Podcasts about Fairyland

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Host Miko Lee celebrates AAPINH Month by interviewing Filmmakers: Sara Kambe Holland, Alleluiah Panis, and Kyle Casey Chu, also known as Panda Dulce. We also cover a bunch of AAPINH month events happening throughout the Bay Area.   Calendar of Events Community Calendar May 3 2-6pm Daly City AAPI Fest celebrating local Asian American & Pacific Islander culture in Daly City and the Greater San Francisco Bay Area     May 10 10am-12pm PT Our Heritage 5K 2025  a FREE, family-friendly 5K fun walk/run honoring the rich history and contributions of Asian American and Pacific Islander communities in San Francisco. This scenic route winds through the heart of the city, passing by over 16+ historic AAPI landmarks—featuring goodies, resources, and fun facts about its cultural significance. Expect cheer stations, photo ops, sweet treats, and entertainment along the route to keep the energy high! May 10th is also AAPI Mental Health Day! The Our Wellness Festival, will celebrate mental health, community, and joy. The festival will feature family-friendly activities, carnival-style games, music, dancing, wellness resources, and more! May 23 at 5:30 pm – 8:30 pm Asian American and Pacific Islander LGBTQ2S+ Mixer NJAHS Peace Gallery 1684 Post Street, San Francisco Children's Fairyland in Oakland, and Stanford's Asian American studies department host a series of events throughout the month that we will post in the show notes for you to check out.  Bay Area Public Libraries AAPI Month Oakland public libraries feature reading lists for all ages, a grab and grow seedling kit and events like watermelon kimchi making!San Francisco Public Libraries There will be events for all ages at Library locations throughout the City, including free author talks, book clubs, film screenings, crafts, food programs and musical and dance performances. San Jose Public libraries host a series of events with a highlights being Tapa Cloth making on May 6 and Vegan Filipino Cooking with Astig Vegan on May 7 Berkeley public libraries   CAAMFest 2025 United States of Asian America Through June 1    Transcript: Filmmakers Exploring Boundaries   Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:00:57] Welcome to Apex Express and happy Asian American and Pacific Islander Heritage Month. Even though the Trump administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion. Here at Apex Express and KPFA, we believe in lifting up people's voices. And tonight on Apex Express, we are focusing on Asian American filmmakers exploring boundaries. Host Mika Lee talks with filmmakers, creators, writers Sarah Kambe Holland, Alleluiah Panis, and Kyle Casey Chu, also known as Panda Dulce. Join us on Apex Express.    Miko Lee: [00:01:51] Welcome, Sarah Kambe Holland, the amazing young filmmaker, writer, director, here to talk about your very first film, egghead and Twinkie. Welcome to Apex Express.    Sarah Kambe Holland: [00:02:04] Thanks so much for having me.   Miko Lee: [00:02:06] So first I'm gonna start with a personal question, which is an adaptation from the amazing poet Chinaka Hodges. And my first question is, who are your people and what legacy do you carry with you?    Sarah Kambe Holland: [00:02:19] Oh wow. What a great question. , I think that I represent my family and my heritage. I'm mixed, so I'm half Japanese and half British. I grew up partially in Japan and partially in the States. I feel like those experiences, my family, they make up who I am and the stories that I wanna tell.   Miko Lee: [00:02:41] And what legacy do you carry with you?    Sarah Kambe Holland: [00:02:45] I think the legacy of my family, my grandparents on both sides have overcome so much, and, , they're a big inspiration to me. Funny enough, my grandparents play kind of a secret role in this film. My grandparents on my mom's side were incarcerated in the Japanese American camps. My grandmom, my British side overcame a lot of adversity as well in her life. , I think that's the legacy that I carry.    Miko Lee: [00:03:09] Thank you. Tell me a little more, what secret role do your grandparents play in the film?    Sarah Kambe Holland: [00:03:14] all my grandparents have always been very supportive of, my art and my filmmaking. But my grandparents on my mom's side, they passed away ahead of the making of this film. And I inherited my grandfather's car. And that car is the car in the movie that, Egghead Twinkie drive cross country. So I like to think that this is their way of supporting me. I think that they would get a kick out of the fact that their car is like a main character in the film,    Miko Lee: [00:03:41] literally carrying you on your journey. I had so much fun watching the film. Can you share with our audience a little bit about what the film is about and what inspired you to create this?    Sarah Kambe Holland: [00:03:52] So the film is called Egghead and Twinkie, and it's about this mixed Asian teenage lesbian named Twinkie who's coming out and her best friend Egghead, who unfortunately is in love with her and she does not feel the same. , and they end up going on this cross country road trip to meet Twinkie Online love interest IRL for the very first time. So it's kind of like a buddy comedy road trip movie. Coming of age queer story, , and it's one that's very personal to me, I think is a mixed Asian queer person. This was a story I was drawn to tell because it was a story that I didn't really see on screen when I was growing up.   Miko Lee: [00:04:30] Can you talk to me a little bit more about the use of the name Twinkie, which for many folks in the A API community is seen as a slur, and I know she talks about it a little in the film, but can you share more how you came up with that?    Sarah Kambe Holland: [00:04:44] Yes, it's a very nuanced thing and it's something I was kind of nervous to tackle, especially like in a comedy film. , but really with the creation of Twinkie's character, , I feel like she's going on this journey to embrace herself as a lesbian, as a gay woman, but then also I think that she's searching for herself as a mixed Asian person. I feel like within the Asian American community, if you're raised here in the US or if you're mixed or if you're adopted, I think that there can be this feeling of not feeling Asian enough. I think the word Twinkie was something that was kind of weaponized against her. Like, oh, you know, you're not Asian enough, you're a Twinkie. And her way of coping with that is to kind of reclaim that word and kind of own that. As her own name.    Miko Lee: [00:05:31] Thank you so much for sharing. I read online that this is the very first feature film to be crowdfunded on TikTok. Can you talk a little bit about, I know your background is in as a social media creator. Can you talk about that journey from social media creator to filmmaker?    Sarah Kambe Holland: [00:05:51] Yes. Yeah. TikTok and social media was such a big part of getting this film made. Uh, so for myself, yeah. I was a YouTuber before I was a filmmaker. I should be clear, I wasn't like PewDiePie or anything like that. I had like 40,000 followers. Um, but for me at that time when I was like 15, 16, that felt like the whole world. Um, and I think that YouTube was really my first introduction to. Storytelling, but also to making friends with people through the internet. And that ended up being a really big influence on this film because Twinkie is traveling cross country to meet a girl that she meets online. And I think that that is such a common story nowadays. Like people make friends online all the time. Um, and the ways that we find love and community has changed.Because of the internet. Um, so it felt very appropriate that we turned to TikTok turned to social media as a means to raise money for this film. Uh, we did a whole targeted crowdfunding campaign on TikTok and we raised over $20,000 from a lot of strangers that I will never meet, but I owe a lot of thanks to.   Miko Lee: [00:06:53] So now that the film has been going out to different festivals and being screened at different places, have any of those that participated in the crowdfund, have you met any of those kind of anonymous supporters?    Sarah Kambe Holland: [00:07:05] Yes. And that was crazy. it was awesome. We screened it over 40 festivals all around the world. Our international premiere was at the British Film Institute in London. And it was at that screening that someone raised their hand during the q and a and they were like, I just wanted you to know that I backed your movie, uh, and I found you on TikTok. And that just blew my mind that someone on the other side of the world, you know, had donated whatever, you know, 10, 20 bucks to making this thing a reality.   Miko Lee: [00:07:31] Oh, I love that when the anonymous becomes real like a person in front of you that you can actually meet. How fun. I'm wondering if your use of animation is, , been influenced by your social media background.    Sarah Kambe Holland: [00:07:45] Not really. Actually. I think the animation part of this film is just because I'm a total nerd. I really love animation, I love comics. And so that kind of bled into Twinkies character. You know, she loves comics, she wants to be an animator. And, uh, I think I've always been interested in the idea of combining 2D animation with live action footage. I feel like that's something that we see a lot in like children's movies or, um.Music videos, but it's not something that you really see in like, feature films all that often. So I was kind of excited to explore that, and it was a really fun collaboration with myself and our lead animator, Dylan Ello, who did most of the animations in the movie.   Miko Lee: [00:08:28] Oh, thank you for that. I, I, it was very delightful. Um, I'm wondering, because we're, our world right now is incredibly complicated and so conflicted. How do you feel filmmaking can make a difference?    Sarah Kambe Holland: [00:08:44] I feel like art is more important now than ever because I see even in just this film's journey how art literature and movies, it can change people's minds and they don't even realize that their minds are changing.I think especially with this film, 'cause it's so lighthearted and funny and silly, you'd be like, oh, it's just, you know, a good laugh and that's it. But, but not really. I've seen this film. Open doors and open conversations. And I think that that's really my hope is that maybe, you know, parents who have a queer kid and they're not sure what to do about it, maybe they'll watch this film and they'll be able to talk to their kid about things that maybe they're afraid to talk about. I think that art really has the power to, to change people's minds.    Miko Lee: [00:09:29] Have you experienced that with somebody that has actually seen your film, that you've had a conversation with them where they walked away, changed from seeing it?    Sarah Kambe Holland: [00:09:38] Well, on a very personal level, um, my parents, uh, are conservative and I think when I first came out to them, it was an adjustment for sure. Um, I. When I initially kind of pitched the idea of Egghead and Twinkie to them years, years ago, uh, as a short film, they were confused. They were like, why do you wanna make this film about being gay? Like, why do you have to make everything about being gay? And that's not really what it was. I just wanted to tell this story.  And it's been such an amazing journey to see my parents like fully embrace this movie. Like they are egghead and Twinkie biggest fans. They might love this movie more than me. Uh, so that has been really amazing to be able to kind of talk to them about queer issues in my identity through the making of this movie.   Miko Lee: [00:10:24] I love that. So let our audience know how they can see your film, egghead and Twinkie.    Sarah Kambe Holland: [00:10:31] So Egg and Twinkie is coming out on streaming platforms on April 29th. It'll be on Apple tv, Amazon Prime, uh, any video on demand streaming platform in North America.    Miko Lee: [00:10:43] Yay. And Sarah, what are you working on next?    Sarah Kambe Holland: [00:10:46] Oh boy, have a big question. Uh, I have a few screenplays in the works, one of which is a time traveling lesbian rom-com. So, uh, I'm waiting for when I get the big bucks so I can make my first period piece.    Miko Lee: [00:10:59] Love it. Sounds fun. , thank you so much for sharing with us. It was such a delight to see your film and I look forward to seeing more of your work.   Sarah Kambe Holland: [00:11:08] Thanks so much for having me, Miko. This was great.    Jalena Keane-Lee: [00:11:11] Listen to Kushimoto Bushi by Minyo crusaders, a Japanese cumbia band    MUSIC   Welcome back. This is the Powerleegirls on apex express, and that was Kushimoto Bushi by Minyo Crusaders    Miko Lee: [00:15:24] Welcome, Alleluia Panis, the Executive Director of Kularts to Apex Express.    Alleluia Panis: [00:15:30] Thank you. I'm so honored to be here.    Miko Lee: [00:15:34] I wanna talk with you about your film, but first I wanna start with a personal question, which is an adaptation from the amazing poet Chinaka Hodges. And that is, who are your people and what legacy do you carry with you?   Alleluia Panis: [00:15:49] Wow, that's deep who are my people? My people is my community. And so it is here in, in the diaspora, Filipino Americans, Asian Americans, and folks of color. And then of course the indigenous people in the Philippines. . What I carry with me and continues to inspire me on the daily is the knowing that we have been here for a long time. Our ancestors have survived eons of whether it's, good times and bad times. And so that keeps me going.   Miko Lee: [00:16:28] Thank you so much for sharing. you have been working in the field for a long time. You're really, , a trailblazer in terms of putting Filipino arts on the map and really lifting up the culture. Can you talk about your new film Memories of Mindanao, where that came from, what it's all about?   Alleluia Panis: [00:16:49] Is a leg of, , Tribo tour, which began in 2002. But actually inspired by my first trip to, , then the wild and being with in 1989 , and, , basically traveling and. Setting myself and my, my, my music and dance company at the time to just be with indigenous people. ,and how profoundly that particular experience really impacted me. For years I've been wanting to like, how can I bring this? Experience or share the experience with other diasporic folks. Fortunately I was able to connect with Carlo Abeo in the Philippines, who's been my tour manager, in 2001. And then in 2002 we embarked on the first, Tribo tour.   Miko Lee: [00:17:50] So this was an effort to really share this powerful kind of artistic travel journey with more folks. Is that right?    Alleluia Panis: [00:17:57] Yes. And it's actually beyond artistic. It's really about recognizing something deeper, right? Because our history of colonization is pretty intense. 500 years and or is it 400 years? Give or take, a century. And so there are a lot of things that had been co-opted. It has been erased, it has been gaslit. And fortunately, I feel like within the culture of the archipelago, there are, and even those. That are, of the, what is considered the colonized people or the Christianized people. there are practices that exist today that might have a different name, um, or but actually is indigenous and so, and only. Could I say that because I was able to really experience and be with folks and, uh, and it's years, you know, it's years of kind of like assessing and looking at you know, different, uh, practices. And so that is so I don't know. It's beyond gratifying. It's connecting. I mean, it seems so cliche. It's connecting with something so deep, you know, it's like connecting to, you know, to Mother Earth in, in that way our, our Mama Ocean. And recognizing yourself that, that you are bigger and have, and has agency, you know, in terms of just. What you are connected to, uh, what we are connected to. Um, and so it's, it's it, of course within the cultural practices, which is artistic practices that we see that connection.    Miko Lee: [00:19:40] You were looking at, the impact of colonization and how arts and culture has really spoke to that or fought back against that in the Philippines. Can you talk about bringing that over to our colonized United States and how you see that playing out?    Alleluia Panis: [00:19:58] Well, I think first of all as, um, as folks of color. And as former subjects of the United States, you know, 40 years of the US and still, still, um, you know, in some ways kind of soft power over the people of the Archipelago. It's, it's really, um, first and foremost knowing or getting that sense of connection and confidence and, um, self-identity. That leads, that would lead us to create, um, in the diaspora. And so what, what this pro with this project, this particular program does and, and I continue to prove it with so many folks, is that it's really. Kind of finding yourself, I mean, that, that seems so cliche and knowing your place in the world and how you are connected so deeply despite all the, you know, like all the brainwashing that you don't know anything. Everything is, uh, you know, everything that, that, that, um, that exists in terms of the cultural practices of the arch of the people of the archipelago are borrowed or, or, um. Basically borrowed or taken from another culture, um, really kind of diminishes that, that colonized thinking. And so I think the power of it is finding your stepping into your own power in this way. Um, and, and, um, you know, it is also not just the current, like in, in once lifetime do you get that abuse or trauma, but it's also all the. You know, the, the, the inheritance from our, you know, from our parents, from our grandparents, right? Great. Passed down the generation and, um, oftentimes construed as the real deal, unt true. And so, aside from the form. Aside from, um, the practices, because this trip is really a little, is is focused more on not learning or like, you know, we don't go to learn like dance music or. Weaving or, you know, design or anything like that. Yes, that happens. We do, we do have workshops, but you know, it's not like it's, it's more like opening the ice of each, you know, individual. I. To the, to the, the whole, the whole thing. What, what is the, the presence of nature is, are they water people? Well, how does the water impact the cultural practices and therefore the artistic practices, um, and understanding sort of like, oh, they, they do that kind of steps with the, you know, flat feet or whatever. Because the sound of the bamboo slats is just. Amazing, you know, uh, under their feet. And so it's not so much that I'm gonna learn, you know, x, y, Z dance or x, y, z music, music or gongs, or, but it's more like w. Through those practices, how do we see the people, how do they mirror our own existence? And what, what we can remember really is remembering, um, what my, what, what we have forgotten or what we know it's true, but we're not sure. So I dunno if I'm answering your question. It's a roundabout response.    Miko Lee:[00:23:26]  I feel like you're talking about how we step into our ancestral wisdom and power.    Alleluia Panis: [00:23:33] Correct.    Miko Lee: [00:23:33] And I'm wondering if you can expand on that,, to talk a little bit more about this time of oligarchy we are living in, which is really built in colonization. How do we both as artists use our superpowers to fight back against that and then encourage other people? How do we use our artist beings to encourage other people to fight back against the world that we're living in right now?  Alleluia Panis: [00:24:00] One of the most powerful impact on me , in experiencing, indigenous practices and culture is the practice of spirituality, the rituals, the ceremonies. There's one specific ceremony from Ana as a magana on ceremony, um, that really, It was just such a profound experience in opening up, my senses and my sense of connection to something larger than this. And, and the EPO and, um, there's several, um. Ritual practices with different names. It's basically similar, uh, practice, uh, is the connection to the five elements and the basic, um, um, and fundamental elements of life. You know, water, earth, wind, fire, and the darkness. The, there's a transcendence. Um. And that that discovery is a, or that connection, um, is something that's, it sounds really woo woo, right? I mean, um, but it really becomes kind of a, a, an experience, an embodiment experience, a belief in your own kind of intuition, your gut feeling. My, uh, my. Um, response, you know, to it, a physical response. And, um, that, that's become like a, a guide for, for everything that I do. And so, um, to me that that is the grounding that, um, has allowed me to continue the work that that. That I've been doing, continue living, period. And so it's really, I think the, a matter of really kind of like, knowing yourself, it just sounds all so cliche, you know? And, and, the power of, Really understanding that you have or I have a depth of connection, that I can draw from in terms of energy and spirit and love, that is beyond kind of the physical, but also the physical. And so for me, that sense of knowing. Is what is allowing me to continue doing what I do despite all the, you know, challenges and difficulties and, you know, the insanity of these times or any time. and having kind of that grounding, I mean, you, you, the, the, clarity, is everything. it allows me to. follow what seems to be the correct route to wherever I was going. it doesn't mean that it's, it's, I'm, I'm not working on it, you know, but I'm also not, not pushing in a way that, you know, I'm, I'm gonna make you believe in me and I'll, you know, like, sort of like, I will tell you what is the right thing and, and, and I will make you, um, agree with me. It, it's, it's not that. Um, I is, I dunno. Is that making any sense? Do you have any other,    Miko Lee: [00:27:24] you totally make sense to me. I'm wondering how people can find out how, how can people find out more about your film and about all of your work?    Alleluia Panis: [00:27:34] Oh, sure. people can find out about, my work and the film through, um, the website. It's, uh, KulArts SF dot org and, most of, if not all of my work, uh, and the work of others, are actually on there. There's a lot of information there. the, the film is gonna be shown at the Los Angeles Asian Pacific, film Festival May 3rd at, uh, a MC. Eight or 14 or is it in, Monterey Park and, folks can actually just find that information on our website as well.    Miko Lee: [00:28:13] And what would you like audience to walk away from your film with an understanding of?   Alleluia Panis: [00:28:21] I want the audience to feel the. Power of being there in TT T is the southernness most islands of, of the Philippines. And, not too many people actually go there. If you have seen the Sam Baja, um, you know, divers, uh, where they can dive for, I think they can stay from five to 15 minutes underwater without any, you know, oxygen or assistance. These are, these are the people who, who, uh, these islands belong to. and as usual, their, you know, their live livelihood is being challenged by everything that's happening in the world. And what the, the film itself, itself, is really trying to put, put the audience within the, you know, like the, I guess the, the shoe of the there and how, you know, their experiences. there's not a lot of explanation to it because we really want it to be a more visceral experience. for the audience,    Miko Lee: [00:29:22] is there anything else you'd like to share with us?    Alleluia Panis: [00:29:26] Let's keep on going. Let's, you know, we, we all, we all need to be in community to uplift each other and keep hope alive.    Miko Lee: [00:29:38] Thank you so much for joining us today and sharing a little bit more about your film and about your work and your connection to the ancestors and the need to move forward.   Alleluia Panis: [00:29:47] Appreciate you. Thank you, Miko.   Miko Lee: [00:29:51] Welcome Kyle Casey, Chu, also known as Panda Dulce to Apex Express.    Kyle Casey Chu: [00:29:57] Hi so much for having me.    Miko Lee: [00:29:59] We're so happy to have you back here, onto Apex Express Land and you have a bunch of new things happening, not just a new film, but also a new book. First off, I'm gonna just start with a personal question, which I ask everyone. Who are your people and what legacy do you carry with you?    Kyle Casey Chu: [00:30:16] Ooh, that's a juicy one. Um, my people, I would say my people are the weirdos and the art freaks of the world. Uh, queer and trans people, Asian Americans, queer and trans Asian Americans, people of color, people from the Bay Area. Um, people who have noticed the boxes that they're in and are pushing the walls and the boundaries of that. I feel like these are the people who really inspire me the most. In terms of the legacy I bring, I am a fourth generation Chinese American, uh, queer and trans femme person living in the San Francisco Bay area where I was born and raised.   Miko Lee: [00:30:56] Thanks so much for sharing. , first let's start with just finding out more about your film, which was based on a true story called After What Happened at the Library. This was a national story, I remember hearing about it, but for folks that don't know, can you describe the real incident that inspired the film?    Kyle Casey Chu: [00:31:14] So, I'm one of the founders of Drag Story Hour, which is exactly what it sounds like., drag queens reading stories to, , children and their families and libraries, bookstores and schools. In 2022, I took a gig in Pride Month at San Lorenzo Public Library, , where I was doing a drag story hour and the Proud Boys stormed in. They called me a tranny, a groomer and an it. They wore shirts saying, kill your local pedophile and I had to retreat to the back and lock myself in the back room. They scoured the premises looking for me. , the authorities showed up and didn't get any of their names or information, um, and just. Dispersed them. And after the incident, I came back to the reading room where the children and families were there, but shaken and I completed the reading.    Miko Lee: [00:32:05] Incredibly traumatic. What happened after that in real life?    Kyle Casey Chu: [00:32:10] It's funny that you, uh, because the short film is called After What Happened at the Library, uh, for a reason because I feel like it's natural as social creatures for humans to focus on the incident itself. We want to approach people with empathy and we want to, really put ourselves in their shoes, uh, to kind of be there as a support for them. What I wasn't prepared for was the gauntlet of media attention, how people would be coming out of the woodwork to ask me about the situation. They would send gushing praise, hate mail, death threats, love letters, care packages, and this wave of attention. Almost added to the overwhelm of the experience and the fact that I had suddenly become a figure and a lightning rod in a culture war when I just wanted to read a book in a library. 'cause that's what I was doing. Um, and not only this, but in the coverage of the event. Because the authorities were so slow to act on this and only started investigating it as a hate crime after it blew up on Instagram and they suddenly felt the heat of media attention. Um, I felt the, my only recourse was to go to the media and was to talk, and especially as a writer and a storyteller, I felt I needed to kind of sound the alarm because it was pride month.  This was the first, this was the inciting incident of a national, even international anti-D drag wave of right wing extremism. Um, it was a couple days later that the oath keepers were found planning some kind of resistance, like violent insurrection in before Ohio Pride. And so I would talk to these journalists and. I felt in the beginning I trusted them because, you know, I trusted that they wanted to get the word out, that they had the same intentions that I did in protecting my people. And what I found instead was that they kind of almost, they tried to elicit the most emotional response from me, which often involved asking me to relive the most excruciating aspects of that time and that experience. So I had to go back and revisit it over and over again. And when the stories actually came out, I'd found that my story was edited to suit another preconceived formula that they had already pitched a certain idea for how the story was would go. That painted me as this static monolithic victim. And they would just plug in one tearful soundbite and the rest of the story, they could just say whatever they wanted with.And there's a certain violence in that. There's a certain. Greater injustice to going through something like that, number one. But number two, telling your story and having that be distorted to suit other political aims or to, you know, buttress a call for public safety. And that specific dynamic of the direct aftermath of notoriety is what the short film gets at.   Miko Lee: [00:35:11] Oh so you're taking back your own story.    Kyle Casey Chu: [00:35:14] Absolutely. So after what happened at the library, the short film is a very much a radical reclamation of my own voice and my own story. Um, prying it back from the hands of the media and telling it on my own terms.    Miko Lee: [00:35:26] Thank you for that. And how has it been received   Kyle Casey Chu: [00:35:29] So far it's been received very well. The short film World premiered at Florida Film Festival in Orlando. Received a special jury prize for courageous voice in a time of great need, which is incredible. It's our first screening and we already got an award, which is so exciting. It just screened at SF Film on April 23rd as part of the shorts block. SF film is an Academy Award qualifying festival, and it is going to screen again at Can Fest, one of my favorite local festivals, the world's largest Asian and Asian American film showcase it's screening on Friday, May 9th at Kabuki and tickets are on sale.   Miko Lee: [00:36:11] Thank you for that. And can you tell us about your new book? This is very exciting. You have a coming of age story, the Queen Bees of Tybee County. Can you tell us about your book?   Kyle Casey Chu: [00:36:22] Absolutely. When it rains, it pours in creative worlds. I had a lot of irons on the fire and it just so happened that all of them were exhibiting or debuting or hitting shelves in the same week of April, which is last week. The Queen Bees of Tybee County is my debut novel. It's middle grade, so for ages eight through 12, though like a Pixar movie, it's for all ages really. Um, and it is a hopeful drag coming out story about a queer Chinese American seventh grade basketball star. Derek Chan, who is unceremoniously shipped off to his grandma Claudia's in rural Georgia, and she is volunteering for a local pageant. And so he. Explores his queer identity and his love for drag via Southern pageant culture.    Miko Lee: [00:37:09] Ooh, do we see a film of this in the future?    Kyle Casey Chu: [00:37:12] Actually, Queen Bees of Tybee County was optioned by Lambert Productions, which put on the Hardy Boys on Hulu. So it is on its way to becoming a TV show if every, if all the stars align, it'll be on TVs in the uk. Fingers and toes crossed for that.    Miko Lee: [00:37:27] Amazing. I'm looking forward to that. Can we pull ourselves out a little bit and talk about the times that we're living in right now and how artists use our super powers to fight back against the oligarchy that we're living in?    Kyle Casey Chu: [00:37:43] We all know, or perhaps should know that the beginnings of fascism involve suppressing intellectuals and artistic voices, increasing police presence and trying to maintain a stiff and consistent lid on the voices of the people. And so this type of suppression is happening right now. There are book bans across the country. , there are state and federal efforts legislatively to curtail the rights of trans kids and trans athletes, and Intellectuals, diplomats and scholars are all being expelled or suppressed, and I think something that I've learned is that, and it sounds really cheesy, but that quote is so real where it's like being brave isn't the absence of fear, but it's doing things in spite of it. I know it feels very scary to speak out right now, but now is the exact time to speak out because any. Ground that is seated cannot be taken back. And so holding of the line by way of protest, by way of publication, by way of dissenting is how we crack this. The armor of fascism.    Miko Lee: [00:38:55] And can you talk a little bit about the moment of joy or celebrating joy within the context of the strife that we're living in? I bring that up because , you've given me much joy as part of the rice rocketts and a lot of the work that you do. So I wonder if you could just talk about what does joy mean in the moment like this?    Kyle Casey Chu: [00:39:16] Yeah. I think. I have a background in social work and one of the first things that we learned is this is hard work. It is hard to always start on your back foot and to have to argue your own humanity and justify your existence as an artist or as a person. I found myself doing that when coverage of the library incident was happening and. One of the things that they tell you is the way that you do your best work and the way that you best serve your communities is by keeping your own self afloat. And what this means is maintaining a balance. When you have hard work, you also need to reward yourself. You also need to take care of yourself. And I don't think it's enough to just say self-care. You need to expose yourself, and you need to fully embrace the full spectrum of human emotion, which necessarily includes joy. And so. After completing such an intense project, like after what happened at the library, I knew that I needed to engage in something that was hopeful and that really struck the cord of why community is so vital and important, and why social support is integral to all of us thriving. And so the Queen Bees of Tubby County, I was told by a reviewer, and this is my favorite review, they said that it's like Chapel R'S Pink Pony Club. If it were a book. Um, and I'm going with that 'cause I love that. But this story is really just about hope. It's about friendship, it's about, it's about dancing towards the future we want. And I don't think it is enough for us to react. I don't think it's enough for us to strike down. Terrible and horrifying regimes. We also must have a vision for the future that includes ourselves thriving and enjoying ourselves. And I think a part of that practice for me is making art and scaffolding a vision for the future that is positive.    Miko Lee: [00:41:20] And what would you like people to walk away from after either reading your book or seeing your short film?   Kyle Casey Chu: [00:41:29] I think after seeing the short film. What this gets at is whenever there's a flashpoint of a culture war and it's localized on one person, whenever a culture war is personified in one singular person, like for example, ma Moon kil. There's only so much of his life that we get to see, and it's through the headlines and this viral moment of like a flash on the pan. And I want people to realize that the way that you interact with these people in that fleeting moment is going to stick with them long after this moment of notoriety passes. And. To be conscientious and aware of what impact you're bringing to that person because it may just be a moment or a blip in your feed, but the impact is enduring for the person who's living it. And I also want us to be critical of how we consume trauma and violence in the media, and to ask ourselves if. We really, truly need to get all the details if we really, truly need to be put, put that victim in the position of reliving their experience just so we can relive it for a moment. Whereas they will have to relive it for the rest of their lives. And I think survivor narratives and victim narratives are way more messy and complicated and sometimes funny than people give it credit for or realize. And to realize that when you are reading something. That is just one dimension in one shade. Uh, yeah. So that was a lot, sorry. But, um, the other thing is for the Queen Bees of Tybee County. And the reason why I wanted to end on that is because it's uplifting is as dark as the world can be. It can also be as dazzling and bright and hopeful, and that the future that we are fighting for is worth fighting for. And we need to remind ourselves of that. Especially in times like these, and I know it might seem counterintuitive for us to celebrate or to be around each other when it feels earth shatteringly bleak, but it is essential to our survival, and don't be afraid to embrace that.   Miko Lee: [00:44:00] Kyle, thank you so much. Kyle, Casey Chu, thank you so much for joining us on Apex Express. I encourage people to check the film out and the book out and we appreciate chatting with you.    Kyle Casey Chu: [00:44:11] Thanks so much.    Ayame Keane-Lee: [00:44:14] Kyle's film will be showcased at Cam Fest, the nation's largest showcase for new Asian American and Asian films, which runs from May 8th to 11th in San Francisco at a time when it feels particularly fraught to express stories from communities of color. Cam is doing what we've done for over 40 years, sharing films from Asian America to a wide array of audiences. It says, Cam's, director of programs, Dawn Young. Watching these stories in a theater full of friends and neighbors is an opportunity to laugh and cry, and ultimately to celebrate human experiences that transcend bounds. This year's festival will return to the A MC Kabuki in San Francisco's Japan town for opening night, and a total of four days of screenings in the historic neighborhood that is undergoing its own resurgence with new restaurants, cafes, and boutiques, highlighting both traditional and youth oriented culture. The Roxy Theater will also host three days of screenings. Cam Fest continues to strengthen ties with other local arts institutions with the Asian Art Museum hosting the Cam Fest gala. Following the opening night film on Thursday May 8th and SF M Om a opening the Phyllis Wa Theater for Mother's Day programming on Sunday, May 10th. Turning a lens on history, whether it's the end of the Vietnam War or the trailblazing women in the Bay Area, offers a chance to reconsider the stories through which we come to understand ourselves. Says Cam Fest program Manager Del Holton, ranging from intimate narratives of family and memory to experimental work that bends the conventions of storytelling. These films illuminate the many perspectives of Asian America.    CAAM Fest 2025 wraps up on Mother's Day with dedicated events that highlight strength and visionary artistry of Asian American women. You can also catch my sister Jalena Keane-Lee's film Standing Above the Clouds at 5:00 PM at the Kabuki. Honoring Mothering also includes celebrating the nurturing of community and pioneering of aesthetics. Cam's final day reflects on the contributions of Asian American women's work while looking to the future of storytelling. Another major multimedia arts, dance and music festival to check out is the annual United States of Asian America which runs through June 1st at venues around the Bay Area. This year's theme Critical Refuge asks us to reflect on our journey as immigrants, refugees, and generations of descendants and or mixed raced people in the diaspora as we seek necessary sanctuary within ourselves and in our communities in times of unrest and uncertainty. The festival will honor a API Arts and Culture, reflecting on where we have been, where we are now, and what our collective future holds, while acknowledging our roots as immigrants, refugees, and mixed race descendants. Also check out the 42nd annual Himalayan Fair in Berkeley's Live Oak Park happening May 17th and 18th. There will be Himalayan Food, handicrafts, music, and Dance. There are so many events happening in celebration of Asian American and Pacific Islander Heritage Month. Check out our show notes for links to all the wheelchair accessible events In addition to the films we featured tonight, camp Fest and United States of Asian America, there is also May 3rd, two to 6:00 PM daily city AAPI fest celebrating local Asian American and Pacific Islander culture in daily city in the greater San Francisco Bay area.    May 10th, 10:00 AM to 12:00 PM Our heritage, 5K 2025. A free family friendly, 5K fun walk slash run. Honoring the rich history and contributions of Asian American and Pacific Islander communities in San Francisco. This scenic route winds through the heart of the city. Passing by over 16 plus historic A API Landmarks featuring goodies, resources, and fun facts about its cultural significance. Expect cheer stations, photo ops, sweet treats, and entertainment along the route to keep the energy high. May 10th is also a API Mental Health Day. The Our Wellness Festival will celebrate mental health, community and joy. The festival will feature family friendly activities, carnival style games, music, dancing, wellness resources, and more. May 23rd at 5:30 PM to 8:30 PM Asian American and Pacific Islander, LGBT Q2 s plus Mixer, NJAHS, peace Gallery 1684 Post Street in San Francisco. Children's Fairyland in Oakland and Stanford's Asian American Studies apartment will also host a series of events throughout the month that we will post in the show notes for you to check out in Bay Area Public Library News. Oakland Public Libraries feature reading lists for all ages, a grab and grow seedling kit and events like Watermelon Kimchi making. San Francisco Public Libraries will have events for all ages at library locations throughout the city, including free author talks, book clubs, film screenings, crafts, food programs, and musical and dance performances. Highlights for adults include the launch of Corky Lee's Asian America at the main library on May 23rd. The new book features over 200 breathtaking photos celebrating the history and cultural impact of the Asian American Social Justice movement. We've covered Corky Lee's work in multiple previous Apex episodes.    Additionally, four members of the Asian American Journalist Association, AAJA, who cover the Asian American and Pacific Islander News beat will discuss how authentic local reporting happens, important stories they've reported recently, and how having reporters dedicated to the BEAT impacts the A API community on May 8th, moderated by the interim president of the AAJA-SF Bay Area chapter Harry Mock. The panel features Ko Lyn Chang from the San Francisco Chronicle, Han Lee from the San Francisco Standard, and Ravi Kapoor, CEO of Dia, TV on May 25th. The library partners with the Chinese Cultural Center of San Francisco to welcome Curtis Chin, author of everything I Learned, I learned in a Chinese restaurant for a book talk and library popup. For youth on May 25th, join June Jo Lee Food ethnographer and award-winning children's book author for a kimchi demo. Read aloud and krautchy making activity. Experience a read aloud of New Picture Storybooks for Children and participate in a drawing workshop on comics with illustrators mini fan and Sophie Dialo on May 23rd at Excelsior Branch Library. Katie Kwan, who has been featured on Apex dives into the world of comics and zines through the lens of an Asian American artist and educator, and teaches the community how to make their own comics and zines at multiple locations throughout May. San Jose Public Libraries host a series of events with highlights being top of cloth making on May 6th and vegan Filipino cooking with Aztec Vegan on May 7th. Once again, happy Asian American and Pacific Islander Heritage Month from us at Apex Express. Please do checkout CAAM Fest. May 8th through 11th in San Francisco. If you get the chance and you'll be able to see Kyle's film. As well as many other incredible AAPI, histories and stories. You can check out all of that community calendar info in our show notes, as well as information on all of the guests you heard from tonight.   Miko Lee: [00:51:55] Please check out our website, kpfa.org to find out more about our show tonight. We think all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. APEX Express is created by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tangloao, Cheryl Truong and Ayame Keane-Lee.        The post APEX Express – 5.1.25 – Filmmakers Exploring Boundaries appeared first on KPFA.

Join Sophie, Chloe, and Kimmy as they discuss Chloe's sudden burst of energy, the end of mini-episodes, and the devastating loss of Fairyland diapers!  Make sure to join the SubscribeStar to vote on this week's bet and get exclusive mini-episodes! ^_^Find us on BlueSky @theusualbet.bsky.socialEmail us at theusualmailbox@gmail.comSupport us at www.subscribestar.adult/sophieandpudding ★ Support this podcast on Patreon ★

Sorry for the bad and choppy audio

We close out the week in Oregon with singer songwriter one-man band It&i with songs Rednecks in Fairyland, The Quiver of Eros and Tangled In The Tongue

GOSH I WANNA BE AN AUTHOR SO BADD

In all the annals of Fairyland nothing is more wonderful—and the annals are found in many hundreds of volumes—than that chapter which tells of the reign of the true fairy King Oberon and his beautiful wife Titania, who is sometimes called Queen Mab. Marvellous are the doings of Oberon's little subjects in every land—good fairies and bad fairies, dwarfs, elves and sprites, brownies, pixies and gnomes, pucks, trolls and kobolds and Robin Goodfellow—and marvellous are the tales which have been told of them by travellers in the fairy realms. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In all the annals of Fairyland nothing is more wonderful—and the annals are found in many hundreds of volumes—than that chapter which tells of the reign of the true fairy King Oberon and his beautiful wife Titania, who is sometimes called Queen Mab. Marvellous are the doings of Oberon's little subjects in every land—good fairies and bad fairies, dwarfs, elves and sprites, brownies, pixies and gnomes, pucks, trolls and kobolds and Robin Goodfellow—and marvellous are the tales which have been told of them by travellers in the fairy realms.  Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In all the annals of Fairyland nothing is more wonderful—and the annals are found in many hundreds of volumes—than that chapter which tells of the reign of the true fairy King Oberon and his beautiful wife Titania, who is sometimes called Queen Mab. Marvellous are the doings of Oberon's little subjects in every land—good fairies and bad fairies, dwarfs, elves and sprites, brownies, pixies and gnomes, pucks, trolls and kobolds and Robin Goodfellow—and marvellous are the tales which have been told of them by travellers in the fairy realms.  Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In all the annals of Fairyland nothing is more wonderful—and the annals are found in many hundreds of volumes—than that chapter which tells of the reign of the true fairy King Oberon and his beautiful wife Titania, who is sometimes called Queen Mab. Marvellous are the doings of Oberon's little subjects in every land—good fairies and bad fairies, dwarfs, elves and sprites, brownies, pixies and gnomes, pucks, trolls and kobolds and Robin Goodfellow—and marvellous are the tales which have been told of them by travellers in the fairy realms.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In all the annals of Fairyland nothing is more wonderful—and the annals are found in many hundreds of volumes—than that chapter which tells of the reign of the true fairy King Oberon and his beautiful wife Titania, who is sometimes called Queen Mab. Marvellous are the doings of Oberon's little subjects in every land—good fairies and bad fairies, dwarfs, elves and sprites, brownies, pixies and gnomes, pucks, trolls and kobolds and Robin Goodfellow—and marvellous are the tales which have been told of them by travellers in the fairy realms.  Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In all the annals of Fairyland nothing is more wonderful—and the annals are found in many hundreds of volumes—than that chapter which tells of the reign of the true fairy King Oberon and his beautiful wife Titania, who is sometimes called Queen Mab. Marvellous are the doings of Oberon's little subjects in every land—good fairies and bad fairies, dwarfs, elves and sprites, brownies, pixies and gnomes, pucks, trolls and kobolds and Robin Goodfellow—and marvellous are the tales which have been told of them by travellers in the fairy realms.  Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Fairyland Festival in Puerto Vallarta is less than TWO weeks away, and I couldn't be more excited to be part of this legendary lineup! To get you in the mood, I'm dropping a fresh house vibes promo set filled with the energy and grooves you can expect on the beach! This festival is going to be one for the books, and I can't wait to share the decks with incredible talent while bringing my sound to the dance floor. Hope you enjoy the beats, turn it up, and get ready for Fairyland!

This week the story is from H.G. Wells. "Mr. Skelmersdale in Fairyland" was published 1901 in The London Magazine. Email us at 5050artsproduction@gmail.com. Remember to tell five friends to check out Campfire Classics. Like, subscribe, leave a review. Now sit back, light a fire (or even a candle), grab a drink, and enjoy.

Self-Published Children's Author, Vonnie Bolton, whose two delightful storybooks, "Today in Fairyland" and "Friends in Fairyland", are filled with beautiful illustrations.

***This episode has been our Jonah and has been cursed from the beginning! We are re-releasing it because the first version had fuzzy audio***Chris and Simon wind up the old gramophone and share some numbers from angelic choirs, the nodding ones beyond the grave, and from the rarely good people in the hollow hill. Sing along with a banshee! Trill to a phantom air from Dartmoor! Rhapsodize over an orca's mermaid song! And shake your tambourine at yellow bats, breeding foxes, Dolly Parton and finger-chewing nereids! Are our listeners in harmony with the Music of the Spheres or are these mysterious melodies something more mundane? Kudos also to our organ player from Ohio and to the poltergeist who follows us through the recording BibliographyParacoustics: Sound & The Paranormal, edited by Steven T. Parson s & Callum E. CooperMusic from Elsewhere, Haunting Tunes From Mythical Beings, Hidden Worlds, and Other Curious Sources, Doug Skinner, 2024. Has music notation. “anomalous music”  including fairy, trow [troh or trouw ow and troll music, Spiritualist music, “music of the sky people”No Earthly Sounds- Faery Music, Song & Verse, John KruseMusic and the paranormal : an encyclopedic dictionaryMelvyn J. Willin (Author)Shaman of Oberstdorf: Chonrad Stoeckhlin and the Phantoms of the NightBy Wolfgang Behringer chapter on unearthly music in the AlpsThe Music of “An Adventure”, Ian Parrott, 1966Barbara Hillers: “Music from the Otherworld: Modern Gaelic Legends about Fairy Music” in Proceedings of the Harvard Celtic Colloquium, Vol. 14 (1994), p59Ríonach Uí Ógáin: “Music Learned from the Fairies” in Béaloideas Bay la Gish 60-61 (1992-3), pp197-214 Chapter on fairy music in The Peat-Fire Flame: Folk-Tales and Traditions of the Highlands & Islands, Alasdair Alpin MacGregor 1937https://archive.org/details/peatfireflamefol00macg/page/30/mode/2up?q=gigha&view=theaterLovely and Mysterious: The Music of Fairyland, Chris Woodyard, Fortean Times October 2014NAD A study of Some Unusual “Other-World” Experiences, D. Scott RogoNAD Vol. 2 A psychic study of the “Music of the Spheres”, D. Scott RogoMusica Trascendentale, E. Bozzano, 1943

Detective Nick Dublin investigates a mysterious death in a gritty city on the border with the fae realm. Check out Fairyland Confidential by Nick Wedig. Helen Clare As Janet Burd Jacob Thomas As Moe Darlington Scarlett Estevez As Eglantine Elise Soeder As Della Graves Karen Michelle As Catalexis Kris Carr as Olivia Burd Logan Pietz as Tamburlaine A special shout out to my friends at Speak Friend Studio for teaching and coordinating these amazing voice over artists. Music: Tunereel.com Support those affected by the Los Angeles Fires: Los Angeles Fire Department Donation Fund.⁠ ⁠Pasadena Humane Society⁠ ⁠American Red Cross⁠ ⁠General GoFundMe for Wildfire Relief⁠ ⁠California Fire Foundation⁠

Don't forget to comment your favorite music artist(s) Hope you enjoy

The Trooth About The Tooth: The Beginning Santa And His #1 Elf Kindle Edition by Barry Fillier Amazon.com tooth-trooth.com Come with Santa on a new adventure as he journeys to Fairyland. With the help of Mother Nature and the forest fairies, Santa is introduced to the magical powers of the Tooth Fairies who turn baby teeth they collect, into fairy dust. With the magic of fairy dust, Santa and his reindeers are able to fly around the world and visit more children every year. This is how Santa is magically able to deliver gifts to many home, with or without chimneys

Hope you enjoy

tME sits down with longtime mountain resident Mr Chandler Rennick to hear all about the upcoming car race on Lookout Mountain which will 100%, directly benefit the LMS and Fairyland, elementary schools.*********************************************************Many thanks for his time and a job very well done to Chandler. This is a fantastic episode for parents with children who may welcome a fun, challenging activity for these colder winter months - and the great news as Chandler explains is the ease and structure of how it all works. Thanks in large part to his team/ board and community members, this event is planned as a win-win for all involved - see if you know any of these mountain folks - bet you do.Listen in and hear how to learn more, how to participate and when and where the fun will occur. Sounding like a seasoned radio personality, Chandler effortlessly eases the listener through the entire event from all aspects - alpha to omega.  There are some steps you will want to click on and easily complete and the cost is very doable - this event is about supporting our community schools and this simply offers a smart and fun way to do that support. Kudos to Chandler and his talented and supportive wife, Jamie Ann who was instrumental in the event ever happening in the first place. Thank you, Jamie Ann.Helpful info:Chandler Rennick  - CRennick1@gmailwww.EventBrite.comSpread the word! Find us at ...theMountainEcho.orgPlease "Like" and 'subscribe' for notification of new episodes on your media player's podcast menu. Also, on regular, full length, non-bonus episodes, many thanks for closing music featuring the Dismembered Tennesseans and vocals by the amazing Laura Walker singing Tennessee Waltz. Opening fiddle music played by the late Mr. Fletcher Bright.

This episode sponsored by Mountain Lights and Safety.20th Anniversary of the 'New' Great Pumpkin re-start in 2004Dedication: This episode is dual-dedicated to both the late Mrs. Wright of Fairyland and the late Gilbert Stein of Marvin Lane, creator of this wonderful event.Please join in and give a quick listen to hear all about this mountain tradition - the Great Pumpkin (of Fairyland). History, tradition and great memories all combine to make this event a must attend for everyone at least once if not every year. Children of all ages, 1 - 100, please come out and see the joy on Marvin Lane as the fun and awe return this Halloween for everyone. Doug Stein, a longtime friend and close associate of The Pumpkin, will share info on when to come and how to get there and what parents can expect.This has been a fun event that mountain children often refer to, once grown, as some of their great memories from growing up in our community. Parents, please bundle up and come by - you will be very glad you did. Again, many, many thanks to Doug Stein and his family for this gift to our community. Spread the word! Find us at ...theMountainEcho.orgPlease "Like" and 'subscribe' for notification of new episodes on your media player's podcast menu. Also, many thanks for closing music featuring the Dismembered Tennesseans and vocals by the amazing Laura Walker singing Tennessee Waltz. Opening fiddle music played by the late Mr. Fletcher Bright.

Website: https://chthonia.netPatreon: https://patreon.com/chthoniaMerch: https://chthoniapodcast.creator-spring.com/School: https://instituteforfemininemyth.orgThis week we look at the "Quene of Elfame", the later popular spelling being "Queen of Elphame," or the queen of the land of fairies. But what is "Elphame"--is it a kind of pagan paradise between Heaven and Hell, an interdimensional space under the sidhe (mounds) of Ireland, or a beautiful illusion created by fairy beings--or something else? And what do we mean by the term "fairy"? We look at the appearance of the term Queen of Elphame in witch trial documents, in poetry, and its use by imaginative historians of paganism. We do take a little bit of a side turn into witchcraft history and the confusions created by Robert Graves, who is responsible for our common associations with the name.

Episode 141: Straight to the Moon with Shannon TaylorAll the way from Oakland, California, Shannon Taylor joins the ladies of Off the Easel! Catherine Moore and Skye Becker-Yamakawa have a wonderful time interviewing one of the hardest-working artists around. Shannon is the Director of Restoration at Fairyland in Oakland, California, and also serves as the Assistant Chair and a professor at the California College of the Arts in San Francisco. In addition to her administrative and teaching roles, Shannon maintains her own art practice, with multiple solo and group exhibitions lined up throughout the year. Tune in this week as Shannon shares insights into her artistic process, creative journey, daily routine, and so much more. Be inspired by the incredible Shannon Taylor!Check out Skye's and Catherine's work at:Skye Becker-Yamakawa IG: https://www.instagram.com/skyesartshop/ Web: http://www.skyesart.com/ Catherine Moore IG: https://www.instagram.com/teaandcanvas/ Web: http://teaandcanvas.com/ Polka Dot Raven IG: https://www.instagram.com/polkadotraven/

*Podporte podcast Vertigo v aplikácii Toldo a získajte prístup k extra obsahu na sme.sk/extravertigo V novom Vertigu vás čakajú recenzie všetkých noviniek. Určite vás zaujíma, čo si myslíme o divokej čiernej komédii Tima Burtona Beetlejuice Beetlejuice v ktorej sa hlavný hrdina Michael Keaton vracia po 36 rokoch k svojej evidentne obľúbenej postave. Videli sme aj nemeckú komédiu Fakjú princezné, ktorá nadväzuje na komédie Fakjú pán profesor a bol to teda ťažko definovateľný zážitok. Pozveme vás však do kina aj na dôležité filmy - slovenský koprodukčný dokument Pokiaľ ja žijem, tuniskú festivalovú metafyziku Za horami, ale aj na nezabudnuteľný tanečný dystopický experiment – Zenit. Nevynecháme ani nové seriály – Pačinko a Zlodeji času. Podcast Vertigo a našu prácu môžete podporiť cez aplikáciu Toldo na sme.sk/extravertigo a dostanete sa tak aj k bonusovému obsahu. V extra obsahu pre predplatiteľov sa tentoraz zameriame na tvorbu výnimočného amerického režiséra, scenáristu, animátora, producenta Tima Burtona. Kapitoly: (kapitoly v epizóde môžu byť v niektorých prípadoch o pár sekúnd posunuté) (00:00) Úvod (01:31) Beetlejuice Beetlejuice  (10:55) Zenit / Zenith  (15:39) Pokiaľ ja žijem  (20:36) Za horami / Oura el Jbel  (25:58) Fakjú princezné / Chantal in Fairyland  (31:44) Pasca na myši / The Mouse Trap  (37:02) Pačinko / Pachinko  (42:44) Zlodeji času / Time Bandits  (46:09) Záver _ Ak nám chcete napísať, ozvite sa na vertigo@sme.sk _ Ďakujeme, že počúvate podcast Vertigo a zaujímate sa o filmový svetSee omnystudio.com/listener for privacy information.

The Metal Exchange Podcast guys discuss Circus Maximus' 2012 release, "Nine". Justin's Recommended Track: Used Chris' Recommended Track: Architect of Fortune Listen to "Nine": ⁠ https://open.spotify.com/album/76EumV1zraJuYfmvozXw8R https://www.circusmaximussite.com/ https://www.facebook.com/circusmaximusband/ *Become a Member of our Patreon* ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/TheMetalExchangePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ *Purchase our theme song - "The Blade of Nicchi" ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://taliesin3.bandcamp.com/track/blood-sky-the-blade-of-nicchi-feat-micheal-mills⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ *Other Band Mentions* Sirenia: https://sirenia.no/ & https://www.facebook.com/sirenia Paralydium: https://paralydium.com/ & https://www.facebook.com/paralydium Fairyland: https://www.fairylandband.com/ & https://www.facebook.com/Groupe.Fairyland.Officiel Primal Fear: https://primalfear.de/ & https://www.facebook.com/PrimalFearOfficial Devin Townsend: https://hevydevy.com/ & https://www.facebook.com/dvntownsend Sebastian Bach: https://www.sebastianbach.com/ & https://www.facebook.com/sebastianbach *Join us at The Metal Exchange* ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/MetalExchange⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://metalexchangepodcast.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/TheMetalExchangePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/metalexchanges⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/themetalexchangepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/MetalExchangePd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/user/4tn81zpim10zdl0qu1azagd8o⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.reddit.com/r/MetalExchangePodcast⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/themetalexchangepodcast/support

http://www.UnderThePuppet.com -  Luman Coad is a puppeteer who spent several years as the director of The Storybook Theater at Children's Fairyland in Oakland, California.  He used the skills learned there to found his own puppet company Coad Canada Puppets, that produced over 30 different puppet shows and traveled around the world performing them.  He's worked in TV and Film and is the founder of Charlemagne Press, a publisher that specializes in books about puppetry.  I talk to Luman Coad about all this and more on this episode of Under The Puppet. Plus, hear more of my conversation with Luman Coad exclusively on the free Under The Puppet app for iOS & Android! IOS - https://apple.co/2WZ4uZg ANDROID - https://bit.ly/2RwcFev Connect with : Books - https://www.amazon.com/Books-Luman-Coad/s?rh=n%3A283155%2Cp_27%3ALuman+Coad IMDB - https://www.imdb.com/name/nm0167540/ World Encyclopedia of Puppetry Arts - https://wepa.unima.org/en/coad-canada-puppets/ Discussed on the show: Happy Hollow Park - https://happyhollow.org The Storybook Theater at Children's Fairyland - https://fairyland.org/events-and-performances/puppet-shows/ Charlemagee Press - https://www.charlemagnepress.com Connect with the Show: http://www.instagram.com/underthepuppet https://www.facebook.com/underthepuppet http://www.twitter.com/underthepuppet Connect with Grant: http://www.MrGrant.comhttp://www.twitter.com/toasterboy https://instagram.com/throwingtoasters/ Art by Parker Jacobs Music by Dan Ring Edited by Stephen Staver Help us make more shows like this one.  Become a patron of Saturday Morning Media and get cool rewards!  Visit www.patreon.com/saturdaymorningmedia for info! ©2024 Saturday Morning Media - http://www.saturdaymorningmedia.com  

When teachers noticed that children in Oakland preschool and kindergarten classrooms were not engaging in imaginative play or interacting with each other as much after the pandemic, staff at Children's Fairyland, a local theme park, turned to an old favorite — puppets. Children and adults have been enthralled by Fairyland's handmade puppets and original puppet shows for decades. Now, they can try their own hand at puppetry and bring their own stories to life. How does puppetry and other imaginative play help children learn and grow? And how can schools use this type of arts education in the classroom? Guests: Jacqui June Whitlock, Puppet education specialist, Children's Fairyland Karen D'Souza, Reporter, EdSource Read more from EdSource: Puppetry is far more than child's play for young learners in Oakland Education Beat is a weekly podcast hosted by EdSource's Zaidee Stavely and produced by Coby McDonald.

http://www.UnderThePuppet.com -  Bob Mills is one of, if not the original Disneyland puppeteers, performing marionette shows at the park starting in 1957.  Before that he puppeteered at Children's Fairyland in Oakland, CA and before that he was the resident puppeteer and clown for the TV show Just Kids which broadcast every weekday in Hawaii.  Bob would later step away from puppetry to do make-up for some of the biggest stars in film and television.  I talk to Bob Mills about all of this and more on this episode of Under The Puppet. Plus, hear more of my conversation with Bob Mills exclusively on the free Under The Puppet app for iOS & Android! IOS - https://apple.co/2WZ4uZg ANDROID - https://bit.ly/2RwcFev Discussed on the show: Bob Baker Marionette Theater - http://bobbakermarionettetheater.com The Secrets of Making Marionettes by Rufus Rose - Part I - https://books.google.com/books?id=u94DAAAAMBAJ&lpg=PA119&pg=PA119#v=onepage&q&f=false Part II - https://books.google.com/books?id=xt8DAAAAMBAJ&lpg=PA283&pg=PA283#v=onepage&q&f=false Children's Fairyland - https://fairyland.org Disneyland - https://disneyland.disney.go.com Photos courtesy of Bob Mills & Randal Metz Connect with the Show: http://www.instagram.com/underthepuppet https://www.facebook.com/underthepuppet http://www.twitter.com/underthepuppet Connect with Grant: http://www.MrGrant.comhttp://www.twitter.com/toasterboy https://instagram.com/throwingtoasters/ Art by Parker Jacobs Music by Dan Ring Edited by Stephen Staver Help us make more shows like this one.  Become a patron of Saturday Morning Media and get cool rewards!  Visit www.patreon.com/saturdaymorningmedia for info! ©2024 Saturday Morning Media - http://www.saturdaymorningmedia.com  

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The Metal Exchange Podcast guys discuss Skid Row's 1991 release, "Slave to the Grind". Justin and Chris' Recommended Track: Wasted Time Listen to "Slave to the Grind": ⁠https://open.spotify.com/album/35XOihxzj9XxmK4j1DFW3E https://www.skidrow.com/ https://www.facebook.com/skidrow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ *Become a Member of our Patreon* ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/TheMetalExchangePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ *Purchase our theme song - "The Blade of Nicchi" ⁠⁠⁠⁠⁠⁠⁠https://taliesin3.bandcamp.com/track/blood-sky-the-blade-of-nicchi-feat-micheal-mills⁠⁠⁠⁠⁠⁠⁠ *Other Band Mentions* VOLA: https://www.volaband.com/ & https://www.facebook.com/volaband Powerwolf: https://www.powerwolf.net/ & https://www.facebook.com/powerwolfmetal TImo Tolkki: https://tolkki.org/ & https://www.facebook.com/tolkki777 Seven Spires: https://www.sevenspiresband.com/ & https://www.facebook.com/sevenspiresband Ensiferum: https://ensiferum.com/ & https://www.facebook.com/Ensiferum Fairyland: https://www.fairylandband.com/ & https://www.facebook.com/Groupe.Fairyland.Officiel/ Alterium: https://www.alterium.band/ & https://www.facebook.com/alterium.band Yngwie Malmsteen: https://www.yngwiemalmsteen.com/ & https://www.facebook.com/officialyngwiemalmsteen Pretty Maids: https://prettymaids.dk/ & https://www.facebook.com/prettymaids *Join us at The Metal Exchange* ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/MetalExchange⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠https://metalexchangepodcast.com/⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/TheMetalExchangePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/metalexchanges⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/themetalexchangepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/MetalExchangePd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/user/4tn81zpim10zdl0qu1azagd8o⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.reddit.com/r/MetalExchangePodcast⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/themetalexchangepodcast/support

Polar ice caps are melting. Huge swathes of the world are sweltering under record high temperatures. But how do you talk about climate change to children, the ones who will inherit this changing world of ours?

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Dive into literary adventures with Have U Read, the Monthly Book Club brought to you by your pals at UP UP & AWAY!  Each month we're shining a spotlight on a fantastic Graphic Novel for the ultimate group read and lively discussion. For May, we're discussing vol. 1 of I Hate Fairyland by Skottie Young. Find Us Online at the Following Outlets  Website :: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠upupandawaycomics.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  YouTube :: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/@upupawaycomics⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook ::  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/upupawa⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠y and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/uuablueash⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Instagram :: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/upupawaycomics⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Twitter :: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠twitter.com/upupawaycomics⁠

Enjoy your magical adventure in Fairyland with a friendly ogre named Boris, a talking frog called Nigel and the Fairy Princess!   This Sleep Story is great for: Sleep, Anxiety, Stress, Worry, Relaxation and expanding the imagination! You can find many more Sleep Stories and Meditations by downloading our app for Free: https://www.newhorizonholisticcentre.co.uk/newhorizonapp

With the weather warming up, now is the perfect time for a deep dive into Lake Merritt (not literally!). First, this episode explores the wild side of this body of water (which is technically a tidal estuary) with Constance Taylor, a naturalist with California Center for Natural History. Next, I interview C.J. Hirschfield, former director of Children's Fairyland, about the enchanting amusement park that's been entertaining families on the shores of Lake Merritt since 1950. Listen now to hear about the origin of the lake's geodesic dome, the real story behind Walt Disney's “inspiration,” and much more. Don't forget to check out the trailer for the upcoming documentary Reflections on Lake Merritt: https://www.gofundme.com/f/CreativeDiasporas Follow East Bay Yesterday on Substack to receive news about upcoming events, tours, and other local history news: https://substack.com/@eastbayyesterday Special thanks to the sponsors of this episode: UCSF Benioff Children's Hospitals Oakland and the Berkeley Art Museum and Pacific Film Archive. To get tickets to Children's Hospital Oakland's upcoming event at the historic Fox Theater, visit: https://www.notesandwords.org/ To learn more about BAMPFA's summer program, which features the films of Les Blank and much more, visit: https://bampfa.org/film

Find a deep calm in the enchanted fairyland within the forest, where the magical music intertwines with the gentle whispers of the trees and the soothing songs of birds. This soundscape will transport you to a realm of wonder and serenity.Want access to an ad-free, 8-hour version of this episode? Try Deep Sleep Sounds Premium free for 7 days: https://sleepsounds.supercast.com/.Create a mix of your favorite sounds by downloading the Deep Sleep Sounds App at: https://deepsleepsounds.onelink.me/U0RY/app.Having an issue with Deep Sleep Sounds or want to ask us a question? Check out our Frequently Asked Questions. 

A few years ago, when traveling anywhere was out of the question because of you-know-what, many homeowners thought of turning their own yards into destinations worthy of traveling to--and the staycation was born. My backyard was a blank slate full of weeds. I wanted a place outside that was worth traveling to, a yard that reminded me of places I'd been to and loved--Clear Lake, the working-class resort of my early childhood with its woods and hammock; Olympic National Forest; Glacier National Park; the Japanese Garden in San Francisco and Spokane; and finally, Children's Fairyland in Oakland and anything Alice in Wonderland. I'm too scrawny to dig a hole deeper than three inches, so I hired a landscaper to plant the trees I bought. In my usual getting-carried-away habit, I eventually ended up, in a medium sized backyard, with 2 redbud trees, 3 magnolias, 7 dogwoods, and 13 Japanese maples, all different. After they were planted, I told the trees, "You're on your own." I didn't want to have to actually work in my yard. I'm all for no-maintenance gardening here. The trees had to take care of themselves. It was a transactional relationship between me and my trees. I give them dirt; they give me beauty, shade, and supplemental oxygen. I wasn't going to fuss over them, water them, hug them--or prune them. I'm not a gardener. I'm a stay-at-home tourist.

It's time to go back to Fairyland! We loved the first volume of Skottie Young's I Hate Fairyland when we read it back in 2020, so we thought we'd check out volume 2. Will the art still manage to simultaneously be cute and grotesque? You know it! Also, we begin our next long read with Thunderbolts #1 by Kurt Busiek and Mark Bagley, with villains posing as heroes. How devious! Next Time: X-Men - God Loves, Man Kills  

Os dejamos nuestro repaso semanal de novedades y recomendaciones para que tengáis la pila de lecturas siempre ocupada y al día. Marvel Arts: El Viaje del Superhéroe I Hate Fairyland 5 El infierno de Gert Shadowman: El Libro de las Sombras La Imparable Patrulla Condenada Perros El Nido The Forgotten Blade Universo Sandman: Los Detectives Muertos Daredevil de Frank Miller y Klaus Janson. Obras Maestras Marvel Daredevil: Amor y Guerra/ Elektra Asesina (Marvel Gallery Edition) Las Crónicas de Fellspyre Grandes Novelas Gráficas del Universo DC: Odisea Cósmica Geiger Star Wars. Vector La sabiduría de los mitos 03 y 04. La Iliada y la Odisea Lord Gravestone 3. El Emperador de las Cenizas

After their own Marvel-DC crossover event, Doc and Friar get back to discuss killer indie titles.

Act Four of Five: Cameron and Jess get their first taste of Fairyland. The mortals and Graham all get their targets in sight.Coming next on 20 February – Vicious cuts (Vigil Backstage)Programme notesThis production contains fantasy violence, gun violence, strong language, family tragedy and malicious fearmongering.Luvvie alert! We simply must introduce you to Of Dice and Them, where Jack, Ralph, Lou, Tove and Bambi they laugh in each other's faces and try to get through a session where no one beefs it. Contains frustrated swearing, light-hearted DM bullying, and far too much owl-based combat.Dramatis personae and other definitionsCameron Jarvis: An intense young man, obsessed with monster hunting since his parents and sister were killed by ghouls while camping outside Sherrydown.Jess Butterworth: A twenty-something shift worker, Sherrydown born and bred. While working the tarot tent at Amazement Park, she was approached by Kit, a being claiming to be her spirit guide.Graham: The demon equivalent of an accountant, summoned to Earth in error and now trying to make the best of it. He is destined to bring about the Apocalypse.Department of Omissions (DO, DoOm): The UK government department tasked with preventing harm to citizens from supernatural phenomena. Severely defunded under Tory austerity policies and currently prioritising major urban population centres.Sherrydown, Brackshire: A historic English market town. One of the first towns to lose its DoOm office.Omission effect: The rejection of certain beings and phenomena by long-term memory. Can be suppressed by concentration, mnemonic techniques, hypnosis, trauma, or the light of the full moon.CreditsCOMPERE: Matt BoothmanSTARRING:Chris Starkey as Cameron Jarvis, the WrongedEllen Gould as Jess Butterworth, the SpookyAlexander Pankhurst as Graham, the Summonedwith additional voices by Natalie WinterROLEPLAYING GAME SYSTEM: Monster of the Week, designed by Michael SandsMUSIC BY: Alexander PankhurstSOUND DESIGN BY: Matt BoothmanEDITED AND PRODUCED BY: Matt BoothmanFind usOn Instagram @MerelyRoleplayersOn Tumblr @merelyroleplayerswww.MerelyRoleplayers.com

I am without much voice today so I'm rebroadcasting an early episode. Believe me, none of us want to hear my "Easy like Sunday morning" today. And because it was the Grammys yesterday and a lot of people are talking about them, I thought I'd reshare this one. * In the old times, the fairies roamed the green hills. They were powerful and mischievous. There were many varieties of fairy – with different specialties but the power they principally possessed was something called glamour. It was an enchantment that placed a sparkling illusion over a human's eyes. The glamour made the ugly beautiful. It made the empty full. It turned a pile of old shoes and tin cans into a pile of gold shoes and diamond glasses. It turned a heap of ashes into a scrumptious looking cake and murky dirty water into rich red wine. Fairy gold is not real gold. It is something that has been glamoured. Most humans are powerless to resist the glamour and some are trapped in Fairyland forever, having eaten a mouthful of ashes or followed a trail of gold right into a trap. But a few humans see through the glamour, past the shine over their eyes, to whatever lies behind it. Perhaps those humans have a little bit of fairy in them themselves, so they see the trick. I imagine myself as one of those with a little fairy in my blood, stumbling into fairyland with my friends and watching, in horror, as they all fall under the enchantment of the glamour. I imagine I'd try and stop them, like Caliban in The Tempest, trying to convince his colleagues that finery they see “is but trash.” But it's no use. They are lost. Perhaps it's better to be under the spell, to be convinced that the shine around you is real and beautiful and all for you. Grammys 2018.“Music's Biggest Night.”“Glitter and glamour on the red carpet.”“Emotional Star-Studded”“Powerful Moments” I was there.  To read more of The Glamour of the Grammys, visit the Songs for the Struggling Artist blog. This is a re-broadcast of Episode 82 Song: The Glamorous Life Image of a Grammy winer eating on the floor by me, Emily Rainbow Davis To support this podcast: Give it 5 stars in Apple Podcasts. Write a nice review! Rate it wherever you listen or via: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ratethispodcast.com/strugglingartist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join my mailing list: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.emilyrainbowdavis.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Like the blog/show on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/SongsfortheStrugglingArtist/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support me on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/emilyrdavis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Or help me pay off my tickets to and from Crete on Kofi: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://ko-fi.com/emilyrainbowdavis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or PayPal me: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.paypal.me/strugglingartist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join my Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://emilyrainbowdavis.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow me on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@erainbowd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Me on Mastodon - @erainbowd@podvibes.co Me on Hive - @erainbowd ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pinterest⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Tell a friend! Listen to The Dragoning ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (it's my audio drama) and support via Ko-fi here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/messengertheatrecompany⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ As ever, I am yours, Emily Rainbow Davis

Act Three of Five: The Conductor warns Cam and Jess about the perils awaiting in Fairyland. As if the journey aboard the ghost train wasn't perilous enough.Coming next on 13 February – Vigil: Fear Itself, Act 4Programme notesThis production contains fantasy violence, gun violence, strong language, family tragedy and malicious fearmongering.Luvvie alert! We simply must introduce you to Billowing Hilltop: Dungeons and Dragons played by ancient British idiots. Expect some silly voices, rules mongering and a lot of laughs plus the occasional terrible song.Dramatis personae and other definitionsCameron Jarvis: An intense young man, obsessed with monster hunting since his parents and sister were killed by ghouls while camping outside Sherrydown.Jess Butterworth: A twenty-something shift worker, Sherrydown born and bred. While working the tarot tent at Amazement Park, she was approached by Kit, a being claiming to be her spirit guide.Graham: The demon equivalent of an accountant, summoned to Earth in error and now trying to make the best of it. He is destined to bring about the Apocalypse.Department of Omissions (DO, DoOm): The UK government department tasked with preventing harm to citizens from supernatural phenomena. Severely defunded under Tory austerity policies and currently prioritising major urban population centres.Sherrydown, Brackshire: A historic English market town. One of the first towns to lose its DoOm office.Omission effect: The rejection of certain beings and phenomena by long-term memory. Can be suppressed by concentration, mnemonic techniques, hypnosis, trauma, or the light of the full moon.CreditsCOMPERE: Matt BoothmanSTARRING:Chris Starkey as Cameron Jarvis, the WrongedEllen Gould as Jess Butterworth, the SpookyAlexander Pankhurst as Graham, the SummonedROLEPLAYING GAME SYSTEM: Monster of the Week, designed by Michael SandsMUSIC BY: Alexander PankhurstSOUND DESIGN BY: Matt BoothmanEDITED AND PRODUCED BY: Matt BoothmanFind usOn Instagram @MerelyRoleplayersOn Tumblr @merelyroleplayerswww.MerelyRoleplayers.com

Elizabeth Jane Howard, born on March 26, 1923, in London, England, was a distinguished English novelist known for her versatile literary contributions. Howard began her career as an actress and model before venturing into writing in 1947. Throughout her prolific career, she penned 12 novels, with her most acclaimed work being the five-volume family saga, 'The Cazalet Chronicles.' Her narrative prowess was not confined to family sagas, as exemplified by her collaboration with Robert Aickman on the collection 'We Are For The Dark: Six Ghost Stories,' published in 1951. Although she gained widespread recognition for her family sagas, Howard's foray into the supernatural, as evidenced by 'Three Miles Up' and other stories, showcased her ability to masterfully blend genres and explore the complexities of human relationships. Elizabeth Jane Howard was secretary of the Inland Waterways Association. Ghost stories and the Inland Waterways Association (IWA) share a curious connection, intertwining literature and the preservation of Britain's canal  heritage. This connection is particularly evident through notable figures such as Robert Aickman, L. T. C. Rolt, and Elizabeth Jane Howard, each leaving a unique mark on both realms. Elizabeth Jane Howard's creative collaboration with Robert Aickman resulted in the publication of 'We Are For The Dark,' a collection that marked a significant departure from both authors' conventional works. Released in 1951, the anthology features six ghost stories, three contributed by each author. Notably, the book was published during their romantic relationship. Robert Aickman describes her as “one of the most brilliant [of women]” and a bit of a looker “so beautiful that continuous problems arose, especially when, at a later date, she joined the Association's Council. Little in the way of completely normal business was possible or sensible, when she was in the room. … By merely existing, she promoted loves and hates which, through no fault of hers, left some who felt them, fevered and wasted”. My reading of Three Miles Up is that it is a modern fairy story where Sharon represents one of the fae and leads them into The Perilous Realm. Fairyland is not always a beautiful alluring place, it can be a place of horror and strangeness. We cannot trust the Good People, no matter how fair they seem. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Stories Come to Life. I am your host, Kathryn Lopez Luker. When another white stag appears, the court of King Arthur again sets off in pursuit of high adventure. This time, the quest comes to Sir Geraint, who defends the honor of the queen. Then we learn about Sir Lancelot of the Lake, who lived an idyllic childhood in Fairyland before becoming a Knight of the Round Table.Now sit back, relax, and listen to this story come to life.Listening to audiobooks really does count as reading, and there's no better way to relax than to hear Stories Come to Life! Let me know what you think! Please send an email to me at kluker@marshallpl.org. I'd love to hear from you!

Sfinga and B. Key are joined by their dear friend, the impeccable sorceress, Fairy Seer, and Trollkvinne Rose Aurora. Trained in trolldom, rootwork, and a sorcerous lineage of Celtic origin, Rose brings her deep erudition and practical cunning to evaluate some of the prominent tropes about the Fair Folk. How do the Good Neighbours differ from spirits of land and nature? How are the living and the dead alike abducted into Fairyland? What are the most important taboos and misconceptions about the nature of these mercurial beings? When exactly is a changeling just a glamoured log? Support us on patreon.com/TheFrightfulHowls and follow us at twitter.com/FrightfulHowls.

KCBS Radio's Foodie Chap Liam Mayclem speaks with the star of Children's Fairyland and host of Oakland's Magic Kitchen, Quercus.

This week's guest is Max Moon of Max Moon Games. We talk about his latest project Abyss of Hallucinations (Kickstarting via Exalted Funeral now), Book of Lies, The Demon Lord Expansion for Twelve Years RPG, Fairyland, and Cthulugans.Support the Abyss of Hallucinations Kickstarter here!Fully funded and all stretch goals are unlocked!Follow Max: Website - Instagram—This immaculate, gold-plated room has 1d100 gold heads scattered around the floor. Gold fairies are stoned and having a good time. They're making these heads as macabre costumes, with their head through a hole in the top, arms through the ear holes and their legs coming out of the neck hole. They can fly while wearing the heads. They'll offer you their fairy weed and try to talk you into the hotbox.The Hotbox: This phone booth sized box has three chambers. The topmost contains molten gold in a magic crucible above the door. Below that is a chamber large enough for a human to stand in. Once the door is closed, the molten gold is poured over their head. A guillotine mechanism severs the head and contains it in the “head chamber.” A trap door grate opens beneath the chamber, dropping the body down a chute into the compactor pit filled with waist-deep, gold-flecked blood. The walls then compact to turn the corpse into a meat cube, then eaten by an amorphous carrion devourer made primarily of eyeball stalks.Art: Tiger Wizard  Words: Steve AlbertsonStory by: Andrew Bellury, Steve Albertson, Max MoonANNOUNCEMENTSDungeon Cats pre-launch page is now live on the Epic Level's Kickstarter!We'll be be at PAX Unplugged in Philadelphia from Dec. 1st-3rd.Two new poster adventure maps are now available for purchase at Exalted Funeral.—Thanks for listening to Season Two of the Epic Levels Mad Dungeon podcast, where D&D hip hop group Epic Levels and a guest create a dungeon room.You can support us via Patreon. Get nerd merch and stay up to date with socials: HEREMad Dungeon is hosted by Andrew Bellury, Steve Albertson, and produced by Zach Cowan.Theme song by Epic Levels and beat by Inner Resting.© 2023 Epic Levels. All characters in this adventure–even those based on real people–are entirely fictional.

For generations, parents have been taking their young kids to Children's Fairyland, a storybook-themed amusement park next to Oakland's Lake Merritt. So what's the 'Once upon a time...' of this beloved East Bay cultural gem, which may even have inspired Walt Disney? Reporter Pauline Bartolone takes a journey with her own little one to learn about Fairyland's 72-year history. Additional Reading: Read a transcript of this episode The Bay Curious book is out now! Get your copy. Enter our Sierra Nevada Brewing Company monthly trivia contest Your support makes KQED podcasts possible. You can show your love by going to https://kqed.org/donate/podcasts This story was reported by Pauline Bartolone. Bay Curious is made by Olivia Allen-Price, Amanda Font, Christopher Beale and Brendan Willard. Additional support from Cesar Saldana, Jen Chien, Katie Sprenger, Jasmine Garnett, Carly Severn, Jenny Pritchett and Holly Kernan.