Podcasts about Cirque

Lumière sur l'événement Cirque et fanfares qui se tiendra à Dole, dans le Jura, les 7 et 8 juin. Ce festival est devenu en quelques années, un incontournable de la région Bourgogne Franche-Comté ! Une recette simple : des arts de rue, de la musique et le tour est joué ! Mais il n'y a pas que ça ! Pour compléter la recette j'ai demandé de l'aide à Alexandre Douzenel, adjoint au maire en charge de l'événementiel.

Susan Magsamen makes her life at the frontier: the frontier of neuroscience, of institutional change, of the intersection of art and science. Her's is a life full of wisdom for how to live amongst mystery and befriend complexity.Origins Podcast WebsiteFlourishing Commons NewsletterShow Notes:spontaneous "you are my sunshine" (02:00)T. S. Eliot (08:00)implementation science (08:40)therapeutic recreation (11:00)Trabian Shorters and asset framing (15:00)Daniel Kahneman (16:00)neuroplasticity (22:30)Howard Gardner and Kurt Fisher and Mind, Brain, and Education Program at Harvard (26:15)Karl Alexander (27:30)Curiosity Kits (28:30)NeuroArts (32:00)Gileadby Marilynne Robinson (36:00)more than scientific knowledge (38:00)"Social Support and the Perception of Geographical Slant" (45:00)Resmaa Menakem (46:30)NeuroArts Blueprint Initiative (46:40)"Cirque du Soleil and the neuroscience of awe" on Vox (47:40)Global Watering Hole (51:30)Renée Fleming Neuroarts Investigator Awards (52:30)Rachel Naomi Remen (56:30)Lightning Round (01:03:00)Book: Silent Spring by Rachel CarsonPassion: horseback ridingHeart sing: grandchildrenScrewed up: articulation in these timesFind Susan online:International Arts + Mind LabLogo artwork by Cristina GonzalezMusic by swelo on all streaming platforms or @swelomusic on social media

Legault à l’UMQ. Conférence de presse du Bloc à 11h aujourd’hui. Négociations suspendues à Postes Canada. Comparution pour le féminicide à Châteauguay. Incendies au Manitoba. 2 séries pourraient se conclure ce soir dans la LNH. C’est la première médiatique du spectacle Luzia du Cirque du Soleil ce soir. Sortie du Guide Michelin. Tour de table entre Marianne Bessette, Alexandre Dubé et Mario Dumont. Regardez aussi cette discussion en vidéo via https://www.qub.ca/videos ou en vous abonnant à QUB télé : https://www.tvaplus.ca/qub ou sur la chaîne YouTube QUB https://www.youtube.com/@qub_radio Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

ARTCENA présente des apéro-livres. Lundi 28 avril 2025, Gwénola David s'entretenait avec Bernard Kudlak à l'occasion de la parution de son ouvrage « Le Grand livre du Cirque Plume ». Crédits : Production : ARTCENA Création sonore : Marc Sayous

Molly and Carrie journey to the Cirque of the Towers. They discuss the best tent for The Winds, why you should always check behind your cat hole, the campsite element that makes them think twice, how they keep from fantasizing about food and what makes a pass go from intimidating to doable. Cross Texas Pass with them, swim in Lonesome lake, go off trail, admire Pingora Peak and wonder at the loudmouthed little Pikas.

Ce pour quoi on dépense 67$ par mois en moyenne à la Question impossible // On jase du spectacle OVO du Cirque du Soleil // L’alcool est-il moins cher au Québec ou en Ontario? // Vincent joue les superhéros en donnant du plasma // On vous fait découvrir une nouveauté décadente à essayer dans la région // On fait le tour de nos réseaux sociaux // On vous invite à vivre l’expérience uplå VIP Rouge // On joue au Détecteur de mensonges // On joue à Beat Kev pour souligner l’anniversaire de Keven Aubut //

Dit weekend kun je naar Cirque Mania in de Schuur. Het zijn voorstellingen waarin acrobatiek centraal staat. Algemeen directeur Marelie van Rongen vertelt in Niet Thuis Magazine aan Ellen Stamer wie er optreden. De kaartverkoop gaat via de website van de Schuur of loop even langs bij de kassa.

Don't Give Your Kids A Beater of a Car: We used this statistic to talk about the cars we had as kids, prompting listeners to use the talk-about their first car. Got some good hits.Ask Yourself These Questions Before You Commit To Anything: How long is the event going to be?Is this something casual?Is it okay if I bring someone?How many people are going to be there?What are you most looking forward to?Is it okay if I leave early?Is it possible that this event will go overtime?Will I know anyone there, or are these new people?Will we have time to talk, or will it be too hectic?Will the event only be there, or will we be going to other places?Is there anything else I should know about beforehand?Don't Ask These Questions On A First Date:“Why are you still single?” “Have you had any work done?” “How much money do you make?”“Do you think I'm hotter than your ex?”“What's your body count?”“How many kids do you want?”Second Date Update: Matthew and Taylor both live in Walnut Creek. They have a ton in common, they both love going to shows. The date went so well Matthew was thinking of taking her to Cirque du Soleil for their next date. Was there something about his relationship with his mom that turned her off?

Matthew and Taylor both live in Walnut Creek. They have a ton in common, they both love going to shows. The date went so well Matthew was thinking of taking her to Cirque du Soleil for their next date. Was there something about his relationship with his mom that turned her off?

This weeks Visiting Critic is celebrity chef, author, and Dancing With The Stars sweetheart Kevin Dundon. We sent him off to try his hand/body at aerial acrobatics.

Below Deck Down Under deepens the tension with a circus theme background as Tzarina and Lara go head to head and one storms off in tears over literally nothing. To watch this recap on video, listen to our Traitors bonus episodes, and participate in live episode threads, go to Patreon.com/watchwhatcrappens. Tickets for the Mounting Hysteria Tour are now on sale at watchwhatcrappens.com See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Pat & JT recap a wild Derby weekend that included a sold-out live show with Dance Moms icon Abby Lee Miller—who insisted on Long John Silver's for lunch (LOVE), dropped meet-and-greet pose rules, and had fans screaming like it was 2011. JT defends Larry Birkhead's sweet Derby tradition with Anna Nicole's daughter, while TikToker Griffin brings horse racing to Gen Z. Also: a Cirque du Soleil breakout star from Lincoln, Abby's savage Bravo regrets, and a surprise Cinco de Mayo shoutout to Amigos. Subscribe, rate, and review our podcast wherever you get your podcasts so you don't miss an episode! Also follow up on Facebook, Twitter, and Instagram This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to HurrdatMedia.com or the Hurrdat Media YouTube channel! Learn more about your ad choices. Visit megaphone.fm/adchoices

Playoffs are heating up

Get every episode of The Dumb Zone by subscribing at DumbZone.com or Patreon.com/TheDumbZoneWe're live today from the 17th green at TPC Craig Ranch for the Byron Nelson tournament thanks to Tito's Vodka. We're joined by Cirque du Sirois and one half of The Mom Game as we take in golf and try to find a Belichick/Jordon couple (00:00) - Open: Live from the Byron Nelson (37:29) - Snake bites and 9/11 guilt (01:07:42) - Emily Jones: Wireless at the Byron (01:39:19) - News: Triple murders and DUI stories (02:10:57) - VM birthdays/Today in History ★ Support this podcast on Patreon ★

durée : 00:52:07 - Répliques - par : Alain Finkielkraut - Quand un auditeur intervenait si fréquemment dans une émission de radio que l'animateur finissait par lui confier une chronique... - réalisation : Alexandra Malka - invités : Laurent Nunez Ecrivain et éditeur; Thibault Raisse Journaliste spécialisé dans les dossiers criminels et les sujets de société, auteur

Barry Lowin is not only a local News Anchor with WJHG. Did you know that Barry also has over 20 years experience acting and doing stunts in Television and Film, including The Mandalorian and the Book of Boba Fett…plus The Big Bang Theory, The Bold and The Beautiful and performed as The Trickster in Cirque du Soleil's Kooza. Barry Lowin…the man behind the armor in The Mandalorian is with us for this episode of Sweet Home PCB…May the 4th be with y'all!

