Podcast appearances and mentions of David Bowie

Just like the opening match on a wrestling show has the important role of setting the tone, the main event has the important role of ending the show on a strong note. Not every wrestler can be a main eventer, but the ones who prove they belong are the ones who stay in that spotlight. The same can be said for the closing track on an album. Not every song works as an album closer, but the ones that do stand the test of time. On this episode, Andrew and returning guest JoJo Remy (Voices of Wrestling) play a selection of their favorite album closers, mostly classics but a few modern ones as well. Artists played include Todd Rundgren, The Raconteurs, The Who, Superorganism, UFO, The Flying Burrito Brothers, Pink Floyd, Muse, David Bowie, and many more. The lights are bright and everybody is listening, because it's time for the main event!Theme song: "Hemispheres" by Silent PartnerBluesky: @MusicoftheMat / @justandrew / @jojorunsAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateOur Sponsors:* Sign up and get 10% off at BetterHelp: https://www.betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Playlist: The Mauna Malahini Islanders - Beyond the ReefBreeders - Cro AlohaOlaf Sveen - Bei Mir Bist Du SchonVentures - Vamp CampAndy Starr - No Room for your kindThe Cyrillic Typewriter - Dream MazeRamones - Rockaway BeachMesser Chups - PhantomasofobiaPerry Como - Papa Loves MamboPixies - AnnaCalgary Boys Choir - Tales from the Vienna Woods, StraussForgotten Rebels - Surfin on heroinShadowy Men On A Shadowy Planet - We're Not a Fucking Surf BandSamantha Ohlanders, Byalaget - El Condor PasaThe Garrys - Graveyard CurveThe 427's - Escape from AlcatrazThe Surftones - Cecilia AnnThe Jesus and Mary Chain - Kill Surf CityPorno for Pyros - Tahitian MoonThe Poppy Family - Where Evil growsNancy Sinatra - Friday's ChildDavid Bowie - 7 Years in Tibet

This week on The Metro, Rev. Jeff Ivins brings you the following artists for your time warp to the 1980s: Kim Wilde, The Human League, Simple Minds, Olivia Newton-John, Killing Joke, Gleaming Spires, Cutting Crew, ABC, Paul Hardcastle, Public Image Ltd., David Bowie, XTC, Kim Carnes, and finishing up with The Police.

David Bowie - Ziggy Stardust Father John Misty - The Old Law The Simpsons - Do The Bartman Aerosmith & Run Dmc - Walk This Way Green Day - The American Dream Is Killing Me The Mama's And The Papa's - Monday Monday Cake - Short Skirt - Long Jacket Charli Xcx - Chains Of Love Depeche Mode - Walking In My Shoes Kasabian - Club Foot Led Zeppelin - Ramble On Anna Calvi - God's Lonely Man (Feat. Iggy Pop) Bratmobile - Cherry Bomb Liam Gallagher - For What It's Worth Rage Against The Machine - Killing In The Name The Black Crowes - Profane Profecy Derek & The Dominos - Layla Arctic Monkeys - Opening Night Them - Gloria Radiohead - The Bends Metric - Victim Of Luck The Chemical Brothers - Galvanize (Edit) Basement Jaxx - Where's Your Head At Placebo - Post Blue Poppy - Guardian Ten Years After - I Woke Up This Morning (Live At The Fillmore East) Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

En attendant la tant attendue saison 2026, la team du Paddock RMC vous propose des épisodes rétrospectifs pour revenir sur des grands moments de l'histoire de la Formule 1, à commencer par les plus grandes joutes et les plus grands titres !Pour le sixième et dernier épisode de "Dans le retro de Jean-Luc", on se plonge dans une année au cours de laquelle : on est secoué par les disparitions de David Bowie, de Prince ou encore de Mohamed Ali, Donald Trump est élu président des États-Unis pour la première fois et Netflix explose avec la série Stranger Things. En 2016, le monde de la Formule 1 sacre Nico Rosberg devant Lewis Hamilton, sur l'ultime course, avant que le tout récent champion du monde ne tire sa révérence.Avec Nicolas Paolorsi et Jean-Luc Roy

Happy 40th anniversary to Labyrinth! Join us as we discuss the puppets, the painted backdrops, the codpieces, and the meaning behind a film that proved formative for many filmgoers of our generation … except for Dan and Stephen, who never saw it before. Joining us is Mo, who has proudly declared that this is her favorite film, and who brought a wealth of knowledge and behind-the-scenes trivia to the table (as well as a David Bowie action figure). Be sure to leave us a nice review and subscribe wherever you get your podcasts! Follow us on Instagram (and honestly, screw Twitter or X or whatever the heck it is). Check out ScullyVision for updates! Did you know that Dan made a movie? WELL HE DID, and if you want to see it, follow Peak Form on Instagram and Facebook for updates!

Steve Nieve has been the distinctive keyboard voice beside Elvis Costello for over forty years, evolving from the new wave intensity of The Attractions to the soulful sophistication of The Imposters. A Rock and Roll Hall of Fame inductee and Grammy winner his prolific career also includes work with Madness, Sting, and David Bowie, alongside his own ambitious solo compositions. We cover that all and more in our chat with Steve – one not to miss. To listen / watch: Audio-only: click on the play button in the audio player above, or: Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel Discussion topics covered during the show (links will open in new tab):   Steve’s busy past couple of years Steve in action with Elvis Costello & The Imposters Steve’s musical upbringing Auditioning to join Elvis Costello Elvis Costello – Less Than Zero Memories of early gigs with The Attractions The Vox Jaguar and the Vox Continental A discussion on Steve’s favourite Elvis Costello and the Attractions album – This Year’s Model Steve’s early synths The evolution of the recording process with Elvis Costello and his band over the years Elvis Costello and the Attractions – Blood and Chocolate Elvis Costello and the Attractions – Imperial Bedroom Working on a cover of Yoko Ono’s ‘ Walking on Thin Ice’ with Allen Toussaint Elvis Costello & Allen Toussaint – The River in Reverse Working as band leader and MD in Steve Nieve & The Playboys on The Last Resort with Jonathon Ross  Steve performing with Paul McCartney on The Last Resort with Jonathon Ross  Doing 100 shows remotely during the pandemic Steve Nieve and Kessada – About Love Working on Absolute Beginners – David Bowie Steve Nieve and Muriel Teodori – Welcome To The Voice Sans Plomb movie ToGetHer album You Lie Sweetly – Steve Nieve featuring Sting Steve in action with The Imposters 2022 On the brilliance of Pete Thomas Collaborations with David Coulter including The Great Australian Songbook Desert Island Discs: (yet to be released / titled) – Kessada, The Best of Satie – Erik Satie, Goldberg Variations – Uri Caine, Songs in the Key of Life – Stevie Wonder, Rough and Rowdy Ways – Bob Dylan. Key links: Become a member of our YouTube channel and receive extra content Buy some keyboard related merchandise Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn Complete our audience survey to help us improve! Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post Steve Nieve, Elvis Costello & The Imposters appeared first on The Keyboard Chronicles.

Adam Steiner discusses with Ivan six things which should be better known. Adam Steiner is a swim-teacher, freelance journalist and author. When not saving lives he sits dreaming about all the books he will never write.  He has written several books of music criticism: Into The Never: Nine Inch Nails And The Creation Of The Downward Spiral, Silhouettes And Shadows: The Secret History of David Bowie's Scary Monsters (And Super Creeps) and Darker With The Dawn: Nick Cave's Songs Of Love And Death. He runs the Disappear Here poetry film project – 27 x collaborative poetry-films about Coventry Ringroad – and now curates the Living With Buildings poetry film series, screening experimental films about people, poetry and place. For more information, go to https://adamsteiner.uk/. Being There, Jerzy Kozinski: movie and book – so this is a great example of late/last great art - Peter Sellers was very attached to the story and was determined to make the movie, so he had do more pink panthers for the studio to back him. Lifeguards / Swim Teachers - under-appreciated, under-sexed, underpaid its one of the hardest jobs out there - sitting in a chair dreaming, not doing anything, but people always take it for granted. 40 - So we're always told that 40 is the new 30 etc - but it's a dangerous, difficult age. When Biographies Become Biopics: Will Self said writers reading biographies of other writers is basically lit-porn – so we get caught up in a life narrative that often informs the work but steers us away from the original. Real Dictators podcast - This is my go to 'easy' listening podcast, particularly when really ill I can just leave it on in the background and absorb. Charity shops... the ultimate form of social progression. In London charity shops are a mecca for the undiscerning buyer. This podcast is powered by ZenCast.fm

In this second installment of collaborations, Steve picked the following artists: The Brian Setzer Orchestra w/ Gwen Stefani, Blondie w/ Duran Duran, Time Zone [Afrika Bambaataa/John Lydon], Etta James & Sugar Pie DeSanto, The Thorns [Shawn Mullins, Matthew Sweet, Pete Droge], Sharpe + Numan [Bill Sharpe and Gary Numan], Peter Holsapple & Chris Stamey, FFS [Franz Ferdinand + Sparks], Electronic [Bernard Sumner and Johnny Marr], Michael Hutchence [with Andy Gill], WhoCares [Ian Gillan and Tony Iommi], Iggy Pop [with David Bowie].   On most podcast platforms. AI-free since 2016! Facebook: SuburbanUndergroundRadio     Instagram: SuburbanUnderground     #newwave #altrock #alternativerock #punkrock #indierock

Send a textWe're excited to share this conversation with our new best friend, Rosanna Arquette! She stars in The Moment alongside Charli XCX, a mockumentary about a rising pop star navigating fame and industry pressure while preparing for her debut arena tour. We become fast friends about our mutual love for the Bay, the importance of art and activism, and our collective hate for ai. Then Rosanna shares her thoughts on Taylor Swift, her family's legacy in the entertainment industry (including her daughter starring most recently in Dracula: A Love Tale), and which director she would love to collaborate with in the future. Our thanks to Rosanna for being lovely AF, and for this beautiful, honest conversation.Click here to watch The Moment in theaters right now!Follow Rosanna Arquette on IG and BlueSkySupport the showThanks for listening and for your support! We couldn't have won Best of the Bay Best Podcast in 2022 , 2023 , and 2024 without you! -- Fight fascism. Shop small. Use cash. Fuck ice. -- Support Bitch Talk here! Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram, Threads, and Substack Listen every Monday at 7 am on BFF.FM

A final album isn't supposed to feel this alive. Blackstar greets us with ominous symbols and then, almost mischievously, turns the lens toward warmth, groove, and human detail. We trace Bowie's late-era reinvention through a razor-sharp Manhattan jazz band, hip‑hop inflections, and lyrics that carry the weight of myth—eyes as portals, solitary candles, bluebirds hovering between a wink and a benediction. The journey moves from the ritual gravity of the title track to the aching candor of Lazarus, where heaven's distance meets the drop of a phone and the thrum of a bass that sounds like memory learning to breathe.We talk about why Bowie's personas were tools, not disguises: ways to make new space without asking permission. That same spirit shapes Blackstar's sonic palette—horns that cut, drums that keep time like clocks, and harmonies that hint at older Bowies without getting stuck in nostalgia. Sue (Or in a Season of Crime) sharpens the debate with lyrics that disturb and arrangements that stun, proof that beauty can interrogate darkness instead of decorating it. Girl Loves Me plays with slang and glossolalia, bending time until “Where the f— did Monday go?” feels less like a question and more like a diagnosis of our attention economy.Then there's Dollar Days, a soft reckoning with exile, roots, and the stories fame can't finish. It leads to I Can't Give Everything Away, a line that reads as boundary and blessing. After decades of giving more than we had a right to expect, Bowie keeps a private room intact—and the band carries that choice with understated grace. Across the episode, we unpack the music, the symbols, and the choices that turned a goodbye into a practice: collaborate deeply, compress what matters, and let the unsayable remain luminous.If this conversation resonates, follow the show, share it with a friend who loves Bowie, and drop your top three Blackstar tracks in a review—we'll read our favorites on a future episode.Send a textSupport the show

Hoy toca cosecha de 2016, año al que viajamos para recordar y regocijarnos con unos cuantos discos de rock que salieron en aquel momento: escuchamos a Kaleo, The Pretty Reckless, The Temperance Movement, David Bowie, Iggy Pop, The 1975, Green Day, Sum 41, Blink-182, Kings of Leon, Pretenders, Highly Suspect, King Gizzard & The Lizard Wizard, Angel Olsen, Savages o Deftones. Te recordamos que este especial se enmarca en la serie de guitarrazos del siglo XXI, una colección de programas dedicados a recopilar nuestros momentos rockeros favoritos desde 2001 hasta 2025.Playlist.KALEO - No GooDTHE PRETTY RECKLESS - Take Me DownTHE TEMPERANCE MOVEMENT - Three BulleitsWHITE DENIM - Ha Ha Ha Ha (Yeah)RED HOT CHILI PEPPERS - DetroitIGGY POP - GardeniaDAVID BOWIE - LazarusTWENTY ONE PILOTS - HeathensGREEN DAY - Revolution RadioSUM 41 - Fake My Own DeathBLINK-182 - Bored to DeathTHE 1975 - Love MeKINGS OF LEON - Around The WorldPRETENDERS - Holy CommotionANGEL OLSEN - Shut Up Kiss MeGARBAGE - EmptyHIGHLY SUSPECT - PostresDOROTHY - Raise HellTHE BONES OF J.R. JONES - The HeatTHE RECORD COMPANY - Off The GroundBLEEKER - HighwayCAR SEAT HEADREST - Fill In The BlankKING GIZZARD & THE LIZARD WIZARD - Gamma KnifeTHE VIRGINMARYS - Halo In Her SilhouetteDEFTONES - XenonSAVAGES - The AnswerMETALLICA - HardwiredEscuchar audio

A final album isn't supposed to feel this alive. Blackstar greets us with ominous symbols and then, almost mischievously, turns the lens toward warmth, groove, and human detail. We trace Bowie's late-era reinvention through a razor-sharp Manhattan jazz band, hip‑hop inflections, and lyrics that carry the weight of myth—eyes as portals, solitary candles, bluebirds hovering between a wink and a benediction. The journey moves from the ritual gravity of the title track to the aching candor of Lazarus, where heaven's distance meets the drop of a phone and the thrum of a bass that sounds like memory learning to breathe.We talk about why Bowie's personas were tools, not disguises: ways to make new space without asking permission. That same spirit shapes Blackstar's sonic palette—horns that cut, drums that keep time like clocks, and harmonies that hint at older Bowies without getting stuck in nostalgia. Sue (Or in a Season of Crime) sharpens the debate with lyrics that disturb and arrangements that stun, proof that beauty can interrogate darkness instead of decorating it. Girl Loves Me plays with slang and glossolalia, bending time until “Where the f— did Monday go?” feels less like a question and more like a diagnosis of our attention economy.Then there's Dollar Days, a soft reckoning with exile, roots, and the stories fame can't finish. It leads to I Can't Give Everything Away, a line that reads as boundary and blessing. After decades of giving more than we had a right to expect, Bowie keeps a private room intact—and the band carries that choice with understated grace. Across the episode, we unpack the music, the symbols, and the choices that turned a goodbye into a practice: collaborate deeply, compress what matters, and let the unsayable remain luminous.If this conversation resonates, follow the show, share it with a friend who loves Bowie, and drop your top three Blackstar tracks in a review—we'll read our favorites on a future episode.Send a textSupport the show

We've decided to do a deep dive on some of our favourite albums to explore the stories behind them.What did the artists really think of each other? Where did the inspirations from the songs come from?Joining Andrea to discuss is Head Tour Guide at the Irish Rock ‘N' Roll Museum Experience, Alan Buckley, who's going to talk through David Bowie's Rise and Fall of Ziggy Stardust

Je vais vous parler d'un temps où le rétro était ringard. Dans les années 70 quand les producteurs disco retournent dans les années 20 et 30 chercher des chansons pour les mettre au goût du jour, certaines font des succès, énormes parfois, mais il faut bien en convenir, c'est ringard, à tout le moins qualifié de vintage ou joliment désuet.C'est vrai, sauf s'il s'agit de faire une référence au texte de la chanson, on n'imagine pas un Michael Jackson, même s'il est fan de Fred Astaire, ou Alice Cooper, le voisin de Groucho Marx à Hollywood, chanter du Foxtrot. C'est pourtant ce qu'un certain Bruno Mars va faire dans les années 2010.Car même si les temps ont changé depuis les seventies, que les enfants écoutent les mêmes chansons que leurs parents, leur musique, à eux, est très différente. Que ce soit la pop ou le rap, on est dans le tout électro. Les vedettes mises en avant, ce sont des DJ, des producteurs, plus des musiciens. Et tout est extrêmement calibré, on est obligé de suivre une recette pour passer à la radio. En clair, on ne fait pas de la musique en suivant son inspiration mais en essayant de donner au public ce qu'il a envie d'entendre.Du moins, c'est ce qu'on croit. En tout cas, c'est ce que les gars du métier disent.Alors, après un premier essai d'album solo couronné de succès, dans un style qui est bien dans l'air du temps, pop crooner sucré, Bruno Mars pourrait se contenter de garder le cap puisqu'il vient déjà d'accomplir un miracle : personne ne croyait en lui. Et ben non, lui qui est fan de Prince, Sting, Michael Jackson, Elvis, James Brown va tous les convier dans son deuxième album. C'est vrai, les gars lui ont dit qu'avec ce qu'il venait de vendre, il pouvait faire tout ce qu'il voulait. Alors, allons-y !Et c'est vrai qu'on a tous reconnu la référence à Sting et The Police. Et que ça nous a fait vachement du bien d'entendre ça à la radio. On s'est dit que tout n'était pas perdu, que dans cette mer de produits qui se ressemblent tous, il y a toujours la possibilité d'une île.Une île qui va s'avérer être un continent puisque non seulement Bruno Mars va devenir l'artiste N°1 mondial de la décennie mais il va décomplexer tous ceux qui luttaient contre les esprits formatés de l'argent facile. On n'entendra rien de neuf, c'est vrai, Bruno Mars et ceux de sa génération ne sont pas les nouveaux David Bowie ou Stevie Wonder, mais ils marquent le retour des musiciens qui savent jouer, des surdoués de la chanson qui avaient trop manqués aux Ultratop et autres Billboards.

Ce mercredi, Marjorie Hache propose deux heures de rock et de pop pointue dans Pop-Rock Station. Elle ouvre la soirée avec Arctic Monkeys et un titre inédit issu de la compilation caritative "Help 2" au profit de War Child. Parmi les classiques, elle enchaîne avec Echo & The Bunnymen, Deep Purple, David Bowie, The Dandy Warhols, Nine Inch Nails ou encore Guns N' Roses. Dans l'actualité musicale, elle met en avant Anna Calvi avec "God's Lonely Man" en duo avec Iggy Pop et Kim Gordon avec "Not Today". L'album de la semaine est toujours signé Puscifer avec "Normal Isn't", illustré ce soir par "Self Evident". La reprise met à l'honneur "Lilac Wine", popularisée par Nina Simone et revisitée ici par Jeff Buckley. L'émission salue aussi l'anniversaire de Mike Shinoda avec Linkin Park et rend hommage à Brad Arnold de 3 Doors Down qui vient de nous quitter. Enfin, la séquence Fresh Fresh Fresh présente Zach Bryan, nouvelle figure montante de la country, avec "Plastic Cigarettes". Arctic Monkeys - Opening Night Echo & The Bunnymen - The Killing Moon Linkin Park - Unshatter The Dandy Warhols - Get Off Deep Purple - Hush Luke - La Sentinelle David Bowie - Blue Jean Puscifer - Self Evident The Who - Who Are You The 5.6.7.8'S - Woo Hoo Gary Glitter - Rock & Roll Part 2 Anna Calvi - God's Lonely Man (Feat. Iggy Pop) Jeff Buckley - Lilac Wine The Box Tops - The Letter 3 Doors Down - Kryptonite Brotaly - The Body Depeche Mode - A Question Of Time Nine Inch Nails - Closer Kim Gordon - Not Today Joan Baez - House Of The Rising Sun Guns N' Roses - Yesterdays Zach Bryan - Plastic Cigarettes The Velvet Underground - Sunday Morning Curtis Stigers - This Life The Arrows - Touch Too Much Prince - Let's Go Crazy Sebastien Tellier - La RitournelleHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

February 10, 1972. When his music career begins to stagnate, David Bowie reinvents himself with an alien alter-ego he names Ziggy Stardust. This episode originally aired in 2025. Support the show! Join Into History for ad-free listening and more. History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.

Are you listening closely? Every podcast consists of three parts, or acts. The first part is called the pledge, and that's where I tell you that this week on Left of the Projector, we are dipping into the filmography of Christopher Nolan with his 2006 film The Prestige. That's the ordinary part of this episode.The second act is called the Turn. That's where I tell you all the amazing actors in this episode from the great David Bowie, to Hugh Jackson, Christian Bale, Michael Caine, Scartlett Johansson, Rebecca hall and andy serkis. This is where we take the ordinary and tell you we are going to do something extraordinary. We have Alexa Speed as our guest today, whom you may know from her page Cut off the Spigot…And now, though, we have to deliver the 3rd act, the hardest part…the part we call the Prestige…Guest LinksOfficial Cut Off the Spigot SiteCut Off the Spigot on InstagramLeft of the Projector LinksOfficial WebsiteLeft of the Projector on InstagramLeft of the Projector on PatreonLeft of the Projector on ThreadlessHost LinksEvan's LetterboxdBill's InstagramBill's LetterboxdWard's InstagramWard's Letterboxd

On this episode of the podcast, host Dr Pasquale Iannone goes back to Japan in 1969 to discuss a lesser-known film from the iconoclastic New Wave filmmaker Nagisa Oshima. Oshima is best-known for subversive, controversial works such as the erotic drama In The Realm of the Senses (1976) and the David Bowie-starring war film Merry Christmas Mr Lawrence (1983)The episode focuses on Boy (1969) an earlier picture from Oshima which is based on a remarkable true story. The film follows a con artist couple who travel across Japan with their two young sons. Their main money making scheme involves provoking minor car accidents and feigning injury to claim compensation from befuddled drivers. The eldest boy, 10-year-old Toshio, is trained up by his parents to take part in the scams.Boy was recently released on Blu-Ray by Radiance as part of a box set of Oshima films titled Radical Japan.Joining Pasquale to discuss Boy is Professor Jennifer Coates. Jennifer is Professor of Japanese Studies at the University of Sheffield. Her many publications include books such as Film Viewing in Postwar Japan, 1945-1968: An Ethnographic Study (2022) and Making Icons: Repetition and the Female Image in Japanese Cinema, 1945-1964 (2016).Jennifer and Pasquale explore the landscape of postwar Japanese cinema and Oshima's beginnings as a critic. They then turn to Boy, first placing the film in the context of Oshima's broader career and then discussing key scenes, commenting on elements such as use of location, voiceover as well as the director's masterful use of widescreen.

Send us a message! This week on The Waffle Zone: 1. David Bowie & Karnivool2. Black & Diane3. Grunge Thor & KreaTOR4. The Dominator on Billboard... Megadeth!5. AIsylum, Mount Rushmore Bill & Metal Melissa6. 667. Ways To Win8. Napoleon Dynamite! Support the show

Trente-sixième épisode de Vanishing Point, le podcast itinérant qui vous invite à voyager sur les routes imaginaires du Cinéma, sans gps ni direction assistée, avec comme seule boussole : notre passion, nos échanges et nos envies.Piloté par Mad, Ben et Franck.Les films abordés dans cet épisode :00:01:24 : Skip générique (on juge pas promis)00:05:35 : Source Code, Duncan Jones (2011)02:22:48 : Sin Nombre, Cary Fukunaga (2009)04:21:15 : BLINDTEST04:28:29 : Runaway Train, Andreï Kontchalovski (1985)Rejoignez-nous sur les réseaux sociaux :BLUESKY : https://bsky.app/profile/vpointpodcast.bsky.socialDISCORD : https://discord.gg/mDgZZd6CzjFACEBOOK : https://www.facebook.com/podcast.vanishingpointINSTAGRAM : https://www.instagram.com/vanishingpoint_podcast/TWITTER : https://twitter.com/vpoint_podcastEt sur votre plateforme de podcasts préférée ! Abonnez-vous

"One is the loneliest number that you'll ever doTwo can be as bad as oneIt's the loneliest number since the number one"Please be my number 2 and  join me this afternoon, Super Bowl Sunday, for Super Sounds Of The 70's. Stopping by are David Bowie, Boz Scaggs, Pink Floyd, Peter Frampton, Yes, Robin Trower, Renaissance, Stevie Ray Vaughn, Michael Bloomfield, Blues Image, Phil Manzanera, Procol Harum, Mountain, Tom Petty & The Heartbreakers, Chicago, Crosby, Stills, Nash & Young, and Three Dog Night with a brief tribute to Chuck Negron who passed away last week.  

Gigs - www.rewind80smixtape.com.auWelcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australia's 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Episode The Mullet Strikes Back. It's a ripper! Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman see Facebook for links to videos & songs mentioned in this episode! Email: planet80sproductions@gmail.com Rewind 80's Band : www.rewind80sband.com Facebook : the80smontagepodcast twitter: 80_montage instagram : the80smontage Links from Episode The Mullet Strikes Back.Patreon Link With Thanks x https://www.patreon.com/the80smontagepodcast Official music video for 'Electric Blue' taken from WHITE HEAT: 30 HITS out now! (c) Diva Records Pty Ltdhttps://youtu.be/IUFOVu1CurM#KIMWILDEKim Wilde - View From A Bridge (Official Music Video)Official Music Video from Kim Wilde for View From A Bridge (1982).https://youtu.be/APbaO8_b4SwUNCANNY X-MEN - 50 Years #BrianMannix https://youtu.be/lm5tsUjYVjkKids in the Kitchen - SOMETHING THAT YOU SAID ( Audio Enhanced )https://youtu.be/ttB2uj5-hCQ1985 Album: Shinehttp://www.absolutely80s.com.auhttps://en.wikipedia.org/wiki/Kids_in...Bang Bang is a song written by Iggy Pop and Ivan Kral and performed by David Bowie. It is from the album Never Let Me Down in 1987.https://youtu.be/IrrJbf4hRFMONE DICK WONDER - The VenetiansThe Venetians - So Much For Lovehttps://youtu.be/aBjT2SAMW6QPatrick Swayze - Raising Heaven (In Hell Tonight)https://youtu.be/8IoeAJFIRzEMichael Bolton - How Am I Supposed To Live Without Youhttps://youtu.be/YFood_bTOX4Amazing Grace Meryl Streephttps://youtu.be/J3M4aPpUr_8Big Trouble In Little China (1986)- Main Theme Songhttps://youtu.be/b2ycXY_4XRMNight Rocker Video - David Hasselhoff - The Hoff aka #KnightRider Re-masteredhttps://youtu.be/I3rQyrhED_YNight Rocker Video - #DavidHasselhoff - The #Hoff The Swing · INXShttps://youtu.be/ZzCotz0UwLsThe SwingThanks for listening! 

Mike Garson traces his extraordinary creative relationship with David Bowie from the Ziggy Stardust era through to his final live dates. Garson reflects on how his classical and jazz background allowed him to follow Bowie's restless stylistic shifts, and how reinvention sat at the heart of their collaboration. Along the way, he revisits key moments including working on Aladdin Sane, Young Americans, The Buddha of Suburbia, Outside, Heathen and Toy, plus stories of Mick Ronson and the Bowie Band alumni. Further information Dublin Bowie Festival 2026 – 24 February to 1 March mikegarson.com Mike Garson podcast tracks Podcasts also available: Gerry Leonard, Mark Plati, Earl Slick, Carlos Alomar, Kevin Armstrong, Tony Fox Sales, Ken Scott, Woody Woodmansey, John Cambridge, John ‘Hutch' Hutchinson This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms If you like what I do please support me on Ko-fi The post Mike Garson remembers David Bowie appeared first on The Strange Brew .

This week's Mixtape Rewind takes us back to season 2 where we started off looking at second albums from artists.  We pull from a wide spectrum—Bowie and Springsteen, Weezer and George Strait, Macklemore & Ryan Lewis and Kacey Musgraves, Childish Gambino and AJR, Vampire Weekend, All-American Rejects, Foo Fighters, and Kanye—to map the patterns behind sophomore success. The result is a guided, story-rich playlist that shows how voice, risk, and timing can turn “album two” into the real breakthrough.We start with liftoff—David Bowie's Space Oddity—then punch into the live-wire storytelling of Springsteen's Rosalita. From there, the conversation pivots to reinvention: Weezer's Pinkerton, once dismissed, now revered for its raw edge; George Strait's grounded homesickness that proves classic country doesn't need novelty to resonate; and Macklemore's Thrift Shop, which became a phenomenon by celebrating thrift finds instead of luxury culture. You'll hear how Kacey Musgraves' Biscuits distills social wisdom into wry, singable lines, and how Childish Gambino's 3005 pairs melodic pull with a search for purpose that gives the hook real weight.We dig into narrative and craft, too. AJR's Netflix Trip turns The Office into a memory map for growing up, while Vampire Weekend's Horchata blends intricate arrangements with playful rhyme in a way that feels both brainy and breezy. Rock anchors the back half: All-American Rejects deliver a straight-shot hook with Dirty Little Secret, and Foo Fighters' Everlong crystallizes the band's identity as they evolve from a one-man debut to a full-force collective. We close on Kanye's Gone, a late-album standout from Late Registration that proves the deepest cuts often hold the longest fuse. https://open.spotify.com/playlist/78UWWKd8DuntJfsrnJRWEn?si=Jw_1rDNCQkGJFe1PONg-6ASpace Oddity by David BowieRosalita by Bruce SpringsteenThe Good Life by WeezerI Can't See Texas From Here by George StraitThrift Shop by Macklemore & Ryan LewisBiscuits by Kacey Musgraves3005 by Childish GambinoNetflix Trip by AJRHorchata by Vampire WeekendDirty Little Secret by The All-American RejectsEverlong by Foo FighteresGone by Kanye West Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

The four idle hands folks are back . This episode we cover a load of topics, a preview of the Six Nations tournament, 10 years since the death of David Bowie, the Grammys, Mandelson and live review of Pictish Trail and new albums from Sleaford Mods and Megadeth.Lots of stuff to listen to with your morning tea or coffee.

Peter Ormerod, author of "David Bowie and the Search for Life, Death and God," joins Joe and Alex for a special guest episode to discuss his new book and all things Bowie, his spirituality, and how it affected his music. As Peter writes, "We cannot know if Bowie ever found this God. But we do know that in searching for God, Bowie made art that shook the world and changed lives". Count Trippi among them - and listen to find out why. Check out the book and get your copy here: https://www.amazon.com/David-Bowie-Search-Life-Death/dp/1399422820 Learn more about your ad choices. Visit megaphone.fm/adchoices

Bowie's early years have been scrutinised repeatedly but people tend to speed through the last act, from the early ‘90s to his death in 2016. Alexander Larman's ‘Lazarus: The Second Coming Of David Bowie' looks at his resurrection and the mystery of his final days in Manhattan in attractively honest detail, a book that's as fondly critical of his artistic decisions as it's celebratory. Under discussion here … … ‘David Bowie was a fictional invention and much of his life an act' … how wrong so many album reviews turned out to be … “he liked to be liked and he put a lot of effort into being liked” … Eno, Tony Visconti, Nile Rodgers, Pet Shop Boys and his endless search for collaborators … the Lucian Freud incident at the Dorchester … Scott Walker's taped message: “I see God in the window” ... “he trusted in the idea he was a genius” … the sharp contrast been his public image and private life … how his Lord's Prayer at the Freddie Mercury tribute was a deliberate attempt to steal the show … the piercing question Tin Machine were asked on ‘Wogan' … and the struggle to find anything sincere in his interviews. Order ‘Lazarus' here: https://www.amazon.co.uk/Lazarus-Second-Coming-David-Bowie/dp/1917923449Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Bowie's early years have been scrutinised repeatedly but people tend to speed through the last act, from the early ‘90s to his death in 2016. Alexander Larman's ‘Lazarus: The Second Coming Of David Bowie' looks at his resurrection and the mystery of his final days in Manhattan in attractively honest detail, a book that's as fondly critical of his artistic decisions as it's celebratory. Under discussion here … … ‘David Bowie was a fictional invention and much of his life an act' … how wrong so many album reviews turned out to be … “he liked to be liked and he put a lot of effort into being liked” … Eno, Tony Visconti, Nile Rodgers, Pet Shop Boys and his endless search for collaborators … the Lucian Freud incident at the Dorchester … Scott Walker's taped message: “I see God in the window” ... “he trusted in the idea he was a genius” … the sharp contrast been his public image and private life … how his Lord's Prayer at the Freddie Mercury tribute was a deliberate attempt to steal the show … the piercing question Tin Machine were asked on ‘Wogan' … and the struggle to find anything sincere in his interviews. Order ‘Lazarus' here: https://www.amazon.co.uk/Lazarus-Second-Coming-David-Bowie/dp/1917923449Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Bowie's early years have been scrutinised repeatedly but people tend to speed through the last act, from the early ‘90s to his death in 2016. Alexander Larman's ‘Lazarus: The Second Coming Of David Bowie' looks at his resurrection and the mystery of his final days in Manhattan in attractively honest detail, a book that's as fondly critical of his artistic decisions as it's celebratory. Under discussion here … … ‘David Bowie was a fictional invention and much of his life an act' … how wrong so many album reviews turned out to be … “he liked to be liked and he put a lot of effort into being liked” … Eno, Tony Visconti, Nile Rodgers, Pet Shop Boys and his endless search for collaborators … the Lucian Freud incident at the Dorchester … Scott Walker's taped message: “I see God in the window” ... “he trusted in the idea he was a genius” … the sharp contrast been his public image and private life … how his Lord's Prayer at the Freddie Mercury tribute was a deliberate attempt to steal the show … the piercing question Tin Machine were asked on ‘Wogan' … and the struggle to find anything sincere in his interviews. Order ‘Lazarus' here: https://www.amazon.co.uk/Lazarus-Second-Coming-David-Bowie/dp/1917923449Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In Episode 342 of History in Five Songs with Martin Popoff, Martin contemplates the unusual choice of albums where the title track appears last, and examines what that placement says about the songs and albums, using examples from Slayer, Alice in Chains, David Bowie, and more. Slayer – “Seasons in the Abyss” Nazareth – “No Mean City” Alice in Chains – “Black Gives Way to Blue” April Wine – “The Whole World's Going Crazy” David Bowie – “Heathen (Rays)” Learn more about your ad choices. Visit megaphone.fm/adchoices

Lundi 2 février, RTL2 Pop-Rock Station lance la semaine avec un mélange de nouveautés et de grands classiques. Au programme, Foo Fighters, The Damned, Def Leppard. On croise aussi Oasis, Blondie, The Doors, Supertramp. "Kiss The Beast", l'album de la semaine de Sébastien Tellier est à l'honneur avec le titre "Refresh", reflet d'un disque introspectif et élégant. L'émission se poursuit avec Foo Fighters et "Asking For A Friend", annonciateur de leur prochain album, sans oublier Guns N' Roses, Florence + The Machine et David Bowie. La reprise du soir revisite "Don't You Forget About Me" de Simple Minds, interprété par Black Stone Cherry. La deuxième partie d'émission enchaîne les découvertes et retours marquants avec The Damned reprenant les Rolling Stones, The Black Keys, Poppy, Melissa Auf Der Maur et Def Leppard, qui dévoile "Rejoice". La scène actuelle n'est pas oubliée avec les Parisiens de Chest, avant de conclure cette soirée dense et éclectique sur RTL2 Pop-Rock Station. Oasis - Supersonic Father John Misty - The Old Law Blondie - Heart Of Glass Late Of The Pier - Heartbeat Linkin Park - Two Faced The Doors - Soul Kitchen Guns N' Roses - My Michelle Sébastien Tellier - Refresh Supertramp - Breakfast In America Florence & The Machine - Spectrum David Bowie - Life On Mars Foo Fighters - Asking For A Friend Black Stone Cherry & Tyler Connolly & Theory Of A Deadman - Don't You (Forget About Me) The Cardigans - Erase And Rewind The Damned - The Last Time (Live At The Town & Country Club London 1988) The Black Keys - Fever Rammstein - Benzin Poppy - Guardian Otis Redding - Stand By Me Melissa Auf Der Maur - Taste You Def Leppard - Rejoice The Knack - My Sharona Jet - Are You Gonna Be My Girl Chest - Entertainment Ty Segall - And, GoodnightHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In Episode 30 of The Audio Files, Brad Zerbo and Jaytriot dedicate the entire show to a space-themed musical journey inspired by optimism, exploration, and innovation. The episode opens with discussion around the launch of Lt. Gen. Steven Kwast's Space Revolution and the symbolism behind its use of David Bowie's “Starman” as a theme of inspiration rather than invasion. From there, the hosts weave together music, cultural commentary, and speculative conversation about space, UFOs, and humanity's drive to explore the unknown. The playlist spans decades and genres, highlighting how space has influenced rock, punk, metal, classical composition, and pop culture, from Bowie and Black Sabbath to John Williams' Star Wars score and beyond. Along the way, Brad and Jaytriot reflect on technological stagnation versus innovation, cosmic curiosity, and how music often captures humanity's hopes about the future before science catches up. The result is a fun, free-flowing episode that blends music history, curiosity, and imagination into a true late-night Audio Files jam.

Welcome back to the next edition of Black Hoodie Alchemy! Continuing with last week's theme, we are analyzing another book by the controversial author Robert Greene, known for his works like The 48 Laws of Power, The 50th Law (co-authored with 50 Cent), and the topic of discussion today: The Art of Seduction. And with Valentine's Day just a couple weeks away from the time of release, it seems like as good a time as any for a wildcard episode such as this!(This is a sociological and literary analysis, I am not trying to be a pick-up artist and I am not trying to position myself as any kind of authority on these topics, whether it be casual dating or romance. )Perhaps even more controversial than the 48 Laws, this book operates on an equally cynical premise that everyone is self-interested and just looking to one-up each other. It details 9 seducer-archetypes as well as the many stages of tactical seduction, backed up with analysis of historical figures such as Cleopatra, Princess Diana, JFK, James Dean, David Bowie, Marilyn Monroe and many more. Reading this with the mindset of general psychology and sociology instead of manipulation and power-dynamics is useful, and it wouldn't be too difficult if not for the persistent usage of words like "prey" and "victim". With this book originally being published in 2001, I seriously doubt that this provocateur shock-value language would be used so flippantly if it were written today (as I do think it is meant as shock-value, building off of the 48 Laws of Power). But that said, I don't endorse or condone the language or mindset espoused in this book, and instead I have a good laugh at all the crude language while also trying to extrapolate any useful psychological and sociological context possible from it. I do think this book is interesting and worth reading, but it will only be useful to the critically-thinking adult that is not looking to take anything at face value. I hope you enjoy listening, and I wish you luck on your romantic pursuits! Ha. RELATED CONTENT:⁠⁠⁠⁠⁠⁠DIVE MANUAL AUDIOBOOK⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (narrated by Joe Rupe)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HUNT MANUAL⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BHA LINKTREE w books, shorts, and much moreThe Art of Seduction pdfThis week's featured music is all brought to you by my favorite experimental, post-grunge rock band ZIG MENTALITY!But You Wanna be Fooled - Zig MentalityThe Great - Zig MentalityThe One That They're Gonna Remember Me For - Zig MentalityMouthful of Silence - Zig Mentality

Alexander Larman in conversation with David Eastaugh https://www.simonandschuster.co.uk/books/Lazarus-The-Second-Coming-of-David-Bowie/Alexander-Larman/9781917923446 Lazarus: The Second Coming of David Bowie is the first biography of Bowie that tells the full and candid story of what happened in between those two apparently unbridgeable points. With new and exclusive interviews with the musicians, filmmakers and cultural figures who worked with and befriended Bowie throughout this period, Lazarus is the definitive account of the previously overlooked and fascinating latter half of a great and distinguished career. A career that climaxed with his final masterpiece, Blackstar, and the unprecedented theatrical flourish of his departure from the stage as he passed into legend.

'S O U P'Prefab Sprout, David Bowie, Virginia Astley, David Byrne, Nina Simone, Wendy Matthews, Billie Holiday, Camera Obscura, Aztec Camera, Tania Whack

Chameleon: That's long been the word used to describe David Bowie, pop music's shapeshifting extraterrestrial. He shifted personas, genres, and looks, emerging from swinging London with psychedelic folk before steamrolling through glam rock, disco, funk, new wave, alt-rock, and even jazz.Less remarked was Bowie's savvy about shifting through commercial phases—he wore pop stardom like a costume, too. He drifted in and out of the spotlight, and on and off the charts, before one final chart-topping farewell 10 years ago this month.Join Chris Molanphy as he takes us from station to station across the chart career of David Bowie, on a journey from Starman to Blackstar.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.

Chameleon: That's long been the word used to describe David Bowie, pop music's shapeshifting extraterrestrial. He shifted personas, genres, and looks, emerging from swinging London with psychedelic folk before steamrolling through glam rock, disco, funk, new wave, alt-rock, and even jazz.Less remarked was Bowie's savvy about shifting through commercial phases—he wore pop stardom like a costume, too. He drifted in and out of the spotlight, and on and off the charts, before one final chart-topping farewell 10 years ago this month.Join Chris Molanphy as he takes us from station to station across the chart career of David Bowie, on a journey from Starman to Blackstar.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.

Chameleon: That's long been the word used to describe David Bowie, pop music's shapeshifting extraterrestrial. He shifted personas, genres, and looks, emerging from swinging London with psychedelic folk before steamrolling through glam rock, disco, funk, new wave, alt-rock, and even jazz.Less remarked was Bowie's savvy about shifting through commercial phases—he wore pop stardom like a costume, too. He drifted in and out of the spotlight, and on and off the charts, before one final chart-topping farewell 10 years ago this month.Join Chris Molanphy as he takes us from station to station across the chart career of David Bowie, on a journey from Starman to Blackstar.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.

In my latest GenX Wasteland, I'm thrilled to chat with David Ormerod on his fantastic new book, David Bowie and the Search for Life, Death and God. We will explore the quest for spirituality that fueled David Bowie's creativity, from his earliest recordings to his breathtaking final album. Bowie's genre-expanding and era-crossing genius had an extraordinary impact on popular culture, yet his lifelong search for spiritual truth and enlightenment has often been overlooked. Get the book: https://amzn.to/46jsgpb Get The Occult Elvis: https://amzn.to/4jnTjE4 Virtual Alexandria Academy: https://thegodabovegod.com/virtual-alexandria-academy/ Gnostic Tarot Readings: https://thegodabovegod.com/gnostic-tarot-reading/ The Gnostic Tarot: https://www.makeplayingcards.com/sell/synkrasis Homepage: https://thegodabovegod.com/ Patreon: https://www.patreon.com/aeonbyte AB Prime: https://thegodabovegod.com/members/subscription-levels/ Voice Over services: https://thegodabovegod.com/voice-talent/ Support with donation: https://buy.stripe.com/00g16Q8RK8D93mw288 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

January 30, 2026 Today we look at the top songs debuting on the Billboard chart this week back in 1986, 1996, 2006, & 2016. Dustin, Jason, & Tyler welcome back our friend Casey. We discuss 12 songs from this week in music history, including 3 Top 10s! We have new songs from David Bowie, Yellowcard, ELO, Pearl Jam, and more. Want to be cool like us and watch the music videos for all the songs? Then here's a convenient playlist that has them all in order of discussion.

This week in the after party Jake consider's Ye's recent ad in the Wall Street Journal apologizing for his actions over the last few years. Is Kanye's contrition genuine, or is there some other, more cynical motivation behind it? We get into all of it plus some extra crazy Kanye and David Bowie related conspiracy theories in the exclusive All Access section, and as always Jake takes your voicemails, text, emails, and more. For more wild stories from the world of music and true crime, check out these Disgraceland episodes: Bjork David Bowie To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In Episode 342 of History in Five Songs with Martin Popoff, Martin contemplates the unusual choice of albums where the title track appears last, and examines what that placement says about the songs and albums, using examples from Slayer, Alice in Chains, David Bowie, and more. Slayer – “Seasons in the Abyss” Nazareth – “No Mean City” Alice in Chains – “Black Gives Way to Blue” April Wine – “The Whole World's Going Crazy” David Bowie – “Heathen (Rays)” Learn more about your ad choices. Visit megaphone.fm/adchoices

10 years on from David Bowie's death, we reflect on the life and music of one of the most influential cultural figures of our age, and assess his remarkable legacy. Our panel is Prof Eoin Devereux, Co-Director for the Centre for The Study of Popular Music and Popular Culture at the University of Limerick, Dr Leah Kardos, Senior Lecturer in Music at Kingston University London, and Harriet Reed, Assistant Curator in the Theatre and Performance Department at the Victoria & Albert Museum, and part of the curatorial team behind The David Bowie Centre at the V&A East Storehouse, a permanent home for Bowie's archive.

This week we are discussing Wind of Change released in 1991 by German rock band Scoprions. A song that changed the balance of global power with nothing more than metaphors and local references. Also in this prepisode music news of the weird, listener emails and we announce next week's album. In this episode we discuss what Garrett's "freelance jobs" actually are, the fall of the USSR, using music for regime change, why Haunted Houses are not an erotic location, that Time Putin stole a Super Bowl ring, why Poison won't be touring this year, sound weapons, the Philly grave robber, David Bowie, and so much more!  Hatepod.com | TW: @AlbumHatePod | IG: @hatePod | hatePodMail@gmail.com Episode Outline: Quick update on the goings on at the world headquarters Discuss our history with the song/band Song discussion - lyrics and music Music Video How the song did worldwide Amazon reviews Listener email (just 2) Music news of the weird Announce next week's album

Max and David talk war stories about working on “The SIngle Guy” including Ernest Borgnine, playing poker, NBC screwing Jay over, Buz Kohan, David Bowie, The Garth Brooks Joke, Max telling the show runner stuff he shouldn't, having your partner being yelled at, the love of Jim Burrows, lunch of Walter's, setting up boundaries, Will & Grace, Mid Century Modern, early success, why they never hired Jay Kogen, feeling like a fraud and then feeling like you know stuff, rebooting Will & Grace, being best friends, their daughters are best friends, and David gives advice on being a twin and showing little kids “Stage Coach.”  Bio: David Kohan and Max Mutchnick are the creators and executive producers of "MidCentury Modern", and are perhaps best known for the 16-time Emmy Award-winning comedy series “Will & Grace,” which ended its 11-season run on NBC in April 2020. The trailblazing series is still praised for its significant social impact and groundbreaking representation of queer characters. High school friends Mutchnick and Kohan started their entertainment careers almost 25 years ago as writers for “Dream On”, “The Dennis Miller Show”, and “The Wonder Years”. Mutchnick graduated from Emerson College and currently serves on its Board of Trustees. Kohan is a proud alumnus of Wesleyan University, where he majored in English and philosophy. Mutchnick is married to entertainment lawyer Erik Hyman. They live in Beverly Hills with their twin daughters, Evan and Rose, named for the couple's maternal grandmothers. Kohan is also co-creator and producer of daughters Olivia and Nora. He currently lives in Los Angeles with Nora and his wife, Blair, a board member and motion picture agent at UTA. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the story of five teenage girls who used rock ‘n roll to escape their lives, their names, and their futures—only to find themselves trapped in a nightmare of fame, exploitation, and identity turned inside-out. From the Sunset Strip to a jail cell in England, from David Bowie fantasies to Kim Fowley's real-life horrors, this is how the Runaways reinvented what rebellion could be—and paid the ultimate price in the process. This episode contains themes that may be disturbing to some listeners, including sexual assault and suicide. If you're thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255. To listen to Disgraceland ad free and get access to weekly bonus content and more, become a Disgraceland All Access member at ⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠⁠⁠⁠GET THE NEWSLETTER⁠⁠⁠⁠ Follow Jake and DISGRACELAND: ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ ⁠⁠⁠⁠YouTube⁠⁠⁠⁠ ⁠⁠⁠⁠X⁠⁠⁠⁠ (formerly Twitter)  ⁠⁠⁠⁠Facebook Fan Group⁠⁠⁠⁠ ⁠⁠⁠⁠TikTok⁠ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Chameleon: That's long been the word used to describe David Bowie, pop music's shapeshifting extraterrestrial. He shifted personas, genres, and looks, emerging from swinging London with psychedelic folk before steamrolling through glam rock, disco, funk, new wave, alt-rock, and even jazz.Less remarked was Bowie's savvy about shifting through commercial phases—he wore pop stardom like a costume, too. He drifted in and out of the spotlight, and on and off the charts, before one final chart-topping farewell 10 years ago this month.Join Chris Molanphy as he takes us from station to station across the chart career of David Bowie, on a journey from Starman to Blackstar.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.