Podcasts about tchaikovsky

This episode begins with a Tchaikovsky work, Souvenir de Florence, heard at the Salzburg Festival this summer. There are other “souvenirs” from the festival too—by Mozart, Scriabin, et al. And the variety of performers is gratifying. Tchaikovsky, Sextet in D minor (“Souvenir de Florence”) Handel, “Vivi, tiranno! Io t'ho scampato,” from “Rodelinda” Scriabin, Poème in F-sharp minor, Op. 32, No. 1 Mozart, “Dalla sua pace,” from “Don Giovanni” Mompou, “Secret Bird” from “Intimate Impressions” Huang Tzu, “Flower in the Mist” Mozart, “Chi in Dio solo spera,” from “David penitente”

Hola amiguitos, en el capítulo de hoy hablaremos sobre Tchaikovsky, un marigerl como un piano jeje lo pilláis? piano Espero que os guste Un besito ____________________________________________________ Twitch · https://bit.ly/3It5I9m Instagram · https://www.instagram.com/juniorhealyjeje/ Tik Tok · https://www.tiktok.com/@juniorhealyjeje Apoya el canal · https://ko-fi.com/juniorhealy

Elle Cho is a violinist at the Music Institute of Chicago Academy. She plays Bach, Beach and Tchaikovsky with pianist Milana Pavchinskaya. The post LIVE | Elle Cho, 16, violin appeared first on WFMT.

Saviez-vous que Maurice Ravel était dingue de jazz ? Et qu'Igor Stravinsky avait vu Charlie Parker au Birdland ? Oui, depuis que le jazz existe, les compositeurs classiques sont fascinés par la musique afro-américaine. Et l'inverse est vrai aussi : de Duke Ellington à Bill Evans, nombre de jazzmen se sont amusés à détourner la musique classique. Rencontres improbables, reprises étonnantes : toute la semaine, nous allons explorer les liens entre "grande musique" et "musique improvisée", à commencer, dans ce premier épisode, par Stravinsky, Wagner et Tchaikovsky. C'est le grand clash entre jazz et classique !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Music includes: Pomp and Circumstance March #4 by Edward Elgar, Ruins of Athens march by Beethoven, March from the English Folk Song Suite by Ralph Vaughn Williams, the Nutcracker March by Tchaikovsky and the Guadalcanal March by Richard Rodgers and Richard Russel Bennett. Conducors include: Arturo Toscanini, Arthur Fiedler, Thomas Beecham and Henry Wood.   

Send us a textDescriptionShowtime with Strings Attached: The Romantic Concerto in 60 Seconds. Take a minute to get the scoop!Fun FactFranz Liszt's piano concertos were so demanding that critics sometimes accused him of showing off. He didn't mind—he once said performing should “transport the listener.” Paganini caused similar uproar: audiences whispered he'd sold his soul to the devil to master the violin. Marketing hype, 19th-century style.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.You can FOLLOW ME on Instagram.

If you've ever heard Tchaikovsky's 1812 Overture, you know it sounds like music going to war. It begins hushed, almost like a prayer whispered through the strings. But even in the softness there's unease, like the air before a storm, as if the music itself knows that conflict is coming. And then the…

Send us a textDescriptionBigger, Louder, Wilder: The Romantic Orchestra Arrives in 60 Seconds. Take a minute to get the scoop!Fun FactWagner was so ambitious he built his own opera house in Bayreuth just to fit the expanded orchestra he envisioned. His pit design hid the musicians from the audience—so all you saw was drama on stage while an enormous, unseen orchestra unleashed waves of sound beneath.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.You can FOLLOW ME on Instagram.

Diane and Sean discuss the mummy movie from when movie's were easier...The Mummy (1932). Episode music is, Tchaikovsky's "Swan Lake", as featured in the movie.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

No silêncio de um planeta coberto por destroços, emerge uma pequena centelha de vida, humanidade e esperança. É nesse cenário, aparentemente devastado, que a animação Wall-E nos convida a refletir sobre o que nos torna verdadeiramente humanos. Neste episódio do podcast da Nova Acrópole, os professores Paula Poloni e Gustavo Massen, juntamente com Danilo Gomes, exploram os simbolismos dessa obra encantadora, que transcende sua forma infantil para tocar o coração filosófico de cada um. Mais do que uma crítica ao presente, o filme revela uma possibilidade de recomeço — um retorno à Terra não apenas como lugar físico, mas como símbolo de sentido, de lar, de reencontro com as leis da vida e com os outros seres que a compartilham conosco. Participantes: Paula Poloni, Gustavo Massen e Danilo Gomes Trilha Sonora: Valsa das Flores, de Tchaikovsky

Jan Swafford is a distinguished American author and composer, known for his insightful biographies of great composers like Charles Ives, Ludwig van Beethoven, and Wolfgang Amadeus Mozart. With degrees from Harvard and Yale, he's made significant contributions to classical music literature. His works, including the Vintage Guide to Classical Music and "Language of the Spirit," reveal the rich narratives behind the music we love. His unique insights and deep understanding of these composers illuminate their artistic journeys in a way that resonates with both music lovers and scholars alike.In our conversation, we explore the fascinating lives of Haydn and Mozart, delving into their prolific output and the support systems that fueled their creativity. Jan highlights how Haydn composed to commission, leading to his astonishing catalog of works, while debunking myths about Mozart's talent and lifestyle. “He worked himself to death because his body couldn't handle it anymore,” Jan reflects on Mozart's relentless pursuit of excellence.[Subscriber Content] In the subscriber section, Jan shares his thoughts on Tchaikovsky and Brahms, revealing personal preferences and insights about their contrasting styles. He also reflects on the evolution of music through the lens of history, discussing how composers like Schoenberg and Stravinsky marked a shift in musical innovation. Jan emphasizes the importance of authenticity in composition, stating, "It has to come from your core; otherwise, it's no good." Prepare for a warm exploration of music's profound connections to the human experience, as Jan shares his unique perspective on these influential figures.DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Con Mario Mora y 'IA Alex' | ¡Mucho donde elegir! ¿Será algún ballet? ¿Alguna sinfonía? ¿Algún concierto? La música de Tchaikovsky está llena de joyas y de hits, y va a ser difícil adivinar cuál será la obra que nuestra voz acompañante, Alex, elegirá como la más importante de todo su repertorio. Dale al play, y disfruta del nuevo pódcast de este verano en Clásica FM. - - - - > Hazte mecenas de Clásica FM antes del 31 de agosto de 2025 y te regalamos una camiseta o una totebag: https://clasicafmradio.es/hazte-mecenas/

Este 16 de agosto de 2025 se presenta en el teatro municipal de Valparaíso la “Suite Cascanueces”, una muestra reducida de la obra integra de Tchaikovsky y que pondrá en escena a un grupo de importantes bailarines de la escena nacional quienes interpretarán el clásico ballet. Conversamos con Mauricio Osorio sobre este montaje. Escucha aquí la entrevista.

Today the cosmos is turning up the volume on beauty, abundance, and opportunity — Venus is conjunct Jupiter, one of the most uplifting alignments of the year. But here's the catch: if you're too distracted, stressed, or deep in survival mode, you might miss the magic completely. In this episode, I'm sharing: What Venus conjunct Jupiter actually means in plain language How to spot — and receive — opportunities, even if life feels messy right now The famous Tchaikovsky story about inspiration lost (and why it matters for your own creativity) Practical steps you can take today to open the channel for joy, blessings, and breakthroughs Why “lucky days” aren't a reward for having it all together, but an invitation to let more light in ✨ Don't let your next inspired idea (or blessing) pass you by — whether you're creating, healing, or just trying to stay afloat, this energy is here to lift you. Work with me 1:1 for subconscious release & energy alignment: Book a Session  Get your personal astrology reading on Etsy   subconscious release technique intuitive coaching for women energy healing for entrepreneurs astrology readings for creatives small business creative business

Every Russian knows him purely by his patronym. He was the general who triumphed over Napoleon's Grande Armée during the Patriotic War of 1812, not merely restoring national pride but securing national identity. Many Russians consider Field Marshal Mikhail Illarionovich Golenischev-Kutuzov the greatest figure of the 19th century, ahead of Pushkin, Tchaikovsky, even Tolstoy himself. Immediately after his death in 1813, Kutuzov's remains were hurried into the pantheon of heroes. Statues of him rose up across the Russian empire and later the Soviet Union. Over the course of decades and centuries he hardened into legend. As award-winning author Alexander Mikaberidze shows in Kutuzov: A Life in War and Peace (Oxford UP, 2022), Kutuzov's story is far more compelling and complex than the myths that have encased him. An unabashed imperialist who rose in the ranks through his victories over the Turks and the Poles, Kutuzov was also a realist and a skeptic about military power. When the Russians and their allies were routed by the French at Austerlitz he was openly appalled by the incompetence of leadership and the sheer waste of life. Over his long career--marked equally by victory and defeat, embrace and ostracism--he grew to despise those whose concept of war had devolved to mindless attack. Here, at last, is Kutuzov as he really was--a master and survivor of intrigue, moving in and out of royal favor, committed to the welfare of those under his command, and an innovative strategist. When, reluctantly and at the 11th hour, Czar Alexander I called upon him to lead the fight against Napoleon's invading army, Kutuzov accomplished what needed to be done not by a heroic charge but by a strategic retreat. Across the generations, portraits of Kutuzov have ranged from hagiography to dismissal, with Tolstoy's portrait of him in War and Peace perhaps the most indelible of all. This immersive biography returns a touchstone figure in Russian history to human scale. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Every Russian knows him purely by his patronym. He was the general who triumphed over Napoleon's Grande Armée during the Patriotic War of 1812, not merely restoring national pride but securing national identity. Many Russians consider Field Marshal Mikhail Illarionovich Golenischev-Kutuzov the greatest figure of the 19th century, ahead of Pushkin, Tchaikovsky, even Tolstoy himself. Immediately after his death in 1813, Kutuzov's remains were hurried into the pantheon of heroes. Statues of him rose up across the Russian empire and later the Soviet Union. Over the course of decades and centuries he hardened into legend. As award-winning author Alexander Mikaberidze shows in Kutuzov: A Life in War and Peace (Oxford UP, 2022), Kutuzov's story is far more compelling and complex than the myths that have encased him. An unabashed imperialist who rose in the ranks through his victories over the Turks and the Poles, Kutuzov was also a realist and a skeptic about military power. When the Russians and their allies were routed by the French at Austerlitz he was openly appalled by the incompetence of leadership and the sheer waste of life. Over his long career--marked equally by victory and defeat, embrace and ostracism--he grew to despise those whose concept of war had devolved to mindless attack. Here, at last, is Kutuzov as he really was--a master and survivor of intrigue, moving in and out of royal favor, committed to the welfare of those under his command, and an innovative strategist. When, reluctantly and at the 11th hour, Czar Alexander I called upon him to lead the fight against Napoleon's invading army, Kutuzov accomplished what needed to be done not by a heroic charge but by a strategic retreat. Across the generations, portraits of Kutuzov have ranged from hagiography to dismissal, with Tolstoy's portrait of him in War and Peace perhaps the most indelible of all. This immersive biography returns a touchstone figure in Russian history to human scale. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Every Russian knows him purely by his patronym. He was the general who triumphed over Napoleon's Grande Armée during the Patriotic War of 1812, not merely restoring national pride but securing national identity. Many Russians consider Field Marshal Mikhail Illarionovich Golenischev-Kutuzov the greatest figure of the 19th century, ahead of Pushkin, Tchaikovsky, even Tolstoy himself. Immediately after his death in 1813, Kutuzov's remains were hurried into the pantheon of heroes. Statues of him rose up across the Russian empire and later the Soviet Union. Over the course of decades and centuries he hardened into legend. As award-winning author Alexander Mikaberidze shows in Kutuzov: A Life in War and Peace (Oxford UP, 2022), Kutuzov's story is far more compelling and complex than the myths that have encased him. An unabashed imperialist who rose in the ranks through his victories over the Turks and the Poles, Kutuzov was also a realist and a skeptic about military power. When the Russians and their allies were routed by the French at Austerlitz he was openly appalled by the incompetence of leadership and the sheer waste of life. Over his long career--marked equally by victory and defeat, embrace and ostracism--he grew to despise those whose concept of war had devolved to mindless attack. Here, at last, is Kutuzov as he really was--a master and survivor of intrigue, moving in and out of royal favor, committed to the welfare of those under his command, and an innovative strategist. When, reluctantly and at the 11th hour, Czar Alexander I called upon him to lead the fight against Napoleon's invading army, Kutuzov accomplished what needed to be done not by a heroic charge but by a strategic retreat. Across the generations, portraits of Kutuzov have ranged from hagiography to dismissal, with Tolstoy's portrait of him in War and Peace perhaps the most indelible of all. This immersive biography returns a touchstone figure in Russian history to human scale. Learn more about your ad choices. Visit megaphone.fm/adchoices

Every Russian knows him purely by his patronym. He was the general who triumphed over Napoleon's Grande Armée during the Patriotic War of 1812, not merely restoring national pride but securing national identity. Many Russians consider Field Marshal Mikhail Illarionovich Golenischev-Kutuzov the greatest figure of the 19th century, ahead of Pushkin, Tchaikovsky, even Tolstoy himself. Immediately after his death in 1813, Kutuzov's remains were hurried into the pantheon of heroes. Statues of him rose up across the Russian empire and later the Soviet Union. Over the course of decades and centuries he hardened into legend. As award-winning author Alexander Mikaberidze shows in Kutuzov: A Life in War and Peace (Oxford UP, 2022), Kutuzov's story is far more compelling and complex than the myths that have encased him. An unabashed imperialist who rose in the ranks through his victories over the Turks and the Poles, Kutuzov was also a realist and a skeptic about military power. When the Russians and their allies were routed by the French at Austerlitz he was openly appalled by the incompetence of leadership and the sheer waste of life. Over his long career--marked equally by victory and defeat, embrace and ostracism--he grew to despise those whose concept of war had devolved to mindless attack. Here, at last, is Kutuzov as he really was--a master and survivor of intrigue, moving in and out of royal favor, committed to the welfare of those under his command, and an innovative strategist. When, reluctantly and at the 11th hour, Czar Alexander I called upon him to lead the fight against Napoleon's invading army, Kutuzov accomplished what needed to be done not by a heroic charge but by a strategic retreat. Across the generations, portraits of Kutuzov have ranged from hagiography to dismissal, with Tolstoy's portrait of him in War and Peace perhaps the most indelible of all. This immersive biography returns a touchstone figure in Russian history to human scale. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Every Russian knows him purely by his patronym. He was the general who triumphed over Napoleon's Grande Armée during the Patriotic War of 1812, not merely restoring national pride but securing national identity. Many Russians consider Field Marshal Mikhail Illarionovich Golenischev-Kutuzov the greatest figure of the 19th century, ahead of Pushkin, Tchaikovsky, even Tolstoy himself. Immediately after his death in 1813, Kutuzov's remains were hurried into the pantheon of heroes. Statues of him rose up across the Russian empire and later the Soviet Union. Over the course of decades and centuries he hardened into legend. As award-winning author Alexander Mikaberidze shows in Kutuzov: A Life in War and Peace (Oxford UP, 2022), Kutuzov's story is far more compelling and complex than the myths that have encased him. An unabashed imperialist who rose in the ranks through his victories over the Turks and the Poles, Kutuzov was also a realist and a skeptic about military power. When the Russians and their allies were routed by the French at Austerlitz he was openly appalled by the incompetence of leadership and the sheer waste of life. Over his long career--marked equally by victory and defeat, embrace and ostracism--he grew to despise those whose concept of war had devolved to mindless attack. Here, at last, is Kutuzov as he really was--a master and survivor of intrigue, moving in and out of royal favor, committed to the welfare of those under his command, and an innovative strategist. When, reluctantly and at the 11th hour, Czar Alexander I called upon him to lead the fight against Napoleon's invading army, Kutuzov accomplished what needed to be done not by a heroic charge but by a strategic retreat. Across the generations, portraits of Kutuzov have ranged from hagiography to dismissal, with Tolstoy's portrait of him in War and Peace perhaps the most indelible of all. This immersive biography returns a touchstone figure in Russian history to human scale. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Amongst its pages, there are many familiar names—Oscar Wilde, Quentisn Crisp, Sappho, James Baldwin, Freddie Mercury — but also many we might not expect: Florence Nightingale, Marlene Dietrich, Cary Grant, J. Edgar Hoover, Eleanor Roosevelt, Tchaikovsky, Greta Garbo, Richard the Lionheart, even Abraham Lincoln,  along with 1000 other stories of artists, generals, politicians, kings, despots and many more figures drawn from 5000 years of hidden culture.   Keith Stern came to the Bureau to talk about his extraordinary encyclopaedia ‘Queers in History', what drove him to write it, and why it matters.   The book is more than a who's-who of queer life —it's a challenge to the official version of the past, a reminder of how history gets made, unmade, and remade,  depending on who's telling the stories, inviting us to consider how queerness has always existed, and has contributed to the culture. And we get into the subject of whether Gandalf was Queer - yes, we really do…

The American director and choreographer Kathleen Marshall has been nominated for nine Tony awards, winning three times for Broadway productions of Wonderful Town, The Pajama Game and Anything Goes. She was the first woman to complete a trio of achievements - directing a play, directing a musical and choreographing a musical on Broadway.She also won an Olivier Award for her 2021 production of Anything Goes in London. It was the first big musical to open after numerous Covid lockdowns, and received an ecstatic welcome from audiences and critics alike, hungry to get back into a theatre and enjoy a hugely uplifting show. More recently she has directed Irving Berlin's Top Hat in Chichester. Her musical choices include Mozart, Chopin, Tchaikovsky and Duke Ellington.

Donald Macleod explores Tchaikovsky's life away from home. He spent significant parts of his peak years travelling or staying with friends, and a remarkable amount of his music was composed whilst staying with friends, on holiday or concert tours, or sometimes as a fugitive on the run. This evolved into a full decade of rootless wandering, which is peculiar given his frequent homesickness for Russia.Music Featured: Overture in C Minor Symphony No 1 in G Minor, Op 13, "Winter Daydreams" Cherevichki, Op 4 Symphony No 2 in C Minor, Op 17, "Little Russian" Piano Concerto No 1 in B-Flat Minor, Op 23 Eugene Onegin, Act III Scene 2, Onegin! Ya togda molozhe Swan Lake, Avt IV (excerpt) Symphony No 4 in F Minor, Op 36 Suite No 1 in D Major, Op 43 6 Romances, Op 38, No 6, Pimpinella (arr. E. Firsova) The Maid of Orleans, Op 4, Act I, Aria: Da, chas nastal - Ja, es ist Zeit … Lebt wohl, ihr Berge Capriccio Italien, Op 45 Mazeppa: Act II, Scene 2, O, Mariya, Mariya! (Mazepa) Vesper Service, Op 52 Les saisons (The Seasons), Op 37a Fantaisie de Concert in G Major, Op 56 Piano Trio in A Minor, Op 50 Suite No 4 in G Major "Mozartiana" Op 61 Manfred Symphony, Op 5 Symphony No 5 in E Minor, Op 64 The Queen of Spades (Pique Dame), Op 68: Act I Scene1 (excerpt) String Sextet in D, Souvenir de Florence, Op 70 The Nutcracker, Op 71: Act II Tableau 3: Dance of the Sugar-Plum Fairy Symphony No 6 in B Minor, "Pathétique" Op 74Presented by Donald Macleod Produced by Iain Chambers for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Pyotr Il'yich Tchaikovsky (1840-1893) https://www.bbc.co.uk/programmes/m002ftltAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

How to Name Your Little All Star with Scott Rubin  In this episode of the "Helping Families Be Happy Podcast," host Adina Oberman welcomes guest Scott Rubin, an author and toy collector. Scott discusses how his journey into writing baby naming books began with personal experiences during his wife's pregnancy. The conversation focuses on his books "Naming Your Little Geek" and "Naming Your Little All-Star," which cater to parents interested in names related to geek culture and sports, respectively. Scott shares the process and extensive research involved in creating these thematic naming books, highlighting inspiring stories behind some names.  Episode Highlights  00:00:09: Introduction to the Helping Families Be Happy Podcast, hosted by Adina Oberman, and guest intro of Scott Rubin.  00:01:22: Scott expresses his excitement to be part of the podcast.  00:01:24: Discussion on Scott's journey and process behind creating his books on baby names inspired by geek culture and athletes.  00:03:37: Insight into Scott's love for research and extensive process in compiling names for his books. 00:04:45: Exploration of unique names and stories about athletes from around the world, including those in Paralympics and eSports.  00:07:00: Enriching stories about athletes like Chuck Vinci and the journey behind their names. 00:09:53: The contrast between mainstream athletes like Tiger Woods and the discoveries made about lesser-known athletes.  00:12:12: Scott talks about different social perceptions of naming and its uniqueness, and his approach to naming his own children.  00:15:15: Adina shares a powerful message from a children's book about the significance of personal names.  00:16:27: Details on how to connect with Scott Rubin via social media.  00:16:59: Closing remarks and thanks to Famis for supporting the podcast.  Key Takeaways  Baby names carry significant emotional weight and can reflect cultural, personal, or thematic values. Unique names can offer children individuality and a connection to their family's creativity and identity. Parents can benefit from exploring thematic naming books for deeper stories and meanings behind names. Comprehensive research enriches thematic books, offering insights into names beyond traditional lists.  Tweetable Quotes  "A name is a gift. When you get a gift, you can do whatever you want with it." – Scott Rubin "For both of my children, I was like, you know what? I want to give them more options." – Scott Rubin "If they can learn to say Tchaikovsky, they can learn how to say your name." – Adina Oberman  Show Notes by Barevalue.

Even after I publish a Countermelody episode on a favorite singer, I continue to collect material on them, which I then occasionally fold into a potpourri episode of vocal and musical delights. I have dubbed such episodes part of my “Rescue Mission” series and I'm tempted to call today's episode I'm tempted to call “Friend Edition” (even though there are several good friends I've made in recent years who are not represented today). Be that as it may, I do love putting out such episodes, especially as it gives new listeners some idea of the range and depth of the podcast, and the joys of dipping into Countermelody's back catalogue. For today's episode I spread the net particularly wide, and in some cases went way back into my archives so present you with some rarities which I have programmed in such a way to take us from the despair and confusion that many of us are feeling right now into a place of both resolution and resolve to keep holding on and fighting for what is right. Today's setlist includes many Countermelody favorites: tenors George Shirley, Peter Pears, and Jerry Hadley; baritones William Parker and Jorma Hynninen, mezzo-soprano Maureen Lehane; and sopranos Eleanor Steber, Carol Neblett, Sarah Reese, Anne Wiggins Brown, Veronica Tyler, Annabelle Bernard, Denise Duval, Lois Marshall, Gloria Davy, and April Cantelo; with appearances by other great singers who have not yet been featured in full episodes, including Franco Corelli, Sandra Warfield, Helen Watts, Émile Belcourt, Valerie Masterson, and, in memoriam, Béatrice Uria-Monzon. We hear music from César Franck, Ottorino Respighi, Johann Sebastian Bach, Giacomo Puccini, Pyotr Il'yich Tchaikovsky, Franz Schubert, George Gershwin, Gioachino Rossini, Leonard Bernstein, Coleridge-Taylor Perkinson, Emmanuel Bondeville, and Giacomo Meyerbeer. As always, queer artists and artists of color are prominently featured, as one of my objectives in producing this podcast is to foreground such historical artists as essential to our growth and self-awareness. If you're just getting to know the podcast, this is as good a place to start as anywhere! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

Here's our question for today: what makes a piece of music a “harp piece”?  Does it have to have been originally written for harp? Or composed by a harpist? Or could any piece of music, no matter what instrument or instruments it was written for, be a harp piece if you play it on the harp? I happen to think that the third answer is the correct one. Mostly. Let me explain. If you play a piece on the harp, it has absolutely become a harp piece whether it started out that way or not. But that doesn't necessarily mean that it should have become a harp piece. Some pieces just don't work on the harp. Take the “1812 Overture,” for example. This piece was written by Tchaikovsky to commemorate Russia's victory over Napoleon. It's 15 minutes long, It requires a full symphony orchestra (minus a harp), an additional brass band, a bell carillon and a battery of cannons - yes, cannons. How could a single harp play a meaningful rendition of this monster work? You could play some of the themes from the piece. You could shout “BOOM” when the cannons are supposed to fire. No matter how hard we try, though, it will never really sound like the original. Okay, that's an extreme example. However, we harpists are known for borrowing music liberally from the piano repertoire. While that's a good idea in general - after all, the harp and piano have a lot in common - some piano pieces never make good harp pieces, even when the piece translates easily from piano to harp. Sometimes, something gets lost in the translation. So what makes a piece of music a harp piece? What are the essential qualities and the specific characteristics that identify a piece as being written for harp, or that, on the flip side, mark it as definitely not a harp piece? Today, we will talk about those characteristics and how you can use them to spot pieces that might, or might not, be good ones to transpose or arrange for harp. This information will also be very useful when you're playing someone else's arrangement, and I'll tell you why in just a minute. Links to things I think you might be interested in that were mentioned in the podcast episode:  Check out our brand new courses in the Harp Mastery® app!  We're halfway through our Super Summertime Challenge. Are you in? Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com   Looking for a transcript for this episode? Did you know that if you subscribe to this podcast on Apple Podcasts you will have access to their transcripts of each episode? LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-218  

Cape Town City Ballet's production of Tchaikovsky's famous ballet Swan Lake opens at the CTICC this week.  Dancing the role of Odette is the South African ballerina Kirstel Paterson who has enjoyed a hugely successful career and has won numerous prestigious awards.  Rodney trudgeon spoke to Kirstel on People Of Note this week to find out about her career and about the role in Swan Lake.

The baton has dropped. The overture nears its end, but you still have time to catch the musical magic that is the 39th annual Music in the Mountains Festival through Aug. 3. By Deborah Uroda.Watch this story at www.durangolocal.news/newsstories/music-in-the-mountains-crescendos-toward-aug-3-finaleThis story is sponsored by Durango Motor Company and Dunkin Donuts.Support the show

To call conductor Jessica Bejarano an outlier in the American orchestral world is a mild understatement. Not only is she female at a time when there are still astonishingly few female conductors of professional orchestras — according to Women's Philharmonic Advocacy, in the 2024-25 season, only 20.8% of concerts by the top 21 orchestras in the U.S. were conducted by women, and today only one of the 25 largest American orchestras has a female music director — but she is also Latina and lesbian. When Jessica Bejarano steps onto the podium, therefore, she doesn't just conduct; sporting visible tattoos — her favorite conductor Tchaikovsky is prominently featured on her right forearm — and projecting a down-to-earth warmth and grit she learned from her immigrant mother in working class East L.A., she redefines what leadership can look like in the orchestral world.By 2019, Jessica was already building a solid resume, leading community orchestras in the Bay Area as well as accepting freelance directing gigs around the world. Continually faced with the glacial pace of change in the classical music world, however, she took a leap of faith and founded her own ensemble, the San Francisco Philharmonic. The SF Phil's mission is to center diversity, equity and inclusion not just as a tagline but as a lived experience for musicians and audiences alike. In the last six years, under her leadership, the SF Phil has collaborated with everyone from Grammy-winning composers to local rap icons, while also offering masterclasses for emerging conductors and commissioning new works by underrepresented composers. In this interview, Jessica shares the winding, impassioned path that led her from East L.A. trumpet player to visionary conductor and founder. She discusses how she built the SF Phil from scratch — including funding its first concert out of her own savings — and how she continues to push the boundaries of what a 21st century orchestra can be.https://www.sfphil.org/about

Six Massachusetts National Guard soldiers will fire the cannons at the end of Tchaikovsky's 1812 Overture, the finale to the Boston Pops Fireworks Spectacular. The cannons have only about 20 seconds in the spotlight, but Sgt. Matthew Jodoin says it takes a lot of practice.

Eric Silberger is a virtuoso violinist. He's a winner of the Tchaikovsky Competition. He's a soloist, recitalist and chamber musician. He's performed all over the world at the most prestigious venues and festivals, including the London, Mariinsky, San Francisco and St. Petersburg orchestras and with Itzhak Perlman. He's the co-founder of the Hawaii International Music Festival. And he's an avid producer and recording engineer. My featured song is “The Gift”. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH ERIC:www.ericsilberger.com________________________ROBERT'S RECENT SINGLES:“THE CUT OF THE KNIFE” is Robert's latest single. An homage to jazz legend Dave Brubeck and his hit “Take Five”. It features Guest Artist Kerry Marx, Musical Director of The Grand Ole Opry band, on guitar solo. Called “Elegant”, “Beautiful” and “A Wonder”! CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Imagine a world where you're Russian, gay, and happy about it.No this is not propaganda from the ultra-secret "Pinko" department of the Kremlin (they def have one of those).This is the very real story of the magnificent Pyotr Ilyich Tchaikovsky, one of the world's greatest composers and a big old homosexual.He wrote the 1812 Overture, The Nutcracker, and the world's gayest violin concerto (because it's "exuberant"). He also did Swan Lake, by the way, so perhaps most importantly, we wouldn't have Natalie Portman calling herself a WHORE on a mirror in red lipstick without him.This week, Bash is joined by Princeton professor of music history Simon Morrison — author of Tchaikovsky's Empire — to explore what it meant to be gay (and fabulous) in 19th-century Russia. Together, they dismantle the myth of the tortured, closeted genius and paint a much queerer, more joyful picture of Tchaikovsky's life.

It's a family affair on this week's episode. Orli Shaham guest hosts with her brother violinist Gil Shaham. We meet a handful of siblings who share the joy of making musical memories together and hear performances of Tchaikovsky and Jessie Montgomery.⁠Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Consider a paid subscription to The Piano Maven podcast via our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenThe teenage Grigory Sokolov's recordings of the Tchaikovsky 1st and Saint-Saëns 2nd Concertos reveal how this gifted pianist already was "Sokolov" at such a tender age - everything is there: the impeccable technique, utmost control of sonority and balance, and almost scientific awareness of his instrument's mechanical and expressive potential.Here are links to the performances:https://www.prestomusic.com/classical/products/9445142--grigory-sokolov-plays-beethoven-chopin-schumann-saint-saens-brahms-tchaikovskyhttps://open.spotify.com/album/62qe7ekY5UygTnFaiNE8RR

Roll over Beethoven, and tell Tchaikovsky that SURFACE NOISE has a FREESTYLE to share with the masses! For this separate stanza, our crew of dedicated sound merchants is still joined by Adam Tiro from The Freight to discuss "Vinyl Myths" - notions (preconceived or other) we have held about record collecting and the hobby in general that have yet to bear the fruit we expected.

Ricky Ian Gordon has written a cycle of songs about flowers. In this episode, we hear one of them. Rachmaninoff wrote a song called “Lilacs.” We hear that, too. Bach opens his Goldberg Variations with an aria (and closes the work with that same aria). Tchaikovsky's wrote a couple of blockbuster arias in The Queen of Spades. And on we go. Gordon, “We should not mind so small a flower” Rachmaninoff, “Lilacs” Bach, Goldberg Variations Tchaikovsky, Lisa's Aria from Act III of “The Queen of Spades” Tchaikovsky, Prince Yeletsky's Aria, Act II, “The Queen of Spades” Tchaikovsky, “It was in early spring” Shostakovich, Prelude in D-flat major Bach-Kempff, Siciliano

Reaching back to the first season of Clear and Vivid, a replay of the July 2018 episode when the violin virtuoso tells Alan why he likes to talk to his audience as well as play for them; why he plays Bach very differently from Tchaikovsky; and why the first time he played the Stradivarius that was to become his 30 years later, “I thought that I'd died and went to heaven.”

In this episode of Hope for the Caregiver, I walk through one of the most practical, personal, and painful issues every caregiver faces: worry. We explore what Jesus really meant in Matthew 6 when He said, “Do not worry about tomorrow…” — and I back the truck up to show how that entire section of Scripture ties together. This is not sentimental. It's hard theology lived out in hospital rooms, operating rooms, and late-night caregiver prayers. I share some deeply personal stories from our ongoing four-month hospitalization: The moment when my wife's surgical wound burst open unexpectedly — and how, even then, worship replaced panic as Gracie sang “In My Leg, Lord, Be Glorified” while medical teams worked. How my dad, near the end of his life, calmed my mother with four powerful words: “Because I know God.” The late-night “Code Gray” in the hospital — and how that inspired my idea of a “Code Grace” for caregivers who are emotionally unraveling. Why daily trust in God is like Tchaikovsky's daily piano practice: if you skip it, everyone notices. We also look at Paul and Silas — bruised, bleeding, shackled — still singing hymns in a Philippian jail. That same peace that passes understanding remains available to us today, even in hospital rooms, financial stress, and medical crises. Worry is real. But so is the sovereignty of God. I challenge caregivers (and myself) to make the intentional choice to trust Christ today — and to leave tomorrow where it belongs: in His capable hands. If you're a caregiver weighed down by fear, this episode is for you.

Conductor John Jeter has been central to the rediscovery and representation of Florence Price's orchestral works. In this podcast, he discusses with Raymond Bisha his latest recording of her piano concerto and her two violin concertos, the only works she composed in the genre. The early First Violin Concerto, with shades of Tchaikovsky and undertones of the blues, stands in contrast to the Second, written shortly before her death, more dramatic, contemporary and compact. The Piano Concerto in One Movement, which Price herself performed, contains some of her most beautiful music set alongside moments of Romantic bravura.

Send us a textWhat's in a name? Everything. Your name is your melody, your lineage, and how your ancestors speak through you. So when someone consistently mispronounces it or, worse, substitutes it with something entirely different, that's not just an honest mistake—it's a choice that speaks volumes.Welcome to this raw, honest conversation about one of the most persistent microaggressions many of us face: name butchering. As your host Jeba Edmonds (not Jabba, not Jebba, and definitely not Jenna) explains, it's 2025, we have advanced AI in our pockets, yet somehow proper name pronunciation remains an "impossible" task for many. The selective difficulty is telling—we can master "Tchaikovsky" and "charcuterie" without hesitation, but diverse names are deemed "too complicated"?This episode unpacks the deeper implications of name mispronunciation, from the subtle erosion of belonging to the exhausting reality many BIPOC individuals face when they feel forced to change their names for professional advancement or simply to avoid constant corrections. We explore how what might seem like small slip-ups to some represent significant acts of disregard to others, especially when those "mistakes" persist after multiple corrections.But this isn't just a critique—it's a heartfelt invitation to do better. Learn practical approaches to honoring people's names correctly, understand why it matters so deeply, and discover how making this simple effort transforms relationships and builds genuine inclusion. Whether you're an educator, manager, or someone who values authentic connections, this episode offers the perspective and tools to ensure everyone's name—and by extension, their identity—receives the respect it deserves.Ready to deepen your understanding? Check out my blog and subscribe to "The Inclusive Educator" newsletter for weekly insights on creating truly inclusive spaces from classrooms to boardrooms. Your journey toward more meaningful, respectful connections begins with something as fundamental as saying someone's name correctly. COME SAY Hey!! Instagram: @cultrallyjebeh_ Facebook: @JebehCulturalConsulting Pinterest: @Jebeh Cultural Consulting LinkedIn: @Jebeh Cultural Consulting Leave a Review on our Podcast! We value your feedback! Follow our Blog Enroll In Our Mini CoursesBuy My eBook: Empowering Your BIPOC Students Enroll In My Digital Course: How To Be A Culturally Competent LeaderBuy My K-12 Lesson PlansSign Up For Our Newsletter Enjoy the Cultural Curriculum Chat podcast? Share the love! Refer a friend to Buzzsprout and both you and your friend will enjoy exclusive benefits. Click the link...

ReferencesNature Metabolism 2019. volume 1, pages 666–675 Tchaikovsky, PI.1880 The 1812 Overture. OP49.https://music.youtube.com/playlist?list=OLAK5uy_lVRQcylf9R3lSO_9G-mVZSheQud2EdUd4&si=ylb7MwXEYywWbRYfMiller, S. 1970. "Never Kill" from Steve Miller Band Vhttps://music.youtube.com/watch?v=5X7F83E5LQA&si=x0RNPn8KbUsincDY

Historic recordings of classical music dances.  Music by Johannes Brahams, William Gluck, Manuel De Fall, George Bizet, Frederic Chopin and Pytor Tchaikovsky.              

While last episode was drowning in information - this week when hunting down mushroom info... it's a bit of a desert.  But no worries, there's still fun stuff to be learned - mainly just what is a mushroom?  And how have humans crossed paths with it - in ways besides tripping out?Also - how is the lack of information and the limited presence of mushrooms in AMerican food related?Some answers are here.Also - The Fantasia clip of Tchaikovsky's "Chinese Dance" will let you see (among other things) open and closed mushrooms - the "li'l-est" one with it's veil more or less intactAlso - that in the 1940's Americans were pretty mushroom cluelessMusic Credit: Fingerlympics by Doctor TurtleShow Notes: https://thehistoryofamericanfood.blogspot.com/Email: TheHistoryofAmericanFood at gmail dot comThreads: @THoAFoodInstagram: @THoAFood& some other socials... @THoAFood

Directly after the disastrous November election in the United States, I compiled a setlist for two episodes self-explanitorially entitled “Mezzos on the Verge” and “Mezzos in Extremis.” One of the featured singers was the great Russian mezzo-soprano Irina Arkhipova, whose 100th birthday on January 2 of this year was one of the few positive things to happen in January! I happened to have a number of LPs featuring Arkhipova, and this episode features material from a number of those records, plus a CD reissue from a few years back entitled “The Art of Irina Arkhipova,” which features the 1970 recording of Mussorgsky and Rachmaninov songs that the singer made in Moscow with my teacher John Wustman while they were judges in that year's Tchaikovsky Competition. Arkhipova is also featured in songs by Tchaikovsky; Russian opera arias by Rimsky-Korsakov and Mussorgsky; and selections from both Carmen and Il Trovatore, which feature tenors Zurab Andzhaparidzye and Vladislav Piavko, the latter of whom was also Arkhipova's protégé (and later husband). Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

Music Director Andrew Litton invites us to See the Music in this enlightening introduction to the score for George Balanchine's 1972 ballet, Divertimento from ‘Le Baiser de la Fée.' With superlative accompaniment from Solo Pianist Elaine Chelton, Litton demonstrates the many ways in which Igor Stravinsky's "homage to Tschaikovsky" took inspiration from 16 different piano pieces by the legendary composer to weave an undeniably Stravsinkyian—and danceable, in Balanchine's word—orchestral suite. (11:42):  Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky Le Baiser de la Fée (1928) by Igor Stravinsky Le Baiser de la Fée performed by Elaine Chelton

In this episode, Dr. G and Naz Perez engage in a candid and wide-ranging conversation, exploring topics from hormonal health and gut issues to the emotional impact of community and movement therapy. They dive into the intersection of anxiety, the vagus nerve, and holistic well-being while also discussing the evolving entertainment industry, the role of AI, and personal experiences as a Latina in media. The conversation takes a metaphysical turn with discussions on alien activity, human evolution, and consciousness. Throughout, Dr. G and Naz share insights, personal growth stories, and thought-provoking perspectives, making for an enlightening and dynamic discussion. #wellness #spirtuality #podcast Naz Perez Instagram @NAZPEREZ === Thanks To Our Sponsors! Timeline Visit https://timelinenutrition.com/drg and use code DRG to get 10% off OurPlace Visit https://fromourplace.com and use code DRG to receive 10% off. Birch Click here https://birchliving.com/healthyself to get 20% off your Birch mattress plus two free pillows. === Show Notes: Discussion of hormone imbalances and estrogen dominance Exploration of gut health issues including SIBO and IMO The connection between anxiety, gut health, and the vagus nerve Importance of testing hormone levels in conventional medicine Using movement and dance as therapy Processing emotions through music (classical music for sadness, Tchaikovsky for anger) Impact of community on personal health and wellness Discussion of emotional repression (anger in women, sadness in men) Changes in the industry due to social media and AI Future of creative work and authenticity Movie recommendations Personal experiences as a Latina in entertainment Alien Activity in New Jersey The Cassiopean Experiment Human evolution speculation Discussion of consciousness and personal agency Be sure to like and subscribe to #HealThySelf Hosted by Doctor Christian Gonzalez N.D. Follow Doctor G on Instagram @doctor.gonzalez https://www.instagram.com/doctor.gonzalez/

In this episode, Dr. G and Naz Perez engage in a candid and wide-ranging conversation, exploring topics from hormonal health and gut issues to the emotional impact of community and movement therapy. They dive into the intersection of anxiety, the vagus nerve, and holistic well-being while also discussing the evolving entertainment industry, the role of AI, and personal experiences as a Latina in media. The conversation takes a metaphysical turn with discussions on alien activity, human evolution, and consciousness. Throughout, Dr. G and Naz share insights, personal growth stories, and thought-provoking perspectives, making for an enlightening and dynamic discussion. #wellness #spirtuality #podcast Naz Perez Instagram @NAZPEREZ === Thanks To Our Sponsors! Timeline Visit https://timelinenutrition.com/drg and use code DRG to get 10% off OurPlace Visit https://fromourplace.com and use code DRG to receive 10% off. Birch Click here https://birchliving.com/healthyself to get 20% off your Birch mattress plus two free pillows. === Show Notes: Discussion of hormone imbalances and estrogen dominance Exploration of gut health issues including SIBO and IMO The connection between anxiety, gut health, and the vagus nerve Importance of testing hormone levels in conventional medicine Using movement and dance as therapy Processing emotions through music (classical music for sadness, Tchaikovsky for anger) Impact of community on personal health and wellness Discussion of emotional repression (anger in women, sadness in men) Changes in the industry due to social media and AI Future of creative work and authenticity Movie recommendations Personal experiences as a Latina in entertainment Alien Activity in New Jersey The Cassiopean Experiment Human evolution speculation Discussion of consciousness and personal agency Be sure to like and subscribe to #HealThySelf Hosted by Doctor Christian Gonzalez N.D. Follow Doctor G on Instagram @doctor.gonzalez https://www.instagram.com/doctor.gonzalez/