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Jean-René Lemoine’s reimagining of the classic tale of passion and revenge casts Medea as the ultimate outsider. This dramatic monologue – half witness statement, half incantation – takes us from ancient Greece to modern Europe and back again in a provocative, blood soaked collage of performance, opera and sexual confession. Melita Dennett spoke to the show's Director Neil Bartlett. Event Details: https://brightonfestival.org/event/13612/medea_written_in_rage/ To find out more about Brighton Festival see : http://brightonfestival.org To find out more about RadioReverb - the Broadcast Media Partner of Brighton Festival 2018 see : http://radioreverb.com #Brighton #Arts #Culture
The team are in soggy freezing Soho on Chinese New year discussing flags and wearing each other's pants. Interview with Writer and Director Neil Bartlett talking about the British Library acquiring his archive. Plus Lucio is in Parliament for the Equal Marriage vote, Gay athletes advised to keep it on the D-Lo in Sochi 2014, and all the GayStarNews.
Director Neil Bartlett discusses the wonderful extremes in Tchaikovsky's score, the differences between Pushkin's novel and Tchaikovsky's opera, the challenges of translating the libretto from Russian into English, the differences between working with opera singers and actors, his favourite musical moment, the look and feel of his production, the characters and why he loves opera.
Director Neil Bartlett discusses the wonderful extremes in Tchaikovsky's score.