Podcast appearances and mentions of David Bowie

How Brian Eno expanded the possibilities of what music and sound can be. Eno is a trailblazing musician and producer who's worked on seminal records by U2, David Bowie, the Talking Heads and Coldplay, among others. But Eno isn't just a great collaborator with other artists; he's also a great collaborator with machines. Long before we started worrying about A.I. replacing human creativity, Eno was tinkering with generative systems to pioneer ambient music – a genre that has deeply influenced how we listen to music today. We recorded this conversation in 2025, and it's one of my favorite recent episodes of the show. So I wanted to resurface it this summer for anyone who may have missed it the first time. This episode contains strong language. Mentioned: What Art Does by Brian Eno and Bette Adriaanse East West Street by Philippe Sands Silence by John Cage Book Recommendations: Printing and the Mind of Man edited by John Carter and Percy H. Muir A Pattern Language by Christopher Alexander Naples '44 by Norman Lewis Music Recommendations: The Rural Blues “The Velvet Underground” by the Velvet Underground The Consolers Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com. You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs. This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Mary Marge Locker, Kate Sinclair and Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show's production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Jack McCordick, Marina King and Jan Kobal. Original music by Aman Sahota and Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. Transcript editing by Sarah Murphy. The director of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Alyssa Jane Moxley, Sophie Abramowitz, Geeta Dayal, Jack Hamilton and Victor Szabo. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

En 1981 David Bowie et Queen se retrouvent en studio et enregistrent l'un de leur plus grands succès : Under Pressure. Ils viennent d'inventer le co-marketing, une stratégie puissante à de très nombreux points de vue. Je vous explique tout dans cet épisode.---------------

Frågan tycks inte längre vara om utan när vi kommer till Mars. Maria Küchen funderar över vad som får oss att bryta upp och söka nya världar. På jorden såväl som i rymden. Lyssna på alla avsnitt i Sveriges Radios app. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Först sänd: 2017-02-06.År 2031 ger sig den första besättningen astronauter av från jorden. Ett år senare slår de sig ner på Mars. Åtminstone enligt planerna som presenteras av Mars-ONE, ett holländskt företag som redan har plockat ut kandidater till besättningen.Det hela avfärdas av vissa som ett PR-jippo. Andra tar projektet Mars-ONE på fullt allvar. Frågan tycks inte längre vara OM människan en dag landar på Mars, utan vilka som gör det först.NASA vill sända astronauter till Mars innan 2030-talet är över, i samarbete med bland rymdstationen ISS, privata företag och Kinas rymdfart. Andra människan på månen, astronauten Buzz Aldrin, stödjer projektet helhjärtat. I dag är han över åttio år men pigg och alert, och ses ofta bära en T-shirt med texten GET YOUR ASS TO MARS.Och det privata rymdföretaget SpaceX meddelar att man vill sända iväg sin första bemannade rymdfarkost mot Mars redan 2024. SpaceX grundare, den excentriske och visionäre miljardären Elon Musk, vill se en koloni på Mars med en miljon invånare inom hundra år. Själva ändamålet med att grunda SpaceX, säger han, var att göra människan till en multiplanet species, en art som lever på många planeter.Det låter rätt galet. Kan det verkligen genomföras, och i så fall, vad ska det vara bra för? Varför kolonisera rymden? Varför stannar vi inte bara där vi är och vårdar den enda planet vi faktiskt har?Vi ger oss av för att vi kan och för att vi vill – och för att vi måste.Tvånget att färdas genom rymderna betonas gärna i fiktioner: diktsviten Aniara; teveserien Månbas Alpha; David Bowies sång Space Oddity som finns på en LP från 1969, året för den första månlandningen. Rymdskeppets besättning har förlorat kontakten med jorden och är hänvisad till en färd mot det okända, utan hopp om återvändo eller räddning. Det blir metaforen för en mänsklighet som tappat kontakten med sitt ursprung, och måste underkasta sig en högteknologisk civilisation som människan har skapat men inte längre är herre över.SF-fiktioner som Star Trek betonar i stället kunskapen och viljan. Där speglas en mänsklighet på väg framåt, inte bara tekniskt och geografiskt utan också etiskt ­– en mänsklighet som försöker förstå och respektera sig själv genom att se andra, antingen de nu är vulkaner eller klingoner eller besättningsmedlemmar med olika ursprung.Jag får rysningar av Star Trek-seriens valspråk, inte bara för rymdens skull utan för det urmänskliga i uppdraget: to explore strange new worlds; to seek out new life and new civilizations; to boldly go where no one has gone before. Jag får rysningar av både lust och avsmak: av skönheten i det och av ekot från historien, ett eko från kolonialismen.Att ge sig av med full insikt om att man aldrig kommer tillbaka, det har människor gjort sen urminnes tider. Från början var vi nomader. Vi vaknade varje morgon och lämnade platsen där vi hade sovit för att aldrig återvända. På jägar- och samlartiden, då ingick knappast individualismen och individens rätt till fria val i människans berättelse om sig själv. Individualismen är ny, och kanske är den fortfarande rätt så provinsiell. Den har uppstått och odlats i västerlandet under några hundra år, och individualismens utveckling har gått hand i hand med kolonialismen. Kolonisering av mars innebär att unga, välutbildade, äventyrliga och fertila människor frivilligt fattar individuella beslut att lämna jorden för att inte återvända. På nåt vis blir ju detta juvelen i den västerländska individualismens krona – en individualism som bejakar handlingskraft och styrka, men inte har lika mycket plats för det ömtåliga och stillsamma.Frivilliga mars-pionjärer finns det förvånansvärt gott om. Mars-ONE har idag ett startfält på hundra kandidater. Där finns Ritika från Indien, Sandra från Brasilien, Sadegh från Iran och så vidare, men de flesta är européer och amerikaner.De vill inte stanna kvar där de befinner sig. Inte heller jägar- och samlartidens nomader stannade kvar där de befann sig. Vi hade ännu inte börjat odla något, så jorden band oss inte. Vi bröt upp, ständigt, men på jägar- och samlartiden var vi inga djärva marsresenärer eller romantiska poor lonesome cowboys i silhuett mot solnedgången. Vårt kontinuerliga uppbrott var inte som till exempel i On The Road av Jack Kerouac. On the road är en rätt så tidstypisk västerländsk nittonhundratalsgestaltning av individens, oftast mannens, flykt från ansvar och sammanhang. På jägar- och samlartiden däremot, då bröt vi upp för att vi behövde samla mat för dagen.Vi fortsatte för att vi måste, då som nu. Att stanna kvar var inte ett alternativ, säger en del människor som på vinst och förlust har flytt från outhärdliga förhållanden i sina hemländer. Människan har fötter, inte rötter, säger andra.Vi strävar kanske mot Mars för att vi inte riktigt längre får plats på en alltmer överbefolkad och förödd jord, och vi strävar som sagt mot Mars för att vi kan och vill, ja ”vi” och ”vi”. De högteknologiska västerländska planerna på att kolonisera Mars är förstås ett projekt för ett fåtal, och det hela kanske förblir en Startrek-aktig dröm bara, men, drömmen om något annat där ute, något okänt som vi ännu bara kan fantisera om, den är en allmänmänsklig drivkraft. Åtminstone i vissa lägen.En stor del av Sveriges befolkning bröt upp från jorden de kände, utan återvändo, för mindre än tvåhundra år sen. Och vikingarna, de norska vikingarna! Som koloniserade Färöarna, Orkneyöarna, Shetlandsöarna, Island, Grönland och fortsatte ända till Nordamerika!Jag har en storslagen inre bild av hur dessa modiga vikingar gav sig ut från norska kusten, ut över ett okänt hav, utan att ens veta om det fanns något där ute. Men fullt så filmiskt var det nog inte på riktigt att fara från Norge till Island, inte ens för de första pionjärerna. Island lär ha upptäckts av misstag. En norrman vid namn Nadodd sägs ha seglat vilse när han skulle ta sig från Norge till Färöarna på åttahundratalet och hamnade i stället mycket längre åt nordväst.Nadodd följdes av andra, av familjer och hushåll som hade tröttnat på att lyda under det framväxande norska kungaväldet, eller behövde mark att bruka, eller ville ha mer mark fast de kanske inte behövde det. Färden mellan Norge och Island tog som snabbast tre dygn, så några marsfärder var det knappast frågan om. Snart uppstod två tämligen väl trafikerade trader: eyalei∂, ”övägen” och ”úthafslei∂”, havsvägen. Övägen gick från Norge via Shetland eller Orkney, vidare till Färöarna och så till Island. Havsvägen gick som namnet antyder rakt ut över havet.I dag finns liknande leder i luftrummet. De transatlantiska luftlederna mellan Europa och USA är rena motorvägarna med tät flygtrafik. Och SpaceX grundare Elon Musk målar upp bilder av en liknande tät skytteltrafik så småningom mellan jorden och Mars.I hans planer ingår ett enormt rymdskepp som kan ta hundra personer åt gången, ett slags rymdens Amerikabåt om man så vill. Och redan 2024 är det alltså tänkt att en första mindre besättning rymdvikingar ger sig av till Mars – inte av misstag som när Nadodd råkade hitta Island, de har en färdplan. Och de kommer inte att upptäcka en plats som vi inte redan har sett i teleskop och via satelliter. Men att stanna kvar här på jorden är kanske då inte längre ett alternativ.Maria Küchen, författare och kulturskribent

It is time to go back to the "Labyrinth" as we celebrate the 40th episode of one of Chelsea's all-time favorite movies!Returning to R2R for the 3rd out of the last 4 episodes is Nic Cowan as he joins in the conversation as we discuss: the influence of Jim Hensen's amazing puppet work, David Bowie's offbeat performace, Jennifer Connelly's mature but innocent demeanor and even do a blink rank of best 80's fantasy movies! It is an episode you DO NOT want to miss out on!Nic Cowan:@undeadguyThe Surf Ninjas Shopready2retro.comFollow @ready2retro on IG for an exclusive giveaway! 

L'Invitée culture est la romancière sénégalaise Sokhna Ndao. Son quatrième roman Catharsis est paru aux éditions Obangame. À travers le destin d'une couturière de génie, Sokhna Ndao revient sur les violences subies par les femmes dans un pays foncièrement patriarcal. RFI : Vous signez, aux éditions Obangame, un quatrième roman dans lequel vous poursuivez votre exploration des maux et des combats de la société moderne sénégalaise. Catharsis raconte la vie d'une épouse qui va se retrouver confrontée à la violence de sa belle-famille. Les violences faites aux femmes sont une problématique qui vous tient à cœur. Est-ce que vous diriez que votre héroïne, Tabara, est représentative de la condition féminine au Sénégal ?  Sokhna Ndao : Elle est représentative de la condition féminine au Sénégal parce que ce roman a été écrit durant la pandémie de Covid-19, et je me suis rendu compte que six ans plus tard, la situation n'avait pas changé. On a de plus en plus des femmes qui sont victimes de violences au quotidien. Violences psychologiques et physiques. Et ça me tenait à cœur de leur donner un espace pour s'exprimer.  Les violences faites aux femmes dans les familles, c'est quelque chose de très commun donc, mais dont on parle peu.  On en parle de plus en plus. C'est le retentissement qui n'a pas la force que j'aimerais qu'il ait. Mais si vous allez sur les réseaux sociaux, il y a énormément de mots-dièse qui se sont multipliés pour dénoncer le code de la famille, qui n'a pas été révisé. On parle encore de « puissance paternelle » au Sénégal. Votre mari peut vous battre et vous n'avez pas le droit de rentrer chez vous parce que vos parents vous disent que « c'est un déshonneur, que vous devez rester dans votre couple, dans votre mariage ». Et ces femmes enfermées meurent de plus en plus.  On s'aperçoit effectivement que votre héroïne, Tabara, est dépossédée de tout par son époux ; de sa liberté d'abord, de sa marge de manœuvre, de son identité même, et de son enfant. Et elle n'a aucun recours... C'est-à-dire que personne ne l'écoute parce qu'elle méconnaît la loi. Ce roman, il a mis du temps à sortir parce que je devais d'abord me renseigner au niveau de la loi, la loi islamique et le code de la famille au Sénégal. En fait, Tabara ne sait absolument pas qu'elle a des droits. Son mari l'enferme dans ce tunnel de doutes, ce qui lui permet de l'exploiter davantage. Et si elle avait été au courant que son mari n'a pas le droit de faire tout cela, elle se serait révoltée plus tôt. Donc dans le texte, je glisse quelques petits indices par-ci par-là pour dire « renseignez-vous ». Parce que vous êtes peut-être dans des situations qui ne sont absolument pas tolérables, ni aux yeux des hommes, ni aux yeux de Dieu.  Tabara est quand même une situation particulière parce qu'elle n'a pas une grande famille. Son père a disparu après sa naissance et sa mère est assez défaillante. Cela renforce l'emprise que la belle-famille exerce sur elle. Est-ce qu'une femme ayant une famille normale au Sénégal peut davantage compter sur une forme de protection ?  Oui et non, dans le sens où effectivement, si on prend l'exemple de la famille de Tabara, il y a une problématique, un traumatisme d'abandon dès le départ. Sa mère ne la défend pas. Elle est même absolument complice de ses bourreaux. Et ça, c'est une réalité, une mère qui projette sur son enfant ses propres traumatismes. D'ailleurs, elle le dit dans le roman à un moment donné. « Peut-être que si j'avais eu un fils, ton père serait resté avec moi », ce qui est extrêmement violent. Donc, quand Tabara part dans la belle-famille, sa mère se débarrasse d'elle – c'est le deuxième choc d'abandon – et sa belle-mère trouve en Tabara une victime parfaite. Cette femme, issue elle-même d'un milieu polygame qui a traversé énormément de traumatismes grâce à la situation financière de ses enfants, peut imposer une dictature dans cette maisonnée. Et imposer des violences psychologiques envers ces belles-filles qu'elle maltraite aux yeux de tous. Et personne ne dit rien. Personne ne fait rien.  Comment vous l'expliquez, cette apathie ?  Souvent, quand vous êtes harcelée, quand vous êtes victime d'une perversion narcissique, il y a tout un écosystème qui se fait complice. Puisqu'elle est là, elle est devenue riche, elle impose sa loi et les autres se disent : « Ah, si je prends parti, si je défends, elle va devenir violente envers moi, donc je vais devenir complice pour ne pas aussi subir les foudres de l'harceleur. »  Il y a aussi une question que vous abordez, c'est justement la transmission de l'éducation. Vous écrivez à un moment une très jolie phrase : « Mes rêves n'étaient que des inepties implantées depuis l'enfance, formatées pour me faire écraser par le monde ». C'est ce que pense Tabara dans ce roman. L'éducation est très importante, on n'apprend pas aux jeunes filles à résister, on leur apprend à se soumettre... Il y a une asymétrie. En fait, les hommes ont le droit d'être respectés, d'être obéis, de n'être jamais contredits. Et la femme, c'est « l'agneau sacrificiel », en fait. Elle doit avoir des valeurs confucéennes, faire preuve de probité, faire preuve d'humilité. En fait, on n'apprend pas aux hommes à aimer. La femme se retrouve muselée. Et si je reviens sur la mère de Tabara, elle ne l'a jamais défendue. Elle lui demande d'être humble, soumise, patiente. Pour Tabara et pour ces femmes, oui, les hommes ont plus de droits au Sénégal. Et actuellement, les femmes perdent du terrain. En tant que femme, chaque année, je rentre et je vois que la génération de ma mère a eu plus de droits que moi, et d'une certaine manière, cela m'exaspère. Dans Catharsis, vous abordez d'autres problèmes sociaux. Vous déconstruisez un certain nombre de mythes, comme celui de la justice, celui de l'expatriation, puisque Farah, l'époux de Tabara, se retrouve en France dans une situation difficile. À chaque fois, on a le sentiment que le rapport de force sociale dans ce roman est très cruel. Le monde est impitoyable...  C'est un monde impitoyable et j'aime beaucoup explorer les dynamiques, les déséquilibres qui « créent des distorsions ». Sinon, ce serait plat, ennuyeux. C'est parce qu'il y a des rapports de force, des problématiques d'argent, de liberté, que forcément, on en vient à certains comportements. Je ne suis pas en train de dire que Farah est victime, mais pour produire un monstre, il me fallait un schéma, un chaînon. On ne naît pas monstre, on le devient. La belle-mère de Tabara, pour moi, c'est ce que la société sénégalaise fabrique de pire comme monstre. Ces monstres du quotidien qui normalisent les violences psychologiques. Je voulais un peu apporter un regard différent par rapport au lecteur.  Tabara va quand même connaître un destin incroyable puisqu'elle va réussir finalement à s'émanciper. Comment y parvient-elle ? Sans divulguer pour autant la fin du roman.  Le talent. C'est son talent. Dépossédée de tout, elle se dit : « Je vais travailler, je vais devenir indépendante financièrement. » Dès le début du roman, sa mère lui dit : « Tu n'es même pas – excusez-moi le terme – foutue d'être avocate, ou médecin, tu es qu'une saltimbanque, je n'ai pas élevé une saltimbanque. » Et ce sont sa créativité, son imagination, son talent qui vont lui ouvrir les portes. Et au Sénégal, vous avez énormément de femmes couturières, artistes, chanteuses qui s'émancipent grâce à leur talent.  C'est une littérature sociale et engagée qui « porte le couteau dans la plaie », pour reprendre les mots d'un journaliste célèbre, mais c'est aussi un roman habité par une écriture très particulière et très belle. Je veux vous citer vous. À un moment, Tabara dit à son amant : « Tôt ou tard, toi aussi tu vas graver tes initiales dans l'une de mes cicatrices. » Le style est quelque chose que vous avez beaucoup travaillé ?   J'aime beaucoup la poésie. Petite, mes premiers chocs esthétiques ont été poétiques. C'était Baudelaire. Je m'en rappelle encore. Le mort joyeux m'a interloquée. Et les mots ont pour moi un poids pour parler des maux. « Un roi cruel m'a rendu cynique », dit encore Tabara. Rassurez-nous ; finalement, elle n'est pas si cynique que ça, votre héroïne ?  Son cœur continue de battre, même si pour faire cette catharsis, elle y croit encore. Même si, jusqu'à la fin, elle se pose la question du « est-ce que j'y vais, est-ce que je n'y vais pas ? » Mais pour elle, elle pensait que l'amour arrive trop tard. C'est un roman, mais il y a de la musique dedans. Tous les chapitres commencent par une citation, souvent en anglais, d'un chanteur de pop ou de rock. On a du David Bowie, on a du Coldplay, on a du Phil Collins, on en a plein d'autres comme ça. Pour quelles raisons ? C'est mon père qui m'a fait découvrir les Beatles, donc pour moi, la musique n'a pas de frontières. Je sais que ça peut choquer, mais si je cite Ismaël Lo, il dit s'être inspiré d'Ottis Redding, de Jimi Hendrix. Youssou N'Dour a chanté du Bob Dylan, donc la présence de la musique dans ce livre est un choix personnel. C'est un peu aussi pour rendre hommage à cet héritage culturel que j'ai reçu. C'est comme la bande son du roman en fait. C'est d'ailleurs ce que j'écoutais quand je l'écrivais.

Hoy en La Gran Travesía, con motivo del 57º Aniversario de la llegada del hombre a la luna, tenemos un especial donde suenan Belly, Muse, Elton John, David Bowie, The Killers, The Tornados, The Rolling Stones, Pink Floyd, Daft Punk, Jean-Michel Jarre, The Police, Queen... y muchos más. ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Alul, JBsabe, Juan Antonio Méndez Benítez, Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Raquel, Sergio Rodríguez Rojas, Jose Antonio Moral, Juanito, Octavio Oliva, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Alberto, Moy, Dani Pérez, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

L'Invitée culture est la romancière sénégalaise Sokhna Ndao. Son quatrième roman Catharsis est paru aux éditions Obangame. À travers le destin d'une couturière de génie, Sokhna Ndao revient sur les violences subies par les femmes dans un pays foncièrement patriarcal. RFI : Vous signez, aux éditions Obangame, un quatrième roman dans lequel vous poursuivez votre exploration des maux et des combats de la société moderne sénégalaise. Catharsis raconte la vie d'une épouse qui va se retrouver confrontée à la violence de sa belle-famille. Les violences faites aux femmes sont une problématique qui vous tient à cœur. Est-ce que vous diriez que votre héroïne, Tabara, est représentative de la condition féminine au Sénégal ?  Sokhna Ndao : Elle est représentative de la condition féminine au Sénégal parce que ce roman a été écrit durant la pandémie de Covid-19, et je me suis rendu compte que six ans plus tard, la situation n'avait pas changé. On a de plus en plus des femmes qui sont victimes de violences au quotidien. Violences psychologiques et physiques. Et ça me tenait à cœur de leur donner un espace pour s'exprimer.  Les violences faites aux femmes dans les familles, c'est quelque chose de très commun donc, mais dont on parle peu.  On en parle de plus en plus. C'est le retentissement qui n'a pas la force que j'aimerais qu'il ait. Mais si vous allez sur les réseaux sociaux, il y a énormément de mots-dièse qui se sont multipliés pour dénoncer le code de la famille, qui n'a pas été révisé. On parle encore de « puissance paternelle » au Sénégal. Votre mari peut vous battre et vous n'avez pas le droit de rentrer chez vous parce que vos parents vous disent que « c'est un déshonneur, que vous devez rester dans votre couple, dans votre mariage ». Et ces femmes enfermées meurent de plus en plus.  On s'aperçoit effectivement que votre héroïne, Tabara, est dépossédée de tout par son époux ; de sa liberté d'abord, de sa marge de manœuvre, de son identité même, et de son enfant. Et elle n'a aucun recours... C'est-à-dire que personne ne l'écoute parce qu'elle méconnaît la loi. Ce roman, il a mis du temps à sortir parce que je devais d'abord me renseigner au niveau de la loi, la loi islamique et le code de la famille au Sénégal. En fait, Tabara ne sait absolument pas qu'elle a des droits. Son mari l'enferme dans ce tunnel de doutes, ce qui lui permet de l'exploiter davantage. Et si elle avait été au courant que son mari n'a pas le droit de faire tout cela, elle se serait révoltée plus tôt. Donc dans le texte, je glisse quelques petits indices par-ci par-là pour dire « renseignez-vous ». Parce que vous êtes peut-être dans des situations qui ne sont absolument pas tolérables, ni aux yeux des hommes, ni aux yeux de Dieu.  Tabara est quand même une situation particulière parce qu'elle n'a pas une grande famille. Son père a disparu après sa naissance et sa mère est assez défaillante. Cela renforce l'emprise que la belle-famille exerce sur elle. Est-ce qu'une femme ayant une famille normale au Sénégal peut davantage compter sur une forme de protection ?  Oui et non, dans le sens où effectivement, si on prend l'exemple de la famille de Tabara, il y a une problématique, un traumatisme d'abandon dès le départ. Sa mère ne la défend pas. Elle est même absolument complice de ses bourreaux. Et ça, c'est une réalité, une mère qui projette sur son enfant ses propres traumatismes. D'ailleurs, elle le dit dans le roman à un moment donné. « Peut-être que si j'avais eu un fils, ton père serait resté avec moi », ce qui est extrêmement violent. Donc, quand Tabara part dans la belle-famille, sa mère se débarrasse d'elle – c'est le deuxième choc d'abandon – et sa belle-mère trouve en Tabara une victime parfaite. Cette femme, issue elle-même d'un milieu polygame qui a traversé énormément de traumatismes grâce à la situation financière de ses enfants, peut imposer une dictature dans cette maisonnée. Et imposer des violences psychologiques envers ces belles-filles qu'elle maltraite aux yeux de tous. Et personne ne dit rien. Personne ne fait rien.  Comment vous l'expliquez, cette apathie ?  Souvent, quand vous êtes harcelée, quand vous êtes victime d'une perversion narcissique, il y a tout un écosystème qui se fait complice. Puisqu'elle est là, elle est devenue riche, elle impose sa loi et les autres se disent : « Ah, si je prends parti, si je défends, elle va devenir violente envers moi, donc je vais devenir complice pour ne pas aussi subir les foudres de l'harceleur. »  Il y a aussi une question que vous abordez, c'est justement la transmission de l'éducation. Vous écrivez à un moment une très jolie phrase : « Mes rêves n'étaient que des inepties implantées depuis l'enfance, formatées pour me faire écraser par le monde ». C'est ce que pense Tabara dans ce roman. L'éducation est très importante, on n'apprend pas aux jeunes filles à résister, on leur apprend à se soumettre... Il y a une asymétrie. En fait, les hommes ont le droit d'être respectés, d'être obéis, de n'être jamais contredits. Et la femme, c'est « l'agneau sacrificiel », en fait. Elle doit avoir des valeurs confucéennes, faire preuve de probité, faire preuve d'humilité. En fait, on n'apprend pas aux hommes à aimer. La femme se retrouve muselée. Et si je reviens sur la mère de Tabara, elle ne l'a jamais défendue. Elle lui demande d'être humble, soumise, patiente. Pour Tabara et pour ces femmes, oui, les hommes ont plus de droits au Sénégal. Et actuellement, les femmes perdent du terrain. En tant que femme, chaque année, je rentre et je vois que la génération de ma mère a eu plus de droits que moi, et d'une certaine manière, cela m'exaspère. Dans Catharsis, vous abordez d'autres problèmes sociaux. Vous déconstruisez un certain nombre de mythes, comme celui de la justice, celui de l'expatriation, puisque Farah, l'époux de Tabara, se retrouve en France dans une situation difficile. À chaque fois, on a le sentiment que le rapport de force sociale dans ce roman est très cruel. Le monde est impitoyable...  C'est un monde impitoyable et j'aime beaucoup explorer les dynamiques, les déséquilibres qui « créent des distorsions ». Sinon, ce serait plat, ennuyeux. C'est parce qu'il y a des rapports de force, des problématiques d'argent, de liberté, que forcément, on en vient à certains comportements. Je ne suis pas en train de dire que Farah est victime, mais pour produire un monstre, il me fallait un schéma, un chaînon. On ne naît pas monstre, on le devient. La belle-mère de Tabara, pour moi, c'est ce que la société sénégalaise fabrique de pire comme monstre. Ces monstres du quotidien qui normalisent les violences psychologiques. Je voulais un peu apporter un regard différent par rapport au lecteur.  Tabara va quand même connaître un destin incroyable puisqu'elle va réussir finalement à s'émanciper. Comment y parvient-elle ? Sans divulguer pour autant la fin du roman.  Le talent. C'est son talent. Dépossédée de tout, elle se dit : « Je vais travailler, je vais devenir indépendante financièrement. » Dès le début du roman, sa mère lui dit : « Tu n'es même pas – excusez-moi le terme – foutue d'être avocate, ou médecin, tu es qu'une saltimbanque, je n'ai pas élevé une saltimbanque. » Et ce sont sa créativité, son imagination, son talent qui vont lui ouvrir les portes. Et au Sénégal, vous avez énormément de femmes couturières, artistes, chanteuses qui s'émancipent grâce à leur talent.  C'est une littérature sociale et engagée qui « porte le couteau dans la plaie », pour reprendre les mots d'un journaliste célèbre, mais c'est aussi un roman habité par une écriture très particulière et très belle. Je veux vous citer vous. À un moment, Tabara dit à son amant : « Tôt ou tard, toi aussi tu vas graver tes initiales dans l'une de mes cicatrices. » Le style est quelque chose que vous avez beaucoup travaillé ?   J'aime beaucoup la poésie. Petite, mes premiers chocs esthétiques ont été poétiques. C'était Baudelaire. Je m'en rappelle encore. Le mort joyeux m'a interloquée. Et les mots ont pour moi un poids pour parler des maux. « Un roi cruel m'a rendu cynique », dit encore Tabara. Rassurez-nous ; finalement, elle n'est pas si cynique que ça, votre héroïne ?  Son cœur continue de battre, même si pour faire cette catharsis, elle y croit encore. Même si, jusqu'à la fin, elle se pose la question du « est-ce que j'y vais, est-ce que je n'y vais pas ? » Mais pour elle, elle pensait que l'amour arrive trop tard. C'est un roman, mais il y a de la musique dedans. Tous les chapitres commencent par une citation, souvent en anglais, d'un chanteur de pop ou de rock. On a du David Bowie, on a du Coldplay, on a du Phil Collins, on en a plein d'autres comme ça. Pour quelles raisons ? C'est mon père qui m'a fait découvrir les Beatles, donc pour moi, la musique n'a pas de frontières. Je sais que ça peut choquer, mais si je cite Ismaël Lo, il dit s'être inspiré d'Ottis Redding, de Jimi Hendrix. Youssou N'Dour a chanté du Bob Dylan, donc la présence de la musique dans ce livre est un choix personnel. C'est un peu aussi pour rendre hommage à cet héritage culturel que j'ai reçu. C'est comme la bande son du roman en fait. C'est d'ailleurs ce que j'écoutais quand je l'écrivais.

Strong Songs returns to the mighty Annie Lennox, for a closer look at her initially patient, eventually soaring 1992 single "Little Bird." This song allllmost beat out "Walking On Broken Glass" to get an episode last time around, and it's easy to see why. Written by: Annie Lennox Produced by: Stephen Lipson Album: Diva, 1992 Listen/Buy via Album.Link ALSO REFERENCED/DISCUSSED: The 2020 Strong Songs episode about "Walking on Broken Glass" “Why,” “Walking On Broken Glass,” and “Cold,” from Diva, 1992 “Sweet Dreams (Are Made Of This)” by Eurythmics from Sweet Dreams (Are Made of This), 1983 Annie Lennox performing “Under Pressure” with Queen and David Bowie at Wembly, 1992 “Total Eclipse of the Heart” by Jim Steinman and Bonnie Tyler from Faster Than The Speed of Night, 1983 --------------------JULY 2026 WHOLE NOTE PATRONS Dave Florey - AccessViolation - Jeremy Dawson - Sami Samhuri - Paul Delaney - Jenness Gardner - Melanie Andrich - Ken Hirsh - Joe Laska - David Mascetti - Christopher McConnell - Jamie White - Christopher Miller - Daniel Hannon-Barry - Jay Swartz - Damon White - Catherine Warner - Ben Barron - Corpus Frisky - Cesar - Robyn Metcalfe - Scott Lystig Fritchie - Lisa Crotty - Andy - Melissa Lucas - Greg - Julie Rowe - Rich Fish - Greer Bevel - Butch Vig - Greg - Matt R - Wendy Moore - Cerise Gay - Nigel JULY 2026 HALF NOTE PATRONS Colin Hodo - Paul De Surra - James Johnson - Arjun Sharma - Justin McElroy - Alexander Polson - Richard Toller - Melanie Stivers - Matt Betzel - Jeffrey Olson - Brett Douville - Brian Amoebas - Bill Thornton - Andrew Fair - Andrew Baker - Amanda Furlotti - Brad Callahan - Jennifer Bush - AJ Schuster - Tanner Morton - Gavin Doig - Chris K - Alexander - David - Naomi - Dave Sharpe - Caro Field - Jonathan Daniels - Eric Helm - Melmaniac - Dhu Wik - Tom Coleman - Diane Turner - Clare H - Randy Souza - Pascal Rueger - Joshua Hill - Stephen Tsoneff - Michael Casner - Diane Hughes - Angela Livingstone - cbalmain - Eric Prestemon - Lauren Reay - Nathan Gouwens - Nell Morse - Karma Jay - Dallas Hockley - M Shane Borders - Kevin Potter - Eoin de Burca - Bonnie Prinsen - Ryan Rairigh - Achint Srivastava - Doug Belew - Abbie Berg - Jason Pratt - Geraldine Butler - Bernard Khoo - David Joske - Donald Mackie - Steve Paquin - Mino Capossela - Kelli Brockington - Adam W - Josh Singer - Rob Tsuk - Ailie Fraser - JRRJ - Jeffrey Bean - Rishi Sahay - Zak Remer - Adam Stofsky - Kenneth Jung - Bruno Gaeta - Paul Wayper - Lisa Turner - Wendy Gilchrist - Doreen Carlson - Janice Berry - Christian Hessmann - Richard Sneddon - Portland Eye Care - Deebs - Michael Shain - Jamie - David Futter - Jeff Ulm - Aaron Wade - Greg Henion - KenIsWearingAHat - Ethan Bauman - Catherine Clause - Charles McGee - Tim Sheehan - E Margaret Warton - Matt Baxter - Dr Arthur A Gray - Steve Martino - Stu Baker - Martín Salías - Peter Harding - John Halpin - Douglas H Frazer - Heather J - Alan Maass - Dave Malloy - Robert Granat - Kaya Woodall - Kellen Steffen - Sean Murphy - Jim Sellers - Ben Stein - Bla Blupp - Dick Morgan - Lee R. - Misty Haisfield - Carlos Lerner - Dent Earl - Aaron Wilson - Chris Remo - Brian Johan Peter - Ethan Laser - James McMurry - Anthony Mentz - Thomas - Matthew Jones - Eric Sp - Max - Rand LeShay - Stephen Wolkwitz - Paul Bigelman - Monica St. Angelo - Henry Mindlin - Dave Kolas - Lauren Knotts - Joe Gallo - Merv Adrian - Michael Singer - Inmar Givoni - Mordok's Vape Pen - Clint McElroy - Dan Cutter - Michael - James - Kevin Marcelo - Seattle Trans And Nonbinary Choral Ensemble - Ashley - Melissa Kuhns - Jordan Gatenby - Andrew Hofer - Ian Pidd - Irritable - Meryl Allison - Sy Jacobs - Lawrence - Praline - Kevin Stafford - Daniel Nervo - Philip Kelly - Bea - Julie Kellman - Daniel Kaberon - TB - Aruni Jayatilleke - Kym Griffith - PhantomMare - Alison Dugan - Margaret McReynolds - HiddenJester - Brian Rinckenberger - RsP - Lottie Aron - Steve B - Ian Karmel - Zach Putnam - Stephen - Adam Clark - Freddy Freeman - Erik - Mathias Schmidt - Tucker Ped - Sarah Vetters - Aaron Cain - Daniel Markoff - Alexis - Alex - Eric Stone - Alan Kress - R J Helow - Max Barnes - Michael Martin - James - Andrew Knutson - Doug - Sam Grogan - MT - Linda Lange - James Hicks - Michael Adamski - Mark MacIntosh - Jeff Stormer - Michael Sumner - Edward Reisert - Klodrik - Aron - Kevin Davis - Matt - Louise Clarke - Richard Randall - AlanB - Will King - PJ and Ethan - Cameron - Rebecca - Ned Rosen - Simon Hellman - Jim M - Ben Buddy Slack - Néa - Karl Dube - Frank - Robin Ling - M - Mark Perna - Alan Wills - Ferdinand Von Seebach - Minoru Aoki - keniareinadelmundo10 - Joshua Gailey - Klaus - Sue Burgess - Mike! - Gabriel Hoffman ----LINKS-----

Repasamos las mejores canciones que han sonado a lo largo de la semana e incorporamos novedades recién publicadas como "Palomita de Ojos Azules", de Ganges, "Crash Out", de Tinashe, "Lost Boys", en acústico de Phoebe Bridgers o la inédita de David Bowie "I Want Your Love".  El clásico del día es "Dancing Queen", de ABBA, con motivo de su 50º aniversario. TINASHE - Crash OutOVERMONO - Knight In Shining Prada (feat. John Joseph Holt)CONFIDENCE MAN - Young LondonQUEENS OF THE STONE AGE - Easy StreetDAVID BOWIE - I Want Your Love (2026 Remaster)JACK WHITE - Thick As ThievesNIA ARCHIVES - Get Me Down (ft. Jorja Smith)GANGES - Palomita de Ojos AzulesSUKI WATERHOUSE - Tiny RaisinTHE LINDA LINDAS & HAYLEY WILLIAMS - CloserPHOEBE BRIDGERS - Lost Boys (Acoustic)TYLER BALLGAME - Live It DownABBA - Dancing QueenANABEL LEE - Wilson DEAR JOANNE - No Te AtrevesRIVALS - Bite The BulletBECK - In The NightEscuchar audio

THIS BOOK IS A COLLECTION OF INTERVIEWS with people who have made records with some of the biggest names in music. Along the way, they might be engineering the recordings, picking the songs, guiding the singers, picking the best takes of songs, balancing egos, fixing the lyrics, booking the studio time, buying lunch, playing instruments, pushing artists further, writing or cowriting the songs, selecting the musicians to use, overseeing the mixes, and many other tasks. Making records is always a combination of many skills and goals, and the producer needs to have what it takes to make the session productive and the music compelling.In this book, interviewees include people who have worked with the Beatles, the Rolling Stones, Public Enemy, Taylor Swift, Bob Dylan, P!nk, U2, Emmylou Harris, Willie Nelson, Wu-Tang Clan, David Bowie, T.Rex, Johnny Cash, Aretha Franklin, Amy Winehouse, Paul McCartney, Dolly Parton, Duran Duran, the Replacements, Christina Aguilera, Alicia Keys, Kendrick Lamar, Tom Petty, and Sabrina Carpenter, plus more. And that's just the beginning of the credits these producers―Brian Eno, Finneas, Glyn Johns, Hank Shocklee, Jack Antonoff, Joe Boyd, Jon Brion, Lee "Scratch" Perry, Linda Perry, Mark Ronson, RZA, Sasami, Steve Lillywhite, Susan Rogers, T Bone Burnett, and many others―collectively hold.All of these interviews come from the pages of Tape Op magazine, founded in 1996 by editor Larry Crane. Over the last thirty years, along with publisher John Baccigaluppi, Tape Op has become the world's deepest archive of conversations about the art and science of recording music, and is still an active, print-based magazine with the highest circulation of any recording magazine in the world.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

This week's episode is all about already existing music that's been adapted for video games, and it features everyone's favorite video game composers. Alberto José González? Nah, we're talkin' Johann Sebastian Bach! David Wise? More like David Bowie! From Cyndi Lauper to Claude Debussy, this episode's got all the greats covered.

Helms, Franz Paul www.deutschlandfunkkultur.de, Studio 9

Celebramos el último Viernes Eléctrico de la temporada regular antes de que empiece la programación de Radio 3 de verano. A partir del lunes 20 de julio, Turbo 3 continúa en formato veraniego, de lunes a viernes de 18.00 a 20.00 h., con Javi Vivo al frente como conductor y selector de cañonazos.  En esta sesión podrás disfrutar de una primera hora que arranca rememorando el sonido Madchester (con The Charlatans y The Stone Roses) para después lanzarnos de lleno a la pista de baile con el nuevo disco de Madonna y temones de Charli XCX, JENNIE o Digitalism. En la segunda hora, llegan las guitarras con cañonazos de Loathe, Jack White, Screaming Trees, Kyuss, Queens of the Stone Age y Foo Fighters, y despedimos con el clásico atemporal de David Bowie "Heroes".Playlist:THE CHARLATANS - Deeper And Deeper (Faders Down 'Depth Charge' Remix)THE CHARLATANS - The Only One I KnowTHE STONE ROSES - Fools GoldTEMPLES - GlimmerJUSTICE - Mannequin Love (feat. The Flints) [Braxe + Falcon Remix]DIGITALISM - Space InvadersCHARLI XCX - Von DutchMADONNA - DanceteriaJENNIE - Like JENNIECASSIUS - The Missing (Domenico Torti Remix)KITA ALEXANDER - Run (Breakbot Remixes)MUSE - Nightshift SuperstarFAT DOG - Cancel Me (I'm Tired)BLOODHOUND GANG - The Bad TouchSCISSOR SISTERS - Any Which WayELECTRIC SIX - Danger! High Voltage (Soulchild Radio Mix)JACK WHITE - Sixteen SaltinesLOATHE - Fortress DownSUPERHEAVEN - LeachNIRVANA - Heart-Shaped BoxFOO FIGHTERS - This Is a CallKYUSS - Green MachineSCREAMING TREES - Nearly Lost YouQUEENS OF THE STONE AGE - No One KnowsELEVEN - Reach OutPLACEBO - Nancy Boy (RE:CREATED VERSION)DAVID BOWIE - "Heroes"Escuchar audio

Thousands of people have taken to the streets in several Ukrainian cities, after President Zelenksy sacked his popular young defence minister, Mykhailo Fedorov. Also: An official report has concluded that MI5 lied while giving evidence to three courts about a neo-Nazi informer, whose abuse of his partner was uncovered by the BBC. And a lost trove of David Bowie songs is unearthed.

