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6 episodes with Homi Bhabha
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2 episodes with Homi Bhabha
2 episodes with Homi Bhabha
2 episodes with Homi Bhabha
2 episodes with Homi Bhabha
2 episodes with Homi Bhabha
2 episodes with Homi Bhabha
This is the Catchup on 3 Things by The Indian Express and I'm Flora Swain.Today is the 20th of May and here are the headlines.1. India's Global Anti-Terror Diplomacy DriveIndia has launched a major diplomatic outreach, sending seven multi-party delegations to 32 countries to highlight its fight against terrorism, particularly from Pakistani soil. Briefed by the Ministry of External Affairs, the teams will explain India's military response after the Pahalgam attack and Operation Sindoor. PM Modi framed the doctrine as part of a global anti-terror campaign, stating there will be zero tolerance for terror sheltered by “nuclear blackmail.” The goal: convince the world not to equate India, a terror victim, with Pakistan, a terror perpetrator.2. TMC Replaces Yusuf Pathan With Abhishek BanerjeeAfter initially rejecting the Centre's move to include Yusuf Pathan in its foreign outreach delegations, the Trinamool Congress (TMC) has nominated Abhishek Banerjee instead. The switch came after Union Minister Kiren Rijiju spoke to TMC chief Mamata Banerjee. Abhishek, the party's general secretary, will now join the anti-terror diplomatic push. Separately, TMC is sending its own delegation, led by Manas Bhunia, to Jammu and Kashmir to support victims of cross-border terror. Earlier, Pathan, a cricketer-turned-MP, had been named without TMC's consultation, prompting the initial protest.3. Heavy Rains Disrupt Bengaluru; Red Alert IssuedBengaluru faced severe disruptions on Tuesday after intense pre-monsoon thundershowers caused widespread flooding and traffic chaos. The India Meteorological Department has issued a red alert for the city and Karnataka, forecasting heavy rain, thunderstorms, and lightning through May 26. Commuters struggled, with some taking two hours to travel just 7 km. The Karnataka State Natural Disaster Monitoring Centre has echoed warnings of extremely heavy rainfall and advised caution. The relentless downpour left several areas waterlogged, reigniting concerns over the city's poor infrastructure and monsoon preparedness.4. Veteran Nuclear Scientist M R Srinivasan Dies at 95M R Srinivasan, former Chairman of the Atomic Energy Commission and a pioneer of India's nuclear program, passed away on Tuesday at age 95. He is survived by his wife and daughter. Srinivasan played a key role in developing India's indigenous nuclear capabilities, working alongside legendary scientist Dr Homi Bhabha. Honoured with the Padma Vibhushan, his death marks the end of a historic era in Indian science. District Collector Lakshmi Bhavya Tanneeru paid floral tributes to the distinguished scientist's mortal remains.5. Netanyahu Offers Conditional End to Gaza WarIsraeli Prime Minister Benjamin Netanyahu has said he's willing to end the Gaza war if Hamas agrees to strict terms, including disarming. His statement comes amid rising international pressure, with the UK, France, and Canada threatening sanctions over Israel's latest Gaza offensive. Netanyahu slammed these nations for demanding a Palestinian state, calling it a reward for “genocidal attacks on Israel.” In a joint statement, the Western leaders criticized Israel's denial of humanitarian aid to Palestinians, warning that it could violate international law if continued.That's all for today. This was the Catchup on 3 Things by The Indian Express.
A version of this essay was published by firstpost.com at https://www.firstpost.com/opinion/shadow-warrior-comrade-kirillov-and-the-art-of-whistleblowing-13846569.html?utm_source=twitter&utm_medium=socialOne of the great Raja Rao's slighter works is called Comrade Kirillov: it is what Graham Greene would have called an ‘entertainment', as opposed to the ‘novels' he wrote on themes of some gravity. I was reminded of the title in an altogether inappropriate way when I read of the assassination of General Kirillov in Moscow, allegedly by Ukrainian secret agents.Then I read of the tragic suicide of Suchir Balaji, a whistleblower and former employee at OpenAI, surely the most glamorous company in Silicon Valley these days.There is a thread here: it is not good for your health if you expose certain people or certain companies. You will pay a price.You may just be minding your own business, but you happen to be in the way. This is what happened to Indian nuclear and space scientists over the last few decades. Homi Bhabha's plane crashed in the Swiss Alps. Vikram Sarabhai died mysteriously at Halcyon Castle, Trivandrum, close to the space center that now bears his name.Dozens of lesser-known Indian space and nuclear scientists and engineers died too, inexplicably. The same thing happened to Iranian nuclear scientists. Nambi Narayanan was lucky to escape with his life (“Who killed the ISRO's cryogenic engine?”), though his career and reputation were ruined.My friend Dewang Mehta of NASSCOM died quite suddenly too. I wrote a tribute to him years ago, “The man who knew marketing”. In hindsight, I think he was a friend, not just an acquaintance. I remember some very human details about him: eg. he asked a mutual friend to introduce eligible women to him, just as I did. But I digress: I believe Dewang was as important to the Indian IT story as Bhabha and Sarabhai to nuclear and space: they made us believe, and we rose to the occasion. Then there was Lal Bahadur Shastri. The circumstances of his sudden death remain murky.And Sunanda Pushkar, Shashi Tharoor's wife, whom I was following on Twitter in real time. One night, she promised to make some startling revelations the next morning, presumably about dubious dealings in Dubai by the D Company. And lo! she was dead the next morning.It is hard not to think that there is a pattern. Not only here, but in the trail of dead bodies that follows the Clinton dynasty around. The Obama chef who drowned. The whistleblowing CIA and FBI agents who… just died. The list is long. People who are inconvenient end up in body bags. I remember reading that when Sarabhai died, his family did not even ask for a post-mortem.There are two broad patterns: geo-political assassinations and those for commercial reasons.In Kirillov's case, it was probably both.General Kirillov claimed that there were bio-labs in Ukraine, etc. where the Deep State was cooking up banned biological weapons, in an eerie echo of Peter Daszcak's Ecohealth Alliance and Anthony Fauci's NIAID allegedly aiding and abetting prohibited gain-of-function research at the Wuhan Institute of Virology. He claimed biological crises were manufactured on demand to generate profits and increase government control. Presumably he opened a can of worms that the Deep State and Big Pharma didn't want opened. Off with his head!There is the ‘conspiracy theory' that the entire COVID-19 circus was a bioweapons project that went awry. It was intended to depopulate the world, especially of black and brown people, to which the IITD paper (that was forcibly withdrawn) alludes: the genes that seemed to have been inserted into the original virus were from India, Southeast Asia, and Kenya, if I remember right. Of course, the powers that be do not want shocking stuff like this to come out.It is straightforward to make it a false-flag operation with the Ukrainian SBU secret service to provide plausible deniability: much like the bombing of the NordStream pipeline. So exit, stage left, for Kirillov. As Sherlock Holmes might have said, “Follow the money”, or words to that effect. Cui bono?I really don't mean to trivialize human suffering, but to focus on the shadowy forces that organize and execute targeted assassinations. In particular, decapitation strikes can be devastating. In our own history, the loss of Hemachandra Vikramaditya in the Second Battle of Panipat, in 1526, to a stray arrow that hit him in the eye, was a point of inflexion.Similarly, at the Battle of Talikota in 1565, the capture and beheading of the aged Ramaraya by his own troops that had gone rogue turned the winning position of the Vijayanagar Empire into a headlong rout and obliteration for the city-state.The assassination of Ahmed Shah Masoud, the Commander of the Northern Alliance, with a bomb hidden in a news camera, turned the tide in Afghanistan in 2001. The American assassination of Qasem Soleimani of Iran in 2020 led to a significant erosion of Iran's position, for example in Syria.The silencing of whistle-blowers has, alas, become all too common. There were the allegations about Karen Silkwood in 1974, who died in a mysterious car crash as she was driving to meet a NYTimes reporter regarding problems at a plutonium processing plant run by Kerr-McGhee in Oklahoma.In 2003, David Kelly, a British weapons inspector who claimed there were indeed no weapons of mass destruction in Iraq, was found dead. The verdict was suicide.In 2015, Alberto Nisman, an Argentine prosecutor known for his work on terrorism cases, was found dead days after he accused Iran of involvement in a car-bombing on a Jewish center.In March 2024, John Barnett, a former Boeing employee, was found dead from a gunshot wound in his truck, just before he was scheduled to testify in a whistleblower lawsuit. There was also Joshua Dean, who died of a strange infection in May 2024, shortly after Barnett's death. He worked for a company supplying parts to Boeing.In November 2024, Suchir Balaji, all of 26 years old, was found dead in his San Francisco apartment. In October, he had made allegations about OpenAI violating copyright laws.The bottom line: if you know something, just keep quiet about it. If you are a person of substance, take no risks, and be paranoid about your security. It's a pretty nasty world out there.The AI-generated podcast about this essay courtesy Google NotebookLM: 1050 words, 19 Dec 2024 This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit rajeevsrinivasan.substack.com/subscribe
Hablamos con nuestro colaborador Youssef Boucetta sobre el pensamiento crítico poscolonial marroquí y la negociación de identidad. Textos mencionados: -Abdelkebir Khatibi, "La mémoire tatouée: Autobiographie d'un décolonisé" (1971) y "Maghreb Pluriel "(1983) . -Abdelfattah Kilito, "Thou Shalt Not Speak my Language" (2002) -Abdellah Hammoudi, "Master and Disciple: The Cultural Foundations of Moroccan Authoritarianism" (1997) -Edward Said, Orientalism (1978) -Gayatri Spivak, "Can the subaltern speak?" (1985) -Homi Bhabha, "The Location of Culture" (1994) - Documental de Horia El Hadad, "A Marrackech Tale" (2015) https://www.aljazeera.com/program/witness/2015/1/31/a-marrakech-tale
Where and with whom do we begin? In Part 2 of the #CaribbeanThought Summer 2024 Week 1 Lecture, Prof. Renaldo McKenzie at Jamaica Theological Seminary laid the foundation for the course. Prof. McKenzie reviewed the course outline and delved into some broad thinkers, texts, and general questions of the course. Rev. McKenzie begins the Lecture by making the point that, the realities of the dark ghettoes and or black and brown communities resemble the colonies and or former colonies within the caribbean. The socioeconomic realities of the black and brown peoples in the global north are similar to that of the black experience in the Caribbean which is largely made up of nations that are made of the predominantly black. This course focuses on and explores the diverse currents of Caribbean Thought, which have influenced the development of Caribbean societies from colonialism to independence and beyond. It traces the history of resistance and examines the quest for equality and the challenge of defining Caribbean identity within this post-colonial and neoliberal Globalized world not just within the geographic sense but also in terms of a diasporic sense. It challenges the students to develop and express their own critical thinking as a Caribbean people in a unique way that helps to realize further the hope of a free independent Caribbean that is bursting with hope and opportunity. However, the course understands that it requires that students begin to critique and explore their own thinking in a deeply esoteric and critical way that deconstructs history and philosophy. At the end they will create their own Caribbean thought leading to a Caribbean Academic Journal of Young academics and future scholars. The Course will make you estranged from self, but it is geared towards getting you out of your bubble and considering issues that will make you uncomfortable. Frantz Fanon, Homi Bhabha, C. L. R. James, Bob Marley et al, and Christianity/Religion, music and sports are currents we will explore. The episode has images of course resources; such as texts, maps, notable characters that will be referenced throughout the course, etc. The Lecture is very informative and provides an introductory level to the discussions in postcolonialism with academia and Pan African Thought. The Lecture is part of a course offered at Jamaica Theological Seminary and students seeking a 4-year degree at the seminary are required to sit the course. The course follows strict academic rigor and scrutiny. There is an exam at the end of the course. which students are required to sit. The lecture episodes are a production of The Neoliberal Corporation and are made available on The NeoLiberal Round podcast and YouTube channel for educational purposes and to promote and facilitate access to critical thinking and learning. Hence, access to this lecture and others is free. Support us at https://anchor.fm/theneoliberal/support. Visit us at https://theneoliberal.com Check us out on any podcast stream: https://nchor.fm/theneoliberal. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theneoliberal/message Support this podcast: https://podcasters.spotify.com/pod/show/theneoliberal/support
In this episode of High Theory, Geoffrey Sanborn tells us about Plagiarism. A concept emerged with the idea of originality, plagiarism challenges some of our most deeply held notions of individualism and status. Hatred of plagiarism is so baked into our culture that it evokes a gut response of disgust, which prevents us from actually analyzing it as a form of social behavior. In the episode, Geoff talks about websites that promise to “humanize” chatGPT content, like the AI Text Converter and the Plagiarism Remover. He talks about postcolonial theory, as a tool that might help us analyze plagiarism, and invokes Homi Bhabha's idea of “colonial mimicry,” which appears in his 1984 article “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” He also talks about the actress and playwright Anna Deavere Smith, and references David Graeber's book Debt, which we ran an episode on way back in 2020. It was in the early days of High Theory, so apologies for the audio quality, but we think you'll like it. Geoff is a Samuel Williston Professor of English and department chair at Amherst College. He has published many books about nineteenth century American literature, most recently Plagiarama! William Wells Brown and the Aesthetics of Attractions (New York: Columbia University Press, 2016), which was the inspiration for this conversation. It's a really great book! You should read it. The image for this episode was made by Saronik Bosu in 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In this episode of High Theory, Geoffrey Sanborn tells us about Plagiarism. A concept emerged with the idea of originality, plagiarism challenges some of our most deeply held notions of individualism and status. Hatred of plagiarism is so baked into our culture that it evokes a gut response of disgust, which prevents us from actually analyzing it as a form of social behavior. In the episode, Geoff talks about websites that promise to “humanize” chatGPT content, like the AI Text Converter and the Plagiarism Remover. He talks about postcolonial theory, as a tool that might help us analyze plagiarism, and invokes Homi Bhabha's idea of “colonial mimicry,” which appears in his 1984 article “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” He also talks about the actress and playwright Anna Deavere Smith, and references David Graeber's book Debt, which we ran an episode on way back in 2020. It was in the early days of High Theory, so apologies for the audio quality, but we think you'll like it. Geoff is a Samuel Williston Professor of English and department chair at Amherst College. He has published many books about nineteenth century American literature, most recently Plagiarama! William Wells Brown and the Aesthetics of Attractions (New York: Columbia University Press, 2016), which was the inspiration for this conversation. It's a really great book! You should read it. The image for this episode was made by Saronik Bosu in 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of High Theory, Geoffrey Sanborn tells us about Plagiarism. A concept emerged with the idea of originality, plagiarism challenges some of our most deeply held notions of individualism and status. Hatred of plagiarism is so baked into our culture that it evokes a gut response of disgust, which prevents us from actually analyzing it as a form of social behavior. In the episode, Geoff talks about websites that promise to “humanize” chatGPT content, like the AI Text Converter and the Plagiarism Remover. He talks about postcolonial theory, as a tool that might help us analyze plagiarism, and invokes Homi Bhabha's idea of “colonial mimicry,” which appears in his 1984 article “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” He also talks about the actress and playwright Anna Deavere Smith, and references David Graeber's book Debt, which we ran an episode on way back in 2020. It was in the early days of High Theory, so apologies for the audio quality, but we think you'll like it. Geoff is a Samuel Williston Professor of English and department chair at Amherst College. He has published many books about nineteenth century American literature, most recently Plagiarama! William Wells Brown and the Aesthetics of Attractions (New York: Columbia University Press, 2016), which was the inspiration for this conversation. It's a really great book! You should read it. The image for this episode was made by Saronik Bosu in 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
In this episode of High Theory, Geoffrey Sanborn tells us about Plagiarism. A concept emerged with the idea of originality, plagiarism challenges some of our most deeply held notions of individualism and status. Hatred of plagiarism is so baked into our culture that it evokes a gut response of disgust, which prevents us from actually analyzing it as a form of social behavior. In the episode, Geoff talks about websites that promise to “humanize” chatGPT content, like the AI Text Converter and the Plagiarism Remover. He talks about postcolonial theory, as a tool that might help us analyze plagiarism, and invokes Homi Bhabha's idea of “colonial mimicry,” which appears in his 1984 article “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” He also talks about the actress and playwright Anna Deavere Smith, and references David Graeber's book Debt, which we ran an episode on way back in 2020. It was in the early days of High Theory, so apologies for the audio quality, but we think you'll like it. Geoff is a Samuel Williston Professor of English and department chair at Amherst College. He has published many books about nineteenth century American literature, most recently Plagiarama! William Wells Brown and the Aesthetics of Attractions (New York: Columbia University Press, 2016), which was the inspiration for this conversation. It's a really great book! You should read it. The image for this episode was made by Saronik Bosu in 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Welcome to A Century of Stories presented by IDFC FIRST Bank!In this week's episode, embark on a remarkable journey with Kunal as he unveils the extraordinary life of Dr. Homi Bhabha, the pioneering physicist who redefined the world of science. Discover the story of Bhabha Scattering and its profound impact on nuclear physics, medical advancements, and space exploration.Kunal delves into the visionary endeavors of Dr. Homi Bhabha, tracing his contributions to science, the founding of the Bhabha Atomic Research Centre (BARC), and the transformative role of India's peaceful nuclear program. Learn how his genius and unwavering commitment continue to shape the world of science and influence global progress.Tune in for this and much more!New episodes out every Monday!Open IDFC FIRST Bank savings account : https://www.idfcfirstbank.com/personal-banking/accounts/savings-account?utm_source=ig&utm_medium=content&utm_campaign=June&utm_content=COSKnow more about Zero Fee Banking :https://www.idfcfirstbank.com/getmorefromyourbank?utm_source=youtube&utm_medium=centuryofstories&utm_campaign=cosepi1&utm_term=Aug23Follow ‘A Century of Stories' official Instagram handle at @acenturyofstoriesSubscribe to A Century of Stories YT channelListen to A Century of Stories across Audio PlatformsApple Podcasts | Spotify | Google Podcasts | Gaana | Amazon Music | Jio SaavnFollow our host Kunal on Instagram at @kunalvijayakarAnd don't forget to rate us!See omnystudio.com/listener for privacy information.
