Podcasts about Dune

⁠Abu⁠⁠ and ⁠⁠Leo⁠⁠ close out another great year of Dune fandom by looking back at the biggest moments in the franchise in 2025, from first seaon of Dune: Prophecy to the Oscar snubs and the launch of the massively popular Dune MMO video game. Then they look ahead at all of the great Dune content coming in 2026, including Denis Villeneuve's Dune: Part Three. Get ad-free episodes and bonus content: https://www.patreon.com/GomJabbar Say thank you with a tip: http://buymeacoffee.com/gomjabbar Watch video versions of select episodes: https://www.youtube.com/@loreparty Get yourself some custom-designed Dune swag: https://gomjabbar.shop (00:00) Intro (03:33) Dune: Prophecy Was Disappointing (07:42) Dune: Prophecy Season 2 Updates (11:17) Dune: Part Two Snubbed at the Oscars (15:28) Dune Comics Deserve Better (19:51) The Folio Society Dune Books are Gorgeous (22:44) Dune: Awakening is on Life Support (28:03) Why We Stopped Playing Dune: Awakening (33:08) Dune: Part Three in 2026 (34:29) Jason Mamoa Back as Hayt (35:15) Rebecca Ferguson Back as Lady Jessica (36:06) Robert Pattinson as Scytale (38:46) Leto II and Ghanima in Dune: Part Three (44:51) Dune: Part Three Releasing Early (47:54) Timothee Chalamet Confirms TIme Jump (50:22) Chalamet's Secret Rap Career (51:25) Timothee Chalamet Has the Juice (55:45) 2026 Will Be Amazing Learn more about your ad choices. Visit megaphone.fm/adchoices

A caller is struggling with accepting money for Domination services, and understandably so! But this week we're talking about how to get the rent paid on the journey to the social utopia of which we all dream. Idk, my revolution involves getting a spa treatment here and there, especially if you're hard at work stepping on people. Mistress Velvet | Panel with Jill Carter | The Carter Johnson Library | SWOP Behind Bars | Red Canary Song Gift Ask A Sub! Patreon | Substack | Courses (code GIFTGUIDE40 for 40% off) | Office Hours Become a Patreon member to gain access to all the Ask A Sub benefits including our discord server, archive of premium audio and written posts, as well as our new podcast within a podcast, OTK with Lina and Mr. Dune. Submit questions for this podcast by going to memo.fm/askasub and recording a voice memo. Subscribe to the subby substack here. See the paid post archive here. Get 20% off your order at http://www.momotaroapotheca.com with code LINADUNE Twitter | @Lina.Dune | @askasub2.0 CREDITS Created, Hosted, Produced and Edited by Lina Dune With Additional Support from Mr. Dune Artwork by Kayleigh Denner Music by Dan Molad

From C.S. Lewis to Luka Dončić: Celebrating Joy in Unexpected Places   On this Christmas-season Good Faith episode, host Curtis Chang welcomes back "founding friend" David French to showcase how he can give thanks in all circumstances even amid a depressing news cycle. Through five surprising "gratitudes" (from Dune and Luka Dončić to family healing and C.S. Lewis), the conversation offers a timely guide to cultivating Christian joy, resilience, and hope in anxious times. French shares why his hope isn't rooted in a "five-point plan," but in the character of God and the "light and high beauty" that can break through dark moments—even illustrated by a powerful story of forgiveness after a Michigan church shooting.   (00:02:22) - Living with Tension: Blessings and Challenges (00:05:11) - Practicing Cheerfulness and Gratitude (00:08:52) - #5: Anticipating Dune Part Three & the importance of joy and fun. (00:18:22) - #4: Luka Doncic & appreciating greatness (00:26:50) - Transcendence, and the Need for Beauty in dark times. (00:27:55) - #3: Michigan Mormons' Response to Tragedy  (00:29:22) - The Power of Redemptive Acts  (00:33:35) - #2: Gratitude for his wife & granddaughter's health after medical challenges. (00:40:32) - #1: The Enduring Comfort of C.S. Lewis  (00:49:44) - The necessity of hope and joy, especially for young people.     Get your Good Faith mug by donating to the Good Faith podcast today!   Download World Relief's: "Let's Talk About It" conversation cards   Partner with World Relief in walking alongside families displaced by war, disaster and persecution — give today: World Relief Take our Climate Survey     Mentioned In This Episode: Trailer: Dune Part Three Trailer: Dune Part One Trailer: Dune Part Two Highlights: Luka Doncic Read/Watch: Victims raise money for Michigan Church shooter's family   Books Mentioned by C.S. Lewis Mere Christianity The Last Battle The Great Divorce The Screwtape Letters Space Trilogy Till We Have Faces     More From David French: David French's New York Times pieces HERE Follow David French on Threads     Follow Us: Good Faith on Instagram Good Faith on X (formerly Twitter) Good Faith on Facebook   The Good Faith Podcast is a production of a 501(c)(3) nonpartisan organization that does not engage in any political campaign activity to support or oppose any candidate for public office. Any views and opinions expressed by any guests on this program are solely those of the individuals and do not necessarily reflect the views or positions of Good Faith.  

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple  

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple  

Let's ask a sub all about subbing! What's the appeal of submission? Can being a submissive be feminist? Can being a sub be empowering? And how can you figure out if you might be a sub too? Plus: DB and guest Lina Dune talk about trad wives. Ladies, is that just a kink? GUEST DETAILSLina Dune is a kink writer, content creator, host of the Ask A Sub podcast and fairy submother to all who seek her advice. She can be found writing about desire over on substack at askasub.substack.com. She's occasionally on instagram at @askasub2.0 and you can get Ask A Sub wherever you get your podcasts. Substack Podcast FROM THIS EPISODE What's a trad wife? And what's a day collar? And why are they wearing those? TABOO SCIENCEWe're so glad to bring you this GREAT clip from Taboo Science all about the ABDL kink and community! Make sure to listen to the end to hear this podcast you're going to LOVE, and find the show at https://www.tabooscience.show/ or wherever you're listening to this podcast. TAKE OUR SMUT QUIZFind your page-turning turn-on with our new SMUT QUIZ! In just 5 questions, you'll get right to the good stuff with curated pages, poems, and audios. No slow burn. No fluff. Just pleasure. Take the quiz here: https://sexedwithdb.fillout.com/smutquiz ABOUT SEASON 13 Season 13 of Sex Ed with DB is ALL ABOUT PLEASURE! Solo pleasure. Partnered pleasure. Orgasms. Porn. Queer joy. Kinks, sex toys, fantasies -- you name it. We're here to help you feel more informed, more empowered, and a whole lot more turned on to help YOU have the best sex. CONNECT WITH USInstagram: @sexedwithdbpodcast TikTok: @sexedwithdbThreads: @sexedwithdbpodcast X: @sexedwithdbYouTube: Sex Ed with DB SEX ED WITH DB SEASON 13 SPONSORS Uberlube, Magic Wand, and LELO. Get discounts on all of DB's favorite things here! GET IN TOUCH Email: sexedwithdb@gmail.comSubscribe to our BRAND NEW newsletter for hot goss, expert advice, and *the* most salacious stories. FOR SEXUAL HEALTH PROFESSIONALS Check out DB's workshop: "Building A Profitable Online Sexual Health Brand" ABOUT THE SHOW Sex Ed with DB is your go-to podcast for smart, science-backed sex education — delivering trusted insights from top experts on sex, sexuality, and pleasure. Empowering, inclusive, and grounded in real science, it's the sex ed you've always wanted. ASK AN ANONYMOUS SEX ED QUESTION Fill out our anonymous form to ask your sex ed question. SEASON 13 TEAM Creator, Host & Executive Producer: Danielle Bezalel (DB) (she/her) Producer and Growth Marketing Manager: Wil Williams (they/them) Social Media Content Creator: Iva Markicevic Daley (she/her) MUSIC Intro theme music: Hook Sounds Background music: Bright State by Ketsa Ad music: Soul Sync by Ketsa, Always Faithful by Ketsa, and Soul Epic by Ketsa. Thank you Ketsa!

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

  December 7, 2025: May God's words be spoken, may God's words be heard.  Amen. You'all know I love Hallmark Christmas movies.  However, there is nothing quite like the ultimate story we hear at this time of year – A Christmas Carol, by Charles Dickens.  And as much as I love Hallmark, they just do not compare in their remakes of that classic, to the ones that star Alister Sims or Sir Patrick Stewart.  Now, we are in Advent, not Christmas, so why do I bring this classic tale of Christmas up?  For the same reason I did many years ago when I was preaching on the texts for this Sunday – especially the one from Isaiah, because Dickens knew how to create a setting.  And, the truth is, while the movie adaptations are good, nothing is better than the actual book in telling that important part of the story.  I mean, isn't that nearly always the case – Lord of the Rings trilogy, Dune, the Chronicles of Narnia – I know, I am showing my fantasy/scifi side. Even the Harry Potter movies, while really good, were not as good as the books.  The same is very true for A Christmas Carol. The opening paragraph of this Dicken's seasonal classic makes one thing absolutely clear.  It reads, “Marley was dead: to begin with. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Scrooge signed it: and Scrooge's name was good upon 'Change, for anything he chose to put his hand to. Old Marley was as dead as a door-nail.  Mind! I don't mean to say that I know, of my own knowledge, what there is particularly dead about a door-nail. I might have been inclined, myself, to regard a coffin-nail as the deadest piece of ironmongery in the trade. But the wisdom of our ancestors is in the simile; and my unhallowed hands shall not disturb it, or the Country's done for. You will therefore permit me to repeat, emphatically, that Marley was as dead as a door-nail.” So, I guess Marley, old Scrooge's business partner, was very much dead?  Or, as we get from the coronor in The Wizard of Oz – Marley is “…not only merely dead, [he's] really most sincerely dead.” Clearly we do not need to ask, in our best Monty Python voice, “Is he dead yet?”  Marley is dead.  Got it.  But why all the fuss – why all the repetition? Well, as we continue in the story we realize that if we weren't quite sure about Marley being dead, than it throws off the basis for the very strange set of Christmas Eve visitations that result in a miracle of new life for Scrooge.  And it is this new life that is an important part of our Advent journey.  The life that grows out of death.  Now you might be thinking, isn't that Easter, not Advent?  Well, it is both, as will see in the passage from Isaiah, and also from St. Paul in his letter to the Romans (who quotes the very scripture in Isaiah we heard today).  The passage begins with this: “A shoot shall come out from the stump of Jesse, and a branch shall grow out of his roots.”  That branch, the passage continues, is the birth of a new leader – one who is righteous and faithful, who has compassion for the poor and the meek. Oh, how we yearn even today, for that. Now we often hear these words and think of Jesus, but Jews then and to today know these words as applying to King Hezekiah of Judah.  Still, everyone all over the world yearn for this type of leader – one who has compassion for her people, and knows they are not God, but are there to serve God's people.  The prophet's words remind all of us what is expected of those that lead the people of God.  And it is a proper metaphor for the incarnation too. So, let's get back to that stump, that leftover remains of a very dead tree.  A tree that, as Dickins would likely say, is as dead as a door nail.  Why is this imagery so important to the people then, or us now? Well, remember last week? The prophet was speaking of a vision of a new world where swords would be turned into plowshares?  Well, that hasn't come about yet.  The Assyrians were still a threat to Jerusalem, and had destroyed many a city in Judah and Israel.  In fact, in the chapter before the one we read from today, we hear about those rulers who oppress the people, turning aside the needy from justice, and robbing the poor and vulnerable.  It was a time of darkness for the people, where hope was far gone and everyone seemed like the walking dead.  The stump is a metaphor for the people who felt dead inside.  The shoot is the birth of a new leader who is righteous, faithful, and good.  That would be a miracle to those so worn down by the reality in which they lived. But the passage doesn't stop there.  This new life is beyond anything anyone has ever experienced – beyond even swords being made into plowshares.  It is what we have come to call the peaceable kingdom…where “The wolf shall live with the lamb, the leopard shall lie down with the kid…” Of course, this image has been depicted in religious art, and is the stuff of poets.  But given the circumstances then and today, many of us might say, “The wolf might lie down with the lamb. But the lamb won't get much sleep!”  We greet these words with a big “Bah Humbug!' Not because we don't want it – oh we so dream it could be true.  No, we are skeptical because we have become so used to the very unpeaceable kingdom – war, violence, human trafficking, hate crimes, cyberbullying, and leaders who attack the people they are meant to serve, not to mention difficult times in our own lives. We can feel devoid of dreams like this because it can all seem too big to imagine – this time of peace and love for all.  It seems like a pipe dream. We can be so very weary from what life throws at us that we become like those people long ago – the walking dead.  Our faith withered so much that we keep a watchful eye, a bit like a lamb near a lion, for what might next prey upon us, and not for miracles of new life.  And so this prophetic witness of Isaiah is not only meant for those long ago, but for us too.  Maybe that is why St. Paul quotes the prophet in his letter to the Romans we heard a part of today.  He writes “Whatever was written in former days was written for our instruction, so that by steadfastness and by the encouragement of the scriptures we might have hope….and again Isaiah says, “The root of Jesse shall come, the one who rises to rule the Gentiles; in him the Gentiles shall hope.”” St. Paul is reminding the people in Rome, and now us, of the promise of Isaiah – that new life grows out of what seems to be very much dead, bringing hope to all.  And folks, as I said last week, hope is a most powerful force amidst the darkness of the world.  It is the stuff of transformation, and the heart of Advent.  Hope is the spark in the soul that can defeat the darkness, can overcome the strongest enemies, can make dreams – God's or our own – possible.  And hope is the root of joy. Now, to be clear, joy is not happiness.  Joy is not connected to external events.  Joy is the inner peace we carry knowing that no matter what life throws at us, God loves us – loves us enough to break into the darkness of our lives with the birth of Christ Jesus. But here's the thing.  This new vision of the world – this peaceable kingdom and life out of death – this hope and joy – well, we have a role to play in bringing it all about. St. Paul adds this instruction we heard today “Welcome one another, therefore, just as Christ has welcomed you.”  This welcome isn't a polite greeting like we do at the peace, or we might when being introduced at a party.  That is far too tame.  The Greek used here is more on the lines of “fully embrace.”  And it isn't meant just for people we know well, or even like.  It is to fully embrace like Christ!  Or to put it in Christ's own words “love one another as I loved you.”  We are to be the counter-cultural witness to the goodness of God in how we treat one another, how we treat those who are different than ourselves, how we treat all of creation.  When we love as Christ loved us, we become the very sprouts of new life for a world that feels dead as a stump.  That is how we, by his incarnation in our heart, give birth to God's vision of love and peace. It happens one welcome – one full embrace – one moment of unconditional love at a time.  It is the hope of nations, and the promise of the child we await.  Think about the story of old Scrooge for a moment.  His transformation didn't come about because he got frightened out of his wits by a bunch of ghosts.  It started with a warning from Marley, to be sure, but what exactly was Marley telling him?  First, he told Scrooge that the chain he was wearing he forged in life, and that Scrooge's was just as long and growing ever still.  And when Scrooge said, “But you were always a good man of business, Jacob,” Marley shouted back – “Business!” “Mankind was my business. The common welfare was my business; charity, mercy, forbearance, and benevolence, were all my business. The dealings of my trade were but a drop of water in the comprehensive ocean of my business!…At this time of the rolling year, I suffer most. Why did I walk through crowds of fellow-beings with my eyes turned down, and never raise them to that blessed Star which led the Wise Men to a poor abode? Were there no poor homes to which its light would have conducted me?” Then the Ghosts of Christmas Past, Present, and Future arrive one by one. What did they show Scrooge?  Images of hell to scare him?  No.  They showed him love – love he once had for another person, love of the Cratchit family even amidst all their lot, love his nephew showed to him despite Scrooge's nasty clapbacks at him.  And the reader or viewer sees how the absence of love from others can deaden many a child of God. That is what the Spirits showed to Scrooge – love.  Love not based on being treated well, love not based on the circumstances of life.  Just love – that full embrace St. Paul implores us to give – that commandment of Jesus to us all.  It is the very thing that will bring forth the shoot of hope and joy from even the deadest of souls, including our own. So next time you are watching your favorite version of A Christmas Carol, remember this passage from Isaiah and the epistle of St. Paul to the Romans. Remember and see that even a soul as dead as Dickin's Mr. Scrooge may be given new life through the power of love. Remember too that this miracle of redemptive grace is for everyone – for you and for me.  It is the hope that will heal the world and bring about the beloved kingdom for us all, so long as we do our part to bring it about. And so I leave you with this, the two benedictions St. Paul includes in this part of his epistle.  Maybe they be something you can say each morning as you start the day – a reminder of Advent and what is possible by God's grace, when we share with others our hope and joy in love.  “May the God of steadfastness and encouragement grant you to live in harmony with one another, in accordance with Christ Jesus, so that together you may with one voice glorify the God and Father of our Lord Jesus Christ. May the God of hope fill you with all joy and peace in believing, so that you may abound in hope by the power of the Holy Spirit.” Amen. For the audio, click below, or subscribe to our iTunes Sermon Podcast by clicking here (also available on Audible): Sermon Podcast https://christchurchepiscopal.org/wp-content/uploads/2025/12/Rec-001-Sermon-December_7_2025.m4a   The Rev. Diana L. Wilcox Christ Church in Bloomfield & Glen Ridge December 7, 2025 Advent 4 – Year A 1st Reading – Isaiah 11:1-10 Psalm 72:1-7, 18-19 2nd Reading – Romans 15:4-13 Gospel – Matthew 3:1-12 The post “The Power Of Love” appeared first on Christ Episcopal Church.

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple  

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple  

Hosts STEPHEN SCARLATA (producer, Jodorowsky's Dune) and JOSH MILLER (writer, Sonic The Hedgehog, Violent Night) talk with filmmaker JASON EISENER (Hobo With a Shotgun, Dark Side of the Ring) about his career, starting out in Nova Scotia, and all the projects the got away over the years, including Teenage Mutant Ninja Turtles, Masters of the Universe, New York City Outlaws, Drifting Classroom, Hobo With a Shotgun 2, and more!Theme music by Brian J Casey

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

Fresh off their time at BGG Con, RJ & Drew join James on the show to talk about their wild array of dusty, feisty, sometimes wacky and weird plays from their week in Dallas, Texas. Recent plays of Dune the Dice Game, West Riding Revisited, Nur Peanuts, Symbioz, VOC! and so much more. Enjoy the show!  3:21 BGG Con Vibes & Themes 12:18 Neuland 17:39 West Riding Revisited 25:55 Symbioz 33:48 Tracks to Titicaca 45:30 Nur Peanuts 56:03 Gibberers 1:02:52 VOC! 1:14:19 Dune The Dice Game 1:30:15 Attila 1:35:44 Bauernschlau Information & Signups for DoaMcoN VI:  https://docs.google.com/document/d/10h3wllpU-VjCqA7YcL3JUndSmZY2AqE1U9K1K4sRNuA/edit?usp=sharing http://www.dadsonamap.com http://www.youtube.com/@dadsonamap Support the Show - Patreon: http://www.patreon.com/dadsonamap

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

This month on the Deep Dive series we're joined by journalist Natalie Robehmed, whose exclusive access to Allison Mack after her time in prison culminated in the podcast Allison After NXIVM. We'll explore the fine line between victim and perpetrator, and maybe roast the volleyball thing just a little bit. Cult Support Resources from CultRecovery101.com Gift Ask A Sub! Patreon | Substack | Courses (code GIFTGUIDE40 for 40% off) | Office Hours To get the full version of this episode Join Patreon at $11/month or substack at $8/month. Subscribe to the subby substack here. See the paid post archive here. Submit questions for this podcast as voice memos to podcast@askasub.com Go here for information on how to record a voice memo Get 20% off your order at http://www.momotaroapotheca.com with code LINADUNE Twitter | @Lina.Dune | @askasub2.0 CREDITS Created, Hosted, Produced and Edited by Lina Dune With Additional Support from Mr. Dune Artwork by Kayleigh Denner Music by Dan Molad

Abu and ⁠⁠⁠Leo⁠⁠⁠ continue their read-through of Chapterhouse Dune by diving deep into chapters 4-6. They explore the thematic and narrative elements of Sea Child, and what it reveals about Odrade's true strength. This episode contains NO SPOILERS beyond the books and pages covered thus far Read along with us by following the ⁠⁠Chapterhouse Dune book club schedule⁠⁠ Get ad-free episodes and bonus content: ⁠⁠⁠https://www.patreon.com/GomJabbar⁠⁠⁠ Say thank you with a tip: ⁠⁠⁠http://buymeacoffee.com/gomjabbar⁠⁠⁠ Watch video versions of select episodes: ⁠⁠⁠https://www.youtube.com/@loreparty⁠⁠⁠ Get yourself some custom-designed Dune swag: https://gomjabbar.shop Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Crazy Wisdom, I—Stewart Alsop—sit down with Garrett Dailey to explore a wide-ranging conversation that moves from the mechanics of persuasion and why the best pitches work by attraction rather than pressure, to the nature of AI as a pattern tool rather than a mind, to power cycles, meaning-making, and the fracturing of modern culture. Garrett draws on philosophy, psychology, strategy, and his own background in storytelling to unpack ideas around narrative collapse, the chaos–order split in human cognition, the risk of “AI one-shotting,” and how political and technological incentives shape the world we're living through. You can find the tweet Stewart mentions in this episode here. Also, follow Garrett Dailey on Twitter at @GarrettCDailey, or find more of his pitch-related work on LinkedIn.Check out this GPT we trained on the conversationTimestamps00:00 Garrett opens with persuasion by attraction, storytelling, and why pitches fail with force. 05:00 We explore gravity as metaphor, the opposite of force, and the “ring effect” of a compelling idea. 10:00 AI as tool not mind; creativity, pattern prediction, hype cycles, and valuation delusions. 15:00 Limits of LLMs, slopification, recursive language drift, and cultural mimicry. 20:00 One-shotting, psychosis risk, validation-seeking, consciousness vs prediction. 25:00 Order mind vs chaos mind, solipsism, autism–schizophrenia mapping, epistemology. 30:00 Meaning, presence, Zen, cultural fragmentation, shared models breaking down. 35:00 U.S. regional culture, impossibility of national unity, incentives shaping politics. 40:00 Fragmentation vs reconciliation, markets, narratives, multipolarity, Dune archetypes. 45:00 Patchwork age, decentralization myths, political fracturing, libertarian limits. 50:00 Power as zero-sum, tech-right emergence, incentives, Vance, Yarvin, empire vs republic. 55:00 Cycles of power, kyklos, democracy's decay, design-by-committee, institutional failure.Key InsightsPersuasion works best through attraction, not pressure. Garrett explains that effective pitching isn't about forcing someone to believe you—it's about creating a narrative gravity so strong that people move toward the idea on their own. This reframes persuasion from objection-handling into desire-shaping, a shift that echoes through sales, storytelling, and leadership.AI is powerful precisely because it's not a mind. Garrett rejects the “machine consciousness” framing and instead treats AI as a pattern amplifier—extraordinarily capable when used as a tool, but fundamentally limited in generating novel knowledge. The danger arises when humans project consciousness onto it and let it validate their insecurities.Recursive language drift is reshaping human communication. As people unconsciously mimic LLM-style phrasing, AI-generated patterns feed back into training data, accelerating a cultural “slopification.” This becomes a self-reinforcing loop where originality erodes, and the machine's voice slowly colonizes the human one.The human psyche operates as a tension between order mind and chaos mind. Garrett's framework maps autism and schizophrenia as pathological extremes of this duality, showing how prediction and perception interact inside consciousness—and why AI, which only simulates chaos-mind prediction, can never fully replicate human knowing.Meaning arises from presence, not abstraction. Instead of obsessing over politics, geopolitics, or distant hypotheticals, Garrett argues for a Zen-like orientation: do what you're doing, avoid what you're not doing. Meaning doesn't live in narratives about the future—it lives in the task at hand.Power follows predictable cycles—and America is deep in one. Borrowing from the Greek kyklos, Garrett frames the U.S. as moving from aristocracy toward democracy's late-stage dysfunction: populism, fragmentation, and institutional decay. The question ahead is whether we're heading toward empire or collapse.Decentralization is entropy, not salvation. Crypto dreams of DAOs and patchwork societies ignore the gravitational pull of power. Systems fragment as they weaken, but eventually a new center of order emerges. The real contest isn't decentralization vs. centralization—it's who will have the coherence and narrative strength to recentralize the pieces.

We discuss the (for a second time) the second book in the Dune series! There's more from the Strange and Beautiful Network!Enjoying our work? Buy a cup of Hot Jala! https://ko-fi.com/strangeandbeautifulnetworkListen to Rachel, Kate, and Hannah discuss spicy books, serious books, and everything in between (but mostly spicy!). It's like sitting down with girl friends to chat about hot book boyfriends but in podcast format! Listen now at Feast, Sheath, Shatter: A Book Chat PodcastLove Movies, TV Shows and Books in the Fantasy, Scifi, and Horror genre and want to hear more? Check us out at The Strange and Beautiful Book Club where Rachel and her husband Matt discuss all things genre-related.Listen to us chat our way through the greatest scifi tv show ever made on We Are All Kosh - A Babylon 5 podcastLonging for a simpler time in the police procedural genre AND love Vampires? Matt and Rachel also review the classic television show Forever Knight on their podcast, Come in 81 Kilo.Not getting enough sweaty 90s sexcapades from your television and movie content? Listen to Meg and Rachel discuss the finer points of Geraint Wyn Davies' career over at Ger Can Get It!You can also:Join us on Instagram here: ⁠⁠⁠https://www.instagram.com/strangeandbeautifulnetwork/⁠⁠⁠Find us on YouTube here: https://www.youtube.com/channel/UCz9ENwKdHrm57Qmu8L4WXwQRiverside.fm is a video/audio recording platform built for podcasters. Check them out today for uncompressed audio and video recording, unlimited transcription services, AI Social Media clips, teleprompter and on screen scripts, and a bunch of other cool stuff too. Make long distance podcasting 100x easier. (Don't work harder, work smarter) ★ Support this podcast on Patreon ★

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

"Connect with Us: Follow us for updates, bonus content, and discussions about all things South Park. On Facebook: @SouthParkPod On YouTube : @SouthParkPod On TikTok : @SouthParkPodOn X: @SouthParkPodsOn Blue Sky: @smbsouthparkreview.bsky.social On Instagram: @SouthParkPodcastSubscribe and Support: Subscribe to SMB South Park Review Crew on your favorite podcast platform to never miss an episodeContact: Got a question, suggestion, or just want to share your thoughts on South Park? Reach out to us at suckmyballspod@gmail.co or visit us at linktr.ee/southparkpod

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

Your favorite Blerds are back brining you all of their thoughts on everything happening in nerd culture! In this episode, Shannon, Jaja and James discuss the evolving landscape of streaming services, including the potential impact of major acquisitions in the entertainment industry. They delve into the excitement surrounding the upcoming Dune season two and HBO Max releases, while also reflecting on the trend of classic films returning to theaters. The conversation shifts to the controversial use of AI in anime dubbing, highlighting the backlash against poor-quality AI-generated voices. The hosts then explore innovative gadgets and the rise of foldable and trifold phones, debating their practicality and future in the tech market.   Time Stamps  00:00-Welcome Back to Nerd Culture 02:34-Gaming Adventures and Updates 05:22-TV Shows and Anime Catch-Up  07:56-Video Game News and Announcements 10:30-Xbox Full Screen Experience and Updates 13:08-Black Friday Recap and Console Discounts 15:57-CCXP Showcase Highlights 23:06-Streaming Preferences and Show Updates 25:02-Excitement for Upcoming Shows 26:17-Anime and Animation News 29:39-Netflix's Major Acquisition Plans 37:09-HBO and Dune Updates 39:09-Upcoming Movie Releases and Theatrical Trends 47:50-The Anticipation of Doomsday's Trailer 51:21-The Controversy of AI Dubbing in Anime 54:05-Innovative Gadgets and Tech Trends 01:03:38-The Future of Foldable Phones 01:10:34-Wrap-Up and Community Engagement   Make sure to subscribe on Youtube, Apple Podcasts, Spotify or your podcast app of choice!

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

The story goes that Wolfgang Pauli, who first proposed the existence of neutrinos, was embarrassed to have done so, as it was considered uncouth to hypothesize new particles that could not be detected. Modern physicists have no such scruples, of course, but more importantly neutrinos turn out to be very detectable, given sufficient resources and experimental technique. I talk with neutrino physicist Ryan Patterson about what current and upcoming experiments teach us about neutrinos themselves, as well as implications for dark matter and why there are more particles than antiparticles in the universe.Blog post with transcript: https://www.preposterousuniverse.com/podcast/2025/12/08/228-ryan-patterson-on-the-physics-of-neutrinos/Support Mindscape on Patreon.Ryan Patterson received his Ph.D. in physics from Princeton University. He is currently Professor of Physics at Caltech. His research involves a number of aspects of experimental neutrino physics, including involvement in the NOvA and DUNE experiments.Caltech web pagePublications at inSpireSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

► Tickets für unsere Tour:https://www.ticketmaster.de/artist/nizar-shayan-die-deutschen-podcast-tickets/1261474⁠In dieser Folge diskutieren wir über verrückte Berufe, die das Leben bereichern oder komplett verändern könnten – vom Tatortreiniger bis zum professionellen Wasserrutschentester. Außerdem stellen wir uns die Frage: Ist unser Lebensstil, in dem wir unser Essen selbst organisieren, der Grund, warum wir zunehmen? Oder macht Geld wirklich das Abnehmen einfacher?Wir werfen einen provokanten Blick auf Hollywood-Stars wie Jason Statham und Tom Cruise und debattieren, ob ihre Top-Form mehr mit ihren Privatköchen, Ernährungsberatern und Biohacking zu tun hat , als mit reiner Disziplin. Gleichzeitig diskutieren wir, warum es für "normale" Menschen, die 10 Stunden am Tag arbeiten, eine viel größere Leistung ist, fit zu bleiben!Außerdem geht es um:Verrückte Job-Ideen, die zu Nizar passen könnten: Tatortreiniger, Kuscheltherapeut, Entenführer im Park und mehr!Warum Hollywood-Stars an Franchises wie Spider-Man oder Dune gekoppelt sind und die Ära der eigenständigen "Movie Stars" wie Denzel Washington oder Bruce Willis vorbei ist.Amerikanische Esskultur und die XXL-Portionen in New Orleans und New York.Wie teuer ist Matcha wirklich und wer trinkt überhaupt Kaffee?Schalte ein und lass uns in den Kommentaren wissen: Sind Superstars wirklich nur faul diszipliniert oder erleichtert der Reichtum das Fithalten enorm? Und welche Job-Idee passt am besten zu Nizar?Alle Kanäle | Die Deutschen► Folgt uns: ⁠https://linktr.ee/diedeutschen⁠► Werdet Teil der Community auf Patreon:⁠http://www.patreon.com/diedeutschenpodcast/membership⁠

This week we're joined buy Molly Lambert, host of the JennaWorld podcast all about Jenna Jameson, Vivid Video, & The Valley. We track the recent history of porn from kid Rock's open fandom to today's manosphere no-nut phenomenon and once again come to the surprising conclusion that capitalism is the problem. Gift Ask A Sub! Patreon | Substack | Courses (code GIFTGUIDE40 for 40% off) | Office Hours | The Ask A Sub Gift Guide Become a Patreon member to gain access to all the Ask A Sub benefits including our discord server, archive of premium audio and written posts, as well as our new podcast within a podcast, OTK with Lina and Mr. Dune. Submit questions for this podcast by going to memo.fm/askasub and recording a voice memo. Subscribe to the subby substack here. See the paid post archive here. Get 20% off your order at http://www.momotaroapotheca.com with code LINADUNE Twitter | @Lina.Dune | @askasub2.0 CREDITS Created, Hosted, Produced and Edited by Lina Dune With Additional Support from Mr. Dune Artwork by Kayleigh Denner Music by Dan Molad

Frank Herbert's 1965 epic Dune was once the domain of sci-fi diehards. But in recent years, the book has crossed over into the mainstream. In today's Books We've Loved, Andrew Limbong and B.A. Parker are joined by Throughline's Ramtin Arablouei, who makes a personal case for the story's appeal – despite its density. Then, special guest, author Pierce Brown, shares whether he thinks Dune has reached Star Wars levels of cultural saturation.Ramtin's Recommendation: ‘Rendezvous with Rama' by Arthur C. ClarkeParker's Recommendation: ‘The Left Hand of Darkness' by Ursula K. Le GuinAndrew's Recommendation: ‘Saga' by Brian K. VaughnTo listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Episode 55 features alt-pop group Memory Phase, London duo Our Captain Cried All Hands, garage band The Paranoid Style, Irish singer-songwriter Bird, and folk-rock musician Herman Dune.

Abu⁠ and ⁠Leo⁠ step off the Golden Path to discuss a recent controversy in art commentary. Where Dune has been labled "not that deep", they explore the Anime they love and why they ARE "that deep". This episode contains NO SPOILERS for Dune or any of the discussed anime. Get ad-free episodes and bonus content: ⁠⁠⁠⁠⁠⁠https://www.patreon.com/GomJabbar⁠⁠⁠⁠⁠ Say thank you with a tip: ⁠⁠⁠⁠⁠⁠⁠⁠http://buymeacoffee.com/gomjabbar⁠⁠⁠⁠⁠⁠⁠⁠ Watch video versions of select episodes: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@loreparty⁠⁠⁠⁠⁠⁠⁠⁠ Get yourself some custom-designed Dune swag: ⁠https://gomjabbar.shop Learn more about your ad choices. Visit megaphone.fm/adchoices

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

Things get strange on this week's Moviecast. We talk about our mostly spoiler-free impressions of Stranger Things 5's first part. Meanwhile, at the box office, Zootopia 2 dominates. In other news, God of War and Helldivers are getting adaptations, Dune 3 is dodging Doomsday, and Netflix is looking to buy WB. #strangerthings5 #sonic #zootopia2 #netflix #helldivers #dune3 ⁠#avengersdoomsday #godofwar #streaming #tv #allyoucangeek #aycg #podcast

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

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William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

In this installment, Dan and Jordan tune in to hear Alex describe Trump as a grumpy old man, explain how the world is like Dune and expound on how the United States is the new Rome.

Post plague out break - we wrap up the rest of Dune just in time to chat about "Dune Messiah" There's more from the Strange and Beautiful Network!Enjoying our work? Buy a cup of Hot Jala! https://ko-fi.com/strangeandbeautifulnetworkListen to Rachel, Kate, and Hannah discuss spicy books, serious books, and everything in between (but mostly spicy!). It's like sitting down with girl friends to chat about hot book boyfriends but in podcast format! Listen now at Feast, Sheath, Shatter: A Book Chat PodcastLove Movies, TV Shows and Books in the Fantasy, Scifi, and Horror genre and want to hear more? Check us out at The Strange and Beautiful Book Club where Rachel and her husband Matt discuss all things genre-related.Listen to us chat our way through the greatest scifi tv show ever made on We Are All Kosh - A Babylon 5 podcastLonging for a simpler time in the police procedural genre AND love Vampires? Matt and Rachel also review the classic television show Forever Knight on their podcast, Come in 81 Kilo.Not getting enough sweaty 90s sexcapades from your television and movie content? Listen to Meg and Rachel discuss the finer points of Geraint Wyn Davies' career over at Ger Can Get It!You can also:Join us on Instagram here: ⁠⁠⁠https://www.instagram.com/strangeandbeautifulnetwork/⁠⁠⁠Find us on YouTube here: https://www.youtube.com/channel/UCz9ENwKdHrm57Qmu8L4WXwQRiverside.fm is a video/audio recording platform built for podcasters. Check them out today for uncompressed audio and video recording, unlimited transcription services, AI Social Media clips, teleprompter and on screen scripts, and a bunch of other cool stuff too. Make long distance podcasting 100x easier. (Don't work harder, work smarter) ★ Support this podcast on Patreon ★

Noelle Perdue, writer of the PORN WORLD substack and noted Thinker of Thoughts joins us on the pod this week to break down the porn industry, the power of performance, and unexpected uses for the hobby horse you left in your parents' attic. Gift subscriptions!! Substack / Patreon To get the full version of this episode Join Patreon at $11/month or substack at $8/month. Subscribe to the subby substack here. See the paid post archive here. Submit questions for this podcast as voice memos to podcast@askasub.com Go here for information on how to record a voice memo Get 20% off your order at http://www.momotaroapotheca.com with code LINADUNE Twitter | @Lina.Dune | @askasub2.0 CREDITS Created, Hosted, Produced and Edited by Lina Dune With Additional Support from Mr. Dune Artwork by Kayleigh Denner Music by Dan Molad

⁠Abu⁠⁠ and ⁠⁠Leo⁠⁠ begin their read-through of Chapterhouse Dune by diving deep into chapters 1-3. They explore the theme of xenophobia and how it may be the greatest weakness of the Honored Matres. This episode contains NO SPOILERS beyond the books and pages covered thus far Read along with us by following the ⁠Chapterhouse Dune book club schedule⁠ Get ad-free episodes and bonus content: ⁠⁠https://www.patreon.com/GomJabbar⁠⁠ Say thank you with a tip: ⁠⁠http://buymeacoffee.com/gomjabbar⁠⁠ Watch video versions of select episodes: ⁠⁠https://www.youtube.com/@loreparty⁠⁠ Get yourself some custom-designed Dune swag: https://gomjabbar.shop Learn more about your ad choices. Visit megaphone.fm/adchoices

It's finally here! After months of work, we're finally ready to unveil the new Gom Jabbar Merchandise store: https://GomJabbar.shop Featuring half a dozen new designs and some old favorites, check out our NEW URL and support the show by buying something nice for yourself or that Dune fan in your life. https://GomJabbar.shop⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Filmumentaries Podcast, I speak with art director and supervising art director Dominic Masters, whose decades-long career spans some of the biggest films and series of the last 40 years. He grew up around movie sets thanks to his father, the legendary production designer Tony Masters (2001: A Space Odyssey, Papillon, Dune), and started his own journey at 19 when he spent eight months in China on Tai-Pan — the first Western movie ever shot there. Dom talks about learning the foundational skills of drafting, the early struggles of finding work in the British film industry of the mid-80s, and the unique lifestyle of moving from production to production — that strange micro-community that forms on set, often in far-flung locations.  We cover his experiences on Titanic working under James Cameron, the shift from physical sets to set extensions and digital workflows, the evolution of the art department, and how shows like House of the Dragon demand an enormous level of coordination, creativity and technical precision. We also talk about the British Film Designers Guild, the camaraderie that forms in the art department, and his personal creative outlets, photography and music, that keep him balanced between jobs.  It's a wide-ranging, honest conversation with someone who has seen the industry evolve from the studio backlots of the 1970s to enormous contemporary productions. Topics discussedGrowing up around film sets and learning from legendary designersHis first job on Tai-Pan in 1985 and the experience of shooting in ChinaThe hierarchy and craft of the art departmentCollaboration with directors, designers, construction and VFXWorking on Titanic and the extraordinary scale of the buildThe Harry Potter films, James Bond films, and shifting directorsThe intensity and scale of House of the DragonSurviving the freelance lifestyle and industry downturnsCreative outlets outside the jobGuest Dominic Masters – Art Director / Supervising Art DirectorSelected credits: House of the Dragon, Belfast, Wonder Woman, Now You See Me 2, Casino Royale, Harry Potter, Titanic, The World Is Not Enough, The Avengers.This podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links

A listener wants to know how to curate a conscious breakup, and Lina speaks to the unusual amount of D/s ghosts she's heard about lately.  THE ASK A SUB GIFT GUIDE - Get your person a gift subscription or package of office hours! Or an online course! 'Healing Is Making Us Mean' by Gloria Alamrew Become a Patreon member to gain access to all the Ask A Sub benefits including our discord server, archive of premium audio and written posts, as well as our new podcast within a podcast, OTK with Lina and Mr. Dune. Submit questions for this podcast by going to memo.fm/askasub and recording a voice memo. Subscribe to the subby substack here. See the paid post archive here. Get 20% off your order at http://www.momotaroapotheca.com with code LINADUNE Twitter | @Lina.Dune | @askasub2.0 CREDITS Created, Hosted, Produced and Edited by Lina Dune With Additional Support from Mr. Dune Artwork by Kayleigh Denner Music by Dan Molad