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Looking for a bit of digestible football roster info? Well, you're in the right place. JT Boiler spits knowledge and breaks down some of the new additions to the football roster with BDowd Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
Skate, Paint, Heal: Rewiring Trauma into Flow with Brett Ashby Contemporary Performance Artist with 20+ Years of International Practice Creating Portrait Paintings While Rolling and Exploring Human Connection Brett Ashby is a multidisciplinary artist working in painting, photography, video, sculpture, and installation, grounded in formal training and over two decades of international practice. He innovatively merges movement-driven painting with live performance, notably painting while skateboarding, to dissolve fear, balance, and synchronicity into layered, expressive works. His distinctive, gestural style unites physicality with compositional discipline, making each artwork a dynamic record of being present. Ashby's art radiates energy, vulnerability, and deep human connection, inviting the viewer to feel the resonance of body, space, and collective experience.Linkshttps://www.brettashby.com/https://www.instagram.com/brettashbyartist@brettashbyartist Tagspodcast for creatives,creative podcast,podcast creator interviews,professional podcast,creative podcasts,podcast host interviews,creative podcast ideas,Artist,Cancer Survivor,Entrepreneur,Entrepreneurial Mindset,Mental Health,Music Producer,Painter,Performing Arts,Trauma Recovery,Visual ArtsSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page
Painter Frederic E. Church was born in 1926 on Temple Street, Hartford. In the 200 years since then, his paintings have travelled the world and helped define American art. This hour, we'll speak with Victoria Johnson, author of a new biography all about Church. Plus, we’ll be joined by Betsy Kornhauser, former curator at the Wadsworth Atheneum and the Metropolitan Museum of Art, to explore Church’s current legacy. Guests: Victoria Johnson is a professor of urban policy and planning at Hunter College and the author of “Glorious Country: How the Artist Frederic Church Brought the World to America and America to the World”. Elizabeth Kornhauser is Senior Curator and Chair of the Frederic Church Bicentennial Committee at The Olana Partnership. She is Curator Emerita at the Metropolitan Museum of Art, and former Chief Curator at the Wadsworth Atheneum Museum of Art. Music featured (in order): String Quartet No. 12, “American”: IV. Finale – Antonin Dvorak, as performed by the Cleveland Quartet Color and Light – Sunday in the Park with George OBC Everytime I See River – Van Morrison When I Paint My Masterpiece – Emmylou Harris Both Sides Now – Joni Mitchell Painter Song – Norah Jones The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Dylan Reyes contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
June Stratton is an American representational figurative painter known for her work capturing the human form with clarity, discipline, and emotional depth. In this episode of the AART Podcast, Chris speaks with June Stratton about her career in figurative painting, her studio practice, and how she approaches realism in contemporary art. This conversation covers:How June Stratton became a figurative artistHer approach to painting the human figure and working from observationThe role of light, composition, and gesture in representational artBalancing technical precision with intuition in paintingWhat it takes to sustain a career as a contemporary realist painterChris' signature unscripted, intimate interview style allows Stratton to go beyond technique and talk about the mindset behind her work—how she sees, thinks, and builds a painting over time. If you're interested in figurative painting, representational art, portrait painting, or the creative process of contemporary artists, this episode offers a clear and practical insight into how one artist approaches her craft.June's links:Website: junestratton.comInstagram: instagram.com/june_stratton/Facebook: facebook.com/JuneStrattonStudio/June's Female artists: Nadine Robbins Marilyn Minter April Gornik Vija Celmins Julie Heffernan Mae Read Mia Bergeron Pamela Wilson Katherine Sandoz Annie Lebowitz Dorielle Caimi Rebecca Leveille Guay Megan LangeDinner Party Guests: Benjamin Franklin Dolly Parton Mary Munter Hedy Lamar Jack White Paitti Smith John MuirKeywordsJune Stratton, figurative painting, representational art, realism painting, contemporary realist artist, portrait painting, human figure drawing, painting process, studio practice artist, American painter interview, AART podcast, Chris Stafford, Women Unscripted podcast network, art podcast, how to paint people, observational painting, fine art interview, contemporary figurative art, artist career insightsBecome a supporter of this podcast: https://www.spreaker.com/podcast/women-unscripted--4769409/support.Host: Chris StaffordProduced by Hollowell StudiosFollow @twomenunscriptedpodcasts on InstagramOn Facebook at Women Unscripted PodcastsEmail: hollowellstudios@gmail.com
June Stratton is an American representational figurative painter known for her work capturing the human form with clarity, discipline, and emotional depth. In this episode of the AART Podcast, Chris speaks with June Stratton about her career in figurative painting, her studio practice, and how she approaches realism in contemporary art.This conversation covers:How June Stratton became a figurative artistHer approach to painting the human figure and working from observationThe role of light, composition, and gesture in representational artBalancing technical precision with intuition in paintingWhat it takes to sustain a career as a contemporary realist painterChris' signature unscripted, intimate interview style allows Stratton to go beyond technique and talk about the mindset behind her work—how she sees, thinks, and builds a painting over time. If you're interested in figurative painting, representational art, portrait painting, or the creative process of contemporary artists, this episode offers a clear and practical insight into how one artist approaches her craft.June's links:Website: junestratton.comInstagram: instagram.com/june_stratton/Facebook: facebook.com/JuneStrattonStudio/June's Female artists: Nadine Robbins Marilyn Minter April Gornik Vija Celmins Julie Heffernan Mae Read Mia Bergeron Pamela Wilson Katherine Sandoz Annie Lebowitz Dorielle Caimi Rebecca Leveille Guay Megan LangeDinner Party Guests: Benjamin Franklin Dolly Parton Mary Munter Hedy Lamar Jack White Paitti Smith John MuirKeywordsJune Stratton, figurative painting, representational art, realism painting, contemporary realist artist, portrait painting, human figure drawing, painting process, studio practice artist, American painter interview, AART podcast, Chris Stafford, Women Unscripted podcast network, art podcast, how to paint people, observational painting, fine art interview, contemporary figurative art, artist career insightsBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.A Hollowell Studios ProductionInstagram: @theaartpodcast Email: theaartpodcast@gmail.com© Copyright: Chris Stafford | Hollowell StudiosAll Rights Reserved
Derrick did $680K in sales in 2025 and ended the year broke. Six months later, his company, Mountain Man Painting in Twin Lakes, Colorado, where most jobs are 8,000 ft and up, had $1 million booked for the year. It's the first time he'd ever hit that number, and he got there in five months.In this Painter Growth story, Derrick breaks down exactly what changed: why $680K in revenue still left nothing at the end of the year, how he justified putting $30K on a credit card with $0 in the bank (and paid it off in a few months), going from $0 in January bookings to $28K, getting completely off the tools, and building the systems that let him take a Wednesday off to go fishing with his six kids for the first time in years.If you're a painting contractor stuck on the ladder and tired of working all year with nothing to show for it, this one's for you.Comment PLAYBOOK and we'll send you the exact system these contractors are using to scale.
