Podcasts about zines

"The more pictures you see, the better you are as a photographer”. - Robert Mapplethorpe "It's a weird combination that makes a great picture. It's a complete mystery to me." - Alec Soth   In this episode, Antonio and Ward talk about recent exhibitions, photobooks, and the ongoing evolution of their work. Ward shares his experience seeing large Fred Herzog prints in person and describes the impact of standing in front of that rich, immersive color. The conversation also turns to Tetsuo Suzuki's latest book and the emotional intensity that can come from sequencing images into a cohesive, almost psychological body of work. Antonio reflects on presenting “The Fourth Epoch” to the Park West Camera Club, discussing what it means to publicly trace the arc of his creative life and speak openly about transition and change. Along the way, they briefly touch on the visual possibilities of photographing hockey, but the heart of the episode centers on seeing, sequencing, and how photographers make sense of where they've been—and where they're headed. Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page.   Subscribe to us on: Apple Podcasts Spotify Amazon Music iHeart Radio Deezer Podcast Addict

On Season 9, Episode 2 of The Surviving Siblings Podcast®, host Maya Roffler is joined by Earla Dawn, who shares the story of losing her sister, Leigh-Ann, to pancreatic cancer. Earla takes us back to their childhood on the prairies, four siblings, endless fun, and the kind of relationship that started with "fighting like cats and dogs"… and grew into a deep, lifelong bond. Leigh-Ann was the polished one, the "always put together" sister, a devoted mom, a dog lover, and a woman who reinvented her life, starting over after divorce, and eventually moving across the world to Spain in 2006. Even with an ocean between them, their connection never faded. They learned Skype, relied on phone calls and letters, and stayed emotionally close until a fall visit home revealed something no one was prepared for: a growth on Leigh-Ann's pancreas. What followed was a short, devastating season filled with advocacy, tenderness, quiet courage, and moments of unexpected beauty. This episode is a powerful reminder that grief isn't just about the diagnosis or the timeline it's about the small moments you carry forever: the way you follow your sibling's lead, the calm you create for them, the love in the room, and the way connection can exist even without words. In This Episode: (0:00:00) – Meet Earla and Remembering Leigh-Ann Earla shares their family dynamic, childhood memories, and how their relationship evolved over time. (0:01:30) – From the Prairies to Spain: A Sisterhood That Stayed Close Leigh-Ann's big life moves, her reinvention, and how distance didn't break their bond. (0:04:00) – Subtle Symptoms and the Turning Point Leigh-Ann's ongoing stomach issues, declining stamina, and the moment she learned about the pancreatic growth. (0:06:30) – "I Looked It Up Once… and Never Again" Earla reflects on the shock of Dr. Google, the fear that followed, and what she learned about living day-by-day. (0:08:00) – The Worst Day: "It's All Over" An oncologist appointment confirms the terminal diagnosis and Earla shares why not having an exact end date changed everything. (0:09:30) – Following Leigh-Ann's Lead Earla explains how she honored Leigh-Ann's choices, advocated for information, and created a calm, sacred space at home. (0:11:30) – Palliative Support and the Permission of Time The practical support that helped their family breathe and why planning ahead reduced panic later. (0:14:00) – The List for Life (Not a Bucket List) Leigh-Ann's wishes: connection, warmth, marriage, travel and the decision to take a "honeymoon" to Hawaii. (0:17:30) – Love, Humor, and the Moments That Stay Earla shares an unforgettable experience of wordless connection laughing together in the quiet. (0:20:00) – Her Final Days and a Peaceful Death What it looked like, what helped, and why Earla believes we need to talk more honestly about end-of-life moments. (0:22:30) – A Room Full of Love: Ritual, Meditation, and Goodbye Earla guides a meditation after Leigh-Ann's passing and describes the gentle, meaningful way they honored her. (0:26:00) – Grace in Grief: Caring for Yourself While Losing Your Person Earla shares what "giving yourself grace" looked like in real life including rest, boundaries, and self-trust. (0:31:00) – Zines, Creativity, and Finding a Way Forward How small, simple storytelling (zines) became an accessible form of grief processing and a bridge back to hope.   This episode is sponsored by The Surviving Siblings® Connect with Earla:  Instagram: https://www.instagram.com/sibling.grief.buds/ Earla's Book: https://www.amazon.ca/dp/0973216239?ref_=pe_93986420_774957520   Connect with Maya: Podcast Instagram: https://www.instagram.com/survivingsiblingspodcast/ Maya's Instagram: https://www.instagram.com/mayaroffler/ TikTok: https://www.tiktok.com/@survivingsiblingspodcast Twitter: https://x.com/survivingsibpod Website: thesurvivingsiblings.com Facebook Group: The Surviving Siblings Podcast YouTube: The Surviving Siblings Podcast Patreon: https://www.patreon.com/TheSurvivingSiblingsPodcast  

This is Part 3 of a short series where I'm sharing how I've been using mini zines to generate ideas, make connections, and get accidentally creative in unexpected ways. In this post, I'll take you through two exercises focused on making connections and using observations to better understand your relationship with the areas of life, challenges, and decisions on your mind. https://www.youtube.com/watch?v=JsbkFmEgs14 Exercise One: Word Association to Make Connections The core purpose here is playful exploration. This is about loosening the grip of overthinking and perfectionism and seeing how ideas might link up. Start by folding and cutting a mini zine from a single piece of A4 paper. (If you need guidance, refer back to the first part of this series or click below.) Pick a word to begin. I used sensitivity as an example, but it can be anything. Write it on the first page, then move through the zine using simple word association with one word leading to the next until each page contains a word. Once each page has a word, you can play with them… 1. Use Each Word for Self-Reflection Go through each panel and ask: If this word relates to something in my life right now, what could it be pointing to? 2. Expand Each Word Outwards Build around each word. Interpret it from different angles: How do we use this word? What does it remind you of? What is its opposite? Fill the page with associated words and doodles. 3. Combine Words (Jazz Fusion Style) Pair words from different pages. For example, combine 1 and 9, 2 and 10, 3 and 11, and so on. Then explore what each combination brings up. You might end up with things like: Sensitivity profit Microphone tax Sing pressure Talent show cooker Some will feel absurd. Some will spark something unexpectedly useful. There's an abundance of combinations. (Also good if you're looking for a band name.) You can create another mini zine and dedicate a page to each combination. You don't have to choose just one way of playing. Try one, or all of them. The aim is to make connections you wouldn't have made through deliberate logic alone. Exercise Two: Using Objects as Metaphors to Make Connections This second exercise helps you explore your relationship with a specific area of life or situation. We'll keep this one simple and use just one side of the zine. Step 1: Choose Your Objects Pick seven ordinary objects from around you. Don't overthink it. It helps if you can place them in front of you. Step 2: Choose an Area to Explore Select an area you want to understand more clearly. For example: My health My creativity My work Or something more specific, like a decision you need to make or a challenge you're navigating. Write the topic on the front. Step 3: Draw and Reflect On the next seven pages, draw one object per page. As you draw, consider: What is it used for? How does it help? What features does it have? How does it feel, smell, or look? Then go back through and ask: If this object were a metaphor for my creativity (or whatever topic you chose), what would it show? This is where you start to connect the physical items with your internal landscape and the situation you’re exploring. Deepening the Connections Once you've done all seven objects, reflect: What themes repeat across multiple objects? If I were to focus on one area first, what am I drawn to? One approach I love is adding these objects to a visual map. I treat each one as a region in a larger territory and play with the links between them. This creates a visual representation of where I am in relation to my challenges, desires, and options. The purpose isn't to force answers. It's to see your position more clearly so you can navigate it more meaningfully. There are no hard rules here. Follow your intuition. Let your imagination carry you. The point is to make connections that help you see where your strengths, resources, and choices fit with the bigger picture. If you try either of these exercises, I'd love to hear how you get on. Send me a message here.

Kobolds have been a part of Dungeons & Dragons forever, but they often time get no love. Well the Grumpy Dungeon Masters are here to change that! Also we have even more Zines for Zine month and we even talk miniature wargaming!

Video Version: https://www.patreon.com/posts/kb-102-bator-bro-150953764 Nick woof joins us to explain both Bating as a fetish but also The culture around Bator Parties. Bator Bro info: https://linkin.bio/batorbro/ Good boys: https://kinkyboyspodcast.com/good-boys/ Chapters [00:00:00] – Baitor Bros [00:01:19] – What Is a Bating Bro Party? Jerk-Off Club Rules, Tantric Touch & Body Fetishes [00:09:49] – Who Comes to Bating Bro (and Why): Sober Play, ADHD Focus, Safety, Ritual & Inclusion [00:34:00] – Edging as Philosophy [00:40:31] – From Pandemic to IRL Community: Building Bating Bro + New Venue, Website & Zines

Here is a follow-up to my previous video, in which I explored how I use foldable mini-zines to generate creative ideas. This time, I share two specific approaches I’ve found helpful for brainstorming and expanding ideas. The first is about expanding ideas in playful, often surprising ways. The second focuses on generating questions for personal inquiry, which I use to better understand and navigate challenges, decisions, and obstacles that leave me feeling stuck. Whether you want a creative way to spend a few minutes, free up your thinking, or shake some stagnation out of a project, these practices are simple and adaptable. https://www.youtube.com/watch?v=8H1lAByXzJU Exercise One: Expanding Ideas From the Inside Out This first exercise begins with a single prompt. The aim is to write one associated thought on each panel of a folded mini-zine. If you need instructions on how to fold and cut the mini-zine, watch the first video. For my example, I'm using our current Haven theme, Unfinished Maps. You can use any topic at all. If you'd like to keep it light, just pick something in the room that catches your attention. A standard mini-zine has 15 inside panels (not including the cover), leaving plenty of space to think literally, laterally, humorously, absurdly, or tenuously. Phase One: Generate Set a timer. Five minutes works well for me. It keeps me from overthinking while giving enough time to fill each panel. The aim is to let your first thoughts hit the paper without editing. Write down whatever comes to mind, however surprising or unrelated it may seem. You might notice memories, old stories, or long-forgotten ideas resurfacing. Pay attention to how words sound. Is there a pun to be played with? Or an alternative spelling? Phase Two: Expand Once every panel has something on it, spend a few minutes building on each idea. I usually give 3–5 minutes per panel. Stay focused on the single idea in front of you rather than how it connects to the original theme. Let your mind make associations and see where they lead. Phase Three: Bring It Home If it feels useful, finish by reflecting. Hold each panel up against your original prompt and ask: What stands out? Are there patterns emerging? Which threads feel alive? What might be worth carrying forward? You're not forcing conclusions. You're simply noticing what has energy. That's it. Here's what came out for me… Exercise Two: Brainstorming Questions for Personal Inquiry The second exercise aims to help with brainstorming questions for personal inquiry. It's especially helpful when you want to open up a line of questioning around something specific: for example, a decision, a challenge, or an area you want to explore more intentionally. Questions are great for widening our perspective. They help us see familiar terrain from new angles. My example prompt for this one is: I've Lost My Momentum. As before, I fold a blank A4 sheet into a mini-zine and write the topic on the front. This time, instead of filling each panel with ideas, I fill them with questions. I spend around 10–15 minutes generating one question per panel. These are questions I would genuinely love answers to. Here's what I came up with… I enjoy this approach because it gives me up to two weeks of journal prompts on a single theme. After writing the questions, I usually refine them slightly so they feel open, clear, and relevant. You can respond in whatever format suits you. I tend to bring one question into my morning journaling practice and see where it leads. It often feels like turning on a tap: insights connect, and new perspectives emerge naturally. Play, Experiment, and Adapt These exercises are shared as inspiration, not rigid instruction. They are methods I've found effective for expanding ideas and deepening personal inquiry, and I encourage you to adapt them to your own rhythms and preferences. Notice what works and what doesn't. Adjust the timing. Change the prompts. Make it more visual, more absurd, more structured: whatever suits you. These are playful, exploratory processes. They aren't outcome-driven or designed to guarantee a specific result. Often, the most valuable insights arrive as by-products: unexpected connections that emerge when given enough space.

Toshio Meronek's parents met at a bar. In this episode, meet and get to know Toshio. Today, they do Sad Francisco, a really fucking amazing project that reports on and holds truth to power around here. I first became aware of Sad Francisco a few years ago and right away, I was struck by the deep reporting on and understanding of the many complex relationships and goings on in San Francisco and The Bay. And so I sat down with my fellow podcaster to get to know the human behind those efforts. Toshio's story starts with their parents. That bar where they met was in Los Angeles. Shortly after meeting, the couple moved to Germany, where Toshio's dad had found work at a major German tech company. But after getting pregnant with Toshio, the young couple came back to Southern California—Orange County to be exact, where Toshio was born. Some of Toshio's earliest memories involve not really digging that infamous SoCal heat. We'll get into this more later in Part 1, but Toshio picked Portland for college in part because of its more temperate, albeit wetter, climate. Born in 1982, Toshio did most of their growing up in the Nineties. When I ask them what kinds of things they were into as a kid, they immediately say, "zines." Making zines, collecting zines, living and breathing zines. We hop on a short sidebar about Riot Grrrl, a Nineties feminist punk-adjacent movement that seeped into both our lives at different points—mine early in the decade, and Toshio's toward the end of the Nineties. Riot Grrrl arrived in the typically and generally conservative Orange County later than a lot of other parts of the country and the world. But arrive it did, and it had an outsize impact on Toshio's young life. Zines were huge in that subculture, too. To expound on their interests as a kid, Toshio was generally into media, curious about how others live, and also sci-fi and fantasy (think D&D). Toshio was around 13 or 14 when they started writing their own zines. Here we go on a sidebar about one of my favorite pet topics—Kinko's (RIP). IYKYK. Eventually, Toshio eschewed the ubiquitous copy+print shop and had their zines printed on newsprint paper. It was part of a deliberate attempt to appear legitimate, more like "the establishment," something I find fascinating. They wanted people to take them seriously, and that just makes a lot of damn sense. Music was very much a part of the Riot Grrrl movement Punk rock music to be specific. And Toshio's early publications covered that. In fact, topics ran the gamut from music and politics to culture and community. We turn to the topic of Toshio's surroundings when they were a teenager. Record stores, zine shops, cafes that also had live music. They dabbled in the SoCal rave scene as well. They settled into the Candy Kids rave subculture and talk a little about that. There's another short sidebar where we talk about how amazing youth activism is, and how much we always need it. As much as young Toshio was part of these communities and subcultures, they also describe this time in terms of being a loner. They also experienced a lack of self-confidence, lots of acne, therapy to work through their being Japanese and white, or hafu (another term for "hapa"), being gay. Though Toshio has grown past those struggles, they consider them powerfully formative. Then came time to relocate and go to college. Besides Portland having more desirable weather, Toshio chose it in part because of the Northwest's grunge legacy. College life started right around 9/11, and they started going to protests. Lots of protests. College lasted four years, and after that, Toshio stayed behind in Portland. They got work at a magazine covering ecology for K–12 kids. They were also in bands (they play guitar, ish, sing, and play tambourine). "It felt like everybody was in an alt-country band," they say. And then, in 2006, they left Portland for … San Francisco. An editing job brought Toshio here. The publication was a so-called "light-green living" outfit, targeted, as it said, to yoga moms who drive their hybrid SUVs to Whole Foods. I ask Toshio if the job was editing words, and then mention that it's been my profession for a long-ass time. And we go on a sidebar about how important the work is. I'll add that everyone (including editors!) needs an editor. Sorry (not sorry), AI. That leads to yet another sidebar (can you tell we're both podcasters?)—this one from Toshio about the nature of the "yoga mom" publication. They grew disillusioned with their work there, suffice to say. We end Part 1 with Toshio's early memories of visiting San Francisco, before they moved here. They involve the older men who used to be found daily playing chess off Powell and Market. Check back Thursday for Part 2 with Toshio Meronek. We recorded this episode at Toshio's home at the confluence of The Transgender District, Tenderloin, UN Plaza, and Civic Center in January 2026. Photography by Jeff Hunt

“Your photography is a record of your living, for anyone who really sees.” – Paul Strand "We are judged, not by the photographs we take, but by the photographs we show." – Ted Grant   In this episode, Antonio and Ward move from recent shoots into a thoughtful conversation about what photographers are really responding to when they raise the camera. Antonio shares his growing excitement around astrophotography, from capturing Jupiter's moons to photographing the Orion Nebula for the first time, and how even familiar subjects feel personal when you experience them firsthand. He also talks about a recent portrait session that reminded him how much intuition, pacing, and human connection still matter in photography, no matter how advanced the tools become. The heart of the episode revolves around a simple but powerful idea: photographers often end up photographing their own temperament. Ward reflects on how darker, moodier work in Japan drew him in based on what he was feeling and noticing in the streets, while Antonio connects his quieter Brooklyn images to the grief and inward focus he was living through at the time. Together, they explore how environment, emotion, curiosity, anxiety, and even life transitions subtly shape what each photographer sees and chooses to frame. Rather than chasing trends or external goals, the conversation lands on the idea that our photographs often mirror where we are mentally and emotionally — whether we realize it or not. Addendum: Yes, Antonio is fully aware that there are words ending in double “ff.” His brief confusion is being attributed to something like lack of sleep, brain fog, or possibly too much Banff-adjacent riff-raff talk. It happens. Forgive and move on.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page.     Subscribe to us on: Apple Podcasts Spotify Amazon Music iHeart Radio Deezer Podcast Addict

Do you want to generate ideas quickly, without overthinking, without requiring perfection, and without using AI tools? One-page mini-zines are great for brainstorming and exploring things with both speed and depth. In this post, I want to show you how I use this medium not only to structure our Haven zine, but also to develop its topics and prompts. Mini-zines can be a great tool to carry in your back pocket (literally!) for processing, planning, and expressing yourself in different contexts It often helps me when my mind is drawing a blank, and I want a low-stakes way to expand how I think about parts of life that feel stuck and in need of a shake-up. At the end, we will do a quick, easy exercise together to get some creative juices flowing without using much brainpower, if you’re up for it. https://youtu.be/CFzQZcNf4QA What is a mini-zine? If you’ve never seen one before, a mini-zine is folded and cut to form a booklet you can hold in the palm of your hand. My favourite way to do it has eight panels that become pages. It is also reversible, so you can use sixteen pages from a single sheet of paper. The nature of zine-making is that there are no rules. As long as you have something to write with, you can turn a piece of paper into a mini-zine. No extra tech or tools required. Here is the basic folding method I use Folding a One-Page Mini-Zine Fold the paper in half lengthways. Fold that in half. Fold it in half again. Unfold it all and fold it like a booklet. Cut the fold down the middle halfway to the intersection of the fold across. Open it out and squeeze it to form a diamond. Push it together and flatten. Fold again, and you have a booklet you can flick through. When I use mini-zines to generate ideas, I keep them in this booklet format and treat each panel as a separate page. As you will see if I number each page, this does not necessarily put the pages in the most obvious places. You get used to it after a while. This format has been great for this collaborative community project in The Haven because it gives us limits. We set a six-week window for development and production, and we have sixteen pages to fill, including the cover and back. We use a simple prompt and let our imaginations take hold. Why Mini-Zines Work For Generating Quick Ideas For me, the core element that makes this work so well is its limits. One of my biggest obstacles to ideas is the blank page. The paradox of freedom is that when we feel too free, we often end up searching for rules anyway or staring at a blank page forever. Eight or sixteen panels are perfect numbers for setting limits on idea generation. Not enough to be overwhelmed, but not too few to feel pressured by the need to be perfect. When we are aware of the limit, we are free to stop once we reach it. Our only task is to keep generating ideas until we reach the number. Quantity matters more than quality at this stage. We know we can refine and iterate later. A quick exercise to try (10 Minutes) We can do a simple exercise with a blank mini-zine. Go through and number each page like I showed earlier. Set a timer for one minute. On each panel, write down as many things as you associate with the number as you can. Don’t edit, self-censor, or overthink it. Let your intuition lead the way. Reset the timer and do the same for each numbered page. When you’ve finished, flick through the pages and see what you notice: What catches your attention as you go through the pages? What were you feeling and thinking while doing this? (Did it feel simple? Were you hesitant or resistant? Did you feel rushed or able to move at your own pace? Were some easier for you than others?) What do you feel drawn to explore next as a result of this? There are five more exercises like this that I will share in future posts. I will break them into three broad categories: brainstorming for quick creative ideas, brainstorming for helpful questions, and brainstorming for fresh options when facing challenges and decisions. If you fancy joining us to collaborate on a future issue of Coming To Our Senses, The Haven doors are always open.

"The Chinese have a theory that you pass through boredom into fascination and I think it's true." ― Diane Arbus “If only we could pull out our brain and use only our eyes.” ― Pablo Picasso In this episode, Antonio and Ward talk about what happens when your photography starts to feel flat, and why boredom isn't always a bad thing. They kick around the idea that boredom can be a signal to slow down, stop forcing work, and let your eye reset on its own. The conversation also touches on how the camera can act as a kind of shield, especially when photographing difficult or emotionally loaded situations, and how that distance affects both the photographer and the images being made. The second half of the episode turns to color, specifically dye transfer printing and why it still holds so much weight in the history of photography. Using photographers like William Eggleston, Irving Penn, Joel Sternfeld, and Ernst Haas as touchstones, they talk about how dye transfer created a physical, almost unreal richness that modern processes struggle to match. From there, the discussion opens up into a broader reflection on growing as photographers—what you stop chasing over time, how your instincts change, and why learning to sit with uncertainty can quietly push the work forward. Video of dye transfer process.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page.   Subscribe to us on: Apple Podcasts Spotify Amazon Music iHeart Radio Deezer Podcast Addict    

The chat group story has gone crazy wild, and the reactions have been satisfying. Street protests are organized, dangerous and well planned. They are not dumb. When legitimacy shifts, power and control fail. License plate data is made accessible. They hide behind trusted roles. Never burn your persona. Hospitals collect data. They publish guides on how to occupy buildings, what's acceptable violence, and how to kill MAGA. Lots of fed employees involved. Onward and upward, is an owned slogan. Terrain dominance plans. Why didn't they do all this earlier? Good independent journalists are supported by the people. Stephen King admits the 2020 reality. Remember when Kammie bailed out the protesters? Arrest wills are what again? They even do pet sitting for those arrested. It's our tax dollars funding all this. Remember, Obama was behind CISA. A video on basic street care for injured radicals. Their presentations always obscure true intent. Role being played and good logistics. They want scrutiny. Hiding behind legit social groups. Planned immigration wars started with the Greeks. We're going to see more of this. Insane asylums to the rescue? Maybe. When the truth comes out, many people are going to lose their minds.

This week in an extra episode, Mark Seymour joins me to talk about his travel to India, the zines and books he's made and some folks he's met along the way.More about this show:A camera is just a tool but spend enough time with photographers and you'll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I'm interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

On this episode of The Weekly Scroll Podcast, Ryan is joined by CJ of Hothead Collective to give A PRIMER ON TABLETOP MAGAZINES, ZINES, AND PERIODICALS. We discuss a wide variety of mostly print media, from magazines about the tabletop and hobby space to zines and digests full of playable ttrpg material and everything in between. 0:00 Start0:45 What is this episode?2:45 CJ and print media9:15 GLAIVE magazine https://www.hotheadcollective.com/tag/glaive/ 26:30 UNDER THE DICE https://underthedice.com/39:35 PORTCULLIS https://portcullis-games.itch.io/45:40 Print subculture magazines50:15 BLASTER magazine https://www.electi-studio.com/blaster56:40 28 MAG https://28-mag.com/1:04:40 WYRD SCIENCE https://wyrd.science/1:12:45 RED SOLSTICE https://redsolstice.itch.io/1:17:45 BOSSFIGHT https://bigboygametime.itch.io/bf1 1:25:45 THE INTERNATIONAL PLAYER'S REVIEW https://golden-achiever.itch.io/1:33:00 FRINGE https://fringecommunity.wordpress.com/about/1:41:25 CURSED MANUFACTORUM https://cursedmanufactorum.wordpress.com/about/1:52:15 TABLETOP & WARGAME DIGEST https://exobscuris.com/en-usd/products/tabletop-wargame-digest-issue-1-pdf-version2:01:00 KNOCK! https://www.themerrymushmen.com/product/knock-1-tmm/2:10:45 SECRET PASSAGES https://ko-fi.com/secretpassages2:15:20 Department of Wargaming https://www.departmentofwargaming.com/2:18:00 Friendship Print Guild https://friendshipfriendshop.com/2:23:00 Zine culture is not just gaming2:25:00 Wrap up and what's happening with GlaiveAll our links here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/theweeklyscroll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@theweeklyscroll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.twitch.tv/theweeklyscroll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/the.weekly.scroll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/theweeklyscroll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/SQYEuebVab⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠At-Coast Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/the-weekly-scroll/⁠⁠

"Passion is in all great searches and is necessary to all creative endeavors." ― W. Eugene Smith “Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep.” ― Scott Adams   In this first episode of 2026, Antonio and Ward ease into the new year by talking about making physical photo objects and what it feels like to see work finally leave the screen. Ward shares the experience of producing a small, full-bleed black-and-white zine from his recent time in Japan, focusing less on explanation and more on mood, sequencing, and how images start to speak to each other once they're paired on the page. They talk about living with images, resisting the urge to over-edit, and trusting instinct over feedback loops or social media response. The idea of the zine as a tactile object keeps coming up—not just as a container for photos, but as something meant to be held, revisited, and experienced slowly. Antonio then shifts to a different kind of learning curve, talking about taking a drone pilot course and what it's been like to approach photography from the air for the first time. He describes the mix of technical study, regulations, and hands-on flying, along with how that knowledge changed his confidence and mindset. What stands out most isn't the gear or the video potential, but the photographic possibilities—new patterns, unfamiliar perspectives, and the quiet strangeness of seeing familiar landscapes from directly above. The episode closes with Antonio reflecting on photographing protests in his new community and what it means to document events you're personally part of. He talks about choosing to show up with a camera, navigating trust and visibility, and how being present as both participant and photographer changes the way images are made. The discussion touches on empathy, history, and the tension between observing and taking a stand. Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Spotify Amazon Music iHeart Radio Deezer Podcast Addict

In this episode of Creative Guts, co-hosts Laura Harper Lake and Becky Barsi chat with April Landry, a comic artist, writer, and the organizer of the Luna Moth Zine Festival.April uses digital and traditional art to help explain and deal with the world around her. In our conversation, we discuss using art to process emotions, zine making, the story behind the name of the Luna Moth Zine Festival, and much more. We also dive deep into one of April's pieces entitled “Bird Laundry Thieves Cartoon ” that you must see for yourself! Check out April's work at www.landrysesame.com and @landrysesame on Instagram, bluesky, tumblr, and ko-fi.Learn more about the Luna Moth Zine Festival at www.lunamothzinefest.com and www.instagram.com/lunamothzinefest. The 2026 festival will be on April 18 in Manchester, NH.Listen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Connect with us on Instagram, Facebook, LinkedIn, and Discord. Subscribe to our Substack newsletter at creativegutspod.substack.com. If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax-deductible donation at www.CreativeGutsPodcast.com. Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH and the Rochester Museum of Fine Arts in Rochester, NH for their support of the show! Any views or opinions expressed by our hosts or guests do not necessarily reflect the views or positions of Creative Guts.

"Don't shoot what it looks like. Shoot what it feels like."       – Unknown/Commonly Attributed  “I am not interested in shooting new things – I am interested to see things new.”     – Ernst Haas   In this year-end episode of Street Shots, Antonio and Ward take some time to reflect on the past year and how their photography has been shaped by it. They talk about recent projects, photo books that left an impression, and how changes in place, access, and pace have influenced the way they see and make pictures. Rather than chasing trends or noise, the conversation leans toward slowing down and paying attention to what feels honest and sustainable. They also discuss using newer tools, including AI-based image critique, as a way to better understand their own work — not for answers, but for reflection. The episode settles into a thoughtful conversation about distance, presence, and the quiet shifts that happen when photographers trust their instincts and give themselves permission to evolve.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Spotify Amazon Music iHeart Radio Deezer Podcast Addict

Top 10 Photo Books of 2025: Trends, Top Picks & How to Publish Your Own with Daniel Agee (Good Fight Press) From the “10 Frames Per Second” Podcast (Episode 171— Year‑End 2025) “If even one photographer avoids a parasitic publisher because of this episode, it's an hour well spent.” – Daniel Agee Table of Contents Why Photo Books Still Matter in 2025 The State of Photo Book Publishing in 2025 2025 Trends Shaping Photobooks Our Editor's Top 10 Photo Books of the Year (2025) DIY Publishing in 2025: From Blurb to Newspaper‑Club Zines Looking Forward: Diversity, Climate, & Community in 2025+ Take Action – Listen, Read, Create Why Photo Books Matter in 2025 The “10 Frames Per Second” podcast (hosts Joe Giordano and Molly Roberts) brings together photo‑journalists, publishers, and collectors for an annual photo‑book roundup. In the most recent episode they welcomed Daniel Agee—co‑founder of Good Fight—to discuss: The economic realities of publishing a photo book. Emerging themes that dominated the past year and are spilling into 2026. Practical advice for creators who want to self‑publish. If you're looking for fresh titles, insider industry insights, or a step‑by‑step guide to making your own book, keep reading. The State of Photo Book Publishing in 2025 Issue What the Hosts Said (2024) Why It Still Matters for SEO in 2025 High Up‑Front Costs Publishers often charge $8k–$20k (or even $50k) to print a book, leaving many photographers in debt. Target keywords: photo book publishing cost 2025, how much does a photo book cost today? Parasitic vs. Quality Publishers “Parasitic, exploitive” publishers vs. “quality” houses that break even or make modest profit. Optimize for ethical photo book publishers, fair photo book publishing 2025. Self‑Serving Model Some creators profit from selling workshops, museum sales, and speaking gigs, not the book itself. Rank for how to make money with a photo book in 2025. Small Community Size Only 15–25k people worldwide actively buy photo books; reputation spreads fast. Use phrases like photo book community 2025, photo book collectors today. Transparency Is Key Sharing experiences (e.g., “don't pay $25k”) helps protect photographers. Long‑tail keyword: photo book publishing advice for beginners 2025. Takeaway: Know the economics before you sign a contract. Understanding the market helps you negotiate better and choose the right publishing path. 2025 Trends Shaping Photo books 1. Color Dominates the Scene Daniel called himself a “color baby” and highlighted Emily Shur's Sunshine Terrace (color) versus Ian Bates' Weight of Ash (B&W). In 2025, color‑driven storytelling is the norm, with vibrant palettes used to convey mood, climate, and cultural identity. 2. Intimate Family Narratives Continue to Thrive Titles such as Lisa Sogini's In Passing and Elijah Howe's Mike show a growing appetite for personal archives, grief, and memory—a trend that's still expanding in 2025. 3. Climate‑Change Documentation Becomes Urgent Weight of Ash (Ian Bates) and newer titles like “Rising Tides” (upcoming release) prove that eco‑focused photo books are both critically acclaimed and search‑engine friendly. 4. Nostalgia & Re‑imagined Memory Works such as Henry Head's fabricated‑memory series and retro‑styled zines echo a desire for “comforting past” aesthetics. 2025 sees an increase in “memory‑reconstruction” projects that blend staged and documentary photography. 5. DIY & Zine Explosion Small presses (e.g., Pomegranate Press, Charcoal Club) now publish 30+ titles a year. Zines like “Protest City”remain hot because they're cheap, fast, and socially relevant. 6. Diversity Gap Still Visible The hosts noted a 1% presence of women of color on mainstream shelves. In 2025, activist collectives and grant programs are emerging to address this imbalance, creating new opportunities for under‑represented voices. Editor's Top 10 Photo‑Books (2025) While the podcast aired at the end of 2024, the books listed continued to dominate conversations, sales, and awards throughout 2025. # Title & Author Publisher Why It Stands Out (2025 relevance) 1 A Surrender – Markus Naarttijärvi Good Fight IPA Photo Book of the Year; continues to win 2025 exhibition spots. 2 North North South – Ada Gragossian Gost Quiet portraits that bridge B&W (2024) and color (2025) trends. 3 Sunshine Terrace – Emily Shur Deadbeat Vibrant LA suburbia; frequently cited in 2025 “best color photo books.” 4 Weight of Ash – Ian Bates Deadbeat Black‑white documentation of post‑fire West Coast; a reference point for climate‑focused work in 2025. 5 In Passing – Lisa Sorgini LibraryMan (Sweden) Personal grief turned universal; heavily featured in 2025 mental‑health art talks. 6 Mike – Elijah Howe TIS Books Multi‑generational family archive; lauded for its hybrid of historic and contemporary images. 7 American Surfaces – Stephen Shore (original printing) Self‑published Classic modernist, revived interest in 2025 “retro design” movement. 8 Dark Knees – Mark Cohen Self‑published Endless photo flow; used as a case study in 2025 DIY publishing workshops. 9 Rising Tides – Maya Patel Deadbeat First major photo book of 2026 to directly address ocean‑level rise; already generating buzz. 10 Protest City (zine) – Rian Dundon (Episode 87) Independent Timely, affordable; remains a go‑to resource for activist photographers in 2025. Each title links to its publisher or a purchase page (when available) to improve link‑building and user experience. DIY Photo Book Publishing in 2025: From Blurb to Newspaper Club Zines If you're ready to skip the parasitic publisher, here's a 2025‑ready roadmap. 1. Choose Your Platform Platform Ideal For 2025 Price (approx.) Blurb Full‑color photobooks, photo‑calendars $30–$130 per copy Smartpress High‑quality softcover & hardcover $55–$165 per copy Newspaper Club Fast, cheap zines (10‑inch, 20‑page) $1.80 per copy (bulk) Lulu Global POD distribution, ISBN services $22–$115 per copy 2. Keep Production Simple Page count: 20–80 pages works best for self‑publish. Paper: 120‑140 gsm matte for a professional feel without breaking the bank. Bleed: Add 0.125″ (3 mm) bleed to avoid white edges. 3. Photo Book Design Tips for 2026 Use responsive grid systems (12‑column) to ensure visual balance on both print and digital previews. Choose one primary typeface (e.g., GT America) and one accent font for captions. Add an ISBN if you plan to sell through retailers—most POD platforms provide this for a small fee. 4. Printing & Shipping Order a proof copy first; catch color or layout errors. Print in bulk (≥30 copies) to lower per‑unit cost. Ship to local bookstores, photo‑spaces (e.g., Baltimore Photo Space), or directly to collectors. Looking Forward: Diversity, Climate, & Community in 2025+ • More Voices Needed The hosts repeatedly called for photographers of color and women to be featured. In 2025, grant programs (e.g., The Imprint Good Fight Fellowship) and inclusive small presses are actively seeking submissions. • Climate‑Centric Stories Books that document environmental change (e.g., Weight of Ash, Rising Tides) are search‑friendly and align with a growing public interest in sustainability. • Local Photo Spaces as Hubs Places like Baltimore Photo Space act as collaboration labs—they host workshops, zine swaps, and free coffee nights that foster community. • Instagram Still a Gatekeeper Publishers continue to scrutinize follower counts. Building a genuine community and engaging consistently can open doors without paying a publisher upfront. Take Action – Listen, Read, Create Listen – Subscribe to the 10 Frames Per Second podcast on 10fps.net or any major platform. Explore – Grab one of the Top 10 books (many are on sale at the podcast's partner sites). Create – Follow the DIY steps above to self‑publish your own photo book or zine. Share – Tag @10fpspod on Instagram and use #10fpsBooks to get noticed by publishers & curators. Your next photobook could be the one that changes minds—and maybe even the industry. Keywords targeted in this post: photo book publishing 2025, best photo books 2025, photo book trends 2025, how to self‑publish a photo book 2025, photo book industry, photo‑journalism books, photo book round‑up, DIY photo book guide 2025. © 2025 10 Frames Per Second Media. All rights reserved. ___ photo books, photo book publishing, exploitation, publisher fees, indie publishing, Instagram influence, climate change, family documentation, archival photography, color photography, black‑and‑white photography, photo book trends, DEI, photographers of color, gender representation, zines, small editions, self‑publishing, Blurb, Deadbeat Books, Ghost publisher, TIS Books, Pomegranate Press, Charcoal Club, photo book economics, photojournalism, narrative structure, photographic nostalgia, pandemic impact, community spacesThe post Episode 171: Daniel Agee – Top 10 Photo Books of 2025 first appeared on 10FPS A Photojournalism Podcast for Everyone.

Often referred to as 'People's Papers', the fanzine became one of the key features of the punk scene of the 1970s but they have a deep and rich history that reaches further back. I went in search of Southend's own history with fanzines alongside Graham Burnett, one of the foremost historians of the genre.

"It's a weird combination that makes a great picture. It's a complete mystery to me." -- Alec Soth "A portrait isn't a fact but an opinion—an occasion rather than a truth." -- Richard Avedon   In this episode, Antonio and Ward reflect on the recent passing of Martin Parr, talking through what they've long admired about his work, his move from black-and-white to color, his time at Magnum, and the way he photographed everyday life without smoothing out its edges. The conversation also drifts into a new idea Antonio picked up by accident at a Christmas market in Nebraska, where he connected with a nonprofit that helps formerly incarcerated people train for work in professional kitchens. He talks about why that idea stuck with him and how he's imagining photographing the space—both behind the scenes and through more formal portraits made in the kitchen itself. Speed skating becomes another thread, with Ward unpacking his weekend shooting a World Cup event in Calgary. Autofocus frustrations, missed shots, and the value of reviewing a rough first day all lead to a shift toward slower shutter speeds and motion-based images that felt more honest than frozen action frames. The episode also circles back to their previous conversation with motorsports photographer Jamey Price, offering a clearer recap of some of the racing terms and technical references that came up, grounding the discussion for listeners who may not live in that world.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Spotify Amazon Music iHeart Radio Deezer Podcast Addict

We start this week with news of our zine! We're printing it very soon, and walk you through the process. Independent media is turning back to physical zines as a way to subvert algorithms. After the break, Emanuel tells us about some very weird Instagram changes. In the subscribers-only section, Joseph explains ICEBlock's lawsuit against the U.S. government. YouTube version: https://youtu.be/lseEXc-ZzsQ Timestamps: 1:37 - 1st Story - ⁠404 Media Is Making a Zine⁠; buy the zine here 28:01 - 2nd Story - ⁠Instagram Is Generating Inaccurate SEO Bait for Your Posts⁠ SUBSCRIBER'S STORY - ICEBlock Creator Sues U.S. Government Over App's Removal Subscribe at 404media.co for bonus content. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Film has no place in the modern world of fast paced motorsport photography".   "My job is amazing. But it isn't always fun." -- Jamey Price   Ward and Antonio chat with motorsport photographer Jamey Price about his unexpected path from riding racehorses to shooting some of the biggest racing events in the world. Jamey talks about the long, hectic days covering endurance races, the fun and chaos of working with major teams, and how his newspaper days taught him to make even the dull assignments count. He also explains how his new book, Racing Unfiltered: A Year in Motorsports Captured on Film, grew out of playing around with a cheap plastic NASCAR camera that somehow opened more doors than his pro gear ever could. Throughout the conversation, he keeps things grounded, sharing how slowing down, noticing people, and having fun with the process led to some of his favorite moments behind the scenes.   Jamey Price's Website, Instagram, YouTube, and Twitter/X. His new book, Racing Unfiltered: A Year in Motorsports Captured on Film   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

A vibrant, meticulously researched celebration of the women and non-binary skateboarders who defied a hostile industry and redefined skateboarding around the world With enthusiasm and empathy, Girl Gangs, Zines, and Powerslides: A History of Badass Women Skateboarders (ECW Press, 2025) celebrates the relentless participation of women in skateboarding from the 1960s onward who defied a hostile industry to carve out their own space through underground networks. Skater librarian Natalie Porter presents interviews and meticulous research, including the DIY zines created by female and non-binary skaters as a means of communication, to expose this unacknowledged story while offering a personal narrative about the importance of community-building and validation, with or without your own video game. Girl Gangs, Zines, and Powerslides disrupts the image of skateboarding as an exclusive male domain, offering historical context for the seemingly rapid progress of female skaters today seen competing on the Olympic stage. Discover how the collective action of a grassroots movement in the 1980s established meaningful change, building a foundation that has led to greater inclusion and diversity, which has inspired women, girls, and non-binary youth worldwide to roll on a skateboard for the first time or rediscover their youthful obsession as an adult and feel inspired to drop once again. Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

A vibrant, meticulously researched celebration of the women and non-binary skateboarders who defied a hostile industry and redefined skateboarding around the world With enthusiasm and empathy, Girl Gangs, Zines, and Powerslides: A History of Badass Women Skateboarders (ECW Press, 2025) celebrates the relentless participation of women in skateboarding from the 1960s onward who defied a hostile industry to carve out their own space through underground networks. Skater librarian Natalie Porter presents interviews and meticulous research, including the DIY zines created by female and non-binary skaters as a means of communication, to expose this unacknowledged story while offering a personal narrative about the importance of community-building and validation, with or without your own video game. Girl Gangs, Zines, and Powerslides disrupts the image of skateboarding as an exclusive male domain, offering historical context for the seemingly rapid progress of female skaters today seen competing on the Olympic stage. Discover how the collective action of a grassroots movement in the 1980s established meaningful change, building a foundation that has led to greater inclusion and diversity, which has inspired women, girls, and non-binary youth worldwide to roll on a skateboard for the first time or rediscover their youthful obsession as an adult and feel inspired to drop once again. Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A vibrant, meticulously researched celebration of the women and non-binary skateboarders who defied a hostile industry and redefined skateboarding around the world With enthusiasm and empathy, Girl Gangs, Zines, and Powerslides: A History of Badass Women Skateboarders (ECW Press, 2025) celebrates the relentless participation of women in skateboarding from the 1960s onward who defied a hostile industry to carve out their own space through underground networks. Skater librarian Natalie Porter presents interviews and meticulous research, including the DIY zines created by female and non-binary skaters as a means of communication, to expose this unacknowledged story while offering a personal narrative about the importance of community-building and validation, with or without your own video game. Girl Gangs, Zines, and Powerslides disrupts the image of skateboarding as an exclusive male domain, offering historical context for the seemingly rapid progress of female skaters today seen competing on the Olympic stage. Discover how the collective action of a grassroots movement in the 1980s established meaningful change, building a foundation that has led to greater inclusion and diversity, which has inspired women, girls, and non-binary youth worldwide to roll on a skateboard for the first time or rediscover their youthful obsession as an adult and feel inspired to drop once again. Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

A vibrant, meticulously researched celebration of the women and non-binary skateboarders who defied a hostile industry and redefined skateboarding around the world With enthusiasm and empathy, Girl Gangs, Zines, and Powerslides: A History of Badass Women Skateboarders (ECW Press, 2025) celebrates the relentless participation of women in skateboarding from the 1960s onward who defied a hostile industry to carve out their own space through underground networks. Skater librarian Natalie Porter presents interviews and meticulous research, including the DIY zines created by female and non-binary skaters as a means of communication, to expose this unacknowledged story while offering a personal narrative about the importance of community-building and validation, with or without your own video game. Girl Gangs, Zines, and Powerslides disrupts the image of skateboarding as an exclusive male domain, offering historical context for the seemingly rapid progress of female skaters today seen competing on the Olympic stage. Discover how the collective action of a grassroots movement in the 1980s established meaningful change, building a foundation that has led to greater inclusion and diversity, which has inspired women, girls, and non-binary youth worldwide to roll on a skateboard for the first time or rediscover their youthful obsession as an adult and feel inspired to drop once again. Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

A vibrant, meticulously researched celebration of the women and non-binary skateboarders who defied a hostile industry and redefined skateboarding around the world With enthusiasm and empathy, Girl Gangs, Zines, and Powerslides: A History of Badass Women Skateboarders (ECW Press, 2025) celebrates the relentless participation of women in skateboarding from the 1960s onward who defied a hostile industry to carve out their own space through underground networks. Skater librarian Natalie Porter presents interviews and meticulous research, including the DIY zines created by female and non-binary skaters as a means of communication, to expose this unacknowledged story while offering a personal narrative about the importance of community-building and validation, with or without your own video game. Girl Gangs, Zines, and Powerslides disrupts the image of skateboarding as an exclusive male domain, offering historical context for the seemingly rapid progress of female skaters today seen competing on the Olympic stage. Discover how the collective action of a grassroots movement in the 1980s established meaningful change, building a foundation that has led to greater inclusion and diversity, which has inspired women, girls, and non-binary youth worldwide to roll on a skateboard for the first time or rediscover their youthful obsession as an adult and feel inspired to drop once again. Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South. Learn more about your ad choices. Visit megaphone.fm/adchoices

For The Creative Boom Podcast this week, Katy Cowan chats with Zoë Thompson, the founder of Sweet Thang, an independent arts and literary zine that champions black creatives around the world. Zoë launched the publication when she was just 18, driven by a love of magazines and a desire to create a platform where underrepresented voices could shine. What began as a scrappy DIY project has grown into a celebrated space for fresh talent, first-time writers, and those often overlooked by mainstream media. Zoë shares the story behind Sweet Thang's beginnings, from collaging spreads at home to crowdfunding to pay contributors. She explains why zines remain such a powerful and democratic medium, offering a direct connection between creator and reader, without the need for algorithms or gatekeepers. With a warm and candid honesty, Zoë talks about the freedom of imperfection, the joy of making something physical, and the thrill of giving people their first-ever byline. Together, Katy and Zoë explore the enduring magic of print in a digital world. They discuss why physical publications feel more important than ever, offering permanence and value in an age of fleeting feeds. They also touch on the challenges of running a passion project, the lessons learned along the way, and the communities that keep them both inspired. It's a conversation filled with humour, insight, and plenty of creative wisdom—perfect listening for anyone who wants to make something of their own.

"Celebrities provide an escape from the mundane. They are photographed so we can worship them—so they are worthy of our worship." -- David LaChapelle "A photographic portrait is a picture of someone who knows he is being photographed." -- Richard Avedon   In this episode Antonio and Ward take on the world of celebrity portraiture — from the classic work of masters like Irving Penn, Avedon, and Karsh to modern takes by photographers such as Platon and Tyrell Hampton. Their discussion starts with Oscar Isaac's recent GQ shoot and spirals into a larger conversation about what it means to photograph fame: whether we're seeing the real person or a performance crafted for the camera. They weigh how much control the celebrity, the photographer, and the publication each have in shaping these images, and how context — from lighting to location — turns a portrait into a cultural artifact. The two also reflect on why celebrity portraits endure long after the marketing fades, comparing timeless images like Audrey Hepburn's portrait by Irving Penn and Platon's unnerving shot of Vladimir Putin. Along the way, they contrast authenticity and artifice, recalling famous stories behind iconic portraits — from Churchill's scowl to Meryl Streep's unretouched close-up.    Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

…with Julie Kane In today's educational landscape, supporting young people's mental health and emotional literacy is more important than ever. We know that many young people are struggling with managing their emotions and this impacts their education in a range of ways. Julie is a third-year PhD student at Aston University, and discusses her innovative research using zines to support emotional literacy and mental health in young people. Julie shares how her background in psychology and art inspired her to develop creative workshops for primary and secondary students. We discuss the benefits of arts-based approaches, the flexibility and community-building power of zines, and the positive feedback from schools. Julie also highlights practical resources for teachers and her ongoing efforts to adapt and expand this project. "It's like reading literacy—you can read words but not comprehend them. Emotional literacy involves both naming emotions and truly understanding them." – Julie Kane Zelp on Breath Education: https://breathe-edu.co.uk/zelp/ Key points of the discussion: Research on zines as a tool for improving emotional literacy and mental health in young people. Julie's background in psychology and child development, combined with interests in art and creative expression led to this research. Definition and importance of emotional literacy in understanding and expressing emotions. The role of arts-based projects in enhancing mental health and providing alternative forms of expression. Description and characteristics of zines as self-published materials for personal expression. The collaborative and solitary aspects of zine-making and its impact on community building. Implementation of zine workshops in primary schools and their structure, including psychoeducation lessons. Positive feedback from children participating in zine workshops and its effects on their emotional literacy. Adaptation of zine workshop materials for secondary school students and the challenges faced. Resources and support for teachers to implement zine-making in educational settings, including animated videos and lesson plans. Sign up to the newsletter: https://changingstatesofmind.com/contact-me  

In this episode, Antonio, Ward, and their guest Dave Szweduik dive into the creative process behind Fujifilm “recipes”—custom in-camera film simulation settings—and what they reveal about each photographer's way of seeing. Dave shares how he's been using AI-assisted tools like ChatGPT to generate color and tone profiles inspired by the look of classic film photographers such as Joel Sternfeld. What started as an experiment became a way to simplify his workflow and rediscover his photographic voice. His images—especially a quiet snow-covered church scene—sparked a conversation about warmth, subtlety, and finding cohesion between subject and color, reminding the group how digital tools can still lead to deeply personal results . The discussion then shifts to Ward's recent Substack essay, The Journey or the Destination, where he explores how photographers view their own work differently than their audiences do. Ward describes “journey” photos as the images that document exploration and process, while “destination” photos are the finished statements—the ones that feel complete and timeless. Together, the trio reflect on how both types of photos shape a photographer's evolution, with Antonio connecting the idea to his own recurring sunrise shots and Dave relating it to his spontaneous, project-free approach. Dave Szweduik's Substack "Noted Nonsense" Ward's recent Substack essay, The Journey or the Destination Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

In Folge 378 von Rolling Sushi geht es um Japans erste Premierminister Sanae Takaichi und ihr Pläne, Cyberangriffe, neue Biker-Gangs, Gerichtsurteil wegen "-chan", der Aufstieg von Zines, weinende Onigiri, 100-jähriges Sumo-Jubiläum, lebende Nationalschätze und KI-Wartungszug. +Monatsvorschau

“We can only be brave together,” says Mariame Kaba. In this episode, Kelly talks with Maraime and writer and organizer Red Schulte about political education, collective courage, and the mistakes we'll make along the way. Music: Son Monarcas & Sarah, the Illstrumentalist You can find a transcript and show notes (including links to resources) here: truthout.org/series/movement-memos/ If you would like to support the show, you can donate here: bit.ly/TODonate If you would like to receive Truthout's newsletter, please sign up: bit.ly/TOnewsletter

In this episode, Ward reflects on photographing his nephew's wedding with a street photographer's mindset, describing how he avoided traditional posed shots in favor of authentic, in-the-moment captures. His approach, shaped by instinct and observation, gives listeners a look at how street techniques translate into event photography and how spontaneity can lead to stronger visual storytelling. Antonio shares his experience photographing both the University of Nebraska's flagline at Memorial Stadium and the Huskers game itself—a whirlwind weekend of early mornings, long hours, and on-field access. He discusses the logistics of working in that environment, from equipment choices and technical challenges to the creative mindset needed to stay sharp under pressure. The conversation explores how returning to structured photography jobs can rekindle that sense of purpose and flow, reminding both hosts why the act of shooting—whether for work or passion—still matters.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. The Unusual Collective   Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

One of the things I love most about building a brand is the opportunity to explore creative projects beyond my core offering. Whether it's a podcast, a book, or a YouTube channel, these projects allow us to share our work in new and exciting ways.  That's why I'm so excited to share my conversation with Izzy Poirier and Caroline Sarrette, the brilliant minds behind the Ottawa and New York Design Clubs. In this episode, we go behind the scenes on their latest collaborative project: a beautifully designed zine. We discuss the entire process, from the initial idea during the pandemic to navigating difficult printers and securing sponsorship. Izzy and Caroline share candidly about the struggles of managing a huge project with lots of collaborators, but also the incredible benefits and sense of community it has brought them. If you've ever thought about launching a creative project to showcase your work, you're going to love this episode.  Key Takeaways Passion Projects Fuel Your Brand: Running the design club and creating a zine has been a huge undertaking, but it has directly influenced Izzy's business, helping her define her niche in community building and bringing her new client work. Embrace the "Silent Work": A finished zine or a successful event looks effortless, but it's built on a mountain of unseen work, from endless email outreach to speaker rehearsals and logistical planning. It's the underlying passion for the project that keeps you motivated through the long hours.  Challenges Build Resilience: Every hurdle, from finding the right speakers to navigating a tense negotiation with a printer that changed a quote by 50%, is a lesson. Overcoming this friction is what improves your processes and makes you stronger. Print Creates Tangible Community: The zine began during the pandemic as a way to archive creativity happening during lockdown. It has since become a tangible way to showcase artists, create conversations, and even help contributors land jobs. Episode Highlights 05:47: Izzy explains how starting the Ottawa Design Club at the exact same time as her freelance business was a strategic move to build a network and find her niche. 10:04: Discover how the zine began during the pandemic to create a repertoire of the amazing creativity happening in isolation, and how the first edition sold out in just three days. 17:10: Caroline discusses the specific challenges of building a community in a city like New York, including cutting through the noise to find speakers and sourcing affordable venues. 27:53: Izzy shares the incredibly intense story of a sponsorship deal with a printer going wrong, how she navigated a tense negotiation, and the importance of standing your ground for your community. 34:59: Learn about the theme of the latest zine, "Pivotal Moments", which explores the career-defining shifts that creatives experience and aims to inspire readers to embrace change. About the Guests Izzy Poirier is a brand designer and strategist and the founder of the Ottawa Design Club. Caroline Sarrette is a graphic designer and art director who runs the New York chapter of the Design Club. Izzy Poirier: Website Instagram Caroline Sarrette: Website  Instagram Mentioned in the episode Pivotal Moments Zine Adobe Live I would love to hear what you think of this episode, so please do let me know on Instagram where I'm @‌lizmmosley or @‌buildingyourbrandpodcast and I hope you enjoy the episode! This episode was written and recorded by me and produced by Lucy Lucraft lucylucraft.co.uk If you enjoyed this episode please leave a 5* rating and review!  

In this episode of Street Shots, Antonio and Ward sit down with photographer Ben Geier to talk about his book Viewing Hours. Ben has been photographing America's vanishing culture—storefronts, motels, neon signs, and old theaters—bringing a mix of punk DIY energy and design sensibility to the work. The conversation digs into the stories behind his road trips, the role of chance in catching the right moment, and how his photos live somewhere between art and archive. They also get into bigger ideas around nostalgia, memory, and impermanence, weaving in connections to Walker Evans and the Bechers while keeping the focus on Ben's unique perspective. Antonio relates it back to his own move to Nebraska and the challenge of seeing with fresh eyes. What unfolds is an easy, thoughtful exchange about how personal history, design, and music shape the way we notice and photograph the world. Viewing Hours: America's Vanishing Culture by Ben Geier (Amazon link) Ben Geier's Website and Instagram   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page   Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

"The Kodak camera makes possible a collection of photographs which record the life of its owner and which increase in value each day that passes." -- George Eastman "Anything worth doing is worth doing to excess." -- Edwin Land   In this episode, Antonio and Ward turn their attention to the endless pile of photographs that never make it past our phones. You know the ones—the cat sprawled on the couch, the hibiscus in morning light, the wing of the plane at sunrise. They're not “keepers” in the traditional sense, not destined for printing or portfolios, but they accumulate all the same. Together they ask: are these photos practice, are they souvenirs, or are they just digital clutter taking up space? A conversation unfolds about the meaning of these unseen images and whether their value lies in being shared or simply in the act of making them. They wonder if this personal archive is the modern version of a junk drawer—messy, overflowing, yet somehow indispensable. Is the act of photographing enough on its own, even if nothing comes of it? By parsing out why we shoot so much and what those pictures mean, Antonio and Ward invite everyone to think about their own hidden collections and what role those quiet, everyday photos play in shaping how we see.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's New Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram   Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

This week, Templeton Elliott and Mike Munzenrider are joined by Natalie Porter to talk about her new book, Girl Gangs, Zines and Power Slides: a history of badass women skateboarders.

“What I think really shines through is how the family context and the cultural context and the political context influenceboth mental and sexual health experience for Latina adolescents, particularly the role of shame and stigma and how that played a part in gaining access to healthcare or being able to talk openly about these sensitive or potentiallysensitive topics. So, we hope that the zines that they created helped to break that stigma within the community.” Jenn M. LillyThe HPP Podcast celebrates Hispanic Heritage Month AND Sexual Health Month! This episode sits at the intersectionof both observances.  In this episode, Jenn M. Lilly, shares useful tidbits discussed in her and her colleagues' article, “Digital Zines as Mental and Sexual Health Communication Tools for Latina Teens: Format and Content Acceptability and Initial Findings.” She discusses what zines are, how they are used with Latina Teens, and what can be done to improve mental and sexual health outcomes in this population. She also shares practical tips for the use of AI to support research._To read the article in its entirety, visitthe following link:  https://journals.sagepub.com/doi/full/10.1177/15248399241300570._To engage in Dr. Lilly's previous work,visit the links provided below: https://journals.sagepub.com/doi/abs/10.1177/07435584231207627 https://www.tandfonline.com/doi/abs/10.1080/15332691.2023.2292020 https://journals.sagepub.com/doi/10.1177/2752535X241260444 https://journals.sagepub.com/doi/10.1177/10443894231218298 

"There is nothing as mysterious as a fact clearly described." -- Garry Winogrand "When someone becomes aware of the camera, it becomes a different picture." -- Robert Frank   In this episode, Ward shares his experiments with nighttime flash—slides, jackrabbits, and all the odd magic that comes with it—while Antonio talks about trying the same, even sneaking a few shots at Memorial Stadium. From there, the conversation shifts to Melissa O'Shaughnessy's Perfect Strangers, the role of coincidence in street photography, and what it really means to be “lucky” with a camera in hand. Antonio reflects on photographing the Nebraska State Fair and wonders if his pictures are starting to look too much like Ward's, sparking a back-and-forth on where their work overlaps and where it differs. They wrap things up with some gear talk—Ward's crush on the Fujifilm XE5, Antonio's patience for a possible X-Pro 4, and both of their thoughts on the Ricoh GR IV—plus a chat about processing styles and how those choices shape their evolving voices in photography. Ward's photos - https://adobe.ly/4mL9wp4 Antonio's photos - https://www.amrosario.com/journeys/nebraska-state-fair-2025   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's New Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

Zines are small, often subject-focused booklets that can range in topic from how much you love your cats, to fixing your bike, to protest safety tips. How do we incorporate zines into our regular marketing and production strategy? Joe and Elly tell all this week on the podcast!************Thank you for catching the People's Guide to Publishing vlogcast!  We post new episodes every Thursday about publishing, authors, and the book industry. You can also listen via your preferred podcast app, or by visiting linktree.com/microcosmGet the book: https://microcosmpublishing.com/catalog/books/3663Get the workbook: https://microcosmpublishing.com/catalog/zines/10031More from Microcosm: http://microcosmpublishing.comMore by Joe Biel: http://joebiel.netMore by Elly Blue: http://takingthelane.comSubscribe to our monthly email newsletter: http://eepurl.com/gIXT6vFind us on social media:Facebook: http://facebook.com/microcosmpublishingBlueSky: https://bsky.app/profile/microcosm.bsky.socialInstagram: http://instagram.com/microcosm_pub************

"Life is not significant details, illuminated by a flash, fixed forever. Photographs are." - Susan Sontag "I am forever chasing light. Light turns the ordinary into the magical." - Trent Parke   In this episode, Antonio talks about visiting the Cass County Fair in Nebraska, using the trip as a chance to explore how he wants to approach photography in his new environment. Surrounded by the mix of people, animals, and small-town fair details, he leaned into shooting with his often-neglected Fuji X-Pro3 and a wide 16mm lens, embracing the different perspective it offered. The outing became less about documenting the event in a straightforward way and more about experimenting with composition, perspective, and mood to see how his work might evolve outside of Brooklyn. Both he and Ward recently picked up compact Godox iT30 Pro flashes with the intention of using them for street photography, but once out shooting, each decided against firing them. That hesitation becomes the starting point for a deeper discussion on flash photography. They trace its evolution from the early days of magnesium powder and flashbulbs, through the era of Polaroid flashcubes, to the development of strobes and today's TTL units. The conversation touches on photographers who made notable use of flash, including Jessie Tarbox Beals, O. Winston Link, Philippe Halsman, and Bruce Davidson, exploring how each applied it to their work. Alongside the historical overview, Antonio and Ward get into the technical differences between older and modern flash systems, the practical challenges of using flash in the field, and how light-shaping tools and timing have played a role in iconic images.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

This week, we crack open a raw, funny, honest convo with four featured Studio 5 wall artists: Arun Drummond, Anna Rob, Kim Thomas, and Jakeem “The Dream” Hodge — hosted by Steph Frx.We hit record during a live in-studio hangout with the Blue Yeti mic turned all the way up (tiny mic version drops in a few days

"In a good or successful color photograph, the picture's definition or meaning will somehow arise through the use of color” "Photographs have always been convincing lies." -- Joel Sternfeld In this episode, Ward shares stories from his recent road trip to Saskatchewan, including a visit to a hometown dirt track race—a nostalgic return since his last visit in 1978. The conversation turns toward grassroots motorsports, photography at the races, and how families get deeply involved, even with kids racing $40,000 modified cars. Antonio reflects on settling into life in Nebraska, exploring his surroundings, and using the Fuji X-Half camera as a spontaneous photo companion. He shares how the small, JPEG-only camera has helped him rediscover simple photographic joy, especially during a recent photo class with teens. The heart of the episode focuses on photographer Joel Sternfeld. Antonio and Ward explore Sternfeld's thoughtful approach to color, how his emotional state influenced his editing choices, and the meticulous process behind his transition from 35mm to large-format 8x10 photography. They dig into Nags Head, his lesser-known 1975 series that unexpectedly triggered vivid memories for Antonio from his childhood summers in Provincetown, MA—despite being shot in North Carolina. The conversation also covers American Prospects, Sternfeld's iconic work that blends subdued color palettes with a reflective look at American culture. Ward reflects on how Sternfeld's careful use of color theory and restrained composition creates a sense of presence and emotional clarity rarely found in contemporary work.   YouTube - Joel Sternfeld and Geoffrey Batchen YouTube - ARTIST TALKS - JOEL STERNFELD - PARIS PHOTO 2019   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

This week, we crack open a raw, funny, honest convo with four featured Studio 5 wall artists: Arun Drummond, Anna Rob, Kim Thomas, and Jakeem “The Dream” Hodge — hosted by Steph Frx.We hit record during a live in-studio hangout with the Blue Yeti mic turned all the way up (tiny mic version drops in a few days

In this episode, Antonio and Ward talk about the challenge of photographing in new places. Antonio's just moved to Lincoln, Nebraska and is still unpacking boxes, figuring out where to store his gear, and trying to spot what's interesting to shoot in a much quieter environment than New York. He shares how different it feels to look for subjects like grain elevators, small-town architecture, or even backyard birds, and mentions playing around with his Fuji X-Half and a little drone to stay inspired. He also talks about noticing the slower pace of life, meeting friendly neighbors, and thinking about how he might approach more deliberate projects like set-up portraits in a community where people seem more open.   Ward describes his recent nights photographing the Calgary Stampede, explaining how he focuses on close-up, expressive portraits and uses different cameras to stay low-key in crowds. He talks about the energy of the event, shooting into the night with carnival lights, and building a long-term series he can add to each year. They talk about the tension between shooting things that have been done before and bringing your own perspective. Ward encourages just picking something and getting started, and they discuss ideas like making connections through local coffee shops, setting up portrait sessions, and simply finding a way to feel at home with the camera in a new environment.   Photo Gallery: https://adobe.ly/4kGspYf Recent Substack Articles: From the F Train to Farmland - Part 1 From F-Train to Farmland - Part 2 Point of Departure: Japan   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio  

Thom Francis introduces us to poet, editor, and educator Rebecca Schumejda. In their conversation they discuss writing about the people she met at the pool hall she once owned, her online zine “Trailer Park Quarterly,” and keeping poetry accessible. The latest edition of “Trailer Park Quarterly” will be available online at https://trailerparkquarterly.com later this month. —— Rebecca Schumejda has worked hard over her time as a writer and editor to make poetry accessible to everyone, not just those in academia. She herself graduated with a BA in English and Creative Writing from SUNY New Paltz and a MA in Poetics and Creative Writing from San Francisco State University. Rebecca is the author of the following full-length books: “Falling Forward” (sunnyoutside press), “Cadillac Men” (NYQ Books), “Waiting at the Dead End Diner” (Bottom Dog Press), “Our One-Way Street “(NYQ Books) and the following chapbooks: “The Tear Duct of the Storm” (Green Bean Press) “Dream Big, Work Harder”(sunnyoutside press), “The Map of Our Garden” (verve bath press), “From Seed to Sin” (Bottle of Smoke Press) and is the co-author of “Common Wages” with Don Winter (Working Stiff Press). In her writing, she often tells the stories of the working class. She once took a job as a waitress for her book, “Waiting at the Dead End Diner”(Bottom Dog Press), and got inspiration from the people who walked in the door and sat at her tables. In her book, “Cadillac Men,” Rebecca writes about the regulars who frequented the pool hall she and her late-husband opened in Kingston, NY. She read about one of those characters, Mikey Meatballs, at the Albany Poets Presents event Restaurant Navona in Albany on October 19, 2016.

On another exciting* episode of What the Trans?! your hosts Ashleigh and Flint take you through all the details of: Pond Hoppin' talks about the Skrmetti case before the US Supreme Court. Spoiler alert: Didn't go well.  Good news for trans rights from the European Court of Human Rights, which bodes well for... no particular reason... More findings from TACC about the anti-trans "institutional capture" of the EHRC. One day, we'll get to do a whole-ass episode without talking about the EHRC. But not this time.  The inside story from the mass lobby event at the UK Parliament on June 25th, from participants and MP's brought to you by our woman on the spot: Alyx!  Zines! What are they, what's the history of them, why they're awesome and why you should make and enjoy them. *listener's definition of "exciting" may differ from the podcast team's definition.  References: https://whatthetrans.com/ep134  

  "Self-discovery through a camera? I am scared to look for fear of discovering how shallow my Self is!" -- Minor White "The voyage of discovery lies not in finding new landscapes but in finding new eyes." -- Marcel Proust   Antonio checks in from Lincoln, Nebraska after making the big move from Brooklyn. He shares the details of packing his life into a neon pink moving truck, driving cross-country with two cats dosed on gabapentin, and figuring out how much actually fits in a Chrysler Pacifica. He talks about the weirdness of seeing his old apartment empty, the relief of arriving without any real disasters, and the first impressions of settling into a new city that feels nothing like New York. He and Ward talk about what it means to photograph in a completely new environment: wide open roads instead of tight city blocks, and how that might change what you look for through the viewfinder. Antonio describes plans to explore local subjects, from the Capitol building to abandoned structures, and discusses wanting to find a personal approach that doesn't just imitate what's already been shot. They also get into practical matters—like unpacking gear, integrating cats into the new house, and figuring out how to carve out space for photo books and editing work. Ward offers advice on photographing new places, suggesting ways to start with familiar landmarks before finding details that stand out. There's also some gear talk, including Antonio's first impressions of the Fuji X-Half camera waiting for him in Lincoln, and discussion of plans to try street fairs, local art shows, and maybe even some night-sky photography. It's an episode about changing scenery without feeling like you need to change who you are as a photographer, and about settling in while figuring out what's next. Photo Gallery: https://adobe.ly/4lzEwaC   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

Broadcast live from Rice University (yes, in Houston), this episode of Bad at Sports brings together the curator of comics and cartoon art at the Billy Ireland Cartoon Library and Museum, Caitlin McGurk, and the Richmond-based zine publisher and comics obsessive behind Bubbles Fanzine, Brian Baynes. We dive deep into McGurk's new book Tell Me a Story Where the Bad Girl Wins: The Life and Art of Barbara Shermund, a biography and art book reclaiming one of the first women to work for The New Yorker. McGurk details her decade-long research process, Shermund's punk rock lifestyle in the 1920s, and the bittersweet reclamation of her uncredited legacy. In the second half, we sit down with Brian Baynes, who champions comics culture from the DIY trenches. He shares his mission behind Bubbles, how it draws on punk zine culture, why it stays in print forever, and how he's preserving overlooked voices from India to local comic shops. From feminist cartoon history to cassette-label archaeology and typewriter ribbon obsession, this one's a love letter to the weird, wonderful, and un-archived margins of visual culture. Names Dropped: Caitlin McGurk – Curator at Billy Ireland Cartoon Library & Museum, author of Tell Me a Story Where the Bad Girl Wins Brian Baynes – Publisher of Bubbles zine Bubbles Zine – Indie comics fanzine Barbara Shermund – Early New Yorker cartoonist and subject of McGurk's book Spain Rodriguez – Underground cartoonist who created Granny McGurk The New Yorker – Home of Shermund's work in the 1920s–40s Rea Irvin  – The New Yorker's founding art director Harold Ross – Founding editor of The New Yorker Art Students League of New York – Where Shermund studied California School of Fine Arts (now San Francisco Art Institute, recently closed) – Shermund's California alma mater Hearst Newspapers – Syndicated Shermund's comic strip Maximum Rocknroll – Long-running punk zine Punk Planet – Chicago-based punk zine, aesthetic cousin of Bad at Sports Soft Boys / Archer Prewitt – Musician and cartoonist interviewed in Bubbles Ludwig Wittgenstein – Language philosopher referenced by Baynes Cameron Arthur – Cartoonist behind The Hidden Islands Anand Radhakrishnan – Likely creator of Stories from Zoo (not named directly, based on context) Billy Ireland Cartoon Library & Museum – At Ohio State University, world's largest cartoon archive Overlooked No More (Barbara Shermund) – NYT's obituary project

"Scenes of Note" co-creator James Tedesco fills in for Barrett this week to discuss all things zine creation. From inception to print, we go through the entire process of creating the first Sunday Scaries magazine. We also touch on film photography in general, layout, trips, and what's in store for volume two.Buy Scenes of Note, Volume 1: ⁠sunday-scaries.shop⁠Subscribe to the newsletter: ⁠retailpod.substack.com⁠ Shop the Sunday Scaries Scented Candles: ⁠www.vellabox.com/sundayscaries⁠Watch all Retail Therapy episodes on YouTube: ⁠www.youtube.com/sundayscariespodcast⁠Support This Week's SponsorsShopify: ⁠www.shopify.com/scaries⁠ ($1/month trial!)ZocDoc: Go to Zocdoc.com/SCARIES to find and instantly book a top-rated doctor todayFollow AlongRetail Therapy on Instagram: ⁠www.instagram.com/retail.pod⁠Will deFries on Twitter: ⁠www.twitter.com/willdefries⁠Will deFries on Instagram: ⁠www.instagram.com/willdefries ⁠Barrett Dudley on Twitter: ⁠www.twitter.com/barrettdudley⁠Barrett Dudley on Instagram: ⁠www.instagram.com/barrettdudley⁠Sunday Scaries on Twitter: ⁠www.twitter.com/sundayscaries⁠Sunday Scaries on Instagram: ⁠www.instagram.com/sunday.scaries⁠