Podcast appearances and mentions of David Bowie

U2 have released a joyful new cover of the Pogues' “Yeah Yeah Yeah Yeah Yeah”—or, as we are now calling it, The Yays—and the Garden Tarts have thoughts.In this episode, Hillary and Jenny talk about U2's light, playful take on the Shane MacGowan song for the upcoming 20th Century Paddy: The Songs of Shane MacGowan tribute album. They discuss the connection to producer Steve Lillywhite, why the cover's childlike keyboard sound works for them, and why not every U2 cover needs to be heavy or “important.”They also take a friendly but firm detour into the importance of checking sources before sharing U2 rumors, tour dates, album art, and supposed announcements. If it is not coming from U2 directly—or from a dependable source clearly labeling speculation as speculation—proceed with caution.At intermission, listeners share moving, joyful, nostalgic, and occasionally spicy feelings about last week's Cigar Box selection: “Beautiful Day.” From weddings, first homes, fatherhood, recovery, and graduation to questions about singles, setlists, and “Vertigo,” this conversation proves once again that U2 songs become part of people's life stories.Then Hillary reports back from a weekend with U2topia and Coldplay tribute act Back to the Start. There were thoughtful setlists, “Do You Hear Me Coming, Lord?” in “One,” “Shine Like Stars” woven into “With or Without You,” a brilliant Back to the Future-inspired opening, and a joint finale of David Bowie's “Heroes.”And finally: the Cigar Box has spoken. Next week's song is “Zoo Station.”In this episodeU2's cover of the Pogues' “Yeah Yeah Yeah Yeah Yeah”The upcoming Shane MacGowan tribute album, 20th Century Paddy: The Songs of Shane MacGowanWhy the Garden Tarts find U2's version “adorable,” light, and funSteve Lillywhite's connection to the Pogues' original recordingU2 covers we love, covers we do not, and why that is okayHow to separate confirmed U2 news from rumors and misinformationListener memories and reactions to “Beautiful Day”Why All That You Can't Leave Behind remains emotionally tied to the era around September 11 for many fansA lively “Beautiful Day” versus “Vertigo” discussionJenny's U2topia concert recapColdplay tribute band Back to the Start and their Back to the Future entranceA shared performance of David Bowie's “Heroes”The next Cigar Box pick: “Zoo Station”Listener voicesThank you to everyone who shared a “Beautiful Day” memory or opinion.Your stories—from weddings and parenthood to recovery, new homes, and hard-won graduation days—made this week's conversation especially meaningful.Links and calls to actionFollow the Garden Tarts on social media: @the_gardentartsVisit: thegardentarts.comSubscribe to the Garden Tarts YouTube channelSign up for the newsletterSupport the podcast on Patreon or Buy Me a CoffeeShare this episode with your U2 friendsLeave a five-star review on Apple PodcastsKissing Lips and Breaking Hearts, a U2 podcast with the Garden Tarts, is created, produced, and edited by the Garden Tarts. Intro and outro music by December.

Send us Fan MailIn Episode 259 we're going to have all sorts of fun in 1971. We will be diving into all things music, television, movies, and pop culture.Those were the days. Television in 1971 was a dividing line between the old and the new. Older, safer shows were being shown the door while a new generation of shows changed the landscape of pop culture. All in the Family took the world by storm with Flip Wilson, Marcu Welby, Mary Tyler Moore, and others following along. Hot pants and leisure suits dotted the dance floors when looking back at Music in 1971. Popular music began splintering into smaller niches. The Beatles were gone but Led Zeppelin, Black Sabbath, Carole King, Rod Stewart, David Bowie, and others filled the gap.The Top 5 is filled with weird and funny news stories from 1971. A vibrating piece of clothing? An emergency broadcast false alarm? A famous plane hijacking? You'll hear about all of them and more.This Week In History and Time Capsule looks at the first transatlantic flight of the Concorde. Stay tuned for some classic 1971 commercials as well!  Support me and the show, by becoming a member on Patreon. Or support my work and Buy Me A Coffee!Helpful Links from this EpisodeBuy My New Book, In Their Footsteps!Searching For the Lady of the Dunes True Crime BookHooked By Kiwi - Etsy.comDJ Williams MusicKeeKee's Cape Cod KitchenMSFTS CommunityKingfisher Hotels Cape CodChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogCJSetterlundPhotos on EtsyGoodbye DollyListen to Episode 258 hereSupport the show

Take Me By The Hand is a mid-1970s classic rock music podcast. Please check out these great hits and enjoy. Artist names and song titles are in order of play... QUEEN-KILLER QUEEN, THE DOOBIE BROTHERS-BLACK WATER, DEEP PURPLE-BURN, LYNYRD SKYNYRD-SWEET HOME ALABAMA, JOHN LENNON-WHATEVER GETS YOU THRU THE NIGHT, U.F.O.-ROCK BOTTOM, ERIC CLAPTON-I SHOT THE SHERIFF, GRAND FUNK RAILROAD-THE LOCO MOTION, FRANK ZAPPA-ST ALFONZO'S PANCAKE BREAKFAST, T-REX-LIGHT OF LOVE, 10CC-THE WALL STREET SHUFFLE, DAVID BOWIE-1984, MOTT THE HOOPLE-ROCK AND ROLL QUEEN, ELTON JOHN-THE BITCH IS BACK, BRIAN ENO-BURNING ARILINES. End. Thanks for listening to Ken Steele Music.

A few weeks ago...I was in London. I walked into an immersive experience called David Bowie: You Aren't Alone. I expected great music. Great visuals. A walk through one of rock's greatest careers. What I didn't expect...was to walk out thinking about the bands I play every week. Because somewhere along the way...it hit me. David Bowie didn't just write incredible songs. He gave generations of musicians permission... to change. To evolve. To ignore expectations. To become whoever they wanted to become next. Tonight... we're following those footprints. From Bowie...to the artists still breaking the rules today. This is The Original Rule Breaker.

If you watched MTV in the 80s, then you've seen a Tim Pope-directed video. Queen, David Bowie, Hall & Oates, and The Cure - the band he's most associated with - are among the hundreds of bands that have performed in front of a Tim Pope camera. It's all documented in Tim's memoir, I Shoot Rock Stars. Tim now places himself behind the What Difference Does It Make microphone to tell us a few stories he's accumulated over an amazing 40 year career. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you watched MTV in the 80s, then you've seen a Tim Pope-directed video. Queen, David Bowie, Hall & Oates, and The Cure - the band he's most associated with - are among the hundreds of bands that have performed in front of a Tim Pope camera. It's all documented in Tim's memoir, I Shoot Rock Stars. Tim now places himself behind the What Difference Does It Make microphone to tell us a few stories he's accumulated over an amazing 40 year career. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:05:09 - Le 13/14 - par : Frédéric Pommier - Au micro de Frédéric Pommier, l'actrice et réalisatrice Lola Bessis évoque "Modern Love" de David Bowie, un tube qu'elle associe à des souvenirs de cinéma et qu'elle a écouté aussi lors de son accouchement. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Clint, Meg and Dan dive into the topics that weren't quite fit for air today... What starts as a casual chat about global retirement ages and recent celebrity deaths quickly spirals into a dark debate on how they want to go out, David Bowie's post-mortem album drops, and why Dan believes he’s guaranteed entry into heaven. Plus, the crew reads out some of the most unhinged, explicit, and aggressive listener texts Meg received during the live show, including an unforgettable 8-inch anatomical insult. Finally, they draft a group celebrity hit list: if you fight a famous person and win, you get all their net worth.

Shania Twain holds the record for the biggest selling country album of all time: Come On Over. Growing up poor in a Canadian mining town, who could have foreseen that the woman born Eileen Regina Twain would go on to sell over 100 million records, cross country music into pop, and become one of the most recognisable voices on the planet?Her life has been extraordinary, dotted with hit albums and huge shows, songs known by their opening line worldwide, and fans ranging from country music loyalists to Harry Styles. There've been plenty of lows too, including almost losing her voice completely to Lyme disease. Shania Twain may be a little more raspy, but she's got stories.This episode was captured at the legendary Power Station in Midtown Manhattan (the recording studio where Bruce Springsteen made his biggest albums, where David Bowie recorded Let's Dance, and Madonna crafted Like a Virgin). It was the perfect place to sit down and travel back in time with Shania, as she reflected on the little Miss Twain that became the star. Stick around after the chat for a very funny story about what happened that day at the studio. Let's just say Take 5 alumni Lin-Manuel Miranda may have been involved (and Amanda Seyfried... and Hamilton star Phillipa Soo).Shania Twain's song choices: Dolly Parton - 'Coat of Many Colors'Tanya Tucker - 'Texas (When I Die)'Olivia Newton-John - 'Hopelessly Devoted to You'Tina Turner - 'What's Love Got to Do with It'Aretha Franklin - 'Respect'00:00 Introduction and Setting the Scene at the Power Station01:50 The Legendary Power Station Studio02:35 Dolly Parton - 'Coat of Many Colors'03:15 Growing Up Poor and Dolly Parton's Influence06:45 Reflecting on Childhood and the New Album 'Little Miss Twain'07:30 Singing in Bars as a Child and Tammy Wynette09:01 Tanya Tucker - 'Texas (When I Die)'09:30 Tanya Tucker: A Voice Beyond Her Years11:00 First on Stage at Eight Years Old12:45 Singing in the Bars of Timmins, Ontario15:30 Mother's Dream: The Next Tanya Tucker16:00 Dreaming of Horses Instead of Fame17:05 Olivia Newton-John - 'Hopelessly Devoted to You'17:45 Olivia Newton-John: Crossing Genres and Breaking Boundaries20:30 Nashville, Crossing Over to Pop, and Doing It Her Way24:00 The First Video, a Target Budget, and the Belly Button Scandal27:10 Tina Turner - 'What's Love Got to Do with It'28:00 The Queen of Comebacks29:45 A 15-Year Break and Losing Her Voice30:30 Lyme Disease, Vocal Cord Surgery, and Finding a New Voice34:20 Aretha Franklin - 'Respect'35:00 Aretha's Brilliance and Owning the Song37:30 Respect, Recognition, and Not Feeling Like a Star38:30 Finding Peace in the Bush40:00 Full Circle: A Message to Little Miss Twain41:00 A Surprise Visit from Lin-Manuel Miranda, Amanda Seyfried & Phillipa Soo42:30 Next Time: Darren Hayes43:30 Double JThis episode was filmed for season 5 of Take 5 with Zan Rowe on ABC TV and ABC iview. You can stream the whole season on ABC iview now.Watch this episode of Take 5 on ABC iview:https://iview.abc.net.au/show/take-5-with-zan-rowe

Forty years after Jim Henson's Labyrinth first transported audiences into a strange, glitter-covered world of goblins, puppets, impossible staircases and one very memorable Goblin King, The Commentary Booth is heading back into the maze.This week, Jamie Apps and Corrina Mabey celebrate the 40th anniversary of the 1986 fantasy classic starring David Bowie and Jennifer Connelly, and, unsurprisingly, they do not exactly agree on whether Labyrinth has aged into a timeless masterpiece or a bizarre relic of 1980s filmmaking. Join duo as they debate whether this 1986 cult classic is a timeless masterpiece of puppetry and imagination, or a strange, dark fever dream that left an entire generation of children mildly traumatised.Highlights Breakdown: - David Bowie as Jareth: The Goblin King, the casting alternatives and one of the most unforgettable fantasy performances of the 1980s. - Jim Henson's puppetry magic: A closer look at the extraordinary practical work behind Hoggle, Ludo, the Fireys and the film's many creatures. - Dream or reality? Jamie and Corrina debate what Sarah's journey actually represents and whether the entire adventure exists inside her imagination. - The film's creepiest moments: From the helping hands to the Fireys, Labyrinth proves that "kids' movie" meant something very different in the 1980s. - Two very different verdicts: But, naturally, they're both convinced they're right. - Could Labyrinth return? The pair discuss the long-rumoured sequel, the possibility of a darker reboot and what could happen if the Goblin King returned.Tune in to hear Jamie and Corrina settle the debate, share their own childhood memories (and traumas) of the film, and discuss the potential for a dark, Robert Eggers-directed reboot.This week's episode is brought to you byAustralian Wrestling CardsCheck out more great content from Pario Magazine on our website.-------------------------------------------------------------SUPPORT PARIO MAGAZINE & THE COMMENTARY BOOTH- PATREON- BUY MERCH- AMAZON PRIME VIDEO- TUBEBUDDY- Subscribe to AEW Plus using my code (q0yydoz) to earn $10 in FITE credit- Shop Online With Honey- Shop Online With SatechiMY EQUIPMENT- Elgato Facecam- Rode PodMic- Elgato Wave Mic Arm LP- Streamlabs Talk StudioFOLLOW JAMIE ON SOCIAL MEDIA- Twitter- Facebook- Instagram- TikTokFOLLOW PARIO MAGAZINE ON SOCIAL MEDIA- Twitter- Facebook- Instagram

Gene shares his perspective on the tragic death of Ed Oliver's son and the way in which it became public. Plus, Gene and producer Tim Schneider don't hold back in their criticism of Deshaun Watson, and Dan Fetes from 13WHAM joins the show to discuss the Bills' upcoming roster decisions.

Gene reacts to 49ers' owner Jed York being arrested in a prostitution sting in Ohio, and the many other ridiculous stories the NFL has to offer.

Gene shares his thoughts on the death of Ed Oliver's son and what the manner in which it became public reveals about the NFL. Plus, Gene and producer Tim Schneider have had enough of Deshaun Watson, and 49ers' owner Jed York is in hot water.

Continuing our I Love the 90s series, we move on to 1994, the year a white Bronco led police across Los Angeles and Tonya Harding's camp clubbed Nancy Kerrigan's leg ahead of the Lillehammer Olympics. Don and Dude drop the needle on one stripped down country comeback and one guitar heavy alternative rock debut, connecting both records to a world of the World Cup landing on American soil, Friends premiering on NBC, and Woodstock '94 turning to mud in upstate New York.The AlbumsJohnny Cash – American Recordings (1994)After Columbia dropped him and his career went cold, Rick Rubin promised Cash total creative freedom and recorded him alone with just his acoustic guitar, moving from the murder ballad "Delia's Gone" through Nick Lowe's "The Beast in Me" and Glenn Danzig's "Thirteen" to Loudon Wainwright III's "The Man Who Couldn't Cry." The stark, one guitar sound won a Grammy for Best Contemporary Folk Album and launched a series of Rubin produced records that carried through the rest of Cash's life.Bush – Sixteen Stone (1994)Formed in London by Gavin Rossdale and Nigel Pulsford, Bush built their debut at Westside Studios with producers Clive Langer and Alan Winstanley, filtering American grunge through Rossdale's love of the Pixies and David Bowie across singles like "Everything Zen," "Comedown," "Machinehead" and "Glycerine." Released in the U.S. in November 1994 and quickly compared to Nirvana, it became one of the best selling rock debuts of the decade.Diggin AlbumsNeurosis – An Undying Love for a Burning World (2026):The Oakland post metal band's first album in a decade, released as a surprise in March, adds Isis's Aaron Turner to the lineup and turns personal upheaval, isolation and climate despair into crushing, cathartic music across eight songs.Pearl Jam – Vitalogy (1994):Pearl Jam's third album trades the polished accessibility of Ten and Vs. for a more abrasive, experimental sound that balances hooks like "Corduroy" and "Better Man" against the band's growing discomfort with fame.Black Marble – Life in Small Spaces (2026):Chris Stewart's fifth Black Marble album, and his first full length since 2021's Fast Idol, is another entirely self written, performed and recorded entry in his long running synth and cold wave project.Neo Dimes – Alone (2026):Denver musician Stephen Edmunds's debut full length as Neo Dimes blends darkwave, industrial rock and synthpop textures born from becoming a father and losing his job at the same time, feeding an album focused on isolation, technology and grief.Follow & Support Follow the show on Instagram, Facebook, Threads and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing and sharing it with another music obsessive who still loves hearing whole albums front to back."I don't know if we each have a destiny, or if we're all just floating around accidental-like on a breeze, but I think maybe it's both." - Forrest Gump (Tom Hanks), Forrest Gump (1994).

Jerome Soligny in conversation with David Eastaugh  https://www.accartbooks.com/uk/book/david-bowie-music-lover/ David Bowie: Music Lover is a compelling mix of personal insight and expert commentary, jointly written by Bowie's lifelong friend, collaborator and listening companion, Geoff MacCormack, and Jérôme Soligny, author of the seminal Rainbowman, who knew Bowie for 25 years. From Classical to Britpop, Electronica to Delta Blues, the book explores Bowie's eclectic playlist, redolent of the decades he lived through but also of his deep interest in all genres and eras of music. It's a story that begins with Little Richard on Bowie's childhood Dansette record player, and ends with Kendrick Lamar, a go-to listen during the recording of Blackstar, released just two days before he died. An indispensable guide for Bowie fans and all Music Lovers.

“For me, if a poem doesn't swing, it's really not much of a poem,” says Adrian Matejka, author of the collection Be Easy: New and Selected Poems. His work hums with music, from its references to David Bowie, Miles Davis, and others to its infectious rhythms, repetitions, and rhymes. In this lively conversation recorded in 2024 at the Wick Poetry Center in Ohio, he reads several poems, and he and Pádraig Ó Tuama talk about “the imaginary discotheque” that takes place in Adrian's head when he writes, how metaphor and simile offer a third space for his ideas to reach people, and his intense interest in exploring “masculinities” in all their expressions and emotions.    We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.   Adrian Matejka is the author of many books of poetry, including most recently Be Easy: New and Selected Poems, which was published by W.W. Norton in 2026. He also serves as the editor of Poetry magazine, and he was poet laureate of the state of Indiana from 2018 to 2019.  Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Busta Rhymes sat down with Joe and Jon to discuss his new album, “Dillagence 2,” out Aug. 25 – a project curated from hundreds of unreleased J Dilla beats and featuring D'Angelo, Lil Wayne and Common. He spoke about the emotional weight of creating music with the work of friends who have passed away; his enduring influence on artists like Kendrick Lamar and Doechii; touring across genres ranging from Missy Elliott to David Bowie; and why artists should never stop advocating for themselves, no matter their age.    Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Have you ever noticed a song that seems to follow you through your record collection, appearing in different forms across decades and genres? This episode explores the fascinating journey of "It Ain't Easy", a song that found a home in the repertoire of David Bowie, Three Dog Night, Long John Baldry, Mitch Ryder, Shelby Lynne and more. We trace the song back to its source: Ron Davies, a prolific but often-overlooked songwriter who came out of the Pacific Northwest garage rock scene. Despite never reaching the top of the Billboard charts himself, Davies created a song with musical bones so strong that it transitioned seamlessly from the glam-rock harpsichord of Bowie's sessions to the stripped-back folk of Chris Smither. We take a look at the specific production touches of the most significant versions, including the "all-star" original recording featuring Leon Russell and Jim Keltner. We discuss the tragic "lost" sessions of Bettye LaVette at Muscle Shoals Sound Studios, the Rolling Stones-style swagger of Claudia Lennear's version (featuring Ry Cooder), and even modern interpretations by The Raconteurs and Alexis P. Suter. Whether filtered through blues, country, glam, or soul, "It Ain't Easy" remains a masterclass in songwriting consistency. Join us as we explore the lifespan of a track that proved a great song doesn't need to be a commercial smash to become a timeless classic. "It Ain't Easy" Ron Davies Copyright 1970 Irving Music Inc. (BMI) Learn more about your ad choices. Visit megaphone.fm/adchoices

Rick Wakeman was our guest in episode 28 and he returns to have a chat about his old time capsule and let us know where he wants it buried! Rick Wakeman is a legendary keyboardist best known for his work with Yes, as well as playing with artists including David Bowie, Lou Reed and Cat Stevens, alongside a prolific solo career and numerous film and television soundtracks. Also, Mike and his producer and son John chat about the episodes that went our while they were on holiday and and find out where Alex Lowe (Barry From Watford) would want to bury his capsule .Listen to Rick Wakeman's original episode - https://mytimecapsulepodcast.com/episodes?q=28 .For Rick Wakeman's shows and more, visit - https://www.rwcc.com .Get involved! Send The Dig an email or voice memo and download John's jingle backing track to add your own lyrics, via - https://mytimecapsulepodcast.com/dig .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Original Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people .To support this podcast and get all episodes ad-free, please sign up here - https://mytimecapsule.supercast.com. All money goes straight into the making of the podcast. Hosted on Acast. See acast.com/privacy for more information.

Loulu y Bebel son las dos hijas del padre de la bossa nova. De 'João', el último disco de Bebel Gilberto, que cumplió 60 años en mayo, canciones del respertorio de su padre como 'Adeus América', 'Eu vim da Bahia', 'É preciso perdoar', 'Undiú', 'Valsa (como são lindos os yoguis) (Bebel)', 'Ela é carioca' y 'Caminhos cruzados'. Del primer disco, sin título, de Loulu Gilberto, que ha celebrado en junio sus 22 años, 'João', 'O amor nos encontrou', 'Avarandado' -con Tom Veloso-, 'Tea for two' -con Daniel Jobim-, 'Manias' y 'Mr Sandman'. Abre el pianista Baptiste Trotignon en trío con 'Life on mars?' de David Bowie y 'Maryan' de Robert Wyatt y Philippe Catherine de su disco 'Brexit music'. Escuchar audio

From the heart of "mossy, briny, piss-colored" 1970s Times Square to the heights of MTV News and the A&R suites of Atlantic Records, Tim Sommer has lived a dozen lives in the service of music. Dispatches From the Kingdom of Outsiders is a defiant, soulful map of the ephemeral nation built by the lonely and the weird young people who found their first true home in a Sex Pistols 45 or a picture of David Bowie. Part memoir, part high-octane cultural criticism, this collection documents a vanished era when knowledge was precious currency and a T-shirt was a flare sent up to find fellow survivors. Whether he's trying to get the Clash to sign a picture of the Beatles, sitting in a dorm room with U2 or explaining why "Wooly Bully" is the heaviest song in history, Sommer writes with the infectious "bizarrely certain" passion of the 16-year-old office boy he once was. This is more than a book about rock and roll, it is a celebration of the "Kingdom" where admission is free, and outsiders finally belong.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Throughout his career, it wasn't unusual for David Bowie to sing about death. But the musician used his own mortality as a theme for a final album that he released just two days before he died, on his 69th birthday. In this podcast IDEAS looks into the meaning of Bowie's enigmatic last songs, and explores the many ways that an artist's mortality gives their work new meaning. *This episode originally aired on Jan. 11, 2016.

Matt and Eric go down down underground for Jim Henson's LABYRINTH, featuring a teenage Jennifer Connelly squaring off against a sea of steampunk puppet nonsense including, worms, dogs, bogs, doors, goblins, David Bowie, and his codpiece.

The Jeremy White Show welcomes Sex Pistols drummer Paul Cook!We discussed the band's upcoming tour performing "Never Mind The Bollocks" in its entirety, with a show scheduled for September 22nd at the Olympia in Montreal. Paul shared stories about the band's formation, including how they obtained their cymbals through Steve Jones's theft from David Bowie's equipment during a concert at the Hammersmith Odeon. They discussed the recording of the iconic album, with Paul explaining his simple drum kit setup and approach to playing. The conversation also covered Paul's work with Phil Collin's project Man Rays, and his advice for up-and-coming musicians to be relentless and passionate about their craft.

Rick Lefkowitz captures 1970s Los Angeles in his debut memoir. Accessing Rock legends was easy as he and his best friend Moxie discovered on their travels around LA. It was an open, more friendly city versus today and one where he could chase his dreams to write songs and make music. Mick Jagger, David Bowie, B.B.King, the Dooby Brothers - he met them all !

How to listen to Brian & Sarah talk about David Bowie for 4 Hours with their friend Sly Dog Are you going through Brian & Sarah withdrawal?  Well, there's really no need for it!  Did you know that your favorite hosts recorded almost FOUR HOURS of David Bowie talk with their friend the Sly Dog, and all four episodes of this chat are now available for download?   Here's the link to part one - just to get you started!  Be sure to check it out! https://slydogmusiccast.podbean.com/e/david-bowie-setlist-dreams-part-1-wpermanent-record-podcast/ Read more at http://www.permanentrecordpodcast.com/ Visit us at https://www.facebook.com/permrecordpodcast Check out some pictures at https://www.instagram.com/permanentrecordpodcast/ You can also find us on Threads: https://www.threads.net/@permanentrecordpodcast Join the ever-growing crowd on BlueSky: https://bsky.app/profile/permrecordpod.bsky.social Leave a voicemail for Brian & Sarah at (724) 490-8324 or https://www.speakpipe.com/PermRecordPod  - we're ready to believe you!

Following last's week review, Ice Cream Man became a huge talking point on the internet. At the time of recording, the use of AI had not been revealed. And though we thought the movie should be avoided in theaters, we also thought it was worth streaming. Our opinions have not changed, but we do follow it to discuss Eli Roth's latest release. This leads into a discussion about Touch Grass. The upcoming movie is an AI-generated horror movie. Unsurprisingly, this has upset a good amount of people But how does it tie into the next V/H/S release? Plus another remake of a 1980s “classic”. The Hunger from 1983 is one of the most unique movies we have ever covered on our humble little podcast. On the surface, there does not seem to be anything outstanding about it. It is a tale about a vampire grappling with immortality and lost loves. Watching the movie is a whole other matter. There is not much to the story-at least anything that is there will require a lot of guesswork and filling in the gaps by the viewer. But it looks incredible. The Hunger clearly influenced the music videos and erotic thrillers that would come to dominate the 80s. We discuss its legacy and why it is not talked about more.. Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful.Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.Music in the background from https://www.FesliyanStudios.com

The Sly Dog & the Permanent Record Podcast finish their discussion of their dream David Bowie setlist!   Tune in and turn it up!

It's the last day of the good ship Fi and Eve before they sail off into the sunset (well, Fi to Norway, Eve to Turkey). They cover the joy of the eclipse, A-Level results day, God loving altos, carrying a razor blade in your pocket, and chicken pizza.Plus, music video director Tim Pope, who shot videos for Queen, The Cure and David Bowie, discusses his biography 'I Shoot Rock Stars: The Wild Adventures of a Music Video Director'.You can check out our YouTube channel here: https://www.youtube.com/@OffAirWithJaneAndFiOur most asked about book is called 'The Later Years' by Peter Thornton.If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producers: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

SO many fun music stories: Ed Sheeran, Dolly Parton, David Bowie AND Green Day. Also, the Muppets!See omnystudio.com/listener for privacy information.

Gabor Steingart präsentiert das Morning Briefing.

Im August 1976 sind David Bowie und Iggy Pop auf der Suche nach sich selbst - von Drogen gezeichnet. West-Berlin wird ihre Zuflucht, wo sie Popgeschichte schreiben. Von Rüdiger Weidenfeld-Kramer.

Una posible banda sonora para este fenómeno astronómico que la humanidad viene contemplando y admirando desde el comienzo de su existencia. O como el temor a la ira de los Dioses y presagio de infortunios se convirtió en un capricho cósmico y geométrico que se podía predecir.Playlist;JACCO GARDNER “Eclipse”ALLAH-LAS “Worship the sun”THE ZOMBIES “Time of the season”KEVIN AYERS “The Lady Rachel”JANE BIRKIN “Harvest moon”THE KINKS “Lazy old Sun”NICK DRAKE “Things behind the sun”THE DOORS “Moon light drive” (sunset sound version)LOVE and ROCKETS “Earth, Moon, Sun”DAVID BOWIE “Moonage daydream”THE ROLLING STONES “Moonlight mile”ROBERT DRASNIN “Chant of the moon”THE LIMIÑANAS “Faded”MARIANNE FAITHFULL “Burning moonlight”PINK FLOYD “Eclipse”Escuchar audio

Een uitgebreid spoorboekje ten spijt: er ontstond paniek bij de luisteraar tijdens onze afwezigheid. Gijs veranderde op vakantie in een heuse heremiet. Zelfs toen een (aan de luisteraar nog wel zo beloofd) gesprek met een monnik in het water dreigde te vallen, hield hij zijn mond. Teun en Hanneke flaneerden als powercouple over de Parade. Nu zijn beiden lichtelijk nerveus. Teun wil kosten wat het kost zorgen hij níet chagrijnig overkomt, maar SIRE-campagnes houden intussen vuur bij zijn korte lontje. Hanneke ziet ertegenop om in haar mond geprikt te worden, ook al krijgt ze daar een Jürgen Klopp-achtige glimlach voor terug. In de Beatles-tip horen we hoe afkicken in Berlijn zorgde voor een enorme uitbarsting van creativiteit bij David Bowie en Iggy Pop. ❤️ Insta: @teun.gijs

Eric Barrett is a veteran tour manager and music industry professional best known for serving as Jimi Hendrix's road manager during the final years of Hendrix's career, including landmark performances such as Woodstock and the Isle of Wight Festival. Over a career spanning nearly five decades, he has worked behind the scenes with some of the biggest names in music, including The Beatles, David Bowie, Madonna, George Michael, Aerosmith, and Lenny Kravitz. Check out his new memoir Experienced: On the Road with Jimi Hendrix and Beyond, out now. IN THE NEWS: Francesca Hong flip-flops on whether she likes Thanksgiving, Xavier Becerra awkwardly ducks reporters after slipping out of a press conference at the state Capitol, a Democratic congressional candidate picks a fight and gets knocked out almost immediately, and James Carville vows to leave the Democratic Party if far-left streamer Hasan Piker becomes one of its leading voices.GET IT ON! FOR MORE WITH ERIC BARRETT:Book: Experienced: On The Road With Jimi Hendrix and BeyondOut NowFOR MORE WITH ANDREW HOBSON:YOUTUBE: @andrewfhobsonLIVE SHOWS: August 20 - Albuquerque, NMAugust 21 - Albuquerque, NM (2 Shows)August 22 - Tucson, AZThank you for supporting our sponsors:BetOnlineBollAndBranch.com/acsoreillyauto.com/adam PodcastOnePluto.tvrosettastone.com/adam The First 48See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The news slapped on the conversational barbecue and served with a side of old hokum. This week's mixed grill includes … … our favourite story in the whole of popular music! … Lisa Marie Presley & Michael Jackson, Neil Young & Daryl Hannah and other weird celebrity weddings … how Glen Hansard got hired for the Commitments … “Everybody has a plan ‘til they're punched in the face” … Linda Thompson and the million reasons singers hate listening to their old albums … the fabulous life and times of Vicki Wickham in the days when 24 year-olds ran the business … Luke Combs, Nate Bargatze and the rising appeal of Mr Nice Guy … how David Bowie recorded … Mick Jagger's only marriage … “Kingsley Amis Introduces Us To Pop Stars!” and other doomed TV ideas Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Echamos la vista atrás, no demasiado, tan solo una década. Miramos por el retrovisor para rescatar una remesa de trabajos lanzados hace 10 años, en 2016, con canciones que no queremos -ni debemos- dejar atrás.Playlist;ALLAH-LAS “Could be you” (Calico review)DAVID BOWIE “’Tis a pity she was a whore” (Blackstar)IGGY POP “Chocolate drops” (Post pop depression)NICK WATERHOUSE “L.A. Turnaround” (Never twice)TY SEGALL “Mandy cream” (Emotional mugger)THE BLIND SHAKE “Broken racehorse” (Celebrate your worth)THE CHEMISTRY SET “The fountains of Neptune” (The endless more and more)DENIZ TEK “Corner conversation” (Mean old twister)SOUTHERN CULTURE ON THE SKIDS “Dirt road” (The electric pinecones)MALCOLM HOLCOMBE “To get by” (Another black hole)KEVIN JUNIOR y LOS TUPPERS “Ruins” (Si Minor Seventh EP)NATURAL CHILD “Trnascendental meditation” (Okey Dokey)THE FLESHTONES “Stupid old sun” (The band drinks for free)BISCUIT “Goodbye again or” (Biscuit)PÁJARO “Sagrario y Sacramento” (He matado al ángel)Escuchar audio

The news slapped on the conversational barbecue and served with a side of old hokum. This week's mixed grill includes … … our favourite story in the whole of popular music! … Lisa Marie Presley & Michael Jackson, Neil Young & Daryl Hannah and other weird celebrity weddings … how Glen Hansard got hired for the Commitments … “Everybody has a plan ‘til they're punched in the face” … Linda Thompson and the million reasons singers hate listening to their old albums … the fabulous life and times of Vicki Wickham in the days when 24 year-olds ran the business … Luke Combs, Nate Bargatze and the rising appeal of Mr Nice Guy … how David Bowie recorded … Mick Jagger's only marriage … “Kingsley Amis Introduces Us To Pop Stars!” and other doomed TV ideas Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

David Bowie's "Ziggy Stardust" is our #10-Best of the "All-Time Best Albums," as voted by you--our listeners! Perhaps a surprise entry, "Ziggy" represents an album that checks the boxes of an alternative to the obvious choices. Next week, another great choice by YOU!

What happens when you know exactly how you want your music to sound… while still insisting you don't really know what you're doing?In this episode of MyMusic, Graham Coath talks to Jorge Wilson about creativity, perfectionism, independence and finding a sound that actually feels like your own.Jorge describes himself as a self-taught musician who often plays by ear, layering instruments according to what sounds right rather than what the rulebook says he should be doing. Yet behind that apparently instinctive approach is someone with a remarkably clear idea of the tones, textures and atmosphere he wants to create. They talk about the influences behind both Jorge's music and his distinctive visual identity from David Bowie, Steve Lacy and Michael Jackson to Richard Ashcroft, Johnny Marr, Tame Impala and Mac DeMarco and why imperfection can sometimes be precisely what makes music interesting. There's also the story behind Life Goes On, a song Jorge describes almost as a message to himself. As a perfectionist and an over-thinker, he wanted to remind himself to let things go rather than allowing everything to keep playing on his mind. His songwriting often works that way: the emotion comes first, and sometimes he doesn't fully understand what he's written about until the song is finished. The conversation gets into the strange trade-off that comes with becoming a solo artist too: complete creative freedom also means being on your own. Jorge talks about needing people around him who will give him an unfiltered opinion, including producer Steven Griffiths, and why he'd rather hear that something isn't good enough than receive comfortable praise. And perhaps most importantly, they discuss learning to accept that not everybody has to like what you make. Jorge's approach is wonderfully straightforward: if somebody doesn't like his song, that's fine. If he still loves what he's created, that's what matters. Plus: the borrowed Höfner bass that made Graham jealous, why having too many instruments can actually make creativity harder, Jorge's first song after seeing Richard Ashcroft, the forthcoming debut of the black suit on stage, and why Paul McCartney and Johnny Marr represent musicianship at its best.Jorge's debut EP JPW is available on streaming platforms. MyMusic conversations about the lives, stories and creative processes behind the music.My Music is sponsored by 13th Floor Sound

En 1972, tras publicar cinco discos, David Bowie creó a su icónico alter ego, Ziggy Stardust, para el álbum The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Sergio Mena relata la historia de este disco hasta llegar al famoso concierto de 1973 en el Hammersmith Odeon de Londres, el escenario donde Bowie decidió "matar" al personaje.

Keith and Chad take a deep dive into one of My favorite directors earlier films. Tony Scott puts his spin on the vampire genre with David Bowie, Catherine Deneuve, Susan Sarandon and an early scene stealing performance from the great Wiliam Defoe as 2nd Phone Booth Youth! Sharpen your fangs to satiate your hunger on this juicy meal from 1983.

On this episode of The Karol Markowicz Show, Karol sits down with National Review staff writer Jeffrey Blehar for a wide-ranging conversation about politics, music, media, and the future of American culture. Blehar shares his unconventional path from practicing law to political commentary, explains why authenticity matters more than partisan loyalty, and discusses the philosophy that guides his writing. The conversation also explores Blehar's popular Political Beats podcast, where political personalities leave politics behind to discuss their favorite music. Together, Karol and Jeff examine whether it's possible to separate artists from their political beliefs and why music can transcend ideology. Finally, Blehar offers his predictions for America's future, warning about increasing political polarization, the erosion of reading and literacy, and a culture increasingly driven by podcasts, video, and social media instead of books. He closes with a reminder not to make politics your religion—a lesson he believes is essential for preserving perspective in today's polarized world.See omnystudio.com/listener for privacy information.

Eric Barrett spent two years, from 1968 to 1970, as Jimi Hendrix’s road manager and one of the few people the guitarist trusted. In this conversation with Jason Barnard, Barrett talks in a rare interview about his new memoir Experienced: On the Road with Jimi Hendrix and Beyond. Barrett explains how a job roadying for The Koobas led him from the Beatles’ final UK tour to Keith Emerson’s stage antics with The Nice, and eventually to a chaotic gig in Rome that almost saw him walk away from Hendrix. He describes the two sides of the man he worked for: the guitarist who tore up stages, and the quiet, almost shy man backstage who didn’t see himself as a genius. There’s a lot here that hasn’t been told before. The racism Hendrix faced touring the American South. The night in Denver when tear gas broke up the show and ended the Experience. The split trousers at the Isle of Wight Festival, patched with a safety pin while Barrett vamped on guitar to cover the gap. And the grim job, after Hendrix’s death, of boxing up his belongings in two countries. Barrett went on to work with James Taylor, David Bowie and Madonna and many other artists. He also describes the moment he told Bowie the sound at a Diamond Dogs rehearsal wasn’t good enough, and ended up later collaborating with Bowie on his all white stage lighting. Further information Experienced: On the Road with Jimi Hendrix and Beyond by Eric Barrett with Lawrence Robinson is out now Support The Strange Brew Watch the video version Podcasts also available: Peter Asher, Carlos Alomar, Fresh Cream Revisited with Malcolm Bruce, Melanie, Leo Lyons – Ten Years After This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms The post Jimi Hendrix Didn’t Know He Was a Genius – Eric Barrett appeared first on The Strange Brew .

本期节目我将继续跟大家分享我在华盛顿的所见所闻所思所想，尤其是一些关于AI时代下我应该如何生活和工作的思考。这个世界变化得太快，每天的更新都让人措手不及。可是似乎也没有什么别的办法，只好拥抱这样的措手不及。 本期歌单 1. David Bowie – Space Oddity @ David Bowie (1969) 2. 顶楼的马戏团 – 海风 @ 谈钞票伤感情 谈感情又伤钞票又伤感情 (2013) 3. American Football – No Soul to Save @ American Football (LP4) (2026) 4. Radiohead – Fitter Happier @ OK Computer (1997) 5. Anton Khabbaz – Dog Days Are Over (2025) 6. Bob Dylan – Blowin’ in the Wind @ The Freewheelin’ Bob Dylan (1963)

Hey Streetwalkers. This is a throwback episode with guest Jeremy Swift. Jeremy first appeared on the show on 9.25.23.It was such a compelling & fun episode, l decided it needed to be re-visited!Enjoy this throwback episode, tell a friend, and thanks for listening!Jeremy SwiftTake a walk with me down Fascination Street as I get to know Jeremy Swift. You may know Jeremy from Downton Abbey, Apple TV's Ted Lasso, or the Wachowski Siblings' epic Jupiter Ascending. But you may not know that Jeremy is arguably a more talented musician, than he is an actor.Just kidding. He is superb in both endeavors!In this episode, we chat about how he came to be an actor, and some of his first roles. I mean he toured with a cabaret troupe that played shows in various prisons! Holy Moly! Of course, we discuss some of his experiences on the previously listed projects, and a couple of others. I ask him what it is like to work with his wife on set, and he spills the beans on Ted Lasso season 4!Jeremy also shares the story of why he chose to get his Sag / Aftra card, and his upcoming film: "Descendants 4: The Rise of Red". Next we get into music. Jeremy started playing music at a very early age, and we definitely dive into that aspect of his creativity. Jeremy shares stories of his punk phase, seeing The Sex Pistols live, and his thoughts on the "Oi!" movement of the late 70's. Jeremy has a new album out called "Songs of Escape and Endless Night", which is catchy as hell. We discuss a couple of the tracks from that album, and he lets me play my favorite song from it. Jeremy shares his love for David Bowie, building synthesizers with his dad, and Christo Fernandez working on Jeremy's new album.Follow Jeremy Swift everywhere.See Jeremy Swift in everything.Listen to Jeremy Swift on Spotify.

Send us Fan MailIntro: Melt the Guns (Boston N1)5. Halley's Comet (MSG N4)4. Bouncing Around the Room (MSG N1)3. Fuego (Boston N1)2. Crosseyed and Painless (MSG N5)1. You Enjoy Myself (MSG N5)Outro: Cold as Ice (MSG N1)Full Summer Stats!!!18 shows across 8 venuesTotal songs (323): [total time: 54 hours 13 minutes]Of those 323 songs, 141 of them went over 10 minutes Jams that went over 15 minutes: 56Jams that went over 20 minutes: 16Jams that went over 30 minutes: 6Jams that went over 40 minutes: 1Songs under 3 minutes (14): Cold as Ice, Lengthwise, Hold Your Head Up, The Horse, Catapult, Ha Ha Ha, I Didn't Know, The Star Spangled Banner, Sweet Adeline, Big Ball Jam, Kung, Vibration of Life, Rocky Top, Strange Design (Note: not counting songs played as part of a sandwich)Semi-bustouts (11): Fast Enough For You (54), Daniel Saw the Stone (55), Strange Design (61), Bold as Love (61), Lengthwise (73), Dinner and a Movie (82), Axilla (82), Big Black Furry Creatures From Mars (88), Weight (88), Contact (95), Scent of a Mule (96)Bustouts (27): Harpua (116), Drowned (119), Talk (122), Fire (132), Hold Your Head Up (135), Ass Handed (138), Makisupa Policeman (149), Avenu Malkenu (191), Catapult (223), Glide (225), Ha Ha Ha (231), Have Mercy (241), Kung (258), Sparks (357), Sweet Adeline (358), The Star-Spangled Banner (362), Love You (382), Back in the U.S.S.R. (485), La Grange (531), Purple Rain (535), Highway to Hell (659), Johnny B. Goode (927), Suspicious Minds (1,021), The Vibration of Life (1,027), Big Ball Jam (1,170), Cold as Ice (1,468), Melt the Guns (2,051)Debuts: None188 unique songs1.0 Songs: 1412.0-4.0 Songs: 47Covers: 36Artists covered more than once: The Beatles (3), Jimi Hendrix (3), Led Zeppelin (2), Prince (2), Talking Head (2), The Who (2)Sandwiches (8): Blaze On, McGrupp and the Watchful Hosemasters, David Bowie, Tube, Down with Disease, Tweezer (3)Total Repeats: 85Songs repeated 3 times (23): Back on the Train, Backwards Down the Number Line, Carini, Chalk Dust Torture, Everything's Right, Fuego, Light, Mike's Song, My Friend My Friend, No Men in No Man's Land, Prince Caspian, Ruby Waves, Runaway Jim, Say It To Me S.A.N.T.O.S., Sigma Oasis, Stash, Tweezer, Tweezer Reprise, A Wave of Hope, Weekapaug Groove, What's Going Through Your Mind, You Enjoy Myself, 2001Songs repeated 4 times (7): Character Zero, Free, Ghost, Harry Hood, Possum, Run Like an Antelope, Sand(Note: Not counting “sandwiches” as repeats)Average Show Gap:MSG N1 137.8MSG N2 132.5MSG N3 125.2MSG N4 79.6MSG N5 93.3MA N1 153.1MA N2 5.69Boston N1 now has the largest Average Show Gap in Phish history at 153.1. MSG N1-N3 rank 3rd-5th all-time, with 2nd place being 9/29/00 (139.3) and 6th place being 10/17/98 (100.2). “Longest ever” version played (19):Bouncing Around the RoomHornVulturesThe WedgeSightless Escape555Split Open and MeltEvolveCreamGolgi ApparatusThe Lizards Contact Life Saving GunAss HandedCariniTurtle in the CloudsBugPurple RainMelt the Guns

In this episode of LIGHT TALK, The Lumen Brothers and Sister interview renowned lighting designer Tom Kenny. Join Tom, Ellen, Dennis, and Steve, as they discuss: Skipping classes to work for The Police; Early days designing for U2 in Ireland; Focusing 400 Par Cans for Eric Clapton; Tom's "Super-power"; What qualities Tom looks for in a programmer; How to get a gig with The Who; Getting jobs from Instagram; Banning cellphones from concerts; Working with Virtual Scenery and Lighting; A shout-out to Chris Kuroda; Transitioning into broadcast lighting; Leon Russell, Elton John, David Byrne, and David Bowie; Differences between American and European lighting approaches; Learning what the clients want; From 12 Parcans to the Sphere; Attending LDI; A hilarious VL1 story; The new Robert Juliat footlight; Feedback to the rescue!; Thoughts on AI taking over lighting; and Advice to young artists in "Making your own luck". Nothing is Taboo, Nothing is Sacred, and Very Little Makes Sense. @lighttalkpodcast

How Brian Eno expanded the possibilities of what music and sound can be. Eno is a trailblazing musician and producer who's worked on seminal records by U2, David Bowie, the Talking Heads and Coldplay, among others. But Eno isn't just a great collaborator with other artists; he's also a great collaborator with machines. Long before we started worrying about A.I. replacing human creativity, Eno was tinkering with generative systems to pioneer ambient music – a genre that has deeply influenced how we listen to music today. We recorded this conversation in 2025, and it's one of my favorite recent episodes of the show. So I wanted to resurface it this summer for anyone who may have missed it the first time. This episode contains strong language. Mentioned: What Art Does by Brian Eno and Bette Adriaanse East West Street by Philippe Sands Silence by John Cage Book Recommendations: Printing and the Mind of Man edited by John Carter and Percy H. Muir A Pattern Language by Christopher Alexander Naples '44 by Norman Lewis Music Recommendations: The Rural Blues “The Velvet Underground” by the Velvet Underground The Consolers Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com. You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs. This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Mary Marge Locker, Kate Sinclair and Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show's production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Jack McCordick, Marina King and Jan Kobal. Original music by Aman Sahota and Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. Transcript editing by Sarah Murphy. The director of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Alyssa Jane Moxley, Sophie Abramowitz, Geeta Dayal, Jack Hamilton and Victor Szabo. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Rolling Stones lead singer Mick Jagger feels rather anxious about being Conan O'Brien's friend. Mick sits down with Conan to discuss the Stones' 25th studio album Foreign Tongues, his six-decade (and counting) career at the forefront of rock music history, friendly competition with the likes of David Bowie and John Lennon, and finding ways to live in the moment while continuing to draw from the past.   For Conan videos, tour dates and more visit TeamCoco.com. Got a question for Conan? Call our voicemail: (669) 587-2847. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.