Podcast appearances and mentions of David Bowie

NEW FOR JUNE 15, 2026 A show a day will do ya . . . Fool's Potion - The Best Radio You Have Never Heard Vol. 534 1. Whammer Jammer / Give It To Me (live) - J. Geils Band 2. Death To My Hometown / Clampdown (live) - Bruce Springsteen and The E Street Band 3. Wooden Ships (live) - Steely Dan w/ David Crosby 4. Bridge Of Sighs - Robin Trower 5. Two On Won (alt) - Led Zeppelin 6. Batteries Not Included (live) - Jethro Tull 7. White Shadow (live) - Peter Gabriel 8. Great Fire / Dear God / Big Day (live unplugged) - XTC 9. Life On Mars (live unplugged) - David Bowie and Mike Garson 10. I Don't Like Mondays - Tori Amos 11. King Of Pain (live) - The Police 12. Monkey Gone To Heaven (live unplugged) - Pixies 13. The Flavor Of Metal - Death Cab For Cutie 14. All The Children Sing - Todd Rundgren 15. The Endless Enigma (live) - Keith Emerson Tribute feat. Marc Bonilla and Rachel Flowers et al 16. The Musical Box (live) - Genesis 17. Overture / 1921 / Amazing Journey / Sparks (live) - The Who The Best Radio You Have Never Heard. Your double musical shot. Accept No Substitute. Click to leave comments on the Facebook page.

I DON'T GET IT is the ironically named podcast which features the open-minded musings of two middle-aged curmudgeons (Noah Tarnow and Bill Scurry) who love pop culture, talking about a hot topic of the week. This week Noah and Bill cash in their stock options early and lose their shirts in market deals for Musk's big gambit. @noahandbillshow.bluesky.social -- @billscurry.bluesky.social -- @noahtarnow.bluesky.social This week's theme: "Space Oddity” by David Bowie. New episodes every Monday morning on Youtube, Spotify, Soundcloud, iTunes, and GooglePlay!

On this episode of The Bandwich Tapes, I sit down with bassist Tim Lefebvre for a conversation about groove, adaptability, tone, and what it really means to serve the music. Tim has built one of the most distinctive and wide-ranging careers in modern bass playing, with credits spanning jazz, rock, pop, experimental music, and singer-songwriter projects. From David Bowie's Blackstar to Tedeschi Trucks Band, Wayne Krantz, and countless sessions in between, Tim has become one of those rare players whose sound is unmistakable yet fits almost anywhere.We begin by talking about his 2026 so far, which includes recording work, short touring runs, a date with Nate Smith and Jason Lindner, upcoming shows in Italy with Tiziano Ferro, and a tour with Melissa Etheridge. From there, we get into one of the central tensions of a working musician's life: how to bring your own identity to a project while still honoring the artist, the songs, and the original recordings. Tim has strong instincts here, and he speaks with great clarity about choosing simplicity, resisting overplaying, and understanding what the music actually needs.One of my favorite parts of this conversation is hearing Tim talk about some of the landmark experiences in his career. We discuss the Bryan Adams tour, the joy of playing huge songs in front of large crowds, and then spend time on David Bowie's Blackstar, including how Tim approached the sessions, how much of the rhythmic language was already implied in Bowie's demos, and how some of the bass textures on songs like “Lazarus” emerged naturally in the room. Tim also reflects on the creative freedom and trust inside Tedeschi Trucks Band, and what it felt like to be part of a band that could take real improvisational chances in front of thousands of people.Along the way, we talk gear, compression, pedals, picks, strings, remote recording, favorite drummers, the differences between New York and Los Angeles, sobriety, and some of the bass players who shaped his ear early on, including James Jamerson, Paul McCartney, Darryl Jones, Marcus Miller, Victor Bailey, Jaco Pastorius, and Tony Levin. This is a conversation about craft, but also about judgment, restraint, and learning to make the right choice in the moment.Key TakeawaysTim Lefebvre talks about balancing personal identity with the responsibility of serving the artist, the arrangement, and the song.He shares stories from the making of David Bowie's Blackstar, including how parts of “Lazarus” developed in the studio.Tim reflects on the musical and emotional intensity of playing with Tedeschi Trucks Band and the freedom that the group allowed onstage.He discusses his early path from saxophone to bass, his father's influence, and learning on real gigs at a young age.The conversation explores how bass playing varies with the drummer and what Tim listens for when locking in with someone new.Tim also gets into gear, including pick playing, flats versus rounds, bass compression, distortion, reverb, and how pedals can shape creative ideas.We talk openly about sobriety, professional growth, and how life experience changes the way a musician shows up on and off the bandstand.Music from the EpisodeAnyhow - Tedeschi Trucks BandShake Loose - Donny McCaslinIt's No Fun Not to Like Pop - Krantz/Carlock/LefebvreHanging On - KnowerBlackstar - David BowieAbout the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, songwriters, producers, and creative people for thoughtful conversations about craft, collaboration, career, and the experiences that shape a life in music. It is a show about process, perspective, and the human side of making art.Connect with the Showcontact@thebandwichtapes.com

DE'WAYNE joins Scott Lipps on SPIN Magazine's Lipps Service for an in-depth conversation about his journey from Spring, Texas to becoming one of the most exciting voices in modern rock. DE'WAYNE discusses growing up in a deeply religious household, discovering music through hip-hop, moving to Los Angeles with only $200, finding inspiration in Radiohead, David Bowie, and Nirvana, and ultimately creating his own lane in rock music. He also talks about touring arenas with Machine Gun Kelly, receiving a life-changing phone call from Lenny Kravitz, collaborating on "Highway Robbery," the resurgence of rock music, Prince's influence, Warped Tour, and the artists leading rock's next generation. If you enjoy long-form conversations with musicians, artists, and cultural icons, subscribe to Lipps Service. #DEWAYNE #LennyKravitz #MGK #RockMusic #LippsService #ScottLipps #SPINMagazine #AlternativeRock #Prince #davidbowie Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosts Jim DeRogatis and Greg Kot talk with music journalist and author Barry Walters about his new book Mighty Real: A History of LGBTQ Music 1969-2000. They discuss how gay artists, industry execs and audiences changed mainstream music. They also chat about artists like R.E.M., Pet Shop Boys, Donna Summer and more.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/4frcVZoMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:David Bowie, "Rebel Rebel," Diamond Dogs, RCA, 1974The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Sylvester, "You Make Me Feel (Mighty Real)," Step II, Fantasy, 1978Pet Shop Boys, "Opportunities (Let's Make Lots of Money)," Please, Parlophone, 1986R.E.M., "Pretty Persuasion," Reckoning, I.R.S., 1984Gang of Four, "Call Me Up," Songs of the Free, EMI, 1982Prince, "Controversy," Controversy, Warner Bros., 1981Grace Jones, "Warm Leatherette," Warm Leatherette, Island, 1980Laura Nyro, "Stoned Soul Picnic," Eli and the Thirteenth Confession, Columbia, 1968Donna Summer, "Queen For a Day," Once Upon a Time, Casablanca, 1977Indigo Girls, "Closer to Fine," Indigo Girls, Epic, 1989Michael Jackson, "Childhood," HIStory: Past, Present and Future, Book I, Epic, 1995The Smiths, "There Is a Light That Never Goes Out," The Queen Is Dead, Rough Trade, 1986David Bowie, "Space Oddity," David Bowie, Philips, 1969Frankie Goes to Hollywood, "Relax," Welcome to the Pleasuredome, ZTT, 1984Robyn, "Blow My Mind," Sexistential, Konichiwa and Young, 2026See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Eric Newman and Kate Wolf speak to journalist and music critic Barry Walters about Mighty Real: A History of LGBTQ Music 1969-2000. Spanning three decades of pop, disco, rock, funk, folk, and much more, Mighty Real looks at the power of popular music to challenge sexual norms and gender categories in ways both coded and overt. Covering headliners such as David Bowie, The Velvet Underground, Motown, Nirvana and Judas Priest, to more obscure players like Lavender Country and the lesbian label, Olivia Records, Walters shows how queerness is encoded in the very DNA of some of our most beloved songs and albums. Mighty Real also testifies to how music both reflects the reality of gay culture and, subversively, brings it into the mainstream.

EPISODE 222 – LABYRINTH “We're gonna talk about the music, obviously, in the movie itself—” “Do we have to?” Rounding out Musical May(June?) with a lot of David Bowie(‘s crotch)! This week, Chris makes a bad magician; Ashley can't stand baby peril; Brandon horrifies his therapist; and Brian is Sir Didymus. BTW: Questionable David Bowie Impressions! Starring: Jennifer Connelly, David Bowie, Toby Froud, Shari Weiser, Brian Henson, Ron Mueck, Rob Mills, Dave Goelz, David Barclay, David Shaughnessy, Shelley Thompson, and Christopher Malcolm Directed by Jim Henson FOLLOW US:Patreon (https://www.patreon.com/trashwatch)Instagram (@trashwatchpodcast)TikTok (@trashwatchpodcast)YouTube (https://www.youtube.com/channel/UC5YpPcNIBmqNvvLvxa3WTLA)Email (trashwatchpodcast@gmail.com)Listen to Brian's music at (https://www.brianhorne.com)Support the show

Välkommen till AVK: Marvelhyllan, en podcast om MCU-filmerna med Alexander Wahlgren och Eric Braafnäs.I det tionde avsnittet i miniserien om MCU-filmerna pratar Alex och Eric om Guardians of the Galaxy.Alex vill tro på Jesus, Erik är på en flotte och Michael Jackson är barnens bästa vän.Det pratas även om Erics efternamn, The Prestige, trailern, Easy Rider, The Runaways, augustisläpp, Troma, Zack Snyder vs James Gunn, improvisation, mohawken, Hon Som Ville Slakta och Flå Hundar, publikens validering, obehagliga intervjuer, Marvels första stora flopp, att vara cool, We Are Groot, hur Joss Whedon räddade filmen, Play-doh, hur musiken nästan försvann, varför James Gunn tackade nej till att göra filmen, Nicole Perlman och det kontroversiella manusarbetet, lila energi, avväpnande, Sabrina Carpenter, den perfekta rösten, David Hasselhoff, låten som förstörde Suicide Squad, rebooten, fördomar, skönhetsfläckar, Nattbus 807, Sökarna, Sound of Music, Mandalorian and Grogu, Punisher: The Last Kill, semestern, Twin Peaks: Fire Walk With Me, helikopterbilder, GOTG-kopior, David Bowie, att sätta ihop en playlist, en trailerpark i rymden, när refrängen tar över, Drax humor, trojanska hästar, Comic-Con, Star Lords backstory, den politiska aspekten, Jason Mamoa, David Harbours tidsmaskin och Alex och Erics origin story.Vem blir inbjuden av Bindefeld? Vems kultur är Xandarisk kultur? Är Julie Andrews en babe?Detta och mycket, mycket mer i veckans avsnitt av AVK: Marvelhyllan.Följ oss gärna på Instagram, Twitter och Facebook.Patreon.com/avkfilmhyllanInstagram.com/audiovideoklubbenFacebook.com/audiovideoklubbenTwitter.com/audiovideoklubb Hosted on Acast. See acast.com/privacy for more information.

In this episode of Seeing Them Live, Charles sits down with Ben Daughtry and Jonathan Palmer of Love Jones — the Louisville-born, LA-based band that has been crafting their unique blend of lounge, soul, pop, and sharp-witted storytelling for over three decades. The conversation kicks off with a shared love of live music, as both Ben and Jonathan trace their concert-going roots back to the same unlikely starting point: Van Halen. Ben recalls sneaking into a show at 14, way too young to be there, watching a then-unknown Van Halen open for Black Sabbath and feeling like "a bomb going off." Jonathan recounts his own Van Halen baptism at Freedom Hall in Louisville on the Women and Children First Invasion Tour — complete with $7.50 festival seating and his mother taking notes in the stands. From there, the episode becomes a wide-ranging tour through decades of live music obsession. The guys swap stories about Ted Nugent crowd surges, jumping on stage with GWAR in New Orleans, playing congas with Tool at an early Lollapalooza, and watching Rage Against the Machine move 60,000 people. Jonathan shares privileged industry moments — seeing The Rolling Stones at a 600-capacity room in New York alongside Daniel Craig, Rachel Weisz, and Questlove, and catching Nine-Inch Nails at The Troubadour when they felt "too big for the building." The conversation is fueled by genuine enthusiasm, with each story triggering another in a kind of joyful avalanche of rock and roll memory. The second half of the episode turns to the band's own story — from their residency at Largo on Fairfax, where David Bowie once sat quietly in a booth and Tool's crew became regulars, to their unexpected appearance on The Tonight Show with Jimmy Fallon celebrating the 25th anniversary of their debut album Here's to the Losers. Charles and the guys dig into the Cocktail Nation moment of the '90s, the making of their new album The Greatest Show on Earth — written during COVID jam sessions in a Louisville warehouse with crickets chirping and trains passing — and the cinematic, Gil Evans-influenced sound that ties its six expansive tracks together. The episode closes with the band expressing hope to get back on the road, a shout-out to their partnership with Whiskey Thief Distillery, and a tease of possible activity around the 30th anniversary of the film Swingers, on whose soundtrack Love Jones famously appeared. BANDS: Adele, B-52s, Beastie Boys, Big Bad Voodoo Daddy, Black Sabbath, Chicago, Combustible Edison, Devo, Earth Wind & Fire, Fishbone, Foo Fighters, GWAR, James Brown, Led Zeppelin, Love Jones, Metallica, Metric, Molly Hatchet, Morphine, Nine Inch Nails, Oasis, Rage Against the Machine, Red Hot Chili Peppers, Rolling Stones, Sea and Cake, Steely Dan, Supertramp, Ted Nugent, The Cars, The Cocktails, Tool, Tortoise, Van Halen, ZZ Top. VENUES:  Comiskey Park (Chicago), Freedom Hall (Louisville), Largo (Los Angeles), Largo on Fairfax (Los Angeles), Lollapalooza, Metro (Chicago), Racket (New York City), Rose Bowl (Pasadena), Soldier Field (Chicago), The Troubadour (Los Angeles). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Hoy os traemos una de las bandas de Rock más importantes de la década de los 00s, grupo que marcó a toda una generación, sentó las bases y popularizó un movimiento que fue amado por muchos y odiado por otros tantos, que es el Emo. My Chemical Romance es una banda que se forma en el año 2002 en Nueva Jersey, Estados Unidos. Actualmente los miembros son Gerard Way como vocalista y líder de la banda, Matt Way, su hermano, al bajo, Frank Iero a los coros y la guitarra rítmica y Ray ToroToro como guitarrista principal y a los coros. Tienen una gran inspiración en bandas de Emo y Post-Hardcore como Thursday, Fugazi, The Used, Glassjaw pero por otra parte también de bandas y artistas clásicos como Pink Floyd, David Bowie, Queen o The Smashing Pumpkins que fue la banda que más les inspiró en sus sonido de Rock Alternativo. Su primer álbum 'I Brought You My Bullets, You Brought Me Your Love' fue publicado en el año 2002, y los colocó en la escena underground del emo siendo el disco con el sonido más crudo y violento de la banda. En 2004 lanzan 'Three Cheers for Sweet Revenge', un disco más melódico y con letras sobre adolescencia y que marcó el devenir de la banda. Le sigue el disco del que os hablamos hoy que es T'he Black Parade' del año 2006, donde la banda alcanzó éxito internacional. Y su discografía principal cierra, hasta el momento con 'Danger Days: The True Lives of the Fabulous Killjoys' del año 2010. En el año 2015 la banda entra en un periodo de hiatus y retorna en 2022 con nuevos conciertos y material.

Estrenada originalmente en 2001, Moulin Rouge! marcó un antes y un después en el cine contemporáneo al rescatar los musicales de un estado de olvido y devolverles el éxito en las pantallas. La película es recordada por su estética del exceso, con un ritmo frenético, movimientos de cámara innovadores y una banda sonora "bárbara" que integra temas de artistas como Queen, David Bowie y The Police en versiones sorprendentes. Bajo la dirección de Baz Luhrmann, la cinta presenta una historia de amor ambientada en el París de inicios del siglo XX —donde la palabra "amor" se pronuncia 143 veces— que cautivó a los jóvenes de la época a través de su mezcla de luces, música y drama. Además, el filme fue el trampolín definitivo para la carrera de Nicole Kidman, quien demostró su versatilidad al cantar, bailar y actuar, consolidándose como una de las grandes estrellas de su generación.

We hope you don't get lost on the highway to this episode because we're taking a detour into the obtuse, dreamlike world of 90s cinema with David Lynch's 1997 head-scratcher, Lost Highway. As the fourth entry in our Liminal Spaces season, we're trying to figure out if we're on a road to nowhere or just stuck in a psychogenic fugue state. To help us navigate this noir nightmare. We've bought back Jamie from the Final Transmission podcast! You might remember Jamie from his debut in our Season 4 episode about The Blair Witch Project, and he's returned to help us solve a movie that even the director refuses to explain. We tackle the ethereal dualities of Patricia Arquette, wonder why Bill Pullman is so committed to strobe jazz sax solos, and witness the final, heartbreaking performance of Richard Pryor. We also dive into the horror of the Mystery Man played by Robert Blake, discuss the 90s movies trend of circular plagiarism, and finally address why Balthazar Getty has been a rising star since the Filofax era. Plus, Dan reveals his theory that the script was written by Barry Gibb and we explore the cinema of industrial soundtracks featuring Rammstein, Marilyn Manson and David Bowie. What to expect from the episode: We debate whether Fred Madison is the alpha or just a gut with a very overactive imagination. Jamie explains why this is his favourite Lynch film while Dan struggles to find any evidence of someone being kicked from the head or jumping onto a helicopter. We explore the theory that the entire movie was subconsciously inspired by the O.J. Simpson trial. Discussion around David Lynch's big hat and megaphone approach to on-set social distancing. We investigate the vampiric makeup choices and the quintessentially noir lighting of Peter Deming. This season has eight episodes, concluding July 6th Would you like to see the full lineup for season 15? The only place you can see it is on Patreon but you don't need to be a paying member. Sign up for a free membership and get access to the lineup. If you're a fan of the show and want more content, check out our £3.00 a month tier on Patreon where we release our end of season wrap shows and 2 reviews of brand new movies every month. Plus you'll get access to our back catalogue from 2023 onwards. Enjoy the show but can't support us financially? We get it. You could submit a review on the podcast player you're reading this on right now. Or if you listen on Spotify and you haven't given us a five-star rating yet, what are ye waiting for? It's easy. If you've done some or all of that and still want to do more, we would love it if you tell a friend about the show.   Or come find us on social media: Instagram | TikTok | Threads | YouTube

Like many writers, Sofka Zinovieff draws on her own history in her books – and her family tree offers plenty of inspiration. Her paternal grandmother was born into Russian high society, fled to England after the 1917 revolution and became a Communist. Sofka wrote her biography.Her maternal grandmother married the eccentric aristocrat Robert Heber-Percy, and for a time shared a house with his lover, the artist and composer Lord Berners. Sofka has also charted her story.Her father Peter was a composer and co-founder of Britain's first synthesiser manufacturer, making instruments used by the likes of Pink Floyd and David Bowie. He banned his many children from attending his funeral – a decision which inspired her most recent book, a novel called Stealing Dad.Sofka's music includes Bach, Monteverdi, Theodorakis and Mozart.

Giocare col fuoco: storie, canzoni, poesie di e con Fabrizio Coppola Letture: G.W. Sebald, Austerlitz (trad. Ada Vigliani, Adelphi); Giuseppe Culicchia, La mia Germania (Neri Pozza). Ascolti: C.S.I., Eluvium, David Bowie, Lou Reed

In his new book “Mighty Real: A History of LGBTQ Music 1969-2000” music critic Barry Walters looks at how music produced and performed by gay and straight musicians has been embraced, celebrated, and defined by queer culture. As he notes, queer musicians “have made an art of saying what can't be overtly said” and their LGBTQ listeners “have learned to hear what others can't.” Walters traces the influence of rockers, pop stars, country crooners, R&B artists and disco queens from David Bowie to Sylvster, the Village People to the Petshop Boys, Grace Jones to k.d. lang. We talk to Walters and hear from you: What's a song that helped define queer culture for you? Guests: Barry Walters, author, "Mighty Real: A History of LGBTQ Music, 1969–2000" Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we bow down and raise up the almighty guitar heroes! The foundation of Rock n' Punk n' Metal is the guitar and the amazing sounds that those who wield them can make. How do they make such wonderful noise with metal wires on a piece of wood? There's some kinda voodoo in their hands, and we set off on a journey to raise some of the 70s shredders that you may have forgotten! What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. This week we discuss all three. Get out your old 70's Guitar Player mags and flip the pages as we discuss some of the most amazing fingers to ever touch a fretboard! Songs this week include: Frank Marino & Mahogany Rush – “Electric Reflections Of War / The World Anthem / The Answer” from Live (1978) Rory Gallagher – “Shadow Play” from Photo-Finish (1978) Tommy Bolin – “Teaser” from Teaser (1975) Robert Fripp – “Disengage II” from Exposure (1979) Wild Horses – “The Rapist” from Wild Horses (1980) Dixie Dregs – “Punk Sandwich” from Night Of The Living Dregs (1979) Alice Cooper – “Devil's Food / The Black Widow” from The Alice Cooper Show (1977) Al Di Meola – “Race With Devil On Spanish Highway” from Elegant Gypsy (1977) Check us out on the Boneless Podcasting Network: https://bonelesspodcasting.com/ Visit us: https://inobscuria.com/ https://www.facebook.com/InObscuria https://twitter.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it: InObscuria Store Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/ If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

La tertulia de esRadio reivindica el brillante legado de Manuel Summers y el humor irreverente que consagró al cuarteto pop. En esta nueva entrega del programa Par Impar, los presentadores Juanma González y Dani Palacios viajan en el tiempo hasta el año 1987 para analizar uno de los mayores fenómenos de la cultura pop española: la película Sufre Mamón. Para este viaje nostálgico, cuentan con la participación del crítico Gonzalo Contreras, un apasionado seguidor del grupo Hombres G y colaborador habitual del espacio. Durante la charla, se repasa la importancia de aquel año en el que, a pesar de competir en las pantallas con superproducciones internacionales de la talla de Atracción Fatal, Los Intocables o Arma Letal, el verdadero rey de la taquilla en España fue el largometraje musical protagonizado por la célebre banda liderada por David Summers. Los integrantes del podcast coinciden en que Hombres G no es solo un grupo musical, sino un pilar fundamental para entender la música popular española. Su capacidad para conectar con el público ha trascendido generaciones, logrando que tanto los jóvenes de la época como las nuevas hornadas de oyentes conozcan al dedillo himnos como Devuélveme a mi Chica o Venezia. Los ponentes comparan el calado de sus canciones con el de mitos internacionales como los Beatles o David Bowie, señalando que la banda madrileña posee al menos una quincena de temas atemporales que forman parte del patrimonio emocional de millones de personas, independientemente de sus gustos musicales particulares. Uno de los aspectos más analizados en el programa es la figura del director del filme, Manuel Summers, padre de David Summers. El cineasta, a menudo infravalorado por la crítica de su tiempo por su transición hacia un cine más comercial, es reivindicado en la tertulia como un creador brillante y un cronista excepcional de la sociedad de su época. A lo largo de su carrera, Summers destacó no solo en el ámbito cinematográfico, sino también en el humor gráfico y la sátira en publicaciones históricas como La Codorniz o Hermano Lobo. Su habilidad para conectar con las masas se tradujo en éxitos colosales de taquilla, convirtiendo películas como Adiós, Cigüeña, Adiós o La Niña de Luto en auténticos hitos sociales. Durante el coloquio, se destaca el marcado contraste entre la propuesta estética de Hombres G y la sofisticación de la movida madrileña. Mientras que formaciones como Alaska y los Pegamoides o Radio Futura apostaban por una cuidada puesta en escena de influencia punk y vanguardista, Hombres G irrumpió con una imagen de sencillez absoluta, vistiendo vaqueros y polos normales. Esta aparente falta de pretensiones, sumada a unas melodías frescas y directas que hablaban de problemas cotidianos, supuso una revolución de buen rollo que sintonizó de inmediato con el sentir de una juventud que buscaba divertirse sin excesivas complicaciones intelectuales. El análisis de Sufre Mamón, actualmente disponible en la plataforma Netflix, se detiene en varias de sus escenas más gamberras, cuya incorrección política las haría hoy del todo impensables. Los tertulianos recuerdan entre risas las bromas pesadas gastadas a los sacerdotes del colegio católico, el desternillante destino del mono teñido de verde o el descontrol en las aulas con el lanzamiento de palomas, perros y gatos. Estas secuencias, que beben directamente del espíritu de las comedias adolescentes americanas al estilo de Porkys, reflejan una época de libertad creativa y un sentido del humor irreverente que hoy en día difícilmente superaría los filtros de la censura social contemporánea. La película también destaca por la genialidad de sus personajes secundarios, entre los que sobresale el villano de la función, Ricky Lacoste. Interpretado de forma hilarante por un primo de David Summers, este personaje encarna al típico pijo arrogante que intenta robarle la novia al protagonista, Marta, papel interpretado por Marta Madruga, pareja real del cantante en la vida real. El grupo rememora con humor la escena del concierto en la que Ricky canta la hilarante balada Piensa en mi Almohada mientras el público le abuchea al grito de idiota y gilipollas, un momento que consagra el tono festivo y autoparódico de una producción que no se tomaba a sí misma demasiado en serio. Para finalizar, los participantes del programa de esRadio analizan la evolución del grupo tras el estreno de la secuela Suéltate el Pelo en 1988 y su posterior separación en 1993. Su regreso triunfal en 2003 con el disco Peligrosamente Juntos y el éxito del sencillo Lo Noto demostró que el fenómeno fan seguía plenamente vigente, uniendo a padres e hijos en conciertos multitudinarios. Esta capacidad de resistencia al paso del tiempo consagra a Hombres G como una leyenda viva de la historia del pop en España, un grupo cuya música sigue despertando una profunda y alegre nostalgia en varias generaciones de españoles.

Steve Hillage and Miquette Giraudy talk to Kevin Paul about their techno project System 7 and ambient project Mirror System, discussing their studio setup, live performances and creative approach to making music.Chapters00:00 - Introduction00:38 - Current Projects01:20 - System 7 and Mirror System02:20 - Songwriting Process04:27 - Using Gong-Influenced Sounds05:17 - Main Creative Tools06:19 - Learning From DJ Experience06:55 - Collaborative Workflow08:49 - Structuring Albums09:27 - Streamlined Studio Setup11:20 - Limitations and Finishing Tracks13:31 - Live Performances16:58 - 10 Records and Collaborations21:02 - The Future Of System 726:18 - Mirror System for Ambient Music#HelixLT #Logic #ProTools #Ableton #AnimoogZhttp://www.a-wave.comhttps://www.facebook.com/System7pagehttps://www.facebook.com/MirrorsystemSteve Hillage BiogSteve Hillage is an English guitarist, producer and electronic music pioneer best known for his work with the psychedelic prog band Gong, his influential solo albums of the 1970s and the electronic duo System 7. Renowned for his distinctive “glissando” guitar style, Hillage later became a key figure in ambient techno and psychedelic dance music, blending electronic production with live guitar performance alongside longtime creative partner Miquette Giraudy.http://stevehillage.comhttps://www.facebook.com/stevehillagebandhttps://www.instagram.com/stevehillageMiquette BiogMiquette is a French keyboardist, vocalist and composer known for her work with Gong, Steve Hillage and System 7. A major creative force behind System 7's ambient and techno sound, she has collaborated with Hillage since the 1970s, contributing keyboards, vocals, programming and production across a wide range of psychedelic, ambient and electronic music projects.https://www.instagram.com/miqui7777https://www.facebook.com/p/Miquette-Giraudy-100063115306402Kevin Paul BiogKevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica. After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records' in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp's 'Felt Mountain', David Bowie's 'Hours' and Nick Cave's 'No More Shall We Part'. He also worked in 5:1, mixing Moby's 'Hotel', Goldfrapp's 'Black Cherry' and more for DVD.In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more.He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK's Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark's “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival.http://www.kevin-paul.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

This is the Music History Today podcast for June 5. On today's show, Mariah Carey and Jennifer Lopez get married (not to each other) and David Bowie debuts but not as David Bowie.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:34 What happened on this date in music history12:06 Music award ceremonies that were held on this date in music history16:19 Albums released on this date in music history 22:17 Singles released on this date in music history 24:27 Birthdays of music artists on this date in music history 34:23 Passings of music artists on this date in music history 39:43 What's on tomorrow's episode

In today's episode Kyler sits down with Los Angeles singer-songwriter Bella Beau to explore the deeply visual qualities of her music. The literary podcast found a natural connection in her cinematic single "Mask of Flowers," which she notes is heavily inspired by her vivid dreams, the gothic styling of Tim Burton, and the dark themes of The Picture of Dorian Gray. The conversation highlights her early immersion in the L.A. music scene, where her childhood fascination with film composers like Danny Elfman eventually led her from opera camp to performing live sets. Her unique style seamlessly blends the languid delivery of classic jazz vocalists like Julie London with the bold art-pop styling of David Bowie. Make sure to listen to the end to hear the new single "Mask of Flowers," and keep up-to-date for upcoming singles by following her socials below.Thanks for listening!---Episode Links:BellaBeauMusic.comListen to Bella Beau on SpotifyInstagram: @bellabeaumusicTikTok: @bellabeaumusicYouTube: @bellabeaumusic

Thomas Claxton is an award-winning vocalist, songwriter, guitarist, concert producer, and entertainer based in Savannah, Georgia. Known for his powerful voice, dynamic stage presence, and unwavering dedication to live music, Claxton has built a reputation as one of the Southeast's most versatile and respected independent musicians. Over the course of his career, he has performed hundreds of shows annually, sharing his music with audiences throughout the United States while continuing to expand his influence as both a performer and music industry advocate. A classically trained first tenor, Claxton developed his vocal abilities through years of study and mentorship. His musical foundation blends classical technique with the passion and energy of rock music, creating a distinctive sound that has become his trademark. Long before earning regional and national recognition, he honed his craft performing in clubs, bars, festivals, and concert venues throughout the Savannah area, steadily building a loyal following through hard work, consistency, and a deep connection with audiences. As a songwriter, Claxton is known for creating music that combines thoughtful lyrics, memorable melodies, and emotional authenticity. His original recordings have earned praise from critics and listeners alike, while his live performances showcase an ability to seamlessly move between rock, pop, soul, and acoustic styles. Whether performing solo or fronting his bands, he delivers every song with conviction and professionalism. His projects have included the acclaimed groups The Myth and Sonic Temple, both of which have helped establish his reputation as a leading figure in Savannah's music community. Throughout his career, Claxton has received numerous honors for his work as a vocalist and songwriter. A multiple-time Indie Music Channel and RMA award winner, he has been recognized for his achievements as a recording artist and performer. He has also been named Best Male Vocalist multiple times by industry publications and has earned recognition from organizations dedicated to promoting excellence in music performance and education. Beyond performing, Claxton has become known for his work as a concert producer and promoter. His innovative “Me, Myself & Us” Concert Series has brought world-renowned musicians, legendary session players, and celebrated recording artists to Savannah for unique performances and audience discussions. Through these events, he has created opportunities for music fans to experience intimate encounters with artists whose work has shaped generations of popular music. The series has featured musicians associated with artists such as James Taylor, David Bowie, Sting, Aretha Franklin, Tom Petty, and many others. Claxton's commitment to music extends beyond the stage. He has worked as a vocal coach, mentor, and advocate for music education, sharing his knowledge and experience with aspiring performers. His contributions to the music industry have been recognized by organizations such as the NAMM Foundation, which has highlighted his journey as an example of dedication and perseverance in the arts. Today, Thomas Claxton continues to perform, write, record, and produce events while proudly representing Savannah, Georgia, on stages across the country. His career stands as a testament to the power of persistence, artistic integrity, and a lifelong passion for music. Whether captivating audiences with an acoustic guitar, leading a full band, or bringing musical legends together through his concert series, Claxton remains committed to creating meaningful musical experiences and inspiring others through the universal language of song.

Colson Whitehead is one the few novelists, and the only still alive, to win two Pulitzer Prizes for Fiction—for “The Underground Railroad” and “The Nickel Boys.” Whitehead's protagonist in the Harlem trilogy is Ray Carney, a small-time crook who fences stolen goods while working as a furniture salesman. Ray first appeared in “Harlem Shuffle,” and the final book of the trilogy, “Cool Machine,” will be published in July. David Remnick and Whitehead discuss the trilogy's second book, “Crook Manifesto,” and how David Bowie inspired Whitehead's genre-hopping approach to fiction. This segment originally aired on July 21, 2023. Further reading and listening:  “The Theresa Job,” by Colson Whitehead “Colson Whitehead on Historical Heists,” by Deborah Treisman “The Match,” by Colson Whitehead   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ce 2 juin, Marjorie Hache convoque dans RTL2 Pop-Rock Station T. Rex, Björk, Depeche Mode, Fatboy Slim, The B-52's, The Beatles, Interpol, Blur, Thin Lizzy, Eels, David Bowie, Joan Baez, The Undertones, James et Jimi Hendrix. L'animatrice rend par ailleurs un bel hommage au pionnier du rock'n'roll Bo Diddley, disparu en 2008, en diffusant l'un de ses premiers tubes, "I'm A Man". En matière de nouveautés, Fat Dog ouvre la marche avec "Go Fuck Urself", suivi par The Strokes avec "Going Shopping". Lykke Li, les métalleux d'Architects, Ed O'Brien ou encore les bluesmen de GA-20 répondent également présents. La primeur de la soirée met en lumière le duo écossais Arab Strap, qui célèbre ses trente ans de carrière avec le morceau électro-rock "You You You". L'album de la semaine se penche à nouveau sur "Your God Fearing Days Are About To Begin", troisième album du trio londonien Saint Agnes, illustré aujourd'hui par le titre "Everything You Denied" aux accents industriels rappelant Nine Inch Nails. Enfin, la reprise du jour est signée par le regretté chanteur belge Arno, qui s'approprie avec singularité le célèbre "All The Young Dudes", hymne composé par David Bowie pour Mott The Hoople. Fatboy Slim - The Rockafeller Skank Fat Dog - Go Fuck Urself Bo Diddley - I'm A Man Jet - Are You Gonna Be My Girl The B-52's - Love Shack The Beatles - Can't Buy Me Love Blur - Country House Saint Agnes - Everything You Denied Interpol - The Heinrich Maneuver T. Rex - Children Of The Revolution Björk - Army Of Me The Strokes - Going Shopping Arno - All The Young Dudes Thin Lizzy - Whiskey In The Jar Eels - Novocaine For The Soul GA-20 - The Blues Never Die (With Charlie Musselwhite) Joan Baez - Here's To You David Bowie - This Is Not America Lykke Li - Lucky Again The Undertones - Teenage Kicks Architects - Tear Gas Arab Strap - You You You Depeche Mode - Little 15 James - Laid Jimi Hendrix - Purple Haze Korn - Reward The Scars Ed O'Brien - ObrigadoHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Every genre has a shadow canon — the writers who don't make the syllabus, don't sell out on Amazon, and rarely get the Netflix series. In science fiction, that shadow canon is where some of the most intellectually adventurous, politically serious and formally daring work of the twentieth century was done. Having opened the series with the big names — Wells, Verne, Poe, the Mount Rushmore of the genre — John and Ezri jump forward to the late 1960s and 1970s and turn to five authors most listeners won't know: Kate Wilhelm, Joanna Russ, John Sladek, John Brunner and Christopher Priest. Feminist SF, satirical SF, dystopian SF set in a Britain going to the dogs. The thread that connects them is "prescience", a word that keeps coming up. Were these writers really predicting the future – or just paying close enough attention to the present? In this episode: Why 1969 makes such a strange hinge point — Apollo 11 and the realisation of Goddard's cherry-tree dream, set against the assassinations of 1968, Vietnam, Prague, Altamont, and the first wave of environmental science Kingsley Amis, New Maps of Hell, and the New Wave: Moorcock's New Worlds, Ballard's "inner space", and SF's discovery that it could not avoid politics Kate Wilhelm — Hugo, Nebula and Locus winner for Where Late the Sweet Birds Sang, a co-founder of the Clarion Writers' Workshop who is now better known as a mystery writer Joanna Russ — The Female Man, written in 1970 but unpublished until 1975, and How to Suppress Women's Writing; a Westinghouse Science Talent Search finalist who chose literature as her weapon John Sladek — the satirist whose robot in Tik-Tok has had its "asimov circuits" go on the blink, and whose hoax book on a thirteenth sign of the zodiac proved people will believe anything stated with enough confidence John Brunner — the "Club of Rome Quartet", the novel that coined "worm" for self-replicating code, and Stand on Zanzibar, set in 2010 and unsettlingly familiar by the time we got there Christopher Priest — Fugue for a Darkening Island and A Dream of Wessex, the racial framing Priest himself later grappled with, and The Prestige (with David Bowie as Tesla) The big question under all of it: what is the difference between prescience and prediction — and is it significant that "prescience" contains the word "science"? Links and resources: Website: techimaginarium.co.uk Instagram: @tech.imaginarium Watch on YouTube: https://www.youtube.com/@JohnHelmerConsulting Music by Nick Dwyer recording as Flintet. The Tech Imaginarium is a Learning Hack podcast, produced and hosted by John Helmer and written by John Helmer and Ezri Carlebach.

Merriam-Webster's Word of the Day for May 31, 2026 is: permutation • per-myoo-TAY-shun • noun Permutation is a formal word for any one of the many different ways or forms in which something exists or can be arranged. It can also refer to a major or fundamental change in something based primarily on rearrangement of its existing elements. Permutation is usually used in its plural form. // Early permutations of the design look nothing like the final result. // The system has gone through several permutations. See the entry > Examples: “Megadeth have weathered nearly all of metal's generational permutations, only once deviating from their ... formula with 1999's infamously confused country'n'industrial mish-mash, Risk.” — Eli Enis, Pitchfork, 26 Jan. 2026 Did you know? “Ch-ch-changes!” David Bowie sang memorably in his classic (and appropriately titled) hit “Changes,” which concerns the phenomenon of artistic reinvention—something Bowie knew a lot about. In fact, he could have titled the song “Permutations,” though we admit that the word would have been a bit clunkier to sing. Permutation is, after all, all about change—specifically change (as in character or condition) of something based primarily on rearrangement of its existing elements. For example, Bowie's artistic persona went through many permutations over the course of his career, from the alien rock star Ziggy Stardust to the aristocratic Thin White Duke, with the common denominator—the existing elements—being Bowie himself. (Permutation can also be used for a form or variety resulting from such changes, and can thus refer to Bowie's individual personae as well.) Permutation, perhaps ironically, has not changed all that much since it was borrowed into Middle English from Anglo-French as permutacioun.

Why has the political world gone mad for essays? Professor Edith Hall and Radio 4 wordsmith Michael Rosen discuss the literary form and its history. It was heartbreak for Arsenal in the Champions League - ex-Gunners goalie Bob Wilson tells us about the pain of penalties. We look ahead to Elon Musk's SpaceX going public - are the heavens being privatised? And we celebrate the Starman, David Bowie, with a new immersive exhibition celebrating his life and legacy. Simon Jack presents.

This week on the Rockonteurs podcast, we welcome the acclaimed music video director Tim Pope to the show. Tim has spent a lifetime directing music videos for some of the greatest artists of all time such as Hall and Oates, Iggy Pop, Paul Weller, David Bowie and of course, The Cure. In fact Tim has shot over 37 music videos for The Cure over the years and continues to work with the band. He has a book out later in the summer called ‘I Shoot Rock Stars: The Wild Adventures of a Music Video Director. You can pre-order the book here: linktr.ee/IShootRockStarsInstagram @rockonteurs @guyprattofficial @garyjkemp @timpopedirector @gimmesugarproductions Listen to the podcast and watch some of our latest episodes on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productions Hosted on Acast. See acast.com/privacy for more information.

This week on the Rockonteurs podcast, we welcome the acclaimed music video director Tim Pope to the show. Tim has spent a lifetime directing music videos for some of the greatest artists of all time such as Hall and Oates, Iggy Pop, Paul Weller, David Bowie and of course, The Cure. In fact Tim has shot over 37 music videos for The Cure over the years and continues to work with the band. He has a book out later in the summer called ‘I Shoot Rock Stars: The Wild Adventures of a Music Video Director. You can pre-order the book here: linktr.ee/IShootRockStarsInstagram @rockonteurs @guyprattofficial @garyjkemp @timpopedirector @gimmesugarproductions Listen to the podcast and watch some of our latest episodes on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productions Hosted on Acast. See acast.com/privacy for more information.

David Bowie - China Girl Placebo - Every You Every Me Eurythmics - Would I Lie To You Måneskin - Beggin The Police - Roxanne Fine Young Cannibals - Johnny Come Home Michael Jackson - Baby Be Mine Maroon 5 - Payphone The Virgins - Rich Girls Queen - Another One Bites The Dust Prince - Kiss Alex Warren - Fever Dream Genesis - Invisible Touch Deacon Blue - Real Gone Kid The Dandy Warhols - Bohemian Like You The Rolling Stones - Brown Sugar Blur - Song 2 Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Music critic Barry Walters joins co-hosts Whitney Terrell and Christian Barter to discuss his new book, Mighty Real: A History of LGBTQ Music 1969-2000. Walters talks about how he chose the artists that he includes in his book and explains how musicians like David Bowie, Lou Reed, Grace Jones, and Sylvester saved his life. He explores how social repression shaped and complicated work from LGBTQ bands, how queer acts like Queen were pigeonholed by music critics, and how mainstream groups like Nirvana spoke to the LGBTQ experience. He talks about his personal connection to Madonna's work and reads from Mighty Real.To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/This podcast is produced by Christian Barter and Whitney Terrell.Barry WaltersMighty Real: A History of LGBTQ Music 1969-2000“George Michael's ‘Father Figure': When Love Meets Crime”|Billboard, Oct. 26, 2017“Madonna's ‘Erotica,' ‘Sex': Why Musical Masterpiece, Defiant Book Still Matter”| Rolling Stone, Oct. 19, 2017“As Much As I Can, As Black As I Am: The Queer History of Grace Jones”|Pitchfork, August 25, 2015“Sylvester: Staying Alive”|The Village Voice, Nov. 8, 1988OthersCity Boy: My Life in New York During the 1960s and '70s by Edmund WhiteSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On episode 156 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by film critic Jake Tropila discuss the next film in their Christopher Nolan series, The Prestige (2006). Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to break down, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. Just a year after dazzling audiences with Batman Begins, Nolan returned with a film that would become one of the best films of his career, about two magicians dueling each other for the right to produce not only the best magic trick of all time, but to be the last man standing in a feud that costs more than anyone could imagine. In being a film about filmmaking as well as a stellar adaptation of the Christopher Priest novel, Nolan made his darkest, most cynical film to date; a twisted tale about the sacrifices it takes to create art, and the obsession that consumes someone when they are close to reaching an immortality level of fame. Ryan, Jay, and Jake break down their thoughts on the film, how much The Prestige is a cousin to Memento in terms of tone, where Christian Bale is within his career, why Hugh Jackman has never delivered a better performance than this, the power of David Bowie, the horrid accent of Scarlett Johansson, the logic of the film's twist, the wild differences between the film and the original novel, and if seeing/knowing a film's twist helps or hurts a film's rewatchability. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 2h15m. The guys will be back next week to continue their series on the films of Christopher Nolan with a review of his next film, The Dark Knight. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Los artistas con carreras longevas usualmente tienen buenos consejos. Así que nos echamos un clavado y les traemos consejos variaditos de David Bowie, Brian Eno y Robert Longo que quizá te puedan caer bien para tu carrera y quehacer creativo. Learn more about your ad choices. Visit megaphone.fm/adchoices

Madeline, Julian, and Emilio continue their cycle of Offbeat Musicals with a "Two-Shot" on a pair of turn-of-the-millennium glam-rock extravaganzas: Todd Haynes' "Velvet Goldmine" (1998) and John Cameron Mitchell's "Hedwig and the Angry Inch" (2001). Marking their fifth - yes, fifth - discussion on a Todd Haynes film, the trio begin by unpacking "Velvet Goldmine" and its refraction of the legacies of 1970s glam-rock icons such as David Bowie, Iggy Pop, Lou Reed, T. Rex, and Roxy Music. Presented in "Citizen Kane"-like fashion, the film conveys a distinct impression of a well-known popular music era without ever mentioning any of the aforementioned artists by name, and wandering in and out of the realms that often classify a musical. Premiering around the same time off-Broadway was the show that would then be adapted into the second film of focus, "Hedwig and the Angry Inch," unambiguously a musical, but one for people who may less typically gravitate to the genre. Drawing from many of the same influences in music, "Hedwig" portrays the unique story of the titular performer, from her fraught upbringing in East Berlin to her stateside music career with backing band the Angry Inch, and the numerous experiences that fan her rock-and-roll flames along the way.Listen to Dougie's Glam-a-Rama here: https://youtube.com/playlist?list=PLOjsoFA6he4_bWfjlCtNFoPf9Xr2cOofn&si=Vth2DPJed7RKNa7xIf you enjoy our podcast, please rate and review us on your podcast platform of choice. This really helps us find new listeners and grow!Follow us on YouTube, IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

It's been many years and many albums since our introduction to Denmark's Kashmir, and while the line-up stayed the same, the sound has evolved. This time we check out the 2005 album No Balance Palace, with a studio legend (Tony Visconti) behind the board, and two more legends (David Bowie and Lou Reed) making appearances. Kashmir didn't work for us the first time around, will maturity and a trio of big names help us connect with the band?   Songs In This Episode Intro - Jewel Drop 9:14 - Kalifornia 11:26 - The Cynic 14:14 - The Curse Of Being A Girl 26:09 - She's Made Of Chalk 21:33 - Snowman 28:21 - Black Building Outro - No Balance Palace   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Cleveland is known as the birthplace of rock and roll, as in the 1950s DJ Alan Freed coined the phrase. The city is stands at the center of iconic rock moments, from The Beatles' first concert in 1964 at Cleveland Municipal Stadium, to David Bowie's 1972 Ziggy Stardust U.S. debut. The region is home to rockers like The James Gang, Devo, The Black Keys, Nine Inch Nails, and more. But with all that history, the live music ecosystem continues to face challenges. Rising costs for artists, venues, and consumers have stretched budgets across the board. Reporting from last show shows that only 25% of independent music venues were able to turn a profit. Tuesday on the "Sound of Ideas," we bring you a recent City Club of Cleveland conversation the looks back at the history of music in Cleveland and Northeast Ohio, as well as asks what the future holds for our region. Guests: - Greg Harris, President and CEO, The Rock and Roll Hall of Fame and Museum - Sean Watterson, Co-Owner, The Happy Dog; President, Ohio Chapter, Independent Venue Association - Annie Zaleski, Music Journalist

Outlouders, today for a Sunday Special we're dropping an episode of our sister podcast Unleashed into your feed... It's a little bit rogue, just like us and we think you're going to love it. You're welcome. Grace heard someone breaking into her apartment, grabbed a tennis racket, lowered her voice and screamed through the door in her mouth guard. It was not, in fact, a burglar. Mary has had it with people saying 'I Love You'. We disagree (and we love Mary, very much). Cath confesses that she dreads holidays since her divorce. Bruna lives with lupus and wakes up in pain every single day, and almost no one knows. And Grace had nits for four days and genuinely thought it was perimenopause. And the songs that changed us. Whether sitting on a school bus, lying in a delivery room, or chasing David Bowie down a street in New York, it's a lot. It's everything. It's Unleashed.In your ears today: Grace Lam, Mary Coustas, Bruna Papandrea and Cath Mahoney. The End Bits:Follow us on Instagram, DM us thoughts, feelings and questions @unleashed.showLove the show? Hit follow on Apple or Spotify — it helps other Gen X women find us.This show was produced and created by Mia FreedmanCreated and developed by Executive Producer Monique BowleySenior Producer and Audio Editor is Tina MatolovSocial Media Producer Coco LavigneSUBSCRIBE here: Support independent women's media Did you know some of our shows are now in video on the Apple Podcast app? Make sure your phone is up to date and check it out here! We’ve teamed up with Twoobs to snag a sweet discount just for our subscribers! New Mamamia subscribers get $40 off — $20 off an annual membership and $20 off your TWOOBS order. Click here to subscribe. Already a subscriber? Click here for your $20 TWOOBS discount code. T&C's apply. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Hey Talkhouse listeners, this week, I'm throwing you a rerun from a while back, but whose wisdom hasn't dimmed since 2018 when it was recorded. It's a great conversation between Steve Albini and Devo's Jerry Casale that was captured backstage at the Desert Days Festival. I grabbed this one from the archive because we recently passed the 2nd anniversary of Albini's untimely death, and there was a great Rolling Stone piece about his legacy that got me thinking. He was a very smart, sometimes controversial guy, always opinionated, but always thoughtful. Check it out and we'll see you with a new episode next week. —Josh Modell, Host of the Talkhouse Podcast  The Talkhouse Podcast recently headed out to the fantastic Desert Daze festival at Moreno Beach at Lake Perris in Southern California. When we weren't catching sets by Tame Impala, King Gizzard, and My Bloody Valentine, we recorded a trio of great talks; this week, we present the first. When I saw that both Steve Albini and Devo's Jerry Casale were going to be at Desert Daze giving talks, I knew we had to pair these two icons of alternative music. They're big fans of each other's work, and halfway through their conversation, Steve said, “This is the sort of stuff no one ever talks about. These are the questions I've had for 30 years.” Their fascinating talk takes in the beginning years of Devo's existence; their complex relationship with Neil Young; Brian Eno's proclivity for ménage à trois; the differences between poker and making records; and how the name Devo became a category alongside jocks, squares and nerds. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer 1:01 — Start of the chat  1:14 — Introductions, names, and local sports  3:50 — On Devo straddling genres, their connection to Neil Young, and punk rock  8:14 — On the orthodoxy of punk rock culture, and reactions to politics and power structures  15:17 — On Devo's connection to the experimental and underground scene  17:58 — On lying to club owners to book shows in the '70s  19:13 — On promoting Devo's first albums, and Stiff Records  22:44 — On working with Brian Eno, their first major record deal, and meeting David Bowie  27:41 — On Devo controlling and developing their own sound  29:04 — On making “non-functional” experimental music versus dance music, and the role of taste in producing and creating  31:58 — On studio musicians working across genres  35:56 — On being compelled to create original art, regrets, and the paradox of the mainstream record industry  39:17 — On playing poker, and the psychological relationship between poker and creative personas  45:55 — On being an outsider, and Devo becoming “a badge of courage”  This episode was recorded by Keenan Kush at Desert Daze. It was co-produced by Mark Yoshizumi. The Talkhouse Podcast's theme song was composed and performed by The Range. Big thanks to Desert Daze for hosting the Talkhouse Podcast. Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

Here be dragons. Topics in this episode include why “Wandering Rocks” is the least Homeric episode of Ulysses, why the name “Wandering Rocks” isn't quite right, how Jason escaped the Wandering Rocks, how Leopold Bloom is a mightier hero than Odysseus, correspondences for “Wandering Rocks,” the “blind mechanism” of the Wandering Rocks, clockspeed, how to escape the labyrinth, Joyce's favorite board game, whether or not Joyce would have been a David Bowie fan, traps in “Wandering Rocks,” blood and currency, the precision of “Wandering Rocks,” and re-creating “Wandering Rocks” as street theater. Support us on Patreon to get episodes early, and to access bonus content and a video version of our podcast.   On the Blog: Ulysses & The Odyssey - Wandering Rocks Blooms & Barnacles Social Media: Facebook | BlueSky | Instagram Subscribe to Blooms & Barnacles: Apple Podcasts | Spotify | YouTube  

Hosts Victoria Gomelsky and Rob Bates interview a pair of high jewelry designers who also happen to be sisters: Ofira Sandberg and Lorraine Schwartz. The women share their family's history going back three generations in the jewelry industry, and tell how they ended up in the business despite their childhood vow not to. Lorraine and Ofira also talk about where they got their keen eye for design and how it helped their star rise as jewelers and led to relationships with several entertainment icons—including Barbra Streisand, Elizabeth Taylor, Beyoncé, and David Bowie. Finally, Ofira reveals what we can look forward to seeing on view during the pair's first time exhibiting at JCK Luxury. Title sponsor: De Beers (adiamondisforever.com)

The focus is on Starlight shows past and present, a new KC venue, tributes, anniversaries, and more. Among those in the spotlight Kesha, Elton John, Peter Gabriel, David Byrne, David Bowie, Summer Breeze, Clarence Carter, Jack Douglas, and others. Always informative and enjoyable!

You remind me of the babe! This week on 3 Guys and a Flick, we enter Jim Henson's strange, musical, puppet-filled fantasy world as we review the 1986 cult classic Labyrinth. This episode takes us through Sarah's journey to rescue baby Toby from David Bowie's mesmerizing Goblin King, Jareth. Along the way, we talk Bowie's unforgettable presence, Jennifer Connelly's early performance, Henson's ambitious puppetry, the movie's darker coming-of-age themes, the soundtrack, the creepy factor, the Bog of Eternal Stench, and whether nostalgia does a lot of heavy lifting for this beloved fantasy film. Is Labyrinth a magical cult classic, an awkward 80s fever dream, or a technically impressive movie trapped somewhere between kids' film and adult fantasy? Grab your crystal balls, watch out for helping hands, and join us as we review the good, the bad, and the absurd.

The owls are not what they seem… and neither are the costumes.This week on The Art of Costume Podcast, we reach the finale of our Dressing the Red Room: The David Lynch Series with the strange, haunting, and endlessly iconic world of Twin Peaks. Spencer and Elizabeth travel to the sleepy logging town where FBI Agent Dale Cooper searches for the truth behind Laura Palmer's murder, unpacking the unforgettable costumes of the original series and Twin Peaks: Fire Walk With Me.From Audrey Horne's effortlessly cool schoolgirl style and Dale Cooper's perfectly tailored suits to the deeply tragic world of Laura Palmer, our hosts dive into the fashion, surrealism, and visual storytelling that helped make Twin Peaks one of television's most influential cult classics. Then, special guest costume designer Jennifer Starzyk joins the podcast to reflect on her experience working as a key costumer on Twin Peaks: The Return under costume designer Nancy Steiner. Jennifer shares stories of witnessing David Lynch's creative genius firsthand, fitting Laura Dern, and even getting a taste of that famously good Lynch coffee.So pour yourself a damn fine cup of coffee and step into the Red Room.-------------------------------------CHAPTERS3:30 Summary5:16 Meet The Costume Designers7:57 Break9:01 Backwoods Wear11:52 The Teens - Bobby and Shelly15:15 Donna and James18:45 Audrey Horne20:59 The Sheriff's Departments24:01 Lucy26:13 The Townies31:14 Josie34:19 Agent Dale Cooper39:01 One-Eyed Jacks41:53 Fashion Show in Twin Peks43:41 Miss Twin Peaks Pageant47:25 The Black Lodge50:04 Twin Peaks: Fire Walk With Me50:44 Gordon Cole52:12 David Bowie?54:19 Bob59:51 Laura Palmer1:04:42 Break1:05:04 Introducing Jenn Starzyk1:06:03 Twin Peaks Memory Lane1:14:02 David Lynch Stories1:14:59 Twin Peaks: The Return1:17:25 Fitting Laura Dern1:22:01 What Defines David Lynch Style?1:25:48:18 Favorite Twin Peaks Characters?1:29:08:23 Break1:30:57:01 Stitch Rating1:31:23:17 One Costume to Rule Them All-------------------------------------

The owls are not what they seem… and neither are the costumes.This week on The Art of Costume Podcast, we reach the finale of our Dressing the Red Room: The David Lynch Series with the strange, haunting, and endlessly iconic world of Twin Peaks. Spencer and Elizabeth travel to the sleepy logging town where FBI Agent Dale Cooper searches for the truth behind Laura Palmer's murder, unpacking the unforgettable costumes of the original series and Twin Peaks: Fire Walk With Me.From Audrey Horne's effortlessly cool schoolgirl style and Dale Cooper's perfectly tailored suits to the deeply tragic world of Laura Palmer, our hosts dive into the fashion, surrealism, and visual storytelling that helped make Twin Peaks one of television's most influential cult classics. Then, special guest costume designer Jennifer Starzyk joins the podcast to reflect on her experience working as a key costumer on Twin Peaks: The Return under costume designer Nancy Steiner. Jennifer shares stories of witnessing David Lynch's creative genius firsthand, fitting Laura Dern, and even getting a taste of that famously good Lynch coffee.So pour yourself a damn fine cup of coffee and step into the Red Room.-------------------------------------CHAPTERS3:30 Summary5:16 Meet The Costume Designers7:57 Break9:01 Backwoods Wear11:52 The Teens - Bobby and Shelly15:15 Donna and James18:45 Audrey Horne20:59 The Sheriff's Departments24:01 Lucy26:13 The Townies31:14 Josie34:19 Agent Dale Cooper39:01 One-Eyed Jacks41:53 Fashion Show in Twin Peks43:41 Miss Twin Peaks Pageant47:25 The Black Lodge50:04 Twin Peaks: Fire Walk With Me50:44 Gordon Cole52:12 David Bowie?54:19 Bob59:51 Laura Palmer1:04:42 Break1:05:04 Introducing Jenn Starzyk1:06:03 Twin Peaks Memory Lane1:14:02 David Lynch Stories1:14:59 Twin Peaks: The Return1:17:25 Fitting Laura Dern1:22:01 What Defines David Lynch Style?1:25:48:18 Favorite Twin Peaks Characters?1:29:08:23 Break1:30:57:01 Stitch Rating1:31:23:17 One Costume to Rule Them All-------------------------------------

Baxie speaks with Simon Raymonde of The Cocteau Twins! Simon has just released an amazing memoir entitled “In One Ear: Cocteau Twins, Ivor, and Me”. This is a tremendous book in which Simon not only talks about the band and their unconventional way of making some of the best albums of the 1980's (and early 90's). He also talks about the legacy of his father, Ivor Raymonde, whose own credits in music include David Bowie, Dusty Springfield, The Walker Brothers, Tom Jones, and hundreds more. We also talk about his record label Bella Union Records, the state of the music industry, and about the frightening health scare that stripped him of 50% of his hearing. Just an amazing story! Listen on Apple Podcasts, Spotify, YouTube, and on the Rock102 app. Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee.

Hello everybody! The time has come to eat the last donut! What a run we have experienced. Listen in as we talk about all of the fun that was night thirteen, 8/06/2017. With originals and covers by David Bowie, Jimi Hendrix, The Rolling Stones, and Willie Nelson, buckle up or, better yet, go ahead and surrender to the flow.Thanks to phish.net for notes on these tracks.The music used in this episode is from phish.in.-----------Intro Music is from Sigma Oasis, 07/12/23.Outro Music is from Cities, 10/07/23.Follow us on our listening journey. Rate, review, subscribe, and share! Find out more details on our new members-only perks here - https://www.patreon.com/PhishPhryPod.----------- Be our friends on social! We are @phishphrypod everywhere.

This week, Marriage Story meets The Kings of Comedy. It's the second film in Time Sensitive history that ceremoniously ends with Queen and David Bowie's “Under Pressure.” Why can't we just give love one more chance? It's a comedy of remarriage. It's Is This Thing On? co-written and directed by Bradley Cooper, the director of 2018's A Star Is Born.Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media 

In this episode of Jrodconcerts The Podcast, we go behind the curtain with Tiff Randol, the multidimensional artist, composer, and producer known as IAMEVE. Tiff's journey is a masterclass in artistic evolution—from her formative days interning at Philip Glass's Looking Glass Studios (where she was a fly on the wall for David Bowie's recording sessions) to becoming a powerhouse composer for major projects like Percy Jackson: Sea of Monsters and Ray Donovan. We dive deep into the technical and emotional craft behind her latest music, including the single "Desire" and her album Legacy. Tiff also opens up about her experience as a neurodivergent creator and her vital advocacy work as the co-founder of Mamas in Music, a global nonprofit reshaping the industry infrastructure for caregivers and mothers. Inside the Episode: The Creative Hack: The power of splitting time between the industry energy of the West Coast and the sanctuary of Upstate New York. Leaning Into the Shadows: Navigating the dark electronic textures of her single "Desire" without losing herself in the process. The Bowie Influence: What it was like seeing David Bowie and Philip Glass work in the studio and how that shaped her technical "hybrid language." Neurodivergence as an Advantage: Why having a "different process" can be a secret weapon for creative world-building. Mamas in Music: The mission to dismantle the "disappear or burnout" expectation for mothers in the industry. From Screen to Sound: The visceral feeling of hearing her compositions in a movie theater and on hit television series. Connect with the Guest: Official Website: IAMEVEAMI.com Instagram: @iameveami Connect with Jrodconcerts Media: Follow on Instagram: @jrodconcerts Follow on Threads: @jrodconcerts Website: jrodconcerts.com If you enjoyed this episode, please leave a review on Apple Podcasts and subscribe for more deep-dive interviews with the artists and visionaries shaping our musical history. ___ Support the show: CVS Healthy: Download the app at https://CVS.com/app Learn more about your ad choices. Visit megaphone.fm/adchoices

El cuento que vais a escuchar hoy nos traslada a un Japón antiguo, marcado por la guerra, el honor y la culpa. Una historia de lealtad y deuda, pero también de errores irreparables. Durante diecisiete días de lluvia incesante, un joven se enfrenta a una tarea imposible: ayudar a morir a quien ha sido su maestro… y casi su padre. Óscar Navas (Mataró, Barcelona, 1975) es oficialmente ingeniero informático, aunque lleva tiempo programando pesadillas. Ha participado en más de setenta antologías, moviéndose con soltura entre el terror, la ciencia ficción —con especial atención al steampunk— y la fantasía. Entre sus reconocimientos destacan ganar el I Concurso Terror en Voz Alta, dedicado a la ficción sonora, la selección en Fabricantes de sueños 2016-2017 (Pórtico-AEFCFT), o quedar finalista en el II Concurso de Relatos del Golem Fest (2023) y en el XXVIII Certamen Domingo Santos (2019, Pórtico-AEFCFT). Su primer título en solitario, La máquina del despertar, inauguró la colección PulpStories de Cazador de Ratas Editorial, dedicada a recuperar el espíritu del bolsilibro. Varias de sus historias han pasado del papel al audio: iTrust, El hambre, Un dedal de sangre o Las que pintaron la oscuridad han tenido versión en audiorrelato. Además, otras narraciones han formado parte como artista invitado en varias giras de De Viva Voz por España, donde se leyeron en público junto a homenajes a Poe y Lovecraft. Le interesan los fantasmas, el tiempo y la muerte. Cree que el mundo sería mejor si se leyera más a Ray Bradbury y David Bowie fuera una religión. - Narración: Juan Carlos Albarracín - Locución Sintonía: Antonio Runa - Música: Epidemic Sound, con licencia - Imagen: Pixabay, con licencia https://pixabay.com/es/illustrations/samurai-guerrero-japon%c3%a9s-espada-2306032/ ------- Contrata tu IVOOX PREMIUM anual desde este enlace y además de obtener un suculento 50% de descuento y de poder escuchar TODOS los programas de esta plataforma sin publicidad, estarás ayudando a sostener Los Cuentos de la Casa de la Bruja: https://www.ivoox.vip/premium?affiliate-code=27e5799d254c8a29ecdab3d8d5bfa96f ------- Los Cuentos de la Casa de la Bruja es un podcast semanal de audio-relatos de misterio, ciencia ficción y terror. Cada viernes, a las 10 de la noche, traemos un nuevo programa. Alternamos entre episodios gratuitos para todos nuestros oyentes y episodios exclusivos para nuestros fans. ¡Si te gusta nuestro contenido suscríbete! Y si te encanta considera hacerte fan desde el botón azul APOYAR y accede a todo el contenido exclusivo. Tu aporte es de mucha ayuda para el mantenimiento de este podcast. ¡Gracias por ello! Mi nombre es Juan Carlos. Dirijo este podcast y también soy locutor y narrador de audiolibros, con estudio propio. Si crees que mi voz encajaría con tu proyecto o negocio contacta conmigo y hablamos. :) Contacto profesional: info@locucioneshablandoclaro.com www.locucioneshablandoclaro.com También estoy en X y en Bluesky: @VengadorT Y en Instagram: juancarlos_locutor ------- CONVOCATORIA ABIERTA – Los Cuentos de la Casa de la Bruja. ¿Eres escritor o escritora y te gustaría escuchar uno de tus relatos narrado en el podcast Cuentos de la Casa de la Bruja? Estoy abriendo la puerta a autores emergentes que quieran compartir relatos originales dentro del tono del programa: historias de terror y ciencia ficción con atmósferas inquietantes, elementos fantásticos, oscuros o insólitos, y una cuidada calidad literaria. ¿QUÉ TIPO DE RELATOS BUSCO? • Relatos de terror y ciencia ficción • Con una extensión de entre 3.000 y 4.000 palabras • Con una narrativa sólida, buen uso del lenguaje y que se presten a ser narrados en voz • Textos originales e inéditos (o que al menos no estén vinculados a compromisos editoriales) ¿CÓMO PARTICIPAR? Puedes enviar tu relato en formato Word o PDF a info@locucioneshablandoclaro.com con el asunto: Relato para el podcast. Acompáñalo, si quieres, de una pequeña nota biográfica para que pueda presentarte adecuadamente. IMPORTANTE: La recepción de un relato no garantiza su publicación. La selección dependerá de criterios narrativos, temáticos y de estilo, siempre con el objetivo de mantener la atmósfera y el nivel que caracterizan al podcast. ¡No se trata de emitir juicios definitivos sobre ningún autor o texto! Yo no soy crítico literario, ni pretendo serlo. Se trata de encontrar aquellos textos que mejor encajen con el universo del programa. Si tu relato es elegido me pondré en contacto contigo. En caso contrario agradeceré igual tu confianza y el gesto de compartir tu trabajo. Gracias por hacer crecer esta casa con tu obra. ¡Espero leerte! Juan Carlos “Corman” Albarracín Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

***This show is brought to you by DistroKid. Go to ⁠⁠⁠⁠⁠http://distrokid.com/vip/the500⁠⁠⁠⁠⁠ for 30% off your first year!*** Complete our⁠⁠⁠⁠⁠⁠ listener survey⁠⁠⁠⁠⁠⁠ for a chance to win a $50 gift card! Actor, producer, writer, and Robot Chicken co-creator Seth Green digs into David Bowie's landmark 1971 album Hunky Dory, exploring Bowie's transformation into a global icon, the brilliance behind songs like “Changes” and “Life on Mars?,” and how the record's fearless creativity still resonates today. Follow Seth on Instagram: https://www.instagram.com/sethgreen/ Distrokid Artist of the Week: Ista https://www.youtube.com/watch?v=RmZO9mHNIIQ Follow Josh on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/joshadammeyers/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@joshadammeyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JoshAdamMeyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/joshameyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Josh's Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.joshadammeyers.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow DJ Morty Coyle on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/djmortycoyle/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.instagram.com/alldaysucker/ Follow The 500 on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/the500podcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow The 500 on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/the500podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow The 500 on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/The500PodcastWithJAM/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠500podcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Check the show's website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

So folks ask me to do more nonfiction on this podcast, and while I admit that it is a bit of a stretch to call today's book pure nonfiction, I at least think that it's closely aligned. It's not a biography, though. Consider it more of a personal memoir from 1962. In essence, it's the true story of Andy Warhol's extended family, written by one of his nephews. Sadly, James Warhola didn't continue to make much in the way of children's books (though he did make a sequel to this book called Uncle Andy's Cats). We discuss everything from David Bowie's depiction of Andy in the film Basquiat, to creepy ventriloquist dummies, to what you should do if roughly a dozen members of your extended family show up at your door (answer: put them to work). For the full Show Notes of this week's episode, please visit: https://afuse8production.slj.com/2026/05/11/fuse-8-n-kate-uncle-andys-by-james-warhola/