Podcasts about shakespeare

In this Artist Exploration, Sara Jean Ford from Broadway's The Phantom of the Opera and MTCA Director Charlie Murphy discuss:  Showing colleges “who you are” isn't a gimmick Grow as an artist by letting instead of forcing Diversify your inputs—read plays, watch great work, listen widely Self-discovery is the real audition: knowing what you know, what you want to say, and the stories only you can tell. If you have any questions about the college audition process, feel free to reach out at mailbag@mappingthecollegeaudition.com. If you're interested in working with MTCA for help with your individualized preparation for your College Audition journey, please check us out at mtca.com, or on Instagram or Facebook.  Follow Us!  Instagram: @mappingthecollegeaudition YouTube: @MTCA (Musical Theater College Auditions)  TikTok: @mtcollegeauditions  Charlie Murphy:@charmur7  About MTCA:  Musical Theater College Auditions (MTCA) is the leader in coaching acting and musical theater students through the college audition process and beyond with superlative results. MTCA has assembled a roster of expert artist-educators who can guide students artistically, organizationally, strategically, and psychologically through the competitive college audition process. MTCA provides the tools, resources, and expertise along with a vast and strong support system. They train the unique individual, empowering the artist to bring their true, authentic self to their work. MTCA believes that by helping students reveal their potential it allows each school to connect with those who are truly right for their programs, which in turn guides each student toward their best college fit.  About Charlie Murphy:  Charlie is a proud graduate of Carnegie Mellon University's BFA program. As an Actor he has performed with theaters such as: NY Public Theatre's “Shakespeare in the Park”, The Pearl Theatre Company, Hudson Valley Shakespeare Festival, Chautauqua Theatre Company, Kinetic Theatre Company, and the Shakespeare Theatre of DC. With MTCA [Musical Theater College Auditions -- mtca.com], he has been helping prospective theatre students through the college process for over 15 years. As a Teacher and Director, he is able to do a few of his favorite things in life: help students to find their authentic selves as artists, and then help them find their best fit for their collegiate journey. Through this podcast, he hopes to continue that work as well as help demystify this intricate process. This episode was produced by Meghan Cordier, Kelly Prendergast and Socials by Jordan Rice. Episode theme music is created by Will Reynolds with Additional Vocals from Elizabeth Stanley Learn more about your ad choices. Visit megaphone.fm/adchoices

TVC 714.4: Part 2 of a conversation that began last week with Louise Sorel (Days of Our Lives, Santa Barbara). Louise's new book, If There Were No Dogs: Musings and Mutterings, is a collection of prose pieces and poems drawn from her life, childhood, and career that reveals how Louise navigated a sometimes difficult childhood with emotionally distant parents by discovering the theatre at a young age and through her lifelong love of animals. Topics this segment include the surreal, almost sitcom-like way in which she first met Dame Judith Anderson, one of her co-stars on Santa Barbara (and an accomplished stage actress who was one of Louise's idols long before Santa Barbara); how the works of Shakespeare become easier to understand once you realize that The Bard wrote in language that actors could perform; plus Louise shares a few memories of her marriage to actor Herb Edelman. If There Were No Dogs is available wherever books are sold online through Book Baby and Amazon.com.

This week on The Literary Life podcast, Angelina, Thomas, and Ella continue discussing Brave New World by Aldous Huxley. They begin engaging with the text today by talking more about satire and parody as elements in this story. While recapping the major plot points in these chapters, they go deeper into the character of John the Savage, the ways in which this story is like a distorted reflection of The Tempest and Othello, as well as so many other Shakespeare references. Come back again next week for our final episode in this series as we cover the final chapters of Brave New World! Don't forget to check out our show notes page for links to books mentioned, commonplace quotes, and today's poem! https://theliterary.life/303. 

Welcome to a new series on one of Shakespeare's most delightful and brilliant plays! In this episode, which is about act one, we discuss why it's so beloved, the way Shakespeare's unfurls the story while also offering complex layers of humor, whether you can tell when characters are being honest, Don Pedro's scheming, and much more! Happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

In this episode, Angus Fletcher explains why the human brain doesn't work like a computer and why our deepest strengths come not from logic or data processing but from imagination, emotion, and the ability to invent new futures. Drawing on neuroscience, Shakespeare, evolutionary biology, and his work with U.S. Army Special Operations, Fletcher shows how storytelling is the brain's oldest "technology," why intelligence is rooted in action rather than analysis, and what most people get wrong about creativity and common sense. Angus Fletcher is a professor of story science at Ohio State's Project Narrative, the world's leading academic think tank dedicated to understanding how stories work. He earned his PhD from Yale, conducted postdoctoral research at Stanford, and in 2023 received the U.S. Army's Commendation Medal for his groundbreaking work with Army Special Operations on primal intelligence. He has also written screenplays for major Hollywood studios and networks. His new book is Primal Intelligence: You Are Smarter Than You Know.

Join us as we dive into two scenes featuring Olivia and Viola in Shakespeare's Twelfth Night. In our FINAL session (just 3 weeks this round), we conclude this great series from 2025 focused on the two Olivia/Viola scenes Shakespeare's Twelfth Night. This will also wrap up SEASON 8 of The Working Actor's Journey! New episodes will start again in January...

It's the 750th episode of the History of Literature, and what better way to celebrate than to talk some Hemingway with repeat guest Mark Cirino? In this episode, Jacke talks to Mark about Hemingway's classic love-and-war novel A Farewell to Arms, including the recent Norton Library edition of the book, which Mark edited. PLUS Jacke takes a look at the online contretemps between novelist Joyce Carol Oates and a famous wealthy person. AND graphic biographer Ken Krimstein (Einstein in Kafkaland: How Albert Fell Down the Rabbit Hole and Came Up with the Universe) stops by to discuss his choice for the last book he will ever read. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠. Or visit the ⁠⁠⁠⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠⁠⁠⁠ at ⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Before Shakespeare became a literary icon, he was a working writer trying to earn a living in an emerging and often precarious new industry. In The Dream Factory: London's First Playhouse and the Making of William Shakespeare, Daniel Swift explores the dream of making money from creating art, a dream shared by James Burbage, who built The Theatre, the first purpose-built commercial playhouse in London, and a young Shakespeare. Nobody had ever really done that before, with playwrights at the time notoriously poor. Swift shows that Shakespeare's creativity unfolded in a rapidly changing London where commercial theater was just beginning to take shape. The Theatre offered Shakespeare the stability, a close team of actors and cowriters, and the professional home that he needed to develop his craft. Swift reveals a playwright who was learning on the job and becoming the Shakespeare we know today. From the Shakespeare Unlimited podcast. Published November 18, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. We had technical help from Hamish Brown in Stirling, Scotland, and Voice Trax West in Studio City, California. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Daniel Swift is an associate professor of English at Northeastern University, London. He is the author of books on Ezra Pound, William Shakespeare, and the poetry of the Second World War, and editor of John Berryman's The Heart Is Strange: New Selected Poems. His essays and reviews have appeared in the New York Times, New Statesman, and Harper's.

Our very special guest today is Angus Fletcher, professor of story science at Ohio State's Project Narrative. His research has been called “life-changing” by Brené Brown and “mind blowing” by Malcolm Gladwell; has been endorsed by psychologists, neuroscientists, and doctors such as Martin Seligman and Antonio Damasio; and has been supported by institutions ranging from the National Science Foundation to the Academy of Motion Picture Arts and Sciences. In 2023, he was awarded the Commendation Medal by the U.S. Army for his “groundbreaking research” with U.S. Army Special Operations into primal intelligence. His latest book is called Primal Intelligence: You Are Smarter Than You Know. There are very few books or writers who have affected me as much as Angus and this book have. In the few weeks since I have read it, my coaching has changed. My thoughts about intuition, imagination and emotion have changed. I've watched close to 20 videos featuring Angus on youtube… and I don't typically ever watch that many videos about one person. Dr. Fletcher says that as humans, we think in story, not in words or pictures. He has plenty of research and street cred to back this up. Hollywood studios consult with him regularly. In addition to everything else, he's a screenwriter, and a very compelling author. I could go on and on but that wouldn't leave much time for us to talk, would it? So I will start with something familiar, and soon you will discover how mind-blowingly different some of Angus's groundbreaking ideas are. But first, the amazingly familiar part… Copy is powerful. You're responsible for how you use what you hear on this podcast. Most of the time, common sense is all you need. But if you make extreme claims... and/or if you're writing copy for offers in highly regulated industries like health, finance, and business opportunity... you may want to get a legal review after you write and before you start using your copy. My larger clients do this all the time. 1. A lot of people in the direct marketing community have felt boxed-in by the conventional wisdom that the only true kind of story is a hero's journey. I believe you have a very different point of view about stories, that includes that anatomy of the brain. Could you tell us about it? 2. Let's talk about primal intelligence. When I first found out about your book and before I read it, my guess about primal intelligence was, well, pretty primal. Lizard brain stuff. That is, the animal description that you either mate with something, or you kill it, or you eat it. You have a different and I think much more sophisticated and I would say much more useful definition of primal intelligence and it has to do with four qualities of thinking that have nothing to do with logic. Could you talk about that? 3. Our listeners are copywriters and business owners who use direct response copy in their businesses. Pragmatic creativity is high on the list of capabilities people always want to increase. Could you share your thoughts on what creativity is, from the point of view of primal intelligence? And how to increase our abilities to be creative? 4. In your book there's a surprisingly long list of people, including politicians, scientists and even a famous classical composer, as well as writers, who have mentioned Shakespeare as a major influence in their lives. What is it about Shakespeare's work that is so valuable to all these people? 5. Can you give us some more tips about using stories in our content and advertising that will capture people's attention and help us with our businesses? 6. Tell us about your work with Army special operators? 7. Would you like to give us a preview of the book Primal Intelligence? Links: Primal Intelligence https://www.amazon.com/Primal-Intelligence-Smarter-Than-Know/dp/0593715306 Angus's LinkedIn Address https://www.linkedin.com/in/angus-fletcher-99713617/ Download.

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act IV Scene vi - Lear enters, at a new level of madness. Written and presented by Conor Hanratty

Back for its 37th year, the Fall Festival of Shakespeare includes nearly 500 students from 10 schools in Massachusetts and New York, supported by a cadre of 20 Shakespeare & Company directors, six costume designers, and five production designers.Also, Shakespeare & Company's family-friendly Winter Show returns December 12 – 14th with Sense and Sensibility: a fast-paced, staged reading wherein the wit and romance of Jane Austen's classic tale come to life.

Episode 195 Last time I completed my review of ‘Hamlet', although it is probably wrong to say that one's thoughts on Hamlet are ever complete. I am not alone in finding that every time I see the play, and it is I think, as it is for many, the Shakespeare play I have seen most often, I find something new in it to think on. To complete this quartet of episodes on the play we have the second part of my conversation with Colin David Reese about the play and in this segment, which is much shorter than the previous conversation, we focussed on the character of Polonius, although as you will near Colin also brought in other thoughts generated by the play and his knowledge of other Shakespeare plays. I certainly was not expecting to hear about ‘The Taming of the Shrew' in the context of this conversation, but I'm glad we went there and it just illustrates how any Shakespeare conversation can lead you to all sorts of places. Before we get to Colin's thoughts, I thought I would share with you some of the views of the play and Polonius from critics and commentators from the past. This is, of course, a tiny selection given the vast amount that has been written about Hamlet, but they are pieces that I have come across and found particularly interesting. If this piques your interest in Shakespeare criticism through time I have produced a series on that very subject for members on Patreon where I traced criticism and praise for Shakespeare from the praise poems in the First Folio to the 19th century romantics. To find out more about that just pop over to the website or to patreon.com.John DrydenSamuel JonsonSamuel Taylor ColeridgeWilliam HazlittA C BradleyColin Dave Reese on PoloniusColin's Website and access to ‘Shakespeare Unbound: A Gift to the Future': https://shakespeareunbound.orgSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

When we imagine Elizabethan dining tables, we might picture roast meats, trenchers of bread, or tankards of ale. But lurking beneath the surface of rivers, marketplaces, and even the economy itself was a creature so valuable that it could pay rent, feed a nation, and still appear in Shakespeare's humor — the eel.Eels once filled England's rivers in such massive quantities that they became a crucial source of protein for the poor and a delicacy for the wealthy. They appear in legal documents, household accounts, market records, and yes — in Shakespeare's plays. In Love's Labour's Lost, Don Adriano says:“What, that an eel is ingenious?” — Love's Labour's Lost (I.2)Today we'll discover just how ingenious eels really were.This week, I'm speaking with Dr. John Wyatt Greenlee — medievalist, cartographic historian, and the internet's favorite eel enthusiast — to explore the culinary, economic, and cultural world of eels in Shakespeare's England. From eel rents and floating aquarium-ships to eel pies and insult comedy, we're diving into how this slippery fish shaped daily life in the world Shakespeare lived in. Hosted on Acast. See acast.com/privacy for more information.

If you like Shakespeare, and if you like puns, you will be in ecstasy by the time you've finished today's crossword. And even if you are not a huge fan, we predict that you'll find this crossword to be a hoot. What makes it so special, you ask? Check out today's podcast, where all will be revealed!Show note imagery: The logo of TCM, Turner Classic MoviesWe love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

Merriam-Webster's Word of the Day for November 16, 2025 is: writhe • RYTHE • verb To writhe is to twist one's body from side to side. The word is often used when the body or a bodily part is twisting in pain. // The injured player lay on the football field, writhing in pain. // At the instruction of their teacher, the children rolled the fallen log aside to reveal worms and other small critters writhing in the soft earth. See the entry > Examples: “The creatures named after writers are mostly bugs, which makes sense. There are a lot of those little guys writhing around, and I imagine most of them escaped our attention for long enough that science had to start reaching for new names. And a lot of them are wasps: Dante has two wasps named after him; Marx has two, Didion has one, Dickens has two, Zola has two, Thoreau has seven, and Shakespeare has three wasps and a bacterium. Nabokov has a lot of butterflies, naturally.” — James Folta, LitHub.com, 25 Aug. 2025 Did you know? Writhe wound its way to us from the Old English verb wrīthan, meaning “to twist,” and that ancestral meaning lives on in the word's current uses, most of which have to do with twists of one kind or another. Among the oldest of these uses is the meaning “to twist into coils or folds,” but in modern use writhing is more often about the physical contortions of one suffering from debilitating pain or attempting to remove oneself from a tight grasp (as, say, a snake from a hawk's talons). The word is also not infrequently applied to the twisting bodies of dancers. The closest relation of writhe in modern English lacks any of the painful connotations often present in writhe: wreath comes from Old English writha, which shares an ancestor with wrīthan.

Jemma Deer's Radical Animism: Reading for the End of the World (Bloomsbury Academic Press, 2020) invites the reader to take a moment and to ponder on the way of reading. In her book, the author challenges the narcissistic position of the human being: a status that has been established for some time and which has already been challenged before but does not seem to be changing quickly. The Anthropocene reveals the dangers which are connected to the human centrality and power; on the other hand, it requires new ways of engaging with the environment. These new ways are not limited to the gestures of consideration in relation to the profound changes that led to climate change in particular. They ask for a new mode of thinking when the inanimate is part and parcel of the human being. In this regard, Jemma Deer draws attention to reading and writing as ways and modes of engaging with the inanimate and with the environment that serves as a habitat for the acts of reading and writing. The book offers strategies for reading literary texts across cultures and times: the works by Shakespeare, Lewis Carroll, Virginia Woolf reveal new echoes in the context of the Anthropocene. Radical Animism is a gentle invitation to abandon human superiority and to explore the ways that subvert a conventional hierarchy of the human and the non-human. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Jemma Deer's Radical Animism: Reading for the End of the World (Bloomsbury Academic Press, 2020) invites the reader to take a moment and to ponder on the way of reading. In her book, the author challenges the narcissistic position of the human being: a status that has been established for some time and which has already been challenged before but does not seem to be changing quickly. The Anthropocene reveals the dangers which are connected to the human centrality and power; on the other hand, it requires new ways of engaging with the environment. These new ways are not limited to the gestures of consideration in relation to the profound changes that led to climate change in particular. They ask for a new mode of thinking when the inanimate is part and parcel of the human being. In this regard, Jemma Deer draws attention to reading and writing as ways and modes of engaging with the inanimate and with the environment that serves as a habitat for the acts of reading and writing. The book offers strategies for reading literary texts across cultures and times: the works by Shakespeare, Lewis Carroll, Virginia Woolf reveal new echoes in the context of the Anthropocene. Radical Animism is a gentle invitation to abandon human superiority and to explore the ways that subvert a conventional hierarchy of the human and the non-human. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Jemma Deer's Radical Animism: Reading for the End of the World (Bloomsbury Academic Press, 2020) invites the reader to take a moment and to ponder on the way of reading. In her book, the author challenges the narcissistic position of the human being: a status that has been established for some time and which has already been challenged before but does not seem to be changing quickly. The Anthropocene reveals the dangers which are connected to the human centrality and power; on the other hand, it requires new ways of engaging with the environment. These new ways are not limited to the gestures of consideration in relation to the profound changes that led to climate change in particular. They ask for a new mode of thinking when the inanimate is part and parcel of the human being. In this regard, Jemma Deer draws attention to reading and writing as ways and modes of engaging with the inanimate and with the environment that serves as a habitat for the acts of reading and writing. The book offers strategies for reading literary texts across cultures and times: the works by Shakespeare, Lewis Carroll, Virginia Woolf reveal new echoes in the context of the Anthropocene. Radical Animism is a gentle invitation to abandon human superiority and to explore the ways that subvert a conventional hierarchy of the human and the non-human. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

In this powerful episode of the BIG Home Ed Conversations Podcast, Kelly and Ashley sit down with author, educator and neurodivergent advocate Helen Daniel to unpack ableism in the education system through the lens of SEND and neurodivergence. Drawing on Helen's experience as a teacher, academic and author of Neurosensory Divergence: Autistic Languages, they explore how a system built on standardisation often fails autistic and otherwise neurodivergent children – and what more equitable, sensory-aware education could look like, both in school and in home ed. Together they dive into: How curriculum changes and raised targets (times tables, Shakespeare, early formal writing) pushed more neurodivergent children “outside the norm.” Why standardisation is the enemy of equity – and why one-size-fits-all schooling doesn't work for diverse brains. EHCPs, SEND provision and why the system feels broken for so many families. Sensory profiles, overload and meltdowns: what's really going on beneath “behaviour.” Practical examples of small, powerful accommodations (movement, video learning, headphones, flexible seating.) How home ed groups can unintentionally replicate ableism – and how to design more inclusive spaces. Teaching all children (ND and NT) compassion, curiosity and respect for different needs. This is a validating, eye-opening listen for: Parents of autistic, ADHD, PDA or otherwise neurodivergent children. Home educating families navigating SEND needs. Teachers who feel the system is wrong but don't know how to change it. Any parent wanting to raise more compassionate, neuro-affirming kids. Guest Spotlight: Find Helen's book Neurosensory Divergence: Autistic Languages in all the usual places for a deeper dive into sensory processing, autistic communication and building truly equitable lives for autistic children. Find Helen at https://outsidetheboxsensory.com/ or on social media @otbsensory. (New website coming soon though!) Join the conversation: Has this episode resonated with your family's experience of SEND or neurodivergence? Share your stories or questions with us on Instagram or TikTok @bighomeedpodcast, or head to the blog www.offroadingmotherhood.co.uk/blog for more resources and episode notes. Keywords: SEND and ableism, neurodivergent children, autism and education, EHCPs UK, sensory needs in school, home education UK, inclusive home ed, trauma-informed education, alternative education, autistic-friendly learning, neurosensory divergence

Macbeth sees Banquo's Ghost sitting in his chair at the banquet. This drives him back to the witches, who show him three Apparitions that give him three riddling oracles that, once again, he interprets according to what he wants to hear.

Host Natalie Grueninger speaks with Emma Rutherford and Dr Elizabeth Goldring about the freshly authenticated Nicholas Hilliard portrait miniature, likely depicting Henry Wriothesley, 3rd Earl of Southampton. The episode covers stylistic and technical evidence, costume comparisons, family provenance, and the discovery of a defaced playing card on the reverse. Guests discuss the miniature's emotional context, its possible ties to Shakespeare and the sonnets, and why this intimate find matters for Tudor art, patronage, and literary history. VISIT THE LIMNER COMPANY https://www.portraitminiature.com/ LEARN MORE ABOUT DR ELIZABETH GOLDRING https://warwick.ac.uk/fac/arts/ren/centrestaff/elizabethgoldring/ Find out more about your host at https://www.nataliegrueninger.com Support Talking Tudors on Patreon!  

Horror! Medo! Desespero! Tóxicoooo! No episódio 795 do Podtrash recebemos Flavio de Castro, representante oficial da Troma na América Latina, para uma celebração radioativa da adaptação de Shakespeare mais tóxica da história do cinema: Tromeo & Juliet! E direto dos esgotos apaixonados da Troma, revisamos o clássico escrito por James Gunn (sim, ele mesmo) e […]

In the latest episode of Sausage On A Fork, we're joined by Julia Goodman aka Mrs Pearson. Julia tells us how she practically gave herself a part in a Shakespeare play at the age of 6; how her own life mirrored what Mrs Pearson was going through on Grange Hill and how Mrs Pearson's hair ruined the continuity on Grange Hill!

Sharing the special passages from Twelfth Night by Shakespeare.

Do we really need to read Shakespeare? I thought all of the books were read during morning lessons. Upper elementary literature lessons in a Charlotte Mason curriculum may just surprise you. Join us today in the podcast to find out all the details. Charlotte Mason, Volume 6 (Amazon) (Living Book Press - use code DELECTABLE for 10% off!) ADE Vol 6, Chapt 10 Reading List Heroes of Asgard by Annie and Eliza Keary (black and white or color) The Age of Fable by Thomas Bullfinch Shakespeare (Folger and Oxford Editions) ADE Literature: Forms 1-2 Breakdown ADE Shakespeare Planner Episode 38: Shakespeare Episode 135: Shakespeare Immersion Lesson ADE on YouTube  

Merriam-Webster's Word of the Day for November 14, 2025 is: heyday • HAY-day • noun Heyday refers to the period of one's greatest popularity, vigor, or prosperity. It is usually used in the singular. // In its heyday, the circus was a major form of entertainment for the small town. See the entry > Examples: "In its heyday, there were more than 200 Chi-Chi's nationwide; the last restaurant closed in 2004." — Nicole Hvidsten, The Minnesota Star Tribune, 1 Oct. 2025 Did you know? The day in heyday originally had nothing to do with the kind of day that's made up of 24 hours. Heyday was first used in the first half of the 16th century as an extended form of the interjection hey, used since the 13th century to express elation or wonder, as it still often is in phrases like "hey, look at that!" The day part was most likely just an extra syllable tagged on for effect. By the end of the 16th century heyday had developed noun use with the meaning "high spirits," as when Shakespeare's Hamlet tells his mother, "You cannot call it love; for at your age / The heyday in the blood is tame …” It wasn't until the 18th century that the day syllable's resemblance to the word day likely influenced the development of the now-familiar use referring to the period when one's achievement or popularity has reached its zenith.

From Truman Capote to Mr Bates, Toby Jones has built a career on disappearing- an actor whose transformations are so complete they can seem alchemical. But behind that versatility lies a story of inheritance, self-doubt and quiet rebellion. The son of two actors, Toby grew up watching his father's unpredictable career and vowing never to feel so exposed to fate. Yet the pull of performance, and the curiosity that drives it, proved impossible to ignore.In this episode of Full Disclosure, James O'Brien sits down with the actor to trace the path from an Oxford childhood to radical student politics in 1980s Manchester and a life-changing spell at a Paris theatre school that taught him never to wait for permission to create. They talk about class, curiosity, and the discipline of transformation; about how he's learned to find meaning rather than momentum in his work; and why humility, not ambition, has been his most enduring guide.It's a conversation about vocation and value- how an artist keeps searching for truth in an industry built on illusion, and why, for Toby Jones, the work itself has always mattered more than where it leads.An explosive new production of Othello at the Theatre Royal Haymarket stars David Harewood as Othello, Toby Jones as Iago and Caitlin FitzGerald as Desdemona- a gripping retelling of Shakespeare's epic story of manipulation, jealousy, power and desire. Find out more about the production here

Curses have long animated literature. Cassandra labors under a curse in “The Iliad.” Although her prophecies are true, she is never believed. Shakespeare's “Romeo and Juliet” endure the curse of a tragic fate, predetermined, in part, because their families despise each another. In Oyinkan Braithwaite's long awaited second novel, “Cursed Daughters,” generation after generation of women are cursed to lose their true loves. This week on Big Books and Bold Ideas, Kerri Miller welcomes Braithwaite back to the MPR airwaves for a conversation about curses and karma. Can a curse can be eluded, or does it become a kind of self-fulfilling prophecy? What if ancestors refuse to acknowledge a curse? Would it disappear? Or is a curse of kind of generational trauma, passed down from family to family until someone steps into the gap and breaks it? Guest: Oyinkan Braithwaite is the author of the best-selling, “My Sister, The Serial Killer.” Her new novel is “Cursed Daughters.” Subscribe to the Thread newsletter for the latest book and author news and must-read recommendations.Subscribe to Big Books and Bold Ideas with Kerri Miller on Apple Podcasts, Google Podcasts, RSS or anywhere you get your podcasts.

To be completely honest, this episode came directly out of the fact that Owen had a colonoscopy the day we recorded.However, we stand by it - there are TONS of ass reams in the Shakespeare canon. People are always yelling at each other. That's what we're discussing today. Short and sweet. Can you think of any we missed?To send us an email - please do, we truly want to hear from you!!! - write us at: thebardcastyoudick@gmail.com To support us (by giving us money - we're a 501C3 Non-Profit - helllloooooo, tax deductible donation!!!) - per episode if you like! On Patreon, go here:  https://www.patreon.com/user?u=35662364&fan_landing=trueOr on Paypal:https://www.paypal.com/donate/?hosted_button_id=8KTK7CATJSRYJWe also take cash!   ;DTo visit our website, go here:https://www.thebardcastyoudick.comTo donate to an awesome charity, go here:https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-reliefLike us? Don't have any extra moolah? We get it! Still love us and want to support us??   Then leave us a five-star rating AND a review wherever you get your podcasts!!

In this powerful episode, we talk with Dr. Allan Mosher, a theater professor whose life was transformed through the power of Scripture memory. From performing Shakespeare to performing the Book of Revelation from memory, Dr. Mosher discovered how bringing the Bible to life on stage brought him closer to God.He shares his journey from actor to believer, how memorizing Scripture deepened his faith, and why speaking the Word aloud can ignite spiritual transformation. Whether you're new to Bible memorization or looking for motivation to dive deeper, this conversation will inspire and equip you to make God's Word part of your daily life.➡️ Learn more about Dr. Mosher and his ministry: biblicalrecitations.com/bio ➡️ Explore tools and community for Scripture memory: scripturememory.com

In one of our most absolutely jam-packed Monthly Stuff installments to date, we live up to our moniker with a long discussion of teaching stories and curriculum planning (but it's fun, we promise) before moving on to talk about the avalanche of games we've playing recently, including Ghost of Yōtei, Pokémon Legends Z-A, Hades II, Super Robot Wars Y, and the Dragon Quest I & II HD-2D Remake. Before all that, we discuss some recent news, including updates on Doctor Who, Halo, and One Piece, and we end the show with perhaps our best Monthly Ten segment to date, in which Sean Chapman, who had never listened to a Taylor Swift song before this month, imagines 10 future Taylor Swift songs based on dark and upsetting plot points in William Shakespeare plays. It's a blast. Enjoy! TIME CHART:Intro: 0:00:00 – 0:04:48News: 0:04:48 – 0:54:29School Stories: 0:54:29 – 1:51:30Robert Eggers' Nosferatu: 1:51:30 – 2:07:45Plur1bus: 2:07:45 – 2:14:40Ghost of Yōtei: 2:14:40 – 2:27:04Hades II: 2:27:04 – 2:35:35Pokémon Legends ZA: 2:35:35 – 2:54:30Super Robot Wars Y: 2:54:30 – 3:01:25Dragon Quest I & II HD-2D Remake: 3:01:25 – 3:07:14The Monthly Ten: 3:07:14 – 3:31:16 Read Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to JAPANIMATION STATION, our podcast about the wide and wonderful world of anime: https://japanimationstation.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vKSubscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation Purely Academic: https://www.youtube.com/@purelyacademicpodcastSupport the show at Ko-fi ☕️ https://ko-fi.com/weeklystuffOriginal Music by Thomas Lack https://www.thomaslack.com/©2012 - Present Jonathan R. Lack & Sean Chapman

"All that glitters is not gold", "Do or do not, there is no try". The first quote is from Shakespeare, and the other is from Yoda. Both are examples of aphorisms, a form of expression you don't hear much anymore. According to this author, they're making a comeback.Joining Seán to discuss is James Geary, author of ‘The World in a Phrase: A Brief History of The Aphorism'.

"¿Deberíamos elegir la muerte por no ser capaces de olvidar nuestras discrepancias? Recuerden su humanidad y olviden", escribió Albert Einstein Te invitamos a escuchar esta conversación sobre la paz en la edad atómica, las armas de destrucción masiva y otros temas. Una historia sobre Einstein en la era atómica: el científico cuyas estructuras en la física nacieron de la necesidad de comprender el universo, no de diseñar tecnologías de guerra y muerte. ¿Cómo terminó su ecuación más famosa, E = mc², pensada para explorar la relación entre masa y energía, convertida en icono de la bomba atómica? Mucho después de que él la formulara, ciertas interpretaciones la vincularon ilegítimamente con la destrucción masiva, aunque su papel en la bomba no estuvo en la tecnología ni en el desarrollo de las armas, sino en el terreno de la asesoría política. Sabía también que el conocimiento puede mostrarnos un mundo frío y austero, donde el ser humano no goza de ningún privilegio frente a las demás fuerzas de la naturaleza. Por eso insistía en los valores, en la libertad que hace posibles a Shakespeare, Goethe, Newton, Faraday o Pasteur. Invitado: JAIRO IBARBO SEPÚLVEDA, maestro e investigador en matemática, lógica y filosofía de las ciencias.

What a week Sarah Crompton and Alex Wood have had! Not only did they have a trip to Panem to sample the stage adaptation of The Hunger Games (the results left a lot to chew on), but Sarah's been down to Middle Temple Hall to celebrate a brand new initiative to help make Shakespeare more accessible in schools, courtesy of the Foyle Foundation and the RSC (with a helping hand from Helen Mirren, Adjoa Andoh and Ian McKellen). Meanwhile, Alex has been chatting all things new seasons with Alan Cumming, who just unveiled his brand new programme at Pitlochry Festival Theatre Hosted on Acast. See acast.com/privacy for more information.

🚀 'El Club de los Viudos Negros', de Asimov. CENA DE noviembre 🍷🍰 📍 Ristorante Casa Milano – Milano, Italia 🧭 Coordenadas: 45°28'19.8"N 9°12'06.4"E En "Temprano, un domingo por la mañana" investigan el asesinato de la hermana de Mario. Isaac Asimov los creó como un homenaje al placer de conversar, al arte de observar y a la deliciosa costumbre de no quedarse con la primera respuesta. Acomódate. El vino está servido. La cena va a comenzar. Y tú… Tú también estás invitado. Un círculo discreto de seis caballeros que se reúnen una vez al mes, siempre en el mismo restaurante, siempre en la misma mesa, y siempre con una única regla: cada cena debe tener un invitado, y ese invitado debe estar dispuesto a hablar y a ser interrogado. 🕷🕷🕷🕷🕷🕷🕸 Los Viudos Negros son un club de seis hombres que se reúnen una vez al mes en un reservado del restaurante Milano de Nueva York. Cada noche uno de ellos preside el encuentro y tiene el derecho de llevar un invitado, al que interrogan. Al principio sólo se reunían para comer y conversar pero últimamente uno de ellos plantea algún tipo de problema o delito. Los miembros del club buscan respuestas complejas a los enigmas planteados y luego Henry, el camarero, descubre la simple verdad. El club está formado por:🍷🍷🍷🍷🍷🍷 Geoffrey Avalon, Jeff. Alto y delgado, espesas cejas negras, bigote recortado y barbita gris. Fue oficial durante la II Guerra Mundial y trabaja como abogado en derecho patentario. Mario Gonzalo, pintor y gran artista. Thomas Trumbull. Rostro moreno y arrugado, permanentemente descontento. Experto en códigos, alto consejero del gobierno. Emmanuel Rubin, Manny. Bajito, mide 1,55, barba rala, lentes gruesos. Fue predicador adventista con 15 años y conoce bien la Biblia. Está casado y es escritor de novelas policíacas. James Drake. Bigote. Vive en New Jersey. Especialista en química orgánica con amplios conocimientos en literatura. Roger Halsted, calvo. Profesor de matemáticas en una escuela secundaria. Escribe la Ilíada en quintillas y todos los meses les recita una estrofa. Es miembro de los Irregulares de Baker Street. Henry Jackson, el camarero. Unos 60 años, sin arrugas. Es humilde y honrado. Entre ellos se llaman doctores y si uno es doctor de carrera le denominan doctor doctor. Para ayudarse en sus investigaciones cuentan con diccionarios, biblias y las obras de Shakespeare en su biblioteca. Comenzamos... ¿alguna pregunta? Y recuerda que puedes seguirnos en Telegram, YouTube, Instagram y X, y si este podcast te acompaña, te inspira o te gusta lo que hago, puedes hacerte fan y apoyar la nave. Tu energía mantiene viva esta aventura sonora.🚀 Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!! Voz y sonido Olga Paraíso, Música epidemic sound con licencia premium autorizada para este podcast. BIO Olga Paraíso: https://instabio.cc/Hleidas 🖤 PLAYLIST EL CLUB DE LOS VIUDOS NEGROS EN Ivoox https://go.ivoox.com/bk/11290149 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Our favorite station commander is back to tell you all about two new shows created by Wolf 359 alumni: series creator Gabriel Urbina's new fiction podcast The Harbingers and lead actress Emma Sherr-Ziarko's new Shakespeare podcast Pod's The Thing! The Harbingers tells the story of Adam Blackwell and Amy Stirling - the first two people in the modern world to figure out how to do real magic. This feat instantly turns them into the world's two most famous, most recognizable people - which would be hard enough by itself, even if Adam and Amy didn't fundamentally disagree about how one is supposed to use magic. Oops. Oh, and also they have a history together: they briefly dated back when they were in the same grad school program. Oops again. Equal parts political thriller, modern fantasy adventure, and intimate romantic drama, The Harbingers is an exploration of what it means to have and to use power in the modern world. New episodes come out every two weeks on Thursdays. Apple Podcasts Spotify Pocketcasts Website Meanwhile, Pod's the Thing is a Shakespeare Podcast created by actors that shows a glimpse behind the curtain into the process of working on Shakespeare's Text. Whether you're also an actor, a Shakespeare enthusiast, or you're new to the Bard, you're bound to learn something new, laugh a lot, and maybe even be moved. Each episode is part conversation and part performance, as we dive into one Shakespearean scene at a time. We'll talk through the language, historical context, and our experience with the play, and then put all that together and perform the scene. Featuring Emma Sherr-Ziarko, Felix Trench, Beth Eyre, Calder Shilling, and a variety of other actors, directors, scholars, and Shakespeare enthusiasts from around the Globe, Pod's The Thing explores what has made Shakespeare moving, fun, and eternally relevant for generations of actors and fans. New episodes come out every two weeks on Wednesdays. Apple Podcasts Spotify Pocketcasts Website Learn more about your ad choices. Visit megaphone.fm/adchoices

Henry VIII's commanding gaze, Thomas More's intellect, Anne of Cleves' cautious poise; Hans Holbein's portraits didn't just depict the Tudors, they defined them. His astonishing realism gave us not just faces but personalities. But how do we truly know the artist behind the art?Professor Suzannah Lipscomb welcomes back Dr. Elizabeth Goldring, whose groundbreaking research using cutting-edge technology and scientific analysis has uncovered the secrets beneath Holbein's paint layers, revealing hidden colours, lost details, and radical working methods.Shakespeare's Male Muse: A Mystery Solved?A Tudor Mystery: The Girl Who Could Be QueenPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on Hosted on Acast. See acast.com/privacy for more information.

When Hamlet, in his famous soliloquy, pondered the "dread of something after death, / the undiscovered country," he noted that such thoughts "puzzles the will." (Earlier editions of the play had this as a "hope of something after death" that "puzzles the brain." What's the significance for an Elizabethan writer (and audience) of the change from hope to dread? And from brain to will? In this episode, Jacke talks to Douglas Clark (The Will in English Renaissance Drama) about the moments of willing and will-making in English Renaissance drama, and how those moments play a crucial role in the depiction of selfhood, sin, sociality, and succession. PLUS Jacke takes a look at #7 on the list of the Greatest Books of All Time. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠. Or visit the ⁠⁠⁠⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠⁠⁠⁠ at ⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

An edited version of this conversation is now available as part of our collaboration with The Yale Review. Read it here: https://yalereview.org/article/shakespeare-and-company-interview-miriam-toewsTrigger warning: This is a tender, funny, and hopeful conversation, that inevitably touches on the subjects of suicide and depression. Please be advised before listening.In this moving and intimate discussion, Miriam Toews joins Adam Biles at Shakespeare and Company to talk about her memoir A Truce That Is Not Peace. Beginning with the question “Why do I write?”, Toews embarks on a deeply personal exploration of creativity, doubt, family, and loss. She reflects on her Mennonite upbringing, the deaths of her father and sister, and the ways in which writing—and laughter—have helped her make sense of pain and love. With warmth, wit, and clarity, Toews examines the limits of narrative, the pull of silence, and the stubborn hope that persists in the face of despair. A meditation on grief, rebellion, and the meaning of home, this is a conversation about how to keep living, and how to keep creating, when life itself resists coherence.Buy A Truce That Is Not Peace: https://www.shakespeareandcompany.com/books/a-truce-that-is-not-peace*Miriam Toews is the author of the bestselling novels Women Talking, All My Puny Sorrows, Summer of My Amazing Luck, A Boy of Good Breeding, A Complicated Kindness, The Flying Troutmans, Irma Voth, Fight Night and one work of nonfiction, Swing Low: A Life. She is the winner of the Governor General's Award for Fiction, the Libris Award for Fiction Book of the Year, the Rogers Writers' Trust Fiction Prize and the Writers' Trust Engel/Findley Award. She lives in Toronto.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

durée : 00:13:01 - Le Cours de l'histoire - par : Xavier Mauduit - De Jorge Luis Borges à Julia Kristeva en passant par Shakespeare, les écrivain(e)s et les poètes prouvent sans cesse le pouvoir des mots face à la violence du monde. - réalisation : Benjamin Hû

A limited-edition rye whiskey from High West Distillery that continues its annual winter release series, which is inspired by Shakespeare's play. The 2025 release was crafted from a blend of straight rye whiskeys and finished in ruby and tawny port barrels, resulting in a luxurious, fruit-forward whiskey with notes of spice, plum, and dried fruit.  Cheers!

Register for the Austin listener meetup Donald S. Lopez Jr. is among the foremost scholars of Buddhism, whose work consistently distinguishes Buddhist reality from Western fantasy. A professor at the University of Michigan and author of numerous essential books on Buddhist thought and practice, he's spent decades studying Sanskrit and Tibetan texts, including a formative year spent living in a Tibetan monastery in India. His latest book, The Buddha: Biography of a Myth, tackles the formidable challenge of understanding what we can actually know about the historical Buddha. Tyler and Donald discuss the Buddha's 32 bodily marks, whether he died of dysentery, what sets the limits of the Buddha's omniscience, the theological puzzle of sacred power in an atheistic religion, Buddhism's elaborate system of hells and hungry ghosts, how 19th-century European atheists invented the "peaceful" Buddhism we know today, whether the axial age theory holds up, what happened to the Buddha's son Rahula, Buddhism's global decline, the evidently effective succession process for Dalai Lamas, how a guy from New Jersey created the Tibetan Book of the Dead, what makes Zen Buddhism theologically unique, why Thailand is the wealthiest Buddhist country, where to go on a three-week Buddhist pilgrimage, how Donald became a scholar of Buddhism after abandoning his plans to study Shakespeare, his dream of translating Buddhist stories into new dramatic forms, and more. Read a full transcript enhanced with helpful links, or watch the full video on the new dedicated Conversations with Tyler channel. Recorded October 6th, 2025. Other ways to connect Follow us on X and Instagram Follow Tyler on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here.

Can Stephen A Smith name more Seahawks players or can Lyle name more Shakespeare stories? Brock and Salk start the hour with a game and put that to the test by reacting to Stephen A Smith sound talking about the Seahawks and having Lyle try to name Shakespeare stories. Then, they go Around The NFL with a variety of football topics.

The Garbage Heist and the Fire Truck Joyride When it comes to dumb criminal stories, this week's episode of The Shallow End Podcast might just take the trash-covered cake. JG and Linds explore two jaw-dropping tales of grand theft municipal—one featuring a pair of Alabama geniuses who used a stolen garbage truck as their getaway vehicle in an ATM heist gone gloriously wrong, and another involving an Australian man who took a fire truck for a joyride… sirens blazing. From sparks flying down Birmingham streets to a cross-jurisdiction chase through New South Wales, it's a masterclass in bad ideas—where optimism bias meets municipal machinery. The guys dissect what drives people to commit felonies in the least stealthy vehicles possible and find surprising poetry (and Shakespeare) in the stupidity. Plus, listener mail brings a “petrified wood curse,” an unexpected toddler interruption during mommy and daddy time, and a conversation about Maine slang that'll make you rethink your “door yard.” Learn more about your ad choices. Visit megaphone.fm/adchoices

We've been sitting on this idea for a while, but with Chloe Zhao's Oscar hopeful Hamnet opening this month, it seemed like as good a time as any to finally move forward with one of the biggest topics a film podcast can tackle: big-screen adaptations of the work of Elizabethen/Jacobean playwright William Shakespeare, the most-adapted writer in film history on top of being the most famous name in the history of both English drama and English literature. Such a grand subject deserves a bigger crowd, so this week, Tim is joined by no fewer than three Alternate Ending regulars: Gavin McDowell, Brian Fowler, and Caleb Wimble. Together they discuss what makes a good Shakespeare movie, what we should do with adaptations that discard the original text, and why there are such a disproportionately high number of good Macbeths. Before the main event, our regular movie roundtable covers a wide range of movies, as wide as the number of genres good old Billy S. touched on his career: Brian has caught up with Black Phone 2, Gavin celebrates Armistice Day with nice, pleasant WWI/Armenian genocide movie, 2016's The Promise, Caleb has checked out the brand-new Predator: Badlands, and thanks to Patreon supporter Robin Zimmerman, Tim is here to discuss 2015 cult film Turbo Kid.

In this College Deep Dive, Jonathan Shandell and Kathryn Petersen the Co-Program Director of Theater at Arcadia University chat with MTCA Director Charlie Murphy about:  Where do you want to live on the Acting to MT spectrum? A reminder that the process isn't so binary!  Higher Education is shifting with new “experience-based” learning like study abroad & summer programs. Choose a school that lets you grow and change, not one that boxes you in. Arcadia shows how program continuity and collaboration can make all the difference. If you have any questions about the college audition process, feel free to reach out at mailbag@mappingthecollegeaudition.com. If you're interested in working with MTCA for help with your individualized preparation for your College Audition journey, please check us out at mtca.com, or on Instagram or Facebook.  Follow Us!  Instagram: @mappingthecollegeaudition YouTube: @MTCA (Musical Theater College Auditions)  TikTok: @mtcollegeauditions  Charlie Murphy:@charmur7  About MTCA:  Musical Theater College Auditions (MTCA) is the leader in coaching acting and musical theater students through the college audition process and beyond with superlative results. MTCA has assembled a roster of expert artist-educators who can guide students artistically, organizationally, strategically, and psychologically through the competitive college audition process. MTCA provides the tools, resources, and expertise along with a vast and strong support system. They train the unique individual, empowering the artist to bring their true, authentic self to their work. MTCA believes that by helping students reveal their potential it allows each school to connect with those who are truly right for their programs, which in turn guides each student toward their best college fit.  About Charlie Murphy:  Charlie is a proud graduate of Carnegie Mellon University's BFA program. As an Actor he has performed with theaters such as: NY Public Theatre's “Shakespeare in the Park”, The Pearl Theatre Company, Hudson Valley Shakespeare Festival, Chautauqua Theatre Company, Kinetic Theatre Company, and the Shakespeare Theatre of DC. With MTCA [Musical Theater College Auditions -- mtca.com], he has been helping prospective theatre students through the college process for over 15 years. As a Teacher and Director, he is able to do a few of his favorite things in life: help students to find their authentic selves as artists, and then help them find their best fit for their collegiate journey. Through this podcast, he hopes to continue that work as well as help demystify this intricate process. This episode was produced by Meghan Cordier, Kelly Prendergast and Socials by Jordan Rice. Episode theme music is created by Will Reynolds with Additional Vocals from Elizabeth Stanley Learn more about your ad choices. Visit megaphone.fm/adchoices

The Wars of the Roses began their final spasm, and in this chapter we explore how Richard, Duke of Gloucester, Lord Protector of England, sitting in the mansion of a rich London Grocer near Bishopsgate, would, over a series of a few weeks, turn into Richard III, King of England. But more than the traditional narrative, it is an exploration of London in those weeks- what did they hear, what did they see, and above all, how did they respond. From mobs pouring into Westminster Abbey, to a significant moment of silence in the Guildhall, from crowds listening in stunned silence around St Paul's Cross, to cheering the coronation, London witnessed and partook in all events. How loyal were they to this man? Were they indeed, as Shakespeare later called them, his ‘duteous citizens'? Cover contains a detail of The Princes in the Tower by John Everett Millais (1878).

Welcome back to The Literary Life podcast and our series on Aldous Huxley's Brave New World. Angelina Stanford, Thomas Banks, and Ella Hornstra open the conversation by sharing their commonplace quotes, then jump into the book discussion with some connections between Huxley and Lewis Carroll and how Brave New World is like Alice in Wonderland. Angelina also teaches about the medieval conception of the tripartite soul and how it relates to this story, as well as making some distinctions between literary satire and parody. They talk about more of the pictures of Freudian principles as illustrated in this society, as well as the way in which the characters live like machines. Ella goes into a little introductory information on Shakespeare's The Tempest and its connections to Brave New World to keep in mind as we continue reading. Don't forget to check out this coming year's annual Literary Life Online Conference, happening January 23-30, 2026, "The Letter Killeth, but the Spirit Quickeneth: Reading Like a Human". Our speakers will be Dr. Jason Baxter, Jenn Rogers, Dr. Anne Phillips, and, of course, Angelina Stanford and Thomas Banks. Also, we are excited to announce the upcoming spring course with Dr. Michael Drout, Viking and Old Norse Culture. Learn more and register at HouseofHumaneLetters.com. To view the full show notes for this episode, including book links, quotes and more, please visit https://theliterary.life/302. 

It's always a delight when Rev David Parry materializes at the Virtual Alexandria. We'll discuss the Gnosis found in the Catholic Mass, as outlined in his new book, Cultivating Presence. We'll go even deeper, exploring theatrical poetry, the neofolk arts movement, and their relationship to contemporary miracle and mystery traditions. Expect a deep dive into modern Valentinian theology, Elvis Presley, Shakespeare, Burroughs, Nephilim, and more. It will be a mystic blast! Get the book: https://amzn.to/3WHPCjl More on David: https://www.davidwilliamparry.com/home Get The Occult Elvis: https://amzn.to/4jnTjE4 Virtual Alexandria Academy: https://thegodabovegod.com/virtual-alexandria-academy/ Gnostic Tarot Readings: https://thegodabovegod.com/gnostic-tarot-reading/ The Gnostic Tarot: https://www.makeplayingcards.com/sell/synkrasis Homepage: https://thegodabovegod.com/ Patreon: https://www.patreon.com/aeonbyte AB Prime: https://thegodabovegod.com/members/subscription-levels/ Voice Over services: https://thegodabovegod.com/voice-talent/ Support with donation: https://buy.stripe.com/00g16Q8RK8D93mw288 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.