Podcasts about Tin House

What a treat to connect with Roxane Gay about memoir. We cover topics of oversharing and boundaries, as well as when memoir becomes manifesto. Today's show covers vulnerability and writing about shame, and how Roxane's success and visibility has impacted her writing. Plus, we get Roxane's take on Elizabeth Gilbert's new memoir, and why she thinks it's “not good.” Much worth listening to this week, including Brooke's celebration of having Roxane on the show in the first place after having been declined a couple times. A lesson for all that a no is not a forever no. Tune in! Roxane Gay's writing appears in Best American Mystery Stories 2014, Best American Short Stories 2012, Best Sex Writing 2012, A Public Space, McSweeney's, Tin House, Oxford American, and many others. She is a contributing opinion writer for The New York Times and the author of the books Ayiti, An Untamed State, The New York Times-bestselling Bad Feminist, the nationally bestselling Difficult Women, and The New York Times-bestselling Hunger. She is also the author of World of Wakanda for Marvel. And don't miss out on her Substack newsletter, The Audacity.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we come back to a topic, the mother-daughter relationship, we've covered in various ways over the years. Author Jeannie Vanasco has a unique take, however, in that her mother lived with her while she was writing her new book, A Silent Treatment. She shares with us about writing from “within an experience” and why she wrote this book “for” her mother. There are endless nuances to explore when it comes to the mother-daughter relationship, and Grant and Brooke get into why this is a dynamic that memoirists will always be drawn to. Jeannie Vanasco is the author of the memoirs Things We Didn't Talk About When I Was a Girl—which was named a ​New York Times Editors' Choice and a best book of 2019 by TIME, Esquire, Kirkus, among others—and The Glass Eye, which Poets & Writers called one of the five best literary nonfiction debuts of 2017. Her third book,  A Silent Treatment, is out this month on Tin House. Born and raised in Sandusky, Ohio, she lives in Baltimore and is an associate professor of English at Towson University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ten years in the making, poet Rickey Laurentiis joins us to talk about her much-anticipated remarkable new collection Death of the First Idea. “In the past decade, as Laurentiis has transitioned, her ideas of the lyric and poetry have transformed, as has the America in which she lives,” says the back copy on this book, whose […] The post Rickey Laurentiis : Death of the First Idea appeared first on Tin House.

Raghu Markus and Ann Tashi Slater dive into The Tibetan Book of the Dead, bardo states, and how embracing death and impermanence can help us live with greater presence and purpose.Pick up a copy of Ann's September 2025 book, Traveling in BardoThis week on Mindrolling, Raghu and Ann discuss:The Tibetan Book of the Dead and how it can help us in modern Western cultureBardo states: the in-between, liminal spaces between death and rebirth, birth and death.How we regularly experience metaphorical death through the impermanence of relationships, identities, and momentsAccepting the reality of death and impermanence to avoid struggle and sufferingFinding grace in life-lessons and why Ram Dass initially thought his guru gave him the strokeAnn's Tibetan lineage and strong connection to her grandmother Ensuring that we are living in alignment with the things we care most about Why reflecting on death while alive can lead to more conscious, intentional livingMaintaining traditions as a way to accept reality, process grief, and find meaning in lossRecognizing our interdependence and having compassion for other peopleCheck out the film The Tibetan Book of the Dead: A Way of Life, narrated by Leonard CohenAbout Ann Tashi Slater:Ann Tashi Slater has written for The New Yorker, The New York Times, The Washington Post, The Paris Review, Tin House, Guernica, AGNI, Granta, and many others. Her work has been featured in Lit Hub and included in The Best American Essays. In her Darjeeling Journal column for Catapult, she writes about her Tibetan family history and bardo, and she blogged for HuffPost about similar topics. She presents and teaches workshops at Princeton, Columbia, Oxford, Asia Society, and The American University of Paris, among others, and was a regular speaker at NYC's Rubin Museum of Art during the museum's 20-year run. You can learn more about Ann and sign up for her newsletter at http://www.anntashislater.com. “The really fundamental lesson of the bardo teachings is that awareness of impermanence allows us to actually, counterintuitively, find the happiness that we're looking for. When we struggle against it, we make ourselves miserable because there's nothing we can do to change it. Things end.” – Ann Tashi SlaterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Weekly shoutout: Check out Lynchpins, our ongoing David Lynch tribute series! Hi there, we're back! Today I am delighted to be arts calling Camille U. Adams once again! (https://www.camilleuadams.com/) About our guest: CAMILLE U. ADAMS, Ph.D. was born and raised in beautiful Trinidad and Tobago. She is the author of the explosive memoir How To Be Unmothered: a Trinidadian memoir, finalist in the Restless Books Prize in New Immigrant Writing 2023. (https://linktr.ee/Camille_U_Adams) Camille is a memoirist, a poet, and a nature writer. Camille has been awarded Best of The Net—nonfiction 2024. She has received five Pushcart Prize nominations and three Best of the Net nominations for her memoir writing. Camille's work has also received recognition as a notable essay in Best American Essays 2022. Her writing has been long-listed in the Graywolf Creative nonfiction Prize 2022 and selected as a finalist for The 2021 Orison Anthology Award in Nonfiction. Her other honours include an awarded fellowship as an inaugural Tin House Reading Fellow, an inaugural Granta nature writing workshop fellowship, an inaugural Anaphora Arts Italy Writing Retreat Fellowship, a McKnight Doctoral Fellowship, a Community of Writers Fellowship, A VONA scholarship, and a Roots Wounds Words Fellowship. A Tin House Summer Workshop alum, Camille has served as a juried reader for Tin House for two consecutive years and as a moderator for two author panels. She has also received support from Kenyon Writers Workshop, Grubstreet, and others. In addition, Camille has been an associate CNF editor at Variant Lit and an assistant memoir editor at Split Lip Magazine and at The Account. She has long taught English and creative writing, emphasising the importance of strong craft, beautiful prose, and ugly truths. Having earned her MFA in Poetry from City College CUNY and her Ph.D. in Creative Nonfiction from FSU, Camille currently teaches creative writing and literature in New York City. She is at work on her second memoir. Thanks for this amazing conversation, Camille! All the best! -- Arts Calling is produced by Jaime Alejandro. HOW TO SUPPORT ARTS CALLING: PLEASE CONSIDER LEAVING A REVIEW, OR SHARING THIS EPISODE WITH A FRIEND! YOUR SUPPORT TRULY MAKES A DIFFERENCE, AND THANK YOU FOR TAKING THE TIME TO LISTEN. Much love, j artscalling.com

Notes and Links to Joan Silber's Work    Joan Silber was raised in New Jersey and received her B.A. from Sarah Lawrence College, where she studied writing with Grace Paley. She moved to New York after college and has made it her home ever since. She holds an M.A. from New York University. She's written ten books of fiction--most recently, Mercy, out in fall 2025.  Secrets of Happiness was a Washington Post Best Book of the year and a Kirkus Reviews Best Fiction of the Year.  Improvement won The National Book Critics Circle Award for Fiction and the PEN/Faulkner Award.  She also received the PEN/Malamud Award for Excellence in the Short Story.  Her other works of fiction include Fools, longlisted for the National Book Award and finalist for the PEN/Faulkner Award, The Size of the World, finalist for the Los Angeles Times Prize in Fiction, and Ideas of Heaven, finalist for the National Book Award and the Story Prize.  She's also written Lucky Us, In My Other Life, and In the City (to be reissued by Hagfish in 2026), and her first book, Household Words, won the PEN/Hemingway Award. She's the author of The Art of Time in Fiction, which looks at how fiction is shaped and determined by time, with examples from world writers.  Her short fiction has been chosen for the O. Henry Prize, Best American Short Stories, and the Pushcart Prize.  Stories have appeared in The New Yorker, Tin House, The Southern Review, Ploughshares, Zyzzyva, and other magazines. She's been the recipient of an Award in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship, and grants from the National Endowment for the Arts and the New York Foundation for the Arts. For many years Joan taught fiction writing at Sarah Lawrence College and in the Warren Wilson MFA Program for Writers.  Joan lives on the Lower East Side of Manhattan, with Jolie, her rescued street dog from Taiwan, and she travels as often as she can, with a particular interest in Asia. Buy Mercy   Joan Silber's Website   Joan Silber's Wikipedia Page   Boston Globe Review of Mercy   At about 2:55, Joan talks about responses about her new novel and how uncertainty is always  At about 3:45, Joan talks about places to buy her new novel and upcoming book events At about 5:05, Joan traces her early relationship with reading and writing and talks about early inspirations like Louisa May Alcott At about 6:55, Joan responds to Pete's question about the catalysts for her writing career, and she references the wonderful Grace Paley and her generative teaching methods At about 8:35, Joan talks about contemporary writers and influences like Charles Baxter, Andrea Barrett, and Margo Livesy At about 9:50, Pete bumbles through a vague comparison in complimenting Joan on her depiction of New York in the 1970s and gives some exposition of the book, especially regarding the book's main protagonist, Ivan  At about 11:25, Joan reflects on Ivan and Eddie as “intellectuallizing” their drug adventures  At about 12:35, Joan responds to Pete asking about Eddie and his mindset and personality  At about 14:45, the two trace the book's inciting incident, involving Eddie and Ivan indulging in drugs to an extreme  At about 17:30, Joan expands on her initial thoughts for the book, and on the secret that Ivan keeps to himself, as well as how she views Ivan in a “complicated” way At about 18:45, Joan responds to Pete's question about whether or not she “sit[s] in judgment of [her] characters” At about 20:20, Pete highlights Ivan and asks Joan's about Eddie “hav[ing] his own kingdom” in Ivan's life, especially with regard to his atonement for Alcoholics Anonymous At about 21:50, Pete traces Astrid/Ginger's career arc, as Ivan sees her rise and connects to Eddie, and Joan expands on why her film being done in Malaysia is connected to real-life regulations in China At about 23:30, Pete asks Joan about how she gets into the mindset to write about “What if?” At about 24:50, Chapter Two is discussed, with a new narrator in Astrid, and her tragedies and triumphs At about 26:10, Joan talks about the movie that takes place in the book, with Astrid as a star; Joan expands upon the “circle” of heroin/opioids in the novel At about 28:30, Joan discusses the “echo in the title” about heroin as the “drug of mercy” At about 29:00, Joan gives background on her choice in including Cara as a character who is a “bystander” to Eddie's abandonment  At about 30:15, Joan and Pete discuss the whys of Cara leaving and getting on the road At about 31:40, Joan talks about Chapter Three as a previously-published chapter/standalone, and how she likes “getting her characters in trouble” At about 32:00, Joan explains how she “follows” Nini into the next chapter, based on a previous quote, and how Joan's own travels influenced her writing about the Iu Mien of Thailand and Laos At about 35:00, Joan describes how Nini's injury in Southeast Asia serves as a vessel for a description of opium's uses/the way it's viewed in a variety of ways around the world  At about 36:15, Pete and Joan discuss the roles of anthropologists and their roles At about 38:30, Cara's chapter is highlighted, with Cara's relationship with her previously-absent father discussed   At about 41:00, Pete asks Joan to discuss the book's title-its genesis and connections to the book's events and characters  At about 42:30, Joan differentiates between mercy and forgiveness  At about 43:00, Pete compliments Joan's work in tracing a long but coherent storyline and her depiction of New York At about 44:10, Joan discusses an exciting upcoming project  At about 45:20, Pete and Joan discuss youth and innocence and aging as key parts    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 293 with Melissa Lozada-Oliva, a Guatemalan-Colombian-American writer. Her chapbook peluda explores the intersections of Latina identity and hair removal. In her novel-in-verse Dreaming of You (2021, Astra House), a poet brings Selena back to life through a seance and deals with disastrous consequences. Candelaria was named one of the best books of 2023 by VOGUE and USA Today. Her collection of short stories is BEYOND ALL REASONABLE DOUBT, JESUS IS ALIVE! The episode airs on September 2, today, Pub Day.    This episode airs today, September 2, Pub Day.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Lily Lloyd Burkhalter speaks to managing editor Emily Everett about her essay “Raffia Memory,” which appears in The Common's spring issue. Lily talks about traveling to the Cameroon Grassfields to research the rituals and production of ndop, a traditional dyed cloth with an important role in both spiritual life and, increasingly, economic life as well. She also discusses the book-length project she's working on, which explores loss, grief, fabric, sewing, and weaving. Lily Lloyd Burkhalter is a writer living in Lille, France. She is a Pulitzer Center Reporting Fellow and holds degrees from the University of Virginia and the School of the Art Institute of Chicago. Her work can be found in Ploughshares, Gulf Coast, The Missouri Review, Denver Quarterly, and elsewhere. She is represented by Audrey Crooks at Trident Media Group. She learned to sew in Cameroon and learned to weave in Chicago. ­­Read Lily's essay “Raffia Memory” in The Common here. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford was the Reese's Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Lily Lloyd Burkhalter speaks to managing editor Emily Everett about her essay “Raffia Memory,” which appears in The Common's spring issue. Lily talks about traveling to the Cameroon Grassfields to research the rituals and production of ndop, a traditional dyed cloth with an important role in both spiritual life and, increasingly, economic life as well. She also discusses the book-length project she's working on, which explores loss, grief, fabric, sewing, and weaving. Lily Lloyd Burkhalter is a writer living in Lille, France. She is a Pulitzer Center Reporting Fellow and holds degrees from the University of Virginia and the School of the Art Institute of Chicago. Her work can be found in Ploughshares, Gulf Coast, The Missouri Review, Denver Quarterly, and elsewhere. She is represented by Audrey Crooks at Trident Media Group. She learned to sew in Cameroon and learned to weave in Chicago. ­­Read Lily's essay “Raffia Memory” in The Common here. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford was the Reese's Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Lily Lloyd Burkhalter speaks to managing editor Emily Everett about her essay “Raffia Memory,” which appears in The Common's spring issue. Lily talks about traveling to the Cameroon Grassfields to research the rituals and production of ndop, a traditional dyed cloth with an important role in both spiritual life and, increasingly, economic life as well. She also discusses the book-length project she's working on, which explores loss, grief, fabric, sewing, and weaving. Lily Lloyd Burkhalter is a writer living in Lille, France. She is a Pulitzer Center Reporting Fellow and holds degrees from the University of Virginia and the School of the Art Institute of Chicago. Her work can be found in Ploughshares, Gulf Coast, The Missouri Review, Denver Quarterly, and elsewhere. She is represented by Audrey Crooks at Trident Media Group. She learned to sew in Cameroon and learned to weave in Chicago. ­­Read Lily's essay “Raffia Memory” in The Common here. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford was the Reese's Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1964, Stanislavo, a zealous young man devoted to his ideals, turns his back on his privilege to join the leftist movement in the jungles of Venezuela. There, as he trains, he meets Emiliana, a nurse and fellow revolutionary. Though their intense connection seems to be love at first sight, their romance is upended by a decision with consequences that will echo down through the generations.Almost forty years later, in a poor barrio of Caracas, María, a single mother, ekes out a precarious existence as a housekeeper, pouring her love into Eloy, her young son. Her devotion will not be enough, however, to keep them from disaster. On the eve of the attempted coup against President Chávez, Eloy is wounded by a stray bullet, fracturing her world. Amid the chaos at the hospital, María encounters Stanislavo, now a newspaper editor. Even as the country itself is convulsed by waves of unrest, this twist of fate forces a belated reckoning for Stanislavo, who may yet earn a chance to atone for old missteps before it's too late.With its epic scope, gripping narrative, and unflinching intimacy, Freedom Is a Feast announces a major new talent. Alejandro Puyana has delivered a wise and moving debut about sticking to one's beliefs at the expense of pain and chaos, about the way others can suffer for our misdeeds even when we have the best of intentions, and about the possibility for redemption when love persists across time. Alejandro Puyana moved to the United States from Venezuela at the age of twenty-six. In 2022, he completed his MFA at the Michener Center for Writers at the University of Texas. His work has appeared in Tin House, American Short Fiction, The American Scholar, New England Review, Idaho Review, among others, and his story “The Hands of Dirty Children” was selected by Curtis Sittenfeld for Best American Short Stories 2020. He lives with his wife and daughter in Austin, Texas. Recommended Books: John Hickey, Big Chief Ibrahim Nasrallah, Time of White Horses Julio Cortázar, Literature Class Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1964, Stanislavo, a zealous young man devoted to his ideals, turns his back on his privilege to join the leftist movement in the jungles of Venezuela. There, as he trains, he meets Emiliana, a nurse and fellow revolutionary. Though their intense connection seems to be love at first sight, their romance is upended by a decision with consequences that will echo down through the generations.Almost forty years later, in a poor barrio of Caracas, María, a single mother, ekes out a precarious existence as a housekeeper, pouring her love into Eloy, her young son. Her devotion will not be enough, however, to keep them from disaster. On the eve of the attempted coup against President Chávez, Eloy is wounded by a stray bullet, fracturing her world. Amid the chaos at the hospital, María encounters Stanislavo, now a newspaper editor. Even as the country itself is convulsed by waves of unrest, this twist of fate forces a belated reckoning for Stanislavo, who may yet earn a chance to atone for old missteps before it's too late.With its epic scope, gripping narrative, and unflinching intimacy, Freedom Is a Feast announces a major new talent. Alejandro Puyana has delivered a wise and moving debut about sticking to one's beliefs at the expense of pain and chaos, about the way others can suffer for our misdeeds even when we have the best of intentions, and about the possibility for redemption when love persists across time. Alejandro Puyana moved to the United States from Venezuela at the age of twenty-six. In 2022, he completed his MFA at the Michener Center for Writers at the University of Texas. His work has appeared in Tin House, American Short Fiction, The American Scholar, New England Review, Idaho Review, among others, and his story “The Hands of Dirty Children” was selected by Curtis Sittenfeld for Best American Short Stories 2020. He lives with his wife and daughter in Austin, Texas. Recommended Books: John Hickey, Big Chief Ibrahim Nasrallah, Time of White Horses Julio Cortázar, Literature Class Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1964, Stanislavo, a zealous young man devoted to his ideals, turns his back on his privilege to join the leftist movement in the jungles of Venezuela. There, as he trains, he meets Emiliana, a nurse and fellow revolutionary. Though their intense connection seems to be love at first sight, their romance is upended by a decision with consequences that will echo down through the generations.Almost forty years later, in a poor barrio of Caracas, María, a single mother, ekes out a precarious existence as a housekeeper, pouring her love into Eloy, her young son. Her devotion will not be enough, however, to keep them from disaster. On the eve of the attempted coup against President Chávez, Eloy is wounded by a stray bullet, fracturing her world. Amid the chaos at the hospital, María encounters Stanislavo, now a newspaper editor. Even as the country itself is convulsed by waves of unrest, this twist of fate forces a belated reckoning for Stanislavo, who may yet earn a chance to atone for old missteps before it's too late.With its epic scope, gripping narrative, and unflinching intimacy, Freedom Is a Feast announces a major new talent. Alejandro Puyana has delivered a wise and moving debut about sticking to one's beliefs at the expense of pain and chaos, about the way others can suffer for our misdeeds even when we have the best of intentions, and about the possibility for redemption when love persists across time. Alejandro Puyana moved to the United States from Venezuela at the age of twenty-six. In 2022, he completed his MFA at the Michener Center for Writers at the University of Texas. His work has appeared in Tin House, American Short Fiction, The American Scholar, New England Review, Idaho Review, among others, and his story “The Hands of Dirty Children” was selected by Curtis Sittenfeld for Best American Short Stories 2020. He lives with his wife and daughter in Austin, Texas. Recommended Books: John Hickey, Big Chief Ibrahim Nasrallah, Time of White Horses Julio Cortázar, Literature Class Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1964, Stanislavo, a zealous young man devoted to his ideals, turns his back on his privilege to join the leftist movement in the jungles of Venezuela. There, as he trains, he meets Emiliana, a nurse and fellow revolutionary. Though their intense connection seems to be love at first sight, their romance is upended by a decision with consequences that will echo down through the generations.Almost forty years later, in a poor barrio of Caracas, María, a single mother, ekes out a precarious existence as a housekeeper, pouring her love into Eloy, her young son. Her devotion will not be enough, however, to keep them from disaster. On the eve of the attempted coup against President Chávez, Eloy is wounded by a stray bullet, fracturing her world. Amid the chaos at the hospital, María encounters Stanislavo, now a newspaper editor. Even as the country itself is convulsed by waves of unrest, this twist of fate forces a belated reckoning for Stanislavo, who may yet earn a chance to atone for old missteps before it's too late.With its epic scope, gripping narrative, and unflinching intimacy, Freedom Is a Feast announces a major new talent. Alejandro Puyana has delivered a wise and moving debut about sticking to one's beliefs at the expense of pain and chaos, about the way others can suffer for our misdeeds even when we have the best of intentions, and about the possibility for redemption when love persists across time. Alejandro Puyana moved to the United States from Venezuela at the age of twenty-six. In 2022, he completed his MFA at the Michener Center for Writers at the University of Texas. His work has appeared in Tin House, American Short Fiction, The American Scholar, New England Review, Idaho Review, among others, and his story “The Hands of Dirty Children” was selected by Curtis Sittenfeld for Best American Short Stories 2020. He lives with his wife and daughter in Austin, Texas. Recommended Books: John Hickey, Big Chief Ibrahim Nasrallah, Time of White Horses Julio Cortázar, Literature Class Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

"God, I feel like I'm still enduring that, like it's this sort of ongoing thing where I'm not sure I ever if I'll ever get to a place where I feel like my work and ambitions for the work and daydreams about writing and art-making ever meet my taste," says Patrycja Humienik.For Ep. 485 we've got Patrycja Humienik. She's a poet and her debut collection is We Contain Landscapes and it is published by Tin House. Patrycja is the daughter of Polish immigrants and is a writer, editor, and teaching artist. You can follow her on the gram @jej_sen. So Patrycja and I had nice little jam sesh about: Trusting the path The Magic of Revision Weekly Writing Rituals with her Work Wife Tension and Textures And writing without the pressure of publicationSome really rich stuff. Her work has appeared in the New Yorker, that rag, Gulf Coast, Poetry Society of America and many others. She works between borders: of disciplines, language, body, art activism, conflict/transformation. She's a true artist, man. You can learn more about her at www.patrycjasara.com.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

What does it mean to write toward or under the aura of another poet one admires, to write in homage, as a celebration of another? What happens to language when it hovers between two writers, between how they each separately inhabit it? What does it say about the self, or is discovered about it—within the […] The post Laynie Browne : Apprentice to a Breathing Hand appeared first on Tin House.

Notes and Links to Camille Adams' Work          CAMILLE U. ADAMS, Ph.D. was born and raised in beautiful Trinidad and Tobago. She is the author of the explosive memoir How To Be Unmothered: a Trinidadian memoir, finalist in the Restless Books Prize in New Immigrant Writing 2023.    Camille is a memoirist, a poet, and a nature writer. She has been awarded Best of The Net—nonfiction 2024. She has received five Pushcart Prize nominations and three Best of the Net nominations for her memoir writing. Camille's work has also received recognition as a notable essay in Best American Essays 2022. Her writing has been long-listed in the Graywolf Creative nonfiction Prize 2022 and selected as a finalist for The 2021 Orison Anthology Award in Nonfiction.    Her other honours include an awarded fellowship as an inaugural Tin House Reading Fellow, an inaugural Granta nature writing workshop fellowship, an inaugural Anaphora Arts Italy Writing Retreat Fellowship, a McKnight Doctoral Fellowship, a Community of Writers Fellowship, A VONA scholarship, and a Roots Wounds Words Fellowship.    A Tin House Summer Workshop alum, Camille has served as a juried reader for Tin House for two consecutive years and as a moderator for two author panels. She has also received support from Kenyon Writers Workshop, Grubstreet, and others.   In addition, Camille has been an associate CNF editor at Variant Lit and an assistant memoir editor at Split Lip Magazine and at The Account. She has long taught English and creative writing, emphasising the importance of strong craft, beautiful prose, and ugly truths.   Having earned her MFA in Poetry from City College CUNY and her Ph.D. in Creative Nonfiction from FSU, Camille currently teaches creative writing and literature in New York City. She is at work on her second memoir. Buy How to Be Unmothered: A Trinidadian Memoir   Camille U. Adams' Website    Excerpt from How to Be Unmothered     At about 2:55, Camille talks about her ideal writing environments and she and Pete bond over Pete's  At about 5:00, Camille responds to Pete's question about what books and stories resonate with her students-she references Javier Zamora and Derek Walcott and Jamaica Kincaid At about 8:00, the two discuss purchasing details for How to Be Unmothered At about 9:15, Camille shares great early feedback for the memoir  At about 11:35, Camille responds to Pete's question about her early reading loves At about 14:30, Pete cites Jamaica Kincaid's masterful work and Camille shouts out George Lanning, Samuel Selvon, Paul Keyes Douglas, and other masterful Caribbean writers At about 16:50, Camille responds to Pete's questions about the “push-and-pull” of colonialist language and history in Trinidad At about 21:00, Camille highlights Daniel José Older's brilliant work as the two discuss evocative language  At about 22:25, Camille cites calypso and its performances as a keen example of the dynamic nature of language   At about 24:05, Camille and Pete discuss the book's dedication and epigraph (eek-Pete first calls it an “epitath”), with Camille sharing an insightful story on an idea's generative appearance in her head At about 28:40, Camille responds to Pete's question about the significance of her memoir's chapter titles as different trees At about 31:05, Pete and Camille set out the exposition for the memoir, especially the pivotal opening scene; Camille expounds on the long drive recounted and how it serves as a sort of cultural and historical tour of Trinidad At about 35:00, Camille talks about her  At about 36:25, Camille talks about the Trinidian term “hotfoot,” as the two discuss double standards for men and women At about 38:20, No spoilers! as Pete highlights an evocative and creative section about rum At about 40:55, Camille reflects on an “initiation” and on ideas of dominion over nature At about 44:00, Camille examines ideas of being a child and expectations and tropes around parent-child alienations At about 46:50, The two discuss an evocative series of scenes and ideas of intimacy and forced burdens At about 49:40, Camille responds to Pete's musings about the somatic sensations depicted in the book, including introducing the wise, apt saying: “there is no past tense in the body” At about 54:00, Camille describes traumatic experiences heaped on children in general and on herself, as she reflects on ideas of “property” and a lack of agency At about 58:00, Camille talks about why she can't and won't live with “unlove” At about 1:00:00, Camille discusses ideas of joy and resilience and vulnerability and “strip[ping] words of meaning and connections to political and psychological consciousness  At about 1:04:50, Camille highlights a meaningful song, The Journey” by Chris “Tambu” Herbert  At about 1:07:40, Camille teases her second book      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 289 with Jahmal Mayfield, who writes gritty crime novels that touch on large social issues. His stellar SMOKE KINGS was inspired by Kimberly Jones' passionate viral video, “How can we win?”    This episode airs on August 26.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Today's guest is writer and critic Martha Anne Toll. Through a discussion of her latest novel Duet for One we explore the perennial mystery of writing and art-making, namely how to render something that lives beyond representation, and how words can become a vehicle to evoke what words themselves cannot adequately describe. In this case, […] The post Martha Anne Toll : Duet for One appeared first on Tin House.

Claire Jia is the author of the debut novel Wanting, available from Tin House. It was the official July pick of the Otherppl Book Club. Jia is a writer from Illinois. Her work has appeared in The New York TimesModern Love column, The Rumpus, Reductress, and more. She writes for television and video games, including the 2024 Peabody Award-winning We Are OFK. She lives in Los Angeles with her friends. *** ⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad Listi's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is an ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's conversation with Rob Macaisa Colgate is about two books, his poetry collection Hardly Creatures and his verse drama My Love is Water. You could say these two books are approaching the same questions, but from opposite, if complementary vantage points. Questions of care and disability, of accessibility and community, of Filipino-American identity and the afterlives […] The post Rob Macaisa Colgate : Hardly Creatures & My Love is Water appeared first on Tin House.

Don't miss today's conversation with Robert Macfarlane. A polyvocal deep dive into the mysteries of words and rivers, of speech acts as spells, whorls as worlds, of grammars of animacy, of what it means to river, and to be rivered. From the Epic of Gilgamesh to Virginia Woolf's wave in the mind to Ursula K. […] The post Robert Macfarlane : Is a River Alive? appeared first on Tin House.

Pria Anand speaks to managing editor Emily Everett about her story “The Elephant's Child,” which appears in The Common's spring issue. The piece is a vivid retelling of a Hindu myth, the origin story of the elephant-headed god Ganesh. Pria talks about the process of writing and revising many versions of this ancient myth, why she felt inspired by it, and how her literary writing intersects with her career as a neurologist. Pria also discusses her debut book, The Mind Electric: A Neurologist on the Strangeness and Wonder of Our Brains, out this month from Simon & Schuster. The book explores how story and storytelling can illuminate the rich, complex gray areas within the science of the brain, weaving case study, history, fable, and memoir. Pria Anand is a neurologist and the author of The Mind Electric, out from Simon & Schuster in the U.S. and Little, Brown in the U.K. Her stories and essays have appeared in the Los Angeles Review of Books, Time Magazine, The Boston Globe, The Washington Post, The New York Times, Ploughshares, and elsewhere. She is a graduate of Yale University and Stanford Medical School, and she trained in neurology, neuro-infectious diseases, and neuroimmunology at the Johns Hopkins Hospital and the Massachusetts General Hospital. She is now an Assistant Professor of Neurology at the Boston University School of Medicine, and she cares for patients at the Boston Medical Center. ­­Read Prias's story “The Elephant's Child” in The Common at thecommononline.org/the-elephants-child. Order The Mind Electric in all formats via Simon & Schuster at simonandschuster.com/books/The-Mind-Electric/. Learn more about Pria at www.priaanand.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese's Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Pria Anand speaks to managing editor Emily Everett about her story “The Elephant's Child,” which appears in The Common's spring issue. The piece is a vivid retelling of a Hindu myth, the origin story of the elephant-headed god Ganesh. Pria talks about the process of writing and revising many versions of this ancient myth, why she felt inspired by it, and how her literary writing intersects with her career as a neurologist. Pria also discusses her debut book, The Mind Electric: A Neurologist on the Strangeness and Wonder of Our Brains, out this month from Simon & Schuster. The book explores how story and storytelling can illuminate the rich, complex gray areas within the science of the brain, weaving case study, history, fable, and memoir. Pria Anand is a neurologist and the author of The Mind Electric, out from Simon & Schuster in the U.S. and Little, Brown in the U.K. Her stories and essays have appeared in the Los Angeles Review of Books, Time Magazine, The Boston Globe, The Washington Post, The New York Times, Ploughshares, and elsewhere. She is a graduate of Yale University and Stanford Medical School, and she trained in neurology, neuro-infectious diseases, and neuroimmunology at the Johns Hopkins Hospital and the Massachusetts General Hospital. She is now an Assistant Professor of Neurology at the Boston University School of Medicine, and she cares for patients at the Boston Medical Center. ­­Read Prias's story “The Elephant's Child” in The Common at thecommononline.org/the-elephants-child. Order The Mind Electric in all formats via Simon & Schuster at simonandschuster.com/books/The-Mind-Electric/. Learn more about Pria at www.priaanand.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese's Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Pria Anand speaks to managing editor Emily Everett about her story “The Elephant's Child,” which appears in The Common's spring issue. The piece is a vivid retelling of a Hindu myth, the origin story of the elephant-headed god Ganesh. Pria talks about the process of writing and revising many versions of this ancient myth, why she felt inspired by it, and how her literary writing intersects with her career as a neurologist. Pria also discusses her debut book, The Mind Electric: A Neurologist on the Strangeness and Wonder of Our Brains, out this month from Simon & Schuster. The book explores how story and storytelling can illuminate the rich, complex gray areas within the science of the brain, weaving case study, history, fable, and memoir. Pria Anand is a neurologist and the author of The Mind Electric, out from Simon & Schuster in the U.S. and Little, Brown in the U.K. Her stories and essays have appeared in the Los Angeles Review of Books, Time Magazine, The Boston Globe, The Washington Post, The New York Times, Ploughshares, and elsewhere. She is a graduate of Yale University and Stanford Medical School, and she trained in neurology, neuro-infectious diseases, and neuroimmunology at the Johns Hopkins Hospital and the Massachusetts General Hospital. She is now an Assistant Professor of Neurology at the Boston University School of Medicine, and she cares for patients at the Boston Medical Center. ­­Read Prias's story “The Elephant's Child” in The Common at thecommononline.org/the-elephants-child. Order The Mind Electric in all formats via Simon & Schuster at simonandschuster.com/books/The-Mind-Electric/. Learn more about Pria at www.priaanand.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese's Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Pria Anand speaks to managing editor Emily Everett about her story “The Elephant's Child,” which appears in The Common's spring issue. The piece is a vivid retelling of a Hindu myth, the origin story of the elephant-headed god Ganesh. Pria talks about the process of writing and revising many versions of this ancient myth, why she felt inspired by it, and how her literary writing intersects with her career as a neurologist. Pria also discusses her debut book, The Mind Electric: A Neurologist on the Strangeness and Wonder of Our Brains, out this month from Simon & Schuster. The book explores how story and storytelling can illuminate the rich, complex gray areas within the science of the brain, weaving case study, history, fable, and memoir. Pria Anand is a neurologist and the author of The Mind Electric, out from Simon & Schuster in the U.S. and Little, Brown in the U.K. Her stories and essays have appeared in the Los Angeles Review of Books, Time Magazine, The Boston Globe, The Washington Post, The New York Times, Ploughshares, and elsewhere. She is a graduate of Yale University and Stanford Medical School, and she trained in neurology, neuro-infectious diseases, and neuroimmunology at the Johns Hopkins Hospital and the Massachusetts General Hospital. She is now an Assistant Professor of Neurology at the Boston University School of Medicine, and she cares for patients at the Boston Medical Center. ­­Read Prias's story “The Elephant's Child” in The Common at thecommononline.org/the-elephants-child. Order The Mind Electric in all formats via Simon & Schuster at simonandschuster.com/books/The-Mind-Electric/. Learn more about Pria at www.priaanand.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese's Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

Day 11: Gabrielle Calvocoressi reads their poem, “Miss you. Would like to take a walk with you” originally published in Poetry (October 2021).  Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in  Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a non-fiction book entitled, The Year I Didn't Kill Myself and a novel, The Alderman of the Graveyard. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022 - 2023. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Their new collection of poetry, The New Economy, will be released from Copper Canyon in 2025.   Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Matthew Specktor is the author of the novels American Dream Machine and That Summertime Sound, and the nonfiction books The Sting and Always Crashing in the Same Car. His writing has appeared in the New York Times, the Paris Review, The Believer, Tin House, Vogue, GQ, Black Clock, and Open City. He has been a MacDowell Fellow and is a founding editor of the Los Angeles Review of Books. He resides in Los Angeles. On this episode of Little Atoms he talks to Neil Denny about his latest book The Golden Hour: A Story of Family and Power in Hollywood. Hosted on Acast. See acast.com/privacy for more information.

With the arrival of Ancestors, the third and final book in adrienne maree brown's Grievers Trilogy, we take the iconic frames she has created in her nonfiction work—emergent strategy, pleasure activism, fractal responsibility, loving corrections and more—and look at how they are dramatized within this fictional near-future Detroit. Much as the three books do themselves, […] The post adrienne maree brown : Ancestors appeared first on Tin House.

Day 2: Faylita Hicks reads their poem “A Gxrl's Trip Home.” This poem was originally published in A Map of My Want (Haymarket Books, 2024). Faylita Hicks (she/they) is a writer, interdisciplinary artist, Hoodoo practitioner, and cultural strategist exploring the intersections of social justice and spirituality. They are the author of A Map of My Want (Haymarket, 2024), HoodWitch (Acre, 2019), and the forthcoming memoir A Body of Wild Light (Haymarket, 2027). A 2025 Haymarket Writing Freedom Fellow and Definition Theatre Amplify finalist, Hicks contributed to a Grammy-nominated album and has earned awards and honors from Art for Justice Fund, Lambda Literary, and the Right of Return Fellowship. They hold an MFA from the University of Nevada, Reno, and have received fellowships from Black Mountain Institute, Tin House, and others. Hicks serves as Chair of the Board for The Guild Literary Complex, Core Poetry Faculty at StoryStudio, adjunct faculty for the University of Nevada's MFA program, and is a voting member of the Recording Academy. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Sadie and Jeanne dive into the world of Tommy Wallach to discuss writing musicals, plays, screenplays, novels, the value of being a pianist, why bread is not happening, and so much more. This one is a must-listen for all artists who want to dive into multiple mediums and find a path of sanity while juggling 12 balls in the air. Just read his bio below ... yeah, he pivots like none other. *****Tommy Wallach is the author of the Anchor & Sophia trilogy, Thanks for the Trouble, and the New York Times bestselling We All Looked Up, which has been translated into over a dozen languages. His writing has appeared in McSweeney's, Tin House, Wired, and other magazines, and he is a MacDowell Fellow. He was signed to Decca Records as a singer-songwriter, and has independently released two full-length albums, including We All Looked Up: The Album, a companion record to his first novel. He currently lives in Los Angeles, where he recently opened up his first escape room, and is working on bringing his novels to various sorts of screens. Grok more at TommyWallach.com.Resources from this episode: Tommy Wallach's websiteTommy on IG: @tommywallachPipeline Podcasts:All OG Pipeline Artists podcasts can be found on pipelineartists.com/listen.YouTube:Watch full (read that as "most ... maybe not any" because Jeanne is tired) episodes on YouTube.Follow us on X:@recklesscr8tive@SadieKDean@jeannevb@pipelineartistsFollow us on IG:@recklesscr8tive@_thesadiedean@jeannevb_@pipelineartistsEnter Pipeline's Contests:Script Pipeline (Screenwriting, TV, First Look, Pitch Contest)Film Pipeline (Short Scripts and Short Films)Book Pipeline (Unpublished and Adaptation)

Anna first fell in love with London at her hometown library—its Jane Austen balls a far cry from her life of food stamps and hand-me-downs. But when she finally arrives after college, the real London is a moldy flat and the same paycheck-to-paycheck grind—that fairy-tale life still out of reach.Then Anna meets the Wilders, who fly her to Saint-Tropez to tutor their teenage daughter. Swept up by the sphinxlike elder sister, Anna soon finds herself plunged into a heady whirlpool of parties and excess, a place where confidence is a birthright. There she meets two handsome young men—one who wants to whisk her into his world in a chauffeured car, the other who sees through Anna's struggle to outrun her past. It's like she's stepped into the pages of a glittering new novel, but what will it cost her to play the part?Sparkling with intelligence and insight, All That Life Can Afford (G.P. Putnam's Sons, 2025) peels back the glossy layers of class and privilege, exploring what it means to create a new life for yourself that still honors the one you've left behind. Emily Everett is an editor and writer from western Massachusetts. She is managing editor at The Common literary magazine, and a Massachusetts Cultural Council Fellow in Fiction. Her short story “Solitária” was selected as a runner-up for the Kenyon Review's 2019 Short Fiction Contest, and appears in the Jan/Feb 2020 issue. Other short fiction appears in Electric Literature, Tin House, and Mississippi Review, among others. Her work has been selected for Best Small Fictions 2020, and supported by the Vermont Studio Center. Recommended Books: Charlotte McConaughy, Migrations Edith Wharton, The House of Mirth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Guest Suzanne LenzerBook: PECKISH: Suggestions for the Sophisticated Snacker. Welcome to the Well Seasoned Librarian. This is Season 16 Episode 10. Today we're diving into the delicious world of snacking with author Suzanne Lenzer and her brand new book, PECKISH: Suggestions for the Sophisticated Snacker. Forget rigid mealtime rules, Suzanne is here to liberate your palate and celebrate the joy of nibbling.Suzanne believes that eating should be fun, encouraging us to embrace our cravings with a little bit of this and a little bit of that. PECKISH offers over 75 inspiring recipes for small bites, proving that wonderful food doesn't need to be complicated or picture-perfect. Get ready to rediscover the playful side of your kitchen, fueled by curiosity and a touch of culinary whimsy.With nearly two decades of experience as a food stylist, cookbook author of acclaimed titles like GRAZE and Truly, Madly Pizza,  Suzanne brings a wealth of culinary creativity to the table. Her recipes and styling have graced magazines, television, and numerous cookbooks, and her writing has been featured in publications like Tin House and The New York Times. Join our host Dean Jones as he explores Suzanne's philosophy on snacking and the delightful recipes in PECKISH.Book: Peckish: Suggestions for the Sophisticated Snacker; A Cookbookhttps://www.suzannelenzer.com/my-cookbooksIf you follow my podcast and enjoy it, I'm on @buymeacoffee. If you like my work, you can buy me a coffee and share your thoughts

Anna first fell in love with London at her hometown library—its Jane Austen balls a far cry from her life of food stamps and hand-me-downs. But when she finally arrives after college, the real London is a moldy flat and the same paycheck-to-paycheck grind—that fairy-tale life still out of reach.Then Anna meets the Wilders, who fly her to Saint-Tropez to tutor their teenage daughter. Swept up by the sphinxlike elder sister, Anna soon finds herself plunged into a heady whirlpool of parties and excess, a place where confidence is a birthright. There she meets two handsome young men—one who wants to whisk her into his world in a chauffeured car, the other who sees through Anna's struggle to outrun her past. It's like she's stepped into the pages of a glittering new novel, but what will it cost her to play the part?Sparkling with intelligence and insight, All That Life Can Afford (G.P. Putnam's Sons, 2025) peels back the glossy layers of class and privilege, exploring what it means to create a new life for yourself that still honors the one you've left behind. Emily Everett is an editor and writer from western Massachusetts. She is managing editor at The Common literary magazine, and a Massachusetts Cultural Council Fellow in Fiction. Her short story “Solitária” was selected as a runner-up for the Kenyon Review's 2019 Short Fiction Contest, and appears in the Jan/Feb 2020 issue. Other short fiction appears in Electric Literature, Tin House, and Mississippi Review, among others. Her work has been selected for Best Small Fictions 2020, and supported by the Vermont Studio Center. Recommended Books: Charlotte McConaughy, Migrations Edith Wharton, The House of Mirth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Anna first fell in love with London at her hometown library—its Jane Austen balls a far cry from her life of food stamps and hand-me-downs. But when she finally arrives after college, the real London is a moldy flat and the same paycheck-to-paycheck grind—that fairy-tale life still out of reach.Then Anna meets the Wilders, who fly her to Saint-Tropez to tutor their teenage daughter. Swept up by the sphinxlike elder sister, Anna soon finds herself plunged into a heady whirlpool of parties and excess, a place where confidence is a birthright. There she meets two handsome young men—one who wants to whisk her into his world in a chauffeured car, the other who sees through Anna's struggle to outrun her past. It's like she's stepped into the pages of a glittering new novel, but what will it cost her to play the part?Sparkling with intelligence and insight, All That Life Can Afford (G.P. Putnam's Sons, 2025) peels back the glossy layers of class and privilege, exploring what it means to create a new life for yourself that still honors the one you've left behind. Emily Everett is an editor and writer from western Massachusetts. She is managing editor at The Common literary magazine, and a Massachusetts Cultural Council Fellow in Fiction. Her short story “Solitária” was selected as a runner-up for the Kenyon Review's 2019 Short Fiction Contest, and appears in the Jan/Feb 2020 issue. Other short fiction appears in Electric Literature, Tin House, and Mississippi Review, among others. Her work has been selected for Best Small Fictions 2020, and supported by the Vermont Studio Center. Recommended Books: Charlotte McConaughy, Migrations Edith Wharton, The House of Mirth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

If you missed our main show #1126 - Monday Morning LIVE with Shonda's talk with author Claire Polders, here it is by itself for you to enjoy!! Claire Polders is a Dutch author of fiction and nonfiction. Her latest of five books is A Whale in Paris (Atheneum, Simon & Schuster), a historical novel for younger readers. Her short prose has been widely published in literary journals, including TriQuarterly, Prairie Schooner, Tin House, Electric Literature, Denver Quarterly, and Fiction International. She's currently finishing a memoir about elder abuse in Florida and revising a multi-generational novel about the dark Dutch colonial past. Her flash fiction collection Woman of the Hour: Fifty Tales of Longing and Rebellion is forthcoming from Vine Leaves Press in July 2025. Check out Claire's webpage for further information: www.clairepolders.com  Thanks again to Claire for sharing with us! You can find other Author Highlights on our webpage at www.theoldmanspodcast.com.  Later Gators!! *Get everything you need to start your own successful podcast on Podbean here: https://www.podbean.com/tomspodcastPBFree *Visit our webpage where you can catch up on Current / Past Episodes: www.theoldmanspodcast.com     *Contact us at: theoldmanspodcast@gmail.com     Checkout and Follow the Writings of Shonda Sinclair here: Roaming the Road (of Life):https://www.shondasinclair.com/   *TOMPodcast Music Shows: https://www.mixcloud.com/TOMPodcast/

Dane Huckelbridge discusses the settings in his novels and his research--from Africa for No Beast So Fierce to the plains of Oklahoma for his latest, Queen of All Mayhem--the tale of the most dangerous woman of the American west, Belle Starr. Dane was born and raised in the American Middle West. He holds a degree from Princeton University, and his fiction and essays have appeared in a variety of journals, including Tin House, Literary Hub, The Wall Street Journal, Time Magazine, and The New Republic. His debut novel CASTLE OF WATER was published by St. Martin's Press in 2017, and his book NO BEAST SO FIERCE was published by HarperCollins in 2019. He currently lives in Paris, France, although he goes back to New York whenever he can. Learn more at Danehuckelbridge.comSpecial thanks to NetGalley for advancing early copies of novels to the Writing Table. Intro reel, Writing Table Podcast 2024 Outro RecordingFollow the Writing Table:On Twitter/X: @writingtablepcEverywhere else: @writingtablepodcastEmail questions or tell us who you'd like us to invite to the Writing Table: writingtablepodcast@gmail.com.

The Book of Records is many things: a book of historical fiction and speculative fiction, a meditation on time and on space-time,  on storytelling and truth, on memory and the imagination, a book that impossibly conjures the lives and eras of the philosopher Baruch Spinoza, the Tang dynasty poet Du Fu and the political theorist […] The post Madeleine Thien : The Book of Records appeared first on Tin House.

Acclaimed debut novelist Emily Everett spoke to me about finding a writing community, impostor syndrome, setting aside self-doubt, and her literary debut, ALL THAT LIFE CAN AFFORD. Emily Everett is a writer and the managing editor of The Common, a literary magazine based at Amherst College. Her debut novel All That Life Can Afford, is the Reese's Book Club pick for April 2025 (out now from Putnam Books), was named a most anticipated book of 2025 by Harper's Bazaar, Town & Country, and E! News, as well as an Apple Books Audiobook Staff Pick. Described as “A taut and lyrical coming-of-age debut about a young American woman navigating class, lies, and love amid London's jet-set elite.” New York Times bestselling author Sarah McCoy said of the book, “Emily Everett's All That Life Can Afford is a wildly entertaining fish-out-of-water story meets Cinderella fairy tale.” Emily Everett has an MA in literature from Queen Mary University of London, where she lived and worked from 2009 to 2013. Her short fiction appears in Electric Literature, Tin House, and Mississippi Review, among others. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Emily Everett and I discussed: Teaching SAT classes for wealthy families abroad Why you don't have to wait to get started on your book Her thirst to prove herself with the first novel Time-blocking vs writing in the margins with a full-time job On crappy first drafts And a lot more! Show Notes: emily-everett.com The Common literary magazine All That Life Can Afford: Reese's Book Club by Emily Everett (Amazon) Emily Everett on Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

What would it mean for our writing, thinking, and living if we looked to land as pedagogy, or if we thought of theory as something embodied and kinetic? In Theory of Water Leanne Betasamosake Simpson takes us not only outside the academy, and away from our screens, but outside and into the world at large […] The post Leanne Betasamosake Simpson : Theory of Water appeared first on Tin House.

Summary This month on Strangers, we have The Memory Shop by Melissa Ren, a short story about grief, belonging, and memory alteration. The word of the month is about deep care…and also deep anxiety. Read along at Tangledwilderness.org Guest Info Melissa Ren (she/her) is a Chinese-Canadian writer whose narratives tend to explore the intersection between belonging and becoming. She is a prize recipient of Room Magazine's Fiction Contest, a Tin House alum, a grant recipient of the Canada Council for the Arts, and a senior editor at Augur Magazine. Her writing has appeared or forthcoming in Grain Magazine, Factor Four Magazine, Fusion Fragment, and elsewhere. Find her at linktr.ee/MelissaRen or follow @melisfluous on socials Publisher This podcast is published by Strangers In A Tangled Wilderness. We can be found at www.tangledwilderness.org or on Twitter @tangledwild. You can support this show by subscribing to our Patreon at https://www.patreon.com/strangersinatangledwilderness Host The host is Inmn Neruin. You can find them on instagram @shadowtail.artificery Theme music The theme song was written and performed by Margaret Killjoy. You can find her at http://birdsbeforethestorm.net or on twitter @magpiekilljoy Find out more at https://strangers-in-a-tangled-wildern.pinecast.co This podcast is powered by Pinecast. Try Pinecast for free, forever, no credit card required. If you decide to upgrade, use coupon code r-69f62d for 40% off for 4 months, and support Strangers In A Tangled Wilderness.

From the craft of writing sex in poetry to the virtues of failing publicly, today's conversation with poet Keetje Kuipers is not to be missed. We explore everything from storytelling within poems to the dialectic between control and wildness; everything from queerness and wilderness to fantasy as a portal to truth on the page. Keetje's […] The post Keetje Kuipers : Lonely Women Make Good Lovers appeared first on Tin House.

What does it mean to risk rupture for rapture, on the page, and in one's life? Or for water to be one's method, mode or muse? Are inherited forms (of womanhood, of sexuality, of national identity) a gift or are their borders meant to be crossed and breached? Together we look at forms and norms […] The post Patrycja Humienik : We Contain Landscapes appeared first on Tin House.

Four novellas, in four different genres—science fiction, horror, teen romance, and a western—Stag Dance not only interrogates genre, but gender through genre. Written over a ten year period, Torrey Peters' new book spans a decade when her own views and insights about gender were themselves changing. Placing these four novellas in conversation with each other […] The post Torrey Peters : Stag Dance appeared first on Tin House.

Today's guest, one of Australia's most celebrated and daring writers, Michelle de Kretser, discusses her latest uncategorizable book Theory & Practice (one she describes as 80% fiction, 15% essay and 5% memoir). Theory & Practice is a book that is wildly erudite and erotic at the same time, both an engrossing, immersive read and one that […] The post Michelle de Kretser : Theory & Practice appeared first on Tin House.

Notes and Links to Annell Lopez's Work          Annell López is the winner of the Louise Meriwether First Book Prize and the author of the short story collection I'LL GIVE YOU A REASON from the Feminist Press. A Peter Taylor Fellow at the Kenyon Review Writers Workshops, her work has also received support from Tin House and has appeared in Guernica, American Short Fiction, Michigan Quarterly Review, Brooklyn Rail, The Common, Refinery29 and elsewhere. López received her MFA from the University of New Orleans. She is working on a novel. Buy I'll Give You a Reason   Annell Lopez's Instagram   For The Rumpus: “There's Always a Little Light, a Glimmer of Hope: A Conversation with Annell López” At about 2:05, Annell talks about her early relationship with bilingualism,  At about 4:50, Annell shouts ut the “great place” that is Newark, NJ, and recounts early memories after her immigration  At about 6:25, Annell talks about how learning English helped her develop her already burgeoning writing ability  At about 8:25, Annell highlights Garcia Marquez's work in Spanish  At about 9:35, Annell lists books and writers that were formative and transformative for her At about 13:25, Deesha Philyaw, Carlos Maurice Ruffin, Danielle Evans, and Chris Stuck, are referenced as inspiring contemporary writers At about 14:40, Annell talks about seeds for her short story collection and its makeup At about 16:10, the two discuss the collection's first story and the title character's anxiety around possible deportation   At about 19:05, Annell reflects on the dynamics of older sibling and young sibling and mother-daughter relationships, as evidenced in the “Dark Vader” At about 20:30, Annell responds to Pete's questions about colorism as shown in some of her stories  At about 22:35, from “Dark Vader,” a “problematic” Mateo is discussed, along with power dynamics, and Vanessa's reluctance to pass her GED  At about 27:00, Annell talks about a character's unnamed bipolar condition, and his son's motivations in being angry towards his father  At about 30:30, Pete asks about online news madness as referenced in the story collection   At about 32:35, Pete links two stories and the two talk about gentrification and its treatment in the collection, and Pete is complimentary of Annell's plot structure and what is “left unsaid” At about 34:35, “Love gone stale” as a theme of the book is lauded and discussed At about 37:00, Grief and depression and the bird and beautiful “Bear Hunting Season” are discussed At about 41:30, Annell talks about how her teaching did and did not inform the treatment of teachers in her collection  At about 44:30, Trauma in its many forms in the collection is discussed  At about 45:45, The two explore the title story and its focus on emotional response At about 47:50, Pete highlights a story that focuses on objectification and racism and Annell's apt second-person usage and diction; she focuses on the story's universality and realism  At about 50:05, “The Other Carmen” is explored, including ideas of body shaming, body positivity  At about 52:40, Annell explains some “Easter eggs” and “crossover characters” and Pete is complimentary of story endings At about 53:40, Pete asks Annell about the importance of staged photoshoots in a story in the collection At about 55:55, Annell talks about the importance of titles after Pete cites her prowess with same At about 57:45, Pete fanboys about the collection's last story At about 59:30, Annell responds to Pete's question about significance of the collection  At about 1:00:45, Annell gives social media and other contact info You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His latest conversation, with Episode 265 guest Carvell Wallace, is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran. I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 275 with Deborah Jackson-Taffa, whose 2024 memoir Whiskey Tender was a finalist for the 2024 National Book Award for Nonfiction; earned a MFA in nonfiction writing from the Univ of IA; director of the MFA creative writing program at the Institute of American Indian Arts in Santa Fe, NM     The episode airs on March 11.

Host Jason Blitman talks to Karissa Chen (Homeseeking) about musicals--particularly The Last Five Years' influence on her writing, dreams as well as idealism, the coincidence of reconnection, and the concept of seeking home. Jason is then joined by Guest Gay Reader Paul Lisicky (Song So Wild and Blue) and talk about all things Joni Mitchell. Homeseeking is the January 2025 Good Morning America Book Club selection. Karissa Chen is a Fulbright fellow, Kundiman Fiction fellow, and a VONA/Voices fellow whose fiction and essays have appeared in The Atlantic, Eater, The Cut, NBC News THINK!, Longreads, PEN America, Catapult, Gulf Coast, and Guernica, among others. She was awarded an artist fellowship from the New Jersey State Council on the Arts as well as multiple writing residencies including at Millay Arts, where she was a Mid Atlantic Arts Foundation Creative Fellow and the Virginia Center for the Creative Arts, among others. She was formerly a senior fiction editor at The Rumpus and currently serves as the editor-in-chief at Hyphen magazine. She received an MFA in fiction from Sarah Lawrence College and splits her time between New Jersey and Taipei, Taiwan.Paul Lisicky is the author of seven books including Later: My Life at the Edge of the World (one of NPR's Best Books of 2020), as well as The Narrow Door (a New York Times Editors' Choice and a Finalist for the Randy Shilts Award), Unbuilt Projects, The Burning House, Famous Builder, and Lawnboy. His work has appeared in The Atlantic, BuzzFeed, Conjunctions, The Cut, Fence, The New York Times, Ploughshares, Tin House, and in many other magazines and anthologies. He has taught in the creative writing programs at Cornell University, New York University, Sarah Lawrence College, and elsewhere. He is currently a Professor of English in the MFA Program in Creative Writing at Rutgers University-Camden, where he is Editor of StoryQuarterly. He lives in Brooklyn, New York. BOOK CLUB!Use code GAYSREADING at checkout to get first book for only $4 + free shipping! Restrictions apply.http://aardvarkbookclub.comWATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com

In late October 2023, weeks into Israel's bombing of northern Gaza, the novelist Omar El Akkad retweeted a video taken by a Gazan man. This video showed a lifeless moonscape with endless empty streets of rubble, every building, one to the next, a hollow blown-out shell of itself. No people, no animals, the only sound […] The post Omar El Akkad : One Day, Everyone Will Have Always Been Against This appeared first on Tin House.

In this week's episode we sit down with Margaret Juhae Lee, author of Starry Field: A Memoir of Lost History, and explore what it truly means to come home—to a place, to a history, and to oneself. Margaret's journey began as an exploration of her grandfather's past, but along the way, it became something much deeper: a reclamation of identity, heritage, and belonging. Originally conceived as a journalistic exploration, her book evolved into something far more personal. Margaret shares how tracing her ancestry helped her understand where she comes from, and is a gift for her children, giving them a foundation that honors the past while making space for the future. This conversation is about finding home within ourselves, embracing the stories that shape us, and carrying them forward with intention. Bio: Margaret Juhae Lee is the author of Starry Field: A Memoir of Lost History, which was published in 2024. A former editor at The Nation magazine, she received a Bunting Fellowship from Harvard University and a Korean Studies Fellowship from the Korea Foundation. She attended the Tin House and Writer's Hotel writing workshops and was awarded residences at Ragdale, Mesa Refuge, Anderson Center and the Mineral School. Her articles have been published in The Nation, Newsday, Elle, ARTnews, Writer's Digest and The Rumpus. She lives in Oakland with her family and Brownie, a rescue dog from Korea.

Gabrielle Bates is the author of the poetry collection Judas Goat, available from Tin House. Bates's poetry has appeared in The New Yorker, Poetry, American Poetry Review, and other publications. A writer, visual artist, and cohost of The Poet Salonpodcast, Bates is originally from Birmingham, Alabama, and now lives in Seattle, Washington. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Feminist and literary theorist, playwright, philosopher, memoirist and novelist Hélène Cixous returns to the show to discuss her latest genre-defying hybrid work of prose. Written during the first year of the pandemic, Rêvoir explores the effect of pandemic confinement on time, the effect of pandemic time on writing, and what plagues and confinement show us about […] The post Hélène Cixous : Rêvoir appeared first on Tin House.

When you look at people who are younger than you — particularly teenagers — does your mind ever take you back to yourself at their age? Taylor Johnson's poem “Pennsylvania Ave. SE” performs this feat of time travel, going from a glimpse of two boys on bicycles to a haunting sense memory of what was once so yearned for: to be seen, to be wanted, to be free.Taylor Johnson is proud of being from Washington, D.C. He has received fellowships and scholarships from CALLALOO, Cave Canem, Lambda Literary, VONA, Tin House, Vermont Studio Center, Yaddo, Conversation Literary Festival, Bread Loaf Writers' Conference, and Bread Loaf Environmental Writers' Conference, among others. In 2017, Johnson received the Larry Neal Writers' Award from the D.C. Commission on the Arts and Humanities. His poems appear in The Baffler, Indiana Review, Scalawag, and The Paris Review, among other journals and literary magazines. His first book, Inheritance, was published in November 2020 by Alice James Books.Find the transcript for this show at onbeing.org.We're pleased to offer Taylor Johnson's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books.