Podcasts about poem

Will you leave this episode feeling uplifted, envious, curious, or something else entirely? Yes. Billy-Ray Belcourt's poem “Subarctica” transports you to a vividly specific time — “the coldest December / on record, I haven't left my mother's / house in over a week” — where the primary view is of poplars in “a tiny schoolyard”. Amid the simplicity and snow, the speaker shifts their perspective, seeing beyond their past and towards the wonder in their present and in what is to come.  We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.   Billy-Ray Belcourt is a writer from the Driftpile Cree Nation. He is the author of six books, including the Griffin Poetry Prize-winning debut This Wound Is a World. Belcourt serves as the Canada Research Chair in Queer Indigenous Cultural Production at the University of British Columbia and also edits poetry for Hazlitt. Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on February 28, 2026. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

Recorded by Mary Sutton and Danusha Laméris for Poem-a-Day, a series produced by the Academy of American Poets. Published on February 28, 2026. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

Ruth Irupé Sanabria's delicious and dexterous “Carne” begins with these lines: “I've eaten pork from / pernil to chuletas to chitterlings.” And just in case you were wondering — and even if you're not — the speaker goes on to list much more of the seafood, poultry, and animal parts that have been consumed and how they were cooked. Lest you think this poem is simply a meat-eater's manifesto, savor its final turn towards what else the speaker is really hungry for.  We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.   Ruth Irupé Sanabria's first collection of poetry, The Strange House Testifies, was published by Bilingual Review Press. Her second collection, Beasts Behave in Foreign Land, received the Letras Latinas/Red Hen Press Prize. She is a Dodge Poet, a CantoMundo Fellow, and holds an MFA in poetry from NYU. She works as a high school English teacher in New Jersey.  Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today's poem is Poem about everything except— by Amy Lemmon. The Slowdown is your daily poetry ritual. In this episode, Maggie writes… “I was drawn to today's poem from the get-go because of its title: ”Poem about everything except—.” I went in anticipating maximalism — “everything but the kitchen sink,” as the saying goes, and the poem delivered.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

Song 1: Ride Downtown (composed & performed by John V Modaff, with Dave Merrill on 2nd & 3rd guitars and harmonica)        Poem 1: “Eleanor Remembers” by Susan Aizenberg, published in 2025 in On the Seawall, a community gallery of new writing, art, and commentary. Susan is a poet living in Iowa City; her latest book is:A Walk With Frank O'Hara (U of New Mexico Press, 2024.) Fiction: “She Always Knew What She Wanted,” a short story by Lynn C. Miller. Her fifth novel, The Surrogate, comes out March 31, 2026 from the University of Wisconsin Press. https://uwpress.wisc.edu/Books/T/The-Surrogate Feed the Cat Break: “Estranged” (composed & performed by John V. Modaff) Poem 2: “Fireflies,” by Rebecca Aronson, poet, professor and editor. She is the author of three collections of poetry, most recently Anchor, and is a winner of several awards for her poetry. https://www.rebeccaaronsonpoetry.com/ Song 2: Beyond the Other Side (by David R. Merrill / performed by D.R. Merrill and J.V. Modaff on bass & percussion)                                                                   Episode artwork by Lynda Miller  Show theme and incidental music by John V. Modaff  The Unruly Muse is recorded in Albuquerque, NM and Morehead, KY  Produced at The Creek Studio, Morehead, KY  NEXT UP: Mar/ 2026, Episode 57: “Hello, is anyone there?”    Thank You to our listeners all over the world. Please tell a friend about the podcast. Lynn & John

Recorded by Khaled Mattawa for Poem-a-Day, a series produced by the Academy of American Poets. Published on February 27, 2026. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

January Gill O'Neil reads and discusses Lucille Clifton's "Won't You Celebrate with Me" and also poems from January's newest book, Glitter Road.January Gill O'Neil is a poet whose work explores the afterlives of history in American landscapes and intimate lives. Her poems trace how place, memory, and moral inheritance shape identity across generations, joining lyric precision with documentary attention and restraint.She is the author of four poetry collections published by CavanKerry Press: Glitter Road (2024), Rewilding (2018), Misery Islands (2014), and Underlife (2009). Glitter Road received the 2024 Poetry by the Sea Best Book Award and the Julia Ward Howe Prize and was a finalist for several honors, including the Massachusetts Book Award. Her work has appeared in The New York Times Magazine, Poetry, The Nation, American Poetry Review, and the Academy of American Poets' Poem-a-Day series.A Cave Canem fellow, O'Neil is a professor at Salem State University and teaches graduate poetry writing in the summer program at Middlebury College's Bread Loaf School of English. She served as executive director of the Massachusetts Poetry Festival from 2012 to 2018 and was the 2019–2020 John and Renée Grisham Writer-in-Residence at the University of Mississippi. She is a former chair of the AWP Board of Directors and its longest-serving current board member. She earned her B.A. at Old Dominion University and her MFA. at New York University.

Recorded by Sanam Sheriff for Poem-a-Day, a series produced by the Academy of American Poets. Published on February 26, 2026. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

Today's poem asks: “What happens inside a poem?” Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

On this episode of Vibe Check, Saeed and Zach break down the political drama surrounding the Berlin Film Festival 2026 (Berlinale). Then, they dive into Tyra Banks and the new documentary Reality Check: Inside America's Next Top Model, unpacking how the show's cruelty reflected its era, and how it functioned as part of a broader cultural machine built to break women down. Plus, they share their latest picks for “the vibes are on” and “the vibes are off.” ------------------------------------------------------ Saeed's Poem of the Week: “How Can Black People Write About Flowers at a Time Like This” by Hanif Abdurraqib You can find everything Vibe Check related at our official website, www.vibecheckpod.comWe want to hear from you! Email us at vibecheck@stitcher.com, and keep in touch with us on Instagram @vibecheck_pod.Get your Vibe Check merch at www.podswag.com/vibecheck.Subscribe to SiriusXM Podcasts+ to listen to new episodes of Vibe Check ad-free.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Recorded by Mary-Alice Daniel for Poem-a-Day, a series produced by the Academy of American Poets. Published on February 28, 2026. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

