Podcasts about Tales

We're coming off of our Summer Game Fest-related high, toting a bunch of news from publisher-driven events that occurred after we published our last episode. For starters, the Xbox Showcase... showcased... 28 games in total, of which 24 are coming to PlayStation 5, including State of Decay 3, Senua, and Spyro: A Realm Beyond (not to mention release dates for Halo: Combat Evolved and Fable). But Xbox's peculiar, wishy-washy, and inconsistent behavior likewise makes us wonder what the future might hold for Microsoft releases on Sony's hardware, especially because Gears of War: E-Day and Clockwork Revolution -- both internally slated to migrate to PlayStation 5 until very recently -- won't appear at all. Meanwhile, Nintendo's newest Direct also had some interesting fodder, including a surprise look at Kingdom Hearts IV, a brand new 2D-HD game in the form of Final Fantasy Resonance, and more. Other news this week revolves around Persona 4 Revival and Persona 6, a new Crazy Taxi adventure in the form of World Tour, a promising magic shooter called Magicians: The Devil's Deal, a fall release date for Castlevania: Belmont's Curse, and extremely strong sales figures for Yacht Club's Mina the Hollower. We wrap things up (as always) with listener inquiries! Now that everything has settled, what are our three most-anticipated games, respectively? Should Sony bite the bullet and greenlight Destiny 3? Where's Naughty Dog hiding? Is Colin falling prey to Big Plumber and Big Sewer propaganda by refusing to flush wipes? Sign up for your $1 per month trial at https://www.shopify.com/sacred Download Cash App Today: https://capl.onelink.me/vFut/ty57yree #CashAppPod Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. Cash App Visa® Debit Flex Cards issued by Sutton Bank, Member FDIC, and The Bancorp Bank, N.A., pursuant to a license from Visa U.S.A. Inc. See terms and conditions for the Sutton prepaid card, Sutton debit flex card, and Bancorp debit flex card.  Discounts and promotions provided by Cash App, a Block, Inc. brand. Visit cash.app/legal/podcast for full disclosures. Timestamps: Please keep in mind that our timestamps are approximate, and will often be slightly off due to dynamic ad placement. 00:00 - Intro08:01 - Letters for Dustin14:59 - From the PO Box27:49 - LSM's big week29:08 - When she likes Sacred...33:03 - World Cup48:26 - Going to a water park alone56:50 - Flushing the poo wipes1:00:39 - Halo: Campaign Evolved launches July 281:22:01 - Persona 4 Revival + Persona 61:39:09 - Kingdom Hearts Collection + IV1:53:15 - Fable 4 Release Date2:01:34 - State of Decay 32:10:37 - Senua2:15:49 - Crazy Taxi: World Tour2:23:36 - Join Us2:26:41 - Final Fantasy Resonance2:30:25 - Magicians: The Devils Deal2:34:39 - Castlevania: Belmont's Curse2:36:33 - Spyro: A Realm Beyond2:42:53 - Thief remaster2:45:18 - Muramasa2:47:25 - Tales of Eternia Remastered2:49:05 - Mina the Hollower surpasses 500,000 copies sold2:49:53 - New PS+ Game Catalog titles2:52:52 - What We're Playing3:10:23 - Top moments of SGF season3:16:48 - Xbox and exclusivity3:55:41 - The Order 1886 Comeback?4:04:12 - Destiny frustration4:22:55 - Beating ritual4:27:37 - Where is Naughty Dog? Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this episode we dive into the ancient war between the human race and the negative energy feeding alien beings that have tried to enslave us since the dawning of our civilization.If you're a fan of Tinfoil Tales, please follow/subscribe wherever you listen to podcasts!Become a supporter of this podcast: https://www.spreaker.com/podcast/cult-of-conspiracy--5700337/support.

How can horror writing help readers — and writers — work through psychological trauma? Why does cross-genre fiction take longer to find an audience, but pay off in the long run? Is running a direct sales store actually worth the inventory, postage, and learning curve? And how can SubStack work for fiction authors? With psychotherapist and award-winning author P.D. Alleva. In the intro, thoughts on why in-person conferences are still worth it, even when they are a challenge for sensitive introverts! and tips for making the best of conferences [Self-Publishing Show]. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why horror puts the human condition on display better than any other genre Emotional trauma as the silent psychological killer most people overlook The pros and challenges of cross-genre writing and finding your audience Practical lessons from running a direct store, including integration and signed-copy fulfilment How a 3 a.m. writing routine keeps the writing separate from the marketing and admin Serialising fiction on Substack, multiple newsletters, and avoiding paid subscriber promotions Why Facebook groups, TikTok Lives, and the three-to-one rule are working right now You can find P.D. at PDAlleva.com or on Substack. Transcript of the interview with P.D. Alleva Jo: P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. So welcome, Paul. PD: Thank you very much. Thank you for having me. This is a great opportunity. I love doing interviews, and I love talking to great people. Jo: Oh, good. Well, first up— Tell us a bit more about you and how you got into writing and being an indie author. PD: So I've been writing since I was a kid, at least second grade and more than likely even before that. I've always had that creative itch. Getting into indie author publishing, I published my first book in 2011. At the time I was also operating my own business, which took up about 24 hours of my time every single day. Then I kind of got through that and sold that in 2016, and I'm like, you know what? The time has come. I'd always written books, poetry, short stories, but never really did anything with them because I just didn't have the time. So in 2017, that's when I really came out and said, all right, the time is now. Indie publishing was doing great. The one good thing I do love about Amazon is they allowed us to come out there and start showing our craft to people. So in 2017, I just started—let's do this. Let's write full time. Let's put books out there. Let's be creative. Let's really get those juices flowing. Plus, I was getting a little bit old, and I was like, now is definitely the time to do this. Since then I've been publishing consistently, and most of my books are horror books, but I dabble. I have a sci-fi series, and I'm starting to get into psychological thrillers too. I've got a new psychological thriller that'll be published in early 2027 called Girl on a Mission. For the most part, I'm definitely into the horror genre—books, short stories, all that good fun stuff. Jo: Right, so a couple of follow-ups. You said you're a bit old. Can you give us what decade you're in at least? PD: Well, I'm 51, so born in 1971. Jo: Oh, there you go. Same age as me. PD: All right, good. See that? So we're going head-to-head there. Jo: I don't think that's old at all. Also, you mentioned you sold your business in 2016. So what was your business before? Because I think business experience is so important. PD: Agreed 100%. So I'm a psychotherapist, and I had owned a treatment centre for mental health and addiction. That was started in 2011, and in 2016 is when it sold. Since then, my wife and I started a private practice. So I still, even to this day—well, about a year and a half ago is when I stopped. I specialise in trauma, PTSD, and addiction. Trauma mostly. Most of my caseload has always been trauma, PTSD, sexual abuse, psychological abuse, war-type trauma. I was doing that mostly individually since 2016 in private practice, and I'll still go into treatment centres and see patients there too, specifically for trauma. About a year and a half ago is when I started wanting to do writing 100% full time. I thought about becoming a professor, maybe going to college, but then I wasn't sure if I wanted to get into that full time, as far as a caseload and school and everything like that. So I decided to just do group therapy, group facilitation, and I've been doing that consistently since then. It may be 15 hours a week. I do love to give back, and to me, it's more what I teach. I specialise in neuro-linguistic programming, bilateral stimulation or EMDR, hypnotherapy, science of mind concepts, psychopharmacology, biological bases of behaviour—which is pretty much how your brain works—ancient wisdom, quantum physics. I do this in a drug addiction treatment centre mostly, also mental health. And of course, just living an addictive lifestyle is traumatic, too, in and of itself. So pretty much I'm teaching them. Behaviour modification is a big part of what I'm teaching during that time. You'll see that, too, if you read my books. There's two things you can figure out from my books. You can figure out how to murder people and get away with it, and two, you can figure out how to overcome trauma as well. The whole “murder people and get away with it” comes from my upbringing. I have a very sorted past, let's put it that way. My upbringing was very different than what most people grow up in. Jo: Oh, can you give us any more than that? Now everyone's like, “Oh.” PD: “What's going on with this guy, right?” So I grew up, let's say, quote unquote, “in an Italian New York family.” Jo: Okay. All right. PD: That might give people ideas, right? Jo: That's going to give people a lot of ideas. PD: If you've ever seen the movie Goodfellas, I kind of grew up in that atmosphere, and with even some of those people too. My family had connections to those people in that movie, which I find very funny. If you watch that movie with me, you get a very different perspective on what's going on in the movie. Jo: Wow. So you're an interesting guy with an interesting background, with a very interesting backstory job as well. Some people are like, “Well, of course he's writing horror because horror is just awful and full of slasher gore and all that.” I often have to say to people who don't read horror, “Look, it's not like that.” Maybe some of it is, sure. But most of it isn't. Could you talk about how reading and writing horror can also be psychologically healthy? How do these worlds intertwine for you? PD: Well, sure. It 100% can be healthy. Especially over the last few years, there's a trend going on out there right now where people are taking their trauma and putting it into a creative process through poems, short stories, and even novels. They're taking their trauma and giving it a face, like a monster, where people are overcoming that monster within the creative process. I always say that horror is the genre that puts on display, better than any other genre out there, the human condition. Why is that? When people are in a terrifying situation, you really see who they are. You get to the heart of the matter of who that person is by putting them in these horrific but undefinable situations where it's like, what are they going to come out as? That real true personality needs to come out, and that courage comes out. That's huge in horror, and I think horror gets such a bad name. Now, I know there's the extreme horror and the splatterpunk, and that has its kind of role too in what I'm saying, but that's where horror is getting its bad reputation out there with the over-the-top type of gore. For the most part, that's a small part of the horror genre. It's a subgenre for a reason. It has its readership, and that's fine. Nothing wrong with it. I read it all the time. I find a lot of joy in it, a lot of excitement. However, for the most part, any horror novel that is not completely with the gore and stuff like splatterpunk can be seen as a psychological thriller, and a lot of psychological thrillers can be seen as a horror novel. Look at books like The Silence of the Lambs, Red Dragon. That's horrific as well, but if you read the novel, it's in there. It just gets that bad rap right now, and it's not all gore. Most horror novels that I read today are psychological horror. It's tame on the gore, and the psychological aspect is there. I always see that psychological aspect—it's like psychological trauma. Most people, even in my industry, when people are out there and you mention trauma, PTSD, they're thinking about sexual abuse, physical abuse, or war-type trauma. The silent psychological one—I once wrote an article called “Emotional Trauma: The Silent Psychological Killer.” The one that's out there is the psychological trauma, the emotional trauma that is widespread. Most people go through that, and it could even be from parent to child, and most people don't understand that that's a traumatic experience. It's like a distortion of reality that you're experiencing that then creates a belief system in your brain, and you're constantly acting out that belief system. That's where the psychological component of horror really comes out. People breaking through that psychological belief system that was created through a traumatic experience by reaching courage and coming out through a horrific situation. Jo: Yes, it really annoys me, because with romance, of course people understand that romance is a huge genre. Something like a small town sweet romance is a world away from the bully romantasy, dark, or mafia. Mafia romance is a really big thing with very dark themes. I'm like, well, how can you understand that romance is a huge genre with all these different subgenres, and not think that horror or thriller or fantasy or sci-fi all have so many different subgenres within them? I personally read a lot of supernatural horror, but rarely the slasher gore kind of stuff. So I'm really glad you said that, and hopefully more people will open up a bit more. I did also want to ask you about what you write. You write all these different things. You write standalone—I mean, often horror is standalone—but you also have some series. How do you balance it? What are the benefits of cross-genre writing, but also the challenges of it? PD: Okay. So obviously I love cross-genre writing. To me, I use fantasy to explain the supernatural elements. I blend mostly a tad of fantasy to help explain the supernatural components in my supernatural novels. When I write sci-fi, specifically sci-fi, that has the fantasy element in it too, but there's also a tad of horror in there as well. It's just who I am. When I grew up, I had a lot of different influences. I had Star Wars on one side, and then I'm watching B-rated '80s slasher films on the other side. Those two mixes just kind of followed me throughout my life, and that's why I like putting them into my novels. As I tell my patients, don't limit yourself. Never limit yourself. If you're just limiting yourself to one genre, you're missing out on so much more that's out there. So I love the blend of mixing genres. It just gets my goat each and every time. It is a challenge though. I remember when I first started getting into indie publishing, I was never big into Facebook and social media up until I started becoming an indie author. Before that, with my type of upbringing, you don't advertise yourself. You don't advertise where you're going. That's a big no-no. So I always had this aversion to social media. I'll tell you a funny story. It was the late 2000s, probably 2006. I was a full-time single father at that time, and I was living in Florida. My family—brothers and sisters-in-law—were living in New York, and my sister-in-law said, “Get a Facebook account so we can see pictures of the kids.” I said, “Oh.” I didn't want to do it, but I said, “Okay,” so I did it. And I'm thinking, looking at this Facebook thing, “How do I put pictures on here?” So I figured out how to put pictures in folders. Then I phone called her, and I'm like, “Okay, so they're on there.” And they're like, “Well, where are they?” I'm like, “I put them in these folders. You can go and look at them.” She's like, “No, you've got to post them.” That to me was like, “I'm not posting pictures of my kids.” That was a big no-no. It didn't click. When I got on there finally in 2016, 2017, I'm like, “Okay, so I need to figure out social media. As an indie author, I need to be on there, so I need to get through this aversion and get on there.” I started noticing how people are so particular with their genres. If they're reading a romance, it had to be very specific with that exact type of romance, and if you deviated from it, they're not going to like it. So that was the challenge. I was like, “All right, number one, I'm not going to dilute myself” and say, “All right, take things out of my writing or out of my novel just so I could cater to a certain type of audience.” I'm like, “I'm not going to do that.” I know with me, myself, as a reader, I'll read everything. I don't limit myself to a specific genre. I'll read psychological thrillers. I'll read romance. I've been doing that all my life. So I'm like, if there's a person like me out there—and look at this, I just met like four other people who also read cross genres—then I know that there's at least another 30,000 people, and I know that at least then there's 300,000, then there's three million people out there. So just write the books that you're writing and find your audience. Now, that takes longer. So you've got to chip away. Chip away. You're going to find readers here and there, and then that reader kind of tells a few people about you, and then you've got a few more readers. Then you keep going, and you go on these Facebook groups, and you do a whole bunch of different things, and then you gather a few more readers. Then they're telling some friends, and then you've got more. The process takes a lot longer, yes, 100% agreed, but I would say be true to yourself and you can never go wrong. Jo: Yes, I agree. I write cross-genre as well, and I've browsed your collection. Golem was the one I was like, “Ooh, yes, I like that one.” I haven't read it yet, it's on my list. I think when you're cross-genre, my people come to my store as well, and it's like, “Okay, I'm interested in lots of things, but this is the one by this author that I'm interested in.” Whereas with other authors who only write one type of thing, then I might not like any of their stuff. So I think there are definitely pros and cons and different ways into our world. I also wanted to ask you about the differences in business. Obviously you ran this treatment centre and there were physical humans on all sides, and now you've got a business as an author. So what have you learned in business from what you used to do and what you do now? PD: Okay. You're right. The treatment centre industry is very different from what I'm doing now, but it's still people. Treat those people right, have integrity. If you say you're going to do something, follow through with it. My word is my bond type of thing. That definitely has fed into the writing and publishing industry that I'm in now in a huge way. Just connecting with people is, to me, the biggest part of it. I mean, treatment centres, you've got to connect with people. When I would market the treatment centre, where would I go? I would go to hospitals, residential facilities, detoxes, and talk to them about my programme and why they should be referring clients there. It's the same thing here. Why should you be reading my books? You get there through interviews like what I'm doing here with you. Other podcasts. You get there by doing Facebook Lives, TikTok. I haven't started TikTok Lives yet, but I actually love that platform. I'm falling in love with it. IG Lives, anything like that where you're talking to people and you're making a connection with those people. Through that, I've gathered so many different types of readers who are like, “Yes, I'll give this book a shot.” And then they read it and they're like, “Hey, this is really good, and I'm going to read another book.” With my books, I have very different books. Golem is my psychological horror novel. It's my slow-burn psychological horror novel, heavily inspired by Frankenstein and the Pygmalion myth. It's my first true horror book that I published. Then there's Jigglyspot and the Zero Intellect, which is inspired by B-rated '80s horror movies and the old grindhouse movies of the '70s, and it's mind manipulation. It's just wild and bizarre. And then The Sleepy Hollow Incident is my Gothic tale—it's like a dark romance mixed in with Gothic horror. So I always try to put something for everyone that's out there. To me, when I'm writing, it's got to be about depth, psychological depth. I always refer to my books to be like peeling layers off a Texas-sized onion. The more you read, the more in-depth you get into not only the characters, but the story. It's just something that comes out of me. It's part of me. That's the way I always have to do it. I always have to put that depth in there. To me, that's good storytelling. When I grew up, I read a lot of classic literature. Yes, Edgar Allan Poe, but also Dante's Inferno, Milton's Paradise Lost, The Hunchback of Notre Dame, the Brontë sisters. Keep going. Ray Bradbury, Ayn Rand, Daphne du Maurier, Shirley Jackson. Those to me are my books that I absolutely love. So there's a sweet science in today's fast-paced, social media type of world in marrying the depth of the old classic literature and the entertainment value that is required today for being an author. There's that sweet science behind it, and I love just hitting that nail on the head every time. Jo: So did you ever pitch traditional publishing, or have you thought about going that way? Because I also find that a lot of horror actually sits very close to literary. Like, I read a lot more literary horror than I do in some of the other genres. PD: Correct. So in the beginning, yes. Not in a long time. I maybe went to a couple of indie publishers, but as far as traditional, the Big Five publishers, I have an aversion to them for a big reason. I know people who have worked in that industry that have told me some pretty bad horror stories about those places. So I haven't sent anything to that type of place in a very, very long time. Maybe close to 20 years. Indie publishers, the small presses, yes, here and there, but even then, I'm always moving at a fast pace. So if I've got a book and I'm sending it out as a query letter, by the time that query letter is even read, I'm almost done publishing. I love that aspect of it. The control of my story, where I know where this character's going. And listen, I've got my beta readers, I've got my ARC readers. They're there to tell me, “Hey, maybe you should change this or change that.” Whether I take that advice or not, of course my editor too, is really up to me. I always put out the book that I know is the one I want to read. And to me, I haven't gone wrong in doing so. I know with traditional publishing, you sometimes get too many thoughts in the pot there. Let's put it that way. Jo: Okay, so coming back to being indie then. You mentioned Amazon earlier, but you have a store where you sell direct. Many authors are doing this now, but it can be a challenge. So what have you found are the pros and cons of your direct store? What's working? Any lessons there? PD: Okay. So I use a place called Big Cartel. They're the platform where the books are on. They're hosting my website, PDAlleva.com. The big challenge was actually just starting it. It was so overwhelming. How do I put this on there? At the time, I've got all these books, so how do I present them? I'm even going to be doing another revamp with it too, because I want better pictures—taking pictures of the books, stuff like that, instead of just having the covers on there. I also have a lot of shirts that I'm selling. So I think the biggest challenge is just getting on there and starting it. Then of course, you've got to learn a whole new platform, and the mechanics, and how people are going to be downloading, and how that's done on an e-book versus a print version of the book. So it's a huge learning curve that you've really got to put your focus on and give it time. What most people like in indie publishing is signed copies. It's a huge part of indie publishing, selling those signed copies. People love a signed copy, and that's primarily what my website is for. You can order signed copies from me. I also use a place called IngramSpark, and they're more like a distributor. They're used by everyone. They've been around for a very long time. Traditional publishing uses them too, and they're just distributing your novel. I'd say about a year ago, maybe two years ago, they started where you can sell your books on discount through them as well. So I have that on my website too, where you're just clicking on the book and you're pretty much going directly to their site and you're buying paperbacks and hardbacks at a discount. That's going well too. For the most part, people are definitely coming to my site because they want the signed copies. A good thing with indie publishing is limited editions, first print copies, special editions. That type of stuff really just takes off. People love to see that, especially in the indie community. You can sell them too. I go to a few different book conventions during the year, and the limited editions are there. Like I said, people love the signed copies. They love being a part of that and getting that signed copy. They treasure it, just like I treasure my books too. I'm not referring to my books that I've written, but books that I have as well. I love my e-reader, don't get me wrong, but I still prefer the physical copy—the paperback, and even more so than the paperback, the hardback. So people love those signed copies, and that's why I created the website, to sell on there for them. Jo: Yes, I mean, we're getting to a point now though where I think some people are questioning the pros and cons of it. For example, you doing the signed copies—I don't do that from my Shopify store because I don't want to hold stock and I don't want to deal with postage. So I only do it when I do a Kickstarter. I've just finished one recently, Bones of the Deep, and I'm going up to the printer, and I'm going to sign a couple of hundred copies and then they do the postage. That's the only way I'm willing to do it because of the pain of getting books to your house, signing them, getting them in the post. So how do you manage that practically? PD: Okay, so the inventory's there. I don't go and sign everything right away. I just keep the inventory. Once somebody buys the book, then I'll pull out the book, log it and all that good fun stuff, sign it, and then ship it out immediately. Here in my country, we get discounts at the United States Post Office because they're books. So they pass that shipping cost over to the reader too, so it's a little bit cheaper for shipping. I'll just take books once or twice a week over to the United States Postal Service and ship those books out. I don't sign them until I actually get that order. Jo: How many do you have in your house? It's the holding stock of all the backlist that is the problem. PD: Ooh, gotcha. All right. That's why I have a two-car garage. But here's the thing, I won't order 500 at a time. I'll order 20 at a time. Jo: Okay. Right. PD: When I see that inventory's getting low, I'll order another 20 at a time. Jo: And you get those from IngramSpark? PD: Correct. When the new one comes out, maybe at that time I'm just selling those, bringing those to conventions that I go to. Or maybe doing a sale on those books at that time to get rid of the inventory so it's not sitting around anymore. Jo: I think that's so important. Then like you mentioned, you do T-shirts or shirts. That is also really hard because of sizing. So is that all print on demand? PD: Yes. So I don't really hold the stock on the shirts. When I get an order, whatever the size is at that time, I go directly to the place and order it. I use a place called Sublimation Station that's here in Orlando. They do great all-over print T-shirts. They're fantastic. I just did one for The Sleepy Hollow Incident. So The Sleepy Hollow Incident is one long story, and it's broken up into four books. Each book has its own. The covers are fantastic. I use a lady named Cherie Foxley. She's a phenomenal cover designer. So the shirts are, like, book one is on the front of one shirt with book two on the back, and then the second shirt is book three on the cover and book four on the back. However, I can customise those. I just did a giveaway in my Facebook group and I let people know I could customise them, and she wanted book one and book four, so I just got that and sent it out to her. Now, if people go ahead and order that on the website, I can just order it right away from them, boom, and that place will get it shipped right then and there. Jo: Right, so they do the shipping. These are all sort of practical things that people need to answer because I feel like sometimes it's like, “Oh, yes, having a direct store is great,” but there's actually quite a lot of work that goes into it, isn't there? PD: There is. There's a lot of work. You're pretty much opening almost like your own brick-and-mortar store at that point. You just don't have walk-in traffic coming in—your traffic is all coming online. So there is a lot to it, but it's worth it. If you're a self-published author or even a small indie press, it's good to have. Because like I said, people love the signed copies. Jo: When you say it's worth it, is it worth it financially or just because you like to serve the customers in that way? PD: Both. Jo: Right. So it is financially worth it for you? PD: Yes. Jo: I was talking to a friend of mine and saying, are you valuing your time in terms of things like taking the books to the post office and stuff like that? Do you find it eats into your writing at all, or do you just manage it all separately? PD: No, I manage it separately. So I'm an early morning riser. I get up at 3:00 in the morning, and that's when I write my books or do editing or brainstorming. I'm about to write a new novella now called The Adam and Eve Story, which is actually based on a little-known CIA shelved book from the 1990s called The Adam and Eve Story as well. So I've been brainstorming that, and I was doing that this morning. I get up at 3:00 a.m. and I do my writing, and by the time the kids are up and by the time the wife is up, it's like 8:00 a.m. is rolling around and I'm pretty much done at that point. Then I have my days. Tuesday I'm completely working from home and I do my thing in the morning, and then the rest of the day is marketing, fulfilling orders, stuff like that. On the days when I'm going to do group facilitation, I'll of course still get up at 3:00 o'clock in the morning, and then I'll plan out the day. I've got an hour between this group and I can go ahead and do that, and I'm already there so it's not a problem. The post office is right around the corner. You kind of figure out all the logistics for yourself. There are some days, like on Monday, I don't facilitate groups until the afternoon, so I've got the whole morning to work on marketing and do other things, and fulfilment. Then of course Saturday's a big day for that too. Jo: Oh, that's good. I feel like people always need to know how to balance their time, but it sounds like you manage, because at 3:00 a.m., as you say, there's not much else to do other than write. You mentioned marketing, and you have a Substack, pdsalternativefiction.substack.com. Talk about that and serialising fiction and how Substack works. Because I feel like a load of people are jumping in but might not necessarily know how it works, especially for fiction. PD: Correct. It is becoming quite popular out there. I think the one before that was Patreon, and Patreon is pretty big for that too, kind of the same thing. I wanted to start something and just get the work out there. I was very interested when Amazon came out a few years ago with what was called Vella. They kind of started that. I was like, “This is kind of cool.” Couple chapters at a time. I'm writing the books anyway, so why don't we kick this off and see how it goes—a type of experiment. I had a lot of fun doing it. I started on October 4th, 2024. I've done four novels so far. One is still going, which is Volume 3 of my Dark Veil serie— that's a sci-fi series. I wrote three other novels. The Hypnotist, which is a thriller, heavy on the sci-fi and a tad of horror in there too. And then I wrote Girl on a Mission, which is my psychological thriller, and then Cat Fight, which is a horror novel—all within that time. I think I finished all three of those novels in January, and then the first week of February they were all pretty much done. Now what I'm doing is, I went paid recently on the Substack. It's like everything else that's out there—chip away, chip away. I fell into that hole where they say, “Hey, we can promote you and get people to sign up for your newsletter.” And I'll be honest with you, don't do it. It's not worth it. You spend money, and what happens is they're what I refer to as dead leads. They don't click. You wind up shuffling them off after three to six months, because they're just not clicking. Everybody gets a star rating, so you know—are they clicking, are they staying on, are they not? So I got rid of pretty much all of those people, and I'll never do that again. It's got to be done organically. That's why when you read my books, especially the new books, towards the end it'll say, “Sign up for my newsletter.” I do more with that newsletter too. If you're on the free tier, every month I do a monthly newsletter, which is just me talking about updates, things going on in the publishing industry, things going on with me. My daughter puts together a weekly Horror and Sci-Fi Chronicles newsletter, which gives what's going on in new releases in the industry—sci-fi, horror, books, movies, television. She does deep dives into industry tropes, historical tidbits, and a weekly quiz. I also do a monthly Terrors and Tales newsletter. I started this last year, and it was a quarterly newsletter. It's other authors who are new, upcoming, never been published before, looking to get published. It's a chance for them to be on the newsletter where they have a flash fiction story or poem or even a short story that I publish for them. It's called the Terrors and Tales newsletter. What happened is I would put out calls for submissions. And a place called Duotrope—I don't even know who these people are, but all of a sudden I got an email from them stating, “Hey, we found that you're looking for submissions, and we posted your link. We hope you don't mind.” I'm like, “No, of course I don't mind.” I got so many submissions from that one link. I'm like, “Okay.” Do I really want to deny people? I'm not like that. I want to help promote other authors. I know what it's like when you're new and upcoming, no matter what age you are, to say, “Hey, here's a platform for you to see your stuff in print.” Obviously, I read through them just to make sure they're up to a certain standard, but for the most part, if you submit, you're getting in there. With Duotrope, I'm like, I have enough here to put out one a month. So in May 2026, the first one goes out, and then I'll have one each month until December, and then who knows? In 2027 I might go back to quarterly. I might get enough submissions to just keep it going once a month. So that's the Terrors and Tales newsletter, and it usually comes out towards the end of the month—the last two weeks. I have nothing to do with it in terms of content. None of my stories are on there. None of my poems are on there. None of my flash fiction. It's all other authors, just for them to see their name in print, see their work in print, share it with their friends, and put something on their resume, and to encourage people to keep reading and keep the craft going. Jo: When you say in print, you don't mean in physical print? PD: Oh, I mean in the newsletter. I'm sorry. Jo: I think that's important, or you're going to get a lot more submissions, and you will need to do publishing contracts and all that kind of thing. I think that's the difficult thing with a Substack newsletter approach—it's difficult to know where to categorise it. Is it marketing? Is it publishing? It's all of these things, I suppose. A bit like this podcast, it's all kinds of things. In terms of Substack actually making money on its own or leading to book sales that make money, do you think it does serve that purpose? PD: I think I've gotten more book sales through it, and also ARC readers who are enjoying the books and giving reviews. As far as the paid tiers, that's kind of a little bit slow, and that's where I'm saying chip away at it. Keep it up there. Keep it going. Over time, you're going to build that type of audience where it's going to be like, “Hey, this is financially feasible for me to continue to do this.” That's the response that I'm getting out there. Jo: Yes. Before, you mentioned you were doing Facebook Lives and you're looking at TikTok, but— Is anything else working for you in book marketing? If people have a few books and they're like, “What is working for book marketing right now?”—what do you recommend? PD: Okay. For me, the thing that has made the most sense is making sure the reader knows the book is out there through some sort of social media. I've had really good success on TikTok since the beginning of this year especially. I started it about a year ago, year and a half ago, but then my father got sick and passed away, and it was a new venture and I put it off to the side. I really got the flavour going at the beginning of this year. February, March of this year. It seems to be going really well, and I've noticed an uptick in sales from just getting the videos out there and getting it in front of people's eyes. There's an event I'm going to in August called ShiverCon, which is a pretty big event. After that event, I'm going to look to see what type of inventory I have left over from the event, and I'm going to start doing TikTok Lives. I'm very comfortable being on camera. So I'm like, “Yeah, that seems like a good way to go.” I know there's a few other horror authors who are doing it and having good success with TikTok Lives as well. A guy named Jason Davis is doing really well with TikTok Lives, and a few other authors too. I'm like, “Yes, I could definitely do that.” I want to get up to a certain number of people, and I want these events. I'm going to one in July, and then ShiverCon in August. Once those are done, I'm going to have more time to do the TikTok Lives. As far as Facebook is concerned, what I've had really great success with on Facebook is being in the groups and meeting other authors. That's not always about my book per se, but whatever books I'm reading, I'm posting my reviews about those books in those groups and meeting readers. Then obviously, they always say the three-to-one rule. Post about three different books and then post about your own book, whether you're doing a sale or a new release or a re-release or whatever. I've found success through that just by interacting with readers. When they post a book, I'll comment, “Hey, I've read that book,” or, “Hey, that book looks really cool. I like the review.” Commenting on it so you start these relationships with people who are out there in these Facebook groups. I've recently started my own Facebook reader group. I kind of go with the same thing. Last night, we did a live reading for another author. I like other authors to be on there. I always like to think, what does the reader need? What do I want to see as a reader? I would love to hear live readings from authors. So I kind of learn about them, learn about the book, and get a live reading. To me, that's a good way to go. So I started that recently, and it seems to be going well. I've got a new folk horror coming out soon, and I put out a call for ARC readers and got a fantastic response from that. That kind of drives the sales anyway, because when you get those reviews, then people see it gives credibility to the book, and then other people see it, and then they're buying it too. So that comes from the groups. There's so many wheels to spin in this industry as an indie author when you're doing this, especially when you're doing 99% of it on your own. You've got to get out there. No one's going to know your book exists if you don't get out there and tell somebody about it. Jo: Brilliant. Well, tell us— Where can people find you and your books online? PD: All right. Perfect. So obviously I'm on Amazon like everyone. Most of my books are worldwide, so you'll find them in Barnes & Noble as well. And of course, if you want the signed copies or discount print books, I always lead people straight to my website, PDAlleva.com. Then, of course, if you go to my Substack, you'll get all the updates, and you'll get all the links to purchase or find out where they are on Amazon and Barnes & Noble and things like that too. Jo: Brilliant. Well, thanks so much for your time, Paul. That was great. PD: Thank you very much for having me. It was great chatting with you. The post Writing Cross-Genre, Selling Direct, And Serialising On SubStack With P.D. Alleva first appeared on The Creative Penn.

Episode 1027 Jason Interviews James Aquilone - Creepshow Anthology - Monstrous BooksCreepshow: 13 Tales of Terror features original stories by Steve Niles (30 Days of Night), David Avallone (Elvira: Mistress of the Dark), Nancy A. Collins (Swamp Thing, Blade Runner, Sonja Blue), Dennis Crosby (Weird Tales), Keith R.A. DeCandido (Supernatural Crimes Unit, Star Trek, Buffy the Vampire Slayer), Gwendolyn Kriste (2024 Bram Stoker Award for Best Novel for The Haunting of Velkwood), Jonathan Maberry (V-Wars) Lisa Morton (The Best American Mystery Stories 2020), Nick Roberts (The Exorcist's House), Thomas E. Sniegoski (Hellboy, Vampirella), Tim Waggoner (Terrifier, Halloween Kills novelizations), Simon Bestwick (Best Horror of the Year), and James Aquilone (Kolchak: The Night Stalker). Creepshow: 13 Tales of Terror is a macabre celebration of the series' legacy — twisting morality tales of terror, justice, and cosmic retribution, told through the Creep's ghoulish grin. Available June 23Buy It: https://www.monstrousverse.com/creepshowTheme Songs by Drew: Tales of Terror & 13 GrinsLinks: https://beacons.ai/comicsfunprofit Listen: https://comcsforfunandprofit.podomatic.com/

Recorded 2026-06-15 01:01:27

"Funeral Finger Guns” The Agents consider how long after somebody's death do you have to wait before trying to get their job. Episode Artwork by Jake ⁠@Javoc.bsky.social⁠ House of Bob Cover Artwork by ⁠@ShaunMakes⁠ Audio Editing by Jessica Colvin Sound Design by ⁠Astronomic Audio⁠ Music by ⁠Duke Albert⁠ Featuring: Jake as The General Manager Alex as Greb Cristina as Sandra Shen Jessica as Veronica — Need More Bob in Your Life?  Check out our other (SFW!) podcast, Tales of Bob Apple Podcasts Spotify — Support the Show: Patreon Contact Us: Discord TheHouseOfBob.org Bluesky Instagram Facebook Email — Thank you so much to our current Patreon supporters! This podcast would not be possible without you. Bradley Graham Christine Braile Connor McColloch D Chan Dan Klip-Klop Elli EmpCod Ethan Edwards Garbanzo Jeffery Sumler Jessica  Jessica Colvin Josh Josh J Mark Boykin Michael nsc 8 Padraig Hegarty Pavel Lishin Ranger Eli Sadie Tucker  Scooter Emerson Shaka Jamal Spam Cat Team EAMONN  The Pink Pastor Thomas Kuhlmann Tom Wesley Waffelpokalypse  Triple Agents is an independent production by [author or publisher] and is not affiliated with Triangle Agency or Haunted Table, LLC. It is published under the Triangle Agency Third Party License. Triangle Agency is copyright Haunted Table, LLC. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Strange Tales, The Clock brings us its story from April 25, 1948, titled, Bela Boczniak's Bad Dreams. Listen to more from The Clock https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/StrangeTales856.mp3 Download StrangeTales856 | Subscribe | Spotify | Support Strange Tales Relic Radio is funded solely by listener donations. If you would like to help support it, visit Donate.RelicRadio.com for more information. Thank you.

Teenagers in general face challenges and huge life changes as they navigate the season of teenager-hood. We are going to hear from two young adults who have had a traumatic journey through their teen years in having to take care of themselves and their siblings because of the lose or neglect of their parents. These are stories of hope that will undoubtedly touch your heart.

durée : 00:13:53 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Igor Stravinsky est célèbre pour des œuvres incontournables comme Petrouchka et L'Oiseau de feu. Parmi les autres favoris figure le ballet Pulcinella, un charmant mélange de théâtralité baroque, présenté ici dans sa version de concert. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:13:53 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Igor Stravinsky est célèbre pour des œuvres incontournables comme Petrouchka et L'Oiseau de feu. Parmi les autres favoris figure le ballet Pulcinella, un charmant mélange de théâtralité baroque, présenté ici dans sa version de concert. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

The Owain Glyndwr Podcast. This is it. The Tales for Wales magnum opus. The history of our nation's last true prince, brought to you straight from the mouths of two drunk chancers, exactly the way he would have wanted it.Press play to begin the definitive Tales for Wales journey into the life, rebellion, and legacy of Owain Glyndŵr.Join up to our Patreon on and get some exclusive perks including bonus episodes, custom artwork, merch and more. You can even do a cheeky free trial to test the waters.

A candlemaker guards one dying flame through the night while ravenous things in the dark demand the soul of a frozen stranger. An old woman stares through a second-floor window with no ledge to stand on, and the shadow man behind her inches closer with every passing night. And a small-town officer commits a man to a psychiatric hold for claiming a five-year-old suicide was really a murder — until the same vision starts playing out in front of his own eyes.FEATURED STORIES IN THIS EPISODE: I have three stories in this episode for you! Andrew Pendragon pens the tale, “Candles” to start things off. Weirdo Family member Randy Hogan shares a fictional tale called “Old Woman in the Window”. And then our final story is from S.F. Barkley called “I'm a Cop And I Institutionalized Someone I Knew Wasn't Crazy”.CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:10.223 = Chandler's Candles00:19:35.808 = The Old Woman in the Window00:24:35.615 = I'm A Cop And I Institutionalized Someone I Knew Wasn't Crazy, Part 1 ***01:03:09.029 = I'm A Cop And I Institutionalized Someone I Knew Wasn't Crazy, Part 2 ***01:29:19.732 = Show Close*** = Begins immediately after inserted ad breakLISTEN ON PODCAST APPS: Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.com/wdapps*No AI Voices Are Used In The Narration Of This Podcast*SOURCES and RESOURCES:“I'm a Cop And I Institutionalized Someone I Knew Wasn't Crazy” by S.F. Barkley: https://sfbarkley.com/,https://www.reddit.com/user/Barkles52/“Candles” by Andrew Pendragon: https://www.creepypasta.com/candles/“The Old Woman in the Window” by Weird family member, Randy Hogan(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: September 10, 2020Weird Darkness gathers three works of horror fiction for Creepypasta Thursday, moving from a candlemaker's nightly bargain with the dark, to a watcher at an upstairs window, to a small-town murder reopened by a vision no evidence could explain.It opens with a candlemaker in the small town of Clovetown, the last practitioner of an inherited art he calls Chandler's candles, passed to him from his father and grandmother and kept alive mostly through monthly orders from the Catholic church down the road. His after-hours visitors come only once, telling him sad stories before they go, and on a freezing Tuesday a muddy, shivering man named Basim arrives — a wanderer whose family left Israel before settling in a Midwestern state he refuses to name. The candlemaker warms Basim with tea, tends a bruise left when local children pelted him with a rock, and sends him off with a vanilla-scented sculpted candle and a box of matches. That night the shop window shatters under another volley of stones, and Basim is found frozen to death on a bench outside. As the power fails and darkness floods the shop, ravenous shadow-creatures his family has sheltered against for centuries surround him and demand Basim's marked soul, and he survives the night only by shielding the dying flame of that single candle with his own body until dawn.From there the episode turns to a teenage boy who finds an old woman staring through his second-floor bedroom window, her face blank and dead, though no ledge or balcony exists for anyone to stand on. She returns each night after 10:30 for eight months, and the pattern eventually breaks — she appears in the living room window in daylight, then inside the house, and finally seated beside him with the same lifeless expression. A second figure joins her, a shadow man with masculine features who edges closer with each appearance, and his presence twists the old woman's blank stare into one of horror and terror. By the end, both stand within inches of the boy, and he does not know whether he will live to see another night.The episode closes with Sean Barkley, a Crisis Intervention Team officer working the night shift in rural Pennsylvania, dispatched on a freezing-rain night to a farmhouse where a man named Kevin claims to have witnessed a murder. Kevin's sister, Melissa Watson, died in that house five years earlier in a death ruled a suicide, but he now sees a recurring vision in the upstairs bedroom — Melissa pleading for her life as her husband Andrew fires a gun — and Barkley glimpses the same muzzle flash in the window. Rather than let Kevin hunt Andrew down, Barkley commits him on an involuntary hold and quietly reopens the case with fellow officer Tim, uncovering an autopsy that recorded old bruises and a broken rib never investigated, a handgun bullet buried in the mattress, and a shotgun shell hidden in an air duct. The trail leads to Virginia Beach, where a search warrant turns up Melissa's missing .380 and a destroyed external hard drive holding child exploitation material, some of it filmed in the basement of the farmhouse. Andrew is arrested and then released on bail before he is found dead in a motel room, an apparent suicide with a note only Barkley can see, and a final vision of Melissa's spirit reveals that she had drawn the investigation toward exposing her husband so that she could claim her own revenge.

Download Swamp Dweller Scary Stories:Itunes: https://apple.co/2L7znZpSpotify: https://spoti.fi/2WUFDG8►join the swamp dwellers!►Subscribe to my channel: https://www.youtube.com/channel/UCyYjOfKMuuIv0oMjG68Reug►Follow me on Instagram! https://www.instagram.com/swampdwellerofficial/►Join me on Twitter: https://twitter.com/iSwampDweller►'Like' my Facebook Page: https://www.facebook.com/SwampDwellerReads►Submit stories to http://swampdweller.net/ or swampdwellereads@gmail.com

Life Lessons and Tales of Little MisFit: Book 1: Life Isn’t Always What It Seems by Dr. S K Grunin https://www.amazon.com/Life-Lessons-Tales-Little-MisFit/dp/B0G63HGY6T Ivy Sue Klutz (Little MisFit – LMF) finds one of her first memories confusing. This is when she is three and a half years old and is at her sister Lynn’s birthday party. Their cousin, Janet, asks the partygoers to guess what Lynn’s birthday present is as the truck delivering the present is backing up to the front porch of their house. Unbeknown to LMF, Janet told the other kids not to really guess that it’s a bike. You guessed – LMF guesses that her sister is getting a bike for her 5th birthday present. But instead of everyone being happy that LMF guessed the right thing, everyone is mad at her and none more than her mother. LMF runs off to her soon-to-be baby brother’s bedroom and tries to hide behind his dresser, with her mother hot on her heels, yelling at her all the way. From this experience and many others through her 4th grade years in school, LMF learns the Life Lesson that Life Isn’t Always What It Seems. Many people growing up are often made to feel inadequate or not to fi t in in situations, as a former probation officer, executive/life coach and professor, Dr. Susan Grunin, learned through humor and working with others – particularly children and young adults, how to fit in those uncomfortable situations. She believes that it is important that children learn at a young age how to manage these issues and to use humor to build their own self-esteem. Thus, she created, Little MisFit, (LMF) a fictional character, who through humorous tales, shares life lessons that she learns as she is growing up. Through these stories, LMF describes how she learned to overcome many life challenges and accept who she is as a person. Furthermore, the tales allow adults to share their own tales without coming off “too preachy” and to be able to share their own life lessons with their children and/or grandchildren or other loved ones.

Mitch Harper and Nate Slack discuss Bruce Branch III and national champion Ben Barton in this week's edition of Cougar Tales.

Futbol Americas is live in LA ahead of the USMNT's opening match vs Paraguay. We also react to Canada's nail biting win vs Bosnia and Herzogovina. We also get some tales from the pitch from the former player on the panel. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tales From The Tiger Moth Edition 258 – 13th June 2026

Tammy and Crystal watch Lord of the Rings WITHOUT DAVE?! Dave confesses a secret that affects the three of them. Guess the Celebrity and more! Tammy, Dave, and Crystal will remain friends no matter what! #ChelcieLynn #JeremiahWatkins #Podcast #LibbieHiggins CRYSTAL'S GO FUND ME: Donate at https://www.crystalscreationsllc.com GET YOUR NEW TRAILER TALES MERCH HERE!: https://thecomedyoutlet.com/collections/trailer-tales New episodes every Friday on this channel. Subscribe! New Trailer Tales merch is here!: https://thecomedyoutlet.com/collections/trailer-tales Jeremiah's Patreon is LIVE: https://www.patreon.com/jeremiahwatkins NEW MERCH IS HERE!: https://www.jeremiahwatkins.com FOLLOW us on Instagram: https://www.instagram.com/trailertalespod See Tammy LIVE on tour: https://www.eatmytrash.com  @ChelcieLynn   @TheViralPodcast  See Jeremiah LIVE on tour: https://www.jeremiahwatkins.com  @jeremiahwatkins   @standupots  See Crystal LIVE on tour: https://www.libbiehiggins.com  @LibbieHiggins   @SlopCity  Want to send some mail into the show? P.O. BOX JEREMIAH WATKINS/TT P.O. BOX # 78375 LOS ANGELES, CA 90016 (Sending packages does not guarantee they will be opened on camera) (Some packages may end up on Ms. Crystal's eBay store) Sponsored by: Hims ED Support the show & get simple, online access to personalized, affordable care with HIMS @ http://hims.com/TRAILER Sponsored by: Cash App Download Cash App today: https://capl.onelink.me/vFut/0xf8aiko #CashAppPod. Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. Cash App Visa® Debit Flex Cards issued by Sutton Bank, Member FDIC, and The Bancorp Bank, N.A., pursuant to a license from Visa U.S.A. Inc. See terms and conditions for the Sutton prepaid card, Sutton debit flex card, and Bancorp debit flex card. Cash App Green features, Savings, Direct deposit, Round ups, Overdraft coverage and Discounts provided by Cash App, a Block, Inc. brand. Visit http://cash.app/legal/podcast for full disclosures.  Edited by Ryan Armendariz & Jeremiah Watkins Intro Music: Produced by https://www.instagram.com/professorcmusic Intro Vocals: Jeremiah Watkins

Welcome to episode 750. We have one tale for you this week, about an education in monster taming.COMING UPGood Evening: Submissions, Thank-you: 00:01:06[Trigger] Christopher Hawkins' On Thursdays We Beat the Teacher With Sticks as read by Sarah Mehra: 00:04:36TRIGGER WARNINGSOn Thursdays We Beat the Teacher With Sticks contains scenes of Animal Death and Child Abuse.PERTINENT LINKSSupport us on Patreon! Spread the darkness.Shop Tales to Terrify MerchSubmissions are OpenChristopher HawkinsChristopher Hawkins on IGChristopher Hawkins on ThreadsOriginal Score by Nebulus EntertainmentNebulus on FacebookNebulus on InstagramSPECIAL THANKS TOOrion D. HegreSupport this show http://supporter.acast.com/talestoterrify. Hosted on Acast. See acast.com/privacy for more information.

Get CRYPTID: The Creepy Card Battling Game https://cryptidcardgame.com/ Read our new wendigo horror novel https://eeriecast.com/lore Sign up for Eeriecast PLUS for bonus content and more https://www.eerie.fm/ SCARY STORIES TIMESTAMPS: 0:00 Intro 1:21 The “Not-Tree” - From - Homebound 19:47 Goblins in Indiana - From - SamFran 33:11 Strange Sightings at my Grandma's Property - Entities and Spirits?? - From - Misha the Volk 46:59 They Told Me Not to Answer - From - Ghost Get our merch https://www.eerie.fm/shop Join my Discord! https://discord.gg/3YVN4twrD8 Follow the Unexplained Encounters podcast! https://pod.link/1152248491 Follow and review Tales from the Break Room on Spotify and Apple Podcasts! https://pod.link/1621075170 Follow us on Spotify! https://open.spotify.com/show/3mNZyXkaJPLwUwcjkz6Pv2 Follow and Review us on iTunes! https://podcasts.apple.com/us/podcast/darkness-prevails-podcast-true-horror-stories/id1152248491 Submit Your Story Here: https://www.darkstories.org/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Terry Ryan sits down and talks football, sports, and music with Canadian band The Sheepdogs front mant Ewan Currie! Currie has been the front man and primary songwriter for the Canadian rock band The Sheepdogs since their formation, in Saskatoon, Saskatchewan, in 2004. You can now watch episodes of Tales with TR on YouTube! Head over to https://www.youtube.com/@THPN to watch the latest episode   Check out TerryRyan.ca Welcome to Tales with TR: A Hockey Podcast presented by The Hockey Podcast Network. Join former Montreal Canadiens' first-round draft pick & Shoresy star Terry Ryan, as he talks about the sport of Hockey, brings on various guests, and shares tales of his life and professional hockey career. Editor: Isha Jahromi - Youtube Channel https://www.youtube.com/@TheCityLifeProject- Host: Terry Ryan @terryryan20 Network: @hockeypodnet   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hosts Nate Wilcox and Justin Bankston discuss Mike Judge's brilliant Tales from the Tour Bus season 2: Funk. This episode covers the two-parter on punk funk king Rick James. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius Mark and I are looking forward to talking about the new Yes album, Aurora, next week but this time, we have gone right back to the first ever Yes compilation album, Yesterdays, because we mentioned the first song on the record a couple of weeks ago, in the context of The New Age of Atlantic album. We enjoyed listening to the 1975 release again, particularly the first and last songs. There is a bit of audio geekery and lots of enthusing about this great collection from us both. Please do let us know what you think of Yesterdays and what's in your deadwax, of course. Why was this album released when it was? Are there any undiscovered songs on here? Who is actually on the record? Please do add comments below. Barry Plummer 2026 Calendar is still available! ORDER HERE Apply £11.00 off with the promo code wh4y4pk3 Enrich your Prog year with iconic images of Yes in the 1970s, taken by the legendary rock photographer, Barry Plummer. Enjoy 12 beautiful colour and black and white photographs of Yes in the studio and live, capturing the essence of the world's greatest progressive rock band. With this limited-edition calendar on your wall throughout 2026, you'll agree that Barry Plummer is, indeed, the Master of Images! (A flat shipping fee will be added at checkout depending on your location.) ORDER HERE Yes - The Tormato Story & Tales from Topographic Oceans - Yes Album Listening Guide Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanSteve LuziettiLindAl Dell'AngeloTerence SadlerLobate ScarpBarry GorskyJohn ThomsonMark BaggsBill WhittakerSteve PerryMark James LangBob MartilottaThomas DeVriesMark SlaterBrian HarrisJohn ViolaMartin KjellbergBrian SullivanSteve RodeMichael HanderhanChris BandiniTim StannardMichael O'ConnorCraig EstenesSteve ScottMiguel FalcãoDave OwenChip PalmerPaul HailesDavidGuy DeRomePaul TomeiDavid HeydenSteve MossRachel HadawayDavid PannellGeoffrey MasonRobert NasirDavid WatkinsonHenrik AntonssonRobert VandiverDeclan LogueHogne Bø PettersenRonnie NeeleyDemSteven RoehrScott ColomboDoug CurranTodd DudleySimon BarrowFergus CubbageJohn HoldenStephen LambeFred BarringerDouglas CaldwellSteve DillGary BettsJohn CowanJamie McQuinnGeoff BailieRay Riethmeier Become a Patron!

Mike prepares the next session of his Tales of the Valiant Dragon Empire campaign. Visit the Sly Flourish Blogs Subscribe to the Sly Flourish Newsletter Support Sly Flourish on Patreon Buy Sly Flourish Books Midgard Worldbook Tales of the Valiant Obsidian for TTRPGs PDF Search

Find Eeler's Choice on Spotify, or wherever you listen to podcasts. Visit https://cytochromehear.wordpress.com for more information. Eeler's Choice is an immersive dark fantasy exploring folk magic and history and the traditional intersection of magic and maritime living. With an original soundtrack of stunning music composed by Lou Sutcliffe. The cast includes AVA winners such as B. Narr and Fay Roberts, as well as alums of SCP Archives, The White Vault, The Magnus Archives and NoSleep. Produced by Cytochrome Hear and Eelsong Studios Releasing Biweekly. Season 1 complete. Season 2 coming spring 2026. Written, sound designed and composed by Lou Sutcliffe. Edited and produced by Daisy McNamara. Directed by Lou Sutcliffe and Daisy McNamara. Starring: Tanja Milojevic, Lindsey C., and Caroline Orejuela. With Interiority, B. Narr, Leon Egan, David Ault, William A. Wellman, Erika Sanderson, and many more. Find them at https://cytochromehear.wordpress.com This podcast is powered by Pinecast.

Tom and Ronnie continue their six-part series highlighting the role of improv in compliance. This series links improv lessons to corporate compliance and some of the key tools and strategies Ronnie has brought from his former world of improv to the corporate compliance communications realm. In today's Improv & Compliance Lesson 5, the lesson focuses on “Truth in Comedy,” linking improv and comedy to ethics and compliance. Tom and Ronnie begin with Gilda Radner's quote, “Humor is just truth only faster.” Feldman argues comedy works because it exposes shared truths, and compliance programs build credibility by being authentic about real issues rather than pretending everything is fine. He recommends sharing speak-up and reporting trends, anonymized investigation outcomes, culture survey results, and what happens after reports to build trust. Feldman suggests using true stories—internal case studies or news examples—told in engaging formats (newsletters, podcasts, interviews, videos, reenactments) to create teachable moments, stressing “don't be boring.” They conclude that truthful, interesting communication and authenticity increase engagement, strengthen training, and improve psychological safety and speak-up culture. Resources: Ronnie Ronnie Feldman (LinkedIn) Learnings & Entertainments (LinkedIn)  Ronnie Feldman (Twitter) Learnings & Entertainments (Website) Compliance Confessions – inspired by “Mean Tweets,” these 90-second commercials address misconceptions and excuses to promote a speak up culture and the E&C team as positive and helpful. E&C Training Jams – a soulful singer banters with ethics & compliance explaining policies, sharing examples, and debunking excuses.  Tales from the Hotline – Real speak up-themed stories about workplace behavior gone wrong. Workplace Tonight Show! – E&C meets SNL Weekend Update explaining corporate risk topics and why employees should care. 60-Second Communication & Awareness Shorts – A variety of short, customizable, music and multimedia, quick-hitter “commercials” promoting integrity, compliance, speaking up, and the E&C team as helpful advisors and coaches. Custom Live & Digital Programing – Custom creative programming that balances the seriousness of the subject matter with a more engaging delivery. After all, you can't bore people into learning. Tom Instagram Facebook YouTube Twitter LinkedIn Creativity and Compliance is a multiple-award-winning podcast and was recently honored as one of the Top 35 Podcasts on Creativity by Feedspot. Learn more about your ad choices. Visit megaphone.fm/adchoices

A gifted performer turns his astonishing hands into tools for theft, but every crime leaves him more frightened of what he carries at the ends of his arms. When a fortune in emeralds and murder enters the bargain, one man discovers too late that greed can develop a life of its own. Cattivo by Alan Nelson. That's next on The Lost Sci-Fi Podcast. If you're new here, welcome. Follow The Lost Sci-Fi Podcast and you'll get a new vintage science fiction story delivered to your podcast app almost every day. James Alan Nelson was born in December 1911 in Las Cruces, New Mexico Territory about a month before New Mexico became a state. He wrote 11 short sci-fi stories that were published from 1948 to 1955 and one episode of the TV series Tales of Tomorrow which aired in 1952. First published on page 120 in The Magazine of Fantasy and Science Fiction, August 1951 , Cattivo by Alan Nelson… If you enjoyed this story, please follow, subscribe, or leave a review. It helps other science fiction fans discover The Lost Sci-Fi Podcast. Next on The Lost Sci-Fi Podcast, A routine flight becomes a nightmare when two stranded survivors discover a barren world where thirst can drive a man insane and a single mistake means death. Somewhere inside that crimson wasteland lies the only path home, but opening it may destroy them before they can escape. Through the Purple Cloud by Jack Williamson. Lost Sci-Fi Premium - https://lostscifi.supercast.com/ Buy Me a Coffee - https://lostscifi.com/coffee =========================== Newsletter - https://lostscifi.com/free/ Facebook - https://lostscifi.com/facebook YouTube - https://lostscifi.com/youtube X - http://Lostscifi.com/x Instagram - https://www.instagram.com/lostscifiguy Bluesky - https://bsky.app/profile/lostscifipodcast.bsky.social Merchandise - https://lostscifi.creator-spring.com/ =========================== Thanks to Our Listeners Who Bought Us a Coffee $200 Someone $100 Tony from the Future $75 James Van Maanenberg $50 MizzBassie, Anonymous Listener $25 Fintan Quigley, Curious Jon, David Bell, Steve, Miriam, Someone, Someone, Eaten by a Grue, Jeff Lussenden, Fred Sieber, Anne, Craig Hamilton, Dave Wiseman, Bromite Thrip, Marwin de Haan, Future Space Engineer, Fressie, Kevin Eckert, Stephen Kagan, James Van Maanenberg, Irma Stolfo, Josh Jennings, Leber8tr, Conrad Chaffee, Anonymous Listener $15 Every Month Someone $15 Steve, Someone, SueTheLibrarian, Joannie West, Amy Özkan, Someone, Carolyn Guthleben, Patrick McLendon, Curious Jon, Buz C., Fressie, Anonymous Listener $10 David, Anonymous Listener $5 Every Month Eaten by a Grue $5 Tammy, Owen, Bruce, Someone, TLD, David, Denis Kalinin, Timothy Buckley, Andre'a, Martin Brown, Ron McFarlan, Tif Love, Chrystene, Richard Hoffman, Anonymous Listener Listen without commercials and enjoy exclusive bonus episodes every month with Lost Sci-Fi Premium—start your free 7-day trial today. https://lostscifi.supercast.com/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Terry Ryan previews an EXCITING surprise guest from the world of Music. TR also reacts to the Mike Babcock news You can now watch episodes of Tales with TR on YouTube! Head over to https://www.youtube.com/@THPN to watch the latest episode   Check out TerryRyan.ca Welcome to Tales with TR: A Hockey Podcast presented by The Hockey Podcast Network. Join former Montreal Canadiens' first-round draft pick & Shoresy star Terry Ryan, as he talks about the sport of Hockey, brings on various guests, and shares tales of his life and professional hockey career. Editor: Isha Jahromi - Youtube Channel https://www.youtube.com/@TheCityLifeProject- Host: Terry Ryan @terryryan20 Network: @hockeypodnet  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week we have a look at the 1968 Japanese horror film Yokai Monsters: 100 Monsters. This is Episode 487! Yokai Monsters: 100 Monsters (Japanese: 妖怪百物語, Hepburn: Yōkai Hyaku Monogatari; lit. One Hundred Yōkai Tales) is a 1968 Japanese fantasy horror film directed by Kimiyoshi Yasuda, with special effects by Yoshiyuki Kuroda. It is the first in a trilogy of films produced in the late 1960s, which focus around Japanese monsters known collectively as yōkai.Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

#5 | "Jesus Owns Our Tales" | Mark 5:1-20 | Joshua Young

Wythe and Chris chat with J. Yamil Camacho, co-creator (alongside Ahmed Suffety) of Tales from the Tape Deck, the mix-tape TTRPG. Tune to hear all about music, innovative game design, and some absolutely solid advice from Yamil! Check out Tales from the Tape Deck: https://suffety.com/pages/tales-from-the-tape-deck For more from Yamil: https://www.joseyamil.com/ For more from Stillfleet: https://stillfleet.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Tales From The Tomb-The Lick

Late Night CREEPY Campfire Tales Stream - Get SPOOKY with Steve StocktonBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

Campfire Stories - Strange Tales from a FIREWATCH TOWERBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

A central discussion in the podcast focused on the applicability of the Entrepreneurial Operating System (EOS) for small Managed Service Providers (MSPs). Divergent perspectives were presented regarding whether the EOS framework is suitable for MSPs with very few staff. The conversation highlighted that while EOS provides accountability, transparency, and structured communication, some very small organizations (e.g., four employees or fewer) may find the framework's meeting cadence and process requirements disproportionate to their operational needs. It was noted that EOS promises value in promoting ownership and alignment but that this benefit is more likely realized when an organization reaches a scale where individual ad hoc communications become inefficient. Supporting these observations, it was emphasized that EOS, as detailed in resources such as Gino Wickman's book and related summaries, is designed with flexibility to span small, medium, and large teams. Examples were offered indicating that even companies with four employees have derived benefits through formalizing updates and consolidating communication, provided their baseline culture supports collective knowledge sharing. However, one position outlined that simply reading EOS materials may be sufficient for the smallest organizations to improve focus without fully implementing the structure, especially when daily meetings or formal processes are not otherwise necessary. The episode additionally examined risk management and operational best practices surrounding MSP business growth and eventual sale. The dialogue discouraged running a business constantly as if preparing for immediate sale, citing the need for risk-taking during growth phases. Factors such as maintaining diverse client portfolios, implementing clear master service agreements (MSAs), reducing owner dependency, and minimizing client concentration risk were underscored as practices that support both ongoing scalability and future valuation. A case was discussed in which valuation was negatively impacted by an overreliance on non-contracted, concentrated clients and a lack of W2 employees, illustrating the risk implications of operational decisions. For MSPs and IT service leaders, the discussion underscored the importance of regularly reviewing operational frameworks and business hygiene regardless of size. The tradeoffs between structure and agility require clear-eyed evaluation, particularly in managing risk, scaling sustainably, and ensuring future options for valuation or exit. While formal systems like EOS can strengthen accountability and communication, overengineering processes in very small teams may reduce efficiency. Careful attention to client diversification and contractual commitments is essential for risk reduction and maximizing enterprise value.   Title:    Is EOS good for a small MSP?What are we talking about today: MSP Question of the week: EOS framework in your business – is this good for MSPs? First introduced by Gino Wickman in his book Traction, the EOS framework focuses on aligning teams and driving execution  What the Heck is EOS? (shorter book)  AMYS NEW BOOK!!!   Top 20 questions - Should you run your business like you're going to sell it? Image of Amy's book  Amy's Book: https://amzn.to/4dSYOcR MSP struggle hiring good people – what do you do when you hire a mediocre employee?  Article reference: https://www.linkedin.com/posts/timothykoirtyohannsphr_their-new-hire-was-fired-after-28-days-share-7361376947848843264-5UwS/ What is your quote turnaround time? Tales from the Field: I was doing a valuation this week and shared the results with the owner --  Good revenue 1.5m, good NI 375K, GREAT MRR 75%, good location and team.   No contracts, no office, no employees only 1099, 1 client represents 50% of revenues, and owner wants full exit. Amy and James Events: SMB Online Conference- June 25th panel. Free registration for SMB Online Community members. Register at www.smbonlinecommunityconference.com Mastermind Event – July 30-31st, 2026 in Omaha, NE. Register at  https://kernanconsulting.com/mastermind-event/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Benji Purslow joins Damian this week to discuss his journey from pub bartender and aspiring musician to International Advocacy Manager at Heaven Hill.From pulling pints in seaside pubs to representing one of the world's largest whiskey producers, Benji shares lessons learned from more than 25 years in hospitality and explains what modern brand advocacy really looks like.The conversation explores career progression, supplier relationships, bourbon's current challenges, and why deep expertise remains one of the most valuable assets a bartender can develop.Key TakeawaysHospitality teaches resilience, adaptability and work ethic that transfers into almost any career. The best brand advocates aren't simply marketers—they connect producers, distributors, bars, bartenders and consumers. Benji explains why brands look for the right fit rather than simply chasing social media numbers, and why developing specialist knowledge in a single category can create significant career opportunities.The discussion also explores bourbon's current oversupply concerns, why the situation is more nuanced than many headlines suggest, and how today's challenges could ultimately benefit whiskey drinkers in the years ahead. Above all, Benji argues that passion matters, and that the most successful advocates tend to work with products and categories they genuinely love.In This EpisodeBenji's route into hospitality, the realities of modern brand advocacy, working with Heaven Hill and American whiskey, what brands look for in bartenders and venues, bourbon's boom, slowdown and future outlook, career advice for aspiring advocates, and reflections on Tales of the Cocktail and industry networking.Follow Benji on Instagram: @benjipurslowFollow The Cocktail Academy:Instagram: @welovecocktailsTikTok: @welovecocktailsxWebsite: www.thecocktailacademy.comEmail: sayhello@thecocktailacademy.com Hosted on Acast. See acast.com/privacy for more information.

Fluent Fiction - Japanese: Mystery Letters and Summer Tales: Haruto's Festival Adventure Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2026-06-11-07-38-19-ja Story Transcript:Ja: 夏の青空の下、高校の文化祭がにぎやかに行われていました。En: Under the natsu sky, the high school cultural festival was bustling with excitement.Ja: 竹に吊るされた色とりどりの短冊が風になびき、道を歩く人たちの心を踊らせます。En: Colorful tanzaku hung from bamboo swayed in the wind, bringing joy to those walking the path.Ja: 笑顔と笑い声がキャンパスを満たし、無数の屋台があちこちに立ち並び、祭りの興奮が、心を揺さぶります。En: Smiles and laughter filled the campus, countless stalls lined up here and there, and this excitement stirred the hearts of everyone present.Ja: しかし、この楽しい雰囲気の中で、一つの不可解な出来事が噂になっていました。それは、次々と見つかる謎の手紙のことです。En: However, amidst this joyful atmosphere, an inexplicable event became the talk of the town—a mysterious letter that kept appearing one after another.Ja: そこには文化祭で起こる出来事が予言されているというのです。En: It was said to predict events that would occur at the cultural festival.Ja: 本を読むのが好きで、少しシャイな高校生、ハルトは、この手紙に興味を持ちました。En: Haruto, a high school student who loves reading books and is a bit shy, took an interest in this letter.Ja: 彼はこの謎を解決したいと願っています。それは、同じクラスの人気者で明るいユキ、そして、謎多き友人アイコに良い印象を与えたかったからでした。En: He wished to solve this mystery because he wanted to make a good impression on Yuki, the popular and cheerful classmate, and his enigmatic friend Aiko.Ja: アイコは芸術に優れ、どうやら手紙について何かを知っているように思えます。En: Aiko is talented in the arts and seems to know something about the letter.Ja: ハルトは手紙を手に取り、事件の手がかりを探し始めます。En: Haruto picked up the letter and began searching for clues to the incident.Ja: 手紙には繊細な筆跡で、次に何が起こるかが書かれています。En: The letter, written in delicate handwriting, described what would happen next.Ja: 彼はこれを解くことで、何か悪いことが起こるのを防ぎたいと思っています。En: He hoped to decipher it to prevent anything bad from occurring.Ja: だが、ハルトは自分の内気さや、文化祭の忙しさに悩まされました。En: But Haruto was troubled by his own shyness and the busyness of the cultural festival.Ja: しかも、彼の心には、アイコが手紙の背後にいるのではという疑念もありました。En: Moreover, he harbored suspicions that Aiko might be behind the letter.Ja: 彼は勇気を出して、アイコに手紙について話し、協力を依頼することに決めました。En: He decided to muster the courage to talk to Aiko about the letter and ask for her cooperation.Ja: 文化祭のクライマックス、手紙の最後の一通には事件の予兆が書かれていました。「舞台設備に問題がある」という意味深な手紙。En: At the climax of the cultural festival, the last letter contained a forewarning of the incident—a cryptic message about "a problem with the stage equipment."Ja: ハルトは一緒に解決策を見つけようと決意し、アイコと協力して手紙を解き明かしました。そして、すぐに対応し、事故を未然に防ぎました。En: Determined to find a solution together, Haruto and Aiko deciphered the letter and immediately took action to prevent the accident.Ja: 無事に舞台は行われ、文化祭も成功に終わりました。En: The stage performance went smoothly, and the cultural festival concluded successfully.Ja: ユキはハルトの早い行動力を称賛し、ハルトは少し恥ずかしそうに笑いました。En: Yuki praised Haruto's quick action, and Haruto smiled shyly.Ja: そして、アイコはハルトに明かします。「この手紙は、運命と選択についてのアートプロジェクトだったの。En: Then, Aiko revealed to Haruto, "The letter was an art project about fate and choice.Ja: 驚かせてごめんね。」En: Sorry for the surprise."Ja: ハルトはこの経験を通して、自分の能力に自信を持てるようになり、アイコやユキとの友情も深まりました。En: Through this experience, Haruto gained confidence in his abilities, and his friendship with Aiko and Yuki deepened.Ja: 彼はもう以前のように内気ではなく、好きなことにもっと積極的に挑戦するようになりました。En: He was no longer as shy as before and began to take on the things he liked more proactively.Ja: こうして、彼らの穏やかな夏の日々は続いていくのです。En: And so, their tranquil summer days continued. Vocabulary Words:natsu: 夏bustling: にぎやかtanzaku: 短冊exhilaration: 興奮inexplicable: 不可解なmysterious: 謎のforewarning: 予兆cryptic: 意味深なdecipher: 解き明かすshyness: 内気さharbor: 抱くsuspicions: 疑念muster: 勇気を出してenigmatic: 謎多きtalented: 優れdelicate: 繊細なincident: 事件prevent: 防ぐart project: アートプロジェクトfate: 運命choice: 選択confidence: 自信abilities: 能力proactively: 積極的にtranquil: 穏やかなheart: 心predict: 予言climax: クライマックスsolution: 解決策concluded: 終わる

A man takes his friend home on a walk at night, but on his way back by himself, he encounters the most TERRIFYING entity he could ever imagine. Support me and all the shows of Eeriecast by becoming a premium member https://eerie.fm/premium Hear more stories narrated by me on my other podcast, Tales from the Break Room https://pod.link/1621075170 Learn more about your ad choices. Visit podcastchoices.com/adchoices

One of the cornerstone ceators on The Simpsons and Co-Creator Of The Critic Mike Reis is back ! He has a new travel book Bad Trips which is collection of his Substack essays about his trips to some of the scariest ports of call. From Iran and Iraq to The Ill Fated Titanic Submarine Tours. He scares us with tales of ABBA , the best food in the worst country, lots of Simpson TV writing tales and more. 

Rest to Return, a podcast for a restless world. Kohenet Keshira haLev Fife is your host. This series is rooted in Shabbat, an ancient Jewish practice that teaches us how to belong to time. Here, rest is a sacred rhythm woven into who we are. We begin by gathering around a single question: What do we need in order to sustain our sacred purpose? I received Kohenet smicha from The Kohenet Hebrew Priestess Institute in July 2017. The chorus of voices affirming that I am a Kohenet was recorded during the ceremony. The Torah reference about ceasing from work comes from Breishit 2:2. My understanding of Jewish people as “people of the book, body, and earth” has been informed by a number of sources and teachers; notable among them is Rav Kohenet Taya Mâ. Though I have come to understand that many somatic therapists and practitioners have written about the way that trauma can cause people to dissociate from their bodies, I learned it from a variety of sources and forums, none of which credited a source. The Kabbalistic concept of the Four Worlds is outlined in greater depth here. Octavia Raheem is an embodied practitioner and author who you can learn more about here. Asher Yatzar by Dan Nichols Helen Marie is a psychotherapist who you can learn more about here. The story of Reb Zusha is paraphrased from Martin Buber's Tales of the Hasidim. I learned the concept of makom kavuah (our fixed place) from Rabbi David Jaffe, Founder of Kirva, during a session about the Mussar concept of anavah (being right-sized). This episode is brought to you by the Institute for Jewish Spirituality. Rest to Return exists because we believe slowing down is a spiritual act. IJS believes that too. For over two decades, IJS has been helping people go deeper, through Jewish mindfulness meditation, contemplative prayer, sacred text study, and embodied practice. Their offerings range from online courses and silent retreats to immersive cohort programs for seekers of all experience levels, clergy, and spiritual leaders who are ready to live and lead from a more grounded place. Kohenet Keshira haLev Fife is part of IJS's core faculty, and the wisdom you'll hear in this series is very much in that spirit. If this podcast is stirring something in you, IJS is a place to go further. Explore their programs, and more ways to learn and practice with Keshira, at jewishspirituality.org, including: View the latest offerings from IJS in our program catalog Join Keshira on retreat this August: Returning Anew   Learn more about Keshira's latest class at IJS on Mindful Speech as a Spiritual Practice Learn more about Shevet, IJS's community for younger adults (20s-30s)  IJS has several online free practices with Keshira and our other faculty including our live Daily Sit, our weekly Shevet Sit for younger adults (under 40), and monthly Affinity Sits for Jews of Color, LGBTQ+, and individuals with disabilities. Click here for more information. Join our mailing list to be notified about our upcoming fall courses, including Keshira's Earth, Moon, Mindfulness year-long class.

We take a deep dive into the magic, myth and minutiae of The Mandalorian and Grogu. Follow and message us on Instagram to get 15% off your first purchase at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠rsvlts.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Follow TTM on social media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thankthemakerpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Donate to "WHAT CHOICE? - Star Wars Fans For Abortion Access" at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gofundme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Follow the hosts on social media:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adam Russell⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Nick Ghanbarian⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠William Ryan Key⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mike Forester⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jason Chiodo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ahsoka, Anakin Skywalker, Ahsoka Tano, Rosario Dawson, Hayden Christensen, Obi-Wan Kenobi, Andor, The Book of Boba Fett, The Bad Batch, The High Republic, #makesolo2happen, The Mandalorian, Star Wars Visions, Anime, Star Wars Anime, Disney Gallery, Galactic Starcruiser, Halcyon, Chandrila Star Line, Galaxy's Edge, Rogue Squadron, Disney+ Day, Hondo Supply, Armor Party, Kathleen Kennedy, Star Wars Celebration, Star Wars Black Series, Temuera Morrison, Black Krrsantan, Tosche Station, Danny Trejo, Fennec Shand, Ming-Na Wen, Mark Hamill, Luke Skywalker, Cad Bane, Princess Leia, Vivien Lyra Blair, Carrie Fisher, Tales of the Jedi, Cassian Andor, Bix Caleen, Brasso, Luthen Rael, Mon Mothma, Vel Sartha, Cinta Kaz, Dedra Meero, Syril Karn, Orson Krennic, Ryan Gosling, Mia Goth, Maul, Darth Maul, Sam Witwer

"A Knight Of The Seven Kingdoms" is an American fantasy drama television series created by Ira Parker and George R. R. Martin. A prequel to "Game of Thrones" (2011–2019), it is the third television series in Martin's "A Song of Ice and Fire" franchise and is an adaptation of the Tales of Dunk and Egg series of novellas, beginning with "The Hedge Knight." It stars Peter Claffey as Ser Duncan "Dunk" the Tall, the titular hedge knight, and Dexter Sol Ansell as his squire, Aegon "Egg" Targaryen. The series premiered on January 18th, 2026, on HBO, with its first season consisting of six episodes, and received positive reviews for its performances, direction, writing, and craftsmanship, particularly for Episode 5, "In the Name of the Mother" directed by Owen Harris. Dexter Sol Ansell and Owen Harris were kind enough to speak with me about their work and experience on the drama series, while Ira Parker took some time to speak with Will Mavity, which you can listen to below. Please be sure to check out the series, which is up for your consideration for this year's Emmy Awards and is now available to stream on HBO Max. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

E3 didn't go away, it still lives on in our hearts... and online thanks to all the Direct's and State of Play's and all that. Luckily all these things are coming out around the time E3 used to take place anyway, so we don't have to miss out on anything. In this episode, we give our thoughts on Final Fantasy VII: Revelation, Final Fantasy: Resonance, Persona 6, Lost Hellden, Threads of Time, Xenoblade: Genesis, Vivarium, Tales of Eternia, gen Atlas, The Legend of Zelda: Ocarina of Time Remake and much more! Mike is currently in London awaiting the Hitoshi Sakimoto concert, so this episode was done remotely. Hope you all enjoy! What were your favorites? Hitoshi Sakimoto Concert Details: https://www.fairfield.co.uk/events/lmp-the-colours-of-harmony-2026 **Listen On Spotify**: https://open.spotify.com/show/4gIzzvT3AfRHjGlfF8kFW3 **Listen On Soundcloud**: https://soundcloud.com/resonantarc **Listen On iTunes**: https://podcasts.apple.com/us/podcast/state-of-the-arc-podcast/id1121795837 **Listen On Pocket Cast**: http://pca.st/NJsJ Patreon Page: https://www.patreon.com/resonantarc Subscribe Star: https://www.subscribestar.com/resonant-arc Twitter: https://twitter.com/resonantarc Facebook: https://www.facebook.com/resonantarc Instagram: https://www.instagram.com/resonantarc TikTok: https://www.tiktok.com/@resonantarc

Hosts Nate Wilcox and Justin Bankston discuss Mike Judge's brilliant Tales from the Tour Bus season 2: Funk. This episode features legendary P-Funk leader George Clinton. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

A fixed race on Janix? In this economy? Janix's Star Gauntlet is in full effect in the pages of Marvel's Star Wars: Shadow of Maul #4 (of 5) as Lawson unearths a conspiracy and casino heist that's poised to lead him to ... Maul.Comics Discussed This Week:Shadow of Maul #4 (of 5)Star Wars Comics New to Marvel Unlimited This Week:
Shadow of Maul #1 (of 5)
News:Eiichi Shimizu and Tomohiro Shimoguchi shared another page from VIZ media's July 14 release of Star Wars: Visions: Tsukumo. You can see it on our Facebook and Bluesky feeds.We advocate buying your comics from the local comic shop, but there are times when that's not possible. To that end, you can subscribe to Marvel's upcoming The Fall of Kylo Ren and Book of Boba Fett adaptation mini-series starting now. For details, visit comicstoresubscriptions.com..Upcoming Star Wars comics, graphic novels, omnibuses and manga:June 16 _ The Art of Star Wars: A New Hope — The Manga Vol. 1June 23 _ Star Wars Legends: The New Republic Omnibus Vol. 3 (Collects Star Wars: Crimson Empire (1997) #0-6, Star Wars: The Bounty Hunters - Kenix Kil (1999) #1, Star Wars: Crimson Empire II - Council of Blood (1998) #1-6, Star Wars: Crimson Empire III - Empire Lost (2011) #1-6, Star Wars: Jedi Academy - Leviathan (1998) #1-4, Star Wars: The Mixed-Up Droid (1995) #1, Star Wars: Union (1999) #1-4, Star Wars: Chewbacca (2000) #1-4, Star Wars: Invasion (2009) #0-5, Star Wars: Invasion - Rescues (2010) #1-6, Star Wars: Invasion - Revelations (2011) #1-5, Star Wars Handbook (1998) #2; material from Dark Horse Extra (1998) #21-24; Dark Horse Presents (2011) #1; Star Wars Tales (1999) #8, 11, 16-19, 21)
June 24 _ Echoes of the Empire #3 (of 5), The Mandalorian and Grogu: Danger in the Dark One-ShotJuly 1 _ Rogue One: Saw Gerrera #1July 8 _ The High Republic Adventures — Pathfinders #3 (of 6), Shadow of Maul #5 (of 5)July 14 _ The High Republic Adventures -- The Complete Phase III Part 2 (Collects The High Republic Adventures (Phase III) 11-20, Echoes of Fear 1-4, Dispatches From the Occlusion Zone 1-4 and the one-shots 2025 Annual, The Wedding Spectacular and The Battle of Eriadu); Star Wars: Visions: TsukumoJuly 15 _ Galaxy's Edge -- Echoes of the Empire #4 (of 5), Hyperspace Stories: The Bad Batch -- Rogue Agents #4 (of 4)
July 21 _ Star Wars Legends: The Newspaper Strips Omnibus (Collects Classic Star Wars: The Early Adventures (1994) #1-9, Classic Star Wars: Han Solo at Stars' End (1997) #1-3, Classic Star Wars (1992) #1-20, Classic Star Wars: A New Hope (1994) #1-2, Classic Star Wars: The Vandelhelm Mission (1995) #1, Star Wars newspaper strips "The Constancia Affair," "The Kashyyyk Depths" and "Planet of Kadril”); Star Wars Modern Era Epic Collection: The Screaming Citadel (Collects Star Wars (2015) #31-43, Star Wars Annual (2015) #3, Star Wars: The Screaming Citadel (2017) #1, Star Wars: Doctor Aphra (2016) #7-8)

July 29 _ The High Republic Adventures — Pathfinders #4 (of 6)Aug. 5 _ Rogue One: Chirrut & Baze #1Aug. 12 _ The Fall of Kylo Ren #1 (of 5)Aug. 18 _ The Art of Star Wars: A New Hope -- The Manga Vol. 2, Star Wars -- Dark Droids Omnibus (Collects Dark Droids 1-5, D-Squad 1-4, Star Wars (Vol. 3) 37-50, Darth Vader (Vol. 3) 37-50, Doctor Aphra (Vol. 2) 35-40, Revelations #1 and Free Comic Book Day 2024 #1)Aug. 19 _ Galaxy's Edge — Echoes of the Empire #5 (of 5)Sept. 8 _ Star Wars: Poe Dameron Omnibus (Collects 1-31, Annuals 1, 2)Sept. 9 _ The High Republic Adventures -- Pathfinders #5 (of 6), Book of Boba Fett #1 (of 7)

Sept. 22 _ Star Wars: Galactic Tales of Terror Library Edition (Collects Tales from the Rancor Pit, Tales from the Death Star and Tales from the Nightlands 1-3)Sept. 29 _ Star Wars: Thrawn (The Manga)Sept. 30 _ Rogue One: Darth Vader #1
Oct. 3 _ Star Wars Comics Library Vol. 1 1977-1979 (Collects Star Wars Vol. 1 1-23)Oct. 6 _ Smugglers & Scoundrels: The Race for Jabba's Bounty Original Graphic Novel; Hyperspace Stories -- Mace Windu OGN
Oct. 13 _ Boba Fett — Black, White & Red Treasury Edition (Collects 1-4)Oct. 20 _ Hyperspace Stories -- Mace Windu OGN; The Mandalorian: Season One (The Manga) Vol. 1 and the Mandalorian: Season One (The Manga) Vol. 2Nov. 3 _ The Bad Batch — Rogue Agents TPB (Collects 1-4)Nov. 24 _ Darth Vader Modern Era Epic Collection: The Chosen One (Collects Darth Vader Vol. 2 1-12, Annual #2)
Dec. 1 _ Shadow of Maul TPB (Collects 1-5)Dec. 22 _ The High Republic Adventures -- Pathfinders TPB (Collects 1-6); Star Wars Legends: The Menace Revealed Omnibus Vol. 1 (Collects Star Wars: Jango Fett - Open Seasons (2002) #1-4, Star Wars (1998) #7-35; material from Star Wars Tales (1999) #8, 13, #21-24; Dark Horse Extra (1998) #35-37; Dark Horse Presents Annual 2000)Jan. 19 _ Star Wars Legends The Clone Wars Omnibus Vol. 1Feb. 9 _ The Mandalorian: Season One (The Manga) Vol. 3 and The Mandalorian: Season One (The Manga) Vol. 4March 9 _ Tales From the Outer Rim: The Legend of Beggar's Canyon Original Graphic Novel----------------------------------------------------------------------------------------------------------------------------------------Star Wars Splash Page is a weekly podcast dedicated solely to contemporary Star Wars comics published by Marvel, Dark Horse and previously IDW, featuring views about the current week's comics, interviews with the writers, artists, colorists, letterers and editors who create them, as well as the latest details on publishing schedules, upcoming series and mini-series, so that you, the listener have more detail and context about the comics that are a vital part of Star Wars canon, lore and legends.

Bobs daughter had a first that a lot of us have all experienced and Dusty along with the whole city of Lees Summit got some sad news yesterday.

Ad Astra Travelers and welcome to Tales of Teyvat: A Genshin Lore Podcast. This week, our hosts are returning to Fontaine to discuss a character you don't want to mess with, Champion Duelist, Clorinde! Our hosts start with their initial thoughts on Clorinde's character design after the release of the Fontaine teaser, how those feelings changed upon meeting her, and how we feel about her and Wriothesley's dynamic. Afterwards, we'll walk through Clorinde's story quest, discussing her love of table top games, praising her voice actor, and digging up dirt on her chaotic upbringing by a Marechaussee Hunter. Later, we'll discuss our thoughts around Clorinde's standing as a Hunter, the friends she's made along the way, and what she does when she isn't helping the accused fight for their honor. Not to mention, we'll take a deeper look at her relationship with Navia and the death of Callas. Grab your rapier and your tissues for this week's episode!Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠talesofteyvat.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to find a comprehensive lore sheet that provides visual aids and links to videos and important Genshin Impact Resources. Make sure to give us a follow on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to stay updated on all things Tales of Teyvat and let us know your thoughts on today's episode. Questions? Thoughts? Theories you have to share? Feel free to email us at talesofteyvatpod@gmail.com and let us know, we would love to hear from you!Tales of Teyvat has partnered with the Shade Chamber Podcast to create a Genshin Community on Discord for our listeners! We are so excited to chat Genshin Lore, Honkai Star Rail, and so much more with you! You can join our server at https://bit.ly/shadesofteyvat.

Happy Pride everyone! Welcome to pcmc, your one-stop shop for non-toxic fandom and pop culture ephemera. On today's all-new full episode, Mike is joined, once again, by Anthony, and together they review new trailers, talk about what they're currently reading/watching/consuming, and confess their current pop culture obsessions. Topics in today's show: Teenage Sex and Death at Camp Miasma (2026), Tony (2026), Resident Evil (2026), Wildwood (2026), analogue horror, needle drops in trailers, Grady Hendrix, The Peanuts, audiobooks, How to Kill a Witch: The Patriarchy's Guide to Silencing Woman (book), David Allan Greer, Margo's Got Money Troubles, Tales from the Crypt, box office tracking, rewriting The Crucible, the continued downfall of Alamo Drafthouse, and much, much more! If you like what you hear, please subscribe to wherever you get your podcasts.find us everywhere @PCMCpod

Tonight we bring you the 3rd installment of Tales from the Road, featuring highway spirits, ominous UFOs, canine creatures and other night drive frights. Keep it spooky and enjoy!Season 21 Episode 9 of Monsters Among Us Podcast, true paranormal stories of ghosts, cryptids, UFOs and more, told by the witnesses themselves.SHOW NOTES:Support the show! Get ad-free, extended & bonus episodes (and more) on Patreon - https://www.patreon.com/monstersamonguspodcastTonight's Sponsor - Quince - Luxury essentials, honestly priced & sustainably made - Visit Quince.com/mau for free shipping and 365-day returns.Tonight's Sponsor -  Storyworth - Give a gift that helps your loved one reflect on their life and gives your whole family the gift of their stories in a keepsake book. Order now at Storyworth.com/MAU and save up to $20.MAU Merch Shop - https://www.monstersamonguspodcast.com/shopMAU Discord - https://discord.gg/ybjc9KUagYWatch FREE - Shadows in the Desert: High Strangeness in the Borrego Triangle  - https://www.borregotriangle.com/Monsters Among Us Junior on Apple Podcasts  - https://podcasts.apple.com/us/podcast/monsters-among-us-junior/id1764989478Monsters Among Us Junior on Spotify -https://open.spotify.com/show/1bh5mWa4lDSqeMMX1mYxDZ?si=9ec6f4f74d61498bToe to Hand Transfer - https://www.ypo.education/orthopaedics/pediatric/toe-to-hand-transfer-t429/video/Length of all roads - https://www.scmo.net/faq/2019/8/9/how-much-roads-is-there-is-the-worldStaircase in the Woods - https://medium.com/@codygriffin596/staircases-in-the-woods-6f5ecd028bdcUtah Obelisk - https://en.wikipedia.org/wiki/Utah_monolithVideo Gaby sent in (audio of supposed creature) - https://www.facebook.com/groups/QueenCreekArizona/posts/4053461238222469/The other link Gabby sent in - https://www.tiktok.com/@truecrimetok03/video/7552660125476048183Music from tonight's episode:Music by Iron Cthulhu Apocalypse - https://www.youtube.com/c/IronCthulhuApocalypseCO.AG Music - https://www.youtube.com/channel/UCcavSftXHgxLBWwLDm_bNvAMusic By Karl Casey @ White Bat Audio - https://www.youtube.com/@WhiteBatAudioWhite Bat Audio Songs:OrbitUpgradeTranscendence

Who is going to space?! Run Time: 2:18:24 We crafted twice, told once for this one! We planned out the majority of this story before recording... and yet, we still crafted quite a bit of lore on the air, in a variety of ways that surprised even us! We tell the full arc of this story, and more! We just keep making things up? Clearly, we missed doing this. Next week's episode is all about the Rise of the 6th Sun! Questions about that? Use our handy form!