration with a listen to Negar Ali Kline on this episode! Watch more episodes on youtube: @voiceofcostume The “Voice of Costume” is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation between Negar Ali Kline and Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/
Pete, Matt & Kymba Catch Up - Mix 94.5 Perth - Pete Curulli, Kymba Cahill, Matt Dyktynski
00:00: Show Intro01:24: 60 Years Of Channel 908:16: What Happens Next? (With Tracy Vo & Michael Thompson)13:06: 'Secrets We Keep' - Amelia Oberhardt Interview18:07: Monash IVF Stories23:03: Yay Or Nay26:26: WA Freeze For FightMND - Bec Daniher Interview32:46: What Were You Forced To Do For Your Partner? Calls37:24: WA Freeze For FightMND - Rick Ardon In-StudioSee omnystudio.com/listener for privacy information.
This week: British Council was banned by Russia under espionage act, US Navy to Rename Harvey Milk Ship, Costume designer Paul Tazewell Makes History with Dual Tony and Oscar Wins and much more.We bring you essential queer news — every Wednesday.Each week, our podcast offers a curated digest of the most vital and compelling queer news.Enhance your understanding with award-winning journalism at www.GAY45.eu
A woman who worked at Disney and dressed as characters tells us that guys can get creepy sometimes. A caller wants career advice from Dani. Anthony in Belleville has a good baseball nickname for Dani.
FOR ETERNIA Official Podcast - Masters of the Universe Podcast
BATTLE FOR ETERNIA is Back! Comparing Camila Mendes Teela Movie Costume with 40+ Years of History! Welcome to "Battle For Eternia", a Masters of the Universe podcast where past meets present, where vintage clashes with contemporary, where we discuss MOTU topics in the context of both historical and modern day. In today's episode, Adam and AJ discuss the Teela outfit of actress Camila Mendes for the new "Masters of the Universe" Movie, consider what they like (and don't like), and then take a look back at Teela's looks throughout the past 40+ years and see which costumes (if any) have inspired her modern movie look. Please Support the Channel by LIKING and SUBSCRIBING. Discuss this podcast and more in our community forums! https://foreternia.com/community And please visit us at BattleRamBlog.com and ForEternia.com.
Voice Of Costume - Creating Character through Costume Design
Mila began in the fashion world with her own line. Then she tried costume designing on no-budget films and got 'the bug' for storytelling through costumes. Now with a miriad of credits and experience, she comes onto the show to discuss the large scale production of the hit series, American Primeval. You will be impressed with the hurdles they had to overcome to make this show come to life! Also listen in to how big a role Austin Powers had in her costume career journey! Watch more episodes on youtube: @voiceofcostume The “Voice of Costume” is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation between Mila Hermanovski and Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/
Pete, Matt & Kymba Catch Up - Mix 94.5 Perth - Pete Curulli, Kymba Cahill, Matt Dyktynski
00:00: Show Intro02:11: WA Freeze For FightMND - Kymba’s Potential Costumes Recap05:00: Story Time With Ben Cousins - Ben’s WORST Haircut REPLAY10:14: Yay Or Nay14:38: Dear Kymba - Staying With A Cheating Partner? + Calls22:33: WA Freeze For FightMND - Kymba’s Costume REVEALED!27:19: Parenting Expert Gen Muir Interview Part 230:27: The WORST Day At Work? + Calls37:38: LA RiotsSee omnystudio.com/listener for privacy information.
Since 1999, Katie Thomas has been bringing the elegance of 1940s and 1950s lingerie to life through her brand, What Katie Did. She runs the business with her husband and daughter, balancing vintage glamour with a love of yoga, gardening, and life between Berkshire and Somerset.I discovered Katie's work from doing Burlesque BUT it turned out that Katie and her husband (photographer for What Katie Did) had been doing my yoga class for years before I realised their other roles.In this episode we speak about:a bit about Katie and her background that led her to 'What Katie Did'how clothes/the way you dress can make you FEEL the art of corsetry and choosing for your body typehow Katie made her own clothes during pregnancy and the shock of her body changingadjusting to the changes that come with being a Mum; Matrescence1950's style, bullet bras, Marilyn Monroe and moreshapewear; girdles, corselette, waist cinchers, power meshboobs and breast-feeding in my wedding dresswigs, wig-fitting — and how great they can look!!why corsets are not for partners but for ourselvesThemes: fashion, vintage lingerie, burlesque, matrescence, postnatal wellbeing, hyper-feminine style, At the end, I share a poem by Nikita Gill. You can find out more about Katie via her website www.whatkatiedid.com and/or find her here on Instagram. We mention Bettie Page, Rosie the Riveter, Roland Mouret, Good Wood Revival, and Zoe Charles' TED Talk on Femininity.Did you enjoy this episode? If so, I would really appreciate it if you could please leave a review on the platform that you listen. For more insights and to contact me you can find me on Instagram, and at www.lucywyldecoaching.com.
