Podcasts about cave canem

Mahogany L. Browne is a Kennedy Center Next 50 fellow, writer, play-wright, organizer, and educator. Browne received fellowships from ALL ARTS, Arts for Justice, AIR Serenbe, Baldwin for the Arts, Cave Canem, Poets House, Mellon Research, Rauschenberg, and Wesleyan University. Browne's books include A Bird in the Air Means We Can Still Breathe, Vinyl Moon, Chlorine Sky (optioned for Steppenwolf Theatre), Black Girl Magic, and banned books Woke: A Young Poet's Call to Justice and Woke Baby. Founder of the diverse lit initiative Woke Baby Book Fair, Browne is the 2024 Paterson Poetry Prize winner. She is the inaugural poet in residence at the Lincoln Center and lives in Brooklyn, New York.Yolanda Sealey-Ruiz, Ph.D. (she/her), is a Professor of English Education at Teachers College, Columbia University. Her poetry collections, Love from the Vortex & Other Poems (2020) and The Peace Chronicles (2021), explore themes of love, healing, and growth toward liberation. She is co-author of the multiple award-winning Advancing Racial Literacies in Teacher Education: Activism for Equity in Digital Spaces (2021). In 2024, Yolanda was recognized for her scholarship with the Dorothy Height Distinguished Alumni Award from NYU. She has been named to EdWeek's EduScholar Influencers list four years in a row, placing her among the top 1% of educational scholars in the U.S. At Teachers College, Yolanda founded the Racial Literacy Project @TC, fostering dialogue on race and diversity for over 17 years.About The Write TimeThe Write Time is a special series of NWP Radio, a podcast of the National Writing Project (NWP), where writing teachers from across the NWP Network interview young-adult and children's authors about their books, their composing processes, and writers' craft. You can view the archive at https://teach.nwp.org/series/the-write-time/

This week, poets CM Burroughs and Adrian Matejka discuss the groundbreaking legacy of poet Melvin Dixon, who "wrote extensively about the complexities of being a gay Black man" (Poetry Foundation). Presented by the Poetry Foundation. This conversation originally took place May 19, 2024 and was recorded live at the American Writers Festival.We hope you enjoy entering the Mind of a Writer.AWM PODCAST NETWORK HOMEAbout the writers:CM BURROUGHS is Associate Professor of Creative Writing at Columbia College Chicago and author of The Vital System and Master Suffering, which was longlisted for the National Book Award, Lambda Book Award, and the LA Times Book Award. Burroughs' poetry has appeared in journals and anthologies including Poetry, Ploughshares, Cave Canem's Gathering Ground, and Best American Experimental Writing.ADRIAN MATEJKA is the author of five collections of poetry, most recently Somebody Else Sold the World (Penguin, 2021), which was a finalist for the UNT 2022 Rilke Prize and the 2022 Indiana Authors Award. His first graphic novel Last On His Feet: Jack Johnson and the Battle of the Century was published by Liveright in 2023. He serves as Editor of Poetry magazine.From the Poetry Foundation: Scholar, novelist, and poet MELVIN DIXON was born in Stamford, Connecticut. He earned a BA from Wesleyan University and an MA and a PhD from Brown University. Dixon wrote the poetry collections Change of Territory (1983) and Love's Instruments (1995, published posthumously) and two novels, Trouble the Water (1989), winner of a Nilon Award for Excellence in Minority Fiction, and Vanishing Rooms (1991). Influenced by James Baldwin, Dixon wrote extensively about the complexities of being a gay black man. Speaking on this topic at a speech to the Third National Lesbian and Gay Writers Conference, Dixon said, "As white gays deny multiculturalism among gays, so too do black communities deny multisexualism among their members. Against this double cremation, we must leave the legacy of our writing and our perspectives on gay and straight experiences."   Dixon produced scholarship on and translated writing by several African American writers, including Leopold Sedar Senghor, Geneviève Fabre, and Jacques Roumain. Dixon was the recipient of a fellowship from the National Endowment for the Arts and he taught at Wesleyan University, the City University of New York, Fordham University, Columbia University, and Williams College. He died from complications related to AIDS at age 42.

Cornelius Eady is a Professor of English and John C. Hodges Chair of Excellence at the University of Tennessee, Knoxville. From September 2021 to December 2022, he served as interim Director of Poets House in New York City. Eady published his first collection, Kartunes, in 1980. His second collection, Victims of the Latest Dance Craze (1985), was chosen as winner of the Academy of American Poets' Lamont Poetry Award by Louise Glück, Charles Simic, and Philip Booth. He has published eight other collections, including The Gathering of My Name (1991), nominated for the Pulitzer Prize; Brutal Imagination (2001), a National Book Award finalist; and Hardheaded Weather: New and Selected Poems (2008), nominated for an NAACP Image Award. In addition to his poetry, Eady has written musical theater productions, collaborating with jazz composer Diedre Murray. The two worked together on Running Man, a roots opera libretto that was named a finalist for the Pulitzer Prize in Drama, and Brutal Imagination, recipient of Newsday's Oppenheimer Award. Eady is also a musician, and he performs with the literary band Rough Magic and the Cornelius Eady Trio, which recently released the album Don't Get Dead: Pandemic Folk Songs. (June Appal Recording, 2021). Eady has published five mixed-media chapbooks with accompanying CDs, including Book of Hooks (Kattywompus Press, 2013), Singing While Black (Kattywompus Press, 2015) and All the American Poets Have Titled Their New Books The End (Kattywompus Press, (2018). With poet Toi Derricote, Eady founded Cave Canem, a beloved nonprofit organization that supports emerging Black poets via a summer retreat, regional workshops, prizes, events, and publication opportunities. In 2016, Eady and Derricote were honored with the National Book Foundation's Literarian Award for Outstanding Service to the American Literary Community on behalf of Cave Canem, and, in 2023, they won the Pegasus Award for service in the field of Poetry by the Poetry Foundation. Eady's other honors include the Prairie Schooner Strousse Award, a Lila Wallace-Reader's Digest Award, and grants from the National Endowment for the Arts, the Guggenheim Foundation, and the Rockefeller Foundation.Links:Bio and Poems at The Poetry FoundationBio and poems at Poets.org"Poet Cornelius Eady on exploring the everyday lives of Black people in America"--PBS News HourCornelius Eady Group website"Emmett Till's Glass Top Casket" at the Poetry Society of AmericaCave Canem

Cornelius Eady is a Professor of English and John C. Hodges Chair of Excellence at the University of Tennessee, Knoxville. From September 2021 to December 2022, he served as interim Director of Poets House in New York City. Eady published his first collection, Kartunes, in 1980. His second collection, Victims of the Latest Dance Craze (1985), was chosen as winner of the Academy of American Poets' Lamont Poetry Award by Louise Glück, Charles Simic, and Philip Booth. He has published eight other collections, including The Gathering of My Name (1991), nominated for the Pulitzer Prize; Brutal Imagination (2001), a National Book Award finalist; and Hardheaded Weather: New and Selected Poems (2008), nominated for an NAACP Image Award. In addition to his poetry, Eady has written musical theater productions, collaborating with jazz composer Diedre Murray. The two worked together on Running Man, a roots opera libretto that was named a finalist for the Pulitzer Prize in Drama, and Brutal Imagination, recipient of Newsday's Oppenheimer Award. Eady is also a musician, and he performs with the literary band Rough Magic and the Cornelius Eady Trio, which recently released the album Don't Get Dead: Pandemic Folk Songs. (June Appal Recording, 2021). Eady has published five mixed-media chapbooks with accompanying CDs, including Book of Hooks (Kattywompus Press, 2013), Singing While Black (Kattywompus Press, 2015) and All the American Poets Have Titled Their New Books The End (Kattywompus Press, (2018). With poet Toi Derricote, Eady founded Cave Canem, a beloved nonprofit organization that supports emerging Black poets via a summer retreat, regional workshops, prizes, events, and publication opportunities. In 2016, Eady and Derricote were honored with the National Book Foundation's Literarian Award for Outstanding Service to the American Literary Community on behalf of Cave Canem, and, in 2023, they won the Pegasus Award for service in the field of Poetry by the Poetry Foundation. Eady's other honors include the Prairie Schooner Strousse Award, a Lila Wallace-Reader's Digest Award, and grants from the National Endowment for the Arts, the Guggenheim Foundation, and the Rockefeller Foundation.Links:Bio and Poems at The Poetry FoundationBio and poems at Poets.org"Poet Cornelius Eady on exploring the everyday lives of Black people in America"--PBS News HourCornelius Eady Group website"Emmett Till's Glass Top Casket" at the Poetry Society of AmericaCave Canem

From Dr. Chisaraokwu's website: "My art is a practice of retrieval, reanimation, and re-presentation of the parts of ourselves lost in the wake of trauma. Poetry is the sound, the feel, of those missing | mis-seen parts— raw, unapologetic, found, free. .CHISARAOKWU. is an Igbo American transdisciplinary poet artist, scholar, writer, performer, health futurist, and a 2023 California Arts Council Fellow. Inspired by her love of history, dreamscapes, the environment, quantum physics, and all things Africa(n)|(in)diaspora, she weaves images, textures, and text to create poems. Her work has been honored with awards and fellowships from MacDowell, Cave Canem, Vermont Studio Center, Anaphora Arts, Ucross and Headlands Center for the Arts, among other honors. She is an alum of the Brooklyn Poets Mentorship Program and the 2022 Tin House Winter Workshop. Nominated for Best of Net (Poetry; 2019, 2020, 2021), Best New Poets (2022), and Best New Small Fiction (2022), her words have appeared in academic and literary journals including Transition, Obsidian, midnight&indigo, The Lancet, and The New England Journal of Medicine. Her debut visual art work is featured in Michigan Quarterly Review's Spring 2024 issue, African Cartographies edited by Chris Abani. She earned her BA in History from Stanford University, MD from Duke University School of Medicine, MSPH from UNC Gilling School of Global Public Health, and certification in Global Mental Health & Trauma from Harvard School of Public Health's Refugee Trauma Program. She is a retired pediatrician and an alum of the Robert Wood Johnson Foundation Clinical Scholars Program at Yale University where her research focused on adverse childhood experiences, mental health and spirituality, and community-based participatory research projects. She is currently working on two poetry collections and a novel. She is the recipient of the National Endowment for the Arts Creative Writing Fellowship for 2025!! https://www.arts.gov/.../creative.../chisaraokwu-asomugha

When you look at people who are younger than you — particularly teenagers — does your mind ever take you back to yourself at their age? Taylor Johnson's poem “Pennsylvania Ave. SE” performs this feat of time travel, going from a glimpse of two boys on bicycles to a haunting sense memory of what was once so yearned for: to be seen, to be wanted, to be free.Taylor Johnson is proud of being from Washington, D.C. He has received fellowships and scholarships from CALLALOO, Cave Canem, Lambda Literary, VONA, Tin House, Vermont Studio Center, Yaddo, Conversation Literary Festival, Bread Loaf Writers' Conference, and Bread Loaf Environmental Writers' Conference, among others. In 2017, Johnson received the Larry Neal Writers' Award from the D.C. Commission on the Arts and Humanities. His poems appear in The Baffler, Indiana Review, Scalawag, and The Paris Review, among other journals and literary magazines. His first book, Inheritance, was published in November 2020 by Alice James Books.Find the transcript for this show at onbeing.org.We're pleased to offer Taylor Johnson's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books.