What if the secret to stronger teams, better performance, and real engagement isn't a new system—but a more human approach to leadership? In this powerful episode of the Build a Vibrant Culture Podcast, Nicole Greer sits down with Genevieve Retzlaff, a certified transformational coach and organizational development expert with a background as colorful as her insights—including a stint with Cirque du Soleil! Genevieve brings her passion for people and performance to the forefront as she breaks down what it means to lead with a human-centric mindset in today's workplace.Together, Nicole and Genevieve dive into why the traditional command-and-control model of leadership is outdated, and how the best leaders today are those who are self-aware, emotionally intelligent, and willing to adapt. Whether you're a seasoned executive or a new team leader, this conversation will inspire you to pause, reflect, and take actionable steps toward leading with more heart, clarity, and vision.Highlights from this episode:[00:02:22] – Self-Awareness is Step One - Genevieve's assessment tool helps leaders reflect on their mindset, behavior, and impact.[00:13:00] – Ask for Feedback to Build Trust - When leaders invite honest feedback, it fosters connection, builds trust, and creates a ripple effect.[00:34:52] – Coach, Don't Command - Adopting a coach-like leadership style elevates individuals and the entire team.Take Genevieve's assessment here: https://www.grow-better-together.com/blog/leadership-selfassessmentGenevieve's website: https://www.grow-better-together.com/Find Genevieve on Linked In: https://www.linkedin.com/in/genevieve-retzlaff/Also mentioned in this episode:CliftonStrengths® 34: https://www.gallup.com/cliftonstrengths/en/403127/cliftonstrengths-34-report.aspxEmotional Intelligence by Daniel Goleman: https://a.co/d/6EC4GMqListen today at vibrantculture.com/podcast or your favorite podcast platform!Learn more about Nicole Greer, the Vibrant Coach: https://www.vibrantculture.com/

In this episode, Kelsey sits down with Katie from KG Travel Co. to hear all about her spring break trip with her family of four to Las Vegas, Zion National Park, and Bryce Canyon. From transforming Vegas into a kid-friendly adventure with a scavenger hunt, to avoiding the infamous three-hour shuttle lines in Zion with a genius e-bike rental hack - Katie shares practical tips and heartwarming moments from their journey.But the true showstopper? A stay at The Grand Ranch in Cedar City, Utah—where each cottage comes with its own backyard miniature Highland cow (yes, really). Picture feeding these gentle, fluffy friends through your window—Kelsey may or may not have teared up over family time at this magical place.Mentioned in this episode:- Family Conversation Cards- Turo rental cars- Enneagram 7- Hilton Grand Vacations Club Elara Center Strip Las Vegas- ChatGPT to plan trips- New York - New York roller coaster and arcade- AREA 15 and Meow Wolf- Michael Jackson ONE by Cirque du Soleil- Nathan Burton Comedy Magic Show- Las Vegas Raiders Stadium Tour- Pinball Hall of Fame- Mandalay Bay Aquarium- Amalfi by Bobby Flay in Caesars Palace- Snow Canyon State Park- Kanarra Falls hike in Kanarraville, Utah- Hurricane, UT - Springdale, UT - Zion National Park- E-bikes and Angels Landing in Zion- Slot Canyon ATV TourBUY ME A COFFEE to show your support for the Trip Tales podcast! https://www.buymeacoffee.com/kelseygravesFOLLOW: Kelsey on Instagram & TikTokSHOP: Kelsey's Travel Favorites from her Amazon storefront.SHARE: About your trip on the Trip Tales podcast: triptalespodcast@gmail.com PARTNER DISCOUNT CODESVITAL SPRING - 20% OFF premium magnesium & electrolyte replenisher Vital Spring with code KELSEY20 COZY EARTH - 40% off Bamboo Sheets that feel like hotel luxury with code: CE-KELSEYGRAVES BLING2O - 10% OFF Bling2o kids ski or swim goggles with code: KELSEYSPANX.COM - Use code KGRAVESXSPANX for 15% OFF full-price items and FREE SHIPPING. My current fav travel outfit is the Air Essentials Jumpsuit. ...

Our Lean(ing) King is heading to Sin City! Vegas is filled with drugs. Sex. Cirque du Soleil. What happens in Vegas stays in Vegas. Except when it's murder. Murder stays there. When a military man is killed in his own home, Keith and some very dramatically filmed detectives are on the case. And they're not just solving a murder, but other mysteries like which aisle is the pickup aisle in Walmart, and why is it the digestion aids aisle? How did Dick Van Dyke offend the employees of a strip mall telemarketing company that is definitely not a front for shmugs? All those questions answered and more in PART OF THE PLAN! Official Description from Peacock: Las Vegas detectives investigate the fatal shooting of a U.S. Air Force Airman. Keith Morrison reports.  Take a minute to check out some amazing offers from our fantastic sponsors! Pretty Litter helps keep your house smelling fresh and clean. Save 20% on your first order and get a free cat toy with code DATEDATELINE at .PrettyLitter.com/DATEDATELINE  Give all the moms in your life a unique, heartfelt gift you'll all cherish for years, StoryWorth! Right now save $10 on your first purchase when you go to storyworth.com/datedateline! It makes the most memorable gift that lasts for generations!  For a limited time only, get 35% off plus an additional 50% off your first order when you head to smalls.com and use code DATEDATELINE! To advertise on this podcast please email: ad-sales@libsyn.com   Or go to:  https://advertising.libsyn.com/ADatewithDateline Learn more about your ad choices. Visit podcastchoices.com/adchoices

C'est toujours un plaisir de passer du temps avec Jessica Chartrand.Cette fois, on a parlé de rencontrer sa blonde dans une ligue de balle-molle, de la vie tragique des artistes du Cirque du soleil, d'être belle-mère et, bien sûr, on lit des dates.Bonne écoute. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This week we welcome Minnesota native and dance super star, Tyrese Parker! Listen in on his journey from a small town to SYTYCD to dancing around the world before landing his role as Artist Coach at Cirque du Soleil's Mad Apple! Parker shares his creative process in choreographing and his hopes for the industry in years to come. Be sure to review, subscribe, and drop a review. Happy dancing!SOCIALS:Tyrese - @tyreseparkerUs! - @insidedanepodcastAlex - @alexyonkTaylor - @tbradchoreoSupport the show

Episode Summary:Caitlin Wheeler, a multifaceted dance professional with an impressive resume spanning creative direction, choreography, and event production. Originally from Australia, Caitlin has worked globally with top artists such as Drake, Adele, and T-Pain, and brands like Nike and Reebok. She shares insights into her journey from a dancer to a choreographer and creative director, emphasizing the importance of connections, staying open to opportunities, and continually evolving.Caitlin reflects on how saying "yes" to unexpected challenges has shaped her career, including her transition into the world of corporate event production with Blueprint NYC. She encourages young dancers to embrace risks, remain professional, and focus on building a strong reputation, as talent alone is often not enough. Caitlin's story highlights the power of resilience, networking, and the willingness to pivot in the pursuit of long-term success in the dance industry.Her advice to the next generation of dancers is to keep learning, remain adaptable, and always approach challenges with confidence and gratitude. This episode is a wealth of knowledge for aspiring dancers and creatives looking to navigate the diverse opportunities within the entertainment world.Show Notes:0:00 – Introduction to the podcast3:00 – Caitlin's Early Dance Journey7:00 – Transitioning to the U.S.12:00 – The Power of Networking17:30 – Creative Direction and Choreography22:30 – Working with Cirque du Soleil28:00 – The Shift to Production and Event Management35:00 – Advice for Aspiring Dancers40:00 – Navigating Career Transitions45:00 – Final Thoughts and Words of EncouragementBiography:Caitlin's credits hail from all over the world such as Australia, USA, UK, India, Europe and Africa, and include a scope of Creative Directing, Choreography, Performance, Event Production, Hosting and Teaching.Caitlin has worked with an extensive list of Artists, Celebrities, Brands, and has worked on Television Shows, Industrials, Live Shows, Movies and Music Videos. Some of these esteemed names include - Drake, Kendrick Lamar, Glady's Knight, T-Pain, Adele, LaToya Jackson, Raven Symone, Fifth Harmony, Michelle Williams, Seal, Joey Fatone, Daughtry, Donny Osmond, Kelly Osborne, Paulina Rubio, “Carlton” Alfonzo Remeiro, Guy Sebastian, Jessica Mauboy, Neymar, Carl Lewis, Gabby Douglas, Russell Wilson, Serena Williams, Colin Kapernick, Bo Jackson and Michelle Obama just to name a few.Brands such as Sony, Nike, Reebok, Adidas, Jay-Z, Stila, Nickelodeon, Buxom, Planet Fitness, Snapchat, In & Out, Miss USA and Royal Caribbean Cruise Lines.Caitlin has a strong passion and skillset for Creative Directing, Choreography and Event Production. Some of her credits include Assistant Director & Associate Choreographer for Cirque Du Soleil's Vegas show “R.U.N”.Choreographer on Fox's hit Tv show “The Masked Singer”, New Years Rockin Eve featuring Alfonso Ribeiro, “Unleashed” on Nickelodeon, Nike Forum Fashion Week New York, “Obsessed with the babysitter” premiering on Lifetime Movies, The Rose Bowl Parade, Ringling Bros Circus “Circus Extreme”, Nickelodeon Kids Sports Awards, Nike “Born Mercurial” London, Snap Chat Annual New Years Eve Gala, In & Out Annual Gala, Nike's Strongest Plus one Brunch, India's Rawstar, Nike Olympics Puerto Rico Live Show, Reebok Global Live Summits, So You Think You Can Dance (Australia/USA), Nike “Let's Move” campaign with Michelle Obama, Miss World Tourism, Miss Angola, UNICEF, Westfield, Bachelor's Ball, and Buxom.Caitlin was also a Competition judge and Director for over 12yrs, and was a featured host on Lifetime's hit show "Dance Moms" and Jojo Siwa's "Dance Revolution". Caitlin now works Full time as a Producer for New York based esteemed Meeting and Event production company BlueprintNYC.Connect on Social Media:https://www.instagram.com/caitlinaussiefithttps://www.facebook.com/caitlinwheeler11

