Podcasts about oakland

Bobby and Alex are back with a bonus episode discussing part one of HBO's 'Alex vs. ARod,' a three-part documentary series chronicling the rise, fall, and redemption of the main character of the podcast: Alex Rodriguez. They react to the first episode, discussing the trove of archival footage that the documentary is pulling from. Then, they're joined by the director and writer or the docuseries, Gotham Chopra and Erik LeDrew, to discuss the filmmaking process, the way that their subject code switched between Alex and ARod, creative control, and more.Links:⁠⁠⁠⁠⁠⁠⁠Join the Tipping Pitches Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipping Pitches merchandise ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Call the Tipping Pitches voicemail: 785-422-5881Tipping Pitches features original music from Steve Sladkowski of PUP.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Chelsea Quinn Yarbro (1942-2025) Tanith Lee (1947-2015) This program honors two master practitioners of horror, fantasy and science fiction, Chelsea Quinn Yarbro and Tanith Lee, with two interviews back to back. In the first, in 1983, Tanith Lee is interviewed by Chelsea Quinn Yarbro. In the second, in 1979, Chelsea Quinn Yarbro is interviewed by Richard Wolinsky.  Chelsea Quinn Yarbro, who died on August 31, 2025 at the age of 82, was best known for her historical horror novels featuring the vampire the Count Saint.-Germain. Along the way, she wrote in several genres, including science fiction and westerns, and wrote over seventy novels, along with several short stories. Along with her writing, which includes a series of books about a channeler,  titled Messages from Michael, she was a cartographer, palm reader, and composer. In 2009, she received the Bram Stoker Lifetime Achievement Award from the Horror Writers Association. She also wrote novels under several pseudonyms. In this podcast, Chelsea Quinn Yarbro joins Richard A. Lupoff to speak with Tanith Lee. In the second interview, she talks about her vampire hero. Count Saint-Germain, and about writing historical horror fiction. It was recorded shortly after her second San Germain novel, The Palace, was published, which would put it in late 1978 or early 1979..   Tanith Lee, who died of breast cancer in 2015 at the age of 67, also wrote fantasy, science fiction and horror, and her work is considered to be similar and a forerunner of the work of Neil Gaiman. She received a lifetime achievement award from the World Horror Convention in 2013. Nominated for several awards for her novels and short stories, she won the 1980 British Fantasy Award for her novel, Death's Master. In this first undated tnterview from Probabilities, most likely recorded at BayCon in San Jose in November 1983, Tanith Lee is interviewed by Chelsea Quinn Yarbro and Richard A. Lupoff. This is the only interview conducted by Quinn Yarbro for Probabilities. Tanith Lee's novel set during the French Revolution was eventually retitled The Gods Are Thirsty, and was finally published in 1996. You've been listening to an interview with Tanith Lee, conducted by Chelsea Quinn Yarbro and Richard A. Lupoff for the Probabilities radio program on KPFA. It was digitized, remastered and edited on September 24. 2025. Review of “Stereophonic” at BroadwaySFCurran Theatre through November 23, 2025   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others for shorter periods each week. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  See website for readings and events. Actor's Reading Collective (ARC).  Mary Jane by Amy Herzog, directed by Amy Kossow, November 6 – 30, Magic Theatre, Fort Mason. African American Art & Culture Complex. See website for calendar. American Conservatory Theatre  Stereophonic (in association with BroadwaySF, at the Curran), Oct 28 – Nov 23. Awesome Theatre Company. See website for information. Berkeley Playhouse. Annie. November 7- December 21. Once, February 20 – March 22.  Berkeley Rep. The Hills of California .by Jez Butterworth, Oct. 31 – Dec. 7, Roda Theatre. Mother of Exiles by Jessica Huang, World Premiere, Nov. 14 – Dec. 32, Peets Theatre. Berkeley Shakespeare Company The Tempest, Oct. 24 – Nov. 2,  Immersive theatre. Point Montara Lighthouse. Brava Theatre Center: See calendar for events listings. BroadwaySF: Stereophonic (in association with ACT), Oct 28 – Nov 23, Curran. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  Kinky Boots, Nov. 28-30. See website for other events. Center REP: The Woman in Black, U.S. Tour, November 5-23.. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works Dada Teen Musical: The Play by Maury Zeff, Oct. 18 – Nov. 16, Cinnabar Theatre. Young Rep: Disney's The Little Mermaid, November 14-23, Studio Space, Petaluma Outlet Mall. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Ebenezer Scrooge, an adaptation of “A Christmas Carol” by Joel Roster, December 6 –  21. . See website for other events. Golden Thread  Pilgrimage by Humaira Ghilzal and Bridgette Dutta Portman, a co-production with Z Space, October 24 – November 8, Z Space's Steindler Stage. Hillbarn Theatre: Murder for Two, a musical comedy, October 9 – November 2, 2025. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. Freaky Friday, The Musical. October 24 – November 2. A Christmas Carol, November  28 – December 21.. Lower Bottom Playaz  August Wilson's King Hedley II, November 8 -30. BAM House, Oakland. Magic Theatre. Actors Reading Collective: Mary Jane by Amy Herzog, directed by Amy Kossow, November 6 – 30, See website for other events and productions. Marin Shakespeare Company: See website for events and productions. Marin Theatre: Sally and Tom by Suzan-Lori Parks. October 30 – November 23. The Lightning Thief, MSC Teen Company, November 7 -9. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  Spanish Stew by Marga Gomez, October 17 – November 23. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Cabaret, November 21 – December 14. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Ada & The Engine  by Lauren Gunderson, November 21 – December 7. See website for staged readings and other events. Playful People Productions. Newsies, November 8-16. Presidio Theatre. Peter Pan Panto, Nov. 29 – Dec. 28. See website for complete schedule of events and performances. Ray of Light: The Rocky Horror Show. October 9 – November 1, The Oasis. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. Noises Off by Michael Frayn. September 25 – November 8. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: See website for events and upcoming season Shotgun Players.  Sunday in the Park with George, November 15 – December 30. South Bay Musical Theatre:  Let It Snow: A Broadway Holiday Celebration, December 20-21, Little Women, The Broadway Musical, January 24 – February 14, 2026. SPARC: See website for upcoming events. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico Frankenstein, October 11 – November 2. Theatre Rhino  The Break-Up written and performed by Tina D'Elia, November 6-23. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. A Driving Beat by Jordan Ramirez Puckett, Oct 29 – Nov. 23, . Mountain View Center for the Performing Arts Second Stage.Georgiana & Kitty, Christmas at Pemberley by Lauren Gunderson and Margot Melcon, Dec. 3 – 28, Lucie Stern Theatre. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org   The post November 6, 2025: Tanith Lee & Chelsea Quinn Yabro, Virtuosos of Horror and Fantasy appeared first on KPFA.

Support the show. Become a Patron: www.patreon.com/highscore510    ----more---- We discuss:  1) INTROS: Pastor Core and Dr. Umar loves Tramp Stamps? 2) MOVIES: Jared Leto ruined another movie, Tron {19:20} 3) HALLOWEEN's best fun size candies {30:25} 4) NEWS: Butt Breathing can save your life?? {39:00} 5) ENTERTAINMENT: Tyrese thinks he's a Don? {47:47} 6) SPORTS: Should Coach Prime retire? {56:15} 7) NFL: Week 8 Rundown {1:02:00} 8) Cutty Corner Shoutout  {1:20:07}   *Patreon Page: www.patreon.com/highscore510 *Email: (HighScore510.Fans@gmail.com)   *MUSIC BY: Taj Easton (https://www.tajeaston.com)   *SPONSORS: 1) New Parkway Theatre, Oakland: https://www.thenewparkway.com 2) Til Infinity Clothing

The new Rumps & Bumps jersey just dropped! Check out afterpartyinc.com. We are live from the HQ the Lounge on Cincy Nasty Street! GDollaSign joins us as he brings some of his bartenders on and we ask them some tuff horny questions and we find out which one of them is the most toxic. Follow us on social media @AaronScenesAfterParty

College basketball is BACK!!! Kraig and Joe preview everything you need to know about Oakland as Purdue takes them on during their second game of the season!Subscribe on Youtube here - https://www.youtube.com/channel/UCn7kd9CfRqtyF3wIseu_8LAClick here to check out our merch - https://braggsinthestands.creator-spring.com/?Follow Us On Twitter - @BoilersInStandsFollow Greg Braggs on Twitter - @GBraggsJr23Follow Kraig on Twitter - @kraigbowers34Follow Joe on Twitter - @joejacksoncbb#Purdue #CollegeBasketball #Boilermakers #BoilerUp

Mutual Aid is essential now for addressing the Trump administration's cuts to SNAP benefits during the government shutdown.  On this episode, we speak with Michael Flood, CEO of the Los Angeles Food Bank.  We also speak with Oakland-based rapper and activist Ryan Nicole about her fundraiser happening this upcoming Tuesday, November 11.  Ryan is organizing Sisala, a good drive and benefit concert to support people experiencing disruption of their SNAP benefits. Learn more about how to get involved https://www.instagram.com/reel/DQnN0Y5Eoe-/ — Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post SNAP cuts hit California w/ LA Food Bank's Michael Flood and Oakland Artivist Ryan Nicole appeared first on KPFA.

Real Life  Time changed again. Why? Didn't we, as a society, vote on not doing this anymore? Every clock reset feels like an act of collective gaslighting. Ben spent his week teaching classes at the Art-a-thon, where he also led a chaotic round of Werewolves featuring the now-immortal line: "I am a delicious villager." The kids apparently took that declaration at face value. Steven was also at the Art-a-thon, diving into unfamiliar crafts (the kind that require more glue than dignity). Between Halloween, Disney runs, and too much coffee, his week sounded like a montage of exhaustion set to "Hakuna Matata." Meanwhile, Devon escaped into Weapons—a new dark comedy-horror streaming on HBO. It's clever, weird, and surprisingly funny for something that involves, well, weapons. IMDb link here. Steven immediately brought up Good Boy—another horror film with an entirely different kind of twist. That one's here. Ben closed his week out by jumping into the Star Trek: Voyager – Across the Unknown demo, a roguelike that lets players reimagine Voyager's storylines with ship management and branching plots. It's on Steam. Boldly go, repeatedly die, try again. Future or Now  Ben's been pondering the next phase of human-computer interaction. There are two paths, he says: cyborgs and rooms. The industry is obsessed with the former—wearables, implants, the dream of merging with our devices. But Ben argues the real frontier is communal computing: Dynamicland. Dynamicland was a physical space in Oakland where people worked inside the computer. Tables, walls, and objects became part of a shared computational environment. Programs weren't hidden behind screens—they existed in the room with you. From 2017 until COVID, it was a place where anyone could walk in, code with their hands, and collaborate in the real world. It's computing as a public utility, like a library—but for imagination. Meanwhile, Steven shared a video called "Giving a PC Program Control of My Muscles to Become the Fastest in the World," which feels like the opposite of communal computing. Instead of the room becoming the computer, you do. Devon called it cheating, but maybe it's just evolution—painful, electric evolution. Book Club  This week's story was The Game of Smash and Recovery  by Kelly Link—an emotional, cryptic sci-fi tale that left the hosts divided. Steven liked that the story existed at all, even if he couldn't quite parse it. Devon wasn't sure if he liked it—he wants narratives that make sense on the first read. Ben, meanwhile, appreciated how readable it was and actually liked the story, proving once again that literary comprehension may be inversely proportional to caffeine intake. Next week's pick: In the Forests of Memory by E. Lily Yu. Until then—reset your clocks, embrace communal computing, and remember: somewhere out there, a delicious villager is waiting.

Send us a textChange doesn't wait for the perfect schedule, and neither do big feelings. We sit down after a long day to unpack a week where a 30-minute hydrotherapy session brought relief, the weather kept us indoors, and Oakland leaned hard into the comfort of screens and familiar routines. Rather than fight it, we explore why control, predictability, and co-regulation can be smart strategies when a child's world is filled with packed boxes and looming travel plans.We get personal about the daily school run for Lacey and the meltdowns that come with transitions: the countdowns that sometimes help, the moments that don't, and the practical safety steps that keep everyone secure. Paige breaks down why static visuals and tabletop tasks trigger Oakland, offering a different lens for therapists and educators—lighten language, reduce direct demands, and protect autonomy wherever you can. We also talk about weekends, nature, and why water usually eases his nervous system, while staying honest about the days it doesn't.Amid family recalibration, Paige reveals The Inclusion Collective—an accessible, privately funded membership for carers seeking practical training and genuine connection. Expect live group education on NDIS reviews and school systems, clarity connection calls for questions and body doubling, masterclasses from diverse voices, and an active chat that doesn't expect perfection. It's built to meet real carers where they are and make support feel possible.https://inclusiveoak.com.au/ danabaltutis.com, mytherapyhouse.com.au, https://mytherapyhouse.com.au/your-childs-therapy-journey/ https://www.danabaltutis.com/services

The Wolverines began their season in style with a dominant win over Oakland on Monday night. We get perspective from the national champion Terry Mills (3:00), Head Coach Dusty May (6:30), graduate student Nimari Burnett (12:00), senior Charlie May (13:30), and assistant coach Mike Boynton, Jr. (15:30) here on our first regular season postgame episode of Defend the Block!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Trey McKenney recaps win over OaklandSee omnystudio.com/listener for privacy information.

Dusty May recaps win over OaklandSee omnystudio.com/listener for privacy information.

GDP Script/ Top Stories for November 4th Publish Date: November 4th PRE-ROLL: From the BG AD Group Studio Welcome to the Gwinnett Daily Post Podcast. Today is Tuesday, November 4th and Happy Birthday to Puff Daddy I’m Peyton Spurlock and here are your top stories presented by KIA Mall of Georgia. Gas South District to host Gwinnett Glows tree lighting event Dacula teen and Gwinnett business owner join forces to spread warmth and hope this winter Cirque du Soleil’s ‘Luzia’ offers a dreamlike escape All of this and more is coming up on the Gwinnett Daily Post podcast, and if you are looking for community news, we encourage you to listen daily and subscribe! Break 1: 07.14.22 KIA MOG STORY 1: Gas South District to host Gwinnett Glows tree lighting event The Gas South District is kicking off the holiday season with its annual tree lighting on Nov. 21, right in front of the Gas South Convention Center. “Gwinnett Glows,” presented by Amazon, runs from 6 to 9 p.m. and is totally free. Expect food trucks, live entertainment, and all the festive vibes. Oh, and hot cocoa—because what’s a tree lighting without it? They’re also teaming up with Rainbow Village to help families in need. Bring a gift to donate to their Amazon Christmas Wishlist, or donate online if you can’t make it. What else? Handmade crafts, photo ops with the Pink Pig, and performances by local choirs. It’s going to be magical. STORY 2: Dacula teen and Gwinnett business owner join forces to spread warmth and hope this winter   Fifteen-year-old Caden Jackson from Dacula High isn’t your average teenager. For the past decade—yes, since he was five—he’s been collecting coats, hats, gloves, and scarves to help kids stay warm in the winter. Through his nonprofit, Loved & Protected, he’s handed out nearly 9,000 pieces of winter gear to those in need. This year, he’s teaming up with Millie Habtemariam, owner of Full Circle Salon & Spa Suites in Suwanee, for the Winter Warmth Drive 2025. Their goal? Collect 5,000 coats, hats, and gloves by Dec. 31. Habtemariam’s salon is a drop-off spot, and she’s even giving donors a free “manifest candle” she makes herself. For Caden, it’s all about the joy. “Seeing kids’ faces light up when they get a new coat—it’s amazing,” he said. Caden’s dream? To take Loved & Protected nationwide. For more info, visit lovedandprotected.org or fullcirclecandle.com STORY 3: Cirque du Soleil’s ‘Luzia’ offers a dreamlike escape   Olivia Aepli and Terrance Jr. Robinson may be relatively new to Cirque du Soleil’s touring family, but they’re no strangers to the grind of life on the road. So, the chance to stay put for a while? They’re loving it. Both performers are part of “Luzia,” Cirque’s stunning “waking dream of Mexico,” running at Atlantic Station from Nov. 6 to Jan. 25. That’s over 50 shows in one spot—an absolute luxury for these road warriors. “Luzia” is Aepli’s first Cirque show, and she’s living her childhood dream. She plays the running woman, performs swing-to-swing, hoop diving, and even pole dancing. Robinson, a Cirque veteran, appears as a hummingbird and also performs hoop diving and acropole. For tickets, visit cirquedusoleil.com/luzia. We have opportunities for sponsors to get great engagement on these shows. Call 770.874.3200 for more info. We’ll be right back Break 2: Ingles Markets 1 STORY 4: Parkview Grad Matt Olson Wins Third Gold Glove Award Parkview grad Matt Olson just added another piece of hardware to his already impressive career. On Sunday night, the Atlanta Braves’ first baseman snagged the Rawlings Gold Glove Award for the National League—his third overall. Olson beat out Bryce Harper and Spencer Steer for the honor, which was announced live on ESPN. He’s no stranger to this award, having won two Gold Gloves back in 2018 and 2019 with the Oakland A’s. This season? Olson was a rock. He played all 162 games, made just five errors in nearly 1,300 chances. Oh, and he’s now only the second Braves first baseman to win a Gold Glove, joining Freddie Freeman. Drafted straight out of high school by Oakland in 2012, Olson’s journey has been nothing short of remarkable. And now, he’s cementing his legacy with his hometown team. STORY 5: Lawrenceville may add more downtown parking near square If you’ve ever circled downtown Lawrenceville looking for a parking spot—especially during an event at the Lawrenceville Lawn—there might be some relief on the horizon. Maybe. The city just bought two properties on South Perry Street, near the AutoZone, for a combined $835,000. What’s the plan? Well, that’s still up in the air. Assistant City Manager Barry Mock hinted at a possible parking lot, saying the southwest side of downtown could use more spaces. But City Manager Chuck Warbington isn’t ruling out redevelopment either. Meanwhile, the city also snagged a truck repair shop on Reid Street for $300,000. It’s been there for decades, but officials want to “clean up” the area and hold the property for future redevelopment. As for the AutoZone? No plans to buy it—yet. Break 3: STORY 6: Gwinnett's Co-ops bracing for increased demand as SNAP benefits end Jackie Wells Smith, director of the Lilburn Co-op, says they’ve seen a steady uptick in families seeking help, especially seniors and working parents who rely on food stamps to make ends meet. “For these families, losing SNAP is like losing a paycheck,” she said. Other co-ops, like Southeast Gwinnett and North Gwinnett, are scrambling too. North Gwinnett is shifting to a twice-a-month food distribution model to manage demand. Gwinnett County is stepping in with $250,000 to help co-ops handle the surge, but the need is overwhelming. “We’re planning for a 25% increase,” Smith said, “but honestly, I think it’ll be more.” Donations of food, hygiene items, and money are desperately needed. Co-ops are asking the community to step up—because the families coming through their doors have no other options. STORY 7: Aurora Theatre ready to celebrate 30 years of Christmas Canteen Thanksgiving’s still weeks away, but the Aurora Theatre? They’re already decking the halls. Their beloved holiday tradition, *Christmas Canteen*, returns Nov. 28 through Dec. 21, and this year’s show promises something extra special: a horn section joining the orchestra for the first time. Think big, brassy, and festive. Now in its 30th season, *Christmas Canteen* is a high-energy mix of dazzling dance, laugh-out-loud comedy, and music that’ll stick in your head long after the curtain falls. But this year’s show is bittersweet—it’s the final one under the musical direction of Ann-Carol Pence, Aurora’s co-founder. What started in 1996 as a WWII-era tribute has grown into a multigenerational tradition, blending Big Band nostalgia with modern carols, comedy, and heartfelt moments. Tickets are on sale now at auroratheatre.com. Don’t wait—this one’s a holiday must-see. We’ll have closing comments after this Break 4: Ingles Markets 1 Signoff – Thanks again for hanging out with us on today’s Gwinnett Daily Post Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at www.gwinnettdailypost.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network Show Sponsors: www.ingles-markets.com www.kiamallofga.com NewsPodcast, CurrentEvents, TopHeadlines, BreakingNews, PodcastDiscussion, PodcastNews, InDepthAnalysis, NewsAnalysis, PodcastTrending, WorldNews, LocalNews, GlobalNews, PodcastInsights, NewsBrief, PodcastUpdate, NewsRoundup, WeeklyNews, DailyNews, PodcastInterviews, HotTopics, PodcastOpinions, InvestigativeJournalism, BehindTheHeadlines, PodcastMedia, NewsStories, PodcastReports, JournalismMatters, PodcastPerspectives, NewsCommentary, PodcastListeners, NewsPodcastCommunity, NewsSource, PodcastCuration, WorldAffairs, PodcastUpdates, AudioNews, PodcastJournalism, EmergingStories, NewsFlash, PodcastConversations See omnystudio.com/listener for privacy information.

No. 1 Purdue will begin its quest for a historic season with buy games against Evansville and Oakland. Host Jordan Jones previews the first week of the season by touching on the opponents and diving into key areas he'll have his eyes on with the Boilermakers. Plus, he looks back on another close loss by the football team, diving into what held it back from stealing an upset in Ann Arbor. Finally, he looks at the game against Ohio State, as Purdue enters as a massive underdog against the juggernaut reigning national champs.If you enjoyed this week's episode, give us a five-star review and tell a friend! Give the show a follow on Twitter @BoilersBeyond and send me your feedback on this week's episode. Let me know your thoughts! You can also email the show at boilersandbeyondpod@gmail.com. New episodes are released weekly, so be sure to subscribe wherever you get your podcasts.

Let's celebrate 16 years of Heart & Soul Center of Light. Rev. Dr. Andriette will bring the message, and our 16th Anniversary Choir will lift the house.Sunday, November 2, 2025, 10:00 AM Pacific. Join us in person or online. In person: 5811 Racine Street, Oakland, CA 94609What to expect• High-vibration music with the Anniversary Choir.• A timely, heartfelt message from Rev. Dr. Andriette.• Prayer, community, and joy.How to join• In person, arrive a few minutes early.• Online, set a reminder and say hello in the live chat.New here?We are a loving and compassionate world class teaching and empowerment mministry in the Science of Mind tradition. All are welcome.VISIT OUR WEBSITE! https://www.heartsoulcenter.orgUNBROKEN SPIRIT: FOR THE LOVE OF THE MUSIC - Saturday, November 15, 6:00pm - 8:00pm, 5000 Clarewood Dr., Oakland, CA 94618. A powerful night celebrating groundbreaking contributions of Black musicians to American Musical Theater. Get tickets here: https://www.eventbrite.com/e/unbroken-spirit-for-the-love-of-the-music-tickets-1770724327129?aff=oddtdtcreatorYOUTH & FAMILY VILLAGE IS IN SESSION! 1st, 2nd & 3rd Sundays 10:00AM - 11:30AM.The IMAGINING JUSTICE COLLECTIVE is BACK! Join us on ZOOM for IJ on Wednesday nights and do your part to make a difference in the world: https://us02web.zoom.us/j/84542927442#successONLINE GROUP PRAYER is available via ZOOM 10 minutes after Sunday Service AND on Wednesday mornings at 07:00am Pacific Time: Meeting ID 729 205 089 or by phone: +1-669-900-6833PRAYER REQUESTS LINE - 24/7 Prayer Request. Call 510-607-7747 or email prayerandcare@heartsoulcenter.orgPRAYER PODCAST - Listen to podcasts of laser prayers to support every aspect of your life. - https://www.heartsoulcenter.org/power...SACRED SERVICE VOLUNTEERING - Please join us in Sacred Service; we absolutely need you! https://www.heartsoulcenter.org/sacre...SUBSCRIBE TO OUR YOUTUBE CHANNEL - Click the SUBSCRIBE button and ring the Notifications Bell so that you're automatically notified about new videos and live streams on our channel: / @heartandsoulcenteroflight VISIT OUR ONLINE STORE to stay in style with all the latest Heart and Soul wearable merch: http://heartsoulcenter.org/onlinestorePLEASE GIVE! We hope you will financially support Heart and Soul Center of Light's ongoing mission of being a loving and compassionate, world-class teaching and empowerment ministry. You can graciously give to Heart and Soul today by clicking the link below. We thank you in advance for your generosity and your support. https://www.heartsoulcenter.org/giving/ways-to-give/#ScienceOfMind #NewThought #CentersForSpiritualLiving #SundayTalk #ScienceOfMind #NewThought #CentersForSpiritualLiving #MetaphysicalTeaching #ConsciousCreation#RevDrAndrietteEarl #HeartAndSoulCenterOfLight #SundayTalk #SpiritualInspiration #InnerWorkOuterWorld

Today on the show, we're talking about Michigan and Michigan State Basketball, the Detroit Pistons and the NBA, the Detroit Lions and the trade deadline, and more as we were joined by some of our guests. We kicked off the show talking with Brian Boesch who is the voice of Michigan Basketball. He and Huge talked about big win over Oakland last night, talked about all the talent they see on the team, talked about expectations for the season, and more. We were then joined by Graham Couch from the Lansing State Journal. He and Huge talked about Michigan State's win over Colgate, talked about that game being closer than they thought, gave their opinions on improvements they'd like to see, and more. Clayton Sayfie from theWolverine.com then joined us. He and Huge talked about what impressed them most in that Michigan win over Oakland, talked about some of the stand-out players, looked ahead on the schedule, and much more. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Clayton Sayfie from theWolverine.com joined us. He and Huge talked about what impressed them most in that Michigan win over Oakland, talked about some of the stand-out players, looked ahead on the schedule, and much more. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

We talked about the Pistons and the rest of the NBA in our second hour as we were joined by Scoop Jackson from ESPN Chicago. He and Huge gave their thought's on how the Pistons look 7 games in, they looked around the rest of the NBA and talked about some of the better teams they've been seeing, and much more. We were then joined by former Michigan Basketball player Tim McCormick. He and Huge talked about what they liked in Michigan's win over Oakland, discussed their expectations for the season, and more. Check out Tim's new "Go Blue Hoops" podcast on Youtube @HailMediaGroup. We were then joined by Ben Bosscher from our affiliate 100.9 the Mitt in the Great Lakes Bay Region. He and Huge gave their thought's on the Lions lack of movement during the trade deadline, and more. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

We were joined by Brian Boesch who is the voice of Michigan Basketball. He and Huge talked about big win over Oakland last night, talked about all the talent they see on the team, talked about expectations for the season, and more. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today on the show, we're talking about Michigan and Michigan State Basketball, the Detroit Pistons and the NBA, the Detroit Lions and the trade deadline, and more as we were joined by some of our guests. We kicked off the show talking with Brian Boesch who is the voice of Michigan Basketball. He and Huge talked about big win over Oakland last night, talked about all the talent they see on the team, talked about expectations for the season, and more. We were then joined by Graham Couch from the Lansing State Journal. He and Huge talked about Michigan State's win over Colgate, talked about that game being closer than they thought, gave their opinions on improvements they'd like to see, and more. Clayton Sayfie from theWolverine.com then joined us. He and Huge talked about what impressed them most in that Michigan win over Oakland, talked about some of the stand-out players, looked ahead on the schedule, and much more. We talked about the Pistons and the rest of the NBA in our second hour as we were joined by Scoop Jackson from ESPN Chicago. He and Huge gave their thought's on how the Pistons look 7 games in, they looked around the rest of the NBA and talked about some of the better teams they've been seeing, and much more. We were then joined by former Michigan Basketball player Tim McCormick. He and Huge talked about what they liked in Michigan's win over Oakland, discussed their expectations for the season, and more. Check out Tim's new "Go Blue Hoops" podcast on Youtube @HailMediaGroup. We were then joined by Ben Bosscher from our affiliate 100.9 the Mitt in the Great Lakes Bay Region. He and Huge gave their thought's on the Lions lack of movement during the trade deadline, talked about the Pistons, and more. In our final hour, we were joined by former Michigan Basketball Head Coach John Beilein and Josh Garvey from Doeren Mayhew for our weekly "Talking Hoops" segment. Huge, John, and Josh talked about what impressed them in Michigan's win over Oakland as well as Michigan State's win over Colgate, they also gave their thought's on how the Pistons have looked a couple weeks into the season, and much more. We were then joined by Jeremy Reisman from Pride of Detroit. He and Huge talked about the Lions at the trade deadline, gave their thought's on the lack of movement, and more. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

In our final hour, we were joined by former Michigan Basketball Head Coach John Beilein and Josh Garvey from Doeren Mayhew for our weekly "Talking Hoops" segment. Huge, John, and Josh talked about what impressed them in Michigan's win over Oakland as well as Michigan State's win over Colgate, they also gave their thought's on how the Pistons have looked a couple weeks into the season, and much more. We were then joined by Jeremy Reisman from Pride of Detroit. He and Huge talked about the Lions at the trade deadline, gave their thought's on the lack of movement, and more. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

We were joined by former Michigan Basketball player Tim McCormick. He and Huge talked about what they liked in Michigan's win over Oakland, discussed their expectations for the season, and more. Check out Tim's new "Go Blue Hoops" podcast on Youtube @HailMediaGroup. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Join host Samuel Goldsmith for a heartfelt and inspiring conversation with Samin Nosrat, acclaimed author of Salt, Fat, Acid, Heat and the new cookbook Good Things. In this episode, Samin opens up about her journey from the kitchens of Chez Panisse to becoming a beloved teacher and bestselling author. She shares the lessons she's learned about trusting your senses, embracing imperfection, and finding joy in the everyday act of cooking. Samin reflects on the pressures of success, the personal challenges she's faced, and how her Iranian heritage and family traditions have shaped her approach to food. From the importance of care and connection at the table to the value of letting go of perfectionism, Samin's wisdom and warmth shine through every story. Whether you're a seasoned cook or just starting out, this episode is a celebration of food, resilience, and the “good things” that bring us together. Tune in for laughter, honest insights, and a reminder that sometimes, being “good enough” is exactly what we need. Samin Nosrat is a cook, teacher and author of Sunday Times Book of the Year and New York Times bestseller Salt, Fat, Acid, Heat. She is co-host of the Home Cooking podcast, a former Eat columnist at The New York Times Magazine and host of the hugely popular Netflix original documentary series based on her book. She lives in Oakland, California. Subscribers to the Good Food app via the App Store get the show ad-free, plus regular bonus content. Download the Good Food app to get started. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the latest episode, David Helvarg & Vicki Nichols Goldstein talk with the Reverend Robert Wilkins about how his faith led him to his work with the Seafarers Ministry, serving ship crews arriving at the Port of Oakland, California. Wilkins and his team make ship visits, help crew members connect with families in places like the Philippines and Bangladesh, and check in on conditions such as time spent at sea and food quality — often doing follow-up when issues arise.They also support mariners on shore leave with recreation, transportation, and other needs, and even coordinate doctor visits when necessary, frequently working with Customs and Border Protection to make it happen. Each holiday season, the ministry delivers gift bags to seafarers and continues to grow its volunteer program, expanding ship visits from 250 vessels to 370 this year — supporting the people responsible for moving more than 90% of the world's goods.Wilkins also shares his perspective on shipping automation and decarbonization, exploring how these changes are already affecting seafarers and may reshape their livelihoods in the future.Tune in to this insightful conversation with Rev. Wilkins and gain his unique perspective.** Additional Resources **Blue Frontier / Substack — Building the solution-based citizen movement needed to protect our ocean, coasts and communities, both human and wild.Inland Ocean Coalition — Building land-to-sea stewardship - the inland voice for ocean protectionFluid Studios — Thinking radically different about the collective good, our planet, & the future.

Guest preacher Nichola Torbett shares reflections from the letter to the church in Sardis, reminding us that where we focus our attention dictates what we move toward. How might we be called to adjust our gaze - away from the enactors of imperial violence and toward those who are being crucified by it?-----Nichola Torbett (they/she) is a white, queer, raised-working-class organizer, survivor, recovering addict, direct action trainer, teacher, abolitionist, and preacher in the radical Christian tradition. Politicized predominantly by Black- and Brown-led movement struggles of Oakland, California, they are a student of transformative justice, disability justice, and ancestral lineage healing (specializing in working with Euro-descended folks with ancestors who committed harm). Driven by her passion for both spiritual formation and social change, she co-founded Seminary of the Street, a training academy for love warriors, in 2009; Second Acts, a liturgical direct action affinity group, in 2014; and the Alternatives to Policing Project, organizing faith communities into abolitionist visions of community safety, in 2018. She is co-editor with Vahisha Hasan of Resipiscence: a Lenten Devotional for Dismantling White Supremacy and was, for many years, a regular contributor to The Word Is Resistance, a podcast from SURJ-Faith and SURJ-Action. She has contributed to GEEZ Magazine, Liturgy That Matters from enfleshed, The Yoke, and the recent book Building Up a New World. They currently serve as associate director of Kirkridge Retreat & Study Center.

After it looked like the Blue Jays might indeed save baseball, Bobby and Alex unfortunately have to report live from the front lines of the Dodgers ENDING the sport. A wild Game 7 that saw a myriad of opportunities for the Jays ends in heartbreak, and the Dodgers are the first team to go back-to-back in a quarter century. The boys are joined by Good Friend of the Show Steve Sladkowski, who was in the building, to eulogize the 2025 Blue Jays.Links:⁠⁠⁠⁠⁠⁠⁠Join the Tipping Pitches Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipping Pitches merchandise ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Call the Tipping Pitches voicemail: 785-422-5881Tipping Pitches features original music from Steve Sladkowski of PUP.

Episode 308:What happens when a paramedic turns years of street-medicine notes into reflections on humor, heartbreak, and humanity? Her book: "A Real Emergency: Stories from the Ambulance" is a must-read as Joanna's writing doesn't just capture what we do as medics, it captures who we are: compassionate, flawed, and human. In this episode, Joanna reflects on her path from feeling adrift in Oakland to finding purpose as a paramedic serving the communities of Reno, Santa Cruz, and San Francisco. Her insights shine a light on the humor, heartbreak, and compassion that define the world of EMS.https://www.spreaker.com/episode/joanna-sokol-notes-from-the-streets--68380096Medic2Medic is back, bringing authentic voices, untold stories, and the human side of Emergency Medical Services and beyond.

A judge orders the Trump administration to use emergency funds for SNAP benefits, Protests escalate following Tanzania's election, Ukraine claims that Russia used a missile that led President Trump to quit the INF treaty, Latvia votes to exit the Istanbul Convention, A Finnish Member of Parliament and a Bishop face hate speech charges, Victoria passes Australia's first Indigenous Treaty law, The FBI arrests five in Michigan over an alleged Islamic State group-inspired Halloween plot, Texas allows judges to refuse same-sex weddings on religious grounds, A study suggests that humans surpassed AI models across planning and prediction tasks, and thieves steal over 1,000 artifacts from museum storage in Oakland. Sources: www.verity.news

The gap between our dreams and reality can sometimes feel impossible to close. Especially when our dream means pursuing a field that's less traditionally “easy” to make a career from like art.  In today's episode we sit down with two full-time artists to discuss how Buddhism helped them become full-time artists without compromising their vision. Our guests are sculptor Brian Enright, of Oakland, and animator and director Leo Matsuda, of LA. We dig into their journey and the many ways Buddhism informs their work.Watch today's episode on our YouTube Channel

Frog costumes. The Star Wars theme. Whistlemania. These could be the sights and sounds of Halloween—but this year, they've taken on new meaning. As federal agents and military troops arrive in their cities across the country, communities have used pop culture references, humor, and irreverence as an act of resilience. They've also banded together to form school escorts and other protective measures for their neighbors. This week, we're exploring how residents of three cities have met this moment. We have three ACLU experts joining us. First up, we have Chandra S. Bhatnagar and Ed Yohnka of the ACLU of Southern California and Illinois. And around the 46-minute mark, Monica Hopkins of the ACLU of DC joins Kamau to discuss deployments in the nation's capital. Want to get involved? Here are two actions you can take right now: action.aclu.org/send-message/tell-congress-no-troops-our-streets action.aclu.org/send-message/tell-congress-stop-masked-agents And if you're still curious about the deployments, there's a great explainer on YouTube: “Ask an ACLU Expert: President Trump's Deployment of Federal Forces to Our Communities” with Hina Shamsi. https://youtu.be/1wQLAqD-KFM?si=LGsW6vlAM_A-1WKo At Liberty is a production of the ACLU. For the ACLU, our senior executive producer is Sam Riddell, our executive producer is Jessica Herman Weitz, and our intern is Madhvi Khianra. W. Kamau Bell and Melissa Hudson Bell, PhD are executive producers for Who Knows Best Productions. At Liberty is produced and edited by Erica Getto and Myrriah Gossett for Good Get. This episode was recorded at Skyline Studios in Oakland, CA.

3rd Annual History of the Bay Day, 11.9.25 at Public Works, SF - ticket link: https://www.tixr.com/groups/publicsf/events/3rd-annual-history-of-the-bay-day-159082Started in Oakland by Mike Dream, TDK crew has been holding down Bay Area graffiti since the early 80's. Their work is informed by a deep political, social, and cultural consciousness plus a dedication to skills, style, and technique. In this epsiode they reflect on the life and death of Mike Dream, his influence over the crew and the rest of the world, and how TDK has become more of a family than a crew. Featuring Spie, Vogue, Krash, Dyl, Meut, Done, Cheph, Kufue, Amend, and Stash.--For promo opportunities on the podcast, e-mail: historyofthebaypodcast@gmail.com---History of the Bay Spotify Playlist: https://open.spotify.com/playlist/3ZUM4rCv6xfNbvB4r8TVWU?si=9218659b5f4b43aaOnline Store: https://dregsone.myshopify.com Follow Dregs One:Spotify: https://open.spotify.com/artist/1UNuCcJlRb8ImMc5haZHXF?si=poJT0BYUS-qCfpEzAX7mlAInstagram: https://instagram.com/dregs_oneTikTok: https://tiktok.com/@dregs_oneTwitter: https://twitter.com/dregs_oneFacebook: https://facebook.com/dregsone41500:00 Introductions05:29 History of Oakland graffiti14:09 Dream starting TDK46:29 “ The Best of Both Worlds”53:02 Dream's influence56:13 “Erotic City “production59:46 Tattoo and airbrush1:05:35 No Justice No Peace show1:13:26 Culture1:25:20 TDK family

Despite previously reported fears that baseball, unfortunately, was over, the Toronto Blue Jays are merely one win away from reviving the sport. Behind an unprecedented start from Trey Yesavage and stellar performances up and down their lineup, the Jays (America's Team) have weathered an 18-inning loss and a Yoshi Yamamoto complete game. Will they finish off the super team Dodgers? Using their trademark hard-hitting analysis, Bobby and Alex answer your burning questions about The FALL CLASSIC.Links:⁠⁠⁠⁠⁠⁠⁠Join the Tipping Pitches Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipping Pitches merchandise ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Call the Tipping Pitches voicemail: 785-422-5881Tipping Pitches features original music from Steve Sladkowski of PUP.

Could Oakland go into bankruptcy over a lawsuit? We chat with Seneca Scott.See omnystudio.com/listener for privacy information.

What do comics, writing, and Pilates have in common? None other than this week's guest, Mel Hilario! In this episode, we talk about all kinds of things from intuition to creative expression to somatic practices and everything in between! Including what it's like to be a daughter of Filipino immigrants who don't understand what we do in our lives. Join us as we continue the celebration of Filipino American History month with this episode!We embody many different roles and I have likened this existence to that of our ancestral lands: an archipelago. Tune in to hear how we link up all of our multiple passions and identities into who we are being. And how that in and of itself is a form of resistance.Mel Hilario Book: https://www.simonandschuster.com/books/Agent-Cupcake/Mel-Hilario/9781637158760Spotify: https://open.spotify.com/show/3NmlshGX4ijHPXmFIgT1Nu Apple: https://podcasts.apple.com/us/podcast/spiritual-grit/id1497436520  ===============Today's poems/ Books mentioned:Tarot/Oracle Card: Queen of Cups“The Sorcery” =============== Courses / Exclusive Content / Book Mentioned:Subscribe to mailing list + community: suryagian.com/subscribe and get the 7-day meditation challenge, “Spark Joy in Chaos”Subscribe to “Adventures in Midlife” newsletter: leslieann.substack.comInstagram: @leslieannhobayan Email: leslieann@suryagian.comYoutube: https://www.youtube.com/playlist?list=PLxAeQWRRsSo5E7PBJdZUeoEAYXnAtuyRyKundalini Yoga Classes: https://www.suryagian.com/anchor-amplify-kundaliniSpeak Your Truth: https://www.suryagian.com/speak-your-truth ===============About the Guest: Melanie “Mel” Hilario is a writer who empowers readers by helping them understand the world around them, blending genres and transforming traditional character archetypes into fully realized people, with their own quirks, language, and interior lives. Mel received her MFA in Creative Writing from Mills College, has been a recipient of the Elizabeth George Foundation grant and residencies at VONA (Voices of our Nations Arts), Las Dos Brujas Writers Workshop, Writing by Writers, and Hedgebrook. She has developed characters for toy lines, masterminded educational workbooks, and written wrenching essays, most recently for the Kindred Souls anthology, Angry Women. Along with Lauren Davis and Katie Longua, Mel is part of the Eisner-nominated team, Triple Dream Comics. Together, they created the middle grade graphic novels, "Debian Perl, Digital Detective" and "Agent Cupcake." Their short story, "Traitor, Trickster, Dummy, Doll" appeared in The Nib and was nominated for the 2022 Eisner Award for Best Short Story.When she isn't writing fiction, nonfiction, and comic books, Mel is in martial arts or ballet class, teaching Pilates, or attempting to stay off social media and failing miserably. She lives in Oakland with two of the largest cats her friends have ever seen.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Susan Hill: Master of Ghost Stories and Noir Susan Hill, author of “The Woman in Black” and other novels, in conversation by phone with host Richard Wolinsky, recorded November 29, 2021. The Woman in Black, a play by Stephen Mallatratt and directed by Robin Herford is playing in Walnut Creek at The Lesher Center under the auspices of CenterREP from November 5th through November 23, 2025. Susan Hill has written over thirty novels, most of them stand-alones in the gothic ghost story genre, and eleven crime novels featuring her detective Simon Serrailer, the most recent being The Benefit of Hindsight, published in 2020, with A Change of Circumstance published in March 2022. She's also written six collections of short stories, an autobiography among nine non-fiction works, five plays, and 13 Children's Books. She became a Dame of the British Empire in 2020. Complete 48-minute interview.   Rita Moreno: Broadway and Hollywood Legend Richard Wolinsky and Rita Moreno, Sept. 16, 2011 at KPFA. Rita Moreno, legendary Hollywood star, actress, dancer and singer, in conversation about her career and her one-woman show, “Rita Moreno: Life Without Make-up,” recorded September 16, 2011 in the KPFA studios. Hosted by Richard Wolinsky. The talented winner of the big four awards, Oscar, Emmy, Grammy and Tony, Rita Moreno continues to work in film and television. In this interview recorded during previews of her one-woman show at Berkeley Rep ten years ago, she discusses not only her work on the show, but her time in Hollywood, her five year relationship with Marlon Brando, her work on the film The King and I, working with Morgan Freeman on PBS, and other stories. Complete 35-minute interview. Review of “Suffs” at BroadwaySF Orpheum Theatre through November 9, 2025   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others for shorter periods each week. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  See website for readings and events. Actor's Reading Collective (ARC).  Mary Jane by Amy Herzog, directed by Amy Kossow, November 6 – 30, Magic Theatre, Fort Mason. African American Art & Culture Complex. See website for calendar. American Conservatory Theatre  Stereophonic (in association with BroadwaySF, at the Curran), Oct 28 – Nov 23. Awesome Theatre Company. See website for information. Berkeley Playhouse. Annie. November 7- December 21. Once, February 20 – March 22.  Berkeley Rep. The Hills of California .by Jez Butterworth, Oct. 31 – Dec. 7, Roda Theatre. Mother of Exiles by Jessica Huang, World Premiere, Nov. 14 – Dec. 32, Peets Theatre. Berkeley Shakespeare Company The Tempest, Oct. 24 – Nov. 2,  Immersive theatre. Point Montara Lighthouse. Brava Theatre Center: See calendar for events listings. BroadwaySF: Stereophonic (in association with ACT), Oct 28 – Nov 23, Curran. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  Kinky Boots, Nov. 28-30. See website for other events. Center REP: The Woman in Black, U.S. Tour, November 5-23.. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works Dada Teen Musical: The Play by Maury Zeff, Oct. 18 – Nov. 16, Cinnabar Theatre. Young Rep: Disney's The Little Mermaid, November 14-23, Studio Space, Petaluma Outlet Mall. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Ebenezer Scrooge, an adaptation of “A Christmas Carol” by Joel Roster, December 6 –  21. . See website for other events. Golden Thread  Pilgrimage by Humaira Ghilzal and Bridgette Dutta Portman, a co-production with Z Space, October 24 – November 8, Z Space's Steindler Stage. Hillbarn Theatre: Murder for Two, a musical comedy, October 9 – November 2, 2025. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. Freaky Friday, The Musical. October 24 – November 2. A Christmas Carol, November  28 – December 21.. Lower Bottom Playaz  August Wilson's King Hedley II, November 8 -30. BAM House, Oakland. Magic Theatre. Actors Reading Collective: Mary Jane by Amy Herzog, directed by Amy Kossow, November 6 – 30, See website for other events and productions. Marin Shakespeare Company: See website for events and productions. Marin Theatre: Sally and Tom by Suzan-Lori Parks. October 30 – November 23. The Lightning Thief, MSC Teen Company, November 7 -9. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  Spanish Stew by Marga Gomez, October 17 – November 23. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Cabaret, November 21 – December 14. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Ada & The Engine  by Lauren Gunderson, November 21 – December 7. See website for staged readings and other events. Playful People Productions. Newsies, November 8-16. Presidio Theatre. Peter Pan Panto, Nov. 29 – Dec. 28. See website for complete schedule of events and performances. Ray of Light: The Rocky Horror Show. October 9 – November 1, The Oasis. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. Noises Off by Michael Frayn. September 25 – November 8. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: See website for events and upcoming season Shotgun Players.  Sunday in the Park with George, November 15 – December 30. South Bay Musical Theatre:  Let It Snow: A Broadway Holiday Celebration, December 20-21, Little Women, The Broadway Musical, January 24 – February 14, 2026. SPARC: See website for upcoming events. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico Frankenstein, October 11 – November 2. Theatre Rhino  The Break-Up written and performed by Tina D'Elia, November 6-23. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. A Driving Beat by Jordan Ramirez Puckett, Oct 29 – Nov. 23, . Mountain View Center for the Performing Arts Second Stage.Georgiana & Kitty, Christmas at Pemberley by Lauren Gunderson and Margot Melcon, Dec. 3 – 28, Lucie Stern Theatre. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org   The post October 30, 2025: Susan Hill – Rita Moreno appeared first on KPFA.

Now we'll hear some readings from our series New Arrivals, a pocket-sized book tour with Bay Area authors. Today, Oakland authors Emile DeWeaver and Beverly Burch, as well as San Francisco writer Alvin Lu.

This episode is a re-air of one of our most popular conversations from this year, featuring insights worth revisiting. Thank you for being part of the Data Stack community. Stay up to date with the latest episodes at datastackshow.com. This week on The Data Stack Show, the crew brings you another conversation live from Data Council in Oakland, California. In this episode, Viktor Kessler from Vakamo explores the evolution of data architecture from rigid warehouses to flexible Lakehouse systems. Powered by Apache Iceberg, this new approach enables seamless data sharing, governance, and potential monetization. Viktor discusses how open-source innovation is transforming data management, highlighting the shift towards treating data as a product and the emerging potential for AI-driven data exchanges. The conversation provides insights into the future of decentralized, adaptable data infrastructure and so much more. Highlights from this week's conversation include:Viktor's Background and Journey in Data (1:20)Evolution of Data Architecture (4:41)The Lakehouse Concept (7:12)Open Source Innovation (11:05)Data Production and Decentralization (15:06)Governance in Decentralized Systems (18:53)Data Economy and Monetization (21:15)Security Concerns in Data Processing (24:21)Impact on Data Consumers (27:37)Compaction Issues in Data Tables (29:39)Open Source Lake Keeper Tool and Parting Thoughts (33:02)The Data Stack Show is a weekly podcast powered by RudderStack, the CDP for developers. Each week we'll talk to data engineers, analysts, and data scientists about their experience around building and maintaining data infrastructure, delivering data and data products, and driving better outcomes across their businesses with data.RudderStack helps businesses make the most out of their customer data while ensuring data privacy and security. To learn more about RudderStack visit rudderstack.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Episode logline:Saxophonist—and bassist—Gerald Albright talks origin stories, the punch and polish behind “Living My Best Life,” why the title cut “Full Throttle” opens up onstage, and what listeners can expect when his band hits Oakland.About our guestA pillar of contemporary jazz with decades of touring and studio work, Gerald Albright writes and produces with a rhythm-section mindset. He came up on saxophone in South Central Los Angeles, later added bass guitar, and now releases music independently on Bright Music Records. That hybrid vantage shapes sets built on pulse, melody, and forward motion.What we cover·      Origins & influences. How a church-lesson pivot put a sax in his hands—“I immediately fell in love with the saxophone”—and why Maceo Parker's clarity and percussive bite became a lifelong model.·      Hearing from two chairs. The bass guitar changed how he writes and locks the pocket: “Now I'm in the rhythm section, where there's the meat and potatoes of the groove… I combine the two to create the best music I can.”·      Studio craft → stage energy. The gleam and stacked-horn sound of “Living My Best Life” grew from pandemic-era time in the studio: “I learned how to mix my own records… I like to put the horns right up front.”·      Why “Full Throttle” stretches live. “I wanted the freedom to really stretch out and play… When we play it live, we really get to go full throttle.”·      What fans can look forward to. A high-energy, audience-involved night that blends burners and love songs, drawn from a catalog spanning 20-plus projects.·      What's next. A new, as-yet-untitled EP in the mixing stage—“the music is coming out phenomenal”—with touring to follow.Featured tracks (discussed in this episode)·      “Living My Best Life” — stacked horn writing, sleek rhythm bed, and the producer's ear for space.·      “Full Throttle” — title track from G-Stream 3 – Full Throttle, built for improvisation when the band opens it up on stage.The band on these datesAnthony Brown, Jr. (bass), Colin “CC” Clawson (keyboards), and James “JRob” Roberson (musical director, drums).Memorable quotes·      “I immediately fell in love with the saxophone.”·      “The bass chair put me where the meat and potatoes of the groove live.”·      “I like the horns right up front—that's the sound!”Listen for·      How Albright connects Maceo Parker's articulation to his own attack.·      The way a bassist's perspective shapes phrasing, form, and set flow.·      Why new independent releases keep his horn stacks, mixes, and repertoire exactly as he envisions them.Links & infoTickets: Yoshi's Oakland — https://yoshis.com/events/buy-tickets/gerald-albright-10/detailGerald Albright — Official site: https://geraldalbright.com/CreditsHost: Steve Roby — Backstage Bay Area.Production: Backstage Bay Area Audio.

What makes the residents of Oakland, California so resilient? When your MLB team is leaving, you help start a new professional team to keep baseball in the city. We are joined by Casey Pratt with the Oakland Ballers. Casey is the Vice President of Communications and Fan Entertainment. Casey shares the story about how the team was started and shares a little about his background. He also shares his Proffitt & Loss.Make sure to follow the Ballers online.Oakland Ballers -Website: https://www.oaklandballers.com/Instagram: https://www.instagram.com/oakland.ballers/ (@Oakland.Ballers)Twitter: https://www.twitter.com/OaklandBallers (@OaklandBallers)Earned Fun Average - Instagram: https://www.instagram.com/earnedfunavg/ (@EarnedFunAvg)Twitter: https://www.twitter.com/earnedfunavg/ (@EarnedFunAvg)Blue Sky: https://www.bsky.app/profile/earnedfunavg.bsky.social  (@EarnedFunAvg.bsky.social)Curved Brim Media -Website: https://www.curvedbrimmedia.com/Instagram: https://www.instagram.com/curvedbrimmedia/ (@CurvedBrimMedia)Twitter: https://www.twitter.com/CurvedBrim/ (@CurvedBrim)

What does it take to keep your voice—and your purpose—strong through every season of life? In this episode of Unstoppable Mindset, I sit down with my friend Bill Ratner, one of Hollywood's most recognized voice actors, best known as Flint from GI Joe. Bill's voice has carried him through radio, animation, and narration, but what stands out most is how he's used that same voice to serve others through storytelling, teaching, and grief counseling. Together, we explore the heart behind his work—from bringing animated heroes to life to standing on The Moth stage and helping people find healing through poetry. Bill shares lessons from his own journey, including losing both parents early, finding family in unexpected places, and discovering how creative expression can rebuild what life breaks down. We also reflect on 9/11, preparedness, and the quiet confidence that comes from trusting your training—whether you're a first responder, a performer, or just navigating the unknown. This conversation isn't just about performance; it's about presence. It's about using your story, your craft, and your compassion to keep moving forward—unstoppable, one voice at a time. Highlights: 00:31 – Hear the Flint voice and what it takes to bring animated characters to life. 06:57 – Learn why an uneven college path still led to a lifelong acting career. 11:50 – Understand how GI Joe became a team and a toy phenomenon that shaped culture. 15:58 – See how comics and cartoons boosted classroom literacy when used well. 17:06 – Pick up simple ways parents can spark reading through shared stories. 19:29 – Discover how early, honest conversations about death can model resilience. 24:09 – Learn to critique ads and media like a pro to sharpen your own performance. 36:19 – Follow the pivot from radio to voiceover and why specialization pays. 47:48 – Hear practical editing approaches and accessible tools that keep shows tight. 49:38 – Learn how The Moth builds storytelling chops through timed, judged practice. 55:21 – See how poetry—and poetry therapy—support grief work with students. 59:39 – Take notes on memoir writing, emotional management, and one-person shows. About the Guest: Bill Ratner is one of America's best known voice actors and author of poetry collections Lamenting While Doing Laps in the Lake (Slow Lightning Lit 2024,) Fear of Fish (Alien Buddha Press 2021,) To Decorate a Casket (Finishing Line Press 2021,) and the non-fiction book Parenting For The Digital Age: The Truth Behind Media's Effect On Children and What To Do About It (Familius Books 2014.) He is a 9-time winner of the Moth StorySLAM, 2-time winner of Best of The Hollywood Fringe Extension Award for Solo Performance, Best of the Net Poetry Nominee 2023 (Lascaux Review,) and New Millennium "America One Year From Now" Writing Award Finalist. His writing appears in Best Small Fictions 2021 (Sonder Press,) Missouri Review (audio,) Baltimore Review, Chiron Review, Feminine Collective, and other journals. He is the voice of "Flint" in the TV cartoon G.I. Joe, "Donnell Udina" in the computer game Mass Effect, the voice of Air Disasters on Smithsonian Channel, NewsNation, and network TV affiliates across the country. He is a committee chair for his union, SAG-AFTRA, teaches Voiceovers for SAG-AFTRA Foundation, Media Awareness for Los Angeles Unified School District, and is a trained grief counsellor. Member: Actors Equity Association, Screen Actors Guild-AFTRA, National Storytelling Network • https://billratner.com • @billratner Ways to connect with Bill: https://soundcloud.com/bill-ratner https://www.instagram.com/billratner/ https://twitter.com/billratner https://www.threads.net/@billratner https://billratner.tumblr.com https://www.youtube.com/@billratner/videos https://www.facebook.com/billratner.voiceover.author https://bsky.app/profile/bilorat.bsky.social About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Well on a gracious hello to you, wherever you may be, I am your host. Mike hingson, and you are listening to unstoppable mindset. Today, we get to have a voice actor, person, Bill Ratner, who you want to know who Bill Radnor is, go back and watch the old GI Joe cartoons and listen to the voice of Flint.   Bill Ratner ** 01:42 All right. Lady Jay, you better get your battle gear on, because Cobra is on their way. And I can't bring up the Lacher threat weapon system. We got to get out of here. Yo, Joe,   Michael Hingson ** 01:52 there you go. I rest my case Well, Bill, welcome to unstoppable mindset.   Bill Ratner ** 02:00 We can't rest now. Michael, we've just begun. No, we've just begun.   Michael Hingson ** 02:04 We got to keep going here. Well, I'm really glad that you're here. Bill is another person who we inveigled to get on unstoppable mindset with the help of Walden Hughes. And so that means we can talk about Walden all we want today. Bill just saying, oh goodness. And I got a lot to say. Let me tell you perfect, perfect. Bring it on. So we are really grateful to Walden, although I hope he's not listening. We don't want to give him a big head. But no, seriously, we're really grateful. Ah, good point.   Bill Ratner ** 02:38 But his posture, oddly enough, is perfect.   Michael Hingson ** 02:40 Well, there you go. What do you do? He practiced. Well, anyway, we're glad you're here. Tell us about the early bill, growing up and all that stuff. It's always fun to start a good beginning.   Bill Ratner ** 02:54 Well, I was a very lucky little boy. I was born in Des Moines, Iowa in 1947 to two lovely people, professionals, both with master's degree out at University of Chicago. My mother was a social worker. My father had an MBA in business. He was managing editor of Better Homes and Gardens magazine. So I had the joy of living in a better home and living in a garden.   Michael Hingson ** 03:21 My mother. How long were you in Des Moines?   Bill Ratner ** 03:24 Five and a half years left before my sixth birthday. My dad got a fancy job at an ad agency in Minneapolis, and had a big brother named Pete and big handsome, curly haired boy with green eyes. And moved to Minneapolis, Minnesota, and was was brought up there.   Michael Hingson ** 03:45 Wow. So you went to school there and and chased the girls and all that stuff.   Bill Ratner ** 03:54 I went to school there at Blake School for Boys in Hopkins, Minnesota. Couldn't chase the girls day school, but the girls we are allowed to dance with certainly not chase. Michael was at woodhue dancing school, the Northrop girls from Northrop girls school and the Blake boys were put together in eighth grade and taught the Cha Cha Cha, the waltz, the Charleston, and we danced together, and the girls wore white gloves, and we sniffed their perfume, and we all learned how to be lovers when we were 45   Michael Hingson ** 04:37 There you are. Well, as long as you learned at some point, that's a good start.   Bill Ratner ** 04:44 It's a weird generation. Michael,   Michael Hingson ** 04:46 I've been to Des Moines before. I was born in Chicago, but moved out to California when I was five, but I did some work with the National Federation of the Blind in the mid 19. 1970s 1976 into 1978 so spent time at the Iowa Commission for the Blind in Des Moines, which became a top agency for the Blind in well, the late 50s into the to the 60s and so on. So   Bill Ratner ** 05:15 both my parents are from Chicago. My father from the south side of Chicago, 44th and Kenzie, which was a Irish, Polish, Italian, Jewish, Ukrainian neighborhood. And my mother from Glencoe, which was a middle class suburb above Northwestern University in Evanston.   Michael Hingson ** 05:34 I Where were you born? 57th and union, north, south side, no, South   Bill Ratner ** 05:42 57th union is that? Is that west of Kenzie?   Michael Hingson ** 05:46 You know, I don't remember the geography well enough to know, but I know that it was, I think, Mount Sinai Hospital where I was born. But it was, it's, it's, it's a pretty tough neighborhood today. So I understand,   Bill Ratner ** 06:00 yeah, yeah, my it was tough, then it's tough now,   Michael Hingson ** 06:03 yeah, I think it's tougher, supposedly, than it was. But we lived there for five years, and then we we moved to California, and I remember some things about Chicago. I remember walking down to the local candy store most days, and had no problem doing that. My parents were told they should shut me away at a home somewhere, because no blind child could ever grow up to amount to anything. And my parents said, You guys are you're totally wrong. And they brought me up with that attitude. So, you   Bill Ratner ** 06:32 know who said that the school says school so that   Michael Hingson ** 06:35 doctors doctors when they discovered I was blind with the   Bill Ratner ** 06:38 kid, goodness gracious, horrified.   Michael Hingson ** 06:44 Well, my parents said absolutely not, and they brought me up, and they actually worked with other parents of premature kids who became blind, and when kindergarten started in for us in in the age of four, they actually had a special kindergarten class for blind kids at the Perry School, which is where I went. And so I did that for a year, learn braille and some other things. Then we moved to California, but yeah, and I go back to Chicago every so often. And when I do nowadays, they I one of my favorite places to migrate in Chicago is Garrett Popcorn.   Bill Ratner ** 07:21 Ah, yes, with caramel corn, regular corn, the   Michael Hingson ** 07:25 Chicago blend, which is a mixture, yeah, the Chicago blend is cheese corn, well, as it is with caramel corn, and they put much other mozzarella on it as well. It's really good.   Bill Ratner ** 07:39 Yeah, so we're on the air. Michael, what do you call your what do you call your program? Here I am your new friend, and I can't even announce your program because I don't know   Michael Hingson ** 07:48 the name, unstoppable mindset. This   Bill Ratner ** 07:51 is unstoppable mindset.   Michael Hingson ** 07:56 We're back. Well, we're back already. We're fast. So you, you, you moved off elsewhere, out of Des Moines and all that. And where did you go to college?   Bill Ratner ** 08:09 Well, this is like, why did you this is, this is a bit like talking about the Vietnam War. Looking back on my college career is like looking back on the Vietnam War series, a series of delusions and defeats. By the time I the time i for college, by the time I was applying for college, I was an orphan, orphan, having been born to fabulous parents who died too young of natural causes. So my grades in high school were my mediocre. I couldn't get into the Ivy Leagues. I got into the big 10 schools. My stepmother said, you're going to Michigan State in East Lansing because your cousin Eddie became a successful realtor. And Michigan State was known as mu u it was the most successful, largest agriculture college and university in the country. Kids from South Asia, China, Northern Europe, Southern Europe, South America all over the world came to Michigan State to study agricultural sciences, children of rich farmers all over the world and middle class farmers all over the world, and a huge police science department. Part of the campus was fenced off, and the young cadets, 1819, 20 years old, would practice on the rest of the student body, uniformed with hats and all right, excuse me, young man, we're just going to get some pizza at eight o'clock on Friday night. Stand against your car. Hands in your car. I said, Are you guys practicing again? Shut up and spread your legs. So that was that was Michigan State, and even though both my parents had master's degrees, I just found all the diversions available in the 1960s to be too interesting, and was not invited. Return after my sophomore year, and in order to flunk out of a big 10 University, and they're fine universities, all of them, you have to be either really determined or not so smart, not really capable of doing that level of study in undergraduate school. And I'd like to think that I was determined. I used to show up for my exams with a little blue book, and the only thing I would write is due to lack of knowledge, I am unable to complete this exam, sign Bill ranter and get up early and hand it in and go off. And so what was, what was left for a young man like that was the theater I'd seen the great Zero Mostel when I was 14 years old and on stage live, he looked just like my father, and he was funny, and if I Were a rich man, and that's the grade zero must tell. Yeah, and it took about five, no, it took about six, seven years to percolate inside my bread and my brain. In high school, I didn't want to do theater. The cheerleaders and guys who I had didn't happen to be friends with or doing theater. I took my girlfriends to see plays, but when I was 21 I started acting, and I've been an actor ever since. I'm a committee chair on the screen actors guild in Hollywood and Screen Actors Guild AFTRA, and work as a voice actor and collect my pensions and God bless the union.   Michael Hingson ** 11:44 Well, hey, as long as it works and you're making progress, you know you're still with it, right?   Bill Ratner ** 11:53 That's the that's the point. There's no accounting for taste in my business. Michael, you work for a few different broadcast entities at my age. And it's, you know, it's younger people. It's 18 to 3418 years to 34 years old is the ideal demographic for advertisers, Ford, Motor Company, Dove soap, Betty, Crocker, cake mixes and cereals, every conceivable product that sold online or sold on television and radio. This is my this is my meat, and I don't work for religion. However, if a religious organization calls, I call and say, I I'm not, not qualified or not have my divinity degree in order to sell your church to the public?   Michael Hingson ** 12:46 Yeah, yeah. Well, I, I can understand that. But you, you obviously do a lot, and as we talked about, you were Flint and GI Joe, which is kind of cool.   Bill Ratner ** 13:01 Flynn GI Joe was very cool. Hasbro Corporation, which was based in Providence, Rhode Island, had a huge success with GI Joe, the figure. The figure was about 11 and a half inches tall, like a Barbie, and was at first, was introduced to the public after the Korean War. There is a comic book that was that was also published about GI Joe. He was an individual figure. He was a figure, a sort of mythic cartoon figure during World War Two, GI Joe, generic American soldier, fighting man and but the Vietnam war dragged on for a long time, and the American buying public or buying kids toys got tired of GI Joe, got tired of a military figure in their household and stopped buying. And when Nixon ended the Vietnam War, or allotted to finish in 1974 Hasbro was in the tank. It's got its stock was cheap, and executives are getting nervous. And then came the Great George Lucas in Star Wars, who shrank all these action figures down from 11 and a half inches to three and a half inches, and went to China and had Chinese game and toy makers make Star Wars toys, and began to earn billions and billions dollars. And so Hasbro said, let's turn GI Joe into into a team. And the team began with flint and Lady J and Scarlett and Duke and Destro and cover commander, and grew to 85 different characters, because Hasbro and the toy maker partners could create 85 different sets of toys and action figures. So I was actor in this show and had a good time, and also a purveyor of a billion dollar industry of American toys. And the good news about these toys is I was at a conference where we signed autographs the voice actors, and we have supper with fans and so on. And I was sitting next to a 30 year old kid and his parents. And this kid was so knowledgeable about pop culture and every conceivable children's show and animated show that had ever been on the screen or on television. I turned to his mother and sort of being a wise acre, said, So ma'am, how do you feel about your 30 year old still playing with GI Joe action figures? And she said, Well, he and I both teach English in the Pittsburgh, Pennsylvania school system, and last year, the literacy level of my ninth graders was 50% 50% of those kids could not read in ninth grade. So I asked the principal if I could borrow my son's GI Joe, action figures, comic books and VHS tapes, recordings of the shows from TV. And he said, Sure, whatever you want to try. And so she did, and she played the video tapes, and these kids were thrilled. They'd never seen a GI Joe cartoon in class before. Passed out the comic books, let him read comics. And then she said, Okay, you guys. And passed out notebooks and pens and pencils, and said, I want you guys to make up some some shows, some GI Joe shows. And so they said, Yeah, we're ready. All right, Cobra, you better get into the barber shop, because the barber bill is no longer there and the fire engines are in the way. And wait a minute, there's a dog in the street. And so they're making this up, using their imagination, doing their schoolwork, by coming up with scenarios, imaginary fam fan fiction for GI Joe and she raised the literacy level in her classroom by 50% that year, by the end of that year, so, so that was the only story that I've ever heard about the sort of the efficacy of GI Joe, other than, you know, kids play with them. Do they? Are they shooting each other all the time? I certainly hope not. I hope not. Are they using the action figures? Do they strip their guns off and put them in a little, you know, stub over by the side and and have them do physical battle with each other, or have them hump the woods, or have them climb the stairs, or have them search the trees. Who knows what kids do? Same with same with girls and and Barbies. Barbie has been a source of fun and creativity for lots of girls, and the source of of worry and bother to a lot of parents as   Michael Hingson ** 17:54 well. Well, at the same time, though, when kids start to react and relate to some of these things. It's, it's pretty cool. I mean, look what's happened with the whole Harry Potter movement and craze. Harry Potter has probably done more in the last 20 or 25 years to promote reading for kids than most anything else, and   Bill Ratner ** 18:17 that's because it's such a good series of books. I read them to my daughters, yeah. And the quality of writing. She was a brilliant writer, not only just the stories and the storytelling, which is fun to watch in the movies, and you know, it's great for a parent to read. If there are any parents listening, I don't care how old your kids are. I don't care if they're 15. Offer to read to them. The 15 year old might, of course, say mom, but anybody younger than that might say either, all right, fine, which is, which means you better do it or read, read a book. To me, sure, it's fun for the parent, fun for the kid, and it makes the child a completely different kind of thinker and worker and earner.   Michael Hingson ** 19:05 Well, also the people who they got to read the books for the recordings Stephen Fry and in the US here, Jim Dale did such an incredible job as well. I've, I've read the whole Harry Potter series more than once, because I just enjoy them, and I enjoy listening to the the voices. They do such a good job. Yeah. And of course, for me, one of the interesting stories that I know about Jim Dale reading Harry Potter was since it was published by Scholastic he was actually scheduled to do a reading from one of the Harry from the new Harry Potter book that was coming out in 2001 on September 11, he was going to be at Scholastic reading. And of course, that didn't happen because of of everything that did occur. So I don't know whether I'm. I'm assuming at some point a little bit later, he did, but still he was scheduled to be there and read. But it they are there. They've done so much to help promote reading, and a lot of those kinds of cartoons and so on. Have done some of that, which is, which is pretty good. So it's good to, you know, to see that continue to happen. Well, so you've written several books on poetry and so on, and I know that you you've mentioned more than once grief and loss. How come those words keep coming up?   Bill Ratner ** 20:40 Well, I had an unusual childhood. Again. I mentioned earlier how, what a lucky kid I was. My parents were happy, educated, good people, not abusers. You know, I don't have a I don't have horror stories to tell about my mother or my father, until my mother grew sick with breast cancer and and it took about a year and a half or two years to die when I was seven years old. The good news is, because she was a sensitive, educated social worker, as she was actually dying, she arranged a death counseling session with me and my older brother and the Unitarian minister who was also a death counselor, and whom she was seeing to talk about, you know, what it was like to be dying of breast cancer with two young kids. And at this session, which was sort of surprised me, I was second grade, came home from school. In the living room was my mother and my brother looking a little nervous, and Dr Carl storm from the Unitarian Church, and she said, you know, Dr storm from church, but he's also my therapist. And we talk about my illness and how I feel, and we talk about how much I love you boys, and talk about how I worry about Daddy. And this is what one does when one is in crisis. That was a moment that was not traumatic for me. It's a moment I recalled hundreds of times, and one that has been a guiding light through my life. My mother's death was very difficult for my older brother, who was 13 who grew up in World War Two without without my father, it was just him and my mother when he was off in the Pacific fighting in World War Two. And then I was born after the war. And the loss of a mother in a family is like the bottom dropping out of a family. But luckily, my dad met a woman he worked with a highly placed advertising executive, which was unusual for a female in the 1950s and she became our stepmother a year later, and we had some very lovely, warm family years with her extended family and our extended family and all of us together until my brother got sick, came down with kidney disease a couple of years before kidney dialysis was invented, and a couple of years before kidney transplants were done, died at 19. Had been the captain of the swimming team at our high school, but did a year in college out in California and died on Halloween of 1960 my father was 51 years old. His eldest son had died. He had lost his wife six years earlier. He was working too hard in the advertising industry, successful man and dropped out of a heart attack 14th birthday. Gosh, I found him unconscious on the floor of our master bathroom in our house. So my life changed. I My life has taught me many, many things. It's taught me how the defense system works in trauma. It's taught me the resilience of a child. It's taught me the kindness of strangers. It's taught me the sadness of loss.   Michael Hingson ** 24:09 Well, you, you seem to come through all of it pretty well. Well, thank you. A question behind that, just an observation, but, but you do seem to, you know, obviously, cope with all of it and do pretty well. So you, you've always liked to be involved in acting and so on. How did you actually end up deciding to be a voice actor?   Bill Ratner ** 24:39 Well, my dad, after he was managing editor of Better Homes and Gardens magazine in Des Moines for Meredith publishing, got offered a fancy job as executive vice president of the flower and mix division for Campbell within advertising and later at General Mills Corporation. From Betty Crocker brand, and would bring me to work all the time, and would sit with me, and we'd watch the wonderful old westerns that were on prime time television, rawhide and Gunsmoke and the Virginian and sure   Michael Hingson ** 25:15 and all those. Yeah, during   Bill Ratner ** 25:17 the commercials, my father would make fun of the commercials. Oh, look at that guy. And number one, son, that's lousy acting. Number two, listen to that copy. It's the dumbest ad copy I've ever seen. The jingles and and then he would say, No, that's a good commercial, right there. And he wasn't always negative. He would he was just a good critic of advertising. So at a very young age, starting, you know, when we watch television, I think the first television ever, he bought us when I was five years old, I was around one of the most educated, active, funny, animated television critics I could hope to have in my life as a 56789, 1011, 12 year old. And so when I was 12, I became one of the founding members of the Brotherhood of radio stations with my friends John Waterhouse and John Barstow and Steve gray and Bill Connors in South Minneapolis. I named my five watt night kit am transmitter after my sixth grade teacher, Bob close this is wclo stereo radio. And when I was in sixth grade, I built myself a switch box, and I had a turntable and I had an intercom, and I wired my house for sound, as did all the other boys in the in the B, O, R, S, and that's brotherhood of radio stations. And we were guests on each other's shows, and we were obsessed, and we would go to the shopping malls whenever a local DJ was making an appearance and torture him and ask him dumb questions and listen obsessively to American am radio. And at the time for am radio, not FM like today, or internet on your little radio tuner, all the big old grandma and grandpa radios, the wooden ones, were AM, for amplitude modulated. You could get stations at night, once the sun went down and the later it got, the ionosphere would lift and the am radio signals would bounce higher and farther. And in Minneapolis, at age six and seven, I was able to to listen to stations out of Mexico and Texas and Chicago, and was absolutely fascinated with with what was being put out. And I would, I would switch my brother when I was about eight years old, gave me a transistor radio, which I hid under my bed covers. And at night, would turn on and listen for, who knows, hours at a time, and just tuning the dial and tuning the dial from country to rock and roll to hit parade to news to commercials to to agric agriculture reports to cow crossings in Kansas and grain harvesting and cheese making in Wisconsin, and on and on and on that made up the great medium of radio that was handing its power and its business over to television, just as I was growing As a child. Fast, fascinating transition   Michael Hingson ** 28:18 and well, but as it was transitioning, how did that affect you?   Bill Ratner ** 28:26 It made television the romantic, exciting, dynamic medium. It made radio seem a little limited and antiquated, and although I listened for environment and wasn't able to drag a television set under my covers. Yeah, and television became memorable with with everything from actual world war two battle footage being shown because there wasn't enough programming to 1930s Warner Brothers gangster movies with James Cagney, Edward G   Michael Hingson ** 29:01 Robinson and yeah   Bill Ratner ** 29:02 to all the sitcoms, Leave It to Beaver and television cartoons and on and on and on. And the most memorable elements to me were the personalities, and some of whom were invisible. Five years old, I was watching a Kids program after school, after kindergarten. We'll be back with more funny puppets, marionettes after this message and the first words that came on from an invisible voice of this D baritone voice, this commercial message will be 60 seconds long, Chrysler Dodge for 1954 blah, blah, blah, blah, blah. And I watched hypnotized, hypnotized as a 1953 dodge drove across the screen with a happy family of four waving out the window. And at the end of the commercial, I ran into the kitchen said, Mom, mom, I know what a minute. Is, and it was said, it had suddenly come into my brain in one of those very rare and memorable moments in a person's life where your brain actually speaks to you in its own private language and says, Here is something very new and very true, that 60 seconds is in fact a minute. When someone says, See you in five minutes, they mean five times that, five times as long as that. Chrysler commercial, five times 60. That's 300 seconds. And she said, Did you learn it that that on T in kindergarten? And I said, No, I learned it from kangaroo Bob on TV, his announcer, oh, kangaroo Bob, no, but this guy was invisible. And so at five years of age, I was aware of the existence of the practice of the sound, of the magic of the seemingly unlimited access to facts, figures, products, brand names that these voices had and would say on the air in This sort of majestic, patriarchal way,   Michael Hingson ** 31:21 and just think 20 years later, then you had James Earl Jones,   Bill Ratner ** 31:26 the great dame. James Earl Jones, father was a star on stage at that time the 1950s James Earl Jones came of age in the 60s and became Broadway and off Broadway star.   Michael Hingson ** 31:38 I got to see him in Othello. He was playing Othello. What a powerful performance. It was   Bill Ratner ** 31:43 wonderful performer. Yeah, yeah. I got to see him as Big Daddy in Canada, Hot Tin Roof, ah, live and in person, he got front row seats for me and my family.   Michael Hingson ** 31:53 Yeah, we weren't in the front row, but we saw it. We saw it on on Broadway,   Bill Ratner ** 31:58 the closest I ever got to James Earl Jones. He and I had the same voice over agent, woman named Rita vinari of southern Barth and benare company. And I came into the agency to audition for Doritos, and I hear this magnificent voice coming from behind a closed voiceover booth, saying, with a with a Spanish accent, Doritos. I thought that's James Earl Jones. Why is he saying burritos? And he came out, and he bowed to me, nodded and smiled, and I said, hello and and the agent probably in the booth and shut the door. And she said, I said, that was James Earl Jones. What a voice. What she said, Oh, he's such a nice man. And she said, but I couldn't. I was too embarrassed. I was too afraid to stop him from saying, Doritos. And it turns out he didn't get the gig. So it is some other voice actor got it because he didn't say, had he said Doritos with the agent froze it froze up. That was as close as I ever got to did you get the gig? Oh goodness no,   Michael Hingson ** 33:01 no, you didn't, huh? Oh, well, well, yeah. I mean, it was a very, it was, it was wonderful. It was James Earl Jones and Christopher Plummer played Iago. Oh, goodness, oh, I know. What a what a combination. Well, so you, you did a lot of voiceover stuff. What did you do regarding radio moving forward? Or did you just go completely out of that and you were in TV? Or did you have any opportunity   Bill Ratner ** 33:33 for me to go back at age 15, my brother and father, who were big supporters of my radio. My dad would read my W, C, l, o, newsletter and need an initial, an excellent journalism son and my brother would bring his teenage friends up. He'd play the elderly brothers, man, you got an Elvis record, and I did. And you know, they were, they were big supporters for me as a 13 year old, but when I turned 14, and had lost my brother and my father, I lost my enthusiasm and put all of my radio equipment in a box intended to play with it later. Never, ever, ever did again. And when I was about 30 years old and I'd done years of acting in the theater, having a great time doing fun plays and small theaters in Minneapolis and South Dakota and and Oakland, California and San Francisco. I needed money, so I looked in the want ads and saw a job for telephone sales, and I thought, Well, I used to love the telephone. I used to make phony phone calls to people all the time. Used to call funeral homes. Hi Carson, funeral I help you. Yes, I'm calling to tell you that you have a you have a dark green slate tile. Roof, isn't that correct? Yes. Well, there's, there's a corpse on your roof. Lady for goodness sake, bring it down and we laugh and we record it and and so I thought, Well, gee, I used to have a lot of fun with the phone. And so I called the number of telephone sales and got hired to sell magazine subscriptions and dinner tickets to Union dinners and all kinds of things. And then I saw a new job at a radio station, suburban radio station out in Walnut Creek, California, a lovely Metro BART train ride. And so I got on the BART train, rode out there and walked in for the interview, and was told I was going to be selling small advertising packages on radio for the station on the phone. And so I called barber shops and beauty shops and gas stations in the area, and one guy picked up the phone and said, Wait a minute, wait a minute. Wait a minute. Are you on the radio right now? And I said, No, I'm just I'm in the sales room. Well, maybe you should be. And he slams the phone on me. He didn't want to talk to me anymore. It wasn't interested in buying advertising. I thought, gee. And I told somebody at the station, and they said, Well, you want to be in the radio? And he went, Yeah, I was on the radio when I was 13. And it just so happened that an older fellow was retiring from the 10am to 2pm slot. K I S King, kiss 99 and KD FM, Pittsburgh, California. And it was a beautiful music station. It was a music station. Remember, old enough will remember music that used to play in elevators that was like violin music, the Percy faith orchestra playing a Rolling Stone song here in the elevator. Yes, well, that's exactly what we played. And it would have been harder to get a job at the local rock stations because, you know, they were popular places. And so I applied for the job, and   Michael Hingson ** 37:06 could have lost your voice a lot sooner, and it would have been a lot harder if you had had to do Wolfman Jack. But that's another story.   Bill Ratner ** 37:13 Yeah, I used to listen to Wolf Man Jack. I worked in a studio in Hollywood. He became a studio. Yeah, big time.   Michael Hingson ** 37:22 Anyway, so you you got to work at the muzack station, got   Bill Ratner ** 37:27 to work at the muzack station, and I was moving to Los Angeles to go to a bigger market, to attempt to penetrate a bigger broadcast market. And one of the sales guys, a very nice guy named Ralph pizzella said, Well, when you get to La you should study with a friend of mine down to pie Troy, he teaches voiceovers. I said, What are voice overs? He said, You know that CVS Pharmacy commercial just carted up and did 75 tags, available in San Fernando, available in San Clemente, available in Los Angeles, available in Pasadena. And I said, Yeah. He said, Well, you didn't get paid any extra. You got paid your $165 a week. The guy who did that commercial for the ad agency got paid probably 300 bucks, plus extra for the tags, that's voiceovers. And I thought, why? There's an idea, what a concept. So he gave me the name and number of old friend acquaintance of his who he'd known in radio, named Don DiPietro, alias Johnny rabbit, who worked for the Dick Clark organization, had a big rock and roll station there. He'd come to LA was doing voiceovers and teaching voiceover classes in a little second story storefront out of the San Fernando Valley in Los Angeles. So I signed up for his class, and he was an experienced guy, and he liked me, and we all had fun, and I realized I was beginning to study like an actor at 1818, who goes to New York or goes to Los Angeles or Chicago or Atlanta or St Louis to act in the big theaters, and starts acting classes and realizes, oh my goodness, these people are truly professionals. I don't know how to do what they do. And so for six years, I took voice over classes, probably 4050, nights a year, and from disc jockeys, from ex show hosts, from actors, from animated cartoon voices, and put enough time in to get a degree in neurology in medical school. And worked my way up in radio in Los Angeles and had a morning show, a lovely show with a wonderful news man named Phil Reed, and we talked about things and reviewed movies and and played a lot of music. And then I realized, wait a minute, I'm earning three times the money in voiceovers as I am on the radio, and I have to get up at 430 in the morning to be on the radio. Uh, and a wonderful guy who was Johnny Carson's staff announcer named Jack angel said, You're not still on radio, are you? And I said, Well, yeah, I'm working in the morning. And Ka big, get out of there. Man, quit. Quit. And I thought, well, how can I quit? I've always wanted to be a radio announcer. And then there was another wonderful guy on the old am station, kmpc, sweet Dick Whittington. Whittington, right? And he said at a seminar that I went to at a union voice over training class, when you wake up at four in the morning and you swing your legs over the bed and your shoes hit the floor, and you put your head in your hands, and you say to yourself, I don't want to do this anymore. That's when you quit radio. Well, that hadn't happened to me. I was just getting up early to write some comedy segments and on and on and on, and then I was driving around town all day doing auditions and rented an ex girlfriend's second bedroom so that I could nap by myself during the day, when I had an hour in and I would as I would fall asleep, I'd picture myself every single day I'm in a dark voiceover studio, a microphone Is before me, a music stand is before the microphone, and on it is a piece of paper with advertising copy on it. On the other side of the large piece of glass of the recording booth are three individuals, my employers, I begin to read, and somehow the text leaps off the page, streams into my eyes, letter for letter, word for word, into a part of my back brain that I don't understand and can't describe. It is processed in my semi conscious mind with the help of voice over training and hope and faith, and comes out my mouth, goes into the microphone, is recorded in the digital recorder, and those three men, like little monkeys, lean forward and say, Wow, how do you do that? That was my daily creative visualization. Michael, that was my daily fantasy. And I had learned that from from Dale Carnegie, and I had learned that from Olympic athletes on NBC TV in the 60s and 70s, when the announcer would say, this young man you're seeing practicing his high jump is actually standing there. He's standing stationary, and the bouncing of the head is he's actually rehearsing in his mind running and running and leaping over the seven feet two inch bar and falling into the sawdust. And now he's doing it again, and you could just barely see the man nodding his head on camera at the exact rhythm that he would be running the 25 yards toward the high bar and leaping, and he raised his head up during the imaginary lead that he was visualizing, and then he actually jumped the seven foot two inches. That's how I learned about creative visualization from NBC sports on TV.   Michael Hingson ** 43:23 Channel Four in Los Angeles. There you go. Well, so you you broke into voice over, and that's what you did.   Bill Ratner ** 43:38 That's what I did, darn it, I ain't stopping now, there's a wonderful old actor named Bill Irwin. There two Bill Irwin's one is a younger actor in his 50s or 60s, a brilliant actor from Broadway to film and TV. There's an older William Irwin. They also named Bill Irwin, who's probably in his 90s now. And I went to a premiere of a film, and he was always showing up in these films as The senile stock broker who answers the phone upside down, or the senile board member who always asks inappropriate questions. And I went up to him and I said, you know, I see you in everything, man. I'm 85 years old. Some friends and associates of mine tell me I should slow down. I only got cast in movies and TV when I was 65 I ain't slowing down. If I tried to slow down at 85 I'd have to stop That's my philosophy. My hero is the great Don Pardo, the late great   Michael Hingson ** 44:42 for Saturday Night Live and Jeopardy   Bill Ratner ** 44:45 lives starring Bill Murray, Gilder Radner, and   Michael Hingson ** 44:49 he died for Jeopardy before that,   Bill Ratner ** 44:52 yeah, died at 92 with I picture him, whether it probably not, with a microphone and. His hand in his in his soundproof booth, in his in his garage, and I believe he lived in Arizona, although the show was aired and taped in New York, New York, right where he worked for for decades as a successful announcer. So that's the story.   Michael Hingson ** 45:16 Michael. Well, you know, I miss, very frankly, some of the the the days of radio back in the 60s and 70s and so on. We had, in LA what you mentioned, Dick Whittington, Dick whittinghill on kmpc, Gary Owens, you know, so many people who were such wonderful announcers and doing some wonderful things, and radio just isn't the same anymore. It's gone. It's   Bill Ratner ** 45:47 gone to Tiktok and YouTube. And the truth is, I'm not gonna whine about Tiktok or YouTube, because some of the most creative moments on camera are being done on Tiktok and YouTube by young quote influencers who hire themselves out to advertisers, everything from lipstick. You know,   Speaker 1 ** 46:09 when I went to a party last night was just wild and but this makeup look, watch me apply this lip remover and blah, blah, blah, blah, blah, no, I have no lip.   Bill Ratner ** 46:20 You know, these are the people with the voices. These are the new voices. And then, of course, the faces. And so I would really advise before, before people who, in fact, use the internet. If you use the internet, you can't complain if you use the internet, if you go to Facebook or Instagram, or you get collect your email or Google, this or that, which most of us do, it's handy. You can't complain about tick tock, tick tock, tick tock. You can't complain about tick tock or YouTube, because it's what the younger generation is using, and it's what the younger generation advertisers and advertising executives and creators and musicians and actors are using to parade before us, as Gary Owens did, as Marlon Brando did, as Sarah Bernhardt did in the 19 so as all as you do, Michael, you're a parader. You're the head of the parade. You've been in on your own float for years. I read your your bio. I don't even know why you want to waste a minute talking to me for goodness sakes.   Michael Hingson ** 47:26 You know, the one thing about podcasts that I like over radio, and I did radio at kuci for seven years when I was in school, what I really like about podcasts is they're not and this is also would be true for Tiktok and YouTube. Primarily Tiktok, I would would say it isn't as structured. So if we don't finish in 60 minutes, and we finish in 61 minutes, no one's gonna shoot us.   Bill Ratner ** 47:53 Well, I beg to differ with you. Now. I'm gonna start a fight with you. Michael, yeah, we need conflict in this script. Is that it The Tick Tock is very structured. Six. No,   Michael Hingson ** 48:03 no, I understand that. I'm talking about podcasts,   Bill Ratner ** 48:07 though, but there's a problem. We gotta Tone It Up. We gotta pick it up. We gotta there's a lot of and I listen to what are otherwise really bright, wonderful personalities on screen, celebrities who have podcasts and the car sucks, and then I had meatballs for dinner, haha. And you know what my wife said? Why? You know? And there's just too much of that. And,   Michael Hingson ** 48:32 oh, I understand, yeah. I mean, it's like, like anything, but I'm just saying that's one of the reasons I love podcasting. So it's my way of continuing what I used to do in radio and having a lot of fun doing it   Bill Ratner ** 48:43 all right, let me ask you. Let me ask you a technical and editorial question. Let me ask you an artistic question. An artist, can you edit this podcast? Yeah. Are you? Do you plan to Nope.   Michael Hingson ** 48:56 I think conversations are conversations, but there is a but, I mean,   Bill Ratner ** 49:01 there have been starts and stops and I answer a question, and there's a long pause, and then, yeah, we can do you edit that stuff   Michael Hingson ** 49:08 out. We do, we do, edit some of that out. And I have somebody that that that does a lot of it, because I'm doing more podcasts, and also I travel and speak, but I can edit. There's a program called Reaper, which is really a very sophisticated   Bill Ratner ** 49:26 close up spaces. You   Michael Hingson ** 49:28 can close up spaces with it, yes, but the neat thing about Reaper is that somebody has written scripts to make it incredibly accessible for blind people using screen readers.   Bill Ratner ** 49:40 What does it do? What does it do? Give me the elevator pitch.   Michael Hingson ** 49:46 You've seen some of the the programs that people use, like computer vision and other things to do editing of videos and so on. Yeah.   Bill Ratner ** 49:55 Yeah. Even Apple. Apple edit. What is it called? Apple? Garage Band. No, that's audio. What's that   Michael Hingson ** 50:03 audio? Oh,   Bill Ratner ** 50:06 quick time is quick   Michael Hingson ** 50:07 time. But whether it's video or audio, the point is that Reaper allows me to do all of that. I can edit audio. I can insert, I can remove pauses. I can do anything with Reaper that anyone else can do editing audio, because it's been made completely accessible.   Bill Ratner ** 50:27 That's great. That's good. That's nice. Oh, it is. It's cool.   Michael Hingson ** 50:31 So so if I want, I can edit this and just have my questions and then silence when you're talking.   Bill Ratner ** 50:38 That might be best. Ladies and gentlemen, here's Bill Ratner,   Michael Hingson ** 50:46 yep, exactly, exactly. Now you have won the moth stories. Slam, what? Tell me about my story. Slam, you've won it nine times.   Bill Ratner ** 51:00 The Moth was started by a writer, a novelist who had lived in the South and moved to New York City, successful novelist named George Dawes green. And the inception of the moth, which many people listening are familiar with from the Moth Radio Hour. It was, I believe, either late 90s or early 2000s when he'd been in New York for a while and was was publishing as a fiction writer, and threw a party, and decided, instead of going to one of these dumb, boring parties or the same drinks being served and same cigarettes being smoked out in the veranda and the same orders. I'm going to ask people to bring a five minute story, a personal story, nature, a true story. You don't have to have one to get into the party, but I encourage you to. And so you know, the 3040, 50 people showed up, many of whom had stories, and they had a few drinks, and they had hors d'oeuvres. And then he said, Okay, ladies and gentlemen, take your seats. It's time for and then I picked names out of a hat, and person after person after person stood up in a very unusual setting, which was almost never done at parties. You How often do you see that happen? Suddenly, the room falls silent, and someone with permission being having been asked by the host to tell a personal story, some funny, some tragic, some complex, some embarrassing, some racy, some wild, some action filled. And afterward, the feedback he got from his friends was, this is the most amazing experience I've ever had in my life. And someone said, you need to do this. And he said, Well, you people left a lot of cigarette butts and beer cans around my apartment. And they said, well, let's do it at a coffee shop. Let's do it at a church basement. So slowly but surely, the moth storytelling, story slams, which were designed after the old poetry slams in the 50s and 60s, where they were judged contests like, like a dance contest. Everybody's familiar with dance contests? Well, there were, then came poetry contests with people singing and, you know, and singing and really energetically, really reading. There then came storytelling contests with people standing on a stage before a silent audience, telling a hopefully interesting, riveting story, beginning middle, end in five minutes. And so a coffee house was found. A monthly calendar was set up. Then came the internet. Then it was so popular standing room only that they had to open yet another and another, and today, some 20 years later, 20 some years later, from Austin, Texas to San Francisco, California to Minneapolis, Minnesota to New York City to Los Angeles. There are moth story slams available on online for you to schedule yourself to go live and in person at the moth.org as in the moth with wings. Friend of mine, I was in New York. He said, You can't believe it. This writer guy, a writer friend of mine who I had read, kind of an avant garde, strange, funny writer was was hosting something called the moth in New York, and we were texting each other. He said, Well, I want to go. The theme was show business. I was going to talk to my Uncle Bobby, who was the bell boy. And I Love Lucy. I'll tell a story. And I texted him that day. He said, Oh man, I'm so sorry. I had the day wrong. It's next week. Next week, I'm going to be back home. And so he said, Well, I think there's a moth in Los Angeles. So about 15 years ago, I searched it down and what? Went to a small Korean barbecue that had a tiny little stage that originally was for Korean musicians, and it was now being used for everything from stand up comedy to evenings of rock and roll to now moth storytelling once a month. And I think the theme was first time. And so I got up and told a silly story and didn't win first prize. They have judges that volunteer judges a table of three judges scoring, you like, at a swim meet or a track beat or, you know, and our gymnastics meet. So this is all sort of familiar territory for everybody, except it's storytelling and not high jumping or pull ups. And I kept going back. I was addicted to it. I would write a story and I'd memorize it, and I'd show up and try to make it four minutes and 50 seconds and try to make it sound like I was really telling a story and not reading from a script. And wish I wasn't, because I would throw the script away, and I knew the stories well enough. And then they created a radio show. And then I began to win slams and compete in the grand slams. And then I started submitting these 750 word, you know, two and a half page stories. Literary magazines got a few published and found a whole new way to spend my time and not make much   Michael Hingson ** 56:25 money. Then you went into poetry.   Bill Ratner ** 56:29 Then I got so bored with my prose writing that I took a poetry course from a wonderful guy in LA called Jack grapes, who had been an actor and a football player and come to Hollywood and did some TV, episodics and and some some episodic TV, and taught poetry. It was a poet in the schools, and I took his class of adults and got a poem published. And thought, wait a minute, these aren't even 750 words. They're like 75 words. I mean, you could write a 10,000 word poem if you want, but some people have, yeah, and it was complex, and there was so much to read and so much to learn and so much that was interesting and odd. And a daughter of a friend of mine is a poet, said, Mommy, are you going to read me one of those little word movies before I go to sleep?   Michael Hingson ** 57:23 A little word movie, word movie out of the   Bill Ratner ** 57:27 mouths of babes. Yeah, and so, so and I perform. You know, last night, I was in Orange County at a organization called ugly mug Cafe, and a bunch of us poets read from an anthology that was published, and we sold our books, and heard other young poets who were absolutely marvelous and and it's, you know, it's not for everybody, but it's one of the things I do.   Michael Hingson ** 57:54 Well, you sent me pictures of book covers, so they're going to be in the show notes. And I hope people will will go out and get them   Bill Ratner ** 58:01 cool. One of the one of the things that I did with poetry, in addition to wanting to get published and wanting to read before people, is wanting to see if there is a way. Because poetry was, was very satisfying, emotionally to me, intellectually very challenging and satisfying at times. And emotionally challenging and very satisfying at times, writing about things personal, writing about nature, writing about friends, writing about stories that I received some training from the National Association for poetry therapy. Poetry therapy is being used like art therapy, right? And have conducted some sessions and and participated in many and ended up working with eighth graders of kids who had lost someone to death in the past year of their lives. This is before covid in the public schools in Los Angeles. And so there's a lot of that kind of work that is being done by constable people, by writers, by poets, by playwrights,   Michael Hingson ** 59:09 and you became a grief counselor,   Bill Ratner ** 59:13 yes, and don't do that full time, because I do voiceovers full time, right? Write poetry and a grand. Am an active grandparent, but I do the occasional poetry session around around grief poetry.   Michael Hingson ** 59:31 So you're a grandparent, so you've had kids and all that. Yes, sir, well, that's is your wife still with us? Yes?   Bill Ratner ** 59:40 Oh, great, yeah, she's an artist and an art educator. Well, that   Michael Hingson ** 59:46 so the two of you can criticize each other's works, then, just   Bill Ratner ** 59:52 saying, we're actually pretty kind to each other. I Yeah, we have a lot of we have a lot of outside criticism. Them. So, yeah, you don't need to do it internally. We don't rely on it. What do you think of this although, although, more than occasionally, each of us will say, What do you think of this poem, honey? Or what do you think of this painting, honey? And my the favorite, favorite thing that my wife says that always thrills me and makes me very happy to be with her is, I'll come down and she's beginning a new work of a new piece of art for an exhibition somewhere. I'll say, what? Tell me about what's, what's going on with that, and she'll go, you know, I have no idea, but it'll tell me what to do.   Michael Hingson ** 1:00:33 Yeah, it's, it's like a lot of authors talk about the fact that their characters write the stories right, which, which makes a lot of sense. So with all that you've done, are you writing a memoir? By any chance, I   Bill Ratner ** 1:00:46 am writing a memoir, and writing has been interesting. I've been doing it for many years. I got it was my graduate thesis from University of California Riverside Palm Desert.   Michael Hingson ** 1:00:57 My wife was a UC Riverside graduate. Oh, hi. Well, they   Bill Ratner ** 1:01:01 have a low residency program where you go for 10 days in January, 10 days in June. The rest of it's online, which a lot of universities are doing, low residency programs for people who work and I got an MFA in creative writing nonfiction, had a book called parenting for the digital age, the truth about media's effect on children. And was halfway through it, the publisher liked it, but they said you got to double the length. So I went back to school to try to figure out how to double the length. And was was able to do it, and decided to move on to personal memoir and personal storytelling, such as goes on at the moth but a little more personal than that. Some of the material that I was reading in the memoir section of a bookstore was very, very personal and was very helpful to read about people who've gone through particular issues in their childhood. Mine not being physical abuse or sexual abuse, mine being death and loss, which is different. And so that became a focus of my graduate thesis, and many people were urging me to write a memoir. Someone said, you need to do a one man show. So I entered the Hollywood fringe and did a one man show and got good reviews and had a good time and did another one man show the next year and and so on. So But writing memoir as anybody knows, and they're probably listeners who are either taking memoir courses online or who may be actively writing memoirs or short memoir pieces, as everybody knows it, can put you through moods from absolutely ecstatic, oh my gosh, I got this done. I got this story told, and someone liked it, to oh my gosh, I'm so depressed I don't understand why. Oh, wait a minute, I was writing about such and such today. Yeah. So that's the challenge for the memoir is for the personal storyteller, it's also, you know, and it's more of a challenge than it is for the reader, unless it's bad writing and the reader can't stand that. For me as a reader, I'm fascinated by people's difficult stories, if they're well   Michael Hingson ** 1:03:24 told well, I know that when in 2002 I was advised to write a book about the World Trade Center experiences and all, and it took eight years to kind of pull it all together. And then I met a woman who actually I collaborated with, Susie Florey, and we wrote thunder dog. And her agent became my agent, who loved the proposal that we sent and actually got a contract within a week. So thunder dog came out in 2011 was a New York Times bestseller, and very blessed by that, and we're working toward the day that it will become a movie still, but it'll happen. And then I wrote a children's version of it, well, not a children's version of the book, but a children's book about me growing up in Roselle, growing up the guide dog who was with me in the World Trade Center, and that's been on Amazon. We self published it. Then last year, we published a new book called Live like a guide dog, which is all about controlling fear and teaching people lessons that I learned prior to September 11. That helped me focus and remain calm.   Bill Ratner ** 1:04:23 What happened to you on September 11,   Michael Hingson ** 1:04:27 I was in the World Trade Center. I worked on the 78th floor of Tower One.   Bill Ratner ** 1:04:32 And what happened? I mean, what happened to you?   Michael Hingson ** 1:04:36 Um, nothing that day. I mean, well, I got out. How did you get out? Down the stairs? That was the only way to go. So, so the real story is not doing it, but why it worked. And the real issue is that I spent a lot of time when I first went into the World Trade Center, learning all I could about what to do in an emergency, talking to police, port authorities. Security people, emergency preparedness people, and also just walking around the world trade center and learning the whole place, because I ran an office for a company, and I wasn't going to rely on someone else to, like, lead me around if we're going to go to lunch somewhere and take people out before we negotiated contracts. So I needed to know all of that, and I learned all I could, also realizing that if there ever was an emergency, I might be the only one in the office, or we might be in an area where people couldn't read the signs to know what to do anyway. And so I had to take the responsibility of learning all that, which I did. And then when the planes hit 18 floors above us on the other side of the building, we get we had some guests in the office. Got them out, and then another colleague, who was in from our corporate office, and I and my guide dog, Roselle, went to the stairs, and we started down. And   Bill Ratner ** 1:05:54 so, so what floor did the plane strike?   Michael Hingson ** 1:05:58 It struck and the NOR and the North Tower, between floors 93 and 99 so I just say 96 okay, and you were 20 floors down, 78 floors 78 so we were 18 floors below, and   Bill Ratner ** 1:06:09 at the moment of impact, what did you think?   Michael Hingson ** 1:06:13 Had no idea we heard a muffled kind of explosion, because the plane hit on the other side of the building, 18 floors above us. There was no way to know what was going on. Did you feel? Did you feel? Oh, the building literally tipped, probably about 20 feet. It kept tipping. And then we actually said goodbye to each other, and then the building came back upright. And then we went,   Bill Ratner ** 1:06:34 really you so you thought you were going to die?   Michael Hingson ** 1:06:38 David, my colleague who was with me, as I said, he was from our California office, and he was there to help with some seminars we were going to be doing. We actually were saying goodbye to each other because we thought we were about to take a 78 floor plunge to the street, when the building stopped tipping and it came back. Designed to do that by the architect. It was designed to do that, which is the point, the point.   Bill Ratner ** 1:07:02 Goodness, gracious. And then did you know how to get to the stairway?   Michael Hingson ** 1:07:04 Oh, absolutely. And did you do it with your friend? Yeah, the first thing we did, the first thing we did is I got him to get we had some guests, and I said, get him to the stairs. Don't let him take the elevators, because I knew he had seen fire above us, but that's all we knew. And but I said, don't take the elevators. Don't let them take elevators. Get them to the stairs and then come back and we'll leave. So he did all that, and then he came back, and we went to the stairs and started down.   Bill Ratner ** 1:07:33 Wow. Could you smell anything?   Michael Hingson ** 1:07:36 We smelled burning jet fuel fumes on the way down. And that's how we figured out an airplane must have hit the building, but we had no idea what happened. We didn't know what happened until the until both towers had collapsed, and I actually talked to my wife, and she's the one who told us how to aircraft have been crashed into the towers, one into the Pentagon, and a fourth, at that time, was still missing over Pennsylvania. Wow. So you'll have to go pick up a copy of thunder dog. Goodness. Good. Thunder dog. The name of the book is Thunder dog, and the book I wrote last year is called Live like a guide dog. It's le

Hurricane Melissa is set to pummel Jamaica as a catastrophic Category 5 storm, the strongest to lash Jamaica since recordkeeping began 174 years ago. Forecasters said the storm is expected to make landfall early Tuesday and slice diagonally across the island, entering near St. Elizabeth parish in the south and exiting around St. Ann parish in the north. Hours before the storm, the government said it had done all it could to prepare as it warned of catastrophic damage. Prime Minister Andrew Holness said, “There is no infrastructure in the region that can withstand a Category 5. The question now is the speed of recovery. That's the challenge.” Hurricane Melissa is also impacting Haiti and surrounding island countries. We  speak with Pierre Labossiere. Pierre grew up in Haiti and co-founded the Haiti Action Committee in 1990. He lives in Oakland and is heavily involved in solidarity work with Haiti, including webinars and protests.   __ Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post Hurricane Melissa Impacts Haiti w/ Pierre Labossiere from Haiti Action appeared first on KPFA.

Tuck announces new book tour events, including a ‘90s-themed lit party and a trans band debut/reunion(!?!). Then, Tuck chats with Cass about the state of trans studies and why podcasts are over.  Listen to the full episode on Patreon to hear Cass and Tuck discuss talking to kids about gender, making friends in Minnesota, wearing one hat for 15 years, projecting your brain problems onto your baby, and much more.  Catch Tuck on book tour in Philly, Brooklyn, Chicago, Minneapolis, Seattle, Portland, Oakland, and on Zoom! Sex Change and the City is available now in the Girl Dad Press shop. Applications are now open for our 2025 grant program thru 10/31.  Senior Producer: Ozzy Llinas Goodman Logo: Ira M. LeighMusic: Breakmaster CylinderAdditional Music: Blue Dot Sessions

Highlights of the week on X, Oakland sports, Drake Maye, Isaiah Williams, and the running back explosion in the Jets-Bengals game. Get 400+ premium podcasts by signing up at www.UTHDynasty.com as a General Manager PLUS subscriber. Also, get access to exclusive shows and deep data dive content from Chad Parsons (and a VIP Chat with the best dynasty owners on the planet) by signing up as an All-Pro at www.Patreon.com/UTH. Thanks for listening and keep building those dynasties! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Florist Mauricio Vivas grows marigolds for these reverent altars, and sells them at his store “Tony Rossi & Sons Florist” in Oakland's Fruitvale neighborhood. KALW's Jenee Darden recently spoke to Mauricio in 2024 about the significance of marigolds for Dia de los Muertos traditions.

Update Friday Oct. 24, 2025 12:43 p.m.: After bracing for a surge of federal immigration actions, Oakland Mayor Barbara Lee said Friday afternoon that border patrol operations have been cancelled for the entire Bay Area, including Oakland. The Bay Area started bracing for federal troops Wednesday night after the San Francisco Chronicle first reported that nearly 100 federal agents, including from U.S. Customs and Border Protection, would be coming to the U.S. Coast Guard Island in Alameda for a major immigration enforcement operation in the region. Then on Thursday morning, Mayor Daniel Lurie announced that President Donald Trump had called off the “surge” in San Francisco.  Links: Federal Agents Injure Activists at Coast Guard Base During Immigration Crackdown Lurie: Trump Is ‘Calling Off' Plans to Send Federal Troops to San Francisco Learn more about your ad choices. Visit megaphone.fm/adchoices

Bobby and Alex discuss whether the Dodgers are as unbeatable as the narrative would have you believe, before making a few bold predictions for the World Series. Then, they're joined by friend of the show and Toronto correspondent Steve Sladkowski to recap how he felt during and after ALCS Game 7 and predict whether his beloved Toronto Blue Jays (AKA America's Team) will pull it out against the Dodgers. Links:⁠⁠⁠⁠⁠⁠⁠Join the Tipping Pitches Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipping Pitches merchandise ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Call the Tipping Pitches voicemail: 785-422-5881Tipping Pitches features original music from Steve Sladkowski of PUP.

What happens when imagination meets perception, and ordinary objects come alive? We explore the science of pareidolia.Summary: Our minds are wired to find meaning, even in randomness— which is why sometimes we can see faces and patterns in everyday objects. In this episode of The Science of Happiness, we explore how this phenomenon, called pareidolia, can shift how we experience our surroundings and open ourselves to more creativity, connection, and calm.How To Do This Practice: Pause and settle: Take a few slow breaths and allow yourself to slow down. Let your mind soften its focus. Choose your space: Look around your home, your walk, or wherever you are. Everyday objects work best— walls, trees, clouds, shadows. Let curiosity lead: Notice shapes, textures, or patterns that catch your eye. Don't try to find something, just observe. See what appears: Allow your imagination to play. Do you see a face, an animal, a tiny scene hidden in plain sight? Stay with it: Notice how it feels to find meaning in randomness. What emotions or memories come up? Reflect and return: Take a final look around. Does your space or the way you see the things around you feel any different now? Scroll down for a transcription of this episode.Today's Guests:MALIK MAYS is an Oakland-based musician who also releases music under the name Mahawam.Learn more about Malik here: https://mahawam.com/bioANTOINE BELLEMARE-PEPIN is a neuroscientist and artist, who researches the connection between pareidolia and creativity. Learn more about Antoine here: https://tinyurl.com/233w9rymRelated The Science of Happiness episodes:  The Healing Effects of Experiencing Wildlife: https://tinyurl.com/bde5av4zWhy Going Offline Might Save Us: https://tinyurl.com/e7rhsakjHow To Tune Out The Noise: https://tinyurl.com/4hhekjuhRelated Happiness Breaks:Pause to Look at the Sky: https://tinyurl.com/4jttkbw3How To Ground Yourself in Nature: https://tinyurl.com/25ftdxpmMake Uncertainty Part of the Process: https://tinyurl.com/234u5ds7Tell us about your experience with this practice. Email us at happinesspod@berkeley.edu or follow on Instagram @HappinessPod.Help us share The Science of Happiness! Leave us a 5-star review on Apple Podcasts and share this link with someone who might like the show: https://tinyurl.com/2p9h5aapTranscription: https://tinyurl.com/yzp9hykv

Join us on October 26th at 7pm for a panel on resisting state repression. The panel will feature journalist and author Will Potter, Meg Calaw with Gabriela Berkeley, civil rights and criminal defense attorney John Viola, Sara Kershnar from the International Jewish Anti-Zionist Network . RSVP for the Panel (in person and watch on our YouTube channel): https://bit.ly/ResistStateRepression WHERE: First Unitarian Church of Oakland; 685 14th St, Oakland, CA WHEN: Sunday, October 26th at 7pm; Doors open at 6:30pm DONATE: $5-$20 at the door, sliding scale, no one refused for lack of funds President Trump has designated the anti-fascist movement as a terrorist organization. While, in fact, it's an opportunity for his administration to target and destroy a broader network of left and progressive groups. We're living in challenging times with crises around war in the Middle East, renewed McCarthyist attacks on free speech, corporate domination of everyday life, escalating climate disasters and, now, a fascist takeover of our government. As Will Potter has said, “The intention is to capitalize on this to crack down on their opponents and to consolidate authoritarian power.” We're also living in a time where large numbers of people have taken to the streets to confront those responsible for these crises. Today's state repression is aimed to eliminate that opposition. This panel will explore the ongoing conflict between democratic resistance movements and state repression and lessons that we can use to push back against this authoritarian takeover. Panelist Bios// **Will Potter is an award-winning investigative journalist and TED Senior Fellow who exposes political repression and the erosion of civil liberties. His reporting and commentary have appeared in The Washington Post, Foreign Policy, and Rolling Stone. He is the author of “Green is the New Red” and his new book is “Little Red Barns: Hiding The Truth, From Farm To Fable.” **Meg Kalaw is an organizer with Gabriela Berkeley, a local organization of Filipina women that fights for genuine liberation and national democracy in the Philippines. Currently, Gab Berkeley is waging the Chevron Out of the Philippines campaign, to expose the corporate plunder that multinational corporations like Chevron enact in the Philippines and the particular impacts on peasant and indigenous women and children. Meg is also the regional coordinator of the International League of People's Struggles NorCal, a regional alliance of anti-imperialist organizations in the Bay Area who are united under fighting state repression and promoting international solidarity. **John Viola is a Bay Area civil rights and criminal defense attorney. ** Sara Kershnar is the co-founder and international coordinator of the International Jewish Anti-Zionist Network established in 2007. Sara began her Palestinian solidarity work during the second intifada. Sara is also a co-founder of Generation FIVE, an organization working on transformative justice approaches to addressing child sexual abuse and works towards prison abolition in solidarity with currently and formerly-incarcerated people. **Donations on a $5-20 sliding scale, no one turned away for lack of funds. Co-sponsored by Green and Red Podcast, Diablo Rising Tide, XR SF Bay, Oil and Gas Action Network and Bay Resistance. ------------------- Intro/Outro- "Green and Red Blues" by Moody

He is among the nation's very worst governors, but Gavin Newsom is among America's most skillful politicians — and has the inside track on the race for the White House. In other news, bombs bursting in air (at the Marine Corps' anniversary celebration starring JD Vance), the California Faculty Association is ready to fight fascists (but first wants to know if you're a Jew), Nancy Pelosi is still alive (and maybe not a fan of State Senator Scott Wiener), and the Pioneer League's Ballers bring a baseball championship back to Oakland. Music by Metalachi.Email Us:dbahnsen@thebahnsengroup.comwill@calpolicycenter.orgFollow Us:@DavidBahnsen@WillSwaim@TheRadioFreeCAShow Notes:Ballers bring home Oakland's first baseball title since 1989How military's ‘safe' plan to fire munitions over Interstate 5 went off the rails with CHP cruiser hitNational Guard deployed to help food banks amid federal shutdown, Newsom saysHow Did California Spend Billions on Homelessness Only for It to Get Worse? Two New Criminal Cases Offer a ClueGavin Newsom, Pharma BaronPelosi succession intrigue in San FranciscoScott Wiener is done waiting on Nancy Pelosi. He's running in 2026, sources sayFederal Judge Certifies Class Action for All Parents and Teachers Opposing Gender Secrecy RulesSchool spending surged. Academic achievement? Not so muchNewsom signs bill to prevent sex abuse in schoolsFaculty union targets Jewish political moneyState Supreme Court declines to hear West Covina's appeal in ex-fire chief's wrongful termination case Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Homeless encampments are a part of the landscape in many U.S. cities. In Oakland, California, one of the longest-standing and most well-known encampments was at Union Point Park. It was right by the water, and it had a beautiful view of the sunset. But it was also a concern for some local residents, who worried about crime and safety. When the city tried to clear Union Point Park, the people who lived there united and fought back. Reporter Shaina Shealy followed this community for about a year, as they advocated for their own small plot of land in the city where they could live by their own rules, on their own terms. Her 5-part series from KQED's Snap Studios is called A Tiny Plot.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy