Podcast appearances and mentions of David Bowie

In the music business, Brian Eno is a name to conjure with. He's been the producer of tremendous hits by U2, Talking Heads, David Bowie, Grace Jones, Coldplay, and many other top artists. But he's also a conceptualist, nicknamed Professor Eno in the British music press, and a foundational figure in ambient music—a genre whose very name Eno coined. Amanda Petrusich speaks with Eno about his two new albums that just came out, “Luminal” and “Lateral,” and his new book, “What Art Does.” “One of the realizations I had when I was writing this book is that really the only product of art is feelings,”  Eno says. “Its main point is to make your feelings change—is to give you feelings that you perhaps didn't have before or did have before and want to have again or want to experiment with. So it seems very simplistic to say, ‘Oh, it's all about feelings.' But actually I think it is. Feelings are overlooked by all of those people who think bright children shouldn't do art.”

This week's show, after a Billy Bragg belt: brand new Doves, Wet Leg, Skymender, Fawns of Love, DoubleVee, New Model Army, and Ras Fraser Jr. (with Natty King), plus Wade Flemons, Doors, Richard & Linda Thompson, David Bowie, Joni Mitchell (with Bob Dy...

Andere spielten nur den Kämpfer – Richard Norton war einer. Ein echtes Kampfsport-Ass, das in gefühlt jedem zweiten Martial-Arts-Film der VHS-Ära mitmischte. Ob als rechte Hand des Oberschurken, als Endzeit-Gladiator oder als tödlicher Super-Ninja – wenn es krachte, rauchte und explodierte war er meist mittendrin. In unserer neuen Folge erinnern wir an den im März 2025 verstorbenen B-Movie-Helden. Wir werfen einen tiefen Blick in seine vielseitige Filmografie und feiern seine erstaunliche Wandlungsfähigkeit – von der Postapokalypse bis zum Sci-Fi-Thrill. Und wir sprechen über sein bewegtes Leben, das ihn nicht nur auf Actionfilmsets führte, sondern auch in den Dunstkreis von Legenden wie David Bowie und den Rolling Stones. Ein nostalgischer Streifzug durch Low-Budget-Perlen, martialische Highlights und eine Karriere, die mehr verdient als einen simplen Nachruf. Ruhe in Frieden, Richard – und danke für jeden Tritt. ----------- Hier geht es zu unserer Hörerumfrage! Zur Umfrage -----------Kontaktseite: https://www.mdavs.de/kontakt/ BlueSky: https://bsky.app/profile/mdavs-eu.bsky.social Mail: MdaVs-Podcast@hotmail.com Gastbeiträge einreichen: https://www.speakpipe.com/MdaVs Podcast unterstützen: https://ko-fi.com/mdavs https://steadyhq.com/de/mdavs/about ---------- JETZT AUCH BEI DISCORD! Einladungslink für die ersten fünf Hörerinnen und Hörer: https://discord.gg/7R7vzUzRDr

David Bowie's immensely successful follow-up to Ziggy Stardust - if you only judge it by how famous the album cover is - is a bizarre story about a Ziggy disciple touring America and musing about what he sees. Maybe. Do the theater kids agree? Well find out as they talk about what might be one of Bowie's most theatrical albums, Aladdin Sane!Originally recorded December 8, 2024.

We're back again to review a classic album that we previously knew very little about. This time around it's David Bowie's “The Rise and Fall of Ziggy Stardust and the Spiders From Mars.” How did hosts E and Tank find their first experience with Bowie? Watch and find out!What album have you just never got around to listening to? Let us know in the comments. Listen to “The Rise and Fall of Ziggy Stardust and the Spiders from Mars” for yourself.Watch previous episodes. Please like/follow/subscribe to The Extended Play Podcast.

This week, we're throwing it back to our unforgettable conversation with the sensational Beverley Knight – a true powerhouse of British music and theatre.In this episode, Beverley reflects on the people and moments that have shaped her extraordinary career, from being championed by legends like Prince and David Bowie to sharing a stage with Stevie Wonder, her journey is nothing short of iconic. And with an Olivier Award under her belt for her role in Sylvia, she continues to shine as one of the West End's brightest stars.An episode packed with star power, humility, and inspiration – enjoy!For all the latest news, click here to follow us on Instagram!***Please take the time to rate and review us on Apple Podcasts or wherever you get your pods. It means a great deal to the show and will make it easier for other potential listeners to find us. Thanks!*** Hosted on Acast. See acast.com/privacy for more information.

Torna El

We're serving up some hard-won advice about winning elections - and it's not pretty. While our Never Trump allies and high-paid consultants keep screaming the same tired strategies at Democratic politicians, we're here with a bolder approach inspired by David Bowie's wisdom about language and a certain scene from "Better Call Saul."We dive deep into what undecided and independent voters actually want (spoiler: it's not what you think), examine the post-election interviews that reveal the uncomfortable truth about swing voters, and explore why policy substance keeps losing to vibes, farts, and other distractions.In local news, we have some upsetting tornado recovery updates from St. Louis, where FEMA showed up five days after the storm, and it was not to provide immediate help. Stay in Touch! Email: proleftpodcast@gmail.comWebsite: proleftpod.comSupport via Patreon: patreon.com/proleftpodMail: The Professional Left, PO Box 9133, Springfield, Illinois, 62791Not safe for work. Recorded live from the Cornfield Resistance.Support the show

It's friend-of-the-show Chris's birthday, and there's nothing he'd rather do on his special day than share his girlfriend Vicki with his lightning-licking comrades. Vicki rules. She shares stories recalling her DJ past in the Detroit scene of yesteryear while adding female-powered cuts to this bonus episode's mixtape. Deon and Jay tackle old and new cuts spanning 7 decades of musical deliciousness, everything from 60's Brazilian bossa nova to 80's pop to 90's hip-hop to a fresh release from an alternative indie heavyweight.Sonic contributors to this very special 26th bonus episode of Lightnin' Licks Radio podcast include: Dave Matthews Band, Jurassic 5, DJ Nu-Mark, Zach Braff, Natalie Portman, Prince Paul, National Public Radio, Beastie Boys, Unknown Mortal Orchestra, Eddie Murphy, Olivia Newton John, John Waters' film Pink Flamingos featuring Divine, David Lochery & Mink Stole, Richard Rodgers, Deborah Kerr & Marni Nixon, Blake Mills, The Rivingtons, Black Thought & El Michaels Affair, Faith No More, MC Breed, Bootleg of the Dayton Family, Pat Finnerty's stink horn, Michelle Zauner,  Ethan Klein, Stevie Wonder, Jimmy Webb, Glen Campbell, The Meters, Lani Hall, The Beatles, The Pretenders, YES, Paul Revere & the Raiders, Guitar Wizards of the Future, Daffy Duck, Squeeze, more Beatles, The Vapors, SRC, John Frusciante, System 7 & Derrick May, Brian Austin Green, Negative Approach, Laughing Hyenas, Mule, Insane Clown Posse, Stone Temple Pilots, Galaxy to Galaxy, Beck, Skinny Puppy, Millie Jackson, Bob Seger System, The Jesus and Mary Chain, James Brown, Betty Jean Newsome, Bob Vylan & Amy Taylor, Greet Death, Ol' Burger Beats, Muddy Waters, Against Me! Operation Ivy,  Neon Trees, No Doubt, Bush, Gwen Stefani, English Beat, The Specials, Bad Manners, Cat Stevens, Steve Winwood, Jimmy Miller, more Pretenders, Sublime, Prince, The Avalaches featuring Camp Lo, Holland-Dozier-Holland, De La Soul, A Tribe Called Quest, William McLean, The S.O.S. Band, Parliament Funkadelic, ZAP, Tamia, LCD Soundsystem, David Bowie, James Murphy, Tom Scharpling, The Turtles, Bob James, The Alkoholiks, Justin Avdek, The Roots, Tori Spelling, and Dipshit Don, accepter of bribes. Jay loves – Missing Persons, Sergio Mendes, Honey Cone, and Newcleus. Deon likes – Japanese Breakfast, Laura Marling, Black Sheep, and The Pool.Vicki digs – Cat Bite, Sincere Engineer, P.P. Arnold, and Robyn.The 26th Bonus Mixtape:LISTEN TO THE MIX ON SOUNDCLOUD OR ON SPOTIFY[SIDE ONE] (1) Cat Bite - Call Your Bluff (2) Black Sheep - Strobelite Honey (3) Sergio Mendes & Brasil '66 - Wichita Lineman (4) Robyn - Dancing on my Own (5) The Pool - Jamaica Resting (6) Honey Cone - Sunday Morning People[SIDE TWO] (1) Japanese Breakfast - Mega Circuit (2) Sincere Engineer - Fireplace (3) Newcleus - No More Runnin' (4) Laura Marling - Don't Let Me Bring You Down (5) P.P. Arnold - The First Cut is the Deepest (6) Missing Persons - Surrender Your HeartA.I. David Silver appears courtesy of the fact that it's 2025 and we can deep fake whoever the flip we want to.Drink Blue Chair Bay. Shop at Electric Kitsch. Be kind to neighbors and strangers alike.

De ses débuts comme acheteur pour Champs Disques, disquaire culte de l'avenue des Champs-Elysées dans les années 1970-1980, à la dernière fashion week parisienne, où il a créé les bandes-son pour les collections de pas moins de six marques, Michel Gaubert s'est imposé comme l'un des illustrateurs sonores les plus célèbres de la planète. Cet expert du son a mis en musique plus de 1 800 défilés Chanel, aux côtés de son ami Karl Lagerfeld, et collaboré avec de nombreuses grandes maisons. Il retrace cette odyssée musicale dans une autobiographie, « Remixed » (Fayard, 22,90 €), qui vient de sortir.Il nous reçoit chez lui, dans son appartement-studio du 16e arrondissement de Paris, avec vue sur la rue, où se côtoient une œuvre du plasticien Cyprien Gaillard, un fauteuil d'Harry Bertoia, « trop confortable » avec son ottoman, et une photographie de Willy Vanderperre pour Margiela. L'illustrateur sonore nous fait découvrir sa bibliothèque et son « bureau secret » : sa « caverne d'Ali Baba », où s'empilent CD et vêtements, où il écoute de la musique et commence les montages.Dans cet épisode du « Goût de M », Michel Gaubert raconte ses nuits à mixer derrière les platines du Palace, club mythique des nuits parisiennes des années 1980, son admiration pour David Bowie et son personnage de Ziggy Stardust, ou encore cette drôle de nuit de 1990, où Karl Lagerfeld l'appelle et lui demande de changer la musique pour le défilé du lendemain alors qu'il a « un somnifère dans les gencives ». Au cœur d'un monde où musique et mode sont intrinsèquement liées, les souvenirs de Michel Gaubert voient défiler les grands de ces deux univers.Cet épisode a été publié le 23 mai 2025.Depuis six saisons, la journaliste et productrice Géraldine Sarratia interroge la construction et les méandres du goût d'une personnalité. Qu'ils ou elles soient créateurs, artistes, cuisiniers ou intellectuels, tous convoquent leurs souvenirs d'enfance, tous évoquent la dimension sociale et culturelle de la construction d'un corpus de goûts, d'un ensemble de valeurs.Un podcast produit et présenté par Géraldine Sarratia (Genre idéal), préparé avec l'aide de Diane Lisarelli et de Juliette SavardRéalisation : Anaïs ReinhardtMusique : Gotan Project Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Welcome to our first ever spring special! As we approach the Summer of '83, Javi, Paul and Producer Brad dive into Tony Scott's extravagantly evocative and super stylish goth-punk erotic vampire thriller THE HUNGER, starring the gobsmackingly great-looking Catherine Deneuve, David Bowie, and Susan Sarandon. Mod music video and commercial aesthetics collide with neo-noir cinema like never before in this creepy cool treasure trove of a time capsule set in '80s NYC where vampires are real, but very different than any you've seen before. Moviegoers on April 29, 1983, were simply not ready for it, but late night cable viewers and adventurous VHS renters soon would be. You don't want to sleep on this one, especially as we examine the film in context and contrast to other standout vampire fare such as LET THE RIGHT ONE IN and SINNERS.Follow us!InstagramBlueskyemail: Multiplexoverthruster@gmail.com Hosted on Acast. See acast.com/privacy for more information.

In today's episode we welcome pioneering innovator Ty Roberts, founder of Gracenote, and former CTO of Universal Music Group. We talk about some of the pivotal moments in his career including Gracenote's role in the development of iTunes, and working with David Bowie on generative music. We discuss the future of visual music experiences, the rise of AI in music creation, and the possibilities for personalized live events using advanced technologies.    Shoutouts from the News Are Tech Bros Hijacking the Music Industry? An Urgent Look at the Latest AI Developments SoundCloud Says Users' Music Isn't Being Used for AI Training Following Backlash Licensing AI music: the industry is focusing on the wrong problem U.S. Copyright Office Releases New Report on Legality of AI Training, Suggesting Law Is With Rightsholders on Key Issues Taco Bell launches record club with 2025 Feed The Beat class   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.

Episode 043: Buckle up, music lovers, because Six Picks Music Club is back with the ultimate bromance episode featuring the return of the legendary Bobby! Geoff, Russ, Dave, and Bobby are diving deep into the world of brotherhood and friendship, cranking up the testosterone with an epic lineup of tunes from Randy Newman, Dilated Peoples, Ben Folds, Ween, David Bowie, and Garth Brooks. Get ready for maximum male bonding as these musical bros stare deep into each other's eyes, potentially cross some platonic boundaries, and maybe - just maybe - share a kiss (totally ironically, of course). It's gonna be a bro-tastic musical journey that'll make bromance look like an understatement, so grab your headphones, crack open a cold one, and join the guys for the most intimate, eye-contact-heavy, friendship-celebrating musical throwdown you've ever heard! Prepare for maximum bro-off energy as these dudes prove that friendship isn't just a word - it's a way of life, set to an killer soundtrack!   Apple Podcasts Instagram Spotify Playlist YouTube Playlist Listener Listens TVOD - Instagram

Send us a textHere in Episode 222 of the No Name Music Cast, it is Joy's turn to pick the topic and she chooses to talk about cover versions!We talk about Slade, Dee Snider, Metallica and David Bowie to name only a few.We also cover Minecraft, Mott the Hoople, Ringo Starr and Ian Husbands!Support the showEmail the show: nonamemusiccast@gmail.com Instagram: https://www.instagram.com/nonamemusiccastpodcast/ https://nonamemusiccast.com/

Send us a textGuitar Virtuoso Joins With Vocal Legend To Cover Classic: "Ride Captain Ride"#newmusic #guitar #classicrock #joelynnturner #marcusnandTurner knows a great guitarist when he hears one, and Marcus Nand is no exception. Born in Spain and a student of flamenco guitar along with blues and rock, Nand has incorporated his diverse influences on such projects as the Los Angeles-based metal band Freak Of Nature, which featured White Lion singer Mike Tramp, and the world music-influenced rock band Ziroq with famed David Bowie bassist Carmine Rojas!Website: https://www.marcusnand.com/Facebook: https://www.facebook.com/marcuscnand/Instagram: https://www.instagram.com/marcusnand.musicYoutube: https://www.youtube.com/MarcusnandMusicSpotify: https://open.spotify.com/artist/2N8d1UnqOMDVCioCd6njrICleopatra Records: https://cleorecs.com/collections/marcus-nandThanks for tuning in, please be sure to click that subscribe button and give this a thumbs up!!Email: thevibesbroadcast@gmail.comInstagram: https://www.instagram.com/listen_to_the_vibes_/Facebook: https://www.facebook.com/thevibesbroadcastnetworkLinktree: https://linktr.ee/the_vibes_broadcastTikTok: https://vm.tiktok.com/ZMeuTVRv2/Twitter: https://twitter.com/TheVibesBrdcstTruth: https://truthsocial.com/@KoyoteFor all our social media and other links, go to: Linktree: https://linktr.ee/the_vibes_broadcastPlease subscribe, like, and share!

Prince Harry and Meghan Markle play host to Brooklyn Beckham and Nicola Peltz in a surprising Montecito summit that's fueling talk of a “Becxit” family feud. As tensions rise between the younger Beckhams and David and Victoria, insiders say Meghan and Nicola bonded over media pressure and public scrutiny. We track the unraveling of the Sussex-Beckham friendship, explore Meghan and Harry's concert date night with James Taylor, and hear new predictions on what Prince William might do when he's king. Plus: A long-hidden photo of Princess Diana and David Bowie resurfaces after 37 years. Why Kensington Palace tried to bury it—and why it's finally being published now.Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app which seays UNINTERRUPTED LISTENING. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!  You also get 20+ other shows on the network ad-free!   

