Podcasts about Cirque

In this episode with Charlotte Ganderton we explore a recent paper in which she was lead author looking at hip related pain and quality of life in circus art performers. We discuss:·       Considerations for circus performers or gymnasts in their sport·       Posture cueing and considerations during rehabilitation·       Staged rehabilitation progressions for hip pain based on individual impairments

What happens when Agatha Christie brings together four detectives from her previous books to solve one murder? Apparently, mystery magic.For Episode 189, Sam and Hannah are tackling Cards on the Table , the 15th book in the Hercule Poirot series. But Poirot isn't solving this case alone! Christie assembles four detectives from her earlier works, giving us a crossover event worthy of the Avengers.With four very different investigative styles in the same room, we get to see each detective's personality, strengths, and quirks shine. How do their methods compare? Who brings something unique to the investigation? And why don't more mystery authors bring their detectives together like this?Sam and Hannah discuss the mystery, the detective dynamics, and whether Cards on the Table proves that detective crossovers deserve to be their own literary universe.New episodes every Monday at 8 AM EST ✨Next week: Cirque du Freak by Darren ShanTimestamps:00:00 Intro01:01 Note from Agatha and Easter Egg08:19 Age Level and Content Warning09:28 Judge a Book by Its Cover11:28 Discussion46:57 General Thoughts47:58 One Question for the Author49:52 Rating52:26 Read Again?53:12 Favorite of the Series so Far54:00 OutroConnect with Us on SocialsFacebook: ⁠https://www.facebook.com/profile.php?id=61575460276754Instagram: ⁠⁠⁠⁠https://www.instagram.com/lunar_skulk/TikTok: ⁠⁠⁠⁠https://www.tiktok.com/lunar_skulk⁠⁠⁠⁠Listen Wherever You Get Podcasts

