Podcasts about trigedasleng

This week's episode of Amped Up Radio features David J. Peterson, language creator (conlanger) of the Game of Thrones series (Dothraki & High Valyrian), The 100 (Trigedasleng), Defiance (Kastithanu, L'Irathi, Indojisnen, and Kinuk'aaz), Thor: The Dark World (Shiväisith). David is also the author of The Art of Language Invention and Living Language Dothraki and hosts the LangTime Studio on YouTube, where he and Dr. Jessie Sams work to create conlang projects live. We dive into how David became involved with conlang during his undergraduate years at Berkeley, his contributions to the languages in Game of Thrones and The 100, as well as his upcoming works–Dune and The Witcher, to name a few.QuotesThe language I created for The 100 (Trigedasleng) is supposed to be a futuristic version of English that is influenced by the history, takes place in that show in the present day and 150 years in the future. It’s still English and it was intentionally influenced by English in that every word from it comes from English, but in terms of how meanings have shifted, how the grammar has shifted, how the sound has shifted that part was original–it’s an original revolution of English [6:45 - 7:24] The problem of Valyrian is that it’s the language of a dead culture, and a people and a place that have been destroyed. You certainly see echos of it throughout the books, there are ripples of it everywhere, but we don’t ever actually get to see this is what it was like to be a Valyrian speaker in the Valyrian Freehold at that time. Contrasted with Dothraki, where you see a lot of it–a lot of what the Dothraki people do in the books… I felt much more confident in saying this probably fits with Dothraki culture, this is probably what something the Dothraki would do. There is next to nothing to go on for the Valyrians. [16:10 - 17:04] Follow David J. PetersonTwitter: @dedalvsYouTube: https://bit.ly/langtimestudioWebsite: https://artoflanguageinvention.com/

This week's episode of Amped Up Radio features David J. Peterson, language creator (conlanger) of the Game of Thrones series (Dothraki & High Valyrian), The 100 (Trigedasleng), Defiance (Kastithanu, L'Irathi, Indojisnen, and Kinuk'aaz), Thor: The Dark World (Shiväisith). David is also the author of The Art of Language Invention and Living Language Dothraki and hosts the LangTime Studio on YouTube, where he and Dr. Jessie Sams work to create conlang projects live. We dive into how David became involved with conlang during his undergraduate years at Berkeley, his contributions to the languages in Game of Thrones and The 100, as well as his upcoming works–Dune and The Witcher, to name a few.QuotesThe language I created for The 100 (Trigedasleng) is supposed to be a futuristic version of English that is influenced by the history, takes place in that show in the present day and 150 years in the future. It’s still English and it was intentionally influenced by English in that every word from it comes from English, but in terms of how meanings have shifted, how the grammar has shifted, how the sound has shifted that part was original–it’s an original revolution of English [6:45 - 7:24] The problem of Valyrian is that it’s the language of a dead culture, and a people and a place that have been destroyed. You certainly see echos of it throughout the books, there are ripples of it everywhere, but we don’t ever actually get to see this is what it was like to be a Valyrian speaker in the Valyrian Freehold at that time. Contrasted with Dothraki, where you see a lot of it–a lot of what the Dothraki people do in the books… I felt much more confident in saying this probably fits with Dothraki culture, this is probably what something the Dothraki would do. There is next to nothing to go on for the Valyrians. [16:10 - 17:04] Follow David J. PetersonTwitter: @dedalvsYouTube: https://bit.ly/langtimestudioWebsite: https://artoflanguageinvention.com/

She's been in the biz since she was nine, she's fluent in French, she knows how to swordfight, and she loves "Fight Club." She's also twelve years old. We sat down with the fantastically delightful Lola Flanery on Sunday, for a super fun interview which then got eaten by Skype Recorder (*shakes fist at ALIE*), so we gave it a second try on Wednesday and had even MORE fun. Join us as we plot a prank war against Sachin and Bob, discuss Warrior Cats and My Little Ponies, get the scoop on stunt training and Trigedasleng, hear what it's like to be the kid on set in a room full of grownups, and learn what Lola loves most about playing Madi. TL;DR - THIS KID IS THE BEST AND WE'RE ADOPTING HER NOW

Has anyone else had "Sword of Damocles" from Rocky Horror stuck in their heads ever since they announced the title of the finale? We derailed on Rocky Horror/The 100 crossover possibilities for five solid minutes before we even managed to start talking about the episode this week, and gave ourselves stomach aches from laughing in the process! P.S. We are 1000% serious about the "Time Warp" in Trigedasleng thing. If someone translates it, we will MAKE THAT HAPPEN at Unity Days 3 in January!

Sci-fi fantasy worlds often use constructed languages (or conlangs for short) as a worldbuilding tool that can make us believe the characters come from an ancient or alien culture. But art can take on a life of its own once it's released into the world -- and so do languages. Marc Okrand, inventor of the Klingon language, and David J. Peterson, inventor of the Dothraki language and The 100's Trigedasleng, talk about the surprises they encountered. I also talk with Lawrence M. Schoen of the Klingon Language Institute and Robyn Stewart, the language consultant for Star Trek: Discovery, about why the Klingon culture spilled over into the real world. And Jen Usellis -- a.k.a. Klingon Pop Warrior -- will give you a serious case of earworms, and we're not talking about the mind-controlling earworms from Star Trek II. To hear Matt Fiddler's episode from Very Bad Words on cursing in conlangs:http://www.verybadwords.com/shows/constructed-curses-in-sci-fi-fantasy Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices

In which we discuss why the Exodus Charter is called the Exodus Charter, even though we can't remember if anyone has actually called it by name yet, and marvel at how jarring it feels for Anya to watch Tris die in silence because Trigedasleng doesn't exist yet.

En este episodio hablamos de las lenguas ficticias construidas con fines artísticos para serie, películas y demás medios, particularmente del Klingon y del Trigedasleng; aprendemos sobre la doble negación y en la palabra de la semana damos inicio al el ciclo un país, una palabra.

We bring on our long time “frenemy” David Peterson to talk about Trigedasleng, the future English conlang he created for the CW show The 100. Top of Show Greeting: Noserliq (< q > = [ŋ]) Links and Resources: Trigedasleng.info David’s Tumblr answers Skaigedasleng Tumblr Memrise courses