Podcasts about Soho

Director and friend of the show Edgar Wright joins Scott to talk about his new film Last Night in Soho, his first kiss, and who should be the next Bond. Then, paparazzi Jonathan Biting stops by to talk about his favorite celebs as well as his new podcast Celebrity Sighting with Jonathan Biting. Plus, small business owner Ian Appaloosa drops by to show off some of his facial impersonations.

Episode 282: What a Munster of a week, and the munsters were just a small part of that. We have trailers from Soho to Gallifrey and to Uncharted lands. Marvel also in the mix with Hit Monkey which seems like a ride and already showing us more than the latest from Cowboy Bebop. That's just the trailers! There is also Muppets, Invasion, Ron, Locke, and the might of Dune that all happened this weekend! Stick around as we travel the galaxy this week. Enjoy! R you serious? https://www.filmratings.com/Search?filmTitle=matrix&x=0&y=0 Ahsoka not leaving him this time, again https://www.hollywoodreporter.com/tv/tv-news/star-wars-hayden-christensen-ahsoka-show-1235035459/ We're Down https://youtu.be/k6E6zZy0B5M WHO! https://youtu.be/xDUvFdGu6JE Who Charted? https://youtu.be/UZOnOfc83Q0 What the hell? https://youtu.be/gb72HBB1QbA Finally - Nov 19 https://youtu.be/_JDWm1f6-M0 Munsters https://www.instagram.com/p/CVKrpesrpyb/?utm_medium=copy_link Muppets Haunted Mansion Invasion Locke & Key S2 Ron's Gone Wrong Dune Extra Life links: https://www.extra-life.org/participant/Jonathan-Torres Find all our links here: https://linktr.ee/kenobiscorner

KCRW revisits its conversation with filmmaker Edgar Wright. His music documentary “The Sparks Brothers” celebrates two musicians whose work he loves. Ron and Russell Mael are brothers who make up the band Sparks, and they're a pair of complete originals. Wright is an original, too. His hit movie “Baby Driver” and upcoming thriller “Last Night in Soho” are based on ideas he made up. And he can't help but wonder why movie studios aren't willing to take a few more chances on fresh ideas. Plus, KCRW has fresh banter about internal strife at Netflix, HBO Max numbers, and IATSE. The below-the-line Hollywood union has a contract, but will its members ratify it?

We're back baby! We have got an exciting line up of guests coming your way but we're back with a bang on Monday with the excellent Isy Suttie! And we're going LIVE. Come see Desert Island Dicks, live in front of an audience at 21 Soho on the 1st and 2nd of December, including Stephen K Amos as our special guest on the 2nd. Get your tickets now here: https://www.21-soho.com/desert-island-dicks-live See acast.com/privacy for privacy and opt-out information.

Call it Diana, because that was a car crash. For the first time in Drag Race herstory - no winner! But a hellava lot of losers. We talk big dicks, dogs, birthdays, Little Mix, Scottish Independence (?) and of course this now infamous advert challenge - with plenty of BS from the judges. Not for the faint hearted. @unitedqueendompodcast OR email at edward.m.dyson@googlemail.com www.patreon.com/UnitedQueendom SPONSORED BY KU BAR, SOHO, LONDON www.ku-bar.co.uk BOX MENSWEAR www.boxmenswear.com www.instagram.com/unitedqueendompodcast www.instagram.com/samdowlertime www.twitter.com/samdowler www.podtail.com/podcast/united-queendom-podcast/ open.spotify.com/show/0TDLmRw2eSeYCtODoZxjyR (Contains Explicit Content)

The fall movie season is in full swing, and that means we're getting a look at some of the most buzzed-about movies of the rest of 2021. On this week's episode of Film Club, critics A.A. Dowd and Katie Rife review three of October's major auteur works: Denis Villeneuve's enormous adaptation of the sci-fi novel Dune, which is now in theaters and on HBO Max; Wes Anderson's foray into anthology storytelling, The French Dispatch, which is also on the big screen now; and the latest genre-blender from Edgar Wright, Last Night In Soho, which opens next Friday. Did these big names deliver with their big, highly anticipated, COVID-delayed fall movies? Let's discuss.Visit: https://www.avclub.com/Like: https://www.facebook.com/theavclubFollow: https://twitter.com/theavclubSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Edgar Wright returns to the podcast with a big change of pace that truly delivers, his new psychological thriller, "Last Night in Soho". Don't worry this is a spoiler free chat! Plus Josh and Edgar talk a classic comedy comfort movie and whether a James Bond film would be up the filmmakers' alley. Don't forget to check out the Happy Sad Confused patreon here! We've got exclusive episodes of GAME NIGHT, video versions of the podcast, and more! For all of your media headlines remember to subscribe to The Wakeup newsletter here!

In this episode, we hear a snippet of Little Trouble Girls' most recent show with insight from musician and composer Sarah Gonputh. She shares songs from women that inspire her, featuring Carole King and Dorothy Moskowitz. To catch the full episode with more interviews and tracks, head to our Mixcloud: https://www.mixcloud.com/sohoradio/little-trouble-girls-16102021/This is the Soho Radio podcast, showcasing the best broadcasts from our online radio station in the heart of London.Across our Soho and NYC + Culture channels, we have a wide range of shows covering every genre alongside chat, discussions and special productions.To catch up on all things Soho Radio head on over to mixcloud.com/sohoradio or tune in live anytime at sohoradiolondon.com or get the app.Support this show http://supporter.acast.com/soho-radio. See acast.com/privacy for privacy and opt-out information.

Listen and subscribe at www.JustProWrestlingNews.com I'm Matt Carlins and this is JUST Pro Wrestling News for Monday, October 18, 2021. This update is brought to you by IndyWrestling.us. (STINGER: WWE) Tonight's Raw is in Sacramento, California...and it's the last stop before Thursday's Crown Jewel event in Saudi Arabia. Two wrestlers will punch their tickets to the show tonight. Jinder Mahal and Xavier Woods meet in a King Of The Ring semifinal. Finn Balor awaits in the final at Crown Jewel after he beat Sami Zayn on last Friday's SmackDown. A Queen's Crown semifinal has Doudrop vs. Shayna Baszler...with the winner heading to Crown Jewel to meet Zelina Vega in the final. Vega used a small package to pin Carmella on SmackDown...thanks to an assist from Liv Morgan. Baszler helped Sonya Deville win a 2-on-1 match against Naomi on SmackDown. Also announced for tonight: Charlotte Flair is set to defend the Raw Women's Championship against Bianca Belair. Belair was on last Friday's SmackDown, where she helped Sasha Banks win a non-title match over SmackDown Women's Champ Becky Lynch. The Raw Tag Champs Randy Orton & Riddle have a non-title match tonight against the Street Profits. The Profits lost a Street Fight to the SmackDown Tag Champs The Usos on last Friday's SmackDown. Also tonight, WWE Champ Big E & Drew McIntyre vs. Doplh Ziggler & Robert Roode. Rhea Ripley tweeted Sunday that her gear bag, which was also carrying her WWE Women's Tag Team Championship belt, is missing...apparently misplaced after WWE's show in Albuquerque, New Mexico on Saturday. (STINGER: New Japan) We're into the final week of New Japan's G1 Climax tournament. Monday's matches in the A Block will decide one half of the tournament final. Four men are still alive...and tied at 12 points apiece at the top of the A Block standings: Kota Ibushi, Zack Sabre Jr., KENTA and Shingo Takagi. BUT none of them control their own destiny. Ibushi and KENTA will meet in Monday's main event. If Ibushi beats KENTA...and Sabre loses his match against Tanga Loa...Ibushi wins the block. But if BOTH Ibushi and Sabre win on Monday...Sabre wins the block. If BOTH Ibushi and Sabre LOSE...Takagi can take the block...IF he beats Yujiro Takahashi. KENTA's path is the most complicated. He must beat Ibushi...and also have Takagi lose...OR have Takagi AND Sabre BOTH win. Simple, right? On Saturday's New Japan Strong… Will Ospreay pinned Karl Fredericks with Hidden Blade. After the match, TJP was revealed as the newest member of the United Empire. New Japan announced Buddy Matthews - the former Buddy Murphy in WWE - will be part of its Battle In The Valley show in San Jose on Saturday, November 13th. New AAA Tag Team Champions were crowned on Saturday night's AEW Dynamite. FTR - who entered under the masked guise of The Super Ranas - beat the Lucha Brothers...pinning Rey Fenix after hitting him in the head with one of the title belts. (STINGER: AEW) At least four matches are announced for tonight's AEW Dark: Elevation...including Nyla Rose, Emi Sakura & Diamante vs. Red Velvet, Ryo Mizunami & Kilynn King. The bracket for the 8-man World Title Eliminator Tournament is now unveiled. Matches begin on next Friday's Rampage with Orange Cassidy vs. Powerhouse Hobbs. The winner will meet the winner of a match between Jon Moxley and Dark Order's 10. The other side of the bracket will have Bryan Danielson vs. Dustin Rhodes...and Eddie Kingston vs. Lance Archer. Those two matches will happen on next Saturday's Dynamite. The bracket for the TBS Championship tournament will be revealed on Friday night's Rampage. On this past Saturday's Dynamite...The Young Bucks & Adam Cole beat Dark Order's John Silver, Alex Reynolds & Evil Uno. Malakai Black beat Dante Martin. Martin had Lio Rush in his corner. Bryan Danielson submitted Bobby Fish. Penelope Ford submitted Kiera Hogan. Jon Moxley plowed through Wheeler Yuta in less than a minute. Friday night's Rampage saw Scorpio Sky, Ethan Page & former UFC Heavyweight Champion Junior Dos Santos beat The Inner Circle's Chris Jericho, Jake Hager & TNT Champion Sammy Guevara. Sky pinned Jericho after a distraction by Paige Van Zant set up Jericho to be hit by Jorge Masvidal's running knee strike. CM Punk beat Matt Sydal. Ruby Soho used a backslide to pin The Bunny, but after the match...Penelope Ford & The Bunny attacked Soho and knocked her out with a pair of brass knuckles. On the LIVE Buy In on YouTube Friday night...Bryan Danielson pinned New Japan's Minoru Suzuki...and Bobby Fish beat Lee Moriarty. It was officially announced late Friday night that Moriarty is now signed with AEW. That's JUST Pro Wrestling News for Monday, October 18th. Our next update comes your way tomorrow morning, so be sure to subscribe to this feed. We also thank you in advance for leaving a glowing rating or review.. I'm Matt Carlins. Thank YOU for listening. ~~~Full run down at www.justprowrestlingnews.com ~~~ • • • • • wwe #wrestling #prowrestling #smackdown #wwenetwork #wweraw #romanreigns #ajstyles #NXT #raw #njpw #wwenxt #SethRollins #TNA #johncena #RandyOrton #wrestlemania #ROH #WWF #summerslam #tripleh #aewdynamite #professionalwrestling #aew #allelitewrestling #aewontnt #DeanAmbrose #nxt #KevinOwens #wwesmackdown 

Better late than never! And it's worth the wait. In gold! We talk Steps, Spice Girls, Countdown for some reason, and this week's girl ground challenge which sees the queens face off to a pop and ballad version of BDE, and Emma Bunton oversee a Spice Girls runway. We also sound off about THAT ‘double shante' and the BS critiques of dear Charity Kase. Lap it up! @unitedqueendompodcast OR email at edward.m.dyson@googlemail.com www.patreon.com/UnitedQueendom SPONSORED BY KU BAR, SOHO, LONDON www.ku-bar.co.uk BOX MENSWEAR www.boxmenswear.com www.instagram.com/unitedqueendompodcast www.instagram.com/samdowlertime www.twitter.com/samdowler www.podtail.com/podcast/united-queendom-podcast/ open.spotify.com/show/0TDLmRw2eSeYCtODoZxjyR (Contains Explicit Content)

The Modernity of Site SearchWe recount Brian's visit to Aime Leon Dore's flagship store in Soho, talk about the store design, the need for physical retail for “anchoring” the ultimate vision of a brand.We contrast the store design of ALD with another Soho shopping experience: Shinola. The future of digital requires having a physical experience. Brian's ALD experience will likely drive future digital purchases.We're in a brave new world of being introduced to brands. Price doesn't matter anymore. User accessibility is what's important. “In-store is the next frontier for digital.”- BrianThere is still a lot of opportunity to optimize the experience for shoppers, if stores are able to create a seamless instore and online experience there would be a lot more growth.GroupBy's Roland Gossage joins the show to talk about the past, present, and future of customer journey orchestration, and the tools that help us do that today. The GroupBy Product Discovery Platform powered by Google Cloud Retail AI drives the world's most relevant and highly converting eCommerce websites. In the beginning days of eCommerce, it was all about working to create an online experience and seeing it would work. Now, twenty years later, the game has changed.“80% of clients who hit a website that have a poor user experience are likely to never return. So the stakes are much higher.” -RolandThe market is ready for a plunge. It's getting bigger and better. Bringing in new waves of technology helps all parts of the market. “The old analogy was garbage in, garbage out and that still exists today. We realized upfront that we had to solve the data problem first. So we had to create the golden record.” -RolandAssociated Links:The Twitter post of Brian's shirt from Aime Leon DoreLearn more about Roland Gossage, and GroupBy Inc.Get our latest report: Nine by NineSubscribe to InsidersListen to our other episodes of Future Commerce Have any questions or comments about the show? Let us know on Futurecommerce.fm, or reach out to us on Twitter, Facebook, Instagram, or LinkedIn. We love hearing from our listeners!

Alex and Simon round up some of the best films from London Film Festival - including Spencer, Last Night In Soho, and The French Dispatch. The pair also dive into the latest news trailers for Paranormal Activity, Home Sweet Home Alone, and more.

Sorry the recap is late! Personal issues. BUT we have an exclusive interview with the iconic drag superstars Willam and Rajah O'Hara, who's deadly fabulous show Death Drop is currently touring the UK. Hear all about Willam's feud with RuPaul, her intimate moments with Lady Gaga, Rajah's thoughts on not winning All Star 6 despite her slayage (‘oh my GoD') and much, much more goss. And we'll have the recap to you ASAP! Thanks for sticking with us! Enjoy x x x https://deathdropplay.com/ @unitedqueendompodcast OR email at edward.m.dyson@googlemail.com www.patreon.com/UnitedQueendom SPONSORED BY KU BAR, SOHO, LONDON www.ku-bar.co.uk BOX MENSWEAR www.boxmenswear.com www.instagram.com/unitedqueendompodcast www.instagram.com/samdowlertime www.twitter.com/samdowler www.podtail.com/podcast/united-queendom-podcast/ open.spotify.com/show/0TDLmRw2eSeYCtODoZxjyR (Contains Explicit Content)

Arguably one of the most magical and ephemeral forms of performance art in New York City is street performance.. from buskers at subway stations, to jazz bands at city parks, and even well-dressed fashionistas on Broadway.  With venues closed during the pandemic, city streets became a common ground for any kind of artistry. As restrictions lifted many of these performances persisted, offering an optimistic accompaniment to the city's reopening.  

This week, Gilly talks the politics and culture of cake and bread with craft baker at Fortitude Bakehouse, Dee Retali who was one of the first people to bring biodynamic, organic foods to London in the mid '90s. She's also made cakes for Madonna and Prince Charles, so famed is she for the sustainability and craft she puts in the mix. She founded Patisserie Organic in 1998 and her Soho-born coffee and sandwich shop Fernandez & Wells blazed a trail way before the boho bakeries and hipsters made real bread cool. Her book, Baking with Fortitude takes its name from her bakery chain, Fortitude Bakehouse but decribes a woman with grit in her belly. See acast.com/privacy for privacy and opt-out information.

What you'll learn in this episode: Why Marc's box art jewelry was inspired by his time working in the theater industry How Marc went from selling his work on the streets of New York City to selling them to Hollywood's biggest celebrities Why artists have always borrowed from each other's work Why box art is a conversation starter that breaks down barriers How every box tells a story Additional Resources: Instagram Photos: Museum of Israel Exhibition  Currently on view at SFO Airport  Marc Cohen and Lisa Berman (no relation)  About Marc Cohen: Marc Cohen is a highly regarded artist known for his wearable box art. As a former actor, stage manager and set designer, Cohen's two-inch-square boxes resemble stage sets with three-dimensional figures and images. His one-of-a-kind pieces sit on the shelves of numerous celebrities and can be worn like a brooch or pin. The archive of Cohen's work is housed at California art jewelry gallery Sculpture to Wear. Transcript: Inspired by his time in theater and created to resemble a stage, Marc Cohen's box art pieces are well-known among rare jewelry lovers and Hollywood's most famous artists, actors and producers. Part three-dimensional art, part jewelry, the two-by-two boxes feature images and tiny figures that reflect our world. He joined the Jewelry Journey Podcast to talk about his process for creating box art; what it was like to work with theater greats like Tom O'Horgan and Paula Wagner; and why his pieces are more than just shadow boxes. Read the episode transcript for part 1 below.  Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. Today, my guest is Marc Cohen. Marc is a former actor, set designer and stage manager. He is a highly regarded artist recognized for his box art, which graces the shelves of many celebrities. The box art pieces are often worn as brooches. We'll hear all about his jewelry journey today, but before we do that, I want to thank Lisa Berman of Sculpture to Wear for making it possible for Marc to be with us today. Marc, so glad to have you. Marc: As am I. Thank you for inviting me. Sharon: Great to be with you. Tell us about your jewelry journey. It started with you traveling around the world from what you've said. Tell us about that and how everything worked from there. Marc: I was a 20-year-old young man and I left America, basically, on a freight ship. That's how I started the journey. I have a saying now, which is “Every box art tells a story.” The irony of that is that when I travel, because I was on the road for a very long time, going all over the world, I liked collecting things but I had no place to put them. I found these little, tiny boxes that I used to take candy out of, and when they were empty, I went, “Oh, this is a great thing to put little things inside of.” I already was starting the idea of collecting little objects that I might go back to at some point and use it as a part of the art. But I traveled; I went around the world all the way to India until 1970. Then in 1970, I decided to return to America and relocate myself within the country. Prior to that, I had left in 1966. It was during the Vietnam War.  I was raised in Southern California, so I came back to America and went back to my roots. I have a stepsister, and she had a friend named Tom O'Horgan. Tom O'Horgan is actually very famous in the theater world, primarily because he directed the show on Broadway called “Hair.” He directed many other shows after that, but that is the one he's most known for. In meeting each other for the first time, he asked me about myself, and I said, “I traveled around the world and I don't have any real direction about what I want to do next.” He said, “Well, I need a driver because I'm working on these film projects. Do you drive?” and I said, “Yeah, I drive.” So, he hired me as a driver.  During that period, which was in the mid-70s, I drove him around Los Angeles. I knew Los Angeles like the back of my hand, and we went to all these different studios and met all these different, incredibly famous people; directors, writers and the like, actors and so on and so forth. I was getting a little bit of a background, but what I didn't know at the time, not until many years later, was how I ended up becoming a curator and jewelry maker. I was influenced by the work of Tom O'Horgan. Being a set director, he did plays. The things he worked on in LA ended up getting finished, and he said, “I'm going back to New York. Keep in touch with me. Maybe there's some work for you in New York.”  About six months later, I called him on the phone. He said, “Marc, we're doing this show on Broadway. It's about Lenny Bruce and I have a great job. I'd love you to come and work on it.” I said, “Well, I've never lived in New York, but I do know who Lenny Bruce is. So yeah, I'm coming.” I went to New York and got a room at the Chelsea Hotel. It was during the time of Andy Warhol and a lot of other people living in the Chelsea Hotel. So here I am, in the middle of this incredible epicenter of activity; there was so much different art on the walls of the Chelsea Hotel back in those days, and all these Warhol people and other characters from the avant garde world in New York City. That's the background of how I got to where I got. What I mean is that as a young guy, I didn't know a lot, and I didn't have a lot of background in art per se. I was more like a young guy who was just wandering on the planet, as I said earlier.  So, here I am in New York. I'm in the middle of an epicenter of activity, and Tom says to me, “Well, we're in pre-production for the show, and there are a lot of other things I would like you to do for me.” He gave me a lot of different jobs, and I went around and did that for a while until the show went into production. During those pre-production meetings, he would meet with all these different designers. One of those designers is now a very famous set designer by the name of Robin Wagner. Robin Wagner went on to design “A Chorus Line” and a lot of other incredible Broadway productions. Robin, over the years, became one of my closest friends. The reason I bring him up is because we used to go his studio, which at the time was in a building called 890 Studios, which is owned by Michael Bennett, who was the director of “A Chorus Line.” I'd go to his studio with Tom, and he would have models of shows. I was picking up the incredibly creative process of how you put together an idea for a show and a stage. He would have little characters he would use to put on models of shows. I took note of those little figures, but I kept it hidden in the back of my brain, not knowing anything, nothing preplanned about what I was doing other than being Tom's assistant. We eventually went to Broadway with “Lenny.” “Lenny” opened. It was a big success and for about 30 years, I worked primarily with Tom O'Horgan in theater.  Sharon: Is it Tom O'Horgan? Marc: Yes, it's spelled O-‘-H-o-r-g-a-n. He was an artist. He always considered himself to be one of those people that didn't do things that are the typical Broadway. I mean, when you think about “Hair”—I didn't work on the original. I worked on a later production with Tom, but by that point, I had already worked on “Lenny Bruce,” “Jesus Christ Superstar” and so many other amazing things. We did opera. Tom did a lot of things, and Tom's influences and Robin's influences are guides to what I eventually ended up becoming, which is an artist who creates wearable art.  When you think about jewelry, for me, typically jewelry would be semiprecious stones, silver, gold, pearls, all that kind of stuff. I'm not the kind of creator or designer that would even know where to start to put those things together. I love beads. In the 60s, I made my own beads and necklaces, but I didn't see that as where I wanted to go. Because of my memory of the stage and theater and stories—when I told you earlier about the boxes, during the period I was living in New York, I collected a lot of things in my little East Village apartment.  I happened to be downtown in the Soho area; I was down on Canal Street. I was walking along the street, and all the shops had things out in front of them for sale. I walked by, and there were empty boxes and lots of other things. I was just motivated to buy them, so I bought them. I brought them back to my apartment and I was sitting at my little worktable looking at all these objects. I'm thinking, “Maybe I could make something out of this. I know that this coming year, Tom has this big Christmas party, and usually he's the guy who gives everybody something unique for a present.” There I was, looking at all these things, and I looked at the little box and glued a little figure I had inside the box. For example, this is a box. It's an empty one. Sharon: Like an acrylic, plastic box. Marc: A plastic box, an acrylic plastic box. Most people would take this box. It has a lid. They would put anything in it, but they didn't think they could put a whole story together. When I put the little figures in the box like that, and it has a lid and I put it like that, then I have a box with people standing in front of it, but they're sort of looking through. What are they looking at? I started to figure out I needed to have an image to tell the story. This is the World Trade Center. Sharon: So, you're creating little worlds inside the box. Marc: Right. Since I started the idea in 1985, I have made thousands, and out of those thousands, many of them are one-of-a-kind. How I can I put it? Because of my traveling and because I'm a very sentimental guy—with these boxes, the little characters can't talk; they're little plastic figures. They only way you could tell the story, as jewelry tells a story, is by what you put behind them. So, in this case, I put the World Trade Center. I had a little character standing there looking at it. I actually made this before the World Trade Center fell down.  My meaning of all of this is that it was something in the beginning I was aware of. The one I'm wearing on my lapel—this one is a door. There's a woman standing, looking not at us; she's looking towards the doorway. Anybody who would come up and look at my work, they would say, “Wow, that is amazing! Where did you get that?” This is how it started and how I got into fashion. “Where did you get that?” and I said, “Well, I made it.” And they said, “Really? Where can I get one?” And I said, “You can buy this one.” In the beginning, I used to sell right off my lapel. I love dressing. Double-breasted suits are my favorite attire, so I would have a box on my lapel. As I said, I would go all over New York City to openings, plays and the like. At openings and galleries and museums or wherever I went, people from across the gallery, they would see me dressed and see this thing on my lapel, curious to what it is. They would walk up to me. They wouldn't even look at me; they would look right at the box and go, “Oh my god, what is that?” When I said, “Well, it's a box and I made it,” they would go, “Wow! I want it.”  It got me to the point where—this is the most interesting thing—many years later, after traveling and having lived in Israel—one of the places I did live—after about 25 years, I decided to go back there for a visit. I had friends that had immigrated to Israel, and some of my friends were there to stay. I went to visit them, and they all are in the arts. When I was there, one day they said, “Why don't we go to the Israel Museum up in Jerusalem?” I was in Tel Aviv staying with them. We go up to Jerusalem. I was wearing a box. I'm walking around the Israel Museum—this is so amazing to me—and a woman from across the room, a very tiny lady, walks up to me. She says the same thing many other people said: “Wow! What is that? Where did you get that?” I said, “Well, I made it,” as I said earlier.  The point of it is that these boxes have a story in them. For me, every story leads into another. How I mean that is that a person who I don't even know comes up to me, looks at my work; they're inspired by it; they talk about it; they tell me things about it that I've never myself, as the creator of it, imagined how significant it was or what it meant to them. As in theater, as in my relationship to Tom O'Horgan—who broke the fourth wall when he did “Hair” on Broadway—during the period I was creating these, people in New York and probably everywhere else didn't exactly walk up to each other and start a conversation with strangers. I had the object that changed all that, and I had not realized that until I started going out and wearing them.  Getting back to Israel, this woman, who I later found out was named Tammy Schatz, she was the curator of one of the wings in the Israel Museum. She invites me the next day to come and sit and talk with them, because they were planning this show and exhibition the following year called “Heroes.” So, I went back the next day. I sat with her and bunch of other people and they started telling me what they were planning. They said, “Well, you're an American, and you must know a lot about American pop culture. You know Superman and Batman and all the stuff like that,” and I said, “Yeah, I do.” Once they learned I worked in theater and designed sets—because by this point, I was not only making little box sets, I was also making large set pieces for shows. I have also done installations and the like. So, they invited me based on an illustration I sent to them. The next year, I went back to Israel, and I did this 10-feet-high, 25-feet-long three-dimensional cityscape. It was boxes, another version of boxes. It goes on and on from there, Sharon. It's always been fascinating me, how these boxes have gotten me into all kinds of great trouble. As I continue to say, every box tells a story. Sharon: We'll have pictures of the boxes when we post the podcast, but I want to describe it to people. These are small. What, two by two?  Marc: Two-inch square, three quarters of an inch deep. When you buy them, they're empty; they don't have anything except the lid and the box. I basically invented an idea; up to that point, I never saw anybody else doing what I was doing. Later on, I found that I inspired other people's creativity. There was these little boxes, and every picture tells a story. A picture's worth a thousand words. Sharon: Marc, before all this happened, before you befriended Tom and he befriended you, did you consider yourself artistic or creative? Was that a field you wanted to pursue? Marc: Kind of. I didn't literally say, “Wow, I'm an artist! I'm going to create.” When I was a young guy growing up—I grew up in Philadelphia until I was about 13. My father and mother were in the beauty business. My father was a very well-known women's hairdresser. He had his own beauty parlor. My parents were beatniks back in the 50s in Philadelphia. They were very artistic people, and all their friends were very artistic. When you're a 13, 14-year-old, it doesn't register, “Oh, I'm going to grow up to be like my parents,” but they are influences. They all wore black all the time, and as I was growing up, that was my look; I wear all black. I'm going to high school during the 60s, and it's all surfers and bleach blond hair, and here comes me with skin-tight black pants and Beatle boots and cravats. Kids who were friends, they would come up and say, “Who are you? What do you think you're doing? You must be an artist.” The idea stuck, but as I said about journeys through life, the fascinating thing for me is that I could go around the world, have all these different things happening in my 20s, return to New York and be on this journey where I'm still at.  I know your podcast has to do with why we're here: to talk about jewelry. I came up with a way for people to wear jewelry that has a story in it and it isn't just a beautiful necklace. Most of my clients over the years have been women, and women know something much more than men know about wearing an object that attracts attention. Women know how to find beautiful objects and adorn themselves, whether it's a necklace or earrings or the like. What I also found was interesting—and this actually happened; I neglected to mention this, but at one point when I stopped doing theater with Tom and only focused on making box art, I ended up becoming a street artist.  I was selling in the beginning to every major department store, and I was getting orders for thousands of boxes that I had to come up with. I was a one-man factory, so I was pulling my hair out of my head thinking, “How the hell am I going to get all these boxes out?” Eventually I discovered there's no way I can be a manufacturer of these things; they're all one-of-a-kind. I'm not going to make 12 of the same thing. A friend of my said, “There's a street fair down on Broadway. Maybe you should go there and sell on the street.” That opened a doorway, like this doorway that's on my lapel, into a world that I have never been able to look back on. What I mean by that is that once I discovered going to Soho, which was in the early stages of its evolution to become an epicenter for artists, many of them very famous—Keith Haring, David Hockney, the list is incredible of the people that were living in Soho during this period.  I went down there; on West Broadway there were very few artists, and I was one of them. I would be standing there all dressed, and people would be walking up and down the street. It was the most incredible way for them to find out if I was marketing what I had on my lapel. People would walk by, they'd see this guy with a fedora all in black, wearing a box, and they'd be curious. “What's he wearing?” They'd come up. They wanted to ask me a about them and how much they were. They would say, “I'll take that one, that one and that one,” and that used to happen to me constantly. I never could make enough. The thousands I had made that never got sold in department stores were being sold like crazy on the streets of Soho. I started to get a reputation as the box man. One of the clients that bought from me called me the box man. There were times I would go down to Soho in the early morning on Saturday or Sunday, and there were people milling around where I would stand, waiting for me. They would go, “Here comes the box man.” It was crazy.  Among all those people, some of the people that stopped and looked at my work were people like David Hockney. David Hockney actually came up to me one day, after a lot of people walked away buying my stuff, and he was looking at them real close up. He started talking to me and giving me suggestions about what I could do with them and how I could display them. He said, “You've got this little box. Where are you going to put it? Maybe you should put it in something, like a frame?” That was the most incredibly brilliant selling idea for my boxes. What I did with the frame idea, when I figured out how to do it—there are many of them behind me; they're all frames. The idea was that you can wear it, but you can also put it on your wall, and your wall can wear your art. I made it so the frame had an opening in it that the box sat inside of. If you're going out to an opening or a fashion show or something like that, “I think tonight I'll wear one of the Marc Cohens.” That was the idea, and that took off like crazy from there.  I have to also tell you I didn't have any agents. I didn't have a rep or anything like that. The only rep I had was Marc Cohen. So, it was a cool journey through art. I evolved the idea of being an artist selling on the street, where I just had an easel, to having a pushcart. It was like immigrants coming to America way, way back, my family being some of them that went to Philadelphia. My great, great grandmother, she had a pushcart on South Street in Philadelphia. It's another part of the story of jewelry. It bridged into me getting even more known.  I went back to California where I grew up. I found that in Santa Monica, they had a promenade they were developing. They actually had people with carts they rented they would put out on the promenade. I found out I could rent carts, so I rented one and came up with this idea. It actually came from people on the street. People would walk by and say, “Wow, you're like a tiny gallery with all your art.” I came up with this name, the World's Smallest Art Gallery. I took the cart and turned it into a miniature to scale, like if you went into a gallery, but it was open to the people to see it from all different sides. I had walls and characters that were larger than the ones in my boxes. They were standing looking at the art. It was all on that level; it was very interactive. People would walk by, and there would be a lot of celebrities all the time on the street. Suddenly, not only was it regular people buying work, not only David Hockney, but very famous people in Hollywood. Along the way, I reconnected with a friend of mine who was very famous, Paula Wagner. She's now very famous for being a producer with Tom Cruise; they had a company called Cruise Wagner. She's a friend of mine from all the way back to the “Lenny” days. We rekindled our friendship in LA. She knows everybody in Hollywood, and once she saw my work, she flipped out and said, “We've got to do something with this.” She hired me, and the first thing I did for her was wearable box art in a frame. It was for Oliver Stone.  Sharon: I'm sorry, who it was for? I didn't hear. Marc: Oliver Stone the director. Sharon: Oliver Stone, oh wow!  Marc: She also represented Val Kilmer and Tom Cruise and Demi Moore. Before you know it, she's asking me if I can make a box for this person, on and on. The biggest thing for me at the time was Madonna. I knew Madonna from a long time ago. When I say I knew her, I lived in New York in the early 70s and 80s, and I used to go to all these clubs. I would go to this one called Danceteria. At the time, Madonna was a coat check girl there, and eventually she did a show there, which I saw with a bunch of my friends. Then she went on to do whatever she wanted on her own.  Somehow or another, a friend of hers bought one my pieces to give to her as a gift, but this is the best part of it. I didn't know this until much later on. One night in LA, I went to this private photo exhibition; it was a photographer who had done all the photography for Rudi Gernreich, the fashion designer with those bathing suits. I'm going to the exhibition with friends. I had my box on my lapel. I'm walking around and it's a tiny, little gallery, so people don't follow each other—everybody goes wherever they're going. A bunch of people are coming that way and we're walking, walking, walking. We come to this one, most famous photograph of a topless model. I'm looking at photograph, and standing next to me is Madonna. I turn and right away, she looks at me and goes, “I have one of those boxes.” I said, “I'm the artist. I made it,” and she said to me, “I Iove that box and I have it right by my bed,” and I said, “Oh, how cool.” She asked me a few questions and I filled her in on my background. I didn't bring up the fact that I remember her from Danceteria.  Then it was like an avalanche. I got picked up by Maxfield's Clothing Store in LA when I started the frames. Everybody saw how cool it is as an art piece, but you can wear it. Maxfield loved what I was doing, and he took me on and carried my stuff in his store. This is another amazing thing: the dresser for Arsenio Hall was in the store one day buying things for him to wear on the show. I don't know whether it was a man or a woman, but they bought an outfit for Arsenio, and the salesperson said, “We just got this new wearable art piece in. You've got to see this.” They looked at it and bought one. That night on the Arsenio Hall Show—if you ever watch his talk show, there's intro music, and then the curtain goes away and he stands there; it's Arsenio Hall. On that particular night, he's standing there, wearing a collarless Armani suit, and on his jacket is a square.  From a distance you can't tell what it is. I found out this afterwards. I got the tape. It was amazing; he didn't himself know what it really was, but he came out and the camera zooms up on him. When I saw what the box was, I got a chill. It was a period where I started to not just do people standing in the box, looking at the image or looking out away from the image; it was a period where I was putting images up against the face, so it would be a three-dimensional idea. In this particular one, it was Martin Luther King. I had done part of his face in profile in the foreground, and then I had done some backdrop. It had something to do about racial issues.  I didn't just make cutesy box art. I really am not about cutesy box art. I'm very passionate about a lot of things in life. I'm very political about certain things, and I want people to have an opportunity to talk with each other about things that are meaningful, particularly where we live these days. It's important to have that doorway of how people get through it and interact with each other without being sensitive and thinking you're going to be judged by whatever they say or do. We are in a period where people have to be careful about that. So, it amazes me that this tool—because it is a tool—is, in a way, much different than things made by other jewelry designers that Lisa Berman curates or represents. That is mostly what Lisa represents, like Robert Lee Morris. I knew Robert Lee Morris personally. He's a genius and he's a friend. Thomas Mann is one of my closest friends. I'm friends with others as well because of how we interact with each other.  The image is what it's about. It's how the characters are placed within the box. Along the way, I started thinking, “I want to get out even more than what I've done. I want to try to make work even more original.” We live in a period where they have this thing called a 3D printer. It prints pretty much anything. I can create a series of my own characters, which is something I always wanted to do. I've only just started doing this. I started developing this idea, where I custom make three-dimensional boxes on this scale and a much larger scale. That's where I'm headed. I have lots of collectors. They would be more than happy if I started making little box art again. My newest work is much larger. I make boxes now that are 20 feet big, installation pieces.  Sharon: They're hard to wear. Marc: They're hard to wear, right? I know your program is primarily about jewelry. The thing about that, though, is what I am planning to do. When I do have that exhibition, the large-scale Marc Cohen box art exhibition, I will have miniatures of that exhibition, like many other people do when they market things. The Van Gogh Experience—I don't know if you've seen this, but there's a thing on the road right now that's video mapping Van Gogh's paintings on a building. When you go to the gift shop, they've marketed Van Gogh's work to death. I would do something similar as a collectable.  I had Sotheby's in London; they heard about me through our people in Israel. I was invited to do this big exhibition at Sotheby's. It's a big auction and a silent auction. I got commissioned to make three boxes with lights. There weren't any more wearable, but I did that, and it sold for the equivalent to $10,000. Suddenly, my prices are changing. The people that bought my boxes on the street from the beginning—it's embarrassing to say—but when I first started selling them, my boxes were $20. They're no longer $20. They have been selling at auction for a lot more than $20. Now there's talk about me in way that I never, ever imagined, and it's joyful. After 40 years of doing nothing but making boxes, I don't know what— This is part 1 of a 2 part episode please subscribe so you can get part 2 as soon as its released later this week! Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

Don't outdoor restaurants sound nice? During the pandemic, New York City allowed restaurants that couldn't host people indoors to serve them outdoors. Many restaurant owners credit the rule for keeping them in business. We neighbors happily supported businesses in need.The landlords saw the huge profit in keeping this public space for their private property, started raising rents---profiting from a deadly pandemic---and tried to get politicians to give them that public land permanently.I might not mind if that space were coming from just car spaces, or if restaurants weren't polluting the area so much with plastic, burning fossil fuels to heat the outdoors while California is on fire, other packaging, and noise.There is a better alternative that no one thought of because we didn't know the city was willing to convert space from parking spaces and open sidewalk. We could turn it to living green spaces: community gardens, playgrounds, farmers markets, bike lanes, public pedestrian spaces, and such. There was already huge demand for such spaces. People wait years for plots in the tiny spaces we have. But search the web for "Manhattan community gardens" and you'll find almost nothing, especially around Greenwich Village.This program is already raising rents, making new restaurants harder to start. It helps a few individuals while hurting the industry it purports to help.Those who know New York City's history will see this land grab from the public on par with the failed Lower Manhattan Expressway. People organized to protect what became global destinations: Soho, Nolita, Tribeca, the Lower East Side.If you have influence with New York City politics, end this program of pollution and destruction.See images and videos I made of what Open Restaurants contributes to:https://joshuaspodek.com/another-morning-walk-seeing-litter-in-my-neighborhoodhttps://joshuaspodek.com/pride-destroyed-the-park-washington-square-park-after-a-parade (video and pictures)https://joshuaspodek.com/video-whats-wrong-with-new-york-city (video and pictures) See acast.com/privacy for privacy and opt-out information.

Horror movie month is in full swing! To celebrate, we look back at zombie-comedy "Shaun of the Dead" (2004), directed by Edgar Wright, whose new film, "Last Night in Soho," releases Oct. 29. In this episode, Mike and Brian explore the impact "Shaun" made on the horror genre, dig into its best moments and discuss its chances of contending for a top-five spot at year's end. www.bestpicturethis.com Want to choose an movie for a future episode? BECOME A PATRON. Agree or disagree with our takes? EMAIL BestPictureThis@gmail.com And for 15 years of Golden Takes, head over to Letterboxd.

Listen now (18 min) | NOTE: If you’d like to skip my commentary and go straight to the song, go to 13:13. However, I do suggest listening to the whole episode! NOTE 2: Other than the title, this song has nothing to do with the new film, “Last Night In Soho.” Thanks for tuning into the fifth episode of “25 Bad Songs,” an Art In All Its Forms podcast series where I (Suraj) write 25 songs — one song a week — and show you how I did it! Get on the email list at artinallitsforms.substack.com

Welcome to Season 2 of the Horror Movie Crew Podcast!  A weekly podcast about all things horror.  Listen in as we discuss trailers for upcoming movies! This episode we're discussing the trailer for "Last Night in Soho" which will hit theaters on Oct 29, 2021. Check out the HMC on Social Media: Episode Hosts:  @Sethk81 @Joshsmannequin @jessleehmc All Music By: @Joshsmannequin Thank you to our Patron CREWBIE VIP's: -Michael from the @We_Love_Horror_Podcast -Ashley S! -Our favorite Nana! -Ashley V! The HMC are featured on Feedspots Top 60 Horror Movie Podcasts

Another episode of "On The Fly" Thursday's.

So much happening! Victoria S'Gone… but the queens are butching up in her honour for a manly mini challenge, and then camping it up for a pitch perfect maxi challenge, which, once again, yields divisive results, after a visit from Raven. Plus, an emotional coming out in the work room, and random discussion about James Bond and why Ed can't say Chorizo's name. Such fun! @unitedqueendompodcast OR email at edward.m.dyson@googlemail.com www.patreon.com/UnitedQueendom SPONSORED BY KU BAR, SOHO, LONDON www.ku-bar.co.uk BOX MENSWEAR www.boxmenswear.com www.instagram.com/unitedqueendompodcast www.instagram.com/samdowlertime www.twitter.com/samdowler www.podtail.com/podcast/united-queendom-podcast/ open.spotify.com/show/0TDLmRw2eSeYCtODoZxjyR (Contains Explicit Content)

In this episode hosted by Mercury award nominated folk singer, Sam Lee, Music Declares Emergency brings you music and chat that tells the truth about the climate emergency and features special guests from across music, science, climate activism and the wider creative community. Each show will feature a themed soundtrack taken from our declarer's playlist. To catch the full episode with more interviews and tracks, head to our Mixcloud: https://www.mixcloud.com/sohoradio/music-declares-emergency-06102021/This is the Soho Radio podcast, showcasing the best broadcasts from our online radio station in the heart of London.Across our Soho and NYC + Culture channels, we have a wide range of shows covering every genre alongside chat, discussions and special productions.To catch up on all things Soho Radio head on over to mixcloud.com/sohoradio or tune in live anytime at sohoradiolondon.com or get the app.Support this show http://supporter.acast.com/soho-radio. See acast.com/privacy for privacy and opt-out information.

Down in the valley where the girls be drankin' (BLOOD)If you ridin' solo, best prepare to stake 'em1, 2Bite 'em3, 4, Night 'emBefore keeping in line with last week's theme of turning the male gaze against itself, Melle and Jared dive into the Negronomicon, covering topics such as the ending of Squid Game (2021) (spoilers start at 14.25 and end at 19.49) and the prospect of a second season , a slew of newly released/upcoming horror trailers and breaking news about the IATSE strike.Then, find yourselves with us in  rundown town after sundown in 1986's "frightening comedy" Vamp, where we put the queerness between AJ and Keith center stage, question the addition of throwaway characters and absolutely revel in the bombastic screen presence of the one and only Grace Jones and the ups and downs of her being silent protagonist. Gems from Ep. 36Dune (2021)No Time to Die (2021)Halloween Kills (2021)Antlers (2021)Last Night in Soho (2021)Eternals (2021)Avengers: Endgame (2018)Star Wars: The Force Awakens (2015)Shang-Chi and the Legend of the Ten Rings (2021)Harry Potter and the Deathly Hallows Part I (2010)Harry Potter and the Deathly Hallows Part II (2011)The Twilight Saga: New Moon (2009)Twilight (2008)Halloween (2019)Candyman (2021)Creed (2015)A Quiet Place Part II (2021)Harry Potter and the Chamber of Secrets (2002)Super Smash Bros Melee (2001, Video Game)F-Zero (1990, Video Game)Super Smash Bros. Ultimate (2018, Video Game)Kingdom Hearts (2002, Video Game)Crash Bandicoot (1996, Video Game)Minecraft (2011, Video Game)Pokémon (1997)Super Smash Bros. Brawl (2008, Video Game)Squid Game (2021)Train to Busan (2016)Taken (2008)Gravity Falls (2012)Just Beyond (2021)Chucky (2021)The Twilight Zone (1959)Cult of Chucky (2017)Curse of Chucky (2013)Child's Play 2 (1990)Scream (2022)Scream (1996)Scoob (2020)Vamp (1986)Charmed (1998)Jennifer's Body (2009)Fright Night (1985)Shutter Island (2010)Godzilla (2014)Boomerang (1992)The Thing (1982)The Thing (2011)American Horror Story: Red Tide (2021)P-Valley (2020)The Sopranos (1999)The Wire (2002)True Blood (2008)From Dusk Till Dawn (1996)Herbie: Fully Loaded (2005)Final Destination 2 (2003)The Witches (1990)Ginger Snaps (2000)

March 2020, writer Craig Taylor believed he was finally done with his 11 year oral history project featuring the voices of people who live and work in New York City. He wasn't. His incredible new book New Yorkers provides us with a number of first person accounts of the Covid19 crisis and primes us to think about what's next for the city. Plus: photographer Renate Aller on the social distancing pictures she took on the street outside her Soho loft during the worst of the crisis.

Carter and Jonathan review the September releases Malignant, Cry Macho and The Card Counter before previewing some of the major titles that will be released this October including: Dune, The French Dispatch, The Last Duel, No Time to Die and Last Night in Soho

In this episode, we join X-Ray Bex for a party to welcome Jack White's Third Man Records to Soho. With a whistelstop tour of the label's back catalogue and exclusive new releases, discover some of the shop's secrets with key players at Third Man Records and the surprises in store when you walk through the doors at 1 Marshall Street, W1, just round the corner from our studios.To catch the full episode with more interviews and tracks, head to our Mixcloud: https://www.mixcloud.com/sohoradio/third-man-records-special-28092021/This is the Soho Radio podcast, showcasing the best broadcasts from our online radio station in the heart of London.Across our Soho and NYC + Culture channels, we have a wide range of shows covering every genre alongside chat, discussions and special productions.To catch up on all things Soho Radio head on over to mixcloud.com/sohoradio or tune in live anytime at sohoradiolondon.com or get the app. Support this show http://supporter.acast.com/soho-radio. See acast.com/privacy for privacy and opt-out information.

How Anna Sorokin, known as the "Soho Grifter," fascinated the world and conned elite social circles.

In this episode, we join presenters Salena Godden and Amah-Rose Abrams in conversation with writer Chimene Suleyman, who is also the editor of The Good Immigrant USA (Editor 2019) and The Good Immigrant (2016). We hear amazing spoken word poetry from their third co-host - who will return for next month's show - Matt Abbot.Roaring 20s Radio amplifies the best art, culture, books, poetry and activism as we roar into a new decade. Our aim is to celebrate and champion the people that are roaring in the face of adversity.To catch the full episode with more conversation and tracks, head to our Mixcloud: https://www.mixcloud.com/sohoradio/roaring-20s-radio-25092021/This is the Soho Radio podcast, showcasing the best broadcasts from our online radio station in the heart of London.Across our Soho and NYC + Culture channels, we have a wide range of shows covering every genre alongside chat, discussions and special productions.To catch up on all things Soho Radio head on over to mixcloud.com/sohoradio or tune in live anytime at sohoradiolondon.com or get the app. Support this show http://supporter.acast.com/soho-radio. See acast.com/privacy for privacy and opt-out information.

This week, Victoria's knee is fucked. And if that's not bad enough, she's got cocky pinhead Crystal calling her fat not once but twice. And then there's a dance challenge that left many bewildered. Runes category: red carpet showstoppers. And we also venture into controversial topics such as Britney, R Kelly and Katie Price - God help us! Rate, review and share pleeeease! X @unitedqueendompodcast OR email at edward.m.dyson@googlemail.com www.patreon.com/UnitedQueendom SPONSORED BY KU BAR, SOHO, LONDON www.ku-bar.co.uk BOX MENSWEAR www.boxmenswear.com www.instagram.com/unitedqueendompodcast www.instagram.com/samdowlertime www.twitter.com/samdowler www.podtail.com/podcast/united-queendom-podcast/ open.spotify.com/show/0TDLmRw2eSeYCtODoZxjyR (Contains Explicit Content)

INFESTATION: FANTASTIC FEST 2021 – FIRST ROUND It's that time of year with the festival in Austin that plays some of the coolest, weirdest, craziest films coming out that you'd ever want to see. Naturally, INFESTATION will be covering all the films we saw with this being the first in a series of review podcasts… Read More »Infestation: Fantastic Fest 2021 – Last Night in Soho, The Innocents, Beyond the Infinite Two Minutes

INFESTATION: FANTASTIC FEST 2021 – FIRST ROUND It's that time of year with the festival in Austin that plays some of the coolest, weirdest, craziest films coming out that you'd ever want to see. Naturally, INFESTATION will be covering all the films we saw with this being the first in a series of review podcasts… Read More »Infestation: Fantastic Fest 2021 – Last Night in Soho, The Innocents, Beyond the Infinite Two Minutes

Follow us on Twitter @lassocast, @thelassocast on Insta, and @lassocast on TikTok!Email us lassocast@gmail.comPlease rate and review on your favorite podcast app!-Check out Robert Daniels review on Last Night in Soho!-Ted Lasso articles we mention in the episode: Film Crit Hulk, Gissane Sophia, Shelby Elpers, Christopher Orr!-You can find Kenny's other podcasts Shame Watch and ID4 Minutes at a Time!-If you are playing along with your own Ted Lasso Fantasy League, you could find your scorecard here!

In this episode, we have a beautiful live set and artist interview with singer/songwriter and guitarist Raquel Martins as she joins Alex and Nick on The Thread. To catch the full show do head to our Mixcloud - sohoradiolondon.com.https://www.mixcloud.com/sohoradio/the-thread-25092021/This is the Soho Radio podcast, showcasing the best broadcasts from our online radio station in the heart of London.Across our Soho and NYC + Culture channels, we have a wide range of shows covering every genre alongside chat, discussions and special productions.To catch up on all things Soho Radio head on over to mixcloud.com/sohoradio or tune in live anytime at Support this show http://supporter.acast.com/soho-radio. See acast.com/privacy for privacy and opt-out information.

1873 war ein außergewöhnliches Jahr für die Stadt Wien: Es fand nicht nur die Wiener Weltausstellung statt, sondern es kam auch zu einem heftigen Börsenkrach und im Sommer brach auch noch die Cholera aus. Doch das war noch nicht alles. Im Oktober wurde ein gigantisches Projekt fertiggestellt, das die Stadt bis heute prägt und zur hohen Lebensqualität beiträgt. Zahlreiche Stollen und 30 Aquädukte sorgen dafür, dass Wien mit Hochquellwasser aus 100 Kilometer Entfernung versorgt wird. Wir sprechen in der Episode über Cholera, wie sie mit Wasserleitungen und Filteranlagen bekämpft wurde und über die letzte große Cholera-Epidemie in Deutschland, die 1892 in Hamburg ausbrach. Das [Episodenbild zeigt die berühmte Karte](https://de.wikipedia.org/wiki/John_Snow_(Mediziner)#/media/Datei:Snow-cholera-map.jpg) von John Snow, mit der er zeigen konnte, dass eine Wasserpumpe in Soho die Ursache für den Londoner Cholera-Ausbruch von 1854 war. **AUS UNSERER WERBUNG** Du möchtest mehr über unsere Werbepartner erfahren? [**Hier findest du alle Infos & Rabatte!**](https://linktr.ee/GeschichtenausderGeschichte) **NEU: Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf [Steady](https://steadyhq.com/geschichtefm) tun.** **Wir freuen uns, wenn ihr den Podcast bei [Apple Podcasts](https://podcasts.apple.com/de/podcast/geschichten-aus-der-geschichte/id1044844618) rezensiert oder bewertet. Für alle jene, die kein iTunes verwenden, gibt's die Podcastplattform [Panoptikum](http://panoptikum.io/), auch dort könnt ihr [uns](https://panoptikum.io/podcasts/84) empfehlen, bewerten aber auch euer ganz eigenes PodcasthörerInnenprofil erstellen.** **Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt!**

Robi Walters is a hugely successful London based artist known for transforming discarded materials into beautiful works of art in his own studio and gallery in Soho. Having previously collaborated on projects with Aston Martin and Tom Kerridge, Robi's colourful pieces have attracted celebrity collectors such as Thandie Newton, Maxim from the Prodigy and Major Lazer's Diplo as well as the legendary, Usain Bolt. As a keen philanthropist, Robi has worked with the likes of U2 and Sir Paul McCartney in order to raise money for charities, and has featured on the Channel 4 series of Lost Childhood in order to help raise awareness of how society looks after vulnerable children. Listen to how Robi's artwork and charity projects have influenced him to lead a more mindful life, with daily meditation practices. https://www.lanserhof.com/en Welcome to Forever Young, the Lanserhof podcast. Every other Tuesday, join Mario Pederzolli in conversation with a variety of health experts and special guests as they explore what it means to live a balanced, healthy and happy life. If you have any questions regarding any of the topics discussed, then we would be delighted to hear from you. Please email podcast@lanserhof.com. Please note that this podcast presents various views and opinions and the content should not be taken as medical advice. We are all unique, therefore, please do consult your doctor or speak to one of our doctors directly for any specific medical guidance.

In this episode, we join Dennis Bovell in conversation with actor, poet and activist Archie Pool. They discuss their involvement in the cult hit film ‘Babylon' from both an actor's perspective and in a broader musical context. The pair also catch up generally discussing future plans and previous projects. To catch the full show do head to our Mixcloud - https://www.mixcloud.com/sohoradio/dub-on-air-with-dennis-bovell-and-archie-pool-26092021/This is the Soho Radio podcast, showcasing the best broadcasts from our online radio station in the heart of London.Across our Soho and NYC + Culture channels, we have a wide range of shows covering every genre alongside chat, discussions and special productions.To catch up on all things Soho Radio head on over to mixcloud.com/sohoradio or tune in live anytime at sohoradiolondon.com.Support this show http://supporter.acast.com/soho-radio. See acast.com/privacy for privacy and opt-out information.

Dylan scammed their way into Fantastic Fest press passes, so here's dispatch #2! Next up, Last Night in Soho! A TRULY SPOILER FREE LIKE LITERALLY YOU SEE EVERYTHING IN THE TRAILER THAT DYLAN GOES INTO SPECIFICS ABOUT review of the new Edgar Wright movie, and don't let this freak you out, but Dylan gave it a ½ star on Letterboxd. Find out why!! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/str8pplmovies/support

Coming to you live from the Wilson Pop Up Museum in New York's SoHo, Rennae and Caitlin dive into the post-US Open Fall season, featuring an inexplicably punctuated Czech tournament, the perils of doing business in unsavory places and we generously give the Laver Cup an opportunity to do better. See acast.com/privacy for privacy and opt-out information.

Was this the best episode of wrestling tv? Omega and Danielson put on a classic!! Sting raises the bar once again!! Britt Baker retains vs Soho!! Support Work Rate Podcast by contributing to their Tip Jar: https://tips.pinecast.com/jar/work-rate-podcast Find out more at https://work-rate-podcast.pinecast.co This podcast is powered by Pinecast.

Content Warning: This episode contains graphic content.  Welcome back to the hottest podcast in America, literally.  In our first two episodes we took you inside one of our country's darkest moments. In this episode we're going into the fire. Head first. And we've got a couple of stories of raging fires and heroic rescues that will leave you on the edge of your seat. The third episode of the Firefighters Podcast with Rob Serra, FDNY (Ret.) is a family affair and today's episode focuses on a conversation between two brothers. Andrew Serra @AndrewSerraAuth, brother of host Rob, is Captain of FDNY Ladder 20 in Soho. They take us inside, for a deep dive into what it's like to go into an out of control apartment fire as a rookie and the lessons that they learned. It's the stuff legends are made of and we get to hear some of their greatest stories first hand. Host Rob Serra (@SerraRob) is America's leading advocate for firefighters and first-responders. A renowned activist, technical expert and father of three, Rob was born and raised in Staten Island, NY. He began his firefighting career with the FDNY and his first day in the field was September 11th, 2001. While he was not scheduled to work that day, he, along with thousands of others, reported to the World Trade Center to help with the aftermath of the attacks. The 20th anniversary of 9/11 was a time for reflection, a time for remembering. Never forget isn't just a hashtag. And we won't forget. And if you're one of America's Firefighters, a first responder, or the family or a friend of one... this is your new home.  Are you a firefighter that has a great story to share? Send it to us at info@righteous.us and be sure to visit thefirefighters.us for videos, Firefighters merch and more great content. We're bringing the power of the Righteous Media 5 I's: Independence, Integrity, Information, Inspiration and impact.  You can also watch video of this show with Joseph Cammarata on the Righteous YouTube page. The Firefighters Podcast with Rob Serra connects, informs and inspires--and is powered by Righteous Media. On social media or www.thefirefighters.us You can also watch video of this full conversation: https://youtu.be/Q-m_I8DqZPo #StayLow America. Learn more about your ad choices. Visit megaphone.fm/adchoices

Season Three is heeeeereeee! And we're already disagreeing. Are the judges crazy? Is Veronica getting a pass? Did this deserve a 10/10? Why wasn't Charity in the top? Hear Sam's Matt Lucas date story… and hear Ed battle to keep his voice. Thanks for joining us again! Please rate, review, share and join the Patreon for more exclusive content. Clicks! @unitedqueendompodcast OR email at edward.m.dyson@googlemail.com www.patreon.com/UnitedQueendom SPONSORED BY KU BAR, SOHO, LONDON www.ku-bar.co.uk BOX MENSWEAR www.boxmenswear.com www.instagram.com/unitedqueendompodcast www.instagram.com/samdowlertime www.twitter.com/samdowler www.podtail.com/podcast/united-queendom-podcast/ open.spotify.com/show/0TDLmRw2eSeYCtODoZxjyR (Contains Explicit Content)

PWTorch editor Wade Keller is joined by PWTorch.com contributor Tyler Sage to discuss AEW Dynamite with live callers, emails, and on-site correspondents from Queens, N.Y. They discuss Kenny Omega vs. Bryan Danielson, Cody Rhodes being booed against Malakai Black, the return of Brandi Rhodes, are Cody and Brandi self-aware of why fans are booing them, Britt Baker vs. Ruby Soho, MJF vs. Brian Pilllman Jr., C.M. Punk addresses Happy Punk criticism, and much more.

It's destination Oral Sessions for Ruby, Ruby, Ruby Soho! AEW's newest signee to its women's division drops in with Renee just days before her marquee championship match against Britt Baker to discuss her viral vignettes, an AEW debut that made everybody cry, getting her new name from the members of Rancid and an alternate universe where she became a choir teacher. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Qui ne connaît pas Ladurée et ses macarons iconiques

Adam and the Dadley Boyz review AEW Rampage and discuss...Miro wins Fuego Del Sol's car!The Lucha Bros defend the tag titles!Anna Jay vs. The Bunny!Ruby Soho & Britt Baker SHOOT!Matt Hardy shaves a fan?!ENJOY!Follow us on Twitter:@AdamWilbourn@MichaelHamflett@MSidgwick@WhatCultureWWEFor more awesome content, check out: whatculture.com/wwe See acast.com/privacy for privacy and opt-out information.

Ruby Soho said she's never been as nervous to hit the ring as she was at her AEW debut at All Out 2021! She shares what Tony Khan said just before she walked out, when she first heard the crowd chanting her name, and why she's still pinching herself! She has thoughts on the AEW Women's Division, the locker room, and why she calls the company “such a special place.” She talks about her friendship with Rancid guitarist/singer Lars Frederiksen and the very cool thing he did for her when he found out she signed with AEW. Plus, Ruby speaks candidly about her release from WWE, her close bond with her fellow Riott Squad members Sarah Logan and Liv Morgan, and what she learned from Robbie Brookside (besides the history of punk music and bands). 

Beau & Aaron recap their first two days at TIFF 2021!TOPICS:00:00 - Introduction01:44 - Drive My Car Review07:27 - Dear Evan Hansen Review16:45 - Petite Maman 22:19 - The Power of the Dog Review32:07 - Violet Review37:42 - Titane Review46:16 - Last Night in Soho ReviewListen to episodes of 'The Nerd Soup Podcast' at nerdsouppodcast.buzzsprout.comFOLLOW US ON TWITTER, INSTAGRAM & FACEBOOK!TWITTER! - twitter.com/NerdSoupAaron Twitter: @nerdsoupmonkeyBeau Twitter: @beausoupTeddy Twitter: @TeddyNerdSoupNash Twitter: @AnthonyJQNashMarissa Twitter: @purplegirlnsINSTAGRAM - www.instagram.com/nerdsoupFACEBOOK! - www.facebook.com/NerdSoupVisit our Patreon page here - patreon.com/nerdsoup

Kelly Killoren Bensimon, The Woman, The Myth, The Legend, steps Behind The Rope. Checking in from her iconic Soho loft, KKB is here to tell it all. For those who may not know, Kelly has a degree from Columbia University in Literature and Writing, an MBA, and is currently attending NYU Stern for her Executive MBA. Kelly also had a thriving career as a writer and editor at such famed publications like Elle, Page Six and Gotham and as a model who traveled the world working with famous photographers such as ex-husband, Gil Bensimon. All right, All right, onto what everyone wants to chat about, The Real Housewives of New York City. Kelly discusses how she was originally cast in Season Two of the hit franchise, how “welcome" she felt by the Season One Veterans, and how she was advised by everyone on her team not to do the show. We discuss some of her iconic moments such as running in traffic, being “up there” not “down here” and of course, “Scary Island”. Speaking of “Scary Island”, Kelly fills us in on what was really going on in that infamous dinner party scene and what life was like after that episode aired. She discusses how she reacted to and felt by the public's “outcry” as well as the private messages she received on social media. Kelly discusses who from the cast she keeps in touch with and what she would say to Bethenny Frankel if she bumped into her today. Hint, it is not what you would expect! Kelly also opens up about what it is like when people still want to talk about “Scary Island” all these many years later, what life has been like since we last saw her on our TV screens, her dating life - a topic she rarely discusses, and what a current day in the life of KKB looks like as a thriving Real Estate Agent who splits her time between NYC, The Hamptons and Palm Beach. No surprise, as any reputable real estate agent in NYC does Kelly was on the just completed season of Million Dollar Listing New York which we chat about. Tune in for a non stop catch up with living legend, Kelly Killoren Bensimon.  @kellybensimon @behindvelvetrope @davidyontef Bonus Episodes Available at - https://www.patreon.com/behindthevelvetrope Brought to you by THIRDLOVE - http://www.thirdlove.com/velvet (20% Off First Purchase) Brought to you by O.R.G SKINCARE - https://www.orgskincare.com (Use Code VELVET for 15% Off Entire Purchase) Brought to you by BOLL & BRANCH - https://www.bollandbranch.com (15% Off First Set of Sheets - Use Code “Velvet”) Brought to you by BETTER HELP - https://www.betterhelp.com/velvetrope (10% Off First Month - Use Code "velvet rope") Merch Available at - https://www.teepublic.com/stores/behind-the-velvet-rope?ref_id=13198 Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to Kreg Tool and Chime for sponsoring today's episode of Going In Raw! Go to http://www.kregtool.com to learn more about the Kreg Pocket-Hole Jig 520PRO Go to http://www.chime.com/raw to get started with Chime! Time Stamps 00:00 Show Starts 00:41 Friendo Announcements 02:55 Adam Cole, Bryan Danielson & Ruby Soho Talk AEW Debuts 18:49 Report: WWE Signs Gable Steveson 22:16 Jon Moxley Wins GCW Title 24:11 NJPW Wrestle Grand Slam Results 29:13 WWE Raw Preview 31:32 Friendo Mailbag Sources: https://wrestletalk.com/news/adam-cole-explains-leaving-wwe-aew/ https://www.f4wonline.com/aew-news/bryan-danielson-says-desire-push-limits-led-him-aew-352566 https://www.fightful.com/wrestling/ruby-soho-says-she-never-been-happier-pro-wrestling-when-she-joined-aew https://www.youtube.com/watch?v=ZtgojWmLtEI https://www.fightful.com/wrestling/cm-punk-feels-kid-christmas-bryan-danielson-and-adam-cole-aew https://www.cagesideseats.com/aew/2021/9/6/22659551/bryan-danielson-adam-cole-aew-all-out-media-scrum-quotes-wwe-positive https://www.f4wonline.com/wwe-news/us-olympic-gold-medalist-gable-steveson-signs-wwe-352406