Podcasts about creators

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    Best podcasts about creators

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    Latest podcast episodes about creators

    Waveform: The MKBHD Podcast
    When Will Instagram Pay their Creators?

    Waveform: The MKBHD Podcast

    Play Episode Listen Later Oct 14, 2025 53:20


    A few weeks ago Marques got a chance to sit down with Instagram CEO Adam Mosseri and ask him about everything from how creators make money on the platform to how the company views AI creators. Enjoy! Music provided by Epidemic Sound Try Masa Chips: www.MASAchips.com/waveform (code: waveform) Shop the merch: https://shop.mkbhd.com Social: Waveform Threads: https://www.threads.net/@waveformpodcast Waveform Instagram: https://www.instagram.com/waveformpodcast/?hl=en Hosts: Marques: https://www.threads.net/@mkbhd Andrew: https://www.threads.net/@andrew_manganelli David: https://www.threads.net/@davidimel Adam: https://www.threads.net/@parmesanpapi17 Ellis: https://twitter.com/EllisRovin TikTok: https://www.tiktok.com/@waveformpodcast Join the Discord: https://discord.gg/mkbhd Music by 20syl: https://bit.ly/2S53xlC Waveform is part of the Vox Media Podcast Network. Learn more about your ad choices. Visit podcastchoices.com/adchoices

    This Is Your Life with Virginia Kerr
    159| Why Real Life Is the New YouTube Strategy ( and 3 Over-50 Creators Prove It)

    This Is Your Life with Virginia Kerr

    Play Episode Listen Later Oct 14, 2025 18:18


    Some of the fastest-growing YouTube channels right now aren't using fancy edits, trendy hooks, or viral tricks — they're growing through real life. In this episode, Virginia breaks down what three creators over 50 are doing right to build loyal, engaged communities without chasing the algorithm. You'll learn how authenticity, storytelling, and consistency can help you attract the right viewers and grow your channel your way. Whether you're just starting on YouTube or ready to simplify your strategy, this episode will show you why real connection always outperforms perfect production. Learn more about my coaching program, This Is YouTube School here.

    Content Is Profit
    YouTube Just Dropped Big Updates Shaping Content, Community, & Monetization for All Creators

    Content Is Profit

    Play Episode Listen Later Oct 14, 2025 39:37


    Welcome back to the show! Today we're unpacking some game-changing YouTube updates that could shift how creators and business owners show up online. Let's just say… things are no longer as simple as “just hit Go Live.” YouTube's rolling out new tools—some exciting, some unexpected—that could help you stand out, connect deeper, and maybe even turn casual viewers into loyal fans… or paying clients. We're sharing what we've seen behind the scenes, how it's impacted our own livestream strategy, and why now might be the best time to go live—even if you never have before. Plus: a quick-fire rundown of what's working in live content right now. If you've ever wondered “Is live really worth it?” or “How do I actually make it work for my brand?” — this one's for you. Hit play. What you hear might just change your next move. Also don't forget to go to bizbros.co/monetize some of the available Free spots for the challenge this week! Timestamped Overview: 00:00 "Content Creators and Audience Bonds" 05:48 "Online Connections and Authenticity" 07:03 "Tech Trends and Ethical Tools" 11:42 Unified Multi-Format Streamin 16:02 "Interactive Live Sports Streaming" 19:42 AI-Generated YouTube Highlights 21:05 Evolving Trends in Attention-Grabbing Clips 24:21 Standing Out in Social Media 28:49 "Business Opportunities in Vertical Media" 31:37 "Live Stream Prep Tips" 36:08 "Live Streaming: Low-Lift Strategy" 37:02 "Free Content Clarity Challenge”

    Next in Marketing
    Inside Kevin Hart's Hartbeat with Janina Lundy

    Next in Marketing

    Play Episode Listen Later Oct 14, 2025 23:12


    In this episode of Next in Media, Mike Shields sits down with Janina Lundy, EVP and Head of Marketing & Brand Partnerships at Hartbeat, the production company founded by comedian and actor Kevin Hart. Heartbeat has become a creative force at the intersection of comedy, culture, and branded entertainment — developing hit shows like Cold as Balls with Old Spice and original films like Group Therapy with AXA.Janina and Mike discuss how Hartbeat helps brands navigate the tricky but powerful blend of humor and marketing, the rise of brand-funded entertainment, and why comedy isn't dead — it's just evolving. From collaborating with emerging comedians to educating brands on YouTube's premium value, this episode explores how Heartbeat is redefining what it means to be a talent-led media company in 2025. Key Highlights:

    Podnews Daily - podcasting news
    Apple Podcasts launches “Creators we love” down under

    Podnews Daily - podcasting news

    Play Episode Listen Later Oct 14, 2025 4:16 Transcription Available


    The chosen creators include Toni and Ryan. Sponsored by Supporting Cast.

    Trying Not to Care
    OCTOBER MEDIA OF THE MONTH - the BEST halloween movies/shows, music, books, and online creators

    Trying Not to Care

    Play Episode Listen Later Oct 13, 2025 26:10


    Sneaker History Podcast - Sneakers, Sneaker Culture and the Business of Footwear
    How Sneaker Collecting Is Losing To Other "Collectibles" Communities

    Sneaker History Podcast - Sneakers, Sneaker Culture and the Business of Footwear

    Play Episode Listen Later Oct 13, 2025 38:13


    In this episode of the Sneaker History Podcast, Nick, Robbie, and Mike discuss the evolving landscape of sneaker culture and collecting, including the recent surge in popularity of One Piece cards. They explore the differences between sneaker and card collecting experiences, the impact of community engagement, and the future of sneaker retail in a changing market. The conversation highlights the importance of personal experiences and connections in the collecting world, as well as the challenges faced by retailers in maintaining relevance and profitability.SUPPORT THE SHOW:Donate Through Venmo: https://venmo.com/u/sneakerhistoryBuy Me A Coffee: https://buymeacoffee.com/nickengvallEarly Access, Exclusive Videos, and Content On Patreon: https://patreon.com/sneakerhistorySubscribe on Substack: https://substack.com/@sneakerhistoryJoin our Discord Community: https://discord.gg/xJFyWmWgzaIf you are interested in advertising to our audience, contact us: podcast@sneakerhistory.comCHECK OUT OUR OTHER SHOWS:For the Formula 1 Fans - Exhaust Notes: https://exhaustnotes.fmFor the Fitted Hat Fans - Crown and Stitch: https://crownandstitch.comFor the Cars & Sneakers Fans - Cars & Kicks: https://carsxkicks.comFor the Creators & Creatives - Outside The Box: https://podcasts.apple.com/id/podcast/outside-the-box-convos-with-creators/id1050172106[Links contain affiliate links; we may receive a small commission if you purchase after clicking a link. A great way to support the pod!]—––––—––––—––––—––––—––––—––––—––––—––––Our podcast is proudly...Recorded on Riverside: http://www.riverside.fm/?via=sneakerhistoryHosted & Distributed By Captivate: https://bit.ly/3j2muPbGET IN TOUCH:Robbie - robbie@sneakerhistory.comMike - mike@sneakerhistory.comRohit - rohit@sneakerhistory.comNick - nick@sneakerhistory.comDisclaimer: The views and opinions expressed in this program are those of the speakers and do not necessarily reflect the views or positions of any entities they represent.This podcast uses the following third-party services for analysis: Spotify Ad Analytics - https://www.spotify.com/us/legal/ad-analytics-privacy-policy/

    Rock That Fitness with AnnaRockstar
    RTF# 179 Brad Bizjack ROCKS the RTF World!

    Rock That Fitness with AnnaRockstar

    Play Episode Listen Later Oct 13, 2025 56:06


    I am so freaking PUMPED to have Brad Bizjack on today's episode! Brad has had a huge impact in my own life and has been one of my mindset mentors for over 2 years!Brad's mission is to maximize people's lives by showing them how to close the gap between where they are and where they want to be. He is able to help you identify the obstacles in your path and eliminate them one by one so you can achieve the incredible life you deserve.Some topics from today's episode include:⭐️Mindset is not just about positive thinking; it's about addressing root causes.⭐️Self-worth should not be tied to productivity or achievement.⭐️Celebrating small wins is crucial for maintaining motivation and momentum.⭐️Failure is a necessary part of the learning process and should be reframed as data points.⭐️Emotional resilience is about how quickly you can bounce back from setbacks.⭐️Your beliefs dictate your actions and ultimately your results.⭐️To achieve goals, one must align with their future self and reverse engineer from desired outcomes.⭐️Perfectionism is the lowest standard and guarantees pain; aim for progress instead.⭐️Recognizing and accepting where you are is essential for growth and change.⭐️Inspiration without action leads to stagnation; taking action is key to transformation.As a reminder, if you have a chance, please rate and review the podcast so more women just like you can learn more about the Rockstar way! I appreciate you for your support and love ❤️Brad's Links:Success Accelerator Free 5 Day Challenge:http://www.bradbizjack.com/a/2148154906/37QwMYMLWebsite: https://www.bradbizjack.com/The Path to Mindset Mastery Podcast: https://www.bradbizjack.com/podcast-page?Instagram: https://www.instagram.com/bradbizjack/?hl=enRock That Fitness Links:Join the Rockstar Fit Chicks Weekly Newsletter  https://rockthatfitness.kit.com/e10d0c66ebDownload the FREE POWER BUNDLE⁠https://www.rockthatfitness.com/30-day-challenge-and-protein-guideCheck Out Our Exclusive Offer for Extensive Lab Work with Marek Health ⁠https://www.rockthatfitness.com/rock-that-fitness-marek-health⁠Apply for RTF 1:1 Coaching https://www.rockthatfitness.com/coachingHead to the Rock That Fitness Instagram Page https://www.instagram.com/rockthatfitness/ Music from Uppbeat (free for Creators!):https://uppbeat.io/t/cruen/we-got-thisLicense code: RBWENWHGXSWXAEUE

    The God and Gigs Show
    What Christian Creators Are Really Afraid Of

    The God and Gigs Show

    Play Episode Listen Later Oct 13, 2025 14:18


    Every creative has felt that moment—the blank page, the failed project, or the post that never caught on—when fear creeps in and whispers, “What if I'm really not meant to do this?” For Christian creators, that fear can run even deeper, making you question about your faith, calling, and worth. In this episode of The God and Gigs Show, Allen C. Paul shines a light on the hidden struggles with fear that hinder our creativity and offers a compassionate, honest roadmap for moving forward. We'll explore the real reasons behind your fears and offer faith-filled, practical strategies for turning setbacks into stepping stones.Frequently Asked Questions Answered in this EpisodeWhy do so many creatives struggle with the fear of failure? How does fear manifest for Christian creators specifically?  What are some hidden fears that fuel the visible fear of failure?Is feeling fear a sign of weak faith? What practical steps can help creatives move past the fear of failure?Tap to send us a text! Support the showJoin our Creative Community In our 360 Membership, you get focused encouragement, guidance, and training on how to thrive as a faith-focused creative. Joining gives you access to our exclusive app, workshops and community conversations, as we change from being creatively confused to creatively confident! GodandGigs.com/membership PODCAST MERCHGet God and Gigs themed gear, clothing and accessories HERE! GOT VALUE FROM THIS PODCAST? If so, please share your: TIME: Send this episode to someone who you know would enjoy it TALENT: Email your art or music to add to our community to allen@godandgigs.com TREASURE: Tap HERE to help support God and Gigs with a donation!

    I Hate James Dobson
    Episode 42: The 5 Love Languages

    I Hate James Dobson

    Play Episode Listen Later Oct 13, 2025 76:02


    This episode is about the 5 love languages! Get ready to hear Jake nerd out about couples therapy and why this book is... fine. Jake and Brooke made this gift as an act of service to spend some quality time with you, readers, so be sure to give them words of affirmation in the reviews. I wasn't able to make "physical touch" fit in this joke.References:Cook, M., Pasley, J., Pellarin, E., Medow, K., Baltz, M., & Buhman-Wiggs, A. (2013). Construct validation of the five love languages. Journal of Psychological Inquiry, 18(2), 50-61.Egbert, N., & Polk, D. (2006). Speaking the language of relational maintenance: A validity test of Chapman's Five Love Languages. Communication Research Reports, 23(1), 19-26.Eisen, K. (2025, July 16). Is The Origin of Love Languages Problematic? Coveteur.com. https://coveteur.com/love-languagesFlicker, S. M., Sancier‐Barbosa, F., Clemons‐Castanos, C., Field, S., Jackson‐Zambon, S., Phelan, M., & Impett, E. A. (2025). How Many Love Languages Are There? Examining Chapman's Five Love Languages Using a Bottom‐Up Approach. Journal of marital and family therapy, 51(4), e70072.Impett, E. A., Park, H. G., & Muise, A. (2024). Popular psychology through a scientific lens: Evaluating love languages from a relationship science perspective. Current Directions in Psychological Science, 33(2), 87-92.Surijah, E. A., & Kirana, C. T. (2020). Five love languages scale factor analysis. Makara Human Behavior Studies in Asia, 24(1), 56-72.Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/mood-maze/trendsetterLicense code: 9OT2MTBHWWSRZP5S Hosted on Acast. See acast.com/privacy for more information.

    FLOWER.ED
    253. Freebie Sales Strategy - Online Creators, Mentors, Coaches, Lead Magnets

    FLOWER.ED

    Play Episode Listen Later Oct 13, 2025 23:48


    Omg this an insane episode with so much strategic juice hahahha i hope you love it and if you want help DM me on IG and let's blow it up inside 1:1 Mentorship IG: _thelilyholmesJoin FREE broadcast:https://t.me/+OOcH8tl8yygyOWE1

    Pod Return to the Waking Sands - A Final Fantasy XIV 14 Lore Companion Podcast

    We continue to touch the hot stove that is the darkside. Maybe this time we will uncover truth and power? Instead, we become stuck with an ill-prepared father figure and a reticent teen. Will getting these two to therapy, kupo, bring some solace to our own tortured soul? Find out in this continuation of the FFXIV Dark Knight job questline!   https://discord.gg/SUHTBVMVxj  podreturnffxiv@gmail  https://www.patreon.com/Podreturnffxiv  Shirts! https://tee.pub/lic/cBoKhUlgkrw  https://bsky.app/profile/podreturnffxiv.bsky.social    FINAL FANTASY is a registered trademark of Square Enix Holdings Co., Ltd. © SQUARE ENIX CO., LTD. All Rights Reserved. Music from #Uppbeat (free for Creators!): https://uppbeat.io/t/fernweh-goldfish/skippy-mr-sunshine  License code: 91CJGK73DTQIXILK https://uppbeat.io/t/danijel-zambo/fairytales License code: PQ1IMSLKP0XTU1IC

    Killer Heart To Hearts
    60. Forty Whacks

    Killer Heart To Hearts

    Play Episode Listen Later Oct 13, 2025 53:05


    1892.A quiet home in Fall River, Massachusetts.Two brutal murders behind locked doors.And a daughter whose calm demeanor would divide a nation.This is the case of Lizzie Borden — a story of family tension, Victorian restraint, and violence that still echoes more than a century later.*If you're thirsting for more True Crime, you should check out Morbidology podcast. Morbidology is an award-winning weekly true crime podcast created and hosted by true crime author, Emily G. Thompson. Using investigative research combined with primary audio including 911 calls, interviews and trial testimony, Morbidology takes an in-depthlook at some of the world's most heinous murders.Source Material:https://en.wikipedia.org/wiki/Lizzie_Borden https://www.history.com/articles/9-things-you-may-not-know-about-lizzie-borden https://lizzieandrewborden.com/evidence.htm https://famous-trials.com/lizzieborden/1460-sullivantestimony https://law2.umkc.edu/faculty/projects/ftrials/LizzieBorden/bordenaccount.htmlhttps://mail.crimelibrary.org/notorious_murders/famous/borden/4c.htmlhttps://en.wikipedia.org/wiki/Lizzie_Borden_Househttps://www.newyorker.com/magazine/1933/04/22/legends-of-lizzieMusic Credit:1. IMPERVIOUSMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/dorian-pinto/imperviousLicense code: LUZNNGUQNGYSFZI82. DARK FOGMysteriousSuspensefulMusic2018-11-03_-_Dark_Fog_-_David_Fesliyan.mp33. CAN'T SLEEPMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/locran/cant-sleepLicense code: HAVIXRYL3KM0XULJ4. SOLVING THE CRIME2021-09-06_-_Solving_The_Crime_-_David_Fesliyan.mp35. LIGHTLESS DAWNMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/kevin-macleod/lightless-dawnLicense code: PFYUGTZVDWOCBNLKConnect with us: killerhearttohearts@gmail.comFollow us on: Tik TokFollow us on: InstagramLike us on: FacebookFollow us on: Twitter

    A Shared InHERitance
    The Rich Young Ruler

    A Shared InHERitance

    Play Episode Listen Later Oct 13, 2025 6:54


    The theme for October 2025 is "Priorities." Our editor, Amanda Bowen, discusses "The Rich Young Ruler."Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/zoo/clarityLicense code: UL9CSCKZ4YPM52DF

    The Reality Revolution Podcast
    The Creators - Change Your Future Change Your Past

    The Reality Revolution Podcast

    Play Episode Listen Later Oct 12, 2025 36:04


    We invite you to look at all of the places in your personal history where you have yet to forgive yourselves for something you did or said, or perhaps, didn't do or didn't say. We invite you to let yourself off the hook by recognizing that if you knew then what you know now, you would have did or said things differently. And so, you can see how you have grown since that event, since that moment, in your history. And you can forgive the past you for not knowing better or for not making the choice that was the higher-vibrational one. Recognize that everyone in all of creation has these moments, has these events. You are not the only one. You are not the only one who has made what you would call mistakes, who has slipped up. You are not the only one who has ever operated at a lower-vibrational frequency. It's alright. If you can forgive yourself for all the times that you were not at your best, then you can forgive others as well. And you can recognize once and for all that we are all meant to have these slip-ups, these mistakes, these errors in judgment. They inform us as to how we would like to be in the future. They allow us to have the experience of growth from that moment, and they give us the opportunity to forgive ourselves and others. So why should you then be the only one in all of creation who was supposed to be perfect from the moment of your inception? Why would you be the exception to the rule? Why do you think you have to be perfect in every moment of every day that you've ever existed? Let yourselves off the hook, and feel the relief that you can feel by realizing that you were always meant to be this work in progress and that you are progressing. And the fact that you feel guilty enough to not forgive yourself for a while means that you are progressing. But at some point, you have to let go of the guilt, let go of the perspective that you're holding onto so you can move past it and become the version of yourself that you truly want to become. This is a collection of channelings from The Creators channeled by Daniel Scranton. You know Daniel from the Arcturian Council channelings. Daniel also channels a number of different entities including the founders This is from the book Channeled Wisdom From Higher Dimensional Beings https://www.amazon.com/Channeled-Wisdom-Higher-Dimensional-Beings-ebook/dp/B074GBRRB5/ This can be found on Daniel's website at https://www.danielscranton.com You can find Daniel at https://danielscranton.com/ Get a private channeled reading with Daniel & The 9D Arcturian Council here: https://danielscranton.com/session  

    The Business of Dance
    91- Kayla Moran: From Dancer to Attorney for Creators

    The Business of Dance

    Play Episode Listen Later Oct 12, 2025 73:53


    Interview Date: March 30th, 2025Episode Summary:Florida-based trademark and contract attorney Kayla Moran joins the Business of Dance to bridge two worlds: the discipline of competitive dance and the realities of creator-economy law. Raised in Miami in a Cuban-Ecuadorian family and trained for 15+ years across ballet, tap, jazz, lyrical and hip-hop, Kayla shares how a teacher's challenge—“Don't be a space filler”—became a life mantra through law school and into entrepreneurship.Kayla unpacks the gap art schools and law schools share: they rarely teach the business side. She now runs a firm for creators, dancers and influencers, translating intimidating agreements into clear decisions and helping artists protect their brands with smart contracts and trademarks. We dig into networking that actually works (contacts → contracts), negotiating terms without getting steamrolled, building authentic personal brands, and running yourself like a business (LLCs, taxes, separate accounts).In the live Q&A, Kayla advises teens balancing medicine vs. dance, acting dreams vs. financial stability, and when to hire managers, agents or lawyers. She's blunt (in the best way) about deadlines that “aren't real,” why every contract is negotiable, and how to document your journey without oversharing.Listen if you're: a dancer, parent, studio owner, or creator who wants to turn passion into sustainable income—without giving away your rights.Shownotes:(0:00) – Intro: Meet Kayla Moran, dancer-turned-attorney.(4:35) – Dance beginnings, magnet school, discipline from pointe.(11:22) – Injuries, teacher's advice: “Don't be a space filler.”(18:40) – Law school, burnout, turning to blogging.(32:41) – Contacts = contracts: power of relationships.(38:51) – Negotiation lessons & humanizing business deals.(39:19) – Creator law: brand deals, contracts, red flags.(46:13) – Treating yourself as a business (LLCs, taxes).(55:26)– When to hire an agent, manager, or lawyer.(1:19:39 ) – Every contract is negotiable—never sign first draftBiography:Kayla Moran is a Florida-based trademark and contract attorney for creators and entrepreneurs in the creator economy. Born and raised in Miami to a Cuban-Ecuadorian family, Spanish is her first language, and growing up she was a competitive dancer for 15+ years, now you can probably catch her reading a romance novel or salsa dancing on the weekends if she's not at the beach. She loves to watch action thrillers, military movies or historical fiction shows on Netflix or sports (usually no in between). Kayla hosts her own podcast, The Let's Get Candid Podcast where she strives to connect with and inspire young women to be the best version of themselves and find what drives them, and has been a featured guest on numerous other podcasts. She attended the University of Central Florida where she was a Kappa Delta, participated in Knight-Thon for four years, and interned for Senator Rubio before she set off for law school. In 2022, she earned her Juris Doctorate from the University of Tennessee College of Law, where she was a member of the now Transactional Clinic after passing the Florida Bar, she returned to Miami where she was a personal injury attorney for a year before opening her own firm.When she set out to become a lawyer, her goal was to be in-house counsel for a lifestyle company but during law school she discovered could combine her interests and create a career on her terms. She blogged about her law school experience and it was through blogging that she discovered being an influencer combining her passion for social media and legal training. Now she gets to help influencers promote brands they believe in as a lawyer and entrepreneurs legally protect the brands they have built.She is always open to connecting, please find her on Instagram and on LinkedIn.Connect on Social Media:Instagram - Instagram.com/kaylaaamorannWebsite- Kaylamoranlaw.com

    Coming From the Heart
    THE HEALING BRAS: TROY & DEBBIE'S SUPPORTIVE REVOLUTION

    Coming From the Heart

    Play Episode Listen Later Oct 12, 2025 41:43


    The mother-son duo is here! They discuss their patented therapeutic pads designed to relieve breast pain and discomfort. These pads can be used with any bra and connect with various communities, including breast cancer awareness, oncologists, menopause advocates like Tamsen Fadal, a public figure and NYT bestselling author of 'How to Menopause, as well as women athletes. Their product has been featured in the press on CBS, ABC, and News12 NJ.You can connect with The Healing Bras on Instagram @thehealingbras or check out their website thehealingbras.com

    Fill'Expats
    Pause Méditation : Voyage à Bali ✨

    Fill'Expats

    Play Episode Listen Later Oct 12, 2025 7:12


    Dans cet épisode très spécial de Fill'Expats, je t'invite à une courte pause méditation.Depuis des années, je vis un rythme intense, toujours en mouvement. Pour trouver du calme et du recentrage, j'ai souvent eu recours à des podcasts de méditation guidée. Aujourd'hui, j'ai envie d'inverser les rôles et de t'offrir à mon tour ce moment de respiration.Ferme les yeux, installe-toi confortablement, et laisse-toi guider dans un voyage imaginaire à Bali

    LMScast with Chris Badgett
    Marketing Automation For Course Creators

    LMScast with Chris Badgett

    Play Episode Listen Later Oct 12, 2025 27:06


    In this LMScast episode, Chris Badgett shares about marketing automation. According to Chris Badgett, marketing automation is the foundation of a scalable online education company. Its role is to generate leads, cultivate relationships over time, and turn those leads into paying students for coaching, academies, memberships, or courses. In order to automatically offer value and […] The post Marketing Automation For Course Creators appeared first on LMScast.

    Print Is Dead. (Long Live Print!)
    Yannic Moeken, Sandra von Mayer-Myrtenhain, and Junshen Wu (Founders: Famous for My Dinner Parties)

    Print Is Dead. (Long Live Print!)

    Play Episode Listen Later Oct 11, 2025 38:40


    A NEW RECIPE FOR FOOD MAGAZINES—You may think a magazine called Famous for My Dinner Parties would be about food or entertaining—and I wouldn't blame you if you did. You wouldn't be wrong, but you also wouldn't be right.Taking its name from Robert Altman's film, 3 Women, Famous for My Dinner Parties started as a pandemic-inspired digital project among three friends (Junshen Wu, Sandra von Mayer-Myrtenheim and Yannic Moeken) in Berlin and has evolved into a proper magazine and media brand, and along the way has won an engaged and broad audience far beyond Berlin. Something that continues to surprise the founders.The magazine is slightly odd, if I'm being honest, idiosyncratic, thoroughly compelling, and undeniably beautiful. It's also almost entirely done in house, including all the design, photography and writing. And despite this, or maybe because of it, the thing works. Whether or not this method—or lack of one—is sustainable is another question.And just to be clear, there is not a single recipe in the magazine. Just a whole lot of ideas. This is a magazine then, editorially and conceptually, built around vibes. Fuel for a discussion, perhaps, at your next really great dinner party. Whether or not you aspire to any sort of fame.—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

    Stivale Italiano
    Fare proposte, invitare, accettare e rifiutare in modo efficace -287-

    Stivale Italiano

    Play Episode Listen Later Oct 11, 2025 29:33


    Fare proposte, invitare qualcuno a fare qualcosa con voi, accettare un invito, rifiutarlo e fare una contro proposta, sono delle abilità comunicative importantissime a tutti i livelli.In questo episodio esploriamo un po' di frasi utili per tutte queste situazioni.Vuoi migliorare il tuo italiano? I nostri corsi di gruppo e individuali ti aspettano!Scrivici a info@stivaleitaliano.com

    A Wasteland Story - a fallout solo-rpg podcast
    Ep 12 - Mikey's (in)Famous Moonshine

    A Wasteland Story - a fallout solo-rpg podcast

    Play Episode Listen Later Oct 11, 2025 75:03


    Hello and Welcome Back to A Wasteland Story. In this episode of the show, your heroine and mine SosKaid, along with Brotherhood of Steel initiate Hawthorn and goodboy Dogmeat, continue to try and work out what the hell is going on with 'feral' ghouls in Keshar. From shotgun antics in the barn, unexpected visitors in the forest and Mikey's hell of a moonshine, this episode has it all so sit down in your favourite winged-backed armchair, pour a snifter of something strong in a heavy glass, relax and.....please drink responsibly. You can get in touch with me on: awastelandstorypodcast@gmail.com, PJSack on Reddit/Bluesky or better yet join the SoloRolePlayers Patreon where a free membership will get you access to the community chat and my public newsletters   Links & Recs You can listen to my other SoloRPG Interview/Actual play The Solo RolePlayers Podcast   If you would like to check out the Fallout 2D20 system for yourself you can visit the Modiphius website.   Creators that helped me discover this weird and wonderful hobby: Man Alone Boardgames with Thomas - Fallout Series Geek Gamers The Dungeon Dive Lords of the Dungeon (The Secret Cabal) Girls Who Don't DnD Me Myself & Die   Reading Materials that helped me figure out what the hell I am doing: Mythic GM Emulator 2E Solo Game Masters Guide - geekgamer   Music and Sound Effects in this series are credited to: Epidemic Sound Archive.org (public domain) Fallout: Cascadia (see individual composers below)   And a special credit to the wonderful talent of Mark Morgan who composed the original (Fallout 1&2) and Wasteland 2 soundtracks, and Inon Zur (New Vegas, Fallout Tactics, etc.) which are also available on Archive.org   Fallout: Cascadia Composers Alex Catana - https://soundcloud.com/alexcatana Garrett Beelow - https://soundcloud.com/garrettb Jaimy Kortenhoff - https://soundcloud.com/see4urself Sylwester Faustmann - https://soundcloud.com/sylwester-faustmann Sergey Neiss - https://soundcloud.com/sergeyneiss Kalle "TheSurpriser" Nilsson  

    YouTube Creators Hub
    From Teacher To Full-Time YouTube Creator | Tom Hitchins

    YouTube Creators Hub

    Play Episode Listen Later Oct 10, 2025 36:31 Transcription Available


    In this episode of the YouTube Creators Hub podcast, host Dusty chats with Tom Hitchins from the Byte Review YouTube channel. Tom shares his journey from being a full-time teacher to a successful tech content creator with over 227,000 subscribers. He discusses his unique approach to content creation, the challenges of transitioning to full-time YouTube work, and the importance of standing out in a crowded space. What We Offer Creators Join Creator Communities. A place to gather with other creators every single day. This provides access to Our Private Discord Server, Monthly Mastermind Group, and MORE!  Hire Dusty To Be Your YouTube Coach YouTube Channel Reviews (Audit): Get a 7-10 minute personalized video review of your YouTube channel with honest, actionable feedback for just $50. Subscribe to our weekly newsletter: Each week I document what I'm doing in my business and creative journey, share new things I've discovered, mistakes I've made, and much more! All Tools Mentioned On The Show: The Ultimate Entrepreneurs Resource. This is the spreadsheet where I keep all of the tools mentioned by all the guests on the podcast. BEST TOOLS FOR CREATORS and ENTREPRENEURS: YouTube Optimization (Creative Fuel): https://geni.us/oPCt7Cf Hire Freelancers and Artists (Fiverr): https://geni.us/h4zMWAP Podcast Hosting (Libsyn): https://geni.us/TrpwY0 GeniusLink Link Shortener: https://geni.us/fHPAe Stock Assets For Creators (Envato): https://geni.us/rlEKkLB E-commerce (Shopify): https://geni.us/m9ctWwe Podcast Recording and Editing (Riverside.FM) https://geni.us/PLlt1M My YouTube Film Gear:

    Sparkleside Chats with Magical Girl Ayu
    BONUS - You & Idol PreCure the Movie

    Sparkleside Chats with Magical Girl Ayu

    Play Episode Listen Later Oct 10, 2025 40:18


    Thanks for waiting! Not only is that part of the title of the latest PreCure movie, but Sparkleside Chats is back from the dead to give the detail, SPOILER-heavy synopsis & review! Original podcast music by Hazel, @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠afewbruises⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Keep up to date with the Magical Girl Media Google Calendar!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Submit your ideas to the podcast here!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Ayu wishlist gifts from Throne!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Commission Ayu for art, drop off a donation, or sign up for bonus episodes on Ko-fi!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find the podcast online on the socials @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠magicalgirlayu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or on Spotify for Creators at sparkleside, and don't forget to comment online with the hashtag #SparklesideChats! Contact us by email or DMs.

    Mastering Portrait Photography Podcast
    EP166 Interview With Mark & Simon From Elinchrom UK

    Mastering Portrait Photography Podcast

    Play Episode Listen Later Oct 10, 2025 52:12


    EP166 Interview With Mark & Simon From Elinchrom UK I sit down with Mark Cheatham and Simon Burfoot from Elinchrom UK to talk about the two words that matter most when you work with light: accuracy and consistency. We dig into flash vs. continuous, shaping light (not just adding it), why reliable gear shortens your workflow, and Elinchrom's new LED 100 C—including evenly filling big softboxes and that handy internal battery. We also wander into AI: threats, tools, and why authenticity still carries the highest value.   Links: Elinchrom UK store/info: https://elinchrom.co.uk/ LED 100 C product page: https://elinchrom.co.uk/elinchrom-led-100-c Rotalux Deep Octa / strips: https://elinchrom.co.uk/elinchrom-rotalux-deep-octabox-100cm-softbox/ My workshop dates: https://masteringportraitphotography.com/workshops-and-mentoring/ Transcript: Paul: as quite a lot of, you know, I've had a love affair with Elinchrom Lighting for the past 20 something years. In fact, I'm sitting with one of the original secondhand lights I bought from the Flash Center 21 years ago in London. And on top of that, you couldn't ask for a nicer set of guys in the UK to deal with. So I'm sitting here about to talk to Simon and Mark from Elinchrom uk. I'm Paul and this is the Mastering Portrait Photography podcast. Paul: So before we get any further, tell me a little bit about who you are, each of you and the team from Elinchrom UK Mark: After you, Simon. Simon: Thank you very much, mark. Mark: That's fine. Simon: I'm, Simon Burfoot. I have, been in the industry now for longer than I care to think. 35 years almost to the, to the day. Always been in the industry even before I left school because my father was a photographer and a lighting tutor, working for various manufacturers I was always into photography, and when he started the whole lighting journey. I got on it with him, and was learning from a very young age. Did my first wedding at 16 years old. Had a Saturday job which turned into a full-time job in a retail camera shop. By the time I was 18, I was managing my own camera shop, in a little town in the Cotswolds called Cirencester. My dad always told me that to be a photographic rep in the industry, you needed to see it from all angles, to get the experience. So I ended up, working in retail, moving over to a framing company. Finishing off in a prolab, hand printing, wedding photographers pictures, processing E6 and C41, hand correcting big prints for framing for, for customers, which was really interesting and I really enjoyed it. And then ended up working for a company called Leeds Photo Visual, I was a Southwest sales guy for them. Then I moved to KJP before it became, what we know now as Wex, and got all of the customers back that I'd stolen for them for Leeds. And then really sort of started my career progressing through, and then started to work with Elinchrom, on the lighting side. Used Elinchrom way before I started working with them. I like you a bit of a love affair. I'd used lots of different lights and, just loved the quality of the light that the Elinchrom system produced. And that's down to a number of factors that I could bore you with, but it's the quality of the gear, the consistency in terms of color, and exposure. Shooting film was very important to have that consistency because we didn't have Photoshop to help us out afterwards. It was a learning journey, but I, I hit my goal after being a wedding photographer and a portrait photographer in my spare time, working towards getting out on the road, meeting people and being involved in the industry, which I love. And I think it's something that I'm scared of leaving 'cause I dunno anything else. It's a wonderful industry. It has its quirks, its, downfalls at points, but actually it's a really good group of people and everyone kind of, gets on and we all love working with each other. So we're friends rather than colleagues. Paul: I hesitate to ask, given the length of that answer, to cut Simon: You did ask. Mark: I know. Paul: a short story Mark: was wondering if I was gonna get a go. Paul: I was waiting to get to end into the podcast and I was about to sign off. Mark: So, hi Mark Cheatham, sales director for Elinchrom uk this is where it gets a little bit scary because me and Simon have probably known each other for 10 years, yet our journeys in the industry are remarkably similar. I went to college, did photography, left college, went to work at commercial photographers and hand printers. I was a hand printer, mainly black and white, anything from six by four to eight foot by four foot panels, which are horrible when you're deving in a dish. But we did it. Paul: To the generation now, deving in a dish doesn't mean anything. Simon: No, it doesn't. Mark: And, and when you're doing a eight foot by four foot print and you've got it, you're wearing most of the chemistry. You went home stinking every night. I was working in retail. As a Saturday lad and then got promoted from the Saturday lad to the manager and went to run a camera shop in a little town in the Lake District called Kendall. I stayed there for nine years. I left there, went on the road working for a brand called Olympus, where I did 10 years, I moved to Pentax, which became Rico Pentax. I did 10 years there. I've been in the industry all my life. Like Simon, I love the industry. I did go out the industry for 18 months where I went into the wonderful world of high end commercial vr, selling to blue light military, that sort of thing. And then came back. One of the, original members of Elinchrom uk. I don't do as much photography as Simon I take photos every day, probably too many looking at my Apple storage. I do shoot and I like shooting now and again, but I'm not a constant shooter like you guys i'm not a professional shooter, but when you spent 30 odd years in the industry, and part of that, I basically run the, the medium format business for Pentax. So 645D, 645Z. Yeah, it was a great time. I love the industry and, everything about it. So, yeah, that's it Paul: Obviously both of you at some point put your heads together and decided Elinchrom UK was the future. What triggered that and why do you think gimme your sales pitch for Elinchrom for a moment and then we can discuss the various merits. Simon: The sales pitch for Elinchrom is fairly straightforward. It's a nice, affordable system that does exactly what most photographers would like. We sell a lot of our modifiers, so soft boxes and things like that to other users, of Prophoto, Broncolor. Anybody else? Because actually the quality of the light that comes out the front of our diffusion material and our specular surfaces on the soft boxes is, is a lot, lot more superior than, than most. A lot more superior. A lot more Mark: A lot more superior. Paul: more superior. Simon: I'm trying to Paul: Superior. Simon: It's superior. And I think Paul, you'll agree, Paul: it's a lot more, Simon: You've used different manufacturers over the years and, I think the quality of light speaks for itself. As a photographer I want consistency. Beautiful light and the effects that the Elinchrom system gives me, I've tried other soft boxes. If you want a big contrasty, not so kind light, then use a cheaper soft box. If I've got a big tattoo guy full of piercings you're gonna put some contrasty light to create some ambience. Maybe the system for that isn't good enough, but for your standard portrait photographer in a studio, I don't think you can beat the light. Mark: I think the two key words for Elinchrom products are accuracy and consistency. And that's what, as a portrait photographer, you should be striving for, you don't want your equipment to lengthen your workflow or make your job harder in post-production. If you're using Elinchrom lights with Elinchrom soft boxes or Elinchrom modifiers, you know that you're gonna get accuracy and consistency. Which generally makes your job easier. Paul: I think there's a bit that neither of you, I don't think you've quite covered, and it's the bit of the puzzle that makes you want to use whatever is the tool of your trade. I mean, I worked with musicians, I grew up around orchestras. Watching people who utterly adore the instrument that's in their hand. It makes 'em wanna play it. If you own the instrument that you love to play, whether it's a drum kit a trumpet a violin or a piano, you will play it and get the very best out of your talent with it. It's just a joy to pick it up and use it for all the little tiny things I think it's the bit you've missed in your descriptions of it is the utter passion that people that use it have for it. Mark: I think one of the things I learned from my time in retail, which was obviously going back, a long way, even before digital cameras One of the things I learned from retail, I was in retail long before digital cameras, retail was a busier time. People would come and genuinely ask for advice. So yes, someone would come in and what's the best camera for this? Or what's the best camera for that? Honestly there is still no answer to that. All the kit was good then all the kit is good now. You might get four or five different SLRs out. And the one they'd pick at the end was the one that they felt most comfortable with and had the best connection with. When you are using something every day, every other day, however it might be, it becomes part of you. I'm a F1 fan, if you love the world of F1, you know that an F1 car, the driver doesn't sit in an F1 car, they become part of the F1 car. When you are using the same equipment day in, day out, you don't have to think about what button to press, what dial to to turn. You do it. And that, I think that's the difference between using something you genuinely love and get on with and using something because that's what you've got. And maybe that's a difference you genuinely love and get on with Elinchrom lights. So yes, they're given amazing output and I know there's, little things that you'd love to see improved on them, but that's not the light output. Paul: But the thing is, I mean, I've never, I've never heard the F1 analogy, but it's not a bad one. When you talk about these drivers and their cars and you are right, they're sort of symbiotic, so let's talk a little bit about why we use flash. So from the photographers listening who are just setting out, and that's an awful lot of our audience. I think broadly speaking, there are two roads or three roads, if you include available light if you're a portrait photographer. So there's available light. There's continuous light, and then there's strobes flash or whatever you wanna call it. Of course, there's, hybrid modeling and all sorts of things, but those are broadly the three ways that you're gonna light your scene or your subject. Why flash? What is it about that instantaneous pulse of light from a xenon tube that so appealing to photographers? Simon: I think there's a few reasons. The available light is lovely if you can control it, and by that I mean knowing how to use your camera, and control the ambient light. My experience of using available light, if you do it wrong, it can be quite flat and uninteresting. If you've got a bright, hot, sunny day, it can be harder to control than if it's a nice overcast day. But then the overcast day will provide you with some nice soft, flat lighting. Continuous light is obviously got its uses and there's a lot of people out there using it because what they see is what they get. The way I look at continuous light is you are adding to the ambient light, adding more daylight to the daylight you've already got, which isn't a problem, but you need to control that light onto the subject to make the subject look more interesting. So a no shadow, a chin shadow to show that that subject is three dimensional. There are very big limitations with LED because generally it's very unshapable. By that I mean the light is a very linear light. Light travels in straight lines anyway, but with a flash, we can shape the light, and that's why there's different shapes and sizes of modifiers, but it's very difficult to shape correctly -an LED array, the flash for me, gives me creativity. So with my flash, I get a sharper image to start with. I can put the shadows and the light exactly where I want and use the edge of a massive soft box, rather than the center if I'm using a flash gun or a constant light. It allows me to choose how much or how little contrast I put through that light, to create different dynamics in the image. It allows me to be more creative. I can kill the ambient light with flash rather than adding to it. I can change how much ambient I bring into my flash exposure. I've got a lot more control, and I'm not talking about TTL, I'm talking about full manual control of using the modifier, the flash, and me telling the camera what I want it to do, rather than the camera telling me what it thinks is right. Which generally 99% of the time is wrong. It's given me a beautiful, average exposure, but if I wanted to kill the sun behind the subject, well it's not gonna do that. It's gonna give me an average of everything. Whereas Flash will just give me that extra opportunity to be a lot more creative and have a lot more control over my picture. I've got quite a big saying in my workshops. I think a decent flash image is an image where it looks like flash wasn't used. As a flash photographer, Paul, I expect you probably agree with me, anyone can take a flash image. The control of light is important because anybody can light an image, but to light the subject within the image and control the environmental constraints, is the key to it and the most technical part of it. Mark: You've got to take your camera off P for professional to do that. You've got to turn it off p for professional and get it in manual mode. And that gives you the control Paul: Well, you say that, We have to at some point. Address the fact that AI is not just coming, it's sitting here in our studios all the time, and we are only a heartbeat away from P for professional, meaning AI analyzed and creating magic. I don't doubt for a minute. I mean, right now you're right, but not Mark: Well, at some point it will be integrated into the camera Paul: Of course it will. Mark: If you use an iPhone or any other phone, you know, we are using AI as phone photographers, your snapshots. You take your kids, your dogs, whatever they are highly modified images. Paul: Yeah. But in a lot of the modern cameras, there's AI behind the scenes, for instance, on the focusing Mark: Yeah. Paul: While we've, we are on that, we were on that thread. Let's put us back on that thread for a second. What's coming down the line with, all lighting and camera craft with ai. What are you guys seeing that maybe we're not Simon: in terms of flash technology or light technology? Paul: Alright. I mean, so I mean there's, I guess there's two angles, isn't there? What are the lights gonna do that use ai? What are the controllers gonna do, that uses ai, but more importantly, how will it hold its own in a world where I can hit a button and say, I want rebrand lighting on that face. I can do that today. Mark: Yeah. Simon: I'm not sure the lighting industry is anywhere near producing anything that is gonna give what a piece of software can give, because there's a lot more factors involved. There's what size light it is, what position that light is in, how high that light is, how low that light is. And I think the software we've all heard and played with Evoto we were talking about earlier, I was very skeptical and dubious about it to start with as everybody would be. I'm a Photoshop Lightroom user, have been for, many years. And I did some editing, in EEvoto with my five free credits to start with, three edits in, I bought some credits because I thought, actually this is very, very good. I'll never use it for lighting i'd like to think I can get that right myself. However, if somebody gives you a, a very flat image of a family outside and say, well, could you make this better for me? Well, guess what? I can do whatever you like to it. Is it gonna attack the photographer that's trying to earn a living? I think there's always a need for people to take real photographs and family photographs. I think as photographers, we need to embrace it as an aid to speed up our workflow. I don't think it will fully take over the art of photography because it's a different thing. It's not your work. It's a computer generated AI piece of work in my head. Therefore, who's responsible for that image? Who owns the copyright to that image? We deal with photographers all the time who literally point a camera, take a picture and spend three hours editing it and tell everyone that, look at this. The software's really good and it's made you look good. I think AI is capable of doing that to an extent. In five years time, we'll look back at Evoto today and what it's producing and we'll think cracky. That was awful. It's like when you watch a high definition movie from the late 1990s, you look at it and it was amazing at the time, but you look at it now and you think, crikey, look at the quality of it. I dunno if we're that far ahead where we won't get to that point. The quality is there. I mean, how much better can you go than 4K, eight K minus, all that kind of stuff. I'm unsure, but I don't think the AI side of it. Is applicable to flash at this moment in time? I don't know. Mark: I think you're right. To look at the whole, photography in general. If you are a social photographer, family photographer, whatever it might be, you are genuinely capturing that moment in time that can't be replaced. If you are a product photographer, that's a different matter. I think there's more of a threat. I think I might be right in saying. I was looking, I think I saw it on, LinkedIn. There is a fashion brand in the UK at the moment that their entire catalog of clothing has been shot without models. When you look at it on the website, there's models in it. They shoot the clothing on mannequins and then everything else is AI generated they've been developing their own AI platform now for a number of years. Does the person care Who's buying a dress for 30 quid? Probably not, but if you are photographing somebody's wedding, graduation, some, you know, a genuine moment in someone's life, I think it'd be really wrong to use any sort of AI other than a little bit of post-production, which we know is now quite standard for many people in the industry. Paul: Yeah, the curiosity for me is I suspect as an industry, Guess just released a full AI model advert in, Vogue. Declared as AI generated an ai agency created it. Everything about it is ai. There's no real photography involved except in the learning side of it. And that's a logical extension of the fact we've been Photoshopping to such a degree that the end product no longer related to the input. And we've been doing that 25 years. I started on Photoshop version one, whatever that was, 30 years More than 33. So we've kind of worked our way into a corner where the only way out of it is to continue. There's no backtracking now. Mark: Yeah. Paul: I think the damage to the industry though, or the worry for the industry, I think you're both right. I think if you can feel it, touch it, be there, there will always be that importance. In fact, the provenance of authenticity. Is the high value ticket item now, Simon: Mm-hmm. Paul: because you, everything else is synthetic, you can trust nothing. We are literally probably months away from 90% of social media being generated by ai. AI is both the consumer and the generator of almost everything online Mark: Absolutely. Paul: Goodness knows where we go. You certainly can't trust anything you read. You can't trust anything you see, so authenticity, face-to-face will become, I think a high value item. Yeah. Mark: Yeah. Paul: I think one problem for us as an industry in terms of what the damage might be is that all those people that photograph nameless products or create books, you know, use photography and then compositing for, let's say a novel that's gone, stock libraries that's gone because they're faceless. Simon: Mm-hmm. Paul: there doesn't have to be authentic. A designer can type in half a dozen keywords. Into an AI engine and get what he needs. If he doesn't get what he needs, he does it again. All of those photographers who currently own Kit are gonna look around with what do we do now? And so for those of us who specialize in weddings and portraits and family events, our market stands every chance of being diluted, which has the knock on effect of all of us having to keep an eye on AI to stay ahead of all competitors, which has the next knock on effect, that we're all gonna lean into ai, which begs the question, what happens after Because that's what happened in the Photoshop world. You know, I'm kind of, I mean, genuinely cur, and this will be a running theme on the podcast forever, is kind of prodding it and taking barometer readings as to where are we going? Mark: Yeah. I mean, who's more at threat at the moment from this technology? Is it the photographer or is it the retouch? You know, we do forget that there are retouchers That is their, they're not photographers. Paul: I don't forget. They email me 3, 4, 5 times a day. Mark: a Simon: day, Mark: You know, a highly skilled retouch isn't cheap. They've honed their craft for many years using whatever software product they prefer to use. I think they're the ones at risk now more so than the photographer. And I think we sort of lose sight of that. Looking at it from a photographer's point of view, there is a whole industry behind photography that actually is being affected more so than you guys at the moment. Simon: Mm-hmm. Paul: Yeah, I think there's truth in that, but. It's not really important. Of course, it's really important to all of those people, but this is the digital revolution that we went through as film photographers, and probably what the Daguerreotype generators went through when Fox Tolbert invented the first transfer. Negative. You know, they are, there are always these epochs in our industry and it wipes out entire skillset. You know, I mean, when we went to digital before then, like you, I could dev in a tank. Yeah. You know, and really liked it. I like I see, I suspect I just like the solitude, Mark: the dark, Paul: red light in the dark Mark: yeah. Paul: Nobody will come in. Not now. Go away. Yeah. All that kind of stuff. But of course those skills have gone, has as, have access to the equipment. I think we're there again, this feels like to me a huge transition in the industry and for those who want to keep up, AI is the keeping up whether you like it or not. Mark: Yeah. And if you don't like it, we've seen it, we're in the middle of a massive resurgence in film photography, which is great for the industry, great for the retail industry, great for the film manufacturers, chemical manufacturers, everything. You know, simon, myself, you, you, we, we, our earliest photography, whether we were shooting with flash, natural light, we were film shooters and that planes back. And what digital did, from a camera point of view, is make it easier and more accessible for less skilled people. But it's true. You know, if you shot with a digital camera now that's got a dynamic range of 15 stops, you actually don't even need to have your exposure, that accurate Go and shoot with a slide film that's got dynamic range of less than one stop and see how good you are. It has made it easier. The technology, it will always make it. Easier, but it opens up new doors, it opens up new avenues to skilled people as well as unskilled people. If you want, I'm using the word unskilled again, I'm not being, a blanket phrase, but it's true. You can pick up a digital camera now and get results that same person shooting with a slide film 20 years ago would not get add software to that post-production, everything else. It's an industry that we've seen so many changes in over the 30 odd years that we've been in it, Simon: been Mark: continue Simon: at times. It exciting Mark: The dawn of digital photography to the masses. was amazing. I was working for Olympus at the time when digital really took off and for Olympus it was amazing. They made some amazing products. We did quite well out of it and people started enjoying photography that maybe hadn't enjoyed photography before. You know, people might laugh at, you know, you, you, you're at a wedding, you're shooting a really nice wedding pool and there's always a couple of guests there which have got equipment as good as yours. Better, better than yours. Yeah. Got Simon: jobs and they can afford it. Mark: They've got proper jobs. Their pitches aren't going to be as good as yours. They're the ones laughing at everyone shooting on their phone because they've spent six grand on their new. Camera. But if shooting on a phone gets people into photography and then next year they buy a camera and two years later they upgrade their camera and it gets them into the hobby of photography? That's great for everyone. Hobbyists are as essential, as professional photographers to the industry. In fact, to keep the manufacturers going, probably more so Simon: the hobbyists are a massive part. Even if they go out and spend six or seven or 8,000 pounds on a camera because they think it's gonna make them a better photographer. Who knows in two years time with the AI side, maybe it will. That old saying, Hey Mr, that's a nice camera. I bet it takes great pictures, may become true. We have people on the lighting courses, the workshops we run, the people I train and they're asking me, okay, what sessions are we gonna use? And I'm saying, okay, well we're gonna be a hundred ISO at 125th, F 5.6. Okay, well if I point my camera at the subject, it's telling me, yeah, but you need to put it onto manual. And you see the color drain out their faces. You've got a 6,000 pound camera and you've never taken it off 'P'. Mark: True story. Simon: And we see this all the time. It's like the whole TTL strobe manual flash system. The camera's telling you what it wants to show you, but that maybe is not what you want. There are people out there that will spend a fortune on equipment but actually you could take just as good a picture with a much smaller, cheaper device with an nice bit of glass on the front if you know what you're doing. And that goes back to what Mark was saying about shooting film and slide film and digital today. Paul: I, mean, you know, I don't want this to be an echo chamber, and so what I am really interested in though, is the way that AI will change what flash photography does. I'm curious as to where we are headed in that, specific vertical. How is AI going to help and influence our ability to create great lip photography using flash? Mark: I think, Paul: I love the fact the two guys side and looked at each other. Mark: I, Simon: it's a difficult question to answer. Mark: physical light, Simon: is a difficult question to answer because if you're Mark: talking about the physical delivery of light. Simon: Not gonna change. Mark: Now, The only thing I can even compare it to, if you think about how the light is delivered, is what's the nearest thing? What's gotta change? Modern headlamps on cars, going back to cars again, you know, a modern car are using these LED arrays and they will switch on and switch off different LEDs depending on the conditions in front of them. Anti dazzle, all this sort of stuff. You know, the modern expensive headlamp is an amazing technical piece of kit. It's not just one ball, but it's hundreds in some cases of little arrays. Will that come into flash? I don't know. Will you just be able to put a soft box in front of someone and it will shape the light in the future using a massive array. Right? I dunno it, Simon: there's been many companies tested these arrays, in terms of LED Flash, And I think to be honest, that's probably the nearest it's gonna get to an AI point of view is this LED Flash. Now there's an argument to say, what is flash if I walk into a living room and flick the light on, on off really quickly, is that a flash? Mark: No, that's a folock in Paul: me Mark: turn, big lights off. Paul: Yeah. Mark: So Simon: it, you, you might be able to get these arrays to flush on and off. But LED technology, in terms of how it works, it's quite slow. It's a diode, it takes a while for it to get to its correct brightness and it takes a while for it to turn off. To try and get an LED. To work as a flash. It, it's not an explosion in a gas field tube. It's a a, a lighter emitting diode that is, is coming on and turning off again. Will AI help that? Due to the nature of its design, I don't think it can. Mark: Me and s aren't invented an AI flash anytime soon by the looks of, we're Simon: it's very secret. Mark: We're just putting everyone off Paul, Simon: It's alright. Mark: just so they don't think Simon: Yeah, Mark: Oh, it's gonna be too much hard work and we'll sort it. Paul: It's definitely coming. I don't doubt for a minute that this is all coming because there's no one not looking at anything Simon: that makes perfect sense. Paul: Right now there's an explosion of invention because everybody's trying to find an angle on everything. Simon: Mm-hmm. Paul: The guys I feel the most for are the guys who spent millions, , on these big LED film backdrop walls. Simon: Yep. Mark: So you can Paul: a car onto a flight sim, rack, and then film the whole lot in front of an LED wall. Well, it was great. And there was a market for people filming those backdrops, and now of course that's all AI generated in the LED, but that's only today's technology. Tomorrow's is, you don't need the LED wall. That's here today. VEO3 and Flow already, I mean, I had to play with one the other day for one of our lighting diagrams and it animated the whole thing. Absolute genius. Simon: Mm-hmm. Paul: I still generated the original diagram. Mark: Yeah, Paul: Yeah, that's useful. There's some skill in there still for now, but, you gotta face the music that anything that isn't, I can touch it and prod it. AI's gonna do it. Mark: Absolutely. If you've ever seen the series Mandalorian go and watch the making of the Mandalorian and they are using those big LED walls, that is their backdrop. Yeah. And it's amazing how fast they shift from, you know, they can, they don't need to build a set. Yeah. They shift from scene to scene. Paul: Well, aI is now building the scenes. But tomorrow they won't need the LED wall. 'cause AI will put it in behind the actors. Mark: Yeah. Say after Paul: that you won't need the actors because they're being forced to sign away the rights so that AI can be used. And even those that are standing their ground and saying no, well, the actors saying Yes. Are the ones being hired. You know, in the end, AI is gonna touch all of it. And so I mean, it's things like, imagine walking into a studio. Let's ignore the LED thing for a minute, by the way, that's a temporary argument, Simon: I know you're talking about. Paul: about today's, Simon: You're about the. Mark: days Paul: LEDs, Simon: we're in, We're in very, very interesting times and. I'm excited for the future. I'm excited for the new generation of photographers that are coming in to see how they work with what happens. We've gone from fully analog to me selling IMACON drum scanners that were digitizing negatives and all the five four sheet almost a shoot of properties for an estate agent were all digitized on an hassle blood scanner. And then the digital camera comes out and you start using it. It was a Kodak camera, I think the first SLRI used, Paul: Yeah. Simon: and you get the results back and you think, oh my God, it looks like it's come out of a practica MTL five B. Mark: But Simon: then suddenly the technology just changes and changes and changes and suddenly it's running away with itself and where we are today. I mean, I, I didn't like digital to start with. It was too. It was too digital. It was too sharp. It didn't have the feel of film, but do you know what? We get used to it and the files that my digital mirrorless camera provide now and my Fuji GFX medium format are absolutely stunning. But the first thing I do is turn the sharpness down because they are generally over sharp. For a lovely, beautifully lit portrait or whatever that anybody takes, it just needs knocking back a bit. We were speaking about this earlier, I did some comparison edits from what I'd done manually in Photoshop to the Evoto. Do you know what the pre-selected edits are? Great. If you not the slider back from 10 to about six, you're there or thereabouts? More is not always good. Mark: I think when it comes to imagery in our daily lives, the one thing that drives what we expect to see is TV and most people's TVs, everything's turned up to a hundred. The color, the contrast, that was a bit of a shock originally from the film to digital, crossover. Everything went from being relatively natural to way over the top Just getting back to AI and how it's gonna affect people like you and people that we work with day to day. I don't think we should be worried about that. We should be worried about the images we see on the news, not what we're seeing, hanging on people's walls and how they're gonna be affected by ai. That generally does affect everyone's daily life. Paul: Yeah, Mark: Yeah. But what Paul: people now ask me, for instance, I've photographed a couple head shots yesterday, and the one person had not ironed her blouse. And her first question was, can we sort that out in post? So this is the knock on effect people are becoming aware of what's possible. What's that? Nothing. Know, and the, the smooth clothing button in Evoto will get me quite a long way down that road and saves somebody picking up an eye and randomly, it's not me, it's now actually more work for me 'cause I shouldn't have to do it. But, you know, this is my point about the knock on effect. Our worlds are different. So I didn't really intend this to be just a great sort of circular conversation about AI cars and, future technology. It was more, I dunno, we ended up down there anyway. Simon: We went down a rabbit hole. Mark: A Paul: rabbit hole. Yeah Mark: was quite an interesting one. Simon: And I'm sorry if you've wasted your entire journey to work and we Paul: Yeah. Simon: Alright. It wasn't intended to be like that. Paul: I think it's a debate that we need to be having and there needs to be more discussion about it. Certainly for anybody that has a voice in the industry and people are listening to it because right now it might be a toddler of a technology, but it's growing faster than people realize. There is now a point in the written word online where AI is generating more than real people are generating, and AI is learning that. So AI is reading its own output. That's now beginning to happen in imagery and film and music. Simon: Well, even in Google results, you type in anything to a Google search bar. When it comes back to the results, the first section at the top is the AI generated version. And you know what, it's generally Paul: Yep. Simon: good and Paul: turn off all the rest of it now. So it's only ai. Simon: Not quite brave enough for that yet. No, not me. Mark: In terms Paul: of SEO for instance, you now need to tune it for large language models. You need to be giving. Google the LLM information you want it to learn so that you become part of that section on a website. And it, you know, this is where we are and it's happening at such a speed, every day I am learning something new about something else that's arriving. And I think TV and film is probably slightly ahead of the photography industry Mark: Yeah. Paul: The pressures on the costs are so big, Simon: Yes. Paul: Whereas the cost differential, I'm predicting our costs will actually go up, not down. Whereas in TV and film, the cost will come down dramatically. Mark: Absolutely. Simon: They are a horrifically high level anyway. That's Paul: I'm not disputing that, but I watched a demo of some new stuff online recently and they had a talking head and they literally typed in relight that with a kiss light here, hairlight there, Rembrandt variation on the front. And they did it off a flat picture and they can move the lights around as if you are moving lights. Yes. And that's there today. So that's coming our way too. And I still think the people who understand how to see light will have an advantage because you'll know when you've typed these words in that you've got it about right. It doesn't change the fact that it's going to be increasingly synthetic. The moment in the middle of it is real. We may well be asked to relight things, re clothe things that's already happening. Simon: Yeah. Paul: We get, can you just fill in my hairline? That's a fairly common one. Just removing a mole. Or removing two inches round a waist. This, we've been doing that forever. Simon: Mm-hmm. Paul: And so now it'll be done with keyword generation rather than, photoshop necessarily. Simon: I think you'll always have the people that embrace this, we can't ignore it as you rightly say. It's not going away. It's gonna get bigger, it's gonna feature more in our lives. I think there's gonna be three sets of people. It's gonna be the people like us generally on a daily basis. We're photographers or we're artists. We enjoy what we do. I enjoy correctly lighting somebody with the correct modifier properties to match light quality to get the best look and feel and the ambience of that image. And I enjoy the process of putting that together and then seeing the end result afterwards. I suppose that makes me an artist in, in, in loose terms. I think, you know, as, as, as a photographer, we are artists. You've then got another generation that are finding shortcuts. They're doing some of the job with their camera. They're making their image from an AI point of view. Does that make up an artist? I suppose it still does because they're creating their own art, but they have no interest 'cause they have no enjoyment in making that picture as good as it can be before you even hit the shutter. And then I think you've got other people, and us to an extent where you do what you need to do, you enjoy the process, you look at the images, and then you just finely tune it with a bit of AI or Photoshop retouching so I think there are different sets of people that will use AI to their advantage or completely ignore it. Mark: Yeah. I think you're right. And I think it comes down, I'm going to use another analogy here, you, you know, let's say you enjoy cooking. If you enjoy cooking, you're creating something. What's the alternative? You get a microwave meal. Well, Paul Simon: and Sarah do. Mark: No. Paul: Sarah does. Simon: We can't afford waitress. Mark: You might spend months creating your perfect risotto. You've got it right. You love it. Everyone else loves it. You share it around all your friends. Brilliant. Or you go to Waitrose, you buy one, put it three minutes in the microwave and it's done. That's yer AI I Imagery, isn't it? It's a microwave meal. Paul: There's a lot of microwave meals out there. And not that many people cook their own stuff and certainly not as many as used to. And there's a lesson. Simon: Is, Mark: but also, Simon: things have become easier Mark: there Simon: you go. Mark: I think what we also forget in the photographic industry and take the industry as a whole, and this is something I've experienced in the, in the working for manufacturers in that photography itself is, is a, is a huge hobby. There's lots of hobbyist photographers, but there's actually more people that do photography as part of another hobby, birdwatching, aviation, all that sort of thing. Anything, you know, the photography isn't the hobby, it's the birds that are the hobby, but they take photographs of, it's the planes that are the hobby, but they take photographs. They're the ones that actually keep the industry going and then they expand into other industries. They come on one of our workshops. You know, that's something that we're still and Simon still Absolutely. And yourself, educating photographers to do it right, to practice using the gear the right way, but the theory of it and getting it right. If anything that brings more people into wanting to learn to cook better, Paul: you Mark: have more chefs rather than people using microwave meals. Education's just so important. And when it comes to lighting, I wasn't competent in using flash. I'm still not, but having sat through Simon's course and other people's courses now for hundreds of times, I can light a scene sometimes, people are still gonna be hungry for education. I think some wills, some won't. If you wanna go and get that microwave risotto go and microwave u risotto. But there's always gonna be people that wanna learn how to do it properly, wanna learn from scratch, wanna learn the art of it. Creators and in a creative industry, we've got to embrace those people and bring more people into it and ensure there's more people on that journey of learning and upskilling and trying to do it properly. Um, and yes, if they use whatever technology at whatever stage in their journey, if they're getting enjoyment from it, what's it matter? Paul: Excellent. Mark: What a fine Paul: concluding statement. If they got enjoyment outta it. Yeah. Whatever. Excellent. Thank you, Mark, for your summing up. Simon: In conclusion, Paul: did that just come out your nose? What on earth. Mark: What Paul: what you can't see, dear Listener is the fact that Mark just spat his water everywhere, laughing at Si. It's been an interesting podcast. Anyway, I'm gonna drag this back onto topic for fear of it dissolving into three blokes having a pint. Mark: I think we should go for one. Simon: I think, Paul: I think we should know as well. Having said that with this conversation, maybe not. I was gonna ask you a little bit about, 'cause we've talked about strobes and the beauty of strobes, but of course Elinchrom still is more than that, and you've just launched a new LED light, so I know you like Strobe Simon. Now talk about the continuous light that also Elinchrom is producing. Simon: We have launched the Elinchrom LED 100 C. Those familiar with our Elinchrom One and Three OCF camera Flash system. It's basically a smaller unit, but still uses the OCF adapter. Elinchrom have put a lot of time into this. They've been looking at LED technology for many years, and I've been to the factory in Switzerland and seen different LED arrays being tested. The problem we had with LEDs is every single LED was different and put out a different color temperature. We're now manufacturing LEDs in batches, where they can all be matched. They all come from the same serial number batch. And the different colors of LED as well, 15 years ago, blue LEDs weren't even possible. You couldn't make a blue LED every other color, but not blue for some unknown reason. They've got the colors right now, they've got full RGB spectrum, which is perfectly accurate a 95 or 97 CRI index light. It's a true hundred watts, of light as well. From tosin through to past daylight and fully controllable like the CRO flash system in very accurate nth degrees. The LED array in the front of the, the LEDA hundred is one of the first shapeable, fully shapeable, LED arrays that I've come across and I've looked at lots. By shapeable, I mean you put it into a soft box, of any size and it's not gonna give you a hotspot in the middle, or it's not gonna light the first 12 inches of the middle of the soft box and leave the rest dark. I remember when we got the first LD and Mark got it before me And he said, I've put it onto a 70 centimeter soft box. And he said, I've taken a picture to the front. Look at this. And it was perfectly even from edge to edge. When I got it, I stuck it onto a 1 3 5 centimeter soft box and did the same and was absolutely blown away by how even it was from edge to edge. When I got my light meter out, if you remember what one of those is, uh, it, uh, it gave me a third of a stop different from the center to the outside edge. Now for an LED, that's brilliant. I mean, that's decent for a flash, but for an LED it's generally unheard of. So you can make the LED as big as you like. It's got all the special effects that some of the cheaper Chinese ones have got because people use that kind of thing. Apparently I have no idea what for. But it sits on its own in a market where there are very cheap and cheerful LEDs, that kind of do a job. And very expensive high-end LEDs that do a completely different job for the photographer that's gone hybrid and does a bit of shooting, but does a bit of video work. So, going into a solicitor's or an accountant's office where they want head shots, but also want a bit of talking head video for the MD or the CEO explaining about his company on the website. It's perfect. You can up the ISO and use the modeling lamp in generally the threes, the fives, the ones that we've got, the LEDs are brilliant. But actually the LED 100 will give you all your modifier that you've taken with you, you can use those. It's very small and light, with its own built-in battery and it will give you a very nice low iso. Talking head interview with a lovely big light source. And I've proved the point of how well it works and how nice it is at the price point it sits in. But it is our first journey into it. There will be others come in and there'll be an app control for it. And I think from an LED point of view, you're gonna say, I would say this, but actually it's one of the nicer ones I've used. And when you get yours, you can tell people exactly the same. Paul: Trust me, I will. Simon: Yes. Mark: I think Paul: very excited about it. Mark: I think the beauty of it as well is it's got an inbuilt battery. It'll give you up to 45 minutes on a full charge. You can plug it in and run it off the mains directly through the USB socket as well. But it means it's a truly portable light source. 45 minutes at a hundred watt and it's rated at a hundred watt actual light output. It's seems far in excess of that. When you actually, Simon: we had a photographer the other day who used it and he's used to using sort of 3, 2 50, 300 watt LEDs and he said put them side by side at full power. They were virtually comparable. Paul: That is certainly true, or in my case by lots. Simon: I seem to be surrounded Paul: by Elinchrom kit, Which is all good. So for anybody who's interested in buying one of these things, where'd you get them? How much are they? Simon: The LED itself, the singlehead unit is 499 inc VAT. If you want one with a charger, which sounds ridiculous, but there's always people who say, well, I don't want the charger. You can have one with a charger for 50 quid extra. So 549. The twin kit is just less than a thousand quid with chargers. And it comes in a very nice portable carry bag to, to carry them around in. Um, and, uh, yeah, available from all good photographic retailers, and, Ellen crom.co uk. Paul: Very good. So just to remind you beautiful people listening to this podcast, we only ever feature people and products, at least like this one where I've said, put a sales pitch in because I use it. It's only ever been about what we use here at the studio. I hate the idea of just being a renta-voice. You it. Mark: bought it. Paul: Yeah. That's true. You guys sold it to me. Mark: Yeah, Simon: if I gave you anything you'd tell everyone it was great. So if you buy it, no, I've bought Paul: Yeah. And then became an ambassador for you. As with everything here, I put my money where my mouth is, we will use it. We do use it. I'm really interested in the little LED light because I could have done with that the other night. It would've been perfect for a very particular need. So yes, I can highly recommend Elinchrom Fives and Threes if you're on a different system. The Rotalux, system of modifier is the best on the planet. Quick to set up, quick to take down. More importantly, the light that comes off them is just beautiful, whether it's a Godox, whether it's on a ProPhoto, which it was for me, or whether if you've really got your common sense about you on the front of an Elinchrom. And on that happy note and back to where we started, which is about lighting, I'm gonna say thanks to the guys. They came to the studio to fix a problem but it's always lovely to have them as guests here. Thank you, mark. Thank you Simon. Most importantly, you Elinchrom for creating Kit is just an absolute joy to use. If you've enjoyed the podcast, please head over to all your other episodes. Please subscribe and whatever is your podcast, play of choice, whether it's iTunes, Spotify, YouTube, or a other. After you head, if you head across to masteringportraitphotography.com the spiritual home of this, particular, podcast, I will put in the show notes all the little bits of detail and where to get these things. I'll get some links off the guys as to where to look for the kit. Thank you both. I dunno when I'll be seeing you again. I suspect it will be the Convention in January if I know the way these things go. Simon: We're not gonna get invited back, are we? Mark: Probably not. Enough. Paul: And I'm gonna get a mop and clean up that water. You've just sprayed all over the floor. What is going on? Simon: wish we'd video. That was a funny sun Mark: I just didn't expect it and never usually that sort of funny and quick, Simon: It's the funniest thing I've ever seen. Paul: On that happy note, whatever else is going on in your lives, be kind to yourself. Take care.

    Mountains of Magic
    Ep 319 - Travel tips to Walt Disney World - Transportation tips for driving vs flying

    Mountains of Magic

    Play Episode Listen Later Oct 10, 2025 22:30


    Whether you are driving or flying to Walt Disney World, I've got tips for you today. Where to stop on the way, what time to arrive, transportation from the airport, save time in security lines at MCO and more. If this is your first time at Disney World, you don't want to miss this episode. I hope you enjoyed today's show. I'd love to connect with you over on Instagram @mountains_of_magic or Facebook at Fantastical Vacations by Daniele. If you would like help in planning an upcoming Disney or Universal vacation, email me at danielerobbins@fantasticalvacations.com or fill out a quote form to get started planning the magic Get A Quote Want the latest travel deals and all my tips for Disney, Universal and Cruising?Join my email newsletter  Want to try fetch rewards and get free gift cards by scanning receipts? Use my code 8G48W to get 2000 points at sign up. FETCH REWARDSMy Website mountainsofmagic.square.siteMusic from Uppbeat (free for Creators!):https://uppbeat.io/t/andrey-rossi/bring-the-funLicense code: E9BZCTS1O3JRPERX This podcast is not sponsored or supported by Fetch Rewards. Views of the host are her own. 

    Double Tap Canada
    Windows 10 End-of-Life, Braille Access, and the Power of BITS

    Double Tap Canada

    Play Episode Listen Later Oct 10, 2025 58:08


    Discover how blind tech enthusiasts can upgrade from Windows 10, harness Apple's new Braille Access features, and get involved with the powerful Bits community for learning and support. This episode is supported by Pneuma Solutions. Creators of accessible tools like Remote Incident Manager and Scribe. Get $20 off with code dt20 at https://pneumasolutions.com/ and enter to win a free subscription at doubletaponair.com/subscribe!Steven Scott hosts a lively discussion with Michael Babcock and Jeff Bishop about technology for blind users, starting with questions about device compatibility and upgrading from Windows 10 as end-of-life approaches. The episode explores tools like Rufus for accessible updates, the role of screen readers like JAWS, NVDA, and Narrator, and the importance of choosing the right solution for different computing needs. The conversation shifts into Apple's new Braille Access, highlighting features like BRF note creation, multitasking with braille displays, and sharing files via iCloud. Steven shares his personal training experience, while the team reflects on the impact of this feature for education, productivity, and collaboration. Listeners also get an in-depth look at BITS (Blind Information Technology Specialists), a global community empowering blind users to learn everything from Microsoft Office and Google tools to Python coding and AI. The team explains Project Empower, mentorship, and on-demand educational resources that help blind users upskill and even provide paid accessibility feedback to tech companies.Relevant LinksBITS (Blind Information Technology Specialists): https://joinbits.orgYour Tech Report: https://yourtechreport.com Find Double Tap online: YouTube, Double Tap Website---Follow on:YouTube: https://www.doubletaponair.com/youtubeX (formerly Twitter): https://www.doubletaponair.com/xInstagram: https://www.doubletaponair.com/instagramTikTok: https://www.doubletaponair.com/tiktokThreads: https://www.doubletaponair.com/threadsFacebook: https://www.doubletaponair.com/facebookLinkedIn: https://www.doubletaponair.com/linkedin Subscribe to the Podcast:Apple: https://www.doubletaponair.com/appleSpotify: https://www.doubletaponair.com/spotifyRSS: https://www.doubletaponair.com/podcastiHeadRadio: https://www.doubletaponair.com/iheart About Double TapHosted by the insightful duo, Steven Scott and Shaun Preece, Double Tap is a treasure trove of information for anyone who's blind or partially sighted and has a passion for tech. Steven and Shaun not only demystify tech, but they also regularly feature interviews and welcome guests from the community, fostering an interactive and engaging environment. Tune in every day of the week, and you'll discover how technology can seamlessly integrate into your life, enhancing daily tasks and experiences, even if your sight is limited. "Double Tap" is a registered trademark of Double Tap Productions Inc. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

    This Isn’t Therapy
    ENCORE: How social media is re-wiring our brain

    This Isn’t Therapy

    Play Episode Listen Later Oct 9, 2025 32:41


    This Isn't Therapy... it's the *encore* surprise solo session with Jake! In this episode, Jake shares two snippets from his weekly newsletter Just Trying To Help. Jake walks us through his theories for how social media is re-wiring our brains, reshaping our moods, and changing how we connect.P.S. Happy Leap Year! Ribbit Ribbit!Read the full articles here:How Social Media Re-Wired Us AllThe Rise of Algorithmic MoodsGot a quandary, query, or question? Submit your Q (anonymously) to Asking For A Friend...Creators & Guests Simon Paluck - Host Jake Ernst - Host Hello, hi! Validate us by...Following us on Instagram: @notatherapypodcast⁣Following us on TikTok: @notatherapypodcastJake Ernst: @mswjakeSimon Paluck: @directedbysimon

    Influencer Confidential
    How To Repurpose Content as a Creator (Creator Hacks) #271

    Influencer Confidential

    Play Episode Listen Later Oct 9, 2025 16:33 Transcription Available


    It can be so overwhelming to be a creator these days… so many platforms, so little time!That's why in this episode, I'm breaking down exactly how to repurpose your content, so you can save time, maximize your reach, and make every piece of content work harder for you. You'll learn how I: → Turn one big video or post into weeks of content→ Adjust my messaging for different platforms (without sounding repetitive)→ Use repurposing to attract brand deals and grow new audiencesBecause here's the truth: repurposing isn't repetitive. It's strategic. You worked hard to create that content — it deserves a longer life and a wider audience.

    Creator Economy Live
    What's Next for Creators and Brands? A Deep Dive with Tom Goodwin

    Creator Economy Live

    Play Episode Listen Later Oct 9, 2025 69:16


    Send us a textIn this episode of Creator Economy Live, Keith and Brendan sit down with Tom Goodwin, author of Digital Darwinism and founder of All We Have Is Now, to explore the shifting balance between creativity and performance in modern marketing. Tom shares his take on how technology and creator culture are redefining the industry, why marketers lost sight of creativity, and what's next for brands navigating the fast-changing landscape of content, AI, and consumer expectations.

    Leading in Dentistry
    Lead with GOODNESS | Production and Leadership with Dr. Spencer Greer (ep. 47)

    Leading in Dentistry

    Play Episode Listen Later Oct 9, 2025 37:27


    In this episode, Dr. Spencer Greer discusses the importance of leadership in dental practices, emphasizing the role of the team in enhancing patient experience and production. He shares insights on building trust, accountability, and a positive work culture, while also addressing the challenges of onboarding new employees and maintaining team dynamics. The conversation highlights the significance of leading with goodness and the long-term vision for a successful practice.Music from #Uppbeat (free for Creators!): https://uppbeat.io/t/matrika/funk-style - License code: KUYOIZCBFCF1FOMP https://uppbeat.io/t/roo-walker/bolt - License code: RS1AU6Y5DGD5A3H8. https://uppbeat.io/t/doug-organ/boogie-time License code: 5EUWDIFBWYHENXPQ

    Take 2 Theology
    Listener Questions: Church, Prayer, and Idolatry

    Take 2 Theology

    Play Episode Listen Later Oct 9, 2025 37:56


    Episode 2.46In this special Q&A episode, Zach and Michael tackle three practical and often misunderstood questions from Take 2 listeners:Is going to church a must-do?Does the Bible command it, or is it just tradition? What if someone watches sermons online?Isn't prayer just like meditation or boxing—something therapeutic and repetitive?What makes prayer different from other mental or emotional disciplines?If God is a jealous God, does spending more time on work or hobbies mean I'm worshipping them?How do we know when something becomes an idol?Clear, biblical answers grounded in Scripture—plus some practical advice for living a God-centered life in a distracted world. Whether you're questioning tradition, seeking clarity, or wrestling with everyday faith, this episode is for you.Find our videocast here: https://youtu.be/Liqio-XxLqYMerch here: https://take-2-podcast.printify.me/Music from #Uppbeat (free for Creators!):⁠https://uppbeat.io/t/reakt-music/deep-stone⁠License code: 2QZOZ2YHZ5UTE7C8Find more Take 2 Theology content at http://www.take2theology.com

    Camera Shake Photography Podcast
    Live from Click Live Lite – Real Talk with Creators & Brands! - Episode 278

    Camera Shake Photography Podcast

    Play Episode Listen Later Oct 9, 2025 107:35


    We hit the show floor at the Click Live Lite Expo in Milton Keynes to bring you genuine conversations with the people shaping photography today. Join host Kersten Luts as he chats with Scott Johnson, Ivan Duran, Mathew Browne, Emma Finch & Graham Currey from Session Days, Marcus Swales from Holdan, and Ian Martindale from Light Blue.In this special episode, we dive into the business of photography — from studio management and CRM workflows to marketing strategies, gear insights, and finding the balance between creativity and profitability. Whether you're a portrait, wedding, or commercial photographer, you'll find practical takeaways and inspiration from these creators and industry experts. Featured Guests & Links:Click Live Expohttps://clickliveexpo.co.uk

    It's No Fluke
    E247 Jordan Matter: How to Evolve With Your Audience

    It's No Fluke

    Play Episode Listen Later Oct 9, 2025 42:48


    Jordan Matter is a two-time New York Times bestselling author (Born to Dance and Dancers Among Us) and the most-followed photographer in the world, with nearly 50M followers across socials. As the creator behind the #2 most-watched YouTube channel in the U.S., and the #1 channel for female viewership, he has built a global audience of 31M subscribers and more than 11B views.Jordan's path to becoming one of the most prominent creators in the world began in photography, with his street portraits and dancer series gaining international acclaim and exhibitions across Korea, Moscow, France, Montreal, Chicago, and New York. His work has been featured by The Today Show, BBC, ABC World News, People, The New York Times, and more.At the core of Jordan's storytelling is joy, authenticity, and connection, reflected in his frequent collaborations with his daughter, Salish. Together, they've earned recognition, including People Magazine's Top 50 Creators of 2024, a 2024 Nickelodeon Kids' Choice Award for Family Creator, and a 2025 Webby Award. Salish was also named Kids' Choice Female Creator of the Year in 2025. Jordan and Salish launched their young adult skincare brand, Sincerely Yours, on September 6th in Sephora stores nationwide, further expanding their influence from digital entertainment into consumer products.

    All-In with Chamath, Jason, Sacks & Friedberg
    YouTube CEO Neal Mohan on AI, Censorship & the Future of Creators

    All-In with Chamath, Jason, Sacks & Friedberg

    Play Episode Listen Later Oct 8, 2025 28:13


    (0:00) Introducing YouTube CEO Neal Mohan (1:08) YouTube's revenue split with creators (7:30) How Neal thinks about enabling monoculture and connective threads at YouTube (11:23) Censorship on YouTube, demonetization decisions, dealing with different regimes and laws globally (19:58) YouTube TV, YouTube Premium, and channel subscriptions (24:00) Generative AI on YouTube: labeling AI, likeness concerns, possibilities Thanks to our partners for making this happen! Solana - Solana is the high performance network powering internet capital markets, payments, and crypto applications. Connect with investors, crypto founders, and entrepreneurs at Solana's global flagship event during Abu Dhabi Finance Week & F1: https://solana.com/breakpoint OKX - The new way to build your crypto portfolio and use it in daily life. We call it the new money app. https://www.okx.com/ Google Cloud - The next generation of unicorns is building on Google Cloud's industry-leading, fully integrated AI stack: infrastructure, platform, models, agents, and data. https://cloud.google.com/ IREN - IREN AI Cloud, powered by NVIDIA GPUs, provides the scale, performance, and reliability to accelerate your AI journey. https://iren.com/ Oracle - Step into the future of enterprise productivity at Oracle AI Experience Live. https://www.oracle.com/artificial-intelligence/data-ai-events/ Circle - The America-based company behind USDC — a fully-reserved, enterprise-grade stablecoin at the core of the emerging internet financial system. https://www.circle.com/ BVNK - Building stablecoin-powered financial infrastructure that helps businesses send, store, and spend value instantly, anywhere in the world. https://www.bvnk.com/ Polymarket - https://www.polymarket.com/ Follow Neal: https://x.com/nealmohan Follow the besties: https://x.com/chamath https://x.com/Jason https://x.com/DavidSacks https://x.com/friedberg Follow on X: https://x.com/theallinpod Follow on Instagram: https://www.instagram.com/theallinpod Follow on TikTok: https://www.tiktok.com/@theallinpod Follow on LinkedIn: https://www.linkedin.com/company/allinpod Intro Music Credit: https://rb.gy/tppkzl https://x.com/yung_spielburg

    BlockHash: Exploring the Blockchain
    Ep. 614 Max Sandy | Ramp Wallet for Payments & Remittances

    BlockHash: Exploring the Blockchain

    Play Episode Listen Later Oct 8, 2025 32:53


    For episode 614 of the BlockHash Podcast, host Brandon Zemp is joined by Max Sandy, Head of Product for Ramp Network. Max Sandy oversees Ramp’s industry-leading fiat–to–crypto on-ramp, off-ramp and crypto-to-crypto swap products, and is driving the launch of a new global payment app for stablecoins and remittances. His work blends rapid product execution with a long-term vision to make crypto payments as seamless and trusted as traditional finance. Ramp Network (https://ramp.network/) is a financial technology company building solutions that connect the crypto economy with today’s global financial infrastructure. Through its core on- and off-ramp products, Ramp Network provides businesses and individuals across 150+ countries with a streamlined and smooth experience in converting between cryptocurrencies and fiat currencies. Ramp Network is fully integrated with the world’s major payment methods, including debit and credit cards, bank transfers, Apple Pay, Google Pay, Pix, and more. ⏳ Timestamps: (0:00) Introduction(1:02) Who is Max Sandy?(4:05) Ramp’s focus around remittances & payments(8:40) Function of Ramp’s new wallet(12:47) Payments for Entrepreneurs & Creators(20:45) Need for stablecoins denominated in other currencies(22:30) Key partnerships(23:42) Abstracting away complexity(25:22) Impact on emerging economies(28:48) Ramp Network Roadmap(30:17) Events & conferences(31:50) Ramp website & socials

    Sounds Profitable: Adtech Applied
    Creators as Power Brokers, Companies Eye Audioboom, & More

    Sounds Profitable: Adtech Applied

    Play Episode Listen Later Oct 8, 2025 5:41


    Today in the business of podcasting: how creators are becoming power brokers at events like Advertising Week New York, Spotify talks the power of fandom, Twitch could be video podcasting's training ground, and iHeart might be making a play for Audioboom. Find links to every article covered by heading to the Download section of SoundsProfitable.com, or by clicking here to go directly to today's installment.

    Double Dipping
    Episode 43: Faking a Whole Friend Group to Impress My GF

    Double Dipping

    Play Episode Listen Later Oct 8, 2025 55:27


    Caroline and Mikaela read some of their favorite stories from Reddit's "Am I Overreacting?" subreddit.Intro Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/mountaineer/soddenLicense code: OLCQJ25ODNHHVXJPOutro Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/moire/bees-in-the-gardenLicense code: 2HZLRNJC7UF8JVD4  Listen to our favorite songs! https://open.spotify.com/playlist/0e566a7o6bYw8cy3IOfBn6?si=jYV_YsutRSiw7gwN2XhaGA&pi=u-Wz_U3iwTRumi | Follow us on Instagram and TikTok

    Creator to Creator's
    Creator to Creators S7 Ep 60 Lettie Law

    Creator to Creator's

    Play Episode Listen Later Oct 8, 2025 35:34 Transcription Available


    SpotifyXInstagramBioGospel singer-songwriter Lettie Law is releasing her powerful new single, Forward EverBackward Never Jesus, a song born out of personal trial, unwavering faith, and amission to spread hope across the world. Through heartfelt lyrics and uplifting melodies,the track delivers a message of perseverance and trust in God during life's most difficultchallenges.For Lettie, gospel music has always been part of her foundation. She recalls her earliestmemories with her father, who immersed the family in music that shaped her path. “Iremember what strikes me most is myself sitting between my father and my mom in thecar. It was a Volkswagen, you know, the round kind. And we were listening to gospelmusic,” she shared. “Sometimes we did sing-alongs in the house, like karaoke, thoughwe didn't know that's what it was called then. My father also dropped us off for choirpractice. He even bought DVDs to play gospel performances on TV so we could watchand sing along. That's really how I grew up in the gospel.”Her upbringing instilled in her not just a love of gospel music, but a conviction that faithand song could carry people through trials. That conviction ultimately led to the creationof her latest single. “A lot of things were going on,” she explained. “I was struggling tofind a place to record music, and also facing judgment from people who thoughtbelieving in God was outdated. At my job in behavioral health, I see doctors, teachers,lawyers—even children—struggling to cope with life. I realized the world truly needs asong like this, a message of encouragement. I told myself, no matter how I'm treated fornot following the crowd, I will not look back. I'm following the Lord.”That message of steadfastness resonates throughout Forward Ever Backward NeverJesus. The song emerged from her observation of the world's struggles, includingchildren facing mental health battles and families living through war and hunger. “WhenI speak to people, I remind them that while everyone goes through challenges, thedifference is who we rely on to take us through,” she said. “Knowing God is the bigdifference.”Lettie's music has already touched countless lives. She recalls testimonies fromlisteners of her earlier song Yahweh. “One woman told me she suffered from insomniafor eight years. But after buying and playing the song at night, she slept peacefully, likea baby,” Lettie said. Another listener shared that the song protected her on the road.“Since she started playing Yahweh every time she drove, she hadn't had a singleaccident. One day, she forgot to play it and immediately got into a hit-and-run, butmiraculously, her car was untouched.”For Lettie, the journey has not been without personal tragedy. In 2018, she faced adevastating attack in her home. “My 23-year-old son was killed while sleeping. I wasalso attacked, went into a coma, and nearly died,” she revealed. “When I woke up in thehospital, I realized I had to choose: either die or do what God had been asking me todo—sing publicly. Doctors had said I wouldn't survive or that I would be a vegetable.But by His grace, I walked into my follow-up appointment. Even the surgeons couldn'tbelieve it. The Lord was kind to me.”Despite her trials, Lettie continues to find strength and healing in her own music. “If Icome home with a headache, I play the music, drink some water, and the headacheleaves. If I have a meeting and I'm nervous, I play it, and before it ends, I have peaceand solutions. It does wonders for me,” she said of her new single.Above all, she hopes Forward Ever Backward Never Jesus will bring the same comfortto others. “I hope this music brings solutions to their problems,” Lettie said. “On myYouTube channel, someone from Bangladesh said the music touched her deeply, eventhough she didn't understand the language. That's the power of God through music—itcan change lives across the world.”Her message to listeners is clear and deeply personal: “No matter what you are passingthrough, allow the Lord to see you through. He always does. I've never seen the Lordleave someone in the middle of the road. Allow Him to take your hand, bring solutions,and lift you to the level you want. And He will do it in His own time.”With Forward Ever Backward Never Jesus, Lettie Law invites the world to lean on faithand embrace the peace only God can provide.About Lettie LawLettie Law is a USA-based gospel singer-songwriter whose music is rooted in her earlyupbringing, where her father introduced her to gospel music. Her artistry is dedicated tocreating inspirational songs that strengthen the relationship between people and God.Through her moving performances and soul-stirring lyrics, Lettie Law continues to touchlives around the globe, offering hope and healing through her ministry in music.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

    Experts of Experience
    Why Great Leaders Communicate Like Creators

    Experts of Experience

    Play Episode Listen Later Oct 8, 2025 52:24


    Internal communication is broken. Most CX and leadership teams rely on outdated methods — long slide decks, endless trainings, and metrics that don't drive action. In this episode, Ben Phillips, founder of CX Alive!, explains how to transform the way your business communicates. Drawing on two decades in customer experience and leadership, Ben breaks down why short-form, authentic content — like internal vodcasts and micro-videos — builds clarity, connection, and alignment faster than PowerPoints or all-hands meetings ever could. We cover:✅ How to make your CX strategy relatable and actionable✅ The biggest communication gap between leadership and frontline teams✅ How to communicate effectively with Gen Z employees✅ Why podcasts and vodcasts are the future of internal engagement✅ Why NPS and CSAT are outdated metrics — and what to measure instead If you're looking to improve employee engagement, CX performance, or team alignment, this conversation will change how you think about communication, storytelling, and measurement inside your organization. #InternalCommunication #CXLeadership #CustomerExperience #EmployeeEngagement #CXStrategy #BusinessCommunication #LeadershipDevelopment #GenZAtWork #Vodcasting #StorytellingAtWork Connect with Ben at:Cx-alive.comBen Phillips LinkedIn Key Moments: 0:00 Who is Ben Phillips and what is CX Alive!4:00 How to communicate effectively with Gen Z employees9:44 How business communication is changing12:50 How to tell better stories22:00 Why you only have 8 seconds to capture attention24:00 Why podcasts and vodcasts work so well for businesses31:00 Is NPS still relevant in 2025?34:44 What are the best metrics to track in CX?37:59 Are customer surveys still relevant?41:11 AI in CX: what's hype vs. what's real48:24 How to build a team that understands the “why”51:28 Three words that separate good content from great –Are your teams facing growing demands? Join CX leaders transforming their AI strategy with Agentforce. Start achieving your ambitious goals. Visit salesforce.com/agentforce Mission.org is a media studio producing content alongside world-class clients. Learn more at mission.org Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

    Saturday Night Gaming's Podcast
    Mainframe #6 | The Augur pt. 2 | Terra Prime

    Saturday Night Gaming's Podcast

    Play Episode Listen Later Oct 8, 2025 52:22


    In the Arctic wilderness, Torin and Ragnulf brave a blizzard to hunt down escaping drones and secure the missing prototype. bit.ly/4mFi3cy Credit: Mainframe Logo by Tony Stephens Music from #Uppbeat (free for Creators!): https://uppbeat.io/t/anuch/alert

    Creative Elements
    #277: The best and worst income streams for creators (ranked)

    Creative Elements

    Play Episode Listen Later Oct 7, 2025 20:48


    I've been a full-time creator for 8 years now and have earned $2,192,000 since 2022. I've spent a LOT of time and money experimenting with different ways to make money on the internet, so I'm going to rank them. The best and the worst. I show you 15 different revenue streams and rate them from S to F based on their potential versus the effort required. By the very end of the video, you'll know which ones are right for you. And at any point, if you agree or disagree, let me know in the comments. ⁠⁠⁠⁠⁠⁠⁠Full transcript and show notes⁠⁠⁠⁠⁠⁠⁠ *** TIMESTAMPS (00:32) AdSense (01:36) Sponsorship & Brand Deals (03:30) Content Memberships (04:30) Done-For-You Services (05:27) Royalties (06:28) 1-to-1 Coaching & Consulting (07:38) Affiliates (09:36) User Generated Content (UGC) (10:17) Group Programs (11:25) Digital Products (12:56) Speaking (14:27) Live Events (15:53) Community Memberships *** RECOMMENDED NEXT EPISODE → ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#267: When to use low-ticket offers, refund policies, how much I earned in the last 12 months, and my 5-year vision [Ask CS Pt. 1] *** ASK CREATOR SCIENCE → ⁠⁠⁠⁠⁠⁠⁠Submit your question here⁠⁠⁠⁠⁠⁠⁠ *** WHEN YOU'RE READY

    Book Talk, etc.
    A Celebration of BookTube and the Creators We Love

    Book Talk, etc.

    Play Episode Listen Later Oct 7, 2025 60:33


    Send us a textIn Episode 222 of Book Talk Etc., Tina & Hannah dive into BookTube! We talk about creators that we love, Tina's experience joining BookTube within the last year, and books that we have read and loved because of this online community.If you enjoy our commercial-free podcast, please consider supporting us on Patreon! Your membership will give you access to our exclusive bonus episodes, including Niche Novels, Books We DNFed, and What's in the Mailbag! Plus, you'll receive invites to monthly events like Mood Reader Happy Hour, Live Creativity Sprints, and Bookstore Browse, and a private Facebook group and Discord server where you can interact with other fans of the show... all for just $5 a month!Loving LatelyStudio Ghibli Movies (T)Eryn Reads Everything - YouTube (H)Latest ReadKatabasis | R. F. Kuang (T+H)BookTalk + List of BooktubersBooktuber List and other accounts mentioned

    Sam Miller Science
    S 844: The Mindset Shift Coaches Need to Thrive as Creators - Plus How to Overcome Fear, Trolls, and Self Sabotage

    Sam Miller Science

    Play Episode Listen Later Oct 7, 2025 11:00


    Fear of judgment is keeping too many great coaches quiet. I share why playing small isn't humility — it's selfishness. If you're a coach afraid to post or promote your work, this episode will reframe how you see showing up online. Topics Discussed: - The mindset shift every coach needs- How fear of judgment holds coaches back - Reframing content creation- My “Sloppy Joe impersonating a burger” story---------- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠My Live Program for Coaches: The Functional Nutrition and Metabolism Specialization ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.metabolismschool.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠---------- [Free] Metabolism School 101: The Video Series⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.metabolismschool.com/metabolism-101⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠----------Subscribe to My Youtube Channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://youtube.com/@sammillerscience?si=s1jcR6Im4GDHbw_1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠----------⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Grab a Copy of My New Book - Metabolism Made Simple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠---------- Stay Connected: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: @sammillerscience⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube: SamMillerScience⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: The Nutrition Coaching Collaborative Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: @sammillerscience⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠----------“This Podcast is for general informational purposes only and does not constitute the practice of medicine, nursing or other professional health care services, including the giving of medical advice, and no doctor/patient relationship is formed. The use of information on this podcast and the show notes or the reliance on the information provided is to be done at the user's own risk. The content of this podcast is not intended to be a substitute for professional medical advice, diagnosis, or treatment and is for educational purposes only. Always consult your physician before beginning any exercise program and users should not disregard, or delay in obtaining, medical advice for any medical condition they may have and should seek the assistance of their health care professionals for any such conditions. By accessing this Podcast, the listener acknowledges that the entire contents and design of this Podcast, are the property of Oracle Athletic Science LLC, or used by Oracle Athletic Science LLC with permission, and are protected under U.S. and international copyright and trademark laws. Except as otherwise provided herein, users of this Podcast may save and use information contained in the Podcast only for personal or other non-commercial, educational purposes. No other use, including, without limitation, reproduction, retransmission or editing, of this Podcast may be made without the prior written permission of Oracle Athletic Science LLC, which may be requested by contacting the Oracle Athletic Science LLC by email at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠operations⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@sammillerscience.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. By accessing this Podcast, the listener acknowledges that Oracle Athletic Science LLC makes no warranty, guarantee, or representation as to the accuracy or sufficiency of the information featured in this Podcast."

    All Of It
    'Mexodus' Tells the Story of the Southern Underground Railroad

    All Of It

    Play Episode Listen Later Oct 7, 2025 28:08


    The new musical "Mexodus" uses hip-hop to tell the true story of the Underground Railroad that ran south to Mexico instead of north to Canada. Creators and stars Brian Quijada and Nygel D. Robinson discuss the show, which runs through November 1.

    Faith Over Fear
    the Dragon Prophesy: Increasing Faith Through Biblical Prophesy

    Faith Over Fear

    Play Episode Listen Later Oct 7, 2025 20:32


    In this episode of Faith Over Fear, Carol McCracken welcomes Debbie D’Souza to discuss The Dragon’s Prophecy, a timely new film exploring how ancient biblical battles echo in today’s conflicts in the Middle East. Debbie shares what initially struck her about the film’s message, how she has learned to navigate the tension between fear and faith when it comes to prophecy, and what encouragement she offers to those feeling anxious about world events. Together, Carol and Debbie explore what it means to resist evil without becoming evil, the importance of naming sin without demonizing people, and how American Christians can respond to this moment in history in ways that are rooted in prayer, faithfulness, and hope rather than politics. Disclaimer: In this episode, our guest briefly discusses the Gaza/Israeli conflict, particularly from an Israeli perspective. We at Faith Over Fear recognize both sides have experienced cruelty and harm at the hands of the other, as is often the case with long-standing conflicts. We do not condone or endorse violence, nor is this episode an endorsement for such. Rather, it is a guest sharing her perspective related to the conflict and biblical threads she sees woven through it. If today's episode upsets you, please don't hesitate to reach out to Jennifer through her website JenniferSlatteryLivesOutLoud.com From the Dragon Prophesy website: Creators "bring history, current events and bible prophecy together in a stunning and original film to illustrate the true meaning of October 7, anti-Semitism, terrorism, and the hidden forces that battle endlessly for the ultimate prize, which is the human soul – your soul. The film ends with an inspiring call to action to Jews and Christians to return to their roots and stand up for good and resist evil." In theaters on October 8th and streamed through Salem on October 9th. Watch the movie trailer HERE. Find out more HERE. Discussion/Reflective Questions: When you hear about prophecy in Scripture, do you respond more with curiosity, fear, or faith—and why? How do you personally discern the difference between healthy vigilance and anxiety when following world events? In your daily life, what does it mean to resist evil without letting bitterness or anger take root in your own heart? How can you practice compassion for people caught in conflict while still standing firm against sin and injustice? What role do you believe prayer plays in how believers engage with unfolding global events? How might you faithfully respond to these times in ways that go beyond political opinions? Find Carol McCracken: On her website On Facebook On Instagram Join the Faith Over Fear podcast private group HERE. Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

    Rock That Fitness with AnnaRockstar
    RTF# 178 What Is Reverse Dieting? The One Phase Most Women Over 40 Never Do (But Should Know About)

    Rock That Fitness with AnnaRockstar

    Play Episode Listen Later Oct 7, 2025 55:55


    Some topics from today's episode include:⭐️Reverse dieting can help restore metabolism and hormonal balance.⭐️Living in maintenance is essential for long-term health.⭐️Chronic dieting can lead to metabolic slowdown and hormonal issues.⭐️Understanding energy balance is crucial for effective weight management.⭐️Fear of gaining weight often prevents women from reverse dieting.⭐️It's important to know your maintenance calories before dieting.⭐️Reverse dieting is a gradual process that requires patience.⭐️Building muscle is key to increasing metabolic rate.⭐️Awareness of body changes can empower women in their fitness journey.As a reminder, if you have a chance, please rate and review the podcast so more women just like you can learn more about the Rockstar way! I appreciate you for your support and love ❤️Links:Download the FREE POWER BUNDLEhttps://www.rockthatfitness.com/30-day-challenge-and-protein-guideJoin the Rockstar Fit Chicks Weekly Newsletter  https://rockthatfitness.kit.com/e10d0c66ebCheck Out Our Exclusive Offer for Extensive Lab Work with Marek Health ⁠https://www.rockthatfitness.com/rock-that-fitness-marek-healthApply for RTF 1:1 Coaching https://www.rockthatfitness.com/coachingHead to the Rock That Fitness Instagram Page https://www.instagram.com/rockthatfitness/ Music from Uppbeat (free for Creators!):https://uppbeat.io/t/cruen/we-got-thisLicense code: RBWENWHGXSWXAEUE

    Coming From the Heart
    JEREMIE WATSON: FOUNDER  OF THE WATSON AGENCY. AWARD WINNING MARKETER, &  ADVOCATE OF PERSISTENCY

    Coming From the Heart

    Play Episode Listen Later Oct 7, 2025 33:47


    Jeremie Watson is here! As the founder of Watson Marketing Agency and an award-winning marketer, he helps brands achieve their highest potential, especially in the 7 to 8 figures. Jeremie believes that every mistake is a unique learning opportunity. He advocates for embracing the longer path to lasting success and being patient with ourselves to avoid burnout. His philosophy is to stop comparing yourself to others, take the time to understand who you are, and remember: persistence is key. Never give up!You can connect with Jeremie Watson on Instagram @ceojeremie

    Where's This Going
    SOLO EP: Unfiltered Q&A on VC, Creators, and the Importance of Failing Quickly

    Where's This Going

    Play Episode Listen Later Oct 6, 2025 58:40


    In this solo episode, I sit down for an unfiltered Q&A from my work at the intersection of venture capital and the creator economy. I talk about what I've learned from building on my own, the importance of failing quickly, and how those failures have shaped the way I think about business, ownership, and growth. If you're a founder, creator, or just curious about what it's really like behind the scenes, this one's for you.