"I don't see this as a technology problem. I see it as a human problem."That's Rob Painter, CEO of Trimble, on what's really holding back AI in constructionIn this episode he made the case that:✅ Task productivity is largely solved, system productivity is the real unlock✅ AI is overhyped and underhyped at the same time, the difference is industry context✅ The barrier to AI value is organizational, not technical: "It's not AI for the sake of AI"✅ Across 100+ acquisitions, the thesis still fails if the culture and the people don't workFull conversation on build vs buy vs partner, the Document Crunch deal, and how he runs Trimble. Link in comments.#bricksandbytes #bricksbytes #bricksbucksandbytes #aec #construction #constructiontech #ai #vcTrimble Inc: linkedin.com/company/trimbleTrimble Construction: linkedin.com/company/trimbleconstructionTrimble Civil Construction: https://www.linkedin.com/company/trimble-heavy-civil-constructionDocu Crunch: linkedin.com/company/document-crunch/Chapters00:00 Teaser01:01 Quickfire: Getting to Know the Trimble CEO03:15 Why Is Construction Productivity So Low?06:05 How Venture Capital Works in Construction Tech09:05 What Construction CEOs Actually Want From Tech12:11 What CEOs Really Say Behind Closed Doors13:59 Build vs Buy: Acquire or Build In-House?18:38 What 120 Acquisitions Taught Trimble20:07 Trimble's AI Strategy Explained25:54 Is AI Actually Worth It in Construction?27:59 How AI Drives Productivity and New Revenue30:18 AI in Construction: Hype vs Reality32:49 How Hardware and Software Connect on the Jobsite37:51 How to Actually Innovate in Construction Tech39:16 Rob Painter's Leadership Philosophy41:37 Staying Connected While Running a Huge Company44:23 What a CEO Learns From Other Leaders47:47 Finding Balance in Nature
Nell Irvin Painter is Edwards Professor of American History, Emerita, Princeton University. She also holds degrees in painting from Mason Gross School of the Arts at Rutgers and the Rhode Island School of Design. Painter is the author of many books including Sojourner Truth, A Life, A Symbol; Old in Art School: A Memoir of Starting Over; I Just Keep Talking: A Life in Essays; and the New York Times bestseller The History of White People. She reflects on the origins of A History of White People and her career exploring how race is manufactured and lived along the color line. She also cautions that the race concept structures societies, but that we should always avoid the temptations of race essentialism. Painter counsels that we need to balance hope and pessimism. The Age of Trump is a calamity but this dark time will not last forever. We need to think nationally but work locally to create immediate change in our communities. And Nell Irvin Painter offers some hard-earned advice about being creative for a living, and balancing our personal and familial obligations and material realities such as paying the bills. *This conversation took place in 2024. Given Juneteenth and Trump's escalating assaults on multiracial democracy and the Black Freedom Struggle, I decided that now was the right time to share it with all of you.
In this episode, the multi-award winning Indian painter talks about her informal art education, how studying history has impacted her art, how her paintings possess a spiritual nature, how symbols and metaphors can simplify complex ideas, how she combines art with entrepreneurship and how she aims to empower women through her art. Archana Srivastava talking... Continue Reading →
Welcome back to the archive, inner circle...Deep Dive: The Sovereign Paralysis of the 1948 Teikoku Bank IncidentWhen we look back at the forensics of post-war true crime, few cases carry the chilling, systemic precision of the Teikoku Bank Incident (Imperial Bank Incident) of January 26, 1948. It stands not just as a cold-blooded mass murder, but as a terrifying demonstration of how structural authority can be weaponized against human psychological systems.To truly understand how a lone individual walked into a prominent Tokyo financial institution and convinced sixteen people to voluntarily swallow a lethal chemical agent, we have to look closely at the unique environmental stasis of the Allied Occupation.Inside the Case File Audit The Spatial Shadow & The Pre-Tests: We reconstruct the raw reality of a devastated city where an official armband was the line between survival and erasure. We expose the phantom doctor's two real-world "dry runs" at separate banking branches where he perfected his behavioral telemetry before striking. Eleven Minutes on the Stone Floor: A clinical, second-by-second breakdown of the choreography inside the Shiunamachi branch. We analyse the dark chemistry of acetone cyanohydrin—a military-grade toxin masterfully stabilized to delay its lethal onset for exactly sixty seconds so an entire room would swallow it synchronously. The Shadow Unit & The Geopolitical Stonewall: The forensic trail that led detectives straight to the remnants of Unit 731—the Imperial Army's covert biological warfare division. We untangle the high-stakes deal cut by the American GHQ to aggressively bury the investigation in exchange for classified human experimentation data. The Painter's Purgatory: The controversial frame-up of classical artist Sadamichi Hiraishi. We dissect a confession extracted under forty-four days of duress, and the historic 32-year death row paradox where thirty-three consecutive Ministers of Justice refused to sign his execution warrant because they knew the state was protecting a ghost. A Taste of today's story...The room fell into absolute silence as the killer pulled out a silver pocket watch, tracking the sixty-second countdown. But Phase Two would never be delivered.The fluid was a masterfully stabilized solute of potassium cyanide, engineered with an industrial acetone base designed to mask the immediate scent of bitter almonds and delay cellular suffocation just long enough to ensure everyone swallowed their dose before the first symptom manifested. Within seconds, the line disintegrated into a claustrophobic scene of horror as sixteen bodies collapsed onto the cold linoleum, their central nervous systems disconnecting from their lungs.The killer stood completely motionless, watching the room with detached efficiency until the last movements ceased.When absolute silence returned, he walked around the counter partition. Millions of yen in wrapped banknotes sat in plain view inside the open cash cages. Yet, behaving like a meticulous corporate auditor rather than a desperate thief, the killer bypassed the massive wealth. He selected a modest packet of exactly 164,000 yen in loose bills and a small stack of daily clearing checks.He packed his porcelain cups, his vials, and his pipettes back into his worn leather medical satchel, adjusted his government armband, and stepped back out into the grey, smoke-choked afternoon fog. Eleven minutes after entering, the public health ghost had vanished, leaving behind a profound forensic mystery that would echo through international forensics for decades to come.I hope you enjoy this episode legends, and it's good to be finally back from being sick for so long. Still not 100% but I'm almost there!! Thank you for the love and support!
Take 10 with Tim – June 19, 2026Microsoft Teams:1.We are approaching the halfway mark of the season (45% completed), so let's draft the first round of the 2027 Draft based on what we know today.1)Bobby Witt Jr. (Tim)2)Shohei Ohtani (Rich)3)Juan Soto (Tim)4)James Wood (Rich)5)Aaron Judge (Tim)6)Elly De La Cruz (Rich)7)Jacob Misiorowski (Tim)8)Pete Crow-Armstrong (Rich)9)Yordan Alvarez (Tim)10)Nick Kurtz (Rich)11)Jose Ramirez (Tim)12)O'Neil Cruz (Rich)13)Paul Skenes (Tim)14)Tarik Skubal (Rich)15)Corbin Carroll (Tim)16)Julio Rodriguez (Rich)2.Andrew Painter was optioned back to the minor leagues. The performance was pretty awful with a 7.20 ERA and only two more strikeouts than runs earned runs – Yikes.a.For Dynasty League managers, are you still all-in? He still has minor league eligibility in some leagues. Does that play a role in whether you cut him or not?3.It's been a month since Dylan Crews returned. He's hitting .189 with four home runs and two stolen bases. Remarkably, he's walked twice in 100 plate appearances and is sporting a .230 OBP. a.We will look at his baseballsavant data as well.b.Similar to Painter, what do Dynasty League managers do and you still all-in or starting to lose confidence in him?4.There's no timeline for Ronald Acuna returning to game action, except Walt Weiss saying – “he's a long from returning”. Let's look at his injury history.a.82 games played in 2021, 119 in 2022, 159 in 2023, 49 in 2024, and 95 in 2025. That's 64 games a year or 40% of the games – in 5 years. Why are people still taking this guy in the first round? I get the potential, but this run makes Byron Buxton look Ripken-esque. What am I missing?5.Shane Bieber looks ready to go, although his fastball only averaged 91.8 (T 93). He's never thrown hard, but he's also soon to be 32. Are you starting him immediately after his activated from the IL?6.The Mariners are supposedly going to a piggyback scenario. If I have it right, they will take their six starters and stick to a five man rotation, but players will take turns starting innings (1 – 4) and (5 – 8). I guess, sometimes the starter will go 5, but who knows. If you have Mariners' pitchers, what do you do?a.Two of the best pitchers in the minor leagues are Ryan Sloan and Kade Anderson. Both are shoving it in Double-A and look nearly ready. How on earth do they get a shot?7.What hitter are you targeting for this weekend's FAAB?a.Cooper Pratt 8.What pitcher are you targeting for this weekend's FAAB?a.Shane Drohan
Coming off back-to-back losses to the Marlins and Mets, Sean Kane and Spencer McKercher discuss Andrew Painter's future, the bullpen struggles, and more. Plus, Cole Weintraub joins the show to discuss how Painter can bounce back down in Triple-A.
Brodes hosted on WIP after the Phillies 6-4 loss to Mets.
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After another abysmal outing against the Marlins on Wednesday, Andrew Painter was sent down to AAA. Host John Stolnis of The Good Phight analyzes the decision, what Painter needs to work on and what the Phils will do to fill his slot in the rotation. Also, the Phillies took two out of three from Miami, an update on how Phillies players are faring in the All Star Game fan vote, and changes coming to the Home Run Derby.
The Phillies had to send down Andrew Painter to AAA after his ERA reached 7.Wildwood Days: https://www.instagram.com/drinkwildwooddays/Get Your Tickets at TickPick! Code BRODES10 for $10 off purchase of atleast $99: https://www.tickpick.com/ Camden Apothecary - https://camdenapothecary.com/Emilio Cigars: https://cigarsncigars.com/search.php?page=1§ion=product&search_query_adv=Emilio&x=0&y=0 Code: BRODES10 for 10% off your purchase! TickPick - Code BRODES10 for $10 off your purchaseTickPick: https://www.tickpick.com/Green Lawn Fertilizing: Let's make sure your lawn is looking BEAUTIFUL
Brodes joined the WIP Afternoon Show to discuss his celebration with the Stanley Cup after Carolina beat Vegas. Plus, he went into his Top 11 list!
Gametime Ticket Offer: $20 off with code "FARZY" at gametime.co The Farzy Show presented by MyBookie Promo: No-strings-attached cash bonus up to $200 Promo Codes: FARZY .. https://mybookie.website/joinwithFARZYManscaped Offer: 20% off AND Free Shipping with code "Farzy20" at Manscaped.comCopyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.
In hour 2, Ruben Amaro Jr. joins the 94 WIP Morning Show to discuss the Phillies' decision to option Andrew Painter to the minors. They analyze Trea Turner's offensive struggles and evaluate potential trade deadline strategies given a thin farm system. The conversation also covers Eagles trade rumors involving Maxx Crosby and Joel Embiid's future in Philadelphia. 02:10 - Ruben Amaro Jr. Joins 05:20 - Andrew Painter Optioned 11:10 - Painter's Prospect Status 18:11 - Phillies Trade Strategy 24:19 - Trea Turner's Slump 34:07 - Maxx Crosby Trade Rumors 44:13 - Joel Embiid's Super Max
It's been quite a busy week for the Phils with a lot going on and now making ground on the Braves! Plus Rincones, Painter, Bohm,Marsh, All-Star, World Cup talk and more!
Hugh Douglas and Joe Giglio break down the fallout from the Phillies demoting Andrew Painter following a disastrous stretch in the rotation. They question if Dave Dombrowski's refusal to trade Painter was a fatal error as the World Series window tightens. Additionally, they discuss the lack of internal pitching depth and the surprising prospect of bringing back Taijuan Walker. 01:50 - Painter Demoted to AAA 06:36 - Major Organizational Malpractice 12:26 - Andrew Painter Lacks Confidence 19:30 - Dave Dombrowski Roster Failure 26:15 - Considering Taijuan Walker Return 36:50 - Issues Developing Homegrown Pitchers 45:40 - Eagles Offensive Line Depth
(0:00-21:12) - Does Andrew Painter possess the capability to recover? Has your perspective on his prospects shifted?(21:27-31:36) - The guys discuss their opinions on Brendan Sorsby.(31:50-41:43) - Debate Day questions and today's Headlines from Connor Thomas.Please note: Timecodes may shift by a few minutes due to inserted ads. Because of copyright restrictions, portions—or entire segments—may not be included in the podcast.For the latest updates, visit the show page Kincade & Salciunas on 975thefanatic.com. Follow 97.5 The Fanatic on Twitter, Facebook, and Instagram. Watch our shows on YouTube, and subscribe to stay up-to-date with all the best moments from Philly's home for sports!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
I had David Griffin on today and he's a unique individual in so many ways, not only as an artist but as a person as well. I'm fortunate to be able to represent David's work. I'm also fortunate to have gotten the time to talk to him and understand the path he took to get where he is today.His story starts in Lubbock, Texas, which is not an area known for its art production of artists, and coming from a family where father was actually a very sophisticated entrepreneur who came from nothing. You can imagine if you're a young person growing up in Lubbock and your dad runs and develops truck stops, that they may not understand the creative juices that someone has. David just didn't give up what was obviously his path, his road from being a illustrator to an artist, to really capturing some major awards at museum shows.I love podcasts that just kind of go at their own pace, and this was one of those. It took two hours basically. So it's a part one / part two, and it took that long because that's where the story went from understanding his process to really making a major discovery of who he is as an artist and as someone who hears music in his colors in a way that I don't think he was even aware of.So it was fascinating as somebody who's doing an interview and I think it was a great experience for him as well. So this is a wonderful discussion that we had, and I hope you take the time to listen and also go to YouTube and just see the paintings we talk about.
Charlie Painter joins us Wednesday from Madison, Wisconsin with some really good jazz including Half-Step, Jigsaw, Timeline and The Good Life
(0:00-22:29) All eyes are on Painter, Bowden links a big name to the Phillies & the Eagles offense(22:29-32:56) John's love with Don Mattingly is back on?(32:56-41:11) Today's Headlines with Connor Thomas!Please note: Timecodes may shift by a few minutes due to inserted ads. Because of copyright restrictions, portions—or entire segments—may not be included in the podcast.For the latest updates, visit the show page Kincade & Salciunas on 975thefanatic.com. Follow 97.5 The Fanatic on Twitter, Facebook, and Instagram. Watch our shows on YouTube, and subscribe to stay up-to-date with all the best moments from Philly's home for sports!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Purdue's Men's 4x400 team ends the season as 1st Team All-Americans, Matty's boys need to find a Windex man and the Texas Tech/Sorsby chapter is over, but TT's reputation is destroyed in the college football world Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
Most painters don't get what they want because they never actually decide what they want. They live in the "gray zone" — surviving, reacting, putting out fires — and wonder why the business keeps hitting the same ceiling.In this live coaching episode, Coach Jesse sits down with Damon, owner of On a Roll Painting, fresh off a record month: nearly $100K in April after doing $325K all of last year. On the surface it's a huge win. Underneath, there's a ceiling — a five-year vision he can picture but can't quite commit to, and the fear that shows up the moment he says it out loud.What follows is a real breakthrough, no script and no theory. Jesse walks Damon through the magic wand exercise to call out a specific number, confront the fear of success hiding behind the fear of failure, and step into the identity of the owner he's becoming — the one running a multi-million dollar business mostly hands-off, with the team, the systems, and the freedom to actually live.If you're a painting business owner stuck between survival and the vision you keep putting off, this one's for you.Inside this episode:Why getting specific beats staying "realistic"The magic wand exercise to unlock your real five-year visionFear of success vs. fear of failure, and why both keep you on the start lineHow the "$5M owner" version of you actually makes decisionsThe "on a roll" token: a simple way to interrupt stress and stay in momentumWhy your team only matches half your energy, and what that means for how you show upTrusting the next step instead of demanding the whole roadmap
On this week's episode of Trapped Under Plastic, Scott and Jon are humbled by the man, the myth, the legend... Vince Venturella! Also, the gang talk about Vince and Uncle Adam's new game, REPENT! YE FOOLISH GODS.Support the Show on Patreon: https://www.patreon.com/trappedunderplasticSupport the Show with Merch: https://teespring.com/stores/trapped-under-plasticFollow Jon: https://www.youtube.com/ninjonFollow Scott: https://www.youtube.com/miniacJoin the FB group: https://www.facebook.com/groups/395664561386239/Listen to the audio versons: http://www.trappedunderplastic.com/On patreon, we offer our patron's the ability to submit topics for us to discuss during a podcast, you get an extended version of the podcast, and you can submit miniatures for us to critique during an episode!TUP PartnersCorvus Belli:https://corvusbelli.com/en/https://us7.campaign-archive.com/?u=1a4ae545d6ea23b5aed9d4e06&id=19ca92c80dSteamforged Games:https://steamforged.com/The Army Painter:https://thearmypainter.com/Red Grass Games:redgrasscreative.comIwata:https://www.iwata-airbrush.com/Game Envy:https://gameenvy.net/Monument Hobbies:https://monhob.com/TUPRelevant LinksVince Venturella Links:https://www.youtube.com/vinceventurellahttps://www.instagram.com/vincentventurella/?hl=enFireball the Gazebo Podcast:https://www.youtube.com/@fireballthegazeboPatreon Mini Critique - Jackson Westland:https://imgur.com/gallery/void-dragon-custom-scheme-studio-level-NkqyfaSRepent! Ye Foolish Gods:https://www.snarlingbadger.com/repentBattle Report:https://www.youtube.com/watch?app=desktop&v=-GX4ZTj8oyk00:00 Start02:50 Preamble Ramble30:14 TUP Partners (Part One)31:25 Hobby Update49:01 Patreon Mini Critique57:04 TUP Partners (Part Two)58:19 Topic DiscussionSupport the showSupport the Show on Patreon: https://www.patreon.com/trappedunderplasticSupport the Show with Merch: https://teespring.com/stores/trapped-under-plasticFollow Jon: https://www.youtube.com/ninjonFollow Scott: https://www.youtube.com/miniacJoin the FB group: https://www.facebook.com/groups/395664561386239/Listen to the audio versions: http://www.trappedunderplastic.com/
BYU Baseball's Keoni Painter and Ryder Robinson join Cougar Sports to discuss the challenge of playing in the Big 12, their style of play, and more!
