Podcasts about Costume

Relationship Reddit Stories, OP's boyfriend has a female best friend who during one Halloween party involved herself in the their couples costume idea which was totally inappropriate.

On today's episode of I AM HOME, our hosts are sitting down with Josh Slaughter, an NFM marketing manager, to talk about getting involved in the community, creating experiences for customers, and Comicon. Costume contests, celebrity sightings, and amazing merch from hundreds of different vendors, Comicon has something for everyone. Join us while we dive into the fantasy realm to discuss what makes Comicon (and NFM) so special. Resources: Find out more at planetcomicon.com Get tickets here!

Jason and Shawn welcomes DJ Cassandra Rae to the show, as they talk about the anticipation of the upcoming Costume & Karaoke party on March 24 in Holly.

I see you! This week, we have an incredible bonus episode. Costume design legend, Deborah L. Scott, joins The Art of Costume Blogcast to discuss her work on James Cameron's Avatar: The Way of Water. Listen along as Deborah talks with Spencer about the process behind designing the costumes for the Na'vi, the collaboration with visual effects, the inspiration behind the Metkayina clan, working with James Cameron on Titanic and Avatar, and her CDGA Career Achievement Award. Follow Deborah L. Scott on Instagram: @debscottcostumes Podcast Merch Store: TheArtOfCostume.com/PodStore Follow Us on Instagram: @TheArtofCostumePod --- Send in a voice message: https://anchor.fm/theartofcostume/message Support this podcast: https://anchor.fm/theartofcostume/support

I see you! This week, we have an incredible bonus episode. Costume design legend, Deborah L. Scott, joins The Art of Costume Blogcast to discuss her work on James Cameron's Avatar: The Way of Water. Listen along as Deborah talks with Spencer about the process behind designing the costumes for the Na'vi, the collaboration with visual effects, the inspiration behind the Metkayina clan, working with James Cameron on Titanic and Avatar, and her CDGA Career Achievement Award. Follow Deborah L. Scott on Instagram: @debscottcostumes Podcast Merch Store: TheArtOfCostume.com/PodStore Follow Us on Instagram: @TheArtofCostumePod --- Send in a voice message: https://anchor.fm/theartofcostume/message Support this podcast: https://anchor.fm/theartofcostume/support

Help support the teachings of Rabbi Falk: https://thechesedfund.com/nevehzion/rabbifalk Send a message to Rabbi Falk

Richie returns from his holiday and the aftermath of Rocco's birthday party whilst Bush wants to know what the most durable biscuit is.

It's Just a Costume !!!

Costume designer Patricia Field is telling Drew all about some of the famous looks she's created for “Sex and the City,” “The Devil Wears Prada” and more. Drew and Pilar Valdes are celebrating National Peanut Butter Lovers Day and making noodles in a spicy peanut butter sauce. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Costume designer Jenny Beavan reveals why fashion is usually the last thing on her mind (1m33s), writer Alaina Demopoulos dismantles the misconception that Gen Z are tech-savvy (15m28s), and actor Katy Wix recalls the near-death experience that changed her relationship with her father forever (23m16s)

It's Carnival season, time to take to the streets for a party and see the spectacle. But Carnival is about so much more than that. At its heart is the idea that with costumes and masks, people can become shapeshifters, and transform themselves for a short period into someone else. Carnival is the work of a community and a chance for the powerless and the poor to be free for a day and claim equality with the rich and powerful. Each Carnival is different and takes its traditions and ideas from its own culture and the needs of its own people.   This episode looks at how different Carnivals developed and how textiles and masks play a central role in the political ideas behind them. It starts in Venice a thousand years ago as the poor were allowed to let off steam once a year. It crosses the Atlantic as the rich plantation owners brought Mardi Gras to the Caribbean, and saw it creatively developed by the enslaved and the poor into a series of glorious feasts of costume, music, and dance. It tracks Carnival as it was brought to Britain by Caribbean migrants as a celebration of their culture and community. And in all of these, it thinks about how textiles and clothing play a central role.   If you would like to see a full script of this episode, pictures of the carnival traditions discussed in this podcast, or discover links to further information about the topics discussed you can find all this information at www.hapticandhue.com/listen.

In this episode, Rabbi Dobrusin relates a rabbinic fable about the story of Esther. What can we learn from this story and a reference to it in a liturgical tradition related to Purim?

0:00 How violence is provoked by fantasy.2:31 The balcony and the revolution.5:14 How far does mimetic desire go?6:54 Most things happen twice: the story, then reality9:41 Post-terrorist architecture.12:40 Turning the desire into a blueprint (simulation to be de-simulated)  14:37 Recognize that the world is f***ed.16:43 The parable of Bill Clinton or George W. Bush.18:55 The desire to be the simulacra of man. (oh, to be a machine)21:43 The black mirror of capitalism. (Amazon and the state)   

OP and her boyfriend have been dating for almost a year and his female best friend has been very nice to OP. Until now. She called OP and asked what she was wearing to a Halloween party OP was hosting and OP told her her whole idea for a couple's costume with her boyfriend. Then the female best friend showed up in the same costume as OP.

She is here! Burlesque Performance Artist, Fashion Design Innovator and Philanthropist Jamie Von Stratton (J .Von Stratton) is sharing the Rainbows on the podcast today! From her creative spirit, big heart and bright smile, Ms. Stratton has taken the Burlesque world by storm with her incredible performances and camp-style humor! Her dramatic costume designs and love of the art form has brought her praise amongst industry professionals and those lucky enough to call her friend! Her passion for others has also brought her creative spirit for designing and building to the incredible organization, Magic Wheelchair. One of the founding members of the Seattle Mermaids and a crowd favorite of the Burlesque Performance troupe, The Atomic Bombshells, Jamie has a wit and charm about her that is going to have you smiling ear to ear. So without further ado, Ms. J. VON STRATTON!SHOW NOTES:Follow Jamie Von Stratton~ Instagram @jvonstratton • Instagram photos and videosWebsite Costume Design | Washington | J. Von Stratton (jvonstratton.com)You Tube J Von Stratton - YouTubeMagic Wheelchair Organization Magic WheelchairSeattle Mermaids Home (jvonstratton.wixsite.com)Burlesque Performance Troupe The Atomic Bombshells (@the_atomic_bombshells) • Instagram photos and videosThe Rainbows are all around you, you just have to open your heart to see them."~KGet your Rainbows Hoodie, Mug, Dream Journal :)Unisex Hoodie – Finding Rainbows The Podcast (finding-rainbows-the-podcast.myshopify.com)Schedule your Free Life Coaching Consultation:Who am I? • @findingrainbows • Milkshake Website Builder (msha.ke)Join Lifestyle and Wellness Coach, Kira Mesi as she navigates the ups and downs of life through personal experience, storytelling, and interviews. Learn to lean into your best self with the mindful practice of gratitude living, honoring your soul's purpose, and the joy of Finding Rainbows on an ordinary day."Dive into the ordinary looking for the extraordinary because life is hard,but if you look close enough, you will find the Rainbows." ~KiraClick link to learn about my Online Life Coaching Programs:Who am I? • @findingrainbows • Milkshake Website Builder (msha.ke)4 week Program: "Perfectly Imperfect"6 week Program: "Organize your life, step into your dreams"FOLLOW ME FOR MORE INSPIRATION:@FindingRainbows | LinktreeShop Rainbows Merch:

What you'll learn in this episode: What to look for when selecting a vintage piece, and why the most important factor is how much you like it Why Schreiner jewelry has increased in value, and how to tell if something is a genuine, high-quality piece of Schreiner Why online auctions are a great way for new collectors to grow their collection of vintage jewelry How Carole started her 40,000-piece collection, and how she allows clients to explore it Which emerging and under-appreciated vintage designers you should keep your eye on About Carole Tanenbaum Carole Tanenbaum has been collecting costume jewelry for over twenty-five years resulting in an unparalleled collection of over 30,000 pieces dating from the Victorian period to today's collectibles. Carole Tanenbaum Vintage Collection is one of North America's premiere collection of vintage costume jewelry. Every piece in the collection has been hand-selected with an eye for design, creativity and exceptional workmanship. The collection integrates vintage costume jewelry as wearable works of art into the fashion world. As a world-renowned collector, Carole has given a number of lectures on vintage costume jewelry at museums, universities, and social clubs. The collection continues to be featured in a multitude of fashion publications, and film and television productions. Additional Resources: Website Facebook Instagram Photos available on TheJewelryJourney.com Transcript: When it comes to vintage costume jewelry, few people can match Carole Tanenbaum's passion. Her 40,000-piece collection covers the history of costume jewelry from the Victorian era to the 90s, along with some emerging contemporary designers thrown in for good measure. She joined the Jewelry Journey Podcast to talk about her interest in Schreiner jewelry; how she wrote her two books on costume jewelry; and what she looks for when adding to her collection. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com. Today, my guest is Carole Tanenbaum speaking to us from Toronto. She and her husband have been collectors of everything, including vintage costume jewelry, for years. She herself has written two books on the subject of vintage costume jewelry. “Fabulous Fakes: A Passion for Vintage Costume Jewelry” is the first one, and the newest one is a book on Schreiner jewelry, “Schreiner: Masters of Twentieth-Century Costume Jewelry.” Each week, she holds an auction of vintage costume jewelry, and she'll tell us all about that. Welcome back. That's really interesting. It sounds like you've looked at a million and one pieces. I was under the impression that your auctions were weekly. When I say get rid of it—if you have 40,000 pieces— Carole: No, but what I do occasionally is deaccession my earlier pieces through a couple of the national and international auctions I trust. I do that because if they're sitting in my drawers and not doing anything, it's not that I lost respect for them, it's that I want other people to enjoy them. So, I would say twice a year, I have an auction at Ripley's Auction, I have an auction here at Waddington's Auction. When we were selling our toys, because we're at an age now where you have to start thinking about where these things are going, I did it at Miller and Miller in Canada, a wonderful auction house. Those are the types of auctions and that's the reason why I do them, but they're only occasional. I always post them on my different sites so the public is aware of them. Sharon: Where do you find the pieces you do buy? Just looking around and going to these places on the outskirts? Carole: First of all, we are very fortunate because people know my name. They know about me, so they have offered pieces on many occasions. I'm even buying back pieces from people who don't wear them anymore and want them passed back to me, but I would say that's just by happenstance. We love antiquing, so it doesn't matter whether we find or we don't find. It's getting much harder, as I told you, because there are fewer outlets. A lot of the small antique dealers went under and don't have places where they can show their pieces other than the net. I do think the net now is the best place to look outside of shopping for them, but if you're shopping for them, don't have high hopes, because the very high end is being bought out by savvy collectors. Sharon: I guess that's something that crossed my mind. Sometimes, like you say, the pieces can go for thousands of dollars. Have you ever overpaid, do you think? Do you just love something so much that you paid more than you thought you could at some point? Carole: I wouldn't use the word “overpaid.” I would use the word “I paid more than I expected to,” because if I want a piece, I get it. I haven't been wrong so far, but if I'm wrong, so be it. I feel it's the right way to think about it. If you can afford it and you purchased it at a higher price and you got it, that's fine, because who knows what it's going to be in the future? That was also a good lesson for me. A couple of pieces I really overdid in my purchase are worth four times the amount today than when I originally bought them. Sharon: Tell us the story about the books, then. Carole: What really started my business career was at the very beginning of the 80s, I was showing my pieces in trunk shows in hotels and for charities. I wasn't really a business, but in about 1990, I pitched my collection to Holt Renfrew in Toronto, the equivalent of Neiman Marcus. There was a wonderful director there at the time who I pitched to. He was quiet and he was thinking about it. I wanted to do a trunk show because I wanted to expose people to costume jewelry, and this gentleman said, “Carole, I'm sorry. I won't do a trunk show, but I'm going to give you a department.” They gave me a department at Holt Renfrew, and they branded me Carole Tanenbaum Vintage Collection. In 2006, when I really had a large following, I figured they deserved to see what I feel is the best of my collection. That's how I started “Fabulous Fakes” through Madison Press, which is no longer around. In four months' time, the book was sold out. In a year's time, the book was sold out internationally. People were starving for visuals, and it was kind of a tabletop book. It was my selection from my personal collection. I loved doing that, but I wasn't interested in doing it again. Then, I saw that I really have to educate the audience about Schreiner because nothing has ever been written about Schreiner other than a paragraph or two. Him being my favorite designer, I wanted to do a book on him, but I couldn't find anybody to do the research because he was kind of illusive. He was a very small manufacturer. But a person who was working for me as part of our outfit said to me one day, “Why don't you do a book on Schreiner?” and I said, “I've been thinking about it for years, but I don't want to do another picture book. I want to do a book where people can learn, because I want to show them what to look for with many examples.” At this point, I had about 400 pieces of Schreiner. She said, “I'll do the research. I love to do research,” and I gave her the commission. She went off to New York. She went to the public library there, and she saw a Schreiner address in the outskirts of New York. She knocked on the door of this person, and it turned out to be the grandson of Henry Schreiner and they invited her in. She's a charming woman, Eve Townsend. She's the one who did all the research for the book. She's a terrific gal. They loved her. She had repeated visits to them, the only person who was really permitted to spend time with them. She's the one that gave all the knowledge to the book “Schreiner.” Now we're completely sold out, but I just reprinted. The reprints are coming out in February. I was selling it for $125 because I was selling my personal stash, but the Chinese community, who are very active in the vintage world, were purchasing the book in China for $400. Now people will be able to buy it again for $65. I'm very proud of that because it was a small quantity that I did last time and it's another small quantity this time. Sharon: There was a large gap between the two books. Did you have it with the picture books and say, “That's it. I'm not doing another book”? Carole: I wasn't interested in doing the picture book, but I felt it was my duty to my clients whom I was educating along the way to show them what great pieces are. I had a wonderful publisher. They were terrific to work with, and they laid it out in a way that people could understand the design and comparison to others. I was very happy I did it, but I had no desire to do another one until Eve came around and said, “Carole, we're going to do the book.” That's how the Schreiner came into being. Sharon: How do you define vintage costume jewelry? Carole: The actual definition for vintage is 40 to 100 years old. Antique is from 100 to 300 years old, but in my operation, we sell from the Victorian era to the 80s and 90s. That's our cutoff. Now we're starting to show contemporary designers who I think are valid for future collecting, but that's Carole Tanenbaum Vintage's decision, to focus on that area of time. Sharon: What do you say if somebody says it's not real? I have people say to me, “It's not real. It's fake.” Carole: It's a great question. I say to them, “Yes, it is real. It's real vintage. If you handed me a $10,000 piece of gemstone and showed me a wonderful piece of vintage for $10,000, I would probably purchase the vintage because the vintage pieces have historical value to me as well.” I have always been asked that question, Sharon. It's always been sort of a bone of contention because I really had to educate people that vintage costume jewelry is one category, like apples and oranges. Gemstone is another. They both happen to be jewelry, but they're both valid in their categories. Sharon: Are there people who collect the Schreiner and another who collect the Monet? Carole: Yeah. Sharon: So, you know who. Carole: Yeah. I don't know who, but they come to me and say, “Do you have any Monets?” I love Monet. Actually, he's one of the best kept secrets on the market now because his prices haven't risen in the same way that others have. I would say, “I'll show you a tray of them,” and then my staff would photograph a tray and they would go, “Oh.” At least it introduces them to more than one. That's how we operate our business. People do come to us with very specific requests. Most of the time, we can show them examples of that. Other times, I'm not interested in the designer, and I have very few of them. We refer them to somebody else I know in the field who might have them. Sharon: I'm learning a lot here. Schreiner is a person and a company. Monet is not a person; it's a company. It's interesting that they were originally people. Carole: They were people, exactly. People with very good eyes. Sharon: That's very interesting. How did you come to be in business? Like you said, you didn't have to go into business. How did you start a business? Carole: Through Holt, that's how I started my business. I had no idea they would add me as a counter, as real estate, or that they would have me for three weeks because I said I wanted to expose people. I thought they would have me for three weeks and then be gone, but he said to me—and it's a very important thing I pride myself on—he said, “The way you are different from other people who have approached me is that you have a singular eye, and your collection is curated by that eye. I like your eye and I know your family were collectors. That's why I am taking you on.” That's a good point, because I happen to have the benefit of coming from a family of great collectors, people who have a specific eye and all the pieces they collect are from that eye, and the pieces they collect happen to be very good pieces. That's a real attribute to their inventory and their collection. Other people buy a lot of 50 pieces and go through it to see which ones are sellable. Every piece in my collection I pick personally. I have a wonderful staff and they know the collection, but I feel that my collection is known for my eye. I feel a responsibility in that sense. Sharon: That's interesting because different definitions of a good eye come to mind. I have a friend who's not a dealer, but dealers have told her she has a dealer's eye. She can spot the thing in the back of a cabinet. My father-in-law was a great collector of art. I didn't like any of it until I saw it framed, and then it was like, “Oh my God, that's wonderful!” I don't think I have an eye. That's the thing. Carole: You don't know. Are you a collector? Sharon: I'm one of those who has a lot. I wouldn't say I collect anything. Yes, I don't collect anything. Carole: You have an eye for everything you collect. If you put it together, somebody in a field that understands it would say, “There's a certain rhythm there. There's a certain continuity with what you collect.” Your clothing is of a certain area. You're either conservative or out there, and then you choose things that go with your aesthetic, whatever it is. You might not think you have an eye, but you have a very specific eye. We don't know what it is, but you might look at it that way and find out what it is. Sharon: Somebody who does collect said to me exactly what you said. If they put it all together, they can see what I liked or what I collected. You collect the Schreiner, let's say, but I don't. I don't have something like that. What happens when somebody comes to you and says, “I have a fabulous outfit. I have a great dress, but it needs something. I've looked at all the contemporary stuff and there's nothing that pleases me. What do you have?” Carole: Actually, that's a good part of my business. We do bridal. We do the bride's parents. We do women who are having an event in their family. We do movies. We do television. We're set up in our operation to meet the needs of almost anybody who asks for it. If a stylist comes in here and they're working for a 20s movie, we know exactly what to bring out to her. We do a prep for it. She comes in and goes through areas we know we have. Don't forget we have about 40,000 pieces, but we organize it in such a way that it's very easy for them to see. It's very easy for us to accommodate almost every request of ours. We love dealing personally, by the way, because it brings out the child in many people who are a little constricted. You get a sense of their personality, and you pick accordingly. It's very easy for us. We love to do that. Sharon: Do people come to you and say, “I have a fabulous “real” pin, but it's not enough. It doesn't have the wow factor”? Do you bring them something else? Carole: We show them what we feel they could like. Don't forget, Sharon, if somebody comes to us, they'll see about 20 pieces. There's always a piece they love. Nobody has ever left us without buying something because we're trained in that. My staff is trained to understand the person when they're telling them what they need. Sharon: How do people find out about your operation? I stumbled on it. I didn't realize it was so large. Carole: We've been in business for about 40 years now, but my name is out there because I've been in the field. I'm very generous to other dealers; they're very generous to me. The public knows me through the various clubs I belong to. I belong to the Sherman Club, who's a Canadian designer. I belong to the Schreiner Club and various clubs. You show pictures of what you have, so they see what I have and love it. I don't let a lot of people into the house because I don't feel safe with everything I have here, but we do a lot of business on the iPad. My staff will get a tray together, put together a professional photograph and show the person who's looking, and they'll always be able to pick something from it. Also, don't forget I've been in a lot of magazines and newspaper articles. Those public stands are very important for me. A lot of the stylists use my pieces and my story to inspire. Sharon: I think the big leap that a lot of dealers or people who sold jewelry had to make—I've heard people say, “I have to hold it. I have to see it. I have to feel the piece of jewelry to know it, to see if I want it.” Have you had that? Have you faced that? Carole: Locally people have asked if they could come down after we showed them the pieces. Generally, if we know where they're coming from, we permit them to come up and have fun, but internationally, no. I have a very large Asian clientele and they buy strictly from photos. I have a very large Russian population in Paris and Italy. I think they're savvier than the average collector, so they know exactly what they want. It's very easy to satisfy them. With the Asian community, which actually have been voracious collectors over the last five years, they're very specific with what they want. There's only a handful of designers they love, but when we get new pieces in, we know who they are. Sharon: There's a handful of pieces from designers that Asians or Russians know they want. You mentioned you also have some emerging designers. Who do you think the emerging designers are? Are they costume or are they real? Carole: Never real. I'm really not in the gemstone business. But there are emerging designers or contemporary designers that people don't know about, such as Rafael of Montreal, Vidal of Montreal, Thomas Mann, who has a charming eye and does really playful but sophisticated jewelry. Colette Harmon is another emerging artist. There are other old-timers that still have not made the money mark yet, such as Avon and Art and Fluenza and Napier, whom there's a wonderful telephone book-size book on, yet people haven't really discovered him yet. The prices are very reasonable. He was a wonderful designer of the 50s, and he's somebody who isn't really there yet. He's dead, but he deserves to be recognized. Then there are areas of collecting, like copper. Some of the great studio pieces in copper, whenever I see them, I grab them. I grab wood pieces that were designed at the same time as Bakelite. The wood pieces are really like folk art; they're wonderful. Rarely are they more than $125. I bought them for like $40. Each one of them I wouldn't trade for my three $1,000 pieces because they're really charming. So, there are areas you can start buying without worrying about. Sharon: Carole, thank you so much for being with us today. We've learned so much. I know I have learned a lot. I'm ready to go, “Oh my God, they're overlooked so much.” Carole: Thank you so much for having me. I really appreciate it, Sharon. Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out. Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

This week on the podcast we talk with our own Captain Jack about the Black Canyon 100k Ultramarathon she ran on Feb 18th.Our introduction is from our friend Heidi from  Venice Beach . If you'd like to introduce an upcoming episode, please click the Join the Conversation link and leave us your recorded message. In this episode you will hear the gang talk about:Springtime training.Bob's Costume for the 5KTips on dealing with the heat for Princess Pre race meet up by the bleachers The Princess meetup by the food trucks in Disney SpringsThe Princess roll call. (Stand up when you hear your name.)Our contest winner is announced.February Peloton challenge update.In our featured interview  we hear from Jack who was in Arizona this past weekend and ran the Black Canyon 100k Ultramarathon. Jack talks about the how this was not a perfect race and how she learned a lot about herself by crossing that finish line.Some things she discussed:Hitting the wall, earlyStruggles along the courseMotivational calls from friendsOvercoming the mental hurdles Cattle and coyotesPeanut butter and jelly sandwichesTed LassoThe FinishTo wrap things up, our friend Ryan is featured on the Race Report Spotlight to tell us about the Ascension Seton Austin Marathon in Austin, TX. Join the ConversationRise and Run Podcast Facebook PageRise and Run Podcast InstagramRise and Run Podcast You Tube Rise and Run Podcast Website and ShopPassport to RunBlack Canyon Ultras  Austin Marathon JG13.1 ( Use code riseandrun for a discount on registration) Affiliate LinksFluffy FizziesKawaiian Pizza ApparelGYMBOSS         Rise and Run Podcast is supported by our audience. When you make a purchase through one of our affiliate links, we may earn a commission.

What you'll learn in this episode: What to look for when selecting a vintage piece, and why the most important factor is how much you like it Why Schreiner jewelry has increased in value, and how to tell if something is a genuine, high-quality piece of Schreiner Why online auctions are a great way for new collectors to grow their collection of vintage jewelry How Carole started her 40,000-piece collection, and how she allows clients to explore it Which emerging and under-appreciated vintage designers you should keep your eye on About Carole Tanenbaum Carole Tanenbaum has been collecting costume jewelry for over twenty-five years resulting in an unparalleled collection of over 30,000 pieces dating from the Victorian period to today's collectibles. Carole Tanenbaum Vintage Collection is one of North America's premiere collection of vintage costume jewelry. Every piece in the collection has been hand-selected with an eye for design, creativity and exceptional workmanship. The collection integrates vintage costume jewelry as wearable works of art into the fashion world. As a world-renowned collector, Carole has given a number of lectures on vintage costume jewelry at museums, universities, and social clubs. The collection continues to be featured in a multitude of fashion publications, and film and television productions. Additional Resources: Website Facebook Instagram Photos available on TheJewelryJourney.com Transcript: When it comes to vintage costume jewelry, few people can match Carole Tanenbaum's passion. Her 40,000-piece collection covers the history of costume jewelry from the Victorian era to the 90s, along with some emerging contemporary designers thrown in for good measure. She joined the Jewelry Journey Podcast to talk about her interest in Schreiner jewelry; how she wrote her two books on costume jewelry; and what she looks for when adding to her collection. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week. Today, my guest is Carole Tanenbaum speaking to us from Toronto. She and her husband have been collectors of everything, including vintage costume jewelry, for years. She herself has written two books on the subject of vintage costume jewelry. “Fabulous Fakes: A Passion for Vintage Costume Jewelry” is the first one, and the newest one is a book on Schreiner jewelry, “Schreiner: Masters of Twentieth-Century Costume Jewelry.” She must think highly of that. Each week, she holds an auction of vintage costume jewelry, and she'll tell us all about that. Besides that, we'll also learn why she focused on vintage costume jewelry and everything they collect, what she looks for in terms of evaluating a piece of vintage jewelry, whether it's for her own collection or to sell, and how you too can get involved. Carole, welcome to the program. Carole: Thank you for inviting me. It's good to be here. Sharon: So glad to have you. Tell us about your jewelry journey. You collect everything. Carole: We are collectors of many things. We collect photos. We collect vintage toys, African sculpture. But how you know I loved to antique; we still do. When we were in London in the 70s, I came upon a collection of fantasy jewelry, jewelry that wasn't gemstone, but it had the most beautiful vision to me aesthetically. I was hooked, and I bought about 20 pieces at that time. I always know when it will go forward, so it wasn't just a one-shot deal that started me in collecting. Sharon: Had you been attracted to glittery things or colorful things before that? Carole: I love fashion, and I've always loved the wow factor in fashion. The collection I saw was large pieces, so immediately I responded to it as things I could wear and love and feel really shi-shi in them. I bought the pieces I loved. There were about 50 pieces, and I was very discerning. I always know what I want to have. That was my first experience of hundreds. I have about 40,000 pieces. Sharon: Did you buy the first 20 or 50 from the same person, or was this from several people? Carole: No, it was from the same person. In the 70s, vintage costume jewelry wasn't really a collectable. It was a throwaway, so there weren't many dealers to choose from. This one person who had them really had the only great pieces of jewelry in the whole show, other than gemstone jewelry. I was lucky that I was able to focus on this one person. I still have a couple of those pieces in my private collection. Sharon: Wow! Did you recognize right away that it was being ignored and that it was going to be collectable? Carole: No, I didn't care. For me, they were objects d'art. I never am influenced by what's in and what's out. I trust my eye. When I did see this collection, I knew I had to have them, that they were beautiful and highly collectable despite what was happening universally. Sharon: Did you own, I'll say, “regular” gems? Was this a way to wear something and if you list it, it was not a big deal? Carole: It was always a big deal for me. Everything we collect, whether it was $2 or $20,000, has the same weight aesthetically to us. My husband has bought me some wonderful, real Deco jewelry, big, chokey necklaces, but gemstone. I always loved those because it was still my aesthetic. But when I started this collection, it showed that these pieces have the same wow and the same effect on me as gemstone, and I started looking and researching. Very few books were written on the subject in the 70s, but I started looking at the pieces that were being offered by the theater, by movies, by starlets, etc. I realized it's a field I wanted to start collecting. I realized that very early on after I bought these pieces. Sharon: Did you have the support of your husband that this is art? Carole: I always have the support of my husband. I'm a very lucky woman. Actually, we share our loves of whatever we collect. He's a great collector of Daguerreotypes. Whenever we're at the antique shows, I hunt for those as well as for what I love. We always share our collections as one collection. In fact, Howie will run around the show, or used to run around the shows, and he would come over to me, “Carole, come here. I have to show you something at this other dealer's showcase.” I would go there and I would love what he picked. Sharon: So, you don't go to as many shows as you used to, it sounds like. Carole: Since Covid, I have to tell you it's very small pickings. I go to whatever is available, but now the market has changed completely. Whenever I can, I go to shows. I go to shows in the outskirts of New York, sometimes to the New York Metropolitan Show and some of the local shows here. Oftentimes I get lucky, but I don't get the breadth of pieces I had earlier on. Sharon: Since Covid, I found I've been really hungry for shows. I go to whatever there is. Do you find that a lot of people have moved online? Carole: That's a very good question, Sharon, because now, the way to buy vintage costume jewelry is on Facebook. There are about 40 different people who have weekly shows. I don't have weekly shows of that auction. I don't have the patience for it. It's not a part of my business, but I go to the shows that are online. There are people who went to a country show to show their fare and don't have an outlet, so they're doing it at their home. Oftentimes you can get very lucky with that. They sometimes don't know what they have, and since it's an auction, you might be lucky. For people who are starting now, it's a great way to develop a collection, Sharon, because you have the world at your shoulders. Sharon: Let me back up. You said there weren't many books on the subject. Is that what brought you to write a book about it? Carole: No, that's a different story. When you start asking me about how I became a businesswoman, that's one of the ways I started. I'll tell you about that journey. Sharon: Do you find that the jewelry in Canada and Toronto is different than what you find elsewhere in New York or when you're at smaller shows? Carole: It's on a lower scale, number one. You're less able to find something in Canada—although the search is always as important to me as the sale—than you would be in New York or Boston or any of the big cities. Oftentimes, I will go to a major city, rent a car and go to the peripheral areas. There you can find antique stores and go in, and you know you're going to find that masterpiece. The search is a lot of fun. When you find something, of course it's glorious. Sharon: I bet it would be. That's interesting. I never thought of Boston. I always think of the east coast as New York and the south. They say there's nothing out in Los Angeles or on the west coast, but on the east coast, Boston just doesn't occur to me. Carole: Boston is a very interesting city because it's a university city. It's a city where the university kids go looking for bargains. They have one major store on their street. I don't remember the street that has floor-to-ceiling vintage. That's a place that people go. When I go, I go there, then I go to Cambridge, and then I go to the outskirts of it, Quincy or some of the other places. You never know what you're going to find. Sometimes it's a bust, but other times, I've found some wonderful pieces. Sharon: Does your husband come with you? Carole: Yeah, because he's also looking, don't forget. He's a collector, and he's looking for other things we collect. He's also looking for my welfare, what would I like. He knows my style; he knows my eye. Oftentimes when he says, “You have to look here,” he's right on. Sharon: Wow! I'm surprised to hear you say it. It sounds like it's not too late to start. Carole: It's not too late to start. It's more expensive to start if you're looking for the high-end pieces. For example, when I started collecting Schreiner, my average price of Schreiner was between $150 and $300. Now, these pieces go for $10,000. Sharon: Wow! We'll have a picture when we post this. It's gorgeous. Carole Those are called ruffle pins. They started at maybe $250, and I only bought them because I loved them. I wear three together, but when I saw that they're now going at auction for $10,000—they're the most coveted piece of Schreiner. They're called ruffle pins. Sharon: Is Schreiner marked? Carole: Many of them are marked and many of them aren't marked. There's a wonderful group on the internet. By the way, Sharon, I learn so much every day on the internet. A young collector will learn a lot by going through different sites on the internet. I'd be happy to share some of them with you. But the signature of Schreiner. When Schreiner started going into the stores, he would not use the signature on many pieces because the stores wanted to use their signatures on the pieces. When he worked for the couturiers in the 40s, they wanted their names on the pieces. So, there's 50% that are signed and 50% that are not signed. The pieces that are not signed are now verified by the Schreiner Group, which is a group on the internet of experts in the field, people who, like myself, have been collecting Schreiner for 30 and 40 years. They're verified by a group of three collectors. So, each piece that is shown to them is on their database when it is a Schreiner. You're not fishing; you're not looking in the dark for a signature. You actually know it by the actual designer. Sharon: Would you know it by the way it's made? Are they made better? Are they made differently? Carole: They're made as fine gemstone jewelry is made. There's never any discoloration. The metalwork is marvelous. He was really fanatic with that. The constructions are so intricate that they can't be copied, so you're safe when you look at it. If you look at the back of the Schreiner, oftentimes it's as beautiful as the front. You get to know what to look for in the setting. Are the prongs the right prongs for Schreiner? You can do that with other designers like Kramer or Weiss. They have specific prongs, so you learn how to recognize what is or what isn't by a designer if you've seen enough of it. Sharon: It seems like every time I go to a show, there are things that say Schreiner or Weiss, the big names, and no marks. Is there anything left to find? Carole: Yes, there's a lot left to find. Most of it is unsigned, but again, you're very confident once you ask the group if it's a valid Schreiner. Most of the time, they'll answer you almost immediately. If they have any doubts, they'll discuss it and look at it in detail and decide whether or not it is a Schreiner. You have to buy what you love. I bought Schreiner because to me, as we are collectors of art, we think Schreiner is a work of art. Everybody has different tastes. There are collectors of Weiss who know exactly what stones Weiss uses so those are easy for them to know, but sometimes if the Weiss is not signed, other people just have to enjoy the aesthetics. My message is that I always look at the aesthetics first. If the piece pleases me, if I love the design, if the quality is great and it's not repurposed, it's a piece I would buy. Sharon: When you say repurposed, what do you mean? Carole: In jewelry now, people are taking the liberty of adding to pieces to enhance them. Of course, it destroys the value of them because no matter how great the finished project is, it's not a Schreiner; it's not a Schiaparelli; it's not Chanel. We call it repurposed because some collectors today love those pieces and they collect only repurposed, but I won't touch these pieces. Sharon: I'm laughing because somebody please explain to me why Chanel is so expensive. I don't get it. You mentioned three qualities you look for, whether it's for your costume jewelry, your collection or other people. You say it's originality. Carole: First and foremost, it has to please you. Whether you're buying a $10 piece or you're buying a $10,000 piece, it has to appeal to you. You have to know you love it; that's first of all. Then, second of all, the workmanship. If it's fine workmanship, meaning if the gold tone is clear and not murky, that's a good sign. I try to buy pieces that are clean. I call them clean because there's no imperfection on the metalwork. Then the things I look for are that they're not soldered, because the soldered pieces have a tendency to be weak in that area. Even the greatest soldered pieces, in my opinion, could come apart, and I would rather pass on those pieces and look for something that is in fine condition. Then the peeling of pearls. If you're finding pearls and you're a pearl collector, you have to look carefully because a lot of the vintage pearls peel. I wouldn't buy a necklace unless I knew a great restorer who has those colors in pearl. Then, the original stones are very important to me. There are a lot of great repair people out there that have a breadth of stones. They can restore many pieces that are missing stones, but they have to be perfect. If they're not perfect, an expert can always tell. If I'm selling a piece, I would like it to be perfect in that sense, or I would like the repair person I use to have it perfectly set. That's another thing. Then there are no missing parts. That's another thing. This is an interesting story, and maybe a lesson to beginners. About 30 years ago, I found a wonderful piece of what I considered Reja. I was an Indian piece, a figaro with dangelis. I felt so lucky. It was the most beautiful Reja I ever saw. I learned that if something looks too good to be true, it generally is. I found out afterwards that the dangelis were added. So, it was a very good lesson to me. Sometimes when you look at piece, there's something about it that doesn't sit right to you. Ask questions to the dealers. They're honest generally. If they don't know, they'll say, “I don't know,” and then it's up to you to research. Sharon: That's really interesting. It sounds like you've looked at a million and one pieces. I was under the impression that your auctions were weekly. When I say get rid of it—if you have 40,000 pieces— Carole: No, but what I do occasionally is deaccession my earlier pieces through a couple of the national and international auctions I trust. I do that because if they're sitting in my drawers and not doing anything, it's not that I lost respect for them, it's that I want other people to enjoy them. So, I would say twice a year, I have an auction at Ripley's Auction, I have an auction here at Waddington's Auction. When we were selling our toys, because we're at an age now where you have to start thinking about where these things are going, I did it at Miller and Miller in Canada, a wonderful auction house. Those are the types of auctions and that's the reason why I do them, but they're only occasional. I always post them on my different sites so the public is aware of them. Sharon: Where do you find the pieces you do buy? Just looking around and going to these places on the outskirts? Carole: First of all, we are very fortunate because people know my name. They know about me, so they have offered pieces on many occasions. I'm even buying back pieces from people who don't wear them anymore and want them passed back to me, but I would say that's just by happenstance. We love antiquing, so it doesn't matter whether we find or we don't find. It's getting much harder, as I told you, because there are fewer outlets. A lot of the small antique dealers went under and don't have places where they can show their pieces other than the net. I do think the net now is the best place to look outside of shopping for them, but if you're shopping for them, don't have high hopes, because the very high end is being bought out by savvy collectors. Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.

Peris Costumes is the world's largest company dedicated to selling and renting costumes for film, stocking more than 10 million garments. Monocle took a peek behind the scenes of its Madrid-based HQ to meet its artisans and see how the industry is booming, thanks to the rise of streaming platforms.

This topic covers the concern of creating new costumes for every con, or for social media, at a rapid pace. What are the ups and downs? How do we cultivate a healthier mindset and lifestyle for cosplay? Check out the episode for more!

Welcome back! We kick off season 6 with major news about the pod (OMG) and 2001's Sugar & Spice, a movie about true sisterhood! The plot? When a high school cheerleader becomes pregnant, she and her cheer sisters get inspired by Point Break and plan a bank heist. Costume design is by one of our faves, Wendy Chuck (Confess, Fletch, Twilight, Hubie Halloween, Election) and features a seriously iconic bank robbery look, cute monochromatic outfits, and cheerleader uniforms, of course! We're now ready for cheer-core to become a trend. We also discuss the comparison with Bring it On (and a big revelation about the two movies by Gabriella Union), Penn Badgley not wanting to do sex scenes anymore, and Blaire breaks down her fave MSCHF as we discuss dem big red boots...ps did anyone watch Hollywood Darlings? For visuals of the costumes, follow us on Instagram at @fishnetflixpod and TikTok @fishnetflix ! DM or email your movie requests at info@fishnetflix.com! We love hearing from you! Don't forget to rate, subscribe, and leave a review on iTunes and wherever you listen to the show!  

Hey Dancers, in today's episodes we read out your Stage Fails Part 2! These stories range from: Costume malfunctions, stubbing toes & missing performances!To win our Pop Sockets in all 3 colours : listen to this podcast, take a selfie & tag us on @stagechats on InstagramCREDITS:This podcast is brought to you by: Claudia Dean WorldHosted by: Claudia Dean & Ailysh HealyExecutive Producers: Claudia Dean WorldShop our Collections: claudiadeanworld.comImprove your technique via our app: ‎Claudia Dean World

Josephine Baker was a gorgeous, young, black singer and dancer in the early 20's. She renounced her US citizenship because of racial injustice and became a French citizen. Things weren't perfect in Paris, but audiences were not segregated and she enjoyed significant success. During WW2, she leveraged her fame to pass secrets to the French resistance when the Nazis were trying to completely take over France. Who doesn't love a lady spy in a banana costume with a pet Cheetah named Chiquita? https://en.m.wikipedia.org/wiki/Josephine_Baker https://spyscape.com/article/josephine-baker-the-secret-life-of-a-diva-spy --- Support this podcast: https://anchor.fm/bitchstory/support

Check out CrabDiving liberal radio Monday!

271!!! We did it. The BIG One. Australian Accents, We get treated to a fancy dinner, Full Contact Cannolis, Meat Industry Facts, Wearing Leather Pants gets you noticed, Failing at being in public, Noodle jousting, Costume shopping, Being the only fan on an OnlyFans, Unicycler spotting, Walt is basically Offerman, "Look at this!", and finally, after much arguing, Jay brings us a dramatic reading of "Walter and the Quest for the Seven Sharts -Chapter 1" written by Wade and A.I. Get 20% Off and Free Shipping with the code NFHC at Manscaped.com. That's 20% off with free shipping at Manscaped.com and use code NFHC. Visit us at www.NFHCPodcast.com for everything Not For Human Consumption. Support the show by subscribing to our Patreon! https://www.patreon.com/NFHCPodcast Leave us a voicemail anytime at 480-788-7330 Apple Podcast: https://tinyurl.com/yapnr7cf Spotify: https://tinyurl.com/ybpo59va Youtube: https://tinyurl.com/y7va3h9a Stitcher: https://tinyurl.com/y75fnd3l Join the NFHC Discord! https://discord.gg/xrxhQTP Matt's Twitch Streams Weekly: https://www.twitch.tv/GrimwolfePrime Background Music Provided by: https://www.streambeats.com

Some cosplay, a few bedroom toys and a regular booty call leaves Andrea asking Danielle if she still meets up with this guy.   Submit stories via Instagram, Twitter, and TikTok @am.i.a.slut_podcast   Where to find the crew: Andrea @am.i.a.slut_podcast on Instagram, Twitter, and TikTok   Executive Producers: Jesse @LordLenix on Instagram, Twitter, and TikTok Junior @a.jr.combo on Instagram and @ajrcombo on Twitter   All Our Podcasts on Make it a Combo Productions: Make it a Combo @makeitacombopod on Instagram, Twitter, and TikTok The Minorities Report @minoritiesreportpodcast on Instagram and @minoritiesreport on TikTok  

Very elaborate!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What do She-Hulk, Daredevil, Quake, and Ghost Rider have in common? They all have costumes designed by Ann Foley! Ryan and Lorraine talk to the MCU costume designer about working on Marvel Studios' She-Hulk: Attorney at Law and Marvel's Agents of S.H.I.E.L.D. and how Jen Walters's suits stretch and grow with her.They also celebrate Marvel Studios' Black Panther: Wakanda Forever's Oscar nominations, the brand-new Marvel Villainous game addition, and tons of new comics announcements starring the Avenger, X-Men, Venom, Kang, and more! News – 1:12Interview w/ Ann Foley – 17:27Community – 41:37

Do nothing. Stay and fight. Or leave. This week's bonus episode is about the new film directed by Sarah Polley, Women Talking. Costume designer Quita Alfred joins the podcast to discuss her connection to the Mennonite community, sourcing fabrics, the research behind plain dress, collaborating with Sarah Polley, and approaching this project authentically and responsibly. Podcast Merch Store: TheArtOfCostume.com/PodStore Follow Us on Instagram: @TheArtofCostumePod --- Send in a voice message: https://anchor.fm/theartofcostume/message Support this podcast: https://anchor.fm/theartofcostume/support

Do nothing. Stay and fight. Or leave. This week's bonus episode is about the new film directed by Sarah Polley, Women Talking. Costume designer Quita Alfred joins the podcast to discuss her connection to the Mennonite community, sourcing fabrics, the research behind plain dress, collaborating with Sarah Polley, and approaching this project authentically and responsibly. Podcast Merch Store: TheArtOfCostume.com/PodStore Follow Us on Instagram: @TheArtofCostumePod --- Send in a voice message: https://anchor.fm/theartofcostume/message Support this podcast: https://anchor.fm/theartofcostume/support

What's really left to say? Plots for an imagined Season 3 are established, a few characters are on the way to a happy ending, and others are kidnapped as if it is destiny that someone must get brought to a BPO lab every season. Just us for our discussion of the most canceled "series finale" we've seen in this week's Chatz8!Check out chatzpod.com for all things Chatzpod!TwitterRedditTwitchChatzumsEmail: chatzpod@gmail.comOur main podcast feed art was done by Camilla Franklin, whose work can be found at https://camillafranklin.myportfolio.com/

The premier of NSW, Dominic Perrottet wore a Nazi uniform to his 21st birthday party. Since the revelations, Jewish groups in NSW have told journalists that they have fielded calls, particularly from elderly members of the community, in tears after hearing about the incident. But why did Perrottet come out and admit the scandal? Does it have anything to do with the looming election? And who was circulating the rumours about the premier's 21st birthday? Today, national correspondent for The Saturday Paper, Mike Seccombe on what's going on behind the Perrottet scandal and what links it may have to the gambling industry. Socials: Stay in touch with us on Twitter and Instagram. Guest: National correspondent for The Saturday Paper, Mike Seccombe.

Please join me and my fabulous guests 11th Feb @ WMC https://www.wmc.org.uk/en/whats-on/2023/sam-hickman-variety-hour

Naseem Sadiq interviewed Hermez Moshe, Assyrian sports media presenter and former athlete, to talk about his experience at the Arab Gulf Tournament

Joe vs. The Volcano is a film that we bonded over. Most people that we talk to about this film hate it and we love it. We put it to the test with our bonus episode. The film stars Tom Hanks as Joe and Meg Ryan as Dede, Angelica and Patricia. Director, Patrick Stanley who also wrote and directed a film we talked about last year, Wild Mountain Thyme. The film is about Joe, a hypochondriac, upon learning that he is dying makes a decision to help others and jump into a volcano. Throughout the film he learns about love and what life is really about.   We Have A Big Announcement - Guess the Monthly Theme for 2023 Contest   The Rules: Throughout the month you may guess the theme as many times as you want to. At the end of the month we will announce the theme and the winners.   Winners receive: A shout out in the episode  A shout out on social media Your name posted on the website with number of wins Each month one winner will get a video message from Mike and get to select a film for the podcast in 2024   ***At the end of the year every winner will get their name added to the pot to win a $100 Amazon gift card.***   Mr Water - “If I had said that I would have been wrong”   Timecodes: 0:00 - Introduction 7:00 - Why we choose this film for the 100th episode 8:31 - Trivia 14:54 - Mike's pick up line 21:39 - Lighting & make-up 25:00 - Visiting the doctor scene 29:28 - Meeting Angelica 31:32 - More cinematography 37:27 - Writing 38: 13 - Costume 40:23 - Sound 41:20 - Head Trauma 42:04 - Smoochie, Smoochie, Smoothie 42:41 - Driving Review 43:45 - To the Numbers   Links: Jos. A. Bank Inspired by Hello Aloha The doctor's office scene The Trunk scene - Come Go With Me The Opening Scene Nurses caps   To guess the theme of this month's films you can call or text us at 971-245-4148 or email to christi@dodgemediaproductions.com You can guess as many times as you would like. Special thanks to Melissa Villagrana our social media posts. Next week's film will be Going the Distance (2010)   Subscribe, Rate & Share Your Favorite Episodes! Thanks for tuning into today's episode of Dodge Movie Podcast with your host, Mike and Christi Dodge. If you enjoyed this episode, please head over to Apple Podcasts to subscribe and leave a rating and review. Don't forget to visit our website, connect with us on Instagram, Facebook,   LinkedIn, and share your favorite episodes across social media. Give us a call at 971-245-4148 or email at christi@dodgemediaproductions.com

The New South Wales Premier Dominic Perrottet reveals he wore a Nazi costume to his own 21st birthday party. Now he's deeply ashamed. We'll hear the reaction of some in the Jewish community. 

Full tutorial: https://learn.adafruit.com/light-up-your-costume-with-noods/overview Adafruit Noods are little noodles of light. They're as simple to use as a regular LED - connect one end to power and one end to ground, and they light up and glow. They're incredibly bendy and flexible, making them just perfect for small subtle costume details. A nood will last for hours on a single coin cell battery, with no big noisy EL-wire inverter to manage. This video shows how to hook up one n00d. Check the learning system tutorial to learn to hook up multiple n00ds to a microcontroller and add modes and sequences to your lights. Visit the Adafruit shop online - http://www.adafruit.com Tutorial by Erin St Blaine: www.erinstblaine.com ----------------------------------------- LIVE CHAT IS HERE! http://adafru.it/discord Adafruit on Instagram: https://www.instagram.com/adafruit Subscribe to Adafruit on YouTube: http://adafru.it/subscribe New tutorials on the Adafruit Learning System: http://learn.adafruit.com/ -----------------------------------------

Have you ever seen a kid just wearing a costume for NO REASON?

Come on down to apartment number nine for an episode full of rhinestone suits and country glamour! This week's bonus episode is all about the new drama miniseries on Showtime, George & Tammy. Costume designer Mitchell Travers joins Spencer to talk about designing the costumes for Tammy Wynette (Jessica Chastain) and George Jones (Michael Shannon), country style, Nudie's Rodeo Tailors, Las Vegas fashion, designing costumes for a story that moves through different decades, and that wild "Justified and Ancient" music video. All bound for Mu Mu Land! Podcast Merch Store: TheArtOfCostume.com/PodStore Follow Us on Instagram: @TheArtofCostumePod --- Send in a voice message: https://anchor.fm/theartofcostume/message Support this podcast: https://anchor.fm/theartofcostume/support

Come on down to apartment number nine for an episode full of rhinestone suits and country glamour! This week's bonus episode is all about the new drama miniseries on Showtime, George & Tammy. Costume designer Mitchell Travers joins Spencer to talk about designing the costumes for Tammy Wynette (Jessica Chastain) and George Jones (Michael Shannon), country style, Nudie's Rodeo Tailors, Las Vegas fashion, designing costumes for a story that moves through different decades, and that wild "Justified and Ancient" music video. All bound for Mu Mu Land! Podcast Merch Store: TheArtOfCostume.com/PodStore Follow Us on Instagram: @TheArtofCostumePod --- Send in a voice message: https://anchor.fm/theartofcostume/message Support this podcast: https://anchor.fm/theartofcostume/support

Happy Spooky Season, Ya'll! Kevin and Justin discuss their Spooky Season movie must-haves, Costume ideas past + present, a riveting game of 'Would You Rather' and discuss the topic on everyones minds...the one thing scarier that horror movies...Karens.Support the showEnjoyed this episode? Don't forget to share with your pals and follow us on Instagram @TwoBlandGays

We interview five amazing concept artists who work the Hollywood trenches and have lived to tell how the sausage is actually made. We discuss the insanity that permeates their industry and how they each thrive as independent, expressive artists while managing to make a living doing what they love. We also discuss the recent introduction of AI into the creative space and how it may affect the livelihoods of artists such as these as well as affect those trying to break into the industry.   Please give all of these incredible artists a follow on Instagram!   Imogene Chayes: @imogeneann_art  Concept artist for She Hulk, Coven of Chaos, Masters of the Universe and more.   Greg Hopwood: @greghops   Costume concept artist and wannabe you-tuber who has worked on Birds of Pray and Superman and Lois.   Jason Castagna: @jasecastagna   Concept artist for film, television and video games such as Red Dead Redemption 2.   Raphael Phillips: @its_still_raph_  Sculpts characters for games, film and customer design. Notable projects include Red Dead Redemption 2.   Luca Nemolato: @lucannemolato   Concept artist for creatures, costumes and story boarding for film, television and video games. Notable projects Shape of water and Westworld.   My contact information: benjaminrussack@gmail.com benjaminrussack.com 415.497.1908

Happy Friday, guuuuyys!!! Enjoying your gifts from Chrissy?? Probably not as much as this dog whose owner forked out $15 GRAND on a costume, fulfilling his dream of becoming a dog himself! You gotta hear the full story because it is WIIIIILD! Also, we go through our best word alarms of 2022!See omnystudio.com/listener for privacy information.

What were you thinking about while we were talking? Send us a voice message and let us know! Follow us on Instagram. Send us an email: whileyouweretalkingpod@gmail.com Thank you to Rob Henson for our theme music, and thank YOU for listening! --- Send in a voice message: https://anchor.fm/whileyouweretalkingpod/message

A "sexy" nurse costume taught me a lot about boundaries and that my inability to say "NO" to something acting related or otherwise is deep rooted in fear. Full transcript of episode - CLICK HERE ! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/whosdatphatgirl/support

Please support the sponsors of today's show by using the links below and our promo code where applicable for bonus deals! HelloFresh | Fresh Food & Meal Kit Delivery Service. Go to https://www.hellofresh.com/campea21 and use code campea21 for 21 free meals plus free shipping! The Weekly Hero is your weekly round-up of the biggest and best news out of the world of Comic-Book/Superhero movies and shows with your hosts Robert Meyer Burnett and Kris Carr. On this week's episode: - MCU fan fave character makes comic debut  - Batgirl costume revealed from canceled film - Where is Yoshi?  - New DCU slate set to be announced this month - Rob and Kris have Issues - Hot Toy Figure of the Week Follow The Weekly Hero Podcast: https://podcasts.apple.com/us/podcast/id1610128648 Become A John Campea Channel Member - https://www.youtube.com/channel/UCYyDbdaja1UDNdFSwUrYVGA/join  Learn more about your ad choices. Visit megaphone.fm/adchoices

S4:E127: Kate turned 40 this past weekend! We had an epic 80s dance party and celebrated her all weekend long! On today's episode, we talk about all of our celebrations, what Kate thinks about being older, our business plans for January, and the four words that changed her life. Hope you have a happy holiday season and a wonderful new year! We can't wait to chat with you again in 2023! Songs on Repeat Playlist: https://open.spotify.com/playlist/75lzjrQWtvjxEPDj0wuEKS?si=72e1fa96fa484213   615-592-5777 www.instagram.com/jillandkate www.jillandkate.com www.facebook.com/jillandkate www.twitter.com/jillandkate   Need help with Instagram account? Join us here: https://stan.store/jillandkate

Tom and Julie and Producer Brett create a raunchy parody t-shirt company called TFU (Totally Effed Up) and come up with their first designs. Available for purchase right now on TeePublic - see link below. Plus Tom prank calls Hollywood Toy & Costume prank again. Also Buffalo Bob's tight pants, Howdy Doody, Jim Jordan's disappearing ass, if Mitch McConnell was the lead singer of a band, Rick Caruso, Big Mouth Billy Bass, that time Billy Bob Thornton got so mad on that radio show, thick laptop jokes, Norad Not Nermal, CSI Miami cold opens, Public Domain Limited, Spahn Ranch Dressing, and more. TOTALLY EFFED UP T-SHIRTS:' https://www.teepublic.com/user/dttfu NORAD NOT NERMAL T-SHIRT: https://www.teepublic.com/t-shirt/36612323-nermal-not-norad JOIN FOREVER DOG PLUS FOR VIDEO EPISODES, AD-FREE EPISODES, & BONUS CONTENT: http://foreverdog.plus JOIN THE DOUBLE THREAT FAN GROUPS: *Discord https://discord.com/invite/PrcwsbuaJx *Reddit https://www.reddit.com/r/doublethreatfriends *Facebook https://www.facebook.com/groups/doublethreatfriends DOUBLE THREAT MERCH: https://www.teepublic.com/stores/double-threat SEND SUBMISSIONS TO: DoubleThreatPod@gmail.com FOLLOW DOUBLE THREAT: https://twitter.com/doublethreatpod https://www.instagram.com/doublethreatpod DOUBLE THREAT IS A FOREVER DOG PODCAST: https://foreverdogpodcasts.com/podcasts/double-threat Theme song by Mike Krol Artwork by Michael Kupperman Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on Here's Where It Gets Interesting, National Geographic wildlife photographer Ami Vitale sits down with Sharon to talk about her adventures around the world. Ami is dedicated to spending time with people, places, and animals and sharing their authentic and intimate stories through her camera lens. She speaks about her passion for creativity and environmental conservation efforts, and the idea that an individual may not have the power to change the world, but a great many people taking patient, determined steps together can turn the tide and make a difference. Hosted on Acast. See acast.com/privacy for more information.