Marketing today feels like an endless game of chasing trends, tweaking strategies, and trying to keep up with ever-changing algorithms. It's exhausting to pour time and energy into content that barely gets noticed while competitors seem to have it all figured out. The flood of tech tools promises to make things easier, yet often, they just add more confusion. And underneath it all, that nagging feeling creeps in—wondering if you're even doing it right or if everyone else just knows something you don't. Natan Verkhovsky is an elite energy coach with over 30 years of experience helping more than 15,000 individuals, from Olympic athletes to business professionals, optimize their mental, physical, and emotional performance. As the founder of Allura Creative Agency and host of the daily podcast Frequency of Abundance, now in its fourth season, he brings a unique blend of energy management, medical hypnotherapy, and high-performance coaching. His background includes working with Cirque du Soleil performers and national sports teams, giving him a distinctive perspective on peak performance and resilience. Today, Natan shares his insights on overcoming imposter syndrome, building meaningful business communities, and helping entrepreneurs amplify their message while staying true to their purpose. Stay tuned! Resources Allura Creative Agency: Attract. Engage. Delight. | "To the EVOLUTION of your BRAND!" Follow Nathan Verkhovsky on Facebook Connect with Nathan Verkhovsky on LinkedIn Follow Allura Creative Agency on YouTube

Welcome back to this week's episode of Diving in Deep with your host, Sara Evans! In this episode, Sara welcomes Sam Williams, the grandson of the legendary Hank Williams Sr. and son of Hank Williams Jr. Sam shares his journey of carving out his own identity in the country music scene while navigating the challenges of being a single dad and an aspiring musician.We dive into Sam's experiences growing up in Paris, Tennessee, the impact of family legacy, and the personal tragedies that have shaped his life and music. Sam opens up about the loss of his sister and mother, and also discusses his love for music, his creative process, and the exciting new sounds he's exploring in his upcoming projects.Whether you're a fan of the Williams family's music or just love a good story, this episode is packed with heartfelt moments, laughter, and insights into the life of a rising artist in Nashville.Don't forget to like, share, and comment on the podcast! Listen to Unbroke: (https://ffm.to/seunbroke).About Sam Williams:Grandson of country pioneer Hank Williams and the son of outlaw legend Hank Jr., Sam Williams is the latest in a long line of American originals, who sings with his own singular voice and writes in his own singular style, fusing gut-wrenching honesty and plainspoken poetics with raw vulnerability and deep empathy. In 2021, Williams released his debut album, Glasshouse Children, which was a testament to his brilliant lyricism and soulful vocals and received rave reviews from Rolling Stone, Music Row, Associated Press, and so much more. In October 2022, Williams unveiled a deluxe edition of the record, which featured “Tilted Crown,” a reflective track about navigating his legacy in life. Williams followed up his debut with a string of powerful singles in 2023, along with multiple shows at the Grand Ole Opry and show-stopping performances at Nashville's CMA Fest and the UK's Country 2 Country Fest. In 2024, Sam unveiled a new poignant song “Carnival Heart” which is the official anthem for the new innovative country-themed show Songblazers: A Journey Into Country Music, produced and presented by Cirque du Soleil and Universal Music Group Nashville. His forthcoming album, Act II: Countrystar, is a vibrant and daring seven-song follow-up which underscores Williams' versatile songwriting skills. With the release of Act I: Scarlet Lonesome and Act II: COUNTRYSTAR on the way, Sam continues to prove that he is making a legacy for himself that is completely his own.LET'S BE SOCIAL:Follow Sam Williams:Instagram - (@samwillivms)Facebook - (@Sam Williams)TikTok - (@samwillivms)X - (@samwillivms)Follow Diving in Deep Podcast:Instagram –(@divingindeeppod)TikTok – (@divingindeeppod)Twitter – (@divingindeeppod)Facebook – (@divingindeeppod)Follow Sara Evans:Instagram – (@saraevansmusic)TikTok – (@saraevansmusic)Twitter – (@saraevansmusic)Facebook – (@saraevansmusic)Produced and Edited by: The Cast Collective (Nashville, TN)YouTube – (‪@TheCastCollective‬)Instagram – (@TheCastCollective)Twitter – (@TheCastCollective)Directed by: Erin DuganEdited By: Sean Dugan, Corey Williams, & Michaela Dolphhttps://www.thecastcollective.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A bailarina e coreógrafa Deborah Colker é a convidada do Provoca, com Marcelo Tas. No programa, ela fala sobre sua trajetória pessoal e profissional, seus projetos atuais e como sua visão sobre a dança evoluiu ao longo dos anos.Com mais de 14 espetáculos no currículo, Colker foi responsável pela coreografia da cerimônia de abertura dos Jogos Olímpicos, tornou-se a primeira mulher a dirigir um espetáculo do Cirque du Soleil e já assinou coreografias para óperas e comissões de frente de escolas de samba.Durante a conversa, Deborah também compartilha a experiência vivida na Amazônia com os povos originários do Xingu — um encontro que mudou sua percepção artística: “Mais do que a música ou a dança, me lembrei do tempo”.

The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT The next plus-sized pro AV trade show on the annual calendar is InfoComm, coming up in mid-June in, yuck, Orlando, Florida. I'm always curious about what will be new and different with the show, and that's particularly the case in 2025, because there's a new person running things. Jenn Heinold joined show owner/operator AVIXA late last year as the Senior VP Expositions, Americas, so for the last several weeks she's been in drinking-from-the-firehose mode as she learns more and more about the industry, ecosystem and how people think about and use InfoComm. Heinold is a lifer in the trade show business, and while she has run tech-centric trade shows, pro AV is new to her. We had a really good conversation that gets into her impressions and thoughts about the industry, her perspective on ISE, the AVIXA co-owned sister show, and plans for what will be her first InfoComm in June - including what will be different and new. We also get into what, if anything, will be affected by all the trade and geopolitical turmoil that's bubbled up since the US presidency had its four year shuffle. Subscribe from wherever you pick up new podcasts. TRANSCRIPT Jenn, thank you very much for coming on. You've been on the job for how long now?  Jenn Heinold: I've been with AVIXA for just over three months. I joined in December as the Senior Vice President of Expositions for the Americas, and I'm over InfoComm in the U.S., which will be June 11th through the 13th in Orlando, Florida and then I'm also responsible for our new InfoComm America Latina launch event, which will be in October in Mexico City.  Did you know anything about the Pro AV sector before you got involved?  Jenn Heinold: No, honestly. I ran the largest satellite technology show in the U.S. for 15 years. So I've worked in technology, but Pro AV is different and I find myself now everywhere I go looking for display screens and how audio sounds. It's so fascinating how quickly you become immersed within the industry and you notice that it's everywhere and it makes our experiences better.  You'll be a display nerd in no time.  Jenn Heinold: I'm working on it. So have you always been in the trade show business?  Jenn Heinold: I have, yes, I dedicated my career to trade shows. I am super passionate about what happens in a face-to-face environment. I love the serendipity of it. I love that what I do helps businesses grow. The community aspect is amazing, right? Bringing people together with a common goal or challenge. The education that we can provide at trade shows. You can do a month's worth of meetings in three days. You can do a trip around the world in three days in some cases, right?  So I just love the format and really believe in what it can do for businesses and I'm excited to produce InfoComm. Because you had some background working with technology trade shows, has there been much of a learning curve? Setting apart the obvious that there are different companies and all that, but I guess their needs aren't all that dissimilar, are they?  Jenn Heinold: No, I think the commonality in working on technology shows is that you have the same structure where there are channel partners that are working to sell and integrate products, but then you also have all of the end users who use a specific technology. So I think it's important for us to be a forum for both Pro AV as well as our end-user audiences, and make sure that they each are fulfilled and feel welcome at the show and find value in the show.  You went to Integrated Systems Europe a few weeks ago, I saw you there. That was your first big Pro AV trade show, I assume, and I'm curious about your impressions.  Jenn Heinold: Oh, gosh, I was blown away by ISE. How could you not be? But for me, I was just so impressed by what the exhibitors did on the show floor. They really pulled out all the stops for ISE and the energy is amazing. It was so valuable for me to see the technology all together in real life, and then also to be able to meet with exhibitors here directly to know what are your strategic priorities for 2025 and beyond. Who should I be focusing on making sure that I have at the show, so it's the best for our exhibitors and our attendees alike?  I'm sure you were walking around with people like your boss Dave Labuskes both at ISE and InfoComm. Did you get some sense that ISE is its own thing? InfoComm runs differently. Yes, there are the same vendors and everything else, but apart from the obvious of Barcelona versus Orlando or Las Vegas, it does do things differently in some respects, at least. Jenn Heinold: Yeah, absolutely. I unfortunately don't yet have the comparison for InfoComm. I know what our plans are and what we're focusing on. ISE clearly has an amazing global footprint and InfoComm, while it is international, does skew a little bit more to North America just based on the location.  I think we at InfoComm have a much more training program and educational offering, which I really think is valuable. We need to not only nurture our current workforce and make sure that they have all the tools they need to succeed, but focus on the next generation as well, and I'm really proud that InfoComm does that. One of the things about ISE, as you said, there's not as much of a focus on training, there are certainly conferences and things like that, but it's more aimed at end users.  Do you find that you're getting exhibitors and other people saying, hey, it would be great if we had more end users if there was more kind of focus on that part of it, as opposed to, I sometimes refer to InfoComm is something of a gearhead show, and I don't mean that negatively, but it attracts the people who are going to go look at things like cable connectors and mounting infrastructure and so on and stuff that maybe somebody who's an experiential designer for a creative tech shop maybe doesn't care that much about. Jenn Heinold: Yeah. I will say that for 2025, we definitely are emphasizing the end-user audience. They are a key segment for us. Actually, one of the first things I did within my first week, Dave, was look at our end-user segments and compare what groups naturally grew when we were in Orlando versus Las Vegas, right? Just who organically was coming to the show and what I saw was a big increase in education when we're in Orlando, house of worship, retail, restaurants, and hospitality. None of this probably surprises you, but as we built out our marketing campaign, we've decided to really double down our investment on those segments that are organically growing in Orlando. I grew up in trade shows and marketing, so this has really been a passion project for me. Making sure that we have the right audience in InfoComm 2025 is my number one priority and I had to prioritize when I started at AVIXA so I had six months to really execute the show. So if there is one thing that I'm focused on day in and day out, it's the audience at InfoComm this year. When you say audience, are you hearing from exhibitors that they want to see more I end users or they want to see more partners because I think of an InfoComm as being a hyper-efficient way for a manufacturer to have a touch with a whole bunch of existing and potential resellers, and maybe not as worried about having like General Motors or some big retailer walking around.  Jenn Heinold: I hear both, Dave, and I think distributors and integrators are a super important part of the ecosystem, just as the end users are. We are putting more end users on Stage on the show floor this year, as well as within our conference program and I think, having the end users talk about how they are using AV technology only drives more end users to come to the show. That's what they want to hear, right? Uses cases of how they had successful installations, and how they have better employee engagement because of their conferencing and collaboration tools. We've got some retailers actually who will present how they're deploying AV technology in their stores, and what it's doing to improve their business. So we are making a real focus on that piece along with, of course, all the traditional content and certification we offer for the gearheads, as you said. I assume that's a bit of a tactic as well in, that if you invite, the Head of Digital for a big bank or big retail or whatever it may be to the show to do a speaking gig, there's a decent chance he or she is gonna bring some other people with them and then you've got people with big bank on the name tag walking around the show and you're able to talk about, look at the kinds of companies we're attracting. Jenn Heinold: That's absolutely a tactic. The other tactic is when we market to these end-user segments, and they go to our website, perhaps cold, having not really known much about InfoComm, and they see like-minded people on the website speaking, they realize it's an event for them too.  When you got involved, was there a discussion about how are things working right now? The old line about, if it ain't broke, don't fix it? Or were there things that you were told that are where we would like to grow, here's like where we would like to change things, that sort of thing?  Jenn Heinold: Yeah, I mentioned some of the deep dive I took into the show data when I first started. I also read the last five or so years' Exhibitor and Attendee Surveys. In reading those, one thing that bubbled up was just the onsite experience overall, and it is hard when you compare a U.S.-based show to an ISE at the Fira Barcelona is lovely and the food options are really healthy and great, and, unfortunately, we're a little bit behind in the United States on those things, but we are making  It's mind-blowing.  Jenn Heinold: It is a little embarrassing sometimes, but, I will tell you, I have already met with the team in Orlando. I actually was there about three weeks ago and talked about how we want to upgrade the food and beverage experience, have healthier options, and have more seating. So you will see an upgrade in the onsite experience as well.  That's something that we've done mindfully. When you have a better experience, you want to spend more time on the show floor, right? So, there's definitely another strategic priority for us.  Might as well talk about it now, I, people like me would be very happy if we never went to Orlando or Las Vegas again, and in the past, long before your time, InfoComm did move around a little bit. I remember the first one I went to was in Anaheim, and then it got in this rota of, back and forth between Orlando and Las Vegas.  Is that a finite thing or is that just how things are going to be?  Jenn Heinold: I don't think it's finite. The reality is InfoComm can fit in about five convention centers in the United States based on its size and Orlando and Vegas are two of them. Chicago could be an option, Atlanta, and New Orleans might work, but there are just not that many venues that can hold a show of our size, and also where the cities have the infrastructure to host us, so we are a little hamstrung that way.  I'm not opposed to looking at other cities. I think when we look at different cities, of course, we look at the cost structure. We look at the audience that is within a couple of hundred-mile radius and how accessible it is for air travel and everything else. I'm not opposed to it. We do have quite a few years booked already for Orlando and Las Vegas, but it's definitely something that I'm looking into.  If you come to the show, you'll see a lot of questions about our future cities and where we might be in the post-show survey, because it's something that I'd like to look into in the future. You've only been with AVIXA for three to four months, so you don't have a reference point for last year, but I'm going to ask anyway, what's going to be different this year with the show?  Jenn Heinold: Yeah, I mentioned our focus on the audience. That is a big priority for us. We always do local tours where you're able to see Avian Action. But this year I'm really proud that we're in Orlando. We've got a few new tours added to the schedule. One is, the Cirque de Soleil show behind the scenes in Disney Springs. We are going back to the University of Central Florida. We're also doing a large mega-church in Orlando for a house of worship tour. So we've added some fresh content there.  We also have a brand new panel discussion that we're launching this year called 2030 Vision. It will be moderated by Dave Labuskes, and we've got three visionaries from our industry, plus an end user up on stage to talk about what Pro AV look like in 2030, and what are the factors shaping our market. Our visionaries will be from Shure, Crestron, and Diversified. I'm really excited about having some different content models at InfoComm.  I talked earlier about the upgraded experiences. Again, we're really being mindful about making the event more comfortable and enjoyable to be a part of. I think in the last couple of years, AVIXA has really put a push on AVIXA Exchange and AVIXA TV. So I get a sense there's a lot more effort to educate the ecosystem and also use very modern ways to do it. It's not just the written word and case studies and so on. You're doing a lot of proper broadcast studio on-site at ISE and I assume probably something similar at Orlando.  Jenn Heinold: Yeah, absolutely. We'll have our AVIXA TV studios. The coolest thing about that, beyond being able to watch some of the interviews as they are recorded live, is that you get to see a fully functional broadcast studio on the show floor, right? You get to see how technology converges. It's not about just one box. It's about the whole solution and being able to present the whole solution is really special for us.  We've also got three stages. You mentioned AVIXA TV, that's more of a campfire format, right? So huddle around, and talk about different challenges that we're facing. We have our technology innovation stage which is really about highlighting new products that are coming to market and then we have our innovation Spotlight Stage and with the Spotlight Stage, we will have some exhibitors presenting thought leadership, but we also have some content partners there like Digital Signage Federation Plaza. We'll talk about lighting and staging. IABM will focus on the broadcast market opportunity and specifically the intersection of broadcast AV and IT. And FutureWorks who will talk about content creation.  Are you getting into some areas that - I saw at ISE that I didn't have enough time to really get over there and look at any, but it's enough just to get through those four days - but things like drones?  Jenn Heinold: We don't have a dedicated section of the show floor for drones. But certainly, there is some content about the use of drones projection mapping, and other applications.  What about the digital signage side? Through the years, AVIXA at InfoComm has tried to do “digital signage” pavilions, zones, and all kinds of things, and then in the last two to four years, I'm not sure of the number, you've worked with the Digital Signage Federation on a conference day called D Sign. Is that being replicated this year?  Jenn Heinold: Yeah, that'll return and we also have some content with Invidis who will cover a lot of digital signage as well so it's still a huge focus for us as part of the show. One of the attempts has always been to try to create an area thematically around it, but I've always told people that's super difficult because there are exhibitors who've been at that show for 10-20 years, and they have their spot. So it's hard to just say, okay, all of you digital science companies, you go over here, the audio people maybe do. Jenn Heinold: Yes. We don't have a dedicated pavilion for digital signage, but it gets back to our conversation earlier, Dave, I think it's a little bit less about one very specific piece of technology and more about the larger application and I think that's where our industry is going, and that's why really we can't box in those digital signage providers, right? Because they're doing so much more than just just a digital signage display.  Yeah, and that applies to just about any discipline these days that everything is cross-pollinating.  Jenn Heinold: Yes. So I think you'll see certainly some applications come to life at InfoComm 2025 and it'll be an even bigger part of our event design for 2026 where we are already having those conversations around what Infocomm 2026 looks like, which is really exciting. There was some noise at ISE around some of the major exhibitors, like notably Samsung, suggesting that they're not going to be at the show, that they're pulling their big stand, and this and that, and those were swatted down at the time, but I'm curious where that's at.  Jenn Heinold: Yeah, I personally speak to Samsung about every other week and they will be participating at InfoComm 2025. Will it be in the large booth presence that they have had in the past? Quite frankly, no, but, they will be there. They will have products on display. We welcome them and we're working with them to find the right marketing solution for what their needs are today and into the future as well. I find that weird because they had a massive presence at ISE and you would think they want to be there and if they're just doing whisper rooms, that sort of thing, it seems an odd decision. Is there something behind that? I read stuff about Korean politics or whatever, Korean government stuff that may be in the way of it. Jenn Heinold: I think that's a better question for them to answer, certainly, but they will do more than just a whisper room. They will have a presence at the show and we're working with them very closely on that. And they've been great partners. We want to continue to partner with them in a way that's mutually beneficial to both. Of course. Are you seeing some new exhibitors? Again, I respect that this is all new to you, but, some significant exhibitors coming into the InfoComm that maybe didn't do in the past.  Jenn Heinold: Yeah, I'm seeing, some more kiosk manufacturers. We're hearing more and more about that. Retail seems to be a really big end-user segment. That's a priority. We Just signed up AWS and they're bringing their equivalent of the Fire Stick for digital signage to the show. So those applications are fun to see and new for us.  We are always looking at a little bit of AI technology, we're always looking to make sure that we're introducing new and innovative technology to the show floor and one of the most fulfilling things for me is when you see those new tech come in and they might come in a 10 x 10 in the far corner of the hall and then they work their way there, work their way up, and have a bigger and bigger presence. Does your team do much coaching for some of the overseas exhibitors?  I'm particularly thinking about Chinese LED manufacturers who show up at these shows and it's always been a source of frustration and bewilderment for me that they'll spend a lot of money to bring all their tech over and bring a bunch of people over, and then when I wander into their booths and start asking questions, they don't tend to have many, if any people who can speak much in the way of English. So do your people coach them by saying, “Guys, if you're gonna do this, here's our advice!”  Jenn Heinold: We do.  It doesn't necessarily work?  Jenn Heinold: We do and we also try to help our exhibitors with their marketing campaigns and how to promote their presence at the show, and how to save money. A lot of the services are deadline-driven and talk through all of those things.  Yeah, we do that. We partner with sales agents as well that are in the country and we encourage them to work with their exhibitors as well as to coach them on exhibiting. I don't know if that is not necessarily working, but I do think it's a longer process because there are so many elements that tie into that. Yeah, and it's not easy to if you're in Shenzhen or Beijing or whatever, you just logically don't have a whole bunch of English-speaking people, but, I guess it's not that easy either to hire interpreters to come over and get questions thrown at them about chip on board and pixel pitch and things like that the interpreter is not going to understand either.  Jenn Heinold: That can be a challenge. We hire some interpreters for our own staff to help interact. And, yeah, it definitely can be a challenge. I do think we are so close. You travel internationally. I travel internationally and with Google Translate and so many new AI tools, I feel like we are so close to really having some breakthrough moments with that though. It's so much easier now.  Like the Facebook glasses, and there's some other ones out there where they can do real-time translation and it'll just show up on the lens, which would be amazing for just about anything I do once I leave this country or leave this continent. Jenn Heinold: Yeah, I see it too. I'm hopeful that'll really transform our shows.  I have to ask about the current political and economic climate with tariffs and everything else. How are AVIXA and InfoComm navigating their way through some of that?  Jenn Heinold: Yeah, I think it certainly comes up quite often. I mentioned that was doing a trip in South America, Mexico last week, and I think it's a concern for our exhibitors, and what we can do is just help support their efforts. I feel really confident that our exhibitors know how to run their business and know how to do it well, and they will pivot and make adjustments I have studied the AV industry over the last few months, having joined AVIXA and having seen how our industry navigated COVID and having worked for an organization that had multiple trade shows prior where I saw a lot of industries not navigate COVID as well as the AV industry, I'm super impressed with how agile and smart our exhibitors are.  I think this is just another challenge that we face. I have every confidence that we'll be able to navigate this too.  Do you have any sense of companies deciding, given everything that's going on, really don't want to travel to the U.S. right now?  I'm Canadian, so I suspect there's a whole bunch of people north of the U.S. border who are having second thoughts about, okay, do I really want to go to Florida right now or in June with all this stuff about Canada being the 51st state and so on. Jenn Heinold: Yeah, so right now, we haven't had a lot of pushback on traveling to the United States. We have been able to maintain the exhibitors on our show floor, but it's certainly something that I'm watching very closely.  As a show organizer, I do think it's our job to make sure that everyone feels welcome and that's what I'm focusing on.  Yeah, I think most Canadians like me, I've got a bazillion friends in the U.S. and I would miss them and everything else and I don't think they're the ones who are stirring the pot here. So it's just unfortunate.  Jenn Heinold: Yes, absolutely.  We'll just leave it at that, right?  Jenn Heinold: Yeah.  So tell me about Mexico City. I'm curious how you guys, not really rationalize that, but you have to counterbalance that. Okay. If you do a show in Mexico City for LATAM, does that siphon away some of what is in InfoComm US?  Jenn Heinold: I wasn't part of the initial launch conversations, but I will tell you having managed regional portfolios of shows, in my past life and now being part of a regional portfolio show, I really think that all ships rise with the tide, Dave, and having an event in the country and more specifically, the In the native language and being able to serve that community who may not be able to travel will only lift up and put calm in the U.S. as well. So I'm really excited about it.  The pride that the local community feels to have InfoComm in their backyard is really palpable and energizing. I'm proud that we're able to do the regional event, and I do think that it'll feed even more of the audience to InfoComm in the U.S. because in many ways it's a great introduction to the brand and we can say, now you experience this and please come to the U.S.  show as well.  Finally, I'm curious how things are tracking. I know that with ISE, I heard probably eight weeks out or something like that, it was going to be very busy, probably break records, and so on. I'm curious about what you're hearing or tracking for Orlando and also for Mexico City although I know Mexico is well out.  Jenn Heinold: Yeah, so for Orlando, our show floor is about 95 percent sold. We're targeting around 410,000 net square feet of exhibit space and for registrations, we're targeting 40,000 which is back to pre-pandemic numbers. Right now we're pacing really well. I'm watching it very closely, of course, and I'd love to check-in with you a little closer to the event and be able to share since we still have a few months to go. But all the indicators are really good for InfoComm in the U.S. We actually just added some hotel room nights because we were getting full with the hotels we're seeing our website traffic, pretty significantly year over year. We have to look at the full picture, but there are some really positive early indicators for InfoComm.  It's probably a bit too early to know much about Mexico City, right? Jenn Heinold: Mexico City's registration will open up in June, actually at InfoComm in the U.S. We've sold about 80% of the show floor. It's a much smaller show floor than InfoComm in the U.S., but I'm really happy with the early interest from exhibitors and support from the local community. We're hoping for about 5,000 attendees in Mexico City. All right. Thank you very much for giving me an update.  Jenn Heinold: Thank you. I really enjoyed our conversation.

What does it take to run the business side of one of the most iconic live entertainment companies in the world?At Cirque du Soleil, dazzling performances are only part of the story. Behind the scenes, a lean and globally distributed finance team keeps operations running smoothly across continents, currencies, and creative projects. In this episode of the SAP Concur Conversations podcast, Chantale Périgny, Accounts Payable Manager at Cirque du Soleil, takes us behind the curtain.She shares how Cirque reimagined its travel and expense processes to support a business that thrives on flexibility and creativity. From simplifying global compliance to empowering employees with mobile-first tools, Chantale explains how SAP Concur solutions like ExpenseIt and Intelligent Audit help her team gain control, improve visibility, and keep everyone focused on the work that matters most — bringing world-class performances to life.Whether you're in finance, operations, or just curious about how innovation fuels creativity, this is a story of smart automation, strategic alignment, and staying nimble in a fast-moving industry. Hosted on Acast. See acast.com/privacy for more information.

Korea House

Cette semaine, Valérie Fayolle reçoit une figure incontournable du reggae africain : Alpha Blondy. Ce messager de la paix, qui fait vibrer les scènes du monde entier depuis plus de 40 ans, nous parle de son nouvel album, "RISE" et nous emmène en balade à la Maison européenne de la photographie découvrir les clichés de celui qui a suivi l'icône jamaïcaine Bob Marley, le photographe Dennis Morris.   

Do you avoid chaos? Can you recognize when your body is trying to tell you something? Are you afraid of the unknown?In this conversation, Sarah is joined by former Cirque du Soleil acrobat turned somatic depth coach Antonia Dolhaine. Working in a way that Sarah describes as the future, Antonia has mixed multiple modalities with her own experiences to make her work unique. Antonia shares her journey to working as a somatic depth coach and details common themes that arise with her clients, from mind-body disconnections to fear-led success. They also discuss depth psychology, nervous system healing, and why shapeshifting is imperative for growth.You'll learn:Why chaos is a needed ingredient of changeHow to harness the unknownHow to build embodied awarenessHow to access your unconsciousThe power of your imaginationIf you feel like there are missing components in your integration practices, this episode is for you.Antonia Dolhaine is a former Cirque du Soleil acrobat turned somatic depth coach and author of the weekly substack, SpaceUnknown. She specializes in supporting uncommonly creative and ambitious powerhouses to transform the fear-driven patterns of struggle that fueled their current success into the freedom and ease needed to inhabit the next octave of their unique genius.Sign up to Antonia's Substack hereCheck out Antonia's Instagram here and website hereMOON STUDIO WORKSHOP LINKSFuture Self Workshop.Our Hermit Year.Mystic Vision Workshop.Join the Moon Studio Patreon.Buy the 2025 Many Moons Lunar Planner.Subscribe to our newsletter.Find Sarah on Instagram.

What happens when an artist watches the same show 84 times over three decades? Something magical emerges at the intersection of art, ritual, and the sacred.Captain Frodo and juggler Jay Gilligan dive deep into the fascinating psychology of repeated viewing, exploring why we'll happily listen to songs hundreds of times but typically see a live performance just once. This conversation challenges our cultural assumptions about consumption while revealing how each viewing of the same performance can uncover new layers of meaning, detail, and artistic intention.The discussion takes unexpected turns through the landscape of artistic development, questioning whether isolation or immersion best serves creative growth. Jay's incredible story of watching a VHS recording of Cirque du Soleil's Mystere daily for an entire year becomes a lens through which to examine ritual, meaning-making, and the spiritual dimensions of performance. When does a theatrical experience transcend entertainment and become something akin to church?For performers, this episode offers profound insights about taking your craft seriously, understanding your lineage, and finding depth in repetition. For audiences, it provides a new way of appreciating live performance—not as a one-time experience but as a potentially sacred ritual that rewards those who return with open hearts and curious minds.Whether you're a seasoned performer or simply someone who appreciates the magic of live entertainment, this conversation will transform how you think about the performances you create or witness. Captain Frodo's heartfelt reflections on the privilege of performing remind us all that great art isn't just what happens on stage—it's the invisible connection created between performer and audience that makes each moment unique, even when performing the same act for the thousandth time.Support the show...Now you can get t-shirts and hoodies with our wonderful logo. This is the best new way to suport the podcast project. Become a proud parader of your passion for Showmanship and our glorious Craft whilst simultanously helping to gather more followers for the Way.You'll find the store here: https://thewayoftheshowman.printdrop.com.auIf you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.comor find out more on the Way of the Showman website.you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.If you find it in you and you have the means to do so, you can suport the podcast financially at:https://www.buymeacoffee.com/captainfrodo

In this first of a two-part conversation, transformational career coach Geneviève Retzlaff talks about getting her start in human resources with Cirque du Soleil Entertainment Group. After a decade in HR and over 40 countries later, at her own company Grow Better Together, Geneviève helps organizations create cultures that encourage authentic leaders and human connections.

durée : 00:30:50 - Les Nuits de France Culture - par : Albane Penaranda - La musique, la danse et le théâtre imprègnent l'oeuvre du peintre Marc Chagall. Ces sources d'inspiration sont évoquées dans "Présence des arts" en 1984. Martine Cadieu propose une voyage poétique et musicale dans les œuvres de Chagall pour le spectacle, comme le plafond de l'Opéra de Paris. - réalisation : Virginie Mourthé

Rdv avec le comédien Alex Lutz à l'occasion de son nouveau seul en scène « Sex, Grog et Rocking Chair » prévu pour avril 2025 au Cirque d'hiver. Retour sur son enfance, ses débuts au théâtre, sa vision de la vie, son regard sur les êtres humains, sa passion pour les chevaux et son activité de peintre. Dans cet épisode, Mario Luraschi, Laurence Esnol et Malik Bentalha offrent les vidéos surprises sans oublier le billet d'humeur d'Aimeric alias Krow. 

To start off the new season we're getting into the science of one of the most controversial and taboo sex topics around. Squirting! For some people, it's a major sex goal — but for others, it's a source of major embarrassment. And it turns out that people have been writing or talking about squirting and female ejaculation for CENTURIES. So in this episode, we're going to find out: what IS squirting (like, what is this fluid??), how common is it, and if you want to start doing it … how can you? We'll hear from Sex Educator and World Record Holder, Lola Jean. As well as Professor Caroline Pukall, Dr. Nan Wise, Professor Helen O'Connell, and Dr. Samuel Salama.  Find our transcript here: bit.ly/4iIVQcc In this episode, we cover: (00:00) Welcome to Cirque du Squirt (08:26) History of female ejaculation (13:18) Suspect 1: Vaginal lubrication (15:55) Suspect 2: Pee (24:41) Suspect 3: Chemical X? (29:47) Female prostate (36:00) Why does it feel like that? (39:26) What about penises? (42:03) Can you learn to squirt? Credits: This episode was produced by Ekedi Fausther-Keeys, with help from Blythe Terrell, Wendy Zukerman, Meryl Horn, Michelle Dang, and Rose Rimler. We're edited by Blythe Terrell. Video editing, audio mix and graphics by Bobby Lord. Graphics help from Michelle Dang. Illustrations by Scarlette Baccini. Fact checking by Eva Dasher. Music by Bobby Lord, Peter Leonard, Bumi Hidaka, and So Wylie. Interpreting by Kana Hatakeyama, translation help from Ben Milam.  Thanks also to Dr. Devon Hensel, and Dr. Leslie Rickey. Recording and logistics help from Michelle Kitchen, Spencer Howard and Nick Johnson. Recording help from Abi McNeil. Special thanks to Roland Campos. Thanks to Cameron Silzle and Arsonhouse Entertainment. Thanks to Lola Jean and everyone who spoke to us at Cirque du Squirt. Science Vs is a Spotify Studios Original. Listen for free on Spotify or wherever you get your podcasts. Follow us and tap the bell for episode notifications. Learn more about your ad choices. Visit podcastchoices.com/adchoices

When does unmasking the magic behind a theatrical masterpiece enhance rather than diminish its wonder? Join Captain Frodo and Jay Gilligan as they peel back the curtain on Cirque du Soleil's Mystere, revealing the fascinating evolution of this groundbreaking Las Vegas production over its remarkable 31-year run.Franco Dragone emerges as the passionate, sometimes volatile creative force who shaped Mystere through improvisation and emotional imagery rather than traditional storytelling. "I work with images and emotions," he would say, crafting scenes that resonated on a visceral level rather than an intellectual one. The conversation reveals how his creative vision about "the origins of the universe" translated into the show's iconic elements - from the giant inflatable snail named Alice to the baby with the red ball who captures audiences' imaginations.Behind every theatrical wonder lies human reality - sometimes beautiful, sometimes troubling. Dangerous falls from stilts in fog-slicked conditions, and the clown who was fired after cutting the wrong powerful man's necktie during a pre-show bit. Yet these stories don't diminish the magic; they highlight the extraordinary commitment required to create something that transcends ordinary entertainment.Most compelling is how Mystere has evolved while maintaining its essence. Original elements have been modified or removed, performers have changed countless times, and budget cuts have reduced the cast size. Today's performers bring new relationships and chemistry to characters that didn't previously interact, breathing fresh life into a production that refuses to become a museum piece. As Jay reflects, "It's the difference between making a movie and making a show...the show is happening actually for real, every night."Discover why meeting your heroes doesn't always destroy the mystery - sometimes it reveals something even more magical: that ordinary people, through extraordinary dedication, can create experiences that continue to resonate with audiences for decades. Subscribe now for our final episode on Mystere, where we'll explore what we can learn from knowing one thing deeply.Support the show...Now you can get t-shirts and hoodies with our wonderful logo. This is the best new way to suport the podcast project. Become a proud parader of your passion for Showmanship and our glorious Craft whilst simultanously helping to gather more followers for the Way.You'll find the store here: https://thewayoftheshowman.printdrop.com.auIf you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.comor find out more on the Way of the Showman website.you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.If you find it in you and you have the means to do so, you can suport the podcast financially at:https://www.buymeacoffee.com/captainfrodo

An unidentified chemical odor has shut down a Kailua school until Thursday. What we know so far about the closure and smell. Warning letters to car owners are in the mail as the first stage of Hawaii's photo speed enforcement program begins. Where you're most likely to get caught speeding. We're getting a behind the scenes look at the new Cirque du Soleil 'Auana this morning. Casey Lund will be live there a bit later in the show to tell us more on this. See omnystudio.com/listener for privacy information.

Bob McCarthy is a leading expert in sound system design and optimization, with over 40 years in the industry. He pioneered Source Independent Measurement (SIM®) in 1984 and has worked on major productions, including Metallica, Cirque du Soleil, and Broadway hits like Wicked and Les Misérables. His book, Sound Systems: Design and Optimization, is a go-to resource for audio professionals worldwide. A sought-after educator and consultant, Bob continues to shape the future of live sound through his work, seminars, and ongoing projects with top artists and venues.This episode is brought to you by Artistry In Motion and GearSource

Funeral Language Understood: Alex Eilers on Chaos, Melody & New EP 'Cirque' | 89

Caroline Sicard, artistic director for Cirque du Soleil at Vidanta World Riviera Maya in Mexico, speaks with Sherman Dejon of Insider Travel Report about JOYÀ, the resort's immersive residency show. Sicard shares insights on the production's evolving storyline, Mexican cultural influences, live music, intricate costumes and the purpose-built theater. She also highlights the VIP experience, pre-show dinner, and why JOYÀ is an unforgettable experience for all ages. For more information, visit www.cirquedusoleil.com/joya. All our Insider Travel Report video interviews are archived and available on our Youtube channel  (youtube.com/insidertravelreport), and as podcasts with the same title on: Spotify, Pandora, Stitcher, PlayerFM, Listen Notes, Podchaser, TuneIn + Alexa, Podbean,  iHeartRadio,  Google, Amazon Music/Audible, Deezer, Podcast Addict, and iTunes Apple Podcasts, which supports Overcast, Pocket Cast, Castro and Castbox.  

In this episode of The Epic Universal Podcast, Jim Hill and Eric Hersey take a nostalgic journey through Universal's lesser-known history, focusing on the Ma & Pa Kettle film series and its unexpected impact on Universal Studios Hollywood. Along the way, they also dive into the latest Universal news and rumors. Highlights include: The Ma & Pa Kettle Film Legacy: How these quirky, small-town characters became box office gold for Universal in the 1940s and 50s. The Ma & Pa Kettle Petting Zoo: How Universal repurposed the set into a real farm attraction for guests in the early days of the studio tour. The Evolution of Universal Studios Hollywood: From petting zoos to world-class attractions, how the park transitioned into the entertainment giant it is today. Epic Universe Updates: The latest behind-the-scenes insights from team member previews, including first reactions to Monsters Unchained and Isle of Berk. Stardust Racers Testing Issues: What happened when Universal's new dueling coaster stalled on the track? Cirque du Soleil in Vegas: Eric shares his experience seeing the long-running Mystère show and how Cirque compares to other theme park entertainment. This episode blends Hollywood history, Universal's evolving theme park legacy, and the latest attraction updates. Whether you're a longtime film buff or excited for the future of Universal parks, this one's for you! Support Our Sponsor: Be Our Guest Vacations Planning your next Universal vacation? Be Our Guest Vacations is a Platinum-level Earmarked travel agency with concierge-level service to make every trip magical. Their team of expert agents plans vacations across the globe, from Disney and Universal to cruises and adventures, ensuring you have the best possible experience without the stress. Book Now Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 132 - Finding Your Bold and Confident Voice In this episode of the Faith and Family Filmmakers podcast, Jaclyn welcomes back Julia Langley for part two of their interview. Julia introduces her community, Bold and Confident Voices, which aims to elevate people's confidence and vocal abilities through group training sessions and self-paced courses. Julia also shares her personal journey of overcoming a severe accident and PTSD, and how it led her to expand her coaching to a global scale. The discussion highlights the importance of confident communication in various aspects of life, from job interviews to pitching, and emphasizes the value of perseverance and faith in achieving one's goals.Welcome and IntroductionBold and Confident VoicesWeekly Vocal Training SessionsNew Course for SpeakersImportance of Confidence in CommunicationPersonal Transformation StoriesConfidence when PitchingJulia's Life-Changing AccidentExpanding Beyond Vocal TechniqueChoosing Your WordsKeep Moving ForwardFind Julia's New Course for SpeakersBio:Julia Langley helps ambitious performers learn how to use their voice more boldly and confidently. With over 15 years as a featured singer for Cirque du Soleil she has performed on stages in over 20 different countries and all 50 States.In 2019, she was hit by a jeep while riding her bicycle leaving her with injuries that changed her life forever. Four surgeries later and a diagnosis of PTSD, Julia started from ground zero, and with courage and resilience got her life back on track. She believes she was given a second chance and has dedicated herself to empower others to share their story and truly be the force they were born to be in this world.Julia's Online Community: https://www.skool.com/bold-and-confident-voices-9012/aboutJulia on LinkedIn: https://www.linkedin.comJulia on Instagram: https://www.instagram.com/cirquesingerjules/Julia on Instagram: https://www.facebook.com/cirquesingerjulesEdited by Michael RothFAFF Association Online Meetups: https://faffassociation.com/#faff-meetingsScreenwriters Retreat - Mexico: https://www.faffassociation.com/writers-retreatJaclyn's Book - In the Beginning, Middle and End: A Screenwriter's Observations of LIfe, Character, and God: https://www.amazon.com/dp/B0D9R7XS9VVIP Producers Mentorship Program https://www.faffassociation.com/vip-producers-mentorship The Faith & Family Filmmakers podcast helps filmmakers who share a Christian worldview stay in touch, informed, and inspired. Releasing new episodes every week, we interview experts from varying fields of filmmaking; from screenwriters, actors, directors, and producers, to film scorers, talent agents, and distributors. It is produced and hosted by Geoffrey Whitt and Jaclyn Whitt , and is...

Franco Pedone, cluster general manager at VidantaWorld Riviera Maya, talks with Sherman DeJon of Insider Travel Report about the 1,000-acre property's diverse accommodations, including the new 52-suite Jungle Park Hotel, more than 40 dining options, multiple pools, an exclusive Cirque du Soleil theater and the Jungle Aqua Experience water park. Pedone also discusses the resort's jungle setting, sustainability efforts, and the immersive guest experiences available. For more information, visit vidanta.com. All our Insider Travel Report video interviews are archived and available on our Youtube channel (youtube.com/insidertravelreport), and as podcasts with the same title on: Spotify, Pandora, Stitcher, PlayerFM, Listen Notes, Podchaser, TuneIn + Alexa, Podbean,  iHeartRadio,  Google, Amazon Music/Audible, Deezer, Podcast Addict, and iTunes Apple Podcasts, which supports Overcast, Pocket Cast, Castro and Castbox.

Episode 131 - Cirque du Soleil: World Tour and Beyond In this episode of the Faith and Family Filmmakers podcast, Jaclyn introduces Julia Langley, a seasoned performer with over 15 years of experience with Cirque de Soleil. Julia shares her inspiring journey from childhood performances in church to touring 20 countries and all 50 US states. In 2019, a life-changing accident left her with injuries and a diagnosis of PTSD, but with resilience, she rebuilt her life. Julia discusses her unwavering faith, her early experiences in music, and her transition from a corporate career to professional singing. She emphasizes the importance of courage, persistence, and listening to one's calling. Julia also touches on the challenging and rewarding experiences on the road with Cirque de Soleil and her current focus on helping others use their voices boldly through her community, Bold and Confident Voices.Highlights Include:Welcome and IntroductionJulia's Background and CareerEarly Life and First PerformancesChallenges and ResiliencePursuing a Career in MusicJoining Cirque de SoleilLife on the RoadJulia' Masterclass and Personal GrowthConclusion and Contact InformationBio:Julia Langley helps ambitious performers learn how to use their voice more boldly and confidently. With over 15 years as a featured singer for Cirque du Soleil she has performed on stages in over 20 different countries and all 50 States.In 2019, she was hit by a jeep while riding her bicycle leaving her with injuries that changed her life forever. Four surgeries later and a diagnosis of PTSD, Julia started from ground zero, and with courage and resilience got her life back on track. She believes she was given a second chance and has dedicated herself to empower others to share their story and truly be the force they were born to be in this world.Julia's Online Community: https://www.skool.com/bold-and-confident-voices-9012/aboutJulia on LinkedIn: https://www.linkedin.comJulia on Instagram: https://www.instagram.com/cirquesingerjules/Julia on Instagram: https://www.facebook.com/cirquesingerjulesEdited by Michael RothFAFF Association Online Meetups: https://faffassociation.com/#faff-meetingsScreenwriters Retreat - Mexico: https://www.faffassociation.com/writers-retreatJaclyn's Book - In the Beginning, Middle and End: A Screenwriter's Observations of LIfe, Character, and God: https://www.amazon.com/dp/B0D9R7XS9VVIP Producers Mentorship Program https://www.faffassociation.com/vip-producers-mentorship The Faith & Family Filmmakers podcast helps filmmakers who share a Christian worldview stay in touch, informed, and inspired. Releasing new episodes every week, we interview experts from varying fields of filmmaking; from screenwriters, actors, directors, and producers, to film...

Enjoy the majesty of Cirque Mechanics: Pedal Punk on March 29th at Hendricks Live! with the help of The Smiley Morning Show! Listen this week for your chance to win tickets to experience what's been called the "Greatest Contribution to the American Circus since Cirque du Soleil!"See omnystudio.com/listener for privacy information.

Step into the enchanting world of "Mystere," where the lines between circus, theater, and artistry blur into an unforgettable experience. In this episode, we unfold the remarkable story behind one of the Cirque du Soleil's most iconic productions, exploring how it reshaped modern entertainment. Listen as we discuss its innovative approach to storytelling, the emotional depth of its performances, and the sheer magic that captivates audiences worldwide.Join us as we dive deep into the show's creative vision, led by Franco Dragone and his team, who broke barriers to redefine the circus landscape. Mystere invites viewers on a journey, appealing to the senses and challenging preconceived notions of performance art through stunning visuals and dynamic storytelling. We share insights on the unique challenges performers face within the show, discovering how anonymity and collective identity play a crucial role in their craft.The episode also touches on the impact of technology in enhancing audience interaction and expectations of live performances. We reflect on the show's enduring legacy, how it paved the way for future productions, and its evolution over the years. Whether you're a circus enthusiast or new to the world of performance arts, you won't want to miss this fascinating exploration! You'll gain valuable insights into the deeper meanings woven into every act. Be part of this journey and share your own experiences with us! Don't forget to subscribe or leave a review!Support the show...Now you can get t-shirts and hoodies with our wonderful logo. This is the best new way to suport the podcast project. Become a proud parader of your passion for Showmanship and our glorious Craft whilst simultanously helping to gather more followers for the Way.You'll find the store here: https://thewayoftheshowman.printdrop.com.auIf you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.comor find out more on the Way of the Showman website.you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.If you find it in you and you have the means to do so, you can suport the podcast financially at:https://www.buymeacoffee.com/captainfrodo

Step into the world of Cirque du Soleil's Mystère and explore its magical journey through the lens of showmanship! This episode takes you behind the scenes as we dive deep into the artistry and evolution that have made Mystère an enduring icon in Las Vegas entertainment. Join hosts Captain Frodo and Jay Gilligan as they share their personal experiences, explore the creative journey behind this iconic show, and discuss how its rich narrative seamlessly combines circus and theater.From the early days of its production to the meticulous crafting of performances, learn about the passion and dedication that go into captivating audiences for over three decades. Mystère is more than just a show; it is a pioneering force that has redefined the circus experience, pushing boundaries while respecting its traditions. Jay, a lifelong juggler and advocate for circus arts, unpacks the emotional layers and innovative techniques that provide depth to this mesmerizing spectacle.As we navigate through key revelations and insider stories of Mystère, we uncover how it has set the standard for future shows and continues to inspire performers around the globe. This rich tapestry of discussion leaves listeners with a profound understanding of both the show and its impact on the cultural landscape. Join us and indulge in an exploration of artistry, risk, and the evolution of performance art. Don't miss out—tune in, subscribe, and uncover the magic of Mystère!Support the show...Now you can get t-shirts and hoodies with our wonderful logo. This is the best new way to suport the podcast project. Become a proud parader of your passion for Showmanship and our glorious Craft whilst simultanously helping to gather more followers for the Way.You'll find the store here: https://thewayoftheshowman.printdrop.com.auIf you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.comor find out more on the Way of the Showman website.you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.If you find it in you and you have the means to do so, you can suport the podcast financially at:https://www.buymeacoffee.com/captainfrodo

Is ICS the No. 1 James Bond podcast? No, but we do talk about turning down a date with Sean Connery. Jacob is looking for a new car, young Matt tries to buy a Jeep, shocking news about Paul's origin, and is Mad Apple the Absinthe of Cirque du Soleil? Plus Scoop Mails and a Scoopardy.

1 - Matter - Livid /  2 - Juan Deminicis - Deep Rock Galactic /  3 - Juan Deminicis - Under Control /  4 - Dave Seaman ft. Cari Golden - Venus Flytrap (DUB Mix) /  5 - Cirque du Soleil - Temperatio (Hicky & Kalo Remix) /  6 - Kebin van Reeken - Akaliza /  7 - Kris Dur, Diego Berrondo - ID /  8 - Left 2 Dust - Attending (Paul Hazendonk & Return To Saturn Remix) /  9 - Around Us - Exile /  10 - Greta Meier & Sebastian Sellares - Benevolence (Paul Thomas Extended Remix) /  Download episode on MP3 (Right click, save link as...) Help me support NGO Alegría Intensiva, Hospital Clown, in Argentina. Donate now by clicking here!!! Donar desde Argentina haciendo click aquí!!!