Podcasts about Radiohead

Noga Erez and Ori Rousso hang out with me while I make a kugel, roast some cauliflower and ask every dumb American question I can think of about Israel. We talk kosher food, awkward hugs, drunk alter egos, comedy as a love language, and why Tel Aviv food might ruin everywhere else. We also deep dive how their music somehow hits hip-hop, EDM, R&B, and Radiohead all at once. Follow Noga: https://www.instagram.com/nogaerez Ori: https://www.instagram.com/rousso.ori For recipes click here: https://www.somethingsburning.show/recipes-season-7 Sponsors: Magic Spoon - You can get $5 off your next order, including the Protein Pastries, at at https://MagicSpoon.com/BURNING.BetterHelp - Sign up and get 10% off at https://betterhelp.com/bert Hollow Socks - For a limited time Hollow Socks is having a Buy 2, Get 2 Free Sale. Head to https://Hollowsocks.com today to check it out. #HollowSockspod Ro - https://ro.co/BERT Cigars International - Use my code BURNING at checkout for 20% off your order of $50 or more OR visit https://www.cigarsinternational.com/BURNING and the discount will automatically apply. Some exclusions apply. Ruff Greens - Use Discount Code “BURNING” to claim your FREE JumpStart Trial Bag at https://RuffGreens.com SUBSCRIBE so you never miss a video https://bit.ly/3DC1ICg Stream FREE BERT on Netflix: https://www.netflix.com/title/81696123 PERMISSION TO PARTY WORLD TOUR is on sale now: http://www.bertbertbert.com/tour Subscribe to Berty Boy Clips: https://www.youtube.com/@BertyBoyClips For all things BERTY BOY PRODUCTIONS: https://bertyboyproductions.com For MERCH: https://store.bertbertbert.com/ Follow Me! Facebook: http://www.Facebook.com/BertKreischer Instagram: http://www.Instagram.com/bertkreischer YouTube: http://www.YouTube.com/user/Akreischer TikTok: http://www.TikTok.com/@bertkreischer Threads: https://www.threads.net/@bertkreischer X: http://www.Twitter.com/bertkreischer Text Me: https://my.community.com/bertkreischer Learn more about your ad choices. Visit megaphone.fm/adchoices

The best new tracks of the week include a raging, dance floor remix of Wet Leg's “Catch These Fists,” a touch of vintage soul from rapper Vince Staples, Radiohead guitarist Ed O'Brien and more.NPR Music's Tom Huizenga joins host Robin Hilton.A good review helps! So, leave us one on Apple, Spotify, or wherever you listen to podcasts. And tell a friend to listen!Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.org  Featured artists and songs:(00:00) Intro(01:03) Wet Leg(07:05) Katia & Marielle Labèque(15:23) Balming Tiger(22:42) Wild Up(31:00) Vince Staples(36:06) Ed O'BrienSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Start Artist Song Time Album Year 0:02:18 Henry Parker Ravens At Alport (Psalms) 3:55 The Dark Peak 2026 0:06:36 Mari Mathias Can y Melinydd 4:05 Cyfarwydd 2026 0:10:59 GoGo Penguin Call to the Void 5:01 Call to the Void 2026 0:16:24 Aisling Urwin One Day All Of This Will End 6:19 The Other Place 2026 0:22:54 Jim Ghedi The Hungry Child 5:50 The Hungry Child 2026 0:29:06 Vishal Naidu Gallops In The Mist 5:15 Aeons In Stillness 2025 0:34:36 Kalandra Everything In Its Right Place (Radiohead Cover) 4:32 Single 2026 0:39:35 In the Labyrinth Kabul 4:02 Worlds on Fire 2026 0:44:03 Ed O’Brien Incantations 7:34 Blue Morpho 2026 0:51:59 Lyrre Ephemeral 5:09 Nothing is Promised 2026 The Dark Peak by Henry Parker favorite track Ravens At Alport (Psalms) Fine guitarist looks to the natural settings of the Peak District National Park for inspiration on this release. It's just him on his guitar and the sounds of the moorland landscapes there. This is just lovely and contemplative. I kind of can't stop playing it. Cyfarwydd by Mari Mathias favorite track Can y Melinydd Dulcet-voiced Welsh folk singer-songwriter sings these mostly delicate pieces in her native tongue, and she tastefully brings in some modern sensibilities. Mari handles vocals, acoustic guitar, and harmonium, with guests on flute, electric guitar, bass, harp, and drums and percussion. The Other Place by Aisling Urwin favorite track One Day All Of This Will End Multi-instrumentalist and singer, Irish Aisling Urwin has a lovely, soaring voice. Her writings are in a contemporary folk vein, sometimes dabbling into jazz territory. There is a veritable kitchen sink of modern and traditional folk instruments featured here, too much to list, but all are tastefully played in support of this fine artist's work. The Hungry Child by Jim Ghedi Jim Ghedi brings his impassioned delivery to this drone-y dirge. The piece steadily builds from ominous to near chaos as the tragic ending for the child is finally revealed. Aeons In Stillness by Vishal Naidu favorite track Gallops In The Mist Vishal is a member or a prominent metal band in India, but don't let that fool you. This is deeply contemplative instrumental music in a dark folk vein. Primarily guitar, other instrumentation here are strings, flute, and piano and other keyboards, provided by some other artists in this realm. Everything In Its Right Place by KALANDRA This time, Kalandra is covering this Radiohead song, turning it into their own by virtue of their own signature sound. Their version is both airier, yet more lush, with Kalandra's layering of both instruments and vocals. Worlds on Fire by In The Labyrinth favorite track KABUL Multi-instrumentalist and composer Peter Lindhal once again delivers his particular menu of richly flavoured world-infused music to the musical table. Peter alone plays too many instruments to list, and he also has guests on many others, plus vocals, as well. This is a heady mix of Middle Eastern and Indian music, stirred up with some western electricity. Not just world music, but other-worldly music. Blue Morpho by Ed O’Brien favorite track Incantations This is the second solo release for Radiohead's guitarist. Psych folk for the most part, with chamber, jazz, funk, and ambient over- and under-tones. The sound is a bit muted, but not at all unclear, more dreamlike than muffled. Utterly phantasmagoric, and best heard from start to finish, but choosing the opener as my favourite track, as it is a fine introduction. Nothing Is Promised by LYRRE favorite track Ephemeral Full-length release from Lyrre, a metal band, who feature hurdy-gurdy, along with an ethereal, yet forceful female vocalist. The music is driving, as metal should be, but the element of the hurdy-gurdy gives it an enjoyable twist from the usual instrumentation one encounters in metal, and the musical complexity makes it an enjoyable experience.

The Tragically Hip On Shuffle - Live Stream: Wheat KingsA campfire singalong that's secretly about a wrongful conviction, a cassette thrown out a car window, and a tiny Eiffel Tower in Saskatchewan.EPISODE SUMMARY This week on The Tragically Hip On Shuffle - Live Stream, the wheel landed on 'Wheat Kings', and I had a couple of Andrews riding shotgun to break it down. This is the song the whole country sings around a campfire without ever clocking that it's about David Milgaard, wrongfully convicted of the murder of Gail Miller and imprisoned for a crime he didn't commit.Andrew from Winnipeg brought the timeline receipts (Kim Campbell, the CBC, the wild detail that Milgaard walked free in April 1992, months before "Fully Completely" even dropped) plus a story about his mom chucking the cassette out the car window somewhere in the Alberta mountains. Andrew from Tampa brought the live recording from The Fillmore, October 24, 2000, and the case for 'Wheat Kings' as a pure summertime staple. We get into the loon that cost the band a donation to Ducks Unlimited, the Zippo lighter, Paris of the Prairies (and the 28-foot Eiffel Tower in Montmartre, Saskatchewan). If you love The Tragically Hip, Gord Downie, and a Canadian rock podcast that treats a deep cut like it earns the attention, this one runs deep.GUESTSAndrew from Tampa joined by audio through a Florida thunderstorm and came armed with the Fillmore recording that scored tonight's listen. A devoted Hip fan stateside, he makes the case for the band as a summertime constant and named 'Emperor Penguin' as his favourite album-closer, a song he rations for the days he really needs it.Andrew from Winnipeg is a setlist.fm obsessive, a Crooked Ice bandmate (their album release show is June 4), and host of the weekly Radiohead deep-dive podcast Head Full of Radio. He also runs a weekly show on UMFM. His favourite Hip closer is 'Put It Off', and 'Wheat Kings' carries a complicated, personal weight he opened up about on air.Andrew from Tampa: "Is it about what it's talking about, or is it the way it's made millions of people feel?"RESOURCES, LINKS & REFERENCESThe Hip Handbook, used live to pull the tracking numbers (around 1,350 shows logged, 332 'Wheat Kings'performances). thehiphandbook.tthpods.comSetlist history via Hipbase (primary) and setlist.fm (secondary): first played in Saskatoon, July 27, 1991. The Fillmore, October 24, 2000 performance, shared by Andrew from Tampa from a YouTube upload. Hat tip to the tapers and seeders who preserve this stuff, and to The Tragically Hip Archive for the broader live-recording work.David Milgaard case timeline referenced on air via CBC and Wikipedia.The 'Heksenketel' tour video, which shipped with one of the box sets.The loon and the Ducks Unlimited donation: traced on air to the documentary and a Robby Baker radio interview (see verification note below).YOUTUBE CHAPTERS 00:00 - Welcome, and tonight's imaginary sponsors 02:15 - Weird Winnipeg bylaws 03:13 - The tale of the tape: 'Wheat Kings' by the numbers 05:26 - This week's poll: the 5% who tolerate it 07:31 - The Fillmore, October 24, 2000 09:01 - 'Wheat Kings' 12:56 - Your favourite last-song-on-an-album 17:56 - Hearing it the first time, and the cassette out the car window 19:45 - The ultimate campfire song 22:42 - The loon, and a cheque to Ducks Unlimited 24:06 - Museums, prime ministers, and vivid visuals 25:30 - The Pretty Things and a Copperpenny cover 26:51 - David Milgaard, Gail Miller, and the timeline 32:48 - First played in Saskatoon, 1991 37:11 - Paris of the Prairies (and a tiny Eiffel Tower) 40:55 - Don't forget Gail Miller 43:19 - The killer's face in the Zippo 45:23 - The 'Heksenketel' video and the box sets 46:37 - A complicated, personal love for the song 50:28 - Thanking the Andrews, and next week's shuffle: 'Country Day' 54:05 - Plugs: Crooked Ice and Head Full of Radio 56:37 - Outro and creditsHey There!Want a seat at the table on a Wednesday night? Sign up to be a panelist. Explore 1,358 mapped shows and search every lyric in the Hip Handbook.CLOSING Huge thanks to Andrew from Tampa for digging up that Fillmore recording, and to Andrew from Winnipeg for the timeline work and for trusting us with something personal. Next Wednesday the wheel spins again and lands on 'Country Day', the closer from "We Are the Same", keeping our accidental run of great last-songs alive. The takeaway from this one: a song can outgrow the tragedy that made it, but it should never outrun the people inside it.PROMOS & CROSSLINKSTTHTop40 Countdown #17 - 'Wheat Kings' (with Jillian), the countdown episode that ranked this one. Fully & Completely: Redux - "Fully Completely", the track-by-track on the whole record. Get Yer Letter in your inbox.  → subscribe.tthpods.comSOCIAL & COMMUNITY Facebook group: community.tthpods.com | Instagram: @tthpods | YouTube: youtube.com/@tthpods | Email: jd@tthpods.com #TheTragicallyHip #TheHip #FullyCompletely #GordDownie #TTHOnShuffle #InGordWeTrustAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Our Summer in the Cities tour hits Glasgow, where rain-slicked streets, pub jukeboxes, and all-night clubs blur into a sound that is spiritual, scrappy, and just a bit strange. From gospel rave lift-offs to shimmering stadium dreams, Don and Dude dig into two records that lock Glasgow's grit, melancholy, and imagination into vinyl.The AlbumsPrimal Scream – Screamadelica (1991)Screamadelica catches Primal Scream right as they trade jangly guitars for a heady blend of acid house rhythms, gospel choirs, and dubby studio haze. It feels like a full night out in musical form, moving from joyful, communal peaks to bleary comedowns and ambient drift, all while keeping Glasgow heart and rock soul at the center.Simple Minds – New Gold Dream (81–82–83–84) (1982)New Gold Dream... finds Simple Minds stepping into a luminous, synth-rich sound that feels both glamorous and spiritual. Tight grooves, chiming keyboards, and Jim Kerr's incantatory vocals turn city streets, romantic longing, and big-picture searching into one glowing, hypnotic dream.Diggin' AlbumsCrown Lands – Apocalypse (2026) Modern Canadian prog epic packed with towering riffs, sci-fi storytelling, and a 19-minute title track that pushes their Rush-inspired sound into full-on cosmic saga mode.Nazareth – Hair of the Dog (1975) Gritty Scottish hard rock classic built on thick riffs, snarling vocals, and barroom swagger, capped by the title track and their slow-burning take on "Love Hurts".Ed O'Brien – Blue Morpho (2026) Psychedelic-tinged alt rock from the Radiohead guitarist, exploring change and emotional healing with spacious guitars and gently trippy textures.Bruce Hornsby – Indigo Park (2026) Piano-driven, genre-blurring songs that meditate on memory and time, bringing together rock, jazz, and friends from across his long career.Follow & SupportFollow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing, and sharing it with another music obsessive who still loves hearing whole albums front to back.“Glasgow is a brilliant city. It's the only place I've been where I've had a good time and an awful time all at once.” – Billy Connolly

Was Dave Macklovitch right about the Hedi Boy revival? Is Hedi Slimane's skinny-jeans-and-leather-jacket universe bigger than fashion? And what happens to musicians when AI can make the record but not the room?Sol and Michael sit down with the podcast's favorite well-dressed unc, Dave Macklovitch of Chromeo, for his second episode and a proper apology tour after the 2025 Hedi Slimane craze proved him right. The trio explore the Hedi Boy phenomenon, Celine skinny jeans, Dior Homme codes, Saint Laurent leather jackets, indie sleaze, Grailed resellers, archive fashion, and why the looks that last are never just clothes—they come with music, photography, nightlife, diet, attitude, community, and a whole lifestyle system.Further, Dave connects that idea to Chromeo, explaining how the band built an 80s funk world through contrast rather than costume, why charisma still matters in the age of Suno AI and AI-generated music, and how the “human avatar” may become even more important as the back end gets automated.They also discuss Kid Cudi's “Day 'N' Nite,” Fool's Gold Records, the birth of modern emo rap, Lil Peep, Yung Lean, Clams Casino, Lil Uzi Vert, Geese, DJ Sneak, Daft Punk, Radiohead, Kanye West, A$AP Rocky, and the strange grace we give artists after their best albums.On the fashion side, they talk Aimé Leon Dore as integrated fashion, Supreme and Dior Homme coffee machines, Rick Owens lifers, Tom Ford's symbolic universe, Haider Ackermann, Berluti cowboy boots, Soshiotsuki, Anthony Vaccarello, Demna at Gucci, Kozaburo, how to interact with Thom Browne on a budget, Balmain by Christophe Decarnin, moto denim, Saint Laurent patina, eBay archive finds, vintage Abercrombie, CDLP, DEVOA, Issey Miyake, and why brands that sell a world—not just a garment—keep winning. We hope you enjoy this one as much as we did.Questions answered in this episode:- Why is Hedi Slimane influential?- What is a Hedi Boy?- Are skinny jeans coming back?- Why are Celine skinny jeans popular again?- What is integrated fashion?- Why do fashion brands sell lifestyle now?- What makes a brand universe successful?- How do music and fashion influence each other?- Why do Supreme, CELINE, Dior Homme, Saint Laurent, Rick Owens, and Tom Ford create such strong cultural identities?- How will AI music change musicians?- Will AI replace artists?- Why does charisma matter in live performance?- Why was Kid Cudi's “Day 'n' Nite” important?- Why is A$AP Rocky considered a fashion artist?- What makes archive fashion valuable?- How do Grailed, eBay, and Discogs shape taste?- What brands are exciting right now? Lots of love!Sol---Episode Tags: Dave Macklovitch, Dave 1, Chromeo, Pair of Kings, Hedi Slimane, Hedi Boys, Celine, Dior Homme, Saint Laurent, integrated fashion, fashion podcast, menswear podcast, archive fashion, indie sleaze, AI music, Suno AI, Kid Cudi, Day N Nite, Fool's Gold Records, A$AP Rocky, Rick Owens, Tom Ford, Haider Ackermann, Demna Gucci, Kozaburo, Soshiotsuki, Thom Browne, Balmain Decarnin, Grailed, vintage menswear#fashionpodcast #chromeo #hedislimane #celine #saintlaurent #diorSol Thompson and Michael Smith explore the world and subcultures of fashion, interviewing creators, personalities, and industry insiders to highlight the new vanguard of the fashion world. Subscribe for weekly uploads of the podcast, and don't forgot to follow us on our social channels for additional content, and join our discord to access what we've dubbed “the happiest place in fashion”.Message us with Business Inquiries at pairofkingspod@gmail.comSubscribe to get early access to podcasts and videos, and participate in exclusive giveaways for $4 a monthLinks:InstagramTikTokTwitter/XSol's Substack (One Size Fits All)Sol's InstagramMichael's InstagramMichael's TikTok

Además estrenos de Muse, President, Bleachers. Master of the Universe y su banda sonora. Radiohead, Green Day y muchos mas.

"Buh-duh-da-da-da-rah-rah-duh-duh-dun-dun-dun-rap-doo-bow" Yeah, we should probably get to Dan's New York Knicks winning Game 2 over the Cleveland Cavaliers, but Zaslow is offended that the crew (rightfully) accused him of being a Dave Matthews Band fan. That leads Dave to declare a Radiohead album the greatest album of all-time as the show devolves toward being unbearably white. But then, ultimately, we get to Ben Stiller and Dan's New York Knicks. Wait, where is Dan? Is he not here because he was at his team's game last night? Today's cast: Zaslow, Your ol' pal Dave Dameshek, Roy, Jeremy, Mike, and Tony. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Aja Monet. Jack Antonoff's Bleachers. Radiohead's Ed O'Brien. Guest host Ann Powers chats with Aurora McGuckin of MVY Radio in Massachusetts about their favorite albums out Friday, May 22. Plus, a handful of NPR Music writers and critics offer their personal picks in the lightning round.The Starting 5(00:00) Bleachers, 'everyone for ten minutes'(06:55) JPEGMAFIA, 'EXPERIMENTAL RAP'(12:49) Ed O'Brien, 'Blue Morpho'(19:01) aja monet, 'the color of rain'(25:19) Lowertown, 'Ugly Duckling Union'(30:35) The Lightning Round- Alela Diane, 'Who's Keeping Time?'- Mexican Institute of Sound & Meridian Brothers, 'Ruido Tovar'- Balming Tiger, 'Gongbu'- Bill Orcutt & Mabe Fratti, 'Almost Waking'- Traumprinz, 'Life'Sample the albums via our New Music Friday playlist and see our Long List of notable releases on NPR.org.Credits:Host: Ann PowersGuest: Aurora McGuckin, MVY RadioAudio Producer: Noah CaldwellDigital Producer: Dora LeviteEditors: Otis Hart, Elle MannionExecutive Producer: Suraya MohamedSpecial thanks to Lars Gotrich and Robin HiltonSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Dans cette édition de l'album du week-end, Margaux Lassalle met à l'honneur le septième album de Radiohead : "In Rainbows". Une plongée opportune dans cet univers alors que le guitariste Ed O'Brien s'apprête à être l'invité de Pop Rock Station avec Marjorie Hache. Sorti en 2007, ce disque avait marqué les esprits par son mode de distribution novateur sur internet, laissant aux auditeurs le choix du prix à payer. Couronné du Grammy du meilleur album de musique alternative en 2008, ce projet brille par sa cohérence absolue, pensé pour une écoute de bout en bout sans qu'aucun titre ne soit à jeter. La chronique retrace la richesse de cette œuvre fascinante, de l'ouverture groovy et étonnamment joyeuse de "15 Step" au morceau plus frontal "Bodysnatchers". Le groupe y déploie des atmosphères variées, allant de la noirceur pesante d'"All I Need" (récemment remis en lumière par des vidéos chargées d'émotion sur TikTok) à la tension grimpante aux paroles cryptiques de "Jigsaw Falling into Place". Porté par des arrangements subtils et la voix envoûtante de Thom Yorke, particulièrement remarquable sur le classique "Reckoner", "In Rainbows" est un modèle de complexité maîtrisée. L'exploration de ce disque s'achève sur ce qui est présenté comme l'un de ses sommets : les magnifiques arpèges de guitare du titre "Weird Fishes / Arpeggi".Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Skin details the very vivid memory of hearing "Airbag" by Radiohead for the first time and being shocked that they actually sounded that cool. 

Send us Fan MailHere in Episode 273 of the No Name Music Cast, it is Tim's turn to pick the topic and he chooses to talk about the best selling vinyl records of 2025.We cover The Zombies, Sabrina Carpenter, ABBA and Fleetwoood Mac to name only a few.We also cover Radiohead, Hit Clips and Gibson guitars and Marshall Amplifiers!We also discuss Angine de Poitrine and this is the link we discuss on the show:https://www.youtube.com/watch?v=iLGqHLdC0GgSupport the showEmail the show: nonamemusiccast@gmail.comInstagram: https://www.instagram.com/nonamemusiccastpodcast/https://nonamemusiccast.com/

Reedel ilmub inglise rokkansambli Radiohead kitarristi Ed O'Brieni teine sooloalbum "Blue Morpho", millel kõlavad ka Tõnu Kõrvitsa arranžeeringud Tallinna Kammerorkestri esituses.

DL kicks off the Verse Chorus Verse Radiohead series with the first two albums — solo, no Evil, no Rachel, just a man and his favorite band.Pablo Honey (1992) gets a 7/10. It's a gateway drug, not a masterpiece — a Brit rock album from the early 90s that happens to contain one of the most important songs ever recorded. The story behind Creep: recorded in one take, initially hated by the band, ignored until Arsenio Hall found the tape in his car, made enormous by a Beavis and Butt-Head segment. Top songs: Creep, Rip Chord, You.The Bends (1995) gets a 9/10 and a full reassessment — DL argues this album is massively underrated and better than he'd ever given it credit for. Jonny Greenwood's octatonic guitar work on "Just" (inspired by an obscure French composer), the story of EMI threatening to drop them after Pablo Honey, Tom York's stage breakdown and the NME calling it a "temper tantrum," and why Fake Plastic Trees is great even if it's not a personal favorite. Top songs: Just, My Iron Lung, Bulletproof I Wish I Was.Part 1 of a 6-episode Radiohead dissection series. OK Computer with Rachel and Evil is next.

This episode we look at the phenomena of hugely successful artists refusing to play the songs that made them!  First among these is Radiohead, whose “Creep” launched them onto the world stage.  Others include The Rolling Stones, Bob Dylan, Led Zeppelin, AC/DC, and Madonna.   Our Album You Must Hear Before You Die is The Stranglers' 1977 debut, the excellent “Rattus Norvegicus”, yet another punk record from the mid-70s. Mick loves this album for its energy and refusal to bow down to supposed “punk” rules.  We also look at some of the highlights of The Stranglers' outrageous career to this day.  In Rock News, Jeff examines the success (or otherwise) of a Quebec band called Angine de Poitrine, known for their complex, “microtonal” compositions and absurdist public image, featuring oversized papier-mâché masks and black-and-white polka-dotted costumes. Imagine! Jeff also has a look at this year's inductees to the Rock & Roll Hall of Fame, including Iron Maiden, Phil Collins, and Joy Division, and our Rod Stewart moment looks at his relaxed attitude towards death.  Plenty there for everyone!  References:  1001 Albums You Must Hear before You Die, Robert Dimery, The Stranglers, Rattus Norvegicus, Hugh Cornwell, JJ Burnel, sexism & misogyny, “(Get a) Grip (on yourself)”, “Peaches”, “Down in the Sewer”, Deep Purple, “Strange Kind of Woman”, ice cream van, "Golden Brown", harpsichord, Battersea Park Big Top Festival strippers, Radiohead, Thom Yorke, Jonny Greenwood, Colin Greenwood, Ed O'Brien, Philip Selway, Pablo Honey, Electioneering, Just, “Rolling Stone's 250 Greatest Guitarists of all Time”, “OK Computer”, Nick Cave, “Creep”, “Pavlov's Dog”, “Julia”, AC/DC, “It's a Long Way to the Top”, Bon Scott, Pat Benatar, “Hit me with your Best Shot”, Beastie Boys, “Fight for Your Right (to Party)”, Billy Joel , “Tell Her About It”, Weird Al Jankovic, “Eat It”, Rolling Stones, “Brown Sugar”, Madonna, Dylan, “Hurricane”, Robert Plant, Led Zeppelin, "Stairway to Heaven", Eric Clapton, "Tears in Heaven”, George Harrison, "My Sweet Lord", "He's So Fine"  Playlist (all the music & artists we referred to in this episode) Angine de Potrine Hugh Cornwell Send us a message, so we know what you're thinking!

There are noteworthy changes in every decade of modern music, but the seismic shifts and chaos of the 1990s were unparalleled. Whether it was the music of your youth, your kids' youth, your parents' youth or even your grandparents' youth, most everyone has noticed (either at the time or now, in retrospect) that the '90s were just different. It was the decade that saw Generation X hand over the music reins to millennials. MTV went from a driving force in music to more of a footnote, and music videos lost importance in the gap years between emphasis on cable channels and the advent of YouTube and streaming in the 2000s. Stylistically, hip-hop was a juggernaut, swinging from gangsta rap to a mainstream phenomenon that permeated into R&B, pop and even rock. Also, fueled by the momentum of Madonna in the 1980s, pop in the 1990s became dominated by women artists - with Whitney Houston, Mariah Carey and Celine Dion taking turns at the top of the charts, and wholesome teen singers like Debbie Gibson and Tiffany, who ushered the genre into the 1990s, had been replaced by decidedly less wholesome singers like Britney Spears and Christina Aguilera by decade's end. Latin artists also became permanent fixtures in the mainstream, and thanks to Garth Brooks, country reinvented itself into yet another huge crossover genre, with "hat acts" ruling the roost in the mainstream. And in rock music, huge shifts came in waves. The "hair metal" bands that controlled rock in the late 1980s were all but wiped out by grunge in the early 1990s, flipping the genre's script from mindless, flashy formula pop-with-guitars to something far more introspective, anxious and angry. But grunge was at the forefront for only a few year, and soon enough all manner of "modern rock," "alt-rock" and "college rock" bands - from Weezer to Radiohead to Beck - brought freshness and ingenuity to the sonic landscape. Meanwhile, the 1990s saw the rise of traveling mega-festivals such as Lollapalooza to the Vans Warped Tour. And the Lilith Fair emphasized the unprecedented prominence of women in rock, who came in hard with gritty sounds and raw self-assuredness beyond the jangly pop-rock of 1980s bands like The Go-Go's and The Bangles. This week on "How We Heard It," your hosts - who were young men in the 1990s and at Ground Zero in the music business - shine a light on what was going on in the tumultuous 1990s and how everything seemed to forever change, across the board, in music.

Cello and piano can be a brutal matchup when nobody makes room, but when the balance is right it becomes one of the most revealing duo formats in music. We sit down with cellist Matt Haimovitz and pianist Christopher O'Riley to trace how their partnership started, why it clicked so fast, and what they've learned from years of turning rehearsal into a kind of shared research lab.We talk about building programs that cross borders without losing rigor, from Shuffle Play Listen to projects that pull ideas from Beethoven, contemporary music, and arranged songs by artists like Radiohead. Chris shares the pianist's responsibility for momentum and for protecting the “lyric impulse,” and Matt explains how true collaboration feels less like compromise and more like testing ideas until the music tells you what it needs.Then we go deep on Bach Dialogues: Bach sonatas reimagined with a five-string Baroque cello piccolo and the clavichord, an instrument Bach loved for its dynamic control and string-like touch. They unpack the realities of gut strings, pitch standards like A=415, why the clavichord is both expressive and famously quiet, and how modern recording and modeling technology can help bring an “impossible” instrument pairing to life onstage and in the studio.If you care about chamber music, historically informed performance, Bach interpretation, or simply how great musicians listen to each other, this conversation is full of practical insight. Subscribe, share this with a musician friend, and leave a review so more listeners can find the show.For more information on Matt: https://www.matthaimovitz.com/You can also find Matt on Facebook and Instagram: @MatthaimovitzYoutube: @MatthaimovitzFor more information on Chris: https://christopheroriley.com/You can also find Chrison Facebook and Instagram: @christopher_oriley_Youtube: @ChristopherORiley360To download "The Bach Dialogues https://www.pentatonemusic.com/product/the-bach-dialogues-digital-only-album/If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

A songstress from the moment she entered the world, Sadie Gust is the type of musician that was born to do it.  And while she's only at the beginning of her journey, she's already garnering praise and earning accolades for her songwriting and performing.Sadie has won the XPN 24-hour songwriting contest, made it to Hollywood on American Idol, and has released 2 EPs and several singles, with more on the way.Her sound finds a way to sound like a familiar soulful standard but also urgently breaking new ground in rock, with vocals that soothe the soul.  All built around lyrics that break your heart and take you out for a night on the town to forget all about it.Dig in and listen over and over - time for some Sadie Gust!Artist BioSadie Gust is a 25 year-old singer-songwriter hailing from Philadelphia, PA. A unique mix of 70s soul/rock with 90s indie, she is making a name for herself and her sound by juxtaposing intricate melodies and carefully crafted lyrics with her rough, raspy tone and free spirit stage presence. With influences ranging from Fiona Apple to Radiohead to Pink Floyd, she strives to create a genre all of her own, bringing an interesting vulnerability, perspective, and sonic to rock music.Text us your thoughts on this episode, and who should be OUR #NextFavBand...As always, our hope is to bring you "your next favorite band".  If you tuned in today because you already knew this musician - thank you very much!  We hope that you enjoyed it and would consider following us and subscribing so we can bring you your #nextfavband in the future.  And check out nextfavband.com for our entire catalog of interviews!If you have a recommendation on who you think OUR next favorite band should be, hit us up on social media (@nextfavband everywhere) or send us an email at nextfavband@stereophiliastudio.com.Thank you to Carver Commodore, argonaut&wasp, and Blair Crimmins for allowing us to use their music in the show open and close.  It makes everything sound so much better!Let's catch a live show together soon!#nextfavband #livemusic #music #musicinterview #musician  #singer  #guitar  #song  #newmusic  #explorepage  #instamusic #bestmusic #musicismylife #musicindustry #musiclife #songwriter #musiclover #musicfestival 

They named their band after a cabinet in Oxford's Pitt Rivers Museum, and once formed a band with Radiohead's Jonny Greenwood... this week on the BBC Introducing in Oxfordshire & Berkshire podcast, Dave catches up with Charms Against The Evil Eye.Plus, Lauren meets Niki Kini at her immersive headline show... but did she have a sweet or spicy experience?! And, Alex has a report from Reading's excellent Are You Listening? Festival with Lost Velvet and Puma Theory.Here's this week's track list: • The Race - Best Is Yet To Come Ace Clvrk - Heavenly Waters Folly Oh Yes - Zombie Of Silicon Valley Haints - Hollow Temples The Subtheory - Things that caught my attention Niki Kini - Murder You 1-800 GIRLS - sometimes [tipped by Jaguar at BBC Radio 1 Dance] The Afterword - An Illusion My Crooked Teeth - Stay At Home Twin Skeletons - Useless DRZ - Like U The Deadbeat Apostles - Keep it to Yourself Felix Ross - Everything's Changing Sofia and the Antoinettes - I Don't Know What I'm Doing on Earth, I Don't Know What on Earth I'm Doing [tipped by Jess Iszatt at BBC Radio 1] Charms Against The Evil Eye - Dark Matter Kelly Michaeli - Tephra Hey! This is Brad - Just Listen Frozemode - dirtyman [tipped by Alyx Holcombe at BBC Radio 1 Rock] Lost Velvet - Burnt Puma Theory - Hit & Run (Live at Farm Road Studios) Meli Foster-Turner - Serendipity Murds - Land Of Me Eva Gadd - Have It All • If you're making music in Oxfordshire and Berkshire, send us your tunes with the BBC Introducing Uploader: https://www.bbc.co.uk/introducing/uploader

The Radiohead guitarist talks about finding spirituality, life inside one of the most mythologised (and occasionally polarising) bands of the last 40 years, and his second solo album, Blue Morpho.Ed O'Brien has been a guitarist in Radiohead since the band formed at Abingdon School in the mid '80s, playing a supporting role across a catalogue largely written by Thom Yorke. He comes from a guitar tradition that runs through Johnny Marr, John McGeoch and Will Sergeant—players who serve the music rather than themselves.His second solo record, Blue Morpho, is his most fully realised statement away from the band. The themes running through it are spiritual, in the broadest sense. With anything related to group dynamics or current affairs averted by request, in this RA Exchange, O'Brien speaks with RA's Editor Gabe Szatan about a long period of depression during lockdown, the meditation practice that pulled him through it and his deepening interest in devotional music and sound as a physical force, which has fed his subsequent songwriting. He also discusses the wider arc of a life in music: his years at Parlophone, the early Radiohead webcasts, the move from OK Computer to Kid A and what it felt like to climb back on stage with the band last year. Blue Morpho is out May 22 on Transgressive Records. Listen to the episode in full. Hosted on Acast. See acast.com/privacy for more information.

Dan & Billy welcome back longtime friend & Nostalgia Test Podcast Allstar Jeremy Madson for the final episode of the Metallica Eras journey, The Legacy Era: Death Magnetic, Hardwired...to Self-Destruct, & 72 Seasons and put them to the ultimate test—THE NOSTALGIA TEST!   “That's an interesting comparison, Metallica to The Beatles [...] The Beatles, depending on how you count them, were only around for, like, six or eight years, right? And they were hyper prolific. They put out all their shit, and that was basically Metallica from however you wanna measure it, from, from Kill 'Em All up to Black or even through Justice, right? They cranked out just, like, absolute pinnacle, God-level material. But instead of, you know, tearing each other down and going off and doing their own thing, they just decided to stick around.”  -Jeremy Madson   Dan, Billy, & Jeremy talk about the most recent albums of Metallica's long and confusing career, Death Magnetic (2008), Hardwired... to Self-Destruct (2016), and 72 Seasons (2023). They try to figure out why Metallica made these albums, if they should've stopped after Death Magnetic, Metallica's consistent cover art fails since Load, and why does Metallica insist on recording songs longer than 3.5 minutes at this point. Is Death Magnetics' mixing really a problem, especially after Saint Anger or is it just some bulls**t to complain about? Their conversation inevitably returns to the influence of Lars on the band's trajectory after the death of Cliff Burton and how the band might have imploded anyway if Cliff didn't die. At the end of the episode, and this is an epic one so hang on and hangout, the guys give their individual rankings of all the studio albums from worst to best (minus LuLu, Garage Inc, & the live albums) and Jeremy creates an aggregate scoring of all 11 albums. We hope you enjoy this final episode. Grab your concert T's, your closets Metal friends, push yourself through the pit, and let's scream our heads off together. Come chill! Listen to the other Metallica Eras Episodes: 136:

This week's show focuses on Unwound's final album Leaves Turn Inside You, celebrating its 25th anniversary this year. Features tracks from associated artists such as Elliott Smith, Modest Mouse and Quasi. Also includes songs from Nirvana and Radiohead through varying connections and influences!

Ce 12 mai l'émission démarre sur les chapeaux de roues et en exclusivité avec la primeur du nouveau single de Deep Purple, "Arrogant Boy", extrait de leur prochain disque "Splat". Au rayon des incontournables, la sélection réunit AC/DC, Guns N' Roses, Radiohead, Queens Of The Stone Age, The Cardigans, Eiffel, The Byrds, Smashing Pumpkins, Al Green, Kasabian, Florence + The Machine, The Kinks, Judas Priest, Bruce Springsteen, Mitski et The Smiths. En matière de nouveautés, Massive Attack collabore avec Tom Waits sur "Boots On The Ground", tandis que Gorillaz fait résonner "Delirium". L'émission fait la part belle aux gros sons avec le black métal norvégien de Trelldom, les Français de Rise Of The Northstar, et Death Cab For Cutie qui annonce son onzième disque avec le morceau "Punching The Flowers". L'album de la semaine se penche sur "Afterparty", le sixième et potentiel dernier disque de la Suédoise Lykke Li, dont on découvre aujourd'hui le titre doux-amer "Sick Of Love". Enfin, la reprise de la soirée s'annonce épique : le groupe masqué suédois Ghost s'attaque avec panache au satirique "Jesus He Knows Me" de Genesis. Deep Purple - Arrogant Boy AC/DC - Big Gun The Rolling Stones - Happy The Cardigans - Erase And Rewind Eiffel - Tu Vois Loin The Byrds - Mr Tambourine Man The Smashing Pumpkins - Tonight Tonight Lykki Li - Sick Of Love Guns N' Roses - My Michelle Queens Of The Stone Age - No One Knows Al Green - Let's Stay Together Massive Attack & Tom Waits - Boots On The Ground Ghost - Jesus He Knows Me Kasabian - L.S.F. (Lost Souls Forever) Florence + The Machine - Dog Days Are Over Trelldom - By The Word The Kinks - You Really Got Me Radiohead - Optimistic Gorillaz - Delirium (Feat. Mark E. Smith) Judas Priest - Breaking The Law Rise Of The Northstar - Neo Paris Death Cab For Cutie - Punching The Flowers Bruce Springsteen - Born To Run Mitski - Washing Machine Heart The Smiths - Hand In Glove Oasis - Live Forever Mogwai - Scotland's ShameHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Send us Fan MailPrepare for immediate transport to the golden era as you enter the Retro Wave Zone with the Back in Time Brothers. This week, Lou and DJ Paulie are blasting off into the great unknown to explore the "Space Jams"—a cosmic mix of space-themed music, cinematic masterpieces, and chilling UFO encounters.The Countdown: Top 10 Space TracksDJ Britt leads us through a stellar countdown of tracks that defined our obsession with the final frontier.The Heavy Hitters: From the improvisational 1972 anthem "Space Trucking" by Deep Purple to the funky hip-hop transmissions of the Beastie Boys' "Intergalactic".Atmospheric Voyages: Dive into the "spacey" vibes of Radiohead's "Subterranean Homesick Alien" and the high-energy reflection of Switchfoot's "Stars".The Legends: Experience Elton John's lonely journey in "Rocket Man" and the spiritual poetry of The Beatles' "Across the Universe".The Major Tom Connection: We follow the character's evolution from Peter Schilling's synth-pop hit "Major Tom" to the ultimate double-shot from the "Man Who Fell to Earth," David Bowie, with "Starman" and "Space Oddity".The Silver Screen & The Small ScreenThe brothers break down the greatest sci-fi franchises and series of all time:Cinematic Giants: A countdown featuring the physics-bending visuals of Interstellar , the survival grit of The Martian , and the undisputed king of space opera, Star Wars.TV Classics: From the 80s nostalgia of Stranger Things and the truth-seeking of The X-Files to the legendary, mind-bending marathons of The Twilight Zone.Screen Talk: The Dark Side of Sci-FiTodd Snyder joins the show for a special "Screen Talk" segment, uncovering the deadly and dystopian side of the genre. He explores the tragic onset accident of Twilight Zone: The Movie , the global bans of A Clockwork Orange , and the bizarre production disasters of The Island of Dr. Moreau.UFO Files: Encounters of the Retro KindLou and Paulie dive into ten of the most compelling UFO stories in history. They discuss the Roswell incident , the mass sighting of the Phoenix Lights in Arizona , and the terrifying abduction story of Travis Walton.Don't forget to tune in!Check out all our episodes at www.backintimebrothers.com or find us on iTunes and Spotify. It's time to rock and roll through the cosmos!Support the showThanks for listening.  Join us each Monday at 1pm Central at www.urlradio.net and follow us on Facebook!

The more music you collect - digitally, physically or in a combination - the more you have to keep up with. And let's face it: Most of us aren't as organized as we'd like to be. So if you just keep accumulating music and the years keep rolling by, you can easily lose track of your collection and get disconnected from your memories. This week on "How We Heard It," your hosts take another dive into their collections and turn up near-forgotten acts ... and even completely forgotten acts (who even were those people?). This episode brings up everyone from Jethro Tull to Britney Spears, Mott the Hoople to Beck, Blondie to Radiohead and The Roches to Daft Punk.  Meanwhile, the music your hosts found this week prompts impromptu conversations about how collectibles often just end up gathering dust, collaborations between stars can go terribly wrong, and tribute artists can sound better than the original artists. And what's up with all the "greatest hits" collections from one-hit wonders? If you haven't looked over your collection in a while, maybe it's time to take a nostalgia trip.

It's a Sunday Funday edition of the After Party! And for this one we got the return of Marcy! She comes on as we reminisce on Jaguars Gentlemen's Club, the most she's made in one night as a dancer and dumps some trauma on the podcast. Follow us on social media @AaronScenesAfterParty

After nearly four decades at the heart of Radiohead, Ed O'Brien is entering a new creative era. In a candid interview with arts24's Eve Jackson, the Rock & Roll Hall of Fame guitarist discusses depression, healing in the Welsh countryside, the making of his deeply personal new solo album "Blue Morpho" and why Radiohead's carefully planned 2027 global tour marks a new beginning for the band.

The conclusion of Jeff's look at select songs that get right to the point, in revealing their titles in the opening vocal, from select artists and bands from the letters R to Zed, starting in the nineties, with Radiohead, and reflecting back to Part 1 in which it was revealed probably for the first time ever (we've not seen it anywhere before) how many Beatles songs start with the title and this time by comparison we'll investigate how many times the Rolling Stones did it. The difference is BIG. Plus hear the last song Joey Ramone listened to in his lifetime, and two Neil Young songs he'd soften on over time, but we won't, and we'll head to Texas to learn the whereabouts of Jesus ;)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ce 6 mai, Marjorie Hache propose un habile mélange de classiques et de découvertes dans RTL2 Pop-Rock Station. L'émission redécouvre Janis Joplin, Linkin Park, The Specials, Nancy Sinatra, The Rolling Stones, Weezer, Garbage, Blur, Radiohead, Van Morrison, Chris Isaak, Bob Dylan ou encore The Subways. The Strokes ouvrent la marche des nouveautés avec "Going Shopping". Les Français de Howlin' Jaws s'illustrent avec "Troubled Mind", tandis que Saint Agnes dévoile "The Ghost" et qu'Anna Calvi fait résonner "God's Lonely Man". On retrouve également la collaboration entre Massive Attack et Tom Waits. La primeur de la soirée marque le grand retour de la formation indépendante française Syd Matters, avec "Many Years In The Making" . L'album de la semaine met à l'honneur "Peaches", le nouveau disque de The Black Keys, illustré aujourd'hui par la relecture du morceau "Tell Me You Love Me" de Jessie Mae Hemphill, témoignant de leur retour aux sources blues. Enfin, la reprise de la soirée nous vient de la chanteuse dublinoise Christine Tobin, qui s'approprie avec une élégante touche folk et jazz l'intemporel "God Only Knows" de The Beach Boys. The Strokes - Going Shopping Weezer - Beverly Hills Bee Gees - How Deep Is Your Love Keziah Jones - Rythm Is Love Garbage - Cherry Lips The Kingsmen - Louie Louie Blur - Beetlebum The Black Keys - Tell Me You Love Me Janis Joplin - Move Over Radiohead - Reckoner Linkin Park - Faint Saint Agnes - The Ghost Christine Tobin - God Only Knows Van Morrison - Brown Eyed Girl Chris Isaak - Baby Did A Bad Bad Thing Chalk - Longer Bob Dylan - All Along The Watchtower Suicidal Tendencies - Monopoly On Sorrow Massive Attack & Tom Waits - Boots On The Ground Black Sabbath - Iron Man The Subways - Rock & Roll Queen Syd Matters - Many Years In The Making Otis Redding - (I Can't Get No) Satisfaction Temples - Keep In The Dark Gary Glitter - Rock & Roll Part 2 Anna Calvi - God's Lonely Man (Feat. Iggy Pop) My Dying Bride - To Outlive The GodsHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Hocus Focus Mix met Måneskin, DJ Jean, Kasteye, Massive Attack, Radiohead, Lost Frequencies & Bastille

Recent and new releases in a playlist that crosses borders—whether cultural or musical—with a special focus on jazz renditions of popular music (from Dylan to Radiohead to Pavement). The playlist features Florian Pellissier; Javon Jackson [pictured]; Luciano Biondini, Michel Godard, Lucas Niggli; James Carter, Cyrus Chestnut, Reginald Veal, Ali Jackson; Shawn Lovato; and Naïssam Jalal. Detailed playlist at https://spinitron.com/RFB/pl/22280800/Mondo-Jazz [up to "In the Rice Fields at Dawn"]. Happy listening!

durée : 00:43:27 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Le claviériste Anthony Romaniuk explore les sept modes de la gamme, de John Adams à Arvo Pärt, Radiohead et Björk, en passant par ses propres compositions. A découvrir aussi ce soir, une pièce pour deux flûtes d'Amico Dolci, et une oeuvre pour deux choeur a cappella de James MacMillan. - réalisation : Céline Parfenoff, Martine Mony Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Blake and Richard are back for Episode 615 of the Chasing Tone Podcast - Random amp joy, the great Kindle swindle, and Telecaster heresyBrian is somewhat unexpectedly out of town on business so Blake and Richard take the helm - apologies for the different music and the quality of the hosts. Richard got to play his first real amp when he found the same model he had as a kid in a recording studio. It did not cure his GAS and he stakes a claim to being one of the most professional mediocre guitarists ever. Despite Brian's absence this week, the AI train rumbles on... Josh Scott from JHS has been testing the limits of AI and the results were a bit baffling so the guys discuss it and some other AI pushbacks and issues they have seen. Meanwhile, Blake gets a lesson in Crusties and reveals a mystery package sent from Martinsville.NUX have released a new modelling solution that caught Richard's eye for a unique feature that he likes. The guys also have a look at the controversy that surrounded a very sad announcement from a young player and the ripples it sent into the gear world. Blake has big Radiohead news.Community Microphones, The Gaslight Anthem, Chumbawamba, Neil Young, Rich and the Daddy cans... it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Courses and DIY mods:https://www.bluesguitarmethod.com

Ce 29 avril, l'émission démarre en force avec "Baba O'Riley" de The Who. La sélection fait la part belle à The Pretenders, Radiohead, Kiss, Gossip, Faith No More, The Beatles, Grandaddy et The Clash. S'y ajoutent Soul Asylum, America, Herman's Hermits, Cake, Placebo et The Cure. Marjorie Hache célèbre par ailleurs l'anniversaire de Tom Smith en diffusant le nouveau morceau de son groupe Editors, "Call It In". Les Français de Howlin' Jaws s'illustrent avec "Troubled Mind". Temples dévoile "Jet Stream Heart", tandis que Rob Zombie fait résonner "I'm A Rock N Roller". On retrouve aussi la collaboration entre Anna Calvi et Iggy Pop sur "God's Lonely Man", Yung Lean et Lana Del Rey. La primeur de la soirée marque le retour de Tricky, qui s'associe à la chanteuse Marta Zlakowska sur "Out Of Place", premier extrait de son quinzième disque. L'album de la semaine continue d'explorer le nouveau disque des Foo Fighters, "Your Favourite Toy", illustré aujourd'hui par le titre "Unconditional". Enfin, la reprise du jour est l'œuvre du groupe électro pop Chromatics, qui s'approprie avec sa touche singulière l'immense tube "Running Up That Hill" de Kate Bush. The Who - Baba O'Riley Howlin' Jaws - Troubled Mind Editors - Call It In Gossip - Standing In The Way Of Control Faith No More - Epic The Beatles - With A Little Help From My Friends Miles Kane - Rearrange Titre - Pour Rotation The Pretenders - Brass In Pocket Grandaddy - Am 180 The Clash - Rock The Casbah Temples - Jet Stream Heart Chromatics - Running Up That Hill Soul Asylum - Runaway Train Rob Zombie - (I'm A) Rock "N" Roller America - Ventura Highway Radiohead - Jigsaw Falling Into Place Anna Calvi - God's Lonely Man (Feat. Iggy Pop) Herman's Hermits - No Milk Today Cake - Short Skirt - Long Jacket Tricky - Move On (Feat. Marta) Kiss - Rock And Roll Hell (2022 Remaster) Placebo - Pure Morning Yung Lean - Horses The Cure - Boys Don't Cry Lana Del Rey - First Light Manfred Mann's Earth Band - Blinded By The LightHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This episode of the The Rizzuto Show is basically what happens when a seriously talented musician walks into a room full of people who cannot stay on topic… and somehow it works perfectly.We're joined by St. Louis native Lizzie Weber, fresh off the release of her new album Wraiths in the Wake, and things get deep fast. We're talking ghosts—not the “boo!” kind, but the emotional baggage kind. The stuff that follows you around while you're trying to grow up, move forward, and not completely spiral. You know… relatable.This comedy podcast somehow manages to balance real artistic insight with complete nonsense, including a heated (and very unnecessary) debate about Radiohead fans that absolutely no one asked for—but you're getting anyway. Lizzy shares the story of the concert that changed her life, the creative process behind building a full narrative album, and what it actually takes to survive as an independent artist when budgets are tight and expectations are high.And when we say DIY, we mean DIY. Filming your own music videos, editing them yourself, and yes—occasionally trespassing on farmland for the perfect shot. That's called commitment. Or a future court date. We'll see.Of course, because it's a comedy podcast, things spiral into:Tool fandom getting aggressively passionateBrett Michaels catching stray complimentsConcert experiences that borderline changed people's personalitiesAnd a live in-studio performance that shuts everyone up (rare moment, honestly)By the end of the episode, we've learned that great music comes from chaos, ghosts are apparently metaphorical (disappointing), and the best advice in the industry might still be: just go play shows.If you like your comedy podcast with a side of real talk, live music, and occasional emotional damage, this one's for you.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShowHear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We welcomed St. Louis native and insanely talented Lizzie Weber into the studio, and for a brief, shining moment, things felt like a real, professional music interview… and then we immediately derailed it with debates about Radiohead fans and whether anyone should ever call an album “the most important record of your lifetime” without being legally required to explain themselves.Lizzie's new album Wraiths in the Wake is a deeply personal and atmospheric project centered around the idea of “wraiths”—ghosts, spirits, and the emotional baggage that follows you through life. It's thoughtful, cinematic, and layered… which is exactly why we tried our best not to ruin the conversation. (Keyword: tried.)She talks about working with major collaborators, navigating the music industry as an independent artist, and why pressing vinyl in today's world feels like trying to barter with ancient currency during a nickel shortage. We also get into her musical journey—from dropping out of college and chasing acting in LA, to finding her voice and building her sound from the ground up.Then things take a turn—because of course they do—when Lizzie shares her “musical awakening” moment seeing Radiohead live. This leads to one of the most aggressively unnecessary debates in recent memory, where Riz explains his complicated relationship with Radiohead… specifically their fans. It's the kind of argument that only happens on a funny podcast like this, where passion meets confusion and nobody actually wins.We also go around the room sharing the last concerts that truly “locked us in,” from Nine Inch Nails precision to Tool (yes, again) to Brett Michaels somehow causing a spiritual experience with a harmonica. It's chaotic, it's honest, and it's exactly what you'd expect from a funny podcast that occasionally stumbles into meaningful conversations between jokes.If you're into music, creative journeys, or just listening to a group of adults spiral into debates about bands they both love and resent—this episode of our funny podcast has you covered.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.Woman, 38, Plummets 50 Feet to Her Death at Indianapolis International AirportTourist dies from 'cobra bite' in Egypt after snake charmer let it crawl into his trousersDisney Named in Lawsuit Alleging Bedbug Exposure at Resort HotelNew York woman convicted for throwing dynamite at boyfriend, blowing off his handSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

You've never heard Kid A like THIS. Jazz musicians Adam Maness and Peter Martin break down Radiohead's 2000 art rock MASTERPIECE track-by-track to uncover what's really happening in the music that makes this album so incredible. Why do we love Radiohead's Kid A so much? Watch to find out.PLUS - Jazz musicians play Radiohead's "Everything In Its Right Place". One shot, one take, no AI. FULL video: https://youtu.be/c5w9BHKe0rc-------------------------------Start your free Open Studio trial for ALLLLL your jazz lesson needs:https://openstudiojazz.com/yhi-------------------------------About You'll Hear It:In this popular music series, Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.-------------------------------Hidden artifacts from the albums we love:https://youllhearit.com/newsletter-------------------------------Chapters Legend:

DL works through the Rolling Stone 500 Greatest Albums of All Time list, reviewing four albums and four songs from entries #477–481 — and handing out scores along the way.Albums covered: Miranda Lambert's The Weight of These Wings (2016) gets an 8.7/10 — a genuine surprise, with DL arguing it's more Orville Peck than generic Nashville country. Selena's Amor Prohibido (1994) gets a 7/10, with praise for Los Dinos and the vocal performances but honest limits on Tejano expertise. Something Else by The Kinks (1967) gets a thoughtful take on a band that was the real rock stars of the '60s — even when they were chasing the Beatles. Howlin' Wolf's Moanin' in the Moonlight earns a 10/10 and a full Delta Blues sermon, with a side argument that it deserves to be ranked way higher than #487.Songs covered: "Just a Friend" by Biz Markie, "Oye Como Va" by Santana, "Back That Azz Up" by Juvenile, and "Our Lips Are Sealed" by the Go-Gos.Plus: the Radiohead solo episode series explained, listener questions on which Radiohead album to give Evil and Rachel as a gateway, and DL's current ranking with Howlin' Wolf sitting at #2 behind Arcade Fire's Funeral.Part of Verse Chorus Verse's ongoing Rolling Stone 500 album-by-album coverage.Rolling Stone 500,Miranda Lambert,Howlin Wolf,The Kinks,Selena,Biz Markie,Santana,album review,Delta Blues,country music,music podcast,Radiohead

The dirtiest four letter word is A.I. The moment the robots take over the world, we die. We die. For this reason and many others we're ready to Melt The Bots with the second half of our list in Top Ten Songs Against A.I. Part 2. Joe Lavelle came through for us in style, as he helped us put together a playlist befitting our current situation, with songs that question and resist an uncertain future, and songs that value humanity over machinery. We deserve a voice in whether or not this "world-changing" technology is all they say it is, and by "they", we mean the people with the money. For a hundred reasons, we're against it, and we have the songs to back us up.If you missed Part 1, start here:https://podcasts.apple.com/us/podcast/episode-717-top-ten-songs-against-a-i-part-1-w-joe-lavelle/id573735994?i=1000762382186Do yourself a favor and take in the official Top Ten Songs Against A.I. playlist, featuring every song heard in Parts 1 & 2:https://open.spotify.com/playlist/3FQjX5zA7X9QCPCQsaexFm?si=bab9644a12b3440cWe've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. Emergency Pod 27 was taped on location in Florida with the great Ira Eisen. Don't miss it on May 1st. Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting about music over on the ATTT Facebook Group. Join us and start a conversation about music!https://www.facebook.com/groups/940749894391295

This week on the Rockonteurs podcast, we welcome a hugely talented artist and (another) bassist to the show, it's Colin Greenwood of Radiohead.Colin is the very definition of a Rockonteur, as he talks about his early influences, the “make or break” early days of his band, a working with Nick Cave. He also talks to Gary and Guy about the recent live dates from Radiohead that were so well received, reminding us all of the unique position Radiohead have created as the best alternative rock act in the world. Image by Margaret Brownhttps://www.wasteheadquarters.com/Instagram @rockonteurs @guyprattofficial @garyjkemp @radiohead @colingreenwood @gimmesugarproductions Hosted on Acast. See acast.com/privacy for more information.

Thank you for listening to the latest episode of AC/LP.  In this episode, Chris and Adam discuss two albums from their collection. Adam chose In Rainbows by Radiohead, and Chris picked Songs From The Big Chair by Tears for Fears.   The next choices for episode eight are A Firmer Hand by Hamish Hawk and Doolittle by The Pixies.   Adam and Chris would love listener feedback, especially when they pick albums. Please use the contact us page or email: contact@60MW.co.uk

Music fan Brian Koppen chats with Meinard Cuskey as they discuss Hall of Fame artists: Public Enemy's “Harder Than You Think” vs. The Ramones' “Blitzkrieg Bop”Led Zeppelin's “Whole Lotta Love” vs. Van Halen's “Ain't Talkin' About Love”Soundgarden's “Fell on Black Days” vs. Pearl Jam's “Black”Fleetwood Mac's “The Chain” vs. The Zombies' “She's Not There”Velvet Underground's “I'm Waiting for the Man” vs. Radiohead's “All I Need” They also discuss Buckethead and Nirvana. Check out Meinard Cuskey at https://www.instagram.com/meinardcuskey/ and https://www.tiktok.com/@meinard_c; and on Spotify, listen to the Forever is Composed of Nows album by his band Cody's Porch, and his own EP, Everything I've Known. Intro music is from Jussy's Down Open Roads.  Check out Jussy at https://soundcloud.com/user-214048265/sets/jussy-demos-1!Support the show

Music fan Brian Koppen chats with music critic Max Freedman as they discuss Hall of Fame artists: Hank Ballard's “Hoochie Coochie Coo” vs. Janet Jackson's “If”Madonna's “Like a Prayer” vs. Madonna's “Live to Tell”Parliament's “Flash Light” vs. Prince's “When Doves Cry”Kate Bush's “Running Up That Hill” vs. Jackson Browne's “Somebody's Baby”Radiohead's “Let Down” vs. Nine Inch Nails' “Head Like a Hole” They also discuss Grimes, hyperpop, Ciccone Youth's “Into the Groovey,” Fusilier's “Ambush,” Marilyn Manson, and Courtney Barnett vs. Snail Mail. Check out Max Freedman at https://lavendersound.substack.com/ and https://www.instagram.com/thelavendersound/! Intro music is from Jussy's Down Open Roads.  Check out Jussy at https://soundcloud.com/user-214048265/sets/jussy-demos-1!Support the show

Roll On, al fresco! Adam Skolnick came over. We went outside and let the conversation breathe. No studio walls. No agenda. Just two guys, some birds, and a wide-ranging hang that covers self-obsession as the enemy of growth, the dork problem in modern podcasting, and why 14 years in, we're playing again. Then we roam: Geese, Turnstile, Mike D in a Malibu parking lot, Julie Piatt's Manger debut, Ed O'Brien of Radiohead in a church at SXSW, a joyride through Austin in the Rivian R2, the Dean Potter documentary, and Artemis II. Enjoy! Show notes + MORE Watch on YouTube Newsletter Sign-Up Today's Sponsors:   Ollie: Fresh, healthy dog food made with real, human-grade ingredients. Use code RICHROLL to get 70% off your Welcome Kit

***This show is brought to you by DistroKid. Go to ⁠⁠http://distrokid.com/vip/the500⁠⁠ for 30% off your first year!*** Complete our⁠⁠⁠ listener survey⁠⁠⁠ for a chance to win a $50 gift card! Josh sits down with his ex-girlfriend Brittany Furlan for a funny and unexpectedly personal conversation about love, history, and why The Bends remains one of Radiohead's most emotionally resonant records. Follow Brittany on Instagram: https://www.instagram.com/brittanyfurlan/ Distrokid Artist of the Week: Brigitte Calls Me Baby https://www.youtube.com/watch?v=RQFDLA0CzEk Follow Josh on Instagram: ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/joshadammeyers/⁠⁠⁠⁠⁠⁠⁠ Follow Josh on TikTok: ⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@joshadammeyers⁠⁠⁠⁠⁠⁠⁠ Follow Josh on Twitter: ⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JoshAdamMeyers⁠⁠⁠⁠⁠⁠⁠ Follow Josh on Facebook: ⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/joshameyers⁠⁠⁠⁠⁠⁠⁠ Josh's Website: ⁠⁠⁠⁠⁠⁠⁠https://www.joshadammeyers.com/⁠⁠⁠⁠⁠⁠⁠ Follow DJ Morty Coyle on Instagram: ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/djmortycoyle/⁠⁠⁠⁠⁠⁠⁠ https://www.instagram.com/alldaysucker/ Follow The 500 on Instagram: ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/the500podcast/⁠⁠⁠⁠⁠⁠⁠ Follow The 500 on Twitter: ⁠⁠⁠⁠⁠⁠⁠https://twitter.com/the500podcast⁠⁠⁠⁠⁠⁠⁠ Follow The 500 on Facebook: ⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/The500PodcastWithJAM/⁠⁠⁠⁠⁠⁠⁠ Email the show: ⁠⁠⁠⁠⁠⁠⁠500podcast@gmail.com⁠⁠⁠⁠⁠⁠⁠ Check the show's website:⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

We're live on 4/20 from our sponsors Apogee in Sunland Park NM! And on this one we bring on our boy 3am as we catch up with him and he shares some of his most recent projects. Plus he tells us all about his crazy Las Vegas work schedule, doing work for the World Cup and he tells us some of his DJ do's and don'ts! And the OG cohost Marky Mark stops by for a little edible action. Follow us on social media @AaronScenesAfterParty

Fully & Completely: Redux Man Machine PoemThe last record. "Man Machine Poem" arrived in June 2016 wrapped in the worst news imaginable - and somehow it was still everything. Episode Summary: jD and Greg LeGros sit under a pear tree - bees and all - for the final entry in Fully & Completely's full Tragically Hip discography run. The album in question is "Man Machine Poem", the Hip's fourteenth and last studio record, released June 17th, 2016. Produced by Kevin Drew and Dave Hamelin, it arrived weeks after the band announced Gord Downie's glioblastoma diagnosis - though almost everything on it was written before that news broke. What jD and Greg dig into here is not just a final album. It's a listen to a band that sounds revitalized. That sounds, somehow, free. Track by track they work through all ten songs - 'Man', 'In a World Possessed by the Human Mind', 'What Blue', 'In Sarnia', 'Here, in the Dark', 'Great Soul', 'Tired as Fuck', 'Hot Mic', 'Ocean Next', and 'Machine' - unpacking the lyrical weight, the production choices, the thematic through lines, and the heartbreak of knowing this was the last one. There's also conversation about the musical landscape of 2016 - "Blackstar", "Blonde", "A Moon Shaped Pool", "We Got It from Here" - and the news, announced in the episode, that a new Gord Downie solo double album was coming. A heavy, funny, essential listen. “This is the most complete and well-written and natural sounding that they've sounded since ‘Phantom Power'. You could not ask for more.” - Greg LeGros What They Covered Track 1 - 'Man' • Psychedelic opener. Gord's vocal sounds ageless. jD hears the melody of 'Machine' hiding in the first 30 seconds - a bookend hiding in plain sight. Track 2 - 'In a World Possessed by the Human Mind' • Written about Laura Downie's illness. Greg reads it three ways simultaneously - personal, political, about the post-truth media cycle. 'Exciting over fair.' It lands every time. Track 3 - 'What Blue' • Greg cracks the code mid-episode: those eyes in the grey of everything falling apart. A marriage ending, quietly, inside a great song. Track 4 - 'In Sarnia' Fully & Completely: Redux Man Machine Poem tthpods.com 2 • Originally titled 'Insomnia'. Greg's go-to on the album. jD calls the guitar intro and vocal entry 'spectacular.' A love song to sleeplessness, or to a city, or to both. Track 5 - 'Here, in the Dark' • Seasonal affective disorder as a rock song. The last lyric - 'Me, I'm as happy as my least-happy kid' - hits like a gut punch. Both of them feel it. Track 6 - 'Great Soul' • Jammy and psychedelic and soaring. Greg reads the lyric run - 'I want to enchant you, I want you to enchant my days' - like a poem, and it sounds stunning that way. Track 7 - 'Tired as Fuck' • The campfire song that isn't. Tragic and hopeful at the same time. Greg's favourite line on the whole record: 'Tired as fuck, I want to stop so much, I almost don't want to stop.' Track 8 - 'Hot Mic' • Big, ballsy, stompy. Possible commentary on celebrity, patriotism, or Canada overhearing the wreck next door. Probably all three. Track 9 - 'Ocean Next' • Sounds recorded underwater. Feels like moving. Transition and mournfulness, wrapped in something that sounds straight off 'Day for Night'. Track 10 - 'Machine' • The album closes funky and light. The groove catches you off guard after everything that came before. 'I'm a real machine. It follows.' A stadium-sized song that most people only heard in arenas. Stadium-sized, Greg says. He's right. Also In This Episode The context of 2016: jD and Greg run through the musical landscape - David Bowie's "Blackstar", Frank Ocean's "Blonde", Beyoncé's "Lemonade", Radiohead's "A Moon Shaped Pool", A Tribe Called Quest's "We Got It from Here". A year of established artists making career-best work. The Hip fit right in. Greg's daughter was born in January 2016. He heard the news about Gord standing in a coffee shop with her in a stroller. He heard 'Tired as Fuck' that same afternoon. "A mixture of emotions" doesn't cover it. Album lore: the record was almost called "Dougie Stardust". When David Bowie passed away, they changed the title. The original cover would have stayed the same. jD notes he cannot imagine this collection of songs under that name. Gord Downie solo news: announced during the recording of this episode - a new double album, "Away Is Mine", ten songs in electric and acoustic versions. Josh Finlayson asked for the acoustic takes as a memento. Gord was recording this in July 2017 - three months before he passed. "Getting the shit done for us. Colossal output." Fully & Completely: Redux Man Machine Poem tthpods.com 3 Sports: 2016 Stanley Cup (Penguins over Sharks, Metallica sang the anthem), Grey Cup upset (Ottawa over Calgary in OT), Kyle Lowry at Momofuku, salt-and-vinegar chips, a bootleg DVD incident that nearly ended a marriage before it started. SEO Keywords (Platform Use) Primary: The Tragically Hip, Gord Downie, Man Machine Poem album, Tragically Hip Podcast, The Tragically Hip Podcast Series, Canadian rock podcast Secondary: Fully & Completely Redux, Man Machine Poem review, Tragically Hip discography, Gord Downie legacy, Tragically Hip 2016 album, Kevin Drew, Dave Hamelin Long-tail: Man Machine Poem track by track, Tired as Fuck Tragically Hip, In Sarnia Tragically Hip, what is Man Machine Poem about, Gord Downie final album Away Is Mine (Platform Format) Fully & Completely: Redux - Man Machine Poem Meta description (150–160 characters): jD and Greg LeGros go track by track through 'Man Machine Poem' - the Tragically Hip's final album, released June 2016, produced by Kevin Drew and Dave Hamelin. • Listen to the full episode at home.tthpods.com • Subscribe to Yer Letter - the monthly newsletter from jD - at subscribe.tthpods.com • Join the community at community.tthpods.com Closing "Man Machine Poem" arrived in the worst possible context and still managed to be exactly what it needed to be. jD and Greg land there, eventually, after all the bees and all the detours and all the gut-punch lyrics. The final Hip album deserved a final Fully & Completely episode that matched its weight. This one does. Fully & Completely is part of The Tragically Hip Podcast Series. Subscribe, share, rate, and review at home.tthpods.com. Email: jd@tthpods.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

It's a pop up podcast! And on this episode we have our battle of the cohosts! As Gee and Baby M take each other head on on a variety of questions plus they prove whether guys and girls can solely and ONLY be friends. AND the gang tries out some honey packs and give our honest review. Follow us on social media @AaronScenesAfterParty