South Africa is a dizzying patchwork of cultures and languages with 11 official tongues, including isiZulu, isiXhosa, Sesotho, Afrikaans, and English. From this diversity emerges a dynamic and impassioned cultural life like none other on earth. Carnegie Hall salutes this vibrant nation with a festiv…
Artist William Kentridge speaks about his Paper Music performance at Carnegie Hall.
Hugh Masekela discusses his exile from South Africa due to the Apartheid regime, and the support he received from Miriam Makeba and Harry Belafonte.
David Kramer looks back at the Apartheid era when much of his music was banned.
Abdullah Ibrahim, Dizu Plaatjies, and others speak about the concept of ubuntu.
Artists Abdullah Ibrahim, Dizu Plaatjies, William Kentridge, and others talk about the voice as a unifying element among South Africa's exhilarating diversity of sounds.
Carnegie Hall salutes this vibrant nation with a festival called UBUNTU: Music and Arts of South Africa. Roughly translating to mean "I am because you are," ubuntu is a philosophy from Southern Africa that emphasizes the importance of community, influencing recent moves of reconciliation and inclusion in South Africa that were fostered by the late Nelson Mandela. Dedicated to Mandela's legacy, Carnegie Hall's UBUNTU festival celebrates the many threads that make up South Africa's vibrant musical culture.
Hugh Masekela, Abdullah Ibrahim, Angélique Kidjo, David Kramer, and others reflect on the Apartheid era.
TK Blue reflects on Abdullah Ibrahim and the Cape jazz genre.
A reflection on Nelson Mandela with artists Abdullah Ibrahim, Angélique Kidjo, and Dizu Plaatjies.
Angélique Kidjo shares how Miriam Makeba stood up against Apartheid.
William Kentridge on politically inspired artwork.
Jeremy Geffen, Carnegie Hall's Director of Artistic Planning, reflects on South Africa, the country of his birth.
Trumpeter Hugh Masekela discusses why he has spent six decades championing South African arts and heritage.
David Kramer explains the unique Cape Town tradition of Cape Malay Choirs.
Angélique Kidjo discusses her childhood and writing politically engaged music.
Angélique Kidjo speaks about Miriam Makeba's influence.
Abdullah Ibrahim reflects on his 1978 performance at Carnegie Hall featuring fellow jazz musician Max Roach, during his time in exile due to the Apartheid regime.
Abdullah Ibrahim talks about his composition, Mannenberg.