Obwohl ich kinder- und fahrzeuglos schuldfrei alle zwei Jahre zur Biennale nach Venedig fliegen könnte (und rein ökobilanziert locker mit dem Helikopter vom Arsenale zum Giardini dazu), hat sich als das perfekte Transportmittel in den letzten Jahren der Zug über die Alpen erwiesen. Man kommt entschleunigt, den Bauch voll gutem Espresso, direkt am Canale Grande an und auf dem Weg zurück kann man kiloweise Käse und Wurst mitnehmen. La dolce vita! Auf dem Weg zum Apartment, jedes Jahr ein Augenblick der Spannung, was Dir der gezahlte obszöne Preis diesmal an bescheidener Bettstatt beschert, spaziert man schon an vielen der Ausstellungsräume der Zwischenmächte vorbei, an den kleinen Galerien oder größeren Hallen der Länder, die vor hundert Jahren, als die Pavillons des Giardini gebaut wurden, noch nicht existierten, aber entweder genug Geld oder einen Fürsprecher haben, so dass sie nicht ins Ghetto des Arsenale müssen.Das ermöglicht, nach Gepäckabwurf, zum Beispiel einen Besuch der “Räume” von Äthiopien und Simbabwe, der uns Sterblichen einen Blick in das Leben in Venedig in den Jahrhunderten (oder das der Reichen und Schönen right now) ermöglicht, denn beide Staaten haben sich mal fix einen kompletten Palazzo gemietet, was man sich mit Diktatorenblutmoney halt so leistet. Beide Palazzi wurden komplett leergeräumt und mit korrekter Kunst gefüllt, zu 80% unpolitisch, so dass die immer noch korrupten Herrscher der Länder sich nicht despektiert fühlen und gleichzeitig auf ein bisschen Kunstfreiheit verweisen können.Weltpolitisch mit Augenmerk versehene Gewissensprojekte wie der Klimawandel im untergehenden Nauru im Pazifik oder das sich erstaunlicherweise seit Jahrzehnten mit dem Kinn gerade noch so über der Wasserkante haltende Cuba sind hingegen auf Gönner angewiesen und haben meist eines der vielen Ladengeschäfte der Lagunenstadt gemietet bekommen oder, wie im Fall der Karibik-”Kommunisten” Unterschlupf in einer Kirche gefunden. Nauru öffnete seine Location milde interessanten Gastinstallationen mit dem Thema “Verschwinden”, gestaltet von Künstlern aus aller Welt. Der kleine Inselstaat hat dabei in der Kuration nicht zu 100% aufgepasst und einen kleinen Film im Programm, der die Zeiten der Kolonialisierung von Nauru thematisiert und diesen herrlichen Kommentar im Feedbackbereich der Ausstellung produzierte: “AI Video at the Nauru Pavilion? Brother, you are sinking!” - denn tatsächlich war das schwarz-weiße im Zelluloid-Stil produzierte Stummfilmwerk der pure AI-Slop. Ich hab gelacht. Cuba kam wiederum bei der katholischen Kirche unter, was irgendwie passt. Ausgestellt waren recht eintönige Skulpturen ohne große Aussage in Räumen mit Türen voller mehrsprachiger Jesus-Sprüche, die sich brav alle Besucher durchlasen, um darunter einen kleinen angeklebten Zettel zu finden, der informiert, dass diese Texte kein Teil der Ausstellung seien (gehörten sie doch einfach nur zum Kircheninterieur). Auch wirklich funny.Beim Thema bleibend hatte ein paar Türen weiter der Heilige Stuhl, aka Vatikanstadt, eine gerade in Restauration befindliche Kirche als Ausstellungsraum okkupiert und überraschte mich enorm mit einer Performance ganz nach meinem Geschmack: Einer, nun leider retrospektiven, Alexander-Kluge-”Installation”. Diese war lange vor dem Tod von Kluge im März 2026 geplant und posthum von seinen Erben vollendet worden, was, wer das Œuvre des wilden Philosophen kennt, erwartbar zu einem himmlischen Chaos führte, no pun intended. Die Kluge-Familie durchforstete nach des Patriarchen Tod die Word-Dokumente des Genies und produzierten in fünf, sechs Räumen fragmentarische DCTP-artige Features aus Videos, Dokumenten, Fotos, Klängen, die fließend ineinander übergingen und zu einer audiovisuellen Hildegard-von-Bingen-Vatikan-Otto-Trojanische-Pferde-gleich-dreimal-Weltenseelen-alles-hängt-zusammen-Kakophonie führte, eine Orgie für Fans des heiligen Kluge-Sonntagabends-nach-Spiegel-TV in den Neunzigern oder kurz: der Papst outet sich als Alexander-Kluge-Gooner, what is not to like?Die alteingesessenen Nationen mit ihren fancy Pavillons im Giardini wiederum haben ein Problem: Es muss gespart werden. Für AI und so. Nun muss Kunst kein Geld kosten, Pinsel-Leim-Papier und fertig ist das Mondgesicht, aber wenn man alle zwei Jahre für sechs Monate die Nation präsentiert, war es eigentlich üblich, dass man etablierten Künstlern ein bisschen Raum samt Geld zur Entfaltung bietet und dem Besucher was für alle Sinne. So war vor zwei Jahren der britische Pavillon mit der besten Videoinstallation ever versehen worden, sicher ein Millionenprojekt und jeden Penny wert, um dieses Jahr ein paar großformatige Bilder aufzuhängen, sicher wertvoll, Kolonialbezug eingepreist, aber eben auch ein bisschen dünn. Frankreichs Pavillon, letztes Mal noch mit einer fünf Jahre hinter der Zeit hinkenden raumfüllenden quietschbunten Animation, dazu Franzosentechno, gefüllt, präsentierte sich mit unzusammenhängenden Objekten auf Drittsemesterniveau, regionale Schule der bildenden Künste. Peinlo. Deutschland hatte vor zwei Jahren noch Geld für wirklich nice Raumschiffästhetik und eine eindrucksvolle Installation zum Thema Gastarbeiter und erinnerte sich in diesem nach fünfunddreißig solchen daran, dass es auch Zonis mit Geschmack gibt. Und da diese schon immer aus nichts etwas machen konnten, gab es eine gelungene, preiswerte Installation ohne jede Multimediatechnik der leider vor der Eröffnung viel zu früh verstorbenen Henrike Naumann, geboren in Zwickau und in den Nebenflügeln dreierlei solche von Sung Tieu aus Freital, die frugal zu nennen, der Sache nicht gerecht wird. Materialaufwand Baumarktpreis 1000 EUR. Da freut sich der Finanzminister.So ging das weiter in allen Pavillons der alten Welt und obwohl das Motto der Biennale “In Moll” oder auf Englisch “In minor keys” war, einigten sich die Sparfüchse irgendwie darauf, in jedem Einführungstext von “Silence” zu reden, als ob das dasselbe wäre, und schon wieder hat man ein paar Tausender gespart für das Soundsystem.Inhaltlich fehlte diesmal der grobe Faden, wofür ich eher dankbar bin. Kunst kann auch mal ohne Aussage und speziell die nicht so schnurgeraden Demokratien, die die letzten Jahre unter Commitmentdruck standen, irgendwas zu Flucht, Vertreibung oder Klimawandel zu bringen, atmeten sichtbar erleichtert auf und gaben uns im Fall von Ägypten zum Beispiel, leicht kinetische Objekte in schwarzen Räumen mit Instruktionen, diese anzufassen, aber aufzupassen, sich nicht die Finger einzuklemmen. Ungarn war ob der Vorlaufzeit auch noch dankbar unpolitisch und ließ einen Künstler über die ideellen Überbleibsel eines abgerissenen Forschungsinstituts philosophieren, mit einer finalen und, wie sich herausstellen sollte, vorausschauenden Installation, in der er den tiefsten Seufzer ever versucht in ein Glas einzusperren - es war offenbar einer der Erleichterung.In all dem Sammelsurium aus dem McKunst stach einzig eine Installation aus unserem östlichen Nachbarland hervor. Polens Pavillon bestand aus zwei gigantischen Videoprojektionen, die miteinander kommunizierten und es war auf den ersten Blick klar, dass hier jemand eine brillante Idee hatte: Wir befinden uns in einer Point of View-Sicht im Schwimmbad, unter Wasser und sehen zwanzig Menschen bis zum Hals, der Kopf unsichtbar über dem Wasser, wie sie singen oder einfach nur chorhaft Geräusche von sich geben, das Ganze untertitelt mit nicht ganz sinnklarem Text. Gekleidet sind alle in scharlachroten Kleidern, think Handmaid's Tale, die Arme bewegend, aber weit weg von Unterwasserballett. Das ist ästhetisch schon mal hervorragend und geht eine ganze Weile so und, wenn man dann den Begleittext liest, eröffnet sich ausnahmsweise tatsächlich eine weitere Dimension: die Sängerinnen, so lesen wir, bestehen aus zwei Gruppen, Gehörlosen und Hörenden, und was wir an Bewegung unter Wasser sehen sind die gebärdensprachlichen Entsprechungen der Töne, die wir vernehmen! Der Clou und natürlich, Hand auf Stirnklatsch, unter Wasser können sich die der Gebärdesprache mächtigen unterhalten, wir anderen nicht. Ha! Und der Clou: Wer kann sich noch ganz wunderbar unter Wasser unterhalten? Wale!! Denn was wir an Chorgesang hören, ein seltsamer Mix aus Tönen und Sprache, sind die von Roger Payne im Jahr 1969 “entschlüsselten” Walgesänge, eine Entdeckung, die damals und bis heute dazu führt, dass Wale als intelligente Wesen wahrgenommen und naturgeschützt werden (außer in Japan und Norwegen, klar). Das alles ergibt einen wunderbaren Kreis an intellektuellem Augenmerk auf die vielen Dinge um uns herum, die wir erst im zweiten Anlauf als solche wahrnehmen und dann plötzlich auch ästhetisch grandios finden. 100 Punkte nach Warschau.Das eventuell zweite und letzte Highlight in den Pavillons kam aus Österreich. Der Pavillon, der in den letzten Jahren immer wieder zu gefallen wusste mit thematischen und dennoch nicht drögen Installationen (Einwanderung, Feminismus), war leider nicht besuchbar, weil sich eine Besucherwarteschlange von ein paar hundert Menschen durch den Giardino wand, die sich nur minimal bewegte. Ein solcher kuratorischer Autismus zur größten nationalen Präsentationsshow des Jahres ringt Respekt ab und ich unterstütze das Nachbarland, indem ich nicht google, was ich verpasst habe, am Ende war das österreichische Haus leer?! Davor gab es jedenfalls jeden Tag Punkt 12 eine Performance, bei der eine fitte Künstlerin an einem Seil in eine an einem Kran angebrachte Bronzeglocke klettert, sich mit dem Kopf nach unten, (OKF, obviously, Kunst!) aus dieser heraushängte und mit dem Körper die Glocke schlug, und zwar im Dialog mit den Kirchen der Stadt. Irre - aber eben auch ein bisschen Cirque du Soleil. Die Warteschlange war begeistert ob der kurzen Ablenkung und konzentrierte sich sofort wieder aufs Warten auf.. was wohl? Wir werden es nie erfahren.Aber wo waren die ganzen Beamer abgeblieben, die uns vor zwei Jahren noch so schön die Augen blitzten? Im Arsenale natürlich. Dieser zweite Ausstellungskomplex der Biennale besteht aus den alten Schiffswerften der Stadt (“alt” meint hier 14. Jahrhundert) und die Eingangshalle ist traditionell den von der Biennale-Kommission kuratierten länderunabhängigen Künstlern vorbehalten. Diese mussten dieses Jahr alle einen Beamer mehr nehmen, und wo zum letzten Event noch Hütten aus Ölfässern und Bäume aus Bambus standen, tanzt jetzt viel zu großflächig abstraktes oder konkretes vor unseren Augen und erzeugt ein leichtes Vertigo. Selten wird das Übermaß an Elektrizität sinnvoll eingesetzt; so wie sich AI in jede Dönerspeisekarte schleicht, ist es halt einfacher einen Film zu projizieren als eine Skulptur zu errichten. Es ist alles ein bisschen traurig.Eindrucksvoll, wenn auch nicht superkünstlerisch, wurden zwei der Lichtwurfgeräte in einer Installation eingesetzt, in der Aufnahmen von Telefonbüchern aus der Levante in 1938 in der Sichtlinie eines simplen Screencasts aus dem Jahr 2023 stehen, in dem die Yellow Pages für Gaza gescrollt und geklickt werden. Chirurgen, Optiker, Gärtner, Hotels, alle werden, ordentlich mit Bewertungssternen (meist 0) gescrollt gegen Seiten mit den Adressen von Chirurgen, Optikern, Gärtnern, Hotels aus Beirut, Tel Aviv etc. vor knapp hundert Jahren und die Aussage ist klar: Hier lebten Menschen wie Du und ich und jetzt halt nicht mehr. Der Titel “Between a River and a Sea” triggert alle Beteiligten ordentlich, so wie jeder andere Titel hier alle Beteiligten ebenso getriggert hätte, da kann man auch gleich sagen, worum es geht. Große Kunst ist es nicht, aber es steht für eine kräftige, unkuratierte Unterströmung unter all der schönen Kunst in Moll auf der diesjährigen Biennale: Das Thema Gaza war allgegenwärtig. Aber so ist es halt, wenn man, wie es den Kuratorinnen seit Jahren wichtig ist, den ehemals unterdrückt-kolonialisierten Stimmen Platz einräumt, kommen diese Dir jetzt nicht jedes Jahr mit Dankbarkeitshymnen, sondern sagen Dir, was schief läuft.Die anderen Hallen im Arsenale teilt sich der Rest der weltpolitisch zu spät gekommenen Länder und es setzte sich der Trend aus dem Giardini fort: Austerität wohin man nur schaut. Das ist natürlich mehrfach dumm, ist doch die Biennale in ihrem Ursprung eine Werbefläche für die Nationen der Welt und, da erfunden zur 20. Jahrhundertwende, ursprünglich die der westlichen Nationen. Diese haben nach einer kurzen Renaissance zur Mitte des letzten Jahrhunderts nicht mehr so viel positive Außenwirkung, wirtschaftlich, humanitär, und nun bekommt man nicht mal mehr die Energie auf, kulturell ein bisschen zu pransen. Es ist idiotisch.Ins Vakuum springt, na wer wohl: China, das kulturhistorisch dem Westen nicht besonders verständig gegenübersteht, wenn auch nicht wirklich feindlich, man gibt eher keinen S**t, und während man das in den letzten Jahren noch ein bisschen verborgen hat und das Spiel des “Wir haben den Größten” mit uns “jungen Nationen” (aus sineohistorischer Sicht) brav mitspielte, zeigen sie dieses Jahr, was sie von der ganzen Sache wirklich halten: Am Eingang der Halle steht ein zwanzig Meter breiter Videoscreen, auf dem der aktuelle chinesische Computergamehit “Black Myth: Wukong” läuft, davor ein Controller, wo man das Ding daddeln kann, no s**t. In der Halle ein bisschen Diorama, das aussieht wie die Konzeptkunst zum Game und am Ende der Halle, wirklich, I s**t you not, ein f*****g Roboter, der Dir auf weißem Karton eine Kalligrafie pinselt. Nein, nicht deinen Namen oder einen Slogan Deiner Wahl, nein, das könnte ja schief gehen, nein, jeder bekommt das Gleiche gemalt und natürlich stellen sich die Leute an. Klarer kann man die Kuratoren nicht beschämen, ohne sich angreifbar zu machen.Es scheint also retrospektiv, als wäre die Biennale 2024 vor zwei Jahren eine herausragende gewesen. Die diesjährige, so muss man befürchten, wird die letzte sein vor der großen AI-Slop-Welle, die auch die Kunstwelt nicht verschonen wird, und man hätte sich gewünscht, dass sie noch mal aus allen Rohren feuert. Leider erreicht mindestens zwei Jahrzehnte Austerität nun endgültig auch den im Verhältnis doch mikroskopisch kleinen Kulturhaushalt der Ausstellungsländer, das Geld wird schließlich gebraucht für Drohnenabwehr, damit die Rechenzentren geschützt werden, die uns die Memes erzeugen, die uns die Kunst ersetzen.Aber der Kunstbetrieb neigt zur Überraschung, vielleicht erleben wir in zwei Jahren eine Reaktion auf all diesen deprimierenden Quatsch, den wir uns aktuell so antun. Bis dahin gehen wir alle zu unseren lokalen Künstlerinnen, Künstlern und Musikern und all den anderen Verrückten und zahlen Eintrittspreise was das zeugt hält, damit Kunst wird!! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit lobundverriss.substack.com

Get every episode of The Dumb Zone by subscribing to the show at DumbZone.com or Patreon.com/TheDumbZoneMaybe there is something to not allowing media around your training camp practices as a little beef between Sean Payton and Mike Macdonald was exposed recently. We've got picks, we've got a Brandon Aubrey Show, and we've got scams involving billboards everyone in Dallas has seen (00:00) - Open: Greg Popovich marries Mike Budenholzer's ex-wife (17:53) - Sports: Mike Macdonald vs. Sean Payton (35:46) - Cirque pays off their punishment (47:03) - Deez Picks: Week 3 (01:08:56) - The Brandon Aubrey Show: Kicking a 60 yarder (01:39:41) - Big Thursday Viewer Mail Bag (01:57:47) - News: We buy ugly houses guy arrested (02:13:07) - VM Birthdays/Today in History ★ Support this podcast on Patreon ★

We kick off the season with Krista Monson, a choreographer, director, producer, and former artistic director of Cirque du Soleil's O at the Bellagio for more than 13 years. I saw Krista speak several years ago, I knew she'd be a perfect fit for the show. As Krista says, she has a background in "big spectacle" and is in the business of emotions. We talk about the risks that shaped her career, like leaving a successful career in Edmonton for Los Angeles with a one-year-old, and later trading huge stages for intimate storytelling. She now creates memoir documentaries through her company, Sincerely Yours Memoirs. And like me, Krista has her own manifesto! Her "creative survival kit," features eight mindset tools she relies on when things get hard. She also challenges one of my manifesto principles ("logic can work against you") and explains why small, ordinary stories matter as much as large ones. TAKE AWAYSPerceived setbacks can actually be what opens doors for youNurturing relationships is critical to success It's easier to face fear than regretThere are benefits to being a small fish in a very big pondThe smallest details matterKrista's Creative Survival KitPay attention to "just." It can be an apology ("I'm just doing a freebie"), or it can help you take a first step.Stay curious. Be an observer of life, both physical and emotional.Keep perspective. Build a relationship with the sublime, whether that's awe, wonder, or looking at the stars.Have a high regard for people. No one creates alone.Listen, to others and to yourself.Courage. This includes the "four rooms of change": contentment, denial, confusion, and breakthrough.Care. Connect what you're doing to something you care about, even if it's just paying the rent.Embrace creative chaos. Sometimes you go two steps back to go five steps forward.RESOURCES AND LINKSDownload the No Time to Be Timid ManifestoSincerely Yours Memoirs:Sponsor: Interabang Books, an independent bookstore in Dallas (interabangbooks.com)Watch the interview on YouTube: https://youtu.be/RwjGgviLdfkCreditsWritten and produced by Tricia Rose Burt. Produced and scored by Adam Arnone of Echo Finch. Executive producers: Amy Grant, Nancy Perot, and Sage Wheeler. Thanks to the Fractured Atlas fiscal sponsorship contributors.

She auditioned for Cirque du Soleil for seven years before getting the call. Now she's the one deciding who makes the cut. Dance Casting Specialist and Talent Scout Marqui Kumavat reveals what actually catches her eye in an audition room, why technique alone won't get you hired, and the business side of a dance career most young performers never learn. Plus, your shot at a backstage experience with Cirque's Drawn to Life at Accelerate Acro Convention.Full transcript of the podcast is available here: https://www.acrobaticarts.com/blog/ep-144-what-cirque-casting-directors-actually-look-for-with-marqui-kumavatAbout MarquiDance Casting Specialist and Talent Scout, Cirque du SoleilMarqui began her performance career early, booking her first major role at just 11 years old in the iconic Radio City Christmas Spectacular, where she later became Swing, Dance Captain, and Assistant Choreographer. Her journey eventually led her to Cirque du Soleil, where she currently serves as the Dance Casting Specialist. With Cirque, Marqui has held several key creative roles, including Senior Artistic Advisor for The Beatles LOVE and Dance Master for both Mystère and LOVE. Her choreography, staging, and direction has helped bring Cirque's artistry to stages and global platforms around the world spanning performances at the Super Bowl, NFL Draft, Life Is Beautiful, The Today Show, and special collaborations for The Beatles, Loungefly, HP, and MGM.Beyond Cirque, Marqui's stage experience includes performances with Royal Caribbean, The Walt Disney Company, Universal, Feld Entertainment, and special events such as One Night for One Drop alongside Hans Zimmer and Walk the Moon. As an educator, she has had opportunities to teach at Steps NYC, TAPS Professional Program, Tremaine Dance Conventions, NYCDA, and CLI Conservatory.If you'd like more amazing content more tips and ideas check out our Acrobatic Arts Channel on YouTube. Subscribe Now!Connect with Acrobatic Arts on your favourite social media platform:Instagram: https://www.instagram.com/acrobaticarts/Facebook: https://www.facebook.com/AcroartsLearn more and register for our programs at AcrobaticArts.com

La coopérative De Rue De Cirque n'a plus de secrets pour Marie Chapoullié qui, avant d'en prendre la direction, a participé à sa construction pendant de nombreuses années. Dans cet épisode, elle revient sur les évolutions de cette structure protéiforme, pilier des arts du cirque et de la rue à Paris grâce à la création d'espaces artistiques comme RueWatt et de temps forts tels que le festival Village de Cirque. Elle fait également part de l'esprit coopératif et collectif qui guide les actions et la programmation de ce lieu de fabrique et de diffusion du cirque de création et de l'art en espace public.

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Puntata 16 di Saranno...esperienze di gioco?SUPPORTA il PODCAST offrendoci un Caffè qui su KO-FIhttps://ko-fi.com/boardgamesofferteISCRIVITI A BOARDGAMES OFFERTE SU TELEGRAMhttps://t.me/BgOfferteISCRIVITI Alla chat di Esperienze di Gioco su Telegramhttps://t.me/EdgPodcast______________________________________________In questa puntata:CIRQUE_____________________________________________Iscriviti al canale Youtube di Valetutto!https://bit.ly/3TGPFJHIscriviti al canale Youtube de LaGiocoFamigliahttps://bit.ly/40wGr4V______________________________________________ISCRIVITI A ZENCASTRhttps://zencastr.com/?via=EdgPodcast

In part two of my conversation with Coach Jamie Wynn, we pick up with one of the more unique stops in her career: training performers with Cirque du Soleil. Jamie explains why performers doing hundreds of shows a year need strength and conditioning, what that environment taught her about overuse injuries and why being highly specialized doesn't necessarily mean you're prepared for everything your body will face. We talk about how those lessons influenced the way she trains collegiate athletes today, particularly when it comes to building a broad training base, improving movement literacy and bringing purpose and intent to every training session. From there, we follow Jamie's career through more stops at UNLV, Auburn, SMU and back to UNLV, where she's continued developing as a coach and leader. We talk about learning from different environments, improving communication and soft skills, and knowing when you need another tool in the toolbox. Jamie also shares what she's building outside the weight room, including several apps she developed herself, and her experience working with the Cleveland Browns and attending the NFL Women's Forum. No matter where Jamie goes next, the common thread is clear: keep learning, be a great teammate and find ways to get better. Thanks to our podcast sponsors, Sorinex and EliteForm, for making these episodes possible.

¡Alguien háblele al Pecas porque Carlangas está en el foro de Noche de Chicxs para echarse unos tremendos chismes suaves y sensuales!

« Le nouveau cirque zavatta s’installe à Cognac du 18 au 20 septembre à l’espace 3000 avec son tout nouveau spectacle « électrisant » ! Venez découvrir 2h de […]

Forget everything you know about the traditional, sanitized big-top circus, because a beautifully twisted, punk-infused counter-cultural storm is rolling through regional Australia. Straight from the beating heart of the underground party scene, Cirque Le Strange - the mind-bending brainchild of Oozing Future - is hitting the highway for its Regional Tour. This is not a show designed for the faint of heart or the easily offended. It is a high-octane, beautiful explosion of raw sweat, gender-bending performance art, and human-body-defying spectacles that demands to be seen to be believed.For years, Australia's capital cities have gatekept the weirdest and wildest late-night cabaret and freak shows, leaving regional fans starving for authentic alternative entertainment. This highly anticipated regional tour changes the game entirely, bringing a hand-picked, heavy-hitting collective of carnies, queers, and sideshow royalty deep into regional hubs across Victoria and Queensland. Spanning ten chaotic stops from the historic bandrooms of Geelong and Albury to the sun-baked stages of Bundaberg, Rockhampton, and Townsville, this run of shows is a massive, unapologetic celebration of fringe culture.The lineup reads like a fever-dream roll call of alternative icons. Headlining the madness is the legendary King of the Freaks himself - world-famous body modification star The Lizardman, recognizable globally from Ripley's Believe It or Not! Alongside him stands Soliana Ersie, widely celebrated as the bendiest woman in the Southern Hemisphere. Adding fuel to the chaotic fire is punk clown Captain Ruin, famed for causing absolute mayhem and hanging actual weights from his private parts, alongside the stunning Mx Burlesque Victoria winner Winter Greene, and the sheer, gravity-defying pole strength of Thembot.This tour transforms standard regional pub venues into volatile, safe, and wildly liberating playgrounds where the line between performer and audience is completely obliterated. It's punk rock in its purest, most visual form—subversive, shock-inducing, and deeply captivating. Ahead of this monumental, logic-defying trek across the country, we sat down with the masterminds and freaks behind the curtain. In true HEAVY fashion, we dug into the sheer logistics of taking an underground freak show on the regional highway, how they handle pushing the absolute physical limits of the human body night after night, and why regional Australia is more than ready to embrace the strange.Secure your spot via Oztix, leave your expectations at the door, and prepare to join the rebellion—the freaks are officially coming to town.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Sous le chapiteau du Grand Cirque Minervis, une représentation tourne au drame lorsque Huguette, double de la trapéziste Micheline, chute mortellement lors d'un numéro périlleux. Le directeur du cirque, André Domitien - surnommé Lucifer pour ses jongleries avec des torches enflammées -, tente de minimiser l'incident devant le public, mais le commissaire Frémont, dépêché sur place, découvre rapidement que le trapèze a été scié. Entre jalousies, secrets et rivalités au sein de la troupe, l'enquête s'oriente vers des mobiles troubles : Mât-de-cocagne nourrit une haine tenace envers Adrien, le trapéziste vedette ; les clowns Cosi et Fantute cachent des mensonges derrière leurs rires ; tandis que Micheline, soi-disant blessée, semble jouer un double jeu. Chaque membre du cirque devient un suspect potentiel dans ce jeu où la mort rôde, aussi imprévisible que les numéros sous la toile.*** Fiction radiophonique diffusée dans l'émission Les Maitres du mystère de Germaine Beaumont et Pierre Billard – Auteur : Jacques Fayet – Réalisation : Pierre Billard - Musique originale : André Popp – Première diffusion le 18/04/1961 sur la Chaîne sur la Chaîne France II régionale de la RTF – Avec : Louis Arbessier (Lucifer, le directeur du cirque), Marie-Jeanne Gardien (Mât-de-cocagne), Jean Mauvais (un clown), Philippe Dumat (un clown), Gaétan Jor (Paul), Henri Vilbert (le commissaire Frémont), Clément Bairam (le brigadier), Pierre Vernier (Maxime), Anne Caprile (Micheline), Muriel Chaney (Minerva), Henri Labussière (Adrien) et Jean-Charles Thibault (l'agent d'assurance) - Bruitages : Jean Bériac – Un podcast INA.

What is up—Understory Bard here, Wade Skalsky. On Creative Peril this week: how to pick—not a spouse, not stocks, not a horse—your creative thing, when you're a polymath who longs to do comedy, guitar, novels, and Cirque du Soleil the second you see someone crush it. If you never commit, it's always beginnings—like dating forever and bailing when the middle gets dicey. Hollywood dabblers were fascinating at cocktail parties and broke, with nothing finished. The fix: look at what you've actually taken action on (lessons, drafts, haikus), then ask what still calls when you're alone—no concert dopamine, no social media, just silence (Depeche Mode optional, sung to yourself). Risk the "calling of one": craft for you even if nobody else gets the four-levels-deep joke. Two tests over time: does the work not hang as an albatross (my commercial first draft had a "thank God I can fly a helicopter" line—awful), and when you see a master, do you feel appreciation instead of "I wish I could do that"? That's the creative clearing—confidence, clarity, your medium. From the garage bunker—talk soon.

Bienvenue dans Sapristi Saucisse, l'émission drôle, décalée et joyeuse qui transforme l'actualité, la musique et les curiosités du quotidien en véritable jeu !Chaque semaine, retrouvez 30 minutes de bonne humeur, de découvertes, de défis et de fous rires. Ici, pas besoin d'être incollable : on joue, on devine, on apprend… et surtout, on s'amuse !

My producer/composer Adam Arnone and I are sitting down to talk about what's coming this fall. We're talking a longer season (September all the way through May) and a brand-new mix of episode types so you never run out of brave.Here's the lineup: Guest interviews every other Thursday Solo casts — just me, talking straight to you, filling in the gaps Manifesto Minutes — quick, punchy courage boosts on Instagram (Mon/Wed/Fri), soon coming to YouTube, YouTube Shorts, and audio tooAdam and I also get into how much my interviewing style has changed since Season 1 (spoiler: nerves → confidence), how I actually pick guests and how it's never about obligation, always about the creative spark. We also talk about why every single guest is a living, breathing reflection of the No Time to Be Timid manifesto.And the season kicks off September 24th with a guest I am SO thrilled about: Krista Monson, who spent 13 years as the artistic director of Cirque du Soleil. If that's not a masterclass in creative courage, I don't know what is.I also give a quick update on where you can catch me next: Podcast Movement in New York, sitting on a panel with past guest and Homemade podcast host, Shannon Cason. Support our sponsor: Interabang Books — interabangbooks.comPlease watch my TEDx talk, How I Redeemed 35 Years of Regret; you can also view it at triciaroseburt.comLeave a comment and share it with your friends — it helps the story reach a broader audience!Subscribe to, review, and spread the word about No Time to Be Timid No Time to Be Timid is written and produced by me, Tricia Rose Burt. Our episodes are produced and scored by Adam Arnone of Echo Finch. Our executive producers are Amy Grant, Nancy Perot, and Sage Wheeler. Thanks also to the contributors to my Fractured Atlas fiscal sponsorship, which helps make this podcast happen. No Time to Be Timid is a presentation of No Time to Be Timid Productions.

Un homme qui plonge du haut d'un chapiteau, trois blondes qui discutent des testicules de leur conjoint, un belge assis à côté d'un taliban lors d'un vol Bruxelles-Kaboul... Écoutez dans ce podcast 3 des meilleures blagues racontées par les Grosses Têtes de Laurent Ruquier. Tous les jours, en podcast, retrouvez une compilation des meilleures blagues de vos Grosses Têtes préférées. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Cerro Perito Moteno y las novedades , caracteristicas y hasta cuando estará abierto a las actividades. Federico Prieu nos cuenta sus experiencias con el Cirque du Soleil y relacionamos la comida con su experiencia en Montreal

Explosió de fantasia en tres dimensions. Crítica de l'espectacle de circ «Kurios. Gabinet de curiositats». Espectacle del Cirque du Soleil. Guió de Michel Laprise. Equip creatiu: Guy Laliberté (guia), Jean-François Bouchard (guia creatiu), Chantal Tremblay (directora de creació), Stéphane Roy (dissenyador d'escenografia i utillatge), Philippe Guillotel (dissenyador de vestuari), Bob & Bill (compositors i directors musicals), Raphaël Beau (compositor i director musical), Yaman Okur (coreògraf d'acrobàcies), Ben Potvin (coreògraf d'acrobàcies), Sidi Labi Cherkaoui (coreògraf), Susan Gaudreau (coreògrafa d'acrobàcies), Andres Ziegler (coreògrafa d'acrobàcies), Jean-Michel Caron (dissenyador de so), Jacques Boucher (dissenyador de so), Martin Labrecque (dissenyador d'il·luminació), Bob Bollinger (dissenyador d'actuació acrobàtica), Germain Guillemot (dissenyadora d'actuació acrobàtica), Boris Verkhosvsky (dissenyador d'actuació acrobàtica), Danny Zen (equip acrobàtici dissenyador d'instal·lacions), Eleni Uranis (dissenyadora de maquillatge). Intèrprets, personatges i números: El científic: David García (Espanya). Sr. Microcosmos: Mathieu Hubener (França). Nico, l'home acordió: Joe Roberts (Regne Unit). Klara, el telègraf de l'invisible: Mayuko Nishio (Japó). Sincronizació del caos de 1900 i malabarisme: Jose Vazquez (México). Duo de bressol: Volodymyr Klavdich (Ucraïna), Ekaterina Evdokimova (Rússia). Bicicleta aèria: Anne Weissbecker (França). Circ invisible i número còmic: Facundo Gimenez (Argentina). Contorsionisme: Azzaya Ariunbold (Mongòlia), Ayagma Tsybenova (Rússia), Oyun-Erdene Baljinnyam (Mongòlia), Doljin Batsukh (Mongòlia). El món invertit i equilibri sobre mans: Nikolay Astashkin (Rússia). Rola Bola: James Gozalez (Colòmbia). Acro Net: Benjamin Anikine (França). Victor Degtyarev (Rússia), Mathias Guillouart (França), Mathieu Hubener (França), Tomasz Krzemien (Polònia), Aleh Rabtsau (Bielorrúsia), Yasha Rakitski (Bielorrússia), Maciej Wyskiel (Polònia). Corretges aèries: Darián Cobas Vargas (Cuba). Ilya Salmov (Rússia). Io-ios: Tomiyuki Watanabe (Japó). Teatre de mans: Joe Roberts (Regne Unit). Banquine: Egor Anisimov (Rússia), Nikolay Astashkin (Rússia), Pavel Gubskii (Rússia), Roman Kenzhayev (Kazakhstan), Sergey Kudryavtsev (Rússia), Katia Murashko (Bielorrússia), Sultanbek Naisbayev (Kazakhstan), Ilyas Nasypbekov (Rússia), Serguei Okhai (Ucraïna), Dmitrii Parfenov (Rússia), Elizaveta Pikalova (Rússia), Danil Plokhoi (Rússia), Igor Tarapat (Rússia), Roman Zhuravlev (Rússia), Nikita Zhestovskii (Rússia). Músics: Acordió: Christelle Harau (França). Director de banda, baix i contrabaix: Michael Hachey (EUA). Violoncel i teclat: Amanda Zidow (EUA). Bateria i percussió manual: Steve Weiss (EUA). Cantant, Bella Donna i dansa de mans: Tamara Dikyovà (Eslovàquia). Guitarra i baix: Bruno Pitarch (Espanya). Violí: Cyril Zardé (França). Direcció artística: Michel Laprise. Grand Chapiteau de Cirque du Soleil. Districte Cultural de l'Hospitalet de Llobregat, Bellvitge, Barcelona, 8 setembre 2026. Veu: Andreu Sotorra. Música: Créature de Siam. Composició: Raphael Beau. Àlbum: Kurios, Cirque du Soleil, 2004.

In this episode of Macon It, we sit down with Julia Morrison, Executive Director of the Piedmont Grand Opera House and the Robins Financial Capitol Theatre at Mercer University, to talk about the role the performing arts play in building a vibrant community. Julia shares how these historic venues are creating welcoming spaces where everyone can experience the arts, whether it's your first show or your hundredth. We discuss why taking a chance on a performance you've never considered can lead to unforgettable experiences, and she gives us a preview of the exciting lineup of concerts, Broadway productions, Cirque performances, family shows, and more coming to Macon's stages. Whether you're a lifelong theatergoer or someone who's never stepped foot in a space for the arts this episode might just inspire you to try something new. https://www.thegrandmacon.com/

«Marta Ribera... passi el que passi!» Crítica teatral de l'espectacle «25 anys al teu costat (passi el que passi...!). XXV Gala Catalunya Aixeca el Teló. Guió de Sergi Belbel. Adaptació del guió d'Edu Pericas. Direcció musical: Xavier Mestres. Direcció artística: Joan Maria Segura. Intèrprets: Marta Ribera, Joan Pera, Ivan Labanda, Joan Lluís Bozzo, Jordi Díaz, Toni Albà, Mariona Escoda, Cirque du Soleil, Estel Aparicio, Mila Borràs, Jaume Casals, Bernat Cot, Xavi Duch, Isabel Rocatti, Mercè Martínez, Vicenta N'Dongo, Coco Comín, Gina Gonfaus, Mònica Pérez, Rosa Galindo, Guillem Albà, Jordi Rios, entre altres. Cor i banda de músics. Producció d'ADETCA i Teatres Públics de Barcelona. Retransmissió de TV3 / 3Cat. Gran Teatre del Liceu, Barcelona, 7 setembre 2026. Veu: Andreu Sotorra. Música: Il mondo. Interpretació: Chiara Civello. Composició i lletra: Gianni Meccia. Àlbum: Canzoni Deluxe Edition, 2024.

Yesterday in Old Quebec City I stopped for a street show and ended up talking with Vincent Mongeon, a Quebec-born acrobat working the pavement with hand balancing, breakdance, and high-energy circus work. His act was sharp, but what pulled me in was a line he dropped more than once: “Freedom while we still have it.” After the hat was passed I walked up, and the conversation that followed is today's interview—just a few unscripted minutes after the show.Mongeon performs in the street-theatre tradition: athletic, funny, and aimed at whoever happens to gather. The Quebec festival circuit has listed him with the piece La Vie est un Cirque, the same mix of acrobatics and crowd work we saw yesterday. This episode is not a polished career profile. It is the encounter itself—what he said in the act, and what he said when the crowd thinned.Cornerstone Forum 26'https://shaunnewmanpodcast.substack.com/Silver Gold Bull Links:Website: https://silvergoldbull.ca/Email: SNP@silvergoldbull.comText Grahame: (587) 441-9100Bow Valley Credit UnionBitcoin: www.bowvalleycu.com/en/personal/investing-wealth/bitcoin-gatewayEmail: welcome@BowValleycu.com Get your voice heard: Text Shaun 587-217-8500

On today's show, we're joined by Layla and Dizzy from Cirque Alice, who play Alice and The Mad Hatter respectively! Follow The Big Show on Instagram Subscribe to the podcast now on iHeartRadio, YouTube, or wherever you get your podcasts!Featuring Jason Hoyte, Mike Minogue, and Keyzie, "The Big Show" drive you home weekdays from 4pm on Radio Hauraki.Providing a hilarious escape from reality for those ‘backbone’ New Zealanders with plenty of laughs and out-the-gate yarns.Download the full podcast here:iHeartRadio Apple Spotify Follow The Big Show on InstagramSee omnystudio.com/listener for privacy information.

On today's show, Jase has a lightbulb moment, Mike has a bone to pick and Keyzie's fumin' about his pigeon. Follow The Big Show on Instagram Subscribe to the podcast now on iHeartRadio, YouTube, or wherever you get your podcasts!Featuring Jason Hoyte, Mike Minogue, and Keyzie, "The Big Show" drive you home weekdays from 4pm on Radio Hauraki.Providing a hilarious escape from reality for those ‘backbone’ New Zealanders with plenty of laughs and out-the-gate yarns.Download the full podcast here:iHeartRadio Apple Spotify RETIMEMERMENT:(00:00) Intro: Sleep chat(04:12) Mogey's Bone To Pick(09:35) Jase's genius idea(14:26) WYR(18:09) TV(24:32) Intro: Jase's millionth voicebreak(26:26) Keyzie's pigeon update(31:46) Pigeon Tim(36:41) Name Our Beer!(40:35) Intro: Stool chat(43:12) TEAM LIST TUESDAY(47:18) Cirque chat!(51:42) Farewell! Follow The Big Show on InstagramSee omnystudio.com/listener for privacy information.

Interview Date: August 16thEpisode Summary:In this episode of The Business of Dance Podcast, Menina Fortunato sits down with Los Angeles-based performer, choreographer, acrobat, and educator Joey Vice to explore the unconventional path that took him from a young competitive dancer in Ohio to performing his dream role with Cirque du Soleil. Joey shares how he transitioned from soccer to dance, developed a strong technical foundation in ballet and jazz, and independently expanded into contemporary and acro. By 12, he had already set his sights on Cirque, studying its artists, training methods, and performance style in preparation for the career he wanted.That preparation paid off when Cirque du Soleil contacted Joey at just 18 years old and ultimately cast him in KOOZA. He opens up about the elaborate makeup process, the physical demands of touring, performing up to 10 shows per week, and developing the acting, improvisation, stamina, and versatility required of a Cirque artist. After two years on tour, Joey chose to step away from his childhood dream job to explore the broader dance industry and eventually relocated to Los Angeles.Joey also takes listeners behind the scenes of his transition into television and commercial work, including being discovered through social media for BalletRED and appearing on Netflix's Star Search. During the mentee Q&A, he shares advice on strengthening acro technique, overcoming fear, researching who you audition for, embracing individuality, and continuing to train. His message throughout the episode is to stay curious, work hard, ask questions, and surround yourself with people who are pursuing similar goals.Shownotes:03:56 – From soccer player to passionate dancer06:00 – Building his unique acro-contemporary style09:06 – Training specifically for a Cirque career12:08 – Booking his dream job at eighteen14:23 – Learning Cirque's elaborate makeup process19:13 – Inside life performing with Cirque25:03 – The unexpected realities of touring young28:54 – Transitioning from Cirque to Los Angeles29:20 – Social media opens the Star Search door30:37 – Eight months preparing for BalletRED33:26 – Behind the scenes of live television43:03 – Q&A begins with aspiring dancers46:59 – Q&A: Strengthening and improving acro technique53:39 – Q&A: Research who you audition for1:03:32 – Final advice: Keep training and asking questionsBiography:Joey Vice is a versatile performer and choreographer who has been making waves in the dance industry since his teenage years. At just 18, his exceptional talent and dedication led him to become the lead role in Cirque du Soleil's KOOZA.Now based in Los Angeles, Joey works as a freelance choreographer, teacher, and performer, creating innovative choreography and jaw-dropping tricks. His career has included performing in music videos for artists such as 070 Shake, Marina, and Vana, and most recently appearing on Netflix's Star Search with BalletRED.Joey is currently on faculty at Millennium Dance Complex and has worked as a teacher and choreographer for Joffrey Ballet School. Joey's mission is to push the boundaries of dance while inspiring the next generation of artists through creativity, athleticism, and passion for performance.Connect on Social Media:Instagram: https://www.instagram.com/joeythedancer/

Send us Fan MailThe Vegas Loop Airport Route: Dayna tested out the newly integrated route connecting the airport to select stops. While currently combining surface streets and tunnel segments (with a current flat rate of $14 for airport pickups booked via their app), the full dedicated airport tunnel is anticipated to be complete in roughly 8 months.Major Show Closures: Two notable productions are taking their final bows soon. Mad Apple by Cirque du Soleil at New York-New York closes permanently on September 5, followed by Awakening at Wynn Las Vegas on October 10 (though Wynn plans to introduce a fresh concept to that theater in 2027).Dining Moves: While Crush American Grill at MGM Grand is set to close after September 12, new culinary concepts are stepping in—including The Corner Store arriving at The Cosmopolitan.Concerts & Events: The Jonas Brothers are extending their "The Tour" era, bringing "The Journey Continues" to the MGM Grand Garden Arena on November 28.Football Season Kickoff: Game-day activations are launching across town, including poolside viewing parties at Fontainebleau's Oasis Pool Deck for morning and afternoon game slates. Plus, Tailgate Beach Club at Mandalay Bay is ready for viewing parties.Hofbräuhaus Oktoberfest: Festivities kick off September 11 and run through October 31, featuring authentic Oktoberfestbier imported directly from Munich, celebrity keg tappers, live music, and special Bavarian dishes.VegasNearMe AppIf it's fun to do or see, it's on VegasNearMe. The only app you'll need to navigate Las Vegas.  Save money on your vacations! Get a complimentary 30-day guest pass from PCK Travel and Vegas Revealed HERE. You'll gain access to exclusive travel savings on hotels, flights, cruises, and more. No credit card OR presentation required. Start saving with PCK Travel. Lighting Up Your Destination!Support the showFollow us on Instagram: @vegas.revealedFollow us on Twitter: @vegasrevealedFollow us on TikTok: @vegas.revealedWebsite: Vegas-Revealed.com

If you've ever sat in the audience at Disney's Animal Kingdom and felt your eyes tear up as a certain blue tang fish reminded you to "just keep swimming," then you already know Scott's Guest, Katie Whetsell.Katie originated the role of Kelli in the original New York cast of "Dear Edwina," traveled with two Broadway national tours - "Wonderful Town" and "Joseph and the Amazing Technicolor Dreamcoat," and spent five seasons with the Tony-Award winning Utah Shakespeare Festival. She's performed all over Japan and Taiwan in two concert tours with "Disney On Classic" and recently appeared as The Baker's Wife in "Into the Woods" at the Dr. Phillips Center in Orlando with Jody Benson.At Walt Disney World, she was Winifred Sanderson in "Hocus Pocus Villain Spelltacular" and Dolly Drew at the "Hoop-Dee-Doo Musical Revue." In addition to currently playing the role of Dory in "Finding Nemo: The Big Blue…and Beyond" in Animal Kingdom, you can see her in the role of Ms. Hesitation in Cirque du Soleil's "Drawn to Life" at Disney Springs. Enjoy the incredible Katie Whetsell! Email: TheMouseAndMePodcast@gmail.comSupport: www.patreon.com/themouseandmeFB and Instagram: “The Mouse and Me”Music by Kevin MacLeod from https://incompetech.filmmusic.io

Today, I welcome two guests to the show, Alma Derricks and Eliza VanCort, the co-creators of Ignite, a leadership experience built around a simple but incredibly timely idea. As technology and AI continue to reshape the workplace, the human skills that drive great leadership have never been more important. These two came to this work from very different directions. Alma has spent more than three decades building businesses, launching brands, and leading commercial strategy for organizations including Deloitte, HBO, Paramount, and Cirque du Soleil. Today she's the founder and managing partner of REV, where she helps organizations navigate moments of growth, reinvention, and transformation. On the other hand, Eliza is a best-selling author, communication strategist, Cornell University Fellow, TED speaker and former acting instructor whose work has helped executives and leadership teams become more confident, influential communicators in the moments that matter most. What started as a conversation became a collaboration, and that collaboration became Ignite. We spend less time talking about the program itself and spend more time talking about why it exists. What are they seeing inside executive teams? Why do communication and influence seem harder than ever? And most importantly, what human skills are becoming more valuable because of AI, not despite it?

A fire tore through two beloved Arts District businesses this week. We dig into what Raw Remedies and Analog Dope mean to the Arts District and how you can help them get back on their feet. Then, we get into the debate on AI regulation after an investigative report alleges that Amazon has been buying and destroying rare books at a facility in North Las Vegas for AI training data. Finally, Cirque du Soleil's "Mad Apple" is closing permanently at New York-New York on Sept. 5, so we look at what's next for Cirque on the Strip, plus we offer up our take on the best Cirque shows in town. Host Jesse Merrick breaks it all down with Nevada Current reporter MJ Lyle and artist Vogue Robinson. As mentioned in today's episode, if you feel compelled to support Raw Remedies and/or Analog Dope in their efforts to recover from the fire you can do so at the links below:  Raw Remedies GoFundMe Online Bookshop for Analog Dope Cashapp: $analogdopellc Zelle: business@analogdope.com PayPal: business@analogdope.com Venmo: AnalogDope3000 If you enjoyed this interview with IS LUXURY's, Luxury Real Estate Advisor, Holly Erker learn more here. Learn more about the sponsors of this Thursday, August 20th episode: Touching Hearts Elect Alex Quagge Want to get in touch? Follow us @CityCastVegas on Instagram, or email us at lasvegas@citycast.fm. You can also call or text us at 702-514-0719. For more Las Vegas news, make sure to sign up for our morning newsletter. Learn more about becoming a City Cast Las Vegas Neighbor at membership.citycast.fm. Looking to advertise on City Cast Las Vegas? Check out our options for podcast and newsletter ads at citycast.fm/advertise.

This is DANCE + Teddy Forance Coming to you LIVE-ish from CLI Conservatory, with the guy who built the place he wishes existed when he was 17 and googling "which college has a dance program for me." Teddy Forance didn't set out to become a studio owner. He set out to dance, and he did, big: Madonna, Lady Gaga, Cirque du Soleil, the Oscars stage. But underneath all of it was a gut feeling that never went away. That there wasn't a space built for dancers like him. So with his brother Jonny, he built one. Literally, twenty seconds down the road from their mom's studio in Southampton, Massachusetts. We explore: My new position at CLI: Director of Professional Development  Why Teddy skipped college for a career that found him at 17, at NYCDA Nationals The "Costco math” behind 100 guest choreographers and a fraction of the cost The budget-and-schedule advice Teddy gives every dancer terrified to move to a big city What it feels like to watch five conservatory years soak into the walls of a building you built from nothing This one's for anyone chasing a career nobody handed them a map for. Teddy didn't find the space that fit him, so he built it. Watch the full episode on YouTube. Show Notes: Connect with Teddy on IG Learn more about CLI For more DANA For coaching with me, join the WTMM COMMUNITY  To shop for GOODIES & SERVIES Watch and Subscribe on YOUTUBE  Stay connected with us on IG and TikTok 

Jen Moss is the Co-Founder and Chief Creative Officer of JAR Podcast Solutions, the powerhouse agency behind podcasts for Amazon, Deloitte, Cirque du Soleil, and The Wharton School. Jen's background spans journalism, radio, fiction, and theater—and she now helps brands tell meaningful stories that move audiences and shape perception. In this episode, Jen shares expert insights on creating compelling branded podcasts. Discover how to craft authentic stories, engage niche audiences, and leverage creative formats to elevate your brand through podcasting.Key Takeaways:- How brands can expand how they think about podcasts- Matching brand identity to podcast content- The incredible value of a branded podcastEpisode Timeline:2:45 Brands should be more authentic3:25 Why are podcasts valuable for brand-building4:55 What is the Cirque Du Soleil podcast about?8:45 Matching a brand's identity and spirit to a conversation10:00Why are most branded podcasts boring?12:00What brands really need to ask themselves when starting a podcast12:45Rejecting bad podcast ideas15:30How to make a podcast about insurance17:45How branded podcasting is like TV in the '50s18:45Entrepreneurs who want to be entertainers23:00How to market a branded podcast?27:00Half of your podcast work should be in marketingThis episode's guest:• Jen Moss on LinkedIn• Email: Jen @Jarpodcasts.com• JAR Podcast SolutionsSubscribe and leave a 5-star review: https://pod.link/1496390646Contact Us!•Join the conversation by leaving a comment!•Follow us on Facebook, Twitter, Instagram, and LinkedIn!Thanks for listening! Hosted on Acast. See acast.com/privacy for more information.

With market volatility sinking below bear market lows and the Clarity Act getting benched in Congress, crypto feels stuck in an absolute ghost town. Ted is back in the studio with Pav to clear out the short-term doomer-posting, dissect what it'll actually take to shock this market back to life, and map out where digital assets go from here. In this episode, Pav and Ted break down the extreme market apathy pushing volatility below 2023 bear market lows. They cover top weekly movers like Ether.fi's neobank launch, Chainlink's integration with JPMorgan, and Venice AI's revenue growth.  Plus, they unpack the Clarity Act's delay in Congress, the upcoming Jackson Hole Federal Reserve meeting, and run the numbers on Bitcoin's diminishing returns to model potential cycle highs for 2029.   You'll hear:  00:00 Ted returns to celebrate his engagement, while Pav recaps Cirque du Soleil as volatility hits multi-year lows.   04:00 Ether.fi launches a neobank, Venice AI hits $100M ARR, and JPMorgan uses Chainlink oracles for BTC/ETH collateral. 08:00 Analyzing Polymarket odds dropping to 27%, potential September revivals, and Paul Atkins' SEC stance.  12:17 How US 30-year bond yields, Fed rate policy, and the Jackson Hole Symposium could trigger the next market bottom. 15:20 Breaking down Checkmate's Collective Shift model alongside Ted's historical diminishing returns calculations. 21:56 Spotting euphoric retail exit indicators vs. bottoming sentiment in today's market. … and much more! Want to see what we're looking at every episode? Watch the YouTube version of the podcast here. Ready to start? Get $10 of FREE Bitcoin on Swyftx when you sign up and verify:  https://trade.swyftx.com.au/register/?promoRef=tappingintocrypto10btc  To get the latest updates, hit subscribe and follow us over on the gram @tappingintocrypto or X @tappingintocrypto If you can't wait to learn more, check out these blogs from our friends over at Swyftx. This podcast provides general market commentary and is for educational and entertainment purposes only. It is NOT financial advice. We are NOT licensed financial advisors. Investing in cryptocurrency carries risk. You should always conduct your own research and seek independent financial advice before making any investment decisions. Please read Swyftx's Terms and Conditions and Risk Disclosure statement before investing.

Cirque du Soleil: Drawn to Life at Disney Springs represents the first collaboration between Disney and Cirque du Soleil. The show celebrates the 100-year history of Walt Disney Animation Studios, including references to Walt Disney's Nine Old Men, Disney animators, and Disney stories, characters, and musical scores. Blending acrobatics, choreography, and special effects, this show is one you will not want to miss on your next trip to the Walt Disney World Resort. In this #hosted episode, I review Cirque du Soleil: Drawn to Life after seeing it for the first time. Learn more about this show by visiting https://www.cirquedusoleil.com/drawn-to-life. Get ad-free episodes, bonus episodes, in-depth news analysis, and premium content at patreon.com/imaginationskyway. To plan a trip, be sure to work with KMV Travel.   Read Matt's Imagineering column in WDW Magazine.   Imagination Skyway is a Disney Parks and Imagineering podcast. Episodes explore attraction design, recap Disney news, and dive into the stories behind the magic, including interviews with Disney Imagineers, Disney Legends, and other Disney creators. Not affiliated with or endorsed by The Walt Disney Company. Disney is a trademark of The Walt Disney Company.   Tag me and join the conversation below. Instagram: www.instagram.com/imaginationskyway Facebook: www.facebook.com/imaginationskyway YouTube: https://www.youtube.com/@imaginationskyway Email: matthew.krul@imaginationskyway.com  How to Support the Show Share the podcast with your friends Rate and review on Apple Podcasts or Spotify Join our Patreon Group - https://www.patreon.com/imaginationskyway Enjoy the show!

Kail sits down with Misha, aka Your Bestie Misha, for a conversation about self-worth, sobriety, social media, and learning how to actually show up for yourself. Misha opens up about the moment that changed his life, going from drinking heavily while performing with Cirque du Soleil to getting sober and ultimately building a community of millions online.They talk about his New York Times bestselling book Be Your Own Bestie, the SASS method behind it, setting boundaries, jealousy vs. inspiration, influencer culture, and why self-reflection only matters if you're willing to make changes afterward. Misha also shares how his childhood experiences shaped the work he does today, what marriage has taught him about balance, and why none of us really have our lives as figured out as we think.Follow Misha on Tik Tok and InstagramGet your Fatherless Behavior Tour Tickets HereFor full video episodes head to patreon.com/kaillowryThanks for supporting the show by checking out the sponsors!Boll And Branch: Now's your chance to change the way you sleep with Boll and Branch. Get 20% off, plus free shipping on your first set of sheets at bollandbranch.com/barelyfamous use code barelyfamousShopify: Start your free trial period at shopify.com/famousHERS: start your initial free visit at forhers.com/barelyfamous.Progressive: To get your auto insurance quote head to progressive.comTo find the right home for you head to apartments.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us Fan MailDaniele Salvitto is an accomplished performer, yoga teacher, and former professional dancer known for his work with prestigious organizations like Cirque du Soleil and Disney Cruise Line. Originally from Italy, Salvito began his dance career at the age of 18, quickly rising to perform worldwide. Today, he resides in France, where he teaches various styles of yoga, including Dharma and Ashtanga, alongside other disciplines like aerial acrobatics and flexibility. His unique approach blends his profound understanding of movement with yoga philosophy, nurtured under the guidance of renowned teachers such as Sri Dharma Mittra.Visit Daniele: https://www.instagram.com/danielesalvitto/Key Takeaways:Daniele's professional journey exemplifies the union of artistry and discipline, from dance to yoga.The pivotal role of Ashtanga yoga in Daniele's life, aiding recovery and enhancing his athletic abilities.Insights into Daniele's teaching philosophy, which integrates yoga with dance, acrobatics, and meditation.The significance of mentoring relationships, emphasizing his bond with Sri Dharma Mittra.Balancing Eastern yoga philosophies with Western scientific principles, Daniele bridges these worlds seamlessly.Check out:

Roommates. They can be great, they can save you money....and they can also make your life a living hell.Roommate households are the fastest growing living arrangement in Canada, so we wanted to know, how are people making it work? (or not)Here are five stories from our Now or Never archives of people navigating some tricky real-life moments with their roommates.Deb King never thought she'd need to find a roommate at 67 years old, but that's exactly what she's doing right now. We join her on the hunt for “someone normal,” as she fends off dating requests, does background checks, and just tries to find a home for herself and her dog, Cirque du Soleil.Jewel Casey and Jordan Woodward have spent the past seven months living together in an apartment in Invermere, B.C.…as exes. Despite the rough patches, sticking out their year-long lease together has led the couple to come to some surprising realizations about where their relationship went wrong.It's move in day for Marisa, Matt, Chet, and Izabella, a group of friends in Toronto who just bought a 1.3 million dollar home together. They say that co-owning is their only way to crack the Toronto housing market. So how do they decide who takes out the garbage? And what happens if one of them gets a job in another city? They show us the whiteboard and 20-page contract that gets into the nitty-gritty of cohabitating with friends.After Bev Suek's husband passed away, she realized she didn't like to live alone. So she opened up the doors to her six-bedroom home in Winnipeg, for other 50+ women who don't want to live alone, either. Trevor drops in for a visit with the real-life Golden Girls of Winnipeg, to find out how they handle everything from making meals to overnight guests (wink wink).Sarah Scanlon and Jennifer McDonald joke that their 1000 square foot, three bedroom bungalow in Guelph is an 'eco-lesbian retreat.' Best friends for the last 17 years, they decided to buy a house together in 2021. And if you think close friends (who also happen to be exes) don't necessarily make great roommates....Sarah and Jen are here to prove you wrong.

Alma Derricks shares her extensive experience in media, branding, and innovation, discussing the importance of understanding audiences, balancing technology with human skills, and fostering innovation through dialogue. She reflects on her international experiences, the evolution of the internet, and the power of authentic engagement.Alma Derricks is a growth strategist, innovation expert, and founder of the award-winning consultancy REV, where she helps organizations navigate reinvention, accelerate growth, and build new brands and businesses. Throughout her career, she has advised global organizations on strategy and innovation, served as a Strategy Partner at Deloitte, and led commercial operations for Cirque du Soleil. Alma is also the co-creator of IGNITE, a leadership masterclass focused on communication, influence, and executive presence. A sought-after speaker at events including Adobe Summit and CES, she is passionate about helping leaders see disruption as an opportunity to create extraordinary growth.Get In Touch with Alma:Alma Derricks on LinkedInRev (her website)

durée : 01:46:32 - Les Nuits de France Culture - par : Albane Penaranda - Les derniers jours heureux - Le cirque : Les clowns (1ère diffusion : 25/12/1977) - équipe : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

What could museums learn right now — from their competitors?What's happening out there that museums should know about? How can museums compete with a sports venue that has 18,000 seats, each with its own interactive controller? What do IP, KPI, and F&B mean? What if museums went out and learned from theme parks, advertising, corporate centers … and even casinos? Renée Hampton (Strategic Partnerships Manager, Electrosonic) discusses “What Museums Can Learn from Casinos, Theme Parks, Sports, and More” with MtM host Jonathan Alger (Managing Partner, C&G Partners | The Exhibition and Experience Design Studio).Along the way: eye tracking, Donkey Kong, and Cirque du Soleil.Talking Points:1. What sports experiences … can teach museums2. What theme parks … can teach museums3. What advertising activations … can teach museums4. What corporate briefing centers … can teach museums5. What casinos … can teach museumsHow to Listen:Listen on Apple Podcasts:https://podcasts.apple.com/us/podcast/making-the-museum/id1674901311 Listen on Spotify:https://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G Listen at Making the Museum, the Website:https://www.makingthemuseum.com/podcast Links to Every Podcast Service, via Transistor:https://makingthemuseum.transistor.fm/ Guest Bio:Renée Hampton is passionate about bringing creativity and multidisciplinary partnerships into the way organizations design and build experiential attractions across industries. As Strategic Partnerships Manager at Electrosonic, she collaborates with architects, interior designers, exhibit designers, fabricators, media producers, and technology partners to develop innovative technology solutions for institutions, owners, and operators. With a background spanning film production, real-time interactive media production, and experiential events, Renée combines creative and technical expertise with partnership strategy, project management, and business development. She is dedicated to building strong relationships that help create immersive environments connecting people with spaces, stories, and technology through the power of design.About Making the Museum:Making the Museum is a newsletter and podcast on exhibitions, written and hosted by Jonathan Alger. MtM is a project of C&G Partners | The Exhibition and Experience Design Studio.Learn more about the creative work of C&G Partners:https://www.cgpartnersllc.com/ Links for This Episode:Renée via LinkedIn: https://www.linkedin.com/in/renee-hampton/ Renée via Email:renee.hampton@electrosonic.com or renee.e.hampton@gmail.com Electrosonic:https://www.electrosonic.com/ Links for Making the Museum, the Podcast:Contact Making the Museum:https://www.makingthemuseum.com/contact Host Jonathan Alger, Managing Partner of C&G Partners, on LinkedIn: https://www.linkedin.com/in/jonathanalger Email Jonathan Alger:alger@cgpartnersllc.com C&G Partners | The Exhibition and Experience Design Studio:https://www.cgpartnersllc.com/ Making the Museum, the Newsletter:Like the show? You might enjoy the newsletter. Making the Museum is also a free weekly email about exhibitions for museum leaders and teams. (And newsletter subscribers are the first to hear about new episodes of this podcast.)Join hundreds of your peers with a one-minute read, three times a week. Invest in your career with a diverse, regular feed of planning and design insights, practical tips, and tested strategies — including thought-provoking approaches to technology, experience design, audience, budgeting, content, and project management.Subscribe to the newsletter:https://www.makingthemuseum.com/ 

A musical production inspired by Alice's Adventures in Wonderland is coming to Auckland. Cirque Alice blends Lewis Carroll's classic adventure with acrobatics, songs, dance and a dose of magic. And of course, audiences will get to meet Alice, the Mad Hatter, the White Rabbit, and the Queen of Hearts Australian performer Layla Schillert stars as Alice in the production and is with me now.

What is awe? It's not wonder, or surprise, or pleasure — it's a state of mind that Dr. Beau Lotto calls "finding the impossible in the common."  Dr. Lotto is a neuroscientist who specializes in perception; he once actually measured awe in the brains of people watching Cirque du Soleil. Learn where awe originates, why it evolved, and even how military leaders might weaponize it. Plus... why Dr. Lotto says babies are born "useless". https://www.beaulotto.com/ Since this episode was first released in 2021, Dr. Lotto has launched a new project - "Evolvable.Me" "Our interactive AI-powered platform reveals precise, science-backed insights into how you think, relate, and behave – drawn from your responses and real-life conversations."   Try it for free at  https://www.evolvable.me/ 

Producer's Note: While Arts Unscripted is on summer hiatus, we're re-sharing a few of our favorite episodes from past seasons. Cody recently celebrated Tony Award-winning runs with two Broadway productions: Ragtime and CATS: The Jellicle Ball. With CATS set to close on August 8, it's an apt moment to revisit Cody's reflections on the production (and grab tickets while you still can). ----- Great theater starts by creating trusted conditions for talent and creativity to thrive. Cody Renard Richard is a Tony Award-winning producer and stage manager whose career spans Broadway, television, opera, and even Cirque du Soleil. Along the way, his backstage leadership has shaped acclaimed productions like the 2025 revival of Ragtime and this spring's CATS: The Jellicle Ball. In this episode, Cody talks about what it really means to lead from behind the scenes, and why stage management is such a powerful training ground for leadership. He reflects on his path through the industry, how he's navigated power and visibility in a field that doesn't always make room for everyone, and what it looks like to advocate for artists and audiences without burning out or losing yourself in the process. ----- LINKS: Cody Renard Richard: https://www.codyrenard.com/ Ragtime at Lincoln Center: https://www.lct.org/shows/ragtime/ CATS: The Jellicle Ball: https://catsthejellicleball.com/  RISE Theatre Directory: https://risetheatre.org/

Has your podcast become a long-form ad instead of audience-first content, making it harder to earn attention, trust, and measurable business results? Join Brad Friedman and Roger Nairn as they explore how brands can build audience-first podcasts, measure ROI, choose the right audio/video strategy, repurpose episodes across the funnel, and grow loyal audiences so you can turn your podcast into strategic content that drives thought leadership, loyalty, and results. Roger Nairn is the Co-Founder and CEO of JAR Podcast Solutions, a global branded podcast agency that helps brands create high-performing shows built for real audience engagement. Roger and his team have built podcasts for organizations including Amazon, lululemon, RBC, Cirque du Soleil, Deloitte, and The Wharton School, along with many other brands looking to make podcasting a meaningful part of their content strategy. Visit thedigitalslicepodcast.com for complete show notes of every podcast episode. The Digital Slice Podcast is brought to you by Magai. Up your AI game at https://friedmansocialmedia.com/magai And, if it's your first time purchasing, use BRAD30 at checkout to get 30% off your first 3 months.

Send us Fan MailEverybody in the notary world says the same thing: there are too many notaries and not enough work. In this episode, Bill Soroka makes the case that oversaturation isn't the real problem at all, and that the belief itself is keeping you stuck in the wrong waters.Drawing on the landmark business book Blue Ocean Strategy by W. Chan Kim and Renée Mauborgne, Bill breaks down the difference between the crowded, cutthroat Red Ocean most notaries are fighting in and the uncontested Blue Ocean waiting for the notaries willing to think differently. You'll hear how brands like Cirque du Soleil, Southwest Airlines, and Yellow Tail wine created entirely new markets instead of fighting for scraps in old ones, and exactly how that same thinking applies to your notary business.Then Bill gets specific with two Blue Oceans straight out of our own industry: how he, Laura, and Jen built the very first estate signing training and certification program during the loan signing slowdown, and why mobile fingerprinting is one of the biggest under-the-radar opportunities still wide open today.Inside this episode:Why "oversaturation" is really a differentiation problem in disguiseThe five moves that separate a Blue Ocean notary from everyone elseHow specialization raises your value, narrows your competition, and clears up your marketingWhy authority dissolves price competitionThe mobile fingerprinting opportunity almost nobody is talking about yetIf you're tired of racing to the bottom and being first to click on orders blasted to a thousand other notaries, this is the episode that shows you how to build your own waters.Come join the conversation in Bill's free High Performance Notary community on Skool, where we talk about and implement this stuff every day.Join us on Skool for FREE here

Crystal Manich has directed over 90 productions of opera, plays, musical theatre, and circus across the USA, Argentina, Australia, and Europe. Her work has been acclaimed by the New York Times, The Wall Street Journal, and other major publications for her “lively” and “imaginative staging.” She wrote and directed her first opera libretto, Time to Act, written with composer Laura Kaminsky, which premiered at the Pittsburgh Opera in 2026. I saw Time to Act and found it to be well-written, hard-hitting, and compelling. She is also the writer-director for Triângulo: A Mixed Martial Arts Opera, which premieres in 2027.Crystal served as Artistic Director for Cirque du Soleil's Crystal and previously on Quidam. She directed the opera The Copper Queen as a western-thriller feature film for Arizona Opera, garnering an award at the 2021 Toronto International Women's Film Festival.She was nominated for a 2021 Chicago EMMY for a multi-camera livestream of Daniel Catán's Spanish-language opera La Hija de Rappaccini for Chicago Opera Theater at the Field Museum.Crystal holds a BFA in Drama-Directing and a Master's in Arts Management from Carnegie Mellon University, a certificate in Business and Management of Entertainment from UCLA Extension, and a Professional Certificate in Screenwriting from UCLA.

Chris and Erik talk about cold brew and coffee orders, the DEI executive who stole the trash can how hard it is to cancel subscriptions, Vegas casinos charging for everything now, Cirque du Soleil, Erik's testosterone test and the funniest text Chris has ever gotten, Erik's lack of confidence at the gym, watching their sons run around on the 4th of July, a full spoiler breakdown of Obsession, Netflix and the binge model killing shows, actors stuck in iconic roles forever, Heath Ledger's Joker, how bad the new Mortal Kombat is, video game movies, Denzel's British accent, Chris and Erik's upcoming shows, and much more!Get two extra episodes every month at https://Patreon.com/TheGoldenHourPodcastTo submit to the show email: thegoldenhoursubs@gmail.com or Dropbox Link: https://www.dropbox.com/request/fqtbexhxyaky9X8f8MV1In the subject line, specify whether your submission is King It or Sting It, Debate Club, Rip My Drip, Relationship Advice, or Flaunt My Aunt. In the body of the email, include the attachment, your name, where you're from, and in the case of Flaunt My Aunt, the name of your relative.SUBSCRIBE to The Golden Hour Podcast: http://www.youtube.com/c/KingandtheSting Get your King and the Sting merch at https://thicccboy.com/collections/sale-home-pageFollow #TheGoldenHourInstagram: https://www.instagram.com/the.golden....Twitter:https://twitter.com/the_golden_hrFacebook: https://www.facebook.com/KingandtheStingAnd check out Brendan, Chris, & Erik on social media!Brendan Schaub:https://www.instagram.com/brendanschaubhttps://twitter.com/BrendanSchaubhttps://www.facebook.com/OfficialBren...Chris D'Elia:https://twitter.com/chrisdeliahttps://www.instagram.com/chrisdelia/https://www.facebook.com/chrisdeliaof...Erik Griffin:https://twitter.com/ErikGriffinhttps://instagram.com/erikgriffinhttps://www.facebook.com/erikgriffinc...See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Michael: If we hire Cirque du Soleil as salaried employees, will that help us with the year-end tax stuff? Dwight: I think he hung up. David: …No Plan your anniversary party and grab a C-shaped bagel—this week we're talking about New Boss! We dedicate this episode to this season 5 classic, the first appearance of Charles Miner and the only appearance of Jim in a tuxedo. We go through the different storylines and discuss how Charles impacts the branch. And of course we mention all of the dress code memos, fake kidnappings, and two-way petting zoos that go into this episode.  Then we head to the Conference Room for a quick Ordinary Things segment where we talk about the World Cup, formalwear, old video games, and a whole lot more!The thing about classy is it's a state of mind. Support our show and become a member of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Scott's Tots⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Patreon! For only $5/month, Tots get ad-free episodes plus exclusive access to our monthly Mailbag episodes where we casually pick through every single message/question/comment we receive. We also have bonus series available to our Patrons, like our White Lotus Special, Party Down, Ted Lasso, Survivor content, and unreleased episodes of this show. Oh, and Tots get access to exclusive channels on our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stacey and Stefanie planned a Disney World trip for 22 relatives from the U.S. and England, using detailed scheduling, apps, and ride-planning tools to keep the large group organized. The week included Disney parks, Universal, golf, family activities, and Cirque du Soleil, with a focus on flexibility, family time, and fun for all ages.   Links: Top Villas WDW Prep Toolkit Walt Disney World Crowd Calendar   Leave me a message (including trip report submissions) Please use the SpeakPipe link below to leave us a message with your first name, location, and trip info. Be sure to include your exact trip dates, who is in your party, where you will stay, and anything unique about the trip. You can do that using your computer or phone at https://www.speakpipe.com/WDWPrepToGo   Subscribe to get new episodes There are a few ways to get new episodes of WDW Prep to Go (if you're used to listening on the website, subscribe so you can take new episodes with you on your phone) Subscribe in iTunes  (and please leave a review!) Subscribe to the podcast   Follow on social media Instagram Facebook Pinterest YouTube   Ways to support us Become a Patron Get a quote request for a future trip from Small World Vacations Subscribe to the WDW Prep School weekly newsletter Podcast Episode Finder Visit the site Things we recommend   Affiliate Links: Amazon DVC Rentals Quicksilver Tours and Transportation Small World Vacations Designer Park Co - Use code "WDWPrep" to save 10%