Podcast appearances and mentions of Keith S Wilson

When many people think of experimental Black poetry, they imagine Jazz, or spoken word, or vernacular--they "envision" sound. But what about poetry you can see? In this episode, Keith S. Wilson talks with poets Alison C. Rollins and Chaun Webster about visual poetry. What is it? Where does it come from?  What strange things does it do to our sense of time?

Dive into the world of Poetry with Owen. This week we will be reading Mob by Keith S. Wilson.

MFA candidate Emily Goldsmith interviews Keith Wilson during their visit to the University of Kentucky. Affrilachian poet Keith S. Wilson is the author of Fieldnotes on Ordinary Love (Copper Canyon Press, 2019). His poetry and prose have appeared in Elle, Poetry magazine, the Kenyon Review, and Crab Orchard Review, among others. Wilson's nonfiction has won an Indiana Review Nonfiction Prize and the Redivider Blurred Line Prize, and has been anthologized in the award-winning collection Appalachian Reckoning: A Region Responds to Hillbilly Elegy. Wilson has received fellowships or grants from the NEA, Cave Canem, Bread Loaf, Tin House, the MacDowell Colony, Vermont Studio Center, UCross, the Millay Colony, and James Merrill House, among others. He was a Gregory Djanikian Scholar, and his poetry has won the Rumi Prize and been anthologized in Best New Poets and Best of the Net.

Keith S. Wilson reads from his debut poetry collection, Fieldnotes on Ordinary Love.