Podcast appearances and mentions of Eugene Lee

In this episode of the Vanderbloemen Leadership Podcast, Jared sits down with Eugene Lee, Director of Consulting at Vanderbloemen, to unpack what it really means to lead beyond your title. Together, they explore the kind of leadership that builds trust, inspires action, and creates lasting impact—not because of position, but because of influence. Key discussion points include: Leadership Beyond the Title: Why a role or title alone isn't enough—and how true leadership is rooted in influence, not authority. Building Trust Through Relationships: How trust, not control, creates a thriving team culture. The Power of Self-Awareness: Why most leaders think they're self-aware (but aren't), and practical ways to get an honest view of yourself. Healthy Feedback Culture: How to both give and receive feedback in a way that builds people up and unlocks growth. Courageous Authenticity: What it looks like to lead with vulnerability—and why it might be your greatest leadership strength. Whether you're leading a team of two or an entire organization, this episode will help you grow in influence, lead with authenticity, and build a culture of trust that goes far beyond your title.

In this episode of A Hire Purpose Podcast, Eugene Lee shares valuable insights on intentional living, goal setting, and navigating career pivots. Discover how to embrace the journey, reflect on past experiences, and set goals that align with your purpose. Whether you're starting out, making a transition, or striving to lead from where you are, this conversation is packed with practical advice for career and life success. Don't miss these powerful lessons on growth, mentorship, and turning setbacks into opportunities!

This week, Christie is joined by Eugene Lee in exploring the complex intersection of faith, culture, and mental health within the Asian American community. They discuss the role of the church as a cultural community center for Asian Americans and immigrants, as well as the interplay of Asian American culture, Confucian ideals, and perfectionism. Eugene shares his personal evolution from being a young pastor and now a therapist, offering insights into how religious and spiritual trauma, purity culture, and black-and-white thinking impact mental health. Finally, we explore how Eugene helps clients deconstruct their beliefs, revisit their relationship with faith, and honor their unique spiritual paths.Eugene Lee (he/him) is a Licensed Mental Health Counselor, residing in New York City. Connect with Eugene via email at eugene@counselingwitheugene.com or his website www.counselingwitheugene.com Bridges Mental Health connects Asian, Pacific Islander, South Asian Americans (APISA) with culturally responsive mental health professionals and resources. We hope to make mental health care more accessible and approachable across the Asian diaspora.Find a TherapistJoin our Clinician Community Write to us with comments & questions, we'd love to hear from you.@bridgesmentalhealthbridgesmentalhealthnyc@gmail.combuymeacoffee.com/bridgesmh

Eugene Lee, a trailblazing actor, playwright, and director, shares his powerful journey on the Driving Change podcast. From his roots in segregated Texas, where his family nurtured his academic and creative talents, to his discovery of a passion for acting in high school, Eugene's story is one of resilience and inspiration. Despite stereotypes and challenges, he chose the path of acting over law school, marking the start of an extraordinary career. Tune in to hear Eugene's remarkable experiences, from working with Ron Howard to thriving in Los Angeles. He delves into the importance of persistence, handling rejection, and diversifying one's skills. Eugene also highlights his critically acclaimed play, East Texas Hot Links, and the profound impact he aims to achieve through his art. His legacy is defined by truth, change, and a relentless drive to inspire others. Takeaways Eugene Lee's passion for acting was sparked in high school when he took on a character that challenged stereotypes and allowed him to bring dignity to the role. Growing up in a segregated environment in Texas, Lee faced double standards and had to work harder to prove himself. Despite having the opportunity to attend law school, Lee chose to pursue a career in acting and theater, driven by his passion and the belief that he could make a difference. Lee's journey highlights the importance of family support and the impact of societal attitudes on the choices and opportunities available to individuals. Persistence and not taking rejection personally are key in the entertainment industry. Diversifying and broadening one's skills can lead to more opportunities. Learning how to learn and internalize dialogue is crucial for success. Eugene Lee's play, East Texas Hot Links, sheds light on the African-American experience and aims to change perspectives. Lee's legacy is that of a good man who told the truth and made a difference through his work. Chapters 00:00 Introduction to Eugene Lee 03:22 Eugene Lee's Origin Story 08:14 Discovering a Passion for Acting 19:17 Facing Challenges and Making Choices 25:55 From Teaching to Acting: The Journey Begins 29:24 The Importance of Persistence and Not Taking Rejection Personally 30:32 Diversifying and Broadening Skills for More Opportunities 32:28 Learning How to Learn and Internalize Dialogue 38:26 East Texas Hot Links: Shedding Light on the African-American Experience 48:37 Eugene Lee: A Good Man Who Told the Truth and Made a Difference How to find out more about Eugene Lee: Website: http://www.eugeneleeonline.com/ IMDb: https://www.imdb.com/name/nm0497247/ Current Theatre Production of East Texas Hot Links: Court Theatre Chicaog - Sept 2024

LinkedIn:linkedin.com/in/eugene-lee-onewebsite:giveyourselfsomeleeway.com/ Facebook:https://www.facebook.com/profile.php?id=61550525632993 Twitter/ X:https://x.com/EugeneGYSLInstagram:https://www.instagram.com/eugene.leeway/TikTok:https://www.tiktok.com/@leeway.ieMy social media links:Podcast:https://podcast.app/day-in-day-out-p832991Instagram:https://www.instagram.com/muui23LinkedIn page:https://www.linkedin.com/company/day-in-day-out-podcast/?viewAsMember=trueYouTube:https://bit.ly/2UVszCm

Eugene Lee never planned for an insurance career, now as the SVP & GM of Insurancesuite for Guidewire, he's helping shape the industry via product management and distribution. In this episode:Hear how Guidwire is looking at relationships with partners inclusively Why insurance company portals are still necessaryHow the move from legacy systems for insurers is important for sustainabilityPodcast PhilosophyThe role AI has for insurers and how it will impact products and distributionThere is no shortage of insight from Eugene as he helps shed light on how one of the leading enterprise insurance software developers sees the industry and the future.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a Text Message.Special guest and fellow burnout recovery coach Eugene Lee talks about how he burned out at 27yo. I love this story because it represents young professionals who are burning out at ever increasing rates and very many are not receiving the support they need. I work with young men in college or recently graduated, because it's vital for them to make a strong start in their careers, through developing confidence in themselves as they learn and grow. Students of all ages are our future, and we need to be there for them.N.B. Burnout can happen at any age!Show Notes:Give Yourself Some Leeway Burnout recovery coachingGive Yourself Some Leeway podcastEugene and I speaking on his podcast episode #106----------------------------------- Burnout Resources:Get 1-on-1 burnout recovery coaching at https:/mini.dexrandall.comBurnout Recovery eCourse: https://go.dexrandall.com/beatburnoutFor even more TIPS see FACEBOOK: @coachdexrandallINSTAGRAM: @coachdexrandallLINKEDIN: @coachdexrandallTWITTER: @coachdexrandallor join the FACEBOOK group for burnout coaches onlyhttps://www.facebook.com/groups/1030925731159138See https://linktr.ee/coachdexrandall for all links

In this episode of The Role Forward, Joe Michalowski hosts a deep dive into the world of venture funding. The guests — Joe Garafalo, Marissa Moore, and Eugene Lee — share their insights and experiences. The conversation revolves around the importance of good financial modeling practices, the current state of venture funding, and the future outlook. The guests also discuss the importance of understanding the customer base, assessing risks, and the role of metrics in investor conversations.The episode concludes with advice for companies planning to raise funds in the future. The key takeaways include the need to build relationships with investors, the importance of adaptability, and the value of clearly understanding future expectations. This episode is a must-listen for anyone interested in venture funding and financial modeling.Guests-at-a-Glance

How are portable innovative X-ray devices reshaping animal care with their affordability, mobility, and elimination of the need for dedicated X-ray rooms? This week, Shawn and Ivan speak with Eugene Lee of POSKOM USA about the advantages of portable X-ray machines in veterinary clinics.   Mr. Lee recommends “How To Win Friends and Influence People" by Dale Carnegie (https://bit.ly/42cVtNP) Learn more about Eugene Lee at pximed.com.

Esteemed Tony and Obie Award-winning, Emmy-nominated director Kenny Leon, and noted actors Norm Lewis and Eugene Lee join Tavis in studio to shine a spotlight on the compelling masterpiece that is “A Soldier's Play.”

Original Air Date: Monday 20 February, 9 pm Eastern Description: This week's show begins with a cold open wherein Dean and Phil discuss Phil's 4th wedding anniversary, 100 years of Disney, and 16 years of Chillpak, while also celebrating the life and cultural legacy of Burt Bacharach. Dean then reveals his plans to see 80 for Brady (!) before he and Phil compare notes on Pearl, the sequel to X. Phil then sings the praises of a little-known noir-ish detective story starring Lucille Ball and directed by Douglas Sirk, and the jazzy 1966 exercise in style, Tokyo Drifter. After that, it's time to open the Chillpak morgue for a handful of truly fascinating “Celebrity Deaths” as screen icon Raquel Welch, Award-winning director Hugh Hudson, former child star Austin Majors, and one of the greatest production designers of all time, Eugene Lee, get remembered.

In this episode of LIGHT TALK, The Lumen Brothers welcome 2022 LDI Lumen Brothers Mystery Fez winner, Jayson Lawshee, as Honorary Lumen Brother of the Day and Guest Host of the show! The Brothers discuss everything from Touring while using House Equipment, to "The Stay Puft Marshmello Dancers".    Join Jayson, Steve, David, and Zak, as they pontificate about: The amazing lives of  Adrian Hall and Eugene Lee; Breaking up with directors is hard to do; Tours that have to use house equipment; "The Not So Clear-Com"; Our Superbowl Halftime Show Review; Bruce Rogers and Al Gurden; "Questionable Call"; and Our favorite styles of theatre.   Nothing is Taboo, Nothing is Sacred, and Very Little Makes Sense.

  Listen to the Show Right Click to Save GuestsThe VORTEX i see you you're seenSt Eds Mary Moody Northen Theatre Godspell What We Talked About Burt Bacharach Eugene Lee Pictures from Home AEA Open Membership Rethinking Theatre Critisism Between Riverside & Crazy to stream… Expensive? J Harrison Ghee  Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)

[REBROADCAST FROM September 23, 2022] If you love theater, you've likely seen a set designed by Tony Award-winner Beowulf Boritt, from "Come From Away" to "Flying Over Sunset" to "Merry Wives" to "POTUS." Now he's drawn back the curtain on his process, and the importance of set design, in his new book, Transforming Space Over Time: Set Design and Visual Storytelling with Broadway's Legendary Directors. Boritt joins to reflect on his career, and his collaboration with directors like James Lapine, Kenny Leon, Hal Prince, Susan Stroman, Jerry Zaks, and Stephen Sondheim. You can currently see Boritt's work onstage in "The Piano Lesson" (through January 29), "Mike Birbiglia: The Old Man & The Pool" (through January 15), and "Ohio State Murders" (through late February).   Mecca: A Conversation with Stephen Sondheim Setting: Stephen Sondheim's Turtle Bay town house: the holiest of holies for several generations of theater artists. We're in a ground-floor living room, sprawling and cluttered, spreading from a small front entrance foyer through the main chamber to a back conservatory that opens into a community garden. The room's salient visual feature is Steve's collection of antique puzzles, displayed in frames and vitrines and arrayed on tables. Beowulf Boritt: I'm sure you hear this from a lot of people, but your shows, more than any others, are what convinced me to pursue theater. I grew up thinking musicals were frilly and silly, but when I started being exposed to your shows—first Sunday, then Into the Woods and Sweeney Todd—I thought, This is what I want to do. Stephen Sondheim: So you're blaming me? BB: Just placing blame where it's due, Steve! I asked various directors, “What productions made a strong impression on you when you were young?” Both James [Lapine] and Susan Stroman credited Sweeney Todd and its design as the show that made them think, This is what theater can be. Of course, Hal directed it, and the set was famously a real, and enormous, Victorian factory reassembled onstage by Eugene Lee. But that set isn't inherent in the writing; in fact, the action is never literally in a factory. When you were developing the show with Hugh Wheeler, it wasn't with a factory setting in mind, was it? SS: No, no. That came afterward. That was Hal's idea. I don't know how he came to it. For me, Sweeney Todd is not really a story of how the Industrial Revolution manufactured vengeful Sweeney Todds. That had nothing to do with what I wrote at all—though I did ultimately put one line in the lyrics about machines, to make Hal happy. I wanted to do it as a small, scary show. I told Hal that if we were going to do it at a big theater, I'd like to drape the entire place in black, have gaslit lampposts all around, and have the cast all around,too: on top of you, beside you, in the aisles, and so on. I wanted the whole theater to look like the inside of a coffin. I wanted an organ and an organist onstage for that opening prelude—a loud organsound to start the show. BB: You said you have no part in designing the show, but that's a very clear visual image you just described—your initial thoughts about it. SS: I have no visual imagination to say, “The costumes should be red.” But of course I have some ideas about staging the numbers. The director can throw them out, but I do go on record with what I am thinking. BB: I'm going to rewind to early in your career, to one of my favorite musicals and one I have not yet hada chance to design. Did you have any visuals in mind as you wrote West Side Story with Arthur Laurents and Leonard Bernstein? SS: Where is Puerto Rico? No, I don't think I had anything in mind, but I'll tell you an anecdote, one of those things that one never forgets. Oliver Smith, who designed it, wanted to show us the model of the setso we went out to his house in Brooklyn. He showed it to us and there was concern over the scene with the highway bridge, for the rumble at the end of the first act. Jerry Robbins—or maybe it was Lenny or Arthur—turned to me and said, “What do you think?” I was twenty-five years old! “I agree,” I said. “It just doesn't seem quite right.” Oliver turned on me and said, “Who cares what you think? You don't know anything about the theater!” He was really ugly. He was upset that they didn't like it, but he couldn't lash out at Jerry, Lenny, or Arthur, so— BB: And you were the new guy. SS: Yes. You know , I understand why he did it. BB: Did you ever work with him again? SS: No. BB: When you're the new kid, and an old hand lashes out at you, it's amazing how much it stings. You remember it forever. On my first Broadway show, Spelling Bee, that happened to me. Someone involved in the show, not James, really went after me because I was the new kid. To be honest, I had probably donesomething stupid—but it was unpleasant, and I will never forget it. BB: Last question, and it isn't really a question. I'm going to shorten the quote, but you've said, “Lyric writing has to exist in time. You have to lay the sentences out so there's enough air for the ear to take them in. There's music, there's costumes, there's lighting. There's a lot of things to listen to and look at. And therefore, the lyric must be in that sense simple.” SS: The experience of a musical is so rich that it's like you're getting two kinds of dessert. You're getting the pecan cake and the caramel ice cream, so you don't want to overdo it with either one. SS: All art is about economy of means. It's about finding the part that is necessary and getting rid of the unnecessary. That's the hard part, but once you know it, if you're ruthless, you'll get rid of the extra and keep the great. In general, in art, less is more. Although you must remember, there is also Tolstoy!

If you love theater, you've likely seen a set designed by Tony Award-winner Beowulf Boritt, from "Come From Away" to "Flying Over Sunset" to "Merry Wives" to "POTUS." Now he's drawn back the curtain on his process, and the importance of set design, in his new book, Transforming Space Over Time: Set Design and Visual Storytelling with Broadway's Legendary Directors. Boritt joins to reflect on his career, and his collaboration with directors like James Lapine, Kenny Leon, Hal Prince, Susan Stroman, Jerry Zaks, and Stephen Sondheim. Mecca: A Conversation with Stephen Sondheim Setting: Stephen Sondheim's Turtle Bay town house: the holiest of holies for several generations of theater artists. We're in a ground-floor living room, sprawling and cluttered, spreading from a small front entrance foyer through the main chamber to a back conservatory that opens into a community garden. The room's salient visual feature is Steve's collection of antique puzzles, displayed in frames and vitrines and arrayed on tables. Beowulf Boritt: I'm sure you hear this from a lot of people, but your shows, more than any others, are what convinced me to pursue theater. I grew up thinking musicals were frilly and silly, but when I started being exposed to your shows—first Sunday, then Into the Woods and Sweeney Todd—I thought, This is what I want to do. Stephen Sondheim: So you're blaming me? BB: Just placing blame where it's due, Steve! I asked various directors, “What productions made a strong impression on you when you were young?” Both James [Lapine] and Susan Stroman credited Sweeney Todd and its design as the show that made them think, This is what theater can be. Of course, Hal directed it, and the set was famously a real, and enormous, Victorian factory reassembled onstage by Eugene Lee. But that set isn't inherent in the writing; in fact, the action is never literally in a factory. When you were developing the show with Hugh Wheeler, it wasn't with a factory setting in mind, was it? SS: No, no. That came afterward. That was Hal's idea. I don't know how he came to it. For me, Sweeney Todd is not really a story of how the Industrial Revolution manufactured vengeful Sweeney Todds. That had nothing to do with what I wrote at all—though I did ultimately put one line in the lyrics about machines, to make Hal happy. I wanted to do it as a small, scary show. I told Hal that if we were going to do it at a big theater, I'd like to drape the entire place in black, have gaslit lampposts all around, and have the cast all around,too: on top of you, beside you, in the aisles, and so on. I wanted the whole theater to look like the inside of a coffin. I wanted an organ and an organist onstage for that opening prelude—a loud organsound to start the show. BB: You said you have no part in designing the show, but that's a very clear visual image you just described—your initial thoughts about it. SS: I have no visual imagination to say, “The costumes should be red.” But of course I have some ideas about staging the numbers. The director can throw them out, but I do go on record with what I am thinking. BB: I'm going to rewind to early in your career, to one of my favorite musicals and one I have not yet hada chance to design. Did you have any visuals in mind as you wrote West Side Story with Arthur Laurents and Leonard Bernstein? SS: Where is Puerto Rico? No, I don't think I had anything in mind, but I'll tell you an anecdote, one of those things that one never forgets. Oliver Smith, who designed it, wanted to show us the model of the setso we went out to his house in Brooklyn. He showed it to us and there was concern over the scene with the highway bridge, for the rumble at the end of the first act. Jerry Robbins—or maybe it was Lenny or Arthur—turned to me and said, “What do you think?” I was twenty-five years old! “I agree,” I said. “It just doesn't seem quite right.” Oliver turned on me and said, “Who cares what you think? You don't know anything about the theater!” He was really ugly. He was upset that they didn't like it, but he couldn't lash out at Jerry, Lenny, or Arthur, so— BB: And you were the new guy. SS: Yes. You know , I understand why he did it. BB: Did you ever work with him again? SS: No. BB: When you're the new kid, and an old hand lashes out at you, it's amazing how much it stings. You remember it forever. On my first Broadway show, Spelling Bee, that happened to me. Someone involved in the show, not James, really went after me because I was the new kid. To be honest, I had probably donesomething stupid—but it was unpleasant, and I will never forget it. BB: Last question, and it isn't really a question. I'm going to shorten the quote, but you've said, “Lyric writing has to exist in time. You have to lay the sentences out so there's enough air for the ear to take them in. There's music, there's costumes, there's lighting. There's a lot of things to listen to and look at. And therefore, the lyric must be in that sense simple.” SS: The experience of a musical is so rich that it's like you're getting two kinds of dessert. You're getting the pecan cake and the caramel ice cream, so you don't want to overdo it with either one. SS: All art is about economy of means. It's about finding the part that is necessary and getting rid of the unnecessary. That's the hard part, but once you know it, if you're ruthless, you'll get rid of the extra and keep the great. In general, in art, less is more. Although you must remember, there is also Tolstoy!

Franne talked to me over the phone and discussed her first love being clothing; being sent home in high school for wearing jorts; seeing Guys & Dolls with her parents; not being married to Eugene Lee; her first productions in Philadelphia with Danny Aiello; touring with Alice in Wonderland; where she keeps her awards; how Lorne Michaels talked her into coming to SNL; drawing and creating the costumes for the Bees; her father engineering the antennae; Lorne not letting her copy write them which led to knockoffs; her typical work week; working with Gilda Radner; lack of budget actualy helped the show; Weekend Update blazers; $1500 budget made them work harder and smarter; today's SNL can do things the original could not; at 40th anniversary Franne could not believe the costume budget; most of SNL is shopped; as show progressed sketches got longer and took more time; Brooks van Horn costume house; Raquel Welch; Mick Jagger; not having much to do with hosts or musical guests; Dan Aykroyd; creating the Coneheads but not being able to apply them because they were classified as wigs; SNL versus NBC departments; being impressed with Christopher Reeve and Angela Lansbury; friendship with Laraine Newman; working with Garrett Morris; being serenaded by Chevy Chase; getting hospitalized with a collapsed lung the same week Chevy injured his groin in September 1976; working on SNL at the same time as Sweeney Todd and Gilda Live; how she helped save "Sweeney Todd"; costuming black and white sketches; appearing in the Bee Capades because she was one of the few on staff who could skate; teaching; painting; still designing sets; being out on Saturday nights

In this episode we check out Netflix's one hundred and eighty-fifth film, the 2019 drama ‘American Son' directed by Kenny Leon starring Kerry Washington, Steven Pasquale, Jeremy Jordan and Eugene Lee.   Please follow us at Flix Forum on Facebook or @flixforum on Twitter and Instagram and answer our question of the week, 'Would you be interested in seeing the stage version of this?'   You can listen to us on Apple Podcasts, Spotify and Podbean so please subscribe and drop us a review or 5 star rating.    If you're interested in what else we are watching, head on over to our Letterboxd profiles; Jesse  MJ   We also have our own Flix Forum Letterboxd page! Links to all our past episodes and episode ratings can be found there by clicking here.    Next week we have 'Drive', so check out the film before then. You can see the trailer here.   Flix Forum acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Wurundjeri and Bunurong people of the Kulin Nation. We pay our respects to their Elders past, present, emerging and extend that respect to all Aboriginal and Torres Strait Islander cultures. 

Midday theater critic J. Wynn Rousuck, who brings us her reviews of the regional stage each week, joins Tom today to spotlight The Folks at Home, a new comedy now getting its world premiere at Baltimore Center Stage. Written by Baltimore's own R. Eric Thomas(whoseother new play, Crying on Television, is premiering at Everyman Theatre next month), The Folks at Homeis a TV sitcom-inspired romp about race, marriage and family ties that's directed by Obie Award-winner Stevie Walker-Webb. The cast includes Alexis Bronkovic, Brandon E. Burton, E. Faye Butler, Jane Kaczmarek, Eugene Lee, Christopher Sears and Roz White. The Folks at Home continues on stage at Baltimore Center Stage through April 10. For showtimes and ticket info, click here. The play will also be livestreamedApril 6-10. For livestream tickets, click here.  See omnystudio.com/listener for privacy information.

We are back with our two guests, Dr. Eugene Lee and Dr. Casey Kowalik to discuss Overactive Bladder or OAB. If you missed part one, be sure to check out the previous podcast titled “Overactive Bladder: Learn the Basics with Dr. Eugene Lee and Dr. Casey Kowalik.” This episode picks back up as Dr. Lee and Dr. Kowalik dive deeper into the conversation of OAB and how to manage this condition on the go. Whether you have a busy lifestyle or are just looking for some relief during normal day-to-day activities, Dr. Lee and Dr. Kowalik are here to help talk about what people with OAB can do to manage their symptoms. Short on time? Use the below timestamps to jump to any section: 1:33 – Dr. Lee on his tips for managing OAB on the go 5:02 – Can holding your bladder cause OAB? 6:18 – How to feel supported with OAB 9:08 – Most commonly asked questions 10:44 – Best advice to manage symptoms on the go and at work 11:34 – Final thoughts Patient resources provided through the generous support of Astellas. For more information, please visit https://www.urologyhealth.org/ and don't forget to subscribe to our free digital magazine, UrologyHealth extra®, at https://www.urologyhealth.org/uhe. **** November 18, 2021

Our two guests on this podcast episode talk about Overactive Bladder (OAB). Our first guest is Dr. Eugene Lee, a urologic oncologist and Associate Professor for the Department of Urology at the University of Kansas Health System. Dr. Lee joins us as a patient in this podcast, sharing his experience living with OAB. Our second guest is Dr. Kowalik, a urologist and Assistant Professor also at the University of Kansas Health System who joins in on the conversation to talk about the medical side of OAB. Curious about managing OAB on the go? Stay tuned for part two of this podcast with Dr. Lee and Dr. Kowalik. Short on time? Use the below timestamps to jump to any section: 0:58 - Introduction 1:49 - Dr. Lee's experience living with OAB 7:43 – What is OAB? 8:34 – How common is OAB? 9:31 – Symptoms of OAB 10:14 – Causes of OAB 10:57 – Diagnosing OAB 11:28 – Things you may not know about OAB Patient resources provided through the generous support of Astellas. For more information, please visit https://www.urologyhealth.org/ and don't forget to subscribe to our free digital magazine, UrologyHealth extra®, at https://www.urologyhealth.org/uhe. **** November 17, 2021

If you've ever wondered what it'd be like to see the Little Rascals go up against two vicious murderers ... then seek psychiatric help immediately!Mystery to Me returns this week with a double-feature of two short films from the Our Gang series— alias The Little Rascals or Hal Roach's Rascals. Both shorts play with the detective genre. One is your average silly Our Gang fare. The other has actual death and an extended shoot-out scene.Hide and Shriek is a short film that was released on June 18, 1938. It was directed by Gordon Douglas, and is the last ever Our Gang flick to feature the participation of creator Hal Roach. It stars Carl Switzer as Alfalfa — alias X-10 — Billie Thomas as Buckwheat — alias X-6 1/2 — Eugene Lee as Porky — alias X-6 — and Darla Hood as Darla. In this story, Alfalfa recruits his friends to his new detective agency ... but a jaunt in a haunted house soon proves that mystery-solving can be a bone-chilling profession. This was the 168th Our Gang film.Little Miss Pinkerton is a 1943 Our Gang film directed by Herbert Glazer, starring Billie Thomas as Buckwheat, Billy Laughlin as Froggy, Janet Burston as Janet, and Robert Blake as Mickey. It was released on September 18, 1943. This was the 216th entry in the Our Gang series. In this film, the kids witness a brutal murder and get taken hostage. No, really! That's the plot.Listen to the gang discuss Dashiell Hammett, the Pinkertons, the trailer for The Batman, and aging Áine's frail health.Follow us on the usual social media suspects:FacebookTwitterInstagramSend your traumatic childhood memories to mysterytomepodcast@gmail.com.Mystery to Me is a production of Mystery Sheet LLC.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, Eugene interviews Rachelle Barbour, an assistant federal defender for the Office of the Federal Defender of the Eastern District of California. She is an advocate for Omar Ameen, an Iraqi refugee accused of being an ISIS commander and murdering a police officer in Iraq. On April 21, 2021, a federal judge ruled this was physically impossible because Ameen was not in Iraq at the time of the alleged murder. However, Ameen nonetheless remains detained in an ICE facility and has been held in detention for over 1000 days. Eugene and Rachelle discuss federal immigration cases and the mechanisms that can keep someone locked up and separated from their family. In January of 2020, Ben Taub wrote a piece for the New Yorker that outlines how Ameen landed in prison: https://www.newyorker.com/magazine/2020/01/27/the-fight-to-save-an-innocent-refugee-from-almost-certain-death Watch Vice's video coverage: https://www.youtube.com/watch?v=5r1ngPeyv1g Take Action: https://freeomarameen.com/ This episode was edited by Eugene Lee.

Culturally Distinct Crew sits down with members Eugene Lee and Vivian Nguyen of the the Asian group OCA Houston. Why Hate Asians Discussion Topics for today 1. Whats is OCA Houston 2. Stop Asain hate campaign , How does it compare to BLM 3. Do Blacks and Asias respect each other. 4. Misconceptions of the Asia Community 5. Economics in Black and Brown Communities 6. Why open stores in only black communities SUBSCRIBE AND ADD US ON ALL PLATFORMS @CULTURALLYDISTINCTPODCAST --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/culturallydistinct/support --- Support this podcast: https://anchor.fm/culturallydistinct/support

This week we take a deep dive into men's netball and discuss the challenges boys and men face to play the sport we all love.Our special guests are Australian Sonix player and elite coach Eugene Lee and former NSW player and director of the first men's netball doco — Rising to Occasion — due to be released later in the year.We also analyse all the action from RD6 and ponder whether fatigue might be setting in for some teams at the midway point of the competition.

What happens when new scientific research meets traditional Christian doctrine? How should we think about the relationship between faith and science? How does the big bang theory fit within Genesis 1? What does quantum mechanics have to do with predestination and the omniscience of God? How does the anthropic principle square with a biblical notion of a designed and purposeful universe? To answer these big questions, we look to the lives and work of theologians and scientists throughout the centuries. They give us examples of how to be an intellectual devoted to both science and Christian faith, showing us that no contradiction exists between them when the truth is genuinely sought. We invite you to read and meditate on Psalm 19 this week asking God to reveal himself to you through his word and creation. Find a discussion guide for groups here: http://menlo.church/studyguide52321

This week we interview financial advisor Eugene Lee. We talk about his views on different types of investments and why he also is doing some Real Estate IG: https://instagram.com/euge.lee?igshid=6b9kwmi93zwt --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Story artist EUGENE LEE (“Legend of Korra”, “Voltron: Legendary Defender”, “DOTA: Dragon’s Blood”) joins Ashley and Steve to talk about how he turned a passion for art into a professional career and talks about being in on the ground floor of the animation classic, “The Legend of Korra” with the world-renowned Studio Mir. Plus, some insights on the life of a storyboard artist and episodic director. Sit back, crack open your favorite bottle and have a listen! Join us at the CARTOON BARROOM every SATURDAY MORNING wherever you listen to podcasts and you can watch our video podcasts on the free ELECTRIC NOW channel including CARTOON BARROOM, THE 4:30 MOVIE, INGLORIOUS TREKSPERTS and more! Download from your favorite App Store today. The CARTOON BARROOM is from the Electric Surge Network and the producers of THE 4:30 MOVIE podcast. #animation #cartoons #art #DOTA #DragonsBlood #TheCloneWars #Rebels #film #TV And don't miss Ashley's new anime series DOTA: DRAGON'S BLOOD, now streaming on Netflix!!!!

Most of us are on the go constantly. It's easy to say yes to too many things and life easily gets overwhelming before we know it. Join us as we explore how Jesus offers a way of life that includes surrender and trust—offering us a way to enjoy our life in this world, as well as all of the work we accomplish with his help. Practice Sabbath. Schedule a day of rest so you can be renewed by life-giving time with God.

Photo by Markus Winkler on Unsplash What are venture capitalists thinking about the potential for Customer Education and Customer Success? As the industry becomes more profitable, we've seen more investment activity in the space. Eugene Lee from OMERS Ventures joins us to talk about his view on investing in this market, and what he wants to see from Customer Education and Customer Success companies as the market develops. Eugene Lee, a Principal at OMERS Ventures, a venture capital fund with $1B under management and 50+ investments in B2B and B2C tech companies including Contentful, Crunchbase, Hootsuite, Klue, Rover, Shopify, Vidyard, and Wattpad.Prior to joining OMERS Ventures, Eugene was a VP of Business Operations at Copper, Google's #1 recommended CRM. Prior to that, he founded and led the business operations team at Pinterest. Before that Yahoo and Pixate.

Photo by Markus Winkler on Unsplash What are venture capitalists thinking about the potential for Customer Education and Customer Success? As the industry becomes more profitable, we’ve seen more investment activity in the space. Eugene Lee from OMERS Ventures joins us to talk about his view on investing in this market, and what he wants to see from Customer Education and Customer Success companies as the market develops. Eugene Lee, a Principal at OMERS Ventures, a venture capital fund with $1B under management and 50+ investments in B2B and B2C tech companies including Contentful, Crunchbase, Hootsuite, Klue, Rover, Shopify, Vidyard, and Wattpad.Prior to joining OMERS Ventures, Eugene was a VP of Business Operations at Copper, Google’s #1 recommended CRM.  Prior to that, he founded and led the business operations team at Pinterest. Before that Yahoo and Pixate.

Eugene Lee is the founder and CEO of ChannelMeter. ChannelMeter simplifies discovery, onboarding, management, and payments for creators.

You can be attractive, successful, wealthy, and smart, but if you have unhealthy, broken relationships in your life, life will feel more like a drain and a mess. But what exactly do healthy relationships look like? Contrary to what many people think, they are not defined by a lack of conflict. Rather, they are defined by the ability to manage, address, and resolve conflict. In this talk, we explore how to manage, address, and resolve conflict so that you can live a life of happiness and joy. This week, be intentional about conflict and choose to have "a good fight" in a relationship that you would like to have deeper connection and greater intimacy.

It’s been a year like no other, especially for bartenders and anyone in the hospitality industry. So for our final episode of 2020, we're taking a look back at the year that was on the Living Proof podcast. You'll be hearing snippets of a few of the conversations we were lucky enough to have in 2020, the first of which focus on the subject of wellness and balance for bartenders. We had some great discussions with Tim Philips-Johansson, Australia's most awarded bartender, and Mark Livings, CEO of Lyre's Spirit Co, about how and why young people are increasingly choosing to drink less. Then, we cast our minds back to when the pandemic first took hold of cities the world over, spelling a long lay-off for many bars. We hear from Dante's Liana Oster, who we spoke to back in April, and then Big Bar's Eugene Lee and Selene Martinez. Finally, we explore how the industry might emerge from the challenges of the year with a renewed focus on high quality customer experiences. Alex Ross, who opened the renowned Ginger bar in Melbourne, talks us through how she keeps the customer front-of-mind whenever she's working on a project. And Diageo's Global Cocktailian, Lauren Mote, describes how the front- and back-of-house are coming together to create guest experiences that go beyond the glass. And we couldn't look back on 2020 without re-visiting our hilarious chat with Artem Peruk of El Copitas Bar in St Petersburg - the bar that went from scrounging around to find enough chairs to open, to sitting proudly on the World's 50 Best Bars list.

As we wrap up our study of Acts, we are living proof later that the church is unstoppable. Two thousand years later, we are part of the greatest human movement in history. So what's next? Watch this message to explore how we can continue the work of spreading the good news of God's grace to the ends of the earth. To grow in your relationship with Jesus and help lead this movement, pick one thing that challenges you this week: share your faith with someone, give your time or money to a good cause, or care for someone in need. Do you want to give to those in need? Throughout November and December, we are partnering with local organizations to offer serving opportunities that adults and kids of all ages can safely do together. Learn more and sign up online at http://menlo.church/serveyourcity To watch with us live on Sundays at 8:30, 10 and 11:30am PST, head to http://menlo.online.church We would love to get to know you better and help you get connected with Menlo Church. Text “MenloNext” to 84576

As the first church began to grow and include people from different backgrounds, the early disciples had to confront their own thinking and see that God's grace was available to anyone and everyone. Through honest discussions and prayer, the disciples learned what it would take to be a radically inclusive community. Today, we explore the idea that the church doesn't exist for itself, but for others. Think about who you can you offer radical acceptance to in your everyday life. And, this week, make the effort to extend a welcome to someone outside your circle.

Regardless of who won or lost the election, the church wins or loses based on how followers of Jesus love others. For Christians, it's not ultimately about who's in leadership, it's about who we ultimately follow. It's about discipleship and apprenticeship to Jesus. In this talk, we explore how we are called to love others, even in these divided times. Who do you need to show kindness to today? Who can you show radical acceptance to this week? We invite you to pray about who you want to be a blessing to this week and that each of us will be a blessing to our neighbors.

Eugene Lee has spent 10 years at LA's modest & award-winning Big Bar serving up amazing cocktails, inspired experiences, & carefully crafted playlists. Sometimes all 3 happen at the same time! Tune in for indie rock talk & Hollywood tales. (pic by Genevieve Adams). Playlist here: https://open.spotify.com/user/shebmo

Eugene Lee, Artist in Residence in the Department of Theatre and Dance and director of the Black and Latino Playwrights Celebration at Texas State, discusses why the annual workshop remains an important outlet for marginalized voices in its 18th year. Lee also discusses his career, his evolution as a performer and mentor, and how the BLPC can contribute to healing the unrest and strife afflicting U.S. society today.

Eugene Lee, Artist in Residence in the Department of Theatre and Dance and director of the Black and Latino Playwrights Celebration at Texas State, discusses why the annual workshop remains an important outlet for marginalized voices in its 18th year. Lee also discusses his career, his evolution as a performer and mentor, and how the BLPC can contribute to healing the unrest and strife afflicting U.S. society today.

Are you in a tough situation? Feeling lost, alone, or living in a storm? This week we explore how Jesus is more than enough, regardless of the situation you are in. We delve into how God invites us to participate with him in the work he is doing and when we do what only we can do—and trust God to do what only he can do—miracles happen. To explore this, we go through the Bible's story of Jesus feeding five thousand.

This weekend Eugene Lee, our Executive Pastor, speaks to our church family about our current state as a church. He also addresses how we navigate the days ahead, and why it's important to keep our eyes on Jesus.

TOPIC: The "New Normal" in Medical Media  LENGTH: 44:10PANELISTS: Eugene Lee and Jim Woodland, CMI/Compas; and Sima Sherman, Sherman Medical Marketing Group HOST: Jason E. CarrisSeason Two of the AMM Conversation, the official podcast of the Association of Medical Media, concludes with a final discussion of the "new normal" in medical media. In this episode, we are joined by a trio of medical media experts discussing how the industry is coping, adapting, and excelling during the Covid-19 pandemic.Our panelists today:Eugene Lee, Chief Operating Officer at CMI/Compas, where he is responsible for the global operations of media business leadership, media planning and media strategy disciplines across all clients. Eugene has been with CMI/Compas for over 25 years and is an AMM board member. Jim Woodland is CMI/Compas' Chief Strategy and Financial Officer. Jim has been the brains behind some of CMI/Compas’ most successful commercial and pricing models in the company’s 30-year history. He has been named to the PharmaVOICE 100 and is a 2020 Philadelphia Business Journal CFO of the year award honoree.Sima Sherman is founder and president of Sherman Medical Marketing Group. A full-service marketing and sales rep firm, Sima works with leading medical publishers and professional societies. She previously was VP of Sales and Marketing with American Medical Communications, and held similar roles with Triple Threat Media.Resources: Find additional medical media resources via AMM's Knowledge Exchange Center.Next: Be on the lookout for Season Three of the podcast this fall. The easiest way to know when the next season drops is to subscribe or follow the podcast.  Contact us:  AMM Conversation is the official podcast of the Association of Medical Media. Send questions and comments about this podcast series to jcarris525@gmail.com.

TOPIC: The New Normal in Medical Media  LENGTH: 35:18GUEST: Dora Shankman, owner, Shankman Marketing and MediaHOST: Jason E. Carris Season Two of the AMM Conversation, the official podcast of the Association of Medical Media, explores the "new normal" in medical media. In this episode, we are joined by Dora Shankman, a well-known name in healthcare marketing and advertising. Dora discusses how she and her clients are coping, adapting, and excelling during the Covid-19 pandemic.Resources: Find additional medical media resources via AMM's Knowledge Exchange Center.Next:  Ep. 5 will be the final episode of Season Two, and will feature further conversation about the new normal in medical media with Sima Sherman of Sherman Medical Marketing Group, as well as insights from Eugene Lee and Jim Woodland of CMI/Compas.   Contact us:  AMM Conversation is the official podcast of the Association of Medical Media. Send questions and comments about this podcast series to jcarris525@gmail.com.

Los Angeles’ Big Bar, which is actually quite small, is one of many venues having its operations restricted once again amid a second wave of the pandemic.Big Bar’s Manager, Eugene Lee, and Bar Lead, Selene Martinez spoke candidly with Nicole and Marcus about how they’re protecting themselves and their customers while still staying open for business. Eugene: "They don’t really give you a lot of lead-time – it’s not like 'in a week from now, bars are allowed to open.' … It is go time when the Governor makes his announcements. And then the managers, the bartenders, the staff are scrambling.” Selene: "I have a mentality of: protect everyone around me, but also protect myself. Being in interaction with X many people every day ... we're taking all of the guidelines we need to to make sure we're safe. So I can tell you, bartender's hands are raw anyways ... but they are even more raw now because  I'm constantly washing my hands."

Clifford C. Jones & Armen Garo Armen Garo His acting career in 1975 when he was a member of the summer stock the ensemble at Keene Summer Theatre in New Hampshire. He was a member of the chorus and choreographed the Frug Dance in “Sweet Charity” in which he played Charlie and performed in “Mame” as Ralph Divine as well as a member of the chorus. He later received professional training at the Trinity Rep Conservatory in Providence, Rhode Island, under the direction of Larry Arrick and David Eliott. While at the conservatory, he studied acting under the tutelage of Suzanne Shepherd and Fred Kareman studying the Meisner Technique. He also studied acting under Larry Arrick, Richard Jenkins, and George Martin. He studied mime with Michael Grando and stage fighting under Bill Patton. He also studied ballet, jazz, and contemporary dance under Daniel Nagrin, Irene Feigenheimer, Ara Fitzgerald and Mark Taylor. He studied voice and dialects under Barbara Damashek, Gordon Jacoby, and Brian McEleney. He also studied playwriting under David Eliott. He also studied lighting design under Eugene Lee and set design under Akira Yoshimura. He worked with Leonardo DiCaprio, Matt Damon, and fellow Providence Gangster John Cenatiempo. After being seen in “The Departed,” Mr. Garo was invited to read for the role of Salvatore “Coco” Cogliano for what was to be the Final Season of the Emmy Awarding winning “The Sopranos.” His other films and series include The Game Plan, Wu-Tang: The American Saga, Vinyl, American Hustle, and Brotherhood, to name a few. He is a retired Luientant of the East Providence Police Department, holds numerous degrees, and is a ninth degree blackbelt grandmaster. Most recently, Garo served as the Honorary Chairperson for the RI Chapter of The Make A Wish Foundation and is now their Ambassador For Life. The Foundation raises monies to finance the wishes of children who are suffering from life-threatening illnesses and disease. Clifford C. Jones Born on December 14th, 1987. At the age of eight, Clifford discovered a love for music. Every Sunday, he would attend church services, where he attempted to replay everything he heard. At the age of 14, a coworker at his first summer job began to teach him how to play beginner chords on a piano. The following fall in 10th grade (Evander Childs Highschool), Clifford took a music appreciation class where he learned the basics of music and how to play the 1st Movement of Beethoven's Moonlight Sonata (Opus 27 no. 2). Upon completion of the class, Clifford began listening to Ludwig von Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Fredrick Chopin, and FRANZ LISZT. These artists inspired Clifford not only to teach himself but also to compose his piano music for three years. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/melissabillieclark/support

Eugene Lee began working as an actor in the early 1970s and continues to appear on stage, in movies and on television.In 1972, Lee was a cast member in a command performance of “A Raisin in the Sun” for President Lyndon B. Johnson by the Ebony Players, a college theatrical group. He went on to appear and work in over 200 television movies and series, including “The Women of Brewster Place” (ABC) with Oprah Winfrey; “Dallas” (TNT); “Good Times” (CBS); “The White Shadow” (CBS); “The District” (CBS); “NYPD Blue” (ABC); “The Guiding Light” (NBC); “Quantum Leap” (NBC); “American Crime” (ABC); “The Lying Game” (Freeform); “MacGyver” (CBS); the title character in “Wolf,” an award-winning independent film; and most recently, a character in two upcoming “Homeland” (SHO) episodes.His television writing credits include episodes of Emmy Award-nominated “Homicide: Life on the Street” (NBC); “Walker, Texas Ranger” (CBS); “Michael Hayes” (CBS); “The Journey of Allen Strange (Nickelodeon); “Turks” (CBS); and the Morgan Freeman-produced television movie, “Port Chicago”.He has also appeared on stages across the country and globe. His credits include works at renowned The Negro Ensemble Company, Inc. of New York; True Colors Theatre in Atlanta; Huntington Theatre Company in Boston; Pittsburgh Playwrights Theatre Company; Mark Taper Forum in Los Angeles; Goodman Theatre in Chicago; and the Pittsburgh Public Theater and Crossroads Theatre Company in New Jersey.While traveling with the Negro Theatre Ensemble, Mr. Lee performed in the Pulitzer Prize-winning” A Soldier's Play” and numerous other works. In 2019, Lee appeared in the Broadway production of American Son. Also, in 2019, he won the Helen Hayes Award for Outstanding Lead Actor in a Play (“Two Trains Running,” Arena Stage).Lee is considered a “Wilsonian Warrior” for his many appearances in the works of August Wilson, including the Broadway production of “Gem of the Ocean.” He performed in five of Wilson's 10 plays at the Kennedy Center in Washington, D.C. and in Wilson's final autobiographical one-man piece “How I Learned What I Learned.”Mr. Lee's own characters come to life through his plays, including “East Texas Hot Links,” which has been produced on stages from Los Angeles to New York and London's The Royal Court Theatre and is published by Samuel French, Inc. His other plays include “Fear Itself,” “Somebody Called: A Tale of Two Preachers,” “Killingsworth,” “Lyin' Ass,” and the musical “Twist.”Lee is Artist in Residence and Artistic Director of the Black and Latino Playwrights Conference at Texas State University where he is also designated Distinguished Alumnus.“The parents—a furious, pent-up Eugene Lee as John Prentice, Sr., and a stoic, frustrated Andrea Frye as Mary Prentice—are excellently played so much so that we begin to realize this play isn't just about race but also about gender and memory.”Gary Tischler, "The Georgetowner"AMERICAN SON“Mr. Lee's life-time of performing experience is powerfully evident as he seizes focus while still being part on the ensemble. The enthralling Lee's folksiness morphs into icy combativeness as the discord amongst him and the Connors intensifies. It's a supreme display of character acting.”Darryl Reilly, "Theater Scene"AMERICAN SON“And as a police lieutenant who arrives near the end, Eugene Lee makes a powerful figure of a plot device.”If you liked this podcast, shoot me an e-mail at filmmakingconversations@mail.comAlso, you can check out my documentary The People of Brixton, on Kwelitv here: www.kweli.tv/programs/the-peopl…xton?autoplay=trueDamien Swaby Social Media Links:Instagram www.instagram.com/damien_swaby_video_producer/Twittertwitter.com/DamienSwaby?ref_src…erp%7Ctwgr%5EauthorFacebookwww.facebook.com/Damien-Swaby-213805135363397

Eugene Lee began working as an actor in the early 1970s and continues to appear on stage, in movies and on television. In 1972, Lee was a cast member in a command performance of “A Raisin in the Sun” for President Lyndon B. Johnson by the Ebony Players, a college theatrical group. He went on to appear and work in over 200 television movies and series, including “The Women of Brewster Place” (ABC) with Oprah Winfrey; “Dallas” (TNT); “Good Times” (CBS); “The White Shadow” (CBS); “The District” (CBS); “NYPD Blue” (ABC); “The Guiding Light” (NBC); “Quantum Leap” (NBC); “American Crime” (ABC); “The Lying Game” (Freeform); “MacGyver” (CBS); the title character in “Wolf,” an award-winning independent film; and most recently, a character in two upcoming “Homeland” (SHO) episodes. His television writing credits include episodes of Emmy Award-nominated “Homicide: Life on the Street” (NBC); “Walker, Texas Ranger” (CBS); “Michael Hayes” (CBS); “The Journey of Allen Strange (Nickelodeon); “Turks” (CBS); and the Morgan Freeman-produced television movie, “Port Chicago”. He has also appeared on stages across the country and globe. His credits include works at renowned The Negro Ensemble Company, Inc. of New York; True Colors Theatre in Atlanta; Huntington Theatre Company in Boston; Pittsburgh Playwrights Theatre Company; Mark Taper Forum in Los Angeles; Goodman Theatre in Chicago; and the Pittsburgh Public Theater and Crossroads Theatre Company in New Jersey. While traveling with the Negro Theatre Ensemble, Mr. Lee performed in the Pulitzer Prize-winning” A Soldier’s Play” and numerous other works. In 2019, Lee appeared in the Broadway production of American Son. Also, in 2019, he won the Helen Hayes Award for Outstanding Lead Actor in a Play (“Two Trains Running,” Arena Stage). Lee is considered a “Wilsonian Warrior” for his many appearances in the works of August Wilson, including the Broadway production of “Gem of the Ocean.” He performed in five of Wilson’s 10 plays at the Kennedy Center in Washington, D.C. and in Wilson’s final autobiographical one-man piece “How I Learned What I Learned.” Mr. Lee’s own characters come to life through his plays, including “East Texas Hot Links,” which has been produced on stages from Los Angeles to New York and London’s The Royal Court Theatre and is published by Samuel French, Inc. His other plays include “Fear Itself,” “Somebody Called: A Tale of Two Preachers,” “Killingsworth,” “Lyin’ Ass,” and the musical “Twist.” Lee is Artist in Residence and Artistic Director of the Black and Latino Playwrights Conference at Texas State University where he is also designated Distinguished Alumnus. “The parents—a furious, pent-up Eugene Lee as John Prentice, Sr., and a stoic, frustrated Andrea Frye as Mary Prentice—are excellently played so much so that we begin to realize this play isn’t just about race but also about gender and memory.” Gary Tischler, "The Georgetowner" AMERICAN SON “Mr. Lee’s life-time of performing experience is powerfully evident as he seizes focus while still being part on the ensemble. The enthralling Lee’s folksiness morphs into icy combativeness as the discord amongst him and the Connors intensifies. It’s a supreme display of character acting.” Darryl Reilly, "Theater Scene" AMERICAN SON “And as a police lieutenant who arrives near the end, Eugene Lee makes a powerful figure of a plot device.” If you liked this podcast, shoot me an e-mail at filmmakingconversations@mail.com Also, you can check out my documentary The People of Brixton, on Kwelitv here: www.kweli.tv/programs/the-peopl…xton?autoplay=true Damien Swaby Social Media Links: Instagram www.instagram.com/damien_swaby_video_producer/ Twitter twitter.com/DamienSwaby?ref_src…erp%7Ctwgr%5Eauthor Facebook www.facebook.com/Damien-Swaby-213805135363397

Oi tudo bom? Nosso nome tá na lista! Nesse programa, recebemos Ed Luiz e Guilherme Bayara, responsáveis pela @bsurda, a maior festa LGBTQ de Minas! Criada há 10 anos, a festa se tornou uma marca de entretenimento e arrasta milhares de pessoas por onde acontece - dos locais inusitados ao Mineirão! Afinal, qual o segredo para uma boa “festa de bicha”? E de festa eles entendem! EXCLUSIVO: saiba o tema da @bsurda que vai rolar no Mineirinho em maio! No quadro Dica Coisinha: “Devassos no Paraíso” (livro) “I’m gay”, de Eugene Lee (vídeo) Pxssy Palace: White Fragility (vídeo) Almodóvar + Tilda Swinton (filme) Dona Silvana, de @guisousa Co.Lab Loja Colaborativa Baby Bobolete na buacci O Sindibicha está disponível no Spotify e nos principais agregadores de podcast!? Nos siga nas redes sociais: @sindibicha | sindibicha@gmail.com Acompanhe nossa cobertura semanal de “RuPaul’s Drag Race” toda quarta-feira! #SindibichaUntucked

Real Estate Doc is a next-generation software that aims to revolutionise the managing of commercial real estate leasing businesses, powered by blockchain. Prime Time spoke with co-founders Ivan Lim and Eugene Lee to find out why the commercial real estate space, why blockchain and more.

The Divided Families Podcast aims to provide a platform for connecting stories of family separation. This podcast is brought to you by two Korean-American millennials -- Eugene Lee and Paul Kyumin Lee. In this pilot, we talk a little bit about ourselves and what motivated us to pursue this project. For updates, follow us on Instagram at @DividedFamiliesPodcast, and contact us at dividedfamiliespodcast@gmail.com

In this episode we offer up our reviews on the Netflix movie, American Son directed by Kenny Leon and starring Kerry Washington, Steven Pasquale, Jeremy Jordan and Eugene Lee. The film is based on the Broadway play of the same name and the playwright Christopher Demos-Brown, also wrote the film. Thanks to Sara of NutritionInColor for the suggestion!Warning, Audio Review Contains SpoilersWe briefly talk about NOT talking about New Year's Resolutions before we plunge into our review of American Son. This week we break away from our usual format and put on our “theater people hat" and dissect the American Son movie. This movie has NUMEROUS relevant themes and topics that ultimately boils down to race. We also share our thoughts ranging from why they adapted this play to film, who should see this movie, and would we recommend it. We skipped getting mad at the internet this week and go straight into our Happy Place!! * Hint* This week has fashion and sci-fi icons!!! Happy New Year, Unicorns! Be safe out there and we’ll see you in 20-freakin-20!----Thanks to Josef Scott of Citizens of Tape City for our theme music and Dollipop Art for our podcast artwork - you can find her on instagram @dollipop.art.We want to hear from you! If you have a question you'd like us to answer or a topic you'd like us to cover on the show, drop us a line at biracialunicorns@gmail.com or leave us a voicemail at (505) 585-1808.Like us on facebook or follow us on instagram to join in on the discussion - we're @biracialunicorns. We're now on twitter as @biracialmagic so catch us there too.Please review us wherever you get your podcasts or even better tell your friends to listen. :DFind out more at https://biracialunicorns.pinecast.coThis podcast is powered by Pinecast.

GoGoVan is Asia's leading on-demand logistic, transportation service provider. Eugene is taking care of the company's direction and strategy, overall planning, execution and management, global expansion and development and mergers and acquisitions.Discover more details here.Some of the highlights of the episode:Eugene's journey of 20 years and experience in the startup space.How did the collaboration with Alibaba help GoGoVan implement its services in China?GoGoVan and network utilizationWhy GoGoVan is considered as the Uber for logistics?Three Customer Segment of GoGoVan – how do they each operateHow does GoGoVan handle liabilities and unexpected events?“The last thing you want, especially for a young company like us, is to hire and then fire.”“We try very hard to create an environment in a company that allows people to grow, to be heard and that allows people to learn.”Follow us on:Instagram: http://bit.ly/2Wba8v7Twitter: http://bit.ly/2WeulzXLinkedin: http://bit.ly/2w9YSQXFacebook: http://bit.ly/2HtryLdSupport the show (https://www.alcottglobal.com/category/podcast/)

GoGoVan is Asia's leading on-demand logistic, transportation service provider. Eugene is taking care of the company's direction and strategy, overall planning, execution and management, global expansion and development and mergers and acquisitions.Discover more details here.Some of the highlights of the episode:Eugene’s journey of 20 years and experience in the startup space.How did the collaboration with Alibaba help GoGoVan implement its services in China?GoGoVan and network utilizationWhy GoGoVan is considered as the Uber for logistics?Three Customer Segment of GoGoVan – how do they each operateHow does GoGoVan handle liabilities and unexpected events?“The last thing you want, especially for a young company like us, is to hire and then fire.”“We try very hard to create an environment in a company that allows people to grow, to be heard and that allows people to learn.”Follow us on:Instagram: http://bit.ly/2Wba8v7Twitter: http://bit.ly/2WeulzXLinkedin: http://bit.ly/2w9YSQXFacebook: http://bit.ly/2HtryLd

HiP020 s2e6 shownotes   Aloha it’s the big 2-0… episode 20 of Hawaii Posts I am your host Tom-e-stokes thanks for joining us for another great episode. In this the 2nd season and episode 6 we have an absolutely Amazing feature. In recent shows I put a call out for music, artists, authors, experts, comedians whatchamacallits. I have received a few responses but one just stood out its a local musician who has just released her debut album, Kimmer Horsen. Kimmers Links:  iTunes https://itunes.apple.com/us/album/my-aloha/1362832224 Youtube channel https://www.youtube.com/channel/UCpVp6Sev20xlW6K7Qo5B3TQ Instagram https://www.instagram.com/runningscout23/   We sat down for an interview to do a introspective of he latest reslease.  So we will play some music from her debut album as we discuss the tracks. Beyond the music we talk about her child hood and her service in the US ARMY. We life liberty and important causes and offer ideas and solutions to some. So Stay Tuned and Stay Stoked!!!!   This is fun the show is taking form and as i have said before and i will say it again, i think there is an immense amount of undiscovered talent here in the island and i hope to introduce you to them as the show progresses.   Now lets lets kick the door in and light up this joint with a some infotainment tom e stokes style   WEATHER Coors Light “The world’s most refreshing beer.”  visit millercoors.com   My source is Timeanddate.com   Currently its partly sunny 83 on the rock with light tradewinds  coming in from the ENE @10mph humidity is at 75% It will be mostly sunny through out the week. The clouds will be fewer as the week goes along. It may be full sun for the next 7 days starting Thursday May 23rd There will be slight chances for light late afternoon showers on Sun. 19th - Wed. 22nd.  IF no rain no rainbows. Late afternoon  Rainbows can be quite brilliant and wide. To se it you will be looking west with the light at your back so the eastern skies my be approaching dusk. That means a darker background and by contrast a brighter rainbow. As the sun sets, the angle of the light creates wider arches lower on the horizon. It looks like an sensational week ahead      Sunrise today was at 5:52a, the meridian 12:27p and it will set at 7:02p a lotting for 13:10 of daylight BTW the sun today is 93.9 million miles away Next Thursday the sun rises at 5:50a, meridian at 12:28 sets at 7:06 giving you 13h 15min daylight and the Sun will be a little closer at 94.1 mil/miles.   Hawaii Posts Night Sky  Blue Moon “Reach for the Moon” visit millercoors.com Our Moon is still waxing 99% Illumination Today it will rise before the sunsets at 6:17pm The Full moon is Saturday May 18 at 11:11am This week the moon will be setting in the evening about 55 minutes later each night Meaning the moon will set by11:45pm next thursday   Planets: Mars rises in the 8am and sets around 930 Jupiter rises 8:50 pm, sets 7:40a reaches meridian at 2:18a w/perfect visibility  Saturn rise at 10:50 pm sets at 9:45 meridian at 4 am w/ perfect visibility   Constellations:(as described from direction horizon to directional meridian.) Norhern skies; have ursa major and minor ( the dipper brothers) With Draco snaking in-between Southern skies; Southern cross, Virgo South Eastern Skies centaurus, Scorpius, libra, Eastern skies; Hercules looking up is bootes https://youtu.be/WR1UiNdQnDw Western skies;Gemini on the Horizon Looking up Cancer and leo   The moon will pass through Gemini, Cancer, Leo, Virgo and Libra in that order.   SURF Brought to you by Kona Brewing Company Founded in 1994 and has continued to brew great beer ever since. “Brewing Liquid Aloha” like Longboard Island Lager, Big Wave Ale, Hanalei Island IPA, Gold Cliff IPA and many more including my favorite the Wailua Wheat  “a golden, sun-colored ale with a bright, citrusy flavor that comes from the tropical passion fruit we brew into each batch.” Check out all the varieties of brews at konabrewingco.com Information gathered on SurfNewsNetwork.com   The FIRST EVER… “Full On Foil” Surfing comp, showcasing Hawaii’s talent and….  An awesome benefit for the incredible ‘Boys to Men Mentoring Hawaii’ program… Teams compete for the most team waves in 3 twenty minute heats. FULLONFOIL.ORG North: Flat to a foot with a small swell rising delivering 5 foot faces on sunday then dropping   South: Holding 2-3 with 5 foot faces dropping through the weekend and a bump is coming mon/tue   East: Holding 1-2 with 3 foot faces   West: Holding 1-3 with 5 foot faces with a nice wrap around from the south. drop on monday then rising up   - Current swell is south holding 1-2 12sec     - No Marine Warnings   - Fridays Sailing Report is good with light one trades flowing   - Diving is Good on the north shores, deep reefs on the east & west. Fair visibility along south shores inner reefs with better visibility in deeper waters. HIP 020 s2 e6  HiP EVENTS   Brought to you By: Tiki’s Grill & Bar 2570 Kalakaua Ave, Waikiki, Hawaii   Tiki's Grill & Bar is Waikiki's locally owned and operated independent restaurant destination. We provide a casual American and Pacific-Rim menu with flavors of the islands, using fresh local produce. We also offer lanai seating with beautiful sunset views of the famous Waikiki Beach.   HAPPY HOURS EVERY DAY 2pm - 5pm DRINK SPECIALS NIGHTLY   Kauai Slack Key Guitar Events Hawaiian Slack Key Guitar & Ukulele Concert - Aloha Music FRIDAY, MAY 17, 2019, 4:00PM - 6:00PM @ Hanalei Community Center Hawaiian Slack Key Guitar & Ukulele Concert - Hawaii's Sunset Music SUNDAY, MAY 19, 2019, 3:00PM - 5:00PM @ Hanalei Community Center Heart of Hawaiian Slack Key Guitar & Ukulele Concert TUESDAY, MAY 21, 2019, 6:00PM - 8:00PM @ Princeville Comm Center  Spirit of Hawaiian Slack Key Guitar & Ukulele Concert WEDNESDAY, MAY 22, 2019, 6:00PM - 8:00PM @ All saints Church Award winning traditional Hawaiian slack key guitar & ukulele concert featuring songs & stories telling its history. Gift Drawing. Family Friendly. Tickets $25 ($20 Ages 13-19 & 50+; $10 Ages 6-12). Audience rating 20+ yrs is 99.3% "Excellent, Highlight of our trip!".   Adbentures in Modern Piano Music SUNDAY, MAY 19, 2019, 4:00PM - 6:00PM @ All saints Church Composer-pianist Robert Pollock, director of Ebb & Flow Arts, returns to Kauai with an all new program of modern piano music. Compositions range from very recent to modern classics. The program comprises works by Peter Swanzy, William Anderson, Sarn Oliver, Robert Pollock, Eugene Lee, Henry Cowell @ All Saints Church   Volunteer with Breadfruit Agroforestry Project (Tropical Food Forest) BETWEEN: WEDNESDAY, MAY 22, 2019 - WEDNESDAY, DECEMBER 18, 2019, 8:00AM - 12:00PM The Breadfruit Institute at National Tropical Botanical Garden is seeking agroforestry volunteers to help with a new, global model in sustainable and regenerative agriculture at the Breadfruit Research Orchard in McBryde Garden on Kauai.   Oahu Third Friday Art Series & Night Market OCCURS ON: FRIDAY, MAY 17, 2019, 6:00PM - 9:00PM Join us for our May Art Series featuring the work of Riana Espino. Enjoy a fun evening out in Kailua with art, live music, arts & craft market and food & drinks! 6-9pm Free Keiki Friendly   Aloha From Hawaii Friday and Saturday in Kaka’ako on the corner of Coral and Auahi Line up includes Josh Tatofi, Collie Buddz and The Green Song—The Green: She Was the Best https://youtu.be/a4AcodxCMgg     Spyro Gyra OCCURS BETWEEN: FRIDAY, MAY 17, 2019 - SUNDAY, MAY 19, 2019, 6:30PM - 11:00PM Spyro Gyra will be performing at Blue Note Hawaii with 2 shows nightly at 6:30pm & 9:00pm. Jazz fusion quintet Spyro Gyra is an unlikely story of a group with humble beginnings in Buffalo, NY who has continued to reach an international audience over forty years Song—SpyroGyra: Morning Dance https://youtu.be/bVDZ5UY_oDw   CharityWalkHawaii  PLAY AD: https://youtu.be/ZYoDTZXU094 http://www.charitywalkhawaii.org In 1974, the Hawai‘i Lodging & Tourism Association sponsored a “Superwalk” to benefit one major charitable organization. In 1978, the Hawai‘i Lodging & Tourism Association members voted to extend the reach of support offered by the walk’s fund-raising capability, the Visitor Industry Charity Walk is the result of this decision. All of Hawai‘i’s non-profit charities are eligible to benefit. Walkers are treated to food, drink and fun at checkpoints along the walk route. All checkpoints are operated and supplied with refreshments and helpers by Hawai‘i hotels and allied organizations. Entertainment may also be provided at many checkpoints and/or at the end of the walk.    FOR THE SAFETY OF ALL, NO DOGS OR PETS ARE ALLOWED ON THE CHARITY WALK.  Tag us on Social Media! #CharityWalkHawaii  Facebook: Visitor Industry Charity Walk or Hawaii Lodging and Tourism Association - HLTA     Honolulu Ekiden & Music (7th Annual) OCCURS ON: SUNDAY, MAY 19, 2019, 5:30AM - 11:30AM Runners from around the world only need to race to their computers to sign up for this year’s 7th Annual Honolulu Ekiden and Music held on Sunday, May 19, 2019. This is the first year that individual runners can participate in the 26.2 mile run, that starts and ends at Kapiolani Park   Beat-Lele A Ukulele Tribute to The Beatles OCCURS ON: THURSDAY, MAY 23, 2019, 6:30PM - 11:00PM Beat-Lele will be performing at Blue Note Hawaii with 2 shows nightly at 6:30pm & 9:00pm. Having performed for numerous years as a Beatles tribute band in Hawaii, they decided to reinvent themselves and fuse the beautiful music of the Beatles with their passion of playing ukuleles. SONG Beat Lele: While My Guitar Gently Weeps https://youtu.be/ZXfhkw10NSA     Maui Maui Matsuri Kick Off OCCURS ON: FRIDAY, MAY 17, 2019, 6:30PM - 9:00PM   The first event of the annual Maui Matsuri is the Kick-Off celebration held at Queen Kaahumanu Center. The event, which is free to the public, will be held on Friday, May 17, 2019 and features taiko (Japanese drumming), classical and folk dancing from Maui's local Japanese practitioners,    Maui Brewers Festival (11th Annual) OCCURS ON: SATURDAY, MAY 18, 2019, 3:30PM - 7:00PM The MACC's annual fundraising event—the Maui Brewers Festival—is one of Maui's top festivals! The event features tasty food from local restaurants and caterers at no additional charge, beer tastings from local and national craft breweries, live music featuring Riddum Station and Flat Jackson   Maui Ride of Silence OCCURS ON: SATURDAY, MAY 18, 2019, 8:45AM - 12:00PM   Maui will be participating in this global Ride of Silence movement, which takes place in hundreds of locations every year to honor cyclists who have been hit or killed while riding on public roadways. We'll be riding in silence from Kihei (meet at Boss Frog's 1770 South Kihei Road   HAPA - The Original OCCURS ON: SUNDAY, MAY 19, 2019, 7:30PM - 10:00PM   HAPA – The Original Sunday, May 19, 2019; McCoy Studio Theater; 7:30 pm Reuniting after 17 years, the original duo of Barry Flanagan and Kelii Kanealii bring back the groundbreaking sound that established the name HAPA as one of the most recognized names in Hawaiian music Song---  Hapa: Ku’u Lei Awapuhi https://youtu.be/gyuSgtkW6wY     Big Island Hawaii Honokaa Western Week 2019 OCCURS BETWEEN: SATURDAY, MAY 18, 2019 - MONDAY, MAY 27, 2019   Honokaa's favorite party, Western Week rides into town May 18-27, 2019, celebrating the colorful, tasty, and somewhat bodacious paniolo heritage of Hamakua. From Portuguese Bean Soup to Stick Horse championships, line dancing and more, events lead up to the Paniolo Parade and Block Party @ Honokaa Peoples CENTER Song— Meeleven Leed: Paniolo Country https://youtu.be/nOO2-vfjLrc   West Hawaii Dance Theatre presents the Comedic Ballet COPPELIA OCCURS ON: SATURDAY, MAY 18, 2019, 5:00PM - 6:30PM    Based on E.T.A. Hoffmann's lively story The Sandman, Coppélia is a sparkling tale of a mysterious inventor, his life-sized doll and an inquisitive, young couple . This light-hearted ballet is full of warmth, romance and laughter, and has been entertaining fans of all ages all over the world       Featured music: The Green: She Was the Best https://youtu.be/a4AcodxCMgg SpyroGyra: Morning Dance https://youtu.be/bVDZ5UY_oDw Hapa: Ku’u Lei Awapuhi https://youtu.be/gyuSgtkW6wY Beat lele: While My Guitar Gently Weeps https://youtu.be/ZXfhkw10NSA Meeleven Leed: Paniolo Country https://youtu.be/nOO2-vfjLrc     Kimmer Horsen Awakening https://youtu.be/jbL3lPVurW8 Bombing Bones https://youtu.be/bimm8-UvSFU Kaulana Na Ko’olau https://youtu.be/KwC5akWRhGo Mauna a Wakea (honor Song) https://youtu.be/kv94tzjlROQ My Aloha https://youtu.be/DFTXP3BCqBQ Ukulele Sunrise https://youtu.be/OSiy9H96S1o Coming Home Damn Boy “How High” https://youtu.be/sbRkL9AxNe8     Remember Our Oceans are Enticing and Inviting but if you are in doubt DON’T GO OUT!!!   If you go on a hike the plenty of water, bring a phone and flashlight. Take care of your selfie don’t risk a selfie keep your eyes on the trail There are slippery narrow trails and steep cliffs and its a long way down   Hawaii Posts is Brought to you by  Tiki’s Grill and Bar Pacific Rim Menu with Flavors of the Islands Happy Hour Every Day 2-5p & Live Music Nightly Discover more at Tikisgrill.com Miller Coors We are passionate about the beer business Coors Light “The world’s most refreshing beer.”  Blue Moon “Reach for the Moon” visit millercoors.com   Kona Brewing Company Founded in 1994 and has continued to brew great beer ever since. “Brewing Liquid Aloha” like Longboard Island Lager, Big Wave Ale and more Check out konabrewingco.com

In this mini episode of the podcast recorded at South by Southwest in Austin, Texas, Larry Dobrow sits down with Eugene Lee, EVP, MD at CMI/Compas, to talk about how the health track at the festival has changed over the years, some emerging trends in healthcare, and what the best way is to experience SXSW.

On this episode, Gaby Mlynarczyk (Birch & Accomplice LA, Little Spain NYC), author of Clean + Dirty Drinking, tempts us with non alcoholic cocktails, rightly worships Nina Simone, & lures us to her new gig within Jose Andres' latest endeavor in NY. (pic by Eugene Lee.) Her playlist rules: https://open.spotify.com/user/shebmo/playlist/7bB5hLmtvpazNtSuuZGHWv?si=sw2BdO2yQWWFsRJpE6EnWQ

It’s a horror movie double feature! Join hosts Katie Cullen and Megan Salinas and guests Eugene Lee and Christine Bian for Voltron season 8 episodes 3 and 4! The coalition hits a stumbling point with Warlord Lahn, but hopefully he can be convinced to join...if the horror movie monster hunting them through the halls of an abandoned ship doesn’t get them first. Then, Olkarion is gone but not forgotten, as Pidge takes a walk through the planet’s memories to find out what happened, and the old makes way for the new. Plus, behind the scenes stories, insight into the prop and background design process, and a little bit of fix-it fic, all on this episode of the Voltron after show! The Voltron After Show: Join the robotic lions in this intergalactic war against the Galra Empire by listening to the various recaps, reviews and in-depth analysis and discussion on each episode of the series. Not only will we break down the episodes though, we’ll also deliver all the latest news surrounding the show and have cast and crew join us. It’s the VOLTRON LEGENDARY DEFENDER AFTER SHOW! Show Summary: Voltron: Legendary Defender is an animated web television series produced by American companies DreamWorks Animation and World Events Productions and animated by South Korean Studio Mir. It is a reboot of both the Beast King GoLion anime series and the Voltron franchise, and its animation is a mix of anime-influenced traditional animation for characters and background and CGI for Voltron action sequences. Voltron: Legendary Defender is set in a science fiction universe where planetary energy called "quintessence" can be used to power vehicles and magic. The series follows the adventures of the Paladins of Voltron who must learn to work together to form the giant robot Voltron and use it to defeat the evil Galra Empire.

Eugene Lee is currently on Broadway in American Son. He is considered a “Wilsonian Warrior” for his many appearances in the works of August Wilson, including the Broadway production of Gem of the Ocean. He performed in five of Wilson’s 10 plays at the Kennedy Center in Washington, D.C. and in the taped PBS recordings of all ten plays in the Century Cycle as well as in August Wilson’s final autobiographical one-man piece, “How I Learned What I Learned.” His He most recently appeared in the independent film “Thunder Road,” winner of the Best Narrative Feature Award at the SXSW Film Festival in 2018. Follow the show on social media at @americansonplay.Hosted by Paul Wontorek, Andy Lefkowitz and Caitlin Moynihan

Christian Bian (design supervisor), Eugene Lee (director), and Owen Sullivan (storyboard artist) join Kyle Anderson to discuss the influence of an iconic space opera on the series.   Produced by Kristen Chang

Eugene Lee (director) and Owen Sullivan (storyboard artist) chat about creating the lions and the new leadership under Keith with host Kyle Anderson.   Produced by Kristen Chang

It’s the Garfle Warfle Snick Spectacular on the Voltron after show! Hosts Katie Cullen, Megan Salinas, and Mark Donica take another look at the season 7 episode “The Feud,” along with special guests Lauren Montgomery, Joaquim Dos Santos, and Eugene Lee! We discuss the format of the fictional game show Garfle Warfle Snick, talk about real-life game show and commercial inspirations, and analyze character actions in an episode that can only be described as zany. Tune in for brand new behind the scenes information and a romp down brightly-colored loudly-announced memory lane! Join the robotic lions in this intergalactic war against the Galra Empire by listening to the various recaps, reviews and in-depth analysis and discussion on each episode of the series. Not only will we break down the episodes though, we’ll also deliver all the latest news surrounding the show and have cast and crew join us. It’s the VOLTRON LEGENDARY DEFENDER AFTER SHOW! Voltron: Legendary Defender is an animated web television series produced by American companies DreamWorks Animation and World Events Productions and animated by South Korean Studio Mir. It is a reboot of both the Beast King GoLion anime series and the Voltron franchise, and its animation is a mix of anime-influenced traditional animation for characters and background and CGI for Voltron action sequences. Voltron: Legendary Defender is set in a science fiction universe where planetary energy called "quintessence" can be used to power vehicles and magic. The series follows the adventures of the Paladins of Voltron who must learn to work together to form the giant robot Voltron and use it to defeat the evil Galra Empire.

Joaquim Dos Santos (executive producer), Lauren Montgomery (executive producer) and Eugene Lee (director) discuss the Season 2 finale with host Kyle Anderson.   Produced by Kristen Chang.

Mitch Iverson (writer), Tim Hedrick (story editor), and Eugene Lee (director) discuss the character's individual missions and the writing process behind the team-based show with host Kyle Anderson. Produced by Kristen Chang.

Eugene Lee (director), Lauren Montgomery (executive producer), Christie Tseng (design supervisor), and Anthony Wu (color supervisor) talk with host Kyle Anderson about the goofier side of the show. Produced by Kristen Chang.

Eugene Lee (director), Lauren Montgomery (executive producer), Christie Tseng (design supervisor), and Anthony Wu (color supervisor) join host Kyle Anderson to talk about the lighter story elements of Voltron Legendary Defender. Produced by Kristen Chang.

Eugene Lee on Connectivity Global’s email security tool, and why SMEs need to boost cybersecurity.

Eugene Lee (director) and Tim Hedrick (story editor) watch S1 ep 6 of Voltron Legendary Defender with host Kyle Anderson and reveal how the team constructed their own version of time. Produced by Kristen Chang.

Anthony Wu (color supervisor), Christie Tseng (design supervisor), Christine Bian (design supervisor), and Eugene Lee (director) talk with host Kyle Anderson about the mix of animation styles and character designs for Voltron Legendary Defender. Produced by Kristen Chang.

Marc and Greg are excited to interview one of the Directors of Voltron Legendary Defender, Eugene Lee. Eugene gives a great perspective of the process of building episodes of Voltron Legendary Defender. After that, we're catching up on episode reviews with Season 3, Episode 6: Tailing a Comet. Eugene Lee, an animator turned storyboard artist turned Director, had worked on Cartoon Network, as well as Legend of Korra, and has Directed 13 of the released episodes of Voltron Legendary Defender, including Escape from Beta Traz, Crystal Venom and Space Mall. You'll love hearing his insight into how he made his way into the industry, some of his past and current influences, and how they piece together the episodes of Voltron Legendary Defender. If you'd like to follow Eugene on Twitter, his Twitter handle is @_Unagidon. We also mention on the podcast that Han Cholo is having their SEMI-ANNUAL Sale on Precious Metals Designs. All Precious Metals are 25-65% Off! For Voltron, that means you can get the Voltron Legendary Defender ring and Lucky Yellow Lion Paw pendant on SALE from November 9th to November 22nd! Go to https://www.hancholo.com/ to order and domestically, you get FREE SHIPPING on orders over $150. We also review Voltron Legendary Defender Season 3, Episode 6: Tailing a Comet in this podcast, so here are some screenshots from that episode: As always, Thanks for listening! Let's Voltron!!

Eugene Lee, far right, Corey Vezina, middle, and me on a snow trip in 2008.  You'll be remembered, my friend. Subscribe on iTunes Subscribe on Google Play Getting Your Girlfriend Into Mountain Biking

For those who follow Pop Culture Confidential, you know that we LOVE Saturday Night Live (SNL) and refer often to how it has influenced pop culture over the decades. We are so excited to be joined this week by Eugene Lee, who has been the original Saturday Night Live production designer since the start of the show's first season in 1975. At 77, he is one of the only original crewmembers still working. The SNL set Lee designed has a true New York vibe with real bricks and a nod to Grand Central Station. Three Tony Awards, 12 Emmy nominations, and one Emmy win later, Lee continues to carry on his accomplished tradition in theater while also leading the "SNL" production-design team, week in and week out. Lee comes from the theater world and has worked on Wicked, Sweeney Todd and Candide. He is not slowing down, he has also designed the sets for Jimmy Fallon and Seth Meyers, which show the variety of his work. Lee joined us from his home and workshop in Providence, Rhode Island where he is based. He commutes to New York every Wednesday to start the week at SNL, meeting with the directors and screenwriters to understand their vision for each skit that will come that week. He hand sketches each set and works up until the last minute before each show, perfecting what we at home see on screen. We discuss the wonderful legacy of Saturday Night Live, his work process and the joy he feels being such a part of the experience we have had watching SNL for the last forty years.

We celebrate Booth One's 50th! episode with guest co-host, Jim Reho. For the past several years, Jim has resided in the Brighton Park neighborhood on the South Side and joins us to give a great tour. Learn more facts about Chicago's South Side. Jim reports on some of the highlights in his part of Chicago. For starters, check out some of the best thin crust pizza anywhere at Vito & Nick's, 84th & Pulaski. They have been around for 90 years! Another Reho favorite is a place that serves Korean/Polish cuisine. We are planning a "Roscoe at Large" visit to check out this great concept at Kimski! Read a 4 star review here. For excellent musical programming in a beautiful setting, hear a concert at Thalia Hall. Built in the 1890's as a replica of the Prague Opera House, it was one of the most ornate theaters of its time. Located in the Pilsen neighborhood, it has wonderful acoustics and you can even rent part of the balcony. Talk about Booth One! Check out the fascinating history. We are planning to see a show there and will report back. Between Christmas and New Years was the highest grossing week in Broadway history. 359,495 people saw a Broadway show that week. Jim talks about his favorite classic American musicals, including Carousel, a Booth One favorite. Listening to the original cast album the other night, Jim says there are 4 indelible songs he can list off the top of his head. He asks Gary if there are any songs in Hamilton that will live throughout history. Gary's response is there are probably half a dozen. Jim reveals that while he majored in English, his undergraduate minor was in - get this, the History of the American Musical Theatre! Gary reports on his trip to Writers Theatre to see East Texas Hot Links and says, "You will not see better acting anywhere...It is a powerful, bold and troubling statement. I couldn't recommend it more highly." Read one of the many rave reviews here. This Pulitzer Prize finalist was written by Eugene Lee and directed splendidly by Ron OJ Parson. Speaking of Ron, he's directed a production of Blues for An Alabama Sky, running now at the Court Theatre in Hyde Park. We are looking forward to a featuring the marvelous Court Theatre on an upcoming episode. Gary talks about the Kennedy Center Honors, which featured a stunning tribute to Mavis Staples by Bonnie Raitt and Andra Day, backed by a gospel choir. Read details here.  And watch President Obama's introduction here. Jim and Gary discuss Bonnie Raitt's lovely relationship with her father, John, who was the original Billy Bigalow in Carousel in 1945! See John and Bonnie sing a gorgeous duet of Hey There with the Boston Pops when he was 85. Another highlight of our winter theater season on Booth One was seeing The Christians at Steppenwolf. Gary and Jim talk about the fascinating questions the show raises about faith, death and forgiveness. Again, with crazy good acting - across the board! Chris Jones' review for the Chicago Tribune gives you a great sense of the play. Try to see it in person. Unforgettable! Gary calls for a sequel. Kiss of Death: Learn about Sister Francis Ann Carr, a powerful member of the Shaker community.  Read full obituary. From the Times Union obit, "The Shakers are a Christian religious group founded in 18th century in England. They practice a celibate and communal lifestyle, pacifism, and their model of equality of the sexes, which they institutionalized in their society in the 1780s, the group's website explains...They are also known for their simple living, architecture, and furniture." The Shakers offered homes to children or families who had nowhere else to go. Sister Francis was one of the last three practicing Shakers in her communal village.

In “East Texas Hot Links”, a play by Eugene Lee, seven strong willed neighbors join forces to protect one of their own. The year is 1955, and times are changing in the Jim Crow South. But for all that changes, some things remain the same. We talked about the play, and how some of its themes connect with today’s realities. Host Richard Steele was joined by: • “East Texas Hot Links” director Ron OJ Parson, and • Alfred Wilson, who plays Columbus Frye Then, we revisited a story of learning to heal through the art of Latin drumming. Plus, we heard about an artist learning to push forward towards her dreams. For those stories, we were joined by Vocalo Storrytelling Workshop Alumni: • Brittney Leanne Williams • Gloria Guaderrama

On Christmas weekend, Eugene Lee discusses the concept of home and our need to be loved and accepted.

Eryn is joined by Suzanne McCalla on this episode of Going for Broadway. Eryn has worked under Suzanne’s direction at the Greenville Little Theatre since 2009, and is a dear friend to her. Suzanne joined GLT in 1993.  She is head of design; designing costumes and sets for the past twenty-one seasons. Suzanne’s early career was spent primarily at The Dallas Theatre Center with legendary director Adrian Hall and Tony Award winning designer, Eugene Lee. Their vision of theatre has always been her primary source of inspiration. Suzanne talks about being in the right place at the right time to help you get success, as well as having connections. The two discuss auditioning for everything versus things that you are only good for. She believes that you must know what you are good that, and only audition for those certain opportunities and not go out for something that you aren’t the best at. Of course, you can work your way up to getting that skill, but that shouldn’t be the start of it. Know yourself! Suzanne’s word of advice comes from being able to have lots of life experience, keep your eyes open, and know that there are many ways of working your way up. She says to meet lots of people as well. Parents, keep those checkbooks open; be an investor and supporter in the arts!

It's episode #38 and this week's guest is Scenic Designer Lee Savage! Lee has an impressive roster of designs all around the country as well as in New York. He discusses he love for Shakespeare and his ongoing relationship with The Shakespeare Theatre, and the genesis of his most recent design for "The Tempest." Other topics of discussion include the in and outs of working in regional theatre, how he makes out of town housing feel personal, his ideal working relationship with other directors and designers, and the influence of his two biggest mentors, Eugene Lee and Ming Cho Lee. And Lee gets personal as he tells us about becoming a father to a newly adopted baby and the joys and challenges of being a freelance designer while raising a child. We're coming to you direct from the Wingspace studio in Brooklyn! Could we be any hipper?!

Tuesday, November 18, 2014 Tuesday Large Group (Seoul National University Campus 7pm) Speaker: Eugene Lee Duration: 00:51:24

Tuesday, September 30, 2014 Tuesday Large Group (Seoul National University Campus 7pm) Speaker: Eugene Lee Passage: John 21:15-19 Duration: 00:43:56

Eugene Lee, resident designer for Rhode Island's Trinity Rep since 1967, set designer for "Saturday Night Live (SNL)" since its inception, and three-time TONY Award winner, talks about the realistic set of "Sweeney Todd"; growing up in Wisconsin and his early theatre memories and experiences; why he dislikes proscenium stages; what led "SNL"'s Lorne Michaels to hire him; working with Hal Prince on "Sweeney Todd", "Candide", "Merrily We Roll Along", and "Showboat"; how he got involved in "Wicked"; working with Gordon Edelstein at Long Wharf Theatre; working with playwright Athol Fugard; and his love of teaching. Original air date - July 27, 2011.

Eugene Lee, resident designer for Rhode Island's Trinity Rep since 1967, set designer for "Saturday Night Live (SNL)" since its inception, and three-time TONY Award winner, talks about the realistic set of "Sweeney Todd"; growing up in Wisconsin and his early theatre memories and experiences; why he dislikes proscenium stages; what led "SNL"'s Lorne Michaels to hire him; working with Hal Prince on "Sweeney Todd", "Candide", "Merrily We Roll Along", and "Showboat"; how he got involved in "Wicked"; working with Gordon Edelstein at Long Wharf Theatre; working with playwright Athol Fugard; and his love of teaching. Original air date - July 27, 2011.

A year and a half ago when I was researching how to start a wiki and looking for best practices in wikis – there was little information out there about it. So I decided to reach out to our internal consultant and found out there were already 6 wikis within the BearingPoint organization all built to do collaboration for various teams! I once read that 90% of collaboration happens in email – which is a shame since that really isn't collaboration – it's almost the opposite of collaboration! The goal of collaboration is to include as many people to get the best thinking on any given issue. If you are thinking of starting a wiki or working on launching on you need to hear what Eugene Lee the CEO of SocialText has to say about wikis, collaboration and enterprise 2.0. Secrets of Starting a Wiki – a podcast with Eugene Lee About Eugene Eugene Lee is the Chief Executive Officer and member of the Board of Directors at Socialtext. Lee assumes day-to-day management and operational control over all aspects of Socialtext’s business, including driving product direction and development, strategic alliances, and scaling the sales, marketing and support organizations globally. Lee comes to Socialtext from Adobe Systems, where he led Adobe's enterprise marketing and vertical market segments. Previously, he held several executive leadership roles at Cisco Systems, ranging from Vice President (VP) Worldwide Small/Medium Business Marketing to VP Worldwide Enterprise Marketing. Lee also held key management positions at Banyan Systems, including General Manager for the messaging business unit. He was co-founder of Beyond Inc., developers of the award-winning BeyondMail product, and holds four patents in messaging, workflow and privacy technologies. Lee has a B.A. in Physics and B.S. in Engineering and Computer Science from Harvard College and an MBA from M.I.T. Sloan School of Management. The post Secrets of Starting a Wiki – a podcast with Eugene Lee first appeared on Marketing Darwinism.

A year and a half ago when I was researching how to start a wiki and looking for best practices in wikis – there was little information out there about it. So I decided to reach out to our internal consultant and found out there were already 6 wikis within the BearingPoint organization all built to do collaboration for various teams! I once read that 90% of collaboration happens in email – which is a shame since that really isn’t collaboration – it’s almost the opposite of collaboration! The goal of collaboration is to include as many people to get the best thinking on any given issue. If you are thinking of starting a wiki or working on launching on you need to hear what Eugene Lee the CEO of SocialText has to say about wikis, collaboration and enterprise 2.0. Secrets of Starting a Wiki – a podcast with Eugene Lee About Eugene Eugene Lee is the Chief Executive Officer and member of the Board of Directors at Socialtext. Lee assumes day-to-day management and operational control over all aspects of Socialtext’s business, including driving product direction and development, strategic alliances, and scaling the sales, marketing and support organizations globally. Lee comes to Socialtext from Adobe Systems, where he led Adobe’s enterprise marketing and vertical market segments. Previously, he held several executive leadership roles at Cisco Systems, ranging from Vice President (VP) Worldwide Small/Medium Business Marketing to VP Worldwide Enterprise Marketing. Lee also held key management positions at Banyan Systems, including General Manager for the messaging business unit. He was co-founder of Beyond Inc., developers of the award-winning BeyondMail product, and holds four patents in messaging, workflow and privacy technologies. Lee has a B.A. in Physics and B.S. in Engineering and Computer Science from Harvard College and an MBA from M.I.T. Sloan School of Management.

Book World News with guest Eugene Lee to discuss www.TubeMogul.com

The panel of lighting designers Jules Fisher ("Ragtime") and Donald Holder ("The Lion King"), scenic designers Eugene Lee ("Ragtime") and Ming Cho Lee (The Public Theater), and "The Lion King" associate costume designer Mary Peterson discuss the challenges of designing their current shows, how sets, lighting, and costumes complement each other, display and detail a costume from "The Lion King", and present a model of one of the "Ragtime" sets.

The panel of lighting designers -- Jules Fisher (seven-time Tony Award winner for, among others, Pippin, Chicago, Dancin’ and Jelly’s Last Jam) and Donald Holder (Tony Awards for The Lion King and the 2008 revival of South Pacific), scenic designers Eugene Lee (Tony winner for Candide, Sweeny Todd and Wicked) and Ming Cho Lee (from the Public Theater and 1983 Tony Award winner for his scenic designs for K2), and The Lion King associate costume designer Mary Peterson -- discuss the challenges of designing their current shows, how sets, lighting, and costumes complement each other, display and detail a costume from The Lion King, and present a model of one of the Ragtime sets.