Podcasts about east bay alternative book

Sights and Sounds is your weekly guide to the Bay Area arts scene through the eyes and ears of local artists. This week, host Jenee Darden sat down with Andrew Farago, co-author of Batman: The Definitive History of the Dark Knight in Comics, Film and Beyond . He shared his suggestions for three arts events happening in the Bay Area this weekend. The 10th annual East Bay Alternative Book and Zine Fest is going down this Saturday. There will be vendors and workshops. This year’s theme is “Renewing Our Vows” and it's expected to be a blend of gaudy and affectionate. Creators and zine fans can enjoy the fest at the Omni Commons in Oakland. Add a little magic to your little one’s weekend at Children’s Fairyland in Oakland. Kids come here to enjoy 60 storybook sets, rides, friendly animals and enchanting gardens. The park is designed for kids under eight. Next week the park will be celebrating the holidays with their Winterland theme. The Cow Palace turns into Victorian London for The Great

Public Radio Deadbeat - Octopolis; Theory - 1.32; Republifucks - Mind`s Eye, WTFIWWM...../product/mubz-beats - realkingK, Glad Im not white(FUCK NAZIS) - Difference of Opinion, GOP-God Over Politics - Columbine Christ; Geeknotes: 12/08 - East Bay Alternative Book & Zine Fest 2018 @ Omni Commons, Oakland, 12/11 - LAFLA Expungement Clinic @ LA Law Library, 12/11 - Lynn Fitzgerald @ The Gallery Cabaret, Chicago, 12/13 - Pack the Chamber! Hearing on the Public Bank Task Force @ SF City Hall, Room 250; Practice - Benitez 1(7); Small Price To Pay (For Pussy) - Octopolis

Elie Katzenson interviews East Bay Alternative Book and Zine Fest (EBABZ) organizers Gillian Dreher, June Hong, and Maira McDermott about the specialness of zines and their relevance as underground publications for activists, artists, and writers in search for total creative freedom and publishing options.Transcript:Elie Katzenson:This is Method To The Madness, a biweekly public affairs show on KALX Berkeley celebrating Bay Area innovators.I am Elie Katzenson. I am here with the organizers of EBABZ, which stands for the East Bay Alternative Book and Zine Fest, which is coming up this Saturday, December 8th at Omni Commons in Oakland.It's from 11:00 to 5:00. That venue, Omni Commons, is located at 4799 Shattuck Avenue, which is super close to the MacArthur Bar, and there's a drop off on the sixth bus line in addition to other bus lines. For now, I am here with Jill, June, and Mira. Hi y'all.Mira:Hey.Jill:Hey.Elie Katzenson:Let's start by talking about what a zine is.Mira:A zine, in my opinion, is really anything you want it to be. It doesn't even need to be printed. You can have online zines, digital zines. It's anything that you feel really passionate about or interested in that you want to share with other people, and you just kind of put together this little book.It doesn't have to be a traditional book shape. It can be any shape you want. Staple it, copy a bunch of pages, hand it out. That's a zine.Elie Katzenson:Zines are interesting because, as I understand it, historically they've been and they continue to be like an underground publication used a lot by activists, artists, and writers that are looking for the ability to self publish, which affords them total freedom.There's a lot of identity exploration that maybe traditional publishing houses wouldn't allow for that space, and so you have lesser represented communities exploring their identities.With this, I'm thinking queer people, I'm thinking like there's a lot of diasporic exploration, mixed identities, mixed ethnic identities, anarchist groups, a lot of unique politics are getting space. Then kind of nontraditional relationship models. I've seen some like polyamory and nonmonogamous related zines.Really valuable information that isn't able to get exposure elsewhere, in zines gets massive exposure. These fests, which take place across the country, they are really hubs of, this is a big word to say, but like revolutionary information sometimes. It all starts it seems on a small scale, but this work can have major repercussions in a positive sense for a lot of people.Mira:In my personal experience it has been revolutionary, because through zines that's how I have found the words to work through my own gender identity, and that was revolutionary for me.Elie Katzenson:What Mira just said is proof of why zines are so important. In your experience why are zines so special?June:I think the beauty of the zine is, as Mira said, the total freedom and creative control you can have over your publication, and because you don't have to go through the process of a publishing house, and you self publish, you can really make it anything you want it to be.Jill:I also love the element of like speed and spontaneity. An event can happen and you can make a zine about it immediately. I think it's so great for like activism, or current events, because you can react, and share your ideas. Any idea, super quickly.Elie Katzenson:When I think of something like writer's block, or like fear of showing your work, zines, in this punk way, emphasize the naturalness and the power of your first response,and sort of like first thoughts. How do you let go enough to just say like I'm going to put myself out there. I'm going to put my work out there. How do people do that? I'm so impressed by that with zines that I've seen. They're very thoughtful, but they're not over-thought and they're not manicured to the point of perfection.June:I feel like that's such like a classic problem with creative work or like an issue is at what point do I feel comfortable enough to like share my work. With zines I feel like there's such a broad spectrum. Even the range of zines that I've seen some look definitely more spur of the moment, first draft, made photocopies, and published versus zines that look more like traditional books.I feel like the answer to like when do you feel comfortable? Like how do you get over that hump? Like is this getting over your own perfectionism to publish is something that zines kind of help with, because it is so easy to make. That's one less barrier for you to like put your content out there.Elie Katzenson:How zines have been seen more in the mainstream, and so you're talking about the first draft zine, which is a little more, not less marketable. Then you have commercialized zines that maybe are a little less substance oriented.Maybe a little less political, a little less extreme, a little more surface level, and I've been kind of curious about what the dynamic is within the zine community in regards to content.Is there more collaboration in the same community? There seems to be maybe a little bit more friendship. I know that treating your zines is a big part of what you do when you table.Jill:I've had really good experiences making friends through zines, and even making friends zines on Facebook groups, and then traveling to those people's fests, and let me stay at their house.I've never met these people, and there's just a level of trust that comes in I think when you're sharing your work that's really personal. You kind of get to know someone and then they're like, "Yeah, I've never met you but I think you're not going to murder me, so come stay at my house for a weekend."Thinking specifically about when I went to Omaha Zine Fest, and the organizers of that fest were super sweet. I think there's just a lot of camaraderie in the zine community, because we're all just kind of doing the same thing. Not the same exact thing, but we all have the same passion for this art form.Elie Katzenson:This is the ninth year of EBABZ. As I understand it, it was kind of born out of people enjoying Portland Zine Fest, and San Francisco Zine Fest, and thinking that there was enough artists and creators in the East Bay to have a fest here, and even the organizers nine years ago are different than the organizers that are y'all, right?Mira I know that you kind of had like this sub-zine fest, The Bay Area Queer Zine Fest. I think that the space that EBABZ creates, not only at The Fest, which I've been to a couple of years in a row, but the work that you're championing and really like helping proliferate, how can people and the community of the East Bay in general help EBABZ thrive and help zinesters thrive. How can we support the creation of this work?Jill:Volunteer.June:Yeah.Mira:Show up day of. That's really important still.June:Please volunteer.Jill:It's crazy. My boyfriend especially lately has been in awe of all of the work that we've been doing. I think with events like this you don't realize, you always think, "Oh, someone's in charge."No one's in charge. We're just kind of making all this up as we go, and like working together and like figuring out how to get stuff done. Like I'll come home from our meetings working sessions and he'll be like, "Oh what did you do today?" I'll tell him and he'll be like, "What? Like you're doing so much stuff. That's so cool."So yeah, it would be great for people to get involved.Elie Katzenson:What kind of things can people do?Jill:So much, so everything, from all year long, we have different events. Mira's always really good, and June at like planning, fundraising events, getting in touch with like different organizations, figuring out how we can work together, teaching people how to make zines, like workshops like that.We also do planning stuff throughout the year. We have to like send out applications. We have to figure out like what are our mission statement is.Mira:There's administrative work, but all the way to like really fun poster makes.June:Yeah, make a flyer. InstagramMira:Follow their Instagram y'all.Jill:There's fun stuff happening. Voluntaring looks fun if you follow the Insta.June:I think a lot of people are afraid to volunteer, because putting yourself out there is always really scary. Also maybe in capitalist society in general, there's the concept that you have to pay a lot of time in a place before you have any power or say, and so you think that you shouldn't be there helping, or deciding how things are run because you're new, but EBABZ is a democracy as far as I can tell, a major democracy, and people are really welcome, and like radically welcome. It's radically inclusive.Jill:A friend of mine reached out to me and said they were too busy to volunteer but they know this person who's in high school who was looking for like some way to get involved with zines.We brought them on, and they have just gone for it. They reached out to like all the different high schools in the area to ask for people to get involved, share their zines. Any level of effort is appreciated.Mira:For sure. I feel like that can happen in such different ways too. Like so as we said, there's like many different capacities in which you can volunteer, but also like we all started volunteering at the same time three years ago, and how I showed up was I just saw like a volunteer meeting on Facebook.I just like showed up without really knowing that much about The Zine Fest. I'd like gone the previous year, but my friend had posted it on Facebook, so I was like, "Yeah, well I'll just like show up, and now I've continued to stick with it for the past three years, so you never know how it's going to go.Elie Katzenson:Tomas is one of the organizers who I think is not strictly active anymore, and he was talking about the idea that a zine more than maybe certain other mediums is really like a one-on-one interaction between the creator and the reader.What makes a zine one-on-one interaction? Why is that one-on-one interaction really essential, especially when you're talking about subject matter that is frequently very intimate, and life changing I guess I would say, because I think so much of reading zines is related to identity, and people find a sense of belonging that maybe they're not experiencing as frequently in reading fiction.Mira:In my experience it's been kind of like handing someone my diary, and they just happened to be standing right in front of me sometimes making really awkward eye contact. It's terrifying, but that's just kind of what it is.I don't know. It's really cool to have these one-on-one interactions with people even if it's not in person, and then have them give you feedback, or tell you that, "Oh, this zine meant a lot to me, because x, y or Z," and then it's like, "Oh, I'm not alone in what I'm feeling. Wow, this feels great." There's like solidarity with other people over just, I don't know, stuff that maybe you felt like you were alone in.Jill:There's those kinds of zines. I feel like that with a lot of mirror zines, and a lot of per zines, that are like diary type zines, but there's also the zines where it's more communal, and I feel like rather than like a one-on-one, it's this feeling of entering into a group just through reading.I'm thinking of ones that are collaborative that community produces, or ones that maybe share like history of like a place or a thing that you weren't familiar with. It's like you're entering into this world more of a shared base instead of one-to-one. It's one to a bunch. Even if you've never met those people, or seen those people.Elie Katzenson:When people think about getting involved in community, it seems like you have to be a people person, and really enjoy being extroverted all the time, etcetera. What's interesting about Zines is there's face for everyone, and there's sensitivity to whoever you are.You are just radically accepted and loved, and that respect is just so special. I don't think that's really a question, but I think it's something that I want people who maybe aren't familiar with zines, or who haven't participated in an event where zines are shared to know that that is really the environment that is created at a fest.Like Willy Wonka and The Chocolate Factory where you're going to find the level that you want. Maybe you find the blueberry early, and you get rolled away, or you make it to the end and you get your gobstopper. You know? So.June:Yeah, totally. That reminds me of how earlier we were talking about how to support zine communities and stuff, and we talked about volunteering, but also what I found that has been super important to me within zine organizing, and the Oakland art community in general, is I found that people are so supportive and welcoming, and down to help you out with your projects.People's generosity and acceptance has really blown my mind. It's super inspiring to see people be making things and helping other people make things, and being able to express their selves, and creative projects through helping each other out. That's another way to support is help a friend make something.Elie Katzenson:Totally. I read this newsletter, it's called The Creative Independent. I'll have to send you a link, because it's really great. They interview an artist every day, and sometimes they talk about in different art worlds there's more competition than others. Right?One of the pieces of advice that I read today was about being confident in charging for your work. People can pay for your work, and I don't know why that seems so radical to me, because it can feel so hard to say like, "No, that costs money, or that Zine is 10 bucks." You have really made something, and that's like a sacred exchange.Mira:It's hard sometimes, but I feel like the time that I'm most able to stick out for myself and my work is when people just try to take it off the table like it's free.It's the only time I'm really adamant like "No, I put a lot of blood, sweat, and tears into this." That happened at zine event that I'm tabling at. It's hard to put a price on something you've created, but sometimes it's necessary because you have to even or you have to pay your bills.Elie Katzenson:Right? I mean even beyond breaking even though, right? It shouldn't just be, I just had to pay for my materials. It's like, "No, it's okay for me to make money off of a work that I made."Jill:Totally. Yeah.Elie Katzenson:But why does it feel so hard to do that?Mira:It can be hard to do because money obviously is not like the end-all-be-all of the world, but you also need it to survive, and pay the bills. It's something I do think about is why do we not hesitate to buy a five dollar coffee, but you have a problem with buying a five dollar zine, or something like that. I don't know. Not that it's always necessarily like that, but-June:Yeah, I think it is important to keep in mind value and the effort that people put into making creative work that isn't necessarily sold in a store, and for some reason that seems more official. Okay to give money to.Mira:Both as organizers charging for space, and on the zinester side of the table, charging for these things filled with ideas. We've been conflicted with anticapitalist sentiment too. Then like charging for things.If I'm making something that's against consumerism, and then I'm charging for it, like, "Oh, what do I do? What's happening?" It's all about valuing yourself, and your ideas and-Elie Katzenson:Right. You still have to function in the environment that we were functioning in, [crosstalk]June:It's not that we like money, but-Mira:Yeah.June:Give me my moneys.Mira:Yeah, that's, yeah. Personally I feel like that's been really hard.Elie Katzenson:It's interesting to me, because the price that you're charging the zinesters is quite fair in my opinion. I think it's what, 50 bucks if you're accepted?June:No, not even that.Mira:It's less.June:That's for a double.Mira:For a half table we have a sliding scale, 20 to $40, and then if you have a full table, it's 50 to 75 I want to say. We also-Elie Katzenson:You've always employed a sliding scale?Mira:Always a sliding scale, and also if people have financial struggles, they could email us and we waive the fee.Elie Katzenson:Wow.Jill:Some zine fests are not like that. It's really nice to be able to be a part of one that is like that.Elie Katzenson:I want to talk about The Fest schedule in general. I know the Rock Paper Scissors Collective did a memorial fund, The Rheo Memorial Fund, where they were giving away grants of $100 for people to make zines.You could apply for this zine scholarship. That was really special, because again, $100 means a lot. Be it to EBABZ if they can get a table, or just being able to make 50 copies of their work.Okay. So again, reminder the East Bay Alternative Book and Zine Fest is this Saturday, December 8th it's from 11 to five at Omni Commons, 4799 Shattuck avenue. It's free to get in. No admission. All these tables you can buy zines and peruse.I know that there's some workshops happening. Can you tell me a little bit about that?Mira:We have three different workshops. They're each about an hour long. We have writing from the margins, creativity, and embodiment for artists of color with Fatima Nasir. This one sounds awesome. It's a writing workshop, meditative practices, some brainstorming, and sharing stories.Elie Katzenson:What Times that?Mira:That one is at 12 and then at 1:30 we have mixed media sticker making with Raphael Tapra the third. Sounds extremely fun. You just use a bunch of stuff and make stickers. Very DIY. That's at 1:30 until 2:30, but you can stop by. It's kind of like an in and out situation.Elie Katzenson:Awesome.Mira:Or you can say the whole time. At 3:00 we have letterpress basics with Christie Holahan, and she's gonna show how this tabletop water press works.Then everyone's going to get to make good thing. They're gonna choose a phrase, and then everyone's going to let her press that phrase.Elie Katzenson:Cool. What part of Omni are they doing those in? Do you know? Cause it's like those two big rooms, right? The entry room, and then the larger back room.Mira:It's in the entry room and it's way in the back. You'll see these big wall partition screen things.Elie Katzenson:Oh cool.Mira:It's behind the partition.Elie Katzenson:Awesome. Couldn't have asked for a better workshop description. I was reading online that you are doing something new this year. I think it's called a zine store.June:Yeah. So the zine shop is something new that we're trying out this year. Mostly in response to how we were feeling that we wanted to include as many people as possible, because there are a limited number of tables, but we do get a lot of applications.For people who either didn't get to table, or just have like one or two zines, and don't feel like they can fill a table, they actually still have time to drop off their zine at five Friday at E.M. Wolfman Downtown. It's a bookstore. The organizers will be there the whole day selling them instead of having all of those people having to table.Jill:Another thing we're trying different this year one of our organizers had this cool idea. At all these fests, it's always a person behind a table, and it is super weird. I'm sure for anyone who's been to an event like this, or a craft show before, when you're walking around, and you're like, "Do I make eye contact? Do I not make eye contact? I want to look at this stuff. But I don't want them to feel offended if I don't buy the stuff."It's this kind of tense relationship sometimes. Sometimes it's really fun and you make good connections and you have a great time. Sometimes different personalities, some people feel awkward.One of our organizers was like, "What if we move the zinesters out from behind the table." It creates a more like open layout, and visitors can kind of like file through and peruse without having to have these tense eye contact moments.The tabler will still be there, but it's off to the side, and it creates more opportunities for organic conversations.Elie Katzenson:That's interesting.Jill:Yeah it's our first year doing it. So we'll see.Elie Katzenson:Oh I'm really excited to hear that, because I'm totally used to the awkward dynamic. I just put that Mona Lisa smile on my face for like an hour.Jill:Yup. Same. It's like part of the thing.Elie Katzenson:Yeah.Jill:We still have tables like that, so you will get an opportunity to show your Mona Lisa smile. But yeah, it'll be cool.Elie Katzenson:I think sometimes I personally want to engage in conversation, but I'm conscious of taking up too much space, or maybe they need to spend time with other people and I'm scared of taking too much attention, but sounds like people are maybe more open to speaking than I think that they are. Right?Jill:Yeah. We should mention that we're only using the wheelchair accessible rooms, and it's kid friendly.June:We have the childcare room, but we do not have childcare. BYO Care. You can use the room. That's what Rebecca said. BYO Care.Elie Katzenson:It's wheelchair accessible and you can bring your kids. You can't bring your dogs.June:No.Elie Katzenson:I know. My life is not fair.Jill:You can't have it all.Mira:You really can't.June:After The Fest, there's a EBABZ after party that's happening from six o'clock to around 10 o'clock at Classic Cars West slash Hello Vegan Eats. So yeah, come through.Mira:There's going to be like 10 djs.June:I think it's going to be like six.Mira:Six to 10.June:Six to 10 djs.Elie Katzenson:If you each had kind of one last sentiment or thought to put out into the world as an EBABZ organizer, or something that you'd like to put out there for the end of this interview.June:Just every year. I'm so grateful for zine community, the applications we receive, and the care that is taken in those applications. Also my fellow organizers I'm super grateful for it, because everyone really tries their hardest. Put's a lot of effort into it. Also, yeah, I'm eternally grateful to Aura for introducing me to this community and I think of her.Jill:I went to cal, and I was super DIY, and in high school I feel I was super punk into all this stuff. Then you grow up, and you have to get a job and you have to make money. I have a mortgage now.I start to get out of touch with all my roots and this happy community and what matters in life. Coming to Zine Fest, and volunteering with Zine Fest, reminds me of all that stuff, and keeps me connected, and keeps me grounded in reality, and what's good.Mira:Sort of to echo what both of you were saying, I think organizing EBABZ has been one of the most fulfilling things I've ever done. For that I am eternally grateful to Aura for getting me involved. Also if you come to The Fest, please bring caffeine for the organizers.June:Yes.Jill:I don't drink coffee.Elie Katzenson:The East Bay Alternative Book and Zine Fest is taking place on December 8th from 11:00 AM to 5:00 PM at Omni Commons, which is located at 4799 Shaddock Avenue in Oakland. You can follow EBABZ online on Instagram at E-B-A-B-Z-I-N-E fest, or visit them at their website, EBABZfest.com. Thanks. See acast.com/privacy for privacy and opt-out information.

Welcome to Long Arm Stapler: A Podcast About Zines! This episode was recorded on December 2, 2017, one year after the Ghost Ship tragedy. I am joined by guest Sayuri Kimbell, an Oakland-based artist. With this episode, we wanted to honor our friend Ara Jo, who passed in the fire. We discuss accessibility of independent publishing, zine community and community healing, our memories of Ara and her legacy, and the upcoming East Bay Alternative Book and Zine Fest.   Intro/outro:  Dlay - Feels Like Fuzz In My Head   #arajoforever