This week, scholar Marilyn Sanders Mobley visits the AWM to discuss her book Toni Morrison and the Geopoetics of Place, Race, and Be/longing, which Henry Louis Gates, Jr. calls a "powerful and learned meditation, and one that deserves a prominent place in the field of Morrison studies." Mobley is joined in conversation by poet Parneshia Jones. This conversation originally took place October 15, 2024 and was recorded live at the American Writers Museum.AWM PODCAST NETWORK HOMEMore about Toni Morrison and the Geopoetics of Place, Race, and Be/longing:Toni Morrison's readers and critics typically focus more on the “what” than the “how” of her writing. In Toni Morrison and the Geopoetics of Place, Race, and Be/longing, Marilyn Sanders Mobley analyzes Morrison's expressed narrative intention of providing “spaces for the reader” to help us understand the narrative strategies in her work.Mobley's approach is as interdisciplinary, intersectional, nuanced, and complex as Morrison's. She combines textual analysis with a study of Morrison's cultural politics and narrative poetics and describes how Morrison engages with both history and the present political moment.Informed by research in geocriticism, spatial literary studies, African American literary studies, and Black feminist studies at the intersection of poetics and cultural politics, Mobley identifies four narrative strategies that illuminate how Morrison creates such spaces in her fiction; what these spaces say about her understanding of place, race, and belonging; and how they constitute a way to read and re-read her work.MARILYN SANDERS MOBLEY is Emerita Professor of English and African American Studies at Case Western Reserve University in Cleveland, Ohio. She is the author of Folk Roots and Mythic Wings in Sarah Orne Jewett and Toni Morrison: The Cultural Function of Narrative and a spiritual memoir, The Strawberry Room, and Other Places Where a Woman Finds Herself.PARNESHIA JONES studied creative writing at Chicago State University and earned an MFA from Spalding University. Her first book Vessel (2015) was the winner of the Midwest Book Award and featured in O, The Oprah Magazine as one of 12 poetry books to savor for National Poetry Month. Her poems have been published in anthologies such as The Ringing Ear: Black Poets Lean South (2007), Poetry Speaks Who I Am (2010), and She Walks in Beauty: A Woman's Journey Through Poems (2011), edited by Caroline Kennedy. Jones serves on the boards of Cave Canem and the Guild Complex and the advisory board for UniVerse: A United Nations of Poetry. She is the director of Northwestern University Press.

In this episode of the poetry edition, Rose Postma interviews Olga Dugan about her poem “The Writer.” Olga Dugan is a Cave Canem poet. Nominated for Best of the Net and Pushcart prizes, her award-winning poems appear in many literary journals and anthologies including Ekstasis, Spirit Fire Review, Relief: A Journal of Art and Faith, The Windhover, Agape Review, ONE ART, Litmosphere (forthcoming), The Write Launch, Ariel Chart, The Sunlight Press, Emerge, Kweli, Sky Island Journal, evolution: The Red Moon Anthology of English-Language Haiku, and the Munster Literature Centre's Poems from Pandemia – An Anthology.

On how to quit imposter syndrome (yes, it's doable!) and on giving voice to the inanimate - you'll love this episode! Lynne Thompson served as Los Angeles' fourth Poet Laureate, 2021-2022. Thompson is the author of four collections of poetry, Beg No Pardon, Start With A Small Guitar, Fretwork, and most recently, Blue on a Blue Palette. She serves on the Boards of Cave Canem, Poetry Foundation, Los Angeles Review of Books, and Scripps College which she lead as Board Chair, 2018-2022. Her work can be found in the Kenyon Review, Colorado Review, and Pleiades, among others.

Michael S. Chen graduated with a degree in investment banking. He worked at Hambrecht Quest, a smaller investment bank focusing on high tech and healthcare companies in New York City. After two years in investment banking, he decided to pursue medicine, inspired by his father's career as a cardiologist. He then went on to study internal medicine at UCSF, Cleveland Clinic, and then joined cardiac associates in Gaithersburg, Maryland. He has been with the practice for 18 years and is now the Chair of Cardiology at  Shady Grove Medical Center, and Medical Director of the Cardiac Catheterization Laboratory at White Oak Medical Center. Challenges Faced by Cardiac Catheterization Labs Michael discusses the challenges faced by cardiac catheterization labs in meeting performance measures and ensuring proper procedures. He highlights the need to balance equipment requests with limited budgets and prioritize patient care. He talks about the importance of cardiologist performance in heart attack patients, focusing on door to balloon time and other metrics like aspirin and blood thinners. He mentions the importance of assessing the overall performance of the hospital as a whole, focusing on reducing time spent on administrative tasks and ensuring patients are on the right medications.The conversation turns to steps patients can take to ensure they are prescribed the right medication. Interventional Cardiology Explained Michael goes on to explain what interventional cardiology is, what the new trends are, and he addresses common misconceptions. He discusses the learning process for new techniques and tools, such as fellowships and medical device reps. Michael notes that fellowships are the most effective method for learning new techniques, but it's important to stay updated and stay updated with medical device reps. Other methods include working with other doctors, attending training sessions, or learning online through YouTube videos. There are various ways to learn and improve in this field. Physicians and The Business of Healthcare Michael discusses the business of healthcare and the factors driving physicians to work with larger healthcare companies. He explains that larger practices have more bargaining power and can offer lower rates and financial security. However, there are drawbacks, such as the need to balance autonomy with financial security. Michael talks about the increasing trend of private equity investing in physician groups, such as anesthesia and cardiology. Private equity is seen as a way to ensure return on investment, which can sometimes be more expensive than providing the best care possible. Stressors for cardiologists include cash flow, meeting payroll, and meeting electronic medical records and government regulations. However, overall, the fit has been good and cardiologists have been happy with the situation.  Participating in the National Senior Games The conversation turns to fitness and sports. Michael keeps active in terms of exercise, running and working out. He recalls running a 5k five years ago and receiving a gift certificate from Panera for winning first place in his age division. He then qualified for the National Senior Games, (open to anybody 50 years and older) which features various events such as a 5k 10k, pickle ball, tennis, track and field, ping pong, basketball, and softball. Michael has competed in the National Senior Games in Fort Lauderdale and Pittsburgh. His mom competed in the 5K powerwalk and Michael competed in the 5K and 10 K road race. Michael came in 2nd in the 10K (and won a silver medal!) and 4th in the 5K in Pittsburgh in 2023, His mother placed 8th in the 5K Power walk in Fort Lauderdale in 2022. Michale mentions that he has a 5k coming up on Labor Day week, with his son running it with friends, and the National Senior Games.   Influential Harvard Professors and Courses Michael mentions Richard Taylor and TA Tom Roberts, and studying bipeds and quadruped to compare the energetics and mechanics. Part of the study included placing turkeys and chickens on a treadmill. They found that turkeys were quite stubborn and not smart, as they were not smart enough to run on a treadmill. They learned that turkeys were efficient at running and that their locomotion mechanics were efficient. They were fortunate to receive a Hoops Prize for their work, which ends up in the Lamont library. This experience was memorable, as the researchers' thesis is on display at the library.  Timestamps: 02:13: Transition to Medicine and Leadership Roles  07:56: Administrative Responsibilities and Performance Metrics  13:08 Advancements in Interventional Cardiology  20:56: Running a Medical Practice and Personal Interests  36:27: Connecting with Harvard Alumni and Future Plans  Links: Email: mchen2@adventisthealthcare.com Featured Non-profit: The featured non-profit of this episode is Cave Canem, recommended by Eisa Davis who reports: “Hi. I'm Eisa Davis, class of 1992 the featured nonprofit of this episode of The 92 report is Cave Canem. Cave Canem is an organization committed to the artistic and professional growth of black poets. And I have been a fellow and active member of the organization since 1999 Cave Canem is still going strong and has truly created the landscape in which poetry lives in the United States. You can learn more about their work@cavecanompoets.org that's spelled C, A, V, E, C, A, N, E, M, P, o, e, t, s.org, and now here is Will Bachmann with this week's episode. To learn more about their work visit: https://cavecanempoets.org/

Latest Spoken Label (Spoken Word / Poetry Podcast) features making her debut, Lynne Thompson. Lynne Thompson was Los Angeles' 2021-22 Poet Laureate and received a Poet Laureate Fellowship from the Academy of American Poets. She is the author of three previous collections of poetry: Beg NoPardon, Start With A Small Guitar, and Fretwork, winner of the 2019 Marsh Hawk Poetry Prize. Thompson is the recipient of multiple awards including an Individual Artist Fellowship from the City of Los Angeles, the Tucson Literary Festival Poetry Prize, the Steven Dunn Poetry Prize, the George Drury Prize, as well as fellowships from the Summer Literary Series, Kenya, and the Vermont Studio Center. An attorney by training with a J.D. from Southwestern Law School.Thompson sits on the Boards of Cave Canem, The Poetry Foundation, and the Los Angeles Review of Books. In June 2022, she completed her four-year service as Chair of the Board of Trustees at Scripps College, her alma mater. Thompson's recent work can be found or is forthcoming in the literary journals Best American Poetry, Kenyon Review, The Common, Pleiades, The Massachusetts Review, and Copper Nickel, among others. Her Website is the following: https://www.lynnethompson.us/

What does it mean to bear witness to a city in flux, where the echoes of inequality, gentrification, and community resistance reverberate through its streets? Author and activist Reagan Jackson's collection of essays, Still True, poses this question and chronicles her journey into the world of journalism. Equal parts personal testament, structural interrogation, and social criticism, Jackson offers a profound reflection on the evolving landscape of Seattle. By illuminating the struggles and triumphs of marginalized communities, Jackson reinforces our collective resolve in the face of adversity. Jackson offers a glimpse into the interconnectedness of human experiences and the enduring quest for social justice. Join us for a discussion about Jackson's book and the ever-changing landscape of our city. Reagan Jackson believes in creating communities of belonging and the efficacy of critical thinking followed by action. She is a multi-genre writer (poet, novelist, award-winning journalist, children's book author), an artist, activist, and international educator with an abiding love of justice, spirituality, and traveling to new places. Reagan is passionate about providing young people with opportunities and support. To that end, she is the co-executive Director of Young Women Empowered and has taken over two hundred youth abroad to Japan, Guatemala, and Mexico respectively. She is the cohost and producer of the Deep End Friends Podcast. Quenton Baker is a poet, educator, and Cave Canem fellow. Their current focus is black interiority and the afterlife of slavery. Their work has appeared in The Offing, Jubilat, Prairie Schooner, The Rumpus, and elsewhere. They are a two-time Pushcart Prize nominee and the recipient of the 2018 Arts Innovator Award from Artist Trust. They were a 2019 Robert Rauschenberg Artist in Residence and a 2021 National Endowment for the Arts Literature Fellow. They are the author of we pilot the blood (The 3rd Thing, 2021) and ballast (Haymarket Books, 2023). Bettina Judd is an interdisciplinary writer, artist, and performer whose research focus is on Black women's creative production and use of visual art, literature, and music to develop feminist thought. Her book Feelin: Creative Practice, Pleasure, and Black Feminist Thought (Northwestern University Press, December 2022) argues that Black women's creative production is feminist knowledge production produced by registers of affect she calls “feelin.” She is currently Associate Professor of Gender, Women, and Sexuality Studies at the University of Washington.  Buy the Book Still True: The Evolution of an Unexpected Journalist Third Place Books

This week on Black & Published, Nikesha speaks with Julian Randall author of the essay collection The Dead Don't Need Reminding: In Search of Fugitives, Mississippi and Black TV Nerd Shit. Julian, who is also the author of the Cave Canem poetry prize winning collection, Refuse, got their start as a slam poet. In making the transition from the stage to the page they say talking to themselves instead of an audience was difficult. In our conversation, Julian discusses how they use pop culture as a tool to evoke collective memory while also mining their own remembrances and ancestry that led them to actively chose to live.. when at times… all they wanted to do was die.Support the Show.Follow the Show: IG: @blkandpublished Twitter: @BLKandPublished Follow Me:IG: @nikesha_elise Twitter: @Nikesha_Elise Website: www.newwrites.com

Many of us have sought information about our family history, trying to solve those unanswered questions about our predecessors. In the quest for truths about others through examining their lives and lineage, we may also find truths about ourselves in the process. In his latest release and nonfiction debut, The Dead Don't Need Reminding: In Search of Fugitives, Mississippi, and Black TV Nerd Shit, New York Times bestselling author Julian Randall braids past with present as he retraces the life of his grandfather, a white-passing patriarch driven from a town in Mississippi, all the way to Randall's own internal battles with depression and how he ultimately emerged from its depths. Randall weaves pop culture into his pages, exploring grief, family, emotional health, and the American way with a medley of media ranging from Into the Spiderverse and Jordan Peele movies to BoJack Horseman and the music of Odd Future. Seattle writer Ally Ang joins Randall in conversation for an evening of laughter, tears, and everything in-between. Julian Randall is a contributor to the #1 New York Times bestseller Black Boy Joy and his middle-grade novel, Pilar Ramirez and the Escape From Zafa, was published by Holt in 2022. He has received fellowships from Cave Canem, Tin House, and Milkweed Editions. He is the winner of the 2019 Betty Berzon Emerging Writer Award from the Publishing Triangle, the 2019 Frederick Bock Prize, and a Pushcart prize. His poetry has been published in The New York Times Magazine, Ploughshares, and POETRY. His first book, Refuse, won the Cave Canem Poetry Prize and was a finalist for an NAACP Image Award. He lives in Chicago. Ally Ang is a gaysian poet and editor based in Seattle, Washington. Their work has been published in Queer Nature: A Poetry Anthology, Nepantla: An Anthology Dedicated to Queer Poets of Color, Foglifter, Columbia Journal,and elsewhere. They are a Pushcart Prize and Best of the Net nominee, a Tin House workshop alum, and a 2022 Jack Straw Writers Program fellow. Ang holds a BA in sociology and Asian American studies from Wellesley College and an MFA in creative writing from the University of Washington. They are currently working on their first full-length poetry collection. When not writing, Ang can be found gazing longingly at bodies of water or doting on their cat, Gomez.

This week The Daily Poem heads to the movies.Cornelius Eady is the founder of the poetry group Cave Canem and his published collections include Victims of the Latest Dance Craze (Omnation Press, 1986), winner of the Lamont Poetry Prize from the Academy of American Poets; The Gathering of My Name (Carnegie Mellon University Press,1991), nominated for a Pulitzer Prize; Brutal Imagination (G.P. Putnam's Sons, 2001), a National Book Award finalist; and Hardheaded Weather: New and Selected Poems (G.P. Putnam's Sons, 2008). Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

The adopted daughter of Caribbean immigrants, Lynne Thompson was Los Angeles' 2021-22 Poet Laureate and received a Poet Laureate Fellowship from the Academy of American Poets. She is the author of three previous collections of poetry: Beg No Pardon, Start With A Small Guitar, and Fretwork, winner of the 2019 Marsh Hawk Poetry Prize. Thompson is the recipient of multiple awards including an Individual Artist Fellowship from the City of Los Angeles, the Tucson Literary Festival Poetry Prize, the Steven Dunn Poetry Prize, the George Drury Prize, as well as fellowships from the Summer Literary Series, Kenya, and the Vermont Studio Center. An attorney by training with a J.D. from Southwestern Law School, Thompson sits on the Boards of Cave Canem, The Poetry Foundation, and the Los Angeles Review of Books. In June 2022, she completed her four-year service as Chair of the Board of Trustees at Scripps College, her alma mater. Thompson's recent work can be found or is forthcoming in the literary journals Best American Poetry, Kenyon Review, The Common, Pleiades, The Massachusetts Review, and Copper Nickel, among others. https://www.lynnethompson.us/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/lisa-tomey/message

About: Elizabeth Acevedo is the New York Times-bestselling author of The Poet X, which won the National Book Award for Young People's Literature, the Michael L. Printz Award, the Pura Belpré Award, the Carnegie medal, the Boston Globe–Horn Book Award, and the Walter Award. She is also the author of numerous other titles including Family Lore; With the Fire on High, which was named a best book of the year by the New York Public Library, NPR, Publishers Weekly, and School Library Journal; and Clap When You Land, a Boston Globe–Horn Book Honor book and a Kirkus finalist. Acevedo has been a fellow of Cave Canem, Cantomundo, and a participant in the Callaloo Writer's Workshops. She is a National Poetry Slam Champion, and resides in Washington, DC with her husband.       Find out more at gloryedim.com

Ep. 53 DuEwa interviewed M. Nzadi Keita about her new poetry collection, Migration Letters (2024, Beacon Press). Visit M. Nzadi Keita: Poems and Prose (zeekeita.com). Listen to this ep and past Nerdacity eps at Spotify, Apple, iHeartRadio, Podcast Addict and more! Follow IG @nerdacitypodcast X twitter.com/nerdacitypod1 Subscribe YouTube.com/duewaworld BIO M. Nzadi Keita is a first-generation urban northerner. Her first book of poems, Birthmarks, was published by Nightshade Press. Her work has since appeared on public television, and in anthologies including Bum Rush The Page: A Def Poetry Jam, Beyond the Frontier: African-American Poetry in the 21st Century, and A Face to Meet the Faces: An Anthology of Contemporary Persona Poetry. Her poems appear in MELUS, Poet Lore, and Crab Orchard, among other journals. Grants and fellowships from Yaddo, Fine Arts Work Center, Leeway Foundation, and the Pew Center for Arts and Humanities have supported her writing and community-based arts adventures.   Keita served as an adviser to the documentary, “BaddDDD Sonia Sanchez.” Her essays on Sanchez appear in Impossible to Hold: Women and Culture in The 1960s and the anthology, Peace Is A Haiku Song (Mural Arts Press).    She has collaborated with the Geraldine R. Dodge Foundation, WHYY-TV/ Philadelphia, the Rosenbach Museum, Moonstone Arts Center, Germantown Arts Roundtable, and other initiatives. Keita is a Cave Canem alum and a professor of creative writing and literature at Ursinus College. --- Support this podcast: https://podcasters.spotify.com/pod/show/duewafrazier/support

This episode of The Write Time features members of the Furious Flower Syllabus Project, an open-access curriculum for incorporating Black poetry into classrooms of all ages and levels.About Our GuestsMcKinley E. Melton earned his PhD from the W.E.B. Du Bois Department of Afro-American Studies at the University of Massachusetts Amherst. Prior to joining the Gettysburg College faculty, Dr. Melton was a visiting assistant professor of literature at Hampshire College from 2007-2012. He is also the recipient of a 2015 Career Enhancement Fellowship for Junior Faculty from the Woodrow Wilson National Fellowship Foundation and was a 2015-16 Postdoctoral Fellow at the Fox Center for Humanistic Inquiry at Emory University. Most recently, Dr. Melton was awarded a 2019-20 Frederick Burkhardt Fellowship by the American Council of Learned Societies, in order to support a year as scholar-in-residence at the Furious Flower Poetry Center at James Madison University.Allia Abdullah-Matta is a poet and Professor of English at CUNY LaGuardia, where she teaches composition, literature, creative writing, and Women, Gender, and Sexuality Studies courses. She writes about the culture and history of Black women and explores the presence of Black bodies and voices in fine art and poetry. She was the co-recipient of the The Jerome Lowell DeJur Prize in Poetry (2018) from The City College of New York (CCNY). Her poetry has been published in Newtown Literary, Promethean, Marsh Hawk Review, Mom Egg Review Vox, Global City Review, and the Jam Journal Issue of Push/Pull. Her chapbook(s) washed clean & blues politico (2021) were published by harlequin creature (hcx). Abdullah-Matta has published critical and pedagogical articles and serves on the Radical Teacher and WSQ (Women's Studies Quarterly) editorial boards. She is working on a collection of poems inspired by archival and field research in South Carolina and Georgia, funded by a CUNY BRESI grant.Hayes Davis' first volume, Let Our Eyes Linger, was published by Poetry Mutual Press; he is currently serving as the Howard County (Md) Poetry and Literature Society Writer in Residence, and he won a 2022 Maryland State Arts Council Independent Artists Award. His work has appeared most recently on the Academy of American Poets Poem-a-Day feature, he has been anthologized in This is What America Looks Like, Deep Beauty, Furious Flower: Seeding the Future of African American Poetry, Ghost Fishing: An Eco-justice Poetry Anthology, and others. His poems have also appeared in Mom Egg Review, New England Review, Poet Lore, Auburn Avenue, Gargoyle, Kinfolks, Fledgling Rag, and other journals. He holds a Masters of Fine Arts from the University of Maryland, and is a member of Cave Canem's (Cah-vay Cah-nem) first cohort of fellows. He has attended or been awarded writing residencies at the Provincetown Fine Arts Work Center, The Hermitage, the Virginia Center for the Creative Arts (VCCA), Manhattanville College, and Soul Mountain. He has appeared on the Kojo Nnamdi Show on WAMU, 88.5 in Washington, D.C. and at the Hay Festival Kells in Kells, Ireland. He has taught English and directed equity and justice work in Washington, D.C.-area independent schools for 20+ years; he shares his creative and domestic life with his wife, poet Teri Ellen Cross Davis, and their children.Dave Wooley is an English, Journalism and Creative Writing teacher at Westhill High School in Stamford, Connecticut, where he has taught since 2001. He has served as a Co-Adviser for the school's hybrid newspaper The Westword since 2003. He has served as an adjunct Professor at Fairfield University, teaching Philosophy of Hip Hop, and he is a teaching fellow at the Connecticut Writing Project. Dave is one half of the rap group d_Cyphernauts and a hip-hop educator who has presented at the HipHopEd conference, the NCTE annual conference, the CSPA conference, among others. He served as a curriculum and music coordinator for the National Endowment for the Humanities' “From Harlem to Hip-Hop: African- American History, Literature, and Song” which was hosted at Fairfield University. Dave is a contributing poet on the website Ethical ELA, and he has been involved with the Furious Flower Center for Black Poetry as a participating scholar in its last three Legacy Seminars. He is one of the authors of Furious Flower's newly created open access syllabus, Opening the World of Black Poetry: A Furious Flower Syllabus. He lives in Stratford, Connecticut with his wife and four children.About The Write TimeNWP Radio, in partnership with the Connecticut Writing Project at Fairfield and Penguin Random House Books, launched a special series in 2020 called “The Write Time” where writing teachers from across the NWP Network interview young-adult and children's authors about their books, their composing processes, and writers' craft.

 Well-Read Live was recorded at Apple Carnegie Library in Washington D.C. About our guests: Deesha Dyer is an award-winning strategist, on-the-ground community organizer, and executive operations expert. She served as the White House social secretary during the Obama administration and is currently the founder and CEO of social impact agency, Hook & Fasten. She curated and instructed a study course called Imposter to Impact at the Harvard Kennedy School. Deesha's entertaining and engaging style of storytelling allows her to inspire audiences around the world. She co-founded and operates organization, beGirl.world Global Scholars, which tackles the racial disparity in study abroad. Deesha was named Marie Claire's new guard of women changing the world, the Root's most influential African-Americans and profiled in Women Who Run the White House by Essence. She's been featured in Vogue, Travelnoire, and The Washington Post and written for Oprah Daily, Glamour and Lonely Planet. Deesha was recently awarded the Women of Excellence Award by the city of Washington, DC. and lives in Maryland.Alexa Patrick is a vocalist and poet from Connecticut. She is the author of Remedies for Disappearing (Haymarket Books, 2023) and holds fellowships from Cave Canem, the DC Commission on the Arts and Humanities, and more. Previous artistic partnerships of Alexa's include Meta, Microsoft, the National Museum of Women in the Arts. In spring 2023, Alexa made her stage production debut as Un/Sung in the opera We Shall Not Be Moved, (dire. Bill T. Jones). You may find her work in publications including Adroit, CRWN Magazine, and The BreakBeat Poets Vol. 2: Black Girl Magic. Visit alexapatrick.com for more. This episode was produced by Brittani Brown of BarbaraJean Productions.Find out more at gloryedim.com 

Ep 52 DuEwa interviewed poet Steven Leyva about his book The Understudy's Handbook. IG @nerdacitypodcast Twitter @nerdacitypod1 YouTube.com/DuEwaworld Bio Steven Leyva was born in New Orleans, Louisiana and raised in Houston, Texas. His poems have appeared or are forthcoming in 2 Bridges Review, Scalawag, Nashville Review, jubilat, Vinyl, Prairie Schooner, and Best American Poetry 2020. He is a Cave Canem fellow and author of the chapbook Low Parish and author of The Understudy's Handbook which won the Jean Feldman Poetry Prize from Washington Writers Publishing House. His second book of poems, The Opposite of Cruelty, is forthcoming from Blair Publishing in Spring 2025. Steven holds an MFA from the University of Baltimore, where he is an associate professor in the Klein Family School of Communications Design. --- Support this podcast: https://podcasters.spotify.com/pod/show/duewafrazier/support

In conversation with Shantrelle Lewis Morgan Parker won the National Book Critics Circle Award for Magical Negro, a poetry collection that ponders the nuances of Black American womanhood. She is also the author of the young adult novel Who Put This Song On? and the poetry collections Other People's Comfort Keeps Me Up at Night and There Are More Beautiful Things Than Beyoncé. A Cave Canem graduate fellow, the recipient of a National Endowment for the Arts fellowship, and the winner of a Pushcart Prize, Parker is the creator/co-curator of the Poets With Attitude reading series and is a member of The Other Black Girl Collective. Her writing has appeared in a variety of venues, including The Paris Review, The New York Review of Books, Best American Poetry, a Broadway playbill, and two Common albums. In You Get What You Pay For, she charts the generational and historical difficulties, traumas, and beauty of existing as a Black woman. Shantrelle P. Lewis is a multi-hyphen creative and scholar who accesses multiple disciplines to help elucidate African Diasporic history, aesthetics, culture and spirituality. After premiering at BlackStar Film Festival, her critically acclaimed directorial debut, In Our Mothers' Gardens, was released on Netflix via Ava Duvernay's Array. Her book, Dandy Lion: The Black Dandy and Street Style, was published by Aperture in 2017. Her work has been featured in The New York Times, LA Times, Variety, Hollywood Reporter, NPR, BBC, Washington Post, Slate, The New Yorker and the Philadelphia Inquirer. She co-founded Shoppe Black with her husband and fellow Howard alum, Tony Oluwatoyin Lawson. As an initiated Lukumi Sango Priest, hoodooist and New Orleans native, Shantrelle can be found waxing poetic about all things African spirituality online and in person at the Beaucoup Hoodoo Shop, the annual Beaucoup Hoodoo Fest this October and within her community, ATRS Book Club. Because you love Author Events, please make a donation to keep our podcasts free for everyone. THANK YOU! The views expressed by the authors and moderators are strictly their own and do not represent the opinions of the Free Library of Philadelphia or its employees. (recorded 3/13/2024)

Tracy K. Smith was born in Massachusetts and raised in northern California. She earned a BA from Harvard University and an MFA in creative writing from Columbia University. From 1997 to 1999 she held a Stegner fellowship at Stanford University. Smith is the author of four books of poetry: The Body's Question (2003), which won the Cave Canem prize for the best first book by an African-American poet; Duende (2007), winner of the James Laughlin Award and the Essense Literary Award; Life on Mars (2011), winner of the Pulitzer Prize for Poetry; and Wade in the Water (2018). In 2014 she was awarded the Academy of American Poets fellowship. She has also written a memoir, Ordinary Light (2015), which was a finalist for the National Book Award in nonfiction.In June 2017, Smith was named U.S. poet laureate. She teaches  at Harvard University, where she is a professor of English and of African and African American Studies and the Susan S. and Kenneth L. Wallach Professor at the Harvard Radcliffe Institute. She also hosted American Public Media's daily radio program and podcast The Slowdown, which is sponsored by the Poetry Foundation.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Come celebrate the launch of Cheryl Boyce-Taylor's collected poems The Limitless Heart. Encompassing the breadth of Cheryl Boyce-Taylor's astounding career, The Limitless Heart is a time capsule of the boundless love, care, grief, and fortitude that make her work so stirring. With deep empathy, thoughtfulness, charisma, and lyricism, Boyce-Taylor's work explores questions of immigration, motherhood, and queer sensuality, among other themes. Grief is both an anchor and a door throughout Boyce-Taylor's poetry, as seen in Mama Phife Represents, a hybrid of memoir and verse on the death of her son, Malik “Phife Dawg” Taylor of A Tribe Called Quest. Questions regarding Blackness and Black womanhood in the United States are stitched throughout her books, and Boyce-Taylor leans into a more overtly defiant political register in her latest work, We Are Not Wearing Helmets, while maintaining the connective spine of the Trinidadian dialect that appears throughout all her work. Selections from these books, as well as her other poetry collections, appear in this new volume. Curated from Boyce-Taylor's body of work, The Limitless Heart encapsulates her progression as a writer throughout the decades of her highly successful career. Get The Limitless Heart from Haymarket: https://www.haymarketbooks.org/books/... ------------------------------------------------------------------------------------------ Speakers Cheryl Boyce-Taylor is a poet and teaching artist. She earned an MFA from Stonecoast at the University of Southern Maine and an MSW from Fordham University. Her collections of poetry include Raw Air (2000), Night When Moon Follows (2000), Convincing the Body (2005), and Arrival (2017), which was a finalist for the Paterson Poetry Prize. Mama Phife Represents (2021) won the 2022 Audre Lorde Award for Lesbian Poetry by The Publishing Triangle. We Are Not Wearing Helmets (2022) was nominated for the 2023 Hurston/Wright Legacy Award. Her life papers and portfolio are stored at the Schomburg Center for Research in Black Culture in New York City. She lives in Brooklyn, NY. Glenis Redmond is the First Poet Laureate of Greenville, South Carolina. She is a Kennedy Center Teaching Artist, and a Cave Canem alumni. She has authored six books of poetry: Backbone, Under the Sun, What My Hand Say, Listening Skin, Three Harriets & Others, and Praise Songs for Dave the Potter (artwork by Jonathan Green). Glenis received the Governor's Award and was inducted into the South Carolina Academy of Authors. She was recently a recipient of the Peacemaker Award by the Upstate Mediation Center in 2022. Her poetry has been showcased on NPR and PBS and has been most recently published in Orion Magazine, storySouth and The New York Times, as well as numerous literary journals nationally and internationally. Watch the live event recording: https://www.youtube.com/watch?v=Fm-k5Oqj9Ms Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Mary-Alice Daniel was born near the Niger/Nigeria border and raised in England and Tennessee. A cross-genre writer, she has published work in New England Review, Iowa Review, American Poetry Review, Prairie Schooner, The Yale Review, and several journals and anthologies. Mass for Shut-Ins, her first book of poetry, won the Yale Younger Poets Prize and was released in March 2023. Selecting her manuscript, Rae Armantrout called it “Flowers of Evil for the 21st century.” Daniel's transcontinental memoir, A Coastline Is an Immeasurable Thing (Ecco/HarperCollins 2022), was People's Book of the Week and one of Kirkus Review's Best Nonfiction Books of the Year. An alumna of Yale University and the University of Michigan's Writers' MFA, she turns to her third and fourth books, supported by fellowships from Brown University and Cave Canem. Holding a PhD from USC, she is recalled to California for the third time as the 2024 Mary Routt Endowed Chair of Writing at Scripps College. In the 117th volume of the Yale Series of Younger Poets, Mary-Alice Daniel confronts culture shock and her curious placement within many worlds. African and Western mythic systems and modern rituals animate an ill-omened universe. Here, it is always night, grim night, under absurd moons. Venturing through dreamscapes, hellscapes, and lurid landscapes, the poems stray inside speculative fields of spiritual warfare. This collection is controlled chaos powered by nightmare fuel. It engineers an utterly odd organism: a cosmology cobbled with scripture, superstition, mass media, mad science. Horrid, holy, unholy—these pages overrun with the unhinged, intrusive thoughts that obsess us all late into nighttime.

In their latest collection of poems, Cave Canem Poetry Prize winner Brionne Janae dives into the deep, unsettled waters of intimate partner violence, queerness, grief, and survival. This event took place on July 6, 2023. “I've decided I can't trust anyone who uses darkness as a metaphor for what they fear,” poet Brionne Janae writes in this stunning new collection, in which the speaker navigates past and present traumas and interrogates familial and artistic lineages, queer relationships, positions of power, and community. Because You Were Mine is an intimate look at love, loneliness, and what it costs to survive abuse at the hands of those meant to be “protectors.” In raw, confessional, image-heavy poems, Janae explores the aftershocks of the dangerous entanglement of love and possession in parent-child relationships. Through this difficult but necessary examination, the collection speaks on behalf of children who were left or harmed as a result of the failures of their parents, their states, and their gods. Survivors, queer folks, and readers of poetry will find recognition and solace in these hard-wrought poems—poems that honor survivorship, queer love, parent wounds, trauma, and the complexities of familial blood. Get Because You Were Mine from Haymarket: https://www.haymarketbooks.org/books/... Speakers: Brionne Janae is a poet and teaching artist living in Brooklyn. They are the author of Blessed are the Peacemakers (2021), which won the 2020 Cave Canem Northwestern University Press Poetry Prize, and After Jubilee (2017). Janae is the recipient of the St. Botoloph Emerging Artist award, a Hedgebrook Alum, a proud Cave Canem Fellow, and a 2023 National Endowment of the Arts Creative Writing Fellow. Their poetry has been published in Best American Poetry (2022), Ploughshares, the American Poetry Review, the Academy of American Poets Poem-a-Day, the Sun Magazine, jubilat, and Waxwing among others. Janae is the co-host of the podcast The Slave is Gone. Off the page they go by Breezy. Amber Flame is an interdisciplinary artist whose work garnered residencies with Hedgebrook, Vermont Studio Center, and more. Her first poetry collection, Ordinary Cruelty, was published through Write Bloody Press. Flame is a recipient of Seattle Office of Arts and Culture's CityArtist grant and served as Hugo House's 2017-2019 Writer-in-Residence for Poetry. Krysten Hill is the author of How Her Spirit Got Out (Aforementioned Productions, 2016), which received the 2017 Jean Pedrick Chapbook Prize. Her work has been featured in The Academy of American Poets' Poem-a-Day Series, Poetry Magazine, PANK, Up the Staircase Quarterly, Winter Tangerine Review, and elsewhere. She is recipient of the 2016 St. Botolph Club Foundation Emerging Artist Award, 2020 Mass Cultural Council Poetry Fellowship, and 2023 Vermont Studio Center Residency. JR Mahung is a Belizean-American poet from the South Side of Chicago and one half of the Poetry duo Black Plantains with Malcolm Friend. They teach, write, and study in Amherst, MA. JR is a 2016 Pushcart Prize nominee, a 2017 Emerging Poet's Incubator Fellow, and the 2018 Individual World Poetry Slam representative for the Boston Poetry Slam. Tweet them about rice and beans @jr_mahung. Cynthia Manick is the author of No Sweet Without Brine, editor of The Future of Black: Afrofuturism, Black Comics, and Superhero Poetry, winner of the Lascaux Prize in Collected Poetry, and author of Blue Hallelujahs. She has received fellowships from Cave Canem, Hedgebrook, MacDowell Colony, and Château de la Napoule among other foundations. Watch the live event recording: https://youtube.com/live/oQzdrRc6y7k Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Join Alexa Patrick and special guests for a celebration of her debut poetry collection Remedies for Disappearing. This event took place on June 6, 2023. In this beautiful debut from an exciting new poet, Alexa Patrick's Remedies for Disappearing memorializes Blackness in its quiet and unexpected forms, bringing the peripheral into focus. These poems muddy Black life and death, observe lineage and love stories, and question what “disappearing” teaches about Blackness and bodies. Remedies for Disappearing is gritty, sharp, and formally inventive, demonstrating Patrick's imaginative curiosity, lyrical restraint, and confidence in her handling of language. Moments of aphoristic confession are balanced with imagistic precision as the speaker recounts the ways her aunties, sisters, and even herself have disappeared in order to survive. Patrick's poetry is haunting and hopeful, striving to provide readers with the tools and context to acknowledge, define, and honor the complexity of Black girl/womanhood. Remedies for Disappearing connects Black girls and women to each other and to their own histories, and insists that they be fully and wholly seen. Get Remedies for Disappearing from Haymarket: https://www.haymarketbooks.org/books/... Speakers: Alexa Patrick is a poet and vocalist from Connecticut. She is a Cave Canem fellow and Tin House alumna. She has also been cast in the featured role of Unsung in We Shall Not Be Moved, an opera under the direction of Bill T. Jones. You may find Alexa's work published in The Quarry, The Rumpus, CRWN Magazine, and The BreakBeat Poets Vol. 2: Black Girl Magic. Raina León is a teacher, writer, artist, curator, scholar, and speaker. You might know her as a founding editor of The Acentos Review, the lead coordinator for Nomadic Press Philadelphia, the author of black god mother this body, and co-founder of StoryJoy, Inc. with Dr. Norma Thomas. She does lots of things and invites you to dream with her sometime. Jasmine Mans is a Black poet and performance artist from Newark, New Jersey. Jasmine's poetry book, BLACK GIRL, CALL HOME has been named one of Oprah's Most Anticipated LGBTQ Books and a TIME Magazine Must Read, to name a few; and Jasmine herself named as Essence's #1 Contemporary Black Poet to Know. Jasmine most recently collaborated with the Brooklyn Ballet on an original performance piece titled Unnatural Surrounding at the prestigious Brooklyn Academy of Music. Gabriel Ramirez, a Queer Afro-Latinx poet and teaching artist has received fellowships from Palm Beach Poetry Festival, The Watering Hole, The Conversation Literary Arts Festival, CantoMundo, Miami Book Fair, and a participant in the Callaloo Writers Workshops. You can find his work in publications like The Volta, Split This Rock, VINYL, Acentos Review as well as Bettering American Poetry Anthology, What Saves Us: Poems of Empathy and Outrage in the Age of Trump and The Breakbeat Poets Vol. 4: LatiNEXT. Kush Thompson, author of A Church Beneath the Bulldozer (2014), is a Chicago-born poet, painter, archivist, educator, and Cave Canem fellow. Voted runner-up best local poet of 2014 by The Chicago Reader, a 2015 Young Futurist by The Root, and a 2017 Pink Door & Luminarts Creative Writing Fellow, Thompson's contributed over a decade of performances and creative writing workshops, both nationally and internationally. Watch the live event recording: https://youtube.com/live/naG3oOfqw6g Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Join Quenton Baker and special guests for a celebration of and conversation on their new book ballast. This event occurred on April 26, 2023. Ballast is a poetic sequence using the 1841 slave revolt aboard the brig Creole as a lens through which to view the vitality of Black lives and the afterlife of slavery. In 1841, the only successful, large-scale revolt of American-born enslaved people erupted on the ship Creole. 135 people escaped chattel slavery that day. The event was recounted in US Senate documents, including letters exchanged between US and British consulates in The Bahamas and depositions from the white crew on the ship. There is no known record or testimony from the 135 people who escaped. Their story has been lost to time and indifference. Quenton Baker's ballast is an attempt at incomplete redress. With imagination, deep empathy, and skilled and compelling lyricism, Baker took a black marker to those Senate documents and culled a poetic recount of the Creole revolt. Layers of ink connect readers to Baker's poetic process: (re)phrasing the narrative of the state through a dexterous process of hands-on redactions. Ballast is a relentless, wrenching, and gorgeously written book, a defiant reclamation of one of the most important but overlooked events in US history, and an essential contribution to contemporary poetry. Poets: Quenton Baker is a poet, educator, and Cave Canem fellow. Their current focus is black interiority and the afterlife of slavery. Their work has appeared in The Offing, jubilat, Vinyl, The Rumpus, and elsewhere.They are a two-time Pushcart Prize nominee and the recipient of the2018 Arts Innovator Award from Artist Trust. They were a 2019 Robert Rauschenberg Artist in Residence and a 2021 NEA Fellow. They are the author of This Glittering Republic (Willow Books, 2016) and we pilot the blood (The 3rd Thing, 2021). Marwa Helal was born in Al Mansurah, Egypt. She is the author of Ante body (Nightboat Books, 2022), Invasive species (Nightboat Books, 2019), the chapbook I AM MADE TO LEAVE I AM MADE TO RETURN (No Dear, 2017) and a Belladonna chaplet (2021). Helal is the winner of BOMB Magazine's Biennial 2016 Poetry Contest and has been awarded fellowships from the Whiting Foundation, New York Foundation of the Arts, Jerome Foundation, Poets House, Brooklyn Poets, and Cave Canem, among others. She has presented her work at the Museum of Modern Art (MoMA), the Studio Museum in Harlem, the Brooklyn Museum, and the Guggenheim Museum. Douglas Kearney has published seven collections, including Optic Subwoof (2022), the 2022 Griffin Poetry Prize-winning Sho (2021), Buck Studies (2016), winner of the Theodore Roethke Memorial Poetry Award, the CLMP Firecracker Award for Poetry, and California Book Award silver medalist (Poetry). M. NourbeSe Philip calls Kearney's collection of libretti, Someone Took They Tongues (2016), “a seismic, polyphonic mash-up.” Kearney's Mess and Mess and (2015), was a Small Press Distribution Handpicked Selection that Publisher's Weekly called “an extraordinary book.” WIRE magazine calls Fodder (2021), a live album featuring Kearney and frequent collaborator, Val-Inc., “Brilliant.” Natasha Oladokun is a Black, queer poet and essayist from Virginia. She earned a BA in English from the University of Virginia, and an MFA in creative writing from Hollins University. She holds fellowships from Cave Canem, the Virginia Center for Creative Arts, the Jackson Center for Creative Writing, Twelve Literary Arts, and the University of Wisconsin-Madison, where she was the inaugural First Wave Poetry fellow. Watch the live event recording: https://youtube.com/live/Sp7hlQNb2FE?feature=share Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

The SOREN LIT podcast provides interviews, readings, and art reviews from our latest writers and artists. The podcast is produced by SOREN LIT Founding Editor, Melodie J. Rodgers. SOREN LIT's published work and podcast episodes are also available on the official website: www.sorenlit.com Cynthia Manick. SOREN LIT. Fall 2023. Cynthia Manick is the author of No Sweet Without Brine (Amistad, 2023) which received 5 stars from Roxane Gay, editor of The Future of Black: Afrofuturism, Black Comics, and Superhero Poetry, winner of the Lascaux Prize in Collected Poetry, and author of Blue Hallelujahs. She has received fellowships from Cave Canem, Hedgebrook, MacDowell Colony, and Château de la Napoule among other foundations. For 10 years she curated Soul Sister Revue, a quarterly reading series that promoted poetry as storytelling and featured emerging poets, poet laureates, and Pulitzer prize winners. Manick's poem “Things I Carry into the World” was made into a film by Motionpoems and debuted on Tidal for National Poetry Month. A storyteller at literary festivals, libraries, and museums, her work has also featured in VOICES, an audio play by Aja Monet and Eve Ensler's V-Day, the Academy of American Poets Poem-A-Day Series, Brooklyn Rail, the Rumpus and other outlets. She currently serves on the editorial board of Alice James Books. She lives in Brooklyn, New York but travels widely for poetry. Cynthia Manick's Social Media Website: http://www.cynthiamanick.com/nswb Facebook https://www.facebook.com/cmanickpoet Twitter https://twitter.com/cmanick --- Send in a voice message: https://podcasters.spotify.com/pod/show/melodie-rodgers/message

Rachel Eliza Griffiths is a poet, visual artist, and novelist. She is a recipient of the Hurston/Wright Foundation Legacy Award and the Paterson Poetry Prize and was a finalist for a NAACP Image Award. Griffiths is also a recipient of fellowships including Cave Canem, Kimbilio, Provincetown Fine Arts Work Center, Robert Rauschenberg Foundation, and Yaddo. Her work has been published in The New York Times, The New Yorker, and Tin House. Her novel is Promise. We talked about what it was like growing up Black in 1957 Maine, feeling a work of art, setting, her creative process, and moving from imagery to a finished novel. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the episode we celebrate the co-hostess with the mostess on her 2 book deal with Harper Collins! Anastacia-Renee (She/They) is a queer writer, educator, interdisciplinary artist, speaker and podcaster. She is the author of (v.) (Black Ocean) and Forget It (Black Radish) and, Here in the (Middle) of Nowhere and Sidenotes from the Archivist forthcoming from Amistad (an imprint of HarperCollins). They were selected by NBC News as part of the list of "Queer Artist of Color Dominate 2021's Must See LGBTQ Art Shows." Anastacia-Renee was former Seattle Civic Poet (2017-2019), Hugo House Poet-in-Residence (2015-2017), Arc Artist Fellow (2020) and Jack Straw Curator (2020). Her work has been anthologized in: Teaching Black: The Craft of Teaching on Black Life and Literature, Home is Where You Queer Your Heart, Furious Flower Seeding the Future of African American Poetry, Afrofuturism, Black Comics, And Superhero Poetry, Joy Has a Sound, Spirited Stone: Lessons from Kubota's Garden, and Seismic: Seattle City of Literature. Her work has appeared in, Hobart, Foglifter, Auburn Avenue, Catapult, Alta, Torch, Poetry Northwest, A-Line, Cascadia Magazine, Hennepin Review, Ms. Magazine and others. Renee has received fellowships and residencies from Cave Canem, Hedgebrook, VONA, Ragdale, Mineral School, and The New Orleans Writers Residency. 

In this moving and thought-provoking interview, Kiesha talks with poet and educator Dr. Lauri Conner. Together, they explore the value of personal reflection in shaping character and discuss freer, more open-minded ways to think about education. Dr. Conner also reflects on her young life and shares some vulnerable and difficult lessons she learned, leading to a discussion on the importance of compassion & accountability.Dr. Conner is a Cave Canem fellow whose poems have appeared in Calyx, Seattle Review, and other journals and anthologies. She holds a Ph.D. and an MFA from the University of Washington and has taught at Cornish College of the Arts, Antioch University, Seattle Central College, and Seattle Academy. Now, as the Head of School at Lake Washington Girls Middle School, Dr. Conner uses her past experiences to help understand and shape her students for the better. Her inquisitive spirit, love for Toni Morrison's Song of Solomon, and ability to share what she's learned make this an episode you don't want to miss! Episode Resources:Follow Dr. Lauri Conner on LinkedInOrder *Song of Solomon* by Toni MorrisonContact Info:Email hosting & speaker booking inquiries for Kiesha to info @ kieshagarrison.coFollow Kiesha on LinkedIn: @kieshagarrisonFollow Kiesha on IG: @kiesha_garrisonDirectly support the podcast financially:Cash AppVenmoPayPal.Me

Dr. Tamara MC is a cult, child marriage, and human trafficking survivor and activist who advocates worldwide for girls and women to live free from gender-based violence. Her Ph.D. is in Applied Linguistics, and she researches how language manipulates vulnerable populations. Tamara attended Columbia University for an MFA and has been honored with residencies/fellowships in places such as Bread Loaf, Iowa Writers' Workshop, Sewanee, Ragdale, Cave Canem, VONA, and VCCA. She's published in prestigious outlets such as The New York Times, New York Magazine, Salon, The Independent, Food 52, Parents, and Thrillist. She's currently hard at work on her debut memoir, Child Bride: My Marriage at 12. She's traveled to nearly 80 countries, mostly alone and backpacking, and is a polyglot, having studied more than six languages. She is an empty-nesting mama to two sons in their mid-20s and a grandmamma to two feisty but adorable pups, a Boston Terrier and Australian Shepherd. When she isn't writing and reading, you'll find her road cycling, running, and playing Pickleball. In this revealing and heartfelt conversation, Tamara opens up about being raised mostly in her father's high-control religious commune, and the confusing dichotomy of living partly with her secular and liberal mother. Throughout the discussion, Rachel offers insights on the negative impacts of burdening children with adult responsibility and sacrificing their education for the sake of religious devotion. Before you go: Rachel explains why it's important to take note of changing or inconsistent rules in high control groups, pointing out the often illegitimate derivation of their authority. Find more about Tamara and her work here: https://tamaramc.com/ https://www.linkedin.com/in/tamaramcphd/ All of Rachel's video lectures are available for purchase here: www.rachelbernsteintherapy.com/webinar.html To help support the show monthly and get bonus episodes, shirts, and tote bags, please visit: www.patreon.com/indoctrination Prefer to support the IndoctriNation show with a one-time donation? Use this link: www.paypal.me/indoctrination Connect with us on Social Media: Twitter: twitter.com/_indoctrination Facebook: www.facebook.com/indoctrinationpodcast Tik Tok: www.tiktok.com/@indoctrinationpodcast Instagram: www.instagram.com/indoctrinationpodcast/ YouTube: www.youtube.com/rachelbernsteinlmft You can always help the show for free by leaving a rating on Spotify or a review on Apple/ iTunes. It really helps the visibility of the show!

Lisa Willis and Nonye Brown-West visit friends and discuss the banning of Amanda Gorman's poem, Supporting black poetry, and advocating for black art with host Marina Franklin. Lisa Willis serves as the Executive Director of Cave Canem. She is a passionate artistic administrator with 20 years of experience managing multi-disciplinary projects in the non-profit and commercial arts sectors. She has held various consulting and management roles in development, programming, and operations for New York Live Arts, home of the Bill T. Jones/Arnie Zane Company, Contemporaneous, Thresh, Heidi Latsky Dance, Brian Sanders' JUNK, Kimmel Center for the Performing Arts, the Mann, and JazzReach. In 2020 she co-founded The LynList, a curated listserv and grant writing support service for NYC area individual artists and small non-profit arts groups. Prior to her shift into fundraising, she was the founding Operations Manager for CAMI Music, establishing and managing its daily administrative protocols in addition to overseeing the touring and managerial logistics for Lang Lang, Tan Dun, Savion Glover, American Ballet Theatre, Cirque Eloize, and the Ballet Folklórico de México de Amalia Hernández. Lisa holds a B.A. in Music Composition and Theory from New York University and a background of training in ballet and modern dance. Nonye Brown-West is a New York-based Nigerian-American comedian and writer. She has been featured in the Boston Globe's Rise column as a Comic to Watch, as well as in NPR, PBS, ABC, Sway In The Morning, and the New York Comedy Festival. Nonye made her acting debut in The Sympathy Card, now available for streaming on Vudu, Apple, Amazon, and Google Play. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf.  

Ellen June Wright reads her poem, "The Lake," and David A. Goodrum shares about his photography published in our Spring 2023 issue. Ellen June Wright consulted on guides for three PBS poetry series. Her work was selected as The Missouri Review's Poem of the Week in June 2021. She is a Cave Canem and Hurston/Wright alumna and received Pushcart Prize nominations in 2021 and 2022. Follow her at https://twitter.com/EllenJuneWrites. David A. Goodrum, photographer/writer, lives in Corvallis, Oregon. His photography has graced the covers of several art and literature magazines, most recently Cirque Journal, Willows Wept Review, Blue Mesa Review, Ilanot Review, Red Rock Review, The Moving Force Journal, Snapdragon Journal, and has appeared in many others. Additional work, both photos and poems, are available at www.davidgoodrum.com. His artistic vision has always been to create a visual field that momentarily transports you away from hectic daily events and into a place that delights in an intimate view of the world. -- We could use your help! To assist us in increasing the visibility of this podcast, would you consider leaving a review on your listening platform of choice? If you know someone who might enjoy this podcast, we'd love if you could share it with them (head to the link and click "share"). We also welcome donations to help sustain the work we do to engage spirituality and the arts. To make a tax-deductible gift, please head to the donate page on our website. Thanks so much for all your support! --- Send in a voice message: https://podcasters.spotify.com/pod/show/vita-poetica/message Support this podcast: https://podcasters.spotify.com/pod/show/vita-poetica/support

Side Notes from the Archivist is a preservation of Black culture viewed through a feminist lens. The Archivist leads readers through poems that epitomize youthful renditions of a Black girl coming of age in Philadelphia's pre-funk '80s; episodic adventures of “the Black Girl” whose life is depicted through the white gaze; and selections of verse evincing affection for self and testimony to the magnificence within Black femme culture at-large. In her uniquely embracing and experimental style, Anastacia-Reneé documents and celebrates diverse subjects, from Solid Gold to halal hotdogs; as homages and reflections on iconic images, from Marsha P. Johnson to Aunt Jemima; and as critiques of systemic oppression forcing some to countdown their last heartbeat. Anastacia-Reneé (she/they) is a queer, hybrid writer, educator, retro-flector, artist, speaker, and podcaster. She is the author of Side Notes from the Archivist (2023) and Forget It (2017), and they were selected by NBC News as part of the list of “Queer Artists of Color Dominate 2021's Must See LGBTQ Art Shows.” She was a former Seattle Civic Poet (2017-2019), Hugo House Poet-in-Residence (2015-2017) Jack Straw Curator, and Arc Artist Fellow (2020). Her work has been anthologized in Teaching Black: The Craft of Teaching on Black Life and Literature; Home is Where You Queer Your Heart; Furious Flower: Seeding the Future of African American Poetry; Afrofuturism: Black Comics and Superhero Poetry, and many others. Their work has appeared in Hobart, Foglifter, Auburn Avenue, Catapult, Alta, Torch, Poetry Northwest, A-Line, Cascadia Magazine, Hennepin Review, Split this Rock, Ms. Magazine, and others. Reneé has received fellowships and residencies from Cave Canem, Hedgebrook, VONA, Ragdale, Mineral School, and The New Orleans Writers Residency. Quenton Baker is a poet, educator, and Cave Canem fellow. Their current focus is black interiority and the afterlife of slavery. Their work has appeared in The Offing, Jubilat, Vinyl, The Rumpus, and elsewhere. They are a two-time Pushcart Prize nominee and the recipient of the 2018 Arts Innovator Award from Artist Trust. They were a 2019 Robert Rauschenberg Artist in Residence and a 2021 NEA Fellow. They are the author of we pilot the blood (2021) and ballast (2023). Side Notes from the Archivist

CELEBRATE NATIONAL POETRY MONTH! (This interview was recorded in April 2023) EP 48 DuEwa interviewed poet Derrick Weston Brown. Derrick discussed his books and writing life. Visit his website at www.DerrickWestonBrown.com. Visit DuEwa's author/artist/ consulting site at www.duewafrazier.com INSTAGRAM @nerdacitypodcast TWITTER @nerdacitypod1 FACEBOOK Nerdacity Podcast with DuEwa Subscribe & Support Nerdacity with DuEwa at Apple Podcasts, Spotify, iHeart Radio, Amazon or itunes Music, Podcast Addict, Radio FM, and more! PayPal.me/DuEwaWorld

**CELEBRATE NATIONAL POETRY MONTH** EP 47 NERDACITY: DuEwa interviews poet Maya Marshall about her debut collection of poetry, All the Blood Involved in Love ( Haymarket Books, 2022) and her writing life. Visit Maya's website at MayaMarshallPoetry.com and follow her on Twitter and Instagram. DUEWA'S WEB + SOCIALS Twitter ⁠@duewafrazier1 ⁠Facebook DuEwa (page) Instagram @drduewawrites Author Site ⁠www.duewafrazier.com⁠ FOLLOW/FAN/FRIEND NERDACITY on IG @nerdacitypodcast and on TWITTER @nerdacitypod1. FACEBOOK PAGE Nerdacity Podcast WATCH VIDEO of NERDACITY @Youtube.com/DUEWAWORLD LISTEN + SUBSCRIBE @SpotifyPodcasts @ApplePodcasts @Anchor @Stitcher @iHeartRadio @RadioFM @AppleMUSIC SUPPORT future episodes by donating @ Support Nerdacity with DuEwa Frazier or PayPal.me/DUEWAWORLD GUEST BIO Maya Marshall is the author of the debut full-length poetry collection All the Blood Involved in Love (Haymarket Books, 2022) and the chapbook Secondhand (Dancing Girl Press, 2016). In 2018, she cofounded underbelly, the journal on the practical magic of poetic revision. Marshall taught at Emory University and Northwestern University. She holds fellowships from MacDowell, Cave Canem, Vermont Studio Center and elsewhere. Her writing has been published in Boston Review, Crazyhorse, Best New Poets, and elsewhere. She works as an editor for Haymarket Books, and she is an assistant professor of English and creative writing at Adelphi University. Marshall was raised in Texas and Georiga, earned her MFA from the University of South Carolina, and made a home in Chicgao for nearly twenty years. Visit her website at mayamarshallpoetry.com) --- Support this podcast: https://podcasters.spotify.com/pod/show/duewafrazier/support

This week on Black and Published, Nikesha speaks with Dior J. Stephens author of the poetry collection, CRUEL/CRUEL. Dior J is the author of the chapbooks SCREAMS & lavender, 001, and CANNON!. They proudly serve as the Managing Poetry Editor of Foglifter Journal and Press and are a fellow of Cave Canem and Lambda Literary's Emerging LGBTQ Voices Fellowship. In our conversation, Dior discusses writing poems to popular music as a child, how confronting his rage and anger helped him publish his debut collection, and encouraging his students to fail as much as he encourages them to be great. Support the showFollow the Show: IG: @blkandpublished Twitter: @BLKandPublished Follow Me:IG: @nikesha_elise Twitter: @Nikesha_Elise Get My Books

Slavery has been called America's original sin, yet its depiction in American history and schools remains surprisingly controversial.  Clint Smith has travelled the country to document the ways in which that story is told, shining a light not just on who we were, but who we are. Clint Smith is a staff writer at The Atlantic.  He is the author of the narrative nonfiction book, “How the Word Is Passed: A Reckoning With the History of Slavery Across America,” which was a #1 New York Times bestseller, winner of the National Book Critics Circle Award for Nonfiction, the Hillman Prize for Book Journalism, the Stowe Prize, the Dayton Literary Peace Prize, and selected by the New York Times as one of the 10 Best Books of 2021. He is also the author of the poetry collection “Counting Descent,” which won the 2017 Literary Award for Best Poetry Book from the Black Caucus of the American Library Association and was a finalist for an NAACP Image Award. His forthcoming poetry collection, “Above Ground,” which will be published March 28, 2023.  Clint has received fellowships from the Andrew W. Mellon Foundation, New America, the Emerson Collective, the Art For Justice Fund, Cave Canem, and the National Science Foundation. His essays, poems, and scholarly writing have been appeared in The New Yorker, The New York Times Magazine, The New Republic, Poetry Magazine, The Paris Review, the Harvard Educational Review, and elsewhere.  Previously, Clint taught high school English in Prince George's County, Maryland where he was named the Christine D. Sarbanes Teacher of the Year by the Maryland Humanities Council. He is the host of the YouTube series Crash Course Black American History.  Clint received his bachelor's degree in English from Davidson College and his Ph.D. in Education from Harvard University.See omnystudio.com/listener for privacy information.

Author Bushra Rehman discusses her novel, Roses in the Mouth of a Lion which is loosely based on her own girlhood growing up in a tightly-knit Pakistani American community in Corona, Queens and slowly opening up to her own queer identity. Bushra talks about her own upbringing and her desire to celebrate that community and show its many facets, her discovery of the larger world and the found family that she created especially through writing groups such as the South Asian Women's Creative Collective, Cave Canem, and Kundiman. We talk about her beginning her writing journey as a poet, her time as spoken work poet by night and poetry teacher by day, her desire to write fiction and the challenges that presented, and her editing, with Daisy Hernández, the ground-breaking anthology Colonize This!: Young Women of Color on Today's Feminism  (which they have recently updated).

In this week's episode of the Get Lit Minute, your weekly poetry podcast, we spotlight the life and work of poet, Camonghe Felix. She is the author of Build Yourself a Boat (Haymarket Books, 2019), which was longlisted for the 2019 National Book Award in Poetry. The 2013 winner of the Cora Craig Award for Young Women, Felix has received fellowships from Cave Canem, Callaloo, and Poets House. SourceThis episode includes a reading of her poem, "Thank God I Can't Drive,"  featured in our 2021/23 Get Lit Anthology."Thank God I Can't Drive"My brain is trying so hard to outrun this. It is doing more work than the lie.I could go to jail for anything. I look like that kind of girl. I only speak one language. I amof prestige but can't really prove it. Not if my hands are tied. Not if my smartphone isseized. Not if you can't google me. Without an archive of human bragging rights, I'm[   ] nobody, an empty bag, two-toned luggage. I'm not trying to be sanctimonious,I just found out that I'm afraid to die, like, there goes years of posturing about, beating itlike I own it, taking it to the bathroom with the tampons—like, look at me, I am so agentand with all this agency I can just deploy death at any time. The truth isthat I'm already on the clock, I'm just a few notches down on the “black-girl-with-badmouth” list, the street lights go out and I'm just at the mercy of my own bravery andtheir punts of powerlessness, their “who the hell do you think you are's?”Support the show

Episode #3: Of Laughter and Light Season 2 continues with Alexa Patrick joining our host, Dwayne Lawson-Brown to talk creative outlets, finding light while grieving, and her new collection of poetry! Alexa Patrick is a poet and vocalist from Connecticut. She is a Cave Canem fellow and Tin House alumna. She has also been cast in the featured role of Unsung in We Shall Not Be Moved, an opera under the direction of Bill T. Jones. You may find Alexa's work published in The Quarry, The Rumpus, CRWN Magazine, and The BreakBeat Poets Vol. 2: Black Girl Magic. Follow Alexa Patrick on Instagram: @AlexaLaurel Learn More About Alexa: https://www.alexapatrick.com/ This podcast supported by the DC Commission of the Arts and Humanities, Solid State Books, Day Eight Publishing, and CrochetKingpin.com

Hafizah Geter (The Black Period) joins Jordan to discuss her family's influence on her work, the power of memory, being in conversation with the writers you love, and how all of us live in a mix of genres. MENTIONED: Goya's Black Paintings "Fighting Erasure" by Parul Sehgal Toni Morrison's concept of rememory Fela Kuti, Yussef Lateef, Otis Redding Hafizah Augustus Geter is a Nigerian American writer, poet, and literary agent born in Zaria, Nigeria, and raised in Akron, Ohio, and Columbia, South Carolina. She is the author of the poetry collection Un-American, an NAACP Image Award and PEN Open Book Award finalist. Her writing has appeared in The New Yorker, Bomb, The Believer, The Paris Review, among many others. The poetry committee co-chair of the Brooklyn Literary Council, she is a Bread Loaf Katharine Bakeless nonfiction fellow, a Cave Canem poetry fellow, and a 92Y Women inPower Fellow and holds an MFA in nonfiction from New York University, where she was an Axinn Fellow. Hafizah lives in Brooklyn, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Black and Published, Nikesha speaks with Remica Bingham-Risher, author of the memoir, Soul Culture: Black Poets, Books and Questions that Grew Me Up.  A native of Phoenix, Arizona, Remica is a Cave Canem fellow and Affrilachian Poet. Her work has been published in The New York Times, The Writer's Chronicle, Callaloo and Essence. She has written three poetry collections and is the Director of Quality Enhancement Plan Initiatives at Old Dominion University in Norfolk, VA, where she resides with her husband and children. In our conversation we discuss, how she came to conduct interviews with poetic giants that eventually developed into her memoir, why writing love poems in times of crisis is a revolutionary act, and the directive she's giving to the next generation of poets coming behind her. Support the show

Ross Gay is the author of The Book of Delights, a life-affirming collection of short lyric essays that reminds readers to appreciate so-called ordinary wonders, even during turbulent times. His several volumes of poetry include Catalog of Unabashed Gratitude, winner of the 2015 National Book Critics Circle Award and the 2016 Kingsley Tufts Poetry Award; Be Holding, winner of the 2021 PEN America Jean Stein Book Award; and Bringing the Shovel Down. A writing professor at Indiana University, Gay has earned fellowships from the Guggenheim Foundation, the Bread Loaf Writer's Conference, and Cave Canem. Inciting Joy explores the ways that people can inspire love and compassion by recognizing that which unites us. Major Jackson is the Richard Dennis Green and Gold Professor at the University of Vermont, a core faculty member of the Bennington Writing Seminars, and the poetry editor of the Harvard Review. He is the author of five books of poetry, including The Absurd Man, Holding Company, and Leaving Saturn, and his work has appeared in The New Yorker, The Paris Review, and Ploughshares, among numerous other periodicals and journals. Jackson's many honors include the Cave Canem Poetry Prize, a Whiting Writers' Award, and fellowships from the Guggenheim Foundation and the National Endowment for the Arts. A Beat Beyond is a collection of essays, interviews, and notes that delve into the intellectual and spiritual aspects of poetry in order to understand its political, social, and emotional functions. (recorded 10/27/2022)

Join Maya Marshall and special guests for a celebration of her new book All the Blood Involved in Love. All the Blood Involved in Love is an urgent and evocative collection—featuring complex and compelling poems about the choices we make surrounding home, freedom, healing, partnership, and family. In a moment of critical struggle for reproductive justice, Maya Marshall's haunting debut meditates on womanhood—with and without motherhood. Traversing familial mythography with an unflinching seriousness, Marshall moves deftly between contemporary politics, the stakes of race and interracial partnership, and the monetary, mental, and physical costs of adopting or birthing a Black child. Get All the Blood Involved in Love from Haymarket: https://www.haymarketbooks.org/books/1884-all-the-blood-involved-in-love --------------------------------------------------------------------- Speakers: Maya Marshall, a writer and editor, is cofounder of underbellymag.com, the journal on the practical magic of poetic revision. As an educator, Marshall has taught at Northwestern University and Loyola University Chicago. She holds fellowships from MacDowell, Vermont Studio Center, Callaloo, The Watering Hole, Community of Writers, and Cave Canem. She is the author of Secondhand (Dancing Girl Press, 2016). Her writing appears in Best New Poets 2019, Muzzle, RHINO, Potomac Review, Blackbird, and elsewhere. All the Blood Involved in Love is Marshall's debut poetry collection with Haymarket Books. Destiny O. Birdsong is a poet, novelist, and essayist whose work has appeared in the Paris Review Daily, African American Review, and Catapult, among other publications. Her debut poetry collection, Negotiations, was published in 2020 by Tin House and was longlisted for the 2021 PEN/Voelcker Award. Her debut novel, Nobody's Magic, was published in February 2022 from Grand Central Publishing. Tarfia Faizullah was born in Brooklyn, New York, and raised in Texas. She is the author of Registers of Illuminated Villages (Graywolf Press, 2018) and Seam (Southern Illinois University Press, 2014). She lives in Dallas, Texas. Aricka Foreman is an American poet and interdisciplinary writer from Detroit, MI. She is the author of the chapbook Dream with a Glass Chamber, and Salt Body Shimmer (YesYes Books) winner of the 2021 Lambda Literary Award for Bisexual Poetry. She has earned fellowships from Cave Canem, Callaloo, and the Millay Colony. Aricka lives in Chicago and works as a publicist at Haymarket Books. Nicole Homer is an Associate Professor of English at a community college in Central New Jersey. They are a poet, writer, and performer whose work can be found in the American Academy of Poets Poem-a-Day, Muzzle, The Offing, Rattle, The Collagist and elsewhere. A fellow of The Watering Hole, Callaloo and VONA, Nicole serves as a Contributing Editor at BlackNerdProblems writing pop culture critique through a POC lens. Their award-winning collection, Pecking Order (Write Bloody) is an unflinching look at how race and gender politics play out in the domestic sphere. Natasha Oladokun (she/her) is a poet and essayist. She holds fellowships from Cave Canem, the Virginia Center for Creative Arts, the Jackson Center for Creative Writing, Twelve Literary Arts, and the University of Wisconsin-Madison, where she was the inaugural First Wave Poetry fellow. Her work has appeared in the American Poetry Review, The Academy of American Poets, Harvard Review Online, and Kenyon Review Online. You can read her column The PettyCoat Chronicles—on pop culture and period dramas—at Catapult. She is Associate Poetry Editor at storySouth, and currently lives in Madison, WI. Watch the live event recording: https://youtu.be/qFVhGJYqI98 Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Darrel Alejandro Holnes is the author of the poetry collection Stepmotherland (University of Notre Dame Press). It is the winner of the Andres Montoya Poetry Prize. Holnes is an Afro-Panamanian American writer and is the recipient of a National Endowment for the Arts Literature Fellowship in Creative Writing (Poetry). His poems have previously appeared in the American Poetry Review, Poetry, Callaloo, Best American Experimental Writing, and elsewhere. Holnes is a Cave Canem and CantoMundo fellow who has earned scholarships to the Bread Loaf Writers' Conference, Fine Arts Work Center in Provincetown, Postgraduate Writers Conference at Vermont College of Fine Arts, and residencies nationwide, including a residency at MacDowell. His poem "Praise Song for My Mutilated World" won the C. P. Cavafy Poetry Prize from Poetry International. He is an assistant professor of English at Medgar Evers College, a senior college of the City University of New York (CUNY), where he teaches creative writing and playwriting, and a faculty member of the Gallatin School of Individualized Study at New York University. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Launched in 2011. Books. Literature. Writing. Publishing. Authors. Screenwriters. Etc. Available where podcasts are available: Apple Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  YouTube Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tyree Daye is a poet from Youngsville, North Carolina, and a Teaching Assistant Professor at UNC-Chapel Hill. He is the author of two poetry collections River Hymns 2017 APR/Honickman First Book Prize winner and Cardinal from Copper Canyon Press 2020. Daye is a Cave Canem fellow. Daye won the 2019 Palm Beach Poetry Festival Langston Hughes Fellowship, 2019 Diana and Simon Raab Writer-In-Residence at UC Santa Barbara, and is a 2019 Kate Tufts Finalist. Daye most recently was awarded a 2019 Whiting Writers Award.Bio via Tyree.work. See acast.com/privacy for privacy and opt-out information.

The National Book Critics Circle is presenting the Black poetry group "Cave Canem" with the inaugural Toni Morrison Achievement Award, saying "no institution has played such a definitive role in shaping the poetry of the 21st century." For our CANVAS series, Jeffrey Brown spoke with poet Cornelius Eady, who co-founded the group and continues to shape the landscape of American literature. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders