Running The Show

Creators have a special class of legal rights in addition to copyright. They're called ‘moral rights' and in this episode, Delwyn tells a story of painters, princesses and portraits that explains just how the moral right against false attribution works in practice. It's got all the elements of Shakespeare - young love, death and near death, and courtroom drama! 

In the first episode of 2021, Delwyn talks to the manager of an Aboriginal community art centre operating in the vast Pilbara region north of Perth. There's a wonderful painting that's described and you can see it for yourself at this link on page 63 of the What Now Exhibition catalogue https://issuu.com/form-wa/docs/what_now_catalogue_final

Just a little annoucement to let you know that Running The Show will be coming to you a little less often. We're moving from weekly episodes to every 3-4 weeks. Meanwhille, keep listening, sharing, rating and reviewing Running The Show - it helps others find us!

Delwyn's conversation in this episode is with Anthony Wallis who has managed the Aboriginal Artists Agency for over three decades earning royalties for Indigenous creators by licensing the copyright in their artwork.

Contracts are the building blocks of doing business - whether making, negotiating, performing, enforcing or trying to get out of them. Understanding how contracts work is essential for anyone managing an arts organisation. In this episode, Delwyn explains why - especially in the arts - contracts are your friend! 

Episode 6 continues the conversation with Howard Cearns, brewer turned arts advocate with an ambitious vision for Western Australia's creative sector. If you haven't listened to part 1 of this conversation with Howard, go back and start at episode 5.

Howard Cearns' long and successful  career in marketing and branding has focussed on the commercial food and beverage and tourism sectors. How does the entrepreneurial founder of a craft brewery apply that expertise to the cultural sector in his current capacity as a board member of one of the world's largest fringe festivals. In this episode, Howard chats to Delwyn about driving arts strategy at the Perth Fringe.

Who's Your Team? A well run organisation understands its obligations both to, and for, its people, whether they are staff, external contractors or volunteers. In this episode, Delwyn discusses the roles and responsibilities of the different members of the arts organisation team.

In this episode, Delwyn talks to Annie Silberstein, CEO of The Lester Inc, the non-profit arts organisation which produces the prestigious national annual portraiture competition, The Lester Prize. From Annie's career progression to how adjusting to coronavirus, this conversation offers an insight into leading a small team in the arts.

‘C' is for copyright! So important to the creative sector yet often such a mystery. Delwyn unpacks the mystery and provides a simple checklist that arts organisations can use to develop an IP strategy that protects copyright and respects creativity.

In the first episode of ‘Running the Show,' Delwyn discusses all the different forms that an arts organisation might take. Why it might make sense to incorporate and when it might not. How do you set up a non-profit? Are you actually in a partnership and what does that mean? She explains the pros and cons - and the responsibilities - that accompany the most common ways that creatives group together to do business.

Are you thinking of setting ups an arts organisation? Are you involved in running one? If so, lawyer Delwyn Everard has some helpful insights and information about how the law applies to businesses in the creative industry. Each episode of the ‘Running the Show' podcast deals with a specific aspect of managing an arts organisation.