Kara and Tia are back to discuss the covers of issues #2-5 of The Wicked + The Divine!Issue 2:Jamie/Matt: Amaterasu head shotSDCC cover: Amaterasu head shot in ben-gay dots2nd printing: Amaterasu head shot in B&W with makeup in colorZdarsky variant: Trolling KG and Jamie?Jamie variant: Luci as David Bowie's mugshotIssue 3:Jamie/Matt: The Morrigan head shot (lol)Stephanie Hans variant: Amaterasu performanceJamie variant: Luci performanceIssue 4:Jamie/Matt: Baal head shotKevin Wada variant: The GothsIssue 5:Jamie/Matt: Tara head shotBecky Cloonan Variant: The Goths, fallingJamie variant: SakhmetMusic provided by Infinity Shred. Find them on Bandcamp.IRCB Avatars by @ICELEVELIRCB Logo by Kyle RoseProducer: Mike RapinProoflistener: Brian MurrayEditor: Zander Riggs Support us on Patreon to get access to our Patreon-only series: IRCB Movie Club, Saga of Saga, Giant Days of Our Lives, A Better Batmobile, and more! patreon.com/ircbpodcastEmail: ircbpodcast@gmail.comTwitter: @ircbpodcastInstagram: @ircbpodcastDiscord: discordapp.com/invite/E8JUB9sReddit: ireadcomicbooks.reddit.comIRCB GoodreadsMerch: ircbpodcast.com/shop

So why did Harris lose in 2024? For one very big reason, according to the progressive essayist Bill Deresiewicz: “because she represented the exhausted Democratic establishment”. This rotting establishment, Deresiewicz believes, is symbolized by both the collective denial of Biden's mental decline and by Harris' pathetically rudderless Presidential campaign. But there's a much more troubling problem with the Democratic party, he argues. It has become “the party of institutionalized liberalism, which is itself exhausted”. So how to reinvent American liberalism in the 2020's? How to make the left once again, in Deresiewicz words, “the locus of openness, playfulness, productive contention, experiment, excess, risk, shock, camp, mirth, mischief, irony and curiosity"? That's the question for all progressives in our MAGA/Woke age. 5 Key Takeaways * Deresiewicz believes the Democratic establishment and aligned media engaged in a "tacit cover-up" of Biden's condition and other major issues like crime, border policies, and pandemic missteps rather than addressing them honestly.* The liberal movement that began in the 1960s has become "exhausted" and the Democratic Party is now an uneasy alliance of establishment elites and working-class voters whose interests don't align well.* Progressive institutions suffer from a repressive intolerance characterized by "an unearned sense of moral superiority" and a fear of vitality that leads to excessive rules, bureaucracy, and speech codes.* While young conservatives are creating new movements with energy and creativity, the progressive establishment stifles innovation by purging anyone who "violates the code" or criticizes their side.* Rebuilding the left requires creating conditions for new ideas by ending censoriousness, embracing true courage that risks something real, and potentially building new institutions rather than trying to reform existing ones. Full Transcript Andrew Keen: Hello, everyone. It's the old question on this show, Keen on America, how to make sense of this bewildering, frustrating, exciting country in the wake, particularly of the last election. A couple of years ago, we had the CNN journalist who I rather like and admire, Jake Tapper, on the show. Arguing in a piece of fiction that he thinks, to make sense of America, we need to return to the 1970s. He had a thriller out a couple of years ago called All the Demons Are Here. But I wonder if Tapper's changed his mind on this. His latest book, which is a sensation, which he co-wrote with Alex Thompson, is Original Sin, President Biden's Decline, its Cover-up and His Disastrous Choice to Run Again. Tapper, I think, tells the truth about Biden, as the New York Times notes. It's a damning portrait of an enfeebled Biden protected by his inner circle. I would extend that, rather than his inner circle protected by an elite, perhaps a coastal elite of Democrats, unable or unwilling to come to terms with the fact that Biden was way, way past his shelf life. My guest today, William Deresiewicz—always get his last name wrong—it must be...William Deresiewicz: No, that was good. You got it.Andrew Keen: Probably because I'm anti-semitic. He has a new piece out called "Post-Election" which addresses much of the rottenness of the American progressive establishment in 2025. Bill, congratulations on the piece.William Deresiewicz: Thank you.Andrew Keen: Have you had a chance to look at this Tapper book or have you read about Original Sin?William Deresiewicz: Yeah, I read that piece. I read the piece that's on the screen and I've heard some people talking about it. And I mean, as you said, it's not just his inner circle. I don't want to blame Tapper. Tapper did the work. But one immediate reaction to the debate debacle was, where have the journalists been? For example, just to unfairly call one person out, but they're just so full of themselves, the New Yorker dripping with self-congratulations, especially in its centennial year, its boundless appetite for self-celebration—to quote something one of my students once said about Yale—they've got a guy named Evan Osnos, who's one of their regulars on their political...Andrew Keen: Yeah, and he's been on the show, Evan, and in fact, I rather like his, I was going to say his husband, his father, Peter Osnos, who's a very heavy-hitting ex-publisher. But anyway, go on. And Evan's quite a nice guy, personally.William Deresiewicz: I'm sure he's a nice guy, but the fact is he's not only a New Yorker journalist, but he wrote a book about Biden, which means that he's presumably theoretically well-sourced within Biden world. He didn't say anything. I mean, did he not know or did he know?Andrew Keen: Yeah, I agree. I mean you just don't want to ask, right? You don't know. But you're a journalist, so you're supposed to know. You're supposed to ask. So I'm sure you're right on Osnos. I mean, he was on the show, but all journalists are progressives, or at least all the journalists at the Times and the New Yorker and the Atlantic. And there seemed to be, as Jake Tapper is suggesting in this new book, and he was part of the cover-up, there seemed to be a cover-up on the part of the entire professional American journalist establishment, high-end establishment, to ignore the fact that the guy running for president or the president himself clearly had no idea of what was going on around him. It's just astonishing, isn't it? I mean, hindsight's always easy, of course, 2020 in retrospect, but it was obvious at the time. I made it clear whenever I spoke about Biden, that here was a guy clearly way out of his depth, that he shouldn't have been president, maybe shouldn't have been president in the first place, but whatever you think about his ideas, he clearly was way beyond his shelf date, a year or two into the presidency.William Deresiewicz: Yeah, but here's the thing, and it's one of the things I say in the post-election piece, but I'm certainly not the only person to say this. There was an at least tacit cover-up of Biden, of his condition, but the whole thing was a cover-up, meaning every major issue that the 2024 election was about—crime, at the border, woke excess, affordability. The whole strategy of not just the Democrats, but this media establishment that's aligned with them is to just pretend that it wasn't happening, to explain it away. And we can also throw in pandemic policy, right? Which people were still thinking about and all the missteps in pandemic policy. The strategy was effectively a cover-up. We're not gonna talk about it, or we're gonna gaslight you, or we're gonna make excuses. So is it a surprise that people don't trust these establishment institutions anymore? I mean, I don't trust them anymore and I want to trust them.Andrew Keen: Were there journalists? I mean, there were a handful of journalists telling the truth about Biden. Progressives, people on the left rather than conservatives.William Deresiewicz: Ezra Klein started to talk about it, I remember that. So yes, there were a handful, but it wasn't enough. And you know, I don't say this to take away from Ezra Klein what I just gave him with my right hand, take away with my left, but he was also the guy, as soon as the Kamala succession was effected, who was talking about how Kamala in recent months has been going from strength to strength and hasn't put a foot wrong and isn't she fantastic. So all credit to him for telling the truth about Biden, but it seems to me that he immediately pivoted to—I mean, I'm sure he thought he was telling the truth about Harris, but I didn't believe that for one second.Andrew Keen: Well, meanwhile, the lies about Harris or the mythology of Harris, the false—I mean, all mythology, I guess, is false—about Harris building again. Headline in Newsweek that Harris would beat Donald Trump if an election was held again. I mean I would probably beat—I would beat Trump if an election was held again, I can't even run for president. So anyone could beat Trump, given the situation. David Plouffe suggested that—I think he's quoted in the Tapper book—that Biden totally fucked us, but it suggests that somehow Harris was a coherent progressive candidate, which she wasn't.William Deresiewicz: She wasn't. First of all, I hadn't seen this poll that she would beat Trump. I mean, it's a meaningless poll, because...Andrew Keen: You could beat him, Bill, and no one can even pronounce your last name.William Deresiewicz: Nobody could say what would actually happen if there were a real election. It's easy enough to have a hypothetical poll. People often look much better in these kinds of hypothetical polls where there's no actual election than they do when it's time for an election. I mean, I think everyone except maybe David Plouffe understands that Harris should never have been a candidate—not just after Biden dropped out way too late, but ever, right? I mean the real problem with Biden running again is that he essentially saddled us with Harris. Instead of having a real primary campaign where we could have at least entertained the possibility of some competent people—you know, there are lots of governors. I mean, I'm a little, and maybe we'll get to this, I'm little skeptical that any normal democratic politician is going to end up looking good. But at least we do have a whole bunch of what seem to be competent governors, people with executive experience. And we never had a chance to entertain any of those people because this democratic establishment just keeps telling us who we're going to vote for. I mean, it's now three elections in a row—they forced Hillary on us, and then Biden. I'm not going to say they forced Biden on us although elements of it did. It probably was a good thing because he won and he may have been the only one who could have won. And then Harris—it's like reductio ad absurdum. These candidates they keep handing us keep getting worse and worse.Andrew Keen: But it's more than being worse. I mean, whatever one can say about Harris, she couldn't explain why she wanted to be president, which seems to me a disqualifier if you're running for president. The point, the broader point, which I think you bring out very well in the piece you write, and you and I are very much on the same page here, so I'm not going to criticize you in your post-election—William Deresiewicz: You can criticize me, Andrew, I love—Andrew Keen: I know I can criticize you, and I will, but not in this particular area—is that these people are the establishment. They're protecting a globalized world, they're the coast. I mean, in some ways, certainly the Bannonite analysis is right, and it's not surprising that they're borrowing from Lenin and the left is borrowing from Edmund Burke.William Deresiewicz: Yeah, I mean I think, and I think this is the real problem. I mean, part of what I say in the piece is that it just seems, maybe this is too organicist, but there just seems to be an exhaustion that the liberal impulse that started, you know, around the time I was born in 1964, and I cite the Dylan movie just because it's a picture of that time where you get a sense of the energy on the left, the dawning of all this exciting—Andrew Keen: You know that movie—and we've done a show on that movie—itself was critical I guess in a way of Dylan for not being political.William Deresiewicz: Well, but even leaving that aside, just the reminder you get of what that time felt like. That seems in the movie relatively accurate, that this new youth culture, the rights revolution, the counterculture, a new kind of impulse of liberalism and progressivism that was very powerful and strong and carried us through the 60s and 70s and then became the establishment and has just become completely exhausted now. So I just feel like it's just gotten to the end of its possibility. Gotten to the end of its life cycle, but also in a less sort of mystical way. And I think this is a structural problem that the Democrats have not been able to address for a long time, and I don't see how they're going to address it. The party is now the party, as you just said, of the establishment, uneasily wedded to a mainly non-white sort of working class, lower class, maybe somewhat middle class. So it's sort of this kind of hybrid beast, the two halves of which don't really fit together. The educated upper middle class, the professional managerial class that you and I are part of, and then sort of the average Black Latino female, white female voter who doesn't share the interests of that class. So what are you gonna do about that? How's that gonna work?Andrew Keen: And the thing that you've always given a lot of thought to, and it certainly comes out in this piece, is the intolerance of the Democratic Party. But it's an intolerance—it's not a sort of, and I don't like this word, it's not the fascist intolerance of the MAGA movement or of Trump. It's a repressive intolerance, it's this idea that we're always right and if you disagree with us, then there must be something wrong with you.William Deresiewicz: Yeah, right. It's this, at this point, completely unearned sense of moral superiority and intellectual superiority, which are not really very clearly distinguished in their mind, I think. And you know, they just reek of it and people hate it and it's understandable that they hate it. I mean, it's Hillary in a word. It's Hillary in a word and again, I'm wary of treading on this kind of ground, but I do think there's an element of—I mean, obviously Trump and his whole camp is very masculinist in a very repulsive way, but there is also a way to be maternalist in a repulsive way. It's this kind of maternal control. I think of it as the sushi mom voice where we're gonna explain to you in a calm way why you should listen to us and why we're going to control every move you make. And it's this fear—I mean what my piece is really about is this sort of quasi-Nietzschean argument for energy and vitality that's lacking on the left. And I think it's lacking because the left fears it. It fears sort of the chaos of the life force. So it just wants to shackle it in all of these rules and bureaucracy and speech codes and consent codes. It just feels lifeless. And I think everybody feels that.Andrew Keen: Yeah, and it's the inability to imagine you can be wrong. It's the moral greediness of some people, at least, who think of themselves on the left. Some people might be listening to this, thinking it's just these two old white guys who think themselves as progressives but are actually really conservative. And all this idea of nature is itself chilling, that it's a kind of anti-feminism.William Deresiewicz: Well, that's b******t. I mean, let me have a chance to respond. I mean I plead guilty to being an old white man—Andrew Keen: I mean you can't argue with that one.William Deresiewicz: I'm not arguing with it. But the whole point rests on this notion of positionality, like I'm an older white man, therefore I think this or I believe that, which I think is b******t to begin with because, you know, down the street there's another older white guy who believes the exact opposite of me, so what's the argument here? But leaving that aside, and whether I am or am not a progressive—okay, my ideal politician is Bernie Sanders, so I'll just leave it at that. The point is, I mean, one point is that feminism hasn't always been like this. Second wave feminism that started in the late sixties, when I was a little kid—there was a censorious aspect to it, but there was also this tremendous vitality. I mean I think of somebody like Andrea Dworkin—this is like, "f**k you" feminism. This is like, "I'm not only not gonna shave my legs, I'm gonna shave my armpits and I don't give a s**t what you think." And then the next generation when I was a young man was the Mary Gates, Camille Paglia, sex-positive power feminism which also had a different kind of vitality. So I don't think feminism has to be the feminism of the women's studies departments and of Hillary Clinton with "you can't say this" and "if you want to have sex with me you have to follow these 10 rules." I don't think anybody likes that.Andrew Keen: The deplorables!William Deresiewicz: Yes, yes, yes. Like I said, I don't just think that the enemies don't like it, and I don't really care what they think. I think the people on our side don't like it. Nobody is having fun on our side. It's boring. No one's having sex from what they tell me. The young—it just feels dead. And I think when there's no vitality, you also have no creative vitality. And I think the intellectual cul-de-sac that the left seems to be stuck in, where there are no new ideas, is related to that.Andrew Keen: Yeah, and I think the more I think about it, I think you're right, it's a generational war. All the action seems to be coming from old people, whether it's the Pelosis and the Bidens, or it's people like Richard Reeves making a fortune off books about worrying about young men or Jonathan Haidt writing about the anxious generation. Where are, to quote David Bowie, the young Americans? Why aren't they—I mean, Bill, you're in a way guilty of this. You made your name with your book, Excellent Sheep about the miseducation...William Deresiewicz: Yeah, so what am I guilty of exactly?Andrew Keen: I'm not saying you're all, but aren't you and Reeves and Haidt, you're all involved in this weird kind of generational war.William Deresiewicz: OK, let's pump the brakes here for a second. Where the young people are—I mean, obviously most people, even young people today, still vote for Democrats. But the young who seem to be exploring new things and having energy and excitement are on the right. And there was a piece—I'm gonna forget the name of the piece and the author—Daniel Oppenheimer had her on the podcast. I think it appeared in The Point. Young woman. Fairly recent college graduate, went to a convention of young republicans, I don't know what they call themselves, and also to democrats or liberals in quick succession and wrote a really good piece about it. I don't think she had ever written anything before or published anything before, but it got a lot of attention because she talked about the youthful vitality at this conservative gathering. And then she goes to the liberals and they're all gray-haired men like us. The one person who had anything interesting to say was Francis Fukuyama, who's in his 80s. She's making the point—this is the point—it's not a generational war, because there are young people on the right side of the spectrum who are doing interesting things. I mean, I don't like what they're doing, because I'm not a rightist, but they're interesting, they're different, they're new, there's excitement there, there's creativity there.Andrew Keen: But could one argue, Bill, that all these labels are meaningless and that whatever they're doing—I'm sure they're having more sex than young progressives, they're having more fun, they're able to make jokes, they are able, for better or worse, to change the system. Does it really matter whether they claim to be MAGA people or leftists? They're the ones who are driving change in the country.William Deresiewicz: Yes, they're the ones who are driving change in the country. The counter-cultural energy that was on the left in the sixties and seventies is now on the right. And it does matter because they are operating in the political sphere, have an effect in the political sphere, and they're unmistakably on the right. I mean, there are all these new weird species on the right—the trads and the neo-pagans and the alt-right and very sort of anti-capitalist conservatives or at least anti-corporate conservatives and all kinds of things that you would never have imagined five years ago. And again, it's not that I like these things. It's that they're new, there's ferment there. So stuff is coming out that is going to drive, is already driving the culture and therefore the politics forward. And as somebody who, yes, is progressive, it is endlessly frustrating to me that we have lost this kind of initiative, momentum, energy, creativity, to what used to be the stodgy old right. Now we're the stodgy old left.Andrew Keen: What do you want to go back to? I mean you brought up Dylan earlier. Do you just want to resurrect...William Deresiewicz: No, I don't.Andrew Keen: You know another one who comes to mind is another sort of bundle of contradictions, Bruce Springsteen. He recently talked about the corrupt, incompetent, and treasonous nature of Trump. I mean Springsteen's a billionaire. He even acknowledged that he mythologized his own working-class status. He's never spent more than an hour in a factory. He's never had a job. So aren't all the pigeons coming back to roost here? The fraud of men like Springsteen are merely being exposed and young people recognize it.William Deresiewicz: Well, I don't know about Springsteen in particular...Andrew Keen: Well, he's a big deal.William Deresiewicz: No, I know he's a big deal, and I love Springsteen. I listened to him on repeat when I was young, and I actually didn't know that he'd never worked in a factory, and I quite frankly don't care because he's an artist, and he made great art out of those experiences, whether they were his or not. But to address the real issue here, he is an old guy. It sounds like he's just—I mean, I'm sure he's sincere about it and I would agree with him about Trump. But to have people like Springsteen or Robert De Niro or George Clooney...Andrew Keen: Here it is.William Deresiewicz: Okay, yes, it's all to the point that these are old guys. So you asked me, do I want to go back? The whole point is I don't want to go back. I want to go forward. I'm not going to be the one to bring us forward because I'm older. And also, I don't think I was ever that kind of creative spirit, but I want to know why there isn't sort of youthful creativity given the fact that most young people do still vote for Democrats, but there's no youthful creativity on the left. Is it just that the—I want to be surprised is the point. I'm not calling for X, Y, or Z. I'm saying astonish me, right? Like Diaghilev said to Cocteau. Astonish me the way you did in the 60s and 70s. Show me something new. And I worry that it simply isn't possible on the left now, precisely because it's so locked down in this kind of establishment, censorious mode that there's no room for a new idea to come from anywhere.Andrew Keen: As it happens, you published this essay in Salmagundi—and that predates, if not even be pre-counterculture. How many years old is it? I think it started in '64. Yeah, so alongside your piece is an interesting piece from Adam Phillips about influence and anxiety. And he quotes Montaigne from "On Experience": "There is always room for a successor, even for ourselves, and a different way to proceed." Is the problem, Bill, that we haven't, we're not willing to leave the stage? I mean, Nancy Pelosi is a good example of this. Biden's a good example. In this Salmagundi piece, there's an essay from Martin Jay, who's 81 years old. I was a grad student in Berkeley in the 80s. Even at that point, he seemed old. Why are these people not able to leave the stage?William Deresiewicz: I am not going to necessarily sign on to that argument, and not just because I'm getting older. Biden...Andrew Keen: How old are you, by the way?William Deresiewicz: I'm 61. So you mentioned Pelosi. I would have been happy for Pelosi to remain in her position for as long as she wanted, because she was effective. It's not about how old you are. Although it can be, obviously as you get older you can become less effective like Joe Biden. I think there's room for the old and the young together if the old are saying valuable things and if the young are saying valuable things. It's not like there's a shortage of young voices on the left now. They're just not interesting voices. I mean, the one that comes immediately to mind that I'm more interested in is Ritchie Torres, who's this congressman who's a genuinely working-class Black congressman from the Bronx, unlike AOC, who grew up the daughter of an architect in Northern Westchester and went to a fancy private university, Boston University. So Ritchie Torres is not a doctrinaire leftist Democrat. And he seems to speak from a real self. Like he isn't just talking about boilerplate. I just feel like there isn't a lot of room for the Ritchie Torres. I think the system that produces democratic candidates militates against people like Ritchie Torres. And that's what I am talking about.Andrew Keen: In the essay, you write about Andy Mills, who was one of the pioneers of the New York Times podcast. He got thrown out of The New York Times for various offenses. It's one of the problems with the left—they've, rather like the Stalinists in the 1930s, purged all the energy out of themselves. Anyone of any originality has been thrown out for one reason or another.William Deresiewicz: Well, because it's always the same reason, because they violate the code. I mean, yes, this is one of the main problems. And to go back to where we started with the journalists, it seems like the rationale for the cover-up, all the cover-ups was, "we can't say anything bad about our side. We can't point out any of the flaws because that's going to help the bad guys." So if anybody breaks ranks, we're going to cancel them. We're going to purge them. I mean, any idiot understands that that's a very short-term strategy. You need the possibility of self-criticism and self-difference. I mean that's the thing—you asked me about old people leaving the stage, but the quotation from Montaigne said, "there's always room for a successor, even ourselves." So this is about the possibility of continuous self-reinvention. Whatever you want to say about Dylan, some people like him, some don't, he's done that. Bowie's done that. This was sort of our idea, like you're constantly reinventing yourself, but this is what we don't have.Andrew Keen: Yeah, actually, I read the quote the wrong way, that we need to reinvent ourselves. Bowie is a very good example if one acknowledges, and Dylan of course, one's own fundamental plasticity. And that's another problem with the progressive movement—they don't think of the human condition as a plastic one.William Deresiewicz: That's interesting. I mean, in one respect, I think they think of it as too plastic, right? This is sort of the blank slate fallacy that we can make—there's no such thing as human nature and we can reshape it as we wish. But at the same time, they've created a situation, and this really is what Excellent Sheep is about, where they're turning out the same human product over and over.Andrew Keen: But in that sense, then, the excellent sheep you write about at Yale, they've all ended up now as neo-liberal, neo-conservative, so they're just rebelling...William Deresiewicz: No, they haven't. No, they are the backbone of this soggy liberal progressive establishment. A lot of them are. I mean, why is, you know, even Wall Street and Silicon Valley sort of by preference liberal? It's because they're full of these kinds of elite college graduates who have been trained to be liberal.Andrew Keen: So what are we to make of the Musk-Thiel, particularly the Musk phenomenon? I mean, certainly Thiel, very much influenced by Rand, who herself, of course, was about as deeply Nietzschean as you can get. Why isn't Thiel and Musk just a model of the virility, the vitality of the early 21st century? You might not like what they say, but they're full of vitality.William Deresiewicz: It's interesting, there's a place in my piece where I say that the liberal can't accept the idea that a bad person can do great things. And one of my examples was Elon Musk. And the other one—Andrew Keen: Zuckerberg.William Deresiewicz: But Musk is not in the piece, because I wrote the piece before the inauguration and they asked me to change it because of what Musk was doing. And even I was beginning to get a little queasy just because the association with Musk is now different. It's now DOGE. But Musk, who I've always hated, I've never liked the guy, even when liberals loved him for making electric cars. He is an example, at least the pre-DOGE Musk, of a horrible human being with incredible vitality who's done great things, whether you like it or not. And I want—I mean, this is the energy that I want to harness for our team.Andrew Keen: I actually mostly agreed with your piece, but I didn't agree with that because I think most progressives believe that actually, the Zuckerbergs and the Musks, by doing, by being so successful, by becoming multi-billionaires, are morally a bit dodgy. I mean, I don't know where you get that.William Deresiewicz: That's exactly the point. But I think what they do is when they don't like somebody, they just negate the idea that they're great. "Well, he's just not really doing anything that great." You disagree.Andrew Keen: So what about ideas, Bill? Where is there room to rebuild the left? I take your points, and I don't think many people would actually disagree with you. Where does the left, if there's such a term anymore, need to go out on a limb, break some eggs, offend some people, but nonetheless rebuild itself? It's not going back to Bernie Sanders and some sort of nostalgic New Deal.William Deresiewicz: No, no, I agree. So this is, this may be unsatisfying, but this is what I'm saying. If there were specific new ideas that I thought the left should embrace, I would have said so. What I'm seeing is the left needs, to begin with, to create the conditions from which new ideas can come. So I mean, we've been talking about a lot of it. The censoriousness needs to go.I would also say—actually, I talk about this also—you know, maybe you would consider yourself part of, I don't know. There's this whole sort of heterodox realm of people who did dare to violate the progressive pieties and say, "maybe the pandemic response isn't going so well; maybe the Black Lives Matter protests did have a lot of violence"—maybe all the things, right? And they were all driven out from 2020 and so forth. A lot of them were people who started on the left and would even still describe themselves as liberal, would never vote for a Republican. So these people are out there. They're just, they don't have a voice within the Democratic camp because the orthodoxy continues to be enforced.So that's what I'm saying. You've got to start with the structural conditions. And one of them may be that we need to get—I don't even know that these institutions can reform themselves, whether it's the Times or the New Yorker or the Ivy League. And it may be that we need to build new institutions, which is also something that's happening. I mean, it's something that's happening in the realm of publishing and journalism on Substack. But again, they're still marginalized because that liberal establishment does not—it's not that old people don't wanna give up power, it's that the established people don't want to give up the power. I mean Harris is, you know, she's like my age. So the establishment as embodied by the Times, the New Yorker, the Ivy League, foundations, the think tanks, the Democratic Party establishment—they don't want to move aside. But it's so obviously clear at this point that they are not the solution. They're not the solutions.Andrew Keen: What about the so-called resistance? I mean, a lot of people were deeply disappointed by the response of law firms, maybe even universities, the democratic party as we noted is pretty much irrelevant. Is it possible for the left to rebuild itself by a kind of self-sacrifice, by lawyers who say "I don't care what you think of me, I'm simply against you" and to work together, or university presidents who will take massive pay cuts and take on MAGA/Trump world?William Deresiewicz: Yeah, I mean, I don't know if this is going to be the solution to the left rebuilding itself, but I think it has to happen, not just because it has to happen for policy reasons, but I mean you need to start by finding your courage again. I'm not going to say your testicles because that's gendered, but you need to start—I mean the law firms, maybe that's a little, people have said, well, it's different because they're in a competitive business with each other, but why did the university—I mean I'm a Columbia alumnus. I could not believe that Columbia immediately caved.It occurs to me as we're talking that these are people, university presidents who have learned cowardice. This is how they got to be where they got and how they keep their jobs. They've learned to yield in the face of the demands of students, the demands of alumni, the demands of donors, maybe the demands of faculty. They don't know how to be courageous anymore. And as much as I have lots of reasons, including personal ones, to hate Harvard University, good for them. Somebody finally stood up, and I was really glad to see that. So yeah, I think this would be one good way to start.Andrew Keen: Courage, in other words, is the beginning.William Deresiewicz: Courage is the beginning.Andrew Keen: But not a courage that takes itself too seriously.William Deresiewicz: I mean, you know, sure. I mean I don't really care how seriously—not the self-referential courage. Real courage, which means you're really risking losing something. That's what it means.Andrew Keen: And how can you and I then manifest this courage?William Deresiewicz: You know, you made me listen to Jocelyn Benson.Andrew Keen: Oh, yeah, I forgot and I actually I have to admit I saw that on the email and then I forgot who Jocelyn Benson is, which is probably reflects the fact that she didn't say very much.William Deresiewicz: For those of you who don't know what we're talking about, she's the Secretary of State of Michigan. She's running for governor.Andrew Keen: Oh yeah, and she was absolutely diabolical. She was on the show, I thought.William Deresiewicz: She wrote a book called Purposeful Warrior, and the whole interview was just this salad of cliches. Purpose, warrior, grit, authenticity. And part of, I mentioned her partly because she talked about courage in a way that was complete nonsense.Andrew Keen: Real courage, yeah, real courage. I remember her now. Yeah, yeah.William Deresiewicz: Yeah, she got made into a martyr because she got threatened after the 2020 election.Andrew Keen: Well, lots to think about, Bill. Very good conversation, as always. I think we need to get rid of old white men like you and I, but what do I know?William Deresiewicz: I mean, I am going to keep a death grip on my position, which is no good whatsoever.Andrew Keen: As I half-joked, Bill, maybe you should have called the piece "Post-Erection." If you can't get an erection, then you certainly shouldn't be in public office. That would have meant that Joe Biden would have had to have retired immediately.William Deresiewicz: I'm looking forward to seeing the test you devise to determine whether people meet your criterion.Andrew Keen: Yeah, maybe it will be a public one. Bread and circuses, bread and elections. We shall see, Bill, I'm not even going to do your last name because I got it right once. I'm never going to say it again. Bill, congratulations on the piece "Post-Election," not "Post-Erection," and we will talk again. This story is going to run and run. We will talk again in the not too distant future. Thank you so much.William Deresiewicz: That's good.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

David Bowie : Héros (French Version) La reprise, l'originale The Cranberries : Go Your Own Way Fleetwood Mac : Go Your Own Way Kas Product : No Distance Mark Lanegan Band : Tiny Grain Of Truth Supertramp : Crime Of The Century Sleep Token : Emergence Procol Harum : A Salty Dog Destroyer : Cataract Time Rage Against The Machine : Freedom Imparfait : On Crie Encore (À L'américaine) Infectious Grooves : Violent And Funky Dire Straits : Private Investigations La Reprise L'originale The Peptides : Don't Fear The Reaper Blue Öyster Cult : Don't Fear The Reaper Lucius : Old Tape ( Feat Adam Granduciel) Barbara Keith : All Along The Watchtower Def Leppard : Mirror, Mirror (Look Into My Eyes) Lauren Babic : Sanctuary Sammy Hagar : I Can't Drive 55 Ry-X : Red Vampire Bryan Adams : Run To You The Rasmus : Creatures Of Chaos Eagles : One Of These Nights Rose Betts : My Funeral Song Steely Dan : The Royal Scam Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

David Bowie steht mit «Let's Dance» zum zweiten Mal auf Platz 1.

How do you combine the power of creator marketing with performance-driven results? Joseph Perello, CEO of Props, shares how his platform helps brands create content that's not only authentic but also measurable and effective. From emphasizing credibility to redefining how success is tracked in the creator economy, Joe -- who's also worked with such high-level clients as David Bowie, AAA, and the New York Yankees -- offers insights into making influencer partnerships truly impactful. Full Episode Details  Joseph joins host Hannah Tooker on this episode of Social Pros to explore how the creator economy is redefining influencer marketing and what brands need to do to adapt. Joe breaks down the key differences between creators and traditional influencers, highlighting the pitfalls of the outdated “follower fallacy” and the importance of pairing creator content with paid media to drive measurable results. He also shares how Props is helping brands and creators build trust at scale using AI-powered tools that ensure creator authenticity, compliance, and brand safety. Joe also reflects on the evolution of viral marketing, the reality of sustaining attention online, and why consistent, data-driven content is more valuable than chasing fleeting hits. Plus, he offers practical advice for aspiring social pros on blending analytical insight with creative instinct to craft effective campaigns. And in a memorable moment, Joe shares his dream video call pick and the heartfelt story behind it. All that and more on an all-new episode of Social Pros! In This Episode: 1:41 -  Joe's career so far and how Props works 6:33 -  How Props uses storytelling as its marketing foundation  12:00 - Thinking about creators differently than influencers and how Props measures success 14:17 - Client success stories, from AAA to College Ave 18:04 -  The biggest pitfalls in influencer marketing  20:58 -  Where Joes sees creator-driven marketing heading next 25:43 - Joe's advice for aspiring social pros Resources: Connect with Joseph on LinkedIn Visit the Props website   Visit SocialPros.com for more insights from your favorite social media marketers.

Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study.In contrast, On Elton John: An Opinionated Guide (Oxford University Press, 2025) approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton's career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "frenemy" David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton's career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton's career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist's transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world's biggest rock star to creator of the world's largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated. Matthew Restall teaches at the Pennsylvania State University, where he is Edwin Erle Sparks Professor of History, Anthropology, and Women's, Gender, and Sexuality Studies, and Director of Latin American Studies. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

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Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study.In contrast, On Elton John: An Opinionated Guide (Oxford University Press, 2025) approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton's career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "frenemy" David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton's career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton's career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist's transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world's biggest rock star to creator of the world's largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated. Matthew Restall teaches at the Pennsylvania State University, where he is Edwin Erle Sparks Professor of History, Anthropology, and Women's, Gender, and Sexuality Studies, and Director of Latin American Studies. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Sterling Campbell was born and raised in New York City at a time when the music scene was rich with innovators like David Bowie, Peter Gabriel, Joni Mitchell and many others. Sterling would go on to work with David Bowie from 1992 until 2004. Other notable artist Sterling has worked for throughout his career include Cyndi Lauper, Duran Duran, Soul Asylum, Chic, Tina Turner, David Byrn and many others.  Since 2012, Sterling has been working and touring with the B-52s.  In this episode, Sterling talks about:  Reconnecting and touring with Cyndi Lauper  Physical demands of touring at 61 His early roots and meeting Dennis Davis in 1978 Events that shape us, our drumming and music  Adapting to the new tech of the day in the 80's David Bowie's creative process and sense of humor Recording remotely on an electronic kit

Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study.In contrast, On Elton John: An Opinionated Guide (Oxford University Press, 2025) approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton's career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "frenemy" David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton's career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton's career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist's transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world's biggest rock star to creator of the world's largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated. Matthew Restall teaches at the Pennsylvania State University, where he is Edwin Erle Sparks Professor of History, Anthropology, and Women's, Gender, and Sexuality Studies, and Director of Latin American Studies. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

You can’t scroll through your music feed without seeing Sleep Theory’s name—and frontman Cullen Moore is here to tell us why! In this episode of Discover New Music, Cullen shares the band’s whirlwind journey from its formation in 2019 through pandemic-era challenges, unexpected lineup changes, and a rocket ride of viral success. He opens up about convincing bandmate Paolo to join the project, the behind-the-scenes build-up to their breakout single "Paper Hearts," and how streaming momentum led to their highly anticipated debut Afterglow. Cullen also reflects on his time in the Army, the musical legacy passed down from his father, and the self-belief that fueled it all. Plus, as always, a quick round of Rapid Fire is played...who the hell are David Bowie and David Lee Roth?!?!See omnystudio.com/listener for privacy information.

Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study.In contrast, On Elton John: An Opinionated Guide (Oxford University Press, 2025) approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton's career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "frenemy" David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton's career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton's career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist's transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world's biggest rock star to creator of the world's largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated. Matthew Restall teaches at the Pennsylvania State University, where he is Edwin Erle Sparks Professor of History, Anthropology, and Women's, Gender, and Sexuality Studies, and Director of Latin American Studies. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Mathieu Jaton is the CEO and artistic director of the Montreux Jazz Festival, carrying forward the legacy of one of the world's most revered music festivals.Since stepping into this role in 2013, Mathieu has been on a mission to build upon the vision of the festival's legendary founder, Claude Nobs who founded the event series in 1967.The Montreux Jazz Festival takes place for two weeks every summer in Switzerland, on the shores of Lake Geneva. In its 50 years history, Montreux has hosted iconic performances by artists including Nina Simone, Miles Davis, Aretha Franklin, Marvin Gaye, Prince, Leonard Cohen, David Bowie, Elton John and Stevie Wonder.Under Mathieu's leadership, Montreux has continued to evolve. He launched Montreux Jazz Digital, an ambitious project to make iconic festival performances accessible worldwide. He has also established the Montreux Jazz Artists Foundation, a platform that supports emerging talent, offering young artists the same legendary stage that shaped so many careers. And expanding beyond Montreux, Mathieu has also brought the festival's spirit to global audiences, launching events in cities like Tokyo and São Paulo.His work has turned Montreux into a global cultural phenomenon, bridging audiences and artists around the world with the magic that defines this unique festival.---CHAPTERS(00:00) Introduction: Mathieu Jaton(01:41) DNA of Montreux Jazz Festival(03:58) Origins of Music Passion(15:53) Making People Happy(18:35) Claude Nobs(31:00) A Lesson in Hospitality(40:08) Starting at Montreux Film Festival(57:23) The End of an Era(01:17:25) The Future of the Festival---RESOURCES & LINKSMontreux Jazz Festival Website - www.mjaf.chClaude Nobs - wikipedia.org/wiki/Claude_NobsMathieu Jaton - www.mjaf.ch/en/artist/mathieu-jaton

Justin Bieber lost his mind & his money, Diddy blackmailed Cassy with Freak Off videos, Menendez Brothers resentenced & might be paroled, another great towing video, and Drew was pulled over at his house. The OSU Women's Basketball coach received a DUI and ended up on the calmest body cam video. Drew has a lead foot and was busted… right next to his house… for the third time. Javier Baez and the Detroit Tigers walked off the Boston Red Sox. David Bowie tells a tale about being surprised by John Lennon and Paul McCartney. The Menendez Bros are one step closer to freedom after being resentenced with the possibility of parole. Justin Bieber is spiraling out of control. TMZ is doing an hour long special on him. He owes Scooter Braun millions, but he can't pay as he is broke. Check out our newest sponsor: SpaceStars Deck Builders! Tom Mazawey got called out for an incorrect correction on the Detroit Lions schedule. Blake Lively is a bad friend to Taylor Swift. The Diddy trial entered day 3. Cassie lifts the lid on more of the freak offs. Jonathan Oddi wasn't lying. A longer video of Diddy beating Cassie at the Intercontinental Hotel has been released. JLo fell down and went boom. She's hosting the AMA's. JorDon Hudson won't go away. She is no longer a cheerleader now that she's ruining Bill Belichick. We fall for some Blake Shelton clickbait. Drew Crime: Eugene Gligor admits to murder after getting away with it for 25 years. Bryan Kohberger remains a loser. Pete Rose and ‘Shoeless' Joe Jackson can finally go into the Hall of Fame. A dog takes big poop right on the baseball diamond… some scat freak picks it up with his hands! Gross. Santino Casio is the man who stabbed Tory Lanez. Another towing FAIL. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

Real Life Devon went full medieval this week with a trip to a Renaissance Fair—this one featuring permanent structures that actually looked “authentic” instead of slapped together by ye olde hot glue. There were swinging rides, wooden horses, and some legit jousting. Unfortunately, the real fantasy was thinking the kids would have fun. Big downer energy. Steven is gearing up for an Arizona trip but had to make a sudden detour into Best Buy territory after his TV gave up the ghost. On the plus side, Andor continues to be amazing and makes up for any consumer electronics woes. (It really is still that good.) Ben has seen Labyrinth (have you?), and he's here for the dream logic and David Bowie's entire vibe. Also thrown into the cinematic blender: The Island and Cliffhanger. We're now seeking out more films where geological or man-made features are basically the co-stars. Let us know if you have one. Oh, and Ben also saw the Slate all-electric pickup truck, which looked like something out of Black Mirror. Meanwhile, TVs just… work now? What a time to be alive. Future or Now Time for some spicy Star Wars takes. We got into it over which trilogy was better: the Prequels or the Sequels. Episode IX (The Rise of Skywalker) got roasted—Devon called it "the worst." Ben leaned sequel-side, arguing they're better than the prequels overall. The breakdown went something like: Prequels: bad films, good plots Sequels: good films, bad plots There were also complaints about Starkiller Base, which feels like someone said “What if Death Star, but more?” But then there's Andor, which everyone agrees is just pure excellence. So Star Wars can still be good when they let writers write. Our rankings for maximum judgment: Devon's list: The Phantom Menace, The Force Awakens, Rise of Skywalker, Attack of the Clones, The Last Jedi, Revenge of the Sith Ben's list: Rise of Skywalker, The Phantom Menace, Attack of the Clones, Revenge of the Sith, The Force Awakens, The Last Jedi Your move, Internet.

Wet Leg ouvre ce RTL2 Pop-Rock Station avec "Catch These Fists", premier extrait de leur nouvel album "Moisturizer". Marjorie Hache rend ensuite hommage à BB King, le légendaire bluesman disparu il y a dix ans, avec "The Thrill Is Gone". Les sonorités rock psyché africaines de Witch font également leur retour avec "Queenless King". Un classique avec Dolly Parton et "Jolene", avant de plonger dans l'album de la semaine signé Sleep Token avec "Damocles", porté par la voix intense de Vessel. Francis Zégut recommande Destroyer avec "Cataract Time", tandis que Pulp nous propose "Spike Island", extrait de leur nouvel album "More". La reprise de la soirée nous propose un classique de David Bowie, "Heroes", magnifié en concert par Blondie. The White Stripes frappent avec "Blue Orchid", suivi de Dinosaur Pile Up et leur nouveauté "My Way". Les Queens Of The Stone Age nous offrent un live énergique de "No One Knows", enregistré à Glastonbury. Natalie Bergman dévoile "Gunslinger", extrait de son prochain album "My Home Is Not In This World". La soirée s'achève en beauté avec Vampire Weekend, Laura Marling, Placebo et enfin les Deftones avec "Pink Maggit". Wet Leg - Catch These Fists (Radio Mix) Depeche Mode - A Pain That I'm Used To Bb King - The Thrill Is Gone Neil Young & The Crazy Horse - Break The Chain Witch - Queenless King Dolly Parton - Jolene Sleep Token - Damocles The Smiths - Girlfriend In A Coma Destroyer - Cataract Time The Turtles - Happy Together Pulp - Spike Island Blondie - Heroes (Live) The White Stripes - Blue Orchid Oasis - Cigarettes & Alcohol Dinosaur Pile Up - My Way The Who - Pinball Wizard Courtney Barnett - Pedestrian At Best Queens Of The Stone Age - No One Knows (Live Glastonbury 2023) Rose Tattoo - Rock N Roll Outlaw Papa Roach - Last Resort Natalie Bergman - Gunslinger Jimi Hendrix - Foxy Lady Vampire Weekend - A-Punk Laura Marling - Alexandra Placebo - Battle For The Sun Deftones - Pink Maggit Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

On this very special bonus episode of Lipps Service, Scott sits down with three of the six acts who will perform on June 4 at the historic New York City venue The Bitter End for our first-ever live event – LIPPS SERVICE LIVE! GET YOUR TICKETS NOW! JUNE 4 AT THE BITTER END https://tickets.venuepilot.com/e/lipps-service-live-festival-2025-06-04-the-bitter-end-new-york-e3febc?presaleName=lipps-service-live The live concert will be a reflection of Lipps Service podcast, as the night will bring together past and present NYC-bred music, including three legendary acts – Ed Kowalczyk of LIVE, Hamilton Leithauser of The Walkmen, Eugene Hütz of Gogol Bordello and Casa Gogol – and three of the best up-and-coming bands of the city's contemporary music scene – Jackson Hamm of Telescreens, Thesaurus Rex, and Torture and The Desert Spiders! To get fans excited about the live show, Scott talked with Ed, Eugene, who was accompanied by an artist under his label, Grace Bergere, and Torture in this special bonus episode. Starting with Ed, he discusses his early music days in NYC, shares a crazy story about the band's hit song “Lightning Crashes,” and lists his top 5 most meaningful lyrics and underrated singers. Next up, Eugene and Grace reflect on Gogol Bordello's rise in 1989 in NYC, and list the best punk bands from the city. To close, Torture tells the story of how David Bowie inspired her band name and her favorite artists in the current NYC music scene. Tune into this exciting and insightful episode of Lipps Service, learn about the artists, hear their thoughts on the upcoming live show, and get ready for LIPPS SERVICE LIVE! We hope to see you all there – you don't want to miss it! CREDITS (Instagram handles)Host @scottlippsEdited by @toastycakesMusic by @robby_hoffProduced by @whitakermarisaRecorded at Melrose Podcasts NYC Sonos makes it so easy to fill your home with incredible sound! Check out the new Sonos Ace headphones, which are Bluetooth-enabled and have three buttons. The content key allows you to play, pause, accept calls, and control the volume. Plus, they feature noise cancellation and voice assist!These headphones are exceptionally well done and sound incredible, whether listening to your favorite playlist, chatting on a call, watching a movie, or even recording a podcast like this one. They sound particularly fantastic when listening to Lipps Service!Sonos has great gifts for everyone on your list. Visit sonos.com/Lipps to save 20% on select products. Ed Kowalczyk of LIVE0:04:30 - Getting signed out of NYC 0:05:15 - CBGB 0:07:30 - “Lightning Crashes” story 0:10:00 - College radio 0:11:30 - Early lyrics 0:15:00 - Mixing in a defunct Playboy resort 0:17:00 - Drawing inspiration 0:20:00 - Meeting Kurt Cobain 0:22:35 - Collaborating with Peter Buck 0:24:00 - Top 5 most meaningful lyrics 0:35:45 - Top 5 criminally underrated lead singers 0:38:50 - What does this record mean to you? (The Velvet Underground & Nico)Eugene Hütz of Gogol Bordello and Grace Bergere of Casa Gogol 0:43:13 - The Gogol collective and touring 0:43:28 - Working with Rick Rubin 0:50:24 - 1989 in NYC 0:55:00 - Early punk rock1:02:05 - Top NYC punk bands Torture and The Desert Spiders1:04:52 - Band name story1:09:00 - Beginnings in music 1:16:22 - Top 5 local rock bands 

A fusion of punk, garage, and noise rock, the 1996 album Blastronaut by The Lee Harvey Oswald Band is a bombastic, high energy record drawing upon 70s David Bowie, classic rock, and the Stooges. Confrontational and darkly humorous, the band leans into a satirical, sometimes absurdist tone, reflecting a punk ethos while incorporating elements of Southern culture and psychedelic weirdness. The alias-driven mystique and off-kilter presentation of the band begets an aggressive, theatrical style that may have been out of touch with the mid-1990s, but is worth revisiting.   Songs In This Episode Intro - Rocket 69 12:27 -The Greatest Man Who Ever Walked the Face of the Earth 16:50 -Green Like the Color of Blood 18:59 - Panic in Hanoi 32:37 - Brontosaurus 35:14 - The Scorpio Letter Outro - Morphodite   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Dan & Manny welcome Jen & P.T. from The Long Take Review to put Jim Henson's classic Labyrinth to the ultimate test—THE NOSTALGIA TEST! “We might spend the most time on fart jokes.” -P.T. Much like the topic of this episode, the conversation is a collection of twists, turns, deceptions, off-color fart jokes, confusion about David Bowie's tights, and hallucinations. The gang goes into their love of Henson's use practical effects, they talk about all the memorable characters, the film's lasting impact on cinematic history, and did we say fart jokes. They also touch on the announcement of a sequel directed by Robert Eggers, is Gremlins 2 better than the OG, the influence of David Bowie's performance, and the broader legacy of Jim Henson's creations like The Dark Crystal. It wouldn't be an episode of The Nostalgia Test without all the tangents, memories of Matt Antoniou, and Manny ignoring Dan trying to end the podcast, though he had help from P.T. Email us (thenostalgiatest@gmail.com) your thoughts, opinions, and questions about this episode and Labyrinth we'll talk answer them on the next episode.   Watch the full episode on YouTube!     Follow The Long Take Review! At The Long Take Review, four college professors talk film — providing insight, not assigning homework. Tune in to hear our reviews of new releases, reactions to movie news and awards season checkpoints (i.e. the Golden Globes), Oscar Fairy Flashback episodes in which we spend points to correct a year's nominees and winners, and our own annual awards show, the LTRs or “Letters.”  You can listen to The Long Take Review on Substack, Spotify, Apple, YouTube, or wherever you get your podcasts: https://rb.gy/kbcvoo   APPROXIMATE RUN OF SHOW: 00:00 Welcome to the Nostalgia Test Podcast 00:34 Introducing the Hosts and Guests 01:16 Diving into the Labyrinth 02:27 First Impressions and Reactions 04:31 Memorable Scenes and Characters 08:15 The Darker Side of Labyrinth 10:51 Behind the Scenes and Fun Facts 12:38 Creepy Moments and Theories 37:12 Favorite Characters and Final Thoughts 38:45 Frozen's Inspiration and Ludo Fun Facts 39:13 Princess Diana Meets Ludo 39:33 The Magic of Muppets and Puppetry 44:31 Hoggle's Complex Puppetry 48:59 Jim Henson's Dedication and Craft 54:42 The Bog of Eternal Stench 58:53 Labyrinth's Video Game-Like Structure 01:09:58 David Bowie's Role and Casting Choices 01:15:06 Potential Sequel and Final Thoughts 01:15:20 Discussing the Labyrinth Sequel 01:16:25 Casting Concerns and Potential Actors 01:16:53 Robert Eggers' Vision for the Sequel 01:23:33 Nostalgia and Legacy Sequels 01:26:14 Does Labyrinth Pass the Nostalgia Test? 01:34:37 Final Thoughts and Recommendations   Book The Nostalgia Test Podcast Bring The Nostalgia Test Podcast's high energy fun and comedy on your podcast, to host your themed parties & special events!  The Nostalgia Test Podcast will create an unforgettable Nostalgic experience for any occasion because we are the party! We are the most dedicated guests! We bring it 100% of the time! Email us at thenostalgiatest@gmail.com or fill out the form at this link. LET'S GET NOSTALGIC!     Keep up with all things The Nostalgia Test Podcast on Instagram | Substack | Discord | TikTok | Bluesky | YouTube | Facebook   The intro and outro music ('Neon Attack 80s') is by Emanmusic. The Lithology Brewing ad music ("Red, White, Black, & Blue") is by PEG and the Rejected

Are you ever going to text me?This episode does not recognize Mother's Day for women who are not their mother.Jason, Jim, and Joseph share stories of their best concert experiences.Cecile Kovacik, Jim's mom, is one of the best people to go to a concert with.Chicago was the first band to start fat-shaming its members.Texas Jamm!!!! Need we say more?You know you're getting old when you spot walking canes at the concert.Joseph is a true fan of lesbian rock.Nothing like 50-Somethings rock out like it's 1985 again.Jim writes a "Dear Penthouse" letter about his first Billy Joel concert.What concert did Jim see that made David Bowie blue?Who in the hell is the "Kiss Guy"?https://youtu.be/TjVOWOKa-lY?si=e1lKxYqXAybMmfrJ

This week we start our first of a two part dive into the music of David Bowie! This episode features Hunky Dory, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, and Young Americans.

¿Sabías que la ansiedad podría tener una raíz biológica mucho más profunda de lo que pensamos? En este fascinante episodio de La Teoría de la Mente, nos sentamos a conversar con el reconocido psiquiatra Antonio Bulbena, quien junto al doctor Estivill lleva más de dos décadas investigando un sorprendente vínculo: la hiperlaxitud articular y los trastornos de ansiedad. Este trastorno del tejido conectivo, que suele pasar desapercibido en las consultas médicas tradicionales, afecta a un número significativo de la población. Pero lo realmente revelador es que hasta un 70% de quienes presentan hiperlaxitud también sufren de ansiedad. ¿Estamos ante una clave biológica para comprender mejor la mente humana? En esta charla, Bulbena nos lleva a través de los descubrimientos más recientes sobre cómo la biología influye en nuestras emociones y comportamientos, desafiando la idea de que los trastornos de ansiedad son exclusivamente producto del entorno o las experiencias vitales. Exploramos el papel del cuerpo como detonante silencioso de la ansiedad, y cómo esta comprensión puede revolucionar el enfoque clínico de muchos terapeutas y pacientes. ¿Y qué significa esto para quienes conviven con la ansiedad? Esta entrevista abre la puerta a nuevas posibilidades terapéuticas y a una comprensión más compasiva de uno mismo. Comprender que hay factores biológicos detrás de nuestros estados mentales puede marcar un antes y un después en el tratamiento y el alivio de los síntomas. Además, en nuestra sección "Historias de la mente" viajamos al universo emocional de una canción legendaria: Heroes, de David Bowie. Un himno a la esperanza y la resiliencia que ha tocado generaciones, y que analizamos desde una perspectiva psicológica y afectiva. ¿Por qué nos conmueve tanto? ¿Qué representa ser un "héroe" por un día cuando luchamos contra nuestros propios fantasmas? Este episodio no solo ofrece conocimientos científicos de vanguardia, sino también una mirada profunda al alma humana. Si alguna vez te has preguntado por qué te sientes como te sientes, y qué papel juega tu cuerpo en ello, no te lo puedes perder. Recursos y enlaces importantes: Nuestra escuela de ansiedad: www.escuelaansiedad.com Nuestro nuevo libro: www.elmapadelaansiedad.com Visita nuestra página Web: http://www.amadag.com Facebook: https://www.facebook.com/Asociacion.Agorafobia/ Instagram: https://www.instagram.com/amadag.psico/ YouTube Amadag TV: https://www.youtube.com/channel/UC22fPGPhEhgiXCM7PGl68rw 25 Palabras clave (keywords): ansiedad,hiperlaxitud,antonio bulbena,genetica y ansiedad,trastornos de ansiedad,biología de la ansiedad,tejido conectivo,salud mental,psicología,estres,david bowie,heroes,mente y cuerpo,entrevista ansiedad,psiquiatría moderna,hiperlaxitud articular,emociones,neurociencia,trastornos psiquiátricos,teoría de la mente,salud integral,psicoterapia,terapia ansiedad,podcast salud mental,amadag 6 Hashtags: #AnsiedadBiológica, #AntonioBulbena, #SaludMental, #Hiperlaxitud, #PodcastPsicología, #HistoriasDeLaMente Títulos alternativos (5 sugerencias tipo clickbait): 4 señales de tu cuerpo que podrían explicar tu ansiedad (¡y no lo sabías!) Deja de pensar que es psicológico: la ansiedad también está en tus genes Esta conexión entre tu cuerpo y la ansiedad te cambiará para siempre 5 cosas que nunca te contaron sobre la ansiedad y tu tejido conectivo ¿Y si la ansiedad tuviera una causa física? Esto lo cambia todo ¿Te gustaría que prepare una miniatura con algún texto llamativo para este video?

This week on the Rockonteurs podcast we welcome one of the greatest and most respected drummers in the business to the show, it's Andy Newmark. Andy talks to Gary Kemp and Guy Pratt about his time as a member of Sly and the Family Stone and how he got that gig before going on to work with the likes of John Lennon, Carly Simon, David Bowie, Ronnie Wood, and Roxy Music. He's clearly a great drummer, but also a tremendous storyteller and this is an instant classic episode. Instagram @rockonteurs @guyprattofficial @garyjkemp @gimmesugarproductions Listen to the podcast and watch some of our latest episodes on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productionswww.gimmesugar.co.ukEmail the show at rockonteurschannel@gmail.com Hosted on Acast. See acast.com/privacy for more information.

"Everything I've done, I've done for you. I move the stars for no one.” After the release of THE DARK CRYSTAL — and its critical and commercial failure — Jim Henson and his collaborator on that project, illustrator Brian Froud, went back to the drawing board for their next ambitious fantasy project. Utilizing the lessons that they'd learned on that film, they looked to craft another story with the same amount of imagination, but with more humor, more heart, more music and… more humans. The resulting film, LABYRINTH, was not much more well-received at the time of its release, but like its predecessor, it's gone on to become a beloved film, one that's now considered a classic and one of the creative pinnacles of Henson's career. In this episode, we tell down the full story of how LABYRINTH was made, from its original concept, to the dozens of script drafts that it went through during its development, to the casting of David Bowie and Jennifer Connelly (and the actors who almost got the parts instead), and all of the innovative puppetry and creature creation that brought it to life. Want to support the show? Subscribers of CinemaShock+ can enjoy an extended version of this episode, which includes bonus segments and additional content, plus get access to all episodes two days early, exclusive merchandise discounts, and more. Join now at cinemashock.net/plus. ASSOCIATE PRODUCERS: Andrew C. | Andy Lancaster | asotirov | Benjamin Yates | Caverly | Curt M. | Elton Novara | Interzone78 | Jackson_Baker | Justin V. | Lucy Lawson | Nate Izod | Nathan Kelley | qoheleth | Robert Stinson Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy. This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net

It was 2006 when UK band The Kooks burst onto the scene with their debut record Inside In / Inside Out.Six albums later, they're returning to the same raw energy that captured their beginnings, and a nod in the album title too.On the day Never/Know comes out, frontman Luke Pritchard joined Zan to Take 5, and celebrate the songs that capture that same energy. From Lykke Li to David Bowie to The Police, this is a joyful chat about inspiration, indie-sleaze, and how music forms the foundations of our shared memories.Bob Dylan - 'Like a Rolling Stone'Lykke Li - 'Complaint Department'David Bowie - 'Oh! You Pretty Things' The Strokes - 'Under Control'The Police - 'Walking On The Moon'

Codey and Kevin talk through all the recent news. Also bugs again. Timings 00:00:00: Theme Tune 00:00:30: Intro 00:02:17: What Have We Been Up To 00:19:17: I Know What You Released Last Month 00:26:44: Upcoming Game Releases 00:30:40: Game Updates 00:40:52: New Games 00:51:08: Other News 01:12:01: Outro Links Harvest Moon Double Pack for Switch Release Date Cattle Country Release Date To Pixelia Release Hello Kitty Island Adventure “Friends, Furniture, and Frozen Peaks” Update Hello Kitty Island Adventure Month of Meh Farlands “0.5” Update Sunseed Island Starsand Island Mudborne Soundtrack Tales of the Shire Store Wholesome Direct ConcernedApe Interview New Lego Animal Crossing Sets Contact Al on Mastodon: https://mastodon.scot/@TheScotBot Email Us: https://harvestseason.club/contact/ Transcript (0:00:30) Kev: Hello farmers and welcome to another (0:00:33) Kev: Contractually obligated episode of the harvest season that’s not true at all. There’s no contracts whatsoever (0:00:36) Codey: Not true. (0:00:40) Kev: By no one, have you ever seen Paul board and the mall cop movie? (0:00:45) Codey: Uh, for not for a hot minute. (0:00:49) Kev: Well, I’m just reminded like he he there’s this plaque (0:00:53) Kev: You know mall security whatever and he just made it himself for himself and that’s all that I’m thinking (0:00:57) Codey: Okay. (0:01:00) Kev: Contract I drafted for myself. Oh (0:01:03) Kev: Anyways, hello. My name is Kevin (0:01:05) Codey: And I am Cody. (0:01:07) Kev: And we are here today to talk about cottagecore games per the first section for the party of the first part. Oh, yeah (0:01:12) Codey: A-wooo! (0:01:15) Codey: Ow-ow-ow! (0:01:17) Kev: You go (0:01:19) Kev: I don’t know Rick flair, but I feel like I should try to mimic kids. I might be mimicking these woo already (0:01:25) Kev: I don’t know, but I just know he does the woo (0:01:28) Codey: No, I, I do not, I do not wrestle. (0:01:28) Kev: You don’t talk about wrestler guy (0:01:30) Kev: He does booze (0:01:32) Kev: Yeah, there’s a wrestler. He’s kind of an older guy. I think he’s actually like running WWE now, but anyways (0:01:38) Codey: That’s a choice. (0:01:39) Kev: Hello everyone (0:01:42) Kev: It is (0:01:44) Kev: Okay today, it’s all it’s just another news episode (0:01:48) Kev: Life is chaotic. Cody actually managed to get on thankfully after actually surviving the wilderness for this past weekend (0:01:52) Codey: Mm hmm. Mm hmm. I will. We’ll talk we’ll talk about that. I can. Yeah. So it’s big, big old news episodes. We got lots of stuff to talk about. We this is the first of this month. So this will be our I know what you released last month. Boo. Episode as well. But what we have been up to. So this farmers has been a (0:01:57) Kev: but it (0:01:58) Kev: Hey, Oleg. (0:02:00) Kev: Well, do you want do you want to open because obviously okay. All right, let’s just let’s get into it (0:02:16) Kev: Yeah. (0:02:22) Codey: wild ride. So this last week, on Tuesday, I was working at the (0:02:28) Codey: Wildlife Center, it was going great, no issues. And we we (0:02:32) Codey: heard that there was going to be this huge storm coming through. (0:02:35) Codey: And that there’s probably going to be a lot of animals like (0:02:38) Codey: thrown out of trees. And so we were probably going to get a lot (0:02:41) Codey: of animals from people. And just kind of be ready for that. And (0:02:45) Codey: we were like, Okay, and then, like seven o’clock, power goes (0:02:52) Codey: on. And I had gone outside at one point, because we knew this (0:02:55) Codey: storm was happening. But we the our wildlife center is in the (0:02:57) Codey: basement of the owner’s house. Answer. p.m. p.m. crucial (0:02:58) Kev: Okay, wait question you say it’s 7 o’clock a.m. Or p.m.. Okay. All right. This is all right (0:03:05) Kev: There’s still light at that time, but okay. Yeah, all right (0:03:06) Codey: information. Yeah. So I had gone outside, just like poked my (0:03:10) Codey: head outside. And it sounded like a frickin jet engine. It (0:03:13) Codey: was so loud. And I was like, Yep, it sure is storming. And I (0:03:17) Codey: told the other people to go check it out. They poked their (0:03:20) Codey: heads out. They were like, “Yep, sure, it’s working.” (0:03:22) Codey: And so we were like, “Okay.” And then, yeah, not long after that, power goes out. (0:03:28) Codey: And so we’re feeding, we’re like laughing about it, whatever, we have like little lights and everything. (0:03:33) Codey: We’re feeding baby squirrels with lamps with like headlamps on and stuff and doing just us, I think. (0:03:36) Kev: Very cute. (0:03:37) Kev: The pictures, I’ve seen the pictures. (0:03:42) Kev: Wait, did you have the lamps (0:03:43) Kev: or did the squirrels have the lamps? (0:03:44) Kev: Both. (0:03:46) Codey: Yeah, it was just us. But there were like little, the owner has like lanterns everywhere. (0:03:51) Codey: We found out that the. (0:03:52) Codey: Um, sinks are run. (0:03:56) Codey: There’s a pump that takes the stuff from the sinks. (0:03:59) Codey: So then we weren’t even able to do dishes. (0:04:02) Codey: So then we were just kind of like sitting there waiting for her to put the backup (0:04:06) Codey: generator on took like 20, 30 minutes. (0:04:08) Codey: And then when we had backup generator, it was great. (0:04:10) Codey: Like no issues. (0:04:12) Codey: Um, Jeff, my partner texts me and is like, Hey, we don’t have power. (0:04:15) Codey: I’m like dope. (0:04:17) Codey: When I leave, I see all of the messages and basically it was a derecho storm (0:04:23) Codey: I don’t know how you say it. (0:04:24) Codey: We had like 90 mile an hour winds and there were trees, um, that were (0:04:30) Codey: straight up uprooted and like power lines that went across the road. (0:04:32) Kev: Oh, that’s sick. (0:04:38) Codey: Uh, animals were indeed. (0:04:38) Kev: Animals were indeed thrown out of the trees (0:04:41) Kev: with said trees. (0:04:42) Codey: Yes, they were. (0:04:43) Kev: With said trees. (0:04:45) Codey: We, I have not worked since that day and I, the messages have been going crazy, (0:04:50) Codey: but I have had other stuff to do. (0:04:52) Codey: So yeah, we’re out of power and we’re like, okay, this is probably just like, (0:04:57) Codey: they just got to put it back up every now and then we’ll go out of power (0:04:59) Codey: for like 10 or 15 minutes. (0:05:00) Codey: It’s not a big deal. (0:05:01) Codey: Um, nope. (0:05:03) Codey: Next morning we wake up and on our like weather outage app, it’s like, uh, (0:05:09) Codey: time estimated time to restoration, to restoration of, of power unknown. (0:05:16) Kev: Big old shrug (0:05:18) Codey: Yeah. (0:05:18) Codey: Big old shrug. (0:05:19) Codey: And they, it was like right down the street, like there was a power line (0:05:22) Codey: that was just straight up across the road. (0:05:24) Codey: And it was like that for a day and a half. (0:05:28) Codey: So like over 200,000 people in Western Pennsylvania, we’re just like out of power. (0:05:34) Codey: Um, I was out of power for two full days. (0:05:37) Codey: We had to throw away all of our food. (0:05:39) Codey: Um, and I was like really grumpy because I had planned on doing all of my chores (0:05:45) Codey: that Wednesday, I was so excited. (0:05:46) Kev: Mmm, mmm. (0:05:48) Codey: that includes like vacuuming and dishes and laundry. (0:05:53) Codey: I couldn’t do any of that stuff. (0:05:54) Codey: And yeah, it was like the whole town, except for they kicked power (0:05:57) Codey: on for like some of the businesses, some of the grocery stores. (0:06:00) Codey: Cause they knew everyone was going to need grocery store stuff. (0:06:02) Codey: So they made sure that those lines were up and that the like hospital was up and (0:06:07) Codey: stuff, but most of the residences didn’t have power for at least two days. (0:06:12) Codey: So that was crazy. (0:06:13) Codey: That was, so that was a reason, um, when they were like, Oh, you (0:06:17) Codey: want to do news this week? (0:06:18) Codey: I was like, I still have a lot of stuff to get caught up. (0:06:22) Kev: Yeah, well, appreciate it, you know, that you managed to strap the baby squirrels to (0:06:23) Codey: I don’t know, but it’s fun. (0:06:25) Codey: Um, (0:06:30) Kev: a hamster wheel to power your computer to record this. (0:06:31) Codey: yeah, yeah, they, some of them, the red squirrels would love that actually. (0:06:34) Kev: I’m sure they would. (0:06:38) Codey: Um, yeah. (0:06:39) Codey: So I’m, I did that. (0:06:40) Codey: That was me for two days. (0:06:41) Codey: I was straight up roughing it. (0:06:43) Codey: Um, also I went to a nursery today at plant nursery and I got four different (0:06:50) Codey: species, not species, four different varieties. (0:06:52) Codey: of peppers. I got some herbs and I got some tomatoes so it about to be in real (0:06:56) Kev: ooh peppers okay (0:07:03) Codey: life farming for me. Yeah. (0:07:05) Kev: all right that’s good stuff so you know back back in many many moons ago when I actually (0:07:12) Kev: lived in a house with the backyard um we we had a garden and we had and all basically all those (0:07:18) Kev: things um tomatoes and peppers I forget the other one but um but those are good ones to grow they’re (0:07:20) Codey: Yeah, and I also got kale as well. Yeah, so those are all going to grow in my back. I have like a little area that’s kind of closed off. So I’m going to give it a try because we got a shot, a glimpse of what it looks like to be in a post-apocalyptic scenario with no power and having to live on our own, you know. (0:07:23) Kev: hardy and you can get a lot of them, you know. (0:07:26) Kev: There you go. (0:07:43) Kev: Mm-hmm. Off the land. Yep. Yeah. Well, um, that’s pretty, well, the power outage thing’s (0:07:50) Codey: Like off the land. So I also, I wanted to garden anyway, but it’s a joke. (0:08:00) Kev: not cool. Like, that’s wild. I’ve never had an, I’ve extended power outage, I guess, like (0:08:04) Codey: Yeah, it was it was cool for a while, I just realized like I listeners I entreat you to take a moment, you can pause this for like a minute or something after I post this, think about what you do that requires electricity, and then just don’t touch that for a day. (0:08:05) Kev: couple hours. So that’s, that’s a lot to hear, but I’m glad you’re out of it. Okay. Son’s (0:08:26) Kev: I mean, yeah, everything. (0:08:29) Kev: We’re the brain rot termly online. (0:08:34) Kev: But even aside from that, yeah, I’m (0:08:37) Kev: living in an apartment complex. (0:08:39) Kev: Everything is electric for me. (0:08:40) Codey: Yeah, I got all like yep alt might our stove is electric all of our lights clearly are electric (0:08:42) Kev: Even my stove, I’d be out. (0:08:44) Kev: Yep. (0:08:49) Codey: Couldn’t do any cleaning couldn’t do like I was trying to use my phone as little as possible (0:08:56) Codey: but I could take it like I could jump in my car and like (0:08:56) Kev: Mm hmm. Mm hmm. Yeah. Yeah. (0:09:00) Codey: Drive around but I’m sure there were probably gas shortages because everyone was trying to power their generators (0:09:07) Codey: But yeah, I was like wow a lot of my life is (0:09:11) Codey: That so I did a lot of yard work (0:09:13) Kev: Yeah, yeah, I’m sure the the challenge I think would for at least in my scenario would be the food because (0:09:20) Kev: You know, we we’re you can’t go out because restaurants are gonna be down too, right? So (0:09:26) Codey: A lot of the restaurants were down and then the second day when some of the stuff had jumped back up, all the restaurants were swamped because everyone was going out to the restaurants. (0:09:34) Kev: Yeah, of course, of course, of course, yeah, but yeah (0:09:38) Codey: Yeah, so you can’t, you can’t really do that. (0:09:42) Kev: So you did non (0:09:43) Kev: perishable stuff that’s ready to eat and won’t go bad. So like, I hope you have a lot of fruit, (0:09:44) Codey: Yep. (0:09:48) Codey: It was boring. (0:09:50) Kev: I guess a cereal I don’t know because you can’t even have the cold milk. Nevermind. (0:09:52) Codey: I can’t yeah our milk went bad real fast, so. (0:09:56) Kev: Yeah, no. Um, yeah, I don’t even like break out the the spam. I don’t even know. (0:09:56) Codey: Yeah. (0:10:06) Codey: I pretty much, I got chips. (0:10:07) Kev: Can you eat spam out of the can? Yeah. (0:10:09) Codey: I got like a thing of chips. (0:10:10) Codey: So like of little individual packages of chips. (0:10:13) Codey: So I have that. (0:10:14) Codey: I bought Chewy bars, like granola bars. (0:10:16) Kev: Oh, all of those are good. Yep. One of the bars. That’s good. Yeah. (0:10:19) Codey: And that’s all I bought. (0:10:22) Codey: Because then after that, we just got like some fast, (0:10:26) Codey: but even the fast food lines were like so long. (0:10:30) Kev: Yeah, of course. Of course. (0:10:30) Codey: It was crazy. (0:10:33) Codey: Yeah. (0:10:33) Codey: The only other thing that I’ve been up to (0:10:37) Codey: Breath of the Wild. (0:10:39) Codey: And then now that we have power again, (0:10:41) Codey: suddenly there’s a new season of Fortnite (0:10:43) Codey: and it is all Star Wars themed. (0:10:46) Kev: Oh, is is glub shadow in it? (0:10:47) Codey: So I don’t know what that is. (0:10:51) Codey: I’m not a Star Wars human. (0:10:53) Codey: I don’t like Star Wars. (0:10:54) Codey: So you’re gonna send me a picture. (0:10:56) Kev: OK, hold on, let me just pronounce it correctly. (0:10:59) Kev: No, no, it’s it’s so it’s a it’s a meme (0:11:05) Kev: just because. (0:11:07) Kev: Yeah, because obviously Star Wars have all these goofy dumb names or whatever. (0:11:12) Codey: Mm-hmm (0:11:12) Kev: There’s the running gag of Guelp’s shadow of just being a made-up name-slash- (0:11:16) Kev: character and always saying, “Oh, I love Guelp’s shadow. He’s my favorite Star Wars (0:11:20) Kev: character just because he sounds like a real one.” But yeah, Star Wars. I mean, that makes sense that (0:11:22) Codey: Got it, okay, cool (0:11:28) Kev: the third one movie came out. I’m not that big of a Star Wars person, but yeah, sure. Why not? (0:11:34) Codey: Yeah. So that is the short version of what I expected to do. Oh, what have you got, Toucan? (0:11:35) Kev: I mean, it’s cool. I respect it. I just, I’ve never really watched much, many of the movies. (0:11:42) Kev: Yeah. (0:11:49) Kev: She didn’t get into how she had to kill the bear for survival. (0:11:54) Codey: Yeah, didn’t get into any of that. Or my knitting. I’ve been knitting a lot, but it’s fine. You (0:11:58) Kev: Ooh, ooh, ooh, ooh, good stuff. All right. Well, over here, I have had power. So, (0:11:58) Codey: You have to go to the Slack for that information, kids. (0:12:08) Kev: you know, a different experience. Going to roll that in. Just going to show off all the power I (0:12:10) Codey: - Wow. (0:12:12) Kev: have here. Okay. Okay. (0:12:16) Kev: So it’s been busy week. So it’s endless zone zero. I mean, I’ve played daily. I don’t talk about it much because most of the time it’s like it’s a new character I like about, but nobody cares about. So whatever. But this past update this past week or the week before was a big one. Because it was the final, final update for season one stuff. Season one had this whole storyline plot lines connected. And so the next update, we’re going to get a whole new (0:12:46) Kev: batch of stories and characters and all new no, no, no dangling threads, really. So it’s good. That’s, that’s kind of cool. And the character that dropped with this update, her name is Vivian. She is a kind of like Victorian gothic, you know, big, not super big. She’s got a dress with a big, like, almost hoop skirt looking thing and an umbrella, you know what I’m talking about. And she’s got pointy ears. So (0:13:16) Kev: it’s kind of vampire ish gothic, like I said, style that they’re going for her. And so she’s fun. But what I really like about her is that under the dress, there’s actually a bunch of rockets strapped under there. So she’ll launch yourself into the sky, and then launch yourself down at people, which is really funny. So yeah, she’s she’s great. I love Vivian. She’s also hilarious, because she’s something of a fanboy of the main character that you’re playing as. And it’s really, really funny. (0:13:26) Codey: Okay. (0:13:44) Kev: But anyways, yeah. (0:13:46) Kev: I’m just they did show a trailer for season two and there’s all sorts of new characters and stuff including a playable panda, which I’m looking forward to but but yeah, that’s that’s that’s my gotcha corner for myself. (0:14:01) Kev: Let’s see the other okay I picked up a new game this week actually. (0:14:05) Kev: rat topia do you do you remember this one? Oh, we’ve talked about it on the show. I don’t know if I’m in the episode you were on, but are you familiar. (0:14:06) Codey: Mm-hmm (0:14:11) Codey: Yeah, yeah (0:14:14) Kev: So, yeah, so for people who may not. (0:14:16) Kev: I don’t remember, it’s very Terraria like, right, like the 2D slice of earth, you see everything, but you control a rat princess queen, and you are establishing a new rat city village kingdom thing. (0:14:34) Kev: So it’s great because it’s, again, very Terraria like, but as the leader, you get to command the people who move into your town, you actually get to command them to go. (0:14:46) Kev: Do this job, do, you know, mine here, do this, you’re now the logger, whatever. (0:14:48) Codey: Hmm. (0:14:52) Kev: So that part is really cool. That really excited me because I love when you actually get to command people and they do stuff in these games, right? (0:14:58) Codey: Yeah. (0:15:00) Kev: And I like rats. The art style is cute. But, you know, I like little critters in general. So that was fun. (0:15:08) Kev: And the game’s good, but it also can be really hard. It turns out running a kingdom is really hard because sometimes. (0:15:12) Codey: Mmm (0:15:16) Kev: You have to defend from zombie rats invading your town. You have to manage an economy. Do you know how fun that is to figure out how much you should be taxing or subsidizing? (0:15:26) Codey: Nope. (0:15:28) Codey: That does not sound fun. (0:15:30) Kev: It’s wild. I’ve had to start over a few times because I just backed myself into a corner of unsavable. I destroyed the kingdom. (0:15:42) Kev: So, yeah, that, you know, kind of like the real life car, I mean, it’s just… (0:15:46) Kev: I can just restart the politics, yeah. (0:15:53) Kev: But yeah, that’s Rhetopia. (0:15:54) Kev: Overall, it’s a great game, two thumbs up from me. (0:15:58) Kev: I hear other people are interested in this game (0:16:00) Kev: and may talk about it and play it (0:16:02) Kev: and discuss it at length somewhere. (0:16:05) Kev: So yeah, keep an eye out for that. (0:16:08) Kev: And the other one, so lastly, not game specific, (0:16:14) Kev: But, uh, oh. (0:16:16) Kev: Uh, this past, a couple of days ago, I went, I went out to the club. (0:16:20) Kev: I don’t go very often, but I liked the club. (0:16:22) Kev: Um, I liked to dance. (0:16:24) Kev: Um, I, yeah. (0:16:24) Codey: Okay, awesome! (0:16:26) Kev: Um, so it was a solo trip. (0:16:29) Kev: It was just me. (0:16:31) Kev: Um, I was like, you know what? (0:16:32) Kev: I’ve been, I’ve had a very stressful couple of weeks. (0:16:34) Kev: I was like, you know, I’m going to get away for a day and go for a night out. (0:16:38) Kev: And then I had fun or whatever. (0:16:40) Kev: Um, I went to the, uh, club by the. (0:16:46) Kev: Area I went to is very college heavy. (0:16:48) Kev: Um, so, um, I, at first when I got there, I think I got there, no, not I think (0:16:48) Codey: Mm-hmm. (0:16:53) Kev: I did get there a little too early. (0:16:54) Kev: So I thought, you know what? (0:16:55) Kev: Maybe this was a bad call. (0:16:56) Kev: Cause you know, the semester’s are ending for colleges. (0:16:59) Kev: I don’t know. (0:16:59) Kev: People aren’t going to be there. (0:17:00) Kev: Um, but it did populate eventually. (0:17:03) Kev: Um, and now I’m only 30, what am I two? (0:17:04) Codey: Mm-hmm, mm-hmm, yeah, yeah, it doesn’t matter anymore. (0:17:08) Kev: No, yeah, 30. (0:17:09) Kev: Yeah, 30. (0:17:09) Kev: Yeah. (0:17:09) Kev: No, I forget after 26, I lose track. (0:17:12) Kev: Um, yeah, yeah, right. (0:17:14) Kev: So I’m. (0:17:16) Kev: Not, yeah, yeah. (0:17:17) Kev: So I’m not old, but especially in this college heavy area, I feel old (0:17:20) Kev: man at the club, just, just a wee bit. (0:17:24) Kev: I’m laying out there in my slacks and a little vest. (0:17:26) Kev: I’m looking, you know, I’m feeling snappy, but everyone else are the (0:17:30) Kev: majest majority of people are college aged kids with t-shirts and the shorts (0:17:34) Kev: and whatever, so I’m sticking out. (0:17:36) Kev: Um, but, uh, but overall I still had fun. (0:17:39) Kev: Um, I just, okay, here’s my biggest old man thing. (0:17:44) Kev: All right, embrace yourself. (0:17:44) Codey: Mm-hmm. (0:17:46) Kev: Um, I, um, so I’m a single guy, right? (0:17:46) Codey: Okay. (0:17:49) Kev: And, you know, obviously with heading out to the club, one of the things is like, (0:17:53) Kev: you know, maybe I’ll find someone to dance with, right? (0:17:56) Kev: Cause that’s, that’s just the thing. (0:17:57) Kev: Or so I thought because, uh, I struck out all night and that’s, that’s fine. (0:17:58) Codey: - Mm-hmm. (0:18:02) Kev: That happens. (0:18:03) Kev: And you know, whatever, but after talking to other people, apparently the scene (0:18:07) Kev: has kind of changed, like everyone’s just going up in groups or, or people very (0:18:14) Kev: We rarely actually (0:18:16) Kev: like reach out to strangers or accept the strangers to dance with and apparently you (0:18:23) Kev: gotta like you know meet up beforehand or you know you’re meet up online and decide (0:18:28) Kev: to do so or whatever but that’s just that’s that again that’s just me old manning here (0:18:32) Kev: like I’m I’m just shocked to see that the the the scene has changed as it will or as (0:18:39) Kev: it were (0:18:39) Codey: - Dating, dating is awful. (0:18:43) Codey: Yeah, I, when I was dating, (0:18:46) Codey: even like five years ago, I hated it. (0:18:48) Codey: - Yeah, no, it was awful. (0:18:50) Kev: Yeah, yeah, but um, but yeah, that’s just like I’m I’m too on hip to (0:19:00) Kev: Yeah, I’m I’m out of it. I’m it’s it’s all the zoomers. I can’t keep up with them (0:19:07) Kev: That their fortnight dances in the floss (0:19:11) Kev: All right, that’s all I got (0:19:15) Kev: Alright, let’s get to let’s get to I know what you’re at least (0:19:20) Kev: last month or monthly segment where we talk about stuff that just came out, but before we do, (0:19:23) Codey: No, I didn’t know there was a new one. (0:19:24) Kev: did you see the trailer for I know what you did last summer the new one? (0:19:30) Kev: Yeah, our you know, obviously what we’re riffing off here for the title segment that movie got a (0:19:37) Kev: I don’t sequel reboot thing it’s it’s it’s it’s that trend where it’s reusing the original title (0:19:44) Kev: just called I know what you did last summer and it’s you know the same premise but oh look there’s (0:19:50) Kev: original character who is it Sarah Michelle Keller I think it is I don’t remember the original actress (0:19:56) Kev: from the original oh and she’s there older and she’s gonna be helping out and and you know it’s (0:20:01) Kev: it’s just the rehash that Hollywood has been doing with all especially a lot of horror movies it feels (0:20:05) Kev: like but yeah I just just want to point out that I got a trailer I haven’t watched any of the other (0:20:12) Kev: ones so whatever but it’s just interesting (0:20:14) Codey: Yeah, I don’t mind like when they do that stuff. So I really love the scream franchise. (0:20:20) Kev: yeah the scream one seemed to do I hadn’t seen the newer ones but that seemed pretty well done how (0:20:26) Kev: they did it yeah all right there you go that first scream is really good like I get it when (0:20:28) Codey: So yeah, 10 out of 10. (0:20:36) Codey: Yeah, we. (0:20:36) Kev: I watched it the first time I was like oh okay I get it um okay uh all right not for games that (0:20:45) Kev: Come on, non-horror games, Cottage Court games, if you don’t like those, do you? (0:20:45) Codey: Mm-hmm, yeah. (0:20:50) Kev: If you like those movies, you might like this. (0:20:52) Kev: Alright, first of all, Bugaboo Pocket, what I call the Bugagotchi game, because it’s 2D pixel style, very detailed, very gorgeous looking sprite work of bugs, and you pet them and do games with them. (0:21:02) Codey: Mm hmm. It was so good. I’m like still so tempted to get that but I will I will I will hold off. (0:21:18) Kev: There’s, there is a lot I will say. There’s Tarot, there’s also it looks like a Fruit Ninja game, and a lot of petting of bugs, they’re very cute but yeah this, yeah, it looks, well maybe you should get the full release so, so it is as long as you want it to be. (0:21:26) Codey: Mm-hmm (0:21:31) Codey: Yeah, I played the demo the demo was super good it’s just wasn’t as long as I wanted it to be (0:21:43) Kev: Oh, if you look on their Steam page, they have a big, like, Nintendo seal of a period. (0:21:48) Kev: So now on the flip side, something that is more pocket, as in Polly Pocket, because Tiny (0:22:09) Kev: Garden came out. The Polly Pocket game, or inspired game, it is a game, not a physical. (0:22:18) Kev: Thing that you can open, and you garden inside your little Polly Pocket world, and you kind of (0:22:23) Kev: rearrange and decorate and all that good stuff. I have not played this game. It looks a lot like a (0:22:32) Kev: game called Garden Galaxy that I did play, which was fine. I think it looks very cute, this Tiny (0:22:38) Kev: Garden. It looks well done, but yeah, go check that out if you’re interested. The gardens are (0:22:46) Kev: So very cute, I will say that. (0:22:49) Kev: Um, let’s see here. (0:22:51) Kev: Next up, we have Opidum, I think. I think I say it different every time. (0:22:54) Codey: Mm-hmm. (0:22:57) Kev: It is the, what I call, multiplayer pow world-esque equivalent of Breath of the Wild, because it’s open world sandbox key. (0:23:09) Kev: And you know, it has all your usual survival, whatever. (0:23:13) Kev: Um, but the combat, the combat is just so very clearly Breath of the Wild-ish. (0:23:18) Kev: Feeling, um, which is fine because, you know, that’s a good game to take inspiration from. (0:23:24) Kev: But, uh, but yeah, um, I, you know, a full 3d game like this being multiplayer co-op, (0:23:31) Kev: that is pretty cool. I will give them that. Um, so I don’t know if I’m going to try it just because (0:23:36) Kev: I don’t have room for it right now, but, uh, good on, uh, good on, uh, E.P. games is the (0:23:42) Kev: dev. He came out with it and it’s finished. Um, well, I say it’s finished. It’s really (0:23:48) Kev: released. Um, yeah, and multi multiplayer Breath of the Wild, they’re, they’re just (0:23:54) Kev: sound like a neat niche for that. So, um, yeah, good on them. Uh, and then let’s see, (0:24:00) Kev: lastly on our list, we have Dean Come 1.0. This is our survive, again, survival-less life sim game, (0:24:09) Kev: whatever. Uh, but this time you’re, uh, you’re in Australia. Um, so you farm, hunt, mine, fish, (0:24:14) Kev: all that good stuff do do all the Australian things is our (0:24:18) Kev: friend mark and it may be because as we all know, (0:24:21) Kev: Australia is a small little island nation and almost really (0:24:25) Kev: the people they all know each other and just they basically (0:24:26) Codey: They should, they all know each other. (0:24:31) Kev: walk by each other every day on their way home. But anyways, (0:24:36) Kev: but yeah, look, Australia is very cool. I always I adore like (0:24:39) Kev: reading about as a kid who loved wildlife and animals and Steve (0:24:43) Codey: Mm-hmm. (0:24:44) Kev: Irwin, right? Like Australia was very big in the 90s. And I’ve (0:24:46) Codey: Mm-hmm. (0:24:47) Kev: read and bought a lot of (0:24:48) Kev: Australia. (0:24:49) Codey: Have you seen some of the new photos that Robert Irwin posted? (0:24:54) Kev: No, what does he do? (0:24:54) Codey: Mm-hmm. (0:24:56) Kev: What is he doing? (0:24:58) Codey: Don’t look at it. (0:25:00) Kev: Wait, don’t why not? (0:25:02) Codey: Unless you are a housewife that is bored. (0:25:07) Codey: He posted a risque. (0:25:08) Kev: Oh, dear. (0:25:10) Codey: No, it wasn’t. (0:25:11) Kev: Oh, my gosh, I see. (0:25:11) Codey: It wasn’t risque. (0:25:13) Codey: It was just Robert Irwin in underwear. (0:25:14) Kev: No, I get it. (0:25:17) Kev: I i didn’t yeah (0:25:18) Kev: oh that’s uh yeah that is underwear those are boxers yep I see it (0:25:18) Codey: But Instagram was going insane. (0:25:23) Kev: with him holding it looks like a gila monster or something (0:25:26) Codey: Yeah, he was also holding a snake at some point. (0:25:27) Kev: yeah oh wait oh I see oh that snake that’s a different one yeah (0:25:29) Codey: Yeah. (0:25:31) Codey: He could have a whole calendar. (0:25:34) Codey: And I’m sure he’d make millions. (0:25:36) Codey: Yeah, no, I think that the idea of a survival game in Australia– (0:25:37) Kev: oh that’s good (0:25:43) Codey: why hasn’t that happened yet? (0:25:46) Codey: Why has it taken this long? (0:25:46) Kev: Yeah, you’re right. And it’s an Australian pleasant places. This is just my daily lives. (0:25:58) Kev: This is just the Sims. This isn’t anything special. No, but but yeah, I mean, all you know, (0:26:05) Kev: all joking, the Australia danger death zone aside, you know, it has the wide variety of unique floor (0:26:13) Kev: and faunus that makes for I think doesn’t make great for (0:26:16) Kev: great setting for this kind of game although you know fighting the boss shark is kind of ridiculous (0:26:22) Kev: but in a fun way um so yeah that’s dinkum 1.0 um it is again much like op-ed you can play co-op (0:26:30) Kev: with people um that is out right now um 1.0 um there’s lots of stuff go check out the link you (0:26:39) Kev: know where to find all that stuff um okay yep there you go let’s talk (0:26:43) Codey: And that’s what released last month. (0:26:47) Kev: stuff that didn’t release next month but supposedly releasing in the future supposedly (0:26:54) Kev: all right harvest moon double pack of ports um we have sky tree uh lost valley and sky tree village (0:27:04) Kev: being released uh as a double pack um for uh let’s see I don’t know switch is that what it is okay (0:27:13) Kev: Yeah that makes sense. It is getting a… (0:27:17) Kev: A physical release through the Natsume store, that’s where it is, yeah through the Natsume store. (0:27:24) Kev: You can get a physical copy including an acrylic standee which I don’t think looks particularly noteworthy or nice, but there you go if you’re interested. (0:27:30) Codey: Yeah, but I mean maybe if this was a game that someone really liked then that’s that’s cool for them (0:27:35) Kev: Yeah, yeah, but do those people exist though? (0:27:37) Codey: But I (0:27:39) Codey: Don’t know not to me just trying to milk the cash cow as long as they can (0:27:45) Kev: the literal cash cow. (0:27:46) Codey: Yeah (0:27:48) Kev: I will give them this. They’ve done a dang good job because it’s been a hot minute since they just did the localization, (0:27:56) Kev: but they’re still running. It is so good. I respect that hustle. (0:28:04) Codey: So yeah, 3rd of July if folks are interested in that. (0:28:06) Kev: Oh, thank you. Yeah, the date. I guess that matters. (0:28:12) Kev: Um, next up, all right, here is a game I do care about though. (0:28:15) Kev: Actually, let’s talk about. (0:28:16) Kev: Cattle Country, um, your 2d pixel art Western frontier, um, Stardew ish like where you’re, you’re doing all the things, um, and you can little bit Oregon Trail, a little bit Stardew Valley, I guess, I don’t know, but, uh, yeah, um, it comes, it is releasing on May 27th, um, which that is very close. (0:28:35) Codey: Mm-hmm. (0:28:41) Codey: Ooh, that’s close. (0:28:44) Kev: Um, that’s a bad time. That’s always a busy time. (0:28:46) Kev: Um, yeah, that’s, that’s a couple of weeks. Um, I’m looking forward to it and I’ll be (0:28:47) Codey: Okay. (0:28:48) Codey: Did you, like, back it or anything, or you haven’t bought it yet? (0:28:53) Codey: Okay. (0:29:14) Kev: playing it. Keep your eyes. (0:29:16) Kev: Ears peeled, I guess. I don’t know how to peel ears. But here we are. Let’s see. Now we have (0:29:29) Kev: the next game, 2Pixellia, that is out now. This is, yeah, May 1st, it just released. This one is a (0:29:32) Codey: Mm hmm. Yep. (0:29:43) Kev: again pixel art to the kind of city (0:29:47) Codey: Mm-hmm. Yeah, this is the one that doesn’t know what it wants to be, (0:29:47) Kev: simulator I guess um yeah (0:29:53) Codey: and there’s so many different things in it. I believe Al backed this one, so he has it. (0:29:59) Kev: that’s a safe bet (0:29:59) Codey: We’ll probably hear about it, but watching the trailer and stuff, I was just so like… (0:30:06) Kev: it’s it’s a lot if it feels like honestly it feels like taking control of (0:30:12) Kev: one of the sims instead of watching them do (0:30:14) Codey: Yeah. (0:30:15) Kev: everything like just playing them you know (0:30:17) Kev: um so i’ll check it out if you want if you want to do (0:30:22) Kev: crimes you can do crimes so i’ll give them that (0:30:24) Codey: You can do crimes in this game can’t break up marriages though. (0:30:25) Kev: or you can do crimes i’ll give them that (0:30:29) Kev: all right not not yet again that is two pixely and that is (0:30:35) Kev: out now on steam at least I don’t know where else but uh (0:30:38) Kev: there you go all right let’s get into games that already (0:30:43) Kev: did come out but now have more stuff coming out (0:30:47) Kev: okay okay this first one blew my mind because I thought this game was (0:30:52) Kev: dead based like not dead but you know done I can (0:30:54) Codey: Dude, no, this game is not dead. (0:30:57) Codey: This game slaps. (0:30:59) Codey: I wanna play it so bad. (0:30:59) Kev: well I mean yeah I mean i’m not saying that (0:31:02) Kev: dead like people aren’t playing it just I didn’t think they were we’re gonna get (0:31:06) Kev: an update but I guess if there is one franchise in (0:31:09) Kev: the world that can do whatever they want it would be (0:31:13) Kev: san rio and hello kitty because hello kitty island adventure has (0:31:17) Kev: not one but two updates well one of them I think (0:31:21) Kev: came out already um the other one was announced (0:31:25) Kev: Um, so there is the first one is (0:31:29) Kev: the, um, friends furniture and frozen peaks expansion. Um, (0:31:34) Kev: I think that’s out already. Um, there is, uh, (0:31:39) Kev: expansions to believe new areas, Blizzard peak and snow village. (0:31:44) Kev: There are new types of weather flowers, all sorts of new story and cosmetics, (0:31:49) Kev: um, and more improvements and refinements to the friendship system, (0:31:53) Kev: which were needed. Um, just, yeah, just a lot of stuff. (0:31:57) Kev: There’s a lot of stuff again. (0:31:59) Kev: The ice area that’s the big one and improvements to the, you know, UIs and experiences. Nice little (0:32:07) Kev: quality of life touches here and there. All sorts of new furniture and cosmetics. (0:32:15) Kev: There’s some new quests and storylines, all that stuff. Yeah, yeah. (0:32:20) Codey: Sorry, I I was trying to see what it was available on and it is on Apple Arcade (0:32:27) Kev: I mean, it’s on the Steam page. (0:32:29) Kev: So I assume it’s, yeah. (0:32:31) Codey: Yeah, so it’s on Steam but it’s also on Apple Arcade well because on Steam it’s only or sorry it’s on Steam it’s only (0:32:40) Codey: Windows but then it so to play it on Mac you have to play it in Apple Arcade (0:32:43) Kev: Mm-hmm (0:32:47) Codey: I’m wondering, so it’s also on switch. (0:32:53) Kev: on everything, I think, right? I’m just gonna… Look, I’m assuming their deep pockets have (0:32:59) Kev: enabled it to just be out on everything. (0:33:02) Codey: No, they don’t have a Xbox. I was looking for that because I have game pass. Yeah, looking (0:33:08) Kev: - Oh, well, everything they’re on. (0:33:09) Codey: at this, looking at this like update, the biggest thing that I lost my mind about was (0:33:14) Codey: Aggretsuko. So they added, it was, I think it was just in the friends furniture and frozen (0:33:16) Kev: Yeah (0:33:23) Codey: peaks. One, they added Retsuko. So from the TV show, Aggretsuko, they added. (0:33:24) Kev: Yeah (0:33:30) Kev: Well retzeko was in already (0:33:32) Codey: But her friends and coworkers are now. (0:33:35) Kev: That’s correct (0:33:36) Kev: But she was the weird one because nobody knew her because she was from a different part of the scenario verse (0:33:41) Kev: But now yes the supporting ritz a gretzeko cast is here (0:33:46) Kev: I haven’t watched the anime so I can’t get hyped, but I’m kind of hyped because it’s cool (0:33:50) Kev: I like the anime without watching it. It’s a good concept (0:33:54) Codey: I friggin love that anime. Well, because I love metal, so it like tickles that fancy. (0:34:01) Codey: Yeah, I don’t know. Yeah, the other update is called the month of meh. (0:34:02) Kev: Yep, I’ll do it (0:34:07) Kev: But (0:34:10) Kev: Okay, I just got to say when I saw this I thought that was I’ll know it I was like wow I’ll jam (0:34:15) Codey: See, I thought I was saying like, eh, this game sucks. And then I looked, I was like, oh no, it’s literally. (0:34:17) Kev: Don’t like this update, huh? (0:34:24) Codey: Called the month of meh. And there’s Gudetama as. Oh, okay. (0:34:25) Kev: The next up is called month of man (0:34:32) Kev: As good atomic it’s a good atomic festival of sorts right cuz (0:34:38) Kev: yeah, because the Hello Kitty Island adventure does like kind of like Animal Crossing where you know special events or (0:34:45) Kev: Theirs are usually like maybe a week or two. Whatever like oh, here’s the (0:34:50) Kev: Chinese New Year’s the Christmas is the Halloween whatever right they do their monthly your seasonal events and this appears to be one of those (0:34:54) Codey: This, this character that’s dressed as an egg yolk though, a nisetami-san. (0:34:57) Kev: from a night what I saw (0:35:02) Kev: I (0:35:04) Kev: Don’t know who that is. Is that a Sandra Hill character because okay, cuz everyone knows Goude Thomas the lazy egg with the butt (0:35:05) Codey: I don’t like it. (0:35:07) Codey: I don’t like it. (0:35:11) Kev: All right, he’s it’s a little the little guy, right? It’s like, you know standard chicken egg and the little guy is that (0:35:18) Kev: But this guy (0:35:20) Kev: He said Thomas son. No, that is a full grown (0:35:24) Codey: That’s a person, and it’s in a weird costume, and I don’t like that. (0:35:24) Kev: sized human man in a (0:35:28) Kev: You know like yellow (0:35:32) Kev: Jump not jumps, you know, it’s those weird Halloween costumes (0:35:34) Codey: body suits. Yeah. That’s a choice. (0:35:36) Kev: Yeah, the bodysuits that are the single colors and he’s dressed up like Gudetama, but he’s got a very (0:35:43) Kev: Bland face. I don’t I don’t know how to (0:35:46) Codey: the face is honestly the worst part like if if it was like a normal face I would be like (0:35:51) Codey: oh it’s a person but the face I’m just like what is happening um (0:35:55) Kev: Yeah, no, I’m looking this up, this is not new, this is a Sanrio. (0:35:59) Codey: I’m sure it’s a character I just it’s character I didn’t know and I would love to go back to (0:36:01) Kev: Yup. (0:36:03) Kev: It’s a man dressed as Gudetama, so there you go. (0:36:06) Codey: I’d love to go back to five minutes ago when I did not know what six things existed (0:36:12) Kev: He’s got very thick eyebrows. (0:36:14) Kev: That might be part of the problem. (0:36:16) Codey: I don’t know I don’t know (0:36:19) Kev: Well, there you go. (0:36:19) Kev: There’s the month of May. (0:36:21) Kev: It’s through the month of May. (0:36:24) Kev: You get it? (0:36:25) Kev: You get it? (0:36:25) Kev: I don’t know if that was their intention, (0:36:27) Codey: it’s gonna be meth (0:36:27) Kev: but whatever worked out. (0:36:29) Kev: You know what’s not– well, actually, I’m (0:36:31) Kev: sure the update itself is not meh. (0:36:33) Kev: But you know what else is not meh? (0:36:35) Kev: These new games actually– no, they’re all right. (0:36:36) Codey: Oh, no, we got another update. (0:36:39) Kev: Oh, I did skip one. (0:36:41) Kev: Whoopsie. (0:36:41) Codey: There was another update, but it’s only the 0.5 update, (0:36:42) Kev: Oh yeah. (0:36:45) Codey: y’all, so don’t worry. (0:36:46) Codey: It’s not really– (0:36:50) Codey: it’s not a real update. (0:36:51) Codey: No, it’s fine. (0:36:53) Codey: The game Far Lands has a 0.5 update (0:36:56) Codey: that adds a bunch of stuff, including (0:36:58) Codey: hostile mobs in the mines, a new mine (0:37:01) Codey: that you can go to, 10 new social events, Steam Deck (0:37:05) Codey: support, uh, furniture. (0:37:06) Codey: I didn’t, I haven’t really looked at this game before, you kind of just look like a zombie. (0:37:14) Kev: yeah you look like a weird uh yeah a lot of the other characters because you crash line on like (0:37:20) Kev: an alien planet and they’re all alien zombie-ish in appearance I i I agree um but uh yeah okay it (0:37:29) Kev: feels a little space tardewy but it has a little more flavor it has a little more sauce as the kids (0:37:34) Kev: call it um like uh it I that’s what I hear look I still tutor kids okay you know okay (0:37:36) Codey: Is that what the kids are calling it? (0:37:44) Kev: tangent hey shocker me cody you’re going to tangent but okay look I know every generation (0:37:46) Codey: Tangent, boom, boom, boom, boom. (0:37:52) Kev: our generation and everyone has their slang and lingo and and bads and whatever right (0:37:58) Codey: Mm-hmm. (0:37:59) Kev: but that I think i’ve been thinking about this because as I tutor right like I see the the next (0:38:05) Kev: generation of kids or it’s also i’m like a couple cycles in at this point really um because i’ve (0:38:10) Kev: tutored for so dang long it’s it’s gotten horrendous the the skipper (0:38:15) Kev: generation as i’m gonna call it because I think that’s the emblematic uh term and and (0:38:16) Codey: Yeah, it’s it’s the brain rot generation. So they, they say like the they they’re that (0:38:22) Kev: yes the brain rot generation there too (0:38:26) Codey: what they’re going to watch is just brain rot and just cringe. And like, yeah, they (0:38:28) Kev: yep yep all that like I i don’t either it’s not and like (0:38:31) Codey: I don’t get it. It’s not entertaining to me. (0:38:39) Kev: the issue isn’t even the stuff itself per se I mean a little bit but you know like that’s i (0:38:43) Kev: I think also just kind of. (0:38:44) Kev: The nature of the generations, like our parents didn’t get our stuff either or whatever, right? (0:38:49) Kev: Um, but it just feels like so much more prevalent and ingrained and, and virulent than, uh, than other generations. (0:39:01) Codey: Verilent. It’s a virus, the brain rot virus. (0:39:01) Kev: And I’ve been thinking about it really. (0:39:03) Kev: Yeah, it really is. (0:39:06) Kev: And, and it’s, I’ve been thinking like, how should I put this right? (0:39:11) Kev: So when you and I grew up, let’s say, right in our middle school. (0:39:14) Kev: I’m a school, whatever, right? (0:39:15) Kev: Like there are the fads and there’s the playground speak and it would spread or whatever, right? (0:39:19) Codey: Mm-hmm. (0:39:20) Kev: But it was still kind of contained to our local area, right? (0:39:22) Codey: Mm-hmm. (0:39:24) Kev: Because we didn’t have the internet, but I think about it. (0:39:27) Kev: Like, I think that’s the issue, right? (0:39:29) Kev: All these kids have their phones and the same app. (0:39:32) Kev: So like, it’s all so homogenized. (0:39:35) Kev: Like, I think that’s just why like every single kid knows it and watches the same thing. (0:39:42) Kev: Like, it’s, it’s insane. (0:39:44) Kev: Oh, my gosh. Oh. (0:39:46) Codey: Yeah, that’s a whole other story about like whether or not that stuff is helping or harming (0:39:54) Codey: the socialization of the next generation. (0:39:58) Kev: Mm-hmm. That’s a, that is a good one. (0:39:59) Codey: That’s something I’ve been thinking about a lot lately as like, more discussions about (0:40:01) Kev: Yeah. Mm-hmm. (0:40:04) Codey: autism come out and stuff and like having been, you know, diagnosed as a autistic adult (0:40:10) Codey: at this point. (0:40:12) Codey: Um, yeah, but. (0:40:14) Kev: Yeah, it’s (0:40:16) Kev: And it’s tough because we you know, we’re not gonna have all the data until later right like it’s gonna be tougher kind of (0:40:23) Kev: Speculating but um, it’s it’s it’s what to see (0:40:27) Kev: and but I you know (0:40:28) Codey: Well, that’s Far Lands. (0:40:30) Kev: As about yeah, there you go, there’s your point five update for for this it’s out now (0:40:32) Codey: Pull us back. (0:40:33) Codey: Pull us back. (0:40:37) Codey: It’s out now. (0:40:38) Codey: If you want a hostile mob, if you’ve (0:40:40) Codey: been waiting for steam support, they’re there. (0:40:44) Kev: Achievements, they’re in there, too. (0:40:47) Codey: They are there. (0:40:49) Kev: All right, let’s talk– (0:40:51) Kev: those are the updates. (0:40:53) Kev: Let’s talk about some new game announcements. (0:40:54) Codey: Mm-hmm. (0:40:55) Kev: Let’s talk about “Scibbity Island.” (0:40:57) Codey: No! (0:40:59) Codey: We were leaving it. (0:41:00) Codey: We were leaving it. (0:41:02) Kev: No, it’s here to stay. (0:41:03) Codey: No, Sunseed, Sunseed Island. (0:41:05) Kev: OK. (0:41:07) Kev: OK, yeah, “Sunseed Island.” (0:41:10) Kev: OK, first of all, this is insanely cute art style. (0:41:14) Kev: Whoever their art team is, they’re (0:41:18) Kev: knocking out of the park. (0:41:20) Kev: The actual game itself, you’re playing (0:41:22) Kev: as a little cat with a little Pikmin-style flower (0:41:25) Kev: star on your head. (0:41:27) Kev: And you’re rebuilding your town. (0:41:29) Kev: You’re farming. (0:41:30) Kev: You’re fishing. (0:41:31) Kev: You’re exploring islands. (0:41:35) Kev: A lot of the hallmarks of the cottage core verse, (0:41:37) Kev: what can I say? (0:41:38) Kev: There’s different– it looks like– (0:41:40) Kev: I think it’s kind of like Animal Crossing, (0:41:42) Kev: where you can sail to different islands, (0:41:43) Kev: and there might be different environments. (0:41:44) Kev: It’s coming on April 24th on the eShop, actually. (0:41:51) Kev: Wait, what? (0:41:53) Kev: Wait, April 24th? (0:41:54) Codey: Oh, so it’s already out. (0:41:55) Kev: Is that already out? (0:41:56) Codey: It’s already out. (0:41:57) Kev: Oh, yeah, it is sale ends. (0:42:00) Codey: Yeah, so it’s already out. (0:42:02) Codey: Yeah, the little things on top– they all have little Pikmin. (0:42:06) Codey: It’s not just your character. (0:42:07) Codey: All the characters look like they (0:42:08) Kev: Yeah. (0:42:09) Codey: have little Pikmin-y things. (0:42:10) Kev: Mm-hmm. (0:42:11) Codey: Very cute. (0:42:12) Kev: Yeah. (0:42:14) Codey: And so their blurb for it is, welcome to Sunseed Island, (0:42:18) Codey: the perfect escape for cozy gamers who love (0:42:20) Codey: to farm, explore, and collect. (0:42:24) Codey: Rebuild a lost village, befriend magical creatures, grow crops, (0:42:27) Codey: fish and tranquil waters, and upgrade your tools, (0:42:29) Codey: discover the secrets of a mystical tree, (0:42:31) Codey: and reconnect the scattered islands. (0:42:35) Codey: I could read that for so many different of these games. (0:42:38) Kev: Okay. (0:42:41) Codey: Yeah, it looks cute. (0:42:43) Codey: Looks like all the other ones, unless you’d (0:42:46) Codey: want to play as a cat, then here you go. (0:42:47) Kev: Yep. Yeah. (0:42:49) Codey: So the price, though, was confusing. (0:42:54) Codey: So on May– (0:42:55) Kev: I mean it’s um well right it’s on sale on the us e-shop for three dollars that’s 72% off i’m (0:42:58) Codey: yeah, go for it. (0:43:04) Kev: too lazy to do the math that’s maybe what like 10 bucks maybe um yeah it’s something like that (0:43:10) Kev: usd uh I can’t see this because I don’t have the uke shop but (0:43:14) Kev: per one of al’s notes apparently it is 100 off on the uke shop so (0:43:18) Codey: I feel like they probably fixed that because the note out so Al said that he got it for free (0:43:24) Codey: because it was it was literally free on the eShop so he got that um and then the note that he left (0:43:25) Kev: yep (0:43:28) Kev: I i don’t blame him (0:43:33) Codey: for the US eShop was that it was 90% off but then I looked and it’s definitely 72% off so (0:43:36) Kev: So, sounds like some numbers were crossed and buttons were pushed incorrectly. (0:43:47) Codey: Y’all should– (0:43:49) Codey: Y’all should check this. (0:43:50) Kev: It’s on sale somewhere. (0:43:52) Kev: You can go get it for cheap right now, we’ll tell you that much. (0:43:54) Codey: Yeah, check this regularly. (0:43:57) Codey: Maybe they just are flipping a dice or something, (0:44:00) Codey: like throwing a dart at a board. (0:44:01) Kev: Maybe they put the wrong sign on. (0:44:07) Kev: It happened to me at the store, not just once multiple times, but they had something on sale and it wasn’t on sale, it made me sad because it was like boxes of cereal, it was like buy two, get three free, it was like wow that’s a great deal, and then I went to the register like no that’s wrong, and I was like oh, I guess I won’t get my cereal. (0:44:24) Codey: So check it out if you like the idea of a stardew where you’re a Pikmin cat. (0:44:31) Kev: Yeah, but you know it kills me that (0:44:33) Codey: The next s s island. (0:44:37) Kev: Okay, okay, you know you want to get into all right. Let’s get into that because what I was gonna say for both of these games (0:44:43) Kev: We went from was it sunseed Island to star sand Island, right? And (0:44:46) Codey: - Mm-hmm. (0:44:50) Kev: Look, you know (0:44:51) Kev: It’s a tough market. I get it right like you got to stand out (0:44:56) Kev: It’s tough and you know what there’s redeeming qualities here both of these (0:44:59) Kev: I’m not- I’m not gonna say these are off. (0:45:01) Kev: That’s awful, but I’m- I’m already loading the gun and ready to drag you out behind the barn for using those names because no, no. (0:45:06) Codey: S– yeah, for a lack of originality, for sure. (0:45:13) Kev: You went with the Noun Noun island slash valley, which is- is- (0:45:17) Codey: S– like, nouns that start with S. (0:45:20) Kev: And then you start with S, both of you, like, oh my gosh, what is- you know what, maybe- maybe the Skibitty kids aren’t so bad. (0:45:23) Codey: Yeah. (0:45:31) Codey: This one does look different, though. (0:45:33) Codey: So the blurb of it, again, is basic. (0:45:36) Codey: So it’s leave the hustle of the city behind (0:45:38) Codey: and embrace life on Starsand Island. (0

In this episode of Working Class Audio, Matt welcomes producer, engineer, mixer, drummer, and composer Emre Ramazanoglu who has worked on projects for Brian Eno, David Bowie, Noel Gallagher Nova Twins and many more. ATMOS for Brian Eno Ziggy Stardust. & Ken Scott Playing on Pillows Mimicking Reverb Fashion Shows Session Drumming Giving a Shit ATMOS Success Apple Issues Dolby Curve Know Your Worth Family Balance ADHD Emre's Site Emre's Band Guest: (Current Guest) Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith In This Episode, We Discuss:Links and Show Notes:Matt's Rant: Embrace the UnpredictableCredits:

Peace and reconcilation are possible. Devo's Gerald "Jerry" Casale and Mark Mothersbaugh being together on the road for their "50 Years of De-Evolution... Continued!" tour is evidence that warring parties can not only put down their arms, they can pick up their instruments and make the music that we all need right now. Find a Devo Summer 2025 tour date near you: https://clubdevo.com/tour Catch the VIDEO of Jerry spilling the tea about the time he and his brother-in-arms Mark had to pitch Devo's version of the Rolling Stone's hit "Satisfaction" to a moves-like-Jagger dancing Mick Jagger. WATCH HERE: https://youtube.com/shorts/XEyoBbllpqs Jerry Casale's epic Spinal Tap Moment stories in this episode run the gamut from Devo falling prey to the disease that's lethal to bands, "Lead Singer-itis"; how Budweiser got free product placement in the Whip It video; and why collaborating with David Bowie was the ultimate moment of vindication. --- ***http://distrokid.com/vip/tmep*** Too Much Effing Perspective is grateful to be sponsored by DISTROKID - the best way for Musicians, Songwriters, Producers, DJs to get their original music into Spotify, Apple, TikTok, and all the major platforms. Get the VIP treatment that you and your music deserve AND get 30% OFF your first year subscription to DISTROKID at this special link. ***http://distrokid.com/vip/tmep*** --- Get in touch with Too Much Effing Perspective Contact us: hello@tmepshow.com Website: https://tmepshow.com Social: @tmepshow Learn more about your ad choices. Visit megaphone.fm/adchoices

Achieving Success with Olivia Atkin Episode 132 "Achieve Your Moment That Rocks: Reinvention And Wisdom with Music Producer Tony Michaelides"Olivia talks personal and professional achievements with Tony Michaelides. Tony is a renowned former music industry executive with over 30 years of experience in radio and television promotions, working with some of the biggest names in music history. From launching U2's first televised performance outside of Ireland to collaborating with legends like David Bowie, The Police, Bob Marley, and Depeche Mode, Tony played a pivotal role in artist development and shaping the careers of international superstars. As the founder of TMP, one of the most respected independent promotion companies in the UK, he worked closely with major record labels and helped establish the careers of numerous artists. Now residing in Florida, Tony has transitioned into an author, keynote speaker, and industry consultant, sharing the invaluable lessons he learned from rock and roll. His latest ventures include his podcast, Moments That Rock, and his book series Lessons Learned from Rock n' Roll, where he offers insights from decades inside the music industry.Join Olivia every Tuesday as she brings on top notch guests to talk about how they are Achieving Success! Career Development Book and More at Achieving-success.comStay Connected With Us:Linkedin: https://www.linkedin.com/company/achieving-success-llcInstagram: @_achievingsuccessTwitter: @_achievesuccessFacebook: @Achieving SuccessYou can find Tony Michaelides:Website: http://www.tonymichaelides.com/Email: tm4534@gmail.comLinkedIn: https://www.linkedin.com/in/tonymichaelides/Become a supporter of this podcast: https://www.spreaker.com/podcast/achieving-success-with-olivia-atkin--5743662/support.

For today's episode of Revolutions Per Movie's Pavement Week (Episode #6 out #5…right?), I am joined by actor Michael Esper who played the lead role (Essem) in the musical Slanted! Enchanted! A Pavement Musical that is featured in the new documentary Pavements. We discuss how Michael first got involved in the project and whether or not he felt the musical was earnest or a put-on, the mixed bag that often is a jukebox musical, whether or not his fellow actors knew about Pavement and their music before becoming part of the musical, jamming over 40 Pavement songs into 80 minutes of stage time, Michael feeling like he was losing your mind on stage, the plot and musical theater tropes used in the Slanted musical, could this format have worked for any other band besides Pavement, Michael working with David Bowie on one of his last creative stage projects before his death, how much freedom does a stage performer have from night to night, Michael getting to share an emotional moment from the stage of the musical with his sister (who was also a huge Pavement fan), the absurd leap that an audience has to take with the performers in a musical, how the Slanted musical was an actual love letter to the band and more!So bring on the major leagues with this soon-to-be Tony-nominated podcast episode of Revolutions Per Movie & its subsidiary Pavement Week.MICHAEL ESPER:@airstreamrallyREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by Andrew Stuttaford. Andrew needs little introduction as the editor of NR's Capital Matters. Find him online right here at National Review or at @AStuttaford on Twitter/X.Andrew's Music Pick: Brian EnoHere he comes, the boy who tried to vanish to the future or the past. Yes, it's time for Political Beats to celebrate one of the most influential musicians in the history of modern recorded sound -- a man who, ironically enough, is at pains to characterize himself as a non-musician. Children of the Eighties and Nineties may primarily understand Brian Eno as the producer who took U2 to megastardom, but his work as a producer is properly only a footnote to his work as a songwriter and (most importantly of all) a conceptualist. Eno first achieved fame with Roxy Music as their "noise man," providing outrageous sounds alongside "treatments" -- electronic reprocessing -- of the rest of the group's instruments. But Roxy Music was ultimately pianist/vocalist Bryan Ferry's baby, and so Eno soon struck out on his own, for a solo career that would bring him into collaboration with some of the best and most innovative musicians of the Seventies as he put out a sequence of four "lyrical" albums which bent the definition of "popular music" well past its breaking point and into the avant-garde. At the same time, Eno was creating an entirely new genre of recorded sound: so-called "ambient" music, written and recorded in such a way as to (per his maxim) "reward your attention without demanding it."This, of course, is only the tip of the iceberg in a career that also includes brilliant songwriting collaborations with Robert Fripp, David Bowie, and Talking Heads among others. All of this and much more are discussed on a episode Political Beats has been waiting to do for eight years: Brian Eno played an enormous role in inventing the sonic world we still live in, and also made some of the most unexpectedly profound and beautiful music while doing so. We are lucky to be joined by NR's own Andrew Stuttaford for this episode, who lends particular credibility to the discussion as a fan from all the way back in 1972, during the Roxy years. Enjoy stepping into another (green) world.

Canadian police say a suspect detained after a car was driven at high-speed into festivalgoers in Vancouver had suffered mental health problems. The interim police chief told a news conference that the number of people killed had risen to 11. Dozens more were hurt at the Filipino street festival on Saturday. He said many unanswered questions remained after what he called the darkest day in Vancouver's history. Canada's political leaders say the country is united in grief. Voters go to the polls on Monday in a general election.Also in the programme: we hear about life in Mandalay, one month after Myanmar's massive earthquake; and an unusual tribute to singer David Bowie- a memorial plaque in the northern English town of Stockport will honour the night he missed his train home after a gig in 1970 and fell asleep at the station.(Photo: A man places tributes on a fence, the morning after a vehicle was driven into a crowd at a Filipino community Lapu Lapu party, in Vancouver, Canada April 27, 2025. Credit: Reuters /Chris Helgren)

Iggy Pop pushed rock further than anyone before him, committing to live acts of sex, sickness, and rumored suicide on stage. From his cocaine fueled bromance with David Bowie, to his search for inspiration in the voodoo rituals of Haiti, Iggy Pop never just crossed the line between art and madness. He bled all over it, and danced on the stains. This episode was originally published on October 15, 2019. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

From the moment she heard a guitar being played in an empty classroom at her convent school in the Philippines in 1961, June Millington knew what she wanted to do with her life: rock and roll. So when a girl called up June and her sister and asked if they wanted to start a band, the answer was hell yeah. They went on to become Fanny, the first all-female rock band to release an album with a major record label. June and her bandmates moved into a house in LA, toured the world and won fans like David Bowie. But they were also up against sexist stereotypes, skeptical audiences and critics who couldn’t believe that a group of women could rock just as hard as any guy. But June wasn’t about to let that stop her. This is the story of how she stuck it to the man and blazed a trail for generations of female musicians to come. June is the co-founder of the Institute for the Musical Arts, which offers workshops and events for women in music: https://ima.org/ We want YOUR stories for our Girlfriends hotline! Did your bestie ever bail you out of an awful date with a fake emergency phone call? Or show up on your doorstep with three weeks’ worth of lasagne when you’d just had a baby? Or sit with you in solidarity while you grieved the loss of a beloved grandparent? We want stories that are big or small, meaningful or silly. Record yours as a voice memo (under 90 seconds) and email to thegirlfriends@novel.audio. Please don’t include your own name or anyone else’s real names. The Girlfriends: Spotlight is produced by Novel for iHeartPodcasts. For more from Novel visit Novel.AudioSee omnystudio.com/listener for privacy information.