Matt and Michael wrestle with a question that has been hanging over both of them. Why have they stopped paying attention to the news? Is that a good thing or a bad thing? They land on the idea of a Cartesian crisis. Nobody trusts anything anymore. Every headline is met with an actually from someone who thinks they have the real truth. They explore how skepticism can lead to nihilism or to wisdom, and why character assassination has replaced actual argument. Then things get interesting. The conversation turns to what it means to truly love someone versus simply labeling them, why we have lost the definition of racism, and how dress codes and tattoos are really just signals we send to the world about who we want to be. They contrast David Bowie and Bob Dylan as two models of subversion, one grounded and one spinning off into the void. They talk about Jung, individuation, and why growing up means learning to reincorporate what you once rebelled against. And they end with a story about a fake recruiter that captures just how deep the trust crisis really goes. Cheers y'all

On this episode of Reelin'... The Featured Five Theme is Finding Some Shade... Plus, what band got its name from an Aboriginal Australian expression?... How a single overheard sentence became one of rock's greatest mysteries... What Queen song nearly featured backing vocals from David Bowie?... New music from The Revivalists, Trey Hensley & Nitty Gritty Dirt Band, and Johnny Blue Skies... Deep cuts from Little Feat, Junior Wells, Van Morrison, and more! For more info on the program, visit reelinwithryan.com

Eine Symbiose aus modernem Indie-Pop und klassischer Tradition – so wird mitunter der musikalische Output des Solo-Projektes der polnisch-deutschen Künstlerin Edita Karkoschka bezeichnet, und welchen sie uns heute im radioeins-Studio präsentiert! Die in Berlin und der Bretagne lebende Sängerin, Komponistin und Produzentin war bis Ende 2019 Frontfrau der Band NAUSICA, bevor sie sich ab 2020 vollständig ihrer Solokarriere widmete. Ihr im März 2024 erschienenes Debütalbum "KOSCHKA" verbindet eigene englischsprachige Kompositionen mit Neu-Interpretationen deutscher Lieder aus der Romantik, etwa von Franz Schubert oder Clara Schumann. Diese Mischung schafft eine Atmosphäre, die Koschka Genre-Titel wie "Neo-Romantik" oder "Pop Noir" einbringen und Vergleiche zu Roadmovies und den Werken von Jim Jarmusch aufrufen. Während ihr Debüt größtenteils in ihrem Berliner Homestudio entstanden ist, wurde es von renommierten, Grammy-prämierten Technikern in New York von Emily Lazar und Chris Allgood (u.a. David Bowie) gemastert. Ursprünglich als Performance Duo KOSCHKA & HEIMPROFI mit der bildenden Künstlerin Krista Burger 2012 gestartet, hat sich Edita Karkoschka nach dem gemeinsamen Touren als Live-Cinema Act durch ganz Europa von ihrem neuen Moniker nicht mehr trennen können. Seit 2018 hat sie regelmäßig neue Musik veröffentlicht – zuletzt im Mai ihre Single "Should I Have Told You", um die es unter anderem heute bei ihrem radioeins-Besuch geht.

Eine Symbiose aus modernem Indie-Pop und klassischer Tradition – so wird mitunter der musikalische Output des Solo-Projektes der polnisch-deutschen Künstlerin Edita Karkoschka bezeichnet, und welchen sie uns heute im radioeins-Studio präsentiert! Die in Berlin und der Bretagne lebende Sängerin, Komponistin und Produzentin war bis Ende 2019 Frontfrau der Band NAUSICA, bevor sie sich ab 2020 vollständig ihrer Solokarriere widmete. Ihr im März 2024 erschienenes Debütalbum "KOSCHKA" verbindet eigene englischsprachige Kompositionen mit Neu-Interpretationen deutscher Lieder aus der Romantik, etwa von Franz Schubert oder Clara Schumann. Diese Mischung schafft eine Atmosphäre, die Koschka Genre-Titel wie "Neo-Romantik" oder "Pop Noir" einbringen und Vergleiche zu Roadmovies und den Werken von Jim Jarmusch aufrufen. Während ihr Debüt größtenteils in ihrem Berliner Homestudio entstanden ist, wurde es von renommierten, Grammy-prämierten Technikern in New York von Emily Lazar und Chris Allgood (u.a. David Bowie) gemastert. Ursprünglich als Performance Duo KOSCHKA & HEIMPROFI mit der bildenden Künstlerin Krista Burger 2012 gestartet, hat sich Edita Karkoschka nach dem gemeinsamen Touren als Live-Cinema Act durch ganz Europa von ihrem neuen Moniker nicht mehr trennen können. Seit 2018 hat sie regelmäßig neue Musik veröffentlicht – zuletzt im Mai ihre Single "Should I Have Told You", um die es unter anderem heute bei ihrem radioeins-Besuch geht.

S9E28 went out live from the TSORR Myoli Beach studio on 16 July 2026.  This is one of those shows where time just flew, and I could have played for another three hours. For the first time in ages, we didn't do an Immortals feature. There was just so much in Rock and Metal Time Machine that I couldn't spare the seven minutes that the Immortals take. Diabolical Challenge was interesting. We continued with our theme of final albums. This week, the albums took a tragic turn. Bowie and Freddie Mercury were passing away. Jim Morrison died tragically, as did Kurt Cobain; all four of these albums were magnificent ends to an era. For the next few weeks in The Diabolical Challenge, we'll look at final albums made by legendary bands, and we kicked it off this week with: Nirvana - In Utero David Bowie - BlackstarQueen - InnuendoThe Doors - L.A. WomanThanks as always for the support.  Find TSORR on Facebook and X @TSORRArtists Featured: Hellsmoke, Hinder, Slash (feat Kid Rock), The Pretty Reckless, The Rolling Stones, Nickelback, ACDC, Dave Hause, The Sweet, Judas Priest, System of a Down, Norman Roux, Jimi Hendrix, Dio, Ratt, Rose Tattoo, Megadeth, The Angels, The Cult, L7, Rush, Alice Cooper, Aerosmith, Faith No More, Pantera, Cinderella, Nirvana, David Bowie, Queen, The Doors, Shinedown, The Color Blew, Saxon, Skid Row, Bad Company, Sixx A.M., Piet Botha, In FlamesThe Story of Rock and Roll.  TSORR - Your one-stop shop for Rock

Send us Fan MailWelcome to Guess the Year: 80s Edition! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1 year off6 points: Call bluff correctly4 points: 2 years off1 point: 3 years off0 point: 4 or more years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 198x, Song 2 - call bluff, Song 3 - 198x, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. Have you made your guesses yet? If so, you can scroll down and look at the answers.Okay, answers coming. Don't peek if you haven't made your guesses yet!Intro song: The Final Game / Take Me Out to the Ballgame from The Natural (1984)Song 1: Woman in Chains by Tears for Fears (1989)Song 2: Under Pressure by Queen & David Bowie (1981)Song 3: I Can't Go For That (No Can Do) by Daryl Hall & John Oates (1981)Song 4: I Guess That's Why They Call it the Blues by Elton John (1983)Song 5: Islands in the Stream by Kenny Rogers & Dolly Parton (1983)Song 6: Every Grain of Sand by Bob Dylan (1981)Song 7: When It's Love by Van Halen (1988)Song 8: (I Just) Died In Your Arms Tonight by Cutting Crew (1986)Song 9: Bourgeoisieses by Conan Gray (2024)Song 10: Candy Girl by New Edition (1983)

We're celebrating the golden age of glam rock with legendary #Slade drummer, #DonPowell!In this special episode, Don shares incredible, firsthand stories from his early days in the UK's Black Country, offering a unique perspective on the music scene that changed everything.From rubbing shoulders with legends like #LedZeppelin and #BlackSabbath to capturing the true magic of the glam rock era, Don recounts his time alongside contemporaries such as #TRex, #TheSweet, #DavidBowie, #MotttheHoople, and many more.This is part 1. Enjoy!Find us on social:YouTube: @RockofNationsWithDaveandShaneInstagram: @RockNationsDKTikTok: @RockOfNationswithDKFacebook: @RockofNationsDKX (Twitter): @RockNationsDKSHOW CREDITSHosts & Producers: Dave Kinchen and Shane McEachernTheme Music: Lyrics written by Dave KinchenSound Design: Produced with AI assistance and Drum Pad Machine

durée : 00:03:47 - Les Matins de France Culture - par : Raphaël Laloum - En 1967, David Jones est un jeune homme passionné de rock. En pleines "Swinging Sixties", il multiplie les expériences dans les groupes de musique. Malgré de nombreux échecs, le jeune homme s'accroche à son ambition. Il sort son premier album et devient David Bowie. - équipe : Thomas Beau Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Era actualitat dera Val d'Aran en aran

The 16th episode of the fourth season of the BBC anthology series Play for Today, Penda's Fen – originally broadcast on 21 March 1974 – is widely celebrated as a visionary masterpiece of British folk horror and 1970s television drama. Written by David Rudkin and directed by Alan Clarke, Time Out London named it one of the 100 best British films. The Visionary Realism of Alan ClarkeDirector Alan Clarke is renowned for his stark social realism and controversial depictions of institutionalised communities. His 1977 borstal drama Scum was banned by the BBC, later returning as a 1979 feature film, while his television film Made in Britain introduced Tim Roth as a racist skinhead. He tackled corporate corruption in Beloved Enemy, military interrogation in Psy-Warriors, and directed David Bowie in Bertolt Brecht's Baal. His final work, The Firm starring Gary Oldman, drew heavy press criticism for its depiction of violent football hooliganism in Thatcher's Britain.While Penda's Fen trades Clarke's urban realism for a mystical landscape of angels and demons, it retains his fierce preoccupation with identity, authority, and systemic oppression.Cult Television & Audio ConnectionsThe surreal atmosphere is driven by an electronic score from Paddy Kingsland of the BBC Radiophonic Workshop. Kingsland manipulated a Benjamin Britten recording for the play, and went on to score The Changes, the radio and TV versions of The Hitchhiker's Guide to the Galaxy, and classic Doctor Who serials.The cast links directly to landmark British cult media:Spencer Banks (Stephen Franklin): The quintessential 1970s television adolescent, Banks also starred as Simon Randall in the children's sci-fi series Timeslip.Georgine Anderson (Mrs Franklin): A veteran of the Royal Shakespeare Company who later played May in the 2007 Doctor Who episode ‘Gridlock' – representing the show's first married same-sex couple.Ian Hogg (Arne): Famous as the lead in Rockliffe's Babies and the villainous Josiah Samuel Smith in the Doctor Who story Ghost Light.Jennie Hesselwood (Mrs Arne): Mother of Toby Jones and wife of Freddie Jones (Dune, The Elephant Man).Graham Leaman (Sir Edward Elgar): Features a massive Doctor Who pedigree including The Macra Terror (tying directly back to the Macra in ‘Gridlock'), The Seeds of Death, and The Three Doctors.Ivor Roberts (Cooke): A familiar face from the ‘Croftiverse' comedies Oh, Doctor Beeching! and You Rang, M'Lord?, as well as Genesis of the Daleks.Ron Smerczak (Joel): Later transitioned to action cinema in American Ninja 4: The Annihilation and Cyborg Cop.Current Promotions & EventsThe General Witchfinders Book Club: Our debut spin-off episode is out now, run with independent bookshop Teaseland & Skylark in Dorchester. Host Ross welcomes author Ray Newman (The Grave Digger's Boy) to unpack Andrew Michael Hurley's folk horror novel, Starve Acre. Listen here: https://tinyurl.com/GW-BC-01Summer Spin-Off – Department X: Join James and Ross as they investigate the 1970s obsession with ESP, telekinesis, and psychic premonitions. Listen to 'Mysterious Powers & Strange Forces' here: https://tinyurl.com/MYSpowerLondon Halloween Live Show: We are taking over ActOne Cinema in Acton on Friday 30th October at 7:30pm for a screening of Hammer's Dr. Jekyll and Sister Hyde and a live podcast recording. Tickets are £14: https://tinyurl.com/DRJeky11'Hammer Presents' Blu-ray Giveaway: Win a bundle of restored rarities including The Snake Woman, Dr. Blood's Coffin, Cry of the Banshee, and Crucible of Horror. Enter before Friday 31st July: https://tinyurl.com/HamPrizeGeneral Witchfinders Issue 4: Grab our 76-page zine of unsettling folk horror fiction, original artwork, and deep-dive features: https://tinyurl.com/gwZINESupport this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

Rolling Stones lead singer Mick Jagger feels rather anxious about being Conan O'Brien's friend. Mick sits down with Conan to discuss the Stones' 25th studio album Foreign Tongues, his six-decade (and counting) career at the forefront of rock music history, friendly competition with the likes of David Bowie and John Lennon, and finding ways to live in the moment while continuing to draw from the past.   For Conan videos, tour dates and more visit TeamCoco.com. Got a question for Conan? Call our voicemail: (669) 587-2847. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

ARE YOU WATCHING CLOSELY? As the journey toward Christopher Nolan's The Odyssey continues, Tara Erickson, Jackie Bonsignore & Paige Kimsey experience The Prestige (2006) for the first time, reacting to one of Nolan's most mind-bending and emotionally devastating films. From the unforgettable rivalry between two magicians, Tesla's mysterious machine, and the jaw-dropping twists to the film's haunting ending, this The Prestige reaction is packed with theories, surprises, and unforgettable reveals. Taking care of your health just got easier – start here with Zocdoc: https://zocdoc.com/REJECTS #sponsored The Prestige Reaction (Full Length Watch Along):   / thereelrejects   In this The Prestige movie reaction, The Prestige full movie reaction, and review, Tara, Jackie & Paige react to Christopher Nolan's (Inception, Oppenheimer) psychological thriller starring Christian Bale as Alfred Borden (The Dark Knight Trilogy, Ford v Ferrari), Hugh Jackman as Robert Angier (Logan, Les Misérables), Michael Caine as Cutter (The Dark Knight Trilogy, Interstellar), Scarlett Johansson as Olivia Wenscombe (Black Widow, Marriage Story), Rebecca Hall as Sarah Borden (The Town, Godzilla x Kong), Piper Perabo as Julia McCullough (Yellowstone, Coyote Ugly), and David Bowie as Nikola Tesla (Labyrinth, The Man Who Fell to Earth). From "The Pledge, The Turn, and The Prestige" to the diary deception, Tesla's incredible invention, the shocking final reveal, and one of Christopher Nolan's greatest endings, Tara, Jackie & Paige discuss why The Prestige remains one of Nolan's most brilliantly constructed films and how it continues to surprise audiences nearly two decades later. Follow Jackie Bonsignore: https://www.instagram.com/jackiebonsignore/ Follow Paige Kimsey https://www.instagram.com/paige.popcorn?igsh=NTc4MTIwNjQ2YQ%3D%3D Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Reading With Your Kids, Jed welcomes two fantastic creators who help families see the world—and their walks around the block—a little differently. First, Jed chats with Matt Van Rensburg, author of the Reading With Your Kids Certified Great Read "How to Sell the World: The Stonehearted Story of Greyson Grimm." Matt explains the unforgettable premise: Greyson is the caretaker of the world, tasked with eating invisible "bad thingamajigs" that appear whenever people are unkind. His work keeps the world in balance, but each bite slowly turns his heart to stone. Matt and Jed dive into the deeper themes of empathy, emotional "vibes," and how adults often forget the joy and pure-hearted perspective of children. Matt shares how David Bowie, Nirvana's "The Man Who Sold the World," stand‑up comedy, and over 20 years of teaching young kids all helped shape this whimsical, meaningful middle grade series. Then Jed welcomes back Lucy Knisley, author-illustrator of the charming new picture book "Searching for Wocks." Lucy shares how the story grew from pandemic days in Chicago, when playgrounds and lakefronts were closed and her three-year-old began collecting little treasures—rocks, pen caps, leaves—on slow, careful walks. They called these treasures "walks," and Lucy turned that real-life ritual into a tender, funny story about a child's serious, almost scientific engagement with the world. She talks about thinking in comics, balancing words and images, how parenting reshaped her creative life, and why letting kids lead their own explorations (without leaning on generative AI) is so important. This episode is full of heart, creativity, and great ideas for sparking family conversations after you read together.

From the Music History Today Podcast Network, This is the Music History Today Podcast for July 11. On today's show, there's 3 space related items, Guns N' Roses fire one of their own, and Robin Thicke marries Paula Patton. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:34 What happened on this date in music history11:41 Music award ceremonies that were held on this date in music history12:11 Albums released on this date in music history 19:42 Singles released on this date in music history 24:07 Birthdays of music artists on this date in music history 33:12 Passings of music artists on this date in music history 43:20 What's on tomorrow's episode

Benson Boone - Cry The Weeknd - Can't Feel My Face Dua Lipa - Dance The Night Blur - There's No Other Way Prince - Kiss Simple Minds - Don't You (Forget About Me) Linkin Park - Numb Sabrina Carpenter - Espresso Men At Work - Down Under Amy Winehouse - You Know I'm No Good Billie Eilish - Birds Of A Feather Nu Shooz - I Can't Wait Robbie Williams - Rock DJ Hommage à David Bowie : David Bowie - Fame David Bowie - Young Americans David Bowie - Starman David Bowie - Sound And Vision David Bowie - Golden Years David Bowie - Fashion David Bowie - Heroes Queen & David Bowie - Under Pressure David Bowie - Let's Dance David Bowie - Changes David Bowie - Sorrow David Bowie - Ashes To Ashes David Bowie & Mick Jagger - Dancing In The Street David Bowie - China Girl Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Flying jackets, faces frozen mid-scream, a coven convinced they needed David Bowie's blood, and a demon that crashed a text at exactly 666 megabytes — these are the paranormal encounters the famous swear actually happened to them.EPISODE BLOG PAGE (includes sources): https://weirddarkness.com/CelebrityGhostEncountersREAD or DOWNLOAD the full transcript of this episode: https://weirddarkness.tiny.us/ff82f8yuFEATURED STORIES IN THIS EPISODE: Don't try and tell some celebrities that ghosts don't exist, because they've seen all the paranormal proof they need to believe. (Celebrity Encounters With The Paranormal) *** A prayer for food resulted in fish raining down from the sky in Yoro, Honduras. And now it happens regularly – sometimes twice a year – with still no definitive explanation. (Cloudy With a Chance of Sardines) *** Is it possible that UFO sightings and sightings of the Chupacabra are somehow related? Even stranger – is it possible the strange dog-lizard-like creatures came from crashed spaceships? (UFOs And The Chupacabra) *** Weirdo family member Laura tells a strange story about a candy store – and its resident ghost. (Haunted Candy Store)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Foreboding00:01:13.649 = Show Open00:02:50.627 = Celebrity Encounters With The Paranormal00:31:59.645 = UFOs And The Chupacabras ***00:39:37.674 = Cloudy With a Chance of Sardines00:46:26.106 = Haunted Candy Store ***00:50:58.248 = Show Close*** = Begins immediately after inserted ad breakLISTEN ON PODCAST APPS: Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.com/wdapps*No AI Voices Are Used In The Narration Of This Podcast*SOURCES and RESOURCES:“Celebrity Encounters With The Paranormal” by Brent Swancer: http://bit.ly/2ZAzYGX“Celebs Who Have Had Ghost Encounters by Lydia Price: http://bit.ly/2Iq0bCm“UFOs And The Chupacabra” by Nick Redfern: http://bit.ly/2XS41cy“Cloudy With a Chance of Sardines” by Panchali Dey: http://bit.ly/2IQ9p9Y“Haunted Candy Store” by Weirdo family member, Laura(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: January, 2021This episode of Weird Darkness gathers famous names who swear the paranormal found them, a Puerto Rican legend that ties dead Chupacabras to a crashed UFO, a Honduran town where fish fall from the sky, and a Wisconsin candy store with a listener's uneasy childhood dream folded in.It opens with celebrities who came away convinced. Carrie Fisher described lights and electronics switching on and off in her Beverly Hills home after her friend R. Gregory Stevens died there; Matthew McConaughey named the blue-dressed spirit he confronted in his house Madame Blu; and a young Keanu Reeves watched an empty jacket drift through a doorway in his New York apartment, the reality of it confirmed only by his nanny's face. Patrick Stewart saw a man in a beige coat vanish in the wings of the Theatre Royal Haymarket during Waiting for Godot, later matched to the ghost of 19th-century actor-manager Baldwin Buckstone, who died in 1879. Peter Jackson woke to a woman with a screaming face at the foot of his bed near London's St. James Theatre, a ghost his wife had seen two years earlier. Miley Cyrus fled a London flat over a boy she kept seeing on the bathroom sink; Ariana Grande photographed what she called textbook demon faces at Kansas's Stull Cemetery and found the file measured 666 megabytes; and David Bowie spent much of the 1970s certain a coven of witches wanted his semen, lighting black candles and hiring white magician Walli Elmlark to exorcise his swimming pool. John Lennon, by Uri Geller's account, described bug-like beings outside his apartment and an alien metal egg left in his hands, while Sammy Hagar claimed aliens plugged his sleeping brain into a machine and uploaded numerical code in 1967. Shorter accounts follow from Megan Mullally, Kendall Jenner, Gigi Hadid, Chloe Sevigny at the Lizzie Borden house, NASCAR's Dale Earnhardt Jr., Kate Hudson, Jessica Alba, Lucy Hale, Laura Linney at Broadway's Belasco Theater, Claudia Schiffer, Emma Stone, Selena Gomez, Alyson Hannigan, Demi Lovato, Jenna Bush-Hager in the White House, and Megan Fox.From there the episode travels to Puerto Rico, where writer Nick Redfern chases the claim that the shuttered Roosevelt Roads Naval Station once held the bodies of dead Chupacabras the way Wright-Patterson Air Force Base is rumored to hold dead aliens. On visits between 2004 and 2015, Redfern and monster-hunter Jon Downes collect accounts of a 1957 UFO crash in the hills of Canovanas, sealed off by the military for roughly three weeks, and a second reported crash in the El Yunque rain forest in February 1984 — both said to have left dead Chupacabras in the wreckage, though the creature angle only attached itself to the older case after the Chupacabra panic began in 1995.Next comes Yoro, Honduras, and the Lluvia de Peces, the Rain of Fish that residents trace to Father Jose Manuel Subirana, a Spanish missionary who prayed three days and nights over the region's hunger in the 1850s or '60s. Once or twice a year after a heavy May or June storm, live sardine-like fish cover the streets of a town more than 100 miles from the ocean, and a National Geographic team in the 1970s found the stranded fish were completely blind, hypothesizing underground rivers forced above ground by flooding rather than the waterspouts others propose. The town of roughly 93,000 celebrates with a festival, a parade, and a Miss Fish Rain crowned to ride a float dressed as a mermaid, and locals refuse to sell the catch, sharing it instead as a blessing.The episode closes with Weirdo family member Laura, who worked summers at a haunted candy store in a Wisconsin tourist town, a converted house where a ceramic jar once flew across a room at a coworker. That coworker, a Canadian tribeswoman from a family with the 'sight,' listened to Laura describe a dream that returned every Christmas Eve until she was six or seven — a black, pulsing void of indistinct voices that rose to screams and a pressure closing on her chest, replaced in its final occurrence by an overhead view of a storage yard before it stopped for good. When Laura finished, the coworker told her it was a good thing she never listened to the voices, and suggested Laura had unconsciously sealed off her own ability to sense the spiritual after something that was not benevolent kept trying to reach her.

It's Summer Vacation and we're taking 2 weeks off to recharge. In the meantime, enjoy these rewind episodes reviewing a couple of our favorite films that just happen to be turning 40 this year! Enjoy this classic MTMUG episode originally released April 15, 2022.  "Turn Back, Sarah. Turn back before it's too late." We watched Labyrinth (1986) with our good-Judy Jared Anderson and we wish the Goblin King would come and take you away… right now. Sixteen-year-old Sarah (Jennifer Connelley) faces off against Jareth the Goblin King (David Bowie) and a generation's sexual awakening began. Bowie is giving androgynous ren-faire realness and Connelley is giving ethereal drama-kid/teen model. And you can trust and believe we get into that cod-piece. Is it icky that the Goblin King is so actively seducing this young girl?  A little, but it's all fantasy and (spoiler alert) Sarah finds her way back to her kick ass bedroom in her dad and stepmoms sweet Victorian house in Portland.  The puppet work by Jim Henson's Creature Shop will transport you to another world, the costumes will make you want to head over to Party City right now, and the MUSIC! Don't get us started on the soundtrack by David Bowie.  It's FIRE.  Grab a cold mug of mead, break out your tights and lets get theatrical!  Say it with us… "You have no power over me!"   Thanks for listening and don't forget to subscribe, rate and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Bluesky: @MTMUGPod.bsky.social Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna Cover Art by Shaun Piela 

Starting a business is one thing, running it successfully is another – but doing it with your spouse and four kids is a different kettle of fish. Janine Allis has done all of the above, after founding Boost Juice as a single store in the 2000s and growing it into a global empire. She’s since become one of the most sought-after entrepreneurs in the country and a regular on small screens, both as a judge on Shark Tank and as a competitor on Australian Survivor - twice. She also owns one of Australia’s fastest-growing dessert chains, Yochi. Allis joins Good Weekend Talks to chat about the challenges and delights of building a family business, how she finds time to surf, and what she learned about leadership as a stewardess on David Bowie’s boat. Today’s episode is hosted by business reporter Jessica Yun.See omnystudio.com/listener for privacy information.

In questa puntata di Dee Giallo Story Carlo Lucarelli racconta l'incredibile e camaleontica storia di David Bowie, tanto elegante da sembrare un vampiro, un essere immortale sospeso nel tempo e immune alle leggi degli uomini.See omnystudio.com/listener for privacy information.

Send us Fan MailWelcome to Guess the Year: 80s Edition! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1 year off6 points: Call bluff correctly4 points: 2 years off1 point: 3 years off0 point: 4 or more years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 198x, Song 2 - call bluff, Song 3 - 198x, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Roll With It by Steve WinwoodSong 1: The Heart of Rock 'n' Roll by Huey Lewis & the News (1983)Song 2: Lean On Me by Club Nouveau (1986)Song 3: Eye of the Tiger by Survivor (1982)Song 4: Roll With the Punches by Young MC (1989)Song 5: Magic Dance by David Bowie (1986)Song 6: Untouchable by Above the Law (1990)Song 7: The Thunder Rolls by Garth Brooks (1990)Song 8: Fade to Black by Metallica (1984)Song 9: Tom Sawyer by Rush (1981)Song 10: I Love Rock and Roll by Joan Jett & the Blackhearts (1981)

This week, we take some time to discuss all of the big bombshells in the past few weeks of gaming news – the cuts, the closures, the price hikes, and the major shifts. It’s a sober look at the hobby we love, but I think we all end up at a pretty good place by the end of the episode. We also chat about some stuff we’ve enjoyed lately, and try to figure out who should play the David Bowie role in Robert Eggers’ Labyrinth sequel. If you're not backing us yet, head on over to our Patreon. A contribution of at least $5 a month will get you let you listen to the show a day early, give you access to the exclusive Continue Podcast Discord channel, along with exclusive podcast content. Hosts: Susan Arendt (@susanarendt.bsky.social) Anthony John Agnello (@ajohnagnello.bsky.social) David Roberts (@davidrobots.bsky.social) Produced by Bill Segroves (@tarrydiggs.bsky.social) Intro music by Andy P. Scott: https://soundcloud.com/epic1beatz

Join your tour guides Cody Havard and Jason Thomason as they dive deep in the 1986 cult classic starring David Bowie, Jennfer Connoley and some ugly Muppets. Plus the magic that is Bowie, that new Pirates animatronic, songs should advance the plot, armchair imagineering and more!  Follow us on Facebook at Disney Friends of the Grand Circle Tour Podcast for live shows every Thursday night, on Instagram at @grandcircletourpodcast  and on YouTube at @grandcircletour Brought to you by https://celebratingflorida.com/  and https://mei-travel.com/ The Grand Circle Tour Podcast is in no way part of, endorsed or authorized by, or affiliated with the Walt Disney Company or its affiliates. As to Disney artwork/properties: © Disney. Disclosure | Privacy Polic

whole episode only on patreon : www.patreon.com/dopeypodcast Dave and special guest are back for another gloriously ridiculous Dopey Tuesday. This week they celebrate Christmas in July with a twisted holiday song before diving into heroin poppies, opium tea, Bob Dylan rumors, Andy Warhol, Basquiat, and Dave's latest Hollywood masterpiece: Christmas at Katz's. They also kick off a conversation about the first-ever Dopey Short Recovery Film Festival before the paywall comes crashing down.   To hear Ray's full review of the film festival, the birth of "The Dopeys," listener emails, Zoe's voicemail, Elvis, and a whole lot more dumb shit, head over to Patreon and join the Dopey Nation Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The multi award-winning playwright and screenwriter, Enda Walsh – whose film credits include ‘Disco Pigs', ‘Hunger' and ‘Small Things Like These' - joins Brendan to discuss the music that has influenced him through the years. He describes moving to Cork, meeting a young Cillian Murphy. His music choices include songs by Bjork and David Bowie.

Brian Molko joins Alan for a brilliantly funny flight, from an unforgettable airport encounter with Alan that reminds Brian of David Bowie, to why he finally decided to revisit Placebo's debut album 30 years later. They talk about rebuilding his relationship with those early songs ahead of Placebo's 30th anniversary tour and the band's debut album, newly RE:CREATED, why the Britpop era made Placebo stand out, and reclaiming Nancy Boy. Along the way there's talk of memory tricks, cannibals, Magaluf, airports, sharks in the Maldives, rehab romances, why Brian believes arriving is the best part of travelling, and an unforgettable quick-fire round. Plus, Brian reveals why this anniversary tour he's been able to celebrate Placebo's earliest music with genuine joy. 00:00 Brian's fear of flying and the luxury of Alanair01:08 The Alan airport encounter that reminded Brian of David Bowie08:00 Why Brian recreated Placebo's debut album09:57 Standing apart from Britpop and embracing difference12:11 Rediscovering the debut album after 25 years12:51 The story behind Nancy Boy14:06 Memory, the Mandela Effect and false memories15:13 Alan pitches “Pla-subo" featuring Susan Boyle16:03 Placenta parties, cannibalism and "long pigs"17:18 Forgetfulness, daydreaming and useless knowledge18:13 Loving the destination but hating the journey20:26 Smoking on planes and Brian's airport theories21:53 Placebo's 30th anniversary tour and finding joy again24:14 Brian's holiday nightmare in Magaluf26:06 Rehab romances27:32 Why kindness gets better service than complaining30:02 The Maldives, rabbits and reef sharks32:04 Eating street food in Bangkok33:16 Quick Fire: beach or pool, window or aisle?35:38 Alan's stage fright wee and Brian's bladder training tips37:40 Why everyone should tip their delivery driver #LifesABeach #AlanCarr #BrianMolko #Placebo #Placebo30 #AlternativeRock #RockMusic #DavidBowie #Britpop #NancyBoy #Travel #AnniversaryTour Learn more about your ad choices. Visit megaphone.fm/adchoices

Meg, Hal and Symphony discuss episode 209 of Welcome to Night Vale: The Black Coat. They chat about The Distant Prince, time weirdness, and the rise and fall of froyo. In the Fanzone Calzone we hear from fans about Huntokar, Cecil's parents and David Bowie. Find out more about calzones on our Patreon. www.patreon.com/goodmorningnightvale Follow us on Facebook. Good Morning Night Vale is a production of Night Vale Presents Hosted by Symphony Sanders, Hal Lublin, and Meg Bashwiner Produced by Meg Bashwiner Edited by Felicia Dominguez Mixed by Vincent Cacchione Theme Music by Disparition Learn more about your ad choices. Visit megaphone.fm/adchoices

Courtney Act fills in as guest co-host this week to discuss the final challenge of the third bracket of All Stars. From the MVQ point drama with Shuga, to the lip sync performances from The RuPaul Show on VH1; Willam and Courtney have a lot of opinions. And who told the girls to wear those clown red wigs for their David Bowie inspired looks on the runway? Was it mother? The Semi-finals start next, R U ready?Listen to Race Chaser Ad-Free on MOM PlusFollow us on IG at @racechaserpod and click the link in bio for a list of organizations you can donate to in support of Black Lives MatterFOLLOW ALASKAhttps://twitter.com/Alaska5000https://www.instagram.com/theonlyalaska5000https://www.facebook.com/AlaskaThunderhttps://www.youtube.com/channel/UC9vnKqhNky1BcWqXbDs0NAQFOLLOW WILLAMhttps://twitter.com/willamhttps://www.instagram.com/willamhttps://www.facebook.com/willamhttps://www.youtube.com/channel/UCrO9hj5VqGJufBlVJy-8D1gRACE CHASER IS A FOREVER DOG AND MOGULS OF MEDIA (MOM) PODCASTSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Courtney Act joins Bob for Watchery to break down All Stars 11 Episode 9 and discuss whether she's really a brick, admit that she has nostrils, and reveal which queen she's currently rooting for. They also make their predictions now that all three brackets have sent queens to the semifinals, discuss how Bob really feels about Jasmine Kennedie, and debate whether Sam Starr owes Shuga Cain an apology. Plus, Bob reveals his Joey Jay collaboration, calls Joey to find out how she prepared for the lip sync challenge, and they discuss which celebrity they'd most like to impersonate in this week's challenge. They also review the David Bowie inspired runway and react to the latest queens advancing to the semifinals. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, since we are now officially in the summer season, all the songs will be about this time of year. On today's episode, Andy Atherton is watching, “Dancing In The Streets” by David Bowie & Mick Jagger from 1985.   The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=opRRax4ph3E

It's the end of Pride Month and we have three LGBTQ movies on tap   But first   Jeff and Sean reflect on a recent convention appearance    New Movies    Toy Story 5    Directed by Andrew Stanton   Starring Joan Cusack, Tim Allen, and Tom Hanks    Buzz, Woody, Jessie and the rest of the gang come face-to-face with Lilypad, a brand-new tablet device that arrives with her own disruptive ideas about what is best for Bonnie. Will playtime ever be the same?   Supergirl    Directed by Craig Gillespie    Starring Millie Alcock and Jason Mamoa    When an unexpected and ruthless adversary strikes too close to home, Supergirl reluctantly joins forces with an unlikely companion for an interstellar journey of vengeance and justice.   The Death of Robin Hood    Directed by Michael Sarnoski    Starring Hugh Jackman and Jodie Comer    Grappling with his violent past, Robin Hood finds himself gravely injured after a battle that he thought would be his last. He soon gets a chance at salvation when he meets a mysterious woman and a young girl.   Girls Like Girls    Directed by Hayley Kiyoko    Starring Myra Milloy and Zach Braff    After moving to a small Oregon town to live with her estranged father, young Coley meets the charismatic Sonya, her boyfriend, Trenton, and the rest of their friends. Content to observe from a distance, Coley gets pulled into their world as sparks start to fly between the new girl and the popular girl.   Leviticus    Directed by Anthony Chiarella    Starring Joe Bird, Stacy Clausen, and Mia Wasikowska    Leviticus is a 2026 psychological horror film directed by Adrian Chiarella. The movie follows two teenage boys who are forced to escape a violent entity that shape-shifts into the person they desire most—which happens to be each other.    Our Classic    The Hunger (1983)   Directed by Tony Scott    Starring Catherine Daneuve, Susan Sarandon, and David Bowie    John (David Bowie) is the lover of the gorgeous immortal vampire Miriam (Catherine Deneuve), and he's been led to believe that he'll live forever, too. Unfortunately, he quickly deteriorates into a horrible living death, and Miriam seeks a new companion. She soon sets her sights on Sarah (Susan Sarandon), a lovely young scientist, who quickly falls under Miriam's spell. However, Sarah doesn't warm up to the concept of vampirism easily, leading to conflict with Miriam.  

On this episode, Marc talks Barry Walters, author of "Mighty Real: A History of LGBTQ Music, 1969-2000," published in May of 2026. It's a fascinating version of music history focused on LGBTQ musicians and audiences, with chapters centered on specific artistsm from the Velvet Underground through David Bowie up to Judas Priest, Diana Ross, Prince, Depeche Mode, and so many more. Walters delves into each with the eye of a seasoned rock critic and the skill of a journalist, telling their stories and measuring their impact on LBGTQ culture and society as a whole. As he writes, "Straight critics have been telling us how to hear our music for ages, so I'm simply offering a queer alternative—based on forty years of professional research and two prior decades of fandom, with insights gleaned not only from when these records were new and we experienced them in the moment but also from retrospection and insider information."We hope you enjoy Marc's conversation with Barry Walters!

The road to the semifinals gets messy as the queens take on a lip sync acting challenge inspired by RuPaul's classic 1990s talk show! We break down the best (and worst) celebrity impressions, debate whether the judges got the placements right, and gush over a fantastic David Bowie-inspired runway. Then it's time for the point drama to reach its boiling point. We unpack shifting alliances, strategic gameplay, emotional confrontations, and RuPaul's surprising decision that changes the semifinal lineup. Plus, we discuss the mysterious Wild Card twist and share our predictions for which eliminated queen is about to make a dramatic return. Who truly earned a spot in the semifinals? And who do we hope is waiting inside that bingo cage? Tune in as we recap every shady, shocking, and spectacular moment from All Stars 11, Episode 9. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode Notes Jeph Loeb probably enjoys a Mountain Dew Dark Berry Bash, the blue raspberry and blackberry variant exclusive to Applebee's Cosmic Wings ghost kitchen. David Draiman probably enjoys Hard Mountain Dew Black Cherry, the most embarrassing way to get drunk. David Bowie would never touch the stuff. Ranked This Episode: Hulk #14-17 (Code Red) Avengers: X-Sanction Wolverine #310-313 (Sabretooth Reborn) Check out the Battle of the Atom Master Ranking List! New content every week on ComicsXF.com Follow Adam on Twitter @arthurstacy & never try to find Zack! Our theme music is Junk Factory from the X-Men Arcade Game by Seiichi Fukami, Yuji Takenouchi, Junya Nakano, and Ayako Hashimoto. Cover art is by Adam Reck after Dave Cockrum with logo design by Mikey Zee If you want to support the show make sure you rate and review the show or check out our Patreon!

In Episode 38 of Flow State Podcast, Harry returns with a solo episode introducing the world to his alter ego, "Vacation Harry," and reflecting on the importance of rest, balance, and creativity. This episode's Moments of Flow features Austin Kleon, who shares why there's no finish line to a creative life, along with a bonus moment of inspiration from David Bowie. In Meet The Team, Cheyne asks Harry how becoming a father has influenced his creativity. Harry also answers fan questions about the relationship between music and memory, finding flow state in the kitchen, and rap's lasting influence, before reacting to a fan-submitted freestyle and closing the episode with some bars._____Show Notes:EUROPE 2026 FESTIVALS TICKETS ON SALEhttps://www.harrymackofficial.com/showsAustin Kleonhttps://austinkleon.com/Blackout Poetryhttps://austinkleon.com/newspaperblackout/Keep Goinghttps://bookshop.org/a/102858/9781523506644Steal Like An Artisthttps://bookshop.org/a/102858/9780761169253Show Your Workhttps://bookshop.org/a/102858/9780761178972Roy Hayneshttps://en.wikipedia.org/wiki/Roy_Haynes Inspirations - Michael Aptedhttps://en.wikipedia.org/wiki/Inspirations_(film)The Creative Act by Rick Rubinhttps://bookshop.org/a/102858/9780593652886Cheyne Joneshttps://www.instagram.com/cheynejones/Deusy59https://www.youtube.com/@deusy5900:00:00 Intro00:01:46 Harry Takes A Vacation00:20:44 Moments of Flow: Austin Kleon00:32:41 Moments of Flow: David Bowie00:44:48 Meet The Team: Cheyne asks “How Does Starting A Family Affect Your Creativity?”00:56:23 The connection between music and memory01:07:26 Flow State In a Professional Kitchen01:11:58 The Influence of Rap01:23:26 Freestyle Submission: DeusyRaps01:32:35 Closing Freestyle