Recorded by Kwame Dawes for Poem-a-Day, a series produced by the Academy of American Poets. Published on February 24, 2026. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

Loving in the face of violence, danger, and distress is an act of defiance, as demonstrated in Lena Khalaf Tuffaha's achingly beautiful poem “Dukka”.  The Palestinian American writer spotlights seven aspects of love in action — between father and newborn, for example, a journalist and her audience, a pair of intimates dining out. She shows us the “million ways to love” flowing through her community and cascading through generations, centuries, millennia, as inexorable and constant as the ocean and as bright and surprising as a rare meteor shower.  We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes. Lena Khalaf Tuffaha is a poet, essayist, and translator. She is author of three books of poetry: Something About Living (The University of Akron Press, 2024), winner of the 2024 National Book Award for Poetry and the 2022 Akron Poetry Prize; Kaan & Her Sisters (Trio House Press), finalist for the 2024 CLMP Firecracker Award and honorable mention for the 2024 Arab American Book Award; and Water & Salt (Red Hen Press), winner of the 2018 Washington State Book Award and honorable mention of the 2018 Arab American Book Award. She is also the author of two chapbooks: Arab in Newsland, winner of the 2016 Two Sylvias Press Chapbook Prize, and Letters from the Interior, finalist for the 2020 Jean Pedrick Chapbook Prize.  Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, Mike and Tim ask a provocative question: Is "Christ is King" becoming blasphemy? They begin by analyzing recent political rhetoric, specifically a speech by Pete Hegseth, to discuss how biblical language can be hijacked for coercive power rather than reflecting the character of Jesus. The hosts argue that proclaiming theological truths while living in opposition to the way of Jesus is a distortion of "faith and politics." The conversation then shifts to a deep exploration of the Lord's Prayer and the petition, "Your Kingdom come." Mike and Tim unpack the concept of the "anti-kingdom," explaining that Jesus preached the Kingdom of God in enemy-occupied territory. They explore "theology" regarding the "powers and principalities," looking at the Divine Council in the Psalms, the "heavenly host" in Genesis, and how the biblical authors understood the spiritual forces behind structural evil and injustice. This isn't just about ancient myths; it is about understanding "the role of the church in society" when facing systemic corruption. By contrasting the "cruciformity" of the Gospel with the power dynamics of empire, the guys offer a framework for "navigating cultural challenges" with wisdom. They highlight that true "Christianity" recognizes the spiritual battle at play—not just in individuals, but in cultural patterns and ideologies. As the hosts discuss the "seen and unseen" realms, they emphasize the importance of prayer and "justice" in a world that is both beautiful and broken. We encourage and would love discussion as we pursue these complex topics, so please engage the conversation on Facebook and Instagram. Chapters 00:00 - Introduction and Welcome 02:17 - Living with Purpose Daily 05:46 - Pete Hegseth Biblical Analysis 09:55 - Spiritual Warfare and Authority 10:54 - Defining the Anti-Kingdom 18:07 - Mark 1:21-28 Bible Study 23:43 - Jewish Beliefs About Demons 26:04 - Jesus Appoints Twelve Disciples 26:50 - Understanding the Unforgivable Sin 30:57 - Spiritual vs Physical Realms 31:59 - Biblical Identity of Satan 36:30 - The Heavenly Host Explained 46:18 - Psalm 82 Divine Council 49:29 - Principalities and Spiritual Powers 51:01 - Spiritual Powers Unjust Rulers 52:49 - Spiritual Powers Popular Culture 54:09 - Idols and Sacrificed Meat 56:10 - Judgment of Spiritual Powers 57:28 - Satan and Cosmic Powers 1:01:55 - Overcoming the Anti-Kingdom 1:06:46 - Spiritual Reflection Poem 1:09:14 - Support and Partnership 1:09:19 - Connect and Follow Us What It Looks Like To Us and the Words We UseBy Ada Limón All these great barns out here in the outskirts,  black creosote boards knee-deep in the bluegrass. They look so beautifully abandoned, even in use. You say they look like arks after the sea's dried up, I say they look like pirate ships, and I think of that walk in the valley where J said, You don't believe in God? And I said, No. I believe in this connection we all have to nature, to each other, to the universe. And she said, Yeah, God. And how we stood there, low beasts among the white oaks, Spanish moss, and spider webs, obsidian shards stuck in our pockets, woodpecker flurry, and I refused to call it so. So instead, we looked up at the unruly sky, its clouds in simple animal shapes we could name though we knew they were really just clouds— disorderly, and marvelous, and ours.   Copyright Credit: Poem copyright ©2012 by Ada Limón, whose most recent book of poems is Sharks in the Rivers, Milkweed Editions, 2010. Poem reprinted from Poecology, Issue 1, 2011, by permission of Ada Limón and the publisher.   As always, we encourage and would love discussion as we pursue. Feel free to email in questions to hello@voxpodcast.com, and to engage the conversation on Facebook and Instagram. We're on YouTube (if you're into that kinda thing): VOXOLOGY TV. Our Merch Store! Etsy Learn more about the Voxology Podcast Subscribe on iTunes or Spotify Support the Voxology Podcast on Patreon The Voxology Spotify channel can be found here: Voxology Radio Follow us on Instagram: @voxologypodcast and "like" us on Facebook Follow Mike on Twitter: www.twitter.com/mikeerre Music in this episode by Timothy John Stafford Instagram & Twitter: @GoneTimothy

The queens read for filth another toxic masculinist article before we play a saucy game based on a gay novel. Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series. And BEAUTIFUL PEOPLE is available from Bridwell Press. James's ROMANTIC COMEDY is available from Four Way Books. Show Notes:Heather Christle's post sparked this episode's discussion and can be found here. Christle's most recent book of poetry is Paper Crown (Wesleyan UP, August 2025)While there isn't an out gay character in Dead Poets Society, there is some gay-coded stuff going on. Read Kaeya Merchant's fabulous essay on the topic: "Dead Poets Society is Queer; Here's Why" The Garth Greenwell essay on Andrew Holleran's Dancer from the Dance which Aaron references was also published in the Yale Review. Check out Garth's website at https://www.garthgreenwell.comAt the end of the show, we quote the line "What did you think, that joy was some slight thing?" which is from Mark Doty's "Visitation"Other poems or poets we reference are:Garret Hongo's "What For"e.e. cummings, "somewhere I have never travelled, gladly beyond"David Bottoms, "Sign for My Father, Who Stressed the Bunt"A.E. Stallings, "Sea Girls"Jorie Graham, "At Luca Signorelli's Resurrection of the Body"Emily Dickinson, Poem 591

Send a textEvery so often, an interview comes along that leaves me stunned. Eleanor Lerman's episode was one such. NYC born and raised, this raw, fantastic poet delivers a fantastic interview, and I hope you enjoy! To learn more about Eleanor, visit https://www.eleanorlerman.com/Creator/Host: Tammy TakaishiAudio Engineer: Tammy TakaishiPlease consider joining the podcast Patreon and help keep this top-ranked, independently run podcast going! Info here  Support the showVisit www.creativepeacemeal.com to leave a review, fan voicemail, and more!Insta @creative_peacemeal_podcastFB @creativepeacemealpodRedbubble CPPodcast.redbubble.comCreative Peacemeal READING list here Donate to AhHa!Broadway here! Donate to New Normal Rep here! Interested in the Self-Care Institute with Dr. Ami Kunimura? Click here Interested in Corrie Legge's content planner? Click here to order!

Recorded by Ladan Osman for Poem-a-Day, a series produced by the Academy of American Poets. Published on February 23, 2026. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

I Know that My Redeemer Lives with poem by Beth McGinnis

A Marxist from Bahrain reflects on the struggle for Arab liberation. Subscribe! Donate! Join us in building a bright future for humanity! www.thecommunists.org www.lalkar.org www.redyouth.org Telegram: t.me/thecommunists Twitter: twitter.com/cpgbml Soundcloud: @proletarianradio Rumble: rumble.com/c/theCommunists Odysee: odysee.com/@proletariantv:2 Facebook: www.facebook.com/cpgbml Online Shop: https://shop.thecommunists.org/ Education Program: https://thecommunists.org/education-programme/ Each one teach one! www.londonworker.org/education-programme/ Join the struggle www.thecommunists.org/join/ Donate: www.thecommunists.org/donate/

In this episode, we will finish reading the Papal Encyclical already begun in the last episode. the Poem of the Man God will resume in the next episode. Apostolic Constitution Defining the Dogma of the Immaculate Conception: Inefabilis Deus by Pius IXAlso this week I read the Papal Encyclical, defining the dogma of the Immaculate Conception (of Mary: Ineffabilis Deus, Apostolic Constitution of Pope Pius IX from St. Paul Books Media. Hope you don't mind me sharing this with you. Original music by Angela Marie (Mohammed). Messiah. Savior. Passion of Christ. Religion. Wisdom. Miracles. Catholic Christian Theology. Apostles. Disciples. Believers. Followers. Early Church. Communion. Healing. Suffering Sacrifice. New Testament. Healing.,

The Poem of the Man God is a retelling of the Gospel story of Jesus of Nazareth as recorded in the private revelations of Maria Valtorta. In this episode, we see Jesus at Bether with Peter and Bartholomew.Original music by Angela Marie (Mohammed). Messiah. Savior. Passion of Christ. Religion. Wisdom. Miracles. Catholic Christian Theology. Apostles. Disciples. Believers. Followers. Early Church. Communion. Healing. Suffering Sacrifice. New Testament. Bible

Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on February 22, 2026. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on February 21, 2026. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

Rachel Mann's “#TDOR” manages to turn a depiction of one side of a conversation about marking Trans Day of Remembrance into a poem that is both empathic and uncompromising. Mann captures the verbal stammers and stumbles of the well-meaning but leaves us to reckon whether the words land as mirror, mockery, or cry for action.  We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.   Rachel Mann is a priest, writer, and broadcaster. She is the author of 13 books, including her debut poetry collection, A Kingdom of Love, and the acclaimed nonfiction, Fierce Imaginings: The Great War, Ritual, Memory, and God. She is a Visiting Teaching Fellow at Manchester Writing School and broadcasts regularly, including as a contributor to Thought For The Day.  Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Recorded by Siwar Masannat for Poem-a-Day, a series produced by the Academy of American Poets. Published on February 20, 2026. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

Today's poem is Poem to Remind Myself of the Natural Order of Things by Donika Kelly. The Slowdown is your daily poetry ritual. In this episode, Maggie writes… “Today's poem is such a beautiful meditation on knowing ourselves, and knowing what we need to be at home in our own lives.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

An emerging poet of consequence writes of his identity as a Korean /Jewish person, and uses Krean folklore as a tool.

