Podcasts about oakland

In early January every year in Galveston, Texas, we hold the Keep On Tookin'! conference. You remember the slogan "Keep On Truckin'!"?, from the Robert Crumb cartoon? And you remember "Here are the steps we took, which are suggested as a program of recovery"? Well, once we've taken the Twelve Steps, our job is to "keep on tookin!'". We have main speakers, panels with attendee participation, and, this year, Father Tom W from Oakland, California (AA and Al-Anon). There is also a Q&A session as the last of the weekend. As the recordings are available, I will upload them here as a 'guest spot' on the podcast. If you hear this as it's hot off the press, there's still time to Zoom in and listen, live, from wherever you are in the world.More information can be found here: https://first164.blogspot.com/p/keep-on-tookin.html

In early January every year in Galveston, Texas, we hold the Keep On Tookin'! conference. You remember the slogan "Keep On Truckin'!"?, from the Robert Crumb cartoon? And you remember "Here are the steps we took, which are suggested as a program of recovery"? Well, once we've taken the Twelve Steps, our job is to "keep on tookin!'". We have main speakers, panels with attendee participation, and, this year, Father Tom W from Oakland, California (AA and Al-Anon). There is also a Q&A session as the last of the weekend. As the recordings are available, I will upload them here as a 'guest spot' on the podcast. If you hear this as it's hot off the press, there's still time to Zoom in and listen, live, from wherever you are in the world.More information can be found here: https://first164.blogspot.com/p/keep-on-tookin.html

In early January every year in Galveston, Texas, we hold the Keep On Tookin'! conference. You remember the slogan "Keep On Truckin'!"?, from the Robert Crumb cartoon? And you remember "Here are the steps we took, which are suggested as a program of recovery"? Well, once we've taken the Twelve Steps, our job is to "keep on tookin!'". We have main speakers, panels with attendee participation, and, this year, Father Tom W from Oakland, California (AA and Al-Anon). There is also a Q and A session as the last of the weekend. As the recordings are available, I will upload them here as a 'guest spot' on the podcast. If you hear this as it's hot off the press, there's still time to Zoom in and listen, live, from wherever you are in the world.More information can be found here: https://first164.blogspot.com/p/keep-on-tookin.html

In early January every year in Galveston, Texas, we hold the Keep On Tookin'! conference. You remember the slogan "Keep On Truckin'!"?, from the Robert Crumb cartoon? And you remember "Here are the steps we took, which are suggested as a program of recovery"? Well, once we've taken the Twelve Steps, our job is to "keep on tookin!'". We have main speakers, panels with attendee participation, and, this year, Father Tom W from Oakland, California (AA and Al-Anon). There is also a Q and A session as the last of the weekend. As the recordings are available, I will upload them here as a 'guest spot' on the podcast. If you hear this as it's hot off the press, there's still time to Zoom in and listen, live, from wherever you are in the world.More information can be found here: https://first164.blogspot.com/p/keep-on-tookin.html

In early January every year in Galveston, Texas, we hold the Keep On Tookin'! conference. You remember the slogan "Keep On Truckin'!"?, from the Robert Crumb cartoon? And you remember "Here are the steps we took, which are suggested as a program of recovery"? Well, once we've taken the Twelve Steps, our job is to "keep on tookin!'". We have main speakers, panels with attendee participation, and, this year, Father Tom W from Oakland, California (AA and Al-Anon). There is also a Q and A session as the last of the weekend. As the recordings are available, I will upload them here as a 'guest spot' on the podcast. If you hear this as it's hot off the press, there's still time to Zoom in and listen, live, from wherever you are in the world.More information can be found here: https://first164.blogspot.com/p/keep-on-tookin.html

In early January every year in Galveston, Texas, we hold the Keep On Tookin'! conference. You remember the slogan "Keep On Truckin'!"?, from the Robert Crumb cartoon? And you remember "Here are the steps we took, which are suggested as a program of recovery"? Well, once we've taken the Twelve Steps, our job is to "keep on tookin!'". We have main speakers, panels with attendee participation, and, this year, Father Tom W from Oakland, California (AA and Al-Anon). There is also a Q&A session as the last of the weekend. As the recordings are available, I will upload them here as a 'guest spot' on the podcast. If you hear this as it's hot off the press, there's still time to Zoom in and listen, live, from wherever you are in the world.More information can be found here: https://first164.blogspot.com/p/keep-on-tookin.html

In early January every year in Galveston, Texas, we hold the Keep On Tookin'! conference. You remember the slogan "Keep On Truckin'!"?, from the Robert Crumb cartoon? And you remember "Here are the steps we took, which are suggested as a program of recovery"? Well, once we've taken the Twelve Steps, our job is to "keep on tookin!'". We have main speakers, panels with attendee participation, and, this year, Father Tom W from Oakland, California (AA and Al-Anon). There is also a Q&A session as the last of the weekend. As the recordings are available, I will upload them here as a 'guest spot' on the podcast. If you hear this as it's hot off the press, there's still time to Zoom in and listen, live, from wherever you are in the world.More information can be found here: https://first164.blogspot.com/p/keep-on-tookin.html

In early January every year in Galveston, Texas, we hold the Keep On Tookin'! conference. You remember the slogan "Keep On Truckin'!"?, from the Robert Crumb cartoon? And you remember "Here are the steps we took, which are suggested as a program of recovery"? Well, once we've taken the Twelve Steps, our job is to "keep on tookin!'". We have main speakers, panels with attendee participation, and, this year, Father Tom W from Oakland, California (AA and Al-Anon). There is also a Q&A session as the last of the weekend. As the recordings are available, I will upload them here as a 'guest spot' on the podcast. If you hear this as it's hot off the press, there's still time to Zoom in and listen, live, from wherever you are in the world.More information can be found here: https://first164.blogspot.com/p/keep-on-tookin.html

On this episode of Conduct Detrimental: THE Sports Law Podcast, Dan Lust (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SportsLawLust)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠is joined by Mike Lawson (⁠⁠⁠⁠⁠⁠@Mikesonoflaw⁠⁠⁠⁠⁠⁠) and Mike Kravchenko (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) to reunite for a Mike & Mike edition tackling the latest sports law stories of the week.The trio opens with the Demond Williams NIL saga, breaking down the Washington quarterback's $4 million revenue-sharing agreement, his abrupt transfer announcement, the Washington blockade, and his dramatic reversal to stay with the Huskies. The trio discusses the enforceability of NIL contracts in a post-House settlement world, who pays buyout clauses when players breach deals, and why Williams split with Wasserman mid-process. The conversation shifts to Trinidad Chambliss and his denied sixth-year waiver appeal. The Ole Miss playoff quarterback, who led Ferris State to a Division II title before transferring, faced NCAA rejection over insufficient medical documentation from 2022. Tom Mars entered the fight to appeal, but Mike K explains why four-year-old medical records and Ferris State's lack of documentation create a difficult case.Next, the episode dives into trademark chaos surrounding the Las Vegas Athletics. The USPTO denied the team's applications for "Las Vegas Athletics" and "Vegas Athletics" as geographically descriptive and too generic—despite the same name working in Philadelphia, Kansas City, and Oakland. Mike K unpacks the Oakland fan group Last Dive Bar's competing trademark claim, the reality of what the USPTO website actually shows, and whether the A's will rebrand entirely or fight through appeals before their 2028 Vegas stadium opens. Mike L closes baseball with the breaking news of Max Kepler's 80-game PED suspension.The discussion then turns to Anthony Joshua, where Dan provides an update on the recent car crash in Nigeria that left two dead. Dan walks through what this means, the evidentiary challenges of a destroyed vehicle, and the tragedy of Joshua's world flipping from a knockout victory over Jake Paul to losing friends in a crash.Mike L and Dan tackle the ugliest side of sports: online harassment and death threats aimed at kickers. Following Tyler Loop's missed playoff kick for the Ravens and Chris Boswell's blocked extra point for the Steelers, both faced vicious online attacks.The episode wraps with quick hits on Stefon Diggs, whose felony strangulation arraignment was postponed until after the Super Bowl despite originally facing arraignment during the AFC Championship—raising questions about the NFL's Personal Conduct Policy and why he's still suiting up for the Patriots. Mike L shares his what to watch for: a preview of the Supreme Court's January 13th arguments on transgender athlete bans in Idaho and West Virginia.Let us know your thoughts!***Have a topic you want to write about? ANYONE and EVERYONE can publish for ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ConductDetrimental.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Let us know if you want to join the team.As always, this episode is sponsored by Themis Bar Review: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.themisbarsocial.com/conductdetrimental⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Host: Dan Lust (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SportsLawLust⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)  Featuring: Mike Lawson (⁠⁠⁠⁠⁠⁠⁠@Mikesonoflaw⁠⁠⁠⁠⁠⁠⁠)Mike Kravchenko (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)Produced by: Mike Kravchenko (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email⁠

On this episode of Conduct Detrimental: THE Sports Law Podcast, Dan Lust (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SportsLawLust)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠is joined by Mike Lawson (⁠⁠⁠⁠⁠⁠@Mikesonoflaw⁠⁠⁠⁠⁠⁠) and Mike Kravchenko (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) to reunite for a Mike & Mike edition tackling the latest sports law stories of the week.The trio opens with the Demond Williams NIL saga, breaking down the Washington quarterback's $4 million revenue-sharing agreement, his abrupt transfer announcement, the Washington blockade, and his dramatic reversal to stay with the Huskies. The trio discusses the enforceability of NIL contracts in a post-House settlement world, who pays buyout clauses when players breach deals, and why Williams split with Wasserman mid-process. The conversation shifts to Trinidad Chambliss and his denied sixth-year waiver appeal. The Ole Miss playoff quarterback, who led Ferris State to a Division II title before transferring, faced NCAA rejection over insufficient medical documentation from 2022. Tom Mars entered the fight to appeal, but Mike K explains why four-year-old medical records and Ferris State's lack of documentation create a difficult case.Next, the episode dives into trademark chaos surrounding the Las Vegas Athletics. The USPTO denied the team's applications for "Las Vegas Athletics" and "Vegas Athletics" as geographically descriptive and too generic—despite the same name working in Philadelphia, Kansas City, and Oakland. Mike K unpacks the Oakland fan group Last Dive Bar's competing trademark claim, the reality of what the USPTO website actually shows, and whether the A's will rebrand entirely or fight through appeals before their 2028 Vegas stadium opens. Mike L closes baseball with the breaking news of Max Kepler's 80-game PED suspension.The discussion then turns to Anthony Joshua, where Dan provides an update on the recent car crash in Nigeria that left two dead. Dan walks through what this means, the evidentiary challenges of a destroyed vehicle, and the tragedy of Joshua's world flipping from a knockout victory over Jake Paul to losing friends in a crash.Mike L and Dan tackle the ugliest side of sports: online harassment and death threats aimed at kickers. Following Tyler Loop's missed playoff kick for the Ravens and Chris Boswell's blocked extra point for the Steelers, both faced vicious online attacks.The episode wraps with quick hits on Stefon Diggs, whose felony strangulation arraignment was postponed until after the Super Bowl despite originally facing arraignment during the AFC Championship—raising questions about the NFL's Personal Conduct Policy and why he's still suiting up for the Patriots. Mike L shares his what to watch for: a preview of the Supreme Court's January 13th arguments on transgender athlete bans in Idaho and West Virginia.Let us know your thoughts!***Have a topic you want to write about? ANYONE and EVERYONE can publish for ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ConductDetrimental.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Let us know if you want to join the team.As always, this episode is sponsored by Themis Bar Review: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.themisbarsocial.com/conductdetrimental⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Host: Dan Lust (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SportsLawLust⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)  Featuring: Mike Lawson (⁠⁠⁠⁠⁠⁠⁠@Mikesonoflaw⁠⁠⁠⁠⁠⁠⁠)Mike Kravchenko (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)Produced by: Mike Kravchenko (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email⁠

In early January every year in Galveston, Texas, we hold the Keep On Tookin'! conference. You remember the slogan "Keep On Truckin'!"?, from the Robert Crumb cartoon? And you remember "Here are the steps we took, which are suggested as a program of recovery"? Well, once we've taken the Twelve Steps, our job is to "keep on tookin!'".We have main speakers, panels with attendee participation, and, this year, Father Tom W from Oakland, California (AA and Al-Anon). There is also a Q&A session as the last of the weekend.As the recordings are available, I will upload them here as a 'guest spot' on the podcast. If you hear this as it's hot off the press, there's still time to Zoom in and listen, live, from wherever you are in the world.More information can be found here: https://first164.blogspot.com/p/keep-on-tookin.html

Author and nonviolence practitioner Kazu Haga explores why fierce vulnerability is a vital practice for inner and outer transformation.Read an excerpt of Kazu's book, Fierce Vulnerability, and purchase your own copy HERE.This time on Mindrolling, Raghu and Kazu Haga chat about:Kazu's difficult upbringing and how meeting Japanese Buddhist monastics transformed his lifeCombining social action and spirituality The legacy of Dr. Martin Luther King Jr. and addressing both inner violence of the spirit and outer systemic violenceHow an “us vs. them” worldview fuels division, suffering, and ecological destructionHealing childhood trauma and collective trauma by integrating the fractured parts of ourselvesHow getting vulnerable opens up our capacity to heal The Seven Fires Prophecies from the Anishinaabe peopleRebuilding the world through spiritual practice rather than material accumulationRemembering that personal healing is inseparable from collective healing in an interdependent worldListening deeply and being comfortable with uncertainty Check out the book Hospicing Modernity for more powerful insights on social actionAbout Kazu Haga:Kazu Haga is a trainer and practitioner of nonviolence and restorative justice, a core member of the Ahimsa Collective and the Fierce Vulnerability Network. He is a Jam facilitator and author of Healing Resistance: A Radically Different Response to Harm and Fierce Vulnerability: Healing from Trauma, Emerging from Collapse. He works with incarcerated people, youth, and activists from around the country. He has over 25 years of experience in nonviolence and social change work. He is a resident of the Canticle Farm community on Lisjan Ohlone land, Oakland, CA, where he lives with his family. You can find out more about his work at www.kazuhaga.com.“The work of nonviolence has to start by looking at the ways in which we hold internal violence of the spirit, that unhealed anger, hatred, resentment, delusion, as well as our unhealed traumas, and understanding how all of that is the source of external violence in the world. Yes we need the social movements, but if we're not grounded in some sort of inner work and introspection a lot of the violence we want to change out there gets replicated in our own work, in our own communities.” –Kazu HagaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Support the show. Become a Patron: www.patreon.com/highscore510    ----more---- We discuss:  1) INTROS: Always lie to your women! 2) NEWS: Looking ahead in 2026 {9:35} 3) NEWS: Regime Change in Venezuela "FAFO" {22:00} 4) Stranger Things Finale was Egregiously Good or Bad? {31:40} 5) NFL Playoff outlook {41:10} 6) Cutty Corner Shoutouts  {48:50}   *Patreon Page: www.patreon.com/highscore510 *Email: (HighScore510.Fans@gmail.com)   *MUSIC BY: Taj Easton (https://www.tajeaston.com)   *SPONSORS: 1) New Parkway Theatre, Oakland: https://www.thenewparkway.com 2) Til Infinity Clothing

Host Evie Stokes talks to KEXP DJ Troy Nelson about Afro psychedelic rock band Orchestra GOLD and their new, self-released song “Dakan.” Produced by Lilly Ana FowlerMastered by: William MyersProduction support: Serafima HealyAssociate Director of Editorial: Dusty Henry Listen to the full songs on KEXP's "In Our Headphones" playlist on Spotify or the “What's In Our Headphones” playlist on YouTube.Support the podcast: kexp.org/headphonesContact us at headphones@kexp.org Photo Credit: Ginger FiersteinSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

The Oakland school board's student directors are making their voices heard…but what about their votes? Then, a new story from Uncuffed about breaking the prison pipeline. 

Comedian Luenell has been keeping audiences laughing for decades. She's originally from Oakland but now lives in Las Vegas, where she has a residency at Jimmy Kimmel's Comedy Club on the strip. You can see Luenell on screen with Tracy Morgan in the Paramount+ sitcom “Crutch.” Host of KALW's Sights and Sounds, Jenee Darden caught up with Luenell to talk about her latest projects. Here's a part of that conversation

In California, students can sit on school boards — but how much power do they actually have?KALW's education reporter Julia Haney talked to one of the young leaders on Oakland's school board about the impact he hopes to make. 

What if buying a home could be more affordable and less stressful? That's exactly what Ben Bear and TurboHome are making possible. In this episode, I'm talking to Ben Bear, co-founder and CEO of TurboHome, a game-changing platform that is reimagining the home-buying process. TurboHome cuts out unnecessary costs by offering a flat-fee model instead of traditional commissions, making it easier for people to save money and get into homes faster. We also dive into the bigger picture of homeownership and its importance in building wealth and strengthening communities. Ben shares his entrepreneurial journey and how he's disrupting an industry that's been the same for decades. Here are the highlights: -Revolutionizing Home Buying: TurboHome's platform empowers buyers to take control of their process while saving thousands in the transaction. -The End of the Traditional Commission Model: Why the 3% commission doesn't work in today's digital world, and how TurboHome is changing the game. -Building Wealth through Homeownership: Ben explains how owning a home still remains one of the best ways to build long-term wealth, and how TurboHome helps make that possible. -Seizing Opportunities from Regulatory Change: How Ben turned regulatory challenges into an advantage for innovation in the housing market. -The Power of Trust and Early Success: Building trust with early adopters and turning great customer experiences into momentum for growth.   About the guest: Ben is the Co-Founder and CEO of TurboHome, an Oakland-based startup focused on making homeownership more affordable. The platform combines AI tools with a network of local real estate agents to offer a full service home buying experience for 70% less than a traditional Realtor. In its first year of operations, homebuyers have purchased $300M of properties while saving $6M in commissions.   Ben is an experienced entrepreneur who was previously CEO at Spin Scooters (acquired by Ford) and VP Sales @ Vungle (acquired by Blackstone). He has built his career focusing on opportunities to solve big societal problems like housing and transportation unlocked by regulatory change.   Connect with Ben:   Website: https://www.turbohome.com/ LinkedIn: https://www.linkedin.com/in/benwbear/   Connect with Allison: Feedspot has named Disruptive CEO Nation as one of the Top 25 CEO Podcasts on the web, and it is ranked the number 6 CEO podcast to listen to in 2025! LinkedIn: https://www.linkedin.com/in/allisonsummerschicago/ Website: https://www.disruptiveceonation.com/    #CEO #leadership #startup #founder #business #businesspodcast  Learn more about your ad choices. Visit megaphone.fm/adchoices

On December 21st, 2025, the Bay Area lost one of its oldest and most distinguished residents: The legendary Betty Reid Soskin passed away at the age of 104. To pay tribute to her extraordinary life and to celebrate her legacy, I'm re-releasing this interview that was originally published back in 2019. Even though she's gone, her story is just as powerful, and inspirational as ever. In this episode, Soskin shares stories of growing up in Oakland during the 1920s “when the hills used to burn every year.” She traces her journey from working in a segregated union hall during World War II to co-founding one of the East Bay's first Black record stores to becoming “America's oldest National Park ranger” at the age of 85. And she explains how living for roughly a century has allowed her to see patterns in history that give her hope for the future. To see photos and links related to this episode, visit: https://eastbayyesterday.com/episodes/eby-qa-5/ Don't forget to follow the East Bay Yesterday Substack for updates on events, boat tours, exhibits, and other local history news: https://substack.com/@eastbayyesterday Donate to keep this show alive: https://www.patreon.com/c/eastbayyesterday

Recently, Oakland-raised musician, composer, and bandleader, Kev Choice, performied live at KALW's Studio Events space in downtown San Francisco. It was part of a preview for the upcoming show "In the Name of Love: A Tribute to Dr. Martin Luther King Jr." from Living Jazz. Living Jazz is an educational organization that provides musical retreats in nature and workshops in elementary schools. KALW is a media sponsor.  Kev Choice is Music Director for the King Tribute. He and singer/songwriter B. Deveaux joined KALW's Executive Producer, Ben Trefny, to talk about the upcoming event, which is happening at Oakland's Paramount Theater in Oakland on Saturday, January 17th. Here's an excerpt from their conversation.

Today, a new story from Uncuffed about finding out your dad isn't who he says he is. Then, an Oakland cello player challenges us to break away from negative ideas about darkness. And, a musician encourages us ALL to keep on singing.

When you hear the words “dark” and “darkness” what comes to mind?  Many of us may associate the words with mostly negative connotations. In the Black Diaspora, and among other communities of color, there's an ongoing conversation about why that is… and how to change it. Mia Pixley is a Black cellist, singer, and psychologist based in Oakland. Her new album, “Love. Dark. Bloom”  is a blend of classical, jazz, folk and the blues. Jenee Darden, the host of KALW's The Sights and Sounds Show, spoke with Mia about how her album explores the beauty of darkness. Hear the full interview here.

The Christian Nerd Podcast is back and looking back at 2025. Scott starts the show by talking about his road trip to Oakland for a wedding. He has a Countdown of his favorite movies and TV shows from 2025. And in Jesus Time, Scott talks about discerning whether God wants us to focus on something new or reflect on the past.   Show Notes   Intro - 0:00 "In looking back, I see nothing to regret and little to correct." - John C. Calhoun Countdown - 8:32   Jesus Time - 19:10   Goodbye - 25:05 Be sure to check out The Christian Nerd Like The Christian Nerd on Facebook Subscribe to the podcast on iTunes and leave a comment Or use our RSS Feed to subscribe: http://thechristiannerd.libsyn.com/rss Follow The Christian Nerd on Twitter Follow Scott on Twitter Support The Christian Nerd on Patreon Email Scott at Scott@TheChristianNerd.com to get added to The Octagon. Thanks to Nick for The Christian Nerd theme music.

Today on Too Opinionated, we sit down with Director Anthony Lucero to talk about his new film, Paper Bag Plan! Synopsis: After being diagnosed with cancer, Oscar (Lance Kinsey) realizes his overprotectiveness may be holding his son Billy (Cole Massie) back from gaining independence. Determined to secure Billy's future, Oscar helps him build the skills needed for a job as a grocery store bagger. Their heartfelt journey highlights the challenges and triumphs of fostering self-reliance, revealing the deep love between father and son—and the courage it takes to let go. Anthony Lucero's directorial debut feature film, East Side Sushi, was picked up by HBO after screening at the Miami International Film Festival where it was also nominated for Best Screenplay. Written by Lucero, this drama/comedy indie favorite garnered 15 film festival awards nationwide, 8 Diosa de Plata award nominations including Best Picture and Best Director, has a 94% Rotten Tomatoes score and has the distinction of being listed as one of the "Top 10 Films of 2015" by SF Weekly and one of "The Most Overlooked Films of 2015" from the Los Angeles Times. In 2017, Lucero was selected as a U.S. Envoy and screened East Side Sushi at six U.S. Embassies and Consulates throughout Japan. Born and raised in Oakland, Lucero draws on his Chicano roots to create stories that are multicultural and socially relevant. After receiving his B.A. in Film from San Francisco State University, Lucero spent over a decade working in visual effects at George Lucas' Industrial Light and Magic, working on such films as Star Wars Episode I & II, Ironman, Pirates of the Caribbean and The Avengers.   Want to Watch: YouTube Meisterkhan Pod (Please Subscribe)

In this episode of Salt Lake Dirt, Kyler Bingham talks with award-winning biographer Carla Kaplan about her latest book, Troublemaker: The Fierce, Unruly Life of Jessica Mitford. Jessica Mitford, or "Decca," was a member of the famously eccentric British aristocracy who famously defected from her privileged upbringing to become a passionate Marxist and a legendary muckraking journalist in America. Kaplan discusses the fascinating and often dark history of the six Mitford sisters—whose lives spanned the political spectrum from Communism to Fascism—and how Decca used her "hold-your-sides funny" humor as a powerful tool for social activism. From her world-changing exposé of the funeral industry, The American Way of Death, to her tireless work against police brutality in Oakland, this conversation highlights how Mitford's relentless spirit and refusal to succumb to despair offer a vital roadmap for navigating the political tensions of the current moment.Thanks for listening!Episode Links:Purchase Troublemaker: The Fierce, Unruly Life of Jessica MitfordCarlaKaplan.com

On this episode, we kick things off with a big announcement — we're going LIVE from the Amigo Guitar Show in San Rafael, California!

Turning attention from the outside world and focusing it internally with Bhairava Mudra ~ Floating City (21 July 2014 - Oakland, CA)

The Brendan Donovan trade saga takes center stage as the Cardinals slow-play their best asset, hoping to turn patience into a real prospect haul while the market shifts around them. We break down why Contreras moved first, how Arizona's Ketel Marte situation could reshape Donovan's value, and where teams like the Mariners, Giants, and Red Sox fit in. Plus, the Arenado market remains frozen as St. Louis waits on bigger dominoes to fall, the offseason clock keeps ticking toward Spring Training, and league news includes Anthony Rendon's Angels exit, a long-term deal in Oakland, and Team USA loading up for the WBC.Have a question or comment for the show? Text or leave us a voicemail at: (848) 48-BIRDS (848-482-4737)Talking About Birds is listener supported on Patreon. Support the show and join our private discord server at: www.patreon.com/talkingaboutbirds.

For the last episode of Death Metal December (and 2025), the boys listened to Lifeless Birth by Oakland's Necrot!

Colby Chandler of All Things Agave interviews Doug Pominville of 603 Brewery. Visit AllAboutBeer.com for more podcasts, to read original articles, and to get info on upcoming events. Click here to support independent journalism covering the beer industry.This Episode is Sponsored by:RahrBSGGolden honey. Sweet bread. Cereal grains. Slightly nutty with subtle flavors and aromas of hay. Rahr North Star Pils™ is a beautiful base malt for any beer style, but it shines particularly bright in classic lagers like Rev Pils from Revolution Brewing out of Chicago, Illinois. North Star Pils plays a role in award-winning West Coast Pilsners and Imperial IPAs for Ghost Town Brewing in Oakland, California, as well. RahrBSG has the goods.OllieThis episode was proudly brought to you by Ollie and Ekos. Better together, our craft beverage software has saved hundreds of producers time and money this year. Dump the spreadsheets and make the switch in 2026. Discover what it feels like to run your beverage business with less broken formulas and more peace of mind. Visit saynotospreadsheets.com to start your better brewery journey today!Stomp StickersStompStickers.com is brewed for budget-conscious brewers. From automatic version discounts to a loyalty program that earns you points across all their product lines, every order works harder for your bottom line. Want even more ways to save? Sign up for their emails and get regular coupon codes delivered straight to your inbox. Visit StompStickers.com and use code FIRSTRUN for 15% off your first order.All About BeerAt All About Beer, we're honored to share the stories that define the beer community, and we couldn't do it without the generous support of our underwriting sponsors. Their commitment helps sustain independent beer journalism, allowing us to highlight the people, places, and passion behind every pint. Their partnership ensures these stories continue to inspire, connect, and celebrate the craft we all love. Join our underwriters today and help make an impact on independent journalism covering the beer industry.Host: Colby ChandlerGuest: Doug PominvilleSponsor:  RahrBSG, Ollie, Stomp Stickers, All About BeerTags: Brewing, San Diego, New Hampshire, Seltzer, IPA, Hops, RauchbierPhoto Credits: Courtesy of Colby ChandlerThe following music was used for this media project:Music: Hip Hop Intro 06 by TaigaSoundProdFree download: https://filmmusic.io/song/9533-hip-hop-intro-06License (CC BY 4.0): https://filmmusic.io/standard-licenseArtist website: https://linktr.ee/taigasoundprod ★ Support this podcast on Patreon ★

Today on Coast To Coast Hoops Greg recaps Wednesday's college basketball results, talks to Ryan McIntyre of the Sports Gambling Podcast Network about the divide between the top teams in the sport and every else & how to handicap these games after New Year's Eve festivities, & Greg picks & analyzes every Thursday game!Link To Greg's Spreadsheet of handicapped lines: https://vsin.com/college-basketball/greg-petersons-daily-college-basketball-lines/Greg's TikTok With Pickmas Pick Videos: https://www.tiktok.com/@gregpetersonsports?is_from_webapp=1&sender_device=pcPodcast Highlights 2:29-Recap of Wednesday's Results16:11-Interview with Ryan McIntye31:03-Start of picks Oakland vs Youngstown St33:44-Picks & analysis for Georgia Southern vs Coastal Carolina36:18-Picks & analysis for Samford vs VMI38:34-Picks & analysis for UW Milwaukee vs Wright St41:18-Picks & analysis for Oral Roberts vs North Dakota43:35-Picks & analysis for IU Indy vs Northern Kentucky45:47-Picks & analysis for UW Green Bay vs Fort Wayne48:38-Picks & analysis for Cal Baptist vs UT Arlington51:06-Picks & analysis for Evansville vs Illinois St53:45-Picks & analysis for Valparaiso vs Southern Illinois56:36-Picks & analysis for Portland St vs Weber St59:33-Picks & analysis for Chattanooga vs UNC Greensboro1:02:02-Picks & analysis for Morehead St vs Lindenwood1:04:24-Picks & analysis for Western Illinois vs UT Martin1:06:37-Picks & analysis for Southern Indiana vs SIU Edwardsville1:09:00-Picks & analysis for Southern Miss vs UL Monroe1:11:17-Picks & analysis for UC Irvine vs CS Bakersfield1:13:39-Picks & analysis for CS Northridge vs UC Davis1:16:17-Picks & analysis for Omaha vs South Dakota St1:18:45-Picks & analysis for Tennessee Tech vs Little Rock1:21:19-Picks & analysis for Northern Arizona vs Montana1:23:53-Picks & analysis for Bradley vs Belmont1:26:17-Picks & analysis for Hawaii vs UC Riverside1:28:44-Picks & analysis for Utah Valley vs Tarleton St1:31:02-Picks & analysis for Utah Tech vs Abilene Christian1:33:25-Picks & analysis for Indiana St vs Northern Iowa1:35:31-Picks & analysis for Eastern Illinois vs SE Missouri St1:38:07-Picks & analysis for Murray St vs Illinois Chicago1:40:30-Picks & analysis for Sacramento St vs Idaho St1:43:10-Picks & analysis for Northern Colorado vs Montana St1:46:06-Picks & analysis for UC San Diego vs Cal Poly1:48:47-Picks & analysis for UC Santa Barbara vs CS Fullerton1:51:15-Start of extra games Stetson vs North Alabama1:53:17-Picks & analysis for Florida Gulf Coast vs Central Arkansas1:55:10-Picks & analysis for Jacksonville vs Lipscomb1:57:14-Picks & analysis for Eastern Kentucky vs Queens NC1:59:34-Picks & analysis for Bellarmine vs West Georgia2:02:08-Picks & analysis for North Florida vs Austin Peay Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight's show features Asian Refugees United and Lavender Phoenix in conversation about art, culture, and organizing, and how artists help us imagine and build liberation. Important Links: Lavender Phoenix: Website | Instagram Asian Refugees United: Website | Instagram | QTViệt Cafe Collective Transcript: Cheryl: Hey everyone. Good evening. You tuned in to APEX Express. I'm your host, Cheryl, and tonight is an AACRE Night. AACRE, which is short for Asian Americans for Civil Rights and Equality is a network made up of 11 Asian American social justice organizations who work together to build long-term movements for justice. Across the AACRE network, our groups are organizing against deportations, confronting anti-blackness, xenophobia, advancing language justice, developing trans and queer leaders, and imagine new systems of safety and care. It's all very good, very important stuff. And all of this from the campaigns to the Organizing to Movement building raises a question that I keep coming back to, which is, where does art live In all of this, Acts of resistance do not only take place in courtrooms or city halls. It takes place wherever people are still able to imagine. It is part of how movements survive and and grow. Art is not adjacent to revolution, but rather it is one of its most enduring forms, and tonight's show sits in that very spirit, and I hope that by the end of this episode, maybe you'll see what I mean. I;d like to bring in my friends from Lavender Phoenix, a trans queer API organization, building people power in the Bay Area, who are also a part of the AACRE Network. This summer, Lavender Phoenix held a workshop that got right to the heart of this very question that we're sitting with tonight, which is what is the role of the artist in social movements? As they were planning the workshop, they were really inspired by a quote from Toni Cade Bambara, who in an interview from 1982 said, as a cultural worker who belongs to an oppressed people, my job is to make the revolution irresistible. So that raises a few questions worth slowing down for, which are, who was Toni Cade Bambara? What does it mean to be a cultural organizer and why does that matter? Especially in this political moment? Lavender Phoenix has been grappling with these questions in practice, and I think they have some powerful answers to share. So without further ado, I'd like to introduce you to angel who is a member of Lavender Phoenix. Angel: My name is Angel. I use he and she pronouns, and I'm part of the communications committee at LavNix. So, let's explore what exactly is the meaning of cultural work.  Cultural workers are the creators of narratives through various forms of artistic expression, and we literally drive the production of culture. Cultural work reflects the perspectives and attitudes of artists and therefore the people and communities that they belong to. Art does not exist in a vacuum. You may have heard the phrase before. Art is always political. It serves a purpose to tell a story, to document the times to perpetuate and give longevity to ideas. It may conform to the status quo or choose to resist it. I wanted to share a little bit about one cultural worker who's made a really big impact and paved the way for how we think about cultural work and this framework. Toni Cade Bambara was a black feminist, cultural worker, writer, and organizer whose literary work celebrated black art, culture and life, and radically supported a movement for collective liberation. She believed that it's the artist's role to serve the community they belong to, and that an artist is of no higher status than a factory worker, social worker, or teacher. Is the idea of even reframing art making as cultural work. Reclaimed the arts from the elite capitalist class and made clear that it is work, it does not have more value than or take precedence over any other type of movement work. This is a quote from an interview from 1982 when Toni Cade Bambara said, as a cultural worker who belongs to an oppressed people, my job is to make revolution irresistible. But in this country, we're not encouraged and equipped at any particular time to view things that way. And so the artwork or the art practice that sells that capitalist ideology is considered art. And anything that deviates from that is considered political, propagandist, polemical, or didactic, strange, weird, subversive or ugly. Cheryl: After reading that quote, angel then invited the workshop participants to think about what that means for them. What does it mean to make the revolution irresistible? After giving people a bit of time to reflect, angel then reads some of the things that were shared in the chat. Angel: I want my art to point out the inconsistencies within our society to surprised, enraged, elicit a strong enough reaction that they feel they must do something. Cheryl: Another person said, Angel: I love that art can be a way of bridging relationships. Connecting people together, building community. Cheryl: And someone else said. Angel: I want people to feel connected to my art, find themselves in it, and have it make them think and realize that they have the ability to do something themselves. Cheryl: I think what is rather striking in these responses that Angel has read aloud to what it means to make art that makes the revolution irresistible isn't just aesthetics alone, but rather its ability to help us connect and communicate and find one another to enact feelings and responses in each other. It's about the way it makes people feel implicated and connected and also capable of acting. Tony Cade Bambara when she poses that the role of cultural workers is to make the revolution irresistible is posing to us a challenge to tap into our creativity and create art that makes people unable to return comfortably to the world as is, and it makes revolution necessary, desirable not as an abstract idea, but as something people can want and move towards  now I'm going to invite Jenica, who is the cultural organizer at Lavender Phoenix to break down for us why we need cultural work in this political moment. . Speaker: Jenica: So many of us as artists have really internalized the power of art and are really eager to connect it to the movement.  This section is about answering this question of why is cultural work important.  Cultural work plays a really vital role in organizing and achieving our political goals, right? So if our goal is to advance radical solutions to everyday people, we also have to ask ourselves how are we going to reach those peoples? Ideas of revolution and liberation are majorly inaccessible to the masses, to everyday people. Families are being separated. Attacks on the working class are getting worse and worse. How are we really propping up these ideas of revolution, especially right in America, where propaganda for the state, for policing, for a corrupt government runs really high. Therefore our messaging in political organizing works to combat that propaganda. So in a sense we have to make our own propaganda. So let's look at this term together. Propaganda is art that we make that accurately reflects and makes people aware of the true nature of the conditions of their oppression and inspires them to take control of transforming this condition. We really want to make art that seeks to make the broader society aware of its implications in the daily violences, facilitated in the name of capitalism, imperialism, and shows that error of maintaining or ignoring the status quo. So it's really our goal to arm people with the tools to better struggle against their own points of views, their ways of thinking, because not everyone is already aligned with like revolution already, right? No one's born an organizer. No one's born 100% willing to be in this cause. So, we really focus on the creative and cultural processes, as artists build that revolutionary culture. Propaganda is really a means of liberation. It's an instrument to help clarify information education and a way to mobilize our people. And not only that, our cultural work can really model to others what it's like to envision a better world for ourselves, right? Our imagination can be so expansive when it comes to creating art. As organizers and activists when we create communication, zines, et cetera, we're also asking ourselves, how does this bring us one step closer to revolution? How are we challenging the status quo? So this is exactly what our role as artists is in this movement. It's to create propaganda that serves two different purposes. One, subvert the enemy and cultivate a culture that constantly challenges the status quo. And also awaken and mobilize the people. How can we, through our art, really uplift the genuine interests of the most exploited of people of the working class, of everyday people who are targets of the state and really empower those whose stories are often kept outside of this master narrative. Because when they are talked about, people in power will often misrepresent marginalized communities. An example of this, Lavender Phoenix, a couple years ago took up this campaign called Justice for Jaxon Sales. Trigger warning here, hate crime, violence against queer people and death. Um, so Jaxon Sales was a young, queer, Korean adoptee living in the Bay Area who went on a blind like dating app date and was found dead the next morning in a high-rise apartment in San Francisco. Lavender Phoenix worked really closely and is still connected really closely with Jaxon's parents, Jim and Angie Solas to really fight, and organize for justice for Jaxon and demand investigation into what happened to him and his death, and have answers for his family. I bring that up, this campaign because when his parents spoke to the chief medical examiner in San Francisco, they had told his family Jaxon died of an accidental overdose he was gay. Like gay people just these kinds of drugs. So that was the narrative that was being presented to us from the state. Like literally, their own words: he's dead because he's gay. And our narrative, as we continue to organize and support his family, was to really address the stigma surrounding drug use. Also reiterating the fact that justice was deserved for Jaxon, and that no one should ever have to go through this. We all deserve to be safe, that a better world is possible. So that's an example of combating the status quo and then uplifting the genuine interest of our people and his family. One of our key values at Lavender Phoenix is honoring our histories, because the propaganda against our own people is so intense. I just think about the everyday people, the working class, our immigrant communities and ancestors, other queer and trans people of color that really fought so hard to have their story told. So when we do this work and think about honoring our histories, let's also ask ourselves what will we do to keep those stories alive? Cheryl: We're going to take a quick music break and listen to some music by Namgar, an international ethno music collective that fuses traditional Buryat and Mongolian music with pop, jazz, funk, ambient soundscapes, and art- pop. We'll be back in just a moment with more after we listen to “part two” by Namgar.    Cheryl: Welcome back.  You are tuned in to APEX express on 94.1 KPFA and 89.3 KPFB B in Berkeley and online at kpfa.org.  That song you just heard was “part two” by Namgar, an incredible four- piece Buryat- Mongolian ensemble that is revitalizing and preserving the Buryat language and culture through music. For those just tuning in tonight's episode of APEX Express is all about the role of the artist in social movements. We're joined by members of Lavender Phoenix, often referred to as LavNix, which is a grassroots organization in the Bay Area building Trans and queer API Power. You can learn more about their work in our show notes. We talked about why cultural work is a core part of organizing. We grounded that conversation in the words of Toni Cade Bambara, who said in a 1982 interview, as a cultural worker who belongs to an oppressed people, my job is to make revolution irresistible. We unpacked what that looks like in practice and lifted up Lavender Phoenix's Justice for Jaxon Sales campaign as a powerful example of cultural organizing, which really demonstrates how art and narrative work and cultural work are essential to building power Now Jenica from Levner Phoenix is going to walk us through some powerful examples of cultural organizing that have occurred in social movements across time and across the world. Speaker: Jenica: Now we're going to look at some really specific examples of powerful cultural work in our movements. For our framework today, we'll start with an international example, then a national one, a local example, and then finally one from LavNix. As we go through them, we ask that you take notes on what makes these examples, impactful forms of cultural work. How does it subvert the status quo? How is it uplifting the genuine interest of the people? Our international example is actually from the Philippines. Every year, the Corrupt Philippines president delivers a state of the nation address to share the current conditions of the country. However, on a day that the people are meant to hear about the genuine concrete needs of the Filipino masses, they're met instead with lies and deceit that's broadcasted and also built upon like years of disinformation and really just feeds the selfish interests of the ruling class and the imperialist powers. In response to this, every year, BAYAN, which is an alliance in the Philippines with overseas chapters here in the US as well. Their purpose is to fight for the national sovereignty and genuine democracy in the Philippines, they hold a Peoples' State of the Nation Address , or PSONA, to protest and deliver the genuine concerns and demands of the masses. So part of PSONA are effigies. Effigies have been regular fixtures in protest rallies, including PSONA. So for those of you who don't know, an effigy is a sculptural representation, often life size of a hated person or group. These makeshift dummies are used for symbolic punishment in political protests, and the figures are often burned. In the case of PSONA, these effigies are set on fire by protestors criticizing government neglect, especially of the poor. Lisa Ito, who is a progressive artists explained that the effigy is constructed not only as a mockery of the person represented, but also of the larger system that his or her likeness embodies. Ito pointed out that effigies have evolved considerably as a form of popular protest art in the Philippines, used by progressive people's movements, not only to entertain, but also to agitate, mobilize and capture the sentiments of the people. This year, organizers created this effigy that they titled ‘ZomBBM,' ‘Sara-nanggal' . This is a play on words calling the corrupt president of the Philippines, Bongbong Marcos, or BBM, a zombie. And the vice president Sara Duterte a Manananggal, which is a, Filipino vampire to put it in short, brief words. Organizers burnt this effigy as a symbol of DK and preservation of the current ruling class. I love this effigy so much. You can see BBM who's depicted like his head is taken off and inside of his head is Trump because he's considered like a puppet president of the Philippines just serving US interests. Awesome. I'm gonna pass it to Angel for our national perspective. Angel: Our next piece is from the national perspective and it was in response to the AIDS crisis. The global pandemic of HIV AIDS began in 1981 and continues today. AIDS is the late stage of HIV infection, human immunodeficiency virus, and this crisis has been marked largely by government indifference, widespread stigma against gay people, and virtually no federal funding towards research or services for everyday people impacted. There was a really devastating lack of public attention about the seriousness of HIV. The Ronald Reagan administration treated the crisis as a joke because of its association with gay men, and Reagan didn't even publicly acknowledge AIDS until 19 85, 4 years into the pandemic. Thousands of HIV positive people across backgrounds and their supporters organize one of the most influential patient advocacy groups in history. They called themselves the AIDS Coalition to Unleash Power or ACT up. They ultimately organize and force the government and the scientific community to fundamentally change the way medical research is conducted. Paving the way for the discovery of a treatment that today keeps alive, an estimated half million HIV positive Americans and millions more worldwide. Sarah Schulman, a writer and former member of ACT Up, wrote a list of ACT UPS achievements, including changing the CDC C'S definition of aids to include women legalizing needle exchange in New York City and establishing housing services for HIV positive unhoused people. To highlight some cultural work within ACT Up, the AIDS activist artist Collective Grand Fury formed out of ACT Up and CR and created works for the public sphere that drew attention to the medical, moral and public issues related to the AIDS crisis. Essentially, the government was fine with the mass deaths and had a large role in the active killing off of people who are not just queer, but people who are poor working class and of color. We still see parallels in these roadblocks. Today, Trump is cutting public healthcare ongoing, and in recent memory, the COVID crisis, the political situation of LGBTQ people then and now is not divorced from this class analysis. So in response, we have the AIDS Memorial Quilt, this collective installation memorializes people who died in the US from the AIDS crisis and from government neglect. Each panel is dedicated to a life lost and created by hand by their friends, family, loved ones, and community. This artwork was originally conceived by Cleve Jones in SF for the 1985 candlelight March, and later it was expanded upon and displayed in Washington DC in 1987. Its enormity demonstrated the sheer number at which queer folk were killed in the hiv aids crisis, as well as created a space in the public for dialogue about the health disparities that harm and silence our community. Today, it's returned home to San Francisco and can be accessed through an interactive online archive. 50,000 individual panels and around a hundred thousand names make up the patchwork quilt, which is insane, and it's one of the largest pieces of grassroots community art in the world. Moving on to a more local perspective. In the Bay Area, we're talking about the Black Panther Party. So in October of 1966 in Oakland, California, Huey Newton and Bobby Seale founded the Black Panther Party for self-defense. The Panthers practiced militant self-defense of black communities against the US government and fought to establish socialism through organizing and community-based programs. The Black Panthers began by organizing arm patrols of black people to monitor the Oakland Police Department and challenge rampant rampant police brutality. At its peak, the party had offices in 68 cities and thousands of members. The party's 10 point program was a set of demands, guidelines, and values, calling for self-determination, full employment of black people, and the end of exploitation of black workers housing for all black people, and so much more. The party's money programs directly addressed their platform as they instituted a free B Breakfast for Children program to address food scarcity Founded community health clinics to address the lack of adequate, adequate healthcare for black people and treat sickle cell anemia, tuberculosis, and HIV aids and more. The cultural work created by the Black Panther Party included the Black Panther Party newspaper known as the Black Panther. It was a four page newsletter in Oakland, California in 1967. It was the main publication of the party and was soon sold in several large cities across the US as well as having an international readership. The Black Panther issue number two. The newspaper, distributed information about the party's activities and expressed through articles, the ideology of the Black Panther Party, focusing on both international revolutions as inspiration and contemporary racial struggles of African Americans across the United States. Solidarity with other resistance movements was a major draw for readers. The paper's international section reported on liberation struggles across the world. Under Editor-in-Chief, David Du Bois, the stepson of WEB Du Bois, the section deepened party support for revolutionary efforts in South Africa and Cuba. Copies of the paper traveled abroad with students and activists and were tra translated into Hebrew and Japanese. It reflected that the idea of resistance to police oppression had spread like wildfire. Judy Juanita, a former editor in Chief Ads, it shows that this pattern of oppression was systemic. End quote. Paper regularly featured fiery rhetoric called out racist organizations and was unabashed in its disdain for the existing political system. Its first cover story reported on the police killing of Denzel Doel, a 22-year-old black man in Richmond, California. In all caps, the paper stated, brothers and sisters, these racist murders are happening every day. They could happen to any one of us. And it became well known for its bold cover art, woodcut style images of protestors, armed panthers, and police depicted as bloodied pigs. Speaker: Jenica: I'm gonna go into the LavNix example of cultural work that we've done. For some context, we had mentioned that we are taking up this campaign called Care Not Cops. Just to give some brief background to LavNix, as systems have continued to fail us, lavender Phoenix's work has always been about the safety of our communities. We've trained people in deescalation crisis intervention set up counseling networks, right? Then in 2022, we had joined the Sales family to fight for justice for Jaxon Sales. And with them we demanded answers for untimely death from the sheriff's department and the medical examiner. Something we noticed during that campaign is that every year we watch as people in power vote on another city budget that funds the same institutions that hurt our people and steal money from our communities. Do people know what the budget is for the San Francisco Police Department? Every year, we see that city services and programs are gutted. Meanwhile, this year, SFPD has $849 million, and the sheriff has $345 million. So, honestly, policing in general in the city is over $1 billion. And they will not experience any cuts. Their bloated budgets will remain largely intact. We've really been watching, Mayor Lurie , his first months and like, honestly like first more than half a year, with a lot of concern. We've seen him declare the unlawful fentanyl state of emergency, which he can't really do, and continue to increase police presence downtown. Ultimately we know that mayor Lurie and our supervisors need to hear from us everyday people who demand care, not cops. So that leads me into our cultural work. In March of this year, lavender Phoenix had collaborated with youth organizations across the city, youth groups from Chinese Progressive Association, PODER, CYC, to host a bilingual care, not cops, zine making workshop for youth. Our organizers engaged with the youth with agitating statistics on the egregious SFPD budget, and facilitated a space for them to warm up their brains and hearts to imagine a world without prisons and policing. And to really further envision one that centers on care healing for our people, all through art. What I really learned is that working class San Francisco youth are the ones who really know the city's fascist conditions the most intimately. It's clear through their zine contributions that they've really internalized these intense forms of policing in the schools on the streets with the unhoused, witnessing ice raids and fearing for their families. The zine was really a collective practice with working class youth where they connected their own personal experiences to the material facts of policing in the city, the budget, and put those experiences to paper.   Cheryl: Hey everyone. Cheryl here. So we've heard about Effigies in the Philippines, the AIDS Memorial Quilt, the Black Panther Party's newspaper, the Black Panther and Lavender Phoenix's Care Cop zine. Through these examples, we've learned about cultural work and art and narrative work on different scales internationally, nationally, locally and organizationally. With lavender Phoenix. What we're seeing is across movements across time. Cultural work has always been central to organizing. We're going to take another music break, but when we return, I'll introduce you to our next speaker. Hai, from Asian Refugees United, who will walk us through, their creative practice, which is food, as a form of cultural resistance, and we'll learn about how food ways can function as acts of survival, resistance, and also decolonization. So stay with us more soon when we return.   Cheryl: And we're back!!. You're listening to APEX express on 94.1 KPFA, 89.3 KPFB in Berkeley. 88.1. KFCF in Fresno and online@kpfa.org. That was “Juniper” by Minjoona, a project led by Korean American musician, Jackson Wright.  huge thanks to Jackson and the whole crew behind that track.  I am here with Hai from Asian Refugees United, who is a member QTViet Cafe Collective. A project under Asian Refugees United. QTViet Viet Cafe is a creative cultural hub that is dedicated to queer and trans viet Liberation through ancestral practices, the arts and intergenerational connection. This is a clip from what was a much longer conversation. This episode is all about the role of the artist in social movements and I think Hai brings a very interesting take to the conversation. Hai (ARU): I think that what is helping me is one, just building the muscle. So when we're so true to our vision and heart meets mind and body. So much of what QTViet Cafe is, and by extension Asian refugees and like, we're really using our cultural arts and in many ways, whether that's movement or poetry or written word or song or dance. And in many ways I've had a lot of experience in our food ways, and reclaiming those food ways. That's a very embodied experience. We're really trying to restore wholeness and health and healing in our communities, in our bodies and our minds and our families and our communities that have been displaced because of colonization, imperialism, capitalism. And so how do we restore, how do we have a different relationship and how do we restore? I think that from moving from hurt to healing is life and art. And so we need to take risk and trying to define life through art and whatever means that we can to make meaning and purpose and intention. I feel like so much of what art is, is trying to make meaning of the hurt in order to bring in more healing in our lives. For so long, I think I've been wanting a different relationship to food. For example, because I grew up section eight, food stamps, food bank. My mom and my parents doing the best they could, but also, yeah, grew up with Viet food, grew up with ingredients for my parents making food, mostly my mom that weren't necessarily all the best. And I think compared to Vietnam, where it's easier access. And there's a different kind of system around, needs around food and just easier access, more people are involved around the food system in Vietnam I think growing up in Turtle Island and seeing my parents struggle not just with food, but just with money and jobs it's just all connected. And I think that impacted my journey and. My own imbalance around health and I became a byproduct of diabetes and high cholesterol and noticed that in my family. So when I noticed, when I had type two diabetes when I was 18, made the conscious choice to, I knew I needed to have some type of, uh, I need to have a different relationship to my life and food included and just like cut soda, started kind of what I knew at the time, exercising as ways to take care of my body. And then it's honestly been now a 20 year journey of having a different relationship to not just food, but health and connection to mind, body, spirit. For me, choosing to have a different relationship in my life, like that is a risk. Choosing to eat something different like that is both a risk and an opportunity. For me that's like part of movement building like you have to. Be so in tune with my body to notice and the changes that are needed in order to live again. When I noticed, you know, , hearing other Viet folks experiencing diet related stuff and I think knowing what I know also, like politically around what's happening around our food system, both for the vie community here and also in Vietnam, how do we, how can this regular act of nourishing ourselves both be not just in art, something that should actually just honestly be an everyday need and an everyday symbol of caregiving and caretaking and care that can just be part of our everyday lives. I want a world where, it's not just one night where we're tasting the best and eating the best and being nourished, just in one Saturday night, but that it's just happening all the time because we're in right relationship with ourselves and each other and the earth that everything is beauty and we don't have to take so many risks because things are already in its natural divine. I think it takes being very conscious of our circumstances and our surroundings and our relationships with each other for that to happen. I remember reading in my early twenties, reading the role of, bring Coke basically to Vietnam during the war. I was always fascinated like, why are, why is Coke like on Viet altars all the time? And I always see them in different places. Whenever I would go back to Vietnam, I remember when I was seven and 12. Going to a family party and the classic shiny vinyl plastic, floral like sheet on a round table and the stools, and then these beautiful platters of food. But I'm always like, why are we drinking soda or coke and whatever else? My dad and the men and then my family, like drinking beer. And I was like, why? I've had periods in my life when I've gotten sick, physically and mentally sick. Those moments open up doors to take the risk and then also the opportunity to try different truth or different path. When I was 23 and I had just like crazy eczema and psoriasis and went back home to my parents for a while and I just started to learn about nourishing traditions, movement. I was Very critical of the us traditional nutrition ideas of what good nutrition is and very adamantly like opposing the food pyramid. And then in that kind of research, I was one thinking well, they're talking about the science of broths and like soups and talking about hard boiling and straining the broth and getting the gunk on the top. And I'm like, wait, my mom did that. And I was starting to connect what has my mom known culturally that now like science is catching up, you know? And then I started just reading, you know, like I think that my mom didn't know the sign mom. I was like, asked my mom like, did you know about this? And she's like, I mean, I just, this is, is like what ba ngoai said, you know? And so I'm like, okay, so culturally this, this is happening scientifically. This is what's being shared. And then I started reading about the politics of US-centric upheaval of monocultural agriculture essentially. When the US started to do the industrial Revolution and started to basically grow wheat and soy and just basically make sugar to feed lots of cows and create sugar to be put in products like Coke was one of them. And, and then, yeah, that was basically a way for the US government to make money from Vietnam to bring that over, to Vietnam. And that was introduced to our culture. It's just another wave of imperialism and colonization. And sadly, we know what, overprocessed, like refined sugars can do to our health. And sadly, I can't help but make the connections with what happened. In many ways, food and sugar are introduced through these systems of colonization and imperialism are so far removed from what we ate pre colonization. And so, so much of my journey around food has been, you know, it's not even art, it's just like trying to understand, how do we survive and we thrive even before so many. And you know, in some ways it is art. 'cause I making 40 pounds of cha ga for event, , the fish cake, like, that's something that, that our people have been doing for a long time and hand making all that. And people love the dish and I'm really glad that people enjoyed it and mm, it's like, oh yeah, it's art. But it's what people have been doing to survive and thrive for long, for so long, you know? , We have the right to be able to practice our traditional food ways and we have the right for food sovereignty and food justice. And we have the right to, by extension, like have clean waters and hospitable places to live and for our animal kin to live and for our plant kin to be able to thrive. bun cha ga, I think like it's an artful hopeful symbol of what is seasonal and relevant and culturally symbolic of our time. I think that, yes, the imminent, violent, traumatic war that are happening between people, in Vietnam and Palestine and Sudan. Honestly, like here in America. That is important. And I think we need to show, honestly, not just to a direct violence, but also very indirect violence on our bodies through the food that we're eating. Our land and waters are living through indirect violence with just like everyday pollutants and top soil being removed and industrialization. And so I think I'm just very cognizant of the kind of everyday art ways, life ways, ways of being that I think that are important to be aware of and both practice as resistance against the forces that are trying to strip away our livelihood every day. Cheryl: We just heard from Hai of Asian refugees United who shared about how food ways function as an embodied form of cultural work that is rooted in memory and also survival and healing. Hai talked about food as a practice and art that is lived in the body and is also shaped by displacement and colonization and capitalism and imperialism. I shared that through their journey with QTV at Cafe and Asian Refugees United. High was able to reflect on reclaiming traditional food ways as a way to restore health and wholeness and relationship to our bodies and to our families, to our communities, and to the earth. High. Also, traced out illness and imbalance as deeply connected to political systems that have disrupted ancestral knowledge and instead introduced extractive food systems and normalized everyday forms of soft violence through what we consume and the impact it has on our land. And I think the most important thing I got from our conversation was that high reminded us that nourishing ourselves can be both an act of care, an art form, and an act of resistance. And what we call art is often what people have always done to survive and thrive Food. For them is a practice of memory, and it's also a refusal of erasure and also a very radical vision of food sovereignty and healing and collective life outside of colonial violence and harm. As we close out tonight's episode, I want to return to the question that has guided us from the beginning, which is, what is the role of the artist in social movements? What we've heard tonight from Tony Cade Bambara call to make revolution irresistible to lavender Phoenix's cultural organizing here, internationally to Hai, reflections on food ways, and nourishing ourselves as resistance. It is Really clear to me. Art is not separate from struggle. It is how people make sense of systems of violence and carry memory and also practice healing and reimagining new worlds in the middle of ongoing violence. Cultural work helps our movements. Endure and gives us language when words fail, or ritual when grief is heavy, and practices that connect us, that reconnect us to our bodies and our histories and to each other. So whether that's through zines, or songs or murals, newspapers, or shared meals, art is a way of liberation again and again. I wanna thank all of our speakers today, Jenica, Angel. From Lavender Phoenix. Hi, from QTV Cafe, Asian Refugees United, And I also wanna thank you, our listeners for staying with us. You've been listening to Apex Express on KPFA. Take care of yourselves, take care of each other, and keep imagining the world that we're trying to build. That's important stuff. Cheryl Truong (she/they): Apex express is produced by Miko Lee, Paige Chung, Jalena Keane-Lee, Preeti Mangala Shekar. Shekar, Anuj Vaidya, Kiki Rivera, Swati Rayasam, Nate Tan, Hien Nguyen, Nikki Chan, and Cheryl Truong  Cheryl Truong: Tonight's show was produced by me, cheryl. Thanks to the team at KPFA for all of their support. And thank you for listening!  The post APEX Express – January 1, 2026 – The Role of the Artist in Social Movements appeared first on KPFA.

Tune into this episode where you'll hear of the chilling hauntings happening in Pittsburgh, Pennsylvania's libraries. Check out our YouTube for the full ghost hunting experience or immerse yourself through the paranormal audio experience here! Join us we uncover the secrets behind Pittsburgh's libraries! We uncover tales behind the Carnegie Library in Homestead and the Main Carnegie Library branch in Oakland. Who is behind these hauntings? Could it be Andrew Carnegie? A spectral electrician? A judge? Tune in to find out!Please follow us or subscribe to stay up-to-date with every episode!Please rate us 5 stars and review us on your preferred podcast streaming service, it really helps!Follow us on Instagram: @TheMysteryFiles_Merchandise: https://www.bonfire.com/store/the-mystery-files-podcast/Produced by Logan LaMaster, Tiffany Walker, and Benjamin Volk.Edited by Tiffany WalkerTheme Music by Benjamin Volk linktree.com/themysteryfiles#paranormal #Pittsburgh #ghosthunting #themysteryfiles #mysteryfiles #Pittsburghhauntings #pennsylvania

Oakland vs. Youngstown St NCAAB Betting Odds & Picks, 1/1/26 | Night Moves Show

Anthony in Oakland calls in to share some memories about Roberto Clemente, on the anniversary of his untimely passing. What are our wishes for the New Year?

Media heiress Patricia Hearst moves to Berkeley, intent on building a new life. In Oakland, a group of political radicals plot a deadly attack.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to American Scandal on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting wondery.com/links/american-scandal/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of I'm Fine, It's Fine, comedian Amber Autry and therapist Melanie Reese sit down with Piere Escargot for a raw, funny, and deeply human conversation about survival, identity, and transformation. Piere opens up about growing up in Oakland, street life, love that changed his trajectory, and reconnecting with his biological father decades later. From strip-club bans to corporate jobs, this episode explores what happens when you pull the curtain back on who you had to be to become who you are. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit imfineitsfine.substack.com/subscribe

This is a special episode, highlighting a session from ELC Annual 2025! OpenAI evolved from a pure research lab into the fastest-growing product in history, scaling from 100 million to 700 million weekly users in record time. In this episode, we deconstruct the organizational design choices and cultural bets that enabled this unprecedented velocity. We explore what it means to hire "extreme generalists," how AI-native interns are redefining productivity, and the real-time trade-offs made during the world's largest product launches. Featuring Sulman Choudhry (Head of ChatGPT Engineering) and Samir Ahmed (Technical Lead), moderated by Lawrence Bruhmeller (Eng Management @ Sigma). ABOUT SULMAN CHOUDHRYSulman leads ChatGPT Engineering at OpenAI, driving the development and scaling of one of the world's most impactful AI products. He pushes the boundaries of innovation by turning cutting‑edge research into practical, accessible tools that transform how people interact with technology. Previously at Meta, Sulman founded and scaled Instagram Reels, IGTV, and Instagram Labs, and helped lead the early development of Instagram Stories.He also brought MetaAI to Instagram and Messenger, integrating generative AI into experiences used by billions. Earlier in his career, Sulman was on the founding team that built and launched UberEATS from the ground up, helping turn it into a global food delivery platform. With a track record of marrying technical vision, product strategy, and large‑scale execution, Sulman focuses on building products that meaningfully change how people live, work, and connect.ABOUT SAMIR AHMEDSamir is the Technical Lead for ChatGPT at OpenAI, where he currently leads the Personalization and Memory efforts to scale adaptive, useful, and human-centered product experiences to over 700 million users. He works broadly across the OpenAI stack—including mobile, web, services, systems, inference, and product research infrastructure.Previously, Samir spent nine years at Snap, working across Ads, AR, Content, and Growth. He led some of the company's most critical technical initiatives, including founding and scaling the machine learning platform that powered nearly all Ads, Content, and AR workloads, handling tens of billions of requests and trillions of inferences daily.ABOUT LAWRENCE BRUHMELLERLawrence Bruhmuller has over 20 years of experience in engineering management, much of it as an overall head of engineering. Previous roles include CTO/VPE roles at Great Expectations, Pave, Optimizely, and WeWork. He is currently leading the core query compiler and serving teams at Sigma Computing, the industry leading business analytics company.Lawrence is passionate about the intersection of engineering management and the growth stage of startups. He has written extensively on engineering leadership (https://lbruhmuller.medium.com/), including how to best evolve and mature engineering organizations before, during and after these growth phases. He enjoys advising and mentoring other engineering leaders in his spare time.Lawrence holds a Bachelors and Masters in Mathematics and Engineering from Harvey Mudd College. He lives in Oakland, California, with his wife and their three daughters. This episode is brought to you by Span!Span is the AI-native developer intelligence platform bringing clarity to engineering organizations with a holistic, human-centered approach to developer productivity.If you want a complete picture of your engineering impact and health, drive high performance, and make smarter business decisions…Go to Span.app to learn more! SHOW NOTES:From research lab to record-breaking product: Navigating the fastest growth in history (4:03)Unpredictable scaling: Handling growth spurts of one million users every hour (5:20)Cross-stack collaboration: How Android, systems, and GPU engineers solve crises together (7:06)The magic of trade-offs: Aligning the team on outcomes like service uptime vs. broad availability (7:57)Why throwing models "over the wall" failed and how OpenAI structures virtual teams (11:17)Lessons from OpenAI's first intern class: Why AI-native new grads are crushing expectations (13:41)Non-hierarchical culture: Using the "Member of Technical Staff" title to blur the lines of expertise (15:37)AI-native engineering: When massive code generation starts breaking traditional CI/CD systems (16:21)Asynchronous workflows: Using coding agents to reduce two-hour investigations to 15 minutes (17:35)The mindset shift: How rapid model improvements changed how leaders audit and trust code (19:00)Predicting success: "Vibes-based" decision making and iterative low-key research previews (20:43)Hiring for high variance: Why unconventional backgrounds lead to high-potential engineering hires (22:09) LINKS AND RESOURCESLink to the video for this sessionLink to all ELC Annual 2025 sessions This episode wouldn't have been possible without the help of our incredible production team:Patrick Gallagher - Producer & Co-HostJerry Li - Co-HostNoah Olberding - Associate Producer, Audio & Video Editor https://www.linkedin.com/in/noah-olberding/Dan Overheim - Audio Engineer, Dan's also an avid 3D printer - https://www.bnd3d.com/Ellie Coggins Angus - Copywriter, Check out her other work at https://elliecoggins.com/about/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The “fresh, daring and incisive” (Fanfare) compositions of Amy Williams have been presented by leading international performers, including the Pittsburgh Symphony Orchestra, Buffalo Philharmonic Orchestra, JACK Quartet, Bent Frequency, Ensemble Musikfabrik, Wet Ink, International Contemporary Ensemble, Junction Trio, Orpheus, pianist Ursula Oppens, soprano Tony Arnold, and bassist Robert Black. As a member of the Bugallo-Williams Piano Duo, she has performed throughout Europe and the Americas and recorded six critically-acclaimed CDs for Wergo (works of Nancarrow, Stravinsky, Varèse/Feldman and Kurtág), as well as appearing on the Neos and Albany labels. She is a Professor of Composition at the University of Pittsburgh and Artistic Director of the New Music On The Point Festival in Vermont.On January 8, 2026, Williams will perform Morton Feldman's Triadic Memories for Other Minds at Mills College at Northeastern University in Oakland, California. She joins us to talk about her early impressions of Feldman in Buffalo, New York, his influence on 20th century music, and her upcoming performance in Oakland.Music: Triadic Memories by Morton Feldman, performed by Amy Williams (Alan Wonneberger, engineer); Piece for Four Pianos by Morton Feldman, performed by the Bugallo-Williams Piano Duo (WERGO); Piano and String Quartet by Morton Feldman, performed by Amy Williams and the JACK Quartet (live at Black Mountain College)Follow Amy Williams on Instagram.amywilliamsmusic.comFollow us on Instagram and Facebook.otherminds.orgContact us at otherminds@otherminds.org.The Other Minds Podcast is hosted and edited by Joseph Bohigian. Outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).

Today on Coast To Coast Hoops Greg recaps Sunday's college basketball results, talks to Mid Major Matt Josephs of ESPN Radio in Richmond about the edge underdogs have this week with students on break, how he's looking at team totals entering conference play, the Atlantic 10 landscape, & Monday's games, & Greg picks & analyzes every Monday game!Link To Greg's Spreadsheet of handicapped lines: https://vsin.com/college-basketball/greg-petersons-daily-college-basketball-lines/Greg's TikTok With Pickmas Pick Videos: https://www.tiktok.com/@gregpetersonsports?is_from_webapp=1&sender_device=pcPodcast Highlights 2:42-Recap of Sunday's Results17:23-Interview with Mid Major Matt33:07-Start of picks Missouri St vs Delaware 35:56-Picks & analysis for Merrimack ve Sacred Heart 38:16-Picks & analysis for Marist vs Quinnipiac 40:45-Picks & analysis for Towson vs William & Mary 43:19-Picks & analysis for Dartmouth vs Florida45:56-Picks & analysis for Detroit vs Youngstown St48:32-Picks & analysis for Manhattan vs Rider51:09-Picks & analysis for IU Indy vs Cleveland St53:31-Picks & analysis for Campbell vs Hofstra55:50-Picks & analysis for North Carolina A&T vs UNC Wilmington 58:44-Picks & analysis for Drexel vs Charleston 1:01:22-Picks & analysis for Kent St vs Purdue1:04:07-Picks & analysis for Belmont vs Indiana St1:06:39-Picks & analysis for Cornell vs Michigan St1:0918-Picks & analysis for Northern Kentucky vs Robert Morris 1:11:37-Picks & analysis for Western Kentucky vs Jacksonville St1:14:45-Picks & analysis for Stony Brook vs Hampton 1:17:26-Picks & analysis for Northeastern vs Elon1:19:55-Picks & analysis for Oakland vs Wright St1:23:00-Picks & analysis for Southern Illinois vs Murray St1:25:49-Picks & analysis for Iona vs Mount St Mary's1:27:56-Picks & analysis for St. Peter's vs Fairfield 1:30:51-Picks & analysis for UTEP vs Louisiana Tech 1:33:23-Picks & analysis for Middle Tennessee vs Houston1:36:05-Picks & analysis for Southern Miss vs LSU1:38:27-Picks & analysis for Valparaiso vs Northern Iowa1:41:01-Picks & analysis for James Madison vs Arkansas 1:43:29-Picks & analysis for Evansville vs Bradley 1:45:58-Picks & analysis for Tarleton St vs UT Arlington1:48:38-Picks & analysis for Yale vs Alabama 1:51:11-Picks & analysis for Cal Baptist vs Utah Valley1:53:50-Picks & analysis for Fort Wayne vs UW Milwaukee 1:56:21-Picks & analysis for South Dakota St vs Arizona1:58:39-Picks & analysis for Illinois St vs Drake2:01:20-Picks & analysis for Southern Utah vs Utah Tech2:03:48-Picks & analysis for Utah vs Washington 2:06:15-Start of extra games NC Central vs Penn St2:08:25-Picks & analysis for Southern vs Illinois2:10:48-Picks & analysis for UMass Lowell vs Iowa2:13:02-Picks & analysis for UMBC vs Coppin St2:15:36-Picks & analysis for Long Island vs Georgia 2:17:42-Picks & analysis for Lipscomb vs Cincinnati 2:20:11-Picks & analysis for McNeese vs Michigan 2:22:39-Picks & analysis for Delaware St ve Rutgers2:25:07-Picks & analysis for New Haven vs Vanderbilt 2:26:59-Picks & analysis for Alabama St vs Mississippi St2:29:33-Picks & analysis for Lamar vs Northwestern St2:31:38-Picks & analysis for Stephen F Austin vs East Texas A&M 2:33:54-Picks & analysis for New Orleans vs UT Rio Grande Valley2:37:02-Picks & analysis for Mississippi Valley St vs Oklahoma 2:39:20-Picks & analysis for Bethune Cookman vs Oklahoma St2:41:31-Picks & analysis for Prairie View vs Texas A&M2:43:42-Picks & analysis for Houston Christian vs Iowa St2:45:56-Picks & analysis for Alcorn St vs Ole Miss2:48:20-Picks & analysis for Jackson St vs TCU2:50:35-Picks & analysis for Nicholls vs Texas A&M CC2:52:37-Picks & analysis for Fairleigh Dickinson vs Minnesota2:54:54-Picks & analysis for Queens NC vs Auburn Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this explosive episode of The Connect, Johnny sits down with Danesa White, better known as Bella Barcode — a former Oakland hustler who built a multi-million-dollar fraud and jewelry embezzlement operation before the age of 21. Raised in the heart of the Bay Area hustle, Danesa breaks down how she went from boosting clothes as a teenager to running sophisticated bank fraud, credit card approval schemes, and high-end jewelry thefts across all 50 states. At her peak, she was clearing hundreds of thousands of dollars a day, selling stolen diamonds, watches, and luxury goods to NFL players and major drug dealers — all while living a jet-set lifestyle that included Dubai, Miami, New York, and beyond. -In this raw, unfiltered conversation, Bella Barcode explains: -How early-2000s bank and credit card fraud actually worked -How jewelry stores could be forced into approving six-figure purchases -The psychology of confidence, misdirection, and playing the role -The moment everything collapsed — arrests, probation violations, and a federal case -Serving 7 years in federal prison and what women's prison is really like -Why she finally chose to tell her story — and the price that came with it Today, Danesa has turned her life around and is inspiring others through her autobiography Recidivism: Beauty Before Bars, proving that survival, accountability, and redemption are possible — even after losing everything. This is one of the most detailed breakdowns of white-collar street crime ever told on the podcast — and a powerful cautionary tale about how fast money can disappear just as quickly as it comes. Go Support Danesa! Website: https://www.itsbellabarcode.com/ Book: https://a.co/d/ajXBp6y IG: https://www.instagram.com/itsbellabarcode_/ TikTok: https://www.tiktok.com/@bellabarcode Facebook: https://www.facebook.com/bella.barcode This Episode Is #Sponsored By The Following: PrizePicks! Visit https://prizepicks.onelink.me/LME0/CONNECT and use code CONNECT and get $50 in lineups when you play your first $5 lineup! Rocket Money! Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Go to https://rocketmoney.com/connect today. Join The Patreon For Bonus Content! https://www.patreon.com/theconnectshow 00:00 Intro & Guest Overview 01:27 Life in Oakland & Family Background 03:35 First Hustles and Growing Up 07:46 Mastering the Bank Fraud Game 13:30 Taking the Hustle Nationwide 20:36 Scaling Up: Diamonds & High-End Stores 25:00 Inside the Diamond Game 34:24 Living Large: Lifestyle & Risks 36:33 Today's Sponsors 39:26 Making Mistakes & Legal Scrapes 43:00 Jewelry Licks & Giant Scores 50:54 How the Scam Actually Worked 55:00 The Downfall: Getting Caught 01:02:08 Federal Prison & Doing Time 01:13:01 Coming Home: Reentry & Building Again 01:18:45 Personal Growth & Female Bosses 01:24:48 Redemption: New Career & Book 01:28:01 Reflections & Life Lessons Learn more about your ad choices. Visit podcastchoices.com/adchoices

With the price of seemingly everything going up, it's easy to get lost in the cost of our hobby. In this episode, Jason uses his Excel expertise to breakdown those costs to help us truly decide where we should be spending our hard-earned dollars. Also, we catch up on multiple recent beer stories and experiences you won't want to miss!Beer Tastings:Jason - Mountains of Mosaic, Original Pattern Brewing, Oakland, CA. Style: Wet Hop IPAStephen - Fundamental Observation, Bottle Logic Brewing, Anaheim, CA. Style: BA Imperial Stout

We have devoted several podcasts to the issue of how parents get children to read - off screens and into pages.  We talk about it - others DO something about it.  You might not expect to find Stephen Curry, the great pro basketball player, to be among that group.  However, Stephen and his wife Ayesha have a foundation - Eat.Learn.Play - and over the past few years they've given books every Christmas to every elementary school child in Oakland, California where Stephen started his pro career.  They invited us to Oakland to see the program in action.  Charlie went and had a chance to talk to the Currys about why they, like the two of us, think this issue is so critical. Find books mentioned on The Book Case: https://www.goodmorningamerica.com/shop/story/book-case-podcast-reading-list-118433302 Books mentioned on this week's episode: Shot Ready by Stephen Curry The Boy Who Never Gave Up by Stephen Curry I Am Extraordinary by Stephen Curry I Have a Superpower by Stephen Curry Charlotte's Web by E.B. White The Last Stop on Market Street by Matt De La Pena, illustrated by Christian Robinson Something, Someday by Amanda Gorman, illustrated by Christian Robinson Learn more about your ad choices. Visit podcastchoices.com/adchoices

I had the grand opportunity to cover the 50th Aniversary of the Toronto International Film Festival.  With animation being one of my favourite topics in the world, I am grateful that I was able to join this epic conversation and now share it with you. :) DIALOGUES: Creative Visions in Animated Feature Films is a specific TIFF (Toronto International Film Festival) event/panel where acclaimed directors like Domee Shi (Pixar's Elio), Mamoru Hosoda (Belle, Summer Wars), and Momoko Seto (Dandelion's Odyssey) discuss balancing artistic vision with studio realities, creative authorship, and the future of bold animation, showcasing diverse global perspectives. This dialogue offers insights into the challenges and triumphs of making visionary animated features, featuring both indie and major studio voices.  From intimate, auteur-driven projects to collaborations with major studios, discover how directors Domee Shi (Elio), Momoko Seto (Dandelion's Odyssey), Mamoru Hosoda (Scarlet), and Kid Koala (Space Cadet) balance artistic integrity with industry realities, and what it takes to make animated films that captivate audiences and spark global imaginations. Join us for a candid conversation about creative authorship, industry pressures, and the evolving space for bold, visionary animation. Domee Shi began as a story intern at Pixar Animation Studios in 2011 and was soon hired as a story artist on the Academy Award–winning Inside Out. She went on to work on The Good Dinosaur, Incredibles 2, and Toy Story 4. In 2015, she was greenlit to write and direct Bao, which won the Oscar for Best Animated Short. She made her feature directorial debut with 2022's Oscar-nominated Turning Red and most recently co-directed Elio, released June 2025. Born in Chongqing, China, and raised in Toronto, Shi now lives in Oakland, California. Momoko Seto was born in Tokyo and lives in Paris. She studied at Le Fresnoy - National Studio of Contemporary Arts. Her short film series Planet includes Planet Z (11) and Planet Sigma (15). The winner of the FIPRESCI Award at Cannes Critics' Week, Dandelion's Odyssey (25) is her feature film debut. Mamoru Hosoda was born in Toyama, Japan. He has worked on numerous animated series and directed the features One Piece: Baron Omatsuri and the Secret Island (05), The Girl Who Leapt Through Time (06), Summer Wars (09), Wolf Children (12), The Boy and the Beast (15) which played at the Festival, Mirai (18), and Belle (21). Scarlet (25) is his latest film. Kid Koala (Eric San) is a Montreal-based DJ, composer, and graphic novelist. He directed Space Cadet, his first animated feature based on his graphic novel, which premiered at the Berlinale and will have its North American Premiere at TIFF 50. Known for genre-defying albums and live shows, he has also scored acclaimed films, series, and video games. Moderator Theresa Scandiffio is the Associate Dean of Animation and Game Design at Sheridan College. Prior to joining Sheridan, Scandiffio led archival and curatorial projects at museums, festivals, and universities in Toronto, Chicago, and Orlando. From 2010–2020, Scandiffio was a member of the programming team that launched the Toronto International Film Festival's year-round home, TIFF Lightbox, where she led the Learning, Heritage, and Community Outreach divisions. Scandiffio served as an Ontario delegate for the 2015 Governor General Canadian Leadership Conference and was a 2017 Civic Action DiverseCity Fellow. She received her PhD in Cinema and Media studies from the University of Chicago. Key Participants & Films Mentioned: Domee Shi: Elio (Pixar) Momoko Seto: Dandelion's Odyssey (Indie/Artistic) Mamoru Hosoda: Scarlet (Japan's Studio Chizu) Kid Koala: Space Cadet (Independent)  Themes Explored: Creative Authorship vs. Industry: How directors maintain their unique style within large production environments. Industry Pressures: Navigating financial and commercial demands in animation. Evolving Landscape: The growing space for unique, visionary animation. Global Perspectives: Highlighting both auteur-driven projects and major studio collaborations.  Stay connected with me here:  https://www.instagram.com/shesallovertheplacepodcast

Send us a textThis week, Rich sits down with Rubicon Trail Foundation board member and Rubicon property owner, John Arenz. From high-adventure Scouting and early days as an EMT/paramedic in Oakland to a 30-year fire service career in Emeryville, John shares how the Rubicon became his lifelong anchor—every summer since 1983.Along with his personal history, John Arenz shares the Rubicon Trail Foundations stance on the re-route – why it's necessary and who's in charge. With John's history, he goes in-depth into the politics surrounding the Rubicon Trail.Support the show

Over the holidays, we're rebroadcasting some of our favorite interviews from 2025. After Alameda County recalled progressive District Attorney Pamela Price last year, the Board of Supervisors appointed Superior Court Judge Ursula Jones Dickson to replace her. Since taking office, Jones Dickson has reversed some of her predecessor's more liberal policies toward prosecutions. She joins Scott in studio to talk about her approach to criminal justice and public safety and the threat of President Trump's troop deployment to Oakland.  Check out Political Breakdown's weekly newsletter, delivered straight to your inbox. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's replay, one of the most popular episodes of 2025, features a profound conversation between Barry Barkan, visionary eldercare advocate and Pioneer Network co-founder, and AgingIN CEO Susan Ryan. These longtime friends discuss reimagining aging and the transformative potential of community, spirit, and consciousness. Barkan shares his journey from founding the Live Oak Institute to helping launch the Pioneer Network, driven by a belief that aging is not a problem to solve but a gift to elevate. He recounts his efforts to create a regenerative, inclusive community at the Jewish Home in Oakland—an idea that initially faced rejection but ultimately gained momentum and global influence, including a successful expansion into 15 homes in Israel. But this conversation goes beyond history. Barkan offers a deeply reflective vision for a paradigm shift—a movement from a worldview rooted in domination and separation to one grounded in interconnection, kindness, and sufficiency. He challenges listeners to see humanity as one living being, where every person and every creature matters. Together, Ryan and Barkan explore the concept of "Elder Awesome" and moving beyond traditional notions of "elder care." They also discuss the "Tao of Blessings"—a personal path to leave grace in every encounter Barkan offers his vision for communities and care environments rooted in equity, dignity, and accountability.

Hear how government funding, nonprofits, and media outlets intersect to create what Bruner calls “Riot Inc.” — a well-oiled system of activism, propaganda, and legal shielding. Then, go behind enemy lines with journalist Jonathan Choe, who infiltrated Antifa's anarchist book fairs in Seattle and Oakland.#antifa, #jonathonchoe, #seattle, #portland, #anarchistbookfair, #investigativejournalism, #victoriataft, #freepress, #domesticterrorism, #lawenforcement

Tom takes the guys down to LCA for our annual tilt against Oakland. Meanwhile, Fitz is filling out his coaching staff, to various degrees of fanfare. Then we talk about about Christmas, Jonesy almost cries, and we take your Twitter questions. Join us next week​⁠ on Twitter and IG @spartan_pod and @spartanpod on Bluesky.And watch again on YouTube at https://youtube.com/@spartan_pod

Bobby and Alex discuss the surprising news that Munetaka Murakami — once considered one of the top free agents on the market this year — has signed a two-year, $34 million contract with the Chicago White Sox. Then, they discuss the final luxury tax payment figures that came out this past week and what, if anything, it says that the Dodgers paid more in luxury tax than the bottom 12 teams paid in total payroll. Finally, they review the Tipping Pitches 2025 bingo card, a decently funny effort that ultimately flopped when it came to, uh, most of the things happening.Links:⁠⁠⁠⁠⁠⁠⁠Join the Tipping Pitches Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipping Pitches merchandise ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Call the Tipping Pitches voicemail: 785-422-5881Tipping Pitches features original music from Steve Sladkowski of PUP.