Podcasts about Greece

For more than 50 years, the world knew her only as Little Miss Panasoffkee—a Jane Doe science once “proved” was a young woman from Greece. In this episode, we revisit her case now that she finally has her name back: Maureen “Cookie” Minor Rowan. Her daughter, Ann, shares with us the truth of growing up in the shadow of her mother's disappearance and reveals the haunting, intimate details of her life and memory that may finally lead to answers. If you know anything that could help investigators fill in those gaps, call (352) 569-1915, email sumtertips@sumtercountysheriff.org, or contact Crimelines at 1-800-423-TIPS. We would appreciate you liking, following, rating, and sharing the podcast. The more you share, the more likely it is that someone with answers will hear the episode and THAT is, as always, our ultimate goal. If you are interested, please consider supporting the pod by joining us over on Patreon! Are you up-to-date on all our regular content? Be a part of the C & C Fam by going to https://www.patreon.com/coffeeandcases to register! Learn more about your ad choices. Visit megaphone.fm/adchoices

#1 New York Times bestselling author Mitch Albom spoke with us about his humble beginnings as a sports journalist, the origins of Tuesdays with Morrie, and the universal themes he explores in his latest novel TWICE. I am joined by a co-host this week, none other than The Book Babe, Milena Gonzalez. Mitch Albom is the internationally acclaimed author of 12 New York Times bestselling books. He is best known for Tuesdays with Morrie, the best-selling memoir of all time, which tells the story of his college professor, Morrie Schwartz. His books have collectively sold 42 million copies worldwide; have been published in 51 territories in 48 languages around the world; and have been made into Emmy Award-winning and critically-acclaimed TV movies. His latest novel, Twice, is described as “... a stunning love story that dares to explore how our unchecked desires might mean losing what we've had all along.” Time magazine wrote of the author, “Think of Mitch Albom as the Babe Ruth of popular literature, hitting the ball out of the park every time he's at bat.” Mitch Albom is also a journalist, screenwriter, playwright, radio and television broadcaster, musician, and philanthropist. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Mitch Albom, Milena Gonzalez and I discussed: Learning the art of storytelling at the dinner table as a kid His past life as a musician playing nightclubs in Greece, and dive bars in NY How he didn't write a word until he was 23 years old Writing Tuesdays with Morrie and the hurricane of notoriety that followed What it's like to play in a band with Stephen King and James McBride The different writers from different eras that have influenced his career Why you need to swim in the water of creativity as a writer And a lot more! Show Notes: mitchalbom.com  Twice by Mitch Albom Mitch Albom Amazon Author Page Mitch Albom on Facebook Mitch Albom on Instagram Mitch Albom on Twitter Milena Gonzalez | Writer | Reader | Book Reviewer diary_of_a_book_babe on Instagram Kelton Reid Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Pack your imaginary bags, Culture Kids! In this episode, Kristen, Asher, and our special guest Ms. Zoe, producer of Getty's podcast If Objects Could Talk, take you on a magical adventure to the Getty Villa Museum in Los Angeles. Together, we stroll through sunlit gardens and explore an ancient Roman-style villa. Then, with a whirl of our time machine, we journey back two thousand years to a grand dining room to see how Romans prepared for a spectacular dinner party. Kids will discover how ancient Romans reclined on couches while eating, what dishes and cups looked like in the ancient world, why people often ate with their hands, and how paintings inspired by Egypt became popular decorations inside Roman homes. This episode also includes a special shout-out to Henry for his wonderful five-star review and a reminder to send in your funniest joke for our end-of-year Culture Kids Joke Fest!  VISIT THE GETTY VILLA MUSEUM The Getty Villa Museum in Los Angeles is dedicated to the arts and cultures of ancient Greece, Rome, and Etruria. It is housed in a re-created Roman country home, complete with gardens, pools, mosaics, and over a thousand ancient artworks.  Website: ⁠https://www.getty.edu/visit/villa/⁠ Follow the Getty: Instagram: ⁠ https://www.instagram.com/gettymuseum⁠ YouTube: ⁠https://www.youtube.com/gettymuseum⁠ TikTok: ⁠https://www.tiktok.com/@gettymuseum⁠ Facebook: ⁠https://www.facebook.com/gettymuseum⁠ CHECK OUT IF OBJECTS COULD TALK: https://www.getty.edu/podcasts/if-objects-could-talk/⁠ — includes episodes, transcripts, activity guides, coloring sheets, and images Apple Podcasts : ⁠https://podcasts.apple.com/us/podcast/if-objects-could-talk/id1833978909⁠ ⁠Apple Podcasts⁠ YouTube : https://www.youtube.com/playlist?list=PLij2XTFgmBSRjG57WlJA2RhkWB4OkGGtG ********************* ABOUT CULTURE KIDS Culture Kids is a grassroots 501(c)(3) nonprofit powered by families and volunteers, creating free, world-class cultural education for children everywhere. We rely on your support to keep the Culture Train chugging along. Here's how you can help: Donate: https://www.culturekidsmedia.com/support/ Leave us a 5-star review on Apple Podcasts — it really helps new families discover our show. CREDITS Host and Produced By: Kristen Kim Co-Hosts: Asher & Arden Kim Guest: Zoe Goldman/ J. Paul Getty Trust Post Production & Audio Engineer: Robin Lai Academic Consultant: Elisha Li Nonprofit Consultant: Ami Awad STAY CONNECTED WITH US! Instagram: @culturekidsproductions Website: http://culturekidsproductions.com Email / Voicemail: available through our site, we love hearing from you!

In this live PAC Talk session, coach Pieter Vodden sits down with writer and strength-training historian Michael Joseph Gross to explore what strength really means — not just for performance, but for longevity and quality of life. They trace the history of strength culture from ancient Greece to modern gyms, unpack how we've told stories about muscle over the centuries, and why we're only just beginning to understand how powerful strength training is for living longer, better lives.Michael shares how learning a scary new sport in his 40s pushed him into serious training and ultimately into eight years of research on strength — from motor units and neurology to myth, culture, and identity. He and Pieter break down why strength training has to become as automatic as brushing your teeth, how a simple, consistent program can change your body and mind at any age, and why the real magic happens when strength becomes part of your story, not just your routine.They dive into the science of muscle and aging, including landmark studies on people in their 90s who dramatically improved strength, independence, and life expectancy after just eight weeks of resistance training. Michael explains how lifting can reduce risk for chronic disease, support brain health, and even rival antidepressants for many people. The conversation also tackles the myth of “brain vs. brawn,” showing how muscle actually supports cognition, emotional resilience, and empathy.A big part of this talk centers on women and strength, featuring the story of Jan Todd and the fight to normalize heavyweight training for women. Pieter and Michael break down persistent myths about “bulking,” “girl exercises vs. boy exercises,” and the way fitness marketing has confused people about what really works. They also talk about the synergy between strength and cardio, the pros and cons of bodybuilding culture, why relatability matters more than extremity, and how community gyms like Pharos help people build not just muscle, but a shared sense of meaning and connection through training.Connect with MichaelBuy his bookInstagramWebsite

In ancient Greece, the view from on high was known as catascopos, or “the looker-down.” It's a privileged perspective, and in the modern world, one increasingly taken by machines: drones, satellites, spy cameras, airplanes, sentient doorbells. In his new book, Look Out: The Delight and Danger of Taking the Long View, Edward McPherson surveys the cultural history of top-down and far-ranging perspectives from aviation and warfare to quarantine and protest. “We continue to make decisions based on the big picture,” he writes. “Politicians and planners confront the challenges of today with lofty intelligence, always pointing to the forest, not the trees.” Often that view can be obscuring, even as its accuracy is hailed. Consider the dead civilians mistaken for combatants in drone warfare the world over, or the wrong face recognized on CCTV. And in some cases, the forest isn't even there, as in John B. Bachelder's birds-eye map of Gettysburg and its imaginary copse of trees. Is distance the straightest path to truth? What dangers lie in prioritizing the big picture? McPherson joins Smarty Pants to muddle through the trees.Go beyond the episode:Edward McPherson's Look Out: The Delight and Danger of Taking the Long ViewRead “Lost and Found,” his essay about the house in Gettysburg built by his great-great-grandfather, also named Edward McPhersonTune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.Subscribe: iTunes/Apple • Amazon • Google • Acast • PandoraHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.

For more than 50 years, the world knew her only as Little Miss Panasoffkee—a Jane Doe science once “proved” was a young woman from Greece. In this episode, we revisit her case now that she finally has her name back: Maureen “Cookie” Minor Rowan. Her daughter, Ann, shares with us the truth of growing up in the shadow of her mother's disappearance and reveals the haunting, intimate details of her life and memory that may finally lead to answers. If you know anything that could help investigators fill in those gaps, call (352) 569-1915, email sumtertips@sumtercountysheriff.org, or contact Crimelines at 1-800-423-TIPS. We would appreciate you liking, following, rating, and sharing the podcast. The more you share, the more likely it is that someone with answers will hear the episode and THAT is, as always, our ultimate goal. If you are interested, please consider supporting the pod by joining us over on Patreon! Are you up-to-date on all our regular content? Be a part of the C & C Fam by going to https://www.patreon.com/coffeeandcases to register! Learn more about your ad choices. Visit megaphone.fm/adchoices

209: Strength Training: A Path to Renewal Transformational Fitness & Mindset Coach Kyriakos Kalamaras coaches us on getting strong in the mind, body and spirit. Kyriakos Today's Lexi:  Δύναμη – Dynami – Strength In Today's Episode: Transformational Fitness and Mindset Coach is revolutionizing human potential and helping you to supercharge your health, ignite your mind and achieve the impossible.  Tune in to the Kefi Life podcast to learn about things such as muscles mass, time management in weight training, homeostasis, bio hacks and so much more. Resources: Kyriakos Kalamaras on Instagram (@livfitwithk) Credits: Music: Spiro Dussias Vocals: Zabrina Hay Graphic Designer: Manos Koumparakis  

This week Italy's defense minister accused Russia of waging a hybrid war on the continent, while Poland's Donald Tusk said that Russia was behind an explosion on Saturday on a railway line used to transport weapons to Ukraine. This is pushing Europe to take additional steps to beef up its defense amid wider concerns that Russia could take these hybrid attacks a step further. Charles Kupchan, a senior fellow at the Council on Foreign Relations and expert on Europe, joins Thanos Davelis as we look into Russia's hybrid attacks on Europe, asking the question whether Russia could escalate. You can read the articles we discuss on our podcast here:EU Proposes Multibillion-Euro Plan to Boost Military Mobility, Defense Tech Amid Russia TensionsHow the EU plans to get troops and weapons across the continent to deter Russia‘We are under attack': Italian defense minister accuses Russia of waging hybrid warPoland plans to charge 2 Ukrainians with sabotage of terrorist nature for railway explosionChina lashes out against US's Greece ambassador Kimberly GuilfoylePresident Christodoulides to meet with newly elected Turkish-Cypriot leader

This week we celebrate our 300th movie on the podcast with a trip to Greece!

Send us a textIn this episode of Soccer Bedtime Stories, we step into the life of one of the most famous players in football history, David Beckham.We start in a small working-class house in Chingford, London, where a skinny kid with a big dream spends hours in the back garden kicking a ball with his dad. Kids will hear how young David Beckham goes from local teams like Ridgeway Rovers to signing schoolboy forms with Manchester United, scoring that unbelievable goal from the halfway line against Wimbledon, and living through both heartbreak and redemption with England—from the red card at the 1998 World Cup to the legendary free kick against Greece that sent his country to the World Cup in 2002.Told in a calm, cozy bedtime style, this soccer bedtime story focuses on resilience, handling mistakes, and never letting go of your dream—even when the world doubts you. At the end, there's a short three-question quiz to help young listeners remember key moments from Beckham's journey and build listening skills in a gentle, fun way.This episode is perfect for:Kids who love David Beckham or Manchester UnitedYoung players who are learning about free kicks, practice, and perseveranceFamilies looking for a relaxing football podcast for kids at bedtimePress play, get snug under the covers, and let “Icons: David Beckham” carry your young soccer fan off to sleep with a story of curls, courage, and never changing your answer when someone asks, “What do you want to be when you grow up?” Hey soccer families—Tomek here from Soccer Bedtime Stories! Our first-ever chapter book is out: Soccer Mystery Chronicles: The Haunting of St. Mary's Stadium. It's spooky, soccer-packed fun—now on Amazon!

Diogenes wasn't a Stoic… but without him, the Stoics don't exist. His life was so bold, so uncompromising, and so brutally honest that it reshaped the entire philosophical world the Stoics inherited. In today's episode, Ryan sits down with classicist Inger Kuin to unpack the wild and brilliant philosophy of Diogenes, the original cynic. Inger Kuin is a researcher, writer, and teacher focused on the intellectual history of ancient Greece and Rome. She is Associate Professor of Classics at the University of Virginia. Originally from The Netherlands, she publishes both in English and in Dutch. Be sure to pick up a copy of Inger's new book Diogenes: The Rebellious Life and Revolutionary Philosophy of the Original Cynic. Check out Inger's website: https://ingerkuin.com/

James Patterson joins the show to talk about Disrupt Everything—and Win: Take Control of Your Future, his new playbook for turning constant disruption into something useful rather than paralyzing. He explains how he thinks about "positive" versus "negative" disruptors, wrestles with whether the gospel of disruption feeds our narcissism, and defends his literacy work and banned YA novels in places like Florida. Mike then presents to him evidence that one of the book's inspirational case studies isn't quite so inspirational; Patterson reacts to that information in real time. Plus: the episode opens and closes on the Trump administration's terror lists—from the maybe-imaginary Venezuelan "Cartel de los Soles" to Italy's Informal Anarchist Federation and Greece's archery-obsessed "Conspiracy of Cells of Fire". Produced by Corey Wara Email us at ⁠⁠⁠⁠thegist@mikepesca.com⁠⁠⁠⁠ To advertise on the show, contact ⁠⁠⁠⁠ad-sales@libsyn.com⁠⁠⁠⁠ or visit ⁠⁠⁠⁠https://advertising.libsyn.com/TheGist⁠⁠⁠⁠ Subscribe to The Gist: ⁠⁠⁠⁠https://subscribe.mikepesca.com/⁠⁠⁠⁠ Subscribe to The Gist Youtube Page: ⁠⁠⁠⁠https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g⁠⁠⁠⁠ Subscribe to The Gist Instagram Page: ⁠⁠⁠⁠GIST INSTAGRAM⁠⁠⁠⁠ Follow The Gist List at: ⁠⁠⁠⁠Pesca⁠⁠⁠⁠ ⁠⁠⁠⁠Profundities | Mike Pesca | Substack

Today's poem is Alarm Clock by Jennifer Maier.The Slowdown is your daily poetry ritual. In this episode, Maggie writes … “When I travel away from my kids, I have to coordinate our calls, which means demystifying the difference between my time and their time. “I'm three hours behind you in California” or “I'm seven hours ahead of you in Greece.” All of this talk about “my time” and “your time” is so odd, anyway, when you think about it—as if any time is ours. That's ours, O-U-R-S. No pun intended.”Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

America isn't just leading the AI race; it's increasingly built on it. Investor–author Ruchir Sharma joins Bankless to unpack why U.S. growth, stock gains, and even debt complacency are now tethered to a single story, and what a sensible hedge looks like. We trace how U.S. dominance happened, what could puncture the current euphoria, and where the real diversification lives: quality stocks that have lagged, broad ex-US exposure with currency tailwinds, and selective bets in India, China, and reform winners like Greece and Poland. We also tackle the “gold + stocks up together” puzzle, why that correlation can bite in a tightening cycle, and Ruchir's “two cheers” case for Bitcoin as a portfolio asset whose utility still has room to grow. ---

As Italy advances into Egypt, Britain quietly prepares its first major offensive — Operation Compass — in this tense buildup episode. We explore the friction between Churchill's impatient push for victory and General Wavell's insistence on realistic desert readiness, while massive reinforcements arrive: Matilda tanks, armored regiments, artillery, and supplies all vital to a bold strike through the Enba Gap. You'll also see how Italy's disastrous invasion of Greece shifts British priorities — from Egypt to the Balkans — with far-reaching consequences. This is the quiet storm before Operation Compass, where logistics, terrain, and leadership clash in the desert — setting the stage for one of WWII's most consequential early battles. Contact advertising@airwavemedia.com to advertise on History of the Second World War. History of the Second World War is part of the Airwave Media podcast network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you been secretly judging some other mom, your sister, a neighbor or friend? Are you stuck in a constant rule-keeping mindset? Are you a judgy Pharisee-type who'd like to break free?  My friend and pastor's wife Libby VanSolkema describes herself as a "Recovering Pharisee" and I can relate. In our conversation about Luke 6, we're exploring Jesus' surprising response to the Pharisees after the disciples pluck grain on the Sabbath, Let's flip on the lights and expose our own legalism which is the first step to freedom and transformation. Judgy SeriesGuest: Libby VanSolkemaGet your Free Resource: 20 Page WorkbookRecommended Resources: Check out Shannon's Amazon Storefront HEREMusic: Cade PopkinLibby VanSolkema is President of Ancient Paths Study Tours in addition to being the Research, Curriculum and Resource Director at Crossroads Bible Church in Grand Rapids, MI. Libby is passionate about leading groups to Israel, Greece, Turkey, and Rome, inviting people to learn in community and to discover how the Bible's cultural context illuminates its timeless truth. Libby has an undergraduate degree from Wheaton College and has done graduate work at Jerusalem University College, Grand Rapids Theological Seminary and Calvin Seminary. Mentioned Resources:Crossroads Bible ChurchThe Locker Room PodcastThe Locker Room Podcast – Shannon as a GuestAncient Paths Study ToursCheck out more episodes in the Judgy Series.Get your Free Live Like It's True Workbook.Check out Resound Media. Check out my nine week study, Control Girl: Lessons on Surrendering Your Burden of Control from Seven Women in the Bible.We've got leader's guides, free bonuses and more for you at ControlGirl.com.  Visit ComparisonGirl.com and get the answers both she and you need in my new book, Comparison Girl for Teens: Thriving Beyond Measure in a World That Compares. Conversation starters, quizzes and more.  Learn more at ShannonPopkin.com.

**Podcast Highlights**1) . How do we stabilize in a world that is rapidly deconstructing?2) How do we navigate reality when the rules we once lived by no longer apply?3) What is the purpose behind the global unraveling we're seeing… and what is emerging from its transition?4) How our multidimensional selves communicate with star civilizations, councils, and cosmic networks?

The boys return for another week to discuss the latest in Greek football, the gift that keeps on giving.International BreakGreece defeated Scotland but drew with BelarusWhere do we go from here, and is there hope for the future?Cyprus ended the year on a bad note.U21 is flying in their qualifying group with 5 wins in a row.SLGR AEK host ArisVolos play Levadiakos in the high-flyers derbyOlympiakos play Atromitos, who appointed a new managerOther newsMouzakitis wins the Tuttosport Golden Boy AwardMandas wants out of LazioGive us a follow on:X: https://twitter.com/HellasfootyInstagram: https://www.instagram.com/hellasfooty/Facebook: https://www.facebook.com/@HellasFootyRead our blogs on: https://hellasfooty.blogspot.com/Intro music credit to George Prokopiou (Ermou Street)

(2:58) A Young Antetokounmpo(7:30) Joining the Greek Military(10:30) Greek Pro Basketball with Filathlitikos(19:30) 2013 NBA Draft(22:00) Memories from Rookie Year(26:00) The Journey to Stardom(50:00) The Ability to Lock-In(54:00) Importance of High Character Teammates(1:01:30) What Thanasis Brings to the Team(1:08:00) Aging in the NBA(1:17:00) Giannis 'The Playmaker'(1:28:00) What a Gold medal would mean for Greece(1:31:45) Xs & Os(1:35:00) Giannis' Player Comps(1:40:00) Defining Your Legacy Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ever wondered what really happens behind the scenes at luxury business retreats and what makes them worth the investment?In this episode, Barbara takes you behind the scenes of a whirlwind season of retreats across the globe-from Greece to LA, Aspen, and beyond. After spending six weeks attending multiple high-level business and mindset retreats, she's sharing her biggest takeaways on what truly sets retreats apart from large conferences, the lessons learned from international event planning, and insider insights from top-tier entrepreneurs (including Jay Shetty himself).Barbara reveals how these intimate experiences have shaped her future retreats within The Council Mastermind, including a luxurious European experience in Greece, and why she believes curated, small-group events are the fastest path to transformation in business and life. Whether you're dreaming of attending your first retreat or hosting one yourself, this episode will inspire you to invest in experiences that expand your vision and your network.Tune in to hear:What Barbara learned from attending 5 retreats across Europe and the U.S.Why she prefers small, high-level retreats over massive conferencesBehind the scenes of Jay Shetty's viral social media strategyHow to properly plan and curate a luxury retreat experienceLessons learned from hosting (and attending) retreats that ran out of foodThe importance of R&D before choosing your retreat location or venueWhy investing in yourself through travel and community is key to long-term successSneak peek into The Council Mastermind 2026 retreats in Scottsdale, Newport Beach, and GreeceComment “COUNCIL” on Instagram to learn more about the Council MastermindHow To Get Involved:Life-Changing Money is a podcast all about money. We share stories of how money has impacted and radically changed the lives of others—and how it can do the same for you.Your host, Barbara Schreihans (pronounced ShREE-hands) is the founder and CEO of Your Tax Coach, and the creator of the Write Off Your Life Course. She is a top tax strategist, business coach, and expert in helping business owners and high-net-worth individuals save millions in taxes while increasing profits.When she's not leading her team, coaching clients, or dreaming up new goals for her company, you can find her drinking coffee, hanging out with her family, and traveling the world.Grab a cup of coffee and become inspired as we hear from those who have overcome and are overcoming their self-limiting beliefs and money mindsets!Do you have a burning question that you'd love to hear answered on a future show?Please email it to: podcast@yourtaxcoach.bizSign Up For Our NewsletterLife Changing Money PodcastGet Tax Help!

There's a story that in the year 1170 a Prince from Wales, named Madoc, led a group of Welsh colonists over the Atlantic to North America. This group allegedly mingled with the local indigenous people and eventually assimilated into their culture. However, they left behind their language. For centuries it was believed that a lost tribe of welsh-speaking indigenous people lived somewhere in America. Is there anything to the legend of Prince Madoc or is this just a strange case of fake history? Tune-in and find out how penguins, elephants in Virginia, and Welsh utopians all play a role in the story. Join us in Greece in 2026! Check out the itinerary and book HERE!Check out the merch at out T-Public store HERE! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Lydia travels to Kalamata, Greece, a renowned freediving spot to investigate the doping allegations. What substances are athletes meant to be taking? And what are the risks – to them, and to the sport she loves?Subscribe to Observer+ on Apple Podcasts and Spotify to binge listen to the entire series on Tuesday 18th November.To find out more about The Observer:Subscribe to TheObserver+ on Apple Podcasts for early access and ad-free contentHead to our website observer.co.uk Reporter - Lydia Gard Producer - Gary Marshall. Music supervision and sound design - Karla PatellaSound design - Rowan BishopPodcast artwork - Lola Williams Fact checking - Poppy Bullard, Katie Gunning, Amalie Sortland, Madeleine Parr & Jess Swinburne Executive producer - Basia Cummings Hosted on Acast. See acast.com/privacy for more information.

#319: If you've ever lost your spark — that fire that used to drive you — and wondered if it would ever come back, this conversation is for you. Today I'm welcoming Rachel Rodgers back to the podcast. You know Rachel as the founder and CEO of Hello Seven, bestselling author, and someone who's living proof that audacious goals are within our reach.Rachel gets incredibly honest about a period of deep grief that nearly derailed her eight-figure business, how community pulled her back to her center, and the casual question in Greece that sparked a 100-million-dollar plan. She shares why 10X-ing isn't about doing more (it's actually about doing less), how to use what you already have to create something new, and why setting small goals keeps us stuck.This episode is for you if:You're ready to stop playing small and set goals that actually light you upYou're ready to get your spark back after a period of being off your gameYou want to understand what it really takes to 10X your focus and impactWe talk about…How Rachel turned a podcast into a TV show by following her creative instinctsThe six-month period of grief and depression that nearly stopped her businessWhy shame shields solutions — and the importance of community during hard timesThe casual question in Greece that sparked a 100-million-dollar business planWhy 10X-ing your business is actually about subtraction and editing, not additionHow big goals wake you up in ways that 10% growth never willWhy most people quit right before things work — and how consistency winsHow to take stock of what you have and cook up your next move (even with nothing)Why Gen Z needs a completely different financial playbook than generations before themEpisode Links:Listen to Episode 223: Rachel Rodgers on How to Establish Million-Dollar HabitsWe Should All Be Millionaires by Rachel RodgersFuture Millionaire: A Young Person's Step-by-Step Guide to Making Wealth Inevitable by Rachel RodgersMillion-Dollar Action Plan by Rachel RodgersSupport The Rachel Rodgers Show: Entrepreneurship, Uncensored on KickstarterGet your She's So Lucky Merch: https://shop.dearmedia.com/collections/shes-so-luckySponsors:Quince: Quince is the go-to for elevated basics at affordable prices. Visit quince.com/balancedles for free shipping and 365-day returns.LMNT: Get a free sample pack with purchase at drinklmnt.com/balancedles.Mosh: Support your brain health with MOSH Bars. Head to moshlife.com/lucky to get 20% off plus FREE shipping on the best sellers Trial Pack or the plant-based trial pack.Kendra Scott: Visit kendrascott.com/gifts and use code SSL20 at checkout for 20% off ONE full-priced jewelry item. Exclusions apply, offer ends December 31, 2025.Shopify: Start your online business with Shopify. Sign up for your $1 per month trial at shopify.com/balancedblackgirl.Happy Mammoth: Try Hormone Harmony risk-free AND get 15% off your first order with code LUCKY at happymammoth.com.Keep in touch with Les and She's So LuckyFollow Les on IG @lesalfredFollow She's So Lucky on IG @shessoluckypodFollow Les on TikTokFollow She's So Lucky on TikTokSubscribe to the She's So Lucky Newsletter: https://shessolucky.kit.com/bestcaseVisit our website at shessoluckypodcast.comPlease note that this episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode.Produced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Steven's website at the University of Mississippi: https://olemiss.edu/profiles/skultety.php Declaration of Independence Center for the Study of American Freedom: https://olemiss.edu/independence/ We discuss American freedom, the Founding Fathers, philosophy, Aristotle, and the intellectual magic of ancient Greece among many issues. _______________________________________ If you appreciate my work and would like to support it: https://subscribestar.com/the-saad-truth https://patreon.com/GadSaad https://paypal.me/GadSaad To subscribe to my exclusive content on X, please visit my bio at https://x.com/GadSaad _______________________________________ This clip was posted on November 18, 2025 on my YouTube channel as THE SAAD TRUTH_1941: https://youtu.be/jM3fxp0Lkok _______________________________________ Please visit my website gadsaad.com, and sign up for alerts. If you appreciate my content, click on the "Support My Work" button. I count on my fans to support my efforts. You can donate via Patreon, PayPal, and/or SubscribeStar. _______________________________________ Dr. Gad Saad is a professor, evolutionary behavioral scientist, and author who pioneered the use of evolutionary psychology in marketing and consumer behavior. In addition to his scientific work, Dr. Saad is a leading public intellectual who often writes and speaks about idea pathogens that are destroying logic, science, reason, and common sense.  _______________________________________

SPONSORS: 1) HOLLOW SOCKS: For a limited time Hollow Socks is having a Buy 3, Get 3 Free Sale. Head to Hollowsocks.com today to check it out. . #Hollow Sockspod 2) AMENTARA: Go to https://www.amentara.com/go/julian and use code JD22 for 22% off your first order! PATREON: https://www.patreon.com/JulianDorey (***TIMESTAMPS in description below) ~ John Kiriakou is a former CIA spy who was the agency's chief of counterterrorism in the Middle East prior to being prosecuted by the DOJ. JOHN's LINKS: All of John's uncensored content is available exclusively here: https://rebrand.ly/juliandorey YouTube: https://www.youtube.com/@realjohnkiriakou X: https://x.com/JohnKiriakou IG: https://www.instagram.com/realjohnkiriakou/ FOLLOW JULIAN DOREY INSTAGRAM (Podcast): https://www.instagram.com/juliandoreypodcast/ INSTAGRAM (Personal): https://www.instagram.com/julianddorey/ X: https://twitter.com/julianddorey JULIAN YT CHANNELS - SUBSCRIBE to Julian Dorey Clips YT: https://www.youtube.com/@juliandoreyclips - SUBSCRIBE to Julian Dorey Daily YT: https://www.youtube.com/@JulianDoreyDaily - SUBSCRIBE to Best of JDP: https://www.youtube.com/@bestofJDP ****TIMESTAMPS**** 0:00 — Intro 02:25 — John's Pardon? Iran Troops, Greater Tunb, Middle East Complexity, Israel Intelligence 15:30 — Intelligence, Cell Phone Tracking, B0mbing Iran, Obama v Netanyahu, South African Nukes 26:41 — The “Peace Deal” Ceasefire, Israeli Gov, Palestine, Kuwait 1990, Black September, Egypt 40:15 — Abraham Accords, MBS, King Abdullah II, Gaza, Palestinian-Israeli Future 52:08 — Christian Zionists, Evangelical Influence, Gaza Christians, Rising U.S. Anti-Semitism 01:00:50 — Tucker Issue, Israeli Schools & Antisemitism, Psy-Op Claims 01:09:52 — Rise of NF, Bot Campaigns on X, John's Prison Years, John's Cemetery Guide 01:21:44 — Unofficial Graveyards, Saving the Declaration of Independence, Wonder Bread Origins 01:32:39 — Overseas Cemeteries, D3ath Rituals in Greece, Iran Pushed Into a Nuclear Corner 01:45:55 — French Espionage Kerfuffle, Elite French Intelligence, Post-9/11 Serial-Killer Mentality 01:54:40 — French Intel & MI6, Princess Diana's D3ath, Nuclear Protocols, Soylent Green 02:07:14 — The Omega Man, John Meets Charlton Heston 02:09:04 — John Brennan, Forum Shopping in Courts, Biden Should've Pardoned Trump 02:21:34 — Attempted CIA Coup, Congress, Independent Thinkers, Saikat Chakrabarti 02:32:28 — People Jump to Conclusions, India vs Pakistan, Human Nature & Power 02:38:39 — Next-Level Operators After 9/11, Ethical Collapse, High-Level CIA Performance Pre-9/11 02:51:32 — Vault 7, CIA Remote Car Hacks, Smart TV Mics, Parallel Ops with NSA, Black Budget 02:57:38 — In-Q-Tel, Palantir, Civil Liberties Concerns, Classified Drone Base, Karp & Thiel, Abraxis 03:10:18 — Finding Money, Elon's Shift, “Make Your Own Way,” John's Kids Not Bound by His Past CREDITS: - Host, Editor & Producer: Julian Dorey - COO, Producer & Editor: Alessi Allaman - https://www.youtube.com/@UCyLKzv5fKxGmVQg3cMJJzyQ - In-Studio Producer: Joey Deef - https://www.instagram.com/joeydeef/ Julian Dorey Podcast Episode 356 - John Kiriakou Music by Artlist.io Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Wall Street Journal ran a story earlier this month highlighting how the problem economies in Europe are no longer in the south, but in the north, with France and Germany dealing with budget deficits and debt while the former crisis hot spots like Greece look financially healthier. Mij Rahman, managing director for Europe at the Eurasia Group, joins Thanos Davelis as we take a closer look at this story.You can read the articles we discuss on our podcast here:Europe's Role Reversal: The Problem Economies Are Now Farther NorthKombos highlights Cyprus' growing value to the U.S.PM says government will allocate over 2 billion euros to support incomes

Welcome back maniacs! In the 124th episode of The Metal Maniacs Podcast, hosts Jay Ingersoll and Modd dive headfirst into the 22nd installment of our fan-favorite Reaction Series! You already know what time it is — we're scouring the underground to find the heaviest, most creative, and most unhinged sounds the metal world has to offer.

This episode contains no music from the bands. Streaming has changed their policy to not allow us to use music in our show anymore. You can go to youtube to enjoy the full episode and will have another way for you to enjoy these FULL shows soon. Welcome back maniacs! In the 124th episode of The Metal Maniacs Podcast, hosts Jay Ingersoll and Modd dive headfirst into the 22nd installment of our fan-favorite Reaction Series! You already know what time it is — we're scouring the underground to find the heaviest, most creative, and most unhinged sounds the metal world has to offer.

How do we understand the world and our place in it? Do our lives consist of a small number of dramatic turning points, or is there nothing but a series of gradual changes from infancy to old age? Are political elections genuinely transformational, or merely arbitrary points along a shifting cultural timeline? And in physics, how can the continuities of general relativity coexist with the discontinuities of quantum theory? In Waves and Stones, Graham Harman shows that this paradoxical interaction – the question of whether reality is made up of sudden jumps, or is laid out along a gentle gradient with no clear divisions between the various things in the world – permeates every area of human life. What's more, this paradox is as old as human thought itself. In exploring how the continuous and discrete relate to each other, he takes us on a kaleidoscopic journey from the philosophers of ancient Greece, through the writings of the great Arab historian Ibn Khaldun, through architectural and evolutionary theory, the compatibility of religion with science, and the wave-particle duality of matter. To explore the relationship between the continuous and the discrete, Harman shows, is to consider the very fabric of reality. With this dazzling new book, he proposes a new way of thinking about this ancient problem, with profound implications for our understanding of ourselves and the bewilderingly complex world in which we live. Learn more about your ad choices. Visit podcastchoices.com/adchoices

 They put in their cover letter, “Honestly, we're just gonna go up to Yellowstone around that time and we would love to swing by and show the movie.”Rudi Womack is the Director of the Wyoming International Film Festival and the creator of the YouTube channel The Film Festival Guide.In this conversation, Rudi talks about:* What watching thousands of film festival submissions has taught him about good storytelling* The biggest mistake filmmakers make when they submit to festivals* Why transparency matters and why he published all of the submission and acceptance stats for the Wyoming International Film Festival * The importance of a compelling poster and thumbnail* How to write a good description of your movie* The most important questions filmmakers must askHere is a link to Hiike, the new film festival submission platform that Rudi mentioned.If you enjoyed this episode please forward to a friend.Here is an AI-generated transcript of my interview with Rudi. Don't come for me.79. Film Festival Director Rudi WomackBEN: Hi everyone. This is Ben Guest and this is The Creativity Education and Leadership Podcast. My guest today is Rudy Womack, who is the director of the Wyoming International Film Festival, and also Rudy has a fantastic YouTube page called The Film Festival Guide. So for all my filmmakers out there who are interested in submitting to festivals in this interview and on Rudy's YouTube page, he breaks it down. Enjoy.Rudi, thank you so much for joining us.RUDI: Hey, it's my pleasure to be here. Thank you for having me.BEN: So I always start off with a fun question, and we're entering the holiday season, so very important holiday question. Is Die Hard a Christmas movie?RUDI: Absolutely. A hundred percent. Come on.BEN: I love it. So I, I told you this off Air, I found you through the Rate YouTube channel.You have the Film Festival Guide. Is that the right name? I wanna make sure I get the name right. Yeah. The filmRUDI: festival guide. Yep.BEN: On YouTube Film Festival Guide on YouTube. Please. Any filmmakers out there go and subscribe. The information is so helpful. What, why did you start the this YouTube page?RUDI: I, as a filmmaker have gone through the festival circuit several times and I made a lot of amateur mistakes. I didn't know what I was doing. Definitely fell on my face a couple of times, but I also had some successes. And as I did more film festivals, I started learning more about the circuit.I got invited by a film festival to become a programmer, and so I started reviewing a lot of films and seeing a lot of the submissions. And I think instantly that made me a better filmmaker just because I saw what was working, what wasn't working, and how other filmmakers really brought to, brought their stories to life on the screen.And it, it was truly inspirational. Very long story short, the Wyoming International Film Festival was started by a gentleman named Alan Oi, and he's a, he's a documentarian out of Wyoming, which is where I'm from. I'm from Wyoming. So Alan had the film festival and he had run it for some years and it was going great and everything.But then Alan retired and now he's retiring. He wants to move outta Wyoming and he doesn't wanna run a live event. ‘cause it is a lot of work in his words. And I quote, it's a young man's game. And at the same time, COVID hit and he didn't wanna do the whole online thing and it was just a big mess.So Alan was like, I'm done with the festival, it's done. I'm just gonna let it die. And I was begging him, no, Alan, you can't do it. It's so important for indie filmmakers. And at the time I'm just finding my feet in the festival circuit as well as both a filmmaker and now I'm a programmer.I'm begging him like don't let it die. It's important, maybe I can help out. And he was like, why don't you run it? And I was like, absolutely not, man. What are you talking about? That's crazy. No way. No way. And I was like, I'm going to be your director of programming. That's what I'm going to do.I'm gonna help you get films in so you don't have to do that work. Very long story short, I ended up running it. I ended up taking over the festival from Alan. I did so reluctantly. But when I started working with the festival, working with the community, working with my hometown filmmakers and my home state filmmakers, and just seeing how important a film festival can be for a local community to uplift indie filmmakers to help them along the way I fell in love with it and here I am now, I run the film festival.And your question was, how did I start the YouTube channel? Sorry, I'm getting there. But I got a lot of questions from filmmakers about festivals, like how to navigate ‘em. And there's just so much mystery behind film festivals ‘cause it's so opaque. There's not a lot of transparency from film festivals.Film festivals are sketchy about which films they do select and which they don't. And frankly, there's a lot of misinformation out there about festivals. So I started answering a lot of questions and I started repeatedly answering the same question again and again and again. And I had some friends who told me, you should write a book.But I was like, yeah, but books, there are books, like people have already written books, bluntly, frankly, people far more experienced and knowledgeable than myself have written books. And so if you're not reading those books, then you're probably not gonna read my book. So that's when I decided, you know what, the YouTube channel is a great way to just do very easy outreach.Take one single topic, break it down for 10 minutes, and hopefully help filmmakers along on their film festival journey.BEN: I love it. And you said something for all the filmmakers who are listening. I'm gonna come back to it. Don't worry. You said something about once you started programming and watching so many films, you got a good sense of what works and what doesn't.So I definitely wanna come back to that. I know the filmmakers listening want to hear that. But before that you mentioned 10 minute videos. You strike me as somebody who, does research and takes time to Yes. Before they do something. What did you discover about running a YouTube page?What things work, what things don't work?RUDI: I'm still very early on in my own YouTube development. I'm still trying to learn what does and doesn't work. So I'm probably the worst person on earth to give advice. Definitely that first 32nd hook is so important on YouTube, just like it is on a film that, that intro, how we come into the story, whatever, on YouTube, you can see a massive drop off and apparently it's that way on every channel.Again, I'm not a YouTube guru, so I don't give advice, but that first 32nd hook is a big deal, but also just my presence on camera. I come from the post world. I'm an editor, so I'm not just behind camera. I'm behind, behind the camera. So I'm very much not used to an on-camera presence, so I'm developing that and learning it as well.What kind of energy I can bring. How to make it engaging. But also I don't wanna be zany and too quirky or anything because I am trying to give good guidance to filmmakers, but I also don't want to lecture them and bore them to death. So it's finding that balance of information that's valuable, but also entertaining enough that people don't wanna click off.And it's actually quite a complex thing that I'm still unraveling one video at a time. But the best advice that I saw was some YouTube guru who is just focus on getting 1% better on every single video. So is that little bit better graphics or better delivery, or better audio, or better editing or whatever it is.And after a hundred videos, you're now a hundred percent better. So that's what I've been focusing on. Just very small baby steps.BEN: Yeah, that's such a great way to break it down, right? It just makes it bite-sized, get 1% better.RUDI: I think you can apply that to life in general. There's a lot of things in life just today be 1% better.That's it,BEN: so you mentioned once you start a programming scene, get enough feel for what works, what doesn't, especially with short films, both narrative and docs. What are you seeing that works and doesn't work?RUDI: In the shorts world I'm seeing a couple of things. One, a self-contained story, and this is something that I had a problem with because oftentimes I would go for more of a quote unquote scene instead of a full beginning, middle and in, in a story.So a self-contained story typically is gonna make your short film much more successful. This can be hard for some filmmakers because they're trying to make a proof of concept short film that they're gonna go and get financing for their future. So one of the things that they often do is they just take a scene outta their feature and then just shoot that, which has mixed results.And the problem is the films that have gotten financed and been made from shorts that have done that are the ones that you see. So it's actually a survivor bias, where it's like it, it works for those particular films and therefore everybody thinks it's gonna work for their film. But obviously the films that it doesn't work for, you're never going to see.So you don't understand, actually for the majority of films, it doesn't work. So if you have a proof of concept, I actually say, don't pull a scene outta your feature. I say write its own scene, or sorry, your own short film. That exists in the same world and universe with the same characters as what your feature film is.And I think that's gonna have much more success on the film festival circuit. And that will lean you or lead you to whatever your goal is, financing or distribution or whatever. So that's a big thing with short films that makes ‘em successful is make sure it is actually a self-contained story and it doesn't have any loose ends, so to speak.What doesn't work is something that I myself struggle with, ironically as an editor. And that's things being too long and you need to parse them down. Now a lot of people will say, shorter, the better, which is true, but I actually think that's a result of actually getting to the core of the problem.And that's make your film as concise as possible. Get the idea. The emotion, the story out as concise as you can. And what that does by happenstance is it makes your film shorter. So it's not that shorter is better. I know there's it almost sounds like I'm just splitting hairs here, but I've seen plenty of five minute films that didn't work.I've seen plenty of 10 minute films that board me to death. So shorter isn't necessarily better. It's more concise of your story is better. And sometimes that still manifests as a 20, 30, 40 minute film. But if it's a very interesting 20, 30, 40 minutes, that's not gonna matter.BEN: It's such a great point. And for me, when I get to a certain point in the edit, I like to just bring in a couple friends and have them watch it. And then I just sit there and watch them watch it and whatever feedback they're gonna provide afterwards. 95% of what I need, I can just tell from Body Language as they're watching the film.RUDI: Yep.BEN: You come fromRUDI: theBEN: Go ahead.RUDI: Oh I was just gonna piggyback off that and just say, audience feedback is worth its weight and goal.BEN: Yeah.RUDI: And every filmmaker when you hit that fine cut stage, like you said, get your friends and family together, buy everybody some burgers and fries or whatever.Get ‘em all together. Gather ‘em up in a room, watch them, watch your film. That's gonna tell you more than anything else. We'll be able to about the success of your film and where it's strong, where it's weak, where you can still fix things. And I always suggest do it in your fine cut stage because nothing's locked in and you can still move things around and adjust, or whatever it is you need.BEN: Love it. And I think earlier what you are really getting at is telling a good story. Yes. And I'm amazed at, not amazed, but maybe a little disappointed, especially in today's world, the technical side of filmmaking. Even for an amateur, even for an indie filmmaker that you can, things can be d done so well technically, but there's no story.RUDI: Yes. All the time. So when I get onto Reddit, ‘cause you mentioned Reddit earlier if I go onto our filmmakers, right? Yeah. I don't have to look far to see people just geeking out over the newest Camerons. It's, and it's always cameras. Everybody always talks about. This camera is so fancy and it has so many stops above and this lens can do this and blah, blah, blah, blah, blah, blah, blah.It has this big bit rate, whatever. Everybody gets so excited about cameras and I always say to myself, man, if they got this excited about audio, I wouldn't have to reject half the films that we have to reject because the audio is just blah. So if we're gonna talk tech, if we're gonna talk about the quote unquote quality of the filmmaking, I think what filmmakers need to understand is there are so many films out there we're that is just the foundation.It is the base level, it is the bare minimum that the film looks good. It sounds good. It feels good. So for us, festival guys, we see so many of these films. You're super gorgeous cinematography, you're really fancy, VFX, whatever it is that you think really separates your film from the pack. I don't wanna discourage you, I don't wanna sound jaded or anything, but it's not as impressive to us as you might believe it is, simply because we see hundreds and sometimes thousands of films like that.So for us it constantly falls back to originality and the story. Is the story well done? Is it well told? Is it a new and interesting story that we've never seen before? Is it a story that we've seen before but told in a very unique way, from a specific point of view, that is what is going to move us as festival people.‘cause when I put it into the theater and my audience walks in and they pay a ticket. My audience is used to going down to the theater and seeing a hundred million dollar movies. So for them, quality is just a given. It's just assumed they're not going to be thinking about it for them. They go and watch a movie ‘cause they're interested in, and I think if more filmmakers really dialed in on their story, they're going to find more success.BEN: So many great points there and a hundred percent agree with what you were saying about people get excited about the camera. And so I did my MFA at USC and there were three different times where I was on a set that, that I felt was unsafe. Not that I felt it was unsafe, what they were doing. Geez. And I walked off and it was always to get the cool shot.Like no one's ever hanging off a balcony to get room tone. You know what I mean? It's just, it's always to get the cool shot that, again, if you're not telling a good story, it doesn't matter. And to your point, I've always felt good audio is more important than good video.RUDI: Good image.BEN: Yeah.RUDI: Look at the documentary. Look at the nonfiction world. We see verite stuff all the time. We see stuff people recorded on their phone or, security camera footage or whatever, like at the end of the day in the nonfiction world is a great example of the quality of the shot doesn't necessarily matter so much as the quality of the story and how it's being told and how it's being revealed to us.And the audio is always gonna be very clean, very top notch, even if it's quote unquote found footage or. Veritate footage or whatever, the audio is always peak. I saw that Netflix doc recently, it was super heartbreaking. The perfect neighbor. And most of it is police body cam footage, but the audio is clean so we're able to follow the story so no one sits back and thinks of themselves this isn't a good shot.Of course it's not, it's police potty cam footage. Like it doesn't look good and it's not meant to,BEN: but it sounds good. And so you can follow it.RUDI: Yes.BEN: What what are some tropes that you think you've gotten tired of seeing in, especially in short films?RUDI: So every year it's a little bit different.You would be surprised what things pop up and what don't. The one trope that kind of rubs me the wrong way, I, I don't know how to describe it any other way than filmmaker self therapy. Like they, they're definitely going through something at the moment and they're not focused on creating a good story.They're more focused on using their art form to emotionally process whatever it is they're going through, which fine, you are an artist that makes sense to do, but also I can't sell my audience on that. So while I don't wanna discourage someone from making a film that is very near and dear and personal to them, at the end of the day, it might not be a good fit for film festivals.And so I, I would really think twice about whether or not that is a story that an audience, frankly, needs to see. Filmmaker cell therapy is one that when I get it, I'm always eh I don't know what to do with it. I just, I don't know what to do. Some other tropes that we see very commonly are like.Obviously right now, tech and AI and stuff like that gives a lot of people anxiety. So there's a lot of like evil robot takes over or the big reveal at the end of the movie, they were a robot the whole time, or the whole thing was a simulation or whatever. That's being very well tread right now.For me, I'm I am not a political person and anytime some big thing is in the news, we see tons of films on it. So I understand politics do affect people's day to day and their lives, so I understand that manifest. But man, I probably have a hundred immigration films right now and that's a lot. And I'm not gonna screen that many, so I'm only gonna pick like one, maybe two, so that's a tough one to do.Anything that's like a hot button political issue. We always see a big wave of those come in. And then honestly, romance dramas get tough. It isn't evergreen. We do have an audience for it. We usually do have some kind of a selection of them. Romance dramas have existed since the beginning of time.It's always been a thing. But filmmaker broke up with his girlfriend, so now he has a character who breaks up with his girlfriend. It gets it, it doesn't get very original. I, it just it gets exhausted. So those are some of the kind of general tropes I would avoid. I have heard other festival directors talk about like cancer films and Alzheimer's films and stuff like that.This year I'm not seeing so much of those, but I have seen those in the past. So tho those are some other. Tread stories we'll see.BEN: One of the things that I appreciate about. Your series of videos is your transparency, and you have one video where you literally break down. Here are all the films the number of films, Wyoming International Film Festivals received. Here's how it breaks down, here's how many we, we accepted, et cetera, et cetera.You have another one where you literally show the viewer, this is what we see as a programmer on our film freeway portal. Here's the scoring sheet. I think it's a little bit different from the one you guys use internally, but basically here's what the scoring sheet on film freeway looks like. Why is transparency so important to you?RUDI: Because I'm a filmmaker, because I've been to so many festivals where I have no idea what the hell's going on. I've been to festivals where I think my film is gonna be a good fit. I think based on what I've been able to investigate on my own, digging through their website, digging through their archive.Seen what they've programmed before. I think I'm a good fit, but I don't actually know. And I've submitted to festivals where later on, I see what they programmed or I got rejected or even accepted and then gone to the festival itself and have been a little disappointed when was like I this festival didn't fit my goals the way that I thought it would, or, this festival wasn't going to do the things for me.Or this festival, like really promoted themselves very heavily as this big event. And then you get there and then it's not, and that's a little bothersome. So when I stepped into my role at the Wyoming International Film Festival, I made a whole bunch of changes. But one of the changes that I made was, we are going to be transparent.I don't ever want a filmmaker to submit to our festival, get in, get accepted to the festival, drive all the way out to Wyoming and be disappointed. I don't want them to do that. That's not good for them. It's not good for us. It's not good for the community. It's not good for indie film at large.What's better is if we just be what we are in Wyoming, we're straight shooters. We just say it as it is. So I'm going to tell you exactly how many films were submitted, which films we accepted, what the percentage rates are, how many shorts versus features, how many docs versus narratives, how many music videos, all of this stuff.And we've been releasing the data for the past couple of years. This year, like we went all out with the data it was much more thorough than what we've done in years past. And even me, the director of the festival, I sit back, I look at the data and I can see some weak spots in it. I can see where we need to improve as a festival, where we need to start, bringing in a certain type of film or where other films might be overrepresented or how we can give more of an experience to our filmmakers.Just by boiling it down to numbers and looking at it. I can start seeing some of our weak spots and I want to improve on that ‘cause I want to have a good festival. And I think if more festivals were to do that, I think the filmmaking community at large would be much more appreciative. And I think film festivals need to understand.That if you have fewer submissions, that's not a bad thing because the submissions that you are going to get are filmmakers that really want to be in your festival and that's good for the health of your festival, the community, the filmmakers, everything. So I, I think the only way we get there is by being transparent.And thankfully there are other festivals that are publishing their data, which is great. And that makes me very happy to see. And I hope that trend continues and I hope even more festivals start publishing more of their data and showing how they review films, what their scorecards look like, what they're looking for.‘cause ultimately I genuinely believe that just serves the filmmakers better and ultimately makes everybody have a better experience on the film festival circuit, including the festivals themselves.BEN: When you took over as directorWhat were the biggest challenges?RUDI: So our biggest challenge to this day is our venue.So there's only one movie theater in Cheyenne, Wyoming. It is owned by a company outta Casper, Wyoming. They own pretty much a monopoly of movie theaters across the state, like most of them. And they don't allow anybody into their theaters at all. They don't allow her private screenings or corporate events or, in individuals who wanna screen their film or film festivals.I'm not the only film festival in Wyoming. I talk with other festival directors. They can't get in either. It's funny, the film commissioner of the state can't even get in. You would think the movie theater would at least want to partner with the state film Commission, but no. So for us, the challenge has been a venue and luckily our partners over at Laramie County Community College.Have graciously allowed us to use their facilities for the last couple years. They have a beautiful auditorium that we do some of our screenings in, but we also have screening rooms in a black box theater that they have as well as a conference room. And when I say conference room, most filmmakers like their heart drops a little bit.They're like, oh man, I'm just, I'm going into a conference room. It's not a proper movie theater. And that's fine. We publish that data on our film freeway page on hike. We are transparent about that. So when you submit, you might be in the conference room. But ironically, I think it has some of the best audio and it has some of the best projection.So even though it's the quote unquote least movie theater, like I actually think it has some of the best projection, best color. But venue is probably one of our biggest challenges and we continue to develop that. We continue to. Trying to innovate. We're trying to build our own screening room there on the campus.Like we're trying to use one of their big classrooms for it. And what we wanna do is we wanna turn it into a lounge. We wanna bring in like couches and sofas and comfy chairs where it's like much more of a chill environment in there. And that's the type of film we wanna screen in. There's some you can literally sit back, settle in and relax.So there's things that we're doing to create a better environment for our filmmakers and of course our audience, our guests at the festival.BEN: I love it. What's been the biggest reward?RUDI: The, I get to meet you. That's what the biggest reward is. I get to meet so many filmmakers. I get to hear their stories.I get to be inspired. I get to learn stuff. I was talking with a festival director a couple of days ago. Who asked me about how we do our audience award scores and how we process that and what they do. And I just like I lit up, I'm like, oh my God. It's such a better way, it's more efficient, it's easier on the staff.It's more representative of how the audience actually feels about the film, the way the scores are aggregated and counted. It's so great. I get to meet so many people in this world of film and every single day it's like a new, whole new world is opened up to me and I get to hear so many fantastic points of view.I get to see so many awesome films, like just how many great movies are out there is a cinephile. It's like the most rewarding thing in the world. I'm an addict. I'm totally addicted to it. It's so great.BEN: I love it. I remember I used to coach basketball in my first year as a head coach. I was like, yeah, everybody's gonna be pretty competitive, other coaches and so forth.And they were, and I was. But at the same time, when coaches would get together, it was just so supportive. And people are sharing, this is what I'm doing in practice. I'm looking at this offense, this defense. And I imagine it's the same with other film festival directors and programmers. Oh, yeah. Just a supportive environment comparing notes.RUDI: It is. And the more that I meet, the more I truly do understand. 99% of festival directors out there are programmers, people who work in it. They have some tie to cinema. Most of them are filmmakers. Those who aren't, have a deep passion and love for cinema and for storytelling, and.Everybody's a volunteer. Everybody has a day job. Nobody makes money on this. They do it from the love of their heart. They truly do. And the way that they serve their communities, the way that they serve their filmmakers, some of the cool ideas they come up with there's some really neat festivals out there with like very interesting hooks or events or whatever.And I think it is such an incredible ecosystem and I think I'm truly privileged to be part of it.BEN: What are some lesser known or maybe mid-tier festivals or local festivals that you love to attend?RUDI: Okay, so one of my favorite festivals I guess you said lesser known. This one is not lesser known, but Film Quest over in Provo, Utah, damn man, pe like festival people talk about building community. They're on a different level. They've built a family. Like everybody who goes to that festival is just so tight knit there. There's no other festival like Provo or sorry, film Quest in Provo. It is just, it's on another level. And how well they treat their filmmakers is fantastic.Some years ago I was invited to be a jury member at the Fair Film Festival, which is in Ferazi Kosovo. So that is in southeastern Europe. It's a landlocked country, just a little bit above Greece, a little bit north of Greece and north of Macedonia. And Fari is a small town. And I went to that festival and first off, wow.What a great festival. I strongly suggest you submit your film to fair film. It's so good. But the cool part of being in this European festival, and frankly a small European country, most of the films are international, obviously. And so there's filmmakers coming in from like Jordan and Spain and Germany and Slovakia and Slovenia and like all over the place, Greece, Turkey, you name it.And how interesting it is to have this incredible cross section of languages and cultures and peoples, but we're all united by this one singular thing. And that's our love for storytelling and our love for movies. It had to be one of the most incredible experiences of my life. And the next movie I make, taking it back to cosBEN: Fantastic.Just had a question. What was it? Oh okay. So with the huge caveat of besides making. A good film, a film that tells a story. Besides that, are there any tips or tricks, things on the margins that filmmakers can do when they're applying to festivals to be aware of? Sometimes festivals. Ask for a cover letter orRUDI: Yes.BEN: Press kit, things like that. Okay.RUDI: So with, sorry, my phone is loud. I should turn that down. So obviously with a huge caveat of make a good film or whatever, what's the easiest way to get it? All of the stuff on film Freeway, and I do have a video on this, on my YouTube page if you wanna check it out, where I give you a tour of film, freeway from the festival side of things like what the festival can see and how we see it and how we navigate it.On the festival end of things. We can see your cover letter, your screenings and awards your. Cast and crew information, your director's bio, your director's statement, your photographs, your EPK, that's your electronic press kit your trailer, all of that. All of that. As much of that as you can possibly make, you should make it.It's very important. And you never know which piece is gonna be more important to a particular film festival. For instance, here's something crazy. I was meeting with some of my programmers last night. They had a whole bunch of films that they wanted to recommend to go to the next level programming.And we require films. Tell us where in the world or where in the United States the film was made. And every single one of ‘em was California. California. California. California. California. Which fine, whatever. California has a big film industry. That's, it's a very big state, population wise. Makes sense, right?But I am sitting back thinking, okay. I don't want it just to be a bunch of California movies. We have a big country here. I would like to see something else. And something caught my attention. One of the filmmakers, their address was in Birmingham, Alabama, but the film was shot in California, so I am suspicious.I haven't dug into it myself. I'm suspicious either that filmmaker's from Alabama and they have moved to California, or that filmmaker lives in Alabama and they shot their film in California. So they're answering where it was shot correctly. But for me, I'm like, there you go. When everybody's from California.I want that unique perspective. I wanna see someone's from Alabama and what their perspective is now. I haven't watched the film yet. I don't know if it's what we're looking for. Obviously it's a good film if my programming team has recommended it, there's no doubt in my mind it's good film. Now there's other considerations we're gonna have, but.That alone was something, even my, like I myself did not know that I would be looking for. So filling out all of that data on film, freeway, all of your information that you possibly can, your cover letters your screenings, your awards, whatever it is, the more information you give us as a festival, the more we have to make our selections.And it only benefits you. It only helps you out. So filmmakers don't get lazy. Fill out all of that information. We need it. We use it. It's important. Just do it.BEN: You mentioned a meeting with your programmers last night. Take us inside that conversation. What does that look like? What do you discuss, et cetera.RUDI: So there's. There's a big programming team and it's divided up into two different groups. There's our kind of first round screeners and then there's our senior programmers and the senior programmers pretty much review the films that have gone through that first round of screening that are getting recommended to go onto the next one.So typically when I'm talking with my screeners and everything, it's a very different conversation on the bottom end of it where they're just sorting through all of the submissions versus a different conversation I have with the senior programmers who are on the top end of it. We're now trying to decide how to block films together, how we're gonna organize it, what's the schedule maybe look like, what's the overall tone and vibe of the festival going to be, okay.If we wanna have a sci-fi block, do we even have enough sci-fi films? If we don't. Where else can we find homes for ‘em? Stuff like that. So those conversations are a little bit more high end, if you will. And it tends to be less about the story of the film itself and more about how that film is going to fit into the festival.Whereas when I'm talking with the screeners, it's much more on the story end. Like what about the story did you like or you didn't like? Or what was the unique point of view? Or whatever. So depending on which group I'm talking to it, it's gonna be different. And then of course that divides out further on features and shorts and documentaries and narratives and music videos.So like obviously my conversation with the music video people are gonna be much different than my like short documentary people.BEN: Shout out to short documentary people as a documentarian primarily makes shorts I'll ask a question for us folks. In one of the videos, as I mentioned, you literally show here's what the scoring sheet looks like.Yes. And that was for narrative with, I think one of the categories was acting and so forth. So for a documentary or documentary shorts, what does that scoring sheet look like? What do those discussions entail?RUDI: Film freeway does not allow us to have more than one scoring sheet.So unfortunately, there's just this one scoring sheet that's for everything. What I tell my screening team, and we definitely double check everything, like there's multiple people who look at something. So it's not just one person's opinion. You have at least two, oftentimes three, pretty often four.So for something like documentary they skip over that. That's what they do. So if there's no acting in the film, they skip over that. They don't rate acting if there is no acting. But you'd be surprised. There are documentaries that have acting in ‘em. There are like docudramas or documentaries with recreation In the recreation is like actual scenes and performances and stuff like that.So in those cases, even though it's a nonfiction and a documentary, yeah, we'll still judge it for the acting ‘cause that's what it has. I get the question. I'm gonna hijack your question for a second, but it is applicable. I get the question, do we accept AI in our film festival, we do not have any official policy for or against ai, which scares some filmmakers.But we do rate AI on the same standards as we would anybody else. So when it comes to creativity and originality, guess what, you're getting a nothing. ‘cause AI didn't create it. AI is not original. AI just mashes together a bunch of information from other people. So that's no creativity and originality.Same thing for something like, I don't know, art design. If you have a AI character walking through a scene or whatever you're getting zero on your art design. Nobody built those sets. Nobody costumed that actor. Nobody was the makeup artist or the hair or whatever other art deck or, PD or anything on the set.So we will accept ai. We have accepted one single AI film so far because despite all of its quote unquote handicaps, and it was a music video. It still was successful in other categories that had a good enough score. We as a team sat down, said Yes, that it still is a good film. The audience is still gonna enjoy it.The filmmaker definitely had a vision with it. They wrote out a whole thing on like why they chose to use ai. ‘cause they're also an experimental filmmaker, so it made sense for them and everything. So we were like, you know what? That's legit. Let's put it in. But other AI submissions, like I got an AI children's animation the other day and I'm like they didn't animate it themselves.They didn't voice act it themselves. It's not getting good scores on any of these. So we'll see. We'll see. We'll see if it gets through or not, but already you're shooting yourself in the foot. So don't do ai.BEN: Okay. Couple little. I don't know, around the edges or micro questions. One of the things that you talked about in one of your recent videos was having a good poster and you talked about designing your poster for your film prudence.RUDI: Yeah.BEN: Talk, talk to me about,RUDI: I specifically gave my posters an example, not a great poster,BEN: But talk to me about that.For the no budget or low budget filmmaker that can't afford to hire a a designer to make a poster. Talk to me about poster design and how that impacts the presentation of the film for festivals.RUDI: So I strongly believe that a big part of filmmaking and marketing and packaging your film together, all of that is psychology.And as much as we want to sit back and say, Hey, don't judge a book by its, cover it, that literally goes against human psychology. People are not hardwired to do that. It, it is. In our DNA, it's not just a bad habit, it is literally a survival mechanism. So if you want to stand out, you do need to have everything put together.Your cover letter, your synopsis, your photographs, all of that, and of course all of your key art. That's your poster. That's any banners that you have, that's how you're going to be promoting the film. And you have to understand it's not just about making your film look pretty to get filmmakers to go, or sorry your programmers go, Ooh, and ah, it's a pretty film.We are looking at that as a mechanism for us to advertise the festival. You gotta understand if I have 150 films in the festival, I have to get an audience for those films. And the easiest way for me to do that is through your marketing materials. We don't have the capacity. To design marketing materials for 150 different films.We are relying on the filmmakers to do that so we can go out and promote the festival. So people show up to your screening, which I would presume is what you want if you're going to a film festival. So anything you're trailer, any photographs that you can provide, which some filmmakers only provide BTS photographs, BTS is fine.It's great. Give me some good key art I can also use, please. That's what newspapers, that's what the local news that's what podcasters, whatever, that's what they want to see. So that's what I can provide. And of course, your poster. Now, there are a lot of online tools to help in poster design, frankly, I don't have an excuse for making a bad poster like I did, which is one of the reasons I use it as an example is I am shaming myself being like, this could be better and it should be. But there's a lot of online resources that can help with poster design. And also for filmmakers who are a little bit strapped for cash, you would be surprised what people will do for in kind, service for service.So if you have a friend or if there's someone that you can find that's Hey, they'll design your poster if you can design whatever their website or whatever it is that your skills might be there, there's a lot of exchange that you can do on that part. So yeah your marketing, your packaging, all of that together is actually quite important.BEN: Such a great point. And I've written and published a memoir and through that, I've worked with other authors on, on. Both writing and marketing their books, editing and marketing their books. And I tell people the exact same thing. People judge a book by its cover all the time. And in this day and age, they judge it for listeners, I'm holding my thumb and forefinger part as a thumbnail on a computer screen.Yeah, that's the size. So even for a programmer or a festival director watching it on film freeway through their platform, they're not gonna see the poster like we see it in the movie theater. They're gonna see it as a thumbnail image. Yeah. So it has to work as a thumbnail image. And if you can't read the title as a thumbnail or can't make out what's on the image, what's on the poster as a thumbnail, then you've failed that part of the process.RUDI: One, one of the things that like really clued me into how important a poster is, I went to a film festival, I believe it was Kansas City Film Festival. Some years ago, and they had a bunch of posters of films out, but there was one that was like bright pink. It was like super bright pink and had like very eye popping design and everything on it.And it was like in a whole field of like dark drama posters that are all like gritty and everything. And I'm like that stands out. That really drew my eye to it. And I think that was like my big light bulb moment of like how important this stuff actually is. And one of the things that I've been saying for some years, I've said it on the channel, I think, I don't know, some, sometimes I record things and edit out.So I don't know what I've said on the channel sometimes but one of the things that I say is making a film is half of film making. The other half is marketing, the other half is getting butts in the seats. The other half is getting eyeballs on your movie. The other half is selling your film to an audience or a film festival or a distributor or a programmer or whatever you're trying to do with it.It's getting it out there. So making a film is half a filmmaking. The other half marketing, that's what it is.BEN: I'm just nodding along with everything you're saying and I've always felt both with films and with books, with art in general, you're trying to make an emotional connection from what's in your head and your heart to the audience.And if you don't do your job, getting your film out there and helping an audience come and see your film. Then you're not helping that connection. You're missing sort of the point of making this, unless it's just for yourself. It's for, it's to connect with other people and for other people to connect with your work.And that is marketing.RUDI: It's valid. If you're just making a film for yourself, that's absolutely valid. It's in art form. You can make a film for yourself, but if you're sending it to me at a film festival, you're not you're literally trying to find an audience. So these are the things you need to consider.BEN: I love it. I got two more just in the weeds detail questions.RUDI: Alright, let's do it.BEN: Let's talk description. And what I've seen ‘cause I'm in the middle of applying to festivals. And by the way just for. Listeners, this might interest you. So I discovered Rudi's YouTube page and I was like, this is so helpful.And then I went to the Wyoming International Film Festival page and all the transparency and statistics that, that Rudi puts out, that the festival puts out. And I realized, okay, so the short documentary I have is not a good fit for this festival. Exactly what Rudi's saying. So just for anybody listening, thank you for doing research.RUDI: Thank you. That's good. That's not a bad thing, right? That means it saves you time, it saves you money, it saves you heartbreak. It's so good. Do research before you submit. I'm sorry, but I, it's in, in almost every single one of my videos, I tell filmmakers, do your research before you submit. Find the festivals that gel with your film.And if it, if they don't screen the type of movie that you have, don't submit to ‘em. You're wasting your time, you're wasting your money. And the festival, like the programmer behind the screen, might love your film. They truly might love your film, but they're programming for a very specific audience and they know what that audience's taste is.So that's why they're driving specific films to that audience. So even if they love it, they might not include it, which is why you should always do your homework and do your research before you submit. I'm sorry to interrupt, but it's so importantBEN: And yes. And the flip side of that coin is now I also know what the Wyoming International Film Festival looks for.So in the future, if I have a doc or a film, I'm like, oh, this would be a great fit for this festival.RUDI: Yes.BEN: It helps both ways.RUDI: It does. And it helps you dial in. Which festivals you should target, which festivals are gonna help you with your specific goals. Whatever your goals are with the film it's gonna help you with your budgeting and your travel plans and your own personal calendar.It's gonna help with your mental health. It just, it helps on so many different aspects. And on the film festival side of things, I appreciate it when I hear from filmmakers say, Hey man, I looked into your festival looks good, but you don't have the kind of film that I have. And I'm like, not a problem man.Maybe I can point you in the right direction. Maybe I know some film festival programmers, I can make a recommendation, on your behalf too, that's not a bad thing. We love movies and we want to see them successful, but not every single fest or film and story is going to be successful in every single market.So it's very important to find your audience. And believe me, we are going to be cheering you the whole way.BEN: I want get back to my kind of in the weeds questions, but you've mentioned something that is big picture, that's so important. I feel like I've buried the lead here. And you mentioned this you've mentioned this multiple times in your videos.Is that a Phil, it's key. Maybe the most important part of this process is of the film festival submission process is a filmmaker needs to understand what are their goals in applying to a festival. Yes. So can you just talk a little bit about that?RUDI: So film festivals are a tool. And they can be a tool for many different things, but they are a tool.And just every single tool is not right for every single job, every film festival is not gonna be right for every film and vice versa. So before you go out to film festivals, you just need to ask yourself why? Why am I going out to film festivals? Why am I spending the money, the time, the energy, the effort?What do I want out of film festivals? And that's where you need to identify your goal. And the more specific you can be with the goal, the better it's going to be you going on your film festival journey. So for many filmmakers, a common reason they go out to film festivals is networking. So I'm gonna use that as an example.So let's say your goal is I want to network, I want to meet other. Filmmakers, I wanna meet, directors of photography and producers and other people that I can hire for my projects, or they're gonna hire me for their projects, and I want to build that network and I want to meet more filmmakers.Fantastic. Great. That's your goal. So the first thing that you need to do is you need to be looking at festivals that have networking events. And in this particular instance, you need to ask yourself two things. One, does it have networking? Is there in-person networking parties or networking events?And two, do the types of people that I want to meet actually attend those networking events. So us at the Wyoming International Film Festival, we have a pretty broad spectrum. We have filmmakers that are just beginning their journey. They're totally new, wet behind the ears. They're green they're just starting their journey.That's great. All the way up to every year we have multi Emmy award-winning filmmakers. Like people who do this professionally they're in unions or professional organizations, or they're a member of the academy, motion picture Arts and sciences or the TV Academy or sometimes like the Grammys and stuff like that.I, myself, I'm a professional editor, so there's people like me who professionally work, but they're like below the line. They're cinematographers editors, gaffers, what have you. So if your goal is to meet some like high-end producer that's gonna throw, a million dollars at your movie our festival is not the festival that's gonna help you with your goal.So you should skip over us because we don't have that kind of person in attendance. But if your goal is to meet other filmmakers at your level that you can collaborate with or get hired by or whatever. We're a great festival. We have tons of networking, and we bring in a ton of those filmmakers.We're a great event for you. So when you identify what your goal is and you're very specific about it, it's easier to identify which festivals you should start targeting. I take that one step further, and then once you've narrowed down which festivals are gonna help you with your goal, then you look into their history and see which of them have screened movies like yours in the past.So if you have a, you know I use the example, if you have a seven minute comedy coming of the age film, now you know which festivals have good networking, which festivals have the kinds of people you want to network with. Now you look at which ones have screened short coming of age comedy films in the past, and have a history of doing that.So that's gonna help you filter it even further. And by doing that, you're gonna really start to develop your film festival strategy. Now I do have some exciting news. There is something coming now, it's called Hike, H-I-I-K-E. It's hike with two I. And what Hy is doing, it's a submission platform similar to film Freeway, but among many of the tools that they're giving filmmakers, they're giving filmmakers customized festival strategies and they're scraping all of that data from film festivals, what they've programmed in the past.And when you as a filmmaker, join Hike, you take a little quiz, you tell them what your goals are, what your film is, you know how long it is, what the genre is, tell them about yourself. And they literally have. Data scientist who's built this like machine learning algorithm that pairs the data from the film festival to what the filmmaker provides.That literally gives you a compatibility score. So it's, it comes out and tells you, if you want to network with, professional filmmakers but not mega producers and you have a short comedy coming of age film Wyoming International Film Festival has that crowd screens those types of films and you would have a 90% compatibility.So it actually helps you develop your festival strategy for you.BEN: It's so needed. And Rudi has a great video on how to spot scam film festivals. Yes. That's something that is just prevalent these days. So for filmmakers who are getting ready to submit, I encourage you to watch that video. I'll link to it in the show.I'll link to everything that we're discussing in the show notes. The. So Rudi talked about one goal a filmmaker can have is to network other goals at various points in my, film festival my limited film festival career I've applied to festivals ‘cause I wanted to go to that city, new Orleans Fest, new Orleans Film Festival.TravelingRUDI: is totally legitimate reason to go.BEN: People apply because they want distribute, they wanna meet distributors or financiers for the next film. Although, that's what everybody wants. SoRUDI: you, you would be surprised. So in, in 2018, I had a feature film and my, my goal like most feature films was to land a distribution deal.But I was like, that's not specific enough. There are many steps to land a distribution deal. So what I need is I need good press on my film. So that was a goal. So I wanted to target festivals that had press. I wanted laurels. I wanted to win some awards with it, but I also knew my film was. Small and kind of small scale.So it wasn't gonna win laurels at big festivals. So I was like, okay, I need festivals with press. I need festivals that are legitimate and above board, but also small enough where I'm gonna be competitive. And then I wanted to actually meet distributors. And I know they only go to big festivals, so I actually had to target three different kinds of festivals.‘cause I had three, let's call ‘em conflicting goals with my own film. So that's what I did. I did a split strategy. I targeted festivals where I was gonna be this tiny little fish in a very big pond. And no one's really gonna notice me, but I'm just happy to be there. I targeted festivals where I know that I was going to get very good press and very good reviews on the film.And I targeted festivals that were small, still legitimate, but I was gonna be competitive and maybe bring home some trophies. And so that was my strategy and it worked, and I landed a distribution deal.BEN: That's so great. I, I'd love to do a part two at some point we can talk distribution deals and all of the, yeah.Things like that. But I think for people listening, the big takeaway is even with this multi-pronged goal, three different goals connected to each other. Once you identify what your goals are, then you work backwards and you create your strategy to Yes, to achieve those. Okay. Back to the two in the weeds.Two more in the weeds questions. Yeah. So description, and as I'm looking at other film descriptions, and I saw this at USC all the time as well, and we talked about earlier, filmmakers wanting to sit in emotion or sit in something traumatic and have the audience experience that I notice a lot of times in descriptions of short films.Can so and so come to terms with this? Can, and just as someone who has a little bit of experience marketing stories, where's the action? What's the active what's this person actively trying to accomplish, rather than can they just come to terms with something? Can you talk a little bit about film description, just three or four lines.What pops?RUDI: So just like your poster, just like your marketing and everything, a film description is your way to reach through the screen, grab the audience, grab the programmer, and pull them into your movie. Keep in mind, your whole entire goal is to get people to watch your film, get them excited about your film.And so if you just have a very drab, like description that's just yeah, has to face consequences for a decision they made or come to terms with something when I, that's a good V one, that's a good place to start, but that's not going to get an audience excited about your film.I saw film, I don't know if it was at my festival. It wasn't at my festival. We didn't screen it, but I'm saying, I don't know if it was submitted to my festival or if I saw it at another festival, but I remember one of the descriptions it was great. It was whatever the two character names were, John and Jane, I forget what the characters are, but like John and Jane are on a date, there's a bomb in the other room.I I hope the date goes well, or something like that. Let's hope the date goes well. And I'm like, what is this movie? That gets you really excited for it. You're. It, it creates so much mystery. And also just the cavalier way that it was written immediately tells me this is gonna be a comedy, or it's not taking itself too seriously.It's not some like gritty, dive into the underworld or whatever. Like just how blunt it was about the dis of the film and just that like small little description. I know I'm paraphrasing what it was, but it stuck with me for years at this point. ‘cause I'm like, that is how you write a description for a film.That is how you get someone excited to see what is this movie about? Let's jump in. Piggybacking off a description. Titles are another great way to do that. In, in my own repertoire of films I've had film called Prudence. Okay, fine, whatever. Prudence doesn't really tell you much about that film.I had a film that I'm very proud of. It's artsy, it's a little bit magical realism and it's called in this gray place, and it has that artsy mystique around it in this gray place. And I love that title. I did it, I did a film back in film school. It's terrible, but the title's great.It's called Back to Fort Russell. It was a Western and I, to this day, it's one of my favorite titles that I've ever had. But it tells you something. It clues you into what this film is going to be, what the journey of this movie is going to be. And some films do that better than others. And some films, yeah, it's not necessary.But I, I get more excited when I hear something like the Texas Chainsaw Massacre than I do something that's just like love. Or mom or something.BEN: I think this is the last question. So again, with all these little details, cover letter, talk to me about cover letters.RUDI: It's so interesting you asked me that question ‘cause hearing about four or five days, I'm posting a video on the YouTube channel about cover letters. It's short, it's only four or five minutes long, but cover letters are so important.Should absolutely write a cover letter. And a couple of days ago I was talking with programmers at dances with films, and if you don't know dances with films, look ‘em up. They are an incredible film festival. They are in the big leagues for sure. And I was talking with a couple of programmers and I asked them about covert letters and they said, it's so important it.How the filmmaker is going to put an audience in the theater is very important for their festival. How they're going to get people to attend is very important for them and they're like, a good indication in a cover letter is when they, the filmmaker indicates how they're going to market their film and they use the example of football.Let's say it's a movie about football. They're like, if it's a movie about football and you tell me in the cover letter that you're part of several like football organizations, or you're gonna be reaching out to sports organizations or youth organizations for sports or something like that, to attend the film.That's a very good indication for them in the cover letter. For me, I think a cover letter is very important in that it shows. You're going the extra mile to show the festival you care. You're not just submit and quit. We're not just one festival on a list of 50 that you're submitting to. There is a reason you want to screen with us, and that's a specific reason.Either you feel that your film is good fit for our audience, or there's something that you want to connect with. In Wyoming, I had one cover letter and we did accept this film and it was really funny. They put in their cover letter like their film was a comedy, so their cover letter was also very comedic, but they're like, honestly, we're just gonna go up to Yellowstone around that time and we would love to swing by and show the movie.And I laughed. I laughed so hard at that and I'm like. But that shows me they care. Like they want to be there. And the film was good and it was funny and we screamed it and they were there. So it's a way to show a film festival enthusiasm and it's way to inform the festival about yourself, about your film, and how that's gonna gel with their particular event and their audience.BEN: I love it. And that reminds me, I got one more, I got a bonus question. Yeah. Can you talk about applying early?RUDI: Yes. Statistically, when I look at our own data, statistically, it does seem to be that the earlier you apply, the better chance that you have. And so I don't want to give the impression that if you applied late.You have no chance. I think in the video where I literally broke down the data and the statistics, I think at our festival we had a one in five chance of getting in on the late deadline, which is about a 20% acceptance rate. But it was much higher the earlier it came in. So just with the raw data taking out my opinions, my emotions on it, whatever, just the data itself shows earlier is better.Now, here's where my opinions and my feelings towards it come from. I think it's a couple of things. One, when you get in early, you set the pace for the rest of the festival, you're telling us, okay, it's a drama. We're gonna compare your film against others. Like you have now become the benchmark that we're gonna compare other films to when it comes to like dramas or whatever.What it also does. It's something I'm going to discuss in my video and cover letters, but it also engages something, what's called mere exposure effect in psychology, which is essentially the more that you are exposed to something, the more preference you have towards it. Which means if you get in early, you are exposing yourself, your film, and your story to the programmers more often and more readily than late submissions are.So it's more likely that the programmers form some attachment to your film, and that's just human nature, that's just psychology. There's some practical reasons for it as well. Obviously, earlier submissions, earlier deadlines are cheaper, so it's better to get in. It's just gonna cost you less money to do and then lastly, there are many festivals that are developing their program as they go. So as films are coming in, they're shaping. We got a ton of dramas. Maybe we need two drama blocks, or, we, we don't have enough sci-fi for a sci-fi blocks, we gotta spread it out or whatever. So if you come in late, you're now trying to elbow some other film out of the way in order to find your screening slot.Which don't get me wrong, there are plenty of programmers that are absolutely gonna go to bat for you. They're gonna fight hard to get you in. Doesn't matter if you come in early or late or whatever, but the chances are just better. And the data shows that if you get in early. All that said, a couple of years ago, the very last film that came in with only two hours left in our deadline, we ended up programming it.So it, it is possible.BEN: Rudi, I cannot thank you enough. I can't tell you how helpful this has been. There's so much great information for filmmakers. Filmmakers submitted to festivals, people just interested in going to festivals. So thank you so much for taking the time.RUDI: Hey it's always a pleasure.I always love talking film festivals and for any filmmakers out there, head on over to YouTube hit up the Film Festival Guide. That's my YouTube page. I'm coming out with videos every two or three weeks. That's about what I put ‘em out there for. So if you need any guidance or any, I don't know, insight for film festivals that's where I am.BEN: Film Festival Guide. I'm a subscriber. I can't recommend it enough. Any other social media where people can find you?RUDI: Oh no, I'm terrible on social media. YouTube's enough for me right now.BEN: So Film Fest.RUDI: I will probably expand in the future and I'll probably make some announcement on the YouTube channel.Got it. But for right now, I'm just trying to get good information out there to as many filmmakers as possible.BEN: Thank you so much for doing that. It's such a huge benefit for film.RUDI: Thank you very much for the support and thank you very much for having me on. I enjoyed this. This was a lot of fun.BEN: Me too. This was great. Thank you. And that was my interview with Rudy Womack, director of the Wyoming International Film Festival and creator of the great YouTube page, the Film Festival Guide. Hope you enjoyed this episode. If you did, please forward it to one person. Thank you and have a great day. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

The longest government shutdown in American history ended last week, thanks to 8 Senate Democrats giving up the fight to extend Affordable Care Act subsidies. The infighting between Democrats hasn't stopped since. But what if Democrats' caving was actually a good thing? Tim Miller of the Bulwark joins the show to discuss how the Democrats may be in a prime strategic position as Republicans deal with scandals, skyrocketing costs of living and healthcare, and several MAGA faithful turning on Trump.And in headlines: President Trump sends federal agents to Charlotte, North Carolina, as part of his ongoing immigration crackdown, Marjorie Taylor Greene continues feuding with Trump, and Ukrainian President Volodymyr Zelenskyy announces a new gas deal with Greece.Show Notes:Check out The Bulwark – www.thebulwark.com/Call Congress – 202-224-3121Subscribe to the What A Day Newsletter – https://tinyurl.com/3kk4nyz8What A Day – YouTube – https://www.youtube.com/@whatadaypodcastFollow us on Instagram – https://www.instagram.com/crookedmedia/For a transcript of this episode, please visit crooked.com/whataday Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Listen to the rest of this premium episode by subscribing at patreon.com/knowyourenemy.If there's a Trump-era topic that manages to fascinate without being entirely depressing, it's probably the ongoing arguments about architecture that his ascension has occasioned. Proponents of a RETVRN to the architectural ideals of ancient Greece and Rome are prominent in MAGA circles; partisans of a neo-classical revival populate government commissions, and their prescriptions have found expression in several executive orders. To understand who these people are, what their movement wants, and the kernel of truth in their grievances, we talked to architectural critic and proprietor of McMansion Hell Kate Wagner. We start by analyzing Trump's ballroom and the demolishing the East Wing of the White House — the perfect way into MAGA architecture and the mind of their Beautiful Builder himself, Donald J. Trump.Sources:Kate Wagner, "Duncing About Architecture," New Republic, Feb 8, 2020— "Trump Will Not Make Architecture Great Again," The Nation, Jan 7, 2025— "The Real Problem With Trump's Cheesy Neoclassical Building Fetish," Feb 12, 2025— "what the fuck are we doing anymore," The Late Review, Jan 9, 2025.Charlie Nash, "Trump Admits He Could've Built Ballroom Without Destroying the East Wing, But 'It Looked Like Hell,'" Mediate, Nov 10, 2025

Day 1,362.Today, as Poland reports sabotage on vital rail links connecting it to Ukraine and Romania evacuates civilians after Russian strikes across the Danube, we unpack President Zelensky's latest diplomatic push – including a new energy deal with Greece and a landmark agreement with France for 100 fighter jets. Later, we speak with Vladimir Kara-Murza, the prominent opposition figure arrested in 2022 for denouncing Russia's invasion of Ukraine and given a 25-year sentence in a Siberian penal colony. He discusses life inside prison and how Putin's regime suppresses dissent.ContributorsDominic Nicholls (Associate Editor of Defence). @DomNicholls on X.Francis Dearnley (Executive Editor for Audio). @FrancisDearnley on X.James Crisp (Europe Editor). @JamesCrisp6 on X.With thanks to Vladimir Kara-Murza,SIGN UP TO THE ‘UKRAINE: THE LATEST' WEEKLY NEWSLETTER:http://telegraph.co.uk/ukrainenewsletter Each week, Dom Nicholls and Francis Dearnley answer your questions, provide recommended reading, and give exclusive analysis and behind-the-scenes insights – plus maps of the frontlines and diagrams of weapons to complement our daily reporting. It's free for everyone, including non-subscribers.CONTENT REFERENCED:Vladimir Kara-Murza: what stopped me going mad in Putin's gulag (The Telegraph):https://tinyurl.com/2sxzyhmnNorth Korean troops deployed to clear land mines for Russia (The Telegraph):https://tinyurl.com/25fw4kdsRussia seizes land after Kyiv diverts troops (The Telegraph):https://tinyurl.com/ydtnrd7uExclusive: Russia plans to make up to 120,000 glide bombs this year, Ukrainian intelligence says (Reuters):https://tinyurl.com/mtymsp8cHow Britain replaced the US as Russia's villain of choice (The Guardian):https://www.theguardian.com/world/ng-interactive/2025/nov/16/how-britain-became-russia-villain-us-ukraine Viewings of ‘Facing War' at Bertha DocHouse in London:https://dochouse.org/event/facing-war/LISTEN TO THIS PODCAST IN NEW LANGUAGES:The Telegraph has launched translated versions of Ukraine: The Latest in Ukrainian and Russian, making its reporting accessible to audiences on both sides of the battle lines and across the wider region, including Central Asia and the Caucasus. Just search Україна: Останні Новини (Ukr) and Украина: Последние Новости (Ru) on your on your preferred podcast app to find them. Listen here: https://linktr.ee/ukrainethelatestSubscribe: telegraph.co.uk/ukrainethelatestEmail: ukrainepod@telegraph.co.uk Hosted on Acast. See acast.com/privacy for more information.

The tale of three city states continues as Sparta maintains their seizure of Thebes while Athens looks to reclaim their maritime dominance. Persia has war on many fronts and ever-worsening palace intrigue, making their interference or lack thereof uncertain. While the old kings Agesilaus and Artaxerxes live on, a new generation of leaders, warriors, orators and innovators are emerging throughout Greece. The continuing stories of Chabrias, Parysatis, Iphicrates and Tirabazus - featuring their best ASOIAF counterparts - plus new characters added to the mix.HoW Audience Survey - ⁠⁠⁠⁠⁠⁠bit.ly/howsurvey⁠⁠⁠⁠⁠⁠Bonus Eps & More -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ patreon.com/historyofwesteros⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Shirts & Stickers -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠ ⁠⁠historyofwesteros.threadless.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.historyofwesteros.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Intro/Maps - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠klaradox.de⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook Group -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ bit.ly/howfb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ bit.ly/howdiscord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Nina - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠goodqueenaly.tumblr.com/⁠⁠⁠⁠⁠

E & T are back this week talking about the new AI Spotify DJ, and how Jay Shetty and Mel Robbins are the new "Live, Laugh, Love", and Jameela Jamil's recent move back to London because of US beauty aging pressures of the industry. Teresa has set a new goal for herself of cleaning out and redoing her apartment furniture for the first time in 13 years. The gals discuss Babygirl and the power dynamics of sex, and Teresa shares her experience with getting breast reduction surgery. The end of the episode features a Patreon Preview.Join the Patreon to support the show and get extra & ad free episodes here OR on Apple & Spotify Podcasts:⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/twostandupgals⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Submit your questions here: ⁠Twostandupgals@gmail.com⁠*NEW GREECE TRIP! Crete, Greece June 5th-11th, 2026: ⁠https://forms.gle/bNcNaVpC81onJx8VA⁠ITALY TRIP! Oct 9th – Oct 17th, 2026 Venice, Florence, & Rome, ($125 discount until end of November) Itinerary & sign ups here: ⁠https://groups.goaheadtours.com/tours/erica-spera-vfsg2026⁠Not interested in Greece or Italy? Take our Travel Survey here: ⁠https://forms.gle/mYY5Ss7szCowAj2u8⁠Watch full episodes on our YouTube Channel Here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@TwoStandUpGalsPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify playlist here⁠ of the music we're listening to every week & reference on the podcast

Scotland and Wales could secure World Cup spots with victory on Tuesday night - will they, and what would it mean?Former Scottish international James McFadden joins Jonathan Northcroft, Chief Football Writer at the Sunday Times, and Eilidh Barbour to ponder what's required for Steve Clarke to lead the Tartan Army to a first World Cup for 28 years.Scotland's task is simple: defeat Denmark at Hampden Park. Toke Theilade joins the show to give the Danish perspective, with an illness in the camp contributing to a shock draw with Belarus.As for Wales, things are less straight-forward. Two points separating the top three sides in Group J and so all of qualification, play-offs and elimination are possible. Rob Earnshaw, who earned 59 caps in his career, helps preview their home fixture against North Macedonia.We also hear from the player of the international break, Troy Parrott, whose 96th-minute winner over Hungary not only completed his hat-trick but secured his nation a World Cup play-off spot. Former Ireland midfielder Andy Reid explains what that drama meant to the country and the panel discuss the positive state of football in Britain and Ireland with all five nations in with a chance of World Cup spots.Timecodes: 00:45 What would ending the 28-year wait for a World Cup mean for Scotland? 06:45 How do the players use the emotion in the right way? 10:10 Steve Clarke on his emotions ahead of the game 14:00 How do Scotland improve from the performance in Greece? 17:10 How important will Andy Robertson's leadership be? 18:50 The Danish perspective with Toke Theilade 22:18 Will Rasmus Hojlund and Joachim Andersen be available for this game and what impact has the illness in the camp had? 24:20 What are Denmark's expectations for this game?  28:59 Wales v North Macedonia preview with Rob Earnshaw 32:06 Has Harry Wilson become Gareth Bale's successor as the Welsh leader? 33:58 Troy Parrott interview on his dramatic winner and hat-trick for Ireland in Hungary 37:22 Andy Reid debates whether this is the start of something bigger for Ireland 41:10 How strong a place is British and Irish football in at the moment?Commentaries coming up this week: Tues 1945 Scotland v Denmark — 5Live Tues 1945 Wales v North Macedonia — Sports Extra Wed 2000 Arsenal Women v Real Madrid Femenino — 5Live Thurs 2000 Chelsea Women v Barcelona Femení — 5Live Sat 1500 Liverpool v Nottingham Forest — 5Live Sat 1500 Fulham v Sunderland — Sports Extra Sat 1730 Newcastle United v Manchester City — 5Live Sun 1400 Leeds United v Aston Villa — 5Live Sun 1630 Arsenal v Tottenham Hotspur — 5Live

“Every empire eventually turns inward—what’s built on pride always devours itself.” In Daniel 11, prophecy and history collide as Nicole Unice walks listeners through one of the most complex and detailed chapters in Scripture—a 400-year panorama of rising and falling empires from Persia to Greece to the early Seleucid rulers. This chapter exposes the fragile nature of human power and contrasts it with the unshakable Kingdom of God. Through vivid examples—from Alexander the Great to the tyrant Antiochus Epiphanes—Nicole shows how earthly empires mirror the human heart’s struggle for control, pride, and self-preservation. Yet amid corruption and chaos, God’s faithful people stand firm, reminding us that love, not violence or fear, is the true form of resistance in God’s Kingdom. Main Takeaways / Learning Points: History affirms prophecy: Daniel 11 accurately foreshadows 400 years of history between Persia and Greece, confirming that God’s Word aligns with historical reality. Empires mirror the human heart: Pride, control, greed, and fear—the same forces that shape nations—also war within individuals. Power corrupts when centered on self: The rise of rulers like Antiochus Epiphanes reminds us that when people worship power, they inevitably destroy what they seek to control. God preserves a faithful remnant: Even in the darkest eras, those “who know their God will stand firm and take action” (Daniel 11:32). Resistance in God’s Kingdom looks different: True strength shows up in humility, faithfulness, and love—not domination. Bible Verse References (linked) Daniel 11:2–4 — Prophecy of Persia and Greece. Daniel 11:21–23 — A contemptible ruler seizes power. Daniel 11:32–35 — The faithful resist corruption. 1 Chronicles 16:9 — God’s eyes search the earth to strengthen His people. Matthew 5:44 — Love your enemies and pray for those who persecute you. Calls to Action (CTAs) Subscribe to How to Study the Bible with Nicole Unice for weekly studies. Download the free Daniel Study Guide: nicoleunice.com/daniel Watch the bonus “Digging Deeper” video on YouTube: What does it mean to resist empire through love? Share this episode with a small group or study partner walking through Daniel. Relevant Links / Resources Free Study Guide: nicoleunice.com/daniel YouTube Channel: How to Study the Bible with Nicole Unice LifeAudio Network: lifeaudio.com Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

Well today we welcome Daniel to the R2Kast

A barely-there crescent Moon teams up with the disappearing “morning star” in tomorrow’s dawn twilight. But there’s not much time to look for them. The Moon will cross between Earth and the Sun in a couple of days. It’ll be lost in the Sun’s glare. It will return to view, in the evening sky, by Friday or Saturday. Venus is getting ready to disappear in the dawn twilight as well. It will cross behind the Sun on January 6th. It’s a slower passage, so the planet will be hidden in the Sun’s glare for about three months. It’ll emerge as the “evening star” in February. Most cultures figured out that the morning and evening star were actually the same object thousands of years ago. Even so, they had different names for the morning and evening appearances. In ancient Greece, morning Venus was named for the god Phosphorus. In Rome, he was Lucifer. Both names mean “bringer of light” – the god lit the dawn sky with a torch. Venus passes behind the Sun every 584 days – a bit more than 19 months. Before and after it disappears, it’s almost full. So if you look at Venus with a telescope now, it’ll be almost fully lit up – like a negative image of the “fingernail” crescent Moon. Look for Venus and the Moon quite low in the eastern sky beginning about 45 minutes before sunrise. Because of the timing and the viewing angle, they’ll be a little easier to spot from the southeastern corner of the country. Script by Damond Benningfield

Ukraine's President Volodymyr Zelenskyy was just in Athens on Sunday, signing an agreement with Greece for gas imports ahead of what's expected to be a tough winter. John Psaropoulos joins Thanos Davelis as we look at this agreement, which comes days after Greece signed landmark energy deals with the US, and which puts Greece's role in supporting both Ukraine and Europe's effort to break its dependence on Russian gas in the spotlight.John Psaropoulos is an independent journalist and Al Jazeera's correspondent in southeast Europe. He publishes Hellenica, a weekly deep dive into Greek current affairs and history. You can find it on Substack.com.You can read the articles we discuss on our podcast here:Ukraine secures winter gas support from GreeceCyprus urges Turkey to drop two-state demand to advance EU bidAthens tightens security as events peak for Polytechnic uprising anniversaryPresident marks 52 years since Polytechnic uprising

All the best bits from Saturday 15th November pre and post Greece Scotland Off the Ball shows featuring guests Allaster McKallaster, Grant Stott, Stephen O'Donnell and Scott Allan, Stuart Cosgrove and Tam Cowan.

Welcome back, Alchemists!! This week, we explore the intersection of astrology, spirituality, and mental health. They discuss the intense astrological transits of the week, the concept of death as a transformation, and the importance of grounding in spiritual practices. The conversation delves into the phenomenon of spiritual psychosis, the necessity of community and feedback in personal growth, and the critical thinking required in navigating spiritual beliefs. They emphasize the importance of joy and fun in spirituality and share upcoming travel opportunities for community engagement.Join our new LIVE show, The Alchemist's Inkspill, each Friday at 1pmEST/10am PST on YouTube and Instagram Live!Follow The Alchemist's Inkwell on:Connect with Emily and KristaLyn across the internet + IRL!

Comprehensive coverage of the day's news with a focus on war and peace; social, environmental and economic justice. Foto: Jonas Pereira/Agência Senado UN Security Council passes Gaza peace with “Board of Peace” headed by Trump; COP 30 Climate Summit hears small island nation calls for stronger action on global warming; Weekend immigration raids in Charlotte NC trigger protests over aggressive tactics; Judge injunction blasts Trump cuts to university research funding, as critics say universities capitulating to Trump; Palestinian deaths in Israeli jails surged during Gaza war, according to Physicians for Human Rights Israel; UN marks anniversary of Srebenica Genocide at new memorial, reminder of 1995 massacre and UN's failure to stop it; Greece marks anniversary of 1973 student uprising against US-backed military dictatorship The post UN Security Council passes Gaza peace resolution; COP 30 Climate Summit hears small island nation calls for stronger action – November 17, 2025 appeared first on KPFA.

It's the Styx and Bones season finale and the girls are standing on business and dropping their biggest surprise yet. We're wrapping up this season with major announcements and a glimpse into what's next for the temple.✈️ Email Sign Up for Greece Updates:Get connected and stay updated on traveling to Greece with us → https://trovatrip.com/get-connected?hostId=68e7ed2c36348452268ce909&host=Styx+And+Bones

After one of the most topsy-turvy World Cup qualifiers against Greece we look ahead to the winner-takes-all clash with Denmark at Hampden, with Andrew Petrie, Pat Nevin and Don Cowie.

Back at it on a Monday! Successful weekend with some raking, a Harley ride, and the Christmas lights are up!!! In the news this morning, a winning Mega Millions ticket was sold on Friday, the FAA has lifted all restrictions on flights now that the government shutdown is over, and a grandfather is using his granddaughter to help him steal thousands of dollars in merchandise! In sports, the Packers beat the Giants yesterday, the Bucks split the weekend with a win on Friday and a loss on Saturday, Giannis helped the Lakers get the game ball for a rookie who scored his first NBA points, and the Badger football team stunk it up on the field on Saturday against #2 Indiana. Else where in sports, the Badger men's basketball team plays tonight, Aaron Rodgers may have broken his wrist yesterday, a Texas State Trooper is no longer welcome at college football games, and former Bucks player Patrick Beverley got arrested over the weekend. Let you know what's on TV today/tonight and talked about the halftime entertainment for the three NFL games on Thanksgiving. Couple of cool stories this morning - A city in Oklahoma that is allowing residents to pay off their unpaid parking tickets & overdue library fees by donating food to a local pantry, a woman in England who saved her golfing buddy's life when he had a heart attack, and a cameraman in Canada who had a random encounter with a brain surgeon and is now getting a life-changing treatment. Talked about how much the average American is going to spend on Thanksgiving this year, and also about this year's most dangerous toys! In today's edition of "Bad News with Happy Music", we had stories about a shoot-out at a grocery store over a turkey, a guy with a suspicious "bulge" in his pants was trying to smuggle some birds into the US, a dude in Montana who got a DUI after he tried to pee into a Budweiser can while driving, an asshole in Texas who destroyed a Veterans Day display but got caught because he left his driver's license at the scene, and a dude in Greece who tried to swallow a burger without chewing!See omnystudio.com/listener for privacy information.

It's international break again, a perfect time to reflect on the season that has passed. We're evaluating our transfers to this point, progress on the season compared to last year, and discussing Greece's narrow victory against Scotland.