Pourquoi cette grande impressionniste est-elle moins connue que ses amis Monet, Degas ou Renoir ? Certainement parce que Berthe Morisot était une femme. En tout cas, il existe maintenant un lieu qui lui est entièrement dédié, le seul au monde : sa maison de vacances à Bougival. Cette maison proche de Paris, le long de la Seine, a été transformée en un magnifique musée à la scénographie très réussie. J'ai eu la chance de pouvoir la visiter en compagnie de Christine Dezaunay (directrice du développement culturel et touristique du Patrimoine de la ville de Bougival ) et de Gaël Diot (adjoint au maire pour le patrimoine). Nos deux invités nous parlent dans ce premier épisode de la scénographie du musée et des choix qui ont été faits pour créer une ambiance "Berthe Morisot". Cet épisode est peut-être un peu difficile à comprendre sans le texte (B2, C1) car les discours y sont assez rapides et le vocabulaire un peu technique, mais je suis certaine que vous apprécierez de passer ce moment dans la maison d'une grande artiste, avec deux invités passionnés par leur sujet. learn french, spoken french, french stories, paris stories, authentic french, real french, life in paris, impressionism in french, berthe morisot, french podcast intermediate, bougival, french museum visit, impressionist paris, french listening practice, C1 french, B2 french
- Interview with Chris of Taff Treats- JT - Are we really trying to save his body for a full season? (Mike)- Is this team fun? Why/Why not? (Chris)- Is Bohm Back (Dugan)- Trout - He'll be here for All-Star week, so you know there'll be buzz. Should the Phillies at least kick the tires? (rob)- O'Dumbass (Mike)- Blind Rankings (Chris)- If not Painter, who do we have in the minors (Dugan)- My final topic will be the bench by the numbers again. (next show maybe)
Did you know that in addition to saving the free world, Churchill was also an accomplished painter? In this episode of the Anglotopia Podcast, Jonathan Thomas sits down with Dr. Lucy Davis — curator of paintings at the Wallace Collection in London and co-curator of Winston Churchill the Painter, the first major retrospective of Churchill's art in over 60 years and the first substantial UK exhibition devoted to his paintings since his death in 1965. The exhibition brings together nearly 60 works, roughly half from private collections rarely accessible to the public, and traces the full arc of Churchill's artistic life: from the tentative canvases he made during the darkest moment of his World War I career, through the luminous Mediterranean harbors and Moroccan cityscapes of his mature period, to the bold late works of a man who found in painting one of the greatest solaces of his life. Lucy walks Jonathan through the story of how Churchill came to paint, the three major artists who shaped his style — John Lavery, Walter Sickert, and William Nicholson — the single painting he made during World War II, the extraordinary Hallmark Cards world tour, and why the Wallace Collection is the perfect home for this once-in-a-lifetime show. The exhibition runs until November 29, 2026. Book your tickets now. Lucy is very grateful to her colleagues at Hallmark Cards, Inc. for their research into the World Tour of Churchill's paintings, which she has referenced in this podcast. Links The Exhibition Winston Churchill the Painter — Wallace Collection (open until November 29, 2026 — book tickets in advance) The Wallace Collection, London Wallace Collection E-Newsletter (Over 60% of subscribers are US-based — talks and courses available remotely) Wallace Collection Events & Remote Courses The Wallace Collection at War — companion display (open until end of October) Gallery of Some of Churchill's Paintings in the Exhibition Books Painting as a Pastime by Winston Churchill — New Edition with intro by Paul Rafferty Winston Churchill the Painter — Exhibition Catalog, edited by Dr. Lucy Davis (Philip Wilson Publishers) Churchill's Citadel by Katherine Carter — Chartwell and the Wilderness Years Churchill Sites Chartwell, Kent — National Trust Blenheim Palace, Oxfordshire Churchill Archives Centre, Cambridge America's National Churchill Museum, Fulton MO Also Mentioned Darkest Hour (2017) — Gary Oldman as Churchill Friends of Anglotopia Club Takeaways Winston Churchill the Painter at the Wallace Collection is the first major retrospective of Churchill's art in over 60 years — nearly 60 works, roughly half from private collections that are rarely if ever accessible to the public. This is a genuinely once-in-a-lifetime opportunity. Churchill took up painting in 1915 at the lowest point of his life, following the catastrophic failure of the Dardanelles campaign. His wife Clementine later said she thought he would die of grief — and it was painting that gave him back his spark. Churchill was never formally trained, but worked closely with at least three leading professional artists: John Lavery (portraiture and plein air painting), Walter Sickert (modernist techniques and working from photographs), and William Nicholson (still life, tonal restraint, and simplified composition). Churchill's single painting during World War II was a view of Marrakesh, painted the day after he took President Roosevelt to see the sunset over the Atlas Mountains following the Casablanca Conference. He gave it to Roosevelt as a gift — it is in the exhibition, facing the painting he later gave to President Eisenhower. The Wallace Collection's connection to Churchill runs deeper than the exhibition: Odette Pol Roger was born Odette Wallace as great-granddaughter of Sir Richard Wallace, became Churchill's close friend, and reserved an entire vintage of Pol Roger champagne for him. A quarter-bottle believed to be one of the last he drank before his death in 1965 is on display in the exhibition. Churchill's paintings were the subject of a record-breaking world tour of North America, Australia, and New Zealand in 1958, masterminded by President Eisenhower and Joyce C. Hall, founder of Hallmark Cards. Churchill initially refused — until Eisenhower wrote him a personal letter about the wave of goodwill it would create. Churchill submitted paintings to competitions under the pseudonym "David Winter" and was given the title of Honorary Academician Extraordinary by the Royal Academy — only the second person ever to receive this honor, after Edward VII. The goldfish pool at Chartwell — Lucy's personal favorite painting in the exhibition — contains a detail invisible in photography: the ripple created by the fish on the surface, painted in a subtle mauve-grey. Lucy says it perfectly summarizes Churchill's playful, witty personality. Picasso, upon seeing Churchill's painting La Dragonnière, said (paraphrasing) that Churchill would have been a good professional painter if he hadn't had something else to do. The painting is in the exhibition. The new edition of Churchill's own book Painting as a Pastime — with an introduction by Paul Rafferty — has just been published and is the perfect companion to the exhibition. It explains in Churchill's own words why he took up painting and why everyone else should too. Soundbites "Clementine was looking on and she was so relieved to see him engaged in something. He talked about all this unwanted leisure — going from a really high-pressured executive job to suddenly watching the whole tragedy unfold. To see that spark lit up again." — Lucy on Clementine's reaction when Churchill first picked up a paintbrush. "He said painting was a complete distraction. He said: I know nothing which without exhausting the body more entirely absorbs the mind." — Lucy quoting Churchill on why painting worked when nothing else could. "He's painting the headquarters of the battalion as it was progressively being shelled and devastated. One of his young soldiers said he was unusually quiet and withdrawn and asked what was wrong — and he said: I've been really struggling to paint the craters." — Lucy on Churchill painting in the trenches at Plug Street. "He said it should be a joy ride in a paint box. Nobody should feel afraid or daunted by it. We don't have to aspire to masterpieces." — Lucy on Churchill's message to anyone who wants to paint. "A traveling exhibition of your paintings in the United States would not only attract a great deal of attention, but I am certain it would serve in a very definite way to strengthen the friendship between our two countries." — Lucy quoting Eisenhower's letter persuading Churchill to allow the world tour. "He submitted a painting in 1925 to an amateur painting competition and won first prize — although one of the judges wanted to disqualify it because he thought it must be by a professional painter." — Lucy on Churchill exhibiting anonymously under the pseudonym David Winter. "Picasso said — and I'm paraphrasing — that he would have been a good professional painter if he didn't have something else to do." — Lucy on Picasso's verdict on Churchill's painting La Dragonnière. "There's a particular detail that doesn't come out in photography — the ripple created by the fish on the surface that he's painted in this sort of mauve-grey color. It's just such a lovely finishing touch and really summarizes that playful, witty side of his personality." — Lucy on her favorite painting in the exhibition, the goldfish pool at Chartwell. "He made the gardener row back and forth across the moat to create ripples so he could try a different effect in the water." — Lucy on Churchill's obsessive dedication to capturing reflections accurately. "I think he would like to see us leaving the exhibition with smiles on our faces and with an urge to pick up a paintbrush." — Lucy on what Churchill himself would have wanted visitors to take away. Chapters 00:22 Introduction — Jonathan sets up the exhibition and introduces Dr. Lucy Davis 01:59 Lucy's Background — 15 years at the Wallace Collection, the Courtauld, the National Gallery, and Washington DC 03:09 What Is the Wallace Collection? — A world-class art collection in an intimate Marylebone townhouse 04:47 The Wallace Collection's Churchill Connection — The Artists Aid Russia exhibition, Clementine's charity, and the Pol Roger link 06:29 Churchill's Favorite Champagne — And the quarter-bottle of Pol Roger in the exhibition 07:14 How Churchill Came to Paint — Gallipoli, the darkest moment, Ho Farm in Sussex, and Hazel Lavery's advice 09:49 Did He Take to It Naturally? — Total ambition, total audacity, and the self-portrait painted at 40 13:00 Painting in the Trenches at Plug Street — Easels in the First World War and the crater problem solved 14:50 What Painting Gave Churchill That Nothing Else Could — Complete absorption, relief from anxiety, and seeing the world properly for the first time 17:12 Churchill's Message to Everyone — A joy ride in a paint box, and why no one should feel daunted 19:13 500 Canvases Alongside Everything Else — Chancellor, Prime Minister, Nobel laureate: where did he find the time? 21:12 The One WWII Painting — The Casablanca Conference, Roosevelt, the Atlas Mountains, and a gift that symbolized the Special Relationship 23:02 The Marrakesh Painting and the Gift to Eisenhower — Two paintings face to face in the exhibition 23:47 The Hallmark Cards World Tour — Joyce C. Hall, Eisenhower's persuasive letter, and a record-breaking global exhibition 25:49 How Did Brad Pitt End Up Owning the Marrakesh Painting? — Neither host quite knows 26:34 Churchill's Artistic Mentors — John Lavery, Walter Sickert, William Nicholson, and what each one taught him 32:20 Churchill's Influences — Monet, Cézanne, the Impressionists, and the tessellated pavement of dabs and lozenges 32:33 Walking Through the Exhibition — Six galleries from First Attempts to the Royal Academy 34:00 Gallery 1: First Attempts — Lavery, the self-portrait, and the Plug Street paintings 35:00 Gallery 2: Life and Hope — Chartwell in all seasons, Blenheim, and the wilderness years paintings 36:00 Gallery 3: Still Lifes — Nicholson's influence, the Magnolia painting, and thank-you gifts to friends 37:00 Gallery 4: Light, Atmosphere & Reflections — The Riviera, Morocco, La Dragonnière, and making the gardener row 38:19 Morocco — Six visits, the Red City, the Atlas Mountains, and the Eureka Valley picnics 39:30 Gallery 5 & 6: Recognition — The Royal Academy submission under a pseudonym, Honorary Academician Extraordinary 40:06 Chartwell as Inspiration — 50 years, built for the view, goldfish pools, and the changing seasons 41:45 How a Major Exhibition Comes Together — Loan negotiations, private collections, and 20 years in the making 43:34 The Exhibition Catalog — Six essays, new archival research, and what makes it more than a picture book 47:11 The Contributors — Andrew Roberts on soft power, Catherine Carter on Chartwell, Paul Rafferty on the Riviera, Alan Packwood on Churchill as a visual person 48:36 The Churchill Family's Involvement — Support from the very beginning and throughout 49:16 Why Americans Should Get on a Plane — A revelation, a personality revealed, and a zest for life 50:22 Rapid Fire Churchill Round — Favorite book, film, quote, and painting 53:44 Wrap-Up — Exhibition details, tickets, catalog, and Jonathan's August visit Video Version
The Philadelphia Phillies 2026 season has been filled with great moments thus far, but has also left question marks as to how the team might perform down the stretch and latter part of the season. Justin Klugh from Baseball Prospectus and the Hittin' Season podcast joined us for a fun and in-depth conversation about the direction of this team here in 2026.But first, Jeff and Len gave their top-3 list of biggest surprises here in 2026 in the world of Philly sports. (Approx. 3:25)From there, they discussed the message sent by the Sixers new front office hire, Mike Gansey, about how this team will be built in the future. (Approx. 15:10)The guys then got into some Phillies talk, specifically what the future of Andrew Painter might be, and how Phillies fans need to be patient with his development. (Approx. 22:40)The guys also got into their “Hate To See It, Love To See It” segment where some issues with the World Cup were discussed at length! (Approx. 29:40)What they threw down on the Table this week was a great and in-depth discussion with Justin Klugh from Baseball Prospectus and the Hittin' Season podcast about the direction the Phillies are heading. How does sports psychology and managing a team go hand-in-hand? Bryce Harper and the leader he is in the clubhouse. What has been the biggest surprise and disappointment of the season? All of this and much more this week on the Table! (Approx. 40:45)SUBSCRIBE on YouTube: youtube.com/@thephiladelphiasportstableHead over to our website for all of our podcasts and more: philadelphiasportstable.comFollow us on Threads: @philadelphiasportstableFollow us on Twitter/X: @PhiladelphiaPSTFollow us on Instagram: @philadelphiasportstable.Follow us on Facebook: facebook.com/PhiladelphiaSportsTable
The boys talk about Purdue basketball practice, the Sorsby saga and what's broken in college sports right now Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
I had David Griffin on today and he's a unique individual in so many ways, not only as an artist but as a person as well. I'm fortunate to be able to represent David's work. I'm also fortunate to have gotten the time to talk to him and understand the path he took to get where he is today.His story starts in Lubbock, Texas, which is not an area known for its art production of artists, and coming from a family where father was actually a very sophisticated entrepreneur who came from nothing. You can imagine if you're a young person growing up in Lubbock and your dad runs and develops truck stops, that they may not understand the creative juices that someone has. David just didn't give up what was obviously his path, his road from being a illustrator to an artist, to really capturing some major awards at museum shows.I love podcasts that just kind of go at their own pace, and this was one of those. It took two hours basically. So it's a part one / part two, and it took that long because that's where the story went from understanding his process to really making a major discovery of who he is as an artist and as someone who hears music in his colors in a way that I don't think he was even aware of.So it was fascinating as somebody who's doing an interview and I think it was a great experience for him as well. So this is a wonderful discussion that we had, and I hope you take the time to listen and also go to YouTube and just see the paintings we talk about.
Bobinski is out...so what's next? Luke Ertel looks the part in All-Star games. Will the Bears move to Indiana? Alex Palou is good at driving fast cars. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
Spring sports are wrapping up in God's Country, Enzo Shahrvin might be coming to play for Matty and Company and some football expectation talk Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
Painter George, aka George Harry Crampton-Glassanos, is fine if you wanna call him just "George." In this episode, meet and get to know George. Both of his parents came to San Francisco early in their lives. His mom hails from the East Coast and her family were all working-class folks. His grandpa was a business agent for a machinist's union in Massachusetts. That grandfather shaped George's later involvement in organized labor. (Today, he's a member of the ILWU). George never knew this grandparent who had an outsize impression on him. He died shortly after George was born. But in Massachusetts, in addition to his union involvement, he owned a store that sold records on one half and hats on the other. His dad moved to San Francisco from the Midwest to attend school at the Art Institute (RIP). He got into that school and often slept overnight on a ledge on campus. Both of George's parents were punk rockers in SF in the late-Seventies. Amazing. His dad even lived with the guitarist from The Avengers (Penelope Houston's punk band). Though they would meet later, both spent time at the famed Mabuhay Gardens back in the day. George's dad was a painter as well, and that turned out to have a huge influence on George. His parents met when his mom got a job with his dad's construction working crew. This was around the mid-Eighties. George came along in 1989. After that, his parents had two more boys, making George the oldest of three. His earliest memories are from around the mid-Nineties in The Mission. George spent time when he was a kid running around The Mission and pre-gentrification Dogpatch with his dad. They lived on 18th between San Carlos and Lexington (or, zooming out a bit, between Mission and Valencia). That's two blocks from where I lived from 2003 to 2017, incidentally. But George's family got evicted from that apartment on 18th. The building sold and the new owners evicted tenants one by one, including families like George's. Both of his brothers were born in that apartment. His dad had made modifications there, handyman that he was. And George was old enough to remember all the awesome neighbors they had. I ask George about his favorite restaurants when he was a kid. "I fuckin' ate burritos every night of the week," he answers. He'd hit up nearby La Cumbre or El Buen Sabor around 300 times a year. Whiz Burger also figured big in George's childhood diet. There was a diner across 16th from The Roxie called Aunt Mary's (George shows me a coin purse from the place while we're recording) that he loved as well. Art was always encouraged at home. George's dad would bring home boxes of fax paper for him to draw on with ballpoint pens. He'd draw and draw and draw, often of things he saw. He remembers staring out the window of their place on 18th and watching cars go by, and he'd draw those. But it wasn't until high school at School of the Arts that George really started cranking it out. At SOTA, teachers encouraged George to draw whatever the hell he wanted to. He remembers drawing a skeleton pushing a paleta cart. When George tells me he attended SOTA 2004–2008, I mention that a number of past guests of this show went there around that time. "[The school] churned out a lot of us," he says. Joe Talbot, who co-wrote, produced, and directed The Last Black Man in San Francisco, went to SOTA in that era. George goes on a sidebar to share a story of getting caught smoking pot by a SOTA vice principal. I ask him to rattle off the SF schools he went to, and George obliges. Waldorf in The Mission for Kindergarten, then a Waldorf school in Pac Heights through eighth grade. They wanted him to attend their high school, but he chose SOTA instead. The Waldorf schools also encouraged art, which George appreciated. The social dynamics could be strange, though. You'd have kids like him who got into that school thanks to financial aid being classmates with kids who lived in mansions. After eighth grade, he needed a change. After he graduated from School of the Arts, George took some classes at City College. He'd been working summers painting houses for his dad, and eventually, college tailed off so he could work more. It also gave George more time for his artistic painting. This was about 20 years ago, and since then, he's been painting murals, hanging out with graffiti painters, doing work on Clarion Alley, and working with Precita Eyes to paint various houses and walls in The Mission. I ask whether George's art has evolved over the years. After thinking it over, he talks about the influence of cars and his mom and dad's comic book collections. He loved his mom's underground comics collections, and talks about going down to 23rd Street with them to Scott's Comics and Cards and SF Comic Book Co. next door. George points to artists like Spain Rodriguez, R. Crumb, and the Hernandez Brothers as having shaped his art from a young age. He'd go to Avalon on Mission for iron-on old English letters to have put on hats. The cholo influence of his neighborhood was seeping in, and George ran with it. The gumball machines on Mission with their foil stickers also played a part. He'd take those stickers home, many with images of cars on them, and draw from them. And of course the cars cruising Mission Street caught his artistic eye. George also touches on some of the violence he witnessed in The Mission in the Nineties, when he was a kid. George and his friends got around on skateboards, beater bikes, and Muni. He's quick to point out how, back in the day, you could take the 26-Valencia if you wanted to avoid potential trouble on the 14-Mission. I ask whether George got into any trouble himself. He says mostly harmless stuff like shoplifting. That was before his aforementioned time at School of the Arts. George has mixed feelings about the art scene, and I get it. He's had his art in shows, but prefers bookstores or community-oriented spaces vs. white-walled galleries. He doesn't feel like the audience that goes to those spaces is his. When he talks about painting at home after a long day at work, I ask George to talk about that work. He's currently part of a crew painting the new container cranes in the Port of Oakland. The ILWU is assembling the cranes and George and others use marine enamels to make the cranes look good. We end the podcast with how you can find George and his art. "You can find me on 24th Street," he says. No website. He's on Instagram at @paintergeorge415. We recorded this podcast at George's home in South San Francisco in April 2026. Photography by Nate Oliveira
[Western Art] Joining us on the show today from a house that predates the United States is Pennsylvania painter Adrienne Stein, whose new works featuring botanicals and skulls are connecting life and death in stunningly beautiful paintings. Adrienne's new exhibition will open August 2026 at the Museum of Western Art in Kerrville, Texas. This episode is sponsored by Western Art Collector. Read about this exhibition and others at www.westernartcollector.com.