Bharat Karnad is an Emeritus Professor in National Security Studies at the Center for Policy Research in Delhi. He was a member of India's first National Security Advisory Board and has authored several books on nuclear weapons and Indian security.Karnad's blog: https://bharatkarnad.com/Karnad on the death of Homi Bhabha and of other atomic weapons scientists:https://bharatkarnad.com/2020/12/06/kill-scientists-disrupt-n-weapons-programmes/An excellent documentary film on the life of Indian theoretical physicist Homi Bhabha:https://www.youtube.com/watch?v=L6GEGOvXh4g&ab_channel=InternationalCentreforTheoreticalSciencesSteve and Bharat discuss:0:00 Introduction0:58 Karnad's educational background, nuclear research, journalism career26:50 Refocusing India's defense posture from Pakistan to China45:21 Why don't India and China have better relations?53:33 India's nuclear arsenal1:04:31 The mysterious death of Homi Bhabha, India's Oppenheimer1:28:50 Land of subjugation, the caste system, and English as the language of Indian elitesMusic used with permission from Blade Runner Blues Livestream improvisation by State Azure.--Steve Hsu is Professor of Theoretical Physics and of Computational Mathematics, Science, and Engineering at Michigan State University. Previously, he was Senior Vice President for Research and Innovation at MSU and Director of the Institute of Theoretical Science at the University of Oregon. Hsu is a startup founder (Superfocus.ai, SafeWeb, Genomic Prediction, Othram) and advisor to venture capital and other investment firms. He was educated at Caltech and Berkeley, was a Harvard Junior Fellow, and has held faculty positions at Yale, the University of Oregon, and MSU.
Filmmaker Wim Wenders premiered two new films at Cannes this year — Anselm, a 3-D, cutting edge documentary about the contemporary German painter and sculptor Anselm Kiefer, and Perfect Days, a quiet, meditative film about a toilet cleaner in Kyoto who who drives from job to job, listening to music on cassettes — Patti Smith, the Kinks, Lou Reed… Ernst Wilhelm “Wim” Wenders, filmmaker, playwright, author, photographer, is a major figure in New German Cinema and global cinema. His films include Paris, Texas, Wings of Desire, The American Friend, Alice in the Cities, Kings of the Road, Buena Vista Social Club, Pope Francis: A Man of His Word, Pina, Until the End of the World, and many more. In honor of Wim and his extraordinary work, this story, from our Keepers series chronicles the filmmaker's life and inspirations. In our interview with Wim he told us about the impact Henri Langlois and the Cinémathèque Française had on his own filmmaking, about Lotte Eisner, Werner Herzog, and much more. Produced by Vika Aronson and The Kitchen Sisters. Mixed by Jim McKee. Special thanks to Tom Luddy, Robb Moss, Homi Bhabha, Haden Guest, Sophia Hoffinger, Brandi Howell and Nathan Dalton. And most of all, to Wim Wenders who has inspired us across the years.
This episode is the third part in our series on the Journey of ISRO. Click here to listen to Parts 1 and Part 2, before you listen to part 3.Dr. Vikram Sarabhai and Dr. Homi Bhabha's deaths at the prime of their lives, robbed India of two of its greatest science and technology visionaries.The baton passed onto a scientist Prof Satish Dhawan, who not only nurtured the infant space mission, but also put together able structures and procedures that helped ISRO reach greater heights.Curious co-hosts in this episode: 11-yr old Dhruv from Bengaluru and 12-yr old Pranshi from MumbaiIf you'd like to look at all the pictures we spoke about, here's a blog with all the pictures plugged into them Support the showDo you like to read stories? Read our newsletters hereGet Whatsapp alerts here Follow us on Instagram Email your comments at hello@wsnt.in.
This video is a recording of a Lecture for the course Caribbean Thought at Jamaica Theological Seminary presented on July 10th, 2023, by Rev. Renaldo McKenzie, Adjunct Lecturer at Jamaica Theological Seminary and Doctoral Candidate at Georgetown University. The Lecture began with Relative Deprivation before the Lecturer shared a personal testimony, prayed for a student who was absent due to illness and undergoing an operation. The Lecture then continued with the playing of a video and discussing the issue of The Law is Not a Shackle a statement by former PM of Jamaica P.J. Patterson. Renaldo was elaborating on the statement in the played video where the Foreign Minister of South Africa commented on the duplicity within international law concerning the UN General Assembly to act on Russia in Ukraine when before international law was not applied. Renaldo then discusses with the students their papers on Heritage and Haiti and one student shared and discussed his erudite interaction paper. Renaldo then delved into Some Caribbean Thinkers then ended the class on an anti-climactic note. The episode has background music and images for dynamic viewer experience. In this comprehensive lecture, Professor Renaldo Mckenzie delves into the intricate history of Caribbean nations, with a particular focus on Haiti, the first independent black republic. Drawing from the works of notable scholars such as Homi Bhabha, Frantz Fanon, V.S. Naipaul, and C. L. R. James, Renaldo sheds light on the lasting impact of colonialism, the role of global powers, and the ongoing struggle for democracy in shaping the region. He emphasizes the importance of critically analyzing historical narratives and understanding the dynamics of external intervention. Additionally, Renaldo highlights the need for solidarity among Caribbean nations and urges students to engage in contemporary events, such as Haitian migration, to foster collective responsibility and empowerment. Throughout the lecture, students are encouraged to explore the complexities of Caribbean history and contribute to informed discussions that facilitate a deeper understanding of the region's past and present challenges. The students are taking this course towards an examination leading up to a Bachelor of Arts Degree. The course is offered in the Humanities department and is a 2200 level course taken in year three or four of the student's bachelor's program. The course is a required course, but other students may register for the course as an elective. Renaldo McKenzie is the Author of Neoliberalism, Globalization Income Inequality, Poverty and Resistance and the Author of the upcoming book, Neoliberal Globalization Reconsidered, Neo-Capitalism and the Death of Nations. The Video was made by The NeoLiberal Corporation's Editing and Audio platform at The NeoLiberal Round. Visit us at https://theneoliberal.com and https://renaldocmckenzie.com. Subscribe for free on any stream and donate to us at https://anchor.fm/theneoliberal/support. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theneoliberal/message Support this podcast: https://podcasters.spotify.com/pod/show/theneoliberal/support
Egal ob Stadtkind oder Landei: Wir können uns nicht aussuchen, woher wir kommen. Wie prägt uns unsere Herkunft? Welche Rolle spielt sie für unsere Identität? Und was bedeutet es, wenn man mehr als nur eine Heimat hat? Von WDR.
On June 7th, 2023, at Jamaica Theological Seminary: Critical thinking in Caribbean Thought: What Is the Caribbean and What is the socio-economic context? the Caribbean is an invention of the 20th century. Where is the Caribbean and are the Caribbean people Americans? What is Critical Thinking and how is it important to the study of Caribbean Thought? Do we have any Urban Indian Heritages in the Caribbean? Important Themes/Topics/Contributors: Immigration Subaltern/History from Below Misclassified Urban Indians - Dependent Capitalism – Renaldo McKenzie, Democratic Socialism – Keith and Novella Nelson, Neoliberal Globalization/ Strategy. Franz Fanon/Homi Bhabha, Bob Marley/Louise Bennet/Rex Nettleford Stephanie Black and Jamaica Kincaid, CLR James, Norman Girman, Walter Rodney, V.S. Naipaul, Ramesh Sarwan, Bishop, Castro and Manley/Seaga inequality, Poverty, Penetration, Theology, Technology and Opportunity Introduction: Define critical thinking as evaluating thoughts and challenging truths. Emphasize reflection and the pursuit of progress through critical thinking. Descartes and Existential Dilemma: Explore Descartes' quote "Cogito ergo sum" (I think, therefore I am). Note its limited proof of existence to one's own reality. Critical Thinkers Throughout History: Discuss influential thinkers like Foucault, Kant, and Marx. Highlight their challenges to norms and impact on societal progress. Post-Colonial and Post-Modern Perspectives: Question dominant narratives and institutionalism. Examples: Fanon, Bhabha, Naipaul. Analyzing and Evaluating: Describe critical thinking as metaphysical and analytical. Highlight use of logic, reason, and exploring thoughts. Fairness, Openness, and Bias: Acknowledge personal bias and examine multiple perspectives. Emphasize fair and open-minded evaluation. Developing Critical Thinking: Developed through training, exploration, and challenging beliefs. Reliance on clear reasoning and past knowledge. Postcolonial Man as a Critical Thinker: Postcolonial individuals engaging in critical thinking. Skepticism towards history and moral codes. Conclusion: Summarize key points and reinforce critical thinking as transformative. Encourage further engagement in critical thinking. Part 2: “The Negro Is Not Anymore Than the Whiteman,” Fanon What does Fanon Mean by this? Unveiling the Authentic Self: Analyzing Black, Brown, and Pan-African Struggles for Prosperity and Independence. We begin by Exploring Black, Brown, and Pan-African Struggles for Prosperity and Independence in the Context of Historical and Current Realities. Frantz Fanon's psychoanalysis of the "colonized" individual, challenging dominant perspectives and aiming for self-empowerment. Homi Bhabha further examines the disruption of colonial subjects' alignment, revealing an authentic self through a break from the norm. Shifting to Jamaica, using Mckenzie's Neoliberalism Book the Caribbean, and the Global South, this analysis acknowledges the idealized image of paradise while addressing the economic and political challenges faced by the people. Copyright: The NeoLiberal Corporation and Renaldo McKenzie, 2023. Original and full presentation by Renaldo McKenzie, 2022 (What is Critical Thinking in The NeoLiberal Journals), summarized for PowerPoint by AI. Made with Clipchamp/Zoom/ https://theneoliberal.com. Renaldo is Adjunct Professor and Author of Neoliberalism. https://renaldocmckenzie.com For references, contact us. The NeoLiberal Corporation is celebrating 2 years of service and dedication to progress, empowerment, diversity and research. We have touched over 100,000 people worldwide. We need your help to capitalize on our opportunities and potential to reach more with dynamic and innovative programming and works. Please support us: Subscribe for Free and Donate to the Podcast. Join Our Book Fund Raising Campaign Visit us - The Neoliberal is serving the world today to solve tomorrow's challenges by making popular what was the monopoly. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theneoliberal/message Support this podcast: https://podcasters.spotify.com/pod/show/theneoliberal/support
We continue with the Lectures in Caribbean Thought. We introduced the concepts of Power, position, privilege, and the foundations of Knowledge and Hegemony of faith within the development of western civilization that affects Caribbean thinking and reality. This is compendium of perspectives on power that examine how the status quo uses strategy to extend, establish or maintain power which then imposes on Caribbean Thought and poses problems for human (Caribbean) progress. This involves looking at the Development of Power, Privilege, Position & Status Within the Foundations of Historical literature and Divine Intervention. The presentation will be interdisciplinary but benefits from the discipline of Liberal Studies and liberal arts, lifting up issues of human values and ethics. We will consider and make conclusions about the foundations of knowledge and the hegemony of faith as we present our analysis. It uses anthropological methods and other primary and secondary sources to ascertain data as well as explore the historical archives. Further the Lecture presentation, due to the dynamism of the Lecturer/presenter, writing within a post-colonial milieu will consider social media as one of the Greatest Victory for Masses and Social Movements and Caribbean peoples, that will upend Strategies of Power by The Status Quo and the culture of violence in society? Moreover, the answer may lie in an exploration of The Development of Power, Privilege, Position and Status Within the Foundations of Historical literature and Divine Intervention. I am here talking about the foundations of knowledge and the hegemony of faith and the cultures containing this hegemony. So, we will begin by asking, "Do the Poems of Homer and Hesiod's Theogony and the Biblical Stories provide a Basis to Begin to Understand the Problem and Consequences of Human Dynamics in the Development of Human Society? Further, language, thought and history become part of any examination and reflection of culture involving philosophical inquiry. "The negro is not. Any more than the Whiteman," Frantz Fanon, in "Black Skin White Masks," psychoanalyses of the "colonized" (systematically-controlled) man/woman, he removes the dominant view within comparisons, striving for the empowered self. According to Homi Bhabha, here the familiar alignment of colonial [controlled] subjects is disturbed by a break, a pause from the usual to reveal a truly authentic self. In fact, when we hear of Jamaica or the Caribbean, we think of beautiful islands of paradise with sun, sea and sand, reggae music, cannabis and "irie" people like Usain Bolt- people who are living out their best dreams, desires, and lives. But this book analyzes this motif, given the historical and current economic and political situation in Jamaica and the Caribbean / the "Global South." In an attempt to escape the adverse realities of poverty, inequality, and injustice, the people of the Global South find themselves in north metropolises with very little agency and minimal change to their lives. In fact, except for the use of cleaning neoliberal waste, the immigrant is usually portrayed as an alien with three heads and big sharp teeth seeking to steal and destroy the profit and disrupt society. As such we will discuss Black, brown, and Pan-African struggles for economic prosperity, justice, and freedom and consider efforts, abilities, or inabilities to chart their own futures since decolonization and realize real political independence and economic prosperity. Perhaps, they are charting their own course by the few corrupt of the status quo who are benefiting from partnerships with the neoliberal regime of the "Washington Consensus," advocates of the "bureaucratic phenomenon," while the masses are left behind…” We explore history and thinking from a sub-altern view as we think about Privilege, Power, Position and Status within the development of society. https://theneoliberal.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/theneoliberal/message Support this podcast: https://podcasters.spotify.com/pod/show/theneoliberal/support
Rocket Boys Jim Sarbh and Ishwak Singh are Spilling Tea with Sneha ahead of the shows season 2. How did they incorporate feedback from season 1? What makes them so different as actors? And what do they actually bond about. We have all the answers including an update on Pataal Lok and Made In Heaven Season 2.