Recorded by Ashaki M. Jackson for Poem-a-Day, a series produced by the Academy of American Poets. Published on February 19, 2026. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

On this episode of Vibe Check, Saeed and Zach wrestle with the emotional weight of the Epstein files and the aftershocks that follow each new revelation.Then, they examine America's growing literary crisis – declining reading skills, shrinking attention spans, and what it all means.Plus, they share their picks for “the vibes are on, the vibes are off”.------------------------------------------------------Saeed's Poem of the Week: “The Problem with Early Warnings” by Charles RaffertyNamwali Serpell's Book On Morrison is out now! You can find everything Vibe Check related at our official website, www.vibecheckpod.comWe want to hear from you! Email us at vibecheck@stitcher.com, and keep in touch with us on Instagram @vibecheck_pod.Get your Vibe Check merch at www.podswag.com/vibecheck.Subscribe to SiriusXM Podcasts+ to listen to new episodes of Vibe Check ad-free.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

I have an uncle who used to sing the craziest (and often off-color songs). He was a WWII vet and looked like the Canadian actor Lorne Greene. He would rip out the kinds of songs that sailors sang and I would rush to write down the lyrics so I could learn them. And learn them I did. The hard way. It was irritating and frustrating. Even though they say the hand builds the mind and it wasn’t the end of the world that I spent so much time writing them down and rewriting them, I was still relying on rote learning. If only I knew then what I know today about memory techniques! You see, I now memorize and regularly demonstrate poems I’ve committed to memory almost every month during my live memory training bootcamps. I’ve memorized everything from ancient Sanskrit poems to some of the most inventive contemporary poetry. And today I’m going to share a few case studies and key tips I know you’re going to love. How to Memorize Poetry Fast The fastest way I know to memorize poetry involves a combination of ancient memory techniques. These are: The Memory Palace Technique Alphabetical association Numerical association (where relevant) Spaced repetition based on solid active recall principles Now, I know that weaving together so many memory techniques to memorize poetry or even song lyrics, sounds like a lot. But if you want to memorize poems fast, stick with me. Bringing all of these strategies together is much easier than it might seem at first glance. But first, let me demonstrate that I can actually memorize poetry. I believe proof is important because there are a lot of people out there who talk about skills they cannot do. In the case of mnemonics, there are even entire forums filled with people giving advice about memory techniques when they clearly haven’t lifted a finger to memorize a poem. That, or they’ve used rote memorization and are only pretending they used mnemonics. So with those issues in mind, here are a few examples. Please be sure to watch each example because I will refer back to these recitations to help you rapidly memorize poems of your own. Example One: A Univocalic Poem In this video, you’ll see me at the Memory Palace Bookshop I’m developing practicing the recitation of a univocalic poem by Christian Bök: https://youtube.com/shorts/b6oFIOnAwng?feature=share That’s from a fantastic book of poetry called Eunoia. Example Two: Shakespeare This video not only shows me reciting lines from Titus Andronicus. It includes a very important teaching point. That’s because I also demonstrate reciting the lines forward and backward to help teach you how to more easily commit even the most difficult poem to memory using a process I call Recall Rehearsal: https://youtu.be/nhjIkGu32CA?si=s6gIJz6Poq9Zpo6C&t=1380 Now, I regularly memorize Shakespeare. But in the case of the example shared in the video above, I had a special purpose in mind. I was doing it to reproduce the memory technique Anthony Hopkins describes in his autobiography. Here’s the full case study. Example Three: Song Lyrics In this video, you’ll see and hear me singing a famous song called The Moon Represents My Heart in Chinese: https://youtu.be/dCyPV6qfKkI The entire song took just over forty minutes to commit to long-term memory. Even though it’s been a few years since I sang the whole song, I still remember most of the lyrics to this day. Every once and awhile, I whip it out and it always brings a smile to my wife’s face. The reason this Chinese poem set to music took a bit longer to memorize other poems I’ve memorized is because it’s in a foreign language that I was only just beginning to study at the time. Example Four: Poetry Quoted in a Speech When I wrote my TEDx Talk, I incorporated lines from a Sanskrit piece called the Ribhu Gita. This was an interesting challenge because it called me to recall the speech and the poetry that had already been memorized. https://www.youtube.com/watch?v=kvtYjdriSpM This particular performance was a lot of fun, but also challenging due to the combination of a live audience, cameras and the fact that the world was starting to go into lockdown at the beginning of Covid. I had a lot on my mind, but thanks to the memory techniques you’re about to discover, I still think the talk came off fairly well. It’s been seen over four million times now, so I must have done something right. Example Five: Real-Time Poetry Memorization If you want to see me memorize in real time, check out this discussion with Guru Viking. Steve, the host, throws Shakespeare at me and I memorize a few lines and discuss how I did it in real time: https://www.youtube.com/watch?v=J62IN_ngYH0 Now let’s get into the steps, many of which come directly from my premium course on memorizing poetry. Step one: Use the Memory Palace Technique A Memory Palace is essential for memorizing poetry, or anything verbatim. What is this technique? A Memory Palace is a mental recreation of a familiar location. For example, in the first video example above from the poem Eunoia, I used my mom’s home from where she lived years ago. I moved from the master bedroom to the kitchen and living room, to a few other bedrooms and finally out the door and down the driveway in front of the house. How to Memorize a Poem in an Hour (or Less) Using This Technique Using the method of loci, you place mnemonic images along a mental journey. As I just mentioned, I started in one room, then moved to the kitchen, the living room, and so forth. On each corner and wall, I placed an association. For example, for the line, “Awkward grammar appals a craftsman,” I placed an image of Apollinaire in a state of awe changing into being appalled. Now, what exactly it means to “place” an association along a journey in an imaginary version of a building can feel a bit abstract in the beginning. But basically, you’re taking a corner, a wall or a piece of furniture and elaborating it with strange, exaggerated ideas and feelings that remind you of each word of the poem or song lyric. You can do it in any language and if you look at the Guru Viking video above, you’ll see me demonstrate exactly how and why it works in any language. In that particular example, I use the wall behind me for Shakespeare in the same way I memorize Sanskrit phrases when memorizing ancient mantras. To Speed Up The Process When You’re Just Starting Out, Do This Learning to use the Memory Palace technique can feel challenging in the beginning. To reduce the cognitive load, I suggest making a quick sketch of a familiar location that you will turn into a Memory Palace. You don’t have to be artistic. I don’t try to make fine art of it at all. To wit, here’s a quick sketch of a bookstore in the Zamalek area of Cairo I have used many times to memorize poetry and other types of information: A Memory Palace drawn on an index card to maximize its value as a mnemonic device. This one is based on a bookstore in Zamalek, a part of Cairo. The reason for drawing out the journey is to get it clear in your mind. That way, you can spend more time on the next step. But failing to simply draw a Memory Palace in advance can lead to a lot of unnecessary frustration. That’s because you will ultimately wind up trying to encode the poem while developing the Memory Palace at the same time. To memorize any poem as quickly as possible, you need to separate the two activities. Step Two: Lay Down Your Associations One Word At A Time (Most Of The Time) Shakespeare opens King Henry the Fifth like this: O for a Muse of fire, that would ascend The brightest heaven of invention, A kingdom for a stage, princes to act And monarchs to behold our swelling scene! When I memorized these lines, I started at station one with an image of the constellation Orion over the Statue of Liberty. Using the pegword method, I associated Orion with O. Then, using the general concept of a woman that inspires people, I placed the Statue of Liberty in the Memory Palace. In this case, the Memory Palace was a workplace where I was writing curriculum in Vancouver, B.C., Canada. You might choose a completely different image for the words “muse of fire.” But the technical point is that you want to find a direct sound and spelling correspondence that is: Based on ideas and images already in your memory Makes sense to you Making sure that the associations you choose are personal is part of what scientists call active recall. For me personally, Lady Liberty is an especially apt choice not only because she represents inspiration, as the muses. She’s also holding a torch, which helps me encode the word “fire.” But I also lived in both Manhattan and Brooklyn for awhile and often crossed the Manhattan Bridge. This makes the memory of the Statue of Liberty even stronger for me, and another reason why you need to think about the images that make most sense for you. How to Associate “Little Words” for Rapid Memorization What about a word like “that”? Tricky and abstract, right? Not really. You just need to pick an association that makes sense to you while sounding or seeming as close as possible to the target information as you can get it. In the case of the Henry the Fifth line, I just took “th” and linked it with Thor and then used rhyming to have him put on a hat in a dramatic way. Thor + hat = that. When it comes to the Bök poem, there’s a part of the sequence (full poem here) where I used Thor with his hat again: Awkward grammar appals a craftsman. A Dada bard as daft as Tzara damns stagnant art and scrawls an alpha (a slapdash arc and a backward zag) that mars all stanzas and jams all ballads (what a scandal). For a small word like “all,” I used the Punk Rock band All, but only in part. Drawing upon the mnemonic teaching of people like Peter of Ravenna, Jacobus Publicius and Giordano Bruno, I used the principle of reduction. Rather than imagine the entire band, or even an entire mascot, I just imagined the eyes of the mascot. To memorize at speed, I suggest you practice this principle of reduction. Also develop what I call the Magnetic SRS in my full poetry course in the Magnetic Memory Method Masterclass. By taking an hour or so to assign association to all the pronouns and other “operator” words like “that,” you won’t have to stop and come up with associations ever again. The Magnetic SRS training in my full program goes into further detail. It will help you develop dozens of images for words that seem like they’ll be tricky or repetitive. Done well, they can be used repeatedly, but never cause confusion. Step Three: Memorize Multiple Words When You Can Memorizing more than one word in a poem at a time is called mnemonic compression. This term can mean more than one thing. But in this case, I’ve technically just given you a description of how compression works with the Statue of Liberty example. After Orion for O, she represents five words: “for a Muse of fire.” In this case, it works because I’m familiar with the workings of English grammar. But you can’t always get away with this kind of compression, especially when memorizing poetry in another language. It’s just best to keep an eye out for compression opportunities as much you can. When I memorized my TEDx talk using these techniques for speech memorization, thanks to compression, I loaded one station in my Memory Palace with up to 17 words using just 3-5 images (depending on how you count them). Keep in mind that you don’t have to start with poems with long passages like the ones I included in my TEDx Talk. A lot of people like to start with short Bible verses. I’ve put together a list of Bible verses to memorize that address the theme of memory if you’d like to select a few for practice. Step Four: Use Intelligent, Creative Repetition As I mentioned above, rote learning is a real problem. What you want instead is something called spaced repetition. It provides a simple means of reviewing memorized material on a schedule that keeps it in memory. Different poems and lyrics will require different amounts of repetition, and it’s not easy to predict in advance how much content will require how much repetition. However, there’s something called context-dependent memory. Basically, it gives you a boost when you use a lot of content frequently. Or read continually within particular categories of information. So if you read literature and quote it often, you’ll probably need less repetition than someone who doesn’t. And if you memorize the sonnet form more than free verse, you’ll likely develop a stronger and faster reliability because you’ve internalized its rules. Creative Repetition for Long-Term Maintenance For most of us, poems will fade over time no matter what we do. Fortunately, there are creative repetition strategies that can help make sure you maintain them. One is to follow in the footsteps of geniuses. For example, Anthony Hopkins keep common place books where they store and regularly revisit favorite poems. People like Thomas Jefferson used this strategy too. Another strategy is to use reflective thinking to compare various poems you’ve memorized. You can do this from poem to poem or between poems and your favorite philosophy books, historical events, etc. Finally, look for opportunities to recite the poems. Even if you just quote isolated lines, this smaller recitation will help keep the full poem within your mental reach. 3 Alternative Ways To Memorize Poetry You might be wondering if it’s possible to memorize poetry without using the Memory Palace technique. Indeed, there are. Here are some options. Rote Repetition Although I personally don’t like how rote learning feels, it is an option you can explore. It’s a slower option for most of us. But one simple way to get more mileage out of sheer repetition is to choose the time of day and location where you practice it strategically. You’ll need a lot of focus and concentration on top of sheer will power to keep repeating the same lines without the fun of mnemonics, so make sure you aren’t interrupted. I’d also suggest focusing on shorter poems for use with rote. That way you can memorize more poems in their entirety and enjoy substantial accomplishments more often. Cloze Methods A cloze test involves showing yourself parts of a poem. As you read through the poem, you try and fill in the blanks. This activity can trigger some of the positive benefits of active recall. Here’s an example of how you would apply the cloze test methodology to help yourself remember The Tyger by William Blake: Tyger Tyger, burning _____,  In the _____ of the night;  What immortal ____ or ____,  Could _____ thy ______ ______? Visual Flashcards Finally, if you’re willing to make simple drawings, you can draw on flashcards. This approach is kind of like a visual cloze test. Instead of hiding the word “bright” in the phrase “burning bright,” you would sketch an image that helps trigger the phrase. I’ve done this a fair amount with memorizing the books of the Bible. It’s a fast and easy way to help the mind make connections without having to use a Memory Palace. That said, drawing can take a lot of time. I would save this approach for when you feel like an experimental learning experience. How to Practice Reciting Poetry from Memory There are three key ways that I practice reciting poetry, not only to ensure that they’re locked in long-term memory. The point is also to get the lines as fluid as possible and bring out various parts you want to emphasize. After all, it’s not fun to sound robotic. The point of poetry is to convey meaning and beauty, humor or to stimulate some kind of emotion. One: Write the Poetry from Memory Another aspect of proper active recall practice is to call the information to mind by revisiting your associations in your Memory Palace, then write the words down. When writing out what you’ve committed to memory, don’t worry about mistakes. If you catch yourself making a mistake, just scratch it out. Then, once you’ve written as many lines as you can recall, test them against where the verse is written in a book or online. Here’s an example of a test from another part of Eunoia I recently memorized:   At this point, I hadn’t memorized the entire poem and had to start a new journal. But the important point is to test in this exact manner so that you don’t fall into rote repetition. Two: Recite Verbally As demonstrated in several of the video examples above, I practice recalling the poetry verses from memory out loud. This step is important because it gets the poetry into the muscle memory of the mouth. And this is the best way to practice adding gravitas to your performance. I suggest that you also recite the poetry out of order as you see in the Anthony Hopkins video above. This will give each line primacy and recency using the serial positioning effect, as was codified by Hermann Ebbinghaus. During the learning process, it can also be helpful to make up a little tune to go with the poetry. Even if you don’t sing it later, there’s something to chanting and singsonging that aids memory. This is something Bruno notes in his memory guide, Cantus Circaeus (Song of Circe), available in this English translation. Three: Recite Mentally It’s also valuable to practice reciting what you’ve memorized purely in your mind. You can do this solely by reciting the lines while moving through your Memory Palaces. Or you can do it without thinking of the Memory Palace journey, which is a point you should practice as soon as possible. If you are going to perform the poem live, it’s also helpful to imagine yourself delivering it live on camera or in front of an audience. I’ve done all of these things and it has really helped make sure my performance is fluid. But it also creates that priceless feeling of preparation. Your audience will appreciate your delivery much more as well. Make Poetry Memorization Part of Your Daily Life Finally, I’d like to discuss how to make poetry memorization a daily activity. We’re all different, but I personally prefer to encode new poems during the morning. This is simply because my energy is highest. Then I practice reciting in the evening. You might find that you prefer the opposite pattern. The key is to experiment, all based on having developed your mnemonic tools. Plus, it only makes sense to have a lot of poetry that you like within reach. Along with having the right memory techniques for this kind of verbatim learning task. That’s ultimately the most important tip of all. To get fast with memorizing poetry, you need to have your mnemonics prepped in advance. If you’d like more help on how the Memory Palace technique and related mnemonic strategies will help you memorize poems of any length, please consider signing up for my FREE Memory Improvement Course: It will take you through developing Memory Palaces for memorizing any poem at speed. Those poems can be as short as a simple song or as long as the Bible (which as I discuss in this tutorial, is possible to memorize). Or you can memorize songs from your weird uncle like I often did… even if I can’t always repeat them in polite company. Frankly, I wish I’d known these techniques back when I was young. Not only because I’d remember more of the words to the songs he sang. I’d remember more about him too. And that’s ultimately the greatest thing about memorizing poetry. We’re memorizing the ideas, feelings and images that impacted others, literally integrating ourselves with the stuff of life through memory.

Is it just us or are things…dark lately? We're not just talking about the news – we're discussing Sunbirth by An Yu. We talk about the meaning of the sun slipping away, the writing style and pacing, the narrator, and the general ennui of it all. Then we take a brief side quest to talk about The Traitors US S4 because we can. Grab your windbreaker for our next Othersode about Emerald Fennell's film “adaptation” of Wuthering Heights – featuring special guest Ben Mitchell – on March 3. Then read along for our next Bookpisode about Swallows by Natsuo Kirino on March 17. Hop on over to our Patreon and support us to get access to exclusive pet photos, including ~spicy~ Valentine's Day pics!TOC:30–Welcome! 6:15–Book Intro8:00–The sun of it all18:00–How the novel is set up/written33:30–The narrator43:17– The unknown, the ennui, and the point of it all50:00–The ending?56:40–Traitors talk to lighten the mood58:30–What's up next?

Recorded by Rabha Ashry for Poem-a-Day, a series produced by the Academy of American Poets. Published on February 18, 2026. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

Dan has to clear the air about his head, and Eric Swalwell is no Shakespeare | aired on Wednesday, February 18th, 2026 on Nashville's Morning News with Dan Mandis See omnystudio.com/listener for privacy information.

We lost a great one, kids! RIP Robert Duvall, Swalwell once considered himself the next Walt Whitman & More See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Recorded by Rigoberto González for Poem-a-Day, a series produced by the Academy of American Poets. Published on February 17, 2026. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

Sanah Ahsan's evocative “Ramadan's Greeting” brings us into the thoughts and experiences of a person observing the holiest month in Islam. In nine brief couplets, the poet deftly directs our attention towards some of the rich contrasts that emerge at this time — between light and dark, desire and abstinence, self and community — as well as the abiding satisfactions and joys. We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.  Sanah Ahsan is a poet, liberation psychologist, and educator. Sanah's work plays in the wild terrain of woundedness, the sacred landscapes of falling apart, centering compassion and embracing each other's madness. Their work draws on therapeutics, psychospirituality, embodiment, and poetics as life-affirming practices. Some of Sanah's media work includes writing for The Guardian, delivering a TEDx Talk, and presenting a Channel 4 documentary on the overmedicalization of people's distress. Sanah is working on a nonfiction book about the politics of distress, and society's relationship with unruly emotions. As a poet, Sanah won the Out-Spoken Poetry Performance Prize and has been shortlisted for the Queen Mary Wasafiri New Writing Prize, The White Review Poetry Prize, and Bridport Poetry Prize. Sanah's debut poetry collection, I cannot be good until you say it, is a meditation on Islam, queerness, and goodness. It was shortlisted for The Forward Prize for Best First Collection and Polari Prize, and selected as one of The Guardian's Best Poetry Books.Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Steve Harvey Morning Show Online: http://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

Recorded by Sharan Strange for Poem-a-Day, a series produced by the Academy of American Poets. Published on February 16, 2026. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

Michael VanCalbergh makes an historic third appearance on the show, bringing one from his past that he just can't seem to put down. A college professor's sweater vest becomes an inside joke to a class and young Michael just had to make it... awkward. Good thing Dave and Aaron are the most mature of hosts or this episode would have just become one long sophomoric gigglefest... It isn't that is it?? O dear.Episode 8.12 "I named it after your favorite clothing (w/ Michael VanCalbergh)"End Poem from a Real Poet: "Nicole Asks Me for a Poem and I Write About Ariadne Instead"Michael is a poet, essayist, and lecturer living in Illinois. You can find his works in Parenthesis Journal, autofocus Lit, Atticus Review, Spoon River Poetry Review, and monthly writings here: https://widely-read.ghost.io/ You can follow him on social media @MVCPoet and check out his open mic poetry readings in Normal, IL. Podcast Email: mybadpoetry.thepodcast@gmail.comBluesky: @mybadpoetrythepod.bsky.social Instagram & Threads: @MyBadPoetry_ThePodWebsite: ⁠⁠⁠⁠⁠⁠https://www.mybadpoetry.com

Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on February 15, 2026. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

“O come, in any way you want” is the first line in Kevin Hart's marvelous, mystical “Prayer”. So come to this poem — whether for its deliciously sensual language (“bouts of rain”, “wind that wraps”, “raw and ragged smells / [o]f gumleaves”, and more), its air of mystery, or its unabashed aching for a “you” — and then linger for a while. Stay with it, or let it stay with you, and see what emerges.   We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.Kevin Hart's most recent collections of poetry are Firefly (Pitt St. Poetry, 2026) and Carnets (Cascade, 2025). Other collections include Wild Track: New and Selected Poems (Notre Dame UP, 2015) and Barefoot (Notre Dame UP, 2018). A collection of new selected poems, 101 Poems, is forthcoming from Pitt St. Poetry. He teaches at Duke University in Durham, NC. Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Who has THE BEST VALENTINE'S DAY POEM?! Dave is hooking up with a woman at the nursing home. Crystal and Tammy have no power in an ice storm! Tammy, Dave, and Crystal will remain friends no matter what! #ChelcieLynn #JeremiahWatkins #Podcast #LibbieHiggins CRYSTAL'S GO FUND ME: Donate at https://www.crystalscreationsllc.com GET YOUR NEW TRAILER TALES MERCH HERE!: https://thecomedyoutlet.com/collections/trailer-tales New episodes every Friday on this channel. Subscribe! New Trailer Tales merch is here!: https://thecomedyoutlet.com/collections/trailer-tales Jeremiah's Patreon is LIVE: https://www.patreon.com/jeremiahwatkins NEW MERCH IS HERE!: https://www.jeremiahwatkins.com FOLLOW us on Instagram: https://www.instagram.com/trailertalespod See Tammy LIVE on tour: https://www.eatmytrash.com  @ChelcieLynn   @TheViralPodcast  See Jeremiah LIVE on tour: https://www.jeremiahwatkins.com  @jeremiahwatkins   @standupots  See Crystal LIVE on tour: https://www.libbiehiggins.com  @LibbieHiggins   @SlopCity  Want to send some mail into the show? P.O. BOX JEREMIAH WATKINS/TT P.O. BOX # 78375 LOS ANGELES, CA 90016 (Sending packages does not guarantee they will be opened on camera) Sponsored by: Hello Fresh Get 10 free meals + a free Zwilling knife at http://hellofresh.com/trailer10fm Sponsored by: AG1 Get Welcome Kit for FREE when you place your 1st subscription order at http://drinkag1.com/TRASH Edited by Ryan Armendariz & Jeremiah Watkins Intro Music: Produced by https://www.instagram.com/professorcmusic Intro Vocals: Jeremiah Watkins

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John has a poem for a special someone in his life...See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Coach and Stephen Reunite for Survivor Tocantins Encore Episode Today, Rob Cesternino is joined by Stephen Fishbach and the unforgettable Coach Wade—back for another shot at the title! In this special recap, Rob dives deep with Stephen and Coach as they relive one of Survivor's most iconic episodes. From a throwback to Coach's legendary “Martyr Approach” to his surprise return for Survivor 50, this discussion is all about epic journeys, pivotal alliances, and what it means to be a true Survivor. The episode opens with Coach reflecting on his classic exile experience and how the physical and mental tests on Survivor shaped his gameplay for this historic season. Rob, Stephen, and Coach walk through Coach's preparation for Survivor 50 including re-injuring his back just days before the game and how he rallied to perform from day one. They explore how Coach's storied relationships with players like Stephen, JT, and even his rivals, shaped the season—and what it's like to return to Survivor after more than a decade away. The group discusses how lessons from the past, loyalty, and perception feed into the gameplay of today, and how every move at camp, challenge, and especially Tribal Council, can define your legacy. – Coach's behind-the-scenes story of re-injuring his back just before Survivor 50, and his game-time recovery plan – Exploring how the dynamics between Stephen, JT, and Coach evolved after years apart – Stephen's take on why certain alliances still work and what makes you a target even if you can't win at the end – A look at legacy moves: Exile's lessons, forging the dragon stick, and what Coach still carries with him – Coach and Stephen's thoughts on trust, blindsides, and who really controls the endgame Will old school bonds hold up in the pressure cooker of Survivor 50? Can the legendary Dragon Slayer stay true to himself—or will new twists, alliances, and epic Tribal Councils test everything he's learned? Chapters: 0:00 Coach Returns for Iconic Episode 6:07 Spirituality and Struggle on Exile 10:12 Jeff Probst's Emotional Farewell 13:13 The Poem's Tribal Council Reveal 16:07 Doubts and Alliances Revealed 18:35 Voting Decisions and Jury Fears 22:11 Origins of the Dragon Stick 27:31 Life Lessons from Survivor Journey Never miss a minute of RHAP's extensive Survivor coverage! LISTEN: Subscribe to the Survivor podcast feed WATCH:  Watch and subscribe to the podcast on YouTube SUPPORT:  Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!

Coach and Stephen Reunite for Survivor Tocantins Encore Episode Today, Rob Cesternino is joined by Stephen Fishbach and the unforgettable Coach Wade—back for another shot at the title! In this special recap, Rob dives deep with Stephen and Coach as they relive one of Survivor's most iconic episodes. From a throwback to Coach's legendary “Martyr Approach” to his surprise return for Survivor 50, this discussion is all about epic journeys, pivotal alliances, and what it means to be a true Survivor. The episode opens with Coach reflecting on his classic exile experience and how the physical and mental tests on Survivor shaped his gameplay for this historic season. Rob, Stephen, and Coach walk through Coach's preparation for Survivor 50 including re-injuring his back just days before the game and how he rallied to perform from day one. They explore how Coach's storied relationships with players like Stephen, JT, and even his rivals, shaped the season—and what it's like to return to Survivor after more than a decade away. The group discusses how lessons from the past, loyalty, and perception feed into the gameplay of today, and how every move at camp, challenge, and especially Tribal Council, can define your legacy. – Coach's behind-the-scenes story of re-injuring his back just before Survivor 50, and his game-time recovery plan – Exploring how the dynamics between Stephen, JT, and Coach evolved after years apart – Stephen's take on why certain alliances still work and what makes you a target even if you can't win at the end – A look at legacy moves: Exile's lessons, forging the dragon stick, and what Coach still carries with him – Coach and Stephen's thoughts on trust, blindsides, and who really controls the endgame Will old school bonds hold up in the pressure cooker of Survivor 50? Can the legendary Dragon Slayer stay true to himself—or will new twists, alliances, and epic Tribal Councils test everything he's learned? Chapters: 0:00 Coach Returns for Iconic Episode 6:07 Spirituality and Struggle on Exile 10:12 Jeff Probst's Emotional Farewell 13:13 The Poem's Tribal Council Reveal 16:07 Doubts and Alliances Revealed 18:35 Voting Decisions and Jury Fears 22:11 Origins of the Dragon Stick 27:31 Life Lessons from Survivor Journey Never miss a minute of RHAP's extensive Survivor coverage! LISTEN: Subscribe to the Survivor podcast feed WATCH:  Watch and subscribe to the podcast on YouTube SUPPORT:  Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!

Too many of us left high school thinking that a poem could be taken seriously only if it was difficult to understand, subdued in its use of rhyme and alliteration, and addressed lofty topics. Harryette Mullen's saucy, suggestive “LVTOFU” bulldozes through convention, all the while revelling in its own rhythms, references, and humor.   We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.  Harryette Mullen is the author of eight books of poetry, including Urban Tumbleweed, Recyclopedia, and Sleeping with the Dictionary, which was a finalist for the National Book Award, the National Book Critics Circle Award, and the Los Angeles Times Book Prize. She is Professor of English and African American Studies at the University of California-Los Angeles.Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What is there to say or do when the life of a loved one has been upended and devastated? Stewart Henderson's poem “How To Speak Love In A Storm?” offers a tender masterclass in how you can accompany someone — or even just yourself — through a time of tumult and pain. We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.  Stewart Henderson is a Liverpool-born, best-selling poet, song lyricist, and award-winning broadcaster. He has published over a dozen poetry collections, including A Poet's Notebook: with new poems, obviously (2018), Urban Angel (2000), and Assembled in Britain (1986). Henderson has also authored three volumes of poetry for children, with poems from those books included on the UK National Education Curriculum. He hosted the program Questions, Questions on BBC Radio 4 for eight years. Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome to another episode of Spooky Gay Bullsh!t, our weekly hangout where we break down all of the hot topics from the world of the weird, the scary, and issues that affect the LGBTQIA2+ community!This week, we cover: one guy finds himself in trouble after being told he's got a bomb booty, Dial-a-Poem is back to push against the weight of the world, NHS staff call in for spiritual backup after a haunting gets out of control, the tragic death of three teens points to a dark potential reality, and a serial defecator gets called out thanks to drone footage!See you next Friday for more Spooky Gay Bullsh!t! Join the Secret Society That Doesn't Suck for exclusive weekly mini episodes, livestreams, and a whole lot more! patreon.com/thatsspookyGet into our new apparel store and the rest of our merch! thatsspooky.com/storeCheck out our website for show notes, photos, and more at thatsspooky.comFollow us on Instagram for photos from today's episode and all the memes @thatsspookypodWe're on Twitter! Follow us at @thatsspookypodDon't forget to send your spooky gay B.S. to thatsspookypod@gmail.com  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.