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What does it mean for theory to be considered as a species of not just literature but world literature? Theory as World Literature (Bloomsbury, 2025), edited by Jeffrey De Leo, offers a wide range of accounts of how the “worlding” of literature both problematizes the national categorizing of theory (e.g., French theory), and brings new meanings and challenges to the coming together of theory and literature. In sum, it presents theory as world literature as a viable alternative to more commonplace approaches to theory.Under such an approach to theory, what it means to be an African, American, or Asian “theorist” – let alone a French, German, or Spanish one – in the new millennium is as complicated (or simple) as what means to be “African,” “American,” or “Asian.” “Worlded” literature is not considered here as only the world literature of nations and nationalities. Rather, it is also the worlded literature of individuals crossing borders, mixing stories, and speaking in dialect. So too is it the worlded literature of the multinational corporate publishing industry wherein success in the global market is a major determinate of aesthetic and literary value.Offering accounts of what it means to consider theory as world literature, the authors in this pioneering collection explore the ways in which we might regard theory as connected and reconnected through global literary networks of increasing complexity and precarity. By approaching theory from this perspective, Theory as World Literature demonstrates how and why theory is more worldly now than ever. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
What does it mean for theory to be considered as a species of not just literature but world literature? Theory as World Literature (Bloomsbury, 2025), edited by Jeffrey De Leo, offers a wide range of accounts of how the “worlding” of literature both problematizes the national categorizing of theory (e.g., French theory), and brings new meanings and challenges to the coming together of theory and literature. In sum, it presents theory as world literature as a viable alternative to more commonplace approaches to theory.Under such an approach to theory, what it means to be an African, American, or Asian “theorist” – let alone a French, German, or Spanish one – in the new millennium is as complicated (or simple) as what means to be “African,” “American,” or “Asian.” “Worlded” literature is not considered here as only the world literature of nations and nationalities. Rather, it is also the worlded literature of individuals crossing borders, mixing stories, and speaking in dialect. So too is it the worlded literature of the multinational corporate publishing industry wherein success in the global market is a major determinate of aesthetic and literary value.Offering accounts of what it means to consider theory as world literature, the authors in this pioneering collection explore the ways in which we might regard theory as connected and reconnected through global literary networks of increasing complexity and precarity. By approaching theory from this perspective, Theory as World Literature demonstrates how and why theory is more worldly now than ever. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Since its invention more than 150 years ago, the microphone transformed the world in an instant. Yet its evolution and integration into our daily lives has been comparatively gradual – so gradual, crucially, that it is easy to forget just how much we take it for granted. As explored in Microphone (Bloomsbury, 2026) by Ralph Jones, every phone has a microphone. Every laptop has a microphone. We are surrounded by microphones. The microphone wields enormous power. But when we're 'on mic' we aren't just powerful, we're vulnerable. Microphones can destroy careers as quickly as make them. The microphone is inextricable from our need to be heard. This book takes a curious, always humorous look at this object as a metaphor for power and how the fulfillment of our desire to be heard has created a multi-headed beast we are still learning how to tame. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Since its invention more than 150 years ago, the microphone transformed the world in an instant. Yet its evolution and integration into our daily lives has been comparatively gradual – so gradual, crucially, that it is easy to forget just how much we take it for granted. As explored in Microphone (Bloomsbury, 2026) by Ralph Jones, every phone has a microphone. Every laptop has a microphone. We are surrounded by microphones. The microphone wields enormous power. But when we're 'on mic' we aren't just powerful, we're vulnerable. Microphones can destroy careers as quickly as make them. The microphone is inextricable from our need to be heard. This book takes a curious, always humorous look at this object as a metaphor for power and how the fulfillment of our desire to be heard has created a multi-headed beast we are still learning how to tame. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society
Since its invention more than 150 years ago, the microphone transformed the world in an instant. Yet its evolution and integration into our daily lives has been comparatively gradual – so gradual, crucially, that it is easy to forget just how much we take it for granted. As explored in Microphone (Bloomsbury, 2026) by Ralph Jones, every phone has a microphone. Every laptop has a microphone. We are surrounded by microphones. The microphone wields enormous power. But when we're 'on mic' we aren't just powerful, we're vulnerable. Microphones can destroy careers as quickly as make them. The microphone is inextricable from our need to be heard. This book takes a curious, always humorous look at this object as a metaphor for power and how the fulfillment of our desire to be heard has created a multi-headed beast we are still learning how to tame. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
Since its invention more than 150 years ago, the microphone transformed the world in an instant. Yet its evolution and integration into our daily lives has been comparatively gradual – so gradual, crucially, that it is easy to forget just how much we take it for granted. As explored in Microphone (Bloomsbury, 2026) by Ralph Jones, every phone has a microphone. Every laptop has a microphone. We are surrounded by microphones. The microphone wields enormous power. But when we're 'on mic' we aren't just powerful, we're vulnerable. Microphones can destroy careers as quickly as make them. The microphone is inextricable from our need to be heard. This book takes a curious, always humorous look at this object as a metaphor for power and how the fulfillment of our desire to be heard has created a multi-headed beast we are still learning how to tame. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology
In this illuminating conversation with librarian-author Mary R. Lanni, we celebrate her brand new book, Using Nursery Rhymes with Today's Kids: Their Legacy and Evolution (Bloomsbury, 2026). Mary is a professional librarian in Denver, Colorado, USA. She is also co-author of Early Learning Through Play: Library Programming for Diverse Communities (Libraries Unlimited, 2019). We talk about the potentially sordid history of famous nursery rhymes, and the possibility of supplanting problematic ancient poems with new, inclusive songs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In this illuminating conversation with librarian-author Mary R. Lanni, we celebrate her brand new book, Using Nursery Rhymes with Today's Kids: Their Legacy and Evolution (Bloomsbury, 2026). Mary is a professional librarian in Denver, Colorado, USA. She is also co-author of Early Learning Through Play: Library Programming for Diverse Communities (Libraries Unlimited, 2019). We talk about the potentially sordid history of famous nursery rhymes, and the possibility of supplanting problematic ancient poems with new, inclusive songs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
In this illuminating conversation with librarian-author Mary R. Lanni, we celebrate her brand new book, Using Nursery Rhymes with Today's Kids: Their Legacy and Evolution (Bloomsbury, 2026). Mary is a professional librarian in Denver, Colorado, USA. She is also co-author of Early Learning Through Play: Library Programming for Diverse Communities (Libraries Unlimited, 2019). We talk about the potentially sordid history of famous nursery rhymes, and the possibility of supplanting problematic ancient poems with new, inclusive songs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education
In this illuminating conversation with librarian-author Mary R. Lanni, we celebrate her brand new book, Using Nursery Rhymes with Today's Kids: Their Legacy and Evolution (Bloomsbury, 2026). Mary is a professional librarian in Denver, Colorado, USA. She is also co-author of Early Learning Through Play: Library Programming for Diverse Communities (Libraries Unlimited, 2019). We talk about the potentially sordid history of famous nursery rhymes, and the possibility of supplanting problematic ancient poems with new, inclusive songs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
“Is he a Communist?” During a House Un-American Activities Committee hearing in 1938, Congressman Joe Starnes probed into the politics of a writer produced by the Federal Theatre Project. The playwright in question? Christopher Marlowe. While Starnes's blunder became legendary, Shakespeare and his contemporaries continued to come up throughout the Red Scare years. Something about early modern poetry and plays often rang as disquietingly topical. In her book, A Treacherous Secret Agent: How Literature Spoke Truth to Power During the Red Scare, Marjorie Garber reveals how literature has always posed a threat to authority, a power of which Shakespeare was well aware. As she puts it, “poetry makes trouble all the time.” This episode explores how Shakespeare became a magnet for suspicion during the Red Scare—and how he spoke to the moment from beyond the grave. From the Shakespeare Unlimited podcast. Published May 5, 2026. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. Technical support was provided by Philip Bodger in Lewes, England and Voice Trax West in Studio City, California. Web production was handled by Megan Fraedrich. Transcripts are edited by Leonor Fernandez. Final mixing services provided by Clean Cuts at Three Seas, Inc. Marjorie Garber is the William R. Kenan, Jr., Research Professor of English and of Visual and Environmental Studies at Harvard University. She is the author of twenty books, including Shakespeare in Bloomsbury and A Treacherous Secret Agent: How Literature Spoke Truth to Power During the Red Scare. She lives in London, UK. Learn more about Marjorie Garber and her work at her website.
Today, we're putting The Tonearm's needle on George Grella, one of the sharpest music critics working today.George is the music editor of The Brooklyn Rail and has written for The Wire, the New York Times, and, luckily for us, The Tonearm.George just published Minimalist Music, part of Bloomsbury's 33⅓ Genre series. His central argument is that minimalism isn't defined by sparse materials or specific harmonies; it's defined by how it uses time. Understanding that distinction impacts how we approach and hear the music, and what happens to this music when its originators are gone.We talk about that thesis, the line between minimalism and post-minimalism, and what it takes to build a life in music writing. We also take a detour into John Zorn's visual art.The musical excerpts heard in the interview are Terry Riley - “In C” (performed by Bang on a Can All-Stars on the album In C ), Philip Glass - "Music in Twelve Parts: Part 1" (performed by The Philip Glass Ensemble on the album Music in Twelve Parts), and Steve Reich - “Drumming: Pt III” (performed by Steve Reich and Musicians on the album Drumming).—Dig DeeperGuest and BookVisit George Grella Jr. at The Brooklyn Rail where he serves as music editor, and on The Tonearm, where he is a contributorSubscribe to his Substack newsletter, Kill Yr Idols,, and follow him on BlueskyPurchase Minimalist Music (Bloomsbury Academic, 2026) from Bloomsbury, Bookshop.org, Powell's Books, Barnes & Noble, Amazon, or your other retailer of choiceRead Grella's Substack post "Minimalism at the End" — the piece discussed in this episodeGeorge Grella Jr.'s previous book: Miles Davis' Bitches Brew (Bloomsbury, 2015) — part of the 33⅓ seriesKey ComposersSteve Reich — official websitePhilip Glass — official websiteMeredith Monk — official websiteMorton Feldman — WikipediaLa Monte Young — WikipediaArvo Pärt — official websiteLouis Andriessen — WikipediaJohn Zorn — Tzadik websiteKey Works DiscussedMusic for 18 Musicians — Steve ReichElectric Counterpoint — Steve ReichDrumming — Steve ReichDifferent Trains — Steve ReichEinstein on the Beach — Ictus, Suzanne Vega, Collegium Vocale Gent (VLEK, 2025) — the recording discussed in this episodeGlassworks — Philip GlassPanthalassa: The Music of Miles Davis 1969–1974 — reconstructed and mixed by Bill Laswell (Sony, 1998)Kind of Blue — Miles DavisEnsembles and OrganizationsBang on a Can — including the Bang on a Can All-Stars and the annual Long Play FestivalSō Percussion — Grammy-winning percussion quartetIctus Ensemble — Brussels-based contemporary music ensembleReferenced BooksOn Minimalism: Documenting a Musical Movement — Kerry O'Brien and William Robin (University of California Press, 2023)Kerry O'Brien and William Robin on The Tonearm PodcastThe Rest Is Noise: Listening to the Twentieth Century — Alex Ross (Farrar, Straus and Giroux, 2007)ExhibitionJohn Zorn: Hermetic Cartography — The Drawing Center, New York (February 7–May 11, 2025). The exhibition featured drawings, graphic scores, and visual works spanning seven decades of Zorn's practice.—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
This summer, HRP is reading Pedagogies of Collapse: A Hopeful Education for the End of the World As We Know It, by Ginie Servant-Miklos, and we're inviting you to join us. Visit humanrestorationproject.org/book-club to sign up for our summer book club, where we'll meet to discuss the ideas and implications of Pedagogies of Collapse and be joined by the author, for a Q&A on July 31. I'll include a link to the book in the show notes, which is available on Open Access through Bloomsbury. Hope to see you there!I'm back this week with another narrated piece from our upcoming Progressive Education Primer. If you like this format and want to have more narrated essay content, or if you can't stand it, leave a comment on YouTube or Discord to let us know. This one is written by our Executive Director, Chris McNutt, titled Teaching in the Wreckage of the Real.HRP Book ClubPedagogies of Collapse, Bloomsbury Open AccessTeaching in the Wreckage of the Real, Chris McNuttAdditional music credits: Dandelion by | e s c p | https://www.escp.space | https://escp-music.bandcamp.com
The Wikipedia co-founder has developed seven rules for building trust to create a better world, both on the internet and IRL.Growing up in Huntsville, Alabama, Jimmy was enamoured with his family's Encyclopaedia Britannica.The city was home to NASA's Marshall Space Flight Centre, and the energy of the place gave a young Jimmy a robust enthusiasm for technology and the future.As a young man, Jimmy developed the idea to start a free, online encyclopaedia, built by strangers and shared across languages.In 2001, Wikipedia was born, and for a time it was derided.Now, the website is a mainstay of the internet and a resource trusted by many.Jimmy says Wikipedia is all about strangers working together on the internet, in pursuit of a common goal, powered by their shared enthusiasm, and that is something to celebrate.Further informationThe Seven Rules of Trust: Why It Is Today's Most Essential Superpower is published by Bloomsbury.This episode was produced by Alice Moldovan. The Executive Producer is Eliza Kirsch.It covers Twitter, X, trolls, vandalism, respect, civility, not-for-profit, tech bros, volunteers, social media ban, nupedia, servers, bots, AI, meconium aspiration syndrome, authenticity, empathy, logic, abortion, internet traffic, shouting online and civil discussion.To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.
Join hosts J.D. Barker, Christine Daigle, Jena Brown, and Kevin Tumlinson as they discuss the week's entertainment news, including stories about Bloomsbury, Minotaur, and subscription addiction. Then, stick around for a chat with Lori Foster! Lori Foster is a New York Times, USA Today, and Publishers Weekly bestselling author of more than 100 titles. She's known for her fun, very sexy contemporary romance novels revolving around alpha males who meet (and fall in love with) strong, independent women. Lori's been a recipient of the prestigious RT Book Reviews Career Achievement Award for Series Romantic Fantasy, and for Contemporary Romance. Even more fun, Lori's been a clue in the New York Times crossword puzzle, a clue in the USA Today Quick-cross puzzle, and the sensual and sexy Too Much Temptation was Amazon's 2002 top-selling title in Romance. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Round The Horne, Movie Go Wrong: Frankenstein's Monster = When intrepid Bloomsbury detective Lyndon Baines Sinkplunger travels to Transylvania in search of a missing brother named Englebert, he finds himself dodging vampires, headless knights, and a tearful mad scientist who just wants to be left alone with his cocoa.Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.tiny.us/OTRCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Final Judgement” (November 04, 1977)00:46:30.450 = Incredible But True, “Welcome Home” (1950-1951)00:50:13.222 = Inner Sanctum, “Melody of Death” (April 22, 1944) ***WD01:15:17.305 = The Key, “Child Murderer” (1956) ***WD01:40:49.511 = Lights Out, “Dream” (March 16, 1943)02:09:18.279 = Lux Radio Theater, “Smilin' Through” (January 05, 1942)03:07:43.807 = Macabre, “Edge of Evil” (January 08, 1962) ***WD03:37:43.409 = Philip Marlowe, “Hairpin Turn” (January 28, 1950)04:06:13.826 = Round The Horne, “Movie Go Wrong: Frankenstein's Monster” (March 10,1968)04:17:56.834 = The Black Mass, “The Man In The Crowd” (July 29, 1964) ***WD04:28:58.936 = Michael Shayne, “Body In The Trunk” (April 23, 1945)04:58:28.784 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0666
At 48, Bill Hayes moved to New York. He took up photography, and never anticipated the surprise of falling in love with his neighbour, Dr Oliver Sacks, a neurologist, a naturalist and a university professor. (R)Doctor Oliver Sacks became famous for writing case histories of his patients in books, including The Man Who Mistook his Wife for a Hat, and An Anthropologist on Mars.At 75 years old, Oliver had never been in a relationship, until he fell deeply in love with his neighbour Bill Hayes, who was decades younger than him.Bill and Oliver lived together until Oliver Sacks died in 2015, in his early eighties.Further informationBill's memoir Insomniac City was published in 2017 by Bloomsbury.This conversation was recorded at the 2017 Sydney Writers' Festival.The producer was Nicola Harrison and the Executive Producer was Pam O'Brien.
I went through my Kurt Vonnegut phase in my late teens. I read Player Piano, Cat's Cradle, I think, Deadeye Dick, and of course, Slaughterhouse Five. I can't say I remember much from those novels. Nor can I recall why Vonnegut connected with me. Perhaps now is a good time to revisit them. Little did I know that Vonnegut had a large readership in the Soviet Union. His books were translated by Rita Rait-Kovaleva and published in hundreds of thousands of copies. And in late Soviet fashion they were also passed around by hand to those who couldn't secure copies. What did Soviet readers see in Kurt Vonnegut? How did the authorities regard this so-called “Anti-American American”? And what did Vonnegut think about his Soviet fans? Sarah Phillips wondered too after she participated in a project on Vonnegut. The result is her book, Kurt Vonnegut in the USSR. Sarah reached out to us, so we booked an interview. It turns out that Vonnegut has transcultural appeal. There's even a revival in Ukraine. But what does Vonnegut's popularity among Soviet youth say about really existing state socialism? Tune in to find out.Guest:Sarah Phillips is professor of anthropology at Indiana University-Bloomington. She's the author of Women's Social Activism in the New Ukraine and Disability and Mobile Citizenship in Postsocialist Ukraine, both published by Indiana University Press. Her new book is Kurt Vonnegut in the USSR published by Bloomsbury. Hosted on Acast. See acast.com/privacy for more information.
Hotels represent nations, hosting visiting monarchs, politicians, and diplomats. Hotels underpin global networks of travel and communication, on which national and international prosperity have increasingly depended since the end of the First World War. Yet hotels are also places where people can be anonymous; where murderers and thieves mix with adulterers and con artists; and where prejudice finds expression in who is refused access, and in the forms of 'service' provided by staff in the lowest-paid roles. The Secret Life of the Hotel: Sex, Crime and Protest in British Guesthouses Since 1918 (Bloomsbury, 2026) by Professor Eloise Moss is the first book to uncover how hotels entrenched inequality, prejudice, and exploitation in Britain's tourist sector, and in wider society and culture, during the 20th century.Professor Moss delves into hotel murders, swindles, and scandals, including the history of Agatha Christie's disappearance in 1926, the 'Margate Hotel Murder', and the divorce of Wallis Simpson in 1936 so she could marry King Edward VIII. Professor Moss's exploration of the hotel also shines a light on the fight against the colour bar, the formation of the British civil rights movement, and the visit to London of Martin Luther King Jr.The Secret Life of the Hotel uniquely tells the story of Britain's relationship with the world during the 20th century through the prism of its hotels, showing how their infrastructure and 'welcome' had profound consequences for women, people of colour, LGBTQ+ citizens, and people with disabilities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Hotels represent nations, hosting visiting monarchs, politicians, and diplomats. Hotels underpin global networks of travel and communication, on which national and international prosperity have increasingly depended since the end of the First World War. Yet hotels are also places where people can be anonymous; where murderers and thieves mix with adulterers and con artists; and where prejudice finds expression in who is refused access, and in the forms of 'service' provided by staff in the lowest-paid roles. The Secret Life of the Hotel: Sex, Crime and Protest in British Guesthouses Since 1918 (Bloomsbury, 2026) by Professor Eloise Moss is the first book to uncover how hotels entrenched inequality, prejudice, and exploitation in Britain's tourist sector, and in wider society and culture, during the 20th century.Professor Moss delves into hotel murders, swindles, and scandals, including the history of Agatha Christie's disappearance in 1926, the 'Margate Hotel Murder', and the divorce of Wallis Simpson in 1936 so she could marry King Edward VIII. Professor Moss's exploration of the hotel also shines a light on the fight against the colour bar, the formation of the British civil rights movement, and the visit to London of Martin Luther King Jr.The Secret Life of the Hotel uniquely tells the story of Britain's relationship with the world during the 20th century through the prism of its hotels, showing how their infrastructure and 'welcome' had profound consequences for women, people of colour, LGBTQ+ citizens, and people with disabilities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Hotels represent nations, hosting visiting monarchs, politicians, and diplomats. Hotels underpin global networks of travel and communication, on which national and international prosperity have increasingly depended since the end of the First World War. Yet hotels are also places where people can be anonymous; where murderers and thieves mix with adulterers and con artists; and where prejudice finds expression in who is refused access, and in the forms of 'service' provided by staff in the lowest-paid roles. The Secret Life of the Hotel: Sex, Crime and Protest in British Guesthouses Since 1918 (Bloomsbury, 2026) by Professor Eloise Moss is the first book to uncover how hotels entrenched inequality, prejudice, and exploitation in Britain's tourist sector, and in wider society and culture, during the 20th century.Professor Moss delves into hotel murders, swindles, and scandals, including the history of Agatha Christie's disappearance in 1926, the 'Margate Hotel Murder', and the divorce of Wallis Simpson in 1936 so she could marry King Edward VIII. Professor Moss's exploration of the hotel also shines a light on the fight against the colour bar, the formation of the British civil rights movement, and the visit to London of Martin Luther King Jr.The Secret Life of the Hotel uniquely tells the story of Britain's relationship with the world during the 20th century through the prism of its hotels, showing how their infrastructure and 'welcome' had profound consequences for women, people of colour, LGBTQ+ citizens, and people with disabilities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Hotels represent nations, hosting visiting monarchs, politicians, and diplomats. Hotels underpin global networks of travel and communication, on which national and international prosperity have increasingly depended since the end of the First World War. Yet hotels are also places where people can be anonymous; where murderers and thieves mix with adulterers and con artists; and where prejudice finds expression in who is refused access, and in the forms of 'service' provided by staff in the lowest-paid roles. The Secret Life of the Hotel: Sex, Crime and Protest in British Guesthouses Since 1918 (Bloomsbury, 2026) by Professor Eloise Moss is the first book to uncover how hotels entrenched inequality, prejudice, and exploitation in Britain's tourist sector, and in wider society and culture, during the 20th century.Professor Moss delves into hotel murders, swindles, and scandals, including the history of Agatha Christie's disappearance in 1926, the 'Margate Hotel Murder', and the divorce of Wallis Simpson in 1936 so she could marry King Edward VIII. Professor Moss's exploration of the hotel also shines a light on the fight against the colour bar, the formation of the British civil rights movement, and the visit to London of Martin Luther King Jr.The Secret Life of the Hotel uniquely tells the story of Britain's relationship with the world during the 20th century through the prism of its hotels, showing how their infrastructure and 'welcome' had profound consequences for women, people of colour, LGBTQ+ citizens, and people with disabilities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
Hotels represent nations, hosting visiting monarchs, politicians, and diplomats. Hotels underpin global networks of travel and communication, on which national and international prosperity have increasingly depended since the end of the First World War. Yet hotels are also places where people can be anonymous; where murderers and thieves mix with adulterers and con artists; and where prejudice finds expression in who is refused access, and in the forms of 'service' provided by staff in the lowest-paid roles. The Secret Life of the Hotel: Sex, Crime and Protest in British Guesthouses Since 1918 (Bloomsbury, 2026) by Professor Eloise Moss is the first book to uncover how hotels entrenched inequality, prejudice, and exploitation in Britain's tourist sector, and in wider society and culture, during the 20th century.Professor Moss delves into hotel murders, swindles, and scandals, including the history of Agatha Christie's disappearance in 1926, the 'Margate Hotel Murder', and the divorce of Wallis Simpson in 1936 so she could marry King Edward VIII. Professor Moss's exploration of the hotel also shines a light on the fight against the colour bar, the formation of the British civil rights movement, and the visit to London of Martin Luther King Jr.The Secret Life of the Hotel uniquely tells the story of Britain's relationship with the world during the 20th century through the prism of its hotels, showing how their infrastructure and 'welcome' had profound consequences for women, people of colour, LGBTQ+ citizens, and people with disabilities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Most of us today would assume that morality and ethics, being value propositions, are questions for inspired leaders, religious creeds, poets—in other words, for the humanities. But what if I told you that we can construct a system of ethics and morality by studying math—more specifically: the laws of thermodynamics? That's what Professor Drew M Dalton argues in his latest book. Dalton traces a line of metaphysical inquiry from Kant through Spinoza, Nietzsche, and others up to today to show how we get from E=mc2 to a full-throated call to resist evil and alleviate suffering to our very last breath. By overturning our assumptions about the nature and value of reality, The Matter of Evil: From Speculative Realism to Ethical Pessimism (Northwestern UP, 2024) presents a provocative new model of ethical responsibility that is both logically justifiable and scientifically sound. Dalton argues for “ethical pessimism,” a position previously marginalized in the West, as a means to cultivate an account of ethical responsibility and political activism that takes seriously the unbecoming of being and the moral horror of existence. Drew M. Dalton is a professor of English at Indiana University, having received his Ph.D. in Philosophy from the University of Leuven in Belgium. His research focuses on the normative implications of different metaphysical systems and, specifically, he's interested in how questions of right and wrong, good and evil, beauty and pleasure are framed within aesthetics, literary theory, ethics, and political philosophy. He is the author of Longing for the Other: Levinas and Metaphysical Desire (Duquesne University Press, 2009), The Ethics of Resistance: Tyranny of the Absolute (Bloomsbury, 2018), and The Matter of Evil: From Speculative Realism to Ethical Pessimism (Northwestern University Press, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices
Hotels represent nations, hosting visiting monarchs, politicians, and diplomats. Hotels underpin global networks of travel and communication, on which national and international prosperity have increasingly depended since the end of the First World War. Yet hotels are also places where people can be anonymous; where murderers and thieves mix with adulterers and con artists; and where prejudice finds expression in who is refused access, and in the forms of 'service' provided by staff in the lowest-paid roles. The Secret Life of the Hotel: Sex, Crime and Protest in British Guesthouses Since 1918 (Bloomsbury, 2026) by Professor Eloise Moss is the first book to uncover how hotels entrenched inequality, prejudice, and exploitation in Britain's tourist sector, and in wider society and culture, during the 20th century.Professor Moss delves into hotel murders, swindles, and scandals, including the history of Agatha Christie's disappearance in 1926, the 'Margate Hotel Murder', and the divorce of Wallis Simpson in 1936 so she could marry King Edward VIII. Professor Moss's exploration of the hotel also shines a light on the fight against the colour bar, the formation of the British civil rights movement, and the visit to London of Martin Luther King Jr.The Secret Life of the Hotel uniquely tells the story of Britain's relationship with the world during the 20th century through the prism of its hotels, showing how their infrastructure and 'welcome' had profound consequences for women, people of colour, LGBTQ+ citizens, and people with disabilities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Most of us today would assume that morality and ethics, being value propositions, are questions for inspired leaders, religious creeds, poets—in other words, for the humanities. But what if I told you that we can construct a system of ethics and morality by studying math—more specifically: the laws of thermodynamics? That's what Professor Drew M Dalton argues in his latest book. Dalton traces a line of metaphysical inquiry from Kant through Spinoza, Nietzsche, and others up to today to show how we get from E=mc2 to a full-throated call to resist evil and alleviate suffering to our very last breath. By overturning our assumptions about the nature and value of reality, The Matter of Evil: From Speculative Realism to Ethical Pessimism (Northwestern UP, 2024) presents a provocative new model of ethical responsibility that is both logically justifiable and scientifically sound. Dalton argues for “ethical pessimism,” a position previously marginalized in the West, as a means to cultivate an account of ethical responsibility and political activism that takes seriously the unbecoming of being and the moral horror of existence. Drew M. Dalton is a professor of English at Indiana University, having received his Ph.D. in Philosophy from the University of Leuven in Belgium. His research focuses on the normative implications of different metaphysical systems and, specifically, he's interested in how questions of right and wrong, good and evil, beauty and pleasure are framed within aesthetics, literary theory, ethics, and political philosophy. He is the author of Longing for the Other: Levinas and Metaphysical Desire (Duquesne University Press, 2009), The Ethics of Resistance: Tyranny of the Absolute (Bloomsbury, 2018), and The Matter of Evil: From Speculative Realism to Ethical Pessimism (Northwestern University Press, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/secularism
Hotels represent nations, hosting visiting monarchs, politicians, and diplomats. Hotels underpin global networks of travel and communication, on which national and international prosperity have increasingly depended since the end of the First World War. Yet hotels are also places where people can be anonymous; where murderers and thieves mix with adulterers and con artists; and where prejudice finds expression in who is refused access, and in the forms of 'service' provided by staff in the lowest-paid roles. The Secret Life of the Hotel: Sex, Crime and Protest in British Guesthouses Since 1918 (Bloomsbury, 2026) by Professor Eloise Moss is the first book to uncover how hotels entrenched inequality, prejudice, and exploitation in Britain's tourist sector, and in wider society and culture, during the 20th century.Professor Moss delves into hotel murders, swindles, and scandals, including the history of Agatha Christie's disappearance in 1926, the 'Margate Hotel Murder', and the divorce of Wallis Simpson in 1936 so she could marry King Edward VIII. Professor Moss's exploration of the hotel also shines a light on the fight against the colour bar, the formation of the British civil rights movement, and the visit to London of Martin Luther King Jr.The Secret Life of the Hotel uniquely tells the story of Britain's relationship with the world during the 20th century through the prism of its hotels, showing how their infrastructure and 'welcome' had profound consequences for women, people of colour, LGBTQ+ citizens, and people with disabilities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
Progressive education is a world-building project rooted in the radical hope that schools can become something fit for human beings.This summer, HRP is reading Pedagogies of Collapse: A Hopeful Education for the End of the World As We Know It, by Ginie Servant-Miklos, and we're inviting you to join us. Visit humanrestorationproject.org/book-club to sign up for our summer book club, where we'll meet to discuss the ideas and implications of Pedagogies of Collapse and be joined by the author, for a Q&A on July 31. I'll include a link to the book in the show notes, which is available on Open Access through Bloomsbury. Hope to see you there!The HRP team has been on the road for 3 of the last 4 weeks. At the end of April, we were on the ground working with Third Coast Learning Collaborative schools in Michigan. Last week, we were in Boston for school visits, meeting with folks at the Boston Museum of Science about an upcoming grant partnership, and I went to prison with Jennifer Berkshire to sit in on her journalism class at MCI-Shirley. At the time of recording, I'm headed to Ohio to present student listening reports to school districts who held focus groups this year based around student agency. This is all to say I don't have an epic 90 minute conversation or hour-long topical deep dive for you this week, but what I will offer is an audio reading of the opening piece from our revised Progressive Education Primer, it's called We Are Worldbuilders. See you in two weeks!HRP Book ClubPedagogies of Collapse, Bloomsbury Open AccessWe Are Worldbuilders, Nick CovingtonAdditional music credits: Dandelion by | e s c p | https://www.escp.space | https://escp-music.bandcamp.com
AI and Digital Leadership: Transforming Libraries, Archives, and Museums for the Future (Bloomsbury, 2026) explores how galleries, libraries, archives, and museums (GLAMs) are navigating new leadership styles and organizational frameworks to help meet the challenges posed by a digital society. During this time of digital transformation, galleries, libraries, archives, and museums (GLAMs) are facing a generational challenge that calls on them to rethink their roles and responsibilities, re-evaluate policies and practices, and re-envision creative management and use of their collections. While AI is not new for GLAMs, the rapid development of generative AI has accelerated the pace of change along with a host of risks and benefits. For cultural heritage institutions, the stakes for implementing emerging AI technologies are high as GLAMs navigate questions relating to cultural relevance, limited resources and expanding backlogs of digital collections. GLAMs must also contend with the major intellectual and social implications for supporting entirely new approaches to learning, scholarship and public engagement. As GLAMs strive to keep pace, this book turns to explore how cultural heritage institutions can draw on a model of digital leadership to help them meet the challenges posed by the ethical implementation and use of generative AI in the stewardship of distinctive collections. Although digital leadership has been widely written about in the fields of business management, communication and marketing and information technology, it has not yet been addressed in a book format for the GLAM sector. In addition to discussing the basic definition and concepts of digital leadership, this book explores digital leadership as a critical framework for GLAMs to advance digital stewardship programs, professional development and staff training initiatives, and institutional advocacy in the age of AI. Guest: Angela I. Fritz is Assistant Professor at the School of Library and Information Science at the University of Iowa. Previously, she has held leadership positions at the Wisconsin Historical Society, the University of Notre Dame, and the Office of Presidential Libraries and Museums at the National Archives and Records Administration (NARA). Dr. Fritz has a PhD in American history and public history from Loyola University-Chicago, a master's degree in history from the University of Wisconsin-Milwaukee, and a master's degree in library science with a concentration in archival administration from the University of Wisconsin-Madison. Mentioned during the episode, is an upcoming special issue of Collections: A Journal for Museum and Archives Practitioners guest edited by Dr. Fritz. You can learn more about this special issue on the journal's homepage. Host: Dr. Michael LaMagna is the Information Literacy Program & Library Services Coordinator and Professor of Library Services at Delaware County Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
AI and Digital Leadership: Transforming Libraries, Archives, and Museums for the Future (Bloomsbury, 2026) explores how galleries, libraries, archives, and museums (GLAMs) are navigating new leadership styles and organizational frameworks to help meet the challenges posed by a digital society. During this time of digital transformation, galleries, libraries, archives, and museums (GLAMs) are facing a generational challenge that calls on them to rethink their roles and responsibilities, re-evaluate policies and practices, and re-envision creative management and use of their collections. While AI is not new for GLAMs, the rapid development of generative AI has accelerated the pace of change along with a host of risks and benefits. For cultural heritage institutions, the stakes for implementing emerging AI technologies are high as GLAMs navigate questions relating to cultural relevance, limited resources and expanding backlogs of digital collections. GLAMs must also contend with the major intellectual and social implications for supporting entirely new approaches to learning, scholarship and public engagement. As GLAMs strive to keep pace, this book turns to explore how cultural heritage institutions can draw on a model of digital leadership to help them meet the challenges posed by the ethical implementation and use of generative AI in the stewardship of distinctive collections. Although digital leadership has been widely written about in the fields of business management, communication and marketing and information technology, it has not yet been addressed in a book format for the GLAM sector. In addition to discussing the basic definition and concepts of digital leadership, this book explores digital leadership as a critical framework for GLAMs to advance digital stewardship programs, professional development and staff training initiatives, and institutional advocacy in the age of AI. Guest: Angela I. Fritz is Assistant Professor at the School of Library and Information Science at the University of Iowa. Previously, she has held leadership positions at the Wisconsin Historical Society, the University of Notre Dame, and the Office of Presidential Libraries and Museums at the National Archives and Records Administration (NARA). Dr. Fritz has a PhD in American history and public history from Loyola University-Chicago, a master's degree in history from the University of Wisconsin-Milwaukee, and a master's degree in library science with a concentration in archival administration from the University of Wisconsin-Madison. Mentioned during the episode, is an upcoming special issue of Collections: A Journal for Museum and Archives Practitioners guest edited by Dr. Fritz. You can learn more about this special issue on the journal's homepage. Host: Dr. Michael LaMagna is the Information Literacy Program & Library Services Coordinator and Professor of Library Services at Delaware County Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society
AI and Digital Leadership: Transforming Libraries, Archives, and Museums for the Future (Bloomsbury, 2026) explores how galleries, libraries, archives, and museums (GLAMs) are navigating new leadership styles and organizational frameworks to help meet the challenges posed by a digital society. During this time of digital transformation, galleries, libraries, archives, and museums (GLAMs) are facing a generational challenge that calls on them to rethink their roles and responsibilities, re-evaluate policies and practices, and re-envision creative management and use of their collections. While AI is not new for GLAMs, the rapid development of generative AI has accelerated the pace of change along with a host of risks and benefits. For cultural heritage institutions, the stakes for implementing emerging AI technologies are high as GLAMs navigate questions relating to cultural relevance, limited resources and expanding backlogs of digital collections. GLAMs must also contend with the major intellectual and social implications for supporting entirely new approaches to learning, scholarship and public engagement. As GLAMs strive to keep pace, this book turns to explore how cultural heritage institutions can draw on a model of digital leadership to help them meet the challenges posed by the ethical implementation and use of generative AI in the stewardship of distinctive collections. Although digital leadership has been widely written about in the fields of business management, communication and marketing and information technology, it has not yet been addressed in a book format for the GLAM sector. In addition to discussing the basic definition and concepts of digital leadership, this book explores digital leadership as a critical framework for GLAMs to advance digital stewardship programs, professional development and staff training initiatives, and institutional advocacy in the age of AI. Guest: Angela I. Fritz is Assistant Professor at the School of Library and Information Science at the University of Iowa. Previously, she has held leadership positions at the Wisconsin Historical Society, the University of Notre Dame, and the Office of Presidential Libraries and Museums at the National Archives and Records Administration (NARA). Dr. Fritz has a PhD in American history and public history from Loyola University-Chicago, a master's degree in history from the University of Wisconsin-Milwaukee, and a master's degree in library science with a concentration in archival administration from the University of Wisconsin-Madison. Mentioned during the episode, is an upcoming special issue of Collections: A Journal for Museum and Archives Practitioners guest edited by Dr. Fritz. You can learn more about this special issue on the journal's homepage. Host: Dr. Michael LaMagna is the Information Literacy Program & Library Services Coordinator and Professor of Library Services at Delaware County Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology
Episode 35 is a conversation with one of the psychedelic world's true elders: Adele Getty, author, philanthropist, and co-founder of Limina Foundation. Adele's life story weaves together decades of ceremony, community, and consciousness exploration. Adele traces her fascination with plant medicine all the way back to 1957, when, at age seven, she devoured a 15-page Life Magaze spread on Gordon Wasson and Maria Sabina that quietly shaped the entire arc of her life. After her first curated LSD experience in 1968, Adele made a personal commitment to take the medicine once a year and use it as a kind of annual self-audit, a practice she has maintained for over five decades. Adele shares what it was like to marry Francis Huxley, Aldous Huxley's nephew, in 1986, including intimate stories of Nobel Prize winners, the Bloomsbury set, and how the relationship deepened her understanding of psychedelics as a tool for navigating life's most challenging passages, including the end of the marriage and the death of Francis. From Native American teachers like Sun Bear and Grandmother Evelyn Eaton, to Leo Zeff and Ralph Metzner, Adele reflects on how she wove together multiple lineages and offers a thoughtful take on cultural appropriation, encouraging people to find their own authentic ceremonial voice. Adele shares tender memories of the recently passed underground guide Ricci Coddington, including Ricci's dream about Leo Zeff in her final year. She also reflects on her role as a founding member of the Guild of Guides and her longtime advocacy for non-directive, space-holding approaches to psychedelic facilitation. Adele discusses the wildly successful Santa Fe event she produced, the Enchanted State, that raised over $100,000 for New Mexico's emerging psilocybin landscape, and closes with a hopeful vision rooted in Limina Foundation's mission that psychedelics could serve as a rare unifying force across political divides, with a recent poll showing 70% of Americans, regardless of party, supporting access to these medicines for those who need them. Thank you for listening. Thank you for supporting the podcast and our psychedelic elders. And thank you for taking the time to click the five stars or the thumbs up so that others might stumble across it and benefit as well. I so appreciate it! Adele Getty Bio: Adele Getty Elder, Wisdom Keeper, Psychedelic Educator Adele Getty is a pioneering voice in psychedelic education, known for decades of work exploring the sacred, cultural, and psychological dimensions of psychedelic healing. A founding member of the Guild of Guides, she has helped shape the field of assisted psychedelic work with deep integrity and cross-cultural wisdom. Her books, including A Sense of the Sacred and Goddess: Mother of Living Nature, explore ceremony, matrifocal history, and rites of passage. Widely respected as an elder and wisdom keeper, her recent keynote at the 2023 MAPS Conference received a standing ovation. Adele's work continues to guide a deeper, more grounded psychedelic future. Connect with Adele Find Adele and learn more about her work at liminafoundation.org. Videos from The Enchanted State conference will be available there soon. Donation Links GoFundMe for Jack Coddington For larger, tax-deductible donations ($1,000+) please contact Michael at LiminaFoundation.org Connect with Carla You can connect with us on Instagram @PsychedelicDivas, and be sure to join the email list at psychedelicdivas.com for updates, resources, and the Psychedelic Safety Guide Including What to Do When Things Go Wrong. Website: PsychedelicDivas.com Carla's Coaching: CarlaDetchon.com Instagram: @PsychedelicDivas YouTube: https://www.youtube.com/@carladetchon Subscribe & Review: Support the sisterhood, by subscribing, rating, and reviewing Psychedelic Divas. Your support helps amplify these important conversations and grow our community.
Nicholas Tochka analyzes the role of rock music in the life of Charles Manson, the Family, and the August 1969 Tate-LaBianca killings, which also gives larger insight into Sixties counterculture. Failed singer-songwriter. Devious cult leader. A rock Pied Piper. The product of a sick society. Just another dime-a-dozen singing hippy mystic. Did the guitar-playing guru personify the violence that the rock counterculture inflicted on America? Or did his music diagnose the dehumanizing effects of that society's broken institutions? For over five decades, commentators have debated the meaning of Charles Manson and the Tate-LaBianca killings. Rock music links their narratives: from the acid drenched singalongs at the Spahn Movie Ranch, to a bizarre theology centered on Beatles songs, to his commune's alleged links with Hollywood's elite, to an album, LIE: The Love and Terror Cult (1970). In this first comprehensive examination of the Manson Family's music, Nicholas Tochka writes with, against, and alongside the many authors-true-crime hacks, gonzo journalists, conspiracy theorists, and rock critics alike-who have told and retold the story of "the Manson murders." Playing the truth games that these postwar Americans helped invent, The Musical Lives of Charles Manson: The Beatles, the Beach Boys, and the Invention of the Sixties (Bloomsbury, 2026) presents a new take on the story of the commune-and on rock's role in fracturing the possibility of writing trustworthy histories after the Sixties. "They are afraid of it, because it tells the truth," Manson once claimed, describing his music. Just what truths did the Manson Family's music-making tell? Nicholas Tochka is Associate Professor of Music (Ethnomusicology) at the University of Melbourne, Australia, and the author of several books including Rocking In the Free World: Music and the Politics of Freedom in Postwar America and Audible States: Socialist Politics and Popular Music in Albania. His work examines the politics of music-making in the postwar world. Nicholas on the University of Melbourne's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Nicholas Tochka analyzes the role of rock music in the life of Charles Manson, the Family, and the August 1969 Tate-LaBianca killings, which also gives larger insight into Sixties counterculture. Failed singer-songwriter. Devious cult leader. A rock Pied Piper. The product of a sick society. Just another dime-a-dozen singing hippy mystic. Did the guitar-playing guru personify the violence that the rock counterculture inflicted on America? Or did his music diagnose the dehumanizing effects of that society's broken institutions? For over five decades, commentators have debated the meaning of Charles Manson and the Tate-LaBianca killings. Rock music links their narratives: from the acid drenched singalongs at the Spahn Movie Ranch, to a bizarre theology centered on Beatles songs, to his commune's alleged links with Hollywood's elite, to an album, LIE: The Love and Terror Cult (1970). In this first comprehensive examination of the Manson Family's music, Nicholas Tochka writes with, against, and alongside the many authors-true-crime hacks, gonzo journalists, conspiracy theorists, and rock critics alike-who have told and retold the story of "the Manson murders." Playing the truth games that these postwar Americans helped invent, The Musical Lives of Charles Manson: The Beatles, the Beach Boys, and the Invention of the Sixties (Bloomsbury, 2026) presents a new take on the story of the commune-and on rock's role in fracturing the possibility of writing trustworthy histories after the Sixties. "They are afraid of it, because it tells the truth," Manson once claimed, describing his music. Just what truths did the Manson Family's music-making tell? Nicholas Tochka is Associate Professor of Music (Ethnomusicology) at the University of Melbourne, Australia, and the author of several books including Rocking In the Free World: Music and the Politics of Freedom in Postwar America and Audible States: Socialist Politics and Popular Music in Albania. His work examines the politics of music-making in the postwar world. Nicholas on the University of Melbourne's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Nicholas Tochka analyzes the role of rock music in the life of Charles Manson, the Family, and the August 1969 Tate-LaBianca killings, which also gives larger insight into Sixties counterculture. Failed singer-songwriter. Devious cult leader. A rock Pied Piper. The product of a sick society. Just another dime-a-dozen singing hippy mystic. Did the guitar-playing guru personify the violence that the rock counterculture inflicted on America? Or did his music diagnose the dehumanizing effects of that society's broken institutions? For over five decades, commentators have debated the meaning of Charles Manson and the Tate-LaBianca killings. Rock music links their narratives: from the acid drenched singalongs at the Spahn Movie Ranch, to a bizarre theology centered on Beatles songs, to his commune's alleged links with Hollywood's elite, to an album, LIE: The Love and Terror Cult (1970). In this first comprehensive examination of the Manson Family's music, Nicholas Tochka writes with, against, and alongside the many authors-true-crime hacks, gonzo journalists, conspiracy theorists, and rock critics alike-who have told and retold the story of "the Manson murders." Playing the truth games that these postwar Americans helped invent, The Musical Lives of Charles Manson: The Beatles, the Beach Boys, and the Invention of the Sixties (Bloomsbury, 2026) presents a new take on the story of the commune-and on rock's role in fracturing the possibility of writing trustworthy histories after the Sixties. "They are afraid of it, because it tells the truth," Manson once claimed, describing his music. Just what truths did the Manson Family's music-making tell? Nicholas Tochka is Associate Professor of Music (Ethnomusicology) at the University of Melbourne, Australia, and the author of several books including Rocking In the Free World: Music and the Politics of Freedom in Postwar America and Audible States: Socialist Politics and Popular Music in Albania. His work examines the politics of music-making in the postwar world. Nicholas on the University of Melbourne's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Nicholas Tochka analyzes the role of rock music in the life of Charles Manson, the Family, and the August 1969 Tate-LaBianca killings, which also gives larger insight into Sixties counterculture. Failed singer-songwriter. Devious cult leader. A rock Pied Piper. The product of a sick society. Just another dime-a-dozen singing hippy mystic. Did the guitar-playing guru personify the violence that the rock counterculture inflicted on America? Or did his music diagnose the dehumanizing effects of that society's broken institutions? For over five decades, commentators have debated the meaning of Charles Manson and the Tate-LaBianca killings. Rock music links their narratives: from the acid drenched singalongs at the Spahn Movie Ranch, to a bizarre theology centered on Beatles songs, to his commune's alleged links with Hollywood's elite, to an album, LIE: The Love and Terror Cult (1970). In this first comprehensive examination of the Manson Family's music, Nicholas Tochka writes with, against, and alongside the many authors-true-crime hacks, gonzo journalists, conspiracy theorists, and rock critics alike-who have told and retold the story of "the Manson murders." Playing the truth games that these postwar Americans helped invent, The Musical Lives of Charles Manson: The Beatles, the Beach Boys, and the Invention of the Sixties (Bloomsbury, 2026) presents a new take on the story of the commune-and on rock's role in fracturing the possibility of writing trustworthy histories after the Sixties. "They are afraid of it, because it tells the truth," Manson once claimed, describing his music. Just what truths did the Manson Family's music-making tell? Nicholas Tochka is Associate Professor of Music (Ethnomusicology) at the University of Melbourne, Australia, and the author of several books including Rocking In the Free World: Music and the Politics of Freedom in Postwar America and Audible States: Socialist Politics and Popular Music in Albania. His work examines the politics of music-making in the postwar world. Nicholas on the University of Melbourne's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
On this episode of Counterpunch Radio, Rebecca Maria Goldschmidt speaks with Dr. Shahd Abusalama, Palestinian academic, writer, and artist, born and raised in Jabalia Refugee Camp, in northern Gaza. Shahd discusses her book, Between Reality and Documentary: A Historical Representation of Gaza Refugees in Colonial, Humanitarian and Palestinian Documentary Film, published in 2025 by Bloomsbury and SOAS Palestine Studies, and reflects on her recent book and film tour in Japan. Recorded during the opening days of the recent War on Iran, Shahd reflects on the ramifications of the war for Gaza, historical lessons from her time in Hiroshima, and her image of what true liberation could look like for the Palestinian people. The post An Image of Total Liberation w/ Dr. Shahd Abusalama appeared first on CounterPunch.org.
emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with Rutger Bregman, originally episode 190 from 2018-02-21.Original writeup below:An absolutely massive episode covering - as said - some big topics and issues, which are immensely interesting and made a lot easier to understand with Rutger's able guidance and explanation. His book ‘Utopia For Realists And How We Can Get There' is available now (published by Bloomsbury), and this should be a good idea of what you can expect - Rutger tackles the issues of universal basic income, strikes, borders, how great art can be achieved by not having basic financial worries, how we need a return to utopian thinking, new ideas beginning at the fringes of society, how the US isn't the beating heart of the entire world (as the news may have you believe), the ‘circle of bullshit', and how we are working with “21st Century hardware on 19th Century software” - all of these are expounded on a great deal so this is a good one to really sit and take some time with. There is a kind of ‘Freakanomics' approach to some of the points, which is fascinating - like the eventual financial cost of one element of one's life, and the knock-on effects of doing one thing in particular and how it leads to what's down the road. Just so much to enjoy, and all very positive too - certainly not a world of doom and gloom in this one, no way. Enlighten yourself and enjoy!PIP'S PATREON PAGE if you're of a supporting natureONLINEYOUTUBEPIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.
The largest career survey of the great 17th-century Spanish master Francisco de Zurbarán since the 1980s opens this weekend at the National Gallery in London. It presents a more rounded perspective on an artist best known for his austere paintings of saints and other religious subjects. Ben Luke takes a tour of the show with its co-curator, Francesca Whitlum-Cooper. The latest edition of the Carnegie International, held at the Carnegie Museum of Art and several other venues in Pittsburgh, also opens this weekend. This 59th iteration of the exhibition, which happens every four years, is called If the word we, and Ben speaks to the director of the museum, Eric Crosby. And this episode's Work of the Week is one of the five painted versions of Ennui, made around 1914 by Walter Sickert. The painting features in the exhibition Walter Sickert: Working Notes at Charleston in Lewes in Sussex, UK, part of the organisation based in the former home of the Bloomsbury linchpins Vanessa Bell and Duncan Grant. Ben talks to Robert Travers, the founder of the gallery Piano Nobile, who curated the exhibition in partnership with Charleston.Zurbarán, National Gallery, London, 2 May-23 August; Musée du Louvre, Paris, 7 October-25 January 2027; Art Institute of Chicago, 28 February-20 June 2027If the word we, 59th Carnegie International, 2 May-3 January 2027Walter Sickert: Working Notes, Charleston in Lewes, 2 May–11 October 2026. Hosted on Acast. See acast.com/privacy for more information.
Games That Haunt Us: Gothic Game Space as a Living Nightmare (Bloomsbury, 2026) is an examination of how the Gothic appears in game space to interrogate an area of substantial importance to contemporary games, with a focus on environments, bodies, and defining the Gothic in games. The Gothic, both as a literary and videogame genre has increased in prominence amongst literature, media, and culture scholars globally, as games studies becomes a more recognized and exciting field of study and as Gothic scholars find new ways to apply their works across emerging mediums. But why have Gothic games risen in popularity since 2010? What do players feel when they play these games? Why are themes surrounding fraught identities, mourning, and monstrosity gaining so much attention? Games That Haunt Us investigates the very nature of the Gothic and how video games provide new ways of connecting with the genre. The scholars in this collection look at why Gothic games are having their moment of popularity, the unsettling themes they evoke in unstable times, why we are fascinated with death and decay, theories surrounding body horror, and how games transform avatars and ourselves. Games That Haunt Us is arranged into three sequential themes: what makes a Gothic game; Gothic environments in game space; and how Gothic bodies are approached and utilized in ludonarratives. Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
If you've ever wondered how love could deepen in the face of the unthinkable, episode 424 of Grief and Happiness is for you. David Marsden shares the remarkable story of his late-in-life relationship with journalist Alicia Shepard — a partnership that survived two stage 4 cancer diagnoses and a role reversal between patient and caregiver that brought them closer than ever. Through loss, David reveals how asking for help and finding gratitude in the smallest moments can transform even the hardest chapters into something profoundly beautiful.In This Episode, You Will Learn:(01:00) David's stage 4 melanoma survival and late-in-life love story(02:25) A first date on April Fool's Day that began and ended eleven years later(03:49) Why the publisher dropped the book the day Lisa died — and David's refusal to let it go(08:53) Why Lisa packed up and followed David to war-torn Afghanistan(10:11) Cycling Iowa, visiting Alaska, and hiking the Grand Canyon with stage 4 lung cancer(11:35) Back-to-back diagnoses and swapping roles between patient and caregiver(13:30) In Lisa's own words: when a cancer diagnosis turns your world upside down(15:35) Why asking for help changes everything during serious illness(17:16) Finding gratitude in shrinking walks as the end drew near(19:31) How the book carries Lisa's voice forward for cancer patients and familiesDavid Marsden is a stage 4 melanoma survivor and the widower of award-winning journalist Alicia C. Shepard, former NPR ombudsman and contributor to the New York Times and Washington Post. The two met on Match.com in 2012, embarking on a late-in-life love story that took them from cycling across Iowa to working side by side in Afghanistan and hiking the Grand Canyon — all while navigating back-to-back stage 4 cancer diagnoses. After Alicia passed away on April 1, 2023 — eleven years to the day of their first date — David honored her dying wish by shepherding her memoir to publication with Bloomsbury. He contributed the epilogue, with a foreword by Alicia's son, filmmaker Cutter Hodierne. The Luckiest Unlucky Couple: A Medical Love Story is available now, with proceeds supporting cancer research and a foundation funding fellowships for women in journalism.In this episode, David opens up about the emotional terrain of loving someone through illness — and being loved through it yourself. He reflects on the shock of their sequential diagnoses, the profound role reversal of moving between patient and caregiver, and the unexpected gifts that came with both: learning to ask for help, leaning into community, and finding deep gratitude in the smallest moments. He also shares the story of getting Alicia's book across the finish line after her passing — a labor of love that became, as he describes it, a way to continue the relationship and honor everything she wanted to say.Connect with David Marsden:Book: Alicia C. Shepard - The Luckiest Unlucky Couple: A Medical Love StoryLet's Connect: WebsiteLinkedInFacebookInstagramTwitterPinterestThe Grief and Happiness AllianceBook: Emily Thiroux Threatt - Loving and Living Your Way Through Grief Hosted on Acast. See acast.com/privacy for more information.
In Identity Building Among Role-Playing Gamers: Slaying Goblins in the Real World (Bloomsbury 2025), Heather Shay draws from 19 months of participant-observation and 20 in-depth interviews with players. She found that gamers derive significant social and psychological benefits from table-top role-playing games-not least in that players often feel the hobby makes them better people. Playing these games allow players to depict themselves as good, moral actors through their in-game actions as well as by making the game enjoyable for their fellow players in real life. Table-top role-playing games also serve a psychological function by allowing participants to take imaginary risks with their characters, which in turn make them feel more alive than their everyday experiences allow them to. As they pretend to be fictional characters in fictional worlds, players use these games to create identities that make their lives more meaningful. Michael O. Johnston, Ph.D., is an Associate Professor of Sociology at William Penn University, where he focuses on the cultural and interpretive analysis of space, behavior, and identity. His work examines how built and designed environments shape social interaction, networks, and morality in everyday life across a range of settings. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023), Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022), and his most recent book Smalltown Urban: Performing the City in Rural America (Bloomsbury, under contract). His current research advances several interconnected projects, including the study of escape rooms as emotion-structured environments, the production of temporary urbanism in rural historic towns, and the ways students experience “hanging out” and feeling at home in higher education. He is also developing new work on the social organization and cultural meaning of rodeo. More broadly, his scholarship is united by an interest in how people actively produce meaning, attachment, and identity within specific spatial and temporal contexts. To learn more about his work, visit his personal website or Google Scholar, connect with him on Bluesky (@professorjohnst.bsky.social) or X (@ProfessorJohnst), or reach out directly via email (johnstonmo@wmpenn.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Librarians continue to work under budget constraints while still needing to increase the user experience and remove barriers to library resources. Learning to evaluate the best options for managing projects to accomplish goals while balancing with the reality of day-to-day work needs is integral to overall success.In Practical Project Management for Librarians (Bloomsbury, 2025), Kirsten Clark takes readers through the process of learning how to balance the goals of the project with the reality of working in libraries today, what key questions can help move readers effectively through the project process and choose the right tools, best practices to ensure sustainability in project plans as well as outcomes, and how to incorporate diversity, inclusion, and accessibility principles into your project management. This practice guide provides step-by-step instructions to determine what project management tools and techniques match the needs of the particular library project and person/team's skills level, while also providing these in the context of libraries' specific cultures and norms. Guest: Kirsten Clark is the director of Library Enterprise Systems at the University of Minnesota Libraries, USA, where her department oversees systems for five system campuses as well as ensures consistent and transparent application of access policies for students, faculty, researchers, and community users. In a career that has spanned working for small liberal arts colleges to research universities, she has led projects within a variety of library areas including research and instruction, collection development, access and information services, and information technology and systems. Host: Dr. Michael LaMagna is the Information Literacy Program & Library Services Coordinator and Professor of Library Services at Delaware County Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Music fan Brian Koppen chats with music critic Christian Kriticos as they discuss Hall of Fame artists: Del Shannon's “Runaway” vs. Paul Simon's “All Around the World or the Myth of Fingerprints”R.E.M.'s “Fall On Me” vs. Bobby Darin's “Splish Splash”Depeche Mode's “Personal Jesus” vs. Queen's “A Kind of Magic”Prince & the Revolution's “Kiss” vs. Martha Reeves and the Vandellas' "Nowhere to Run"Mary J. Blige's “No More Drama” vs. Bob Dylan's “Brownsville Girl” They also discuss Blood Orange's “You're Not Good Enough,” Memory Tapes' “Green Knight,” Public Enemy, and Prince vs. Michael Jackson. Check out Christian Kriticos at https://www.christiankriticos.com/ and https://www.instagram.com/christian.kriticos/, and his book MUSIQUE CONCRÈTE coming soon from Bloomsbury! Intro music is from Jussy's Down Open Roads. Check out Jussy at https://soundcloud.com/user-214048265/sets/jussy-demos-1!Support the show
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