Podcasts about Lauren Berlant

The Collective Dream: Egyptians Longing For A Better Life (Palgrave Macmillan, 2023) links two seminal moments in Egypt's history – the Revolution of 25th January 2011 and the presidency of Gamal Abdel Nasser – through various cultural manifestations. It conceives the concept of “collective dreaming” to map out the subliminal feeling that runs deep through experiences of socially transformative moments. Sarah Nagaty has extensively studied the structure of feelings that encompasses the experiences not only of activist minorities but the broader mass of revolutionary movements. In certain historical moments, hopes and aspirations bind together millions of people from all walks of life: students, workers, farmers, and middle-class professionals. Nagaty calls this phenomenon the “collective dream”, something which has been carried through generations of Egyptians. In this episode, Ibrahim Fawzy sat down with Sarah Nagaty to discuss the conceptual roots of the collective dream and the overlooked histories of Nubian displacement during the construction of the High Dam. They also explored how thinkers like Raymond Williams and Lauren Berlant shaped Nagaty's method of reading revolutionary time and cultural memory, as well as how vernacular poetry, reportage, and graffiti served as vital archival traces of collective feeling. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Collective Dream: Egyptians Longing For A Better Life (Palgrave Macmillan, 2023) links two seminal moments in Egypt's history – the Revolution of 25th January 2011 and the presidency of Gamal Abdel Nasser – through various cultural manifestations. It conceives the concept of “collective dreaming” to map out the subliminal feeling that runs deep through experiences of socially transformative moments. Sarah Nagaty has extensively studied the structure of feelings that encompasses the experiences not only of activist minorities but the broader mass of revolutionary movements. In certain historical moments, hopes and aspirations bind together millions of people from all walks of life: students, workers, farmers, and middle-class professionals. Nagaty calls this phenomenon the “collective dream”, something which has been carried through generations of Egyptians. In this episode, Ibrahim Fawzy sat down with Sarah Nagaty to discuss the conceptual roots of the collective dream and the overlooked histories of Nubian displacement during the construction of the High Dam. They also explored how thinkers like Raymond Williams and Lauren Berlant shaped Nagaty's method of reading revolutionary time and cultural memory, as well as how vernacular poetry, reportage, and graffiti served as vital archival traces of collective feeling. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

The Collective Dream: Egyptians Longing For A Better Life (Palgrave Macmillan, 2023) links two seminal moments in Egypt's history – the Revolution of 25th January 2011 and the presidency of Gamal Abdel Nasser – through various cultural manifestations. It conceives the concept of “collective dreaming” to map out the subliminal feeling that runs deep through experiences of socially transformative moments. Sarah Nagaty has extensively studied the structure of feelings that encompasses the experiences not only of activist minorities but the broader mass of revolutionary movements. In certain historical moments, hopes and aspirations bind together millions of people from all walks of life: students, workers, farmers, and middle-class professionals. Nagaty calls this phenomenon the “collective dream”, something which has been carried through generations of Egyptians. In this episode, Ibrahim Fawzy sat down with Sarah Nagaty to discuss the conceptual roots of the collective dream and the overlooked histories of Nubian displacement during the construction of the High Dam. They also explored how thinkers like Raymond Williams and Lauren Berlant shaped Nagaty's method of reading revolutionary time and cultural memory, as well as how vernacular poetry, reportage, and graffiti served as vital archival traces of collective feeling. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

The Collective Dream: Egyptians Longing For A Better Life (Palgrave Macmillan, 2023) links two seminal moments in Egypt's history – the Revolution of 25th January 2011 and the presidency of Gamal Abdel Nasser – through various cultural manifestations. It conceives the concept of “collective dreaming” to map out the subliminal feeling that runs deep through experiences of socially transformative moments. Sarah Nagaty has extensively studied the structure of feelings that encompasses the experiences not only of activist minorities but the broader mass of revolutionary movements. In certain historical moments, hopes and aspirations bind together millions of people from all walks of life: students, workers, farmers, and middle-class professionals. Nagaty calls this phenomenon the “collective dream”, something which has been carried through generations of Egyptians. In this episode, Ibrahim Fawzy sat down with Sarah Nagaty to discuss the conceptual roots of the collective dream and the overlooked histories of Nubian displacement during the construction of the High Dam. They also explored how thinkers like Raymond Williams and Lauren Berlant shaped Nagaty's method of reading revolutionary time and cultural memory, as well as how vernacular poetry, reportage, and graffiti served as vital archival traces of collective feeling. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

The Collective Dream: Egyptians Longing For A Better Life (Palgrave Macmillan, 2023) links two seminal moments in Egypt's history – the Revolution of 25th January 2011 and the presidency of Gamal Abdel Nasser – through various cultural manifestations. It conceives the concept of “collective dreaming” to map out the subliminal feeling that runs deep through experiences of socially transformative moments. Sarah Nagaty has extensively studied the structure of feelings that encompasses the experiences not only of activist minorities but the broader mass of revolutionary movements. In certain historical moments, hopes and aspirations bind together millions of people from all walks of life: students, workers, farmers, and middle-class professionals. Nagaty calls this phenomenon the “collective dream”, something which has been carried through generations of Egyptians. In this episode, Ibrahim Fawzy sat down with Sarah Nagaty to discuss the conceptual roots of the collective dream and the overlooked histories of Nubian displacement during the construction of the High Dam. They also explored how thinkers like Raymond Williams and Lauren Berlant shaped Nagaty's method of reading revolutionary time and cultural memory, as well as how vernacular poetry, reportage, and graffiti served as vital archival traces of collective feeling. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

#KöşedekiKitapçı'da bugün

As Nathan Wolff himself puts it, his recent keynote address at the 2024 Quarry Farm Fall Symposium is "very much in dialogue with The American Vandal." In this talk, Wolff not only summarizes Mark Twain and Charles Dudley Warner's "The Gilded Age" (1873), but further interpolates it with concepts like Lauren Berlant's cruel optimism, György Lukács's historical novel, and Raymond Williams's structures of feeling, all of which have been cited frequently in our "A Tale of Today" series. While this episode departs from the usual format of this podcast, listeners to the current season will undoubtedly see the synergy between recent episodes and Wolff's excellent keynote. Cast (in order of appearance): Matt Seybold, Nathan Wolff Soundtrack: DownRiver Collective Narration: Nathan Osgood & SNR Audio For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/FirstAsFarce, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com If you would prefer to watch Nathan Wolff speak, the keynote is also available via our YouTube Channel.

Queer television is clearly having a moment and I got to learn more about this from my new favourite LGBTQ TV expert: Hollis Griffin. From the problematic categorisation of ‘good' and ‘bad' representation to watching telly at the gay bar, we talk about what queer TV can and can't do and why it's so enjoyable even when it's bad.  Hollis shares expert knowledge, personal anecdotes and an amazing Lauren Berlant quote: “Nobody like their pleasure undone by somebody with a theory.”References:Gentrification Imaginaries ConferenceFreiburg UniversityMaria SulimmaHollis Griffin's Feeling Normal: Sexuality and Media Criticism in the Digital Age (Indiana, 2017) Hollis Griffin (ed) Television Studies in Queer Times (Routledge, 2023)Hollis Griffin's Securing the Big Apple: Television and the Gentrification of New York (forthcoming)Will and GraceLauren Berlant's Desire/LoveCael Keegan's “In Praise of the Bad Transgender Object: Sleepaway Camp” (2020)https://www.flowjournal.org/2020/07/in-praise-of-the-bad-sleepaway/Allison Page's Media and the Affective Life of Slavery (2022)Melrose PlaceAaron SpellingInterview with the Vampire IsaacFellman's Dead CollectionSusan StrykerThe Fathers Project Hunter Hargraves  Questions you should be able to respond to after listening:     What does representation mean? In how far it is a useful category?     What can ‘bad objects' teach us? Do you have an example?     What are places where one might watch queer TV and how do these places influence viewing behaviour?     Why is there pleasure in watching TV? Which shows do you enjoy?     Please look up at least one of the scholars that you learned about in this episode and find out more about their work.  

