How does one describe being In The Moment?
Jacques Rancière Part 1 “Time Redivided”: the title sounds enigmatic. And the enigma can hardly be cleared up by the image that I choose as a point of departure: it is a detail from Jean-Baptiste-SiméonChardin's La Ratisseuse de navets (“the … Continue reading →
This June, Executive Editor Patrick Jagoda met with Soraya Murray, associate professor in the Film and Digital Media Department at UCSC, and Noah Wardrip-Fruin, professor in the Computational Media Department of UCSC, to discuss video games and critical theory. Their … Continue reading →
To celebrate his forty-two years as the editor of Critical Inquiry, we asked past and present contributors and editors Homi Bhabha (0:55), Frances Ferguson (7:35), Elizabeth Abel (10:07), Lauren Berlant (16:08), Slavoj Žižek (19:20), and Hillary Chute (27:30) to share … Continue reading →
Ewan Jones If, in years to come, an intrepid researcher writes a dissertation upon the history of technology-assisted synchronous learning, her first chapter may well find room for 7 January 1977. It was on this day that the Collège de … Continue reading →
Coeditor Françoise Meltzer and Werner Sollors discuss Sollors’s The Temptation of Despair: Tales of the 1940s (2014). Read Sollors’s “‘Better to Die by Them than for Them'”: Carl Schmitt Reads ‘Benito Cereno'” in the Winter 2020 issue of Critical Inquiry. … Continue reading →
Robert Pippin and Tom Gunning discuss Douglass Sirk’s film All That Heaven Allows (1955). Pippin’s “Love and Class in Douglas Sirk’s All That Heaven Allows” was published in the Summer 2019 issue of Critical Inquiry. You can also listen and subscribe … Continue reading →
Bruno Latour and Dipesh Chakrabarty visited WB202 to discuss new “questions of concern” and the fight over “facts” and climate change in the world after Trump’s election. Latour and Timothy Lenton’s “Extending the Domain of Freedom, or Why Gaia Is … Continue reading →