Retouched on a bunch of shhh todayEpisode notes:'Unabomber' Ted Kaczynski found dead in his prison cellSheffield man beat neighbour to death with bag of Pokemon cardsAuthorities capture and kill shark responsible for killing manWoman Dubbed 'Killer Clown,' Accused of Showing Up in Costume to Kill Purported Lover's Wife, Pleads GuiltyCalif. Man Sentenced to 119 Years in Prison For Murder of Research Scientist Camping With His Daughters
Costume designer Ann Foley returns to The Art of Costume Podcast to break down the gripping second season of The Last of Us. Join Spencer and Ann as they dive deep into Ellie's emotional journey, Joel's evolution, life in the Jackson community, the terrifying new designs for the Infected, and the escalating tensions between the battling factions of Seattle the Seraphites and W.L.F. From heartbreak to horror, survival to style—discover how the costumes helped shape one of television's most intense and unforgettable seasons.► Podcast Merch Store: https://www.teepublic.com/user/theartofcostume ► Join our Discord: https://discord.gg/ze3zBSK2 ► Instagram: https://www.instagram.com/theartofcostumepod/► TikTok: https://www.tiktok.com/@theartofcostume
Costume designer Ann Foley returns to The Art of Costume Podcast to break down the gripping second season of The Last of Us. Join Spencer and Ann as they dive deep into Ellie's emotional journey, Joel's evolution, life in the Jackson community, the terrifying new designs for the Infected, and the escalating tensions between the battling factions of Seattle the Seraphites and W.L.F. From heartbreak to horror, survival to style—discover how the costumes helped shape one of television's most intense and unforgettable seasons.► Podcast Merch Store: https://www.teepublic.com/user/theartofcostume ► Join our Discord: https://discord.gg/ze3zBSK2 ► Instagram: https://www.instagram.com/theartofcostumepod/► TikTok: https://www.tiktok.com/@theartofcostume
Samantha Sloyan is a familar face from countless television shows, but that face will be particularly familiar to anyone who keeps up with the "Flanaverse" -- movies and shows from Mike Flanagan, like Midnight Mass, The Fall of the House of Usher, and The Haunting of Hill House. Sloyan's latest project is a departure for Flanagan, and perhaps for her as well -- it's the new movie The Life of Chuck, which hits theaters this weekend and expands next week. Together, she and huge fan Jordan discuss the ways that she feels seen by FBI Agent Dale Cooper (Kyle MacLachan) in David Lynch's Twin Peaks, and the many ways that Lynch's storytelling style appeals to her craft as an actor.Then, Jordan has one quick thing that doesn't stray too far from the main topic...it's about the casting of Flanagan's new Carrie adaptation.***With Jordan Crucchiola & Samantha Sloyan Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.
This is a Grave Talks CLASSIC EPISODE! Daydreams and Nightmares costume shop in Modesto, California, is much more than just another store to buy a costume for Halloween or a party. Instead, this is known as the haunted costume shop. A shop frequented by regulars and celebrities seeking out their next costume or spirit. Become a Premium Supporter of The Grave Talks Through Apple Podcasts or Patreon (http://www.patreon.com/thegravetalks) There, you will get: Access to every episode of our show, AD-FREE! Access to every episode of our show before everyone else! Other EXCLUSIVE supporter perks and more!
Nous sommes en 2009, et Wes Anderson réalise son premier film d'animation.C'est Fantastic Mr. Fox, adapté du livre éponyme de Roald Dahl, un projet que le réalisateur porte depuis l'enfance.Grand succès public et critique pour ce 6ème film, le séduisant Mr. Fox, et son impeccable costume de velours remportent tous les suffrages.Mais, comment habille-t-on la marionnette d'un film de stop motion ?Pour le savoir, j'ai interviewé le Docteur en Etudes Cinématographiques Orphée Gavoille.Cet épisode est réalisé en partenariat avec la Cinémathèque Française.L'exposition Wes Anderson vous attend jusqu'au 27 juillet. Plus d'informations ici.Retrouvez Profession : costumière sur Instagram Un podcast signé Céleste Durante Compte Instagram de l'association Cin&Fil dont Orphée est vice-président Compte Instagram d'Orphée Gavoille Logo : agence Silenzio Extraits sonores :
In questa puntata ci tuffiamo negli anni '80 italiani, tra televisione a colori, telecomando, pubblicità martellante e nascita del consumismo di massa. È il decennio in cui la figura dell'operaio perde centralità, l'industria si automatizza e la società si riempie di nuovi oggetti, nuovi valori, nuovi sogni: dalla Vespa alla Fininvest, dal boom del fast food alla seduzione delle immagini.Ma non è solo un cambiamento culturale: è anche il tempo del debito pubblico che esplode, dell'avanzata del socialismo rampante di Craxi, della crisi della prima Repubblica che porterà a Tangentopoli e alla Seconda.Una cavalcata tra economia, politica e linguaggio della modernità, per capire come l'Italia è diventata ciò che oggi conosciamo. E perché, in fondo, dagli anni '80… non siamo mai davvero usciti.
Send us a textThe Valley-Shots, Sharks & ShadeIn this episode of We Wine Whenever, the ladies unpack the chaos and emotional fallout from The Valley Season 2, Episode 7, "Ring Around the Rumor." Jasmine confronts Danny yet again about past Halloween drama, while Zach reveals that his maybe-boyfriend Benji is actually married. Meanwhile, Jason calls out Danny for hiding tequila in a pantry and questions his drinking—sparking a rift that eventually gets mended at Britney's pool party. Kristen stirs new drama by bringing up a two-year-old rumor that Jason takes off his wedding ring at bars, putting Jasmine in the hot seat for supposedly spreading it.Brittany is facing a financial and emotional breakdown after learning Jax hasn't paid the mortgage on their house in months—putting her dream home and stability at risk. She vents to Schwartz and Jasmine, and it's clear the tension is building across friend groups.Throughout the episode, the cast is spiraling in confrontations, confessionals, and poolside drama, all while rumors swirl and alliances shift.TakeawaysJasmine's trauma from Halloween continues to affect her relationships.Danny's apology seems insufficient to Jasmine, leading to ongoing tension.Zach's relationship with Benji is complicated by his marital status.Nia's daughter shows emotional intelligence regarding her mother's happiness.Danny feels his friendship with Jason is being tested over the Halloween incident.Jax's rehab experience raises questions about its authenticity.Brittany faces criticism for her partying lifestyle despite having a support system.The dynamics of friendships in the group often lead to misunderstandings.Jasmine's perspective on her relationship challenges is valid and resonates with Danny.The episode showcases the emotional toll of unresolved issues among friends. The importance of acknowledging feelings in relationships.Reunions can bring unresolved issues back to the forefront.Friendship loyalty can be tested in dramatic situations.Judgment in relationships often leads to unnecessary drama.Costume parties can reveal character dynamics.Confrontation is necessary for accountability.Reality TV often blurs the lines between scripted and unscripted.Rumors can have lasting impacts on relationships.Divorce brings financial and emotional challenges.Moving on from toxic relationships is essential for personal growth.Pop-u-lore Pop Culture PodcastThe go to pop culture podcast for millennials: full of useless and fascinating...Listen on: Apple Podcasts SpotifySupport the showhttps://www.wewinewhenever.com/
Steve Noviello is joined by Steve Eager, Madi Marks and Hawkeye to discuss tipping scams, human zoos, and trad wife backlash.
Send us a textBack again to drop some ranks of the best team books to read as well as top 5 costumes in comics!Music [00:00]Buzz Ad [00:14]Intro [01:10]Best Team Books and Top 5 Costume Designs [08:42]Outro [26:38]Please like and subscribe if you'd like to hear more comic talk!(Bi-weekly shows dropping on Wednesday)Social Media:Facebook - https://www.facebook.com/CBJpodcastTwitter - https://twitter.com/CbJpod (@CBJpod)Instagram - https://www.instagram.com/cbjpod/ (@CBJpod)Youtube - https://m.youtube.com/channel/UCTDcugHYqAbgjwbdGWbZjnA/Buzzsprout - https://www.buzzsprout.com/1206320Currently listed on Apple, Stitcher, Spotify, Google Podcasts, and many others!Buzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.
Show notes provided by Arco EspositoImagine for a moment that's it's May 1984 and you're at your comic book spot on a Wednesday picking up your favorite books and you see something that is both exciting and alien (pun intended)! You spy the cover of Amazing Spider-Man #252 and do a double take! Who is this on the cover in a black costume?! Where is the red and blue Spider-Man we all know and love?! Well that's how it was for a generation of spidey fans who were witness to the greatest costume change in comics history! And what a change it was! How else can you describe all that came from this momentous occasion?? Well listen in as James, Joe and Spidey lover Arco go into detail how they were personally affected by it as well as the Marvel universe overall! Some things are too good to keep to ourselves and we are pleased to share our Black Costume love with you all!
On this podcast episode, Miss H and Mr O discuss episode 15 of Season 12 of 90 Day Fiancé. Amani and Matt get an explanation from Any, Mahdi and Stevi can't seem to get over the "question", Shawn and Aliyah celebrate her first 4th of July, Greg dresses up as a cow for Joan, Jessica makes paper flowers to honor Juan's culture, and Sarper and Shekinah get tattooes. We will be back next week to cover Episode 16. If you watch Love After Lockup, check out our other podcast channel Love After Lockup Haha, mmkay, where we just finished last season of Love During Lockup: https://lalmmkay.podbean.com/ If you like what you hear, please support us by subscribing and give us a rating.
Alors que Laurent Ruquier demande à Elie Semoun s'il a déjà porté un costume de Superman, l'humoriste lui révèle avoir déjà arboré un tout autre déguisement... Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Derrière les paillettes du cinémaSerge est voiturier au Majestic à Cannes. En 1975, il porte un beau costume pour accueillir les clients prestigieux de l'hôtel. Il côtoie les célébrités pendant le Festival et les grandes fortunes le reste de l'année. Son rôle, il le tient avec bonheur depuis 25 ans et n'a pas peur de comparer sa qualité de vie avec celle de ses riches clients.*** Crédits archive *** Extrait de l'émission radiophonique "Radioscopie : Serge Bleuse, voiturier dans un palace" de Jacques Chancel - France Inter - 09/05/1975.*** Crédits podcast *** Documentaliste : Anne Brulant - Textes : Lætitia Fourmond - Restauration et mixage : Ian Debeerst, Quentin Geffroy, Stéphane Rives - Enregistrement : Franck Couillard - Voix off : Clara De Antoni - Musique(s) : Universal Production Music France - Chargée de production : Delphine Lambard - Cheffe de projet : Lætitia Fourmond - Assistante cheffe de projet : Daphné Boussus - Responsable éditoriale : Zoé Macheret - Un podcast INA.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Voice Of Costume - Creating Character through Costume Design
Facing failure. Overcoming perfection issues. Finding your next steps. All of these topics and more are covered in this inspirational chat with Sandra Burns the costume designer of the show, High Potential. Listen in on the creative process and behind-the-scenes insights on the show and the career of Sandra. Certainly a great episode if you are stuck creatively! Watch more episodes on youtube: @voiceofcostume The “Voice of Costume” is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation between Sandra Burns and Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/
durée : 00:10:47 - Le monde d'Elodie - par : Elodie SUIGO - Tous les jours, une personnalité s'invite dans le monde d'Élodie Suigo. Mercredi 21 mai 2025 : l'humoriste et acteur François-Xavier Demaison. Il réinterprète son rôle pour la seconde fois dans la série "Le Négociateur" disponible depuis lundi sur TF1.