You may notice a common theme running through these conversations, but I promise it is purely coincidental: many of my guests have known what they wanted to do with themselves from an early age. Painter and visual artist Perry Burns falls squarely into this category. It's no surprise then, that when these people do end up in their chosen fields of discipline, that they become not only successful, but otherwise fulfilled. Perry Burns invites us into his world of visual art, but it's much more complex than just what he likes to paint. Perry's works are filled with influences from not only other cultures, but also from issues and events taking place in the world that he finds compelling. So the work becomes layered with influence, depth and meaning, and in this conversation, Perry helps us unravel where that all comes from.
Brodes hosted on WIP Sunday night after the Dodgers series ending.
Joe DeCamara and Jon Ritchie analyze the reports that the Eagles are finalized a deal to trade wide receiver A.J. Brown to the Patriots. They also breakdown the Phillies' lack of hitting after a disappointing series in Los Angeles against the Dodgers. 01:50 - A.J. Brown Trade Rumors 04:08 - Phillies Series Recap 07:12 - Trade Deadline Logistics 12:27 - Painter's Pitching Struggles 16:00 - Eagle Fan Reactions 22:03 - Ticket Giveaway Details 24:04 - Movie Song Debate 31:18 - Locker Room Dynamics 35:00 - Banner On Trade 37:32 - Sixers Front Office
In 2016 the painter Chantal Joffe approached the writer Olivia Laing to ask if they would sit for a portrait. Out of that meeting emerged a close friendship and collaboration, and out of that collaboration has emerged Painting, Writing, Texting (Mack), an account in words and images of what can happen when two ways of looking at the world converge. Painter and writer were at the shop to talk about art, writing and collaboration, chaired by Emily Labarge (Dog Days). You can buy a copy of Painting, Writing, Texting from the London Review Bookshop. Learn more about your ad choices. Visit megaphone.fm/adchoices
Is the Phillies ' pitching staff carrying one of the most lifeless offenses in baseball? - ChrisSanchez and Misiorowski - where their May results stand historically - MikeCastellanos comments. Do we even care at this point? To piggyback: what's your ideal OF as presently constructed, and have you started to troll the available or potentially available RF? - Rob and DuganWhat if the offense was league average? How many more wins thus far - ChrisA dive into Painter's stats so far this season - MikeFun Trivia Question. Probably easy. Maybe too easy. - RobPotential Phillies All-Stars - DuganO'Dumbass - sponsored by Well Crafted - MikeHow are the Phillies Top Prospects doing this season - Dugan
Carlton Fields Shareholder and former Assistant U.S. Attorney in the Eastern District of Virginia Tax Division Gene Rossi weighs in on the legal authority of the Trump anti-weaponization fund. University of Minnesota Law Professor and former Bush chief White House ethics lawyer Richard Painter discusses Trump's IRS settlement agreement. New York Law School Professor and Director […]
This week Kirsty sits down with Amie Cooper and Cindy Painter from Flourishing Families of South Carolina. The conversation delves into the experiences of foster and adoptive parents and how attachment is important, not only in the parent-child dyad but in systems as a whole. Show Notes: www.flourishingfamilies.org https://www.flourishingfamiliessc.org/meettheneed https://www.facebook.com/flourishingfamiliesofsc https://www.instagram.com/flourishingfamiliessc Connect with the Attachment Theory in Action Podcast: ATIA Podcast Website: https://www.attachmenttheoryinaction.com/ ATIA Podcast Facebook Group: https://www.facebook.com/share/g/19Xm5Nhk2K/ Attachment Theory in Action Podcast is brought to you by Chaddock Follow us on Facebook: https://www.facebook.com/ChaddockLearningNetwork/ Follow us on LinkedIn: https://www.linkedin.com/company/chaddocklearningnetwork/ Follow us on Instagram: https://www.instagram.com/chaddocklearningnetwork/ Connect with our Podcast Host: Follow Kirsty on Facebook: https://www.facebook.com/krugglesatchaddock Connect with Kirsty on LinkedIn: https://www.linkedin.com/in/kirstynolan84/
Purdue loses heartbreaker to UCLA. He's our man...again. No Pacers, no problem for Knicks...finally. Indy never disappoints. ...and a stroll down memory lane with you. Guest appearance by LBD Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
Brodes hosted on WIP Thursday Night grading the Phillies first 50 games of the season.
Brodes hosted on WIP talking about how the Phillies NEED Aaron Nola to win this division.
Perched over the Hudson River near the city of Hudson sits Olana State Historic Site, once the wondrous home of painter Frederic Church. This Gilded Age mansion is unlike any in the valley, mystical and imposing, evoking Persian and Moorish architectural styles and reflecting the art and ambitions of its former owner. Church was more than a Hudson River School painter; he was an adventurer and dreamer, bringing the vistas of the world to America within his massive landscape creations. In 1859, when his Heart of the Andes made its New York debut, thousands lined up to soak in its impossible beauty. Victoria Johnson, author of the new biography Glorious Country: How the Artist Frederic Church Brought the World to America and America to the World, has walked in his footsteps — from the Ecuadorian volcano Cotopaxi to the heights of ancient Petra. She joins Greg and Tom on the podcast this week to discuss Church's unusual life — both as a New Yorker and as a daring traveler. After this show, you may never look at a landscape painting the same way again. This show was edited and produced by Kieran Gannon Visit the website to take a look at some of Church's paintings, as well as a list of other Bowery Boys podcasts related to this show. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
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