Podcasts about Costume

Enjoy this special episode LIVE from the Motor Enclave in Tampa, FL! IN THE NEWS: Target is apologizing for selling a children's Halloween costume that some described as reminiscent of racist minstrel caricatures, President Donald Trump said Thursday he is renaming Lake Ontario to be known as “Lake America, President Donald Trump announced a major oil agreement with Venezuela Friday, Dolly Parton may be gone -- but her memory is going to live on forever at the Nashville International Airport, Former NBA player Royce White brought his WNBA Draft campaign directly to an arena Friday night.FOR MORE WITH RUDY PAVICH:WEBSITE: RudyPavichComedy.comINSTAGRAM: @ Rudy_Pavich PUNCH UP LIVE: https://punchup.live/rudypavichLIVE SHOWS: September 11 - Las Vegas, NV (2 Shows)September 12 - Las Vegas, NV (2 Shows)September 20 - Santa Ana, CA (Live Podcast)September 24 - Burbank, CAThank you for supporting our sponsors:betterhelp.com/carollabollandbranch.com/acs Code: ACS oreillyauto.com/adam Pluto.tvSimpliSafe.com/ADAMSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Eat the Candy. Wear the Costume. Enjoy Your Life!How?Drop the guilt. The restriction. The compensation.  The "I was so bad" spiral? Not happening this year.This week, we're taking on Halloween again through the lens we've used since the beginning of this podcast: food isn't a punishment or a reward, and exercise isn't something you owe your body because you ate candy.We're revisiting this episode to talk about why you don't need to skip meals before a Halloween party, why one night of eating differently doesn't "derail" anything, and what to do the next morning instead of trying to compensate for what you ate. We also have some great suggestions on what to do with all that leftover candy if you don't want it hanging around until next Halloween. Halloween is supposed to be FUN. So get out there! (00:00:50) Welcome to the podcast(00:09:40) Why Halloween brings old food and fitness habits back(00:14:20) Candy isn't “good” or “bad”(00:16:57) You do NOT need to burn off your Halloween candy(00:17:47) Don't skip meals to “save calories” for later(00:19:53) One night of overeating will not derail your health(00:22:48) What to do the morning after eating more than you planned(00:25:32) The Switch Witch: a different way to handle mountains of candy(00:32:25) The Purple Pumpkin (00:39:18) Be kind to teens (00:42:01) Remember your kids are listeningWant to leave the TTSL Podcast a voicemail? We love your questions and adore hearing from you. https://www.speakpipe.com/TheThickThighsSaveLivesPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The CVG Nation app, for ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠iPhone⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The CVG Nation app, for Android⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Fitness FB Group⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thick Thighs Save Lives Workout Programs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Constantly Varied Gear's ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Workout Leggings⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Disclaimer: The information shared in this podcast is for educational and informational purposes only and is not intended as medical advice. The views expressed are those of the hosts and guests and should not be used as a substitute for professional medical diagnosis, treatment, or advice. Always consult your physician or qualified healthcare provider before making changes to your diet, exercise routine, medications, supplements, or healthcare plan.

It's almost a right of passage to have a costume as a kid that didn't quite hit the mark. Bree Tomasel & Clint Roberts on ZM - find us @breeandclint on Instagram, Facebook and TikTok.See omnystudio.com/listener for privacy information.

On this episode Tim & the crew are joined by Naomi Epps to discuss Target apologizing & pulling a "racist" costume after backlash Tim saying the economy is not in a good place Democrats pushing for lockdowns that destroyed small businesses Democrats Party in Civil War over Hasan Piker Hosts:  Tim @Timcast (everywhere) | https://www.shoutout.fans/timpool Phil @PhilThatRemains (X) | https://allthatremains.komi.io/ Ian @IanCrossland (everywhere) Producer: Carter @carterbanks (X) |  @trashhouserecords  (YT) Guest:  Naomi Epps @NaomiEppsBest (X)  

You've sold your work. You might even have a waitlist. So why do you still talk about your art like it's a hobby you squeeze in around your real life? That's not humility. That's fear, dressed up in a really convincing costume. In this episode, Jodie names the three lies keeping artists small, even ones who are already selling: that success will cost you the joy, that visible ambition means public failure, and that claiming this life means giving up who you already are. She shares stories from her own life and from artists inside Studio Elite who faced these exact fears and moved through them anyway. What you'll learn in this episode: • Why time blocking protects your joy instead of stealing it • Why staying small doesn't protect your reputation, it just protects you from ever being seen trying • Why certainty never comes first, and what actually does instead   Resources Mentioned:  The Artist Who Gets Paid, Jodie's 3-part workshop (August 20, 25, and 27): https://www.jodiekingart.com/artistseries  Studio Elite Mastermind applications: https://www.jodiekingart.com/studioelite Episode 138, How to Make Your Art Career Dreams a Reality with Jodie Gear: https://jodieking.com/episode-138-how-to-make-your-art-career-dreams-a-reality-with-jodie-gear/  Episode 116, You Can't Fake It: The Power of Artist Identity In a Crowded Art World: https://jodieking.com/episode-116-you-cant-fake-it-the-power-of-artist-identity-in-a-crowded-art-world/  Episode 149, 22 Years As An Artist: What I'll Never Do Again: https://jodieking.com/episode-149-22-years-as-an-artist-what-ill-never-do-again/ Have a question for Jodie? Ask it here: https://forms.gle/hxrVu4oL4PVCKwZm6  If you loved this episode, subscribe so you never miss a week, and leave a review, it genuinely helps other artists find the show. Know an artist who should be a guest on the podcast? Email amy@jodieking.com. This post may contain affiliate links. Jodie King Media may earn a small commission at no extra cost to you. This episode is for educational purposes and reflects Jodie King's personal experience building her own art career. Results vary by artist.

We are in the year 2026, right? Because Target recently posted a Halloween costume for sale on their website that can only be described as racist. The hat, the face, even the pose that the child model was in resembles Jim Crow era cartoons. Last year, Target faced an initial round of backlash after they dissolved DEI departments and practices across the organization. Hmm, maybe they could have used some help that would have prevented this whole costume fiasco to begin with...

Target's taken a lot of grief over the last few years - much of it self-inflicted. Jason talks about how they've messed up again with a problematic Halloween costume that made it to their website before they realized its racist overtones.

The Rush Hour with Maroon and Hindy chat about the big NRL news regarding Adam Reynolds, Maroon had an eventful dinner on the weekend at a Sydney restaurant *insert eyeroll*, and the Monday Moan is back and Maroon has an ENTIRE A4 page of moans to get off his chestSee omnystudio.com/listener for privacy information.

Eugene O'Neill's play Hughie has been performed at least three times by Al Pacino (The Godfather, Frankie & Johnny, Scent of a Woman) throughout his career. It is a one-act play set in the lobby of a small hotel on a West Side street in Midtown Manhattan, New York, during the summer of 1928. Only characters exist in the play - small-time gambler Erie Smith and Hotel night clerk Charlie Hughes. Pacino played the role of Erie Smith in each production. Costume designer Candice Donnelly joins the podcast to discuss working on the stage production. She talks about what designs Pacino wanted for the clothes, why he didn't care about fitted shoes and how he never wanted to try any of the clothes on. Candice also talks about the type of fabric needed for the suit that Al wore every night.All About Al: The Pacino Podcast is written, produced and presented by Mark Searby. Hosted on Acast. See acast.com/privacy for more information.

EVERYTHING MUST GO! Has Batman gone crazy, auctioning off his elite crime-fighting equipment to the highest bidder? Sure seems so - what he needs is a good home-cooked meal - but with Alfred missing, who's going to do the cooking?!? Find out right here in Batman #191! Chapters (00:00:00) - Oh, My!(00:00:17) - Checkered Past: Batman(00:01:00) - What They Don't Know About An Auction(00:05:21) - Firemen on a mattress fire(00:06:03) - Part-Time Faculty on School Activities(00:06:55) - Lanterns(00:07:23) - The Manhunters Episode 3(00:09:34) - No More Naps For Me(00:10:46) - The Auction of Batman's Uniform(00:11:46) - Batman to Auction Off Everything(00:12:39) - The Batman vs Criminal Ira Radon(00:17:18) - Batman's Retirement Announcement(00:18:35) - Robin the Batman's Secret Retirement(00:20:11) - The Auction of Batman's Costume(00:21:48) - No More Batman(00:22:46) - Batman vs Ira Radon(00:28:11) - Batman vs Clay Giant(00:31:06) - Batman Admits To Confessing To Robin(00:34:13) - Alfred the Butler in Batman & Robin(00:35:03) - Batman vs. Alfred in Ormond Beach(00:38:24) - Alfred the Butler vs Batman(00:42:08) - The Dark Knight's Private Food Storage(00:47:13) - Batman: The Anatomy of An Appetizer(00:47:56) - The clues to Alfred's whereabouts(00:52:13) - Doom Patrol: Oysters Duchess

In this episode of Naked Age, we meet composer, conductor and pianist Leonard Lehrman and soprano Helene Williams, whose lives together have unfolded at the unlikely intersection of opera, political activism and naturism.Leonard's musical life connects him to some of the defining artists and political movements of the twentieth century, from studying with Nadia Boulanger and Elie Siegmeister to working in the orbit of Leonard Bernstein, championing the music of Marc Blitzstein, attending the March on Washington and drawing inspiration from historian Howard Zinn. In 1987, Helene auditioned for the title role in Leonard's E.G.: A Musical Portrait of Emma Goldman. The collaboration that followed became both an artistic partnership and, eventually, a marriage.Together, Leonard and Helene brought opera, cabaret and musical theater into naturist spaces around the world. Their performances could move from Bernstein and Rossini to political songs, mermaid operas, naked cabaret and Leonard's own Naturist Anthem, sometimes with considerably less costuming than an opera audience might expect. Their story asks what happens when a lifetime devoted to serious music, radical politics and individual freedom refuses to keep those things in separate boxes.Listen to all episodes of Naked Age at www.nakedage.co, or find them wherever you get your podcasts.

Amy shared a feel good story she found on Instagram involving Machine Gun Kelly. Bobby shared what celebrity he DM’d on Instagram and why. A celebrity commented on Amy’s Instagram and now she is worried they might be upset with her. Amy gave us an update on what celebrity she dressed up as for her friend’s Icon Party. She shares what she learned from the party after she strongly considered not going. We talked about the tragic passing of Hayden Panettiere.See omnystudio.com/listener for privacy information.

Costume designer Ann Maskrey has watched The Grand Budapest Hotel five times and rewatched it the week before recording—and she's still finding things to admire. Ann, whose credits include The Duchess, the Hobbit trilogy, and the new The Magic Faraway Tree, chose Wes Anderson's 2014 film as one of her all-time favorites: a story of a legendary concierge (Ralph Fiennes) and his lobby boy (Tony Revolori) set against a fictional interwar Europe running out of time and elegance.Ann, Andy, and Pete dig into Milena Canonero's costume design and what it means to read another designer's work from a maker's perspective—someone who started as a cutter and dresser before she was ever a designer. They get into the color decisions, the departmental shorthand that makes Anderson's worlds feel airtight, and how the same principles show up in Ann's own work on The Magic Faraway Tree. Andy Nelson and Pete Wright discuss the film with Ann Maskrey on Movies We Like, a TruStory FM podcast.

In this engaging conversation, host Tom Alvarez welcomes back acclaimed costume designer and theater artist Anthony James Sirk for a wide-ranging look at the experiences, inspirations, and creative journey that shaped his distinctive career. From growing up on a farm in Huntington, Indiana, discovering the arts through childhood drawing, theater, and fashion, to finding his calling in costume design at Ball State, Sirk shares how his path took him from the Alabama Shakespeare Festival and regional theater to becoming a sought-after designer and costume shop manager at Purdue. The conversation explores his maximalist, whimsical design aesthetic, his love of “bangles and baubles,” his work on productions including Yuletide Celebration, and his commitment to mentoring emerging artists and expanding opportunities for diverse voices in Indiana theater. Alvarez and Sirk also reflect on the power of the arts to provide belonging and hope, Sirk's experience coming out as a teenager in rural Indiana, the evolution of LGBTQ+ acceptance, and the collaborative spirit that makes Indianapolis's theater community so special. With upcoming projects including Yuletide, Fringe, and Alvarez's Cabaret Latino, the episode offers both longtime listeners and newcomers an intimate portrait of an artist whose journey is a testament to creativity, community, perseverance, and the belief that the dreams you imagine for yourself really can come true. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Mask of Zorro, starring Antonio Bandares, Anthony Hopkins & Catherine Zeta-Jones, is the film of choice for today's episode. But don't worry: Joe & Adam barely talk about it. 

In this episode of the Best Coach Ever podcast, we're talking about how to create content that actually sells your coaching—without feeling fake, forced, or like you're putting on a performance every time you post.We're breaking down why you don't have to choose between authenticity and strategy, why templated sales content often feels so awkward, and how understanding sales and marketing can actually help you sound MORE like yourself online.If you're tired of obsessing over hooks, CTAs, and content formulas (or feeling like you have to become a different person when it's time to sell) this episode will help you create content that feels like you AND does its job.If you love this episode, don't forget to leave a 5-star rating and a quick review! It's the best way to support the podcast and help us keep bringing you real, honest convos like this one.In this episode, we cover:1) Why Making “Strategic” Content Feels So Exhausting [0:00 - 4:03]-The pressure to use hooks, pain points, CTAs, trends, and strategy in everything you post.-Why coaches feel torn between making content they enjoy and content they think will perform.2) Why Rejecting Content Strategy Isn't the Answer [4:04 - 7:36]-How strategy helps your content cut through the noise and reach the right people.-The problem with treating authentic content and strategic sales content as two separate things.3) Stop Treating Sales Content Like a Costume [7:37 - 11:22]-Why rigid templates can make your content feel forced and performative.-How to use marketing skills to communicate your own ideas better.4) What Selling Actually Looks Like [11:23 - 15:18]-Selling is about helping someone understand why your offer can solve their problem.-What actually becomes content that sells.5) Give Yourself Permission to Be a Salesperson [15:19 - 19:06]-Why selling feels uncomfortable or you associate it with being pushy or annoying.-What makes talking about your offer feel natural instead of forced.6) Build a Personal Brand That Sells for You [19:07 - 23:48]-What actually creates demand without constant pitching.-How personal branding can sell more effectively than traditional sales posts.7) Create Content People Become Obsessed With [23:49 - End]-Why borrowed hooks, templates, and outsourced ideas won't create true magnetism-What you need to own that creates content that connects and sells.Connect with Lynette:Instagram: https://www.instagram.com/lynettemariehFitness Coaching Business Accelerator: https://fcbaprogram.comThe Wellness CEO Mastermind: https://wcmprogram.com

In this very special episode, we sit down with Spookyworld founder and creator David Bertolino for an incredible journey through the history of one of the most influential names in the Halloween and haunt industry.David shares the story of how Spookyworld began, how it evolved from a passion project into the world's first horror theme park, and the challenges, risks, and triumphs that came with creating such a groundbreaking attraction.He opens up about the highs and lows of running a massive Halloween event, the importance of adapting when things don't go to plan, and how he stayed committed to his vision through decades of change.We dive into David's fascinating life beyond Spookyworld, including his family's legendary costume, joke shop, and Halloween superstore, his time working with Rubie's Costume Company, and the many incredible friendships and relationships he built throughout the Halloween industry.David also discusses his brand-new book, documenting the full history of Spookyworld — a stunning collection filled with behind-the-scenes stories, rare photos, memories, and the incredible journey behind one of the most iconic haunt attractions ever created.We talk about the upcoming documentary exploring his life and the creation of Spookyworld, his current work promoting the book at haunt conventions, and his exciting plans for a second book that will serve as a travel guide to the best Halloween, horror, and theme park experiences across America.David is truly one of the kindest and most passionate people in the industry, with a lifetime of stories, experiences, and connections with some of the biggest names in horror, Halloween, and entertainment.Whether you love haunted attractions, theme parks, Halloween history, or the behind-the-scenes stories of how legendary experiences are created, this is a conversation you won't want to miss.A must-listen for every Halloween and haunt fan.For more of my content - CLICK HEREBecome a supporter of this podcast: https://www.spreaker.com/podcast/class-horror-cast-horror-movie-podcast--4295531/support.

Some leaders have learned how to look the part long before they learned how to carry the weight. The words are polished. The book looks impressive. The keynote sounds powerful. The post gets attention. Then pressure shows up. That is when appearance stops mattering and leadership has to produce evidence.In this episode of Here's the Caveat!, I am going after manufactured authority, borrowed wisdom, and the growing temptation to let tools create a version of leadership that real life has never verified.Here's the Caveat… A microphone can amplify a voice. Only consequence can verify it. This is The Leadership Costume.

Disney went full villain mode on the iconic Mickey's Not-So-Scary Halloween Party cast member costumes for 2026. Gone are the bright, festive green-and-purple bat prints, yellow-orange plaid layers, and oversized bat headbands that defined the party for decades. Fans are losing their minds and are calling it a total downgrade. Your hosts wade in and bring their unique perspective that you all know and love. 49 Minutes.

Costume designer Olga Mill joins the Filmmaker Mixer Podcast to discuss designing the wardrobe that helped shape the acclaimed Netflix series Beef. Learn how costume design influences character, emotion, and visual storytelling.Whether you're a filmmaker, film student, or costume designer, this conversation is packed with practical insights into collaboration, character development, and building authentic worlds through wardrobe.

C'est une institution unique en Europe, et même au monde : en France, le Centre National du Costume et de la Scène souffle ses 20 bougies cette année. Depuis 2006, ce "musée-réservoir" situé à Moulins, dans le centre du pays, conserve et met en valeur des milliers de costumes tirés du spectacle vivant. Pour son exposition-anniversaire "Tous en Scène", le CNCS ouvre les portes sur une partie de ses trésors... et sur ses coulisses ! Une robe de plusieurs mètres de haut ; un imperméable en vinyle rouge avec un col en forme de rose géante ; des robes d'époque aux multiples soieries et broderies ; des jupes en froufrou, des masques d'animaux, des tenues en plumes... pour ses vingt ans, le Centre National du Costume et de la Scène (CNCS), à Moulins, a sorti le grand jeu, dans une scénographie extravagante et surtout ludique.    120 silhouettes exposées, 10.000 en stock Créé en 2006 à l'initiative de l'Opéra de Paris, de la Comédie-Française et de la Bibliothèque nationale de France, le CNCS a des costumes plein ses armoires. "On a environ 10.000 costumes en réserve, énonce Delphine Pinasa, la directrice, mais pour les costumes, comme il s'agit plutôt de silhouettes, on parle plutôt d'éléments. Et alors là, on a plutôt 23.000, 24.000 éléments." Et de souffler : "Sachant qu'on n'a pas fini tous les inventaires !"  Toutes ces pièces sont issues de dépôts faits par les trois institutions fondatrices, mais aussi de dons privés, de legs, voire d'achats faits par le CNCS lors de ventes aux enchères par exemple. "Notre fonds s'élargit régulièrement, confirme Delphine Pinasa, même si chaque acquisition est soumise à un processus de validation."   Difficile donc de faire un choix, et pourtant, il a bien fallu : une infime partie des réserves du centre, 120 silhouettes, sont sorties de leur placard pour l'exposition "rétro-festive" Tous en Scène ! Cette sélection répond à des impératifs de place, bien sûr, mais aussi de conservation. "On ne peut pas exposer les costumes en permanence, car cela les abimerait,"  explique la maîtresse des lieux. D'où la nécessité d'un roulement permanent, "même si le public, parfois, aime bien retrouver des costumes qu'il connaît déjà," sourit Delphine Pinasa.    Deux pièces maîtresses  Si le choix, "bien que mûrement réfléchi, n'a pas toujours été facile," de l'aveu même de Delphine Pinasa, plusieurs pièces se sont tout de même imposées pour cette exposition anniversaire. Parmi elles, une robe portée par la légendaire actrice Sarah Bernhardt dans Ruy Blas, en 1872. Le vêtement, fait de lampas et de satin de soie crème, orné de perles, de broderies et de paillettes, est une merveille de détails. "C'est un costume exceptionnel, vraiment unique dans nos collections," confirme la directrice du musée. Mais, à 150 ans, cette robe porte les traces de l'âge : tissu fragilisé, crevés usés jusqu'à la trame... le musée a donc fait le choix de la présenter à plat, pour ne pas l'abîmer plus, et de la montrer aux visiteurs grâce à un jeu de miroirs. "Juste à côté de Sarah Bernhardt, autre interprète légendaire, Maria Callas," nous guide Delphine Pinasa. Là encore, c'est une robe, portée par la cantatrice en 1964 dans Norma. Désormais privé de son corps, le costume de mousseline aux tons roses et orangés semble pourtant plus vivant que jamais, grâce au travail de mannequinage réalisé.    Les métiers du costume mis à l'honneur Car, pointe Delphine Pinasa, "l'idée centrale, c'était tout de même de parler des 20 ans du musée, et donc des métiers qui lui sont liés." Parmi ces professions méconnues donc, celle de mannequineur. "Pour résumer, on fait l'inverse du travail du costumier," s'amuse Fabienne Sabarros-Helly, la responsable du pôle mannequinage au CNCS. "Au lieu de partir d'un corps pour créer un costume, on part d'un costume pour essayer de lui redonner le corps qui l'a porté."  D'un geste, cette énergique quinquagénaire nous montre "le corps de Maria Callas," protégé par un emballage plastique. C'est sur une reproduction de ce moulage que repose, trois étages plus bas, la fameuse robe de Norma. "Ce costume, il n'est pas évident, indique Fabienne Sabarros-Helly. Il y a beaucoup de drapés assez particuliers à appréhender, cela prend déjà du temps de rentrer dans la matière." Ensuite, il a fallu recréer le corps de Maria Callas : prendre les mesures du costume, bien sûr, mais pas seulement. "Il y a aussi tout un travail d'iconographie, essayer de voir à quoi ressemblait la personne, à quoi ressemblaient les corps de l'époque." Dans les années 1960 par exemple, les femmes avaient la taille menue, soulignée, "presque triangulaire," précise, en experte, cette artisane, "mais avec un rebondi au niveau des hanches." A partir d'un mannequin "tout à fait basique," il a donc fallu retravailler la poitrine, les hanches... Bilan des courses : deux semaines de travail pour cette seule tenue.  Mais l'exposition raconte aussi, dans différentes vitrines, tous les autres métiers qui se croisent au CNCS : les costumiers bien sûr ; les plumassiers, spécialistes des plumes ; les conservateurs et conservatrices, qui assurent les meilleures conditions pour éviter la dégradation de costumes parfois en mauvais état ; et enfin, les scénographes, dont le travail consiste à donner vie aux expositions. Bref, toute une armée d'abeilles ouvrières qui, elles aussi, pour les 20 ans du CNCS, entrent en scène !

Costume designer Niiamar on the storytelling power of fabric and silhouette — how she dressed Sally Hemings for PBS's national broadcast, and what it means to costume a woman history tried to erase.

Coup de tonnerre au Masters 1000 de Montréal ! Tête de série n°1 en l'absence des principaux cadors (Jannik Sinner, Carlos Alcaraz et Novak Djokovic), Alexander Zverev s'est fait surprendre dès son entrée en lice par le Néerlandais Tallon Griekspoor (6-7, 6-2, 6-4). Alors qu'il avait une occasion en or d'affirmer son autorité sur la tournée nord-américaine, l'Allemand a une nouvelle fois coincé dès lors qu'il devait assumer le statut de patron indiscutable du tableau. Incapacité à assumer la pression, manque de fraîcheur ou blocage psychologique avant l'US Open ? Nos experts décortiquent cette sortie de route ! Pourquoi Zverev bloque-t-il dès qu'il est n°1 ? Que vaut Zverev pour l'US Open après ce Pensez-vous que Zverev a les épaules pour remporter un nouveau Grand Chelem cette saison ? À vos claviers ! Ce podcast est hébergé par Podcastics, la plateforme pour créer et diffuser votre podcast facilement.

Note: This is a hiatus episode, originally a Patreon Exclusive, airing on the main feed during the break between Classic and New Who. Love the podcast? Consider joining us on Patreon for early access to episodes, exclusive content, and the option to commission your own Doctor Who story.  A Strike Over a Clock Changes Doctor Who History The story of Shada begins not on screen, but in the chaos of 1970s British industrial action. A seemingly minor dispute over which union controlled the operation of an elaborate clock on the BBC Children's Program, Play School, escalated to the point where production of Doctor Who came to a standstill. Two-thirds of filming had been completed. Sets were built. Effects work had been shot. Actors had been cast. And then everything stopped. The cast wasn't aware of what was happening behind the scenes—some didn't even know production had ceased until much later. Meanwhile, writer Douglas Adams had already decided to step away from the show. He wouldn't be returning. The Lost Story That Became Many Stories Because Shada was never completed in 1980, it exists in five different forms today. A 1983 fan edit using rough footage and text inserts. A 1992 VHS release with Tom Baker providing narration for the unfinished scenes. A Big Finish Flash animation from 2013 that reimagined the story. An unofficial animation created before the official version. And finally, a 2021 Blu-ray restoration with enhanced animation presented in proper episode format. But none of these versions represent what Douglas Adams might have intended, because the original script—if it still exists—has never been published. The editing, the changes, the additions made over decades remain mysterious. What Was Filmed, What Wasn't, and Why Some Special Effects Exist for No Good Reason One of the most fascinating aspects of watching Shada is understanding what the production achieved before the strike. All the Cambridge location footage—the punting scenes, the exterior shots of the university, Tom Baker riding a bicycle—was shot first. The interior sets at the professor's rooms were next. But the spaceship interiors? Those were never filmed, because the production never got far enough. Yet special effects models of both spaceships were built and filmed specifically for a story that would never be completed. The Krog robots, partial shots of spacecraft, miniature effects work all survived despite the rest of production falling apart. It's a window into how Doctor Who production actually worked: film everything outdoor or on location first, then work studio interiors later. A Woman Transformed, A Doctor Leaving, and a Show About to Change Everything Tom Baker—at this point no longer interested in playing the Doctor again—was paired with Lala Ward (as Romana II). Their relationship during this period was becoming increasingly strained (they would eventually marry and divorce, an 18-month union that left permanent scars). Meanwhile, Graham Williams—the outgoing producer—was frustrated that the BBC wouldn't fund the show properly. He could only get two-thirds of the budget needed. He suggested his replacement: John Nathan Turner, a producer with big ideas and bigger ambitions. Turner would bring in Christopher Bidmead as script editor—someone determined to ground the show in actual science and move away from what he considered silliness. Bidmead would also cherry-pick which parts of established continuity "counted," declaring entire seasons from the past to be non-canonical. This era would define everything that came next. Cambridge, Tea, and a Story About Wanting to Create a Universal Mind The story itself involves a professor of Gallifrey, secret books, a man named Skagra with mysterious plans, and a prison planet that the Time Lords conveniently forgot about. But at its heart, it's a tale about someone trying to merge multiple consciousnesses into a single universal mind—a concept that resonates strangely in an era of AI debates decades later. The Doctor opposes this not through violence, but through philosophy, engaging in a debate about why controlling the universe isn't actually desirable. It's quintessentially Douglas Adams: ambitious ideas wrapped in humor and logic puzzles. Guest Stars Both Familiar and Forgotten Gerald Campion, who played the original Billy Bunter decades earlier, appears in a small role. Tom Baker was thrilled to work with him. Christopher Neame plays the villain Skagra in a distinctly disco-era outfit that suggests the production was made in a very specific time period. Most of the cast has been forgotten by history—which is what makes it tragic. These actors prepared for a major Doctor Who story that would have been seen by millions. Instead, they prepared for something that was erased. Romana in Costume, or Rather, in Multiple Costumes One thread that becomes increasingly frustrating as the story progresses: Romana keeps changing outfits, and none of them seem quite right. There's a hat situation that neither host is happy about. But the core problem goes deeper—Romana, one of the Doctor's most capable companions, spends large stretches of this story being dragged around, held hostage, or forced to watch as events happen around her. It's a companion written with less agency than the show had managed before. A Mystery at the End: What Was Douglas Adams Actually Trying to Say? The final revelation that Professor Cronotus is actually Salyavin—a famous criminal from Shada prison—raises questions that the story never adequately addresses. He's dead, sort of. He's a paradox, sort of. He creates a companion (Claire) who suddenly understands alien technology without explanation. And then the Doctor simply... leaves. Leaves a TARDIS on Earth with an unstable former criminal who's slowly fading from existence. No one discusses what will happen. No one seems concerned. By the final episodes, the story becomes increasingly muddled, introducing concepts that don't quite land and resolutions that feel incomplete. Which Version Did They Watch? And Does It Matter? The hosts watched the 2021 Blu-ray restoration, broken into six episodes with enhanced animation. But the question lingers: is this Douglas Adams's original story, or has it been altered beyond recognition by decades of reconstruction? The animation is competent but uneven. Tom Baker's and Lala Ward's aged voices are notably different from their younger selves. David Briarley, the original voice of K9's computer, recorded new material shortly before his death. A final scene was added showing Tom Baker as an older man—was this always planned, or a later addition? A Story in Cotton Candy Form One host describes Shada as "cotton candy science fiction"—tasty in the moment, completely gone the moment you consume it. The question becomes: how much of the fascination with Shada is about the story itself, and how much is about its impossible history? Had it been completed on schedule and aired as just another season finale, would anyone still talk about it? Or is the legend of Shada more interesting than Shada actually is? Production Details: Production Code: 5M Intended Air Date: January 19 – February 23, 1980 (never aired) Writer: Douglas Adams (final script for the show; also served as script editor) Director: Pennant Roberts Cause of Non-Completion: Industrial action/strike regarding union jurisdiction over BBC equipment (ultimately over a clock on a children's program) Percentage Shot: Approximately two-thirds Versions That Exist: Five distinct versions across different formats and decades Key Guest Cast: Gerald Campion (Billy Bunter himself), Christopher Neame (Skagra), Daniel Hill (Chris), Victoria Burgoyne (Claire) Key Discussion Points: The production history and why the strike occurred Why special effects were filmed for scenes that were never shot The decision to leave Tom Baker out of future multi-Doctor stories (and his later appearance here) What happened to Romana's agency as the story progresses The muddled explanation of Cronotus/Sally Avon and the paradox he represents Whether Shada would be remembered if it had simply aired as scheduled How different Doctor Who productions worked (exteriors first, interiors later) The implications of leaving an unstable TARDIS on Earth with no follow-up Douglas Adams's memos and his frustrations with the show's direction The romantic relationship between Tom Baker and Lala Ward during this period, and how it affected their performances Coming Up Next: Saturday (Main Feed) / Friday (Patreon Early): Season 18 premiere, "The Leisure Hive" (four-parter). The first story under the new regime begins. Monday (Patreon Exclusive 120): Season 17 retrospective and mainstream comics coverage for the hiatus period ("Dogs of War," "Time Witch," "The Star Beast"). Hashtags: #DoctorWho #Shada #TomBaker #LalaWard #DouglasAdams #ClassicWho #LostStory #ProductionHistory #UnfinishedBusiness #DoctorWhoPodcast #WildernessYears

Rick & Kelly share highlights of their really fun weekend, including their duffy boat ride Saturday, the U.S. Open Surf Championships Sunday and their trip to Orange to go vintage shopping... plus negotiations are stalled on a sequel to the Barbie film over huge salary demands IN THE NEWS!Get your Daily Smash hats, mugs, sweats and more at:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dailysmashmerch.spiritsal⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠e.comRick & Kelly are PROUD to be the OFFICIAL LAUNCH PARTNERS with SOULLIFE MINERAL SUPPLEMENTS here in America! Get the Rick & Kelly DOUBLE discount of $20 off per bottle by buying 2 or more bottles & hitting AUTO ORDER at:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.soullife.com/rickandkelly...Check out Rick & Kelly's favorite MAKE WELLNESS ingestible peptides:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://boards.com/a/vL3gBe.kypDic⁠⁠⁠..⁠.For more info on how to book Kelly, Rick or the two of them for coffee, lunch, dinner or drinks, go to:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.fansocial.co⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rick & Kelly would love for you to join them on Patreon, where they post full hour long, commercial free episodes every week, including celebrity interviews, cooking segments and other videos you won't find on their YouTube channel!Sign up for the Rick & Kelly Show on Patreon.com now by clicking on: www.patreon.com/rickkellyshow⁠#orange #vintage #70s #duffy #duffyboat #drevil #drdeesnuts #drsociopath #surfcity⁠ ⁠#pttownend #surfing #crwscntrl #huntingtonbeach ⁠#regulatoryboard⁠ ⁠#medicalboard⁠ ⁠#unprofessional⁠ ⁠#abusive⁠ ⁠#bullying⁠ ⁠#harassing⁠ ⁠⁠⁠⁠⁠⁠⁠#roboneill⁠⁠ ⁠⁠#osamabinladen⁠⁠ ⁠⁠#sealteamsix⁠⁠ ⁠⁠#sealteam6⁠⁠ ⁠⁠#usnavy⁠⁠ ⁠⁠#usmarines⁠⁠ ⁠⁠#usairforce⁠⁠ ⁠⁠#usarmy⁠⁠ ⁠⁠#hero⁠⁠ ⁠⁠#mission⁠⁠ ⁠⁠#drevil⁠⁠⁠ ⁠⁠⁠#responsibility⁠⁠⁠ ⁠⁠⁠#lakendra⁠⁠⁠ ⁠⁠⁠#golfcart⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠#jll⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠#jefflewis⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠#jefflewislive⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠#oc⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#drama ⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#soullife⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#cameo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#newsmax⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#newsmax2⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#nyc⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#newyork⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#huntingtonbeach⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#readers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#rhoc⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#kellydodd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#pickleballpartytown⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

On today’s show: (00:00) Megan calls in sick at 4:00am and Ben questions whether her cough is doing a little too much acting... (03:10) A disastrous American national anthem performance has us revisiting Fergie’s infamous rendition (06:40) Celebrity encounters gone wrong, including someone unknowingly taking a photo for James Cameron (10:20) Producer Grace reveals how eating three packs of mints landed her in a wheelchair (12:00) We debate whether parents really miss the mess kids leave behind... (15:00) Ben’s garage full of costumes sparks a “use it or lose it” ultimatum from his wife (28:50) Troy’s unexpected obsession with high school productions leads us to celebrate the best minor roles ever played on stage (35:42) Paddy Gower joins us to discuss his investigation into illegal peptides being imported into New Zealand and why authorities are concerned Join the Itty Bitty Hitty Committee HERE!Instagram: @THEHITSBREAKFASTFacebook: The Hits Breakfast with Jono, Ben & MeganSee omnystudio.com/listener for privacy information.

For 15 years, the top answer on every survey I've sent my audience has been the same: I need more clients. Typically, 70 to 80% of respondents pick it without a second thought. This time, only 34% did. I read all 58 responses that came in, then got four people on a Zoom call to dig deeper on their answers. What I found surprised me enough that I want to walk you through it today. A good chunk of the people who picked "clients" weren't describing a clients problem at all. They were describing something else, wearing a "more clients" costume. And the word they kept using, unprompted, in nearly every conversation was "pivot." In this episode, I share the framework that came out of those conversations. It encompasses three distinct stages people get stuck at when they're trying to make a real change in their business. I also explain why the help you need looks completely different depending on which one you're in. What You'll Learn Why "I need more clients" dropped from the typical 70% I've seen in the past to just 34% this time around The real problem hiding behind that "more clients" answer for a lot of respondents The three stages of a pivot and how to tell which one you're actually in Why almost nobody named AI as their top problem, even though it showed up everywhere The surprising thing the highest spenders want that the DIY crowd doesn't Why it's so hard to think your way through a pivot effectively, even with AI as a sounding board Key Ideas & Takeaways 1. The "Clients" Answer Is Losing Its Grip. For 15 years, "I need more clients" won every survey I've sent, typically with 70 to 80% of the vote. This time it barely cleared a third, and "what I should offer now" jumped into a close second at 24%. 2. A Lot of "Clients" Answers Were Wearing a Costume. When I read the open-ended responses, a quarter to a third of the people who picked "clients" were actually describing something else: niching paralysis, imposter syndrome, or clients pulling work in-house because they're using AI themselves. The real issue sat one step upstream from the answer they checked. 3. The Real Theme Was "Pivot." Nobody was prompted to use that word. Person after person used it anyway, in the survey and in the follow-up calls. 4. AI Is the Wrapper, Not the Problem. Only 3 out of 58 respondents said learning AI was their top concern. But AI showed up in nearly 4 out of 10 open-ended answers, tangled into everything else people are dealing with. Action Steps Figure out which of the three stages you're actually in right now: deciding, validating, or planning If you're deciding, stop looking for a marketing plan. Look for a person or process that can help you build real conviction If you're validating, pick one person you trust and ask them directly whether they'd pay to have this problem solved If you're planning, write down the exact order of steps you think you need, then get a second set of eyes on it.

Anthony Lima and Lance Reisland first recap Nathan Zegura's praise for Shedeur Sanders' progress, with Reisland emphasizing that throwing the ball away and avoiding catastrophic sacks are the unglamorous stats that actually matter for a young quarterback's development, drawing parallels to Deshaun Watson's own past struggles with pocket presence. The show shifts into a lighter segment as producer Owen details his upcoming eight-hour drive to St. Louis with his daughter and wife for a Noah Kahan concert, including the "bug season" costume theme that has him assigned to dress as a caterpillar. Lima and Reisland pile on, insisting Owen has to commit to the full costume for both the drive and the show, while Owen tries to negotiate a compromise outfit.

In this episode of DER, I sit down with the leader of The Dark Empire costume club, and then later on we explore my fan-written audio prequel to STAR WARS: Dark Empire. Join us for another very fun and entertaining audio ride along the dark side. For more STAR WARS and STAR TREK fan audio fun, visit https://holonetaudio.com

Say Something Nice about someone or something good going on in your life - Click the little mic on the iHeartRadio App and send us a talkback message - Podcast Sponsored By Our Friends at C. Harper Auto GroupSee omnystudio.com/listener for privacy information.

This interview originally aired in June of 2025; this version has been re-edited with new content from Jordan. Samantha Sloyan is a familar face from countless television shows (Grey's Anatomy, Rizzoli & Isles, The Pitt), but that face will be particularly familiar to anyone who keeps up with the “Flanaverse” — movies and shows from Mike Flanagan, like Midnight Mass, The Fall of the House of Usher, The Haunting of Hill House, and now the forthcoming Carrie miniseries, in which Samantha plays Mrs. White, Carrie's mom. At the time of this interview, Sloyan's latest project is a departure for Flanagan, and perhaps for her as well — The Life of Chuck. Together, she and huge fan Jordan discuss the ways that she feels seen by FBI Agent Dale Cooper (Kyle MacLachan) in David Lynch's Twin Peaks, and the many ways that Lynch's storytelling style appeals to her craft as an actor. Then, Jordan has a new one quick thing... The Life of Chuck on Kanopy Teaser for Carrie miniseries Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinfeelingseen Feeling Seen is hosted by Jordan Crucchiola and is a production of Maximum Fun. You can watch video editions of our new episodes on our YouTube Channel!Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

This week, outside the box comes in two flavors: a lawyer in a Bigfoot costume, and a firm that killed its entire legacy media budget and never looked back  —--------- Angel Reyes runs a Texas PI firm spending $50 million a year on marketing. All of it digital, none of it billboards, none of it legacy media. He killed that spend back in 2018 and never looked back. His take: brand loyalty in personal injury is mostly a myth. Clients aren't shopping for a name they trust, they're picking whoever calls them back first.  Elliot Johnson runs that $50 million budget day to day, and his job is making sure the data underneath it can actually be trusted, with clean integrations, reliable reporting, and no leaks. He and Angel walk through cost per kept case versus cost per acquired case, why last-click attribution is a comfortable lie, and what happens when you try to model a customer journey that's more emotion than math. Plus, two weeks out from the Summit: a thank-you to LHLM Summit video partner Bluphyre Media, whose "Bigfoot Lawyer" campaign is proof that thinking outside the box doesn't have to mean spending outside your means. Sometimes it just means putting a lawyer in a Sasquatch costume.  -Want to hear more from our guests on this week's episode? Then come join us in Nashville, August 11-13th, where Elliot and the Bigfoot Lawyer crew will be taking the stage and networking with our audience. Get your ticket before it's too late: lunchhourlegalmarketing.com/registration -Thank you to our incredible sponsors: Juvo Leads, Lawmatic, CallRail, and ALPS   Chapters 00:00 Webbed Toes and Chili Cook-Off Wins 01:04 What We're Covering This Week 01:54 Sasquatch Is Coming to Nashville: A Bluphyre Media Thank You 05:10 Meet Bluphyre Media: The Bigfoot Lawyer Campaign 09:55 ALPS Minute: One Job, Denise 11:31 What "Cost Per Case" Actually Means (Angel Reyes) 13:42 Data Hygiene Isn't Optional (Elliot Johnson) 14:56 Why Angel Killed Offline Media in 2018 22:50 The Multi-Touch Attribution Problem 24:59 Setting Growth Goals With Actual Data 33:02 White Label Lead Gens and the One-Third Problem 39:54 Private Equity, MSOs, and What's Coming for PI Firms 44:02 Final Thoughts and the Summit Send-Off  

New Corey Music: Corey's Twitter got news for Felddog Summer 2 as we are on the cusp of another new song. Keep the pact alive and don't listen until you can hear it with the boys.Corey Feldman Vs. The World: We get some bonus scenes from Marcie Hume from the Corey Feldman documentary! Rehearsal footage and Corey pontificating on women's rights and Donald Trump.EROK'S Drum Cover: Erok made a drum cover of Comeback King, Corey Feldman himself loves it!COREY FELDMAN!, SHOW STOPPER!, LET'S JUST TALK!, DON CHEADLE!, BOOGIE NIGHTS!, JIM AND THEM IS POP CULTURE!, COREY FELDMAN SHOW!, REAL ONES!, PO BOX!, ALL DAY GOONS!, CATTY MIKE!, JBONNER IS IN MY PANTS!, JEFF LEES!, LIGHTNING GREMLIN!, THE PACT!, WAIT FOR THE SONG!, WHAT AM I HERE 4?!, SPOTIFY STREAMS!, BRAG!, COREY'S TWITTER!, GREGG SARTIANO!, PHIL THE ARTIST!, REUNITED!, NORTH CAROLINA!, CALLERS!, WAP!, ADRIEN SKYE!, LADIES IS PIMPS TOO!, CRASS!, ARIANA GRANDE!, DIRTY LYRICS!, GROSS!, COREY FELDMAN VS THE WORLD!, MARCIE HUME!, BONUS SCENES!, DOCUMENTARY!, TRUMP!, WOMEN'S MARCH!, COREY'S ANGELS!, WRESTLING WITH SHADOWS!, BRET HART!, COREY IN JEANS!, HISTORY!, COSTUME!, COMEBACK KING!, NEW DRUMMER!, EROK!, OCTAVIA!, ZOUP!, COREY'S TWITTER!, FDS2!, ESO!, PEDO PROTECTORS!, DOMINIC BRASCIA!You can find the videos from this episode at our Discord RIGHT HERE!

Costume designer Tim Chappel on the chance discovery at a train station that led him into a life of designing for films and the stage.Tim can't remember all the places he lived, growing up on Army bases around the country, and overseas. His one constant as a kid was nature. He'd look for stick insects to pin into his collection and draw endless terrestrial orchids. Tim was ready to focus his life on botany when he found a copy of French Vogue at Flinders Street Station in Melbourne.He was entranced by the glamour of the clothes and felt an instant connection to the tailoring.Tim was creating shorts for bartenders and costumes for drag queens at Sydney's Albury Hotel when he got a new job offer.That's when he signed up to design the costumes for an Australian film called Priscilla, Queen of the Desert, work which would later win him an Oscar.More informationThere is a sequel in the works for Priscilla, Queen of the Desert. Read more about it here

In this episode I'm reframing the whole conversation around what the wellness industry keeps calling the P word and the M word and why blaming it is keeping women stuck.In this episode I cover:Midlife as an identity passage, not a diagnosisThe maiden, mother, and crone shifts and why most women fight themWhy chasing symptoms keeps you from addressing the real thing underneathFeminine wounds, womb work, and epigenetics in midlifeWhy the void you feel even when life looks good is a nervous system problemHow to stop fighting your body and start listening to itSupport the showHosted by Casey Shipp — 3000+ transformations, Self-Made Millionaire, High Priestess, Writer, Fitness Cover Model, and Founder of the Hotbody App.$30M client wins | $7.8M sold onlineRich isn't rare. Category of one is.

Key Topics Coffee market volatility and its impact SASNAN Contracts when inventories are low Supply chain disruptions and solutions Sampling and cupping in a tight market Planning ahead for coffee procurement A visit to Gracenote coffee Costume parties in Tokyo     Part of The Covoya Coffee Podcasting Network TAKE OUR LISTENER SURVEY Visit and Explore Covoya!

Send us Fan MailWhen your customer is known as The Warfighter, it's safe to say your company culture could use a dose of whimsy.That's why you'll frequently find Michaela Flatau, Chief People Officer at Defense Unicorns, in a unicorn costume. As the defense technology company has grown to 200, it's become more by-the-book with organization and transparency, but fun traditions keep morale high. Team rituals centered around giving and honest communication strengthen workplace trust. After all, if you want to say you hire the very best, you have to treat them as such.“If you've already gone too far down the [corporate] path, you can't turn it around by suddenly having fun logos or costumes and things like that. You have to earn your employees' trust as well.” – Michaela FlatauKey TakeawaysRevisiting and revising company culture is essential as teams grow.Leaders who value and protect the culture are a huge contributor to its success.Work-life balance and camaraderie help retain talent in stressful or heavy roles.Trusting employees with recognition is as key as trusting them to do a good job.Team rituals and social Slack channels drive participation and engagement on remote teams.Timestamps2:54 The Mission: About Defense Unicorns6:54 The Evolution of Whimsy at Work13:12 Introducing Transparency15:26 Leadership's Role in Company Culture21:11 What's With the Costume?22:53 Tacopocalypse & Team Rituals26:50 Building Authentic Workplace Trust29:52 Five Tacos to ShareKey Topics DiscussedAmazing Teams, Una Japundza, Michaela Flatau, Defense Unicorns, HeyTaco, company culture, workplace trust, peer recognitionMentionsWebsite: https://defenseunicorns.com/LinkedIn: https://www.linkedin.com/in/michaela-flatau

In this episode I'm reframing the whole conversation around what the wellness industry keeps calling the P word and the M word and why blaming it is keeping women stuck.Midlife as an identity passage, not a diagnosisThe maiden, mother, and crone shifts and why most women fight themWhy chasing symptoms keeps you from addressing the real thing underneathFeminine wounds, womb work, and epigenetics in midlifeWhy the void you feel even when life looks good is a nervous system problemHow to stop fighting your body and start listening to itSupport the showHosted by Casey Shipp — 3000+ transformations, Self-Made Millionaire, High Priestess, Writer, Fitness Cover Model, and Founder of the Hotbody App.$30M client wins | $7.8M sold onlineRich isn't rare. Category of one is.

Send us Fan MailWhat's Inside This Episode:The 80s Retro Cafe: We're taking a nostalgic trip to a cafe just off the Strip that completely transports you back to the 1980s. (Head over to our YouTube channel to see the full visual experience now that it has aired!) AREA15's New Eye Dropper Ride: Thrill seekers, rejoice! Inside Zone 2, AREA15 has officially launched Eye Dropper—a towering, 200-foot-tall psychedelic drop tower. It turns a classic ride into a cinematic, story-driven sensory experience inspired by trippy art. MIND2MIND at Fontainebleau: We head inside Azul to interview world-champion mentalist duo James and Marina. They give us a peek behind their incredibly intimate, mind-blowing show that leaves the audience questioning reality. Vintage Vegas Glamour: If you love stunning showgirl costumes, we tell you exactly where to go at the Nevada State Museum to see a truly iconic, historical display.Flavor Flav's "SHE Weekend" (July 16–19): A massive celebration honoring 100 elite female athletes and Olympians is hitting the Strip. We break down the details of the FREE parade near the Bellagio on July 16th at 8 PM, the concert at Toshiba Plaza, and a wild weekend lineup featuring Ed Sheeran, the Backstreet Boys, and a pool party at Tailgate Dayclub. 

Brian plans on showing a shocking amount of skin this weekend. Chicago’s best morning radio show now has a podcast! Don’t forget to rate, review, and subscribe wherever you listen to podcasts and remember that the conversation always lives on the Q101 Facebook page. Brian & Kenzie are live every morning from 6a-10a on Q101. Subscribe to our channel HERE: https://www.youtube.com/@Q101 Like Q101 on Facebook HERE: https://www.facebook.com/q101chicago Follow Q101 on Twitter HERE: https://twitter.com/Q101Chicago Follow Q101 on Instagram HERE: https://www.instagram.com/q101chicago/?hl=en Follow Q101 on TikTok HERE: https://www.tiktok.com/@q101chicago?lang=enSee omnystudio.com/listener for privacy information.

As we count down to San Diego Comic-Con, there's no better time to celebrate the incredible creativity of cosplay. In this episode of The Costume House with Spencer Williams, Spencer is joined by Ana Crimmel, winner of the 2026 WonderCon Masquerade Oksana Shore Award for Excellence in Craftsmanship.Together, they discuss Ana's award-winning Scarlet Witch: Hellfire Gala cosplay, the months of research, design, and craftsmanship that brought the look to life, and the unforgettable moment they were announced as this year's recipient of one of cosplay's highest honors. They also reflect on Ana's journey into cosplay, the joy of creating costumes by hand, and what it means to share that work with a community that celebrates creativity in all its forms.Whether you're a seasoned cosplayer or thinking about attending your very first convention, Ana offers thoughtful advice for aspiring creators looking to take the leap, enter a masquerade competition, or simply begin building the costume of their dreams.

As we count down to San Diego Comic-Con, there's no better time to celebrate the incredible creativity of cosplay. In this episode of The Costume House with Spencer Williams, Spencer is joined by Ana Crimmel, winner of the 2026 WonderCon Masquerade Oksana Shore Award for Excellence in Craftsmanship.Together, they discuss Ana's award-winning Scarlet Witch: Hellfire Gala cosplay, the months of research, design, and craftsmanship that brought the look to life, and the unforgettable moment they were announced as this year's recipient of one of cosplay's highest honors. They also reflect on Ana's journey into cosplay, the joy of creating costumes by hand, and what it means to share that work with a community that celebrates creativity in all its forms.Whether you're a seasoned cosplayer or thinking about attending your very first convention, Ana offers thoughtful advice for aspiring creators looking to take the leap, enter a masquerade competition, or simply begin building the costume of their dreams.

Biohacking has spiraled into an endless pursuit of "fixing" ourselves, mirroring the instant gratification culture of conventional medicine. This episode challenges the notion that a new product or protocol is the magic bullet, arguing that true healing requires integrating past experiences and embracing a slower, more intentional path. 00:00 The Problem with Biohacking 00:26 The Instant Gratification Trap 02:20 Short-Term Pleasure, Long-Term Pain 03:18 The Voice of Reason 03:47 The "Shiny Object" Syndrome 04:16 Biohacking: Good or Bad? 06:30 The Micro-Hacking Philosophy 10:15 The Power of Small, Consistent Actions 18:40 Healing is Not Linear 25:00 Redefining Success 30:00 Embracing the Journey LINKS

Help Wanted Part 2 - Costume Closet

Genuine Chit-Chat is back, and what better way to finish a hiatus than to have Gough of Beernuts Productions return for his tenth visit? Mike & Gough talk about his newest two films; the narrative-driven “Mr X” and the gag-filled sketches in “Trick Or Treat”, including working with younger actors, the costumes designs and more behind-the-scenes elements that indie filmmakers must consider. Towards the end, Gough also talks about his recent time in an Australian airport where he almost missed his flight, due to the lack of assistance. Watch the news clip about the airport fiasco here: https://youtube.com/watch?v=GknthQrTqbs Watch Gough's full Brisbane/Oasis gig vlog here: https://youtube.com/watch?v=Jz4woRldZXg Make sure you check out Gough's other appearances on GCC, on episodes 48, 65, 84 (& 85), 105, 126, 150, 183, 220 & 258! Beernuts Social Media; IG: @BeernutsProductions – X: @Beernuts_gough - FB: /BeernutsProductions Beernuts website here: https://beernutsproductions.com –Beernuts YouTube channel with trailers & behind the scenes videos: https://youtube.com/BeernutsProductions Join Mike's Patreon at the free tier for monthly bonus episodes, or support for £1 a month for weekly episodes! Head there now for access to the massive catalogue; www.patreon.com/GenuineChitChat You can also support with a one-off payment at Ko-Fi and Mike will be sure to send you bonus content as a thank you: https://ko-fi.com/GenuineChitChat Guest Spots: Mike was recently on Spider-Dan's pod, talking about the Special Edition of James Cameron's The Abyss, detailing the making-of, behind-the-scenes drama and more: https://pod.fo/e/401e58 Mike also appeared on Back To The Filmography, talking in-depth about Interstellar, including behind-the-scenes details, Matthew McConaughey's performance and more: https://pod.fo/e/3b9a62 Find all of Mike's social media & other links at https://linktr.ee/GenuineChitChat Don't forget to review & share this episode wherever you can!

DC Comics Ep 645: Superboy Gets Handsy, Guy Gardner Gets Handsy & Supergirl Gets... a Costume   DC Comics Ep 644: Batman's Drone Signal, Captain Atom is Nude, He Killed Darkseid? & More Gray's Youtube: https://www.youtube.com/channel/UC2NfSPGZ5OFcek6Baw3iQQw SuS Records: https://www.youtube.com/@SusRecordsCEO Jared's Youtube Channel: https://www.youtube.com/@ComicsLeague Jared's Podcast: https://open.spotify.com/show/3jv6I2edZ8lpc02gJEHw3e?si=cb5f48a6f8d84add Stork's Podcast: https://besottedgeek.podbean.com/   YouTube: https://www.youtube.com/@WeirdScienceComics This Week's Patreon-Exclusive Spotlight Show is The Fury of Firestorm #3 & Barbara Gordon: Breakout #2 Listen to the Spotlight Podcast by signing up to our Patreon - https://www.patreon.com/weirdscience   0:00:00 - Intro 0:07:50 - Action Comics #1099 0:50:01 - Emperor Aquaman #18 1:30:40 - Bleeding Hearts #5 2:11:45 - Supergirl #14 2:56:34 - Green Lantern Corps #17 3:58:44 - Next Week's Books     FOLLOW WEIRD SCIENCE COMICS Twitter:  https://twitter.com/WeirdScienceDC  Patreon: https://www.patreon.com/weirdscience DC Comics Review Site: https://bit.ly/WeirdScienceDC Marvel Review Site: https://bit.ly/WeirdScienceMarvel   SUBSCRIBE TO WEIRD SCIENCE COMIC PODCASTS:  DC Comics Podcast iTunes - https://apple.co/47jNeme Spotify - https://spoti.fi/2XzDALI Stitcher - https://bit.ly/45XPtKS   Marvel Comics Podcast iTunes - https://apple.co/3u1xxSh Spotify - https://spoti.fi/3QJFAfe Pandora - https://bit.ly/3Qq5cwd

In today's story, OP uninvited her dad's wife from her daughter's birthday party over something she did last year. Now the family is split - some say OP is petty, while OP says she's protecting her child.0:00 Intro0:21 Story 13:32 Story 1 comments / OP's Replies8:12 Story 1 Update10:31 Story 1 Comments / OP's Replies13:40 Story 216:54 Story 2 Comments / OP's Replies20:18 Story 2 Update22:48 Story 2 Comments / OP's Replies Hosted on Acast. See acast.com/privacy for more information.

Molly and Emese sit down with the iconic costume designer Molly Rogers—the creative force behind some of the most unforgettable wardrobes in television and film history. Rogers takes us inside her journey from working alongside Patricia Field in New York to helping define the looks of unforgettable characters like Carrie Bradshaw, Andy Sachs, and Miranda Priestly. She shares the real story behind Carrie's famous tutu, reveals the first piece she sourced for The Devil Wears Prada 2, and explains why great costume design is about much more than fashion—it's about storytelling. She also shares why bad taste can be important, how her personal style has evolved over the years, and what it truly means to build a character's world through clothing. And of course, we make her choose. Carrie's tutu or Andy's Chanel boots? A Sony Music Entertainment production.  Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us at @sonypodcasts  To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Mentioned in the Episode:  Molly Rogers x Macy's Nili Lotan White T-Shirt Tibi Elbow Cut-Out Sweatshirt Learn more about your ad choices. Visit podcastchoices.com/adchoices

Native American students face racism throughout their education, from racist mascots to the historical erasure of the American genocide from textbooks. In this passionate conversation, Indigenous Rights Activists Dahkota Brown, Chiitaanibah Johnson, Jayden Lim, and Naelyn Pike share stories of their own experiences and how they are working to abolish racism in schools. 

Dane Laffrey is a Tony Award-winning designer, creative and producer based in New York City. He studied at Australia's National Institute of Dramatic Art and resided in Sydney from 2002 - 2006. On Broadway he's designed the set for The Lost Boys (Palace) Maybe Happy Ending (Belasco) which won the 2025 Tony Award for Best Musical and for which Dane won Tony, Drama Desk Awards and Henry Hewes Awards, Parade (Jacobs) which won the 2023 Tony Award for Best Revival of a Musical; set and costumes for Charles Dickens' A Christmas Carol (Nederlander), which he co-conceived with director Michael Arden and for which he is nominated for Hewes and Tony Awards; the 2018 Tony-winning revival of Lynn Ahren's and Stephen Flaherty's Once On This Island (Circle in the Square) for which he received Henry Hewes, Drama Desk and Tony Award nominations; set and costumes for the acclaimed Deaf West revival of Duncan Sheik and Steven Sater's Spring Awakening (Brooks Atkinson); set for the Broadway premiere of Sam Shepard's Fool For Love (Friedman). In New York, around the US, and internationally Dane has designed world premiere plays and musicals by writers including Todd Almond, Will Aronson and Hue Park, Nell Benjamin, Rachel Bonds, Nilo Cruz, Lindsey Ferrentino, David Greenspan, Noah Haidle, Lucas Hnath, Sam Hunter, Sarah Jones, Tom Kitt, Michael John LaChiusa, Dan LeFranc, Matthew Lopez, Craig Lucas, Charles L. Mee, Alan Menken, Kim Rosenstock, Martin Sherman, Jenny Schwartz, Stephen Schwartz and Jen Silverman. Dane's work in New York has been seen at theatres including Roundabout Theatre Company, Manhattan Theatre Club, Lincoln Center Theatre, The Public Theatre, Second Stage Theatre, Atlantic Theatre Company, Transport Group, MCC, Playwrights Horizons, B.A.M. Harvey, Vineyard Theatre, The Joyce, SoHo Rep., Labyrinth, The New Group and Rattlestick Playwrights Theatre, among others. His work has been seen at major theaters around the US including Center Theatre Group, The Geffen Playhouse, The Goodman, The Humana Festival, The Hollywood Bowl, The Old Globe, Huntington Theatre Company, Arena Stage, Dallas Theatre Center, Actor's Theatre of Louisville, Williamstown Theatre Festival, Baltimore Center Stage, Deaf West / Wallis Annenberg Center, Shakespeare Theatre D.C., Denver Center Theatre Company, Cincinnati Playhouse in the Park, South Coast Rep., Baltimore Center Stage, Seattle Rep., Woolly Mammoth, Two River Theatre, Goodspeed Musicals, The Studio Theatre D.C, Yale Opera, Long Wharf Theatre, Chautauqua Theatre Company, Signature Theatre Company, and others. Internationally, Dane has worked in Hamburg, Tokyo, Osaka, Fukuoka, Oslo and throughout Australia. Dane has served on the advisory committee for Lincoln Center Theatre's LCT3 and as a guest artist / guest designer at Yale School of Music, The Juilliard School, NYU, Carnegie-Mellon University,  Interlochen Arts Academy, The University of Western Sydney and NIDA. He has served on the faculty of Purchase College. Dane won a 2017 Obie Award for Sustained Excellence of Set and Costume design and has been nominated for 3 Tony Awards, 3 Drama Desk Awards, an Outer Critics Circle Award, 9 American Theatre Wing Henry Hewes Design Awards, 5 Ovation Awards (winning 2), and a Sydney Theatre Award, as well as numerous regional accolades.  Learn more about your ad choices. Visit podcastchoices.com/adchoices