In this episode, we share a poem and an interview from our curriculum session hosted by Samoa House Library in the context of our recent exhibition, Distance is a blade, curated by Amy Weng. The poem, In the Animal Garden of My Body, by Marci Calabretta Cancio-Bello, and the interview between Hans Demeyer and Lauren Berlant, Intimacy as World-Making, both orbit themes of memory, intimacy, and affective forms of myth-making that were central to the exhibition.

Have you ever been to a Tupperware party? Or perhaps a Pure Romance party? Avon? Then you may be familiar with pyramid schemes! In this episode, Marcelle guides Hannah through the history of Tupperware parties and their rising popularity post WWII. She then offers some Lauren Berlant theory (which always makes for a good episode!!); specifically, their concept of "cruel optimism." If that sounds familiar, it's because we first visited this theory in our Queer Eye episode. Enjoy the episode and become a Patreon supporter today to attend our LIVE episode recording on July 12th at 5 pm EST!You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is HOW WE PAY OUR TEAM! We need your support to make the show. Thanks again to all of you who have already made the leap to join us on Patreon.***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Have you ever been to a Tupperware party? Or perhaps a Pure Romance party? Avon? Then you may be familiar with pyramid schemes! In this episode, Marcelle guides Hannah through the history of Tupperware parties and their rising popularity post WWII. She then offers some Lauren Berlant theory (which always makes for a good episode!!); specifically, their concept of "cruel optimism." If that sounds familiar, it's because we first visited this theory in our Queer Eye episode. Enjoy the episode and become a Patreon supporter today to attend our LIVE episode recording on July 12th at 5 pm EST!You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is HOW WE PAY OUR TEAM! We need your support to make the show. Thanks again to all of you who have already made the leap to join us on Patreon.***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

What accounts for worker injuries and fatalities in the Bakken oil fields of North Dakota? Should they be viewed as localized phenomena, or are larger socioeconomic processes at work? In his effort to explain oil-boom representations and calamities, Bruce Braun considers and extends Lauren Berlant's analysis of worker precarity, “crisis ordinariness,” and “slow death.” (Encore presentation.) Braun and Thomas, eds., Settling the Boom: The Sites and Subjects of Bakken Oil University of Minnesota Press, 2023 The post Oil & Capital appeared first on KPFA.

Abby and Patrick are joined by academic, journalist, and critic Sara Marcus, author of the 2023 book Political Disappointment: A Cultural History from Reconstruction to the AIDS Crisis. After recalling their own experiences of political letdowns – infantile, adolescent, and all-too-recent – they explore how Sara's notion of disappointment as “untimely desire” involves something other than disillusionment or a loss of faith. Rather, as Marcus explains, disappointment involves an ongoing relationship towards an object, and can be a simultaneous opportunity for mourning, determination, creativity, and more. They unpack experiences of such disappointment across the twentieth century, tracking in particular their musical and audio archives – from the “Sorrow Songs” studied by W.E.B. DuBois to the exquisite nonverbals of Lead Belly to the monologues and Tracy Chapman bootlegs recorded by the artist and AIDS activist David Wojnarowicz. And they also get into the traps of utopianism, Melanie Klein, and the possibility of a “good enough” political subjectivity, with cameos by Fleetwood Mac, Bon Jovi, Peter Paul & Mary, and more along the way. Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! 484 775-0107  A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media:  Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

In this edition of the Podcast for Social Research, recorded live before of a screening of Michael Haneke's 2001 The Piano Teacher, BISR faculty Lauren K. Wolfe, Rebecca Ariel Porte, and Paige Sweet take up impinging mothers, absent fathers, and the variable affordances of literary and cinematic media, as they compare and interpret Haneke's film and the eponymous novel by Elfriede Jelinek from which it was adapted. Topics touched on include: the reactionary milieu of 1980s Austria; ways of reading psychological depth from cinematic surface; recognition and misrecognition (by way of Aristotle and Lauren Berlant); pedagogy and its incidental lessons; musical Romanticism and sexual pathology; dissonance and the (dashed hope for) a return to tonic; Freud and polymorphous perversity; Schubert's Winterreise, Schubert as seduction strategy, Adorno on Schubert, and much else besides.

What accounts for worker injuries and fatalities in the Bakken oil fields of North Dakota? Should they be viewed as localized phenomena, or are larger socioeconomic processes at work? In his effort to explain oil-boom representations and calamities, Bruce Braun considers and extends Lauren Berlant's analysis of worker precarity, “crisis ordinariness,” and “slow death.” Braun and Thomas, eds., Settling the Boom: The Sites and Subjects of Bakken Oil University of Minnesota Press, 2023 The post Oil & Capital appeared first on KPFA.

We're back on the plot today with Slauson Malone 1, formerly Slauson Malone, also known as Jasper Marsalis. Jasper is a painter, sculptor and musician who currently lives in Los Angeles. His work in music feels like a form of collage; of narratives, sounds and references.In this episode Flo and Jasper are appealing to Jasper's perfectionist qualities and planting out garlic. They discuss the music that Jasper is currently fake listening to; his respect and fear of cooking and appreciation of dumb but useful items, like the dibber - which is well used in this episode. Jasper is currently reading Cruel Optimism by Lauren Berlant, listening to Abdul Wadud, By Myself; and watching Winter adé as well as Fast X. Presenter & editor - Flo Dill, Producer - Lizzy King, Sound Recording - Fabrice Robinson, Audio production - Felix Stock. Special thanks to Dimitris Mylonas.Music - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks.Listen back to Jasper's shows and guest spots on NTS Hosted on Acast. See acast.com/privacy for more information.

In this episode of High Theory, Pardis Dabashi tells us about plot. A plot consists of a change with stakes that establish norms. This seemingly simple structure shapes novels, films, politics, and our world, from easy seductions of comfort to difficult promises of liberation. In the episode, Pardis references Thomas Edison's 1903 film, Electrocuting an Elephant, which is super sad, and kind of terrifying, but an economical explanation of plot. She also discusses Max Ophüls's 1953 film, The Earrings of Madame de... as an example of a film with a potentially liberatory plot. We recommend you watch the latter, not the former. Other texts referenced in this episode include Mary Anne Doane's The Emergence of Cinematic Time (Harvard, 2002) and Lauren Berlant's Cruel Optimism (Duke, 2011) and Female Complaint (Duke, 2008). The occasion for our conversation was Pardis's new book, Losing the Plot: Film and Feeling in the Modern Novel (U Chicago Press, 2023). If you'd like to get yourself a copy there's a 30% discount on the University of Chicago Press website with the promo code UCPNEW. It's a book about film and literary modernism, including the work of Nella Larsen, Djuna Barnes, and William Faulkner. The cover is really beautiful, and it's definitely worth a read if you're interested in either of the genres it addresses. Pardis Dabashi is an Assistant Professor of Literatures in English and Film Studies at Bryn Mawr College, where she is also Affiliated Faculty in the Middle Eastern, Central Asian, and North African Studies Program (MECANA). She has published everywhere, and is friends with everyone! She teaches courses in twentieth-century literature, film studies, Middle East studies, and theory. She was also one of the first guests on High Theory! You can listen to her 2020 episode on The Autonomous Work of Art if you're feeling a flashback. The image for this episode is a publicity still from George Cukor's 1936 MGM film Camille, showing Greta Garbo and Robert Taylor in a tense embrace. Digital image from Wikimedia Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of High Theory, Pardis Dabashi tells us about plot. A plot consists of a change with stakes that establish norms. This seemingly simple structure shapes novels, films, politics, and our world, from easy seductions of comfort to difficult promises of liberation. In the episode, Pardis references Thomas Edison's 1903 film, Electrocuting an Elephant, which is super sad, and kind of terrifying, but an economical explanation of plot. She also discusses Max Ophüls's 1953 film, The Earrings of Madame de... as an example of a film with a potentially liberatory plot. We recommend you watch the latter, not the former. Other texts referenced in this episode include Mary Anne Doane's The Emergence of Cinematic Time (Harvard, 2002) and Lauren Berlant's Cruel Optimism (Duke, 2011) and Female Complaint (Duke, 2008). The occasion for our conversation was Pardis's new book, Losing the Plot: Film and Feeling in the Modern Novel (U Chicago Press, 2023). If you'd like to get yourself a copy there's a 30% discount on the University of Chicago Press website with the promo code UCPNEW. It's a book about film and literary modernism, including the work of Nella Larsen, Djuna Barnes, and William Faulkner. The cover is really beautiful, and it's definitely worth a read if you're interested in either of the genres it addresses. Pardis Dabashi is an Assistant Professor of Literatures in English and Film Studies at Bryn Mawr College, where she is also Affiliated Faculty in the Middle Eastern, Central Asian, and North African Studies Program (MECANA). She has published everywhere, and is friends with everyone! She teaches courses in twentieth-century literature, film studies, Middle East studies, and theory. She was also one of the first guests on High Theory! You can listen to her 2020 episode on The Autonomous Work of Art if you're feeling a flashback. The image for this episode is a publicity still from George Cukor's 1936 MGM film Camille, showing Greta Garbo and Robert Taylor in a tense embrace. Digital image from Wikimedia Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Pardis Dabashi tells us about plot. A plot consists of a change with stakes that establish norms. This seemingly simple structure shapes novels, films, politics, and our world, from easy seductions of comfort to difficult promises of liberation. In the episode, Pardis references Thomas Edison's 1903 film, Electrocuting an Elephant, which is super sad, and kind of terrifying, but an economical explanation of plot. She also discusses Max Ophüls's 1953 film, The Earrings of Madame de... as an example of a film with a potentially liberatory plot. We recommend you watch the latter, not the former. Other texts referenced in this episode include Mary Anne Doane's The Emergence of Cinematic Time (Harvard, 2002) and Lauren Berlant's Cruel Optimism (Duke, 2011) and Female Complaint (Duke, 2008). The occasion for our conversation was Pardis's new book, Losing the Plot: Film and Feeling in the Modern Novel (U Chicago Press, 2023). If you'd like to get yourself a copy there's a 30% discount on the University of Chicago Press website with the promo code UCPNEW. It's a book about film and literary modernism, including the work of Nella Larsen, Djuna Barnes, and William Faulkner. The cover is really beautiful, and it's definitely worth a read if you're interested in either of the genres it addresses. Pardis Dabashi is an Assistant Professor of Literatures in English and Film Studies at Bryn Mawr College, where she is also Affiliated Faculty in the Middle Eastern, Central Asian, and North African Studies Program (MECANA). She has published everywhere, and is friends with everyone! She teaches courses in twentieth-century literature, film studies, Middle East studies, and theory. She was also one of the first guests on High Theory! You can listen to her 2020 episode on The Autonomous Work of Art if you're feeling a flashback. The image for this episode is a publicity still from George Cukor's 1936 MGM film Camille, showing Greta Garbo and Robert Taylor in a tense embrace. Digital image from Wikimedia Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of High Theory, Pardis Dabashi tells us about plot. A plot consists of a change with stakes that establish norms. This seemingly simple structure shapes novels, films, politics, and our world, from easy seductions of comfort to difficult promises of liberation. In the episode, Pardis references Thomas Edison's 1903 film, Electrocuting an Elephant, which is super sad, and kind of terrifying, but an economical explanation of plot. She also discusses Max Ophüls's 1953 film, The Earrings of Madame de... as an example of a film with a potentially liberatory plot. We recommend you watch the latter, not the former. Other texts referenced in this episode include Mary Anne Doane's The Emergence of Cinematic Time (Harvard, 2002) and Lauren Berlant's Cruel Optimism (Duke, 2011) and Female Complaint (Duke, 2008). The occasion for our conversation was Pardis's new book, Losing the Plot: Film and Feeling in the Modern Novel (U Chicago Press, 2023). If you'd like to get yourself a copy there's a 30% discount on the University of Chicago Press website with the promo code UCPNEW. It's a book about film and literary modernism, including the work of Nella Larsen, Djuna Barnes, and William Faulkner. The cover is really beautiful, and it's definitely worth a read if you're interested in either of the genres it addresses. Pardis Dabashi is an Assistant Professor of Literatures in English and Film Studies at Bryn Mawr College, where she is also Affiliated Faculty in the Middle Eastern, Central Asian, and North African Studies Program (MECANA). She has published everywhere, and is friends with everyone! She teaches courses in twentieth-century literature, film studies, Middle East studies, and theory. She was also one of the first guests on High Theory! You can listen to her 2020 episode on The Autonomous Work of Art if you're feeling a flashback. The image for this episode is a publicity still from George Cukor's 1936 MGM film Camille, showing Greta Garbo and Robert Taylor in a tense embrace. Digital image from Wikimedia Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In this episode of High Theory, Pardis Dabashi tells us about plot. A plot consists of a change with stakes that establish norms. This seemingly simple structure shapes novels, films, politics, and our world, from easy seductions of comfort to difficult promises of liberation. In the episode, Pardis references Thomas Edison's 1903 film, Electrocuting an Elephant, which is super sad, and kind of terrifying, but an economical explanation of plot. She also discusses Max Ophüls's 1953 film, The Earrings of Madame de... as an example of a film with a potentially liberatory plot. We recommend you watch the latter, not the former. Other texts referenced in this episode include Mary Anne Doane's The Emergence of Cinematic Time (Harvard, 2002) and Lauren Berlant's Cruel Optimism (Duke, 2011) and Female Complaint (Duke, 2008). The occasion for our conversation was Pardis's new book, Losing the Plot: Film and Feeling in the Modern Novel (U Chicago Press, 2023). If you'd like to get yourself a copy there's a 30% discount on the University of Chicago Press website with the promo code UCPNEW. It's a book about film and literary modernism, including the work of Nella Larsen, Djuna Barnes, and William Faulkner. The cover is really beautiful, and it's definitely worth a read if you're interested in either of the genres it addresses. Pardis Dabashi is an Assistant Professor of Literatures in English and Film Studies at Bryn Mawr College, where she is also Affiliated Faculty in the Middle Eastern, Central Asian, and North African Studies Program (MECANA). She has published everywhere, and is friends with everyone! She teaches courses in twentieth-century literature, film studies, Middle East studies, and theory. She was also one of the first guests on High Theory! You can listen to her 2020 episode on The Autonomous Work of Art if you're feeling a flashback. The image for this episode is a publicity still from George Cukor's 1936 MGM film Camille, showing Greta Garbo and Robert Taylor in a tense embrace. Digital image from Wikimedia Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In this episode of High Theory, Pardis Dabashi tells us about plot. A plot consists of a change with stakes that establish norms. This seemingly simple structure shapes novels, films, politics, and our world, from easy seductions of comfort to difficult promises of liberation. In the episode, Pardis references Thomas Edison's 1903 film, Electrocuting an Elephant, which is super sad, and kind of terrifying, but an economical explanation of plot. She also discusses Max Ophüls's 1953 film, The Earrings of Madame de... as an example of a film with a potentially liberatory plot. We recommend you watch the latter, not the former. Other texts referenced in this episode include Mary Anne Doane's The Emergence of Cinematic Time (Harvard, 2002) and Lauren Berlant's Cruel Optimism (Duke, 2011) and Female Complaint (Duke, 2008). The occasion for our conversation was Pardis's new book, Losing the Plot: Film and Feeling in the Modern Novel (U Chicago Press, 2023). If you'd like to get yourself a copy there's a 30% discount on the University of Chicago Press website with the promo code UCPNEW. It's a book about film and literary modernism, including the work of Nella Larsen, Djuna Barnes, and William Faulkner. The cover is really beautiful, and it's definitely worth a read if you're interested in either of the genres it addresses. Pardis Dabashi is an Assistant Professor of Literatures in English and Film Studies at Bryn Mawr College, where she is also Affiliated Faculty in the Middle Eastern, Central Asian, and North African Studies Program (MECANA). She has published everywhere, and is friends with everyone! She teaches courses in twentieth-century literature, film studies, Middle East studies, and theory. She was also one of the first guests on High Theory! You can listen to her 2020 episode on The Autonomous Work of Art if you're feeling a flashback. The image for this episode is a publicity still from George Cukor's 1936 MGM film Camille, showing Greta Garbo and Robert Taylor in a tense embrace. Digital image from Wikimedia Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In this episode of High Theory, Pardis Dabashi tells us about plot. A plot consists of a change with stakes that establish norms. This seemingly simple structure shapes novels, films, politics, and our world, from easy seductions of comfort to difficult promises of liberation. In the episode, Pardis references Thomas Edison's 1903 film, Electrocuting an Elephant, which is super sad, and kind of terrifying, but an economical explanation of plot. She also discusses Max Ophüls's 1953 film, The Earrings of Madame de... as an example of a film with a potentially liberatory plot. We recommend you watch the latter, not the former. Other texts referenced in this episode include Mary Anne Doane's The Emergence of Cinematic Time (Harvard, 2002) and Lauren Berlant's Cruel Optimism (Duke, 2011) and Female Complaint (Duke, 2008). The occasion for our conversation was Pardis's new book, Losing the Plot: Film and Feeling in the Modern Novel (U Chicago Press, 2023). If you'd like to get yourself a copy there's a 30% discount on the University of Chicago Press website with the promo code UCPNEW. It's a book about film and literary modernism, including the work of Nella Larsen, Djuna Barnes, and William Faulkner. The cover is really beautiful, and it's definitely worth a read if you're interested in either of the genres it addresses. Pardis Dabashi is an Assistant Professor of Literatures in English and Film Studies at Bryn Mawr College, where she is also Affiliated Faculty in the Middle Eastern, Central Asian, and North African Studies Program (MECANA). She has published everywhere, and is friends with everyone! She teaches courses in twentieth-century literature, film studies, Middle East studies, and theory. She was also one of the first guests on High Theory! You can listen to her 2020 episode on The Autonomous Work of Art if you're feeling a flashback. The image for this episode is a publicity still from George Cukor's 1936 MGM film Camille, showing Greta Garbo and Robert Taylor in a tense embrace. Digital image from Wikimedia Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Given last week's release of 1989 (Taylor's Version), we just had to have Swiftie and Tay-lore expert Margaret H. Willison (she/her) on the show to talk about one of the (if not THE) most influential pop stars of the last decade. We start with a conversation about Taylor as an artist and Margaret provides context to help us understand how and why Taylor's Eras Tour and the 10 studio albums that led to it have created such a buzz. Then Marcelle leads Hannah and Margaret through Lauren Berlant's theory of intimate publics with an eye towards the Swiftie fandom and Taylor's fluid feminist politic. We finish the episode with Marcelle's incredible thesis and a discussion about capitalism, what makes an icon and what might be next for Swift.Margaret H. Willison is a frequent guest on NPR's Pop Culture Happy Hour, a freelance writer and cultural critic, and one of three women behind the beloved Substack Two Bossy Dames. She is a friend of the show and if you want to know more about her, you can find her @MrsFridayNext on Instagram!If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!***Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Given last week's release of 1989 (Taylor's Version), we just had to have Swiftie and Tay-lore expert Margaret H. Willison (she/her) on the show to talk about one of the (if not THE) most influential pop stars of the last decade. We start with a conversation about Taylor as an artist and Margaret provides context to help us understand how and why Taylor's Eras Tour and the 10 studio albums that led to it have created such a buzz. Then Marcelle leads Hannah and Margaret through Lauren Berlant's theory of intimate publics with an eye towards the Swiftie fandom and Taylor's fluid feminist politic. We finish the episode with Marcelle's incredible thesis and a discussion about capitalism, what makes an icon and what might be next for Swift.Margaret H. Willison is a frequent guest on NPR's Pop Culture Happy Hour, a freelance writer and cultural critic, and one of three women behind the beloved Substack Two Bossy Dames. She is a friend of the show and if you want to know more about her, you can find her @MrsFridayNext on Instagram!If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!***Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Abby and Patrick welcome writer and academic Grace Lavery to discuss her new book Pleasure and Efficacy: Of Pen Names, Cover Versions, and Other Trans Techniques. They discuss Grace's relationship to psychoanalysis; her uses of Freud and Freudianism for both theoretical and pragmatic political purposes and in service of bodily freedom; her interpretation of Freudian concepts like penis envy and the castration complex; her writing in both Pleasure and Efficacy and her memoir Please Miss on changing sexes as an empirical fact; the stakes of calling things “real” or “authentic” versus dismissing them as fake, try-hard, or otherwise affected; the tensions between queer theory and transgender studies and her notion of “egg theory”; sex, pleasure, desire, and shame; her eminently useful idea of “romances of intractability”; Eve Sedgwick's, Judith Butler's, and Lauren Berlant's later-in-life turns towards transmasculinity; and Grace's work as activist and advocate in both US and UK contexts.Grace's book Pleasure and Efficacy is here: https://press.princeton.edu/books/hardcover/9780691243924/pleasure-and-efficacyHer memoir, Please Miss, is here: https://www.hachettebookgroup.com/titles/grace-lavery/please-miss/9781541620643/?lens=seal-pressThe recent piece of hers we refer to in the Los Angeles Review of Books (LARB), “Gender Criticism Versus Gender Abolition: On Three Recent Books” is here: https://lareviewofbooks.org/article/gender-criticism-versus-gender-abolition-on-three-recent-books-about-gender/Other texts referenced in the episode include:Leo Bersani, Thoughts and ThingsLeo Bersani and Adam Phillips, IntimaciesEve Kosofsky Sedgwick, “White Glasses”Eve Kosofsky Sedgwick, “Shame, Theatricality, and Queer Performativity: Henry James's The Art of the Novel”Eve Kosofsky Sedgwick, “How to Bring Your Kids Up Gay”Susan Stryker, “My Words to Victor Frankenstein above the Village of Chamounix: Performing Transgender Rage” Susan Stryker, “Transgender Studies: Queer Theory's Evil Twin”Sigmund Freud, “A Note Upon the ‘Mystic Writing Pad'”Freud, “On Humor”Freud, “Analysis Terminable and Interminable”Jacques Derrida, “Freud and the Scene of Writing”D. A. Miller, Place for Us: Essay on the Broadway MusicalJoan Copjec, Read My Desire: Lacan Against the HistoricistsJacques Lacan, The Ethics of Psychoanalysis (Seminar VII)LaPlanche and Pontalis, The Language of PsychoanalysisJanet Malcolm, In the Freud ArchivesHave you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! 484 775-0107  A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media: Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

What makes the Fab Five so fab? In this episode, Hannah leads Marcelle through a discussion of contemporary masculinities and their commodification via pop culture! They talk neo-liberalism, self-care discourse and the interplay of Trump's rise to power and "reaching across the aisle" through entertainment. Hannah pulls on theory from the late Lauren Berlant for a lesson on intimate publics and 'cruel optimism.'This episode is for you if you:watched the original Queer Eye for the Straight Guyenjoy the reboot of Queer Eyehate the rebootthink Antoni is a hunkdon't think Antoni is a hunkcare about the commodification of progressive idealsIf you like this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!***Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

What makes the Fab Five so fab? In this episode, Hannah leads Marcelle through a discussion of contemporary masculinities and their commodification via pop culture! They talk neo-liberalism, self-care discourse and the interplay of Trump's rise to power and "reaching across the aisle" through entertainment. Hannah pulls on theory from the late Lauren Berlant for a lesson on intimate publics and 'cruel optimism.'This episode is for you if you:watched the original Queer Eye for the Straight Guyenjoy the reboot of Queer Eyehate the rebootthink Antoni is a hunkdon't think Antoni is a hunkcare about the commodification of progressive idealsIf you like this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!***Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we are joined by Dr. Kelly Underman, Associate Professor in Sociology at Drexel University in Philadelphia, Pennsylvania and author of Feeling Medicine: How the Pelvic Exam Shapes Medical Training (2020). In our conversation, Kelly introduces us to the work of Lauren Berlant, reflects on her experience finding their work as a graduate […]

In this episode, Dr. Kelly Underman, Associate Professor in Sociology at Drexel University in Philadelphia, Pennsylvania and author of Feeling Medicine: How the Pelvic Exam Shapes Medical Training (2020), joins us to read from the first chapter of Lauren Berlant’s Cruel Optimism (2011). Follow along HERE. -Kyle-

Reading list:* Corey Robin's Facebook Page* Not Yet Falling Apart: Two thinkers on the left offer a guide to navigating the stormy seas of modernity, by moi* Straight Outta Chappaqua: How Westchester-bred lefty prof Corey Robin came to loathe Israel, defend Steven Salaita, and help cats, by Phoebe Maltz Bovy* Online Fracas for a Critic of the Right, by Jennifer Schuessler* Scholar Behind U. of Illinois Boycotts Is a Longtime Activist, by Marc ParryA few years ago, I got this text from a friend after my guest on this episode of the podcast, Corey Robin, said something nice about my book on Facebook: “When Corey Robin is praising you on Facebook, you've arrived, my friend.”He was being funny, but also just saying a true thing. Corey Robin is a big deal on the intellectual left in America, and for the better part of a decade, from about 2012 to 2019, his Facebook page was one of the most vital and interesting spaces on the American intellectual left. Back in 2017, I wrote this about Corey and his most influential book, The Reactionary Mind: Conservatism from Edmund Burke to Sarah Palin:The Reactionary Mind has emerged as one of the more influential political works of the last decade. Robin himself has become, since the book's publication, one of the more aura-laden figures on the intellectual left. Paul Krugman cites him and the book periodically in his New York Times columns and on his blog. Robin's Facebook page, which he uses as a blog and discussion forum, has become one of the places to watch to understand where thinking on the left is. Another key node of the intellectual left is Crooked Timber, a group blog of left-wing academics to which Robin is a long-time contributor, and another is Jacobin, a socialist magazine that often re-publishes Robin's blog posts sans edits, like dispatches from the oracle.I've long been fascinated by Corey's Facebook page, in particular, because it was such a novel space. It couldn't exist prior to the internet, and if there were any other important writers who used the platform in that way, as a real venue for thoughtful and vigorous political discussion, I'm not familiar with them. It didn't replace or render obsolete the magazines, like The Nation and Dissent, that were the traditional places where the left talked to itself. It was just a different thing, an improvisational, unpredictable, rolling forum where you went to see what people of a certain bent were talking about, who the key players were, what the key debates were. And Corey himself, in this context, had a charismatic presence. To even get him to respond seriously to a comment you made on one of his posts was to get a little thrill. To be praised by Corey, in the main text of a post, was to feel like you were a made man. Over the past few weeks I've spent some time dipping into the archives of his page, and while there I compiled a list of notable names who showed up as commenters. My list included: Lauren Berlant, Matt Karp, Tim Lacy, Miriam Markowitz, Annette Gordon Reed,  Doug Henwood, Jeet Heer, Freddie Deboer, Raina Lipsitz, Elayne Tobin, Scott Lemieux, Paul Buhle, Jedediah Purdy, Jodi Dean, Alex Gourevitch, Tamsin Shaw, Rick Perlstein, Greg Grandin, Katha Pollitt, Joel Whitney, Liza Featherstone, Andrew Hartman, Rebecca Vilkomerson, Samuel Moyn, Tim Lacy, Yasmin Nair, Bhaskar Sunsara, Keeanga Yamahtta Taylor, Gideon Lewis Kraus.This is just the people I recognized (or googled ) in my brief time skimming. The full list of eminent leftist Americans who populated Corey's page over the years would surely run to hundreds of names, which is to say that a significant portion, maybe even a majority, of the writers and intellectuals who comprised the intellectual left in those years was reading and participating in his page. How this came about, and what it meant, is one of the topics we cover in the podcast, which ended up being a kind of stock-taking of sorts of the very recent history of the American left. We also talk about Corey's involvement as an organizer with GESO, Yale's graduate student union, when he was getting his PhD in political science; his retrospective thoughts on why he over-estimated the strength of the American left in the mid-2010s; what he got right about Trump and Trumpism; and why Clarence Thomas may be corrupt, but is at least intellectually honest about it. Corey is a professor at Brooklyn College and the author of three books: Fear: The History of a Political Idea, The Reactionary Mind: Conservatism from Edmund Burke to Sarah Palin (revised and re-issued as Reactionary Mind: Conservatism from Edmund Burke to Donald Trump), and most recently The Enigma of Clarence Thomas. He has written for The New Yorker, The New York Review of Books, the London Review of Books, and Jacobin, among many other places.  Eminent Americans is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Eminent Americans at danieloppenheimer.substack.com/subscribe

This month, Mary speaks with Jesine Munson, an artist, historian and philosopher. Jesine landed on the planet in 1988, a Montanan born and raised. She's currently completing a PhD dissertation specifically considering the work of John Dewey and, more generally, the way we humans come to make sense of our lives and the world. In this episode, Mary and Jesine talk about how Jesine's work as a scholar, artist, young business woman and co-founder of the nonprofit, The Compassion Project is inextricably woven in with the natural world and her devotion to climate repair.The works of John Dewey that have been most influential for Jesine: The Public And It's Problems (1927) and Art as Experience (1934)Modern Dewey Scholarship:John Dewey's Theory of Art, Experience, and Nature: The Horizons of Feeling - Book by John Dewey and Thomas M. AlexanderThe Human Eros: Eco-ontology and The Aesthetics of Existence - Book by Thomas AlexanderPragmatism as Post-Postmodernism by Larry HickmanJesine also mentioned Lauren Berlant's - Cruel OptimismCompassion Project https://www.compassionpject.org/

Hey Upper East Siders. The gossip gxrlies are here, and they’re queer stoners now. Our main characters are #1 Charlie Markbreiter, author, PhD candidate, editor at The New Inquiry, and mod of the Death Panel Discord #2 O.K. Fox, Sonic the Hedgehog fetishist and degenerate podcast host. Together they synthesize why white trans guys are … Continue reading "181 – Gossip Girl Fanfic Novella w/ Charlie Markbreiter"

Jolene is joined by Charlie Markbreiter to discuss his upcoming book, Gossip Girl Fanfic Novella (pre-order here: https://www.kenningeditions.com/shop/gossip-girl-fanfic-novella/). Topics of conversation include fanfic, gender segregated schooling and it's creation of "the community boyfriend," the University of Chicago, Lauren Berlant, and more.

Where is the threshold for when positive thinking and optimism become toxic? Or perhaps worse than toxic - downright cruel ?Key topics:✔️ Lauren Berlant's book Cruel Optimism. ✔️ What if a dream of "the good life" is actually holding you back from living a good life? Or what if the promise of that good life is totally bogus?✔️ "An attachment to a significantly problematic object." That's how I felt about my real estate quest and why I decided to strategically quit. ✔️An interesting argument is made for méconnaissance  causing us to project certain traits onto other people or things only to discover they may or may not have those qualities after all. We can see this in relationship hopping, job hopping, love bombing, political hoopla and rah-rahing, etc. There are a couple of places where I had cellular interference with the microphone. Sorry!Links I mention in this episode:https://www.amazon.com/Cruel-Optimism-Lauren-Berlant-ebook/dp/B005Z53MG4/ref=sr_1_1?keywords=cruel+optimism&qid=1663290855&sr=8-1https://www.yahoo.com/now/feel-used-rise-friend-bombing-053000357.htmlhttps://news.uchicago.edu/podcasts/big-brains/why-chasing-good-life-holding-us-back-lauren-berlanthttps://www.pewresearch.org/fact-tank/2022/04/20/how-the-american-middle-class-has-changed-in-the-past-five-decades/Need more? Email me: https://causeyconsultingllc.com/contact-causey/

本期节目是两位主播时隔两个月后重聚一起的录制，我们发现到现在一共4期正式节目，基本都是在讲吃吃喝喝。既然如此喜欢捣鼓吃饭这件事，我们想从这期开始，在每期开头讲一个跟食物有关的故事。这期前半段苏苏铺开关于“按部就班之后，还有什么？”的思考，Lanxin则尝试用「情动理论」进行拆解关于无意义感的探讨。引用作家Rebecca Solnit的话：To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In Benjamin's terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery. （迷失自己：一种完全的投降，迷失在你的怀抱中，迷失于世界，完全沉浸在眼前的事物中，以至于周围的事物都消失了。 ）用本雅明的话来说，迷失就是完全在场，而完全在场就是能够处于不确定和神秘之中。对兰馨和苏苏来说，陶艺和劳作就是去奇遇、去“在场”的实践。收听提示：01:42 我们回来了！谢谢给我们写邮件的听众，决定每期开头来一个食物分享Pâté chinois （中国派）07:34 被取消的Japanese Breakfast演唱会，温情的歌曲故事；上一次见妈妈是什么时候？10:41 苏苏上学与上班的无缝衔接，以及至今还在延续的“学生”状态15:35 关于“按部就班之后，还有什么？”的思考，联想《瞬息全宇宙》的虚无主义18:40 用「情动理论」拆解无意义感的探讨29:49 陶艺课101：从0到0.1不断降低预期的捏泥尝试38:50 当练习陶艺的技巧成为身体的一部分，就像小时候弹古琴40:12 兰馨在urban farm (城市农场) 菜地劳作，什么是collective gardening (集体园艺)？45:00 今年也是苏苏的第一个gardening season47:12 例行事punctual下的随机奇遇：你要相对地打开你自己53:10 两个平时不聊天的主播在彼此不知情下买了同一场stand-up comedy的门票……54:54 我们鼓励你“去迷失”，去“在场”，去“在神秘中”01:00:59 别走开，送上一个彩蛋blooper，感谢有道：）参考内容/延伸阅读：Le Mystère insondable du pâté chinois by Jean-Pierre LemassonCrying in H Mart by Michelle Zauner Journal of Popular Music Studies上的书评：Runchao Liu; Review: Crying in H Mart: A Memoir, by Michelle Zauner. Journal of Popular Music Studies 1 March 2022; 34 (1): 167–169. doi: https://doi.org/10.1525/jpms.2022.34.1.167Cruel Optimism by Lauren Berlant 欧文·亚隆，《存在主义心理治疗》A Field Guide to Getting Lost by Rebecca SolnitMen Explain Things To Me by Rebecca Solnit对Cruel Optimism感兴趣的听众可以参考Lauren Berlant作客的一期播客：https://news.uchicago.edu/podcasts/big-brains/why-chasing-good-life-holding-us-back-lauren-berlant背景音乐：Jenevieve - Nxwhere Japanese Breakfast - Everybody Wants to Love You Japanese Breakfast - Psychopomp Toth - Habit Creature Daft Punk - Get Lucky关于BAGEL SO GOOD：感谢你的收听，你可以在小宇宙、苹果Podcast、Spotify、喜马拉雅平台收听我们的节目。如果你喜欢我们的节目，别忘了给亲朋好友们分享。来信方式：bagelsogood2022@gmail.com

THE Prof Lee Edelman (Tufts) joins me to talk about one of my favourite topics: nothing. Lee's extremely clever (and incredibly influential) work in queer studies has most recently led him to write an entire book about all the things that nothing can mean and what this has to do with queer life, film, and literature. Lee also talks about his previous work on reproductive futurism and No Future, about awesome queer films, about how knowledge as well as poetry come out of ‘nothing', and about why queer people aren't always queer people. Confused yet? Awesome! Let's go on this queer journey together.If you too like chatting about queer stuff, nothing, and everything, follow @queerlitpodcast on Instagram and Twitter. Works by Lee mentioned:Transmemberment of Song: Hart Crane's Anatomies of Rhetoric and Desire (Stanford, 1987)Homographesis: Essays in Gay Literary and Cultural Theory (Routledge, 1994)No Future: Queer Theory and the Death Drive (Duke, 2004)with Lauren Berlant. Sex, or the Unbearable (Duke, 2014)Edelman, Lee. "Learning nothing: bad education." differences 28.1 (2017): 124-173.Bad Education: Why Queer Theory Teaches Us Nothing (Duke, Forthcoming December 2022)Texts, people and concepts mentioned:BadiouAugéLena Mattheis “Silence, Absence, Non-Lieux.” Translocality in Contemporary City Novels (Palgrave, 2021)Susan StrykerHannah Gadbsy's NanetteCatherine MalabouLuce IrigarayJulia KristevaAfropessimismOntologyW.H. Auden's “In Memory of W.B. Yeats” (1939)LacanAb-senseAlmodóvar's La Mala Educación (Bad Education, 2004)Haneke's Funny Games (1997)Kasi Lemmons' Eve's Bayou (1997)Slavoj ŽižekClaude Lévi-StraussJudith ButlerMiscegenationNon-lieuPlato's atopiaSocratesReproductive futurismQuestions you should be able to respond to after listening:1.Make a list of all the things “nothing” can mean. How would you explain what Lee means when he talks about “nothing”?2.What is Lee's definition of queerness and/or queer literature?3.Please look up Lee's No Future and write a brief definition of “reproductive futurism”, a term he also uses in this episode.4.In the episode, we speak about the Auden quotation “Poetry makes nothing happen”. What does this mean for you? Please also look up and read the whole poem (“In Memory of W.B. Yeats”) for context.5.How can film, art, and literature help us understand all of this? Please give an example from the podcast or from your own experience.

Gabriel Winant talks with Kim about the decline of the industrial working class and the rise of the health care industry. Gabriel is an assistant professor of History at the University of Chicago. His book, The Next Shift: The Fall of Industry and the Rise of Health Care in Rust Belt America, is recently out from Harvard University Press. You can read his recent article on the subject in The New York Times. The Next Shift focuses on the working class in the American context and Pittsburgh in particular. In the full version of our conversation, Gabriel recommended Aaron Benanav's book Automation and the Future of Work (Verso 2020), for an argument about the larger global economic structures of deindustrialization. He also talks a bit about James Boggs, as someone who was well positioned to notice the effects of deindustrialization. We found this article about Boggs worth reading. The image for this episode is a photograph of the abandoned Detroit Public Schools Book Depository, taken by Thomas Hawk on 13 June 2010. The image is posted of Flickr under a creative commons attribution non-commercial license. Lauren Berlant describes gives this photograph as a bad image of neoliberalism, which allows our social theory to derive “its urgency and its reparative imaginary from spaces of catastrophe and risk where the exemplum represents structural failure” (“The Commons: Infrastructures for Troubling Times” Society and Space 34 no. 3 (2016) p.395). But I like it. Saronik modified the original image. Music used in promotional material: ‘Shadow of a Coal Mine' by Linda Draper Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gabriel Winant talks with Kim about the decline of the industrial working class and the rise of the health care industry. Gabriel is an assistant professor of History at the University of Chicago. His book, The Next Shift: The Fall of Industry and the Rise of Health Care in Rust Belt America, is recently out from Harvard University Press. You can read his recent article on the subject in The New York Times. The Next Shift focuses on the working class in the American context and Pittsburgh in particular. In the full version of our conversation, Gabriel recommended Aaron Benanav's book Automation and the Future of Work (Verso 2020), for an argument about the larger global economic structures of deindustrialization. He also talks a bit about James Boggs, as someone who was well positioned to notice the effects of deindustrialization. We found this article about Boggs worth reading. The image for this episode is a photograph of the abandoned Detroit Public Schools Book Depository, taken by Thomas Hawk on 13 June 2010. The image is posted of Flickr under a creative commons attribution non-commercial license. Lauren Berlant describes gives this photograph as a bad image of neoliberalism, which allows our social theory to derive “its urgency and its reparative imaginary from spaces of catastrophe and risk where the exemplum represents structural failure” (“The Commons: Infrastructures for Troubling Times” Society and Space 34 no. 3 (2016) p.395). But I like it. Saronik modified the original image. Music used in promotional material: ‘Shadow of a Coal Mine' by Linda Draper Learn more about your ad choices. Visit megaphone.fm/adchoices

Gabriel Winant talks with Kim about the decline of the industrial working class and the rise of the health care industry. Gabriel is an assistant professor of History at the University of Chicago. His book, The Next Shift: The Fall of Industry and the Rise of Health Care in Rust Belt America, is recently out from Harvard University Press. You can read his recent article on the subject in The New York Times. The Next Shift focuses on the working class in the American context and Pittsburgh in particular. In the full version of our conversation, Gabriel recommended Aaron Benanav's book Automation and the Future of Work (Verso 2020), for an argument about the larger global economic structures of deindustrialization. He also talks a bit about James Boggs, as someone who was well positioned to notice the effects of deindustrialization. We found this article about Boggs worth reading. The image for this episode is a photograph of the abandoned Detroit Public Schools Book Depository, taken by Thomas Hawk on 13 June 2010. The image is posted of Flickr under a creative commons attribution non-commercial license. Lauren Berlant describes gives this photograph as a bad image of neoliberalism, which allows our social theory to derive “its urgency and its reparative imaginary from spaces of catastrophe and risk where the exemplum represents structural failure” (“The Commons: Infrastructures for Troubling Times” Society and Space 34 no. 3 (2016) p.395). But I like it. Saronik modified the original image. Music used in promotional material: ‘Shadow of a Coal Mine' by Linda Draper Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

Gabriel Winant talks with Kim about the decline of the industrial working class and the rise of the health care industry. Gabriel is an assistant professor of History at the University of Chicago. His book, The Next Shift: The Fall of Industry and the Rise of Health Care in Rust Belt America, is recently out from Harvard University Press. You can read his recent article on the subject in The New York Times. The Next Shift focuses on the working class in the American context and Pittsburgh in particular. In the full version of our conversation, Gabriel recommended Aaron Benanav's book Automation and the Future of Work (Verso 2020), for an argument about the larger global economic structures of deindustrialization. He also talks a bit about James Boggs, as someone who was well positioned to notice the effects of deindustrialization. We found this article about Boggs worth reading. The image for this episode is a photograph of the abandoned Detroit Public Schools Book Depository, taken by Thomas Hawk on 13 June 2010. The image is posted of Flickr under a creative commons attribution non-commercial license. Lauren Berlant describes gives this photograph as a bad image of neoliberalism, which allows our social theory to derive “its urgency and its reparative imaginary from spaces of catastrophe and risk where the exemplum represents structural failure” (“The Commons: Infrastructures for Troubling Times” Society and Space 34 no. 3 (2016) p.395). But I like it. Saronik modified the original image. Music used in promotional material: ‘Shadow of a Coal Mine' by Linda Draper Learn more about your ad choices. Visit megaphone.fm/adchoices

This month we listen to Erica Scourti's twelve-minute piece "Nea Oneira", or New Dreams in English. Considering the role of Lauren Berlant's cruel optimism – when a desired future becomes an obstacle to your present – Scourti's work dissects the dreams presented by Greek tourism and East London property developments. Fragments of audio collage Greek and English; property advertisements from London, taxi drivers in Athens and snippets from border patrol services, with 90s rave beats, elevator music and Scourti's own narration. Together, we question the pursuit for authenticity, what ethical tourism can be, and story-telling within targeted marketing.Erica Scourti is an artist and writer, born in Athens and based in Athens and London. She has performed, exhibited and presented talks internationally, at spaces like High Line New York, Wellcome Collection, Kunsthalle Wien, Hayward Gallery, Munich Kunstverein, ICA London and EMST Athens; she recently participated in the 7th Athens Biennale (2021). Her writing has been published in Spells: 21st Century Occult Poetry (Ignota Press, 2018) and Fiction as Method (2017, Sternberg) amongst others, and she was guest editor of the Happy Hypocrite- Silver Bandage journal (2019).Artist: Erica ScourtiHosts: Nina Davies and Niamh SchmidtkeMusic: Joe Moss and John TrevaskisProducer: Flo LinesBroadcast through Radio Thamesmead

Bassam Sidiki talks about the right to maim, the titular concept in Jasbir K. Puar's book, and the related concept of debility. He explains how these concepts have changed how the field of disability studies orients itself. References are made to Anjuli Fatima Raza Kolb's new book Epidemic Empire, the work of Anita Ghai, Tommy Orange's novel There There, Lauren Berlant's concept of ‘slow death', and Alexander Weheliye's Habeas Viscus. Bassam is a PhD Candidate in English at the University of Michigan, where he studies postcolonial studies, disability studies and health humanities. His scholarship appears or is forthcoming in Journal of Medical Humanities, Literature and Medicine, and Journal of Literary and Cultural Disability Studies. Of particular relevance to this episode is his recent article on the novel Anatomy of a Soldier. Image: Saronik Bosu Music used in promotional material: “Rough” by Natus Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Bassam Sidiki talks about the right to maim, the titular concept in Jasbir K. Puar's book, and the related concept of debility. He explains how these concepts have changed how the field of disability studies orients itself. References are made to Anjuli Fatima Raza Kolb's new book Epidemic Empire, the work of Anita Ghai, Tommy Orange's novel There There, Lauren Berlant's concept of ‘slow death', and Alexander Weheliye's Habeas Viscus. Bassam is a PhD Candidate in English at the University of Michigan, where he studies postcolonial studies, disability studies and health humanities. His scholarship appears or is forthcoming in Journal of Medical Humanities, Literature and Medicine, and Journal of Literary and Cultural Disability Studies. Of particular relevance to this episode is his recent article on the novel Anatomy of a Soldier. Image: Saronik Bosu Music used in promotional material: “Rough” by Natus Learn more about your ad choices. Visit megaphone.fm/adchoices

Bassam Sidiki talks about the right to maim, the titular concept in Jasbir K. Puar's book, and the related concept of debility. He explains how these concepts have changed how the field of disability studies orients itself. References are made to Anjuli Fatima Raza Kolb's new book Epidemic Empire, the work of Anita Ghai, Tommy Orange's novel There There, Lauren Berlant's concept of ‘slow death', and Alexander Weheliye's Habeas Viscus. Bassam is a PhD Candidate in English at the University of Michigan, where he studies postcolonial studies, disability studies and health humanities. His scholarship appears or is forthcoming in Journal of Medical Humanities, Literature and Medicine, and Journal of Literary and Cultural Disability Studies. Of particular relevance to this episode is his recent article on the novel Anatomy of a Soldier. Image: Saronik Bosu Music used in promotional material: “Rough” by Natus Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Christopher Schaberg talks about his book, Pedagogy of the Depressed, on episode 398 of the Teaching in Higher Ed podcast. Quotes from the episode Coming soon... Resources Satsuma mandarins Pedagogy of the Depressed @ass_deans on Twitter Robin DeRosa's website The attention economy, by Jenny O'Dell The Book of Delights, by Ross Gay The Hundreds, by Lauren Berlant and Kathleen Stewart

“The good life” and “the American Dream “remain powerful animating principles in popular culture, politics, and also our individual psyches. I spoke with Professor Dora Zhang at the University of California at Berkeley who teaches a course on “the good life,” using mostly literary rather than philosophical texts. From Sophokles's Antigone (441 B.C.) to Bong Joon-ho's Parasite (2020); from Gustave Flaubert's Madame Bovary (1856) to Lorraine Hansberry's A Raisin in the Sun (1959), and from F. Scott Fitzgerald's The Great Gatsby (1925) to the idea of “cruel optimism” advanced by literary critic Lauren Berlant, Zhang's course is not intended to leave students depressed about their prospects but motivated to rethink what they've been told to hope for and aspire to. I loved this conversation with a gifted and brilliant teacher, which was also a sort of homecoming for me since I had been a freshman student at the University of California at Berkeley some 30 years ago, where I discovered that my love of literature could become the basis of a career. Professor Zhang is Associate Professor of English and Comparative Literature at UC Berkeley. Her research focuses on Anglo-American and European modernist fiction, literature and philosophy, novel theory, affect theory, visual culture, aesthetics, and ecocriticism. She received her Ph.D. in Comparative Literature from Princeton University and her B.A. in philosophy from the University of Toronto. Her book, Strange Likeness: Description and the Modernist Novel (University of Chicago Press, 2020), shows how description is far more than stage-setting or background in modernist novels. She's also published on Proust and photography, Woolf and the philosophy of language, the role of atmospheres in everyday life, and Roland Barthes's travels in China. Learn more about your ad choices. Visit megaphone.fm/adchoices

As climate change-induced flooding and wildfires wreak havoc across the globe, and the Delta variant brings us into another perilous phase of the pandemic, the Jewish Currents staff is thinking about political depression—and how to cope with it. What does it mean to bring political feelings into therapy? Editor-in-chief Arielle Angel, publisher Jacob Plitman, culture editor Ari M. Brostoff, and contributing editor Joshua Leifer discuss the relationship between melancholia and the left, the difficulties of reconciling the therapeutic subject with the social collective of movement politics, and how therapy might be radicalized. Listen to On the Nose and subscribe on https://open.spotify.com/show/49OsNg8P8HgIRyaMfAgdEY?si=odVeqN8PQ22bPUxlqHAJBw&dl_branch=1 (Spotify), https://podcasts.apple.com/us/podcast/on-the-nose/id1573983987 (Apple Podcasts), https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5jYXB0aXZhdGUuZm0vb24tdGhlLW5vc2Uv (Google Podcasts), and wherever you get your podcasts. Articles and Podcasts Mentioned: “https://www.commonwealmagazine.org/beautiful-losers (Beautiful Losers)” by Sam Adler-Bell “https://know-your-enemy-1682b684.simplecast.com/episodes/depression-9pI7DYw_ (How to Be Depressed)” from Know Your Enemy “https://www.jstor.org/stable/42981415 (Feel Tank)” by Lauren Berlant “https://nplusonemag.com/issue-37/reviews/the-family-romance-of-american-communism/ (The Family Romance of American Communism)” by Ari M. Brostoff “https://thebaffler.com/latest/i-feel-better-now-bittle (I Feel Better Now)” by Jake Bittle “https://thebaffler.com/salvos/the-anti-antidepressant-syndicate-mcallen (The Anti-Antidepressant Syndicate)” by Jess McAllen “https://pioneerworks.org/broadcast/scientology-psychiatry (Scientology's Lonely Turf War)” by Danielle Carr Books Mentioned: Half-Truths and One-and-a-Half Truths by Karl Kraus Studies on Hysteria by Sigmund Freud and Josef Breuer Eros and Civilization: A Philosophical Inquiry into Freud by Herbert Marcuse The Romance of American Communism by Vivian Gornick The Republic by Plato Thanks to Santiago Helou Quintero for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”

The first live recording of the Podcast for Social Research, episode fifteen takes up the forms and feelings of American electoral politics in light of the least popular election in recent American history. Audrey, Ajay, Jude, Tony, and Rebecca consider the historical background of presidential politics, the apocalyptic rhetoric surrounding the current election, affect in the American political scene, sleek sharks in tailored suits, mythical civilities of the Enlightenment, and recent arguments advanced by Nancy Fraser, Andrew Arato, Arun Gupta, and Lauren Berlant. This episode, recorded just before a screening of the third and final presidential debate of 2016, also includes a live Q&A session. Notations for this episode may be found here.

We inhabit a precarious world of crisis and calamity which mocks the post war promise of upward mobility, social equality and job security. We remain attached to the unachievable fantasies of the good life, even though they are thwarted at every turn. That's the cheering claim of the cultural theorist Lauren Berlant. She and Laurie are joined by the sociologist, Professor Bev Skeggs, to analyse what she calls the 'cruel optimism' of contemporary life. Also on the programme, Karen Throsby talks of her ethnographic study of an obesity clinic and the hidden moral element to every aspect of the procedure. Producer: Charlie Taylor.