This is Lecture 5 of Caribbean Thought, a course at the Jamaica Theological Seminary Lectured by Rev. Renaldo C. McKenzie, Dated February 10, 2023. This is a continuation of week 4 and the Lecture series towards developing a Caribbean Thought Journal. The Lecture was quite powerful as usual. We continued from week 4, conceptualizing the course Caribbean Thought when we had asked, "what is Caribbean Thought, and who determines this?" This week we ask, why who determines this and why is it important for us to revisit the past. The lecture delved into this question by lifting up a current situation in the Caribbean - The Haitian Crisis - where The US and Canada is pressuring the Caribbean to intervene in Haiti on their behalf. We examine this issue in relation to the Caribbean socio-economic challenges which has defined present realities which imposes on cultural identity. We explored this within the context of our understanding of the Caribbean being part of the pan-African struggle for not just independence but economic prosperity that allows them to compete. When we go back in history, we explore situations where the Caribbean's inability to truly realize pan-African goals in light of strategy that continue to keep these peoples and countries down - Debt. We begin the class by revisiting the conclusion of the class: "...the Caribbean represents a people who have been disrupted, detached, displaced, hybridized and made into dependent capitalist states with some level of modernity to promote consumption within the neoliberal globalized world which is largely a consumer society." We then moved into Lecture 5 by exploring the course outline: Course Description: This course focuses on and explores the diverse currents of Caribbean Thought, which have influenced the development of Caribbean societies from colonialism to independence and beyond. It traces the history of resistance and examines the quest for equality and the challenge of defining Caribbean identity within this post-colonial and neoliberal Globalized world not just within the geographic sense but also in terms of a diasporic sense.... The course surveys the history and philosophy of the Caribbean and the ways in which the Caribbean has emerged as a society in the shadow of colonialism and emergence of neoliberal Globalization. It examines the central ideological currents of twentieth century political thought in the region and covers broad topics such as Colonialism, Nationalism, Pan-Africanism, Socialism, Marxism, Feminism, Democratic Socialism and Neo-Conservatism, Neoliberalism, Globalization and Deconstructivism, Critical Race Theory, Strategy and the Foundations of Knowledge and the Hegemony of Faith, Economic Inequality and Poverty....Among the thinkers/works that will be considered throughout the course are Marcus Garvey, George Padmore, C.L.R. James, V.S. Naipaul, W. Benjamin, M. Foucault, Franz Fanon, Walter Rodney, Fidel Castro, Michael Manley, Edward Seaga, Bob Marley Kamau Brathwaite, Edouard Glissant and the Negritude movement generally, Homi Bhabha, Mike Davis, Nelson/Novella Keith, Stephanie Black and Jamaica KinCaid, Garnett Roper, Rex Nettleford and the Professor's Works. We then begin to explore Caribbean thinkers: Ramesh F. Ramsaran who wrote in the Preface of his book, "The Challenge of Structural Adjustment in the Commonwealth Caribbean," Yet we say: We celebrate #Haiti as the 1st former colonized black country to successfully lead a revolution beating Napoleon. But France turned around & charged them 24 billion to recognize their freedom which Haiti gullibly paid—that has held them down. We concluded with Edward Seaga PM of Jamaica in a 1983 Lecture: "I wish to talk to you about the strategy which I believe can best attain a quality of life for the peoples of Middle Level countries of the developing world," (Seaga, 1983, p. 23, in New Directions.) https://theneoliberal.com. --- Send in a voice message: https://anchor.fm/theneoliberal/message Support this podcast: https://anchor.fm/theneoliberal/support
This is Lecture 5 of Caribbean Thought, a course at the Jamaica Theological Seminary Lectured by Rev. Renaldo C. McKenzie, Dated February 10, 2023. This is a continuation of week 4 and the Lecture series towards developing a Caribbean Thought Journal. The Lecture was quite powerful as usual. We continued from week 4, conceptualizing the course Caribbean Thought when we had asked, "what is Caribbean Thought, and who determines this?" This week we ask, why who determines this and why is it important for us to revisit the past? The lecture delved into this question by lifting up a current situation in the Caribbean - The Haitian Crisis - where The US and Canada is pressuring the Caribbean to intervene in Haiti on their behalf (See the Podcast/Youtube video with Brian Concannon). We examine this issue in relation to the Caribbean socio-economic challenges which has defined present realities which imposes on cultural identity. We explored this within the context of our understanding of the Caribbean being part of the pan-African struggle for not just independence but economic prosperity that allows them to compete. When we go back in history, we explore situations where the Caribbean's inability to truly realize pan-African goals in light of strategy that continue to keep these peoples and countries down - Debt. We begin the class by revisiting the conclusion of the class: "...the Caribbean represents a people who have been disrupted, detached, displaced, hybridized and made into dependent capitalist states with some level of modernity to promote consumption within the neoliberal globalized world which is largely a consumer society." We then moved into Lecture 5 by exploring the course outline: Course Description: This course focuses on and explores the diverse currents of Caribbean Thought, which have influenced the development of Caribbean societies from colonialism to independence and beyond. It traces the history of resistance and examines the quest for equality and the challenge of defining Caribbean identity within this post-colonial and neoliberal Globalized world not just within the geographic sense but also in terms of a diasporic sense.... The course surveys the history and philosophy of the Caribbean and the ways in which the Caribbean has emerged as a society in the shadow of colonialism and emergence of neoliberal Globalization. It examines the central ideological currents of twentieth century political thought in the region and covers broad topics such as Colonialism, Nationalism, Pan-Africanism (See Groups'2 Paper on Pan-Africanism – we defined Pan-Africanism reading from their exceptional essay which delved into Pan Africanism), Socialism, Marxism, Feminism, Democratic Socialism and Neo-Conservatism, Neoliberalism, Globalization and Deconstructivism, Critical Race Theory, Strategy and the Foundations of Knowledge and the Hegemony of Faith, Economic Inequality and Poverty....Among the thinkers/works that will be considered throughout the course are Marcus Garvey, George Padmore, C.L.R. James, V.S. Naipaul, W. Benjamin, M. Foucault, Franz Fanon, Walter Rodney, Fidel Castro, Michael Manley, Edward Seaga, Bob Marley Kamau Brathwaite, Edouard Glissant and the Negritude movement generally, Homi Bhabha, Mike Davis, Nelson/Novella Keith, Stephanie Black, Jamaica KinCaid, Garnett Roper, Rex Nettleford and the Professor's Works We then begin to explore Caribbean thinkers: Ramesh F. Ramsaran who wrote in the Preface of his book, "The structural adjustment issue is, not surprisingly, one surrounded by intense controversy and emotion. This is because it does not concern simply with economic policies or improving government performance but brings into question basic economic philosophy and ideology and may also involve the effective transfer of decision-making from local hands." The Caribbean must critically reflect on its position in relation to life...theneoliberal.com --- Send in a voice message: https://anchor.fm/theneoliberal/message Support this podcast: https://anchor.fm/theneoliberal/support
In this episode, I cover the differences between the work of Homi Bhabha and Edward Said. If you want to support me, you can do that with these links: Patreon: https://www.patreon.com/theoryandphilosophy paypal.me/theoryphilosophy Twitter: @DavidGuignion IG: @theory_and_philosophy
In this episode of #VelshiBannedBookClub, Citizen Board Member and MSNBC host Ali Velshi was supposed to speak with Salman Rushdie about his "most famous book you've never read." In the wake of Rushdie's assassination attempt, Ali speaks with his friend and colleague, Homi Bhabha.
In this episode, we talked about Vikaram Sarabhai's passion for Indian Space research and his role as a chair of the Atomic energy commission after the death of Dr. Homi Bhabha. Source: Vikram Sarabhai- A life by Amrita Shah https://www.goodreads.com/book/show/2189595.Vikram_Sarabhai ------------------------- Co-host Nizil Shah's Podcast: https://open.spotify.com/show/4ei5gRFc62FmsTo99Px4nw?si=a0cb8e960b7345f9 ------------------------- About Scientific Gujarati Show: જો તમને ગુજરાતી માં science , technology, history અને mystery ની વાતો કરવી કે સાંભળવી ગમતી હોઈ તો આ પોડકાસ્ટ (audio show) તમારા માટે છે. New Episode Every Sunday and sometimes on Thursday across all podcast platforms. Scientific Gujarati Show is a Gujarati Science Podcast. This podcast talks about science, technology, history, and anything we find interesting in this pale blue dot. This is primarily Gujarati podcast, but we also enjoy insightful conversations in Hindi and English. If you are reading this far, Join us on Telegram: https://t.me/Scientific_Gujarati Contact: Notes4podcast@gmail.com Also, please follow us on Instagram, because why not? We are good and kind people—કરી લેજો. Scientific Gujarati: https://www.instagram.com/scientificgujarati/ Ankit - @ankit.m101 Yash - @yashfafola ------------------------------- Time Stamps : (0:00) Intro (1:00) Vikram Sarabhai's ‘Practical સ્વદેશી' approach (6:00) Multiple successful careers of Dr. Sarabhai (9:30) Management style (10:15) Incredible Vision (15:45) How was Dr. Vikram Sarabhai involved in the Nuclear program? (22:00) Managing personal interests with national duty (28:30) Relentless Optimism (30:00) Nuclear Bomb (34:40) Family life and death (45:15) We need more Bio-pics of scientists (47:00) Conclusion and બીજી બધી વાતો Join us in building and growing the Scientific Gujarati Community. https://www.facebook.com/groups/scientificgujarati મળીએ નવા episode માં, નવી વાતો સાથે ..! --- Send in a voice message: https://anchor.fm/scientificgujarati/message
Homi Jehangir Bhabha was a nuclear physicist who pioneered the Indian nuclear research programme. Often hailed as the father of India's nuclear power project, his ambition, far sightedness and enterprise shaped the development of modern science in India. Understanding the need for achieving self-reliance, he laid the framework for nuclear research in India by founding theTata Institute of Fundamental Research (TIFR) and the Atomic Energy Establishment, Trombay (AEET), later renamed Bhabha Atomic Research Centre (BARC) in his honour. Bhabha achieved international prominence for his trailblazing studies in the field of Atomic Energy, while his role of scientist-diplomat, handled with aplomb, gained worldwide recognition in the global arena. In this episode of India Booked, Ayushi & Prof. Biman Nath dive into his life.
In this episode of Scientific Gujarati Show, we talked about the Sony Liv original series Rocket Boys. Rocket Boys is an Indian Hindi-language Biographical streaming television series on SonyLIV. The Series is based on the lives of Homi J. Bhabha and Vikram Sarabhai. Directed by Abhay Pannu and produced by Siddharth Roy Kapur, Monisha Advani, and Madhu Bhojwani under the banner Roy Kapur Films and Emmay Entertainment respectively. The series stars Jim Sarbh and Ishwak Singh along with Regina Cassandra. તો સાંભળી ને કહો કેવું રહ્યું ..! બાકી આટલુ વાંચી જ લીધું તો Subscribe કરી લેજો જ્યાં પણ સાંભળતા હોવ ..! ---------------------------------------------------------- Participants: Chintan Patel: https://twitter.com/chintan076 Pranav Patel: https://www.instagram.com/pranvptel/ ---------------------------------------------------------- Join us on telegram: https://t.me/Scientific_Gujaratilinktr.ee/scientificgujarati Also, please follow us on Instagram, because why not? We are good and kind people—કરી લેજો. Scientific Gujarati: https://www.instagram.com/scientificgujarati/ Ankit - https://www.instagram.com/ankit.m101/ Yash - https://www.instagram.com/yashfafola/ Follow us on Spotify: shorturl.at/fnuvV Follow us on Gaana : shorturl.at/cyIJO Follow us on Jio Saavn:shorturl.at/dpD29 Follow us on Amazon music: shorturl.at/zDEU4 Follow us on Apple Podcast: shorturl.at/iBJTW Follow us on Google Podcast: shorturl.at/juwDO or જ્યાં પણ તમે પોડકાસ્ટ સાંભળતા હોઉ..! Let us know if we missed any platform to publish our podcast. ---------------------------------------------------------- Time Stamps : (0:00) Pre-roll (00:49) Introduction (01:39) Our takeaway from Rocket Boys season 1 (04:40) Appreciating Rocket Boys (11:10) Screening in TIFR (13:26) Cinematic liberties (15:40) Homi Bhabha – the great showman (17:50) Mission ISRO podcast (19:29) Nostalgia about APJ Abdul kalam and other scientists (27:13) Conclusion Join us in building and growing the Scientific Gujarati Community. https://www.facebook.com/groups/scientificgujarati મળીએ નવા episode માં, નવી વાતો સાથે ..! #gujaratipodcast #gujaratisciencepodcast #moviereviewgujarati #scienceingujarati #scienceingujarati #rocketboys #vikaramsarabhai #homibhabha #abdulkalam --- Send in a voice message: https://anchor.fm/scientificgujarati/message
Dr Mallika Sarabhai, famed dancer and the daughter of the space scientist Dr Vikram Sarabhai and the legendary dancer Mrinalini Sarabhai, spoke to The Quint about the real stories behind the recently released show 'Rocket Boys,' based on the lives of the Indian science pioneers Dr Homi Bhabha and Dr Vikram Sarabhai. In this special podcast, she recounts the memories of her parents and how Dr Bhabha introduced them. She also shares anecdotes from her childhood and the day India launched its first rocket. Reflecting on the influences of her parents, she talks about how they came to shape her own worldview. She also gives a sneak-peek into the upcoming season of the show, while describing the collaborative process that went into its making. Tune in to the podcast to know more! Voiceover and interview: Raunaq Saraswat
Transcript:Sushant Singh00:09Hello and welcome to India Speak: the podcast by the Centre for Policy Research. I'm Sushant Singh, Senior Fellow at CPR. This is the first episode of our series featuring leading experts and academics on the many facets of Sino India relations. Some of them will be looking at the military side of things, while others will focus on the political facets. But today, we will be discussing the historical aspects, looking at China and its relationship with India through a historical lens. To do that, our guest today is a historian of modern China with research and teaching interest in social and economic history, history of science and statecraft, transnational history, and China- India history. Professor Arunabh Ghosh is the Associate Professor of Modern Chinese History at Harvard University. His first book, Making it Count: Statistics and Statecraft in the early People's Republic of China came out in 2020. It investigates how the early People's Republic of China state built a statistical capacity to know the nation through numbers. He has conducted research for the book in Beijing, Guangzhou, New Delhi and Kolkata Arunabh, welcome to India Speak.Arunabh Ghosh01:26Thank you Sushant for having me. And it's a real honor to be the first in this new series that CPR is organising. So thank you so much.Sushant Singh01:33Thank you. I'd like to begin with your book first, because you mentioned a collaboration between India and China on the statistical front that is hard to imagine today. It involves PC Mahalanobis of the ISI. Can you tell our listeners as to what this collaboration was about? And how do you discover that interesting nugget? And were there other collaborations also at around the same time that we don't know?Arunabh Ghosh01:56Great, thank you. Yeah, this is, this is always an intriguing sort of thing, because it was very surprising for me too actually because as you just mentioned, in your very generous introduction, the book that I've written is primarily about statistics in 1950s China. I didn't really expect to encounter such a strong India connection and an India connection that would help me understand crucial aspects of statistics and statistical work in 1950s China. So maybe first, I'll give you a sense of how I chanced upon this, and it really was quite a serendipitous kind of discovery. I think it was, while I was browsing issues of the People's Daily, that I encountered a photograph that showed Mahalanobis with the Chinese Premier, Zhou Enlai, and a bunch of other people. And then the small caption read, "Zhou Enlai host Mahalanobis for dinner". This completely blew me away, this was July of 1957, I had no expectation of something like this being possible. So then I started digging, and eventually discovered that this was actually part of a much more sustained series of exchanges that involve statistics. But why statistics? So what's interesting here is that on the Indian side, which I think a lot of our listeners will be familiar with, the Indian Statistical Institute and PC Mahalanobis, as its director, are central to this early phase of Indian history in terms of planning, in terms of placing statistics at the heart of planning. What Mahalanobis was famous for, not just in India, but globally, was the adoption and expansion of large scale randomised sample survey, this was a relatively new technology at that time. On the Chinese side, what's interesting is that after 1949, the Chinese had explicitly rejected any kind of statistical activity that relied on probabilistic methods, including large scale random sampling. So what happened was, over the first, say, five to eight years of the People's Republic of China from 1949, to about 1956-57, they relied on other means. And by this, I mean, primarily on exhaustive enumeration on attempts to essentially count everything to the final instance of its existence- the census method, if you will. And this as you can imagine, led to tremendous problems, especially in the agricultural sector. So, it was this chance meeting in 1956, when Zhou Enlai actually visits India, and he comes to the Indian Statistical Institute, and is kind of blown away by the work that he sees being done, and then invites Mahalanobis to come to China. This is a short episode where there is a real desire on the part of the Chinese statisticians to learn more about large scale random sampling, because they feel this might allow them to overcome the kinds of problems that they are encountering, because of this overt reliance on essentially the census method of counting everything exhaustively. So that's sort of in a nutshell, what happened and I traced this exchange from about, it's really intensive about 1956 to 59. With a lot of people going back and forth, and things like that. But, for the other part of your question, this is not the only instance of these kinds of exchanges. I think they were happening in other domains. I have recently published an article about who I think is the first Chinese scientist to get a PhD from an Indian University, from Lucknow University. He was a student of Birbal Sahni. But I'm collaborating with a range of other scholars, in particular by mining archival materials that were thus far not easily available, including actually, the recently declassified Nehru papers at the Nehru Memorial Museum and Library. And our hope is really to, to rediscover the actual breadth of exchanges that were going on in the 50s, beyond the sort of narrative of Indi Chini bhai bhai and sort of the cultural, diplomatic kind of exchanges, but much more substantive exchanges that are going on. So I think there is actually a lot more to discover. And what I found are essentially crumbs that should lead us to explore more.Sushant Singh05:41So were these exchanges Arunabh, were they facilitated by the state, were they driven by the state, both the Chinese state and the Indian state over these exchanges, like the Science one, you refer to that was happening primarily through Cambridge and Europe? Because Birbal Sahini was such a major prominent scientist in Asia at that point in time, and the Chinese wanted to collaborate with them. So were they driven by individuals or what they're driven by state, or were they driven by some other mechanics or processes?Arunabh Ghosh06:09Right, I think you find instances of both. There is certainly a very strong state element in many of these exchanges. Some of these, because of the sort of larger geopolitics of the moment, sort of the emergence of a certain kind of third world politics, or, you know, global south solidarity. I'm using these terms slightly, ahistorically, Global South wasn't used in the 1950s, but you know, this postcolonial moment, if you will. So there is a lot of state interest and an attempt to bring people from both China and India as part of, you know, bringing people from different parts of the post colonial world together. But, I think you have a lot of instances where there are other mechanisms at play. So the one that I just mentioned, and that you also brought up about the scientists, the Paleobotanist - that is about scientific networks, pre existing scientific networks, that then carry on into post 1945, 49, 47, into the 1950s. But you also have interesting transnational political movements that are emerging that have to do with emerging Cold War politics, but also have to do with an attempt at an institutional level to engage. So the ways in which people are thinking of establishing transnational institutions, like the UN, but for Asia, for instance. And here, there is some state support, but not necessarily it's driven by the state. So this might be individual's conceiving some kind of Asian Association, say, for the advancement of a particular area of knowledge. Then maybe someone like Nehru will get on board or Zhou Enlai will get on board and so on. But the impetus is coming from elsewhere. So I think part of the goal has to be to recognise the multiplicities of possibilities. With a small footnote or asterisk to this, of course, this is more true on the Chinese side than on the Indian side where, given the strong nature of the state in China, by this time already, at some point, it was necessary to get state approval, and that could be a harder process.That may have led to greater state involvement as part of getting that approval. On the Indian side, I think you see even more diversity.Sushant Singh06:15Any examples of these associations which you refer to which were pan-Asian associations?Arunabh Ghosh07:33So there were these very interesting discussions right after the establishment of the UN, to set up, under UNESCO and other organisations, sort of scientific networks in Asia. So people like Joseph Needham, and I'm blanking on a few of the other names who are involved, were in conversation with people on the Indian side, for instance, with people like Homi Bhabha at TIFR, DD Kosambi, and also with mathematicians at Tsinghua University and also later on after 1949 in Taiwan, about say, establish the Institute of Mathematical Research. Again, the idea was not just mathematics in terms of pure mathematics, but also in terms of how it applies to physics and research in the physical sciences, and so on. So things like that, which were sprouts if you will, did not lead anywhere. Mahalanobis himself wanted to set up a statistics association for Asia and the Pacific, I think I forgot the exact acronym. So there are two that come to mind immediately.Sushant Singh09:14Arunabh, when does this kind of collaboration and cooperation end? Is it the 1962 war? Is it 1959 when the border tensions started increasing? Or is it well before that, something else happened before that?Arunabh Ghosh09:28No, those are two hugely important moments. 1959 March, when the Dalai Lama escaped, I think is a huge moment, at least from a state to state perspective in terms of a cooling of enthusiasm. 1962, of course, then becomes like a major wedge. But it's important to also recognise the internal dynamics of these things. The 1950s is a very interesting period in Chinese history, with a lot of interesting upheavals that impact the intellectual world, the world of academia in very specific ways. So, intellectuals are targeted, for instance, in 1957 in the anti-writers movement. So those things also have an impact on the possibilities for these kinds of exchanges. So one has to be mindful of the international sort of bilateral kinds of relations, but also then the domestic developments that might impact this sort of engagement.Sushant Singh10:17Arunabh, there is something else you have written a lot about in the public domain - the inadequate scholarship on China and India? Can you give our listeners an overview of the kind of scholarship on China in modern times, you know, leading to the contemporary era? And also, what are the reasons for this inadequacy in studying China and India? Why have we not done better?Arunabh Ghosh10:36Right, this is a great question. It's a very big question. Before I get into the China studies, in India case, I should actually preface any response by saying there is a larger malaise in the Indian academia in terms of how we study and understand the rest of the world. So the China case is a very important case within a larger malaise, where I think we lack expertise on pretty much anything, including our neighbours, including the immediate neighbours in the South Asian context, where we haven't devoted adequate resources over the past several decades. But in the Chinese case, what's interesting is that you see a period of intense actual interest in the first half of the 20th century, a really important moment is the establishment of China Bhavan at Shanti Niketan, Tagore's University, that becomes the first research centre dedicated to studying China, primarily at that time studying ancient Chinese history – so, looking at the expansion of Buddhism in China and looking at questions of linguistic and cultural exchange, things like that. But what's important about that moment from a research perspective, is that you have the establishment of the first dedicated China Studies library in India. And I think for any good research to take place, the necessary, but insufficient, of course, but necessary condition is a good research library. So that kernel was established in the 1930s. And during this time, I think the other thing to remember about sort of Indian engagement with China is that there is actually a tremendous amount of interest at the popular level where people are travelling back and forth, and there are stories of people travelling to China writing travelogues, often not in English, but in different vernacular languages that you can find. And some of these have begun to be translated now. So there are several in Bengali that have not been translated. But there are there are others, there's essentially a memoir called Chīn Me Terah Mās (13 months in China), which was essentially a memoir of a British Indian Army soldier who spent time in China serving, if I remember correctly, during the Boxer Rebellion, and then he writes about it. So there was that kind of, I think, at a popular level, a certain kind of engagement. In terms of scholarship, I think you would expect that after 1947, after 1949, there would be a real investment. And there certainly was an attempt to bring about serious exchanges at a bilateral level. But you don't really see the kind of investment that you would expect. Given that, you know, this is India's largest neighbour. And similarly for China, this is China's largest neighbour, you see the establishment at China Bhavan and a few other places, an attempt to establish language programs. In the 1950s, they attempted to begin bilateral exchanges of students and things like that. But 1962 then becomes a huge, as I think many people recognise, sort of a huge stumbling block. But the irony in my opinion is that instead of leading, therefore, to a greater sort of investment in studying and understanding China, even if it is from a narrow perspective, why did we get what happened in 1962 so wrong? Why did the leadership, why didn't the intelligentsia, the sort of political elite that was informing the leadership, why did they get things so wrong? Instead of seeing greater engagement, greater desire to try and understand China, you saw sort of a retreat. So 1962 becomes this moment, I think, where you see not investment, but disinvestment in China studies, and that has in some ways lingered into the present, I feel, where China studies remains a fairly niche kind of subject, discipline or domain of knowledge to pursue. But that's at the meta or macro level. There are other things at the institutional and micro level that I think are also very important to recognise. So one of the things of course, I had mentioned library, the other thing that's absolutely essential in studying China, of course, is his mastery of the Chinese language. While mastery might be an extreme case, but at least a sufficient degree of competence, to engage with scholars in China, to engage with people in China, to read materials in Chinese, and so on. And what has developed in India and I think here, it's the expansion of a model that we find in JNU, but then that seems to have spread to other institutions in India as sort of best practices, is a real separation of the School of Languages where you have excellent teachers of Chinese and students who actually learn Chinese to a high degree of competence. And then places like SSS (School of Social Sciences) and the SIS (School of International Studies) that are then working on China substantively. You see a real divide here, so the people who do language don't engage in subject domain expertise, and vice versa. And this I think, over the long run has led to a sort of it has really debilitated this kind of area studies in India. So you have a range of China scholars now who were produced by JNU, and a handful of other institutions that cannot engage at the level that you would expect with material in Chinese, with scholars in China. And therefore I think it sort of hamstrings our ability to then understand the complexity of a country as large and as diverse as China is,Sushant Singh15:46Arunabh, I understand that the shadow of 1962 looms large, but after 1962, there is 1988 when Rajiv Gandhi goes and meets Deng Xiaoping, then there is 2004 and this current century that we are in, by now things should have changed, things should have improved. Why didn't anything change in the last 30-40 years?Arunabh Ghosh16:06Yeah, I fully agree things should have changed dramatically. And why they haven't is a bit of a mystery, but also not entirely in the sense that I think a lot of this area studies impetus. Unfortunately, we have enough historical instances of this and the best example is the evolution of area studies in the US often emerges from the recognition of the state, that these are strategic areas that we need expertise in, and then the funnelling in of resources. But what's interesting in the US case, and I think this would have had a salutary sort of effect if it had been pursued in India, is that yes, you create sort of a very narrow, strategically focused kind of expertise, but in supporting area studies broadly, you also provide grounds for a much wider engagement. So in the US, you see not only this sort of foreign policy and sort of contemporary China focused academic community, but a much wider community that has expertise in China now. Something like that could have happened in India, if there was concerted state support starting after 1988, as you said, or even more recently. Now, that did not happen. I think this is a failure of leadership in many ways. Again, as I mentioned earlier, it speaks to a broader failure of higher education in India. I think the Chinese case is an example, China studies is an example of this. Another footnote to this, of course, is that there are interesting developments more recently now, with private universities trying to sort of establish some kind of presence in China studies. It's very early, it's not clear how successful they will be. But I think it represents a recognition at least from, if not the state itself, then from society, more broadly speaking, that we need to know more as a society. So you know, there are private institutions that have set up centres for China studies that are trying to set up MA programs, and things like that, but it's very early days still, in that process.Sushant Singh17:55Arunabh, you brought up western area studies model. Most Indian scholars use Western research and Western scholars to understand and study modern China and obviously, these in the field of national security and diplomacy as well. To your mind, what are the dangers of doing this for Indian scholars and for Indian policymakers? This intermediation of knowledge through a Western prism? What are the dangers of this?Arunabh Ghosh18:18Yeah, I think this is hugely important. And it speaks very much to things we were just discussing in terms of, you know, an ability to work with primary materials ourselves, inability to form our own conclusions based on our reading, as opposed to reading essentially someone else's interpretation of events or documentary evidence. At a general level, I think that the danger is that essentially, in being second hand consumers of knowledge, and then formulating our own sort of interpretations, we are giving up, in some ways, a certain kind of agency in terms of formulating the questions and frameworks themselves. Which is not to say that all of the existing work that emerges primarily in the Anglophone, but say the West, broadly speaking, on China is useless – most of it's actually very interesting and very useful. But it is in some ways, granting over our ability to ask our own questions. And I think asking those questions with, you know, particular contexts that are South Asia specific or India specific in mind. These don't have to do with bilateral relations only, these have to do with a whole range of things that are going on in India right now, whether it's urban policy, whether it's health policy, I mean, Omicron and COVID is a great example. Right? How do we think about policy in India, vis a vis other places, including China? So I think if we formulate the questions, then the frameworks, the way in which we look for evidence, all of that follows. So I think in some ways, there's a kind of path dependence that emerges from where you start. And so that is, I think, at a very broad methodological level the danger here. More specifically, I think if you take a look at specific instances, then of course it is that you are essentially relying upon other strategic goals with which a particular policy piece may have been written, and then you have to try and interpret that and make it applicable to say, the Indian case, as might be what happens a lot and that again, is in some ways a needless exercise. You're not treating it as a data point, but as essentially, largely informing your perspective altogether.Sushant Singh20:30Would it be fair to say that even though India and China have been neighbours, they have been and remain distant in that sense. They've never been neighbours? They've been physical neighbours, but they've not been neighbours in other senses. Is that true?Arunabh Ghosh20:41Yeah. So this is I think, yes, the short answer is yes. But there is a footnote or a complicated answer that would be no. The yes is in terms of contemporary nation states, I think the ways in which the Republic of India and the People's Republic of China see each other. The Himalayas are not just a physical barrier, you know, they are a barrier in other ways. But if you think in a slightly longer historical sense, then people from both subcontinents, if you think of East Asia, China and India, as subcontinental sort of spaces, have been meeting and intermingling in other parts of the world. So Southeast Asia is a great example of this. The Caribbean is another great example of this. And of course, now much more recently, actually, the US is a good example of this, because you have roughly, I think, 5 million people of Indian descent in the US and roughly 5 million people of Chinese descent in the US. So there is actual engagement in other spheres, but from a contemporary nation state perspective, in China and in India. Yes, you're totally right, that there has been I think there is a real impasse in terms of bilateral engagement and understanding. So that's why you fixate on the specific moments like Amir Khan's amazing popularity in China, it becomes this thing to wonder at because it's so unusual, it's so exceptional.Sushant Singh21:54And you sometimes wonder that China is India's biggest trading partner, and by a long distance, and you still don't have that kind of neighbourly relations? Arunabh Ghosh22:00Absolutely, that's the other reality. And I mean, I think it's gone over $100 billion in mutual trade now, right, in spite of all the political rhetoric of not buying Chinese products, and so on. So there are ways in which the Chinese and Indian economy are actually much more deeply interlinked than people realise. But again, in terms of popular perceptions, there is a real divide.Sushant Singh22:28Arunabh, as a historian, what is the biggest myth about China in India that you constantly face and maybe even get irritated about? And similarly, when you are in China, what is the biggest misconception or misunderstanding about India that gets your goat?Arunabh Ghosh22:42I don't know if I have a good answer about this, because this, again, perhaps speaks to some of the problems you are alluding to. I think in India, the thing that I find the most galling at times is the sheer ignorance about China. There really isn't much of a sense, besides sort of a very sort of contemporary notion. And of course, more recently, that it's this amazing success story, and so on. It's not a myth, but it's the constant sort of raising China up onto a particular kind of pedestal by a certain set of Indian elite, I should say. If you go beyond that, there isn't even that much. There is no sense, no real acknowledgement of what it is. The other thing I should actually add in terms of it's an irritating myth, of course, is this complaint about the quality of Chinese products that you do hear a lot, which I think is also somewhat misplaced. But it itself would be interesting to research in terms of, you know, about how much of this is, you know, it's by design in terms of the ways in which commodities are flowing in terms of the ways in which markets are understood, and where higher quality versus low quality products are being sent. And, of course, the role of intermediaries, the people who are actually importing stuff, which might be on the Indian side. Anyway, that's an aside. So as I said, the bigger thing for me, though, is not so much a myth, but just ignorance, the sort of the very broad strokes generalisations that exist about China, that can be a bit of an irritation. On the Chinese side, it's not so much ignorance, as opposed to there is sort of a romanticisation. It's interesting, in more recent terms, mostly in the past two decades, as the Chinese economy has taken off, and there's a certain kind of confidence amongst the Chinese middle class about their own place in the world and their own sort of economic growth – that, you know, India is now it's, in some ways, an interesting kind of Orientalisation, India is the land of mystical wisdom and the power of religion and morality and things like that. This is not a dominant strain, but you do hear it's certainly distinct amongst a certain set of, again, middle class elite Chinese. And this I find very interesting in terms of it's not longer even seen in comparative terms, but it's seen as this again, you can, as I said, you can orientalise it and you can almost romanticise it. So this is the place you would need to visit if you are, you know, you're in the throes of a crisis of materialism, then India is the place that you could go. So this certainly happens amongst elite, very rich Chinese that you know, partly this is driven by sort of the tourism surrounding Buddhism. So you visit the various holy sites in South Asia, in India, in particular, that are linked to Buddhism and of course, this is not just Chinese tourists, but also Japanese tourists, tourists from Southeast Asia. But there's this kind of search for a certain kind of moral, or religious equanimity. So that's something that I find kind of both interesting and a little irritating. But it's that perception is devolved to just that.Sushant Singh25:53And yoga is well, we have done a bit by putting yoga in the mix as well.Arunabh Ghosh25:57Yes, thank you. Yoga, I feel, is a global phenomenon. It's not restricted to the Chinese themselves.Sushant Singh26:06You know, China's economic success and rise as a global power has really created a sense of China envy in India, the one you alluded to in your answer. The secret of Chinese success is seen in its character as a centralised authoritarian state, unlike India's very raucous democracy. Is that a fair understanding of contemporary China in India? And if not, why not?Arunabh Ghosh26:28I think it's a fair understanding of what the understanding in India is or a fair reflection of what the understanding in India is. But, I think it's sort of again, this is the understanding at again, at the level of sort of the elite intelligentia in India, right? I think that's not the popular perception. And so, I guess this would be my answer to your question, if I was only looking at the elite response would be this kind of envy at, or the hankering for a strong, centralised authoritarian state. So there isn't much wiggle room to say that, yes, it's relatively authoritarian compared to other parts of the world. It's relatively centralised, compared to other parts of the world. But I think in some ways, framing it in this way, begs the question, because one sort of looks at it today without acknowledging both the recent history- the history of the past 70 years since 1949, but also the longer history of the nature of the state and state society relations in China. The same thing is being done on the Indian side, right. So you're not acknowledging the longer history in India of states, a centralised state, the rule, the nature of state- society relations, and so on. But I think one important test, or a question one should ask, when we frame it this way is this, look at how successful China is. And it's because of its strong, centralised authoritarian state, you have to then acknowledge by that same token, that all the failures before the success should also be attributed to precisely the same thing – the fact that it is a strong centralised authoritarian state. And these failures are not trivial, these failures are failures that led to arguably the largest famine, in absolute terms in human history. This is the great famine of the late 1950s. It led to tremendous turmoil in the decades that followed, essentially sort of tearing society apart from the inside. So I think we have to recognise that certain things come with a strong centralised authoritarian state. It can be very effective in certain areas, but the failures can also be cataclysmic. So that's one thing to remember. Then the other is to what extent, this is where the longer your historical point becomes important, to what extent can a particular contemporary reality that has a larger sort of historical set of antecedents, how can you sort of apply that to a place like the Indian subcontinent, which is tremendously different. A simple way to think about this is the way in which we understand the centrality of the state, or the presence of a large centralised state, through the longer history of the subcontinent. In the Indian subcontinent, a large centralised state is the exception, not the rule. Whereas if you were to generalise that's the opposite case, in the Chinese case, it is a rule and the exceptions are when there is disarray and being broken apart. So, there is a very different sense altogether about how individuals think about the state. And I think until this is acknowledged and taken up seriously, this kind of very superficial envy and like, oh, all we need is a strong state that can ride roughshod over, you know, whether it's people's rights or other kinds of environmental regulations and so on, I think, will have a certain kind of appeal, but is extremely dangerous. Sushant Singh29:52I also think that it comes out of a certain ignorance of China because there is a certain amount of federalism in the Communist Party model as well. The provinces and the districts decide what they wish to do in terms of so many policies that they have at their other levels and the competition among these provinces and districts. And even if you look at some of the public health, public education things, you know, that have also come about because of that.Arunabh Ghosh30:20Absolutely, this is hugely important and this, again, speaks to thinking of China as a sort of given unit and not recognising actually, that it's demographically, while still, but maybe not for very long larger than India, but geographically significantly larger with a tremendous amount of variation. And then, the way in which the provinces run. There's a very good example from just very recently, which is what happened in the city of Xi An. And the massive lockdown that took place in Xi An because of the cases of COVID that were discovered. And if you look at the internal chatter, and the way in which people are understanding this within China, Xi An has historically been seen as a relatively poorly run city, compared to say, Shanghai or Beijing or some of the other cities. And so there were people who were not surprised that you saw mismanagement and all those cases about people being turned away from hospitals and so on, because the lockdown is being imposed. But then that led to other kinds of hardship. These are people who are not, you know, who are seeking help, not because of COVID, but for other medical, medical reasons. So there was this kind of internal recognition of diversity, variation, different ways in which different provinces have responded. I mean, one of the things you see, for instance, is the tremendous inequality right now within China, where the coastal provinces are significantly richer than the inland provinces. So again, that needs to be explained and understood, it can't be explained, understood with this sort of unitary, centralised authoritarian state model. So yeah, that's very important.Sushant Singh31:50Arunabh, this border crisis that India and China face, which is the most contemporary issue when Indians think of China today. History plays a role in it, the colonial part, the Imperial past, how important is the role of history in the kind of crisis that we see between India and China now?Arunabh Ghosh32:07So I think history is important at two levels. One, is just as you just alluded, I think, recognising that a lot of these problems have their origins in the Imperial and colonial legacies that both the Republic of India and the People's Republic of China are dealing with, but more than just dealing with, recognising that, in some ways, enthusiastically both states, accepted these Imperial legacies – in particular, the territorial imaginaries and the realities of British India, of the Qing empire. So I think recognising this is the first step. And there is, I think, in both countries, again amongst the elite and the intelligentsia. They are very quick to blame Imperial and colonial legacies when it comes to the other country, but are very slow to recognise the fact that similar logics are operating for them too. So at a meta historical level, I think that's hugely important. But I think at a more micro level in terms of the 20th century itself, I think historical scholarship is extremely important in understanding what exactly happened. And how to complicate the easy and grand narratives that exist. So right now, for instance, in India, it's very popular to blame everything on Nehru. Earlier it used to be Krishna Menon, and now it's Nehru. But I think this does a disservice to actually understanding what were essentially a series of very complex moments, and trying to understand why decisions were made the way they were, and so on. So I think the first step would also be to step away from the blame game. This is of course for popular consumption, this is what you want to do. It's easy to play things off and have people to blame. But from a historical scholarship perspective, I think this needs to happen on both sides. And here, the big challenge is access to archival materials, getting a sense of the deliberations as they happen in those specific moments. There's been good work on the Indian side recently, as you of course, I'm sure are also aware. Nirupama Menon Rao has just published a book and there's a whole host of other books that have tried to explore the border crisis and its evolution. We have seen some work on the Chinese side also, but the archives on the Chinese side remain closed. So it's been difficult for scholars outside of the PRC to explore these questions from the PRC's side, in many ways.Sushant Singh34:37Arunabh before I let you go, can you suggest three books about modern China that you would recommend to those interested in understanding the country better?Arunabh Ghosh34:44This is there's been so many good books published in the past 2-3 years that this is an extremely difficult task. So if I can mention a few without restricting myself to three, then I can touch upon a few different areas that might be of interest to readers. So one that emerges out of the conversation we've had about the nature of the state and the nature of the Chinese state in particular, I think a really interesting book would be Great State: China and the World, Timothy Brook (2019), which tries to look at the way in which we should understand the nature of the Chinese state through a longer perspective, not just 20th century. So Brooke is primarily a historian of the Ming, but then writes expansively. So that would be a great book to get a slightly longer perspective on the history of the Chinese state itself. There's a good book on the history of the party that was just published by Tony Saich, my colleague at the Kennedy School here called From Rebel to Ruler: One Hundred Years of the Chinese Communist Party (2021). That gives you more of a sense of how the party, which is, it's a pretty dramatic story, because it's a party that was on the fringes in the early 1920s. And by 1949, came to dominate the largest country in the world. And now, the largest economy in the world is soon to be or if by PPP terms already there. So that's another book that gives you party history.There's a great book by the Chinese historian Yang Kuisong called Eight Outcasts: Social and Political Marginalization in China Under Mao (2019). It was recently translated into English and this provides a very different perspective on post 1949 Chinese history, it's from the bottom up. As the title suggests, it's the story of eight people who had to undergo because of, you know, their individual identities made them outliers, or a certain kind of minority, you know, it could be because of their sexuality, it could be because of other kinds of things, and how they endured the first two, three decades of the PRC. I'm reading right now, after a long time. Finally, I've been meaning to write a memoir. And this might be of interest again, to an Indian audience. It's a memoir by probably China's most famous Indologist, a man by the name of Ji Xianlin, who wrote a memoir called The Cowshed: Memories of the Chinese Cultural Revolution (2016)and it's his experience of the Cultural Revolution. He was a very prominent professor. He was at Peking University, the most prominent university in China, and endured all kinds of hardship during the cultural revolution and he wrote about it. So that's another fascinating take. Finally, one last book I can mention, which I think is, again, speaks to sort of, the economic takeoff of China, starting in the 1980s,but provides a sort of much more nuanced perspective on the kinds of decisions that were taken, is a book by the economic economist and economic historian Isabella Weber called, How China Escaped Shock Therapy: The Market Reform Debate (2021). And this is sort of about price controls and the ways in which price controls were imposed in the early 1980s, as China is liberalising, so a very interesting economic history that is, in some ways, quite important today also in trying to understand the dramatic growth of the Chinese economy. So obviously mentioned more than more than more than three. I have many more dimensions, but maybe I'll stop there.Sushant Singh37:51Arunabh thank you so much for your time and for this wonderful conversation. It was it was really nice. Thank you so much.Arunabh Ghosh37:58Great. Thank you for having me.Sushant Singh38:03Thank You for Listening. For more information on our work, follow us on Twitter and log on to our website at https://cprindia.org/
This week we review a movie and two shows( two looooong shows).Starting with Looop Lapeta on #Netflix, the Hindi remake of the German Run Lola Run which is a psychedelic crazy plot of Savi runs across Goa to help her boyfriend Satya. Hear our views.We reviewed another amazing series from Sony, Rocket Boys , retracing Homi Bhabha and Vikram Sarabhai's accomplishments. The series will dwell deeper into their personalities and lives to understand their greatness and relevance in today's time. It will show how the two great physicists turned their dreams into reality and made great scientific discoveries.We absolutely loved it and recommend it highly for everyone.And then we reviewed the chaotic Hulu / Hotstar series The Great Indian Murder whereVicky Rai (Jatin Goswami) — a spoilt industrialist with a Casanova lifestyle — is murdered in his own party. His naturally enraged father (Ashutosh Rana) — who happens to be an influential politician — calls for a CBI enquiry.That brings in two detectives — Suraj Yadav (Pratik Gandhi) and Sudha Bharadwaj (Richa Chadha) — to solve the murder mystery, with six (invited as well as uninvited) guests as main suspects.The crime drama is based on the 2016 novel called Six Suspects by the retired Indian Foreign Service officer Vikas Swarup, who also authored the book behind the 2008 Oscar-winning Slumdog Millionaire. Download this pod everywhere you get a pod and on our website.
'Rocket Boys' - New SonyLiv series on the lives of pioneering Indian scientists Dr. Homi J Bhabha and Dr. Vikram Sarabhai. The series stars Jim Sarbh as pioneering nuclear physicist and Ishwak Singh as physicist and astronomer Vikram Sarabhai.
Please do fill out our Brand Recall Survey: ( https://www.surveymonkey.com/r/6HP2RVB )On this episode, Vineet talks to acclaimed filmmaker Nikkhil Advani about his latest creation, a web series about the towering duo of India's Space Mission, Dr. Homi Bhabha & Dr. Vikram Sarabhai. Nikkhil tells Vineet about how the show was developed, his impressions of the two giants & how stories about our modern history help recreate the social fabric of modern India.You can know more about Emmay Entertainment: ( https://www.emmay.com/ )Instagram: ( https://www.instagram.com/emmayentertainment/ )Twitter: ( https://twitter.com/EmmayEntertain )Facebook: ( https://www.facebook.com/EmmayEntertainment )Linkedin: ( https://www.linkedin.com/company/emmay-entertainment-&-motion-pictures-llp/ )You can follow Nikkhil on social media:Instagram: ( https://www.instagram.com/nikkhiladvani/ )Twitter: ( https://twitter.com/nikkhiladvani )Facebook: ( https://www.facebook.com/NikkhilAdvani )Follow Vineet Kanabar on Twitter & Instagram: ( https://twitter.com/ashcharyafuckit ) and ( https://instagram.com/ashcharyafuckit ) (@ashcharyafuckit)You can listen to this show and other awesome shows on the IVM Podcasts app on Android: https://ivm.today/android or iOS: https://ivm.today/ios, or any other podcast app.You can also check out our website at http://www.ivmpodcasts.com/
Is Rocket Boys another win for SonyLIV—over a year since the release of Scam 1992—or is it too ambitious for its own good? We discuss the show's narrative scope, its progressive politics, and Jim Sarbh's magnetic performance as Homi Bhabha. We also debate whether Ishwak Singh could have been better as his foil Vikram Sarabhai, and if creator Nikkhil Advani deserves to be appreciated for changing his tune. — Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work. The Long Take is available on Spotify, Apple Podcasts, Google Podcasts, Overcast, Gaana, JioSaavn, and wherever you get your podcasts. Follow The Long Take on Facebook, Twitter, Instagram, and YouTube. Write to us at thelongtakepod@gmail.com. --- Support this podcast: https://anchor.fm/the-long-take/support
On Cyrus Says it's Bollywood today. Cyrus is joined by Siddharth Roy Kapur, Film Producer, Founder & Managing Director of Roy Kapur Films. They talk about his latest production- 'Rocket Boys' on Sony Liv. He tells us who pitched the idea and what period is this series is set in. Cyrus asks Siddharth why Jim Sarbh was selected for the role of Homi Bhabha, and how was the friendship between Homi Bhabha and Vikram Sarabhai- how opposite where they in person and if they ever had a fight. The question remains- why don't many Indians know of them, and why was the series named 'Rocket Boys'. Further, they talk about Siddharth's journey from brand management to making a career in the film industry, doing 'Beauty and the Beast' with Disney, and learnings that he had throughout his career. Tune in for this and much more. Follow Siddharth Roy Kapur or Roy kapur Flims on Instagram: https://www.instagram.com/roykapurfilms/ Also, subscribe to Cyrus' YouTube channel: https://youtube.com/channel/UCHAb9jLYk0TwkWsCxom4q8A You can follow Antariksh on Instagram @antariksht: https://instagram.com/antariksht Do send in AMA questions for Cyrus by tweeting them to @cyrussaysin or e-mailing them at whatcyrussays@gmail.com Don't forget to follow Cyrus Broacha on Instagram @cyrus_broacha (https://www.instagram.com/cyrus_broacha) In case you're late to the party and want to catch up on previous episodes of Cyrus Says you can do so at: www.ivmpodcasts.com/cyrussays You can listen to this show and other awesome shows on the new and improved IVM Podcasts App on Android: https://ivm.today/android or iOS: https://ivm.today/ios
Most, if not all of us, who studied English in school will recognize the opening passage in the podcast…which are the opening lines from Shakespeare's Julius Caesar. Ol' JC was in the curriculum.That passage is a favourite of my guest on this latest episode of my podcast , journalist and author, Amrita Shah.She says she picked that one to read, for its humour.When I was in my late 20s I was burning to write for a national publication. My target was… let's call it “the Gentleman's magazine”… Debonair.Debonair was India's Playboy. You read it for the articles. No seriously. You did.Debonair—by design—had some of the most literary writing in the country. I figured that if I was published by Debonair, it would improve my street cred. But what could be more WOKE back then than the fact that Debonair had a woman as editor. And that was Amrita Shah.I wrote goofy sexual humor pieces for her that I thought were witty. Happily, so did she. I'm assuming...because we're still friends.Among other things, Amrita Shah is known for her groundbreaking investigative pieces on the Bombay underworld. She interviewed the infamous Varadarajan Mudaliar in an exclusive cover story scoop for Imprint. And in her noteworthy career, she has authored three books to considerable acclaim. By the illuminati.MORE ABOUT AMRITA SHAHBest-known for her pioneering series of articles on the Mumbai underworld Amrita Shah has edited features magazines Debonair and Elle and been a Contributing Editor with the Indian Express. She is the author of three non-fiction books: the award-winning Ahmedabad: A City in the World (Bloomsbury, 2015), Vikram Sarabhai: A Life (Penguin, 2007) and Telly- Guillotined: How Television Changed India (Sage-Yoda, 2019). She has also been a fellow with the Fulbright, New India and Homi Bhabha foundations, Institutes for Advanced Study in Nantes and Johannesburg and the Institute for Public Knowledge at New York University. She is currently writing a book on an ancestral journey across the Indian Ocean.WHAT'S THAT WORD?! - "LOO" and "COBBLER"Co-host Pranati "Pea" Madhav joins Ramjee Chandran in the segment titled "What's That Word?", or titled in whichever way Ramjee mauls the title, to peel back the meanings of the word COBBLER that Shakespeare used as a pun in the opening of Julius Caesar.And joining us on the phone from Texas, caller and fellow word geek, Shashwat Sirsi. We discuss the nether side of the word, LOO.If you have a word or phrase you would like to explore, join us live on the show. Reach us by mail: theliterarycity@explocity.com or simply, tlc@explocity.com.Or, you can visit: https://www.facebook.com/groups/bangaloreliterarysociety.Or you can go to our Instagram page https://www.instagram.com/explocityblr/.If your word or phrase is selected, we will call you.Join our Facebook group, Bangalore Literary Society. It does not matter if you are not in Bangalore. This group is for anyone interested in language and words.HELP EDUCATE A NEEDY CHILDThe Literary City encourages you to give to those children who struggle to get an education. We ask you to contribute whatever you can to The Association of People with Disability. The link to donate is: https://www.apd-india.org/donations. Visit their site and take a look at the wonderful work they do and find it in your heart to, well, teach a child to fish.
We're spilling tea with Jim Sarbh & Ishwak Singh about their new show Rocket Boys a biopic on the lives of Dr. Homi Bhabha and Vikram Sarabhai. The actors tell Sneha Menon Desai about playing these 'genius personalities', their opposite styles of acting, what they envy about each other.
Episode 116p Retrieving the Real North African Church with Dr. David WilhiteDescription: Today is the last episode in our Summer of Scholars series. It lasted a bit more than just the summer, but it also started late in summer! Dr. David Wilhite, Ph.D., of Baylor University Truett Theological Seminary joins us today to talk about the Church of North Africa during antiquity. We have talked a lot about North African Christianity in this series, so I highly suggest you go back and listen to our episodes with Dr. David Eastman for more background and context. In this episode, Dr. Wilhite will lead us through a specific text and issue in the North African Church between the Donatists and the Catholic party about a generation before Augustine. It is a fascinating time and place in Church history. About Today's Guest:David Wilhite, Ph.d author of The True Church: Retrieving a North African Sermon on the Song of Songs and many other books.https://www.baylor.edu/truett/index.php?id=927830#wilhiteYou can learn more about the History of Papacy and subscribe at all these great places:http://atozhistorypage.com/https://www.historyofthepapacypodcast.comemail: steve@atozhistorypage.comhttps://www.patreon.com/historyofthepapacyparthenonpodcast.comBeyond the Big Screen:Beyondthebigscreen.comThe History of the Papacy on YouTube:https://www.youtube.com/channel/UC6DO2leym3kizBHW0ZWl-nAGet Your History of the Papacy Podcast Products Here: https://www.atozhistorypage.com/productsHelp out the show by ordering these books from Amazon!https://amzn.com/w/1MUPNYEU65NTFMusic Provided by:"Danse Macabre" Kevin MacLeod (incompetech.com)"Virtutes Instrumenti" Kevin MacLeod (incompetech.com)"Virtutes Vocis" Kevin MacLeod (incompetech.com)"Funeral March for Brass" Kevin MacLeod (incompetech.com)"String Impromptu Number 1" Kevin MacLeod (incompetech.com)Agnus Dei X - Bitter Suite Kevin MacLeaod (incomptech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/Image Credits:By Ariely - Own work, CC BY 3.0, ttps://commons.wikimedia.org/w/index.php?curid=4533576By Pam Brophy, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=9124089By ACBahn - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=33810833Begin Transcript:[00:00:00] Thank you for listening to the history of the papacy. I am your host, Stephen. We are a member of the Parthenon podcast network, including Scott ranks, history unplugged James earliest key battles of American history, Richard Lim's, this American president, and more go to Parthenon podcast.com to learn more.I'd like to quickly mention Patrion, of course, and your support really, really, really helps this whole operation keep going in. And I just love it. If you just consider two. Donate on patrion.com forward slash history of the papacy in the new year. There's four tiers, Alexandria, Antioch, Constantinople, and Rome.You get inclusion on the history of the papacy diptychs bonus audio, video [00:01:00] content, and much more just head over to patrion.com forward slash history of the papacy to learn more. Now, let us commemorate the Patrion patrons on the history of the papacy. Diptychs we have Roberto Yoren, William Bryan, Jeffrey, Christina, and John and Sarah at the Alexandria level.We have Dapo Paul, Justin, and Launa all of whom are magnificent at Constantinople and reaching that ultimate power and prestige that of the sea of Rome. We have Peter the great. Today is the last episode. And our summer of scholar series, it lasted a bit more than just the summer, but it also started late in summer.So I'll take it that we got a little bit of a late ending too. But anyways, for today, we are interviewing a great scholar, Dr. David Wilhite of Baylor university's Truett, theological seminary to talk to us today about the church in north Africa, during antiquity, we've talked a lot about [00:02:00] the north African church in this series.So I highly suggest you go back and listen to our episodes with Dr. David Eastman and even go way, way back to the episode that I did on the north African church. And you can kind of explore. Not only my changing understanding of north African Christianity, but also some older scholarship and how the whole church and north Africa was viewed because really up until the seven hundreds, the history of Western Christianity was the church in north Africa.And I it's just endlessly fascinating. And I think you really can't understand Western Latin Christianity without understanding the north African church. Now for this episode, Dr. Wilhite will lead us through a specific text and issue in the north African church between the Donna tests and the Catholic party about a generation before Augustan.It is a [00:03:00] fascinating time and place in church history. And with that, here's the next piece of the mosaic of the history of the Pope's of Rome and Christian Church.I'd like to welcome our very special guests today, Dr. David Wilhite, Dr. Willhite is a professor of theology at Truet seminary at Baylor university in Waco. He's the author of numerous books, including Tertullian, the African and ancient African Christianity. The topic for today's episode is his book, the true church, retrieving north African sermon on the song of songs.This is a short and readable book on a really incredible, interesting topic. And I think people should definitely pick it up and I'm excited to talk about it because I think it gives the reader a really close look at all these things we've been kind of talking about with the African church, with the Donna tests and the Catholics that gives us a [00:04:00] more of a personal view of the topic, I think.But so I think to start off, what were the theoretical frameworks you use to study these sermons? Yeah. Well, thanks Stephen. It's an honor to be talking to you about all of this. Um, let's say the theoretical framework. So this really began as an, uh, a journal article that I wrote, and I would say I was using pretty traditional methodology just as far as, you know, kind of trying to reexamine texts, trying to sort of create a chronological order and see what assumptions have been, um, uh, made in the past by previous scholars and what assumptions probably need to be challenged.And then I sort of tested them against archeological remains and again, just sort of, sort of traditional, uh, historical sources. Now, the truth is what was really driving that research was a theoretical framework that I had used in my, in my doctorate, which was, um, in most general terms post-colonialism, uh, more specifically.[00:05:00] Adopted some of the, sort of, uh, from the, from the field of social anthropology, sort of how to get around some of the ethnocentric assumptions that we make. So again, and challenge those, you know, the assumptions of earlier historians, what, uh, what were people's identities, what identity politics, where I play things like that.Um, power dynamics with, with Roman colonization, um, Apollo that, so with post-colonial theory in particular, there's one author named Homi Bhabha who has a book called the location of culture. And he takes up this idea known as third space. And since, um, that's already widespread and post-colonial theory is sort of the helping people who inhabit the so-called third space.They're not necessarily colonizer nor colonize, like that's too binary. They live in this sort of hybrid world. So, so what are their identities in that space? And then with, with this project, I was actually. Examining concrete spaces, the silica buildings. And so that, that [00:06:00] I sort of dove back into that realm of what is third space.Um, there, there is a person named Edwards. So high, I think is how you say it. So Jake who has taken on, I mean, this, this way of thinking from Michael Miguel, Michelle Fuko, and others, and saying like, how do we understand actual inhabited places where people sit and interact, um, especially when they're sort of power dynamics and, uh, one view versus another view and what emerges out of that, it's this third space.So I used all of that, trying to narrow laser-focused that on, on this one particular text. So we look at the. This text, there's the two, the dueling sermons. You might call them. Who were these two people who were writing these sermons about this, this space? Yeah. So the, the sort of last texts to us is by Armenian of Carthage.He's the Bishop of Carthage after Donotos and Donald tests. Your listeners probably remember from the great Donald to schism, he's the sort of the Bishop that was at the head of all of that for [00:07:00] 40 years, 40 plus years. So when he finally dies Permian as his successor, and he's also a long-term because over 40 years, he's the Bishop of Carthage, even though he was exiled, he was the leader of his party.So he's hugely influential. Um, and he, we know that he gives a sermon or some sort of speech, um, when. Uh, the emperor Julian who's a history remembers as Julian, the apostate, because he was not gonna continue the line of Christianity like Constantine and the other Christian emperors. Julian allows the so-called pagans to come back and have their temples and shrines back.And that means that all of the, um, the, you know, the, the losing parties, the heretics, uh, of the early church. We've been ousted from their churches and their, their places, uh, we're allowed back. And so the donotist party had lost control in terms of the Imperial sanction, uh, after Constantine. But then when emperor, Julian allows the donotist to [00:08:00] reclaim their church buildings, their basilicas Armenian has this text that is celebrating that event.So that texts that says lost to us, fortunately, even though like most heretics, you know, once you become a heritage, your books are burned. Like most of the heretic sources are lost, but, uh, there's a
Phil Grierson, a film enthusiast (and Mary's husband), joins us to discuss why superhero movies are so compelling in today's culture, and how it might tell a story of a world that is crying out for a hero like Jesus. We talk about Marvel movies, Homi Bhabha's hybridity theory, cultural relevance, and much more.
In this episode, I try to present Homi Bhabha's notion of "hybridity." If you want to support me, you can do that with these links: Patreon: https://www.patreon.com/theoryandphilosophy paypal.me/theoryphilosophy Twitter: @DavidGuignion IG: @theory_and_philosophy
Ngaji Pascakolonial : Homi Bhabha - Hibriditas, Ambivalensi, Mimikri Selasa, 29 November 2016 Ngaji Pascakolonial bersama Dr. Katrin Bandel Bertempat di Masjid Jendral Sudirman Kolombo, Jln. Rajawali No. 10 Kompleks Kolombo, Demangan Baru, Caturtunggal, Depok, Sleman, Yogyakarta 55281 --- Send in a voice message: https://anchor.fm/masjid-jendral-sudirman/message
In this recording, historian Warwick Anderson discusses his investigations into the development of "race science" in the Global South and the fabrication of whiteness as a "strategy of authority." Warwick Anderson is the Janet Dora Hine Professor of Politics, Governance and Ethics in the Department of History at the University of Sydney, and leader of the Politics, Governance and Ethics Theme with the Charles Perkins Centre. As an historian of science, medicine and public health, Dr. Anderson's work has focused on ideas about race, human difference, and citizenship in the 19th and 20th centuries, particularly in Australasia, the Pacific, Southeast Asia, and the United States. In this episode of our podcast series on race and science, Anderson discusses the differences between how "race science" was practiced in the Global South and how it was practiced in North America and Europe. He notes that theories about race—and thus the practices of "race science"—were often more malleable and flexible in the Southern Hemisphere, as opposed to the more rigid racial typologies and hardline eugenics that characterized the United States and Western Europe. In addition, following the work of James Baldwin and Homi Bhabha, Anderson notes how whiteness has been used as a "strategy of authority" for colonial settlers rather than as a robust identity, a fact he illustrates through his research on race in Australia and the Philippines. To listen to other installments in the Consortium's series on Race Science and Scientific Racism, please visit: https://www.chstm.org/video/101
Postcolonial Studies, darüber reden wir dieses mal: Ist der Begriff überhaupt angebracht? Was finden wir spannend daran? Hauptsächlich haben wir uns dann mit zwei Denkern befasst, die die postcolonial Theory maßgeblich beeinflusst haben: Zum einen Edward Said, der in seinem Buch "Orientalism" die Darstellung des "Orients" der Europäer sichtbar gemacht. Hierbei wurde scheinbares Wissen institutionalisiert, das im nächsten Schritt eine Grenzziehung zwischen "Orient" und "Okzident" verlangte. Der zweite Denker in unserer Reihe, Homi Bhabha, begreift den Kulturbegriff als fluide und nicht statisch. In sogenannten "Third Spaces" sind Wissensräume an den Rändern und nicht im Zentrum, was in einer kolonialen Denkart nicht vorgesehen war. Außerdem sprechen wir über die Begriffe "Hybridität" und "Mimikry", die bei Bhabha zentral sind. Eine dritte Denkerin in dieser Reihe wird von uns nur kurz angesprochen: Gayatri Chakravorty Spivak mit ihrem Werk "Can the Subaltern Speak?". Was die Postcolonial Theory möglich gemacht hat und wie es jetzt weiter gehen könnte, erfahrt ihr hier. Wer Gast sein möchte, Fragen oder Feedback hat, kann dieses gerne an houseofmodernhistory@gmail.com oder auf Twitter an @houseofModHist richten. Literatur (unvollständig): Said, Edward: Orientalism Bhabha, Homi: Über kulturelle Hybridität Spivak, Gayatri Chakravorty: Can the Subaltern speak? Hall, Stuart: Wann gab es ‚das Postkoloniale‘? Denken an der Grenze. In: Sebastian Conrad (Hrsg.): Jenseits des Eurozentrismus. Postkoloniale Perspektiven in der Geschichts- und Kulturwissenschaft. Campus 2002, S. 219–246. Und die website: Slavevoyages.org lohnt sich wirklich ;)
Ayyagari Sambasiva Rao (1914-2003), was the founding Managing Director of Electronics Corporation of India Limited, Hyderabad. Born in a poor family, Shri Rao evolved into a man of simplicity and humility, with a pure human touch. He is recognized as a man, not merely of strong beliefs, but of action in philosophy of technological self-reliance. Shri Rao was a physicist by training, but studied later Electrical Engineering in Stanford University. He was associated with Dr Homi Bhabha, the well-known nuclear scientist. Shri Rao was closely involved in formulating policies for development of electronics in he country. KiranPrabha narrates the life story of Dr.AS Rao and evolution of Electronics Corporation Of India Limited (ECIL aka EC) Hyderabad. More Links: Topic Wise list of KiranPrabha Talk Shows List of Talk Shows : https://koumudi.net/talkshows/index.htm Koumudi Magazine: https://www.koumudi.net
Padma Vibhushan & Atomic Energy Guru Dr MR Srinivasan and Science Historian Dr Jahnavi Phalkey discuss the rich story of India’s nuclear programme and its development over 70 years. India’s first research reactor, Apsara, went critical in 1956 and today, there is a network of nuclear power generating reactors across the country, forming a critical part of India’s power grid. Srinivasan and Phalkey discuss India’s journey from the early days under Homi Bhabha, through the Geopolitics of the Cold War, Sanctions, the 2005 Indo-US nuclear deal, all the way through till today. Dr MR Srinivasan is Former Chairman of the Atomic Energy Commission and former Secretary of the Department of Atomic Energy, retiring in 1990 – and continue to contribute to nuclear energy policy in the country, including playing a key role in the Indo-US nuclear deal. He was awarded the Padma Vibhushan for his services to the nation. He also received the first Homi Bhabha Gold Medal from the Indian Science Congress and of the Karnataka Rajyotsava Award. He is the author of the book From Fission to Fusion: The Story of India’s Atomic Energy Programme. Dr Jahnavi Phalkey is the Founding director of the Science Gallery Bengaluru. She is a historian of science and technology, and the author of the book Atomic State: Big Science in 20th Century India, and co-edited Science of Giants: China and India in the Twentieth Century. BIC Talks is brought to you by the Bangalore International Centre. Visit the BIC website for show notes, links and more information about the guests.
Aujourd'hui l'épisode de IEL PRÉSENTE est pensé par une historienne de l'art également critique d'art et curatrice. J'ai la chance de travailler avec elle dans le cadre de la confédération internationale YACI pour laquelle elle est responsable de développement du pôle Amérique Latine. Notamment parce qu'elle a travaillé successivement plus d'une quinzaine d'années au Pérou, au Paraguay et en Colombie. Elle est aussi lauréate du programme inédit de résidence curatoriale à la Cité internationale des arts & le CNAP ! Aujourd'hui je suis ravie de vous confier à Claire Luna. L'artiste qu'elle présente ici c'est Violaine Lochu ! Vous allez l'entendre, elles citent beaucoup de références et parlent de nombreuses personnes qui ont pu marquer le travail de Violaine. Elles vous les ont réunies ici : Là, vous avez les noms cités avec un lien vers leur site : Martina Catella - professeur de chant : http://www.lesglottetrotters.com/ Marie-Suzanne de Loye - gambiste Julien Desprez - guitariste : https://www.juliendesprez.com/ Joao Fiadeiro - chorégraphe, théoricien de la danse : https://joaofiadeiro.pt/ Cécile Friedmann - vidéaste, photographe : https://www.chill-okubo.com/ Florian Gaité - critique et commissaire Christophe Hamery - graphiste : http://www.violainelochu.fr/?page_id=822 Pierrick Hardy - guitariste, compositeur et pédagogue : https://www.pierrickhardy.com/ Joëlle Léandre - contrebassiste: https://www.joelle-leandre.com/ Valérie Philippin - chanteuse et pédagogue : http://valerie-philippin.com/ Céline Régnard - maquilleuse : https://www.instagram.com/celineregnard_makeup/?hl=fr Serge Teyssot Gay - guitariste : http://sergeteyssot-gay.fr/ Et ici, ce sont les liens vers les pièces mentionnées : Modular K - http://www.violainelochu.fr/?page_id=2111 Eden B4 - http://www.violainelochu.fr/?page_id=2138 Moving Things - https://movingthings.org/ Hybird - http://www.violainelochu.fr/?page_id=1266 Saddat - http://www.violainelochu.fr/?page_id=1482 Mémoire Palace - http://www.violainelochu.fr/?page_id=760 Animal Mimesis - http://www.violainelochu.fr/?page_id=729 Et puis pour aller plus loin, Claire a souhaité vous donner des références des textes ou des articles sur lesquels elle s'est appuyée pour préparer cet entretien (vous allez voir, il y a des pépites !) : D'abord Claire souhaitait citer Homi Bhabha, qui parle de l'hybridité comme le lieu du dépassement du binarisme culturel : « il est pour moi le « tiers-espace » qui rend possible l'émergence d'autres positions ». Parce que l'autre, dans la bouche de Violaine, n'est pas seulement humain, il est des existences, celle de l'esprit, de la machine, du minéral, de l'animal, en encore du végétal… Avec Un appartement sur Uranus, de Paul B. Preciado, Claire a souhaité aborder la notion de « voix de la traversée » qu'il emploie pour parler de la mutation transgenre opérée par la testostérone. Il ajoute « la voix qui tremble en moi est la voix de la frontière ». Ce tremblement de Preciado, auto-cobaye, qui pense sa propre somathèque (une collection de postures, de gestes, de corps, etc.) Claire le voit très présent dans l'œuvre de Violaine lorsqu'elle parle de ce point de jonction. Car il est en partie celui qui permet l'existence du collectif dans sa dimension élargie (transespèce). Enfin, parce que l'esthétique et les sujets de Violaine sont très changeants au sein d'une même oeuvre et qu'elle peut ainsi nous faire vaciller par des mouvements radicaux, Claire pensait à ce qu'a dit Isabelle Alfonsi dans son ouvrage Pour une esthétique de l'émancipation : construire les lignées d'un art queer. Lorsqu'elle dit « je n'ai jamais compris ce que signifiait « être soi ». Je ne sais pas ce que je suis ou plutôt je me définis par la multitude (…). J'aime être un flux ». Claire y voit le flux comme l'une des conditions d'un être queer…
Mary Beard, Homi Bhabha and Seán Williams join Shahidha Bari to look at the etiquette of talks on zoom and the history of lectures. Lecturing someone can be a negative: you’re patronising or boring or telling them what to think. And yet, today we have TED talks, university staff are routinely recording lectures using video conferencing technology, and the history of thought is a history of persuasive speakers setting out their ideas before audiences. Dr Seán Williams is a BBC/AHRC New Generation Thinker who lectures in German intellectual and cultural history at the University of Sheffield. Mary Beard is a Dame and Professor of Classics at the University of Cambridge and has given various lectures at universities, the British Museum and the London Review of Books, the Society for Classical Studies, the Gifford Lecture Series. She also presents on TV and has authored many books. Homi Bhabha is a Professor of the Humanities at Harvard University and is the author of many books. He considers Memory and Migration in this Free Thinking Lecture recorded in partnership with the Royal Society of Literature https://www.bbc.co.uk/programmes/m0005gt9 Readings: Ewan Bailey Other programmes exploring aspects of language: What is Speech : Matthew Sweet's guests include Trevor Cox and Rebecca Roache https://www.bbc.co.uk/programmes/b0b1q2f3 The Impact of Being Multi-Lingual: John Gallagher talks to Katrin Kohl, Rajinder Dudrah and Wen-chin Ouyang https://www.bbc.co.uk/programmes/m000mq6k Language and Belonging: Preti Taneja's guests include Michael Rosen, Guy Gunaratne and Momtaza Mehri https://www.bbc.co.uk/programmes/p07fvbhn The Free Thinking Festival Lecture on Feelings from Professor Thomas Dixon https://www.bbc.co.uk/programmes/m0003rsw The Free Thinking Festival Lecture on Knowledge from Karen Armstrong https://www.bbc.co.uk/programmes/p02tw41j Producer: Eliane Glaser
The French philosopher Bernard-Henri Lévy has written a philosophical take on the current pandemic and what it tells us about society. He talks with Stella Sandford, Director of the Society for European Philosophy in the UK and author of How to Read Beauvoir, whose own research looks at sex, race and feminism, and with Homi Bhabha, the Anne F. Rothenberg Professor of the Humanities at Harvard University. The Virus in the Age of Madness by Bernard-Henri Lévy is out now. You can find a philosophy playlist on the Free Thinking programme website featuring discussions including panpsychism, Boethius, Isaiah Berlin, the quartet of C20th British women philosophers https://www.bbc.co.uk/programmes/p07x0twx You can also find Prof Homi K Bhabha giving a lecture on memory and migration recorded in partnership with the Royal Society of Literature https://www.bbc.co.uk/programmes/m0005gt9 Producer: Ruth Watts
To celebrate his forty-two years as the editor of Critical Inquiry, we asked past and present contributors and editors Homi Bhabha (0:55), Frances Ferguson (7:35), Elizabeth Abel (10:07), Lauren Berlant (16:08), Slavoj Žižek (19:20), and Hillary Chute (27:30) to share … Continue reading →
To celebrate his forty-two years as the editor of Critical Inquiry, we asked past and present contributors and editors Homi Bhabha (0:55), Frances Ferguson (7:35), Elizabeth Abel (10:07), Lauren Berlant (16:08), Slavoj Žižek (19:20), and Hillary Chute (27:30) to share … Continue reading →
Economic theorist and all around suave, Manacé Balegamire, joins the podcast to pin down the sociopolitical impetus to heavily binge watch series. We tackle how streaming platforms enable this behaviour and if we can free ourselves from the temptations of it. Manacé holds an undergraduate degree in Business and Accounting. The critical thinkers and theorist discussed in this podcast are as follows: Harold Garfinkel, Homi Bhabha, Irving Goffman, Søren Kierkegaard, Adam Grant, Nick Bostrom and Frantz Fanon.
Feminist philosopher and expert dog walker, Elizah Huff, joins the podcast to discuss the nuances of the marginalized encompassed by the intersectionality movement. Elizah Huff holds an undergraduate degree in Gender Studies and Marketing from Young Harris College, and she has conducted in-depth research on intersectionality and feminism. The critical thinkers and theorist discussed in this podcast are as follows: Ayn Rand, Frantz Fanon, Friedrich Nietzsche, Gayatri Spivak, Harold Garfinkel, Homi Bhabha, Irving Goffman, Isaac Asimov, Jean Paul Sartre, Jeremy Bentham, John Stuart Mill, Jonathan Dancy, Kimberlé Williams Crenshaw, Kurt Vonnegut, Luce Irigaray, Michel Foucault, Peter Singer and Simone de Beauvoir.
In this episode, we discuss the Korean short story "My Innocent Uncle" by Chae Man-Sik. We discuss "slippage" humor as it pertains to the nephew and the Joker from Batman: The Dark Knight. And we consider three -isms: ageism, classism, and (internalized) racism as they play out in both the short story and the United States today. We utilize the Norton Anthology of World Literature, 3rd Edition, volume F. Additional references include: “Of Mimicry and Man: The Ambivalence of Colonial Discourse” by Homi Bhabha "The Sad Truth about Ageism in America" by Kathy Harrington-Sullivan "Classism, America's Overlooked Problem" by Matt Gamble Chapter 5 in Flipping the Script: White Privilege and Community Building - "What is Internalized Racism" by Donna K. Bivens We apologize for any sound issues this episode, we unknowingly had a technical difficulty, but it has been remedied for future episodes. Music: Fugue in C# Major, from The Well-Tempered Clavier, Book 1": J.S. Bach Music Synthesizer and Programming: Shawn P. Russell Sound Consultant and Mixing: Shawn P. Russell Recording and Editing: Rebecca L. Salois
Die Forderung des tansanischen Botschafters nach Wiedergutmachung für deutsche Kolonialverbrechen hat zuletzt einmal mehr daran erinnert, dass die deutsche Kolonialgeschichte nicht als historisch „abgeschlossen“ gelten kann. Die koloniale Phase von 1884 bis 1919 war lange Zeit ein blinder Fleck im kulturellen Gedächtnis. Wo lag nochmal Deutsch-Ostafrika? Die wichtigste intellektuelle Strömung in der Auseinandersetzung mit der europäischen Expansionspolitik ist nach wie vor der Postkolonialismus, der sich seit den 1980ern in den angelsächsischen Literatur- und Kulturwissenschaften entwickelt hat. Prägend waren unter anderen Edward Said, Homi Bhabha oder Gayatri Chakravorty Spivak. Wie sich diese Ansätze für die deutsche Geschichtsschreibung anwenden lassen, darüber hat Ulrike Schaper einen Beitrag für Aus Politik und Zeitgeschichte geschrieben. Wir sprechen mit ihr über die Besonderheiten des deutschen Kolonialismus, über dessen Bedeutung für das Verständnis des 20. Jahrhunderts, über die postkoloniale „Methode“ und ihre historiographische Reichweite sowie über postkoloniale Perspektiven für die Erinnerungskultur.
‘Watch a dance work as if it were a science fiction film’ Episode 4 of Surface Tension investigates the impact of science and science fiction on Shobana’s work. Presenter Sanjoy Roy asks what are the connections between science and dance and sci-fi and Shobana’s choreography? Shobana talks about her interest in science fiction, and how she became re-acquainted with science as an adult (after not paying attention in school!). Bladerunner, The Matrix and Terminator are among Shobana’s favourite films and have all inspired her work in some way. Shobana and Sanjoy look back at Phantasmaton (2002) and the influence of the book ‘The Location of Culture’ by Homi Bhabha and how it introduced the difference between the concepts of ‘fusion’ and ‘hybridity’. Dancers created their own versions of hybrids as part of the rehearsal process. The moment of the dancer glancing in bharatanatyam was a key motif for Shobana and filmmaker Pete Gomes and they played with this figure to provide the background and set for Phantasmaton. Conversation moves on to the ‘uncanny valley’ concept and robotics, which are central to Trespass (2015) where Shobana choreographed a duet with a robotic ‘entity’ and a human dancer. We hear from Rauiri Glynn, Director of from the Interactive Architecture Lab at the Bartlett School of Architecture, UCL about the collaboration with Shobana on Trespass and how this process diverged from the normal method of building a robot, allowing them to introduce a whole series of behaviours for a dancer to interact with. In Flagrante (2014), was commissioned by Marina Wallace at Central St Martins for an exhibition on cell division - mitosis - with the aim of communicating how cells divided to the general public, with dance as the mediator for that process. Marina talks about bringing together the scientific and choreographic worlds and using dance as an intermediary to explain what scientists do in the lab. For this project, Shobana was partnered with Dr Kim Nasmyth, Professor of Biochemistry at Oxford, who joins us down the line from France and talks about how they communicated about the process of mitosis and how to present it in a dramatic and watchable way. The end result was the film In Flagrante. Lastly, we move on to Contagion from 2018, which took the Spanish Flu virus as its source material, which killed more people than in the entire four years of the WWI. Virologist and leading specialist in influenza Dr John Oxford talks about the flu and its global impact. He asked Shobana ‘How are you going to choreograph dance around the flu?’
Think arts writing has nothing in common with lasagne? Think again! Sydney-based arts writer and arts worker Soo-Min Shim explains all. Check out Desire Lines as mentioned by Soo-Min. Plus, catch Ecologies of Being at Kudos Gallery from July 2.
With an audience at the British Library, Professor Bhabha gives a short talk and discusses ideas about nations and a postcolonial approach to politics, literature and history. Shahidha Bari hosts in a Free Thinking event organised with the Royal Society of Literature. ‘Nations, like narratives, lose their origins in the myths of time and only fully realise their horizons in the mind’s eye. Such an image of the nation – or narration – might seem impossibly romantic and excessively metaphorical, but it is from those traditions of political thought and literary language that the nation emerges as a powerful historical idea in the west.’ So begins Nation and Narration, first published in 1990. For Professor Bhabha, one of the world’s leading cultural theorists, known for his work on hybridity, mimicry, difference, ambivalence and the ‘Third Space’, ‘literature is the repository of culture, tradition, the life in language itself.’ Homi K Bhabha is the Director of the Mahindra Humanities Center, and Senior Advisor to the President and Provost at Harvard University. His works exploring postcolonial theory, contemporary art, and cosmopolitanism, include Nation and Narration and The Location of Culture, which was reprinted as a Routledge Classic in 2004. Producer: Zahid Warley
Filmmaker Wim Wenders talks about his early influences — Cinémathèque Française, Henri Langlois, Lotte Eisner — and tells stories of Werner Herzog and the films that have impacted his work. Ernst Wilhelm “Wim” Wenders, filmmaker, playwright, author, photographer, is a major figure in New German Cinema and global cinema. His films include Paris, Texas, Wings of Desire, The American Friend, Alice in the Cities, Kings of the Road, Buena Vista Social Club, Pope Francis: A Man of His Word, Pina, Until the End of the World, and many more. We were gathering interviews for The Keepers story, Archive Fever: Henri Langlois and the Cinémathèque Française, about one of the earliest and most important film archives in the world, started in Paris in the 1930s, still thriving today. When we dug in to the filmmakers that had been shaped by this archive and its eccentric archivist, along with all of the French New Wave — Truffaut, Godard, etc. — surfaced the name of a filmmaker we have long admired, whose movies open the door of the lonely, the mystical, the musical, the landscape, with performances that tear your heart. Wim Wenders. In our interview with Wim he told us about the impact Henri Langlois and the Cinémathèque had on his own filmmaking, but then the stories began to move in new directions — Lotte Eisner, Werner Herzog, and more. On the eve of the Academy Awards — an award Wim Wenders has been nominated for 3 times — we share his story. Produced by Vika Aronson and The Kitchen Sisters. Mixed by Jim McKee. Special thanks to Tom Luddy, Robb Moss, Homi Bhabha, Haden Guest, Sophia Hoffinger, Brandi Howell and Nathan Dalton. And most of all, to Wim Wenders who has inspired us across the years. If you enjoyed this podcast, please write a review on iTunes. It's a great way to help new listeners discover the show. And please say hello on Twitter, Facebook and Instagram. For more information about The Kitchen Sisters — our podcast, our NPR stories, our events, our workshops, our T-shirt, and other news from The Kitchen Sisterhood — visit kitchensisters.org and sign up for our Newsletter.
What is nuclear energy? How does a nuclear power plant work? Are nuclear power plants safe? What are the benefits? What does it cost? What is Homi Bhabha's three-stage nuclear programme? What happened at Chernobyl, Fukushima, and Three Mile Island? Why is there so much agitation over nuclear power? What do we do about the fear psychosis associated with nuclear energy? Is it even worth pursuing? I try to address these with Jaideep Prabhu. You can follow Jaideep on Twitter @orsoraggiante You can follow me on Twitter @kushal_mehra You can read Jaideep articles here https://swarajyamag.com/author/17536/jaideep-a-prabhu
The Real of Reality | International Conference on Philosophy and Film Wed, 02.11.2016 – Sun, 06.11.2016 ZKM_Media Theater, ZKM_Lecture Hall, ZKM_Media Lounge, ZKM_Cube Following a long series of documentary movies, “Stella Polaris” was Knut Erik Jensen’s first feature film, yet it transcends pre-existing genres. It can probably be best described as a poetic constellation of memory fragments pertaining to life in a northern Norwegian fishing village over a period of 50 years. It provides a new perspective on Norway’s northernmost county, Finnmark, its inhabitants, and recent history, setting it as a liminal location, referring to Homi Bhabha’s notion of third space. Such a concept of liminality includes a focus on the “other” and thereby allows us to catch sight of various forms of “othering” that prove constitutive of not only official Norwegian cold war discourse and identities, but indeed of any war discourse. The camera follows a young woman, the narrative’s main protagonist, who walks barefoot through the relicts of a northern Norwegian coastal fishing village. She appears like a ghostly apparition, rather than a realistic character in a historical reenactment. This way, “Stella Polaris” questions, challenges, and potentially subverts borders and barriers in political, historical, and aesthetic registers. Jensen develops a peculiar aesthetic that puts high value on transitions between shots and that actively juxtaposes the visual with the audible. His spectator does not enter the cinema to relax or forget, but to engage what he refers to as “audio-visual riddles.” This peculiar aesthetic values an in-between and can therefore be termed as a “liminal aesthetic.” (This text is based on Holger Plötzsch’s review of the film entitled “Aspects of Liminality in Knut Erik Jensen’s ‘Stella Polaris’”, 2012) International Conference on Philosophy and Film Photography and film in particular paved the way for complex philosophical questions regarding the nature of reality and its mechanical reproduction. What does film reproduce and how can we grasp this element, which has the transactive ability to form reality although originating in reality? This shaping takes palce through a complex interaction of image, action and narration and tends to permeate reality completely. It is an inconspicuous process that already affects our everyday life profoundly and is based on a revolution of the real. What does film show? Do we have access to reality that is not based on images or narrations? And what can film and its analysis contribute to philosophical debates on the real? These are questions we are asking to engage in a dialogue between philosophy and film. For five days, one hundred and fifty philosophers, media scholars and filmmakers will connect philosophical theory with cinematic practice and open up new ideas and concepts. To accompany the program, there will be film screenings of documentaries of the invited filmmakers. The participation at the conference is also possible without the presentation of a paper. The conference will be held in English.
This is Episode 1 of the State of the Theory Podcast. Politics. Power. Popular Culture. And other stuff, probably. In this series, we’re like super nerdy philosophical DJs: mashing up Serious Academic Questions with the most topical news and trends in pop culture. Each week, we’ll tackle a new topic and collide it with ‘critical theory’ (we’re pretty loose with our definitions, though, so expect the unexpected). Our aim is to destroy the stuff we know, explore the stuff we don’t and unsettle everything we think we know about the world. We take the obvious, the commonsensical, the certain, and then we rip it all to shreds. We are your theory doctors and we are always on call. In this episode, we discuss "Hymn for the Weekend" by Coldplay ft. Beyonce (https://www.youtube.com/watch?v=YykjpeuMNEk; "Princess of China" by Coldplay ft. Rihanna (https://www.youtube.com/watch?v=1Uw6ZkbsAH8) and "Meet Me Halfway" by The Black Eyed Peas (https://www.youtube.com/watch?v=I7HahVwYpwo) The theoretical texts we refer to are: "The Location of Culture" by Homi Bhabha (http://www.amazon.co.uk/The-Location-Culture-Routledge-Classics/dp/0415336392) "Cultural Identity and Diaspora" by Stuart Hall (http://www.amazon.co.uk/Identity-Community-Culture-Difference/dp/0853158711) "Black Looks: Race and Representation" by bell hooks (http://www.amazon.co.uk/Black-Looks-Representation-Bell-Hooks/dp/0896084337) "Orientalism" by Edward Said (http://www.amazon.co.uk/Orientalism-Edward-W-Said/dp/0141187425) Our theme music is "The Face of God" by The Agrarians (http://freemusicarchive.org/music/The_Agrarians/The_Jovial_Shepherd/The_Face_of_God) State of the Theory is brought to you by Hannah Fitzpatrick and Anindya Raychaudhuri Find us on Facebook (www.facebook.com/stateofthetheorypodcast/?fref=ts) or Tweet us @drhfitz and @DrAnindyaR
The Indian Space Program was initiated by a brilliant nuclear physicist Homi Bhabha who pretty much immediately handed over the space program to Vikram Sarabhai. Bhabha himself pursued the goal of bringing institutionalised fundamental research to India. At the time he saw that as essential for the new emerging independent India. The post Episode 71: TATA Institute for Fundamental Research appeared first on AstrotalkUK.
Political philosopher Michael J. Sandel gives a talk in Mumbai based on his recent book "What Money Can't Buy: The Moral Limits of Markets," following introductory remarks by Homi Bhabha and Asia Society India Centre's Bunty Chand. (54 min., 16 sec.)
Professor Homi Bhabha (Cultural Studies, Harvard), 'The Humanities and the Anxiety of Violence'. Keynote Address to the 'Changing the Humanities / The Humanities Changing' conference (July 2009).
Homi Bhabha, Richard Sennett, Sarah Kay and Onora O'Neill reflect on the theme of the conference (July 2009).
Fakultät für Geschichts- und Kunstwissenschaften - Digitale Hochschulschriften der LMU
Chris Ofili spielt mit etablierten Repräsentationsweisen. Er adaptiert stereotype Vorstellungen von Identität, Herkunft und Aussehen, spickt diese mit unterschiedlichen Bezügen und Motiven und schafft durch die künstlerische Transformation ein neuartiges, hybrides Menschenbild. Er schöpft dabei aus den disparatesten Quellen wie Pornografie, christlicher Ikonografie, griechischer Mythologie, afrikanischer Höhlenmalerei, 1970er Motivik aus der Populärkultur sowie von Künstlern wie David Hammons, Francis Picabia, Pablo Picasso und den Bildkonzepten der Moderne. Die Technik der Adaption und Transformation von Motiven, Repräsentationen und bildhaften Vorstellungen kann mit dem Konzept des Samplings erklärt werden, welches in der schwarzen Tradition und vor allem im HipHop fest verankert ist. Die Technik des Samplings zielt nicht allein auf die reine Kopie von Bildern und Geschichten. Stattdessen wird sie als künstlerisches Konzept eingesetzt, um mit dem Akt des Aneignens und Übersetzens von fremden Dingen in die eigene künstlerische Gegenwart gebräuchliche Traditionen und Konventionen zu manipulieren. Diese Technik macht sich der afro-britische Künstler Chris Ofili für seine Bilder, Skulpturen und Zeichnungen sowie für seine Selbstinszenierung als kreative Person zu Eigen. Mit der subversiven Kulturtechnik des Samplings wird ein alternativer Raum geschaffen für eine neuartige Kreativität aus der Marginale, ein Raum für eine neue Sprache und letztlich für eine neue Art der Repräsentation. Chris Ofili nimmt durch den Einsatz dieser künstlerischen Strategien eine selbstbewusste Stellung innerhalb der immer noch mehrheitlich von Weißen dominierten Kunstwelt ein und artikuliert ein komplexes Menschenbild, das ungezwungen aus allen möglichen Bezügen der Welt eine neuartige Identität schöpft und nicht mehr einer veralteten Idee von Authentizität nacheifert. Die Doktorarbeit Strategien der Repräsen-tation – Chris Ofili und das Konzept des Samplings setzt sich zum Ziel, Sampling als Technik des Aneignens und Transformierens am Werkbeispiel von Ofili zu erarbeiten. Dabei wird die Traditionslinie dieser kulturellen Produktionstechnik in seiner Entstehung nachgezeichnet und mit kultur-theoretischen Ansätzen in Anlehnung an Stuart Hall, Homi Bhabha sowie Franz Fanon als Strategie zur Artikulation von neuen Repräsentationsformen vorgestellt. Diese Strategie wird im Folgenden paradigmatisch erläutert. Chris Ofili ist 1968 in Manchester geboren. Seine Eltern kommen aus Nigeria und sind kurz vor Ofilis Geburt nach England immigriert. Ofili kennt Afrika nur aus den Erzählungen seiner Eltern, bis er 1993 an einem Austauschprogramm nach Zimbabwe teilnimmt, wo er zum ersten Mal eine persönliche Beziehung und ethnische Bezugslinie zu Afrika aufgebaut hat. In Zimbabwe stößt Ofili auf Elefantendung als gestaltendes/gestaltbares Material sowie auf historische Höhlenmalereien in den Matopos Bergen. Diese starken Prägungen ziehen sich wie ein roter Faden durch das frühe Werk. Insbesondere die Entdeckung der animalischen Exkremente als Medium der Malerei wurde in der Folge in vielen Texten zu Ofili als Schlüsselelement gern aufgegriffen und letztendlich zu einer Art Mythos stilisiert, mit dem dann auch Ofili seinerseits selbst zu spielen beginnt. In einem Gespräch mit Godfrey Worsdale 1998 etwa deutet der Künstler an, dass die Geschichte aus Zimbabwe vielleicht von ihm einfach nur erfunden worden sei.1 1993 wiederum veranstaltet er sogenannte Shit Sales. Die Performance ist eine Anspielung auf den afro-amerikanischen Künstler David Hammons, der 1983 am Cooper Square in New York einen sogenannten Bliz-aard Ball Sale veranstaltet und dabei Passanten Schneebälle zum Kauf angeboten hatte, wie Ofili selbst erklärt: „I was sampling David Hammons' Snowball Sale. I called it Chris Ofilis Shit Sale.“2 Ofili übernimmt das Konzept jedoch nicht 1:1 von Hammons, sondern transformiert es für seine eigenen künstlerischen Zwecke um, und zwar ironischerweise als „an attempt to get a direct response to elephant shit.”3 Denn anstatt Schnee stellt er Köttel aus Elefantenkot aus, ohne sie zum Verkauf anzubieten. „Odder still, a number of people regarded Ofili himself as the work.“4 Die Reaktionen auf die Shit Sales veranlassen Ofili, unverblümt mit den Vorurteilen gegenüber seiner Kunst beziehungsweise den Erwartungen des Publikums selbst zu spielen: It's what people really want from black artists. We're the voodoo king, the voodoo queen, the witch doctor, the drug dealer, the magicien de la terre. The exotic, the decorative. I'm giving them all of that, but it's packaged slightly differently.5 Dieses Zitat verdeutlicht, dass und wie Ofili Klischees, Motive und nicht zuletzt das Image des schwarzen Künstler gezielt spielerisch inszeniert. Ofili präsentiert sich in dieser Zeit bei seinen öffentlichen Auftritten häufig als Ghetto-Legende, ausstaffiert mit einem riesigen Afro-Haarschnitt und einem Shit Joint im Mund. Diese Form der Selbstinszenierung ist jedoch Teil einer künstlerischen Strategie, mit der Ofili gezielt die Resonanz des Publikums und auch die Interpretation seiner Kunst aktiv beeinflussen und in eine bestimmte Richtung lenken will. Nicht nur in seinen Bildern tauchen vermehrt Stereotype über Schwarze auf. Besonders zu Anfang seines künstlerischen Werdegangs zelebriert Ofili geradezu genüsslich die Zurschaustellung von Klischees und setzt medienwirksam auch seine eigene Person und Kunst in Szene. Er artikuliert sein eigenes Menschenbild indem er vordefinierte Merkmale adaptiert und in seiner Kunst transformiert. Die Technik des Samplings wurde bei den Shit Sales evident, die Hammons zitieren, zieht sich aber als Konzept durch das Gesamtwerk Ofilis. Der Künstler sampelt Themen, Motive und Materialien wie beispielsweise Elefantendung, die aus den vielfältigsten und gegensätzlichsten Bereichen stammen, um einen Akt der Transformation zu erzeugen. Er löst das Material und die Motive seiner Werke aus ihrem ursprünglichen Zusammenhang und provoziert beim Betrachter durch ihre ungewöhnliche Zusammenstellung einen Effekt der Verfremdung im Brecht'schen Sinne. Brecht hat dieses Stilmittel im epischen Theater eingesetzt, um bekannte und gewohnte Sachverhalte in einem neuen Licht erscheinen zu lassen und somit gesellschaftliche und historische Widersprüche aufzudecken. Die Verfremdung fungiert dabei als didaktisches Prinzip, das den Rezipienten durch eine distanzierte Darstellung gegen Illusion und vorschnelle Identifikation sensibilisiert und Neuem vorarbeitet. Chris Ofili beschreibt den für den Rezipienten aus der Verfremdung resultierenden Zustand mit prägnanten Worten: „[Y]ou can't really ever feel comfortable with it.“ Mit Gegensätzen und Widersprüchen in seiner Materialwahl sowie Motivik stellt Ofili die Frage nach dem vermeintlichen Realitätsgehalt von Bildern sowie nach der Diskrepanz zwischen Bild und Abbild. Dabei setzt er die Strategie des Samplings als eine Form der Aneignung und Transformation kultureller Bestände in seiner Kunst und zur Darstellung seiner eigenen Person ein und funktionalisiert diese Technik subversiv zur Etablierung eines neuen (Menschen-)Bildes um. 1 „The general mythological construction of Chris Ofili's identity has been brought about by a colluding media and is based in large part on the widely reported anecdote which tells of his first trip to Africa and his discovery there of ele-phant dung. The artist joked once that the whole story had been made up, it would not matter greatly if it had been, Ofili had realised that the encapsulation of an artist in a quickly recountable tale can be instrumental in the promulgation of the artistic personality.” Zitiert nach: Worsdale, Godfrey: „The Stereo Type”, in: Corrin, Lisa G. / Snoody, Stephen / Worsdale, Godfrey (Hrsg.): Chris Ofili, Ausstellungskatalog Southampton City Art Gallery, The Serpentine Gallery London 1998, London: Lithosphere, 1998, S. 1. 2 Spinelli, Marcelo: „Chris Ofili“, in: Rothfuss, Joan / McLean, Kathleen / Fogle, Douglas (Hrsg.): Brilliant! New Art from London, Ausstellungskatalog Walker Art Center Minneapolis / Contemporary Arts Museum Houston 1995, Min-neapolis: Walker Art Center Publications, 1995, S. 67. 3 Ebd. 4 Morgan, Stuart: „The Elephant Man“, in: Frieze. International Art Magazine, März / April 1994, S. 43. 5 Spinelli, Marcelo: „Chris Ofili“, in: Rothfuss, Joan / McLean, Kathleen / Fogle, Douglas (Hrsg.): Brilliant! New Art from London, Ausstellungskatalog Walker Art Center Minneapolis: Walker Art Center Publications, 1995, S. 67.
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