Voice Of Costume - Creating Character through Costume Design
Ready to hear about the fastest, wildest, craziest costume design job? This episodes gives you an exclusive behind-the-scenes look of how the costumes for Dancing With The Stars comes together! Daniela and Steven discuss with Catherine how in-depth and wild the ride is to build the costumes for the dancers without knowing the choreography or exactly what is going to happen. Hear how they have learned to 'see colors' now by just listening to the music. The 1000's of hours of work that get pressed into 4 days is astounding as you listen to this episode. You won't leave this episode and not be in agreement that creating costumes for Dancing With The Stars is truly the "Amazing Race of Costuming" Watch more episodes on youtube: @voiceofcostume The “Voice of Costume” is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation between Daniela Gschwendtner, Steven Lee and Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/
Jo and Rob feel her love as they recap Episode 5 of 'The Last of Us' Season 2 and break down Ellie's first steps on her path of vengeance. (0:00) Intro (10:52) Spores in the show vs. the game (15:59) Checking in on ‘The Last of Us' discourse (34:22) Why this episode felt somewhat rushed (42:44) Costume designer Ann Foley interview (01:02:21) Video game **SPOILERS** section Email us! prestigetv@spotify.com Subscribe to the Ringer TV YouTube channel here for full episodes of ‘The Prestige TV Podcast' and so much more! Hosts: Joanna Robinson and Rob Mahoney Guest: Ann Foley Producers: Kai Grady and Donnie Beacham Jr. Additional Production Support: Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices
Voice Of Costume - Creating Character through Costume Design
Elisabeth (Liz) Vastola found her way to costuming by testing several industries through internships and being inspired by Broadway as a youth. Coming out of her shell in high school through the wardrobe she wore inspired her as well. Listen in on Liz's story as she shares inspirational truth, struggles and creative collaboration it takes to be a working costume designer! You will walk away inspired to go create yourself! Watch more episodes on youtube: @voiceofcostume The “Voice of Costume” is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation between Liz Vastola and Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/
Synopsis When and land in for another reading, the Doctor goes to a to meet an old . There, he discovers a mysterious trapping the patrons, feeding with their stories. Plot sits in a chair, getting a haircut, and tells a story about the , his village saved by the mysterious man in the blue box. As he speaks, images splay out on the wall behind him, depicting his story to the men listening eagerly. As he finishes, they all look at a pair of lights on the wall in tense anticipation, relaxing when they switch from red to green. Omo tells the others not to worry, the Doctor always comes, and the light switches back to red, alarms blare, and the room shakes. insists that the take her home, and he suggests that they head to , , the communications hub of , and a place he loves - home of his favorite barbershop. Belinda expresses confusion at this - the can do his hair; but he explains that it's about community, about being himself, since it's the first time he's ever been a black man. Belinda understands and sends him off to enjoy himself in Lagos after he takes a reading. The Doctor winds his way through a market, greeting everyone as he passes, before he comes to his friend Omo's barbershop, , finding those assembled in the middle of a story. As the door closes behind him an alarm goes off in the TARDIS, alerting Belinda that something has gone wrong. The Doctor notices that everyone present is on missing posters outside, and he watches as the man's hair grows back. The light in the barbershop flashes to red, people scramble to decide who still has a story left, and someone sits down, telling the story of and a , of music and of time. As images flicker on the wall, the Doctor looks on in wonder, and asks how it works, begins testing by throwing out words from his travels. But it has to be a story, it has to be with a haircut. A new has taken over the shop, he came one day, and as if by magic the shop became his. A woman enters the barbershop, , bringing food, the door closes behind her, and an alarm in the TARDIS sounds again. The Doctor recognizes her, but can't place her. The light switches to red again, and the Doctor sits down, telling the most powerful story he knows, not of or , but of an ordinary life. Of Belinda Chandra doing her job, helping someone all night long, even on her grandmother's birthday, a simple gesture of thanks two weeks later. Abby watches a screen in another room, seeing it lighting up, noting that they're accelerating, as the story ends. The Barber is impressed with the power of his stories, and tells Abby when she comes out that they need to recalibrate . Omo asks if they can be let free now that the Doctor has come, his stories being effective, his hair having grown in the interim more than any of theirs. But Abby locks the door and the pair leave. The TARDIS sounds an alarm yet again, this time showing Belinda an image of the barbershop. The Doctor is furious that Omo betrayed him, is willing to trap him here, and refuses to listen as everyone tries to tell him not to open the door. He forces it open with his sonic screwdriver, finding a vacuum on the other side. A vacuum with only giant web and a large spider traversing it, the barbershop on the back of the spider. The Doctor closes the door with great effort, and the Barber emerges from the backroom, explaining that the shop is in Lagos and in outer space at the same time, only Abby and himself able to travel between. Outside, Belinda finds herself lost, but is pointed towards the shop by a , entering it, glad to see the Doctor. Reunited, the pair confront the Barber, calling him a coward who hides his face, having no real power. Rising to the taunt, the Barber names himself, calling himself , , , , , the god of stories. The pair burst out laughing - the Doctor has met Bastet, Sága, Dionysus, Anansi. He's partied with them, Anansi even tricked him to marry his daughter. This man isn't any of them. And so the man admits, he's the person who did their work for them. Wherever the gods went, he took their stories, cleaned them up, refined them, wrote them down, all for humans to repeat them, to keep the gods alive. Without him the gods would not exist. The web outside is his creation as well, the , a web that connects cultures and ideas. He was so successful that the gods abandoned him, and now he wants vengeance. The engine winds down, so much power drained from the Doctor opening the door. Abby criticizes him, and the Doctor recognizes her at last - Anansi's daughter, Abena. He's sorry that he was unable to help her, but he was a at the time, and had his own story. The light turns red, and the Barber insists the Doctor tell a story. The Doctor refuses, demanding to know what vengeance is being planned. The Barber relents - he plans to cut out the gods from memory when he reaches the center of the nexus, erasing them from existence. The Doctor is horrified, this will damage humanity, as it will harm their ability to tell stories, to pass down information, insisting that this is horrific. He refuses to sit down and speak, he won't let the spider go further. As the shop descends into chaos, everyone arguing, Abena proclaims that she will tell a story, and begins to braid the Doctor's hair. And she tells a story of plantation slaves transmitting information through the braids on their hair, maps to freedom for anyone who could escape, hidden in a place where the overseers would never check. As the battery stabilizes, the Doctor and Belinda run into the back room, finding themselves in a maze, a maze for which the Doctor has the map on his head. The pair come to a room full of artifacts from various cultures and the ship's engine, an engine that runs on stories, a heart inside a brain. The Barber enters the room behind them, having cut Abena off from the outside, the Doctor disrupting the flow of power, slowing the spider down but not stopping it. The Barber insists that the Doctor has done nothing. So the Doctor suggests that they consider , who wrote a story in six words. The Doctor's six word story is "I'm born. I die. I'm born." And energy begins to flow into the engine, never-ending energy, as his past lives flicker across the screens. But the Doctor has disrupted the engine, it can't process the power. He tells the Barber that now it's his choice - he can save the people in the shop by opening the door. But the engine will disintegrate. The Barber unlocks the door and Omo, Adena and the rest out front escape. The Doctor sends Belinda back as he sits with the Barber, talking to him, convincing him that he still has more to live for. The pair escape the shop at the last moment as it collapses, the engine exploding, destroying the spider it rode on. Omo apologizes to the Doctor, and says that he should have protected the Doctor, they're part of the same community. The two make up. Omo gives the Barber his shop, saying that he's retiring, and gives him a name, his father's name, . Adétòkunbo steps back into the barbershop, now his. The Doctor and Belinda step back into the TARDIS, one step closer to home. Cast - - - - - - - - - - - - - - - - Crew , and with and by • by Music by • Assistant to - • performed by General production staff for the - - - - - - - - - - - - - , - , - Script department - - Camera and lighting department - , - - - , - - - - - - - - - - , , , Art department - , - , - - - - - - - - - - - - , - - , , , , , , - - - - - - - - - - , - - , , - , - , , , , , , , , , , , Costume department - - Make-up and prosthetics Movement - - - Casting - - General post-production staff - - - - - Special and visual effects - - - - - , - Sound - - - - Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources. Worldbuilding claims to be , , , , and . In return, the Doctor relates encounters he had with all of those deities: winning a bet against Anansi, having a drinking contest with Dionysus that caused a in , watching movies with Sága, and losing a game of to Bastet. The has a large collection of artefacts related to stories. The room of shelves includes a , several , a statue of , a life-sized statue of a bearded man, , a helmet, copies of , , and , and a statue of a . The area around the heart has a statue of a dancing goddess, a , a , a statue of an , a model , several , , and a . Notes The episode has a smooth transition from the "" into the , with the title sequence first appearing in the shop window, and then the camera slowly zooming closer until the image fills the frame and the window fades away. The title of the episode was revealed on official social media on . On , the prequel short story , also written by , was published on the . Some of the artwork from it was shown on the shop window in this episode when was telling his story of the Doctor. The story shares many themes and ideas with other work by Ellams. The 2017 play Barber Shop Chronicles prominently explored as places of friendship and culture. It featured many barber shops, including one in . A version of the story about and the was part of this play. The 2019 play The Half-God of Rainfall depicted a world in which the gods of all religions coexist as separate figures who interact and fight with each other. appeared, presented as the of stories. Ellams viewed the character as echoing the title character of this play, as both are newly-invented children of gods. The 2020 poetry book The Actual had a poem about the Yo-Yo Ma story, as well as a poem comparing rapping to time travel which mentions Doctor Who. The Yo-Yo Ma anecdote is based on the musician's trip to which was filmed for the 1993 documentary Distant Echoes: Yo-Yo Ma & the Kalahari Bushmen. For the UK debut on , the episode was first released as an audio description version only. The standard version of the episode was then released a few minutes later. Episode writer appears as a , marking the second time a person has written and acted in the same episode, following in [+]. as and as the were omitted from the advance credits. The anecdote of challenging him to write a story in six words appears to be referencing 'For sale: baby shoes, never worn.', a story misattributed to Hemingway. Myths to be added Filming locations to be added Ratings to be added Production errors If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to . to be added The Doctor uses the , as he previously did in : [+], : [+], : [+] and : [+]. 's cameo, for the first time, occurs in a flashback rather than the present, in the story the Doctor recounts about how Belinda saved a life. She's seen walking down the hallway just before Belinda meets the patient again and is given flowers. The Doctor recognises Abby from his encounter with when he was the , indicating he now has access to some of the memories that were erased by . Belinda sees an apparition of just before she reaches the barber shop. When she later tells the Doctor about seeing a little girl, he guesses it was due to stories from the Story Engine leaking out. When the Doctor overcharges the engine with his endless story, it is shown with clips of the from : [+], the in : [+], the in : [+], the in : [+], the in : [+], the in : [+] with audio from : [+], audio of the from : [+], the in : [+], the in : [+], the in : [+], the in : [+], , , and the in : [+] (saying the line heard earlier), the in : [+] and the in : [+]. Clips of the in : [+], the in : "" [+], the Twelfth Doctor in : [+] and a still of the Fifteenth Doctor in : [+] appear in the background of the following scene. in article: External links Official page on Footnotes @BBC (2025-03-22). . YouTube. Archived from on 2025-03-22. (2025-05-08). . . Archived from on 2025-05-08. Amanda-Rae Prescott (2025-05-10). . Den of Geek. Archived from on 2025-05-11. . BBC One. Archived from on 2025-04-30.
Aujourd'hui, Barbara Lefebvre, Bruno Poncet et Jean-Loup Bonnamy débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.
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The boys are back and they're discussing Thunderbolts*, Met Gala and then take a journey through their musical lives by sharing there albums that represent their ages 5-10-15-20-25 Rate Us ⭐⭐⭐⭐⭐ on Apple Podcasts! Connect With The Show: Follow Us On Instagram Follow Us On Twitter Follow Us On TikTok Visit Us On The Web
Voice Of Costume - Creating Character through Costume Design
Catherine Baumgardner hosts Costume Designer Sarah Evelyn as they share behind-the-scenes insights into the creative process. Sarah shares stories of how she started her career in costume design at age 37, how her "never say no" mindset lead to her meeting director David Leach, and how collaboration led to the iconic looks of the movie The Fall Guy. She shares about her new show Paradise and tons of insights into how to be a successful creative professional! Watch more episodes on youtube: @voiceofcostume The “Voice of Costume” is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation between Sarah Evelyn and Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/
Costume designer June Ambrose, fashion icon Jenna Lyons, and TODAY Style correspondent Zanna Roberts Rassi break down the best and boldest looks from the Met Gala. Also, Kelly Clarkson stops by to catch up and discuss her upcoming residency in Las Vegas. Plus, interior designer Sabrina Soto shares a few budget-friendly DIY projects to help step up your home's style. And, Christina Najjar joins to talk about her debut fiction novel Hotter in the Hamptons.
An inside look at the Met's new costume exhibit. Also, Robert Irwin stops by ahead of the 'Steve Irwin Annual Gala.' Plus, Melissa Rivers shares details on new special, 'Joan Rivers: A Dead Funny All-Star Tribute.' And, new workouts for women's health month.
Join us for Episode 4 of the Witch Movie Project, where we discuss films like The Love Witch and The Autopsy of Jane Doe. Dive into the world of psychological horror with us in this recording session! Exploring the Mysteries of 'The Love Witch' and 'The Autopsy of Jane Doe' - Witch Movie Project Ep. 6 Join us in this thrilling episode of The Witch Movie Project! Blane and Courtney dive deep into two captivating films: 'The Love Witch' and 'The Autopsy of Jane Doe'. From the vibrant technicolor world of a modern-day witch seeking love to the eerie and intense autopsy of a mysteriously cursed woman, this episode uncovers every detail. With personal insights, historical connections, and exciting behind-the-scenes facts, we prepare for an unforgettable live podcast taping and movie screening. Costume contests, prizes, and much more await on October 26th. Tune in for an episode filled with horror, witchcraft, and cinematic wonder! Chapters: 00:00 The Witch Movie Project Begins 01:21 Discussing 'The Love Witch' 04:23 Exploring Witchcraft Symbolism 10:36 The Art and Symbolism of Tarot 26:06 Final Thoughts on 'The Love Witch' 31:53 Introduction to 'The Autopsy of Jane Doe' 37:53 Gruesome Autopsy Details 38:18 Unraveling the Mystery 39:12 The Storm and Isolation 41:14 Comparing to Alien 44:58 The Autopsy Continues 47:57 Discovering the Witchcraft 53:39 The Vengeful Spirit 01:03:42 Final Thoughts and Reflections 01:11:58 Event Announcements and Closing
Sgt. Rocked CANCELLED?! Corenswet Talks Superman Costume! It's just so much fun being a DC fan especially with days like today, but the hype is still there so let's chat about what is really going on with Sgt. Rock.
Voice Of Costume - Creating Character through Costume Design
Tune in for a fantasy deep dive! Sharon shares how her experience on expensive commercials, small projects and even working the circus helped her in designing the Amazon TV series Wheel of Time. Listen in for great insights to how her mindset helps her in her career, designs, and relationships. Watch more episodes on youtube: @voiceofcostume The “Voice of Costume” is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation between Sharon Gilham and Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/
From Wikipedia, the free encyclopedia 314 – "Lux" episode Promotional title-card Cast – – Others – Newsreader Cassius Hackforth – Tommy Lee Ryan Speakman – Husband – Reginald Pye – Mr Ring-a-Ding – Sunshine Sally Lewis Cornay – Logan Cheever Lucy Thackeray – Renée Lowenstein Jane Hancock – Helen Pye William Meredith – Policeman Samir Arrian – Hassan Chowdry Bronté Barbé – Lizzie Abel Steph Lacey – Robyn Gossage – Mrs Flood Production Directed by Written by Script editor David Cheung Produced by Chris May Executive producer(s) Russell T Davies Joel Collins Music by Series Running time 43 minutes First broadcast 19 April 2025 Chronology ← Preceded by "" Followed by → "" "Lux" is the second episode of the of the series . It was written by , the Doctor Who showrunner, from a concept first developed over two decades prior, and directed by . In the episode, the () and his , , land in 1952 , while trying to make their way back to 2025. After doing so, they discover a mysterious where fifteen people have disappeared. The pair stay to investigate and ultimately confront an animated God, Lux (voiced by ), who traps them in film. "Lux" is unusual for the programme in that it features a mixed live-action and animated format. Filming for the episode took place in and at in January 2024. Some voice-over work took place internationally in in June. Animation and other work continued later into the year, with some tasks still being completed as late as September. The episode includes references to , and to its own . It was released on , , and on 19 April 2025. Reception to the episode was positive, with critics praising its use of animation in a live-action setting. A novelisation written by is set to be released in July 2025. Plot [] Unable to return to 24 May 2025, the lands in 1952 , where the Doctor and find a cinema that is chained shut. At a diner, they speak to the mother of one of fifteen people who disappeared from the cinema, which continues to play movies at night. Although is still enforced, the waiter allows them to stay. Inside the cinema, the pair discover a living cartoon, Mr Ring-a-Ding, the embodiment of Lux Imperator, God of Light, is responsible. The projectionist, Reginald Pye, plays films for Lux, who uses his power to recreate Pye's dead wife. Lux has trapped the missing people in a film reel. He similarly traps the Doctor and Belinda, and turns them into cartoon characters, until they regain their usual forms. They flee to another false reality, where a racist cop challenges them. They escape through a television watched by . Though delighted to meet the Doctor they reveal that their world is the fake one, and encourage him to return and defeat Lux, even though they will then cease to exist. Back in the cinema, the Doctor heals his injured hand using residual energy. Lux steals the energy to create a solid body. Belinda attempts to burn film reels to cause an explosion, but encouraged by his wife, Pye sacrifices himself. The explosion exposes the cinema to sunlight causing Lux to expand infinitely until he becomes one with the universe. The missing people return. As the Doctor and Belinda leave, Mrs Flood encourages the bystanders to watch the TARDIS dematerialise, claiming this "show" is a "limited run" that ends on 24 May. The Doctor's fans critique the episode, realising that they still exist. Production [] Development and production design [] "Lux" was written by . He had wanted to do an episode that included a living cartoon for a long time, but was unable to do one until now for funding reasons. He also revealed that he had considered variants of such an episode, including one two decades prior that would have featured a hologram rather than a legitimate animation as a result of the budgetary constraints. The story also contains mentions of segregation and racism in which Davies said he added to address issues in present-day society. It was also used as a subversion to the Doctor usually situating themselves as the main authority figure. While including such themes, he didn't want it to be the dominant subject. Among these are the NYPD officer saying the cinema is a space "reserved for " and prejudicely assuming that Belinda is . Other motifs present explore grief, hope, friendship, and sadness. references to and the character were included. Additionally, Davies has continued a recent trend of . Also unusual for the show, the episode featured a . Costume designer Pam Downe created the Doctor's and Belinda's outfits using the of blue and yellow. Sethu's dress was inspired by a similar one worn by Anita () and designed by in the of . Meanwhile, Gatwa's blue suit was influenced by American musical artists of the 1950s. These hues were intended to further contrast with the red interior of the cinema by ultimately using all three . Downe ultimately wanted to successfully convey movement during the episodes action scenes. As such, three different were considered for Sethu to wear and her dress had multiple . The concept of Mr. Ring-a-Ding was inspired by animations from . Ian Spendloff worked as a creative designer for the episode, and was the designer of Mr. Ring-a-Ding. Davies compared the concept of Mr. Ring-a-Ding to from the 1930s. Spendloff drafted thirty different sketches that were considered before finally settling on the one used in the episode. Each one featured variations in noses, hair, and other elements. Mr. Ring-a-Ding was ultimately given a pig-like nose and blue skin to reflect characteristics of cartoon characters from the time period, with Davies wanting the character to look vaguely human but not be immediately identifiable as something else. to were also present in the episode because Davies recalled his enjoyment of cartoons while writing it, which made him consider people who loved the programme. Within the episode, the fans wore Doctor Who apparel (including a scarf, another a "Telos" sweatshirt) and declared "" (2008) as their favourite episode. One of them also mentioned the impending cancellation of the show. They then point out the "obviousness" of the episode's , and made references to . The show's BBC ident appears on the screen of their television. Although they say they are too inconsequential to be given surnames, all three characters—Hassan Chowdry, Lizzie Abel and Robyn Gossage—are fully named in the credits. The concept of Doctor Who existing within had previously been briefly explored in (1988) and other expanded media. Following this instance, such an idea was considered quasi-. This scene raised suspicion that Davies had potentially been planting online himself regarding upcoming episodes as well as rumours that the series would enter into another hiatus. When the fact that the episode was written and filmed well before the leaks began appearing was considered, it was compared to the . Casting [] The episode stars as the of and as his , . voices the antagonist, Mr. Ring-a-Ding. It marks Cumming's second appearance in the show after his role as King in the 2018 episode "". Davies said that he and the production team had considered whether it was too soon to cast Cumming again and that had it been a live action role, he likely would not have been. Mr. Ring-a-Ding is the "God of Light" and part of the "Pantheon of Gods" that Davies has been developing since "" (2023). stars as Reginald Pye, the theatre's projectionist and Lewis Cornay plays a diner worker who helps the Doctor and Belinda investigate the disappearances. also makes a brief appearance as recurring character Mrs. Flood. The trio of fans were portrayed by Samir Arrian, Bronte Barbe, and Steph Lacey. Filming and post-production [] Exterior shots for the theater were filmed at Pavilion. The wooden ramp can be seen at the bottom of the photo. The story was filmed in the series' third production block, along with the following episode, "". It was directed by and recorded in late-January 2024. took place in . The surrounding area was made up to look like an American city in the 1950s by adding vehicles and American flags. pavilion was used for exterior shots of the theatre. The production team painted the building, added a period theatre sign, and removed a modern ramp at the front of the building. Its removal led to the discovery of rotting wood that had to be replaced at the show's expense. The episode was shot during causing the cast and crew to struggle with unexpected rain and winds, requiring hot water bottles to keep warm during takes. Interior shots for the studio were filmed on 4 at . Pieces of that set were reused from "" (2024). As a result of Mr. Ring-a-Ding being an animated creation, the performers had to interact with a two-foot acrylic cutout of the character or a thin green pole on set.The scenes were then edited during the process. References for Mr. Ring-a-Ding's movement were filmed by crew, and then drawn directly into the scene by animators from . Cumming voiced his scenes in on 28 June 2024. Elements of Cumming's facial expressions during this recording for were incorporated into Mr. Ring-a-Ding. The scene where the Doctor and Belinda are turned into cartoons were first recorded on a , in which Gatwa and Sethu had to portray the characters in a rigid and cartoon-like manner. The animators used this as a reference for interaction between the two characters when redrawing them as a cartoon. Animations were done at twenty-five frames a second, requiring twenty-five drawings for each second of screen time, or fewer if characters' movement was limited. artists recorded at Bang Post Production in on 4 September 2024. The episode's soundtrack included two singles: "" by , and the rendition of "". Despite the episode taking place in 1952, the tracks were not released until 1956 and 1969, respectively. , the show's , also included the song "The Sad Man With A Box", a piece that he originally composed for . Broadcast and reception [] Professional ratings Aggregate scores Source Rating (Tomatometer) 100% (Average Score) 7.70/10 Review scores Source Rating B 10/10 9/10 Broadcast [] "Lux" was released on at 8 a.m. (BST) in the United Kingdom and on in the United States at 12 a.m. on 12 April 2025. A broadcast followed at 7:15 p.m. BST. also handled international distribution of the episode. Ratings [] The episode received overnight viewing figures of 1.58 million, the lowest broadcast ratings in Doctor Who's history. It was the fourth most-watched programme of the day on BBC One, with one show on also achieving higher numbers. Critical reception [] On the website , 100% of 10 critics' reviews are positive, with an average rating of 7.70/10. Robert Anderson, writing for , praised the episode, highlighting Mr. Ring-a-Ding, several individual scenes, such as the fourth-wall-breaking scene, and the performances of Gatwa and Sethu. 's Martin Belam responded positively to the episode, praising Cumming's performance and the fourth-wall-breaking scene. Will Salmon, writing for , highlighted Mr. Ring-a-Ding and Gatwa's performance, though felt Murray Gold's musical score "drowned out" some scenes. Adi Tantimedh, writing for , found the episode to be the strongest out of the episodes headed by Davies in his second tenure as showrunner. Andrew Blair, writing for , highlighted the characterization of Mr. Ring-a-Ding, but criticized the episode's similarities to "", which he felt made the episode feel repetitive and weaker than it should have. He also felt the episode's handling of race was not effective, as while he felt the episode's inclusion of the topic was commendable, he felt the Doctor's in-universe way of handling it "can't help but scrape awkwardly against our real-world knowledge." Vicky Jessop, writing for the , criticized the inclusion of the scene featuring Doctor Who fans, stating that while it was initially entertaining, it quickly became "strained".
Guests: Steve Liesman, Ali Velshi, Vince Warren, Rep. Delia Ramirez, Rep. Robert Garcia, Jonathan AllenThe chaos economy—and the damage done beyond the stock market. Tonight: consumer confidence craters as fears of a Trump recession mount. Then, Elon overpromises and underdelivers as federal spending goes up under Trump's watch. Plus, the Homeland Security chief who just can't help getting into costume. Want more of Chris? Download and subscribe to his podcast, “Why Is This Happening? The Chris Hayes podcast” wherever you get your podcasts.