Podcasts about Radiohead

Deathlings, Mel's been busy in the Underworld laboratory, stitching together a monster made from the finest body parts of previous episodes. Inside this delightfully unnatural creation: Stephen Mangan gets surprisingly invested in bowing etiquette, Vicki Pepperdine suffers a spectacular skydiving death with Channing Tatum, Bridget Christie recruits Radiohead for her funeral procession, Matthew Baynton prepares to be buried with his false teeth intact, and Larry Dean's Spin For Your Sins ends in eternal damnation while Mel enjoys a rather more heavenly outcome. Have a story for us? Send it over to mel@deathpodcast.co.uk A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us at @sonypodcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com And if you've got a story for us, send it over to mel@deathpodcast.co.uk A Sony Music Entertainment production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Spotkanie z Moniką Borzym, posiadaczką najbardziej zmysłowego głosu w polskim jazzie, wokalistką i kompozytorką obdarzoną wielką wrażliwością oraz temperamentem (8 płyt na koncie!). Tak się wspaniale składa, że Borzym jest również psychoterapeutką i seksuolożką, a w najnowszym wydaniu telewizyjnego show „Taniec z gwiazdami” będzie miała szansę pokazać także swój talent taneczny. Monika prowadzi własny gabinet terapeutyczny, a w 2025 roku założyła Centrum Terapii Kulturą, łączące sztukę z pracą psychoterapeutyczną. Od dziecka zanurzona w muzyce, wędruje przez różne gatunki – od jazzu przez soul po Kabaret Starszych Panów czy covery Radiohead i Joni Mitchell. Rozmawiamy więc o głosie będącym jej narzędziem pracy i najgłębszego wyrażania siebie, a także tunelem do świata uczuć i myśli. O tym, jak żywiołowa energia łączy się w niej z liryzmem, któremu Monika często daje upust w swoich piosenkach. O relacji z muzyką i relacji z ciałem. O życiu w ciągłej pogoni za szczęściem i ekstazą. O żywej, pulsującej, dzikiej naturze kobiecej, do której warto mieć dostęp i której artystka szuka np. w poezji Anny Świrszczyńskiej. O dorastaniu w nasyconym muzyką domu, o burzliwej, energetycznej młodości i zakorzenionej w równowadze dojrzałości. O tym, jak z jazzu i śpiewania trafiła na studia z zakresu psychoseksuologii oraz jak te dwie, zdawałoby się, skrajnie różne dziedziny się uzupełniają.Podcastu „Jak ona to robi” możesz posłuchać na platformach Spotify, Apple Podcasts oraz YouTube.

Kirk returns to the Mojave, and to QOTSA's groundbreaking 2002 album Songs For The Deaf.  Written by: Josh Homme and Mark Lanegan Produced by: Josh Homme and Eric Valentine Album: Songs For The Deaf, 2002 Listen/Buy via Album.Link Episode photo by Kirk Hamilton @ Joshua Tree, 2026 ALSO REFERENCED/DISCUSSED: “Stairway to Heaven” by Led Zeppelin from Led Zeppelin IV, 1971 “Blood and Thunder” by Mastodon from Leviathan, 2004 “Micro Cuts” by Muse from Origin of Symmetry, 2001 “Barracuda” by Heart from Little Queen, 1977 “Paranoid Android” by Radiohead from OK Computer, 1997 “Holy Wars… The Punishment Due” by Megadeth from Rust in Peace, 1990 "... Millionaire," "No One Knows," "God Is In The Radio," "First It Giveth," by QOTSA from Songs For The Deaf “Thumb” by Kyuss from Blues for the Red Sun, 1992 “Ride” by T-Ride from T-Ride, 1992 “Destination” by Nickel Creek from A Dotted Line, 2014 “Blue 7” by Sonny Rollins feat. Max Roach from Saxophone Colossus, 1957 “Slip It In” by Black Flag from Slip It In, 1984 “Sgt. Pepper's Lonely Hearts Club Band” from Sgt Pepper's Lonely Hearts Club Band, 1967 “Fast as You Can” by Fiona Apple from When The Pawn… ,1999 “Epistrophy” by Thelonious Monk from Genius Of Modern Music, 1951 Goldeneye 007 pause music by Grant Kirkhope, 1997 “Foxy Lady” by Jimi Hendrix from Are You Experienced?, 1967 “Hey Joe” as recorded by the Jimi Hendrix Experience, 1966 MTV interview with Kurt Cobain, Krist Novoselic and Dave Grohl, 1992 MusicRadar and Rick Beato interviews with Eric Valentine "Making Songs For The Deaf" mini-doc, archived on YouTube "Song For The Dead" live at Rock Werchter, 2002 AUGUST 2026 WHOLE NOTE PATRONS AccessViolation - Andy - Ben Barron - Brute Farce - Butch Vig - Catherine Warner - Cerise Gay - Cesar - Christopher McConnell - Christopher Miller - Corpus Frisky - Damon White - Daniel Hannon-Barry - Dave Florey - David Mascetti - Erica Smolinski - Greer Bevel - Greg - Greg - Jamie White - Jay Swartz - Jenness Gardner - Jeremy Dawson - Joe Laska - Julie Rowe - Ken Hirsh - Lisa Crotty - Matt R - Melanie Andrich - Melissa Lucas - Nigel - Pablo Castro - Paul Delaney - Rich Fish - Robyn Metcalfe - Sami Samhuri - Scott Lystig Fritchie - Wendy Moore AUGUST 2026 HALF NOTE PATRONS Aaron CainAaron Wade - Aaron Wilson - Abbie Berg - Achint Srivastava - Adam Clark - Adam Stofsky - Adam W - Ailie Fraser - AJ Schuster - Alan Kress - Alan Maass - Alan Wills - AlanB - Alex - Alexander - Alexander Polson - Alexis - Alison Dugan - Amanda Furlotti - Andrew Baker - Andrew Fair - Andrew Hofer - Andrew Knutson - Angela Livingstone - AnnaSahlee - Anthony Mentz - Arjun Sharma - Aron - Aruni Jayatilleke - Ashley - Bea - Ben Stein - Bernard Khoo - Bill Thornton - Bonnie Prinsen - Brad Callahan - Brett Douville - Brian Amoebas - Brian Rinckenberger - Brian John Peter - Bruno Gaeta - Cameron - Carlos Lerner - Caro Field - Catherine Clause - cbalmain - Charles McGee - Chris K - Chris Remo - Christian Hessmann - Clare H - Clint McElroy - Colin Hodo - Dallas Hockley - Dan Cutter - Daniel Kaberon - Daniel Markoff - Daniel Nervo - Dave Kolas - dave malloy - Dave Sharpe - David - David Boston - David Futter - David Joske - Deebs - Dent Earl - Dhu Wik - Diane Hughes - Diane Turner - Dick Morgan - Donald Mackie - Doreen Carlson - Doug - Doug Belew - Douglas H Frazer - Dr Arthur A Gray - E Margaret Warton - Edward Reisert - Emotional - A Basketball Podcast - Eoin de Burca - Eric Helm - Eric Prestemon - eric sp - Eric Stone - Erik - Ethan Bauman - Ethan Laser - Ferdinand von Seebach - frank - Freddy Freeman - Gabriel Hoffman - Gavin Doig - Geraldine Butler - Greg Henion - Heather J - Henry Mindlin - HiddenJester - Ian Pidd - Inmar Givoni - irritable - Jake Roberts - James - James - James Hicks - James Johnson - James McMurry - Jamie - Janice Berry - Jason Pratt - Jeff Stormer - Jeff Ulm - Jeffrey Bean - Jeffrey Olson - Jennifer Bush - Jim M - Jim Sellers - Joe Gallo - John Auer - john halpin - Jonathan Daniels - Jordan Gatenby - Josh Singer - Joshua Gailey - Joshua Hill - JRRJ - Julie Kellman - Justin McElroy - Karl Dube - Karma Jay - Kaya Woodall - Kellen Steffen - Kelli Brockington - keniareinadelmundo10 - KenIsWearingAHat - Kenneth Jung - Kevin Chris Marcelo - Kevin Davis - Kevin Potter - Kevin Stafford - Klaus - Klodrik - Kym Griffith - Lauren Knotts - Lauren Reay - Lawrence - Lee R. - Linda Lange - Lisa Turner - Lottie Aron - Louise Clarke - M - M Shane Borders - Margaret McReynolds - Mark MacIntosh - MARK PERNA - Martín Salías - Mathias Schmidt - Matt - Matt Baxter - Matt Betzel - Matthew Jones - Max - max barnes - Melanie Stivers - Melissa Kuhns - Melmaniac - Merv Adrian - Meryl Allison - Michael - Michael Adamski - Michael Casner - Michael Livingstone - Michael Martin - Michael Shain - Michael Singer - Michael Sumner - Mike McPherson - Mike! - mino capossela - Minoru Aoki - Misty Haisfield - Monica St. Angelo - Mordok's Vape Pen - Mr J Martin - MT - Naomi - Nathan Gouwens - Ned Rosen - Nell Morse - néa - Pascal Rueger - Paul Bigelman - Paul De Surra - Paul Wayper - Peter Harding - PhantomMare - Philip Kelly - PjandEthan - Portland Eye Care - Praline - R J Helow - Rand LeShay - Randy Souza - Rebecca - Richard Randall - Richard Sneddon - Richard Toller - Rishi Sahay - Rob Tsuk - Robert Granat - Robin Ling - rorey risdon - RsP - Ryan Rairigh - Sam Grogan - Sarah Vetters - Sean Murphy - SeattleTransAndNonbinary ChoralEnsemble - Simon Hellman - STEPHEN - Stephen Tsoneff - Stephen Wolkwitz - Steve B - Steve Martino - Steve Paquin - Stu Baker - Sue Burgess - Tanner Morton - TB - Thomas - Tim Sheehan - Todd Thomas - Tom Coleman - Tucker Ped - Wendy Gilchrist - Will King - Zach Putnam - Zak Remer ----LINKS-----

It's the story from 2016 about Stef finding out she might get sued over her Radiohead story.

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durée : 00:04:40 - par : Max Dozolme - Une analyse piste par piste, instrument par instrument de l'un des chefs d'œuvre de RADIOHEAD la chanson Reckoner ! Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Watch the whole thing at https://www.patreon.com/joytactics

Jazz pianists Adam Maness and Peter Martin unpack Radiohead's 2007 masterpiece 'In Rainbows', track-by-track. Hear about the harmonies, odd time signatures, Thom Yorke's singing technique and the production choices that give this album its sound. And learn why many of the musical choices made for 'In Rainbows' are strange for an album that hit #1 on the US and UK charts, and sold three million copies.If you're hearing 'In Rainbows' for the first time, you're not alone. So is Peter! And if you're a Radiohead fan (like Adam), watch for Peter's reaction to, and verdict on, your favorite tracks.-------------------------------Learn to play "Weird Fishes", even if you've never played a note. Led by You'll Hear It co-host Adam Maness, this special lesson is simple enough to follow, even for absolute beginners.You've spent an hour listening to Adam and Peter take the album apart. Now, you can sit down and play it. Join the Players Club: https://yhi.link/weird-fishes-------------------------------Learn to talk like a jazz musician. Download the Liner Notes today:https://yhi.link/linerNotes-2-------------------------------

本期节目我将继续跟大家分享我在华盛顿的所见所闻所思所想，尤其是一些关于AI时代下我应该如何生活和工作的思考。这个世界变化得太快，每天的更新都让人措手不及。可是似乎也没有什么别的办法，只好拥抱这样的措手不及。 本期歌单 1. David Bowie – Space Oddity @ David Bowie (1969) 2. 顶楼的马戏团 – 海风 @ 谈钞票伤感情 谈感情又伤钞票又伤感情 (2013) 3. American Football – No Soul to Save @ American Football (LP4) (2026) 4. Radiohead – Fitter Happier @ OK Computer (1997) 5. Anton Khabbaz – Dog Days Are Over (2025) 6. Bob Dylan – Blowin’ in the Wind @ The Freewheelin’ Bob Dylan (1963)

A live recording from The Big Romance about a 2008 Sub Pop-released classic album of the 2000s. Listen on Apple | Android | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Podlink Step into a world of misty melodies and cavernous echoes with Seattle band Fleet Foxes' landmark debut – a defining record of the late-2000s indie folk revival. Led by Robin Pecknold, the album blends the lush, pastoral harmonies of the 1960s with a haunting baroque-pop sensibility and lyrical themes rooted in nature, tradition, and introspection. Like the Bruegel painting on its cover, every track reveals a dense, beautiful world that evokes a timeless – almost mythic Americana sound. This podcast episode is a live recording from our listening party in The Big Romance in April, with guest journalist and Fleet Foxes fan Aoife Barry. Our next Listening Party is Smashing Pumpkins later this month and it's sold out. Listen Closely: Fleet Foxes – Fleet Foxes (2008) A Nialler9 listening party, hosted by Niall Byrne with guest Aoife Barry. Before the album Niall: Hello everyone, how are you? Welcome to the Listen Closely album listening party. I'm Niall, and this is Aoife Barry. Aoife: Hello. Niall: We're here tonight because Aoife picked this album, as she has before. You picked Jeff Buckley last year. Aoife: Yeah, and we ended up doing three of them. Niall: We did, we went to Cork. We did two here and then we went to Cork to talk about Jeff Buckley. And you were at the My Bloody Valentine listening party last year as well, back in October. Aoife: It must have been October, yeah. Niall: Well, obviously we're here for a very different album tonight: Fleet Foxes by Fleet Foxes, from 2008. As you heard there, we played a bit of the Sun Giant EP by the band, which came out a few months before this album, because we want to give the album its full due. They're a little different, and we'll talk about that. But yeah, you picked the record. Aoife: I did. I obviously must like it. And it's such an incredible record. Is there anybody here who hasn't heard it? That's really exciting, if so. I'm excited for you to hear it. You got a sneak peek there of what the vibe is going to be. I picked it because I love this record, but I also had a funny story about how I first heard them. Back in 2008, when this record came out, I'd read about this band called Fleet Foxes in a music magazine. I don't even think I'd heard a song yet, this is back in the day. And I was on holidays in Berlin, and in the tiny little hostel we were staying in, they had a sign up on the wall: "Who's playing tonight? Fleet Foxes, Café Zapata." I said to my boyfriend, "I think that's a band I read about in the magazine, will we go see them?" And he was like, "Grand." So we went, and they were unbelievable. It was so good. Beach House were supporting them. So it was 2008 smacking you in the face. Niall: Come on. Aoife: And I took photos, which I found. I have photos. Artifacts. One is terrible, the other one's not so terrible, taken on one of those little Canon digital cameras. And I still have the ticket, I kept the ticket, I'm one of those hoarders who keeps all their gig tickets. But it was so good: the venue they played in had a dragon that breathed fire out every fifteen minutes. Niall: So they'd be playing and this dragon… Aoife: I'm not even exaggerating. Fire would just shoot out of this mechanical dragon. It was so Berlin. And Fleet Foxes were so stunning, and Beach House were so stunning. I love Crosby, Stills, Nash & Young, I love all those harmony vibes, I wish I was born in the seventies, sadly I was not. So I fell in love with them immediately, and I've been a big fan ever since. Although I'll say I probably dipped a little bit around the Crack-Up era, their third album, but then I saw them when Shore came out, their most recent album, and fell right back in love with them. Niall: We're going to talk about all the albums that come afterwards, but we'll start with this one, because this is presumably your favourite, or one of them. Aoife: Shore is up there as well for me, but yeah. Niall: So what was it about Fleet Foxes at the time? For context: in 2008 there was quite a lot of this kind of music around. We previously did Bon Iver's For Emma, Forever Ago as a listening party, and the funny thing, which I only found out when we did this, is that they have the same origin story in a way. Both songwriters went to a cabin in the woods to pour their heart out and write the songs. Aoife: I think Justin Vernon just got there first in terms of the marketing. Niall: So they must have pulled back on talking about it too much, because it's basically the same thing. They never really talked about Robin Pecknold's writing process in those terms. Aoife: For Emma was such a massive moment, everybody was obsessed with this guy who broke up with a girl and went to a cabin and wrote a record about it. It was the ur indie-folk album. Niall: What was really appealing about Fleet Foxes is that they were so young, between about twenty-two and twenty-seven, and Robin Pecknold was twenty-one when he wrote the record. Which is frankly offensive, you shouldn't be allowed to be so talented at twenty-one. Aoife: I know. And they were clearly these people from Seattle, which we associate with grunge, and then it becomes this place where they're bringing out all the pastoral, outdoorsy, mountain-and-sea vibes of the Washington area. They're obviously really influenced by the seventies too, by Crosby, Stills, Nash & Young, by Laurel Canyon, but also by Appalachian folk. There's a real purity to what they're doing. The harmonies are unbelievable, there's even a bit of a gospel feeling. So these young guys made this album that was being called an iconic American record on release. The Guardian called it a landmark American album, something like that. And that's special, because you don't get that many records immediately being called landmark. Niall: It was a very exciting time for music around then. I actually brought some records. We mentioned Beach House and Teen Dream earlier, that's a bit later, 2010. I wanted to do a listening party for that at some point, that'd be good craic. Around that time you had Animal Collective and Panda Bear, Person Pitch was right there, that was the apex for that very experimental scene. A few years later we had Sufjan, our very first listening party. And Bon Iver, of course. There's also stuff like Neutral Milk Hotel very much of that vibe. Aoife: I've noticed people covering Neutral Milk Hotel more now. Niall: I think when we got to it, it was on its second go-round, and now it's getting a third, which is great. It's a great record. So, the band were from Seattle, they had a bit of the scruffy flannel-shirt look, but obviously didn't sound like that. The album was written in the woods, in the cabin, brought to the band, and recorded with Phil Ek. Aoife: Who did a lot of stuff with Built to Spill. Niall: Yeah, and he worked with The Shins, and Modest Mouse, a really long history. Aoife: Are The Shins from Seattle as well? Niall: I think they might be. Band of Horses is another one. So they recorded it themselves with Phil Ek, paid for it all themselves, and then the local major independent label Sub Pop came calling. Obviously known for a lot of grunge traditionally, but they'd clearly been releasing this kind of music around then too, The Shins had been on the label for a few years, Band of Horses. When it came to it, they signed to Sub Pop. Apparently there was a bidding war. Aoife: They'd become quite popular on MySpace. Anybody remember MySpace? Every time I do one of these I feel older and older, mentioning the top eight, the randomers you'd put in your top eight. Word could spread quite quickly once you got popular on MySpace. Niall: What I thought was really interesting, that I discovered when I was researching, is that recording the album was actually a total pain for them. They didn't have much money, so they ended up recording a lot of it in their houses, or in Robin Pecknold's family home. And he re-did all the vocals right before they mastered the record, because he'd been sick during the initial sessions and his voice wasn't in great shape. They recorded it all in one go, scrapped that, did another version, and kept moving the running order around. I'm always fascinated by albums where the creation was a total pain and they had no idea it would even work out. Robin Pecknold actually said, "I hope nobody cares about this album, because I just want to move on to the next one." And then it becomes this iconic record. Aoife: Isn't every artist sick of their album by the time it's done? You're like, "my paintings." Yeah. Niall: 2008 was an interesting time for it to land. The album draws on the Beach Boys and Brian Wilson, Crosby, Stills, Nash & Young, Nick Drake, Simon & Garfunkel, Fairport Convention, Judee Sill, very much old-timey or sixties folk and pastoral stuff. And in 2008 there's a financial crash. The album was worked on before that, but it was released into that environment, and a lot of this music seemed to catch. When things go bad, we retreat, we dream, we listen to music that's maybe the opposite of what we're feeling. There was a gentleness, an unhurriedness to it that resonated. Aoife: Grizzly Bear is another band from that time. When Jay-Z and Beyoncé went to see Grizzly Bear in Brooklyn, that was kind of where all the indie music peaked. Niall: And the other part of it, which I was involved in, was the MP3 blogs, that's where you'd hear this music. Especially the American and Canadian stuff, no one was promoting it over here yet, so you'd be months ahead. You'd hear Fleet Foxes in these MP3 formats. That was a mad period, it showed how the internet could collapse geography, a song could spread really quickly on the blogs. And in an American context, this came out post-Bush, with the Obama era coming in, a more hopeful tone. You had the Lehman Brothers crash, these global pressures, and then these hopeful times too. It's interesting to wonder whether these albums are a reaction to it, or whether they appeal to us because we want nice, happy things. I feel like Fleet Foxes have so much emotional depth: there's yearning, sadness, hope, nostalgia. Aoife: I loved Yellow House by Grizzly Bear, their first record, a complex, complicated, almost jazzy thing that sounded beautiful but had a lot going on. We weren't going for simplistic music, but we wanted music that gave us depth and beauty. Is art a solution to the world collapsing? Niall: We could be answering that in 2026. We live in a cursed timeline, as I keep saying. That's all I'm going to say. But what else happened in 2008 in the wider circle of music? Portishead returned with Third. TV on the Radio released Dear Science. MGMT released Oracular Spectacular, 'Kids' and all that. Cut Copy released In Ghost Colours, Indie Sleaze night on Saturday, folks, come on. Kanye put out 808s & Heartbreak, that was November that year. Rihanna was at the peak of her powers. Aoife: Katy Perry appeared that year. And 'American Boy'. Niall: 'American Boy', still one of the best pop songs, fire. Iron & Wine was the other one I forgot to mention. So it was a really vibrant, varied year. As you heard, there's the Sun Giant EP too. Aoife: The thing about that is it came out before the album, but was recorded after. The album was done, in the bag. Niall: They decided to go into the studio and record Sun Giant, a collection of songs intended to sell on tour. It ended up being quite popular, and for a lot of people it was their first time discovering Fleet Foxes. Aoife: It wasn't like The Coronas' 'San Diego Song', their summer-holiday anthem, or anything like that. But it came out before the album, and then the album arrives. Niall: So what was the reaction at the time? Was it immediate? Aoife: Things happened really quickly. In January that year they got all the MySpace attention, and by June the album was coming out. Really, really quick. There was so much chatter about them, which is partly why I'd seen the name, and a music blog like yours would have seen it too, and known they were one of the big bands. In a way that's harder now. Niall: These days you see bands like Geese getting a lot of attention because they use companies that help them go viral. You didn't really have that then. Now you'd dress yourself up in some gimmick, polka dots, whatever, and go viral all over the internet for it. I couldn't imagine these lads doing that. Aoife: No. But maybe in a way they were cosplaying living in the forest, on the Puget Sound. Niall: Anyway, when the album came out, people loved them, and it really hit it off. Because they sound so seventies, your parents would love the records and you'd love the records. There's almost a lullaby quality to the folk stuff too. The music is applicable to anybody of any generation, and there's something lovely about nostalgic music that reminds you of a better time. To finish on that point: I think there's something very mysterious about Fleet Foxes, they feel out of time. They're these young, scruffy lads with the beards, but there's a mystery to them. They didn't come across as the hipster end of things, they weren't leaning into anything. They were presented as the kind of band that wouldn't have had phones, would have lived off-grid, which is funny because they were a MySpace band. They're the most un-MySpace band you can imagine. Surprise people, do something a bit different, don't be exactly what people want you to be, and they'll love you for it. And then your songs are unbelievable too, soaring and stunning. Can we talk for a second about the cover? It's an original painting from 1559 by Pieter Bruegel the Elder, Netherlandish Proverbs. It depicts a densely populated Flemish village scene illustrating 126 folk proverbs. There's a lot there. Some on this side are cut off, but for example, this woman here, she's putting the blue cloak on her husband, meaning she deceives him. This guy is casting roses before swine, wasting effort on the unworthy. And right at the top there's a man running through a field with his arse on fire, chasing pigs, "he who eats fire craps sparks," do not be surprised at the outcome if you attempt a dangerous venture. There are 126 of those. Aoife: The interesting thing is that the band managed to get permission to use it. Really unusual to be allowed use it as commercial artwork. Niall: And apparently the museum that holds the artwork were delighted. A lot of stars aligned for them. It's an iconic cover because it's so different from what anybody else was doing, clearly of a particular period, and it has that Where's Wally quality. I have a quote about it. Robin said: "We were trying to figure out what we wanted to do, and my brother had been working some stuff out, when I saw this Bruegel painting in a book my girlfriend had. I liked that it had a really intriguing meaning, there's a story to each little scene, which felt fitting for the record. It was dense but unified, not a collage. It has a Where's Waldo quality, something you could look at for a long time on a vinyl sleeve and keep finding new little things. It was very easy to get the museum in Berlin that has it to say yes, they were super excited the band wanted to use it, and put it in their newsletter. When you open it up, on the inside there's a Paisley pattern traced from the back of a book that Skyler's mum got me. We wanted two very different feelings." So, what to look out for when we press play very shortly? Aoife: When I was going back to this, I had it in my head that every song was one of these big songs, because there are so many big moments. But actually there are two tracks that are pretty much acoustic, so it's interesting to notice how they go from the big sound to the small. And for me they're a real emotion-and-feeling band, so notice how you feel listening to it. I always feel this swell of emotion with Fleet Foxes, I was walking down the road listening to Shore and I was like, my God. So lean back and feel into the emotions they're bringing you. And listen to the lyrics if you can make them out, because they're so out of time, all about pack horses and this amazing imagery. Robin Pecknold said he didn't write about a lot of personal stuff because he didn't have enough life experience yet, so instead he wrote these beautifully poetic narratives about pastoral and rural life. So I'd say the lyrics and the feelings are the two things. Niall: Track two, 'White Winter Hymnal', is probably the biggest one, watch out for that. And a few other people thanked and cited as influences, for some extra context: Brian Wilson, Joanna Newsom, Bob Dylan, Noah Lennox and all the lads from Animal Collective, Levon Helm and Robbie Robertson of The Band, Blitzen Trapper, who they toured with at the time and who were bigger than them then. For some reason Joni Mitchell and Neil Young are listed together, which is fair enough. Marvin Gaye, Damien Jurado, Paul Simon and John Lennon listed together. Townes Van Zandt, a legend. Vashti Bunyan, and Van Morrison. There's a nice quote from Robin Pecknold I'll read afterwards. Let's just open it up and listen. I'll play it at full volume, it's about thirty-nine minutes, two sides. Close your eyes, whatever you want to do, vibe away in your own way. [The album plays: Fleet Foxes – Fleet Foxes, 39 minutes.] After the album Niall: It's quite an economical album, isn't it? It doesn't stick around long, thirty-nine minutes. Aoife: I like an economical album. It's also one of the first fairly short records we've done here. Niall: That's part of why I was thinking about Sun Giant in that context too. I'm going to read a bit from the liner notes, because for an album that's very much about feelings, with only a few direct songs, some of what's written here is interesting: "My first memory has always been of me and my mom on a cold grey day down at some beach in Washington, along the Puget Sound somewhere near Seattle. I would be around two or three years old, and we were with a friend of mine from the neighbourhood and his mom, walking among the driftwood looking for crabs. Even now I can remember the smell and temperature of the air, the feeling of the sand and the swaying tall grass. I can even remember looking over at my friend and how his face looked when he smiled back at me. Another memory I'll sometimes recall as my first is dressing up in the dead of summer as Jack London, with tennis rackets on my feet and wearing my dad's hiking pack, after seeing Disney's terrible version of White Fang. Or the memory of stealing my neighbour's Big Wheel and riding it halfway down the block before getting caught and having to turn around defeated. Or wearing a fireman's outfit while washing my parents' car, or eating an orange popsicle from the ice cream truck. These have always been some of my most distinct and persistent memories of childhood. So it came as a disappointment when, one day as a teenager, I opened up a photo album and found pictures of each and every one of these memories. I didn't have a single memory that didn't belong to, or somehow grow from, those pictures my parents had. I guess I've seen all these photographs at some point, forgotten they were just photographs, and over time made them into my most tangible memories. That's scary to me in a way. This leads me to something weird about the power music has: its transportability. Any time I hear a song or record that meant a lot to me at a certain moment, I'm instantly taken back to that place in full detail. Whenever I hear 'Feel Flows' by the Beach Boys, I'm taken straight to the back of my parents' car on the way to my grandparents' place, with Surf's Up in my Walkman and the Cascade Mountains going by in the window. Any song off Radiohead's Kid A brings back the airport near Seattle, from when we were on the way to Colorado for a wedding and Kid A was the only record I brought or wanted to bring. 'Crayon Angels' by Judee Sill is the whole winter of last year. And Brian Wilson's solo version of 'Surf's Up' takes me back to driving my parents' car around town alone at sixteen, windows down at night. I can't ascribe exact memories to songs by The Microphones, Joni Mitchell, Built to Spill, Dungen, Harry Nilsson and so many others, and it's a form of recall I can actually trust, there's no visual element to complicate things, no chance of a planted memory that wasn't actually supposed to be there. Maybe I should be concerned that I'm alone in almost all of these memories, but I guess I was just a private kid, and music was a private experience for me. Music activates a certain mental freedom in a way nothing else can, and that is so empowering. You can call it escapism if you like, but I see it as connecting to a deeper human feeling than the one found in the day-to-day world." Aoife: That's lovely. It's a nice addendum. And he was only twenty-one. Niall: For some reason it's signed "Warren Gamaliel Bancroft Winnipeg Harding," Warren G. Harding being the 29th president of the United States. I don't know why, he thought it was funny. Dated April 6th, 2008, Chicago, Illinois. So, any particular highlights, anything that stood out? Aoife: I was reminded how much I love 'Blue Ridge Mountains', the second-to-last song. I just love those four- and five-part harmonies so much. There's something that really gets me about beautiful harmonies stacked on each other that sound so natural. My dad was really into Neil Young and all of that era, my mum's really into Simon & Garfunkel, so I feel like I came out of the womb going, this is the music I love. Niall: There was another one I meant to mention. Aoife: I'm really bad at remembering song names, which isn't great for an arts journalist. They go in one ear and out the other. Niall: 'He Doesn't Know Why'. Aoife: That was it. I always forget the name of that one, and it's an absolute banger. It's quite a direct song, the last one on the first side. Niall: He mentions his brother Sean in 'Blue Ridge Mountains', which is interesting. And Oliver James is his younger brother, that's the last song. Aoife: His sister is Aja, after the Steely Dan album. The parents were really into them. Niall: It holds up so well. The harmonies and vocals sound incredible, there are those beautiful little flourishes, a flute on one of the tracks, the guitar is stunning, lovely little bass lines. I love the way Robin Pecknold and the band hear music. There's a really good Song Exploder episode with him talking about a song from Crack-Up, and the way he thinks about translating his thoughts and emotions into music is so illuminating. He has a beautiful melodic flow that's really similar to the flow of water and nature. There are so many nature references, it's almost parody there are so many. Aoife: You could do a Portlandia sketch about it. "Power of nature, man." "Come down from the mountain, you've been gone too long." Niall: In terms of the line-up: alongside Robin Pecknold on vocals there was Skyler Skjelset on lead guitar, his best friend from Nathan Hale High School, later joined by Casey Wescott, Christian Wargo on bass, and Nicholas Peterson on drums, who left after this album. Aoife: And who came in as the drummer? Niall: A man who's been a main character in one of these listening parties himself: Josh Tillman, Father John Misty, played drums with them. Aoife: For how long? Niall: Only a year or two, pretty short. As I said, main character, he was making his own record. Any Father John Misty fans? He writes really good songs and he's handsome, so we all love him, but he's also a bit of a pain, and he didn't get on very well with Robin Pecknold, which isn't surprising. When I was looking back at the Pitchfork interview they did in 2008, a few months after the album came out, it was a big joint interview with Robin and Josh Tillman, and Tillman is answering the questions at the start. That's confidence. Do you want to hear a quote from what Robin Pecknold said? I've written it in my little notebook, so old-school, that's the only way I remember these things. In a 2020 Reddit AMA, Pecknold said that on that tour, the Helplessness Blues tour, Tillman was supposed to bring out his own record, but his label said he could only release it after the tour. So he was on tour thinking, "I want to bring out my own record, I'm tired of Fleet Foxes." Pecknold said he "had to endure being around a lot of substance abuse, sabotaged shows, general ill treatment and shit-talking, all while paying him for songs he didn't have anything to do with. It sucked." And then Tillman left the band. Whereas in that Pitchfork interview he'd said, "I love playing in this band, these are all my friends, I'm having the best time, I'm sorry if that's a corny quote, but that's the best thing about this experience right now." Aoife: So he was lying through his teeth. I think he's the kind of person who really has to be a solo artist, too iconic a personality. You wouldn't want to wrangle him out of bed to get to the next show. Niall: Too big a price. You mentioned Pitchfork, the album was number one on their end-of-year list in 2008, and they listed Sun Giant alongside it, breaking the traditional conventions of end-of-year lists. What they said was: listing Fleet Foxes' debut album and EP together may be awkward, but it just feels right, they're two sides of a coin that equally express the band's mastery, "a catch-all Americana that takes a wide slice of our popular music spectrum and pulls it through a reverse prism to create a gorgeous and focused sound of the band's own. The threads of Brian Wilson's coastal pop, Appalachian folk, modern indie rock, Grateful Dead jams and other influences are masterfully synthesised in the band's harmonies." Robin Pecknold's sense of dynamics, they said, flows like a river, wild and free but logical, filling what needs to be filled and moving on. I swear I didn't rip that off Pitchfork, I came up with something similar on my own. Aoife: Very good. Niall: It was Uncut's album of the year too. But more than anything, and this is a strange accolade, the album was ranked number 36 on Rolling Stone's list of the greatest stoner albums. Aoife: I don't think Robin Pecknold was a stoner. It doesn't really fit. He's a reader. Niall: So what came after? Helplessness Blues, which is really difficult to say, in 2011, then Crack-Up in 2017, then Shore in 2020. Big long gaps, some personnel changes. And Robin Pecknold, as we've established, is a very literary guy, he went to Columbia to do an undergrad in English literature, because he'd left high school early and gone to a community college, and he really wanted that college experience. So that was part of the break. He's also had difficult times, he's spoken about mental health issues and suicidal ideation, many tough experiences that contributed to the gaps too. They haven't released anything since 2020, and he does a lot of cover events. There are two live records. He's actually playing a gig tonight, I think, where he covers Judee Sill. Any Judee Sill fans? Aoife: Oh my gosh, she's amazing. Nobody ever knows Judee Sill. If you listen to anything, listen to Heart Food, it's iconic. He loves her, mentions her on this record. She's the one who does 'The Kiss', people might have seen her perform it on the Old Grey Whistle Test, it's on YouTube. She had a really tragic life. Niall: One of those I've been meaning to listen to properly for years. She only has two records, so it's easy to get into. There's a documentary about her as well, which I haven't seen. Aoife: She's one of those ill-fated seventies musicians, really religious imagery, did a lot of drugs, really interesting. Niall: Did you get to see them again after your first foray in Berlin? Aoife: I saw them when they toured, though it's really bad when you can't remember what you were doing in the 2010s. Niall: Did anybody see them at that Dublin gig, the outdoor one in 2022? Wasn't it amazing. They've played here a fair bit: Vicar Street in 2008, Electric Picnic 2009, The Marquee in Cork 2011, the Iveagh Gardens in 2017. I don't know if I've missed any, maybe you can tell me. So if you were to pick, is there any further listening or reading you'd suggest to somebody, not necessarily Fleet Foxes? Aoife: Some of it is obvious. As I said, I'd definitely check out Judee Sill, because if you really like Fleet Foxes you'd really vibe with her. And he mentions Harry Nilsson, also unbelievable, more well known than Judee Sill, did the cover of 'Everybody's Talkin''. I'd also mention a guy people would have known at one point but isn't very well known now: Richard Swift. He sadly passed away a couple of years ago. He was friends with Robin Pecknold, a hugely talented musician who struggled with addiction. He has an amazing double album from around 2005 or 2006 that's brilliant, and a record called The Hex, which is referenced on 'Sunblind' on Shore, that's the song where Robin name-checks a lot of musicians he loves, like Elliott Smith, David Berman and Richard Swift. It's such a beautiful record for finding new people to listen to, and it's lovely to hear a musician pay tribute to musicians he loves. The imagery is him talking about this beautiful day where he'll go for a swim and listen to all these beautiful bands, an ecstatic kind of song. So check out all of those records, but Richard Swift deserves more fans, and The Hex is really, really good. Niall: Good shout. What we'll do now is play a tune, and then maybe give Sun Giant another go if you want to stick around. Our next listening party is on the 27th of May, and it's an indie-rock album very close to my heart: Broken Social Scene's You Forgot It in People. I've been wanting to do this one on record for a long time. They're playing here later in the year, but I want to give this record its flowers, it's incredible. My niece has just turned seventeen and I bought her a copy, because it's an anthemic record for a seventeen-year-old. I can't believe that band are still going, which is kind of mad, but it's hard to underline what Broken Social Scene meant to a certain segment of indie. Aoife: And there's four hundred of them on stage. They're from Canada, and we were all like, my God, these people are the best. Niall: For me it's the MP3 times again, we'll talk about this next month. I heard about them through the music blogs, and then I got to see them in the Button Factory, which was the Temple Bar Music Centre at the time. It was one of the first things I ever wrote about, back in 2005. A transcendental experience. Aoife: They're so good live. Niall: I once DJ'd in Galway after one of their gigs, and one of the members of the band, I'll leave him nameless, came over and turned off the decks while I was DJing. Aoife: On purpose? Niall: He was that drunk. I can't remember what I was playing, but I was like, great, DJing after Broken Social Scene and then a band member ruins it. I don't think he liked it. No, I think he was just really drunk and thought it was funny. Thumbs down to him. In a way it's surprising a man like that has managed to persist in a band with so many members. Anyway, I digress. We'll talk about it next month, May 27th. Aoife: I cannot wait. I've been listening to it a lot lately again, it's fantastic. Niall: Thank you for being here. Let's play a bit of this and see what happens. Thanks for being here, appreciate it.

Rubio, la artista chilena detrás de Espero podamos ver un ovni juntxs, se sienta con Marysabel Huston a cinco meses del lanzamiento de su disco más orgánico y personal. Fran Straube habla de guitarras reales, cero autotune y de un sonido que, por primera vez, abraza el folk y el country sin perder su universo electrónico.En esta conversación, Rubio cuenta cómo su mudanza de Chile a México marcó el disco, qué significó cantar sin efectos en el Tiny Desk de NPR, y por qué en algún momento sintió que este sería su último álbum. También habla del color rosado que nunca quiso usar y que hoy define la estética de este proyecto, de aprender a tocar la guitarra viendo tutoriales en YouTube, y de por qué ya está pensando en un disco mucho más oscuro y rockero, inspirado en Radiohead y Nirvana.Cierra la charla hablando de su debut en el Austin City Limits, de su participación en el Ruidosa Fest en el Lincoln Center de Nueva York y hasta de sus teorías sobre extraterrestres.Sigue a Marysabel Huston en sus redes sociales: Instagram y Threads: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@marysabelhuston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@marysabelhuston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Marysabel.Huston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X (antes Twitter): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@hustonmarysabel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Marysabel Huston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Créditos: Producción ejecutiva, edición y mezcla por Marysabel HustonMúsica: Una producción de Techy Fatule

Episode DescriptionNumber 31 on the countdown. First zoo animal on Prozac. JD is joined by Duxoop from Toledo — broadcasting from the actual birthplace of Gus the polar bear — plus Andrew from Winnipeg and Dave from Montreal to dig into one of the most quietly beloved songs in the Hip catalogue.The panel gets into the Adam Kasper production that makes In Between Evolution sound the way it does, Rob Baker's untouchable outro solo, the Hip Museum's wonderfully unhinged George W. Bush theory, and the wordplay hiding in plain sight — because it was never what's troubling Gus. It's what's troubling us.Fair warning: this one gets emotional. Duxoop tells us what the lyrics did to him last year from a nursing home wheelchair, and Dave tells us about his friend Al — nickname Gus — and the cover band he's fronting at Al's memorial this Friday. Then the whole thing derails beautifully into a full inventory of every animal in the Hip discography.Explicit language. Recorded live on YouTube.On the PanelJD — hostDuxoop from Toledo — self-described part polar bear; born-in-Toledo credentials, same as GusAndrew from Winnipeg — arrived with facts and a News Radio shirt; host of Soup Full of RadioDave from Montreal — saw the Hip in Central Park; frontman of brand-new Hip cover band Colonel MustardTale of the TapePulled from The Hip Handbook, which amalgamates HipBase and setlist.fm data. Album In Between Evolution (2004) Producer Adam Kasper, recorded in Seattle Single Third single from the record Countdown position No. 31 on the Top 40 Times played live 327 First played October 27, 2003 Last played August 18, 2016 — the Ottawa show As an opener Once As an encore Five times Poll Results Love it 52% Like it 36% Tolerate it 10% Skip it 1% Never heard of it 1% Possibly the most varied — and most indecisive — poll spread of the series so far. Duxoop's verdict: "That's crazy to me. These numbers should be way more lopsided toward the top."Live Version FeaturedOttawa, 2004 — the Grey Cup halftime show. Andrew remembers watching it live and everyone around him asking why the band was opening the biggest gig of the year with a brand-new song. (They went into Courage right after.)What We Talked AboutThe Album That Everyone Slept OnIn Between Evolution debuted at No. 1 in Canada on roughly 22,500 first-week copies — then got knocked off the top by Avril Lavigne's new album.Certified platinum in Canada that September. Dave notes it was one of the last Hip records to move real units.Where does this song sit in the career arc? The panel lands on "the end of the middle" rather than the dawn of the final third.Andrew's take: Gus is the first song on the record that sounds like the Hip you already knew — you lean back in the chair. Heaven Is a Better Place Today, Summer's Killing Us and Vaccination Scar are louder neighbours, so Gus hides in the first five.Adam Kasper and the Seattle SoundAndrew looked up Kasper's credits and it clicked: Soundgarden's Down on the Upside, Queens of the Stone Age's Songs for the Deaf, Pearl Jam's self-titled (the avocado one), Foo Fighters' One by One.Same studio was hosting the Big Fish and Eternal Sunshine of the Spotless Mind soundtracks around the time this record was being made.The panel agrees Gus has a "weirdly familiar, warm Hip sound" — it could have sat on Day for Night with different production, or on Music at Work. Maybe it was on the shelf a while.Rob Baker's OutroUniversal agreement: whichever live version you pull up, Baker is on fire. "A real showcase for him."Dave's sharpest observation of the night — Gord never rants over this solo the way he does over others. It always gets its space, and that may be the only ad-lib that separates the live song from the record.Gus HimselfBorn 1985 at the Toledo Zoo, died August 27, 2013. A 700-pound icon of the Central Park Zoo, seen by over 20 million visitors.Began swimming obsessively — up to 12 hours a day — in the 1990s. Reporters called him neurotic, depressed and flaky, and he became a symbol of the stress of living in New York.The first zoo animal in history to be treated with Prozac. Also got a jacuzzi and, at one point, two girlfriends. Duxoop: "Why is he the one on Prozac and not me?"Gord wrote the song in 2004, nine years before Gus died — so this wasn't an obituary. He'd seen the bear and then done the second-sourcing, as Gord always did.There's a children's book called What's Worrying Gus? The True Story of a Big City Bear. On Amazon, the cover has Gus on a therapist's couch.The Toledo ConnectionThe Hip played the Toledo Zoo twice in the '90s — where Gus was born.When they played Toledo in 2004, Gus was the show opener. The stats say it only ever opened once, so that was absolutely on purpose.The Bush TheoryThe Hip Museum reads Gus as partly about George W. Bush and the invasion of Iraq. Andrew read the paragraph aloud; it describes the two as "lovable, loutish, and incredibly accomplished guys… not bad for a pair of dudes with limited mental capacity."JD's verdict: lots of love for the Hip Museum, but that one's a reach.Gus / UsDave's thesis: he doesn't hear a bear at all. "It's not what's troubling Gus. It's what's troubling us." He's been on that line for twenty years.JD points out the Gordism that makes it work — dropping the G, so "troublin' us" and "troubling Gus" are phonetically the same thing.Duxoop extends it: we've all watched a zoo animal pace or swim figure eights, and that should be troubling us.On the lyrics generally: Gord's word-smithery rewards straining to hear it, and the panel confesses to mumbling through parts for two decades. Compared to Nautical Disaster — all story, no chorus, no pattern — Gus is manageable, but only just.Duxoop's StoryLast year, when the countdown hit No. 31, Duxoop was three months into a nursing home stay with medical issues. Twenty-odd years earlier he'd started going to karaoke — big, scary-looking, socially awkward, mistaken for the bouncer. Now he was in his 60s, in a wheelchair, and the line landed like a ton of bricks: old and grey, and no one's afraid anymore.He sang it at the nursing home. "I don't think I've ever sung a Hip song with more feeling than I do with Gus." Grace, Too he can't fake — he feels like a schmuck trying to match Gord's intensity. Gus he doesn't fake.And after a week of thinking about it for this episode, he made a bold statement: Gus is now his favourite Tragically Hip song, over Grace, Too.Dave's Story — Al, Gus, and Colonel MustardDave's friend Al Morton died suddenly last November. They bonded over the Hip and golf at Dave's club. Al's nickname was Gus.In their fantasy football pick'em league, Al's picks stayed on the board for the rest of the NFL season. "A real lump in my throat."Al's memorial is this Friday at the Dunany Country Club in Wentworth, Quebec — halfway between Ottawa and Montreal. Ashes scattered around the course in the morning; speeches and a gathering at night, billed as his "after par-ty."The family asked for seven or eight Hip songs. Dave and friends have twenty ready, after two nights jamming at his buddy Chris's place. He made them learn Gus — he couldn't imagine doing a show for Al without it.The band is named Colonel Mustard, after Al's imported 1970s Mercedes. Wentworth, Quebec's Tragically Hip cover band. Dave waited 45 years to do this.His approach: very much not trying to be Gord. "I'm just trying to sing it with my truth."Hardest songs to sing so far — Fireworks (the National Fitness Program cadence) and Fully Completely (Gord's offbeat entrance in the middle section). Bassist John Roy has been cueing him in.Also on the setlist: Grace Too, Wheat Kings, The Good Life, Three Pistols.One BucketDave loves the way Gord says "whippoorwill" — audible in the Grey Cup version JD played. He'll be attempting it Friday."Used to be enough to make every bird stop singing." There's a lot of beauty in this song.Dave also went to bat for Sharks as an all-time Hip song — lyrically perfect, everyone gets to shine — while fully admitting he's a party of one on that.The Countdown NeighboursNo. 30 The Darkest One · No. 31 Gus · No. 32 Emperor Penguin — with Pigeon Camera at No. 28. As JD put it: their arctic phase.The Animal Album (An Idea That Got Away From Everyone)Duxoop floated it — Weird Al did a food album and a TV album, so why not a Tragically Hip animal album? The panel then attempted a full inventory:Emperor Penguin · Pigeon Camera · Dire Wolf · Problem Bears · Thompson Girl (polar bear reference) · The Bear on Music at WorkTiger the Lion · The Luxury (zoo lion) · Little Bones (a teeny tiny little cat) · Sled Dogs After DinnerWheat Kings (loon at the beginning) · Bumblebee · Leave ("in this contest, a concave nest") · Sharks · Piano Spider · I'm a Werewolf, Baby · the killer whale tank one on the box setVerdict: someone needs to make this playlist.Quotable Moments"It's not what's troubling Gus. It's what's troubling us. And that's just the best." — Dave from Montreal"Gord Downie sells the fuck out of this song. He sells the flakiness of the bear. He sells the confusion of the person watching it being like, why aren't you like a real bear?" — Dave from Montreal"It's funny — we're happy to hear a song about a sad animal." — Andrew from Winnipeg"Gus is like you're leaning back in your chair and relaxing a bit." — Andrew from Winnipeg"Grace, Too I feel like I'm faking it. Gus, man, I don't fake that one." — Duxoop from Toledo"It's up to us now to keep these songs alive." — Dave from Montreal"I live for that rare occasion where somebody goes, who was that song by? I got to look up that artist — and I get to make a new Hip fan." — Duxoop from ToledoMentioned in This EpisodeThe Hip Handbook — free Top 40 breakdown with episode links: thehiphandbook.tthpods.comHipBase and setlist.fm — live-stat sources behind the Tale of the TapeThe Hip Museum — source of the Gus / George W. Bush readingWhat's Worrying Gus? The True Story of a Big City Bear — the children's bookHipeponymous — where the Summer's Killing Us video ended upAdam Kasper's discography — Down on the Upside, Songs for the Deaf, Pearl Jam, One by OnePlugs & HousekeepingDuxoop from ToledoA friend of Duxoop's was hit hard by the death of Glen Hansard, who was killed in a motorcycle crash outside Dublin on July 29, 2026, at 56. There's a local Toledo tribute on Friday collecting donations for the Dublin Simon Community, the homelessness charity Hansard cared deeply about. Duxoop, who was himself homeless for a couple of years recently: "I would definitely promote that."Andrew from WinnipegSoup Full of Radio — weekly on UMFM in Winnipeg. Every episode is the next letter of the alphabet. Next week: songs starting with "the." The week after: all covers, all Tom Jones covering other people.Head Full of Radio — the podcast, where Andrew plays Radiohead to a guy who's never heard it. Google "Soup Full of Radio" and you'll find both.Dave from MontrealGoogle him for his Hip-related writing; Instagram @DaveKaufman1Dave used his plug to point people at JD's buy-me-a-coffee instead — noting how many unpaid hours go into this and how much the shows are worth to him. JD's reiteration: this stuff is free forever, don't worry if you can't swing it.The Gathering — KingstonRegistration deadline is Friday for all activities. (If you're hearing this on the podcast feed, you've likely missed it.)Three days in Kingston for the 10th anniversary of the Hip's final show: a brunch, an album listening party, a first-day mixer, and hotel blocks. Come for one day or all three.On the 22nd, the national celebration screens in Springer Market Square — side by side with other fans, the way everyone watched it ten years ago.Live stream of the final episode of Your Hipstories: Reflections from the Final Tour. Location to be announced in the coming weeks.Panel call-out: three spots on that final panel go to people who submit a video under one minute explaining why they should be on it, by sharing their favourite memory of August 20th.120 people signed up so far. Kingston is finally embracing and showcasing this band — the banners are up, and JD hopes they're permanent.Next WeekPigeon Camera. Brand new panel, brand new song, a biggie. Live on YouTube, Wednesday at 8 o'clock.Support this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This season we discuss over 300 albums of the 2000s selected from https://besteveralbums.com. The Six Singles segment starts at (6:19). This episode covers the following albums: Roots Manuva - Run Come Save Me (33:57), Sparklehorse - It's a Wonderful Life (49:17), The White Stripes - White Blood Cells (1:07:14), and Radiohead - Amnesiac (1:34:04).Check out our YouTube page here: http://www.youtube.com/@combingthestacks1470Check out the Combing the Stacks Letterboxd list here: https://boxd.it/bS98c

On today's episode, Rhett gives an update on the AI channel that was impersonating him — it's been taken down, but the bigger story is what's happening across YouTube right now: a cycling channel getting its video ripped off nearly scene-for-scene with AI voiceover, deepfake channels targeting female guitarists, and real creators quietly slipping AI-generated B-roll into otherwise genuine videos. Then a viewer hot take — "guitar culture and music culture aren't the same thing" — kicks off a real, personal conversation about hobbyist vs. professional identity, why we all feel pressure to monetize our passions, and why keeping something just for yourself might be the healthiest thing you can do. Plus a Patreon Q&A on how to find people to jam with if you're not on social media, a round of new music recommendations, an update on our live show at Fretboard Summit in Chicago, and we rate a viewer's genuinely wild daw-less synth-and-guitar rig. JOIN US ON PATREON: https://www.patreon.com/dippedintone MERCH: https://www.dippedintone.com/merch FOLLOW US ON INSTAGRAM: https://instagram.com/dippedintone DIPPED IN TONE IS: Rhett Shull  https://www.rhettshull.com Zach Broyles / Mythos Pedals  https://mythospedals.com & https://highvoltageguitars.com Produced & Edited by Addison! https://www.instagram.com/addisonsauvan TIMESTAMPS 00:00:00 Intro 00:00:18 Did you know we have Merch - dippedintone.com 00:01:22 Join us at Fretboard Summit! 00:02:11 Addison has a last name? 00:02:31 Thanks to all our Patrons! 00:03:00 AI still sucks, but Rhett's imposter is gone 00:10:17 Addison's Update 00:11:17 Zach's Update 00:16:00 Hot Take 00:28:35 Taking care with our passions/hobbies 00:31:30 Zach's got a new project coming 00:32:28 Wes Borland Masks 00:36:35 Patron Question - finding people to play music with 00:43:33 A quick conversation about Jazz 00:48:57 Radiohead? 00:50:03 Lyric or Melody? 00:54:09 What we're listening to right now 01:00:27 Rig Dip! 01:10:35 Thanks again Patrons! 01:10:48 And don't forget to join us live in person in August at Fretboard Summit 01:11:06 Merch Merch Merch! 01:11:21 What do you want us to talk about in the future? Drop your comment below! BUY COOL GEAR (Affiliate Links): Universal Audio Enigmatic - https://sweetwater.sjv.io/o42Mve Fender Triple Caster - https://sweetwater.sjv.io/qzRMvq Suhr Classic S Antique - https://sweetwater.sjv.io/DyEomG Benson Delay - https://sweetwater.sjv.io/jeEb4b Boss Roland DM-101 - https://sweetwater.sjv.io/K0Nj5A TC 2290 - https://sweetwater.sjv.io/e1oz26 Universal Audio Volt 876 - https://sweetwater.sjv.io/jeko9M Boss Katana 50 Gen3 - https://sweetwater.sjv.io/DyEom5 Shure 545 (new production) - https://sweetwater.sjv.io/ravMyj Echo Fix EFX3 - https://sweetwater.sjv.io/APzZMK Helix Stadium - https://sweetwater.sjv.io/LKVnJa

“How many people do you think go into a bar and say: ‘I'd like an Everclear on the rocks, please…'?”   Looking back, 1997 seems utterly surreal…   To put things in perspective, 1997 marked the debut of South Park on Comedy Central, the release of Radiohead's breakthrough, third album, OK Computer, the beginning of the final season of Seinfeld, and (of course) the arrival of Metallica's conclusion to The Loads with Reload.   Perhaps one of the most surreal (and tragic) parts of 1997 was the time a bunch of children in a band called Hanson went viral with a song called MMMBop while a lesser known, criminally underrated, and FAR SUPERIOR band (with an extremely similar sounding name, consisting of former members of Helmet & Quicksand) called Handsome released their one (and only) album, Handsome, earlier that same year.     Sometimes life is just too weird and utterly unfair…   It's time to discover the power of “a better magical piece of paper” that is not a college degree and understand that whenever someone uses the term ‘dating' that “we know exactly what they're talking about”.    Find out who “stayed metal the whole time”, who was “chuggin' the D”, and who wasn't going to metal shows “unless it was Metallica” when you JOIN US as we go back in time almost 30 years with THE CLASS OF 1997. Visit www.metalnerdery.com/podcast for more on this episode Help Support Metal Nerdery https://www.patreon.com/metalnerderypodcast Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on your favorite Podcast app Follow us on the Socials: Facebook - Instagram - TikTok Email: metalnerdery@gmail.com Can't be LOUD Enough Playlist on Spotify Metal Nerdery Munchies on YouTube @metalnerderypodcast   Show Notes & Time Stamps: (00:01): “Now we're about the same height…”/ “Alright, let's see ‘em…”/ “Has anybody had any weird diarrhea lettuce issues?” / “You had it before it was cool?”/ #BastieBoys / “I got so freaking sick…out of both ends…also, every 5 minutes, I was having contractions…”/ “Doctor, he's dilated…”/ #cyclospora / “So it was the exact same thing?”/ (NOTE: “Cyclospora stays dormant in your body for up to 2 weeks…) / #nightsoil / “Reason #2 I don't eat greens…”/ “Email Russ at RussWages@diarrhealettuce.com...” /  ***WARNING: #listenerdiscretionisadvised *** / “And frankly…tiresome.”   (05:50): “You wanna say the hellos and the welcomes?” /  ***WELCOME BACK TO THE BUNKERPOON CENTER FOR METAL EXCELLENCE AND THE METAL NERDERY PODCAST!!!*** / #rainylanta /  “Because of the gudatron? The front gunt?” / “I've been having to find all my fat clothes…”/ “What, was it 121/81?” / #RussellsHealthReflections   (09:19): ***PATREON US at patreon.com/metalnerderypodcast *** / #Doomsicle #SmogMountain #SabbathFuzzySabbath /  “I like floral cunt, I'm gonna keep using it…” / “We speak your names…”/ “I'm just gonna go ahead and make this statement…”/ ***EMAIL US at metalnerdery@gmail.com ***/ ***SOCIAL MEDIA US at #metalnerderypodcast on #YouTube #Facebook #Instagram #TikTok *** / “Are we gonna have to hire somebody to go through our emails now?” /  “CD Samplers…?”/ ***VOICEMAIL US AT 980-666-8182!!!*** /  #doowop (NOTE: It's Padavona, NOT Padanova) /  #RJD (14:19): #TheDocket METAL NERDERY PRESENTS: THE CLASS OF 1997 / “The year I graduated from college and got that magical piece of paper…”/ “You know what a better magical piece of paper is?” / “It makes for a much better life…”/  “And by ‘dating'…we know EXACTLY what they're talking about…”/  “That dude's a Dude, man…”/ “Spittin' Crickets is such a 90's band name…”/  “I gotta ask the question…where did y'all get that name?” / #hawktuah / #RussellsReflectionsNostalgiaEdition / “That's some red neck shit; that's not frat boy shit…”   (19:02): “I will say…in 1997…we were big followers of a local heavy metal band…who released their breakthrough album…” / #RussellsSevendustReflections /  #Sevendust BLACK (Sevendust – 1997) / “That's a good opener…like a show opener…”   (23:38): #StrappingYoungLad ALL HAIL THE NEW FLESH (City – 1997) / #CanadianMetal / “Get ready…”/ “It's like a super charged Filter…”/ “If I was still working out, that would be in the playlist for sure…”   (27:00): “Hold on, so it's a different singer?”/ NOTE: This is the first Priest album with Tim “Ripper” Owens on vocals, and also the first Priest album since 1990's Painkiller / #IcedEarth / #JudasPriest JUGULATOR (Jugulator – 1997) / “You pulling up the Jugulator?” / #moonshine /  “How many people do you think go into a bar and say ‘I'd like an Everclear on the rocks, please…'”/ NOTE: Everclear is the active ingredient in Hunch Punch / “Chuggin' the D…” /  “That does not sound like Judas Priest…”/ “That's a very different vibe…that's a different band!”   (33:30): “How about some…Overkill?”/ “In 1997, were you looking for Overkill albums?” /  “(The Hodges) stayed metal the whole time…” / #WFO #TheKillingKind / #NostalgicReflections / “I wasn't going to metal shows…unless it was Metallica…”/ “There were a lot of used CD stores back then (in the mid to late 90's) …” /  #Overkill IT LIVES (From the Underground and Below – 1997) / “I love panning…”   (39:56): “Alright, Matt…look at the inventory of cokelines…”/  “Track 5…I know it doesn't have as many cokelines…trust me…”/ “Is it more of the Forbidden Evil?” / “Imagine Forbidden doing groove stuff but it still sounds like Forbidden…”/ #Forbidden FACE DOWN HEROES (Green – 1997) /  “This was in the Can't Be Loud Enough…”/ OVER THE MIDDLE /  “This sounds nothing like Forbidden Evil…”/ “That sounds like…Slayer.” (43:20): “Did y'all ever hear that one (Demonic)?”/ “That's where the power comes from, dude…”/ #Testament DEMONIC REFUSAL (Demonic – 1997) / “This is where (Chuck Billy) changed his voice…that's death metal…”/ “Looks like I need a bigger rug…”/  “That's definitely different Testament…”   (46:28): “Mark the time, please…”/ #Kreator PHOBIA (Outcast – 1997) / “Like Slayer, you always know what you're gonna get (with Kreator) …”/ #industrialsound / “That's different than normal Kreator…”/ “It's almost like industrial punk…it's almost like a Kreator side project…”   (48:52): “We've got to pay tribute to The Loads…”/ “I think that's probably the best song on the album…but it takes forever to get there…” (Fixxxer) /  “It might be worse than Sandman…” (Fuel) / #Metallica DEVIL'S DANCE (Reload – 1997) / “That's a meaty bass sound…”/ “It's like a weird, Metallica, stoner metal…”/ “Yeah, it needs a laugh right there…”/ “Under a different name, they're good rock and roll records…” ***Go check out our Building the Perfect Load episode…*** / “Watch him pull up Queensryche…big fan from way back…more than KISS…” (53:47): #Misfits DIG UP HER BONES (American Psycho – 1997) /  “It's like Peter Steele with a higher voice…”/  “He sounds like Peter Steele PLUS the singer from Life of Agony…”/ #Caputo / “They came back, dude…”/ “It's like Optimus Prime can be a robot, and then he can be a truck, and then he can be a robot again..." (56:26): “This sounds like a lovely title…I guarantee you it sounds like WASP…”/ #powerballads / “Let us know if we should do a whole episode of power ballads…” /  “We might need some extra special relaxers for that episode (power ballads) …” / “No microdosing…we gotta go full tilt…bring sleeping bags…”/ #TheChronicles / “Have you ever heard anybody talking in their sleep?”/ #sleeptalking #gibberish / “He would call in air strikes…while he was at home in bed, years after the war…”/  “We got new chairs down here in The Bunkerpoon…I look a lot more slender because I'm hiding my gunt underneath the table…” / #WASP KILL FUCK DIE (Kill Fuck Die – 1997) / “Oh listen, it's industrial…when L.A. Metal goes Industrial, that's kind of a weird sign…”/ “What is it?  What'd you say?” / “That was not at all what I was expecting…” (1:01:24): “Look at that album cover…that just screams 1976…he looks like the homeless hatchet guy…there's a documentary about this dude…”/ “But he looked just like that dude…” / “Turn up the fuzzmeter…”/ #FuManchu EVIL EYE (The Action is Go – 1997) / “Kinda sounds like ‘I Disappear' a little bit…”/  “It's good rock and roll with a lot of fuzz on it…” (1:04:39): “On that note, how about a little Karma to Burn…”/  “Hold on, that was wet and you didn't cup…you SHOULD have cupped…”/ #instrumental /  “I'm going in with an open mind…and a pink shirt…”/ “I don't care…” /  “Where are we on the whole ‘how do snakes fuck?'…” / “It IS whittled…”/ #debutalbum /  #KarmaToBurn EIGHT (Karma To Burn – 1997) / “This sounds like some good pre-show music…very good background music…” (1:07:54): “Annihilator had an album out that year…”/ #recordscratch #mouthsounds /  “That sounded almost like a record scratch…I can't do it again…make it a button…”/  “All the cokelines…”/ #Annihilator MURDER (Remains – 1997) / “That's gated…there's your '97 vibe…”/ “He's gonna yell in a minute…he yelled…I heard him…”/  “Let's pick another one…” / SEXECUTION / “Sexecution…that's got to be good…”    (1:12:45): “We've got to cleanse…”/ “What did (Annihilator) do there?” /  “I'm hoping, for the sake of all that is evil…that Venom will sound like Venom…”/  “Metallica's the ONLY band that changed in the 90's…whatever…”/ #Venom THE EVIL ONE (Cast in Stone – 1997) / “That's what heavy metal sounds like…”  (1:15:41): “You know, THAT guy from THAT band…”/ “Who sings on this, him (Geezer Butler)?” / NOTE: This was NOT Burton C. Bell on vocals, it was Clark Brown on vocals…/  #GZR MAN IN A SUITCASE (Black Science – 1997) / “Strangely industrial? Or weirdly industrial?” (1:17:27): “How about a little Grip Inc.? That was Dave Lombardo's band after Slayer…”/ #GripInc PATHETIC LIAR (Nemesis – 1997) / “That has the Slayer sound to it…if you're playing with Dave, I'm sure it's going to sound like Slayer at some point…”   (1:19:44): “I was just looking up some In Flames…”/ “Let's cup so they get the full effect…”/ #InFlames JOTUN (Whoracle – 1997) / “I think that's what they call melodeath metal…”/ “It suits this kind of day…the gray and cloudy…” / “Nothing's gonna impress me anymore after Psycroptic…” / “It's the first thing we've heard in forever that's really a mindblower…you keep getting away from the novelty effect…and then you hear that (Psycroptic)…”   (1:23:34): “Billiam never picks trash…”/  “We should do the most underrated bands and talk about nothing but Poison and Nickelback the whole time…”/ “You don't shit on Nickelback and you don't shit on Creed…”/ “It's just fun to talk like that…” /  NOTE: This was NOT Bruce Dickinson's first solo album…it was his fourth /  #BruceDickinson ROAD TO HELL (Accident of Birth – 1997)  (1:26:38): “My only thing about that…remember when (Dave) did the thing (remixed the entire Megadeth catalog in 2004…) with the drums?”/  #Megadeth TRUST (Cryptic Writings – 1997) / “I think he got mostly cleaned up in the early 90's…”/ “Would you call that rock or metal?” / “If you could take 5% (of that bass mix) and drop it in AJFA…” / “2002 was (allegedly) when (Mr. Mustaine) fully gained sobriety…”   (1:30:18): “I think Billiam finally found what he was looking for…”/ #MachineHead TEN TON HAMMER (The More Things Change – 1997) / “It's weird that harmonics could be so heavy…”/ “It's like harmonics with a cape…”   (1:32:10): “Awwwwwww mannnnnnn…” /  #Pantera WHERE YOU COME FROM (Official Live: 101 Proof – 1997) / “Wait for it…”/ “They recorded (the 2 new songs) in 12 days…”/ “Should we call it Class of '97?” /  THANK YOU FOR JOINING US!!! / #untilthenext #outroreel

Hear from acclaimed author and broadcaster Stan Grant in this special edition of The Fifth Estate as he reflects on the fragility of words and why contemplation and philosophy matter in an era of increasing division, with host Sally Warhaft. Originally presented on Tuesday 16 July 2026 by The Wheeler Centre in partnership with RMIT University. Drawing wisdom from an array of thinkers and artists, including Plato, Simone Weil, Cormac McCarthy, Thomas Aquinas and even Radiohead, Stan Grant’s expansive and philosophical new book When Words Fail Us invites readers to reconsider the meaning and necessity of silence in an age of noise, speed and relentless distraction. Written after stepping away from public life, the book explores how words can fail to meet the moment in the context of Australia’s history, identity and political division. Grant offers a rare insight into how the power of listening can lead to connection, compassion and love. Featured music is 'Different Days' by Chill Cole. The official bookseller was Hill of Content.Support the Wheeler Centre: https://www.wheelercentre.com/support-us/donateSee omnystudio.com/listener for privacy information.

Host Jesse Jackson welcomes Dallas sportswriter Tim Cowlishaw to discuss why Dallas teams are leaving the American Airlines Center area and the impact on fans, then shifts to music and Tim's Springsteen origin story. Tim recounts growing up between New Jersey and Texas, early influences like musicals and the Beatles, and discovering Bruce via a 1974 Columbia “Say Hello to Last Year's Genius” radio ad. He describes a canceled 1974 Sportatorium show, then seeing Springsteen up close at The Bottom Line in 1975 and attending about 30 shows, including a 1984 Chicago trip on the Born in the U.S.A. tour. Tim shares views on setlists and political talk on recent tours, praises The Wild, the Innocent & the E Street Shuffle and the book Tonight in Jungland, reflects on Bruce's work ethic, and discusses favorites like Taylor Swift, Radiohead, and The National, plus Cowboys and writing life. https://a.co/d/04IjQ10n 00:00 Welcome to the Podcast 01:02 Dallas Teams Leaving Downtown 04:40 From Tulsa to Texas Roots 06:32 King Biscuit Bruce Discovery 08:19 First Shows and Close Calls 13:53 Chasing Tours and Great Seats 19:56 Setlists and Political Talk 21:17 Favorite Album and Studio Lore 24:24 Books and Nebraska Film Debate 25:31 Selling Out Debate 26:00 Springsteen Work Ethic 28:16 Columns And Retirement 29:43 Mavs Ownership Rants 32:50 Taylor Swift Live 35:50 Radiohead Berlin Trip 38:54 Cowboys Season Outlook 40:40 Around The Horn Farewell 41:15 Thunder Road Mary 43:11 Backstreets Terry Mystery 45:13 Wrap Up And Thanks Learn more about your ad choices. Visit megaphone.fm/adchoices

Climate activists have blocked highways, scaled oil rigs and even thrown soup at master artworks. But have protests ever made a difference? The modern green movement started in the 1970s when Greenpeace sailed a fishing boat towards a nuclear test site in Alaska. It now encompasses everything from bake-ins and marches to Radiohead concerts. A small minority of activists even favour breaking the law to raise awareness about climate change. Some of them have superglued themselves to railings and blocked bridges. BBC Climate Editor Justin Rowlatt has made a new podcast series about the green movement – and the heated splits among activists about tactics. He talks to Climate Question hosts Graihagh Jackson and Jordan Dunbar about the past - and future - of climate protest. You can hear Ten Fights That Made the Green Movement here: https://www.bbc.co.uk/programmes/m002ybblGot a question for The Climate Question? Email us: theclimatequestion@bbc.comProducers: Simon Watts, Diane Richardson and Ellie House Sound Mix: Mike Regaard Editor: SImon Watts

Jay is back after a fantastic vacation and somehow found the time to catch Phish at Merriweather Post Pavilion last Saturday. He shares the details in another Tales from the Concert.Song; Phish - “Free (Live at Merriweather Post Pavilion, July 18, 2026)”Next up, it's News with Nick! This week we remember Bonnie Tyler, look forward to the new King Gizzard album, and discuss whether music containing AI should be labeled as such.Song: Psychedelic Porn Crumpets - “Okarena”Greg closes us out with a Three for Thursday. We hear some music from the relatively new band, Wunderhorse. Then we're on to a relatively old band, The Pretty Things, that had a song in the 70s that sounds a little bit like a Radiohead classic (from the 90s). Finally, we celebrate the end of the World Cup with one more listen to a, now quite familiar, Shakira song.Songs:Wunderhorse - “Silver”The Pretty Things - “In the Square”Shakira - “Dai Dai”

We are back in the studio! With a brand new episode featuring Evelyn and Emily and it is a horny one! They come on share some sugar daddy stories and much more. Plus Evelyn tells us a kinky story where even have to mute the mic! Follow us on social media @AaronScenesAfterParty

Host Jesse Jackson welcomes Dallas sportswriter Tim Cowlishaw to Set Lusting Bruce, beginning with a discussion about Dallas teams potentially leaving the American Airlines Center area and the impact on fans and downtown. Cowlishaw shares his upbringing in Tulsa, New Jersey, and Texas, early musical influences like Beatles and The Who, and how a King Biscuit Flower Hour Columbia Records ad led him to Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle. He recounts a canceled 1974 Dallas show and finally seeing Springsteen up close at The Bottom Line in 1975, leading to roughly 30 concerts over the years, including 1984 Chicago shows. They discuss setlist predictability, Bruce's political remarks on recent tours, favorite albums and books, and how Springsteen's work ethic influenced Cowlishaw's writing, along with talk of Taylor Swift, Radiohead, and the “Does Mary get in the car?” question. 00:00 Podcast Welcome 00:50 Dallas Teams Leaving 04:40 Growing Up With Music 06:32 Discovering Bruce 08:19 First Show Cancelled 09:20 Bottom Line Breakthrough 13:12 Chasing Shows Stories 19:21 Setlists And Politics 21:17 Favorite Albums And Books 24:24 Nebraska Movie Debate 26:00 Writing Influences 26:33 Bruce Work Ethic Lesson 28:16 Still Writing Columns 29:43 Mavs Missteps Brunson 32:50 Taylor Swift Live 35:50 Radiohead Berlin Trip 38:54 Cowboys Season Outlook 40:30 Around the Horn Reflections 41:15 Thunder Road Mary Debate 43:11 Backstreets Terry Meaning 45:13 Wrap Up Social Links Learn more about your ad choices. Visit megaphone.fm/adchoices

Explore the psychology of identity, creativity, and timing in this deep dive on mindset, leadership psychology, and finding your path. Today we ask if success is not a thing you manufacture, but a pattern you learn to recognize? This episode explores a different model of growth: one where Confucius, Radiohead, and lightning rods all point to the same truth. The world is full of tension, potential, and unfinished energy. The rare person is not always the one who creates something from nothing, but the one who notices it, names it, and gives it a path forward. This concept changes leadership, it changes creativity and it changes the way we think about the self. Maybe the work is not to become more forceful, but more attuned. We can spend less time obsessed with building and more time on discovery: Look for the signal inside the noise. Replace pressure with attention. Build conditions that let good work surface. Press play and see what becomes possible when you stop trying to invent everything. SPONSORS ☺️ ⁠⁠⁠⁠⁠NOCD⁠⁠⁠⁠⁠ Struggling with OCD or unrelenting intrusive thoughts, NOCD can help Book a free 15 min call ⁠⁠⁠⁠⁠https://learn.nocd.com/growthmindset⁠⁠⁠⁠ NEW SHOW - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Change the World: The History and Future of Innovation⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn about the evolving story of the human species and our ideas told in chronological order. The podcast is full of fun facts, surprising stories and philosophical insights. Found on all major podcast players: Spotify - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/1Fj3eFjEoAEKF5lWQxPJyT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Apple - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/how-to-change-the-world-the-history-of-innovation/id1815282649⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@HowToChangeTheWorldPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ --- UPGRADE to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Premium⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠:

"A Hole To See The Sky Through" es el próximo disco de Mystery Jets que incluirá dos de las canciones que la banda ha avanzado, a modo de dobre cara A. Una de ellas es "Flea Joint", una pieza de rock hipnótico y repetitivo, construida a partir de sesiones de improvisación que, en ciertos momentos de la melodía y de la parte vocal, nos ha recordado a Radiohead. Escuchamos también a Leon Bridges, Kelly Boesch, Meg Lui, Nia Archives y a Linkin Park con "In The End", como clásico del día. LEON BRIDGES - Light the WayPARCELS - TieuprightnowKELLY BOESCH - It's La Vida LocaMEG LUI - Elvis QueenPOST MALONE - ChemicalMYSTERY JETS - Flea JointMYSTERY JETS - Black SageVIVA SUECIA - Mala PrensaNIA ARCHIVES - DangerADDISON RAE - Fame is a GunLINKIN PARK - In The EndTHE MENZINGERS - Better AngelsYARD ACT - FictionGANGES - Palomita de Ojos AzulesKILLIN CACTUZ - JPEGOVERMONO - Knight In Shining Prada (feat. John Joseph Holt)Escuchar audio

A side-two burner with a secret third verse? The panel digs into the 1988 Horseshoe debut and discovers 'Every Time You Go' was once a song called 'Holding Out'.Episode SummaryThe wheel said 'Every Time You Go', and the wheel does not lie. This week, The Tragically Hip On Shuffle takes on the side-two rocker from "Up to Here" (1989) - played live 61 times between July 15th, 1988 and June 25th, 2004, three of them as encores, and ranked #93 of 169 on the fan countdown, sandwiched between 'Heaven Is a Better Place Today' and 'When the Weight Comes Down'. jD gathers Andrew from Winnipeg, Adam from South Tampa, and Daryl from Belleville to debate, discuss, and dissect it.The listening party spins the demo from the "Up to Here" box set - a skeleton with muscle, as jD puts it, alive but not quite finished. Then comes the find of the night: both Daryl and Adam independently dug up the song's live debut at the Horseshoe Tavern, July 15th, 1988, where Gord Downie introduces it as 'Holding Out', dedicates it to race car driver Bobby Rahal, and sings a lost third verse - a prom dress, a tear-stained vest, and a waltz - that the band later cut. They did not play it again for a year. So there's that.From there it's a close read of the lyrics - knowing a Dave, the big snake pit, a birthday suitcase brown from dust from no place, and the formidable "my girl don't just walk, she unfurls" - plus the Thunder Road parallel, the highway girl connection, and Andrew's case that this song is the musical blueprint for 'Little Bones'. The poll lands at 69% love it, the panel wrestles with a front-loaded record and a side two that swings, and Adam asks the question every box-set owner is asking: how did 'Wait So Long' not make this album?The wheel gets spun twice (a first - the chat caught a repeat), the Kingston gathering gets a massive plug, and a big scheduling announcement lands: next week's live stream moves to Tuesday night, because Wednesday belongs to the debut of Yer Hipstories: Reflections From The Final Tour.The PanelAndrew from Winnipeg - host of Alphabet Soup on UMFM (the letter Z is up next), the Radiohead podcast Head Full of Radio, and Threads Bachelorette. This week's cheerful tolerator, and the man who spotted the 'Little Bones'DNA.Adam from South Tampa - retired, armed with the actual countdown brochure, and the one who caught the play-count error in the listing. Grateful this song is not the Paul Young one.Daryl from Belleville - survived a last-minute audio miracle (and a spilled plant) to get on the stream. Vintage Hip evangelist who introduced "Up to Here" to his 17-year-old daughter, and co-discoverer of the lost verse.Timestamps00:00 - Welcome and panel introductions01:23 - First hit: favourite Hip summer jams06:06 - The tale of the tape: 'Every Time You Go' by the numbers08:32 - Poll check: 69% love it10:56 - Listening party: the demo from the "Up to Here" box set14:32 - First reactions: reverb, toms, and background vocals17:00 - The lost verse: July 15th, 1988 at the Horseshoe, and a song called 'Holding Out'20:47 - Andrew hears 'Little Bones' in the bones25:57 - The curse of the first two records29:31 - The lyrics: Daves, snake pits, and a girl who unfurls36:11 - Side two of "Up to Here": front-loaded or fully loaded?44:46 - The 'Wait So Long' problem46:56 - Final thoughts around the table53:37 - Spin the wheel - twice57:05 - Big announcements: Tuesday streams and a new series58:37 - Plugs and the Kingston gatheringResources & ReferencesSetlist and play-count data: hat tip to the Hip Handbook and setlist.fmThe 1988 Horseshoe Tavern recording courtesy of The Tragically Hip Archive - preservation work that made the whole episodeThe demo of 'Every Time You Go' comes from the "Up to Here" box setPodcasts plugged this week: Sarah's Tangentially Hip, Head Full of Radio, Alphabet Soup on UMFM, and Threads BacheloretteJoin InThe randomness is the feature, and the community is the point. Join the community Facebook group to catch the next live stream, vote in the polls, and share your take in the chat. Want more from the network between episodes? Subscribe to Yer Letter, the monthly newsletter from jD.Heading to Kingston? The gathering runs August 20th to 23rd alongside Forever Hip - a mixer at the Merchant Pub, Choir! Choir! Choir! in Springer Market Square, a listening party for the brand new record "The Tragically Hip Live, July 22 - August 20, 2016" on its release day, a Long Time Running screening, the CBC re-airing of a national celebration, and a farewell brunch at Morrison's. Reach out to jD to get in on any or all of it.ClosingHuge thanks to Andrew from Winnipeg, Adam from South Tampa, and Daryl from Belleville for bringing the goods - lost verses, countdown brochures, and one very good Everly Brothers joke. The takeaway this week: even a side-two album track has a secret history, and sometimes the archive gives you a whole extra verse.Two dates to circle. Next week the live stream moves to Tuesday night at 8 to talk '700 Ft. Ceiling' from "Trouble at the Hen House". Then Wednesday night, exactly ten years on from Victoria, Yer Hipstories: Reflections From The Final Tour kicks off - a new episode every second day celebrating the Man Machine Poem Tour. Get after it.ConnectFacebook group: community.tthpods.com | Instagram: @tthpods | YouTube: youtube.com/@tthpods | Email: jd@tthpods.com#TheTragicallyHip #TragicallyHip #GordDownie #UpToHere #TTHOnShuffle #InGordWeTrustSupport this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Send in your music story!Some movies are unforgettable because of the plot. Others because of the songs. The real all-timers are the ones where the music and the story become the same thing, and that is exactly the argument we get into while ranking the top 10 greatest movie soundtracks of all time.We kick things off with real-life chaos and quick hits from the music world, including Michelle Branch returning with a new album and tour, plus a wild stat showing vinyl and vintage music players are surging again. We talk about why physical media is back, how collectors think about value, and what actually matters if you want a record player setup that sounds good without wrecking your records.From there, the mood turns heartfelt as we remember Sam Neill and what Jurassic Park meant to a whole generation. Then we swing back to music discovery, picking “Creep” by Radiohead as song of the week and trading the movie moments that introduced us to songs we still love. Finally, we debate the list itself: Footloose, Tarzan, 8 Mile, Purple Rain, School of Rock, American Pie, Shrek 2, Guardians of the Galaxy, and why Almost Famous ends up wearing the crown.Hit play, then tell us your all-time number one movie soundtrack. And if you enjoy the show, subscribe, share it with a friend, and leave a review so more soundtrack obsessives can find us.Please check out our merch page! : https://hookandbridgepodmerch.printful.me/ Become part of our community! : https://www.patreon.com/cw/TheHookandBridgePodcastPremiumSupport the showPlease give us a quick rate and review. If you enjoyed the audio version head over to our Youtube for video content! Follow the Instagram for special content and weekly updates. Check out our website and leave us a voice message to be heard on the show or find out more about the guests!Ever wanted to start your own podcast? Here is a link to get started!https://www.buzzsprout.com/?referrer_id=1964696https://www.youtube.com/channel/UCONMXkuIfpVizopNb_CoIGghttps://www.instagram.com/hook_and_bridge_podcast/https://www.thehookandbridgepodcast.com/

Will and Anurag discuss new releases by Mary in the Junkyard, Big Brave, and Ed O'Brien, plus live reports and bonus songs.

Just looking at the music you've gathered over the years can give you insight into who you are and what you're about.   Whenever the hosts of "How We Heard" dig into their music collections, they always seem to find out more about themselves - sometimes more than they're expecting.   The guys are at it again on this week's episode, which prompts a free-flowing conversation about everything from old jazz to electronic dance music, from the glory to the pitfalls of live albums to the vague joy and uncertainty of rediscovering old albums they don't quite remember.   They discuss artists ranging from Radiohead and Beck to Santana and Ravi Shankar and focus on far-flung singer-songwriters including Aimee Mann and Ron Sexsmith.   Hosts Chuck Campbell and Wayne Bledsoe, both veteran music critics, also talk about how they handled reviews of Christian rock for the mainstream media as well as how they dealt with artists who used obscenities in their names or song/album titles.   And they dive into the past of Ryan Murphy, acclaimed Emmy-winning producer/director/screenwriter of TV's "Glee," "Nip/Tuck," "American Horror Story" and other shows as well as film adaptations of "Running With Scissors," "Eat, Pray, Love," "The Normal Heart" and "The Prom." Wayne explains what Murphy was doing in Knoxville, Tennessee, in the 1980s and what was he like back then.   When was the last time you really looked at your music collection? It could take you places you don't expect to go.

我并不是一个很爱吃海鲜的人，因为我吃很多海鲜都是苦的——这可能是基因决定的，但是我也没找到相关的文献支持。因此，当别人拉我吃海鲜时，我一边会心疼我的荷包，一边也会心疼我的舌头，纯粹是花钱买罪受。 但是我也能理解很多人这么爱海鲜。海鲜当然是好吃的，「鲜」这种味道的化学成分就是在海鲜里发现的——海带怎么不算是一种海鲜呢？此外，海鲜对我们北方人来说是一种异域风情，是一种对温暖丰饶的南方的向往，有些时候还是一种对富裕生活的想象。这一期就让我们来一起跟大家聊聊和和海鲜有关的歌曲，用耳朵品尝一桌海鲜盛宴。 本期嘉宾 乔小乔选送的是苏打绿的《飞鱼》：「AI 说飞鱼是海鲜

Today's new episode is taking us back to 2001's Vanilla Sky. We're all mainlining Radiohead, questioning reality, and wondering if cryogenic lucid dreaming might be better than actual life. Is this an A+ sci‑fi romance that hits harder the older you get, or an overcooked vanity project with a killer soundtrack? When does the dream actually start, and does the “it was all a dream” twist ruin the movie or secretly make it great? Would you choose a perfectly curated forever with your soulmate, or jump off the building and wake up 150 years in the future with nothing? We tackle all this and more! •0:00:00 - Introductions •0:02:30 - Memories of first viewing •0:06:00  - Pertinent movie details  •0:11:00  -  Critical and fan reviews •0:17:00 - Scene by scene breakdown  •1:32:00 - Modern day ratings —————————————————————— SPONSORS-  **Cedar Ridge Distillery-  Go check out our sponsor and order some whiskey.  http://cedarridgewhiskey.com **K12-  See how K12 Powered Schools can help unlock your child's full potential.  Enroll online today at http://K12.com/confused  **. Download the DraftKings Casino app and sign up with code CONFUSED to claim your Flex Spins and experience Cashingo—the feature you can't play anywhere else! **TruDiagnostics- Our listeners can get 20% off at http://TruDiagnostic.com using code CONFUSED at checkout. **NordVPN-  Grab your EXCLUSIVE NordVPN Deal by going to http://nordvpn.com/breakfast to get a Huge Discount off your NordVPN Plan + 4 additional months on top! It's completely risk-free with Nord's 30-day money-back guarantee! **PROGRESSIVE- Visit http://progressive.com  **FABLETICS-  Get 80% off everything when you sign up as a VIP! Just head to http://Fabletics.com/confused  **LITTLE SLEEPIES-  If you're expecting or dressing little ones, check out Little Sleeps.  You can visit http://littlesleepies.com and use promo code GOODNIGHT for 10% off of your first order.  **WAYFAIR- Find furniture, decor, and essentials that fit your unique style and budget. http://Wayfair.com   —————————————————————— **Support us at http://patreon.com/confusedbreakfast for bonus weekly episodes, voting on upcoming movies, giving your modern-day ratings on our movies and much more. **Mail us something   The Confused Breakfast PO Box 10016 Cedar Rapids, IA 52402-9802 Special thanks to our executive producers- Josh Miller, Starling, Dylan Mick and NicMad. Learn more about your ad choices. Visit megaphone.fm/adchoices

SPONSORS: Enjoy the refreshing citrus kick of Mountain Dew, an American Original. Tasting Great Since '48. Look for Mountain Dew in stores near you at https://mountaindew.com Thanks to MANSCAPED for sponsoring today's video! Get The Beard Hedger Plus for 15% OFF + Free Shipping with code “BEARS” at https://Manscaped.com! For simple, online access to personalized and affordable care for Hair Loss, Weight Loss, and more, visit https://hims.com/bears Sign up now and Acorns will boost your new account with a $5 bonus investment. Join the over 14 million all-time customers who have already saved and invested over $27 billion dollars with Acorns. Head to https://acorns.com/bears or download the Acorns app to get started. Sponsored by BetterHelp. Sign up and get 10% off at https://betterhelp.com/bears Start your free trial at https://shopify.com/bears This week on 2 Bears, 1 Cave, Tom Segura and Bert Kreischer spiral through Bert's newest crisis: figuring out which musicians would actually like him. After Lou Reed tells him off mid-treadmill (entirely inside Bert's head), Bert starts deleting Jane's Addiction and Radiohead from his library, relives Shane Gillis walking out of a Wilco concert after five seconds, and learns his most-played song of all time is "Higher" by Creed. From there, the Bears get into Tom's tour of Kid Rock's 20,000-square-foot, two-bedroom replica White House and meeting Jimmy John from Jimmy John's, a deep dive on Subway Takes and why Bert believes celebrity hot takes are all fake, the viral "white people shouldn't sit on stoops in Bed-Stuy" debate, and a deeply satisfying story of a first-class line cutter getting humbled in front of Viola Davis. Bert also opens up about the final days of his five-and-a-half-month sobriety run, including the recovery books, journaling on planes, and why his first drink back is happening at his daughter Georgia's University of Oregon graduation before going scorched earth on the dad who posted his 4-year-old breaking a rope swing "world record" in Moab. Plus: the MyPillow guy, the thumb-to-arm gut health test, Garth Brooks friendship fantasies, and why Moby would hate them both. If you missed this show, this one's for you. 2 Bears, 1 Cave Ep. 333 https://tomsegura.com/tourhttps://www.bertbertbert.com/tourhttps://store.ymhstudios.com Chapters00:00:00 - Intro00:01:11 - Lou Reed Talks Shit to Bert on the Treadmill00:04:27 - Kurt Vile, Bob Dylan, & Shane Gillis Walking Out on Wilco00:16:15 - Deleting Every Musician Who Wouldn't Like Bert00:25:00 - Kid Rock's Replica White House & Jimmy John From Jimmy John's00:28:51 - MyPillow, Workout Underwear & Sleeping Naked00:31:11 - Subway Takes & J.Lo's Rented Hot Take00:41:01 - White People on Stoops00:43:47 - Airport Line Cutters00:50:09 - Bert's Last Week of Sobriety01:01:21 - The 4-Year-Old Moab Rope Swing Rant01:13:03 - Wrap Up Learn more about your ad choices. Visit megaphone.fm/adchoices

Most music fans assume their favorite songs are perfect from the first listen—until you hear the stories behind the first-time experiences that totally changed those tunes forever. Whether it's the emotional rush of discovering Everlong by Foo Fighters at 13, or the mind-bending revelation of Paranoid Android by Radiohead that rewired your perception of music, this episode dives into the powerful stories of songs that felt like the first time all over again.If you've ever wanted to relive that magic, or discover it for the first time, thats what this episode is all about.Episode Playlist:Foo Fighters - EverlongTool - H.Radiohead - Paranoid AndroidRammstein - Fruhling in ParisDavid Bowie - StarmanThe Decemberists - The Mariner's RevengeLed Zeppelin - The Rain SongMiura Jam BR - Bink's SakeDave Matthews Band - Grace Is Gone Listen on Spotify https://open.spotify.com/playlist/2VSz6kKoJh3I1tXBZmev2S?si=2efd7b94e0db40b1Sponsor: SeatGeekLink: https://seatgeek.pxf.io/ZVLRZk

Hip hop group Basic Vocab's trajectory shifted rapidly when their signature track, "Come Get With It," was discovered by HBO and featured during the closing credits of Season 5 of Entourage. In doing so, they joined artists such as Saigon, Gang Starr, Alice Smith, Outkast, Radiohead, and Jay-Z, whose music was also featured during the series' end credits. The track appeared on their debut album, The General Dynamic, featuring JL Sorell, MG, and Square, with production from Tony Galvin, whose work with artists including T.I., Mystikal, and Trick Daddy brought a classically trained sensibility to the group's sound. They followed with A Better Way (2010), a more energy-oriented record infused with b-boy influences. The album included tracks such as "Prescription," "Tears," "Keep It Simple"—later featured on HBO's Crashing—and "Just Dance," which appeared in Hulu's Random Tropical Paradise. Their next releases, Type 3 (2022) and Straight Kemistry (2022), reflected on the post-pandemic landscape, exploring subjects including politics, social media, and healthcare. In 2025, the group released their latest single, "Sign of the Times," and they continue to collaborate together. In our conversation, featuring JL and Square, we discussed the South Beach "conscious rap" scene; the artists who influenced them and those to whom they are most often compared; how their lives changed following Entourage; recent collaborations with Sadat X; composing for film and television; and maintaining originality, creativity, and consistency over time.Opening Credits: Genx Beats - 07 Already (Lofi Mix) I CC BY 3.0 I Black Ant - Dark Slide I CC BY-NC-SA. Closing Credits: Jangwa _ Dilating Times - Flutter I CC BY.

This week we're talking to Adam Franklin and Jimmy Hartridge of shoegaze OGs Swervedriver. They start their BrooklynVegan-presented tour celebrating the 35th anniversary of their debut album Raise on August 18th in Cambridge, Massachusetts.    Adam and Jimmy talk about how the band came up through the Oxford scene that also gave us Radiohead and Ride, how they ended up on legendary British indie label Creation Records, and recording their debut album. We also discuss touring with Soundgarden in the US in the '90s, touring with Failure in the 2010s, the current shoegaze revival and lots more. All Swervedriver tour dates are here. -- Credits: Hosted & produced by Bill Pearis Mixed and mastered by Nick Gray Theme music by Michael Silverstein photo: Steve Gullick

Sci-fi July: An Infinity of Titles keeps on rolling with 1986's STAR SLAMMER aka PRISON SHIP aka STAR SLAMMER: PRISON SHIP aka THE ADVENTURES OF TAURA: PRISON SHIP STAR SLAMMER.  Directed Fred Olen Ray, STAR SLAMMER (aka PRISON SHIP aka... you get it) blends comedy with sword and sandal movies, women in prison movies, sci-fi movies and girls just want to have fun movies into a taught hour and 26 minutes.  STAR SLAMMER stars Sandy Brook (They Call Me Bruce?) as Taura who is wrongly confined to a prison ship aka STAR SLAMMER (not again). In reality, STAR SLAMMER is little more than a prison-style all-inclusive resort where instead of sitting by the pool, you get pushed around by intimidating staff.  You get free food, alcohol, impromptu dance clubs and, the most coveted of experiences, solitary confinement. We get deep in this episode.  Erica asks the question everyone has been asking, "what is the purpose of a thong in space?" We discuss the effects of space travel on perms including whether the bends also have an effect. We discuss the best, bad-ass prison nicknames like "Sleep Apnea Bitch".  And we even spend some time talking about Radiohead.  Did you know they're big deep sea divers?  You will after listening to this episode.    Ultimately, STAR SLAMMER should be a must-eat menu item from Denny's.  You hear that, Denny's?  This is a free idea you should consider. Get on it before IHOP does. You're welcome.For more about the New World Pictures Podcast, including previous episodes, t-shirts, mugs, sweatshirts, other merch and more, we DARE YOU to head here: https://newworldpicturespodcast.com/For all the shows in Someone's Favorite Productions Podcast Network, head here:  https://www.someonesfavoriteproductions.com/ 

The episode covers the albums Kid A and Amnesiac by Radiohead, exploring the band's creative process, the impact of these albums, and the unique approach to promotion and release. The host shares personal experiences and insights, highlighting the albums' significance in music history. A deep dive into the albums 'Kid A' and 'Amnesiac' by Radiohead, exploring their impact, significance, and the transformative experience of listening to them. The host shares personal insights, ratings, and reflections on the albums, highlighting their unique qualities and the impact they had on his musical journey.TakeawaysRadiohead's albums Kid A and Amnesiac marked a significant shift in the band's sound and approach to music.The deliberate and unconventional release strategy for Kid A defied industry norms and resulted in commercial success.The albums' impact on the host's personal music journey and the band's commitment to artistic integrity are evident throughout the discussion. Albums can change your life if you listen to them at a certain pointDon't rush through things longer than you need to. If you get there, you get there. If you don't, you don't.Chapters00:00 The Creative Paralysis of Radiohead05:50 The Evolution from OK Computer to Kid A11:32 Revisiting Amnesiac24:23 Awards and Categories for Kid A30:11 Reflections on Kid A's Impact48:30 Awards and Categories

Jonas kommt in Siegen zur Welt. Durch den Jobwechsel des Vaters zur Industrie & Handelslkammer zieht die Familie nach Gießen, als er 5 ist, wo er zusammen mit zwei älteren Schwestern aufwächst. Zu Modern Talking hüpft er als dreijähriger bereits nackt durchs Haus und die ersten richtigen Dance Mooves tanzt Jonas zu Songs von Michael Jackson. Als Schlagzeuger jammt er in der Schülerband in der Mittagspause im Probenraum zu Radioheads Karma Police und probiert erste Gesangsversuche zu "When I Come Aroud" von Green Day. Nach dem Studium von Politik, Soziologie & Medien geht Jonas auf die Journalistenschule und wird Redakteur beim Fernsehen. Irgendwann kam die Frage: Fester Job oder Musik? Mit Ende 20 dann die Entscheidung: Musik machen. Professionell. 2006 folgt der erste Auftritt als Rapper und zusammen mit Keyboarder Moritz Rech und Beatbastler Raffael Kühle gründen die drei "Jona:S" und veröffentlichen die ersten Songs. Trotz einigen Achtungserfolgen – unter anderem dem Sieg beim New Music Award – legen sie den Bandnamen wieder ab. 2012 das Comeback als OK KID. Nicht nur am Namen erkennt man die Vorliebe der Drei für Bands wie Radiohead. Das Leben als Musiker ist verheißungsvoll: Die Hoffnung damit gutes Geld zu verdienen, an spannende Orte zu reisen und auf der Bühne von Tausenden bejubelt zu werden ist groß. Doch es gibt auch eine Schattenseite. Bühnenangst, Druck, Textaussetzer, das Ende von Jona:S und ein einstiges Stotterproblem. Dank Bandkollegen Raffi und Moritz bekommt Jonas es in den Griff und macht einen psychologischen Wunsch Test, wo herauskommt: der 5. Wunsch sei der Wichtigste. Auf seinem Zettel stand: 5. Insprierende Menschen treffen und gute Gespräche an den schönsten Orten der Welt führen. Dein Wunsch sei uns Befehl: Herzlich Willkommen: Jonas Schubert in der Hörbar Rust auf radioeins. Playlist: Marlene Dietrich - Ich weiß nicht zu wem ich gehöre France Gall - Ella, elle l’a Freundeskreis - Eimsbush bis 0711 Tua - MDMA The Streets - Blinded by the Lights OK KID - Hör nie auf M.I.A. - Paper Planes Diese Podcast-Episode steht unter der Creative Commons Lizenz CC BY-NC-ND 4.0.

This week in the Screening Room we’re talking about a bad marriage, an affair, an old college friend with a collection of strange home movies, and the 1989 film ‘Sex, Lies and Videotape.’ Plus the mighty Hypothetical Theoretical Metaphorical Potentially Possible Mixtape with songs by The Knickerbockers, George Michael, Radiohead, and more. Become an All Access member and get ad-free listening by visiting disgracelandpod.com.See omnystudio.com/listener for privacy information.

This spring, Radiohead guitarist Ed O'Brien released a beautiful and soul-stirring album called Blue Morpho, and in this episode, he shares with great depth and candor what inspired the album, his approach to recording it, and the transformative self exploration required to make it. One of the elements of the project was his desire to capture sounds at 432 Hz, and you'll hear him explain the idea behind that, right at the beginning of the interview. But from there, we go way back into his history as an artist, to his early childhood listening to Simon & Garfunkel with his mom while she sewed, singing in the boys choir, discovering guitar music and freaking out over bands like The Jam and The Police and The Smiths, and while still a teenager meeting and forming a band with the group of school friends who would become Radiohead. Honestly, this interview is one of those occasions, when I can't believe what an honor it was to hear from an artist whose music has been so important to me personally, and for him to share about the artists that had similar impact on his life. There's an incredible story right near the end of the episode where Ed talks about being on tour with Radiohead in the US in 1995, and having all of their gear stolen. So they took a fateful trip to San Francisco to get some new guitars and things, but they only had one audio cassette to listen to during the road trip, and the music that was on it ended up inspiring some of their approach to OK Computer. You'll have to listen all the way through to find out what was on that tape. 

The conversation covers a range of topics including music, health, and fast food preferences. It also delves into the hosts' familiarity with the album 'OK Computer' by Radiohead. The conversation delves into the art of crafting and enjoying margaritas, exploring different recipes and preferences. It then transitions into a detailed discussion of Radiohead's album 'OK Computer,' covering its themes, impact, and the band's approach to music. The conversation delves into the themes of the album's production, the band's creative process, the impact of the album, and the band's trajectory. It also explores the album's reception and the band's unique approach to music. The conversation delves into the album 'OK Computer' by Radiohead, exploring its impact, themes, and musical elements. The hosts discuss the album's reception, its influences, standout tracks, and the significance of its sequencing. They also rate the album and share their top three songs from it.TakeawaysOK Computer is a significant album in the conversation.The hosts share their personal experiences and preferences, creating a casual and relatable atmosphere. Margaritas can be customized to suit personal preferences, with variations in ingredients and presentation.'OK Computer' by Radiohead is an album that rewards both active listening and passive enjoyment, with its complex and thought-provoking content. Creative processAlbum impact Influences and ImpactSequencing and StructureTop Three TracksChapters00:00 Introduction and Health Update13:32 Fast Food Preferences and Memories19:34 The Art of Margaritas29:18 Exploring 'OK Computer' by Radiohead43:43 Album Production and Impact01:08:31 Overrated, Underrated, Properly Rated01:28:04 Top Three Tracks

Will and Chris discuss the latest releases by La Sécurité, Angine de Poitrine, and Yea-Ming and the Rumours, plus a live report, bonus songs, and more.

Stephen Tobolowsky has gifted us with indelible character performances while living an extraordinary life that spans from Texas roots to show biz lore to telepathy and beyond.Stephen reflects on his earliest pull toward Hollywood, when even as a child playing cowboys, he imagined the action as if it were being filmed. That instinct would carry him from Texas to Broadway to Los Angeles, constantly seeking opportunities to create. And his capabilities stretch beyond acting and music to include a Universe connection that has invited intriguing insights, unexplained knowing and“coincidences.” In fact, Stephen's abilities inspired David Byrne to write a song called Radiohead which led the band Radiohead to become exactly that.Best known by many as Groundhog Day's painfully persistent Ned Ryerson, Stephen comes loaded with behind-the-scenes intel on the film's famously complex shoot, during which he and Bill Murray (portraying a weatherman!) were kept on constant standby to shoot the scene in every possible weather condition for director Harold Ramis. The conversation winds from Stephen's participation in Thelma & Louise's iconic final moment to Brad Pitt's instant star quality to a chilling moment, on location for  Mississippi Burning, were Stephen, playing a KKK grand wizard, was pulled aside by a Klansman and told, “We will be watching you.” Stephen opens up about his collaborations and creative relationships, including his connection to playwright Beth Henley and how he helped shape her Pulitzer Prize-winning Crimes of the Heart and his enduring love story and best-friendship with his wife, Actress/Director Ann Hearn.From Memento to Silicon Valley, Stephen reflects on the wide range of roles he's brought to life, offering insight into Christopher Nolan's storytelling brilliance, Norman Lear's landmark contributions and the stark terror of performing Live In Front Of A Studio Audience. He also speaks candidly about being entirely recognizable and shares what folks tend to run over and say when they become HIS Ned Ryerson!And Stephen brings his masterful storytelling to IMDB Roulette, covering One Day At A Time, The Goldbergs, Spaceballs, Glee and Nobody Wants This while weaving Hollywood history with personal perspectives and navigating the curious intersection of art and life.In current media--Weezy: Outlast The Jungle on NetflixLisa: Book, The Correspondent by Virginia EvansPath Points of Interest:Stephen Tobolowsky BooksStephen Tobolowsky - WikipediaThe Tobolowsky Files PodcastStephen Tobolowsky on IMDBStephen Tobolowsky on FacebookOutlast The Jungle The Correspondent by Virginia Evans

Featuring: Michael "Boston" Hannon and Paul "Moonpir" Smith Running Time: 46:04 Video Version: YouTube Welcome to another cover songs season of TVGP's Critical Misses! For this season Boston goes first with sad acoustic songs, some feelings about Radiohead, a song that makes him cry every time, The Wiggles (?), and much more! Boston's YouTube Playlist Applause sound effect from SoundBible Royalty free music from https://www.fesliyanstudios.com Become a patron of TVGP for just a few dollars a month at E1M1's Patreon Page! Get two month early access to Critical Misses, uncensored outtakes, production meetings, and much more for just $5/month!

Ed O'Brien is a member of Radiohead and the artist behind his new solo album "Blue Morpho." This conversation explores the intersection of creativity and mental health, and the ways transformation so often mirrors the artistic process itself. We get into the prolonged depression that birthed the record, the dark night of the soul, childhood trauma, the surrender that comes with embracing uncertainty, the limits of AI, and much more. As we talk, we realize his album and my book are circling the very same themes. Call it synchronicity. Ed is lovely. Enjoy! Show notes + MORE Watch on YouTube Newsletter Sign-Up Today's Sponsors: PlantPower Meal Planner: Get $20 off an annual subscription with code RICHROLL20

Bobby counts down his Top 10 alternative rock songs of all-time and shares the stories, memories, and reasons behind every pick. From R.E.M. and Nirvana to Radiohead, Green Day, Weezer, Pearl Jam, and The Verve, he explains what made each song stand out and why that era of alternative music still hits so hard. Along the way, he talks about seeing the Red Hot Chili Peppers more than 10 times, meeting Weezer on American Idol, and the song he believes changed the music industry forever. Plus, he brings Eddie in to go over the list and get his thoughts! Watch The BobbyCast on Netflix! Follow on Instagram: @TheBobbyCast Follow on TikTok: @TheBobbyCastSee omnystudio.com/listener for privacy information.

DE'WAYNE joins Scott Lipps on SPIN Magazine's Lipps Service for an in-depth conversation about his journey from Spring, Texas to becoming one of the most exciting voices in modern rock. DE'WAYNE discusses growing up in a deeply religious household, discovering music through hip-hop, moving to Los Angeles with only $200, finding inspiration in Radiohead, David Bowie, and Nirvana, and ultimately creating his own lane in rock music. He also talks about touring arenas with Machine Gun Kelly, receiving a life-changing phone call from Lenny Kravitz, collaborating on "Highway Robbery," the resurgence of rock music, Prince's influence, Warped Tour, and the artists leading rock's next generation. If you enjoy long-form conversations with musicians, artists, and cultural icons, subscribe to Lipps Service. #DEWAYNE #LennyKravitz #MGK #RockMusic #LippsService #ScottLipps #SPINMagazine #AlternativeRock #Prince #davidbowie Learn more about your ad choices. Visit megaphone.fm/adchoices

Noga Erez and Ori Rousso hang out with me while I make a kugel, roast some cauliflower and ask every dumb American question I can think of about Israel. We talk kosher food, awkward hugs, drunk alter egos, comedy as a love language, and why Tel Aviv food might ruin everywhere else. We also deep dive how their music somehow hits hip-hop, EDM, R&B, and Radiohead all at once. Follow Noga: https://www.instagram.com/nogaerez Ori: https://www.instagram.com/rousso.ori For recipes click here: https://www.somethingsburning.show/recipes-season-7 Sponsors: Magic Spoon - You can get $5 off your next order, including the Protein Pastries, at at https://MagicSpoon.com/BURNING.BetterHelp - Sign up and get 10% off at https://betterhelp.com/bert Hollow Socks - For a limited time Hollow Socks is having a Buy 2, Get 2 Free Sale. Head to https://Hollowsocks.com today to check it out. #HollowSockspod Ro - https://ro.co/BERT Cigars International - Use my code BURNING at checkout for 20% off your order of $50 or more OR visit https://www.cigarsinternational.com/BURNING and the discount will automatically apply. Some exclusions apply. Ruff Greens - Use Discount Code “BURNING” to claim your FREE JumpStart Trial Bag at https://RuffGreens.com SUBSCRIBE so you never miss a video https://bit.ly/3DC1ICg Stream FREE BERT on Netflix: https://www.netflix.com/title/81696123 PERMISSION TO PARTY WORLD TOUR is on sale now: http://www.bertbertbert.com/tour Subscribe to Berty Boy Clips: https://www.youtube.com/@BertyBoyClips For all things BERTY BOY PRODUCTIONS: https://bertyboyproductions.com For MERCH: https://store.bertbertbert.com/ Follow Me! Facebook: http://www.Facebook.com/BertKreischer Instagram: http://www.Instagram.com/bertkreischer YouTube: http://www.YouTube.com/user/Akreischer TikTok: http://www.TikTok.com/@bertkreischer Threads: https://www.threads.net/@bertkreischer X: http://www.Twitter.com/bertkreischer Text Me: https://my.community.com/bertkreischer Learn more about your ad choices. Visit megaphone.fm/adchoices

The best new tracks of the week include a raging, dance floor remix of Wet Leg's “Catch These Fists,” a touch of vintage soul from rapper Vince Staples, Radiohead guitarist Ed O'Brien and more.NPR Music's Tom Huizenga joins host Robin Hilton.A good review helps! So, leave us one on Apple, Spotify, or wherever you listen to podcasts. And tell a friend to listen!Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.org  Featured artists and songs:(00:00) Intro(01:03) Wet Leg(07:05) Katia & Marielle Labèque(15:23) Balming Tiger(22:42) Wild Up(31:00) Vince Staples(36:06) Ed O'BrienSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

"Buh-duh-da-da-da-rah-rah-duh-duh-dun-dun-dun-rap-doo-bow" Yeah, we should probably get to Dan's New York Knicks winning Game 2 over the Cleveland Cavaliers, but Zaslow is offended that the crew (rightfully) accused him of being a Dave Matthews Band fan. That leads Dave to declare a Radiohead album the greatest album of all-time as the show devolves toward being unbearably white. But then, ultimately, we get to Ben Stiller and Dan's New York Knicks. Wait, where is Dan? Is he not here because he was at his team's game last night? Today's cast: Zaslow, Your ol' pal Dave Dameshek, Roy, Jeremy, Mike, and Tony. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Aja Monet. Jack Antonoff's Bleachers. Radiohead's Ed O'Brien. Guest host Ann Powers chats with Aurora McGuckin of MVY Radio in Massachusetts about their favorite albums out Friday, May 22. Plus, a handful of NPR Music writers and critics offer their personal picks in the lightning round.The Starting 5(00:00) Bleachers, 'everyone for ten minutes'(06:55) JPEGMAFIA, 'EXPERIMENTAL RAP'(12:49) Ed O'Brien, 'Blue Morpho'(19:01) aja monet, 'the color of rain'(25:19) Lowertown, 'Ugly Duckling Union'(30:35) The Lightning Round- Alela Diane, 'Who's Keeping Time?'- Mexican Institute of Sound & Meridian Brothers, 'Ruido Tovar'- Balming Tiger, 'Gongbu'- Bill Orcutt & Mabe Fratti, 'Almost Waking'- Traumprinz, 'Life'Sample the albums via our New Music Friday playlist and see our Long List of notable releases on NPR.org.Credits:Host: Ann PowersGuest: Aurora McGuckin, MVY RadioAudio Producer: Noah CaldwellDigital Producer: Dora LeviteEditors: Otis Hart, Elle MannionExecutive Producer: Suraya MohamedSpecial thanks to Lars Gotrich and Robin HiltonSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy