Podcasts about tchaikovsky

It was announced months ago that the 5.30am News Briefing would be removed from Radio 4's early morning schedule due to budget constraints, but the changes didn't come into place until the beginning of last week. For some of those who include Radio 4 within their morning routines, the change has been a rude awakening. We hear your reactions to the replacement in this week's episode of Feedback.Since 2021, Add to Playlist has been taking listeners on a voyage of musical discovery through a never ending playlist, added to by the presenters and guests - and it might be the only place on Radio 4 where you can hear Tchaikovsky and Eminem in quick succession. Andrea Catherwood puts your comments about the most recent series to presenters Jeffrey Boakye, Anna Phoebe, and editor Tim Prosser.And we've had a number of different questions in the inbox this week that just need a simple answer from the BBC. We've got answers for you. Presenter: Andrea Catherwood Producer: Pauline Moore Assistant Producer: Rebecca Guthrie Executive Producer: David PrestA Whistledown Scotland production for BBC Radio 4

DescriptionCarnegie Hall: A Stage for Legends in 60 Seconds. Take a minute to get the scoop!Fun FactIn 1962, The Beatles were rejected by Decca Records, who claimed "guitar groups are on the way out." Two years later, they rocked Carnegie Hall in a sold-out show, proving just how wrong Decca was! Their performance was so wild that police had to hold back screaming fans.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Dans un contexte de hausse du nombre d'inscrits à France Travail, l'ex-Pôle Emploi innove pour accompagner ses bénéficiaires vers un retour à l'emploi. Dans « La Story », le podcast d'actualité des « Echos », Clara Grouzis est allé en reportage à Grenoble où le dispositif « L'art d'accéder à l'emploi » fait danser les demandeurs d'emploi.Retrouvez l'essentiel de l'actualité économique grâce à notre offre d'abonnement Access : abonnement.lesechos.fr/lastory« La Story » est un podcast des « Echos » présenté par Clara Grouzis. Cet épisode a été enregistré en mars 2025. Rédaction en chef : Clémence Lemaistre. Invités : Lucie Deniau et Isabelle Senet, Jacques-Alex Dorliat, (directeur adjoint régional de France Travail Auvergne-Rhônes-Alpes), Isabelle Raymond (directrice d'agence O2). Réalisation : Willy Ganne. Chargée de production et d'édition : Michèle Warnet. Musique : Théo Boulenger. Identité graphique : Upian. Photo : Ludovic MARIN/AFP. Sons : TF1, Tchaikovsky. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

What's up, dudes? Merry Christmas 2!! “Santa Claus: The Movie” is a fantastic origin story, made better by Henry Mancini's score and a killer song of Sheena Easton. Thus, Robert Nicholas from Behind the Bells joins me to really dig into a particular cue from the “Santa Claus: The Movie” score and dish about the Christmas carol medley of it all as well.First, we get into the nostalgic synths with "It's Christmas All Over the World". Played during the end credits, the mid-tempo song set the stage for the emotions of Christmas, washing over the audience like a warm blanket. Written originally with Freddie Mercury in mind, the song eventually was recorded by Sheena Easton. Likewise, the film also features a track by Aled Jones of "The Snowman" fame.Mancini purposely chose to score and arrange the orchestra as traditionally as possible. Subsequently, his score evoked a sense of wistfulness and comfort, harking back to days of yore. According to an interview with Randall D Larson for CinemaScore in 1987, Mancini stated:"One thing we had to satisfy was that you can't have picture about Christmas or Santa Claus and not touch on the traditional. I decided that it would be a good idea to get all of those numbers in one place, rather than spotting them here and there throughout the film. So on Santa's first flight I used them in a piece by itself, and it all worked out well because the montage was well conceived and it made sense. But from there on we went to original music.”Of course, the piece he was speaking of was "Christmas Rhapsody." The cue begins with a triumphant rendition of Deck the Halls before segueing into Joy to the World. A melodic and intimate version of Hark! The Herald Angels Sing follows, succeeded by The 12 Days of Christmas, God Rest Ye Merry, Gentlemen, and O Tannenbaum. Finally, the cue ends with majesty and serenity with The First Noel and Silent Night.Tchaikovsky-esque instrumentation? Check. Catchy Santa Claus theme? Got it. Synthesizer? Yes, but only if a pop star is singing! So grab your celesta, join the orchestra, and play along to this episode all about the “Santa Claus: The Movie” score and soundtrack!Behind the BellsFB: @BehindtheBellsIG: @behind_the_bells_podcastGive us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

Tchaikovsky is famous for all the wrong reasons. Portrayed as a hopeless romantic, a suffering melancholic, or a morbid obsessive, the Tchaikovsky we think we know is a shadow of the fascinating reality. It is all too easy to forget that he composed an empire's worth of music, and navigated the imperial Russian court to great advantage. In this iconoclastic biography, celebrated author Simon Morrison re-creates Tchaikovsky's complex world. His life and art were framed by Russian national ambition, and his work was the emanation of an imperial subject: kaleidoscopic, capacious, cosmopolitan, decentred. Morrison reexamines the relationship between Tchaikovsky's music, personal life, and politics; his support of Tsars Alexander II and III; and his engagement with the cultures of the imperial margins, in Ukraine, Poland, and the Caucasus. Tchaikovsky's Empire: A New Life of Russia's Greatest Composer (Yale UP, 2024) unsettles everything we thought we knew--and gives us a vivid new appreciation of Russia's most popular composer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Tchaikovsky is famous for all the wrong reasons. Portrayed as a hopeless romantic, a suffering melancholic, or a morbid obsessive, the Tchaikovsky we think we know is a shadow of the fascinating reality. It is all too easy to forget that he composed an empire's worth of music, and navigated the imperial Russian court to great advantage. In this iconoclastic biography, celebrated author Simon Morrison re-creates Tchaikovsky's complex world. His life and art were framed by Russian national ambition, and his work was the emanation of an imperial subject: kaleidoscopic, capacious, cosmopolitan, decentred. Morrison reexamines the relationship between Tchaikovsky's music, personal life, and politics; his support of Tsars Alexander II and III; and his engagement with the cultures of the imperial margins, in Ukraine, Poland, and the Caucasus. Tchaikovsky's Empire: A New Life of Russia's Greatest Composer (Yale UP, 2024) unsettles everything we thought we knew--and gives us a vivid new appreciation of Russia's most popular composer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Tchaikovsky is famous for all the wrong reasons. Portrayed as a hopeless romantic, a suffering melancholic, or a morbid obsessive, the Tchaikovsky we think we know is a shadow of the fascinating reality. It is all too easy to forget that he composed an empire's worth of music, and navigated the imperial Russian court to great advantage. In this iconoclastic biography, celebrated author Simon Morrison re-creates Tchaikovsky's complex world. His life and art were framed by Russian national ambition, and his work was the emanation of an imperial subject: kaleidoscopic, capacious, cosmopolitan, decentred. Morrison reexamines the relationship between Tchaikovsky's music, personal life, and politics; his support of Tsars Alexander II and III; and his engagement with the cultures of the imperial margins, in Ukraine, Poland, and the Caucasus. Tchaikovsky's Empire: A New Life of Russia's Greatest Composer (Yale UP, 2024) unsettles everything we thought we knew--and gives us a vivid new appreciation of Russia's most popular composer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Tchaikovsky is famous for all the wrong reasons. Portrayed as a hopeless romantic, a suffering melancholic, or a morbid obsessive, the Tchaikovsky we think we know is a shadow of the fascinating reality. It is all too easy to forget that he composed an empire's worth of music, and navigated the imperial Russian court to great advantage. In this iconoclastic biography, celebrated author Simon Morrison re-creates Tchaikovsky's complex world. His life and art were framed by Russian national ambition, and his work was the emanation of an imperial subject: kaleidoscopic, capacious, cosmopolitan, decentred. Morrison reexamines the relationship between Tchaikovsky's music, personal life, and politics; his support of Tsars Alexander II and III; and his engagement with the cultures of the imperial margins, in Ukraine, Poland, and the Caucasus. Tchaikovsky's Empire: A New Life of Russia's Greatest Composer (Yale UP, 2024) unsettles everything we thought we knew--and gives us a vivid new appreciation of Russia's most popular composer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Tchaikovsky is famous for all the wrong reasons. Portrayed as a hopeless romantic, a suffering melancholic, or a morbid obsessive, the Tchaikovsky we think we know is a shadow of the fascinating reality. It is all too easy to forget that he composed an empire's worth of music, and navigated the imperial Russian court to great advantage. In this iconoclastic biography, celebrated author Simon Morrison re-creates Tchaikovsky's complex world. His life and art were framed by Russian national ambition, and his work was the emanation of an imperial subject: kaleidoscopic, capacious, cosmopolitan, decentred. Morrison reexamines the relationship between Tchaikovsky's music, personal life, and politics; his support of Tsars Alexander II and III; and his engagement with the cultures of the imperial margins, in Ukraine, Poland, and the Caucasus. Tchaikovsky's Empire: A New Life of Russia's Greatest Composer (Yale UP, 2024) unsettles everything we thought we knew--and gives us a vivid new appreciation of Russia's most popular composer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

