Podcasts about creators

Disclaimer: We are not professionals. This podcast is opinioned based and from life experience. This is for entertainment purposes only. Opinions helped by our guests may not reflect our own. But we love a good conversation.This episode of the 2 Be Better Podcast gets raw, unfiltered, and deeply personal as Chris and Peaches prepare for nearly three weeks of travel to Greece and Bali while opening up about the pressure, criticism, and emotional weight that comes with building a public platform and community. They talk about burnout, social media toxicity, mental health, content creation, church leadership, relationship dynamics, spiritual growth, and the reality of trying to help people while still being human. If you've ever felt overwhelmed by expectations, exhausted from constantly performing for others, or frustrated by online judgment and negativity, this conversation will hit home. Chris also shares a powerful reflection on authenticity, emotional regulation, unity consciousness, and the struggle between reacting from anger versus living from love and service.The second half of the episode shifts into a more relaxed and entertaining vibe with creepy Reddit horror stories, funny relationship moments, travel prep chaos, wellness discussions, mobility and back pain recovery, environmental restoration, regenerative farming, spirituality, psychedelics, marriage humor, and behind the scenes conversations about building the 2 Be Better community. Expect laughter, deep conversations, honest vulnerability, relationship banter, spiritual insights, and the kind of authentic long form content that feels like hanging out with close friends. Whether you're here for self improvement, relationship advice, mindset shifts, spirituality, or just real conversations without the fake influencer mask, this episode delivers all of it.Become a supporter of this podcast: https://www.spreaker.com/podcast/2-be-better--5828421/support.

What's a brand deal actually worth and how much are you leaving on the table by saying yes too fast? This week, Dusty sits down with Christene of AyChristene, a creator with nearly 700,000 subscribers who's built a full-time career on reaction content across gaming, animation, and TV. Christene breaks down the exact negotiation that turned a $1,000 offer into $5,000, why the biggest money in her business isn't AdSense, and the counterintuitive reason rushing to be "first" can actually hurt a reaction channel. If you've ever undercharged, undervalued your work, or hesitated to hit publish, this one's for you. About Christene: Today's guest is AYCHRISTENE — content creator, creator educator, speaker, and creator business advocate. She helps creators grow with confidence, understand their value, and build sustainable businesses through content, negotiation, and personal branding. She is also the creator of Empower Your Worth: The Ultimate Pricing Guide for Creators. Connect With Christene: YouTube Channel /// Instagram /// Website   What We Offer Creators Join Creator Communities. A place to gather with other creators every single day. This provides access to Our Private Discord Server, Monthly Mastermind Group, and MORE!  Hire Dusty To Be Your YouTube Coach YouTube Channel Reviews (Audit): Get a 7-10 minute personalized video review of your YouTube channel with honest, actionable feedback for just $50. Subscribe to our weekly newsletter: Each week I document what I'm doing in my business and creative journey, share new things I've discovered, mistakes I've made, and much more! All Tools Mentioned On The Show: The Ultimate Entrepreneurs Resource. This is the spreadsheet where I keep all of the tools mentioned by all the guests on the podcast. Follow The Show: Facebook /// X /// YouTube /// Instagram

Join my free UGC masterclass:https://ugcmasteryacademy.com/webinarsignup?funnel=Podcast♠️ Got questions?DM me on Instagram:@sydneymohniOn this channel we talk about:

My co-host Ken Suzan and I are welcoming you the episode 176 of the IP Fridays Podcast. Today's interview guest is returning guest Franklin Graves, who is a senior counsel at Linkedin and teaching IP law at Emerson College. With my co-host Ken Suzan he is discussing how the law for creators has dramatically changed in the past years. Franklin Graves is expressing his personal views and not the views of Linkedin or Microsoft. He is talking about the paper “Upload Complete” before he joined Linkedin. Bio: https://www.linkedin.com/in/franklingraves/ Paper: https://papers.ssrn.com/sol3/papers.cfm?abstract_id=5271442 Website: https://creatoreconomylaw.com/ But before we jump into this interview, I have news for you! Richard Meade, a judge on the UK High Court and one of the most prominent figures in European patent law, was appointed Lord Justice of Appeal at the British Court of Appeal on June 12, 2026. Meade played a key role in numerous landmark British patent decisions, particularly in the area of standard-essential patents (SEPs) and FRAND licenses. In Insulet Corp. v. EOFlow Co., No. 2025-1807, the U.S. Court of Appeals for the Federal Circuit completely overturned the original $452 million judgment (which had already been reduced by the District Court to $59.4 million) in favor of Insulet. In its decision of June 2, 2026, in the case of Fujifilm v. Kodak, the UPC Board of Appeal provided comprehensive clarifications regarding so-called “long-arm jurisdiction”—that is, the question of whether the UPC can also rule on national patent claims outside the UPC territory (such as in the United Kingdom). In 14 guiding principles, the judges established specific procedural rules for various categories of cases. There is no automatic UPC jurisdiction over national patent claims outside the UPC territory. The Munich Regional Court has issued an arrest warrant against the managing director of Polytech Health & Aesthetics GmbH because he is alleged to have continued to exploit the Brazilian company Silimed's patent for breast implants despite a preliminary injunction. A number of IT and automotive industry associations—which are among the most frequent users of Inter Partes Reviews (IPR) at the U.S. Patent and Trademark Office—have filed an amicus brief with the Supreme Court, urging the Court to grant Google's certiorari petition. An attorney for a Las Vegas performer has asked a California federal judge to temporarily prohibit Taylor Swift from using “The Life of a Showgirl” as a trademark while the trademark lawsuit is pending. Swift's attorney called the lawsuit baseless. And now let's hear Ken discuss creator law with Franklin! AI, Platform Law, and the Creator Economy: What Businesses Need to Know Now Franklin Graves has spent his entire career watching digital content move through systems that most people never see. He started in marketing at a major music label right out of law school, then represented individual creators on YouTube in a pro bono capacity, then moved to the platform side at Eventbrite, and today works as Senior Product Counsel at LinkedIn, where he focuses on AI, data, and the regulatory questions that come with both. His recently published law review article, Upload Complete: An Introduction to Creator Economy Law, is the first academic paper to address the creator economy as a distinct legal field. In a recent episode of the IP Fridays podcast, he spoke with host Kenneth Suzan about responsible AI development, platform regulation, and what it actually means to own your audience in a world where the rules keep changing overnight. From Content Creator to Platform Lawyer The through-line in Graves’ career is a genuine understanding of how content moves from an idea in someone’s head to an audience on a screen. That experience, he argues, is precisely what in-house counsel needs right now. Lawyers working on AI and product development cannot afford to sit at a distance from the technology they are advising on. They need to use the tools, experience them as a creator or end user would, and understand the nuances of how a product actually operates before it reaches the public. Understanding the product first is the precondition for everything else. That philosophy translates directly into how he approaches responsible AI implementation. The landscape of AI standards is crowded: NIST frameworks, the EU AI Act, sector-specific guidance, and a growing body of industry-adopted best practices. The challenge for in-house counsel is not knowing that these standards exist. It is making them actionable for the engineering and product teams they support. Abstract principles need to become concrete controls and workflows. Graves offers one practical shortcut: most companies already have open source software review processes that involve the right stakeholders, the right sign-off levels, and the right security checks. Layering the specifics of generative AI or large language models onto those existing processes is far more efficient than building something new from scratch. A Fragmented Regulatory World The geopolitical dimension of AI regulation is something Graves thinks about constantly in his role at LinkedIn. The EU AI Act, shifting US executive orders, and country-specific approaches to data privacy have created a regulatory environment that can change the rules of the game without warning. His analogy is instructive: creators have long understood what it means to build a community on a platform they do not own. An algorithm change, a policy update, or a government ban can wipe out years of audience-building overnight. Businesses deploying AI tools globally now face a structurally similar problem. The response, for creators and for platforms alike, is to build resilience rather than rely on stability that may not last. TikTok is the clearest recent example. When the platform faced the prospect of being shut down in the United States on national security grounds, it triggered a broader conversation about platform dependence that had been building for years. Creators who had invested their entire business in one platform suddenly confronted the possibility that their audience could simply disappear. The lesson is not that platforms are bad. It is that concentration of any kind, whether it is your audience, your data pipeline, or your regulatory compliance strategy, creates fragility. What Is a Creator, Legally Speaking? One of the central contributions of Graves’ law review article is definitional. The terminology matters more than it might seem. When courts and regulators talk about creators without a shared understanding of what that word means, the resulting legal analysis tends to miss the mark. Graves draws a distinction between users who post content, creators who post with the intent to build an audience and eventually monetize it, and influencers, a subset of creators who are actively running a small business through their content. The difference is intent. A parent posting family photos on Facebook is a user. Someone building a subscription community around their professional expertise is running a business, and the legal framework that applies to them should reflect that. That distinction matters practically when it comes to liability. As more creators build their own platforms, whether through custom membership sites, open source tools like Ghost, or federated social networks, they take on obligations that previously fell to large platforms: content moderation policies, privacy notices, terms of service, and compliance with data regulations across multiple jurisdictions. A creator in Tennessee running a membership platform with subscribers in Germany is operating a global business, whether they think of themselves that way or not. Protecting Children Online: A Question Without a Clean Answer The tension between age verification and privacy is one of the more difficult problems in platform law right now. Australia, several European countries, and a growing number of US states have introduced or passed minimum age requirements for social media accounts. The technical challenge is real: verifying age online requires collecting identifying information, and collecting identifying information creates privacy risk, particularly for the young people the laws are designed to protect. Who should bear the responsibility for that verification is also unresolved. Is it the platform? The app store? The mobile operating system? Graves does not pretend there is a clean answer, but he points to the mobile layer as an underexplored option. The Apple App Store and Google Play Store already have significant leverage over which apps reach users on their devices. Whether that leverage should extend to age verification is a question that deserves more attention than it currently receives. The Right of Publicity in the Age of AI Voice cloning, digital replicas, and AI-generated synthetic media have pushed the right of publicity into territory that traditional IP law was not designed to cover. Trademark law, copyright law, and existing publicity rights each capture part of the problem but none of them covers it completely. The result, as Graves describes it, is a period of experimentation: lawyers filing trademarks on vocal sounds and phrases, states updating their publicity statutes to explicitly mention artificial intelligence, and entertainment unions negotiating over who controls a performance and any AI-generated iterations of it. Tennessee’s Elvis Act is a concrete example of the legislative response: the state updated its right of publicity law to include voice and to reference AI directly. Similar efforts are underway elsewhere. The underlying challenge is calibrating protection so that it gives creators and performers meaningful control over their likeness and voice without foreclosing the development of generative AI systems that depend on broad rights to process and learn from content. Somewhere between those two interests, a workable legal framework needs to emerge. The brand deal context may be where the issue becomes most immediately practical. When a brand partners with an influencer and the campaign involves generative AI in any form, the contract needs to address control explicitly. Who has final approval over how the influencer’s likeness or voice is used in AI-generated deliverables? What happens to those assets after the campaign ends? These are not hypothetical questions. They are contract drafting problems that any brand counsel or creator attorney should be addressing today. What Comes Next Graves is cautious about predictions, but his sense of direction is clear. The regulatory environment will continue to fragment before it converges. The right of publicity will be updated, imperfectly, in more jurisdictions. Creators will continue to move toward owning more of their infrastructure. And the lawyers who do this work best will be the ones who understand the technology well enough to translate it into practical, defensible decisions for the people they advise. Full Transcript: Ken Suzan: Thank you, Rolf. Our returning guest today is Franklin Graves. Franklin is the founder and editor of Creator Economy Law, a website and newsletter that educates creator economy professionals on the intersection of law and policy with the world of creators, brands, and platforms. Franklin also published the first law review article focused on the creator economy, Upload Complete, an introduction to creator economy law. He regularly appears across news and media outlets as a commentator and contributor with a focus on educating creators and raising awareness of all legal aspects of the creator economy. Franklin is based in Nashville, Tennessee. Ken Suzan: Franklin was invited to participate as one of the creators and creator economy professionals in the first ever White House creator economy conference. Franklin works full time as a product counsel at LinkedIn Corporation. As a member of the product and data team, he focuses on emerging issues in AI and data. Franklin previously held roles on the technology law group at HCA Healthcare, the commercial legal team at Eventbrite, and the business and legal affairs team at Naxos Music Group. Welcome back Franklin to the IP Fridays podcast. Franklin Graves: Thank you so much for having me. It is exciting to be back and reflecting over the last decade since I last joined and also the paper that I wrote that dives into this in more detail. So I really appreciate it. And yes, full disclosure, I currently work for LinkedIn, which is a subsidiary of Microsoft. I’m here in my personal capacity to talk about this, the paper I wrote before joining LinkedIn and all of that. So thank you so much for having me back. Ken Suzan: Excellent. So Franklin, since your last appearance on IP Fridays in 2017, your career has evolved significantly. You are now senior product counsel at LinkedIn focusing on AI and data. How has working inside a major tech platform changed your perspective on the legal frameworks governing digital content compared to when you were viewing it purely from the creator side? Franklin Graves: I appreciate that question because when I wrote the article, I did not work for LinkedIn. And I had been coming from a history in my career where I, right out of law school, worked for a record label like we talked about almost 10 years ago. And I was on the content creation side. I’ve represented a major distributor of classical music digitally at the time. And that was my first exposure to understanding how content was taken from the initial inception stage from creators and routed through all the various digital platforms that were at the time still evolving and even arguably still today continue to evolve. The early days of YouTube Music launching and then Apple Music launching, and then going through all the phases of high-res audio and everything that came after that. So that was an interesting perspective to start my career with. And then I went to Eventbrite, which is a ticketing platform, but was also focused on elevating event creators. They kind of took on that moniker of “Hey, we are event creators that we support.” And that was arguably my first exposure to the platform side, the tech platform side of it, because Eventbrite is a platform. And so then I evolved from there in my personal capacity, in a pro bono capacity representing individual creators across the YouTube space. And that’s what we talked about a little bit back when I first came on the podcast. Franklin Graves: Over the last decade, it’s been a chance to grow my own understanding of the creator economy. The terminology “creator economy” came around. And then now on the other side of it, having written the article and all that, and now being fully in-house at LinkedIn, I truly am experiencing a social media platform. LinkedIn is of course arguably way more than just the platform itself. There are so many different avenues to it, but it is a chance for me to understand what it is like working for a company that is operating the platform that people are distributing content on. There’s a user journey to content and all of that. So it’s definitely enhanced and given me a different perspective from a major tech platform side. And part of my role at LinkedIn is really heavily focused on understanding regulation and how that from an AI and data perspective impacts the company. And so I’ve been really leveling up my game over the last year and a half that I’ve been here, understanding mostly EU regulations, but also US regulations that are still in their infancy when it comes to AI. But really when it comes to privacy and data, those are pretty well established across the board. It’s been kind of a combination of what I learned at Eventbrite, because I went to Eventbrite when GDPR was going into effect. And so that was an eyes-wide-open moment of getting in the weeds with negotiating data processing agreements, understanding data transfers and cross-border data transfers and the like. So it’s been kind of an evolution as the laws and regulations have evolved. So has my career, so has my own understanding, so have the platforms’ responses to those laws and regulations. And I’m sure that probably resonates with a lot of your listeners who have also been growing their practice and their understanding as the laws and regulations in this realm have been evolving too. Ken Suzan: Yes, indeed. Now let’s switch gears and talk about AI. You advise on AI and data daily. As platforms integrate generative AI tools into their tech stacks, what are the most critical best practices in-house counsel should be adopting right now to embed responsible AI principles into product development? Franklin Graves: So as an attorney, one of my key roles is to understand the technology. Even representing creators and working for creator platforms, that’s something I’m constantly trying to do: put myself in the shoes of being a creator. And I think I talked about this last time I was on, but I come from a background where I was working for a major label doing marketing, video editing, social media work. And I was creating content. I understood the whole life cycle from the inception point of an idea to execution and then to the final delivery and distribution of that content to an audience within a major music label. And so part of that is the same thing that I think attorneys, especially in-house, should be doing: using the tools that the product and engineering teams are either developing in-house or partnering with third parties to develop, or a combination of the two. Using them, understanding them, using them as a creator would, using them as an end user or a client or customer would. And making sure that if you understand the product and understand the nuances of how it operates, and being a part of the iterations of that internally before it fully ramps, that really gives you a chance to understand: okay, we have a lot of responsible AI principles and standards and protocols that are in existence right now, whether it’s NIST, whether it’s based on the EU AI Act or anything and everything in between. It’s understanding how to apply those and bring those into a product and an engineering environment in a way that is practical and actionable for the people that you’re supporting, the stakeholders you’re supporting. So I think one of the critical best practices is, number one, understand the product or features that you’re supporting. Franklin Graves: And then understand how you as an attorney can use your expertise and understanding of responsible AI practices, whether it’s a regulatory standard or an industry-adopted standard or a hybrid of the two, to leverage those and implement those, break those down and make them into actionable controls and processes and flows that work within your existing infrastructure. That’s a lot of high-level talk, but that’s the general idea. One concrete example we talk about frequently is with open source AI. If you’re working with a product team or an engineering team that is taking an off-the-shelf open source model and bringing that in-house, a lot of times companies have pre-existing open source processes that cover the use of open source software or code. Piggyback on that. That’s the easiest quick win for attorneys: leveraging your existing open source processes to just build on top of that the AI flavor and layering. It’s not very much that you have to do, but the underlying process of the key stakeholders that need to be involved in the review, whether it’s security, whether it’s executive sign-off if it gets to that point, even export control considerations should already be part of your existing open source software process. So layering in on those existing processes the specifics of generative AI or large language models that you’re trying to bring in is a great way to put this into practice. Ken Suzan: Now looking at the geopolitical landscape that we currently have, we have the EU AI Act setting strict standards and shifting US executive orders. How should platforms and brands prepare for this fragmented regulatory environment when deploying AI tools to a global user base? Franklin Graves: It’s a great question. It’s something that is still evolving, I think is fair to say. I would equate it, as I do in the paper that I wrote, to how creators and arguably brands don’t own the platforms that they’re building their communities on. That spawned this concept of de-platforming or going into building your own platform, a decentralized platform of sorts, and owning your community. That gives you that control and takes away the level of instability that can come for creators trying to build a business on a platform they don’t own, they don’t control when certain updates happen, when algorithms change, when tools and functionalities either become available or go away completely. So it’s very similar to what we’ve been experiencing in a regulatory environment where we have geopolitical complexities, for lack of a better term, that can overnight seemingly disrupt the way in which a platform or even a multinational brand is able to connect and reach an audience or continue to leverage the user base that they’ve built. I think TikTok is a great example of that, where it became a national security concern and suddenly it was facing an executive order that required it to be effectively disabled in the US or completely owned and operated by a US entity. All the mechanics and technicalities of whether it’s actually possible and still have a global platform with a global user base is a whole different discussion. But that’s an example of very similar considerations that are now not just a discussion point at the creator level or the individual brand level, but also in a much broader context at a platform level as well. Ken Suzan: Franklin, let’s now shift gears and talk about your article. In your recently published journal article, Upload Complete, which we will have linked in our show notes, you advocate for a shift in terminology from internet creator law, a term used during our first podcast almost a decade ago, to creator economy law. Why is this distinction important and how does it change the way legal practitioners should view the ecosystem of creators, brands, and platforms? Franklin Graves: Oh yes, this is part of the reason why I wanted to write the article: to lay this foundation of understanding. Because at the time I’d written the article, the term creator economy and creator had really not appeared but for maybe once in an actual court decision. And it was kind of focused on influencers and this concept, and it was just not getting it right. And so it was also, as you mentioned, when we first spoke I was even using the term internet creators. And I think that was something that was common at the time. The “internet” portion as a qualifier has since dropped off. And now for purposes of the creator economy, the term creators refers to individuals, it can be small businesses, which is what we’ve seen from a regulatory standpoint, how these small businesses are being impacted by regulations. But essentially creators in the article I pin in the context of intent. What is the intent behind the person or the small business that is posting content, trying to build a community and form a community in a virtual environment? And then that can even spill over into real physical world environments. And so the intent is kind of what I look at. Franklin Graves: And I have a chart in the article that has a diagram showcasing the overlap of what I refer to as “users generating content.” It’s a play on the concept of user-generated content, UGC. Users generating content is that large bucket of anyone posting on a platform of some kind. And within that large bucket, that large circle, are smaller subsets. You have creators, you have brands. Those are really the two buckets you can put people into. Otherwise it’s like your grandmother or your parents posting content on Facebook or Instagram, and those are everyday users of a platform. The distinction to get into that subcategory of being a creator more so has been analyzing the intent behind the posting. Are you posting content to build an audience, to build a community, to eventually have a chance to monetize the following that you’re bringing in or sell services or something like that? Brands are posting for that reason. Creators are maybe posting for that same reason. But even within the creator category, there’s a subcategory of influencers that are trying to sell something, that are trying to build more than just an awareness of who they are, their influence. They are trying to do brand deals, partnership deals, upsells and all that, and start an actual small business aside from just the content itself that they’re creating. So that’s kind of the distinctions that I make in the paper. And that’s why it’s important to understand and lay that foundation, that anyone can post content online, but the intent, the why behind their posting that content, really does ultimately matter, especially when you’re looking at it from a court case or from a regulatory standpoint. Ken Suzan: Now, Franklin, we’re seeing unprecedented geopolitical activity around platform ownership. For example, the US legislation targeting TikTok and Brazil’s recent temporary ban of X. How do these macro-level battles impact the day-to-day livelihood of creators? And how can they legally and operationally protect themselves? Franklin Graves: So the shift that we’re seeing, and I alluded to this earlier in our conversation, is this concept of Web 3. And that term may or may not be really popular anymore, but that’s essentially what we’re looking at: a shift into a federated, decentralized operation of a platform. So instead of one owner, one company, one entity owning and operating the platform, it’s decentralized. Anyone can start up a server, and it’s interoperable, meaning anyone can plug and play and connect to that larger network. And it creates this unified social network experience. Within each operating node of that network, there can be your own decisions around content moderation, your own decisions around the hosting providers you use, where you’re operating out of, the terms and conditions that apply to that. But the flip side is that instead of creators posting and sharing in a closed environment run and controlled by a singular entity, you’re now experiencing a peer-to-peer type operation where your experience can change based on which server, which node, which user you’re engaging with. You might have content that’s acceptable in one area but not acceptable in another, and maybe it just doesn’t even show up in that other area. Franklin Graves: But from a liability standpoint, as creators start to build their own networks and communities, even outside of a concept like the fediverse, it’s even down to creators building their own communities through online courses, subscription membership-based platforms that they run on their own website. There’s open source software out there, even something called Ghost, where you have memberships. And that is a creator or a small business in the creator economy that is now taking on the obligations that would typically fall upon a platform. They need to take into consideration terms and conditions, privacy policies, legal aspects, and regulatory considerations for running a platform, especially in a global world. So it’s a lot of liability that then shifts over to those small businesses and even brands sometimes that are doing the same thing. Whether it is something as simple or complex as content moderation or all the way up to monetizing an audience, this new world where creators can spin up and run a platform all dovetails back to the concept of creators not feeling like they have control in reaching the audience and the community that they’re building on an individual platform. And so this really became more mainstream conversation with TikTok and the issues around it potentially being shut down in the US. That was kind of the mindset shift and eyes opening for many creators, especially within the influencer subset, of realizing: we need to make sure that we have a way to reach the audience we’ve built if the individual platform that we’ve committed to over the last year or three years or so is no longer available. We need a way to continue that relationship outside of that one platform controlling it. Ken Suzan: Franklin, we have a few minutes left and a number of topics. So I’m going to switch gears and talk about a few issues. First, a major emerging topic in your paper is the evolution of protecting kids online. With state-level age-gating laws like the CAADCA and the recent FTC updates to COPPA, how should platforms navigate the significant tension between strict age verification mandates and the privacy and First Amendment rights of their users? Franklin Graves: Man, that is a whole discussion to unravel. It is a consideration that we’re seeing happen again, going back to the geopolitical nature of everything. Countries like Australia and certain countries in Europe and now even individual states in the US are trying to look at ways, and some of them have already put into place minimum age requirements before you can even sign up for an account with a social media platform. One of the things I’d just highlight quickly here is that one of the tensions is around how you verify someone’s age online and still maintain the ability to be at least pseudonymous. How do you still have a level of privacy, autonomy, and protection when it comes to having to provide something like a driver’s license or have parental consent tied and connected to an account managed by a parent in a situation where maybe it’s not appropriate or not beneficial to the child in that manner? But then maybe there are counterbalancing factors that outweigh that. All of that comes down to the technicalities of how it’s actually implemented and maintaining the sense of openness and freedom that we’ve had on the internet to date. And then the other element there is, since a lot of the internet that we think of today is more so through mobile applications, is it something that the mobile operating system providers and app store providers should be thinking about? So whether that’s the Google Play Store or the Apple App Store, where does that initial age verification need to fall? Is it at the platform level? Is it the app store or mobile device management level or something else? Yeah, there’s a lot to discuss there. And a lot of the issues we’re seeing with how the internet is changing in terms of being able to browse a website without disclosing personal information that might not have been required before is largely stemming from a focus on protecting children online. Ken Suzan: It sounds like, Franklin, we could have another episode covering lots of issues connected with that one topic alone. Franklin Graves: I would absolutely agree with that. There’s a lot going on there. And again, it’s different across the world. And so I know you all have a global listener base. And so there’s a lot of nuances to that whole discussion too, that are worth exploring. Ken Suzan: Last question for today’s episode is regarding the right of publicity. With the explosion of AI-generated synthetic media, digital replicas, and voice cloning, the right of publicity is taking center stage. What are the biggest legal risks for brands partnering with influencers right now? And how can creators protect their most valuable asset, their likeness? Franklin Graves: That’s a great question. I think we’re seeing kind of a throwing-spaghetti-against-the-wall-to-see-what-sticks approach right now by a lot of different parties, whether it’s trademark attorneys, whether it’s general entertainment attorneys or whoever. For example, we’ve seen Taylor Swift filing trademarks to protect certain sounds of her voice and phrasing that she uses. It’s a difficult area because in the realm of generative AI with deep fakes and virtual avatars, that is where it gets tricky, because traditional IP laws are just not able to fully cover that spectrum. It’s a piecemeal approach, but even then it doesn’t fully cover it. So for example, I’m based in Tennessee and a couple of years ago we had the Elvis Act that updated our right of publicity law to add voice and to explicitly reference artificial intelligence. And so that’s the kind of effort we’re probably going to continue to see: efforts to develop some framework around protecting what is essentially a privacy right, in a manner that doesn’t restrict generative AI systems from continuing to develop and operate the way they’re operating now, while layering in those protections so that in the US at least a First Amendment right doesn’t necessarily get squashed, and those traditional well-recognized efforts to not overregulate a technology in its early stages are respected. Franklin Graves: And so I think a lot of what we’re seeing is just a need to update laws. The SAG-AFTRA debate and the strikes that happened around maintaining control of your performance and any iterations of that, or building upon that by a media company that might come later, it’s all on the table right now and still being discussed, still being worked out. I think in the short run, a lot of times if it’s in a brand deal, the key question is: if you are using generative AI to enhance in some way the final deliverable for the campaign, who has control over that? Who has final say and sign-off on how that likeness or that digital replica or that person’s voice is represented? And even outside of the brand space, we’ve seen actors like James Earl Jones signing over certain aspects like their voice and allowing it to continue to be used in these manners powered by generative AI as Darth Vader. And I think I saw something that Boy George was even starting up an AI company that allows musicians, the original recording artist, to rerecord new versions of their masters so that they don’t miss out on that revenue. It’s powered by generative AI, by taking their voice now, which is significantly different than it was back in the 80s, and using generative AI to make it sound closer to the original, but all based on their current performance. So I think it’s still an evolving area. And what’s interesting too is on the platform side, we’re seeing the early stages of platforms like Google starting to acknowledge and rely on the license grant contained in their terms of service for YouTube, which grants them broad rights to use the content to run their platform. So all that to be said, it’s still early stages. I’m very interested to see where we go from here in the future, especially from a global perspective as well. Ken Suzan: Franklin, I could spend hours talking to you about this. You’re such a knowledgeable person on these topics. Maybe in a few years, will we connect again and talk further on AI and all the things that are yet to be developed? Franklin Graves: Thank you. Yeah, it doesn’t have to be another decade. Maybe we can cut it to half a decade, given the pace at which technology is going now. Ken Suzan: Sounds good, Franklin. Thanks again for being on the IP Fridays podcast.

Creators are no longer a media channel or transaction. It's an entirely new marketing model, at least that's what the infrastructure behind Unilever's creator strategy indicates. In this episode, Digiday catches up with Selina Sykes, global vp of digital, social and Al transformation at Unilever's Beauty and Wellbeing, to learn about its scale and automation.

THE Ed Kemper; my 'Top Shelf' subject of study that helped me work through my own mother wounds. If we want men to hold each other accountable in these TRYING TIMES, we as women need to do the same with each other. Elissa Kerrill Serial Killing : A Podcast   serialkillinginstagram@gmail.com2ND PODCAST!Serial Killing: Murder in the News:https://open.spotify.com/show/4vDIa6CgT4hYMAuxQetRA4*Want to Support?*Like, Subscribe, Share: FREE! :)Spotify Subscription: https://creators.spotify.com/pod/show/serial-killing/subscribeBuy me a Coffee: https://ko-fi.com/serialkillingPatreon: https://www.patreon.com/serial_killingInstagram: https://instagram.com/serial_killing/Facebook Group:https://m.facebook.com/groups/562690815762105/?ref=share&mibextid=S66gvF

This week, Brad and Dave discuss what happens after a cartoonist achieves the dream: making a living from comics. They explain why success can create its own time-management problems, how to protect the thing that's already working, and why adding books, Kickstarter campaigns, merch, newsletters, or conventions should happen gradually. They also talk about practical systems for numbering webcomic pages, naming files, and keeping longform comics organized over time. Main topics covered Weird convention-reader encounters, including disputed signatures and free-sketch requests What to do when your comic and Patreon are working, but there's no time for anything else Protecting the “engine” of your business before adding new projects Avoiding concentration risk when most income comes from one platform Adding new business layers slowly instead of trying to do everything at once Using small projects, like enamel pins, as manageable learning experiences Why side projects can derail your main comic if you're not careful Finding extra time without wrecking your life or mental health Dave's San Diego Comic-Con booth and the free ComicLab enamel pin How to number pages for longform webcomics The difference between website numbering and book-page numbering Using SEO-friendly titles, focus keyphrases, transcripts, and alt text File-naming conventions for comics, including dates, chapters, pages, and vertical-scroll segments Planning ahead for long-running comics so your numbering system doesn't break later You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

Queer people have always been in the Star Wars universe — the franchise just keeps hiding them. Matthew Fox, Alex Kormann, and Erin McGowan of Star Wars Generations on The Ethical Panda network take stock of LGBTQIA+ representation across the full canon for Pride Month 2026: from the covert queer coding of Lando and Admiral Holdo, to the openly queer High Republic novels, to the all-female coven of “The Acolyte” and the deeply felt enemies-to-lovers arc of Zeb and Kallus in “Rebels.”The hosts bring genuine stakes to the conversation: Erin grew up in a conservative religious community where bisexuality wasn't a thing you talked about. Matthew is non-binary and queer. Alex is the self-described straight cis member of the group, and arguably the most frustrated by how often the films blink first. Why does Star Wars take bigger risks for a smaller audience? And after decades of queer characters thriving in the books while the films hedge, will the next wave of Star Wars projects finally close that gap?Full show notes and resources: Here**************************************************************************This episode is a production of Star Wars Generations, an Ethical Panda podcast and part of the TruStory FM Entertainment Podcast Network. Check out our website to find out more about this show and our sister podcast Superhero Ethics.We want to hear from you! Keep up with our latest news and send us feedback, questions, or comments via social media or email.TikTok · Twitter/X · Instagram · Facebook · EmailTo learn more about co-host Erin and her incredible cosplay: Instagram · TikTokJoin the conversation in the Star Wars Generations and Superhero Ethics channels on the TruStory FM Discord.Want even more content while supporting the podcast? Become a member! For $5 a month or $55 a year you get access to bonus episodes and bonus content at the end of most episodes — and you can even give membership as a gift. Sign up here.You can also support us through our sponsors:Purchase a lightsaber from Level Up Sabers, run by friend of the podcast Neighborhood Master Alan.Use Audible for audiobooks. Sign up for a one-year membership or gift one through this link.Purchase any media discussed this week through our sponsored links.

Most creators have an audience. Far fewer have influence.In this episode, Aneesh Lal, also known as The Jerry Maguire of LinkedIn, the Founder of The Wishly Group, joins me to unpack what actually drives trust, attention, and buying behavior in the creator economy.From why some creators convert while others don't, to the difference between being relatable versus aspirational, we explore the hidden dynamics behind audience growth, brand partnerships, dark social, and influence itself. We also get into why vanity metrics matter more than most marketers admit, what brands consistently get wrong about creators, and why attention alone isn't enough to change behavior.Highlights:(00:00) Introduction(01:06) Meet Aneesh Lal and why he's the Jerry Maguire of LinkedIn(02:33) Brands are rushing the funnel(04:46) The dream creator campaign(06:12) The deals worth rejecting(07:47) Pay gaps in creator marketing(11:13) Does the label matter?(15:13) Engagement doesn't equal sales(17:13) Why creators need video(18:18) Where creators should expand(19:18) Everyone cares about followers(24:43) The dark social problem(27:57) Why expertise matters(30:03) Losing connection with audiences(32:53)  To the creators who want to start partnering with brands (34:11) Depth over short-form skillsResources:Hear more from me in the Stop the Scroll Newsletter: https://briannadoe.substack.com/Connect on LinkedIn: https://www.linkedin.com/in/brianna-doe/ Aneesh''s LinkedIn: https://ca.linkedin.com/in/aneeshlal The Wishly Group  LinkedIn: https://ca.linkedin.com/company/thewishlygroup The Wishly Group Website: https://www.wishlygroup.ca/ 

Hey CX Nation,In this week's episode of The CXChronicles Podcast #282, we welcomed Bryan McAnulty Founder of Heights Platform and LatchLoop based in Austin, TX.Bryan has helped thousands of creators across 100+ countries transform their knowledge into thriving businesses. As a creator himself, he has been committed to empowering those with a passion for creation to learn and grow online.In this episode, Bryan and Adrian chat through the Four CX Pillars: Team, Tools, Process & Feedback. Plus share some of the ideas that his team think through on a daily basis to build world class customer experiences.**Episode #282 Highlight Reel:**1.  Focusing on being proactive with all of your customers, regardless of LTV2. Pro's & Con's of AI-driven customer support3. Why customers value speed to solution more than anything Click here to learn more about Bryan McAnultyClick here to learn more about Heights PlatformClick here to learn more about LatchLoopHuge thanks to Bryan for coming on The CXChronicles Podcast and featuring his work and efforts in pushing the customer experience & contact center space into the future. For all of our Apple & Spotify podcast listener friends, make sure you are following CXC & please leave a 5 star review so we can find new members of the "CX Nation". You know what would be even better?Go tell your friends or teammates about CXC's custom content, strategic partner solutions (Hubspot, Intercom, & Freshworks) & On-Demand services & invite them to join the CX Nation, a community of 15K+ customer focused business leaders!Want to see how your customer experience compares to the world's top-performing customer focused companies? Thanks to all of you for being apart of the "CX Nation" and helping customer focused business leaders across the world make happiness a habit!Reach Out To CXC Today!Support the showContact CXChronicles TodayTweet us @cxchroniclesCheck out our Instagram @cxchroniclesClick here to checkout the CXC websiteEmail us at info@cxchronicles.com Remember To Make Happiness A Habit!!

Jupiter enters Leo on June 29, beginning a year-long cycle focused on creativity, confidence, self-expression, and the courage to be seen. In this episode, we'll explore the themes of Jupiter in Leo, reflect on what we've learned during Jupiter's time in Cancer, and look at how this transit may show up in your life.Follow or subscribe on Substack: stefaniekateboucher.substack.comInterested in a reading? Schedule one here: https://stan.store/stefaniekateboucherMusic from #Uppbeat (free for Creators!): https://uppbeat.io/t/ra/serenity. License code: TKAOZTDSJ5OX7OYP Get full access to Astrology for Beginners at stefaniekateboucher.substack.com/subscribe

#873: A look back at the career of Alan Greenspan, former Fed chair, who passed away at age 100. Google invests $75M into A24 for a new AI partnership. A Wall Street Journal investigation found Polymarket faked videos of creators winning large bets on their platform. Toby's Trends on Instagram testing horizontal longform videos on the app. SpaceX shares tumble after a $400B selloff and Alphabet shares fall after key AI researchers depart. To learn more visit https://www.servicenow.com Subscribe to Morning Brew Daily for more of the news you need to start your day. Share the show with a friend, and leave us a review on your favorite podcast app. Listen to Morning Brew Daily Here:⁠ ⁠⁠https://www.swap.fm/l/mbd-note⁠⁠⁠  Watch Morning Brew Daily Here:⁠ ⁠⁠https://www.youtube.com/@MorningBrewDailyShow⁠ This experience may not be representative of other Wealthfront clients, and there is no guarantee of future performance or success. Experiences will vary. Neal Fryman and Toby Howell, are clients of Wealthfront, receive cash compensation from Wealthfront Brokerage for paid testimonials in this podcast, creating a conflict of interest. More details available via the referral link.  https://wealthfron.com/morningbrew New clients get 3.30% base APY from program banks + additional 0.75% boost for 3 months on your uninvested cash (max $150k balance). Terms and conditions apply. The Cash Account, which is not a deposit account, is offered by Wealthfront Brokerage LLC ("Wealthfront Brokerage"), Member FINRA/SIPC. Wealthfront Brokerage is not a bank. The Annual Percentage Yield ("APY") on cash deposits as of January 30, 2026, is representative, requires no minimum, and may change at any time. References to the APY for the Wealthfront Cash Account, including any APY increase, are to the APY paid by insured depository institutions that participate in our cash sweep program (the "Program Banks”). Wealthfront Brokerage sweeps cash balances to Program Banks, where they earn the variable APY. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mike is back with another Coffee Time Kicks episode, and this one is for anybody who has ever looked at a sneaker photo and wondered how someone made a shoe feel alive.Jared Moody is the photo manager at Sneaker Politics, a contract shooter for Sneaker News, and one of the most intentional sneaker photographers working right now. Born and raised in Dallas, Moody got into sneakers around 2010 through his cousins, got deep once he hit high school, and has been building his craft ever since.In this conversation, Mike and Moody cover the full arc, from the KD 4 that changed how Moody thought about shoes, to what it actually takes to walk into a shoot prepared, to the quiet discipline behind his best work. They also get into building trust with models, shooting events as community acts, and what it looks like to do contract work for two outlets without letting either one look like the other.Moody's advice for anyone trying to break in is as straightforward as it gets: work hard, stay consistent, and stop worrying about the numbers. The art is the point.Find Jared on all socials at @JaredAMoody and check out Sneaker Politics at all their locations, including Dallas.New episodes of the Sneaker History Podcast drop almost every Monday. Subscribe wherever you listen, find everything at sneakerhistory.com, and if you want more sneaker business insights, The Sneaker Newsletter goes out on Substack at thesneakernewsletter.com.Nick also has a book coming. Small Luxuries: Sneakers drops October 2026 and is available to pre-order now at bookshop.org/a/122044/9798317900854.If you are interested in advertising to our audience, contact us: podcast@sneakerhistory.comCHECK OUT OUR OTHER SHOWS:For the Formula 1 Fans - Exhaust Notes: https://exhaustnotes.fmFor the Fitted Hat Fans - Crown and Stitch: https://crownandstitch.comFor the Cars & Sneakers Fans - Cars & Kicks: https://carsxkicks.comFor the Creators & Creatives - Outside The Box: https://podcasts.apple.com/id/podcast/outside-the-box-convos-with-creators/id1050172106[Links contain affiliate links; we may receive a small commission if you purchase after clicking a link. A great way to support the pod!]—––––—––––—––––—––––—––––—––––—––––—––––Our podcast is proudly...Recorded on Riverside: http://www.riverside.fm/?via=sneakerhistoryHosted & Distributed By Captivate: https://bit.ly/3j2muPbDisclaimer: The views and opinions expressed in this program are those of the speakers and do not necessarily reflect the views or positions of any entities they represent.This podcast uses the following third-party services for analysis: Spotify Ad Analytics - https://www.spotify.com/us/legal/ad-analytics-privacy-policy/

This week's episode covers a series of cybersecurity stories, including a researcher's discovery of vulnerabilities in FIFA's World Cup platform that could have enabled unauthorized administrative access and even the ability to alter live broadcasts. The team also discusses the risks of large-scale identity verification data exposure, supply chain attacks impacting the scientific research community, ongoing fallout from Broadcom's VMware acquisition, and legal challenges from major organizations facing rising VMware costs. Along the way, the hosts share commentary on AI-related security concerns, access control failures, and the broader impact of vendor decisions on enterprise security.Join us LIVE on Mondays, 4:30pm EST.A weekly Podcast with BHIS and Friends. We discuss notable Infosec, and infosec-adjacent news stories gathered by our community news team.https://www.youtube.com/@BlackHillsInformationSecurityChat with us on Discord! - https://discord.gg/bhis

Ever feel like a dry season in your creative life means something's wrong between you and God? In this episode, Allen breaks down why writer's block doesn't actually equal spiritual disconnection — and walks through four practical moves for what to do when the ideas stop showing up. If you're a Christian creator who's ever judged yourself for an empty page, this one's for you.Text the Show! Support the showDownload our FREE 7 Day Prayer Devotional for Creatorshttps://godandgigs.com/prayerFOLLOW US ON SOCIAL!  InstagramFacebook YouTubeWant to be a guest on The God and Gigs Show? Send us a message on PodMatch, here! © 2026 Paul Creative Solutions

SharkNinja has rewritten the modern commerce playbook by embedding a "threshold of virality" directly into pre-product development and abandoning rigid, weekly campaign reviews for hourly optimization. Global Head of Media Dave Kersey shares how this social-first, digital-only approach skyrocketed the brand to the top of TikTok Shop ecosystems globally while establishing a hyper-transparent, API-driven model for agency partnerships. Key Highlights

Rideshare Rodeo Podcast (episode 588)  June 22nd, 2026 Topics: Gig App "Surveillance Pricing" Transparency Act (please give it read) App Metrics and their little to NO value Colorado SB24-075 (the Transportation Network Company Transparency Act) is a landmark gig worker law. It requires platforms like Uber and Lyft to be fully transparent with drivers and riders about pay, deactivations, and trip data. Colorado House Bill 24-1129 mandates strict transparency and wage protections for app-based delivery drivers. Under the law, Delivery Network Companies (DNCs)—such as DoorDash, Uber Eats, and Instacart—are legally required to provide drivers with specific information before they accept a delivery task.  Required Disclosures Before Accepting a Task Before a driver accepts any delivery job, the platform must clearly display:  Total Estimated Earnings: The actual or estimated amount the driver will earn, broken down to show the exact portion coming from tips or reimbursements. Task Details: The number of transactions in the task. Location Data: The exact addresses for both the pickup and drop-off points. Additional Consumer and Driver Protections 60-Second Rule: Drivers must be given at least 60 seconds to review the task details and decide whether to accept the offer. Tip Transparency: Platforms are required to pass 100% of the customer's tip to the driver. When prompting consumers to tip, the app must clearly disclose how much of their payment the driver actually receives.  Enforcement: The Colorado Division of Labor Standards and Statistics manages rule enforcement and can investigate or penalize platforms for violations Delivery Network Company Driver Transparency & Protections Act https://www.change.org/p/delivery-network-company-driver-transparency-protections-act Rideshare Rodeo Brand & Podcast: https://linktr.ee/RideshareRodeo   

Season 2, Episode 119In this episode, Michael and Zach continue their series on sin, desire, identity, and holiness by examining the biblical doctrine of concupiscence and the ongoing struggle against indwelling sin. Building on the previous discussion of original sin and fallen human nature, the conversation addresses a difficult question: What should Christians think about sinful desires that seem to arise without conscious choice? Drawing from passages such as James 1, Romans 7, Galatians 5, Hebrews 4, and the Tenth Commandment, the episode explores the distinction between external temptation and inward corruption, the historic debate over whether sinful desire is itself sin, and why the Reformers insisted that disordered desires must be taken seriously as part of humanity's fallenness. Along the way, Michael and Zach discuss the sinlessness of Christ, the doctrine of impeccability, the reality of remaining corruption in the believer, and the Spirit-empowered battle of sanctification. The episode concludes with a message of both honesty and hope: the presence of sinful desire is not proof that grace is absent, but neither is it something to celebrate. Rather, the Christian life is a real war against sin in which God progressively transforms His people through the gospel, His Spirit, and the ordinary means of grace.Find our videocast here: https://youtu.be/M9nVPTdYieUMerch here: https://take-2-podcast.printify.me/Music from #Uppbeat (free for Creators!):⁠https://uppbeat.io/t/reakt-music/deep-stone⁠License code: 2QZOZ2YHZ5UTE7C8Find more Take 2 Theology content at http://www.take2theology.com

At NAB in Las Vegas, Alex Mavlios of Epidemic Sound explains how the company licenses music by acquiring full rights from artists, then offering secure usage across podcasts, video, social media, broadcast, and film. He addresses copyright risks, monetized content, artist royalties, pricing from creator plans to enterprise licenses, and why perpetual licensing helps creators avoid future rights disputes.  Show Notes: Chapters: 0:03 Opening from NAB 2026 00:13 Introducing Alex from Epidemic Sound 00:27 What Epidemic Sound does 00:39 Scouting artists and operating like a label 00:55 Commissioning tracks and acquiring full rights 01:25 Artist distribution and royalty sharing 01:42 Secure licensing for creators and clients 01:47 Platform tools for finding and syncing music 01:59 Types of music licenses available 02:20 Licensing for broadcast, podcasts, social, public performance, and film 02:49 Non-exclusive use of licensed tracks 03:10 Why multiple rights holders create risk 03:42 Planning ahead before content becomes successful 04:00 Copyright exposure on social media 04:35 Comparing licensed music to playing your own 04:55 Pricing for individual creators and large enterprises 05:52 Perpetual licensing and long-term protection 06:20 Website and closing with Alex 06:28 More coverage from NAB in Las Vegas 06:34 Closing credits and support information Support:      Become a MacVoices Patron on Patreon      http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:      http://macvoices.com      Twitter:      http://www.twitter.com/chuckjoiner      http://www.twitter.com/macvoices      Mastodon:      https://mastodon.cloud/@chuckjoiner      Facebook:      http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:      http://www.facebook.com/macvoices/      MacVoices Group on Facebook:      http://www.facebook.com/groups/macvoice      LinkedIn:      https://www.linkedin.com/in/chuckjoiner/      Instagram:      https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes      Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

#872: Apple's CEO Tim Cook admits the high demand of memory and storage will likely raise prices on Apple products. Midjourney, the startup known for AI image-generation, is venturing into the healthcare sector with a full-body ultrasound scanner and spa concept. Creators are expected to have a large presence at Cannes Lions, the advertising world's Super Bowl. World Cup fans from all over are enjoying American cheap eats. Finally, what you need to know in the upcoming week ahead.  To learn more visit https://www.servicenow.com Subscribe to Morning Brew Daily for more of the news you need to start your day. Share the show with a friend, and leave us a review on your favorite podcast app. Listen to Morning Brew Daily Here:⁠ ⁠⁠https://www.swap.fm/l/mbd-note⁠⁠⁠  Watch Morning Brew Daily Here:⁠ ⁠⁠https://www.youtube.com/@MorningBrewDailyShow⁠ This experience may not be representative of other Wealthfront clients, and there is no guarantee of future performance or success. Experiences will vary. Neal Fryman and Toby Howell, are clients of Wealthfront, receive cash compensation from Wealthfront Brokerage for paid testimonials in this podcast, creating a conflict of interest. More details available via the referral link.  https://wealthfron.com/morningbrew New clients get 3.30% base APY from program banks + additional 0.75% boost for 3 months on your uninvested cash (max $150k balance). Terms and conditions apply. The Cash Account, which is not a deposit account, is offered by Wealthfront Brokerage LLC ("Wealthfront Brokerage"), Member FINRA/SIPC. Wealthfront Brokerage is not a bank. The Annual Percentage Yield ("APY") on cash deposits as of January 30, 2026, is representative, requires no minimum, and may change at any time. References to the APY for the Wealthfront Cash Account, including any APY increase, are to the APY paid by insured depository institutions that participate in our cash sweep program (the "Program Banks”). Wealthfront Brokerage sweeps cash balances to Program Banks, where they earn the variable APY. Learn more about your ad choices. Visit megaphone.fm/adchoices

The whole crew is back. Nick, Robbie, Mike, and Rohit reunite for a full-panel episode of the Sneaker History Podcast, and it feels exactly like catching up with friends who happen to know more about shoes than most people you know.They kick things off with Rockin' and Coppin', covering everything from Nipsey Hussle PUMAs and adidas SL EVOs to a World Cup craze over jerseys and some very real talk about what shoe buying looks like when adulting kicks in. From there, the conversation stretches across World Cup sneaker culture, 3D printing and foam technology in performance footwear, the history of player endorsements in soccer, and how the sport has become one of the most interesting spaces in the sneaker world right now.They also spend time on the rise of Skechers as a legitimate player in the athletic space (yes, really), dig into brand rivalries, talk representation in sneaker culture, and close with a preview of where women's basketball footwear might be heading next.It's a wide-ranging one, but that's the whole squad for you. Come for the sneakers, stay for the chaos.New episodes of the Sneaker History Podcast drop regularly. Subscribe wherever you listen and find everything at sneakerhistory.com.New episodes of the Sneaker History Podcast drop almost every Monday. Subscribe wherever you listen, find everything at sneakerhistory.com, and if you want more sneaker business insights, The Sneaker Newsletter goes out on Substack at thesneakernewsletter.com.Nick also has a book coming. Small Luxuries: Sneakers drops October 2026 and is available to pre-order now at bookshop.org/a/122044/9798317900854.If you are interested in advertising to our audience, contact us: podcast@sneakerhistory.comCHECK OUT OUR OTHER SHOWS:For the Formula 1 Fans - Exhaust Notes: https://exhaustnotes.fmFor the Fitted Hat Fans - Crown and Stitch: https://crownandstitch.comFor the Cars & Sneakers Fans - Cars & Kicks: https://carsxkicks.comFor the Creators & Creatives - Outside The Box: https://podcasts.apple.com/id/podcast/outside-the-box-convos-with-creators/id1050172106[Links contain affiliate links; we may receive a small commission if you purchase after clicking a link. A great way to support the pod!]—––––—––––—––––—––––—––––—––––—––––—––––Our podcast is proudly...Recorded on Riverside: http://www.riverside.fm/?via=sneakerhistoryHosted & Distributed By Captivate: https://bit.ly/3j2muPbDisclaimer: The views and opinions expressed in this program are those of the speakers and do not necessarily reflect the views or positions of any entities they represent.This podcast uses the following third-party services for analysis: Spotify Ad Analytics - https://www.spotify.com/us/legal/ad-analytics-privacy-policy/

Welcome to Season 6, Episode 25! Our guests today are Livia Blackburne and Julia Kuo, the author and illustrator of Bing's Cherries… A modern American tall tale woven by a girl and her father about Ah Bing, the Chinese immigrant behind the Pacific Northwest's most delicious cherries. The book was released on March 10, 2026. Julia Kuo is the author and illustrator of several books including Home Is a Wish, Let's Do Everything and Nothing, and Luminous: Living Things That Light Up the Night. She is also the illustrator of several notable picture books including When Love Is More Than Words by Jocelyn Chung, I Am an American: The Wong Kim Ark Story by Martha Brockenbrough and Grace Lin, and one of our favorites, I Dream of Popo by Livia Blackburne. Additionally, Julia has created editorial illustrations for publications such as The New York Times, The Wall Street Journal, and The Economist.  New York Times bestselling author Livia Blackburne wrote her first novel while researching the neuroscience of reading at the Massachusetts Institute of Technology.  Since then, she's switched to full-time writing, which also involves getting into people's heads but without the help of a three tesla MRI scanner.  Her YA books include Rosemarked (A YALSA Teens Top Ten Nominee), Disney's Feather and Flame, and Clementine and Danny Save the World (And Each Other) [A Junior Library Guild selection], as well as the picture books Dreams to Ashes (An Orbis Pictus Honor Book) and I Dream of Popo, which received three starred reviews and was on numerous Best of Year lists. We love how they intentionally mixed in some elements of Chinese mythology with actual history and the American tall tales genre. In our conversation, we talk about the inspiration for the story, what it's like working with familiar collaborators, their individual journeys, and so much more.  To learn more about Julia, you can visit juliakuo.com or follower her on instagram @juliaskuo. To learn more about Livia, you can visit liviablackburne.com or follow her on instagram at @lkblackburne. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

Let's get into it! Some topics from today's episode include:⭐️Fear-driven marketing is powerful, but it can also oversimplify complex health issues.⭐️Menopause changes the body, but change does not automatically mean something is broken.⭐️Better questions lead to better decisions.⭐️Accurate data helps remove guesswork and build confidence.⭐️Strength training, protein, recovery, sleep, and stress management matter more with age.⭐️Your body is not betraying you; it is adapting.If you have a chance, please rate and review the podcast so more women just like you can learn more about the Rockstar way! I appreciate you for your support and love ❤️Rock That Fitness Links:⭐️Link to join Rock That Fitness Membership Today https://www.rockthatfitness.com/rock-that-fitness-membership⭐️Join the Rockstar Fit Chicks Weekly Newsletter  https://rockthatfitness.kit.com/e10d0c66eb⭐️Check Out Our Exclusive Offer for Extensive Lab Work with Marek Health ⁠https://www.rockthatfitness.com/rock-that-fitness-marek-health⭐️Head to the Rock That Fitness Instagram Page https://www.instagram.com/rockthatfitness/ ⭐️Music from Uppbeat (free for Creators!):https://uppbeat.io/t/cruen/we-got-thisLicense code: RBWENWHGXSWXAEUE

Soul of a free woman, 1min., Poland Directed by Magdalena Kołodziej-Olszewska A personal transgression illustrating the universal oppression of women. https://www.wildsound.ca/videos/audience-feedback-soul-of-a-free-woman —— Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod https://www.facebook.com/wildsoundpod —— Love for for you to try the Indy Film Festival AP. • Daily new film festival of the best new films from around the world. New archived festival to watch anytime. • Library of over 500+ award-winning films to watch anytime. Go to https://www.wildsound.ca and sign up for the free 3-day trial. Check out the daily film festival (and previous ones from last month) at https://www.wildsound.ca/browse Always an amazing lineup of films. Inspiring for storytellers.

Video Game playthrough updates, upcoming releases, PlayStation and Xbox news, Nintendo breach, Game Pass impact, and a retro review of Yu‑Gi‑Oh! Forbidden Memories. 00:00 Introduction 03:15 Game Pickups and Collectibles 06:22 Current Gaming Experiences 09:17 Investments in Gaming Stocks 12:15 Upcoming Game Releases 15:23 Remote Play and Gaming on the Go 18:13 Industry News: PlayStation Exclusives 21:11 Future of Gaming: Digital vs Physical 24:12 Nintendo Data Breach Discussion 33:18 The Future of Xbox Exclusives 39:15 The Impact of Game Pass on Console Sales 48:12 Studio Closures and IP Ownership 57:13 Yu-Gi-Oh! Forbidden Memories Review 01:09:05 Outro Video John and Ryan jump into another packed week of gaming talk, starting with what they're currently playing. Ryan shares his time with Mina the Hollower, while John continues working through Killzone Shadow Fall. The conversation then shifts to upcoming releases the duo is excited about before moving into a discussion on remote play and gaming on the go. Industry news takes center stage as they explore the latest updates around PlayStation exclusives and what those decisions mean for the platform. That leads into a broader conversation about the future of gaming, specifically the ongoing debate between digital and physical media. The episode also covers the recent Nintendo data breach and what's known so far, followed by a look at where Xbox exclusives may be heading. John and Ryan then break down the impact Game Pass is having on console sales and how subscription models continue to shape the market. They wrap up the news segment with a discussion on Xbox studio closures and IP ownership. To close out the show, the Inflation Deflation Game of the Week takes a nostalgic turn with a review of Yu‑Gi‑Oh! Forbidden Memories, as the guys revisit the PS1 classic and evaluate its place in today's retro market. Find us on TheGameDeflators.com   Twitter - www.twitter.com/GameDeflators Facebook - www.facebook.com/TheGameDeflators Instagram - www.instagram.com/thegamedeflators   The views and opinions expressed on this channel are solely those of the author. The content within these recordings are property of their respective Designers, Writers, Creators, Owners, Organizations, Companies and Producers. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted. Permission for intro and outro music provided by Matthew Huffaker http://www.youtube.com/user/teknoaxe 2_25_18

Send us Fan MailThis week the guys try ALL the fruit snacks they can find. Results: mixed. Johnny thinks maybe fruit leather is mushed up rotten fruit. There's a lot of Target talk. Do you like Target? I do. Other topics include: the delayed gratification fallacy, what is a Spindrift, the pleasure (and lack thereof), of eating food.Support the showAs always you can email us at Johnnysgotsnacks@gmail.comConsider joining our Patreon at Patreon.com/johnnysgotsnacks@Johnnysgotsnacks on instagramTheme music "More Snacks Please" by Matthew Nielson, check out his other work at https://www.matthewnielson.com/“Totally Accurate” music from #Uppbeat (free for Creators!):https://uppbeat.io/t/jonny-boyle/happy-like-larryLicense code: IHSL10Z4EM8QNPWD

Happy Pride part 2! Today, Jake and Brooke dive back into the tragic world of Bringing Up Boys to talk about the rot under the hood. While they tear apart conversion therapy and its proponents, there are also big laughs and lots of silliness. The two genders. Check out our patreon! patreon.com/ihatejamesdobsonOr go to ihatejamesdobson.com for all our linksSome medical organizations statements against conversion therapy:American Medical Association: https://www.ama-assn.org/system/files/conversion-therapy-issue-brief.pdfAmerican Psychological Association: https://www.apa.org/topics/lgbtq/evidence-against-conversion-therapyAmerican Association for Marriage and Family Therapy: https://plus.aamft.org/chiles-v-salazar-faq/References:The Patrick Custer Show. (2025, December 12). Michael Passons (Pt 1) Breaks Silence: His Truth About Avalon, Christian Music & 20‑Year Return [Video]. YouTube. https://www.youtube.com/watch?v=rmWXtnECYP0The Patrick Custer Show. (2025, December 23).Michael Passons' Full Story (Pt 2): Forced Out of Avalon, Out of The Closet & Conversion Therapy [Video]. YouTube. https://www.youtube.com/watch?v=CZ9ctLW-2YoSkinner, J. (Host). (2020, September 22). Michael Passons [Audio Podcast Episode]. In Jonah and the Whale. Lasting Media Group. https://podcasts.apple.com/us/podcast/jonah-and-the-whale/id1396748811Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/mood-maze/trendsetterLicense code: 9OT2MTBHWWSRZP5S: Hosted on Acast. See acast.com/privacy for more information.

Writer John Layman and artist Rob Guillory (Chew) join Dave to discuss their new collaboration Ghost Brawler, the Bruiser Edition live on kickstarter now! The two share the blistering writing pace of the series, how the setting draws from the cinematic style of Martin Scorsese, and the creative shorthand of a decade working together. The pair discuss the Chew television adaptation at Blumhouse, share memories of the late Sam Kieth, Signed Boxing gloves, creative teams, and explain why Kickstarter rewards collectors in ways corporate imprints can't. For fans of Goodfellas, Rocky, Raging Bull, Ghostbusters, and CHEW!BACK THE KICKSTARTER HERE - https://tinyurl.com/4kttuys4https://www.robguillory.com/My Website : directeditionpodcast.comPATREON https://www.patreon.com/DavengersDirectEdition

This episode has been presented by System1.What happens when Byron Sharp, Mark Ritson, System1, creators, AI, and Cannes Lions all collide on Day One?In the first edition of our Cannes Cut series, presented by System1, Marc and V unpack the biggest themes emerging from Cannes Lions 2026, including why creativity is increasingly being judged through the lens of effectiveness, why marketers may be spreading budgets too thin, and why some of the industry's biggest thinkers are converging on a surprisingly small set of principles.Along the way, the guys sit down with Vanessa Chin (SVP Marketing, System1) to discuss creativity, creators, celebrities, emotional advertising, AI-generated campaigns, and why happiness and humour continue to outperform serious purpose-driven work.They also hit the Croisette to capture perspectives from attendees, founders, creators, publishers, and marketers about the trends shaping Cannes this year.In this episode:Why effectiveness has become the dominant conversation at CannesDavid Tiltman's "Fewer, Bigger, Better" frameworkThe five things Byron Sharp and Mark Ritson agree onMental availability and why awareness isn't enoughDistinctive brand assets and why logos alone don't cut itWhy sophisticated mass marketing still mattersThe case against purpose-led marketingHow creators are becoming marketing "super touchpoints"Why funny advertising continues to outperform serious advertisingThe role AI is actually playing in modern creative developmentSights and sounds from the CroisettePlus: exclusive insights from Vanessa Chin and conversations with marketers attending Cannes from around the world.The Rosé can wait. The questions can't.In this episode:Why effectiveness has become the dominant conversation at CannesDavid Tiltman and WARC's "Fewer, Bigger, Better" frameworkThe five things Byron Sharp and Mark Ritson agree onMental availability and why awareness isn't enoughDistinctive brand assets and why logos alone don't cut itWhy sophisticated mass marketing still mattersThe case against purpose-led marketingHow creators are becoming marketing "super touchpoints"Why funny advertising continues to outperform serious advertisingThe role AI is actually playing in modern creative developmentSights and sounds from the CroisetteThe Rosé can wait. The questions can't.Chapters00:00 - Welcome to Cannes: The Excitement Begins02:53 - Insights from Industry Leaders06:06 - The Importance of Mental Availability08:52 - Distinctive Brand Assets and Their Impact12:09 - The Shift from Purpose to Emotion in Advertising14:59 - The Role of Celebrities in Marketing17:58 - The Power of Humour in Campaigns20:52 - The Future of Creators in Advertising23:48 - Final Thoughts and Key Takeaways27:25 - Conor Byrne, Exploring AI's Human Element30:03 - Alex, Insights from AI Central Media32:49 - Rachel Higgins, Connecting and Gaining Inspiration35:38 - Mariam Bebiashvili, Marketing Strategies and AI Integration

In 1933, Michael Malloy was a regular at a Bronx speakeasy when a group of men decided he was worth more dead than alive.But Malloy kept surviving.The newspapers would call him Iron Mike.The man who wouldn't die.The truth was uglier.Source Material:https://www.newyorker.com/magazine/1933/09/23/molloy-the-mightyhttps://www.smithsonianmag.com/history/the-man-who-wouldnt-die-89417903/https://www.wired.com/2012/06/a-toast-to-mike-the-durable/https://womenincrimeink.blogspot.com/2010/03/strange-death-of-mike-durable.htmlhttps://www.thejournal.ie/mike-malloy-donegal-bronx-murder-trust-prohibition-depression-alcohol-2410813-Dec2015/https://www.historyisnowmagazine.com/blog/tag/Michael%2BMalloyhttps://www.thesun.ie/news/15388679/michael-malloy-homeless-irishman-new-york-killed-fraud/https://www.truecrimeedition.com/post/mike-malloyhttps://en.wikipedia.org/wiki/Michael_Malloyhttps://www.iheart.com/podcast/105-stuff-you-missed-in-histor-21124503/episode/durable-mike-malloy-30207751/https://podcasts.happyscribe.com/criminal/episode-151-the-many-lives-of-michael-malloyhttps://youtu.be/5C8_kevcx20?is=G9iCEV79yWBPaJ1rhttps://youtu.be/LQJoyOI2Hl4?is=LVKRLG7prdLxiHyMhttps://youtu.be/Ma6TLsROYl0?is=ihdSKluncEo-KRicMusic Credit:1. CAN'T SLEEPMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/locran/cant-sleepLicense code: HAVIXRYL3KM0XULJ2. LIGHTLESS DAWNMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/kevin-macleod/lightless-dawnLicense code: PFYUGTZVDWOCBNLK3. SOLVING THE CRIME2021-09-06_-_Solving_The_Crime_-_David_Fesliyan.mp34. DARK FOGMysteriousSuspensefulMusic2018-11-03_-_Dark_Fog_-_David_Fesliyan.mp35. BRAVE NEW WORLDMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/simon-folwar/brave-new-worldLicense code: MPR458MAGBPGSAATConnect with us: killerhearttohearts@gmail.comFollow us on: Tik TokFollow us on: InstagramLike us on: FacebookFollow us on: Twitter

-The Wall Street Journal has found that the company is paying social media creators to post misleading content promoting the prediction market. -Norway is imposing a strict ban on the use of generative AI tools by elementary school kids. -Octopus Energy, the UK's largest energy provider, has teamed up with CATL, the world's biggest EV battery maker, to bring Chinese-style battery swap stations to Europe. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Happy Father's Day to all Guardians, Protectors, and teachers of their children.We explore our Gothic-Scythian-Germanic Arya past with Asha Logos' Our Subverted History series, episodes 8.1 and 8.2.  It is the true tale the demons controlling archaeology and academia have tried to ignore and downplay heavily since the end of WWII.  We will regain a better understanding of who we are, what our Noble Duty and Godly Purpose is here.  We were made for this. Go to My site, use code: BDAYGIRLhttps://SemperFryLLC.com and get the best hot sauce in the world.https://x.com/SemperFryLLCJoin Dr. Glidden's Membership site here:https://leavebigpharmabehind.com/?via=pgndhealth⁠Code: baalbusters for 25% OFFMake Dr. Glidden Your DoctorUse Code BB5 here for your 90 Essential Nutrients:https://www.azurestandard.com/shop/brand/azurewell/2326The Azure Whole Food Essential Nutrients are 1. Whole Food Multivitamin, 2. Alaskan Cod Liver Oil, 3. Fulvic-Humic Energy Blend, 4. IP6 Supreme. I also recommend adding the Core Copper.Use code BB5 for your discount.Be a Producer:https://GivesendGo.com/BaalBustershttps://buymeacoffee.com/BaalBustershttps://paypal.me/BaalBustersTo join the Patreon, use this link:https://www.patreon.com/c/KristosCastPodcast: https://www.spreaker.com/podcast/ba-al-busters-broadcast--5100262Become a supporter of this podcast: https://www.spreaker.com/podcast/ba-al-busters-broadcast--5100262/support.

So ... what's your In the Weights score? Check here. Also, many of those videos were reportedly filmed on “near-perfect copies” of the Polymarket website, while featuring trades and winnings that were not real. And Signal's Meredith Whittaker wants you to remember that AI chatbots ‘are not your friends.' These are not conscious beings. These are not sentient interlocutors. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We are reviewing the fallout from AEW Dynamite in Sugar Land, Texas; the massive 12-man tag team main event where Team MJF and the Don Callis Family defeated Team Briscoe, the heated face-to-face confrontation between Swerve Strickland and Will Ospreay ahead of the Owen Hart Cup Finals, Mercedes Moné advancing to the women's finals, and Brodido pulling off a huge upset against the Death Riders. Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/aavirall/gravityLicense code: FUEBS0UI2NFZPDE4 This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.allelitewrapup.com

Ti sei mai accorto che la teoria studiata sui libri spesso non corrisponde a come parlano gli italiani nella vita reale? Molti manuali e corsi tendono a semplificare troppo le regole grammaticali, creando enorme frustrazione quando ci si scontra con la lingua parlata e le sue "eccezioni".In questo episodio, io e Carolina smontiamo le 6 più grandi bufale sulla lingua italiana: dal terrore di usare il futuro dopo il "Se", al mistero del "Mi mangio una pizza", fino alla più grande bugia sul Congiuntivo. Scopriamo insieme come funziona davvero l'italiano vivo.00:00 intro02:06 Se non si usa con il futuro04:11 Non posso dire "sto avendo un problema"07:08 Il mistero di "mi mangio" e "mi bevo"12:50 Il passato remoto si usa con con le azioni lontane nel tempo18:57 Il congiuntivo si usa con il dubbio23:08 La preposizione "in" si usa con i Paesi

https://manuchevalier.com/YoutubeInstagram BioManu Chevalier is a multi-instrumentalist, performer, songwriter and producer fromMarseille, France with a wealth of knowledge and love for all kinds of music. His latestrelease, which features vocalist Lumina B, sits comfortably in the disco/pop/funk lane.Titled “I'm Alright,” the track is designed to get people dancing but the lyrics tell adeeper story.The track “I'm Alright” went through some transformations in its creative process andManu is proud of the final result. He was a student at a songwriting academy in Londonand naturally, was tasked with writing a song. Several mentors at this academy havemultiple accolades in the music world and they gave Manu direct feedback. However,some changes had to be made before the song was officially released.“Originally, the song sounded like ‘Levitating' by Dua Lipa. So I made several changesand adjustments, which was a multistep process.” he said.While Manu does sing on the demo version of the song, he knew he wanted a femalevocalist on the final version and he came across Lumina B who loved the song. Hervocals on the song enhance the uplifting atmosphere of the song and the multilayeredlyrics. .Manu Chevalier plays formerly both tenor and alto sax as well as the keyboard. Butironically, the saxophone heard on “I'm Alright” is a MIDI sax sounding keyboard thatManu plays for artistic or ethical reasons.Manu's musical background includes jazz and bossa nova and he is no stranger to thejoy that comes from performing music live.“I love communicating with the audience as I perform. I often left the stage and wouldwalk down the aisles, playing directly in front of the audience. I loved enjoying theirenergy, dancing and happiness.” he said.Manu's experience with playing with music live enhanced his love for doing surprisingthings with the audience. In addition to leaving the stage, he also enjoyed doing newarrangements and versions of songs or adding his own solo parts to covers his bandwas doing. With a musical ear that was trained from his older sisters showing him aplethora of music growing up, he grew to have an appreciation for all genres frommultiple decades.“From listening to all of these artists and genres, I began to form melodies in my ownhead. At that age, I didn't realize I was composing. I kept listening to more and moreartists and began to seek out artists on my own too.” he said.Manu's musical foundation led him to creating all kinds of tracks in his career rangingfrom tracks like the disco/pop/funk of “I'm Alright” to soul, R&B, jazz, reggae,bossanova.One of his biggest musical collaborations includes a remix that featured rapperAlonestar, who is Ed Sheeran's cousin, Snoop Dogg and uncredited (for legal reasons)vocals from Ed Sheeran himself. He also has worked with vocalists and songwriters likePaul Statham (Dido, Kylie Minogue), Morris Pleasure (Michael Jackson , Earth Windand Fire) who were also belonging to his mentors at the songwriting academy and alsosome songwriters/artists like Tamra Hayden.Manu has plans for the future like reworking and rereleasing some of his earlier trackslike “Get On The Dance Floor.” He will also release new music that will continue toshowcase a plethora of genres and elements that will get listeners up and ready to havea good time.“I'm Alright” by Manu Chevalier featuring Lumina B is available on streaming servicesand for download. It can be bought on Amazon and Apple Music from May 22nd, 2026.You can see more of Manu Chevalier's music by keeping up with him on theseplatforms.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Lauren and Josh sit down with Billy Parks, EVP and Head of Fox Creator Studios, to discuss their massive new creator partnerships.Then, we head to France with Ed Davidson, Chief Growth Officer at Cannes Lions, to explore how the festival is treating creators as serious business leaders.Plus, a breakdown of Fox's massive $22 billion proposed acquisition of Roku.00:00 Welcome to Creator Upload01:28 Interview: Billy Parks, Head of Fox Creator Studios02:50 Why Fox is Financing Creator IP07:58 The First Slate of Partnered Creators15:05 The Fox Competitive Advantage18:22 The Business Model: Splitting IP23:40 Interview: Ed Davidson, Cannes Lions25:40 Cannes Creator Beach and Secret Suppers30:05 How Brands are Going Deeper with Creators38:32 Fox's $22 Billion Proposal to Buy RokuCreator Upload is your creator economy podcast, hosted by Lauren Schnipper and Joshua Cohen.Follow Lauren: https://www.linkedin.com/in/schnipper/Follow Josh: https://www.linkedin.com/in/joshuajcohen/Original music by London Bridge: https://www.instagram.com/londonbridgemusic/Edited and produced by Adam Conner: https://www.linkedin.com/in/adamonbrand

What happens when you can transform yourself into any character, in any world, in real time, while streaming live? Dean Leitersdorf is the CEO and co-founder of Decart, an Israeli AI company that just cracked the code on real-time generative video. Within a week of launching at TwitchCon, Twitch streamers were making thousands of dollars per hour letting their audiences morph them into cartoon characters, fantasy worlds, and entirely new realities—live, on stream, for three dollars per hour of AI processing.Dean's insight: the next wave of AI doesn't just make video generation faster or cheaper. It makes it interactive. Creators can now edit themselves, their backgrounds, and entire environments on the fly during Zoom calls, live streams, or gaming sessions. Decart runs this at roughly 100x cheaper than competitors and is targeting another 100x cost reduction over the next year to reach YouTube-level pricing (cents per hour instead of dollars). That shift unlocks new markets—gaming mods, consumer filters, XR glasses, and eventually robotics training in photorealistic simulated worlds.News: Humans&, a 3-month-old AI lab founded by researchers from Anthropic, Google, and X AI, raises $480 million at a $4 billion valuation based almost entirely on founder pedigree. Xreal sues Viture for patent infringement in bird bath optics, echoing the very lawsuit Magic Leap filed against Xreal years ago—a cycle of irony layered with allegations of trade secret theft and China-based IP evasion. OpenAI discloses $20 billion in revenue but rumored $50–60 billion in annual operating expenses, raising questions about path to profitability. TikTok's US operations close under Oracle's stewardship, and a new vertical drama app called Pinedrama launches. ElevenLabs launches music generation, competing with Suno and Udio.Key Moments Timestamps:[00:20:30] Dean's background: Israeli tech ecosystem, the Technion, and building a team of 0.001 percenters[00:22:00] The real-time video demo: transforming Dean into a cartoon character, live, during the podcast[00:26:30] Decart's competitive advantage: 100x cheaper than competitors, targeting another 100x reduction[00:28:00] TwitchCon success: streamers making $2,000/hour letting audiences control real-time transformations[00:31:00] Exit strategy or go-it-alone: why Decart believes foundational model owners capture the market[00:40:00] XR and robotics use cases: world reshaping, robot training simulations, AR glasses at 6K/120fps[00:48:30] Culture and talent: renting 34 apartments next to the office so engineers live two minutes away[00:55:00] The secret sauce: synthetic data from game engines beats internet-scale scrapingDean explains why Snap Camera's 10-year-old integration into stadium kiss cams proves the market is ready for the next evolution, how world models will power the next generation of XR glasses, and why the bottleneck shifts from rendering to semantics—making sure a virtual car doesn't block a real-world foot. Decart is building the foundation. The ecosystem will sprout on top.This episode is brought to you by Zappar, creators of Mattercraft—the leading visual development environment for building immersive 3D web experiences for mobile headsets and desktop. Mattercraft combines the power of a game engine with the flexibility of the web, and now features an AI assistant that helps you design, code, and debug in real time, right in your browser. Build smarter at mattercraft.io.Listen to the full episode and subscribe to the AI XR Podcast for weekly conversations at the intersection of AI, XR, and the future of human-computer interaction. Hosted on Acast. See acast.com/privacy for more information.

Edward Saatchi has been building at the frontier of AI storytelling for a decade—from Oculus Story Studios to Fable (where his AI character Lucy made her own films at Sundance) to his current venture, Amazon-backed Showrunner. Edward's most audacious project proves the point: reconstructing Orson Welles' lost masterpiece, The Magnificent Ambersons (44 minutes destroyed by studio cuts in 1942), using motion-capture actors and AI to seamlessly restore what was erased. The irony is intentional—it's a film about technology destroying beauty, restored by technology. Edward's approach isn't text-to-video slop. It's human performance driving AI synthesis: hire stage actors, capture their performances, use the original cutting continuity as a blueprint, and let AI fill the gaps. The result is cinema-quality work that would cost $100 million traditionally but costs $10 million with AI assistance.In AI XR News This Week:Amazon announces 16,000 layoffs while ramping robotics—replacing humans with machines in warehouses. Amazon Go and Amazon Fresh stores close after years of investment; the self-checkout convenience experiment dies. Snap spins off Spectacles AR glasses into a separate business, signaling lack of cash or confidence. Apple and OpenAI both developing AI wearables to launch in 2027, powered by Gemini and Google AI. Google launches Project Genie, a generative AI model that creates fully interactive 3D game worlds you can navigate and remix in real time. Walkabout Mini Golf lays off half its staff. Atlas V, the acclaimed French VR studio behind Spheres and Battle Scar, pivots to location-based entertainment. Darren Aronofsky launches an AI animated series on YouTube called On This Day.Key Moments Timestamps:[00:05:00] Amazon's 16,000 layoffs paired with robotics expansion; the canary in the coal mine for white-collar work[00:06:00] Amazon Go/Fresh failure: humans reject automated futures when given the choice[00:07:14] Snap spinning off Spectacles; Ted's thesis on AR glasses remaining "exotic," not mainstream[00:10:00] Apple wearables running Gemini + Google AI; the winning formula for wearable AI domination[00:12:48] Walkabout Mini Golf layoffs and Atlas V's pivot; VR right-sizing continues[00:15:25] Google Genie: generative 3D worlds, playable and remixable in real time; Epic should be scared[00:19:11] Edward Saatchi joins: the state of AI video and why there's no marketplace after 4 years[00:22:00] Edward's concern: AI content is "derivative but worse" with no commercial value[00:28:00] The marketplace problem: no buyers, no revenue, no sustainability for creators[00:34:00] Ted's thesis: AI is quietly disrupting VFX and screenwriting behind the scenes[00:44:00] Critters: the proof-of-concept for AI-assisted theatrical animation ($10M vs. $100M traditionally)[00:49:00] Showrunner's business model: creators earn money every time someone remixes their show[00:52:00] The Magnificent Ambersons project: restoring Orson Welles' lost masterpiece with AIEdward makes a case that reads like a manifesto: AI's killer app isn't making derivative work faster or cheaper. It's remix, interactivity, and personalization at scale—letting audiences co-create with AI while creators get paid. His challenge to the industry: hold yourself to "derivative but better" (can you make a better Simpsons episode than the last 15 seasons?) or "original and good" (something from a non-human intelligence's perspective). Until creators band together to make features and TV shows with commercial value, AI video will remain stuck in the trough of disillusionment.This episode is brought to you by Zappar, creators of Mattercraft—the leading visual development environment for building immersive 3D web experiences for mobile headsets and desktop. Mattercraft combines the power of a game engine with the flexibility of the web, and now features an AI assistant that helps you design, code, and debug in real time, right in your browser. Build smarter at mattercraft.io. Hosted on Acast. See acast.com/privacy for more information.

Mrs. Frazzled (Arielle Fodor) did not set out to end a congressman's career. In this full bonus interview, the TikTok creator sits down with Brian Derrick and Glennis Meagher to walk through exactly how she and a coalition of independent creators surfaced the sexual misconduct allegations that ended Eric Swalwell's run for California governor and his time in Congress.In this bonus episode of Vibes Only, Brian Derrick and Glennis Meagher chat with Arielle about the parts of the scandal nobody posts, like… buying an umbrella insurance policy on her house as protection for her familytesting the Swalwell story on Threads before she ever made a videocalling CNN herself because she could not carry the reporting aloneAnd what it feels like to have an OPPO research binder written on you Also: why she is done with investigative content for good, how broken disclosure laws turn every creator into a suspected paid operative, and her advice for anyone trying to build real trust in political media right now.This is the full conversation behind Thursday's episode. If Vibes Only makes your week make sense, follow the show and leave a rating and review. It genuinely moves us up the charts and helps more people find the vibes. And the receipts.EPISODE LINKSArielle Fodor aka Mrs. Frazzled on TikTokCheyenne Hunt's Org "Reckoning Action"Meg Klink's Org "Pretty Informed Girls"OATH CANDIDATE OF THE WEEKSend us a text!Watch us on YoutubeFollow us on Instagram Oh, we're on TikTok tooFollow Brian on IG Follow Glennis on IG

You've booked your Disney resort and purchased your park tickets, but what does a Walt Disney World vacation really cost beyond the basics? In this episode, I'm breaking down the often-overlooked expenses that can impact your Disney World budget, including airport transportation, getting around Walt Disney World, food and snack costs, souvenirs, Memory Maker photos, Lightning Lane purchases, and more. Whether you're planning your first Disney World trip or looking to create a realistic Walt Disney World vacation budget, this episode will help you understand the true cost of a Disney vacation, avoid unexpected expenses, and make your Disney World trip planning easier.I hope you enjoyed today's show. I'd love to connect with you over on Instagram @mountains_of_magic or Facebook at Fantastical Vacations by Daniele. If you would like help in planning an upcoming Disney or Universal vacation, email me at danielerobbins@fantasticalvacations.com or fill out a quote form to get started planning the magic Get A Quote Want the latest travel deals and all my tips for Disney, Universal and Cruising?Join my email newsletter  Want to try fetch rewards and get free gift cards by scanning receipts? Use my code 8G48W to get 2000 points at sign up. FETCH REWARDSMy Website mountainsofmagic.square.siteMusic from Uppbeat (free for Creators!):https://uppbeat.io/t/andrey-rossi/bring-the-funLicense code: E9BZCTS1O3JRPERX This podcast is not sponsored or supported by Fetch Rewards. Views of the host are her own. 

The Future of School Is Here: Raising Creators in the Age of AI In this thought-provoking episode, Scarlett Lewis sits down with Andrew Freeman, founder of Coherence Education, an accredited online school for students ages 5–18 that is reimagining education for the AI era. Andrew believes that many traditional schools are still focused on preparing students for jobs and skills that artificial intelligence may soon replace. Instead, he advocates for a revolutionary approach called Inside-Out Education. This model is designed to help children discover who they are, develop emotional intelligence, cultivate creativity, and become confident creators of their own future. Andrew shares why he founded Coherence Education, how the school is empowering students to thrive in a rapidly changing world, and his ambitious vision to impact more than 2 million children by 2030 through a scalable licensing model. Listen now and discover how we can prepare the next generation not just to adapt to the future, but to create it. School Website - https://coherenceeducation.org Substack - https://insideout.coherenceeducation.org Learn more About Scarlett here: https://chooselovemovement.org/

What seems like a simple question about exclamation points opens up a much bigger discussion about the power of comics lettering. Brad and Dave talk about punctuation, word balloons, font choices, and the unique grammar of comics — and why cartoonists have tools that prose writers can only dream of. They also share thoughts on staying creative during major disruptions, from studio moves to home renovations. On today's show... Exclamation points in comics: how many is too many? Whether to use one, two, or three exclamation points Why comics grammar differs from prose grammar Using lettering, font size, bolding, and balloon shape instead of extra punctuation When punctuation becomes unnecessary in comics lettering Nate Piekos's The Essential Guide to Comic Book Lettering Question marks, exclamation points, and the interrobang How punctuation order can affect emotional meaning Writing dialogue for comics: numerals, abbreviations, and natural speech Jim Davis, Garfield, and simplifying comics language Meeting readers where they are through visual storytelling NCS Reuben Awards weekend in Columbus, Ohio Brad and Dave's panel: “Actionable Advice in a Time of Change” Remodeling, moving studios, and creative disruption Setting up a dedicated creative space during chaos Managing the cognitive load of unfinished studio/home projects Why working ahead matters before a move or remodel The danger of putting fun distractions in your studio The temptation of arcade cabinets, pool tables, and other creativity killers You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

The creators behind Gracie's Corner sat down with Madd Hatta — and this one hits different. The Hollingsworths built more than a kids' channel. They built a movement rooted in joy, representation, and education for Black families — and then landed a Disney deal to prove the industry was watching. We get into the intention behind the magic, the entrepreneurial leap it took to get there, and what it really means when Black creators build something the culture can't ignore. This is what purpose-driven creativity looks like in real time.

Cancer season begins with the Summer Solstice and brings our attention back to home, family, emotional foundations, and the things that truly nourish us. In this episode, we'll walk through the major astrological events of the month ahead, including planets moving into new signs, Mercury retrograde in Cancer, the Capricorn Full Moon, the Mars-Uranus conjunction, Jupiter's long-awaited move into Leo, and more. Join me as we explore the themes, opportunities, and turning points shaping this cardinal water season.Want to prepare for the New Moon in Cancer? Register here at Tending the Sacred.Subscribe on Substack: stefaniekateboucher.substack.comInterested in a reading? Schedule one here: https://stan.store/stefaniekateboucherMusic from #Uppbeat (free for Creators!): https://uppbeat.io/t/ra/serenity. License code: TKAOZTDSJ5OX7OYP Get full access to Astrology for Beginners at stefaniekateboucher.substack.com/subscribe

If you've been wondering why brand deals feel harder to land lately, you're not imagining it, but it's not because influencer marketing is dying. In this episode, Nina Zadeh from Sidewalker Daily breaks down how the creator economy has evolved, what brands are actually looking for today, and the biggest mistakes creators make when pitching themselves for sponsorship opportunities. You'll learn how to adapt your strategy, position your value, and continue securing paid partnerships even as the industry changes. Whether you're a content creator, influencer, UGC creator, or aspiring brand partner, this episode will help you understand where the opportunities are right now and how to stay competitive in today's creator economy.

Let's have an uncomfortable conversation.Why are so many gay men obsessed with straight men?Seriously.From childhood crushes to gym bros, coworkers, and social media creators who make a living selling the fantasy, the straight man allure has become a huge part of gay culture. But where does it come from? Why do so many people find themselves chasing men who were never available in the first place?In this episode, I'm talking about attraction, masculinity, validation, fantasy, and why I absolutely cannot stand the straight man content business model that's all over social media right now.Some of y'all might agree with me.Some of y'all definitely won't.Either way, let's banter.

Meghan Gerrity, Brand Leader for Neutrogena Sun at Kenvue, joins Amanda Ma, CEO and Founder of Innovate Marketing Group, for a conversation on how creators, consumers, and communities are reshaping modern brand marketing.Drawing from her experience across iconic brands including Neutrogena, Gerber, Tic Tac, Domino Sugar, and Dr. Praeger's, Meghan shares why authentic creator content is outperforming traditional advertising, how consumer-led innovation is changing brand strategy, and why community building has become a competitive advantage.In this episode:The rise of creator-led marketingWhy consumer co-creation drives brand growthThe power of micro and nano creatorsBuilding communities that fuel loyaltyWhat brands can learn from LoveShackFancy, Dunkin', EOS, Yeti, and moreA must-listen for marketers, brand leaders, and anyone looking to build stronger consumer connections.About the guest:Meghan's drive for brand excellence has shaped her career across some of the most recognizable CPG brands, contributing to the category dominance of icons such as Domino/C&H Sugar, Gerber, Neutrogena, Tic Tac, and Sabra Hummus. She has led high‑impact go-to-market as well as digital and social strategies that elevate brands to best‑in‑class status, building programs that span always‑on content, influencer marketing, paid media and consumer activations.  Her work ranges from crafting organic social ecosystems to developing full‑funnel digital campaigns for new product innovations to nationally televised events. Meghan has collaborated with partners across the spectrum—from niche micro‑influencers to household names like Martha Stewart—bringing brand stories to life with creativity, precision, and cultural relevance.  Passionate about the rapidly evolving digital landscape, Meghan stays at the forefront of emerging trends, platform innovations, and consumer behavior shifts. She thrives on testing new omnichannel tactics to deliver audience‑first experiences that strengthen brand affinity and drive measurable growth.  When she's not immersed in brand strategy or tuning into the latest marketing podcast, you'll likely find her thrifting for that elusive 1960s floral shift dress.Follow Meghan on LinkedIn! EventUp is brought to you by Innovate Marketing Group. An award-winning Corporate Event and Experiential Marketing Agency based in Los Angeles, California. Creating Nationwide Immersive Event Experiences to help brands connect with people. Learn more here!At Innovate Marketing Group, we've curated a collection of free resources designed to help you elevate your events and marketing efforts. Whether you're planning a company retreat or navigating the latest event trends, our tools, reports, and checklists are here to support your success and keep you at the forefront of innovation. Access them here!Follow us!Find us on ⁠⁠LinkedIn and Instagram and catch our latest episodes on the EventUp Podcast!

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Isaac Hayes III.

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Isaac Hayes III.