Podcast appearances and mentions of vadim kozin

In September 1939 vallen de Duitsers Polen binnen. Joden gaan op de vlucht en trachten de grens met de Sovjet-Unie over te steken. Onder hen is ook de Mieczyslaw Vajnberg. Ook in de andere grote steden van Rusland worden prominente musici zo snel mogelijk geëvacueerd. Zo ook Sjostakovitsj, die eerst weigert. Intussen begint Stalin ook een nieuw soort heksenjacht, ditmaal op de uitvoerders van het lichte genre. Populaire artiesten als Klavdia Sjoelzjenko en Vadim Kozin passen hun liedjes aan.

Dady Brieva y Ale Lingenti hablan sobre Vadim Kozin, cantante de tango ruso perseguido por Stalin. Volver Mejores se transmite de lunes a viernes de 17 a 19hs por El Destape Radio.

In 2013, when the Russian State Duma passed a law banning the propaganda of non-traditional sexual relationships to minors, some rushed to boycott Russian vodka. In Russian Homophobia from Stalin to Sochi (Bloomsbury, 2017), Dan Healey provides historical context for the law and cautions against the easy application of recent changes elsewhere. The Russian embrace of LGBT rights will be the result of cultural evolution from within society and not some off-the-peg downloading of a European formula, Healey writes. Decriminalized after the revolution, sodomy was re-banned under Stalin in 1933-4 and remained illegal until 1993. In a series of case studies, Healey examines same-sex relationships in the gulag, provincial criminal investigations from the 1950s, the diary of popular singer Vadim Kozin (who was sent to Magadan in the 1940s under the anti-sodomy law), gay cruising in Brezhnev-era Moscow, and pornography in the 1990s. What emerges is a complex portrait of gay and lesbian consciousness that belies Putin-era attempts to portray homosexuality as a foreign import. Healey also explores some of the difficulties facing queer history in today’s Russia, including a lack of information about prosecutions under Stalin and reluctance to include sexuality in the biographies of figures such as Kozin. The book concludes by examining current projects to mobilize queer memory, such as the Unstraight Museum in Belarus. Joy Neumeyer is a journalist and PhD candidate in History at the University of California, Berkeley. Her dissertation project explores the role of death in Soviet culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2013, when the Russian State Duma passed a law banning the propaganda of non-traditional sexual relationships to minors, some rushed to boycott Russian vodka. In Russian Homophobia from Stalin to Sochi (Bloomsbury, 2017), Dan Healey provides historical context for the law and cautions against the easy application of recent changes elsewhere. The Russian embrace of LGBT rights will be the result of cultural evolution from within society and not some off-the-peg downloading of a European formula, Healey writes. Decriminalized after the revolution, sodomy was re-banned under Stalin in 1933-4 and remained illegal until 1993. In a series of case studies, Healey examines same-sex relationships in the gulag, provincial criminal investigations from the 1950s, the diary of popular singer Vadim Kozin (who was sent to Magadan in the 1940s under the anti-sodomy law), gay cruising in Brezhnev-era Moscow, and pornography in the 1990s. What emerges is a complex portrait of gay and lesbian consciousness that belies Putin-era attempts to portray homosexuality as a foreign import. Healey also explores some of the difficulties facing queer history in today’s Russia, including a lack of information about prosecutions under Stalin and reluctance to include sexuality in the biographies of figures such as Kozin. The book concludes by examining current projects to mobilize queer memory, such as the Unstraight Museum in Belarus. Joy Neumeyer is a journalist and PhD candidate in History at the University of California, Berkeley. Her dissertation project explores the role of death in Soviet culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2013, when the Russian State Duma passed a law banning the propaganda of non-traditional sexual relationships to minors, some rushed to boycott Russian vodka. In Russian Homophobia from Stalin to Sochi (Bloomsbury, 2017), Dan Healey provides historical context for the law and cautions against the easy application of recent changes elsewhere. The Russian embrace of LGBT rights will be the result of cultural evolution from within society and not some off-the-peg downloading of a European formula, Healey writes. Decriminalized after the revolution, sodomy was re-banned under Stalin in 1933-4 and remained illegal until 1993. In a series of case studies, Healey examines same-sex relationships in the gulag, provincial criminal investigations from the 1950s, the diary of popular singer Vadim Kozin (who was sent to Magadan in the 1940s under the anti-sodomy law), gay cruising in Brezhnev-era Moscow, and pornography in the 1990s. What emerges is a complex portrait of gay and lesbian consciousness that belies Putin-era attempts to portray homosexuality as a foreign import. Healey also explores some of the difficulties facing queer history in today’s Russia, including a lack of information about prosecutions under Stalin and reluctance to include sexuality in the biographies of figures such as Kozin. The book concludes by examining current projects to mobilize queer memory, such as the Unstraight Museum in Belarus. Joy Neumeyer is a journalist and PhD candidate in History at the University of California, Berkeley. Her dissertation project explores the role of death in Soviet culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2013, when the Russian State Duma passed a law banning the propaganda of non-traditional sexual relationships to minors, some rushed to boycott Russian vodka. In Russian Homophobia from Stalin to Sochi (Bloomsbury, 2017), Dan Healey provides historical context for the law and cautions against the easy application of recent changes elsewhere. The Russian embrace of LGBT rights will be the result of cultural evolution from within society and not some off-the-peg downloading of a European formula, Healey writes. Decriminalized after the revolution, sodomy was re-banned under Stalin in 1933-4 and remained illegal until 1993. In a series of case studies, Healey examines same-sex relationships in the gulag, provincial criminal investigations from the 1950s, the diary of popular singer Vadim Kozin (who was sent to Magadan in the 1940s under the anti-sodomy law), gay cruising in Brezhnev-era Moscow, and pornography in the 1990s. What emerges is a complex portrait of gay and lesbian consciousness that belies Putin-era attempts to portray homosexuality as a foreign import. Healey also explores some of the difficulties facing queer history in today’s Russia, including a lack of information about prosecutions under Stalin and reluctance to include sexuality in the biographies of figures such as Kozin. The book concludes by examining current projects to mobilize queer memory, such as the Unstraight Museum in Belarus. Joy Neumeyer is a journalist and PhD candidate in History at the University of California, Berkeley. Her dissertation project explores the role of death in Soviet culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marc Almond travels to Moscow in search of the marvelous Russian tenor Vadim Kozin, tango-singer and superstar. The darling of the Soviet Union, Kozin melted hearts by the tens of millions in the 1940s, playing to packed concert halls and rallying Red Army troops in World War Two. But he vanished one day in 1944 when the secret police arrested him and sent him to the Gulag for homosexuality

Marc Almond travels to Moscow in search of the marvelous Russian tenor Vadim Kozin, tango-singer and superstar. The darling of the Soviet Union, Kozin melted hearts by the tens of millions in the 1940s, playing to packed concert halls and rallying Red Army troops in World War Two. But he vanished one day in 1944 when the secret police arrested him and sent him to the Gulag for homosexuality

Operatic Vaudeville with a Bohemian Attitude Blending a tenor's haunting vocals with cabaret-inspired reinventions of songs both old and new. Featuring selections by Russian Gypsy songwriter Vadim Kozin from the 1930s to songs by Radiohead and David Bowie, this eclectic performance will provide the eyes and ears with beautiful and slightly dark entertainment.