durée : 00:04:59 - Classic & Co - par : Anna Sigalevitch - Anna Sigalevitch nous parle de "La Belle au bois dormant" de Tchaikovsky dans la version de Rudolf Noureev… ce sera à partir de samedi prochain et jusqu'au 14 juillet à l'Opera Bastille.

Pyotr Ilyich Tchaikovsky wrote the music for the Nutcracker, the Romeo and Juliet Fantasy-Overture, Swan Lake, Sleeping Beauty, multiple symphonies, several operas, and more. He is among the most popular composers of the 19th century. But as usual he didn't do it alone. He and his friend Nadezhda von Meck had a 13-year correspondence of 1200 letters. They shared (almost) everything with each other, but they never actually … met. Still, Tchaikovsky credited Nadezhda for saving his bank account (many times over), and also his sanity, and even his life. It's safe to say that some of his most gorgeous music would never have been written without Nadezhda. Music for this episode includes licensed music from Pond5 and copyright-free music from Musopen.org. The pieces referenced include: The Nutcracker Suite Romeo and Juliet Fantasy Overture Sleeping Beauty Swan Lake 4th Symphony 6th Symphony Visit the website (herhalfofhistory.com) for sources, transcripts, and pictures. Support the show on my Patreon page for bonus episodes, polls, and a general feeling of self-satisfaction. Or make a one-time donation on Buy Me a Coffee. Join Into History for a community of ad-free history podcasts plus bonus content. Visit Evergreen Podcasts to listen to more great shows. Follow me on Threads or Instagram as Her Half of History. Learn more about your ad choices. Visit megaphone.fm/adchoices

DescriptionSwan Lake: Tchaikovsky's Enchanting Ballet of Love and Tragedy in 60 Seconds. Take a minute to get the scoop!Fun FactTchaikovsky's Swan Lake is a legendary ballet of love and tragedy, featuring an unforgettable score. Despite initial rejection, it became an enduring masterpiece. Its haunting melodies and dramatic storytelling capture the grace of ballet and the depths of human emotion, securing its place as a timeless classic.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

durée : 00:05:03 - Classic & Co - par : Anna Sigalevitch - Anna Sigalevitch nous parle d'“Eugène Onéguine” de Tchaikovsky, du 28 février au 6 mars à l'Opera de Nancy sous la direction de Marta Gardolinska dans une mise en scène de Julien Chavaz

The cool of the Arctic meets the warmth of Italy. The brooding, majestic themes of Sibelius' Fifth Symphony evoke the remote landscapes of conductor Santtu-Matias Rouvali's native Finland. Tchaikovsky transports listeners to a Roman carnival in his Capriccio Italien. Seong-Jin Cho, lauded for his “expert music-making … miraculous in its execution” (The New York Times), takes on Prokofiev's incendiary Second Piano Concerto. This program will also be performed at Wheaton College on Friday, February 28. Learn more: cso.org/performances/24-25/cso-classical/seong-jin-cho-plays-prokofiev/

"L'aveugle se trouva guéri, et il distinguait tout avec netteté" Méditation de l'évangile (Mc 8, 22-26) par la Pasteur Magali GirardChant Final : "Cherubical Hymn" par Tchaikovsky

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

In this episode, Dr. G and Naz Perez engage in a candid and wide-ranging conversation, exploring topics from hormonal health and gut issues to the emotional impact of community and movement therapy. They dive into the intersection of anxiety, the vagus nerve, and holistic well-being while also discussing the evolving entertainment industry, the role of AI, and personal experiences as a Latina in media. The conversation takes a metaphysical turn with discussions on alien activity, human evolution, and consciousness. Throughout, Dr. G and Naz share insights, personal growth stories, and thought-provoking perspectives, making for an enlightening and dynamic discussion. #wellness #spirtuality #podcast Naz Perez Instagram @NAZPEREZ === Thanks To Our Sponsors! Timeline Visit https://timelinenutrition.com/drg and use code DRG to get 10% off OurPlace Visit https://fromourplace.com and use code DRG to receive 10% off. Birch Click here https://birchliving.com/healthyself to get 20% off your Birch mattress plus two free pillows. === Show Notes: Discussion of hormone imbalances and estrogen dominance Exploration of gut health issues including SIBO and IMO The connection between anxiety, gut health, and the vagus nerve Importance of testing hormone levels in conventional medicine Using movement and dance as therapy Processing emotions through music (classical music for sadness, Tchaikovsky for anger) Impact of community on personal health and wellness Discussion of emotional repression (anger in women, sadness in men) Changes in the industry due to social media and AI Future of creative work and authenticity Movie recommendations Personal experiences as a Latina in entertainment Alien Activity in New Jersey The Cassiopean Experiment Human evolution speculation Discussion of consciousness and personal agency Be sure to like and subscribe to #HealThySelf Hosted by Doctor Christian Gonzalez N.D. Follow Doctor G on Instagram @doctor.gonzalez https://www.instagram.com/doctor.gonzalez/

In this episode, Dr. G and Naz Perez engage in a candid and wide-ranging conversation, exploring topics from hormonal health and gut issues to the emotional impact of community and movement therapy. They dive into the intersection of anxiety, the vagus nerve, and holistic well-being while also discussing the evolving entertainment industry, the role of AI, and personal experiences as a Latina in media. The conversation takes a metaphysical turn with discussions on alien activity, human evolution, and consciousness. Throughout, Dr. G and Naz share insights, personal growth stories, and thought-provoking perspectives, making for an enlightening and dynamic discussion. #wellness #spirtuality #podcast Naz Perez Instagram @NAZPEREZ === Thanks To Our Sponsors! Timeline Visit https://timelinenutrition.com/drg and use code DRG to get 10% off OurPlace Visit https://fromourplace.com and use code DRG to receive 10% off. Birch Click here https://birchliving.com/healthyself to get 20% off your Birch mattress plus two free pillows. === Show Notes: Discussion of hormone imbalances and estrogen dominance Exploration of gut health issues including SIBO and IMO The connection between anxiety, gut health, and the vagus nerve Importance of testing hormone levels in conventional medicine Using movement and dance as therapy Processing emotions through music (classical music for sadness, Tchaikovsky for anger) Impact of community on personal health and wellness Discussion of emotional repression (anger in women, sadness in men) Changes in the industry due to social media and AI Future of creative work and authenticity Movie recommendations Personal experiences as a Latina in entertainment Alien Activity in New Jersey The Cassiopean Experiment Human evolution speculation Discussion of consciousness and personal agency Be sure to like and subscribe to #HealThySelf Hosted by Doctor Christian Gonzalez N.D. Follow Doctor G on Instagram @doctor.gonzalez https://www.instagram.com/doctor.gonzalez/

Welcome to episode 31 of the Prodigies Music Lesson Show for Kids, where Mr. Michael teaches about how Valentines Day began, Guides kids through singing Skidamarink with Solfege and lyrics, and demonstrates LEGATO vs. Stacatto in the musical word wall. Happy Valentines Day!Music credits for this episode: L-O-V-E (Acoustic Cover) https://www.youtube.com/watch?v=szMDjXEEn4EQueensland Symphony: Edward Elgar - Enigma Variations, Op.36: IX. (Nimrod) https://www.youtube.com/watch?v=7iM5dymBBI4The Syncopated Clock (Leroy Anderson) https://www.youtube.com/watch?v=CrpdQngwk2g____________________

Inside Paul Vasterling's Sleeping Beauty with Nashville Ballet Music Director and Principal Conductor, Ming Luke. Listen as we discuss the collaboration between music and movement as intended by Petipa and Tchaikovsky. 

durée : 00:23:21 - Disques de légende du mercredi 12 février 2025 - En février 1980, l'Orchestre symphonique de la radio bavaroise joue le 1er concerto de Tchaikovsky avec Martha Argerich. Le succès est immense grâce à la pianiste, déjà star à même pas quarante ans...

Itamar Zorman is a sensational Israeli Classical Violinist. He's a Winner of the International Tchaikovsky Competition and the Borletti-Buitoni Award, and an Avery Fisher Grant. He's been called “a young badass”. He's performed with Symphony Orchestras worldwide with Conductors including Zubin Mehta and Michael Tilson-Thomas. His new project is called “Music Of the Spheres” together with the U.S. Space and Rocket Center.My featured song is called “Fire All Of Your Rockets”, an unreleased song. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------Connect with Itamar:www.itamarzorman.com__________________________ROBERT'S SINGLES:“LOVELY GIRLIE” is Robert's new single. It's a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Music Credits: Intro: "Zero Signal," Sean Kolton, MechWarrior 5 Mercenaries Personal 1: "The Reckoning," Sean Kolton, MechWarrior 5 Mercenaries RA: "Act 1: Pas de Trois: 1. Intrada," Tchaikovsky, Swan Lake Personal 2: "Island," Austin Wintory, The Pathless: Meditations Planning: "The Search (Remastered)," Frank Klepacki and the Tiberian Sons, Command and Conquer Remastered Collection Enemy Territory: "Iron Piston," Jeehun Hwang, MechWarrior 2 Definitive Soundtrack Infiltration: "Back Door," Jeehun Hwang, MechWarrior 2 Definitive Soundtrack Nobility: "Slow Burn," Duane Decker, MechWarrior 4 Vengeance Soundtrack Chaos: "Chaos (Remastered)," Frank Klepacki and the Tiberian Sons, Command and Conquer Remastered Comfort: "Truths, Two," Austin Wintory, The Pathless: Meditations Outro: "Tenacity, Two," Austin Wintory, The Pathless: Meditations

Con Teresa Cantalejo | En esta ocación vamos a escuchar cuatro arias de autores rusos. Dos nos cuentan historias de fantasía y otras dos son historias que suceden en Rusia. Una inventada, pero podía ser real, y otra histórica. Todas tienen en común que se alejan de la ópera italiana y tienen rasgos nacionalistas (aunque Tchaikovsky se aleja un poco de estas ideas). Unas melodías de gran belleza, muy influenciadas por el folklore ruso, basadas en algunos casos en obras de Pushkin, que nos invitan a dejar volar la imaginación.

Swan Lake by Tchaikovsky词汇提示1.pile 一堆2.scratching 挠3.priest 牧师4.chirp 吱吱叫原文Chapter 10: The WeddingDawn broke in the forest, but no birds sang.The castle was nothing but a pile of stones.The only sound was Odile crying over Zigfried's body."Oh Zigfried, my one true love!Why did you have to die?"At this, the Prince opened first one eye, then the other."You're alive! Oh, Zigfried!"She hugged the Prince and cried tears of happiness."I love you, Odile. I knew that my love was stronger than that sword. Nothing is more powerful than a person's heart. Tell me you will marry me, and I will love you forever.""Of course I will Zigfried. You have made my dreams come true. We were right to believe in love!"They left the old castle together on Zigfried's horse.When they came to the lake near the palace,they saw Ozlowe.He was not a statue anymore.He stood scratching his head.All of the wizard's spells had been broken when he died.The Prince was full of joy."Ozlowe!""Master Zigfried, I don't know what happened. I was standing here about to shoot a swan.""That will teach you never to kill anything. This is Princess Odile. She was the swan you tried to kill."Ozlowe was very confused."Prince Zigfried, I think I'd better go to bed. I don't feel very well."When the servants and the Queen heard about Zigfried and Odile's marriage, there was a big celebration.All the people in the land and the surrounding kingdoms were invited to the wedding.It took place at the edge of the lake, where Zigfried had first seen Odile.Odile wore a beautiful long wedding dress.Zigfried's mother walked towards them."Zigfried, I want you to know that what you did was right. Though I asked you to stay at the palace, you left fora better reason. You should always follow your heart, especially when it is full of love. You father would be very proud of you. "Zigfried's mother was so happy she had tears in her eyes.The Prince took Odile's hands.They stood together in front of the lake.The Queen put the King's crown on Zigfried's head.The priest spoke to the new King and Queen."Marriage is a wonderful thing.And what makes this marriage special is that the love you have for each other will affect everyone in this land.Through your happiness, we will become happy.Through your love for each other, we will love each other. Is this what you want?Is your love strong enough to lead a land of people who need joy in their lives?"Odile spoke first."It is.""Of course, it is! ""Then by the power that is given to me by God, I pronounce you husband and wife."At that moment a joyful chirp was heard and a little bird flew from a rose bush and sat on Odile's hand."Patrice, my little friend! You're back!"Then Odile turned to Zigfried and said:"You see my beloved King, love is stronger than anything in this world. When you love somebody or something you never lose them."Zigfried looked lovingly into his bride's eyes, they kissed and everybody cheered.翻译第十章：婚礼森林里天亮了，但没有鸟儿歌唱。那座城堡只不过是一堆石头。唯一的声音是奥迪尔在齐格弗里德的尸体上哭泣。“哦，齐格弗里德，我唯一的真爱！”你为什么要死？”听到这里，王子先睁开了一只眼睛，然后又睁开了另一只。“你还活着!哦,齐格弗里德!”她拥抱着王子，流下了幸福的眼泪。“我爱你，奥迪尔。我知道我的爱比那把剑更强大。没有什么比一个人的心更强大。告诉我你会嫁给我，我会永远爱你。”“我当然会去的。你让我的梦想成真。我们相信爱情是对的！”他们一起骑着齐格弗里德的马离开了古老的城堡。当他们来到宫殿附近的湖边时，他们看到了奥兹洛。他不再是一座雕像了。他站在那里挠着头。巫师死的时候，所有的咒语都被打破了。王子满心欢喜。“奥兹洛!”“齐格弗里德少爷，我不知道发生了什么事。我正站在这里准备射一只天鹅。”“这将教会你永远不要杀死任何东西。这是奥迪尔公主。她就是你想杀死的那只天鹅。”奥兹洛非常困惑。“齐格弗里德王子，我想我最好去睡觉了。我觉得不太舒服。”当仆人和王后听说齐格弗里德和奥迪尔结婚的消息时，举行了一场盛大的庆祝活动。所有的人都被邀请来参加婚礼。事情发生在湖边，就是齐格弗里德第一次见到奥迪尔的地方。奥迪尔穿着一件漂亮的长长的结婚礼服。齐格弗里德的妈妈朝他们走来。“齐格弗里德，我想让你知道你做的是对的。虽然我让你留在宫里，但你有更好的理由离开了。你应该永远跟随自己的心，尤其是当它充满爱的时候。你父亲会为你感到骄傲的。”齐格弗里德的妈妈高兴得热泪盈眶。王子握住奥迪尔的手。他们一起站在湖边。王后把国王的王冠戴在了齐格弗里德的头上。牧师对新国王和王后讲话。“婚姻是一件美妙的事情。这段婚姻的特别之处在于你们对彼此的爱将影响这片土地上的每一个人。通过你的幸福，我们也会变得幸福。通过你对彼此的爱，我们会彼此相爱。这是你想要的吗？你的爱是否强大到足以引领这片需要快乐生活的土地？”奥迪尔先说话了。“这是。”“当然了！”“那么，以上帝赋予我的权力，我宣布你们结为夫妻。”就在这时，听到一阵欢快的啁啾声，一只小鸟从玫瑰花丛中飞出来，落在奥迪尔的手上。“帕特里斯，我的小朋友！你回来了!”然后奥迪尔转向齐格弗里德说：“你看，我亲爱的国王，爱比世界上任何东西都强大。当你爱某人或某物时，你永远不会失去他们。”齐格弗里德深情地望着新娘的眼睛，他们亲吻了一下，大家都欢呼起来。

Celebramos el centenario (dos días adelantado) del nacimiento de Paul Newman. Un actor que se vistió de romano y de jugador de billar y de bombero y de timador y de comedor de huevos duros. Con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo repasamos la carrera del que era el actor del método por definición y un actor con mucho sentido del humor. Además, comentamos las nominaciones a los premios Oscar; ¿se votará a alguna película para castigar Trump? ¿Echamos de menos alguna candidatura? ¿Hay alguna interpretación poco valorada? Por último, recomendamos la segunda temporada de 'La Separación' y el espectáculo Eugenio Oneguin, una obra maestra de Tchaikovsky, en el Teatro Real de Madrid. 

Celebramos el centenario (dos días adelantado) del nacimiento de Paul Newman. Un actor que se vistió de romano y de jugador de billar y de bombero y de timador y de comedor de huevos duros. Con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo repasamos la carrera del que era el actor del método por definición y un actor con mucho sentido del humor. Además, comentamos las nominaciones a los premios Oscar; ¿se votará a alguna película para castigar Trump? ¿Echamos de menos alguna candidatura? ¿Hay alguna interpretación poco valorada? Por último, recomendamos la segunda temporada de 'La Separación' y el espectáculo Eugenio Oneguin, una obra maestra de Tchaikovsky, en el Teatro Real de Madrid. 

Realmente sentimos, o es el coro detrás de nuestras vidas, el soundtrack el que está sintiendo y dándole significado a las mismas.

In this interview with Tom Morris, a veteran of orchestra management whose career included leadership roles with the Boston Symphony and the Cleveland Orchestra, conductor Devin Patrick Hughes provides a comprehensive look at the inner workings of orchestral institutions, the evolution of their management, and the crucial role of music in their success. Morris's journey from a percussionist to a top-level administrator offers a unique perspective, and his reflections provide valuable lessons for anyone interested in the performing arts. One of the most compelling aspects of the interview is Morris's discussion of how his musical background shaped his management philosophy. He emphasizes his deep understanding of musicians' lives, having experienced firsthand the challenges and demands of performing in an orchestra. This empathy enabled him to build trust with musicians and approach labor negotiations with a unique perspective. Morris's belief that "ultimately these institutions are about the music" underscores the importance of passion and artistic integrity in organizational leadership. The episode also explores the historical evolution of orchestra management, particularly the Boston Symphony Orchestra. Morris recounts how, before the 1970s, the orchestra relied on simple postcards for subscription renewals. He explains that over the seventies and eighties, the percentage of the budget earned from ticket sales gradually fell. This shift necessitated the development of marketing and fundraising departments, leading to a significant increase in administrative staff.  Morris shares fascinating insights about the Boston Pops, emphasizing that it was founded in 1885, before Arthur Fiedler became its 17th conductor in 1929. The Boston Symphony created the Pops to provide more employment for musicians and to perform lighter music for a broader audience. He discusses how the Boston Symphony transformed Symphony Hall into a "beer hall" to accommodate a more informal setting for the Pops concerts. He explains that in the early days the Pops sold blocks of tickets to community groups and did not have to focus on individual ticket sales. He also recounts how the popularity of Arthur Fiedler was enhanced even further by the "Evening at Pops" television series. Morris details the process of selecting John Williams as Fiedler's successor, explaining that Williams was chosen for his musical integrity and knowledge of the symphony orchestra. Furthermore, the interview addresses the crucial dynamic between management, the music director, and the board of directors, which Morris refers to as the "Bermuda Triangle.” Morris suggests that this structure can function perfectly if the right people are in those roles and are bound by a common vision. He also emphasizes that having a collaborative culture is essential, but that collaborative decision-making should be avoided. Morris stresses the importance of clear lines of authority and not settling for "good enough" when hiring. He also shares that when hiring he uses Jim Collins' three C's: competence, character, and chemistry. These points underscore the need for strong leadership and a shared vision in any successful organization. Morris also touches on the importance of thoughtful programming. He humorously mentions his collection of "dumb programs" and emphasizes the importance of carefully considering the combination of pieces in a concert. He contrasts examples of bad programming with one of his favorites, a concert he organized with Christoph von Dohnányi, which combined pieces by Ligeti, Wagner, and Bruckner. This conversation highlights that thoughtful artistic direction is an essential element in the success of an orchestra. Thank you for joining us on One Symphony. Special thanks to Thomas Morris for sharing his life and leadership. You can pick up a copy of Always the Music: How a Lifelong Passion Framed a Future for Orchestras wherever you get your books. For a list of recordings played on today's episode, please check out our show notes. You can always find more info at OneSymphony.podbean.com or DevinPatrickHughes.com, including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the podcast! Until next time, thank you for being part of the music. https://www.alwaysthemusic.com Featured Music All music selections for this episode feature the Boston Pops.  Tchaikovsky's Serenade for Strings in C Major, Op. 48: Waltz. Conducted by Arthur Fiedler, from the album Fiedler: Greatest Hits.  L'Arlésienne Suite No. 2: Farandole. Composed by Georges Bizet. Conducted by Arthur Fielder, from the album Fiedler: Greatest Hits. “Manhattan Skyline.” From the album Disco Inferno / Manhattan Skyline. Conducted by Arthur Fiedler.  “I Got Rhythm, Embraceable You.” From the album Boston Pops Salutes Astaire, Kelly, Garland. Composed by George and Ira Gershwin. Conducted by John Williams.  “Flying Theme” from E. T. Composed by John Williams. Performed live by John Williams conducting the Boston Pops in 2002.  “America Medley: America.” From the album Salute to America. Composed by Leonard Bernstein. Lyrics by Stephen Sondheim. Conducted by John Williams.  “None But The Lonely Heart.” From the album Pops a la Russe. Composed by Pyotr Ilyich Tchaikovsky. Conducted by John Williams.  The Snow Maiden - Suite - Danse des Bouffons. Composed by Nikolai Rimsky-Korsakov. From the album Pops a la Russe. Conducted by John Williams.  Holst: The Planets, op.32: 3. Mercury, The Winged Messenger. From the album Boston Pops Orchestra: John Williams. Conducted by John Williams. Overture from The Merry Wives of Windsor. From the album Fiedler: Greatest Hits. Conducted by Arthur Fiedler.  “Pizzicato Polka.” From the album 100 Fiedler Favorites. Conducted by Arthur Fiedler.  “Funeral March of a Marionette.” From the album 100 Fiedler Favorites. Conducted by Arthur Fiedler.  

Swan Lake by Tchaikovsky词汇提示1.weeping 哭泣2.triumphantly 得意洋洋地3.stab 刺原文Chapter 9: The FireRocford, Odet and Odile flew onto the tower of the castle.They changed back into people.Odile was weeping loudly.The wizard just laughed his evil laugh and said: "Odile, now I know how to get you to marry me. If you don't, I will kill the Prince, and you will watch him die.""Father, you do not have to kill Zigfried. He has already promised to marry me. He cannot break such a promise.""Neither of you has a heart. How can you ever expect to be happy if you know that someone does not love you? But you will see. Love is stronger than spells. You will never succeed in getting what you want."At this,they saw Zigfried coming towards the castle on his horse."We shall see which is stronger, love or hate!"The wizard made a wall of fire appear in front of Zigfried.Zigfried could only think of Odile.He rode right through the fire without getting hurt.Odile said triumphantly: "You see.I am right."As she ran from the wizard, he tried to block her way by making the doors close in front of her.But Odile just ran faster and escaped through each one.The Prince saw Odile on the steps going up to the tower.He took her in his arms."Odile, I will never let you leave me again. Say that you will stay with me forever.""I will, I will! I love you Zigfried!"The wizard appeared at the top of the steps.Odet was behind him."You will not escape death this time, Zigfried."The Prince took out his sword.Odile tried to stop him."Do not fight him, Zigfried. If he kills you, I will lose everyone I've ever loved.""You are right Odile. Zigfried is only a boy. He is no match for me. Now, come back to your room, and let this little boy go home to his mother.""Rocford, your words will not discourage me. I would kill you now, but I will give you one last chance to live. Let us leave in peace and never come near Odile again.""You really are a little boy if you think that you can harm me."Rocford raised his hand, and Odile flew through the air to where Odet stood.Zigfried ran at Rocford and tried to stab him with his sword.Rocford put his hand up.The sword touched it and turned into water.Without a sword, Zigfried attacked the wizard.Rocford threw Zigfried down the steps.He picked up a stick and turned it into a sword.He pointed it at Zigfried's heart as he lay on the ground."Rocford! Don't!""Say you will marry me Odile, and I will let him live. ""Don't do it Odile! Don't make yourself more unhappy just for me!"The wizard prodded Zigfried with the sword."And you have promised to marry me, Zigfried. You said you would always love me.""I said that because I thought you were Odile. I would never marry you. I would rather die."Zigfried took the wizard's sword and pushed it deep into his own heart."Zigfried, no!"Something strange began to happen.The castle began to shake.Large stones fell from the ceiling, and Rocford and Odet were killed.Odile ran to Zigfried.She took the sword out of his heart and pulled his body out of the castle, before it fell to the ground.翻译第九章：火罗福德、奥德和奥迪尔飞上了城堡的塔楼。他们变回了人。奥迪尔大声地哭着。巫师只是邪恶地笑了笑，说：“奥迪尔，现在我知道怎么让你嫁给我了。如果你不这样做，我就杀了王子，你就看着他死去。”“爸爸，你不必杀齐格弗里德。他已经答应娶我了。他不能违背这样的诺言。”“你们两个都没有心。如果你知道有人不爱你，你怎么能期望幸福呢？但你会看到的。爱比咒语更强大。你永远也得不到你想要的东西。”这时，他们看见齐格弗里德骑着马向城堡走来。“让我们看看爱和恨哪个更强大吧！”巫师让一道火墙出现在齐格弗里德面前。齐格弗里德只能想到奥迪勒。他骑马穿过火堆，没有受伤。奥迪尔得意地说：“你看。我是对的。”当她从巫师身边跑开的时候，他试图挡住她的去路，把门关上了。但奥迪尔跑得更快，从每一个洞里逃了出来。王子看见奥迪尔站在台阶上向塔走去。他把她抱在怀里。“奥迪尔，我再也不会让你离开我了。说你会永远和我在一起。”“我会的，我会的！”我爱你，齐格弗里德!”男巫出现在台阶顶上。奥德在他后面。“你这次逃不掉死亡了，齐格弗里德。”王子拿出了他的剑。奥迪尔试图阻止他。“别跟他打，齐格弗里德。如果他杀了你，我就会失去所有我爱过的人。”“你说得对，奥迪尔。齐格弗里德只是个孩子。他不是我的对手。现在，回你的房间去吧，让这个小男孩回家找他妈妈。”“罗福德，你的话不会使我气馁。我现在就会杀了你，但我会给你最后一次活命的机会。让我们平平安安地走吧，永远不要再靠近奥迪尔。”“如果你认为你能伤害我，那你真是个小男孩。”罗福德举起了手，奥迪尔就从空中飞到了奥德站着的地方。齐格弗里德跑向罗福德，试图用剑刺他。罗福德举起手来。剑碰到它就变成了水。没有剑的齐格弗里德攻击了巫师。罗福德把齐格弗里德扔下了台阶。他捡起一根棍子，把它变成了一把剑。他把枪对准躺在地上的齐格弗里德的心脏。“罗福德!不!”“说你愿意嫁给我，奥迪尔，我会让他活下去。”“别这样，奥迪尔！”不要因为我而让自己更不开心！”巫师用剑捅了刺齐格弗里德。“你答应过要嫁给我的，齐格弗里德。你说过你会永远爱我。”“我这么说是因为我以为你是奥迪尔。我永远不会嫁给你。我宁愿去死。”齐格弗里德拿起巫师的剑，深深刺进自己的心脏。“齐格弗里德,没有!”奇怪的事情开始发生了。城堡开始摇晃。巨大的石头从天花板上掉了下来，罗克福德和奥德死了。奥迪尔跑向齐格弗里德。她从他的心脏里取出剑，把他的身体拉出了城堡，还没等他倒在地上。

Marina Frolova-Walker's recommendation for Tchaikovsky's Romeo & Juliet Fantasy Overture.

Petipa works with the famed composer to establish the music for the famed holiday ballet.

Swan Lake by Tchaikovsky词汇提示1.bars 栅栏2.chirped 鸣叫原文Chapter 8: The Prince Chases the PrincessWhen Odile saw Odet dancing with Zigfried,she ran to the palace entrance.The guards stopped her."Who are you?""My name is Princess Odile. The Prince is expecting me.""No. Princess Odile has already entered. You must be lying.""Please, you must believe me. That is not Princess Odile. She is lying."But the guards wouldn't believe her.She ran back to the window and knocked hard on it.Everyone turned to look at her.The Prince could not believe what he saw -two Odiles.He looked at Odet."What is going on?""I don't know. The evil wizard must have changed someone to look like me."Odile kept knocking on the window.She was crying.Zigfried could now see that she had the same eyes as the swan.Rocford flew down next to Odile as the owl.He held her in both arms."Did you think you could escape from me?"The Prince ran from the ballroom.He saw Odile fighting with the wizard."Take your hands off her,Rocford."Rocford let go of Odile's arms."I should have killed you that day at the lake. But I will be happy to do it now."The wizard lifted up his hand. Odile stopped him."Wait! Don't do it. I'll go with you. I'll do what you want. Just don't hurt him.""Odile, what are you saying? Don't leave me again!"She could not look at him, because if she did, she would not want to leave."I'm doing this for us. If you die, I will die with you. It is better for us to live and hope to be together one day."Odet ran out of the palace.She still looked like Odile."Who is this, then?""It is Odet, the wizard's evil daughter.She only looks like me. Look into her eyes and you will know.""I knew it."Odet also had magical powers.She changed herself back to her real body."It is too late Zigfried. You promised to marry me and love me forever. If you do not keep this promise, you will never be able to keep another."Odet changed herself into a bird.The wizard was an owl and Odile was a swan.They flew together away from the palace,back to Rocford's castle.The Queen and many others came out of the palace to see what had happened.Zigfried went after Odile."Guards, bring me my horse.""Zigfried, where are you going?Where is the Princess?""She has gone away, Mother, and I must find her."The guards brought the prince a beautiful white horse, and gave him his sword."Do you want us to call the men,Your Highness?""No, this is something I must do alone.""Zigfried, do not leave the palace alone. If something happens to you, we will be without a king. It is your duty to stay with me!""Mother, being a King means nothing if you are not with the woman you love. I would rather die than leave Odile with that evil wizard."The Prince spurred his horse on and rode quickly towards the dark forest.翻译第八章：王子追公主当奥迪尔看到奥德和齐格弗里德跳舞时，她跑到宫殿门口。卫兵拦住了她。“你是谁？”“我的名字是奥迪尔公主。王子在等我呢。”“没有。奥迪尔公主已经进来了。你一定是在说谎。”“请你一定要相信我。那不是奥迪尔公主。她在说谎。”但是守卫们不相信她。她跑回窗前，使劲敲门。大家都转过身来看着她。王子简直不敢相信他所看到的——两个奥迪尔。他看着奥德。“发生了什么事？”“我不知道。一定是那个邪恶的巫师把一个人变成了我。”奥迪尔不停地敲窗户。她在哭。齐格弗里德现在可以看出她的眼睛和天鹅的眼睛是一样的。罗福德扮成猫头鹰，飞到奥迪尔旁边。他把她抱在怀里。“你以为你能从我手里逃脱吗？”王子从舞厅里跑了出来。他看见奥迪尔和巫师在打架。“把你的手从她身上拿开，罗福德。”罗福德放开了奥迪尔的手臂。“那天在湖边我应该杀了你。但我现在很乐意这么做。”巫师举起了手。奥迪尔阻止了他。“等等!不要这样做。我和你一起去。我会照你说的做。别伤害他就行了。”“奥德勒，你在说什么？”别再离开我了！”她不能看他，因为如果她看他，她就不想离开了。“我这么做是为了我们。如果你死了，我会和你一起死。我们最好活着，希望有一天能在一起。”奥德跑出了宫殿。她看起来仍然像奥迪尔。“那么，这是谁呢？”“是奥德，巫师的邪恶女儿。她只是长得像我而已。看看她的眼睛，你就知道了。”“我就知道。”奥德也有魔力。她变回了原来的样子。“太迟了，齐格弗里德。你答应过要嫁给我，永远爱我。如果你不遵守这个承诺，你将永远无法遵守另一个承诺。”奥德把自己变成了一只鸟。巫师是一只猫头鹰，而奥迪尔是一只天鹅。他们一起飞离了宫殿，回到了罗福德的城堡。王后和其他许多人从宫殿里出来看看发生了什么事。齐格弗里德去追奥迪尔。“卫兵，把我的马牵过来。”“齐格弗里德，你去哪儿？”公主在哪里？”“她走了，妈妈，我必须找到她。”卫兵们给王子带来了一匹漂亮的白马，并给了他一把剑。“您要我们叫人来吗，殿下？”“不，这件事我必须一个人去做。”“齐格弗里德，不要一个人离开宫殿。如果你出了事，我们就没有国王了。陪在我身边是你的责任！”“妈妈，如果你没有和你爱的女人在一起，当国王就毫无意义。我宁死也不愿把奥迪尔留给那个邪恶的巫师。”王子策马疾驰，向黑暗的森林奔去。

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

Get a 4-week trial, free postage, and a digital scale at https://www.stamps.com/nostalgia. Thanks to Stamps.com for sponsoring the show! Big surprise the Nostalgia Critic didn't grow up watching this one, but after years of people asking around Christmas, he's finally giving his thoughts on Barbie's first DVD adventure, Barbie in the Nutcracker. Barbie in the Nutcracker is a 2001 animated fantasy film co-produced by Mainframe Entertainment and Mattel Entertainment, and distributed by Artisan Home Entertainment. Loosely adapted from E. T. A. Hoffmann's 1816 short story, "The Nutcracker and the Mouse King", and featuring music based from Tchaikovsky's 1892 ballet, The Nutcracker, it marked the character's first film since the 1987 television specials; Barbie and the Rockers: Out of This World and Barbie and the Sensations: Rockin' Back to Earth, with Kelly Sheridan providing the voice of Barbie. It was also the first Barbie movie to be computer-animated. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Sugar Plum Fairy is sneaking around in Tchaikovsky's Nutcracker with the help of celeste bells and staccato chords, but it all works fine to play on a piano too after the composer's own arrangement. With pianist Henrik Kilhamn. Video: https://youtu.be/X-J7eP-RLMM

We welcome a multi-Juno award-winning producer and CEO Chris SD.. In addition to his production work, where he first found success, he is the founder of Sundown Sessions Studios. Additionally, he is the founder and CEO of one of the most successful independent music business education platforms, SyncSongwriter. Chris and his team have opened their knowledge base on the sync licensing world for artists and producers looking to work smarter in this ever-evolving space. These courses have led participants to generate millions in sync revenue, and most recently, five songs from two Sync Songwriter alumni artists were featured in the Cannes Palme d'Or winning film Anora.  Growing up in Canada, Chris SD was immersed in his parents' eclectic record collection, filled with artists like The Beatles, Bob Dylan, Cat Stevens, and Tchaikovsky. His real passion for music sparked during a family trip when he stumbled upon his uncle'selectric guitar and played the only song he knew, “Wild Thing,” repeatedly. This marked the beginning of his journey in music. Join us as we discuss memories of recording with the greats like Kris Kristofferson, working with and meeting your musical heroes, why some Canadian hit-makers don't breakthrough in America and more. _______ This episode is brought to you by Magic Mind. Magic Mind is a “mental performance shot”, an addition to your daily routine, that gets you focused, mentally clear, motivated, and productive while reducing stress, with mushroom nootropics and adaptogens plus over 100% of your daily vitamin C and D per bottle! It is 100% Safe- all ingredients are third-party tested, sourced from the best suppliers You have a limited offer you can use now, that gets you up to 48% off your first subscription or 20% off one time purchases with code JRODCONCERTS20 at checkout You can claim it at: https://www.magicmind.com/JRODCONCERTS20 Learn more about your ad choices. Visit megaphone.fm/adchoices

Chaos has gripped Citadel Advent! Some strange intruder has frozen the hearts of King Kringle's reindeer, and disappeared with the jolly old man, jeopardizing the Midwinter celebrations. Can our heroes find King Kringle, stop the saboteur, and save Midwinter?  This adventure was played using the Unlimited Dungeons community hack for Dungeon World. • • • Patreon: patreon.com/improvtabletop Twitter / Instagram / Facebook / TikTok: @ImprovTabletop Email: ImprovTabletop@gmail.com Donations: ko-fi.com/improvtabletop • • • Audio Credits Dance of the Sugar Plum Fairy by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100270 Artist: http://incompetech.com/ “Russian Dance” from Tchaikovsky's Nutcracker Suite is a public domain work. The recording included in this episode was recorded by Lud and Schlatts Musical Emporium to be released under the Creative Commons ► Attribution 3.0 Unported ► CC BY 3.0 license. The following songs are used courtesy of the YouTube Audio Library License. “Silent Night (Instrumental Jazz)” by E's Jammy Jams “Carol of the Bells” by Audionautix “Waltz of the Flowers” by Tchaikovsky “O Christmas Tree” by Jingle Punks The following songs are from tabletopaudio.com. All of the 10 minute ambiences on this site are licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (https://creativecommons.org/licenses/by-nc-nd/4.0/). “Arcane Athenaeum”  

Bassoonist Amy Harman, cellist Francesca Ter-Berg and baritone and composer Roderick Williams get in the festive spirit as they create a dynamic playlist of five classic seasonal tracks. In this Add to Playlist winter special, Anna Phoebe and Jeffrey Boakye are going to take us from a solitary chorister to a massive Christmas singalong banger, so sleigh bells at the ready...Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Once In Royal David's City by The Choir of King's College, Cambridge Drei Dreidel by Moishe Oysher Dance of the Sugar Plum Fairy by Pyotr Ilyich Tchaikovsky All I Want for Christmas is You by Mariah Carey The Christmas Song by Nat King ColeOther music in this episode:Here Comes Santa Claus by Bob Dylan Hanukkah Dance by Woody Guthrie Hedwig's Theme from Harry Potter by John Williams March by Tchaikovsky from The Nutcracker Trepak - the Russian Dance - by Tchaikovsky from The Nutcracker Sugar Rum Cherry by Duke Ellington and His Orchestra Dance of the Sugar Plum Fairy by Mendel Boas Festas by Simone Sugar Plum Fairy Introlude by Mariah Carey

Welcome to episode 30 of the Prodigies Music Lesson Show for Kids, where Mr. Michael teaches Carol of the Bells in solfege, Guides kids through each part of the song with its scales, and demonstrates BASS in the musical word wall. Merry Christmas!____________________

This week on The Learning Curve, co-hosts U-Arkansas Prof. Albert Cheng and Dr. Jocelyn Chadwick interview distinguished British television journalist, author, and Classic FM presenter, John Suchet, OBE. Mr. Suchet explores the life and legacy of Pyotr Tchaikovsky, one of Russia’s greatest composers. He shares insights into Tchaikovsky's upbringing, his late start in composing, and […]

Let's celebrate the holidays with a little Christmas-themed fantasy adventure, shall we? A trio of friends decide to visit the workshop of the great dwarven artificer King Kringle, but it seems a fuzzy, green interloper has plans to put a damper on the Sword Coast's Midwinter celebration plans! This adventure was played using the Unlimited Dungeons community hack for Dungeon World. • • • Patreon: patreon.com/improvtabletop Twitter / Instagram / Facebook / TikTok: @ImprovTabletop Email: ImprovTabletop@gmail.com Donations: ko-fi.com/improvtabletop • • • Audio Credits Dance of the Sugar Plum Fairy by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100270 Artist: http://incompetech.com/ The following songs are used courtesy of the YouTube Audio Library License. “Waltz of the Flowers” by Tchaikovsky “Jingle Bells (Instrumental Jazz)” by E's Jammy Jams The following songs are from tabletopaudio.com. All of the 10 minute ambiences on this site are licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (https://creativecommons.org/licenses/by-nc-nd/4.0/). “Arcane Athenaeum” “Russian Dance” from Tchaikovsky's Nutcracker Suite is a public domain work. The recording included in this episode was recorded by Lud and Schlatts Musical Emporium to be released under the Creative Commons ► Attribution 3.0 Unported ► CC BY 3.0 license.

This week on The Learning Curve, co-hosts U-Arkansas Prof. Albert Cheng and Dr. Jocelyn Chadwick interview distinguished British television journalist, author, and Classic FM presenter, John Suchet, OBE. Mr. Suchet explores the life and legacy of Pyotr Tchaikovsky, one of Russia's greatest composers. He shares insights into Tchaikovsky's upbringing, his late start in composing, and the emotional challenges that shaped his career and music. Suchet discusses Tchaikovsky's struggles with self-doubt, harsh critics, and a turbulent personal life, which influenced his famous works. He highlights Tchaikovsky's enduring masterpieces, including The 1812 Overture, The Nutcracker, Swan Lake, and The Sleeping Beauty, examining his genius for melody, orchestral “color,” and exploring international inspirations. Suchet also reflects on the immense contemporary cultural and financial success of The Nutcracker and Tchaikovsky's other ballets, which captivate audiences worldwide. Closing the discussion, Suchet celebrates Tchaikovsky's unparalleled ability to create music that remains timeless, magical, and universally beloved, establishing his place as a cornerstone of the classical music repertoire. In doing so, he reads a passage from his book, Tchaikovsky: The Man Revealed.

Were you aware that the Nutcracker Ballet was not much of a hit when first performed in 1892 in St. Petersburg, Russia?  While the music was well received, the ballet itself was not an instant fan favorite.  It didn't grow to high popularity until the 1940s when it began to take off in the United States.  Over the years it has become a quintessential part of the Christmas season in America.  Come take a listen and see how and why it took off.

What the Riff!?! delves once again into the great (and not so great) Christmas songs to add a little cheer as you rock around the Christmas tree this year. WSB Radio host Eric Von Haessler joins us for the fun!“The Holly and the Ivy” by Jon AndersonJon Anderson's fourth solo album came out in 1985, and was a mixture of traditional Christmas carols and original material.  This is a traditional British folk Christmas carol.  Though it can't be traced any further back than the 1800's, the association between holly and Christmas dates back to medieval times.“Please Come Home for Christmas” by the EaglesDon Henley, Glenn Frey, and the rest of the Eagles put out this popular sad Christmas track in 1978, though it was a cover originally performed by blues pianist Charles Brown in 1960, and co-written by Brown and Gene Redd.“The First Noel” by Crash Test DummiesFront man Brad Roberts puts his distinctive bass voice to work on this traditional Christmas tune.  This carol originated in Cornwall, England and dates back to at least the early 1800's, using the French "Noel" as a synonym for the Christmas season“The 12 Days of Christmas” by  Straight, No ChaserThis acapella group from Indiana University puts some comedic musicianship to work on this Christmas round.  We know you'll like it, sure as Kilimanjaro rises like Olympus from the Serengeti.  “Nut Rocker” by Emerson, Lake & PalmerELP puts a prog rock spin on the classic Nutcracker Suite.  Russian composer Tchaikovsky wrote the original Nutcracker as a two-act ballet in 1892, and is a fantasy taking place at the foot of a Christmas tree.“Christmas All Over Again” by Tom Petty and the HeartbreakersThis original song was penned by Tom Petty on a ukulele in 1992.  It was used in the motion picture "Home Alone 2:  Lost in New York," and also appeared in "Jingle All the Way."  Jeff Lynne co-produced the song, played bells, bass, timpani, sang background vocals, and wishes for a Chuck Berry Songbook in the song.“The Christmas Song” by WeezerThis is not the one you're familiar with.  The more famous "The Christmas Song" was first performed by the Nat King Cole trio in 1946.  Weezer did this introspective original song with the same name in 2000 on a fan club Christmas LP.“Minnie and Santa” by Cyndi LauperLauper released this light hearted Christmas song in 1998 which tells of a fling that Minnie (not the mouse!) had with old Kris Kringle.  This may sound like a cover of a classic song, but it is an original written by Lauper and Jan Pulsford.“Have Yourself a Merry Little Christmas” by Frank SinatraYou can't go wrong with Old Blue Eyes and a crooner Christmas classic.  This song originated in 1943 and was in the musical "Meet Me in St. Louis," where it was sung by Judy Garland.“God Rest Ye Merry, Gentlemen/We Three Kings”  by Barenaked LadiesThis Christmas medley also features fellow Canadian singer-songwriter Sara McLachlan joining in with the Barenaked Ladies.“Listen, The Snow is Falling” by Yoko Ono & the Plastic Ono BandHear us out - this is an Ono piece that is actually quite good!  It was released in 1971 as the B-side to the better known "Happy Xmas (War Is Over)," sung by John Lennon.“If It Doesn't Snow On Christmas” by Joe PesciChasing Macaulay Culkin isn't the only association Pesci has with Christmas.  He put this cover of an old Gene Autry song out on his 1998 album "Vincent LaGuardia Gambini Sings Just for You."(and there might be a bonus ending related to the Beatles...)We at What the Riff?!? wish every one a blessed and Merry Christmas! Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

It's a Christmas tradition on stage, movies & TV, but who knows its secrets? Dive into The Nutcracker's hidden layers with Angela Sealana, Patrick Mason, and Sarah Grace Villarreal for gems from Tchaikovsky's life, Disney history, Macaulay Culkin's ballet career, and more! The post The Secrets of The Nutcracker appeared first on StarQuest Media.