Podcasts about shakespeare

Akira Kurosawa's Ran  Happy New Year WatchThis Fans. Depending on Your Perspective, 2025 was a horrible year or the beginning of a grand awakening, returning America to its rightful place as Leader and Benefactor of the Unwashed Ignorant Masses. There are many ideas of what 2026 can and will be. We here at WatchThis W/RickRamos believe that Akira Kurosawa's 1985 masterpiece, Ran, is a film that offers powerful warnings on the dangers of conflict, paranoia, greed, but most importantly, pride. Adapted from Japanese history and Shakespeare's King Lear, Kurosawa explores the fragilty of government . . .  royalty . . . leadership, as pride disintegrates the perspective of leadership. One of the greatest films in the History of Cinema, Mr. Chavez & I are thrilled to be opening 2026 with Akira Kurosawa's Late Period Masterpiece. Take a listen and let us know what you think. As always, we can be reached at gondoramos@yahoo.com - Our Continued Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

As we begin Season 9, we embark on our BIGGEST venture to date: The HAMLET Project, where we explore one scene (or section) of Shakespeare's Hamlet - one month at a time. I'm excited to finally share the amazing work this groups of artists has been doing. And we're still producing new sessions!

Philadelphia has a much less favourable opinion than Gage and Jessica when it comes to one of Shakespeare's creations. A hero to some is but a puckfist to others.

Actor Jessie Buckley, who plays Shakespeare's wife in the new film, "Hamnet," says the cast enjoyed dancing to Rihanna's "We Found Love" as a way to keep things light on set while performing material that deals with love, loss and grief. In this podcast EXCLUSIVE extended interview, hear Jessie and Stephen's fascinating conversation about using dreams to enhance your acting. "Hamnet" is in theaters now. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

What do we talk about when we talk about ancient Romans? For many of us, it's typically a fairly narrow slice of history: the toga-clad figures of Cicero and Caesar, perhaps, as their republic shades into empire before collapsing at the hands of barbarians a few hundred years later. In this episode, Jacke talks to Edward J. Watts, whose book The Romans: A 2,000-Year History takes a different approach, providing a sweeping historical survey of two thousand years of Roman history. Through this comprehensive overview, Watts shifts our focus away from Rome's fall, instead bringing to light the qualities that helped Rome endure for so long. PLUS Nathan Hensley (Action Without Hope: Victorian Literature After Climate Collapse) stops by to discuss his choice for the last book he will ever read. Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Act soon - there are limited spots available! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

We have a Hamnet special for you on Soundtracking, as first writer / director Chloe Zhao and stars Paul Mescal and Jessie Buckley. Based on Maggie O'Farrell's novel - who also worked on the script - it tells the story of how the horrendous tragedy that strikes Shakespeare and his wife, Agnes, inspires him to write Hamlet. Hamnet is scored by friend of the show Max Richter, and we'll hear plenty of his music throughout the episode.

Episode 199: The line I have used for the title of today's episode is spoken by Feste the fool, a central character in ‘Twelfth Night'. Fools have already played significant roles in Shakespeare's previous plays and as you will hear there are possible connections between them and Feste, but significant as he is, and fools will be in forthcoming Shakespeare plays, there is so much more to Twelfth Night than just that one character. It is a play where other Shakespearean comedic characteristics also feature – identical twins, empowered and quick-witted women, variants on the braggart soldier character, and an exotic, virtually mystical, setting, spring to mind. If ever there was a comedy where Shakespeare was completely in his stride then this, for me, is the one.The early performance history of the playThe dating of the playThe early print history of the playThe sources for the playThe establishing of social roles in the playThe positions of the knights Sir Toby and Sir AndrewThe role of Feste, the fool.The impact of Feste's songsFeste as a portrait of Thomas NasheThe centrality of Malvolio to the themes of the playFeste's sung epilogue to the playLove, desire and infatuation in the playThe play as a knowingly theatrical storyThe performance history of the playSome of the critical reaction to the play Link to Rachel Aanstad's ‘A Bawdy Twelfth Night' for UK customers:https://www.amazon.co.uk/Encyclopedia-Dramaturgical-Shakespearean-Encyclopedias-Handbooks/dp/B0BT2DZGTK/ref=sr_1_1Link to Rachel Aanstad's ‘A Bawdy Twelfth Night' for US customers:https://www.amazon.com/Encyclopedia-Dramaturgical-Shakespearean-Encyclopedias-Handbooks/dp/B0BT2DZGTK/ref=sr_1_1Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Today, we think of Christmas as the season of giving—but in Shakespeare's England, it was New Year's Day that reigned supreme as the biggest gift-giving holiday of the entire year. Shakespeare himself alludes to this entrenched tradition in The Merry Wives of Windsor, where Falstaff quips: “I'll have my brains ta'en out and buttered, and give them to a dog for a new-year's gift.” It's a grotesque image—thank you, Falstaff—but it reveals just how deeply the practice of New Year's gifting permeated society, to the point where even dogs might expect a present. Of course, no one in Elizabethan England gave and received gifts quite like the queen herself—which is why this week, we're diving into the fascinating world of New Year's gifts at the court of Elizabeth I: how these gifts were chosen, presented, and meticulously recorded—and how they served as powerful tools of politics, loyalty, and social hierarchy in Shakespeare's lifetime. Joining us to unravel this glittering and strategic tradition is Maria Hayward, whose research on the New Year's Gift Rolls shines a light on the court culture, textiles, and customs that shaped this extraordinary annual ritual. Hosted on Acast. See acast.com/privacy for more information.

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act IV Scene vi - We reach the end of Act 4 Scene 6, as Edgar deals with Oswald and his despairing but lucid father. Written and presented by Conor Hanratty

【聊了什么The What】 这期节目，我们聊了新片《Hamnet》：一部改编自 Maggie O'Farrell 同名小说的故事，并聊了聊它为什么能让人哭到崩溃（或完全哭不出来但仍然狠狠爱上），聊到它那种带点神秘主义、符号化的拍法如何制造出希腊悲剧式的宣泄/净化。 我们也不可避免的想起了之前聊过的Wifedom。这是另一个文学巨擘榨干身边女性的故事吗？还是他讲述了一个超脱语境、触及人类隽永生死问题的经典悲剧？把女性与自然、草药、预言、女巫气质连在一起，是一种温柔的赋权，还是另一种更古老的陷阱？艺术究竟是在表演痛苦，还是在替人类提供一种“活下去的解释”？归根结底，在2025年重拍莎士比亚是很需要勇气的；赵婷交出的答卷你们满意吗？ In this episode, we discuss our favorite nepo baby Chloé Zhao's new feature film Hamnet, adapted from the novel of the same name by Maggie O'Farrell. We explore why it can make you cry uncontrollably (or not cry at all and still fall deeply in love with it), and how its mystical, symbolic filmmaking evokes a Greek tragedy-like catharsis. It is hard not to draw comparison with Wifedom, which we've talked about in the past. Is this yet another story of a literary giant draining the life out of the women around him? Or is it a timeless tragedy that transcends context to speak to the eternal human questions of life and death? When women are linked with nature, herbs, prophecy, and witch-like qualities—is it a gentle form of empowerment, or an older, more insidious trap? Is art merely performing pain, or is it offering humanity a way to keep going? Ultimately, remaking Shakespeare in 2025 takes courage—did Chloé Zhao deliver? 【时间轴 The When】 00:02:22 《Hamnet》、演员阵容、TIFF 口碑 00:04:46 四个女的的初印象（以及不同的哭晕程度） 00:13:37 文学巨擘背后被隐身的女人：与《Wifedom》的文脉相通 00:21:10 除了审判隐身的丈夫，或许我们还能讲点别的故事 00:29:18 自然叙事：女性/土地的连结与争议 00:37:16 Le Guin、女巫叙事与男权结构的回声 00:48:18 “To be or not to be”：没看懂也没关系 00:59:50 结尾的半圆镜头：为什么人类要讲故事 01:06:16 “人生三苦”：理解痛苦不等于失去情感 00:02:22 Chloé Zhao's Hamnet, cast, and TIFF reception 00:04:46 First impressions from four women (and varying levels of emotional breakdown) 00:13:37 The invisible woman behind the literary giant: connections to Wifedom 00:21:10 Beyond judging the hidden husband—maybe there are other stories we can tell 00:29:18 Nature narratives: the contested link between women and land 00:37:16 Le Guin, witch storytelling, and echoes of patriarchy 00:48:18 “To be or not to be”: it's okay if you don't understand it 00:59:50 The final half-circle shot: why humans tell stories 01:06:16 The “three sufferings” of life: understanding pain doesn't mean feeling less 【拓展链接 The Links】 Hamnet: A Novel of the Plague Hamnet Book Club Wifedom The New Yorker对赵婷的采访 Oh Brother! The Jupes Get Shakespearean 【买咖啡 Please Support Us】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.com/a/cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.com/a/cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022

Send us a textMy New Podcast launches today. "The Classic Literature Podcast".Subscribe and follow it wherever you get your podcast from.Podcast Website: https://www.buzzsprout.com/2568906The First Ever Episode of The Classic Literature Podcast.“In the beginning was the Word…” — John 1:1Welcome to The Classic Literature Podcast. I'm your host, Jeremy McCandless, and I'm so glad you've joined me for this first episode of a new bi-monthly journey—one that explores the great works of classic literature, approaching these great books via the world out of which they emerged—a cultural heritage, rich in spiritual metaphor.Each season, we'll walk alongside the giants of literary history—authors who in many ways have shaped nations, stirred hearts, whilst at the same time wrestling with the deepest questions of human existence. But we won't just admire their craft. We'll ask: What spiritual soil did these stories grow from? What echoes of grace and redemption resound within their pages?

To cap off their 9th season, in episode 368 James and Luke list their best (and worst) reads, then name the best (and worst) adaptations of the year. It was an exciting year highlighted by their first ever live recording featuring the incredible Martha Wells who joined the show to talk Murderbot at WorldCon in Seattle. The podcast didn't stop at just sci-fi, though, making a deep dive into Dracula, exploring a legendary anime, dissecting a trio of Stephen King movies, laughing with a Shakespeare retelling for the ages, and lamenting a fantasy series cancelled before its time. Topics also include: The Wheel of Time, Nosferatu, Mickey 17, Conclave, The Ring, The Iron Giant, and so much more. Thank you to everyone who made this year a great one for Ink to Film! Categories Intro - 00:00:27 Podcast Stats - 00:02:21 Biggest Surprise - 00:13:42 Worst Read - 00:25:30 Best Read - 00:35:38 Worst Watch - 00:50:53 Best Watch (A.K.A. Best Adaptation) - 01:02:47 Looking Ahead - 01:20:53 Pickup any of the novels they've covered at the Ink to Film Bookshop! https://bookshop.org/shop/inktofilm Support Ink to Film on Patreon for bonus content, merch, and the ability to vote on upcoming projects! www.patreon.com/inktofilm Ink to Film's Twitter, Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Luke Elliott Website: www.lukeelliottauthor.com Social Media: https://www.lukeelliottauthor.com/social Writing: https://www.lukeelliottauthor.com/pub... James Bailey Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/

In today's episode, Jim sits down with Dust Kunkel, the author of the dark fantasy debut Fly Stone, Fly, for a wide-ranging conversation about writing, influences, and the strange, brutal, deeply human story that's already turning heads.We start spoiler-free, getting to know Dust as a person and a reader—favorite books, movies, and inspirations—before diving into the origins of Fly Stone, Fly, why dark fantasy was the right home for this story, and how a debut novel ends up landing award attention right out of the gate.From there, we talk craft:

To celebrate Melvyn Bragg's 27 years presenting In Our Time, some well-known fans of the programme have chosen their favourite episodes. Historian and broadcaster Simon Schama has selected the episode on Shakespeare's Sonnets and recorded an introduction to it. (This introduction will be available on BBC Sounds and the In Our Time webpage shortly after the broadcast and will be longer than the one broadcast on Radio 4). In 1609 Thomas Thorpe published a collection of poems entitled Shakespeare's Sonnets, “never before imprinted”. Yet, while some of Shakespeare's other poems and many of his plays were often reprinted in his lifetime, the Sonnets were not a publishing success. They had to make their own way, outside the main canon of Shakespeare's work: wonderful, troubling, patchy, inspiring and baffling, and they have appealed in different ways to different times. Most are addressed to a man, something often overlooked and occasionally concealed; one early and notorious edition even changed some of the pronouns. With: Hannah Crawforth Senior Lecturer in Early Modern Literature at King's College London Don Paterson Poet and Professor of Poetry at the University of St Andrews And Emma Smith Professor of Shakespeare Studies at Hertford College, Oxford Producer: Simon Tillotson Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the people, ideas, events and discoveries that have shaped our world In Our Time is a BBC Studios production

After the publication of her debut novel Wuthering Heights in December of 1847, Emily Brontë - still writing under her pen name Ellis Bell - joined Currer and Acton Bell (her sisters Charlotte and Anne) as promising and intriguing young writers. Sadly, Emily would die barely a year later. How did the public view her and her writing during this brief period? And how did she view herself? In this episode, Jacke takes a look at the five reviews of Wuthering Heights that Emily Brontë clipped and kept in her desk drawer between the book's publication and her tragically early death at the age of 30. Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Act soon - there are only two spots left! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Shakespeare's great festive comedy, probably written and first performed around 1601, follows the adventures of twins Viola and Sebastian, who are separated from each other by a shipwreck. Viola, believing her brother dead, disguises herself as a page in order to serve the lovesick Duke Orsino, who has been rejected by the Countess Olivia. The ensemble cast includes a roster of wonderfully comic characters: Olivia's drunken uncle Sir Toby Belch, his foolish friend Sir Andrew Aguecheek, the witty serving woman Maria, the social-climbing steward Malvolio, and the clever, riddling clown Feste.This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Shakespeare's great festive comedy, probably written and first performed around 1601, follows the adventures of twins Viola and Sebastian, who are separated from each other by a shipwreck. Viola, believing her brother dead, disguises herself as a page in order to serve the lovesick Duke Orsino, who has been rejected by the Countess Olivia. The ensemble cast includes a roster of wonderfully comic characters: Olivia's drunken uncle Sir Toby Belch, his foolish friend Sir Andrew Aguecheek, the witty serving woman Maria, the social-climbing steward Malvolio, and the clever, riddling clown Feste.This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

"La volta giusta" (Feltrinelli) è il nuovo romanzo di Lorenza Gentile che avevamo già conosciuto con romanzi come "Le piccole libertà" che parlava della libreria Shakespeare & Co. di Parigi, "Le cose che ci salvano" e "Tutto il bello che ci aspetta". Il romanzo racconta di un "comune polvere", ossia un piccolo borgo che rischia di scomparire per lo spopolamento (ci abitano solo 15 persone). Lucilla e il compagno Enrico vincono un bando per riavviare una vecchia locanda con annesso negozio di alimentari e quattro camere. Un progetto condiviso, almeno all'apparenza, perché Enrico si tira indietro e Lucilla resta da sola a realizzare un progetto che però era di qualcun altro. Del resto lei si è sempre adeguata ai fidanzati che ha avuto, ai loro sogni, alle loro esigenze. Lucilla è una giovane donna piena di insicurezze, non si sente mai "abbastanza", pensa di avere qualcosa di sbagliato, ha un profondo senso di inadeguatezza. Ma di fronte all'abbandono di Enrico deve prendere una decisione: mollare tutto, deludendo però gli abitanti del piccolo borgo, oppure rimboccarsi le maniche e andare avanti da sola. Una storia di rinascita di una donna che si chiede "cosa è importante per me?".

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On The Journey This Week: Fr Joshua Whitehead says the Epiphany celebrates Jesus' manifestation to each of us. Mother Hilda draws on Shakespeare's “King Lear” to show a parallel between Cordelia's merciful response and God's grace. Plus, Bishop Tony Percy, Fr Antony Jukes, and Fr Sean Cullen

On The Journey This Week: Fr Joshua Whitehead says the Epiphany celebrates Jesus' manifestation to each of us. Mother Hilda draws on Shakespeare's “King Lear” to show a parallel between Cordelia's merciful response and God's grace. Plus, Bishop Tony Percy, Fr Antony Jukes, and Fr Sean Cullen

Mother Hilda draws on Shakespeare's “King Lear” to show a parallel between Cordelia's merciful response and God's grace—noting that while humans often demand justice and restitution, God offers forgiveness rather than requiring us to suffer for our wrongs

If you've ever wanted to share a room with two great actors talking about Shakespeare, here's your chance — with Dame Judi Dench and Brendan O'Hea.

This year's seasonal offering takes the form of a voyage, exploring resonances inspired by the carol "I Saw Three Ships". Today, the third and final episode recounts the tale of the Sea Venture. The real life escapades of this important ship inspired Shakespeare's most famous maritime fantasy, The Tempest, and this episode will transport you all the way into 2026. Happy New Year!

In this College Deep Dive, Bill Digneit the Department Head and Professor of Theatre & Dance at Northern Michigan University chats with MTCA Director Charlie Murphy about:  How NMU is a place for adventurers Finding your best fit of school comes clear through auditions and conversations with current students. The benefits and tradeoffs of curricular freedom  Entrepreneurial mindset: From unique showcases to transferable BFA skills, Bill models the creative problem-solving artists need today. If you have any questions about the college audition process, feel free to reach out at mailbag@mappingthecollegeaudition.com. If you're interested in working with MTCA for help with your individualized preparation for your College Audition journey, please check us out at mtca.com, or on Instagram or Facebook.  Follow Us!  Instagram: @mappingthecollegeaudition YouTube: @MTCA (Musical Theater College Auditions)  TikTok: @mtcollegeauditions  Charlie Murphy:@charmur7  About MTCA:  Musical Theater College Auditions (MTCA) is the leader in coaching acting and musical theater students through the college audition process and beyond with superlative results. MTCA has assembled a roster of expert artist-educators who can guide students artistically, organizationally, strategically, and psychologically through the competitive college audition process. MTCA provides the tools, resources, and expertise along with a vast and strong support system. They train the unique individual, empowering the artist to bring their true, authentic self to their work. MTCA believes that by helping students reveal their potential it allows each school to connect with those who are truly right for their programs, which in turn guides each student toward their best college fit.  About Charlie Murphy:  Charlie is a proud graduate of Carnegie Mellon University's BFA program. As an Actor he has performed with theaters such as: NY Public Theatre's “Shakespeare in the Park”, The Pearl Theatre Company, Hudson Valley Shakespeare Festival, Chautauqua Theatre Company, Kinetic Theatre Company, and the Shakespeare Theatre of DC. With MTCA [Musical Theater College Auditions -- mtca.com], he has been helping prospective theatre students through the college process for over 15 years. As a Teacher and Director, he is able to do a few of his favorite things in life: help students to find their authentic selves as artists, and then help them find their best fit for their collegiate journey. Through this podcast, he hopes to continue that work as well as help demystify this intricate process. This episode was produced by Meghan Cordier, Kelly Prendergast and Socials by Jordan Rice. Episode theme music is created by Will Reynolds with Additional Vocals from Elizabeth Stanley Learn more about your ad choices. Visit megaphone.fm/adchoices

  I’ve always hated Shakespeare with a passion. Why watch a play if you can’t understand what the characters are saying? Hamnet changed that for good. Not only is the movie...

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. It's time for our eleventh play! Today we are starting our series on Shakespeare's Julius Caesar with a synopsis episode. In this episode, we will provide a detailed summary of the plot, breaking down the action of the play scene by scene.  Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Special thanks to Nat Yonce for editing this episode. For updates: Join our email list Follow us on Instagram at @shakespeareanyonepod Visit our website at shakespeareanyone.com Support the podcast: Become a patron at patreon.com/shakespeareanyone -- get 50% off of your first month with code HBD5 until February 1, 2026 Buy us a coffee Bookshop.org: Since 2020, Bookshop.org has raised more than $38 million for independent bookstores. Shop our Shakespeare Anyone? storefront to find books featured on the podcast, books by our guests, and other Shakespeare-related books and gifts. Every purchase on the site financially supports independent bookstores. Libro.fm: Libro.fm makes it possible to purchase audiobooks through your local bookshop of choice. Use our link for 2 free audiobooks when you sign up for a new Libro.fm membership using our link. Find additional links mentioned in the episode in our Linktree. Works referenced: Shakespeare, William. Julius Caesar. Edited by Andrew James Hartley, Arden Shakespeare, 2024.        

O QueIssoAssim 342 – Expectativas 2026 chega com tudo para quem ama cinema, séries e cultura pop. Neste episódio especial do podcast, Brunão e Baconzitos recebem a amiga Andreia, do Livros em Cartaz, para uma conversa recheada de hype, apostas e boas reflexões sobre os filmes e séries mais esperados de 2026 — além de um balanço sincero do que marcou o consumo audiovisual em 2025. Se você gosta de ficar por dentro dos próximos lançamentos de Hollywood, adaptações literárias, continuações aguardadas e novas apostas de diretores consagrados, este episódio é praticamente obrigatório.

There's a bit of interest around Shakespeare at the minute - can we call this the Paul Mescal effect?The Bard's work featured many references to sex and sexuality - some more obvious than others. But what does the work reveal about the sexuality of Shakespeare himself?Despite being married with three kids to Anne Hathaway in the sleepy suburbs of Stratford-upon-Avon, there's much to suggest he lived a more extravagant life during his visits to London.Joining Kate today is author of The Life of the Author: William Shakespeare, Anna Beer, to unpick the hints and clues to the playwright's sexuality that lay within his work.This episode was edited by Tomos Delargy. The producer was Sophie Gee. The senior producer was Charlotte Long.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  You can take part in our listener survey here.All music from Epidemic Sounds.Betwixt the Sheets: History of Sex, Scandal & Society is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.

She doesn't design clothes—she designs stories. 3-time Oscar-winning costume designer Jenny Beavan shares how storytelling, instinct, and courage—not fashion—have shaped a career spanning over 70 films. This episode focusing on her most recent film, The Choral. In this deeply inspiring conversation, Jenny reflects on growing up without television, building entire worlds from cardboard boxes, and how a single childhood encounter with Shakespeare set her life's direction. She traces her unconventional path from theatre and opera to film, revealing how saying yes to uncertainty—and embracing fear—became one of her greatest creative strengths. Together, Jenny and host Catherine Baumgardner explore the true role of costume design as invisible storytelling: creating characters audiences believe in without ever noticing the clothes. Jenny breaks down her process—from script analysis and historical research to building costumes in full 3D on mannequins—and explains why collaboration, humility, and learning every craft on the way up matter more than titles or awards. She opens up about working under extreme pressure on films like Mad Max: Fury Road and Cruella, why failure is essential to growth, and how leadership in creative fields is less about control and more about trust. Packed with life advice for artists, filmmakers, designers, and students, this episode is a masterclass in creativity, resilience, and staying curious—no matter how far you've come. The "Voice of Costume" is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation with Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/

REDIFF - C'est l'homme aux multiples visages : William Shakespeare, le citoyen discret de Stratford-upon-Avon, laisse derrière lui une œuvre magistrale... mais une identité floue. Était-il un comédien de province ou bien un érudit caché ? Qui se dissimule vraiment derrière le masque de Shakespeare ? Une chose est sûre : ce personnage a su écrire sa propre légende. Percez l'énigme de celui qui, sur la scène du théâtre élisabéthain, a tenu son plus beau rôle. Crédits : Lorànt Deutsch, Ayrton Morice Kerneven. Du lundi au vendredi de 15h à 15h30, l'inimitable Lorànt Deutsch vous révèle les secrets des personnages historiques les plus captivants !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Comedy on a TuesdayFirst, a look at the events of the day.Then, Amos ‘n' Andy, originally broadcast December 30, 1951, 74 years ago, the House Wreckers.  Sapphire has told the Kingfish, "get a job...or else!" The Kingfish and Andy are hired to demolish a porch, and proceed to do so...on the wrong house!Followed by The Great Gildersleeve, starring Harold Peary, originally broadcast on December 30, 1945, 80 years ago, on New Year's Eve.  It's New Year's Eve, and The Great Gildersleeve has no date! Then, My Favorite Husband starring Lucille Ball and Richard Denning, originally broadcast December 30, 1950, 75 years ago, Liz has the Flimjabs.   Liz wants a mink coat, but winds up with a case of the "Flimjabs" instead.Followed by Abbott and Costello, originally broadcast December 30, 1948, 77 years ago, Murder at the Radio Quiz Show.  Bud and Lou try to decide where to spend New Year's eve. Sam Shovel appears in, "The Murder At The Radio Quiz Show" or, "I've Got A Body In The Balcony, Doctor." Finally, Claudia, originally broadcast December 30, 1947, 78 years ago, Naming the Dane.   Shakespeare meets Buff: Kathryn Bard and Paul Crabtree star.Thanks to Debbie B. for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! If you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day

"Worst. Criss. Angel. Magic trick. Ever."This week's scariest movie is... The Conjuring Last Rites. This film has everything: Egg Whites. Science Romeos. And Realty recommendations that you should not take. If you love Shakespeare-in-a-toolshed riffs, basement John Wayne portraits, and common-sense yelling at pitch-black rooms, this episode's for you!Please Subscribe, Rate, and Review The Horror Virgin to help more people discover our community.What did you think of our episode on The Conjuring Last Rites? Tell us on social media @HorrorVirgin (Facebook/Instagram), @HorrorVirginPod (Twitter).Up Next: Good Boy (2025)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

 “A sonnet,” said the poet Dante Gabriel Rossetti, “is a moment's monument.” But who invented the sonnet? Who brought it to prominence? How has it changed over the years? And why does this form continue to be so compelling? In this episode of the History of Literature, we take a brief look at one of literature's most enduring forms, from its invention in a Sicilian court to the wordless sonnet and other innovative uses. Note: A version of this episode first ran in August 2018. It has been missing from our archives for many years. Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. December update: Act soon - there are only two spots left! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why does Samuel Pepys's diary still matter 200 years after it was first published? In her new book, The Strange History of Samuel Pepys's Diary, historian Kate Loveman examines how Pepys's extraordinary consistency as a diarist has made his writing one of the richest records of everyday life in Restoration England. Writing almost daily for nearly a decade, Pepys's diary documents everything from politics and scientific discoveries to theater and fashion. Even in times of crisis, Pepys reveals life's ordinary concerns, from worrying about the source of hair for wigs during the Great Plague to safeguarding a wheel of expensive Parmesan cheese during the Great Fire of London. He also offers a rare glimpse into contemporary theatergoing, recording audience reactions and his own opinions, including Shakespeare. He famously dismissed A Midsummer Night's Dream. In this episode, Loveman explores how Pepys's diary has been edited, published, censored, and rediscovered over centuries, entertaining readers from the Victorian era to the COVID-19 pandemic in the 21st century. Pepys's daily observations show how careful, habitual record-keeping can transform ordinary life into an invaluable historical resource. From the Shakespeare Unlimited podcast. Published December 30, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. We had technical help from Hamish Brown in Stirling, Scotland, and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc. Kate Loveman is Professor of Early Modern Literature and Culture at the University of Leicester and an internationally recognized expert on Pepys and Restoration literature. She is the author of Reading Fictions, 1660–1740: Deception in English Literary and Political Culture; Samuel Pepys and his Books: Reading, Newsgathering, and Sociability, 1660–1703; and The Strange History of Samuel Pepys's Diary; and the editor of The Diary of Samuel Pepys for Everyman.

"Say, what abridgement have you for this evening? What masque? what music? How shall we beguile The lazy time, if not with some delight?" — A Midsummer Night's Dream, Act V, Scene 1 There are over a dozen mentions of masques, masquers, and masquing in Shakespeare's plays, and when it came to masques in England for the 16-17th century, no one did them better than Ben Jonson, who was known for staging truly spectacular feats of gradeur at the court of James I. Our guest is Martin Butler, Professor of Renaissance Drama at the University of Leeds, Fellow of the British Academy, and General Editor of the Cambridge Works of Ben Jonson. He has written extensively on early modern drama and Jonson's masques in particular, including how these productions functioned as political texts, cultural events, and artistic achievements. Martin joins us today to help us explore what a masque was exactly, how masques are different from a play, and why it was that Jonson's masques were so special. Hosted on Acast. See acast.com/privacy for more information.

The panel closes out Romeo Juliet, and the year 2025, with a discussion of Friar Laurence's cowardly culpability, Romeo's impassioned importunity, Juliet's happy dagger, Paris' finest hour, and Shakespeare's interest in people of all walks of life.Continue reading

====================================================SUSCRIBETEhttps://www.youtube.com/channel/UCNpffyr-7_zP1x1lS89ByaQ?sub_confirmation=1==================================================== DEVOCIÓN MATUTINA PARA JÓVENES 2025“HOY ES TENDENCIA”Narrado por: Daniel RamosDesde: Connecticut, USAUna cortesía de DR'Ministries y Canaan Seventh-Day Adventist Church===================|| www.drministries.org ||===================30 de DiciembreBien está lo que bien acaba¿De qué le servirá al hombre ganar todo el mundo, si pierde su alma? Mateo 16: 26, RV95En enero de 2017, las Águilas Cibaeñas y los Tigres del Licey disputaron el título de campeón de la Liga de Béisbol Profesional de la República Dominicana. Como buen cibaeño, soy «aguilucho desde chiquitico» y esperaba que mi equipo ganara. Pero en el último partido los Tigres nos arrebataron la corona.Mi ilusión se debía a que las Águilas habían tenido un excelente desempeño durante la temporada regular. Pero de nada valió al final. Creo que una frase de Shakespeare resume lo que pasó aquel día: «Bien está lo que bien acaba», o como dicen otras traducciones: «A buen fin, no hay mal comienzo».Aunque siempre resulta gratificante ganar la batalla, lo que realmente cuenta es ganar la guerra. Creo que la idea de «terminar bien» nos ayuda a tener una perspectiva correcta de la vida. Cuando triunfamos, no hemos de confiarnos, pues los fracasos del futuro pueden echar a perder las victorias del presente. Pero también es cierto que nuestras derrotas no nos definen. Fracasar en una relación amorosa, en un examen o en un empleo no tiene por qué significar el final. Mientras estemos vivos, habrá oportunidad para corregir los errores.Mañana termina el año. ¿Qué ves al recordar los últimos doce meses? Si fue un buen año, te animo a seguir avanzando y conquistando nuevas alturas. Si consideras que ha sido un pésimo año, no te desanimes, pronto vendrá otro año y con él la oportunidad de enmendar tus errores y remontar hacia la victoria.Puede que no sepas quiénes son las Águilas o los Tigres y en realidad eso no importa mucho. El torneo» que sí importa es el de tu vida y esta se compone de 365 «partidos» al año. Independientemente del resultado particular de cada uno, ¿cómo finalizarás este año? ¿Quién será el ganador de la lucha por tu alma? Como lo más importante es la vida eterna (ver Mateo 16: 26), el éxito o fracaso que este año representará solo se puede medir en función de qué tan cerca o lejos de Dios estemos. Con esa idea en mente te invito a acercarte a Jesús y darle a él el primer lugar en tu vida.«Puedo terminar este libro diciendo que ya todo está dicho. Todo lo que debemos hacer es alabar a Dios y obedecerlo» (Eclesiastés 12: 13, TLA). 

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act IV Scene vi - Oswald enters, with murderous intent. Written and presented by Conor Hanratty

durée : 00:13:55 - Les Nuits de France Culture - par : Albane Penaranda - En 1988, Yvonne Taquet s'entretient avec Luc Bondy, Bernard-Marie Koltès et Michel Piccoli à propos du "Conte d'hiver" de Shakespeare, traduit par Koltès pour une mise en scène au Théâtre des Amandiers de Nanterre. - réalisation : Virginie Mourthé - invités : Luc Bondy Metteur en scène, écrivain et réalisateur; Bernard-Marie Koltès Auteur dramatique (1948-1989); Michel Piccoli Acteur et réalisateur (1925-2020)

You had questions, we had answers, so join us for the final conversation about Shakespeare's classic comedy! We talk about Margaret's culpability, Don Pedros rejections, Claudio's turn, Dogberry's wisdom, and much more! Happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

To find The Cosmic Peach Podcast---> https://open.spotify.com/show/0a2MALZHeOng77TuwryzZU?si=7bf9298c27424781Sign up for our Patreon go to-> Patreon.com/cultofconspiracypodcastTo Find The Cajun Knight Youtube Channel---> click hereTo find the Meta Mysteries Podcast---> https://open.spotify.com/show/6IshwF6qc2iuqz3WTPz9Wv?si=3a32c8f730b34e79To Sign up for our Rokfin go to --> Rokfin.com/cultofconspiracyCult Of Conspiracy Linktree ---> https://linktr.ee/cultofconspiracyBecome a supporter of this podcast: https://www.spreaker.com/podcast/cult-of-conspiracy--5700337/support.

Steven was welcomed to a class of law students at Appalachian University by Dr. Garrett Jackson, who is teaching a full semester on the Shakespeare authorship mystery. After learning about various candidates for authorship, the students tossed some of their unanswered questions at Steven in an invigorating exchange. Support the show by picking up official Don't Quill the Messenger merchandise at www.dontquillthepodcast.com and becoming a Patron at http://www.patreon.com/dontquillthemessenger  Made possible by Patrons: Clare Jaget, Courtney L, David Neufer, Deduce, Earl Showerman, Edward Henke, Ellen Swanson, Frank Lawler, Garrett Jackson, Heidi, James Warren, Jen Swan, John Creider, John Eddings, Jon Foss, Kara Elizabeth Martin, Michael Hannigan, Neal Riesterer, Patricia Carrelli, quizzi, Richard Wood, Sandi Boney, Sheila Kethley, Stephen Hopkins, Teacher Mallory, Tim Norman, Tim Price, Vanessa Lops, Yvonne Don't Quill the Messenger is a part of the Dragon Wagon Radio independent podcast network. For more great podcasts visit www.dragonwagonradio.com

Sent us a text, you dicks!!Merry Christmas!!! Happy Boxing Day!!! ( And also, Happy Belated Hanukkah!!! And Happy Kwanzah!!!)In this episode, we talk about all the gifts that are given from one character to another in the Shakespeare canon.  We also talk about traditional Elizabethan gifts... 'cuz, you know, it's presents time of year!!!Did we miss any?? Write and tell us!!To send us an email - please do, we truly want to hear from you!!! - write us at: thebardcastyoudick@gmail.com To support us (by giving us money - we're a 501C3 Non-Profit - helllloooooo, tax deductible donation!!!) - per episode if you like! On Patreon, go here:  https://www.patreon.com/user?u=35662364&fan_landing=trueOr on Paypal:https://www.paypal.com/donate/?hosted_button_id=8KTK7CATJSRYJWe also take cash!   ;DTo visit our website, go here:https://www.thebardcastyoudick.comTo donate to an awesome charity, go here:https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-reliefLike us? Don't have any extra moolah? We get it! Still love us and want to support us??   Then leave us a five-star rating AND a review wherever you get your podcasts!!

La prima notizia riguarda una scelta sorprendente del The Economist, che ha nominato la Siria paese dell'anno. La seconda notizia è dedicata alla spesa natalizia nell'Unione Europea, che quest'anno è destinata ad aumentare. Purtroppo, l'aumento non è dovuto a un clima di particolare entusiasmo festivo, ma all'inflazione e a norme più severe sulla sicurezza dei giocattoli. La nostra sezione scientifica è dedicata a uno studio che rivela come molte persone utilizzino l'intelligenza artificiale per il supporto emotivo e l'interazione sociale. Concluderemo la prima parte del programma rendendo omaggio a Rob Reiner, celebre regista e attore, assassinato nella sua casa di Los Angeles insieme alla moglie, Michele Singer Reiner.   La seconda parte della puntata è dedicata alla lingua e alla cultura italiana. L'argomento grammaticale di oggi è Adverbial Phrases. Ne troverete diversi esempi nel dialogo dedicato ai risultati dell'analisi annuale sulla qualità della vita in Italia, pubblicata dal quotidiano economico-finanziario Il Sole 24 Ore. Nel finale ci soffermeremo sull'espressione idiomatica di oggi: Non fare una piega. Nel dialogo in cui la useremo si parla della decisione del Comune di Verona di introdurre un biglietto da 12 euro per entrare nel cortile che rievoca la storia d'amore tra Romeo e Giulietta, raccontata da Shakespeare. Un prezzo alto, proprio nel periodo più affollato dell'anno, che non ha mancato di creare discussioni. - The Economist nomina il Paese dell'anno - Le statistiche europee sugli acquisti natalizi mostrano un aumento della spesa in questa stagione - Uno studio rileva che molte persone utilizzano l'IA come supporto emotivo ,/li> - Hollywood piange la morte di Rob Reiner e celebra la sua eredità - Dove si vive meglio in Italia nel 2025 - Il prezzo del cortile di Giulietta fa discutere Verona

Stephen Mitchell has translated or adapted some of the world's most beautiful and spiritually rich texts, including The Gospel According to Jesus, The Book of Job, Gilgamesh, Tao Te Ching, Bhagavad Gita, The Iliad, The Odyssey, Beowulf, The Selected Poetry of Rainer Maria Rilke, Rilke's Letters to a Young Poet, and The Way of Forgiveness. In his latest book, The First Christmas: A Story of New Beginnings, he brings the Nativity story to life as never before. In this special episode, Jacke talks to Stephen about his translations, his search for spiritual truths, and his work imagining the story of the first Christmas from multiple points of view. PLUS Jacke continues his way up the charts of the Greatest Books of All Time with a look at #4 on the list, The Catcher in the Rye by J.D. Salinger. Note: A version of this episode first ran in December 2021. Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. December update: Act soon - there are only two spots left! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lindsay is joined by author Stephanie Cowell to discuss her book, “The Man in The Stone Cottage.” In 1846, Yorkshire, the Brontë sisters— Charlotte, Anne, and Emily— navigate precarious lives marked by heartbreak and struggle. Charlotte faces rejection from the man she loves, while their blind father and troubled brother add to their burdens. Despite their immense talent, no one will publish their poetry or novels. Amidst this turmoil, Emily encounters a charming shepherd during her solitary walks on the moors, yet he remains unseen by anyone else. After Emily's untimely death, Charlotte— now a successful author with Jane Eyre— stumbles upon hidden letters and a mysterious map. As she stands on the brink of her own marriage, Charlotte is determined to uncover the truth about her sister's secret relationship. The Man in the Stone Cottage is a poignant exploration of sisterly bonds and the complexities of perception, asking whether what feels real to one person can truly be real to another. STEPHANIE COWELL is the author of 7 novels, including Nicholas Cooke, The Physician of London, The Players: a novel of the young Shakespeare, Marrying Mozart, Claude & Camille: a novel of Monet, and The Boy in the Rain. Her work has been translated into several languages, optioned for film, and adapted into an opera. Cowell has been awarded an American Book Award. She has also been an opera singer, balladeer, and founder of the Strawberry Opera and an outdoor performance series in NYC. Fun facts include auditioning before Richard Rodgers, the Rodgers of Rodgers and Hammerstein fame, and performing in places like the famous Harvard Club and even mental institutions and prisons. Become a member on Buy Me A Coffee for as little as $1/month to support the show.  You can write to us at: Ye Olde Crime Podcast, PO Box 341, Wyoming, MN 55092. Join the conversation over at the Cultiv8 Discord and join the Olde Crimers Cubby to chat with us and other listeners of the show. Leave us a rating and review on Apple Podcasts, Podchaser, Spotify, Podcast Addict, Audible, or Goodpods! Don't forget to follow us on Twitter, Instagram, Threads, Facebook, TikTok, and YouTube. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the Shakespeare and Company Podcast, Adam Biles speaks with poet, translator and critic Ian Patterson about Books: A Manifesto, his passionate defence of reading in all its forms. What begins with the construction of a personal library in a converted coach house opens into a wide-ranging meditation on memory, loss, vulnerability and the profound role books play in shaping a life. Patterson discusses the anguish of parting with thousands of volumes, the intimacy of marked-up, well-lived-in books, and the politics of reading slowly in a culture addicted to speed. The conversation moves through genre snobbery, guilty pleasures, poetry's complex rewards, the porous borders of contemporary literature, and Patterson's experience translating the final volume of Proust—an immersion so deep it altered his own prose. It's a warm, generous exploration of why books matter, how they remake us, and why defending them feels more urgent than ever.Buy Books: A Manifesto: https://www.shakespeareandcompany.com/books/books-a-manifesto*Ian Patterson is a widely published poet and translator, and a former academic. The translator of Finding Time Again, the final volume of the Penguin Proust, he is also the author of Guernica and Total War and Nemo's Almanac. He won the Forward Prize for Best Poem in 2017, with an elegy for his late wife, Jenny Diski. He worked in Further Education between 1970 and 1984, had a second-hand bookselling business for ten years after that, and from 1995 until 2018 was an academic, teaching English Literature at the University of Cambridge. Many of his students have gone on to shape the world of publishing and writing, both in the UK and the US.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

Episode: 2834 Wombs and Witchcraft: Edward Jorden's Suffocation of the Mother (1603).  Today, wombs and witchcraft.

In this holiday-themed episode, a sentimental Jacke takes a look at Charles Dickens, A Christmas Carol (1843), and the creation of Ebeneezer Scrooge. A version of this episode first aired in December 2020. That episode has not been available in our archives for several years. Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. December update: Act soon - there are only two spots left! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices