Podcasts about Carnegie Hall

Moody and Groo are back in the family business—talking Tulsa King Season 3. Was it a hit, a miss, or just a bad cannoli? We're breaking down Stallone's underworld empire, the finale that split the fans, and the rumors swirling about Season 4. This episode's chaos includes: Could Dwight's crew stab him in the back? Samuel L. Jackson as NOLA King? John Cena taps out for good Howard Stern signs on for 3 more years (because why not?) Scrubs comeback—does anyone care? Billy Joel's Carnegie Hall tribute… meh NFL on Netflix: disaster incoming Jake Paul vs. Anthony Joshua—seriously? Groo's sitcom rabbit hole & Moody's Novocain adventure Next up: Our Nothing Worthwhile New Year's Resolutions—what we want in wrestling, music, TV, and film for 2026. Rip 'Em!

The New Yorker magazine called Joyce DiDonato “perhaps the most potent female singer of her generation.”  Joyce has towered at the top of the industry as a performer, a producer, and a fierce advocate for the arts. With a repertoire spanning over four centuries, a varied and highly acclaimed discography, and industry-leading projects, her artistry has defined what it is to be a singer in the 21st century.Joyce enjoys a musical partnership with Yannick Nézet-Séguin and the Philadelphia Orchestra and, of course, the Metropolitan Opera. Joyce's distinctively varied 2025-26 season commenced with season-opening concerts for the Minnesota Orchestra and Montreal's Orchestre Métropolitain, as well as the re-opening Powell Hall with the St. Louis Symphony Orchestra in a Kevin Puts's World Premiere, House of Tomorrow. She only recently made her Lincoln Center Theater stage debut as The Mother in Amahl and the Night Visitors, and is about to star in the Met's production of Innocence by Kaija Saariaho.Concert appearances include Mahler's Symphony No. 2 with Nézet-Séguin and The Philadelphia Orchestra, and Mahler's Symphony No. 3 with Nézet-Séguin and the Berlin Philharmoniker. Joyce also joins the Metropolitan Opera Orchestra for her second European tour with Yannick and this orchestra following a performance of Mahler's Symphony No. 4 at Carnegie Hall.She is also, quite plainly, a genuine delight.  

Ambassadeur de la culture palestinienne, le Trio Joubran, virtuose de l'oud, sillonne le monde à travers une musique entre tradition et innovation. Ces trois frères nés à Nazareth ont conquis les plus grandes salles de concert — du Carnegie Hall à l'Olympia, où ils étaient les premiers Palestiniens à se produire en 2013. Pour la tournée des « Vingt printemps » du trio, Samir, Wissam et Adnan Joubran revisitent leur répertoire en compagnie d'un ensemble de cordes et de percussions. Ils rajoutent deux nouveaux titres particulièrement engagés pour la cause palestinienne : « Alternative Silence » et « At Dawn ». Rencontre avec Adnan Joubran, 39 ans, lors du concert à la Philharmonie de Paris. (Rediffusion du 13 décembre 2024)   À écouter, notre podcast par Guilhem Delteil« Palestiniens » en 5 épisodes

Ambassadeur de la culture palestinienne, le Trio Joubran, virtuose de l'oud, sillonne le monde à travers une musique entre tradition et innovation. Ces trois frères nés à Nazareth ont conquis les plus grandes salles de concert — du Carnegie Hall à l'Olympia, où ils étaient les premiers Palestiniens à se produire en 2013. Pour la tournée des « Vingt printemps » du trio, Samir, Wissam et Adnan Joubran revisitent leur répertoire en compagnie d'un ensemble de cordes et de percussions. Ils rajoutent deux nouveaux titres particulièrement engagés pour la cause palestinienne : « Alternative Silence » et « At Dawn ». Rencontre avec Adnan Joubran, 39 ans, lors du concert à la Philharmonie de Paris. (Rediffusion du 13 décembre 2024)   À écouter, notre podcast par Guilhem Delteil« Palestiniens » en 5 épisodes

This was the first email response SHLTMM received from Karina stating, "my mom and I have always been really close. She has always been super supportive of me wanting to pursue music. She always knew along with her late father that I would grow up to be musical because as a baby I would hum and sing songs before I was able to speak. I've been really blessed with great parents who both attend nearly every one of my performances since I first started performing. I'm very lucky to have a very supportive and close family."If truly was effortless speaking with Norma and Karina. Norma shared stories of her mother and father, both Armenian and both very present in her life, especially before and after Karina was born. As I mentioned earlier, Karina was a preemie baby and Norma was bed ridden in the hospital for a number of weeks before her daughter was born. Norma's mother , Karina's grandmother instilled confidence in her daughter and helped her stay strong during the tough times. Again, the pediatric doctor's told Norma that her baby may not make it to certain milestones, yet Norma was confident because of her mother's endless support and wisdom. MANHATTAN SCHOOL OF MUSIC:https://www.msmnyc.edu/livestream/vartanian-2025/CLASSIC LYRICS ARTS:https://www.classiclyricarts.org/karina-vartanian-berkshiresRecent PerformancesBIO:KARINA VARTANIAN is a recent graduate of the Manhattan School of Music, where she earned her Bachelor of Music and received the Josephine C. Whitford Award, a commencement honor recognizing exceptional achievement. Her partial opera role credits include Frasquita (Carmen), Fiordiligi (Così fan tutte), Zweite Dame (Die Zauberflöte), Donna Elvira (Don Giovanni), La Contessa (Le nozze di Figaro), Zerlina (Don Giovanni), Susanna (Le nozze di Figaro), and Barbarina (Le nozze di Figaro). Karina recently participated in the Bel Canto Masterclass with Maya Sypert and performed in a concert with The Art Song Preservation Society of New York (2025). This summer, she will make her operatic role debut as Zerlina in Don Giovanni at the Winter Harbor Music Festival. In 2019, she was a solo finalist in the Armenian Youth Talent Competition at Carnegie Hall. She was invited to sing for the pontifical visit of His Holiness Aram I at the Rainbow Room (2023) and was recently invited to perform at the 40th Anniversary Banquet celebrating Archbishop Anoushavan at Terrace on the Park. Karina is a contracted soloist with The Opera Collective (2024–25) and a proud recipient of the AGBU Arts Scholarship (2023–25). At MSM, she served as Chair of Communications for the Womxn Organization, where she helped launch the school's first-ever Women's History Month series and programmed the inaugural Women's History Month Concert. She currently serves as a Board Member and Social Media Manager for The Gilbert and Sullivan Light Opera Company of Long Island.SOCIAL MEDIA:FACEBOOK:https://www.facebook.com/p/Karina-Vartanian-Soprano-100094657226530/#IG:@KARINAVARTTLINKEDIN:KARINA VARTANIANyoutube.com/@karinavartt "Should Have Listened To My Mother" is an ongoing conversation about mothers/female role models and the roles they play in our lives. Jackie's guests are open and honest and answer the question, are you who you are today because of, or in spite of, your mother and so much more. You'll be amazed at what the responses are.Gina Kunadian wrote this 5 Star review on Apple Podcast:SHLTMM TESTIMONIAL GINA KUNADIAN JUNE 18, 2024“A Heartfelt and Insightful Exploration of Maternal Love”Jackie Tantillo's “Should Have Listened To My Mother” Podcast is a treasure and it's clear why it's a 2023 People's Choice Podcast Award Nominee. This show delves into the profound impact mother and maternal role models have on our lives through personal stories and reflections.Each episode offers a chance to learn how different individuals have been shaped by their mothers' actions and words. Jackie skillfully guides these conversations, revealing why guests with similar backgrounds have forged different paths.This podcast is a collection of timeless stories that highlight the powerful role of maternal figures in our society. Whether your mother influenced you positively or you thrived despite challenges, this show resonates deeply.I highly recommend “Should Have Listened To My Mother” Podcast for its insightful, heartfelt and enriching content.Gina Kunadian"Should Have Listened To My Mother" would not be possible without the generosity, sincerity and insight from my guests. In 2018/2019, in getting ready to launch my podcast, so many were willing to give their time and share their personal stories of their relationship with their mother, for better or worse and what they learned from that maternal relationship. Some of my guests include Nationally and Internationally recognized authors, Journalists, Columbia University Professors, Health Practitioners, Scientists, Artists, Attorneys, Baritone Singer, Pulitzer Prize Winning Journalist, Activists, Freighter Sea Captain, Film Production Manager, Professor of Writing Montclair State University, Attorney and family advocate @CUNY Law; NYC First Responder/NYC Firefighter, Child and Adult Special Needs Activist, Property Manager, Chefs, Self Help Advocates, therapists and so many more talented and insightful women and men.Jackie has worked in the broadcasting industry for over four decades. She has interviewed many fascinating people including musicians, celebrities, authors, activists, entrepreneurs, politicians and more.A big thank you goes to Ricky Soto, NYC based Graphic Designer, who created the logo for "Should Have Listened To My Mother".Check out the SHLTMM Podcast website for more background information: https://www.jackietantillo.com/Or more demos of what's to come at https://soundcloud.com/jackie-tantilloLink to website and show notes: https://shltmm.simplecast.com/Or Find SHLTMM Website here: https://shltmm.simplecast.com/Listen wherever you find podcasts: https://www.facebook.com/ShouldHaveListenedToMyMotherhttps://www.facebook.com/jackietantilloInstagram:https://www.instagram.com/shouldhavelistenedtomymother/https://www.instagram.com/jackietantillo7/LinkedIn:https://www.linkedin.com/in/jackie-tantillo/YOUTUBE: https://www.youtube.com/@ShouldHaveListenedToMyMother

#WomenInTheArts #ArtistJourney #Aerialist #ViolinVirtuoso #ClassicalMeetsCircusIn this episode of the Circuspreneur Podcast, host Shenea Stiletto sits down with the phenomenal Janice Martin — aerial acrobatic violinist and a groundbreaking force in the performing arts.From NBC's America's Got Talent to the White House, Carnegie Hall, U.S Army, beyond, Janice has redefined what's possible on stage — fusing classical music mastery with breathtaking aerial performance.We dive into her incredible journey:

Kirsten Agresta Copely is a two-time GRAMMY®-nominated, international award-winning harpist and composer based in New York City whose career spans the worlds of classical, contemporary, and popular music. Her latest album, Kuruvinda, is nominated for Best New Age, Ambient, or Chant Album at the 2026 GRAMMY® Awards, following the success of her 2023 GRAMMY®-nominated release Aquamarine. With more than 12 million streams on Spotify and steady airplay on SiriusXM's Spa Channel, Copely has been featured in PEOPLE, The New York Post, Crain's New York Business, and beyond. Classically trained, she debuted as a concerto soloist at Carnegie Hall, performed world premieres at Lincoln Center, and toured internationally from a young age, while also becoming one of the industry's most sought-after harpists for recordings, film, and television. Her performance career includes appearances at the White House with Beyoncé, the MET Gala, Saturday Night Live, The Tonight Show, Madison Square Garden, the Hollywood Bowl, and collaborations with artists such as Jay-Z, Florence + The Machine, Sting, Kacey Musgraves, Erykah Badu, Tony Bennett and Enya. As a composer and recording artist, her four solo albums have earned global acclaim and multiple international awards, with her music praised for its cinematic, luminous, and deeply restorative qualities. Copely previously served as Associate Professor of Harp at Vanderbilt University's Blair School of Music and is a member of ASCAP, the Recording Academy, and the World Harp Congress Board of Directors. Kirsten Agresta Copely, https://www.kirstencopelymusic.com/ https://www.instagram.com/kcopelymusic https://album.link/s/1hQTm5LkykSvxIpPnXHFB1 Natalie Brown, host of Sounds Heal Podcast: http://www.soundshealstudio.com http://www.facebook.com/soundshealstudio http://www.instagram.com/nataliebrownsoundsheal http://www.youtube.com/soundshealstudio Email: soundshealstudio@gmail.com Music by Natalie Brown, Hope & Heart http://www.youtu.be/hZPx6zJX6yA

The Sawkar Salute-Carnegie Hall or bust! full 91 Mon, 22 Dec 2025 15:48:26 +0000 4hJ2aPUWEE3O0XTpmo4ykSWJ1H8KVG1F news The Morning News with Vineeta Sawkar news The Sawkar Salute-Carnegie Hall or bust! Vineeta Sawkar brings you the day's most important and impactful news stories, talks with the news-makers and influencers we need to hear from, and brightens your day with fun anecdotes and stories along the way. Add in the latest weather, traffic, and sports…it's the best way to start the day! 2024 © 2021 Audacy, Inc. News False https://player.amperwavepodcasting.com?feed-link=htt

The Sawkar Salute-Carnegie Hall or bust! full 91 Mon, 22 Dec 2025 15:48:26 +0000 4hJ2aPUWEE3O0XTpmo4ykSWJ1H8KVG1F news The Morning News with Vineeta Sawkar news The Sawkar Salute-Carnegie Hall or bust! Vineeta Sawkar brings you the day's most important and impactful news stories, talks with the news-makers and influencers we need to hear from, and brightens your day with fun anecdotes and stories along the way. Add in the latest weather, traffic, and sports…it's the best way to start the day! 2024 © 2021 Audacy, Inc. News False https://player.amperwavepodcasting.com?feed-link=htt

Rafael Aguirre gehört international zu den Top-Gitarristen. Er ist Preisträger bedeutender Wettbewerbe und in fast 50 Ländern mit großen Orchestern aufgetreten in Sälen wie der Carnegie Hall, dem Concertgebouw, der Elbphilharmonie oder auch beim Verbier Festival mit Lorenzo Viotti. Das Podcast-Gespräch mit Gerald Mertens ist ein Plädoyer für eine größere Öffnung des Konzertbetriebs für spannendes Gitarren-Repertoire.

Send us a textMerry Christmas! It's time to roast chipmunks on an open fire.No, wait. They're acting in this one. And it was before their Saturday Morning TV show. Here now are Alvin, Simon and Theodore to bring in the holidays and make you feel less glum about mortgaging your home to buy overpriced gifts.This is the true meaning of Christmas: Lying about a harmonica just before playing Carnegie Hall. You know, that old chestnut.Enjoy, and have a great holiday. And thanks for 'tooning in!Also, end of Season 11!

durée : 01:29:19 - Isaac Stern, une force musicale exceptionnelle - par : Aurélie Moreau - Isaac Stern, éminent violoniste, virtuose accompli et musicien exigeant, était un homme de grande culture, au rayonnement extraordinaire. En 1960, sous son impulsion, Carnegie Hall, la très célèbre salle de concert, fut sauvée de la démolition. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

If you were listening last week, you'll know that my interview with Trey Hensley about Flatt and Scruggs at Carnegie Hall was the 500th episode of Bluegrass Jam Along.To celebrate I thought I'd put together an episode with a few of my highlights and favourite moments from those first 500.You'll hear from:Alison Krauss, on two different car journeys with Tony RiceWyatt Rice, on recording Church Street BluesBryan Sutton, on the journey all musicians go onGabe Witcher, on leaving Punch BrothersBrittny Haas, on joining Punch BrothersChris Eldridge, on Bela Fleck's Drive albumBryan Sutton (again), on Doc Watson and his influenceSarah Jarosz, on her album Blue Heron SuiteSara Watkins, on I'm With Her's Wild and Clear and Blue and Mike Marshall, on playing with Tony Rice and what he learned from other musiciansThis journey has been a lot of fun and I can't wait to get stuck into the interviews I already have lined up for the next set of episodes.Thanks to all my guests and to all of you who've listened over the past four and a half years.If you want to hear a bit more about my journey with the podcast, check out this interview I did with Daniel Patrick from the Mandolins and Beer podcast.Finally, if you know anyone who you think would like this episode, please share it with them!Matt Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Sæunn happens to be one of the most respected cellists in the world, performing with orchestras like the Los Angeles Philharmonic, BBC Symphony, and Iceland Symphony, and in venues like Carnegie Hall, Barbican, and Suntory Hall, to name just a few accolades. She's basically one of the best out there, for those who find language like that easier to understand.  But what makes Sæunn stand out beyond her accolades are the challenges she throws at accepted narratives both in the classical music world and beyond.  Sæunn is the kind of kindred spirit I don't have to circle around or soften edges for. There's an immediate intellectual and emotional honesty and shared language that allows us to get straight to the heart of the matter without performance. This was her first reappearance on Tapasya Loading since lockdown.  The last time we spoke, the world was paused.  And both of us have stepped away from academia as full-time identities since, and re-examined calendars from a  different lens as performing artists as well.  A central thread in this chat is our shared fascination, and frustration, with how many co-artists remain passively locked into inherited industry narratives.  So we talk candidly about how many of these myths get internalized, shape behaviour, and how difficult it can be to step outside them without feeling like we're risking our worth. We reflect on the assumption of being ‘busy' being the same as being ‘good', and the fear and freedom that comes when we're no longer chasing multiple forms of what are essentially external sources of validation.   Complete Episode https://www.saeunn.com/ www.findTL.com   Explore coaching + courses for independent artists:   holisticmusicianacademy.com   Work with me:   → C.I.A.R. self-paced course: https://holisticmusicianacademy.com/page/ciar   → HMA group coaching & 1:1 mentorships https://holisticmusicianacademy.com/page/coaching

Our returning champion today, Dr. Doug Pew, is well known in two different worlds: The world of high-powered copywriting for online course creators, where he has done many six and seven figure launches. And the other world where Doug is known is that of music. He is a composer whose work was actually performed at Carnegie Hall! And he wrote an opera that was performed at the Kennedy Center. Those worlds overlap in certain ways sometimes for Doug, and that's what we're going to talk about today. He's written copy for music businesses like Creative Piano Academy, Lauren Bateman Guitar, Become A Bassist, and J209, an a cappella singing group, who he helped grow their Instagram following to over 15,000 in a couple of months. Most of his work for these businesses has been to create sales, and, as you might expect, selling students into an online music instruction business is different in some ways than other types of copywriting. Yet the differences are fascinating, and they may help you with your own copy, even in non-musical niches. Contact Information: Doug's Copywriter website is where you can book a call about a copy project: www.dougpewcopywriting.com or can email him directly at doug@dougpewcopywriting.com If you want to check out the music business, you can visit… https://latterdaymusiversity.com/ Download.

“If you have opportunities to have them take over the work, you can engage them in a way with chaos circles. I love doing chaos circles when they're teaching themselves the music. Sometimes you see students who are usually very shy really step up to the challenge of becoming leaders, You get to see students in a way that they don't always present themselves if you can get them moving around and engaging the brain that way.”Dr. Jenny Bent is Professor of Music and Director of Choral and Vocal Activities at Sonoma State University. With degrees from Boston University and the University of Illinois at Urbana-Champaign, Dr. Bent's expertise spans voice performance, choral conducting, and choral literature. Described by the San Francisco Classical Voice as “superb” with “excellent diction and well-controlled dynamics,” Dr. Bent's choirs have earned unanimous superior ratings and command performances at festivals throughout California and have performed under her baton at such venues as Carnegie Hall in New York City and Grace Cathedral in San Francisco. Her ensemble SonoVoce was recently honored to perform at the CA All-State Music Educators Conference (CASMEC).Recognized for her achievements as a choral educator, Dr. Bent received the 2019 CMEA Bay Section Outstanding Choral Educator Award and the 2023 CMEA Pearson/Scott Foresman/Silver Burdett Choral Educator Award. She brings over a decade of high school teaching experience, notably at the Marin School of the Arts.Beyond her academic work, Dr. Bent contributes to the choral music community as a guest conductor, adjudicator, and conference presenter for organizations including CMEA, ACDA, and Golden State. From 2016-2023, she served on the board of the California Choral Directors Association (CCDA), and she currently holds the positions of Repertoire & Resources Collegiate Choirs Coordinator for National ACDA and Western Region Representative for the National Collegiate Choral Organization (NCCO). From 2007-2014, Dr. Bent shared her passion for choral music as a host of "The Choir Loft" on KRCB-FM. She is also a proud (and semi-obnoxious) baseball mom whose favorite moments are watching her two sons do what they love.To get in touch with Jenny, you can email her at bentje@sonoma.edu or find her on Facebook (@jenny.bent.5)Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Music as Cultural Storytelling w/Clipper EricksonFrom Juilliard to Dett's rediscovery: a pianist's mission to reveal hidden brilliance.Clipper Erickson has been hailed by Fanfare as “one of the finest pianists of his generation…a consummate musician.” A devoted musical explorer, he made his debut at age 19 with the Young Musicians Foundation Orchestra in Los Angeles before training at The Juilliard School, Yale University, and Indiana University under legendary pianist John Ogdon. His artistry has earned international acclaim on stages such as the Kennedy Center and Carnegie Hall, as well as through his landmark Navona Records release My Cup Runneth Over – The Complete Piano Works of R. Nathaniel Dett, named a Gramophone UK “Critic's Choice” and Album of the Year in 2016. Today, Erickson continues to champion overlooked voices in American music while sharing his passion with students at the Westminster Conservatory and through master classes worldwide.Linkhttps://www.clippererickson.com/Tags:Arts,Composer,Culture,Music,music education,Music History,Music Interviews,Performing Arts,pianist,recording artist,Music as Cultural Storytelling w/Clipper Erickson,Live Video Podcast Interview,Phantom Electric Ghost Podcast,PodcastSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

After Steven Allen discovered her singing in The Colony Steakhouse in Kansas City, Marilyn Maye would go on to appear on the “Tonight Show” with Johnny Carson 76 times and sell out Carnegie Hall. She will perform next at the “Holly Jolly Follyday” on December 21 at the Folly Theater.

On this episode of On the Rocks, we soar somewhere over the rainbow as we snag England's Debbie Wileman at the start of her North American Tour, recreating the amazing Judy Garland for modern Christmas times to celebrate her new album, A Christmas Garland. We chat about her early days in music, her rise from viral Facebook videos to global sensation, touring the world and performing at Carnegie Hall, her Courtney Love and Kate Moss stories, and we talk about the amazing life of Judy Garland and even get a surprise visit from Judy herself. We also share some bawdy English humor and plenty of vodka...with co-host model and musician Steven Dehler and your sassy host with the sassy most, Alexander Rodriguez. Raise a glass, it's On the Rocks!

In this birthday episode of Lore Watch, Joe gave Matt a gift, and let Matt talk about whatever called to him -- and that was the lore of The Outer Worlds. They discussed everyone's favorite Gilded Age throwback with minimal spoilers, talking about how the world itself is setup and constructed in this alternate version of earth. In this version of history, the robber baron tycoons who brought you public works like Carnegie Hall and Rockefeller Center so they wouldn't be guillotined felt as though they wouldn't have to do such a thing -- McKinley wasn't shot by an anarchist, and thus his Vice President Teddy Roosevelt, who was known for rooting out corruption in the NYPD, just stayed Vice President. As such, inequality remained rampant and worsened, while that Gilded Age aesthetic continued to reign supreme.Led by Matt, they discuss how that has affected the world of The Outer Worlds, from the job market to the cuisine. They run down some of the more significant characters and their roles within that world. And of course, there are diversions galore, from Futurama to Charlie and the Chocolate Factory. Though, we're thinking the oompa loompas probably know a thing or two about working a crummy job at unfair wages.If you enjoy the show, please support us on Patreon, where you can get these episodes early and ad-free! Hosted on Acast. See acast.com/privacy for more information.

Republicans are about to end Obamcare subsidies, driving up premiums for 20 million people during the year of the midterm elections. How have they managed to end up after all these years with no health insurance plan of their own? John Nichols comments.Also: Bob Dylan's earliest recordings have just been released—the first is from 1956 when he was 15 years old—on the 8-CD set ‘Through the Open Window: The Bootleg Series vol. 18” – which ends in 1963, with his historic performance at Carnegie Hall. Sean Wilentz explains – he wrote the 120 page book that accompanies the release. Our Sponsors:* Check out Avocado Green Mattress: https://avocadogreenmattress.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome to the 500th episode of Bluegrass Jam Along!My guest this week is Trey Hensley, who joins me to celebrate the very first record he bought - Flatt and Scruggs at Carnegie Hall.This historic album was a pivotal moment for bluegrass and also served as a personal intro to the music for many fans.We chat about why Flatt & Scruggs' performance at Carnegie Hall, on December, 1962 was groundbreaking, the initial skepticism from the press, the audience's enthusiastic reception and some of the famous (and soon to be famous) face in the crowd on the night.We also talk about the pivotal role Lousie Scruggs had, not just in getting this performance recorded, but in putting Flatt and Scruggs (and bluegrass music) in front of a new, younger audience.This one was a real treat!For more info on Trey check out www.treyhensley.com===If you're a Flatt and Scruggs fan and missed the Earl Scruggs 100th birthday episodes I put together last year (including Trey as a guest!) you'll find them here:Earl Scruggs 100th Birthday Tribute:Part 1 - Tony Trischka, Kristin Scott Benson and Alan MundePart 2 - Jerry Douglas, Alison Brown and Tim O'BrienPart 3 - Trey Hensley, Kyle Tuttle (Molly Tuttle and Golden Highway) & Willow OsborneJim Mills on Earl Scruggs and pre-War Gibson banjosJerry Douglas celebrates Earl Scruggs' 100th Birthday Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Republicans are about to end Obamcare subsidies, driving up premiums for 20 million people during the year of the midterm elections. How have they managed to end up after all these years with no health insurance plan of their own? John Nichols comments.Also: Bob Dylan's earliest recordings have just been released—the first is from 1956 when he was 15 years old—on the 8-CD set ‘Through the Open Window: The Bootleg Series vol. 18” – which ends in 1963, with his historic performance at Carnegie Hall. Sean Wilentz explains – he wrote the 120 page book that accompanies the release. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this special four-part series, join Unpacked host Aislyn Greene as she travels to Charleston, South Carolina, to unpack the city's deeper currents. For the series finale: Charleston's performing arts scene is nothing short of extraordinary. Aislyn explores the city's world-class venues—from America's first dedicated theater to a stunning apricot-colored concert hall—and meets the people bringing opera, dance, jazz, and theater to life in the Lowcountry. In This Episode You'll Learn The remarkable 300-year history of the Dock Street Theater, where ghost stories and contemporary artists meet How the Spoleto Festival USA became an international arts destination that draws everyone from Yo-Yo Ma to Patti Smith Why the Gaillard Center is "the Carnegie Hall" of the South —and how it commissions new works that celebrate Lowcountry stories and landscapes Don't Miss These Moments [02:00] Inside the Dock Street Theater's drawing room [06:00] The record for most light bulbs blown during a single performance [11:00] Spoleto's general director on why 125 concerts in 17 days creates festival magic [13:00] The two ghosts said to haunt Dock Street Theater [18:00] Aislyn visits Cistern Yard at the College of Charleston—one of the most beautiful outdoor venues in the city [21:00] How the Gaillard Center transformed from a brutalist municipal auditorium into a world-class performance hall [24:00] The moment Audra McDonald turned off her microphone and brought the house to tears *Time stamps are estimated and may change due to programmatic advertising. Featured in This Episode Venues Dock Street Theater ⁠Gaillard Center⁠ Festivals & Organizations Spoleto Festival USA Piccolo Spoleto Charleston Stage (Dock Street's resident theater company) Chamber Music Charleston MOJA Arts Festival Charleston Literary Festival Performers The Gullah Collective Step Afrika! Complexions Contemporary Ballet (upcoming) Resources Plan your Charleston arts trip using our guides on afar.com Catch Up on the Series Missed any episodes? Here's the full Charleston series: Episode 1: To Understand the Soul of This Southern City, Head for the Water Episode 2: Charleston Serves Up More Than 300 Years of Flavor—and Every Bite Tells a Story Episode 3: The Artisans Keeping the Soul of Charleston's King Street Alive Episode 4: Opera, Punk Rock, and a 300-Year-Old Ghost: One City's Arts Scene Stay Connected Sign up for our podcast newsletter, ⁠⁠⁠⁠⁠⁠⁠⁠Behind the Mic⁠⁠⁠, where we share upcoming news and behind-the-scenes details of each episode.  Explore our other podcasts, View From Afar, about the people and companies shaping the future of travel, and ⁠Travel Tales⁠⁠⁠, which celebrates first-person narratives about the way travel changes us. Unpacked by Afar is part of ⁠⁠⁠Airwave Media⁠⁠⁠'s podcast network. Please contact ⁠⁠⁠advertising@airwavemedia.com⁠⁠⁠ if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

F. Murray Abraham has appeared in more than 80 films including Amadeus (Academy Award, Golden Globe, and L.A. Film Critics Awards), The Phoenician Scheme, The Name of the Rose, Finding Forrester, Scarface, The Ritz, The Grand Budapest Hotel, and Inside Llewyn Davis. A veteran of the stage, he has appeared in more than 90 plays, among them Uncle Vanya (Obie Award), Krapp's Last Tape, Trumbo, A Christmas Carol, the musical Triumph of Love, Cyrano de Bergerac, King Lear, Macbeth, The Merchant of Venice, Angels in America (Broadway), Waiting for Godot, and It's Only a Play. Mr. Abraham's work in experimental theater includes collaborations with Joe Chaiken, Pina Bausch, Time and Space Ltd, and Richard Foreman. He made his NY debut as a Macy's Santa Claus. He starred in the second season of HBO's “The White Lotus,” for which he received Emmy and Golden Globe nominations for Outstanding Supporting Actor in a Drama Series. Previously, he was a series regular on “Homeland” (2 Emmy nominations). He's appeared with Luciano Pavarotti, Maestros Levine, Tilson Thomas, Mazur, and Bell, and he made his solo singing debut at Carnegie Hall's Weill Recital Hall. Mr. Abraham's book, A Midsummer Night's Dream: Actors on Shakespeare, is published by Faber & Faber. He is proud to be the spokesman for the MultiFaith Alliance for refugees worldwide. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week's Bitesize episode celebrates one of the most important dates in bluegrass music - December 8th. The main reason this date is so important is that it marks the first time Earl Scruggs joined Bill Monroe at The Opry, on December 8th 1945, leading many people to describe it as 'the birth of bluegrass'. That makes 2025 the 80th anniversary of bluegrass!Fast forward to December 8th 1962 and we have another Flatt and Scruggs milestone - their performance at New York's Carnegie Hall, which was released the year after as Flatt and Scruggs Live at Carnegie Hall, a record that went on to become a firm favourite of bluegrass fans the world over.To celebrate that record, I'll be joined by Trey Hensley in the next episode of the podcast...which is also Bluegrass Jam Along's 500th episode! If you missed the Earl Scruggs 100th birthday episodes I put together last year, you'll find them here:Jerry Douglas celebrates Earl Scruggs' 100th BirthdayEarl Scruggs 100th Birthday Tribute:Part 1 - Tony Trischka, Kristin Scott Benson and Alan MundePart 2 - Jerry Douglas, Alison Brown and Tim O'BrienJim Mills on Earl Scruggs and pre-War Gibson banjos Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Un récit immersif au cœur de La Havane, là où tout a commencé : la renaissance du son cubain à travers un album et un film devenus mythiques. Le voyage peut commencer. L'auteur, le journaliste Francis Dordor est notre invité : «À Cuba, les fêtes de Noël furent longtemps ignorées, voire interdites, considérées comme relevant de ce que Marx nommait «opium du peuple» (Castro ne croyant quant à lui qu'au papa Noël soviétique). De même, la pratique des cultes syncrétiques afrocubains tels que la Santeria ou le Palo Monte, jugés contre-révolutionnaires, pouvait vous valoir d'immenses ennuis, comme se retrouver expulsés de son logement. Puis avec l'effondrement de l'Union soviétique et l'instauration de la période dite «spéciale» un certain relâchement du système permit la réintroduction progressive des célébrations religieuses. Un moment particulier dans l'histoire de cette île héroïque coïncidant avec l'accomplissement de miracles.  Comme l'histoire de cet ancien chanteur de boléro mis à la retraite, contraint de cirer des chaussures dans les rues de La Havane pour faire vivre sa famille et qui, du jour au lendemain, se retrouva tête d'affiche d'une petite gériatrie de musiciens mis au rebut comme lui, remplissant le Carnegie Hall, l'Olympia ou l'Opéra de Sidney. Cette histoire, celle d'Ibrahim Ferrer, mais aussi de Compay Segundo, de Rubén González, d'Omara Portuondo et le détail des circonstances improbables ayant conduit à leur succès planétaire, je les raconte dans un livre intitulé «Buena Vista Social Club, à la recherche du tempo perdu». C'est plein d'anecdotes, de témoignages, d'interviews, dont celles du producteur et guitariste Ry Cooder et du réalisateur Wim Wenders, de souvenirs de mes différentes rencontres avec ces merveilleux protagonistes du Buena Vista, de photos magnifiques, ou simplement émouvantes comme celle-ci prise par Nathalie Warez lors d'un voyage avec Ibrahim à Santiago de Cuba à la veille de Noël. C'est pas moins bien écrit qu'un discours de Laurent Wauquiez, et peut-être même mieux, et si vous n'aimez pas lire, il y a inclus le superbe film de Wenders édité pour la première fois en blue ray.» Francis Dordor.

Un récit immersif au cœur de La Havane, là où tout a commencé : la renaissance du son cubain à travers un album et un film devenus mythiques. Le voyage peut commencer. L'auteur, le journaliste Francis Dordor est notre invité : «À Cuba, les fêtes de Noël furent longtemps ignorées, voire interdites, considérées comme relevant de ce que Marx nommait «opium du peuple» (Castro ne croyant quant à lui qu'au papa Noël soviétique). De même, la pratique des cultes syncrétiques afrocubains tels que la Santeria ou le Palo Monte, jugés contre-révolutionnaires, pouvait vous valoir d'immenses ennuis, comme se retrouver expulsés de son logement. Puis avec l'effondrement de l'Union soviétique et l'instauration de la période dite «spéciale» un certain relâchement du système permit la réintroduction progressive des célébrations religieuses. Un moment particulier dans l'histoire de cette île héroïque coïncidant avec l'accomplissement de miracles.  Comme l'histoire de cet ancien chanteur de boléro mis à la retraite, contraint de cirer des chaussures dans les rues de La Havane pour faire vivre sa famille et qui, du jour au lendemain, se retrouva tête d'affiche d'une petite gériatrie de musiciens mis au rebut comme lui, remplissant le Carnegie Hall, l'Olympia ou l'Opéra de Sidney. Cette histoire, celle d'Ibrahim Ferrer, mais aussi de Compay Segundo, de Rubén González, d'Omara Portuondo et le détail des circonstances improbables ayant conduit à leur succès planétaire, je les raconte dans un livre intitulé «Buena Vista Social Club, à la recherche du tempo perdu». C'est plein d'anecdotes, de témoignages, d'interviews, dont celles du producteur et guitariste Ry Cooder et du réalisateur Wim Wenders, de souvenirs de mes différentes rencontres avec ces merveilleux protagonistes du Buena Vista, de photos magnifiques, ou simplement émouvantes comme celle-ci prise par Nathalie Warez lors d'un voyage avec Ibrahim à Santiago de Cuba à la veille de Noël. C'est pas moins bien écrit qu'un discours de Laurent Wauquiez, et peut-être même mieux, et si vous n'aimez pas lire, il y a inclus le superbe film de Wenders édité pour la première fois en blue ray.» Francis Dordor.

In this episode of "Dance Talk” ® with Joanne Carey , host Joanne Carey interviews Emily CoatesIn this episode of  "Dance Talk” ® with Joanne Carey engages in a deep conversation with dancer, choreographer, and writer Emily Coates. They explore Emily's journey from her early dance training in ballet to her transition into modern dance, her experiences working with renowned figures like Baryshnikov, and her current project 'Tell Me Where It Comes From.' Tell Me Where It Comes From, was sparked by the discovery of an archival box housed at the Wadsworth Atheneum Museum of Art in Hartford, Connecticut, chronicling George Balanchine's brief touchdown there in 1933. The discussion highlights the importance of following one's artistic instincts, the role of dance history, and the collaborative nature of creating new work. Emily shares insights on the creative process, the significance of archival research, and the impact of dance on personal and artistic growth.Emily Coates is a dancer, choreographer, and writer and has performed internationally with New York City Ballet (1992-98), Mikhail Baryshnikov's White Oak Dance Project (1998-2002), Twyla Tharp Dance (2001-2003), and Yvonne Rainer and Group (2005-present), and worked with an array of choreographers, including Jerome Robbins, Angelin Preljocaj, Trisha Brown, Deborah Hay, Mark Morris, John Jasperse, and Sarah Michelson. Career highlights include performing three duets with Baryshnikov, in works by Morris, Karole Armitage, and Erick Hawkins.Her choreographic work has been commissioned and presented by Danspace Project, Performa, Baryshnikov Arts Center, Works & Process at the Guggenheim, Ballet Memphis, Wadsworth Atheneum, Carnegie Hall, University of Chicago, Yale Repertory Theatre, Yale Art Gallery, and Columbia Ballet Collaborative, among other venues. She is currently completing a film project titled “Dancing in the Invisible Universe” in collaboration with filmmaker John Lucas and Yale's Wright Laboratory.Her essays have appeared in PAJ: A Journal of Performance and Art, The Huffington Post, Theater, PEAK Journal, programs and an exhibition catalogue for the Paris Opera Ballet, and in the forthcoming Oxford Handbook of Contemporary Ballet. Her awards and distinctions include the School of American Ballet's Mae L. Wein Award for Outstanding Promise; the Martha Duffy Memorial Fellowship at the Baryshnikov Arts Center; Yale's Poorvu Family Award for Interdisciplinary Teaching; a grant from the Alfred P. Sloan Foundation in the category of Public Understanding of Science, Technology, and Economics; a 2016 Fellowship at the Center for Ballet and the Arts at NYU; and a 2019 Jerome Robbins Dance Division Dance Research Fellowship at the New York Public Library for the Performing Arts at Lincoln Center. She graduated magna cum laude with a BA in English and holds an MA and MPhil in American Studies from Yale. Her first book, Physics and Dance, co-written with her longtime collaborator, particle physicist Sarah Demers, was released in January 2019 by Yale University Press.She is Professor in the Practice in Theater, Dance and Performance Studies at Yale University, with a secondary appointment in Directing at the Yale School of Drama. She has directed the dance studies concentration at Yale since its inception in 2006.Informationhttps://campuspress.yale.edu/emilycoates/Make plans to check out this piece on tour!February 26, 2026 at The Avery Theater , Hartford ConnecticutApril 23 & 24th 2026 at Schwarzman Center , Yale University“Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."https://dancetalkwithjoannecarey.com/Please leave us a Review.You support the podcast:https://gofund.me/e561b42acFollow Joanne Carey on Instagram@westfieldschoolofdance

Many men feel caught between the identity they built at work and the person they hope to become. Today's guest helps us explore that space.   Doug O'Brien has spent his career studying how our stories shape the way we live and the way we move through change. Before entering this work, Doug lived an entirely different life as a classical pianist, a Carnegie Hall performer, and a punk rock musician in New York City.    Over time, he shifted into teaching and storytelling in a way that opened a new path for him. In this conversation, Doug shares how the stories we hold can keep us stuck and how new ones can help us move into the next chapter.   We talk about: How Doug transitioned from a life in music to helping people change The moment that shifted how he viewed what is possible Why career identity becomes so difficult for many men to release The simple question that reveals who we are beneath our titles How storytelling helps reshape belief and create room for what comes next   Resources: https://www.essentialcoachingskills.com https://dougobrienhypnosis.com   

Cailin Marcel Manson is a conductor, baritone opera singer, and longtime vocal studies teacher who's performed on some of the world's biggest stages — from the Conservatoire de Luxembourg to Carnegie Hall. In this episode, we talk with Cailin about what it means to command a space long dominated by white men — armed with Black skin, a bit of Philly swagger, and a corset.Homegoings is a production of Vermont Public. Follow the show here.This episode was hosted and reported by executive producer, Myra Flynn and mixed by Sarah Baik. Our video director is Mike Dunn and Aaron Edwards is our story editor. Myra composed the theme music with other music by Blue Dot Sessions. Kyle Ambusk is the graphic artist behind this episode'sHomegoings portrait.Thank you for listening. You can see this episode on our YouTube channel.To continue to be part of the Homegoings family: Subscribe to our YouTube channel Sign up for the Homegoings newsletter Write to us at: hey@homegoings.co Follow us on Instagram @wearehomegoings Make a gift to continue elevating BIPOC storytelling Tell your friends, your family or a stranger about the show! And of course, subscribe!

Today I have two witnesses or you. One is from a friend of mine that recently went on a vacation to see her daughter and she shares how the Lord was with her the whole time. The second one is from Matthew West's website, called popwe.org. If you don't know who Matthew West is, he is a singer, songwriter, and storyteller. This website is for the non-profit that he has with his father, a pastor. Matthew and his father encourage people to share their stories. They have various categories of stories. Today, I chose one testimony from the Anxiety/Depression Category. I know so many people who are struggling with anxiety and depression right now. Suicide seems to be increasing as well. Often, we can hear our own story in someone else's story. When we listen to others tell their story, it helps us see that we are not alone. When we hear how God worked in their situation, it gives us hope that He will work in ours, too! I pray that when you hear these testimonies, you get the faith and hope to believe that miracles can happen in your situation, too. I pray you know that God is there with you, and if you invite Him into your anxiety and depression, He can help.First up, my friend from the prayer group.. She realized once she got to FL that she had lost her passport. She didn't really have any other current form of ID, and so she had no idea how she would get on her plane back to MA. This is the message she wrote after she got back from her trip.I want to thank everyone who prayed for me during my trip to Florida. God showed me that He was God and that He was taking care of me. I was not supposed to board the plane without my passport, but I did. My daughter Maria and I arrived early at the airport on Monday, 11/24/25. I had a late flight. The plane was supposed to arrive at Logan at midnight.  We went directly to security. When I saw the security officer, I immediately asked the Holy Trinity to soften his heart.  He took my expired license. He photographed me and then let me go. He asked Maria to obtain a pass so she could stay with me. JetBlue changed my flight to an earlier one and upgraded my seat to 6F. A male passenger helped me with my bags until the wheelchair assistant arrived to help me. He brought me directly to where my ride was parked.The perfect moment arrived when I listened to my phone messages on my landline. I heard JetBlue say, "We have found your passport. Please call us at this number. I could hardly believe it. I had to set up a FedEx number so JetBlue could mail me back my passport. I received a phone call today regarding the tracking number. I should get my passport back this coming Monday. While I was in Florida, someone charged my credit card for an unauthorised transaction, but my bank caught it and prevented it from going through. They froze my card. I had to go to the bank yesterday to obtain another credit card. I can testify that the Lord is taking excellent care of me!I was mostly sick throughout my trip, but I will always be grateful to God for showing me His love and care.Brianna: From the age of 10, I was stuck with the label “child prodigy,” winning piano competitions, featured in local newspapers, and recognized as a passionate, fiery recitalist. Yet, even as a youth, I was severely depressed. I was insecure, seeking affection, and perpetually in pursuit of attaining “good enough.” Right before my 16th birthday, my world suddenly turned upside down. In an unexpected turn of events, I faced a close encounter with death, had my innocence taken, and watched helplessly as my mother's health began to rapidly fail. Too ashamed to ask for help and blaming myself for the situation, I despairingly turned to self-harm, eating disorders, and eventually, planned my own suicide. One day, I heard the song ‘Broken Pieces', and I found something onto which I could cling to – Truth, even when I could not feel it and it failed to make sense.Through involvement with an organization called Csehy Summer School of Music, I came to personally know Christ. For the first time in my life, I experienced peace, hope, and true joy. Dedicating my life to God, I went back home with a different perspective. My life was still intense – balancing high school and conservatory studies, living between home and the hospital, while being a full-time caretaker for my undiagnosed mother. By the grace of God, I managed to graduate as Salutatorian and get accepted into music school. However, shortly before college began, my mother passed away.I started my B.A. in piano at Charleston Southern University, using every spare moment to pour my heart out into the keys as a wordless prayer. Yet, a lingering pain in my right hand soon became constant. A few months after my mother's funeral, I was diagnosed with severe damage in my right hand, incited by the physical strains from being a caretaker. The only option left was surgery, followed by excruciating therapy, without a guarantee of returning to the keys. My doctor strongly advised me to quit and choose a different career path. But I fought back.Over the next several years, I fought through recovery from both surgical and emotional scars. I realized that though I had given my life to Christ, I hadn't fully “surrendered” it. In those precious years of undergrad, I experienced the freedom found in surrendering to the grace of God, the beauty of vulnerability, and the power of learning to fly again.Then, nearly four years to the day the doctor said it was over, I found myself sitting onstage, performing at Carnegie Hall. When I turned to the audience to see a standing ovation, I burst into tears, because I remembered the words, “With You I can attack a barrier, and with my God I can leap over a wall.”-Psalm 18:29Today, despite the formalities infused in classical music, I get to use the concert stage as a platform to share my story and encourage others to seek help and experience the peace of God. I perform and travel internationally as a soloist and chamber musician, frequently being sought after to premiere avant-garde piano works, and I am actively involved in youth and collegiate ministry. Although healing is an ongoing process, by the hand of God's work in my life, the label of “Victim” has been replaced with “Victorious,” “Hopeless” has been covered by “Confidence,” and what was “Impossible” is now a living, breathing, walking “Miracle.”Thank you both for sharing your stories so that others might see how the Lord is working in their lives too! www.findingtruenorthcoaching.comCLICK HERE TO DONATECLICK HERE to sign up for Mentoring CLICK HERE to sign up for Daily "Word from the Lord" emailsCLICK HERE to sign up for my newsletter & receive a free audio training about inviting Jesus into your daily lifeCLICK HERE to buy my book Total Trust in God's Safe Embrace

Scott Van Pelt says he is not sure he can buy Bo Nix and Drake Maye as Super Bowl caliber quarterbacks yet. Bernie Williams talks about his upcoming concert at Carnegie Hall. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Let's Talk About The Precious Gift of Friendship 4 Guest Bios: Mark Heidt is an award-winning writer, director, and producer of $30 million in half-hour infomercials. He has a Bachelor of Science from Syracuse University and the State University of New York College of Environmental Science and Forestry. He has performed music at Carnegie Hall and fought forest fires in Idaho. Mark is the husband of Sandy, the father of Ken and Ruth, and the grandfather of Graeme. He has a unique perspective on the influences that enlighten, empower, and motivate people to take effective action. His faith is above all. Sofya Stearns is the founder of Izabella's Gourmet Chow, a cooking school, “Exploring the world through cooking” for kids and adults, incorporating languages and social studies. Chef Sofya is a passionate advocate for education and community support, dedicating her life to helping individuals and families through cooking, writing, and advocacy. Chef Sofya offers etiquette classes for kids & professionals and team building classes for professionals. She helps women and families to stay healthy and educates them on how to eat well without deprivation. Chef Sofya leads programs for individuals with disabilities and families affected by addiction, depression, and chronic illnesses. Chef Sofya is a newly published author, “The One and Only,” and has a monthly column MOM2MOMS at the Northern Connection out of Pittsburgh. Joseph Carrabis is a master storyteller and linguist, Joseph Carrabis (was/could be/might have been) weaves wildly imaginative stories. With a sharp sense of humor, he creates multi-dimensional characters, reaching beyond the boundaries of the laws of physics by combining advanced mathematics, quantum physics, cybernetics, and neuroscience. Outside of writing, Joseph spends his time with his wife, Susan, reading, listening to, and playing music, and walking his dog. He runs a monthly forum, Roundtable 360º, with creatives discussing their journeys. Peggy Willms is a certified trainer, sports performance nutritionist, and health and wellness coach with over 35 years of experience spanning the medical, fitness, and corporate wellness industries. She is a radio show and wellness retreat host, and founder of All Things Wellness, LLC, to include her trademarked All Things Wellness Wheel™, which exemplifies her holistic methodology, integrating nutrition, fitness, mindset, and behavioral change. http://www.allthingswellness.com/ peggy@allthingswellness.com Video Version: https://www.youtube.com/live/GhSd58jDxyk?si=G7AnfEf3neT4l99L Chat with Teresa during Live Show with Video Stream: write a question on YouTube Learn more about Teresa here: https://www.webebookspublishing.com   http://authenticendeavorspublishing.com/

Rodney Trudgeon's guest on People of Note this week is Kyle Shepherd, a leading South African jazz pianist and film score composer celebrated for his distinctive style. Kyle has travelled extensively internationally playing in major venues such as the Sydney Opera House and Carnegie Hall. His notable credits include the popular Netflix series Water and Unseen. Kyle Shepherd on People of Note this week, Sunday at 6pm and again on Thursday at midday. Brought to you by PTP

Send us a textIn this conversation, Ricardo Karam sits down with Yvan Caracalla, the calm and visionary force behind one of the world's most renowned dance theaters. Away from the spotlight, Yvan shares his deep insights on art, legacy, and renewal, explaining how he and his sister have preserved the spirit of Caracalla Theater since its founding by their father, Abdel Halim Caracalla, in 1968, while adding their own vision to keep it alive and evolving for audiences worldwide.The discussion highlights Caracalla's iconic global performances, from Carnegie Hall in New York to the Bolshoi Theater in Moscow and explores how representing Lebanon on these stages has become a daily responsibility and source of pride. Yvan also reflects on teamwork, loyalty to his ensemble, the role of performing arts in national identity, and the influence of fatherhood on his artistic and personal philosophy.Join Ricardo and Yvan for a profound conversation about creativity, artistic legacy, and the power of Lebanese theater to serve as a cultural ambassador.في هذا الحوار الحصري، يجلس ريكاردو كرم مع إيفان كركلا، القلب الهادئ وراء واحدة من أعظم الفرق المسرحية الراقصة في العالم. بعيداً عن الأضواء، يشارك إيفان رؤيته العميقة عن الفن، الإرث، والتجديد، وكيف حافظ هو وأخته على روح مسرح كركلا منذ تأسيسه على يد والده عبد الحليم كركلا عام 1968، مع إضافة لمستهم الخاصة التي جعلت المسرح حياً ومتجدداً أمام الجماهير العالمية.يتناول اللقاء محطات عالمية بارزة لمسارح كركلا، من كارنيغي هول في نيويورك إلى البولشوي في موسكو، ويكشف كيف حوّل حضور لبنان الحضاري إلى مسؤولية يومية في عمله. يناقش إيفان فلسفته في العمل الجماعي، الولاء للفريق، الفن والهوية الوطنية، وتأثير الأبوة على رؤيته الفنية والشخصية.انضموا إلى ريكاردو وإيفان في حوار عميق عن الإبداع، الإرث الفني، والقدرة على تحويل المسرح اللبناني إلى سفير ثقافي عالمي.

37:18- John Solomon, award-winning investigative journalist, founder of "Just The News," and the host of “Just the News, No Noise” on the Real America’s Voice network Topic: Trump and Mamdani meeting, Trump tells Just the News he will designate the Muslim Brotherhood a terrorist organization 50:51- Councilwoman Vickie Paladino, New York City Councilmember representing District 19 of Queens Topic: Trump and Mamdani meeting 1:04:08- Dr. Nyles Teicher, Founder of the Gemini Coalition Topic: Celebrating Yonkers 1:28:11- Jack Brewer, Former NFL Player, Trump appointee, and Federal Commissioner and Chairman of The Jack Brewer Foundation Topic: Christians killed in Nigeria 1:38:57- Justine Brooke Murray, MRCTV Host and Miss Central Jersey 2024 Topic: Latest in Israel 1:49:11- Dr. Betsy McCaughey, New York Post columnist, former Lt. Gov. of NY State, Chairwoman and founder of the Committee to Reduce Infection Deaths Topic: Trump meeting with Mamdani 2:02:35- Gianno Caldwell, Fox News Political Analyst, founder of the Caldwell Institute for Public Safety and the host of the "Outloud with Gianno Caldwell" podcast Topic: Shooting at Chicago tree lighting event 2:12:16- Bernie Williams, Former Center Fielder for the New York Yankees and Latin Grammy-nominated guitarist Topic: His upcoming concert at Carnegie Hall on January 13thSee omnystudio.com/listener for privacy information.

El 21 de noviembre de 1962 se presentó oficialmente la bossa nova en el Carnegie Hall de Nueva York. De aquella noche de lluvia intensa recordamos al sexteto de Sergio Mendes ('One note samba'), al cuarteto de Oscar Castro-Neves con Carlos Lyra ('Influência do jazz'), Agostinho dos Santos y Luiz Bonfá ('Manhã de carnaval'), Roberto Menescal ('O barquinho') o como grupo instrumental ('Não faz assim') y a João Gilberto ('Outra vez'). En el mismo lugar, 61 años más tarde, se recordó el concierto con Daniel Jobim y Seu Jorge al frente ('Chega de saudade', 'Samba do avião', 'Só danço samba', 'Samba de uma nota só', 'Wave', 'Corcovado', 'A felicidade', 'Desafinado') y participaciones de Carol Biazin ('Samba de verão'), Menescal ('O barquinho') o Carlinhos Brown ('Manhã de carnaval'). Escuchar audio

Belonging, big stages, and brave voices with The St. Louis Children's ChoirsThis week on The STL Bucket List Show, Luke sits down with Ben Nordstrom (Executive Director) and Dr. Alyson Moore (Artistic Director) of the St. Louis Children's Choirs, an iconic program that has been shaping young singers and leaders for 48 seasons.They talk about how SLCC blends musical excellence with character growth, why belonging is at the heart of every rehearsal, and what happens when 400 kids from across the region step on stage at places like Powell Hall and Carnegie Hall.We cover:

Kathy talks about surviving Trump, the Groundlings, Stand-up, her parents who loved show biz, Sia, Joan Rivers, relationships, dating younger guys, saving every dime, and why she made Jay pay for their date. Bio: Two-time Emmy and Grammy award-winning comedian Kathy Griffin is a towering figure on television, on tour and in publishing. In 2013, Kathy was inducted into the Guinness Book of World Records for writing and starring in an unprecedented 20 televised stand-up specials - more than any comedian in history. In 2014, Kathy made history again with her 6th consecutive Grammy nomination and first win for Best Comedy Album (Kathy Griffin: Calm Down Gurrl), joining Whoopi Goldberg and Lily Tomlin as the only other female comedians to ever win Grammy awards for Best Comedy Album. Her hit Bravo series, Kathy Griffin: My Life on the D-List aired for 6 years and won 2 Emmys. It was nominated every single year of its run. The series also earned her a GLAAD Media Award for Best Reality Program.Kathy starred on NBC's Suddenly Susan and guest starred on multiple legendary TV series including Seinfeld, Law & Order: SVU, Glee, You, and Curb Your Enthusiasm. Additionally, she has lent her unique voice to animated characters in Shrek Forever After, The Simpsons, American Dad, Futurama and Dilbert. Kathy's unrivaled style of humor and prolific comedy pedigree has made her one of television's go-to hosts for premier live events. Kathy drew huge worldwide audiences to CNN's New Year's Eve special, which she co-produced and co-hosted with Anderson Cooper for 10 years. Kathy co-hosted The Billboard Music AwardsLIVE three years in a row, the 41st annual Daytime Emmy Awards LIVE and AARP's Movies for Grownups Gala. Her sure-fire hosting success led to her own LIVE late night talk show, Kathy.Also an accomplished author, Kathy's memoir, Official Book Club Selection: A Memoir According to Kathy Griffin, debuted at #1 on the New York Times Bestseller List. Her much-anticipated second book, Kathy Griffin's Celebrity Run-Ins: My A-Z Index, was also a New York Times Best Seller. On the stage, Kathy has performed standup for hundreds of thousands around the globe. Buoyed by her fiercely dedicated fans, Kathy's live performances are legendary and in a class of their own. The fiery redhead has sold out shows to rave reviews throughout North America, Europe, Australia and Asia at such iconic venues as The Sydney Opera House, The Mark Taper Forum, Madison Square Garden, Carnegie Hall and The Kennedy Center. Kathy has also performed for active military servicemen and women in such war zones as Iraq, Afghanistan, Kuwait, and Uzbekistan. She has graced the covers of The Hollywood Reporter, Adweek, and The Advocate, and has had in-depth profiles in New York Magazine and Forbes.In addition to performing, writing and producing, Kathy is a renowned speaker and has taken her empowering messages of equality through activism and humor all over the country. Kathy's passionate advocacy for women, the LGBT community, and other disenfranchised groups have been displayed through numerous candid and intimate conversations with award-winning journalists and moderators from The Los Angeles Times, The New York Times, The Hudson Union Society, 92Y, as well as tech giants Google and AOL. She has been honored in this area with multiple awards including The Human Rights Campaign's Ally for Equality, GLAAD's Vanguard Award, The Trevor Life Award from the Trevor Project, Iraq and Afghanistan Veterans of America's Leadership in Entertainment honor, the Harvard College Distinguished Service Partner Award, Veterans Tickets Foundation Distinguished Donor Award, the Lambda Legal Liberty Award, a two-time Ladies' Home Journal “Funny Ladies We Love” Recipient, and a Gracie Award for Outstanding Female Lead.

In this uplifting and inspiring episode of The Common Sense MD, Dr. Tom Rogers sits down with two special guests: Yael Shumakher, an 11-year-old piano prodigy from Ukraine, and her dedicated teacher, Carol Stone. Together, they share the incredible story of Yael's journey from a war-torn country to the stage of Carnegie Hall.Hear how the power of music, perseverance, and community support helped Yael overcome immense challenges, fuel her passion, and earn her place among world-class musicians. Carol Stone, who has been teaching for decades, reveals what makes Yael so unique and the joy of guiding her gifted student. Yael's mother, local friends, and generous sponsors all play a role in this beautiful tale of hope and possibility.Alongside emotional interviews, you'll also get to enjoy Yael's stunning performances—featuring pieces ranging from works by Béla Bartók to Ukrainian composer Alexander Pisconov, whose concerto holds deep personal meaning for Yael and her teacher.Discover the transformative force of music, listen to exclusive live piano moments, and learn more about supporting Yael's upcoming Carnegie Hall debut. Tune in for an episode that reminds us how purpose, artistry, and kindness can change lives and inspire the world.What did you think of this episode of the podcast? Let us know by leaving a review!Connect with Performance Medicine!Check out our new online vitamin store:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://performancemedicine.net/shop/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sign up for our weekly newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://performancemedicine.net/doctors-note-sign-up/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@PMedicine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@PerformancemedicineTN⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Performance Medicine⁠⁠

If we have to live in a world of extremes, I want it to be a world in which Magda Olivero reigns supreme. Her artistry combined both integrity (personal, vocal, and artistic), alongside originality and fearless risk-taking. She was never afraid to go out on a limb and it was this quality (alongside her extraordinary longevity) that endeared her to so many opera lovers. Today I have culled my Olivero collection and combined excerpts from a number of rare albums in my collection with material culled from The Magda Olivero Archives, maintained by Denis Robert, a friend and confidante of Olivero who has made it his life's work to present the great diva in all her many facets. We hear the great diva in excerpts from Manon Lescaut, Mefistofele, Traviata, Tristan (!), Bohème, Manon, Medea, and Adriana Lecouvreur (probably her most significant role). In addition, I offer up live excerpts from her two Carnegie Hall recitals as well as rare recordings of Italian songs, including an excerpt from her official farewell appearance in 1991 at the age of 81. There was never another soprano even remotely like her, and if she is your cup of tea (as she most emphatically is mine), this episode will provide an exceptional opportunity to revel in many aspects of her artistry. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

In episode number one of SEASON 6 (!), we are joined by two remarkable figures in the world of music and cherished in the brass community: Chris Gekker and Eric Ewazen. Chris is a celebrated trumpet professor at the University of Maryland and has performed as a soloist at prestigious venues like Carnegie Hall. His rich career includes collaborations with many composers, showcasing his dedication to both performance and new works. Eric, a prolific composer and educator, has a long history of writing for brass instruments, with works performed worldwide. He has taught at Juilliard and has garnered numerous awards for his compositions.In this first part of our conversation, Chris and Eric share their memorable experiences from their time at the Eastman School of Music, where they first crossed paths. They discuss their early influences, the importance of collaboration, and the creative processes that shape their work. As Chris reflects about Eric's writing, "When he writes a piece, he creates a dialogue, and it's a very creative process."[Subscriber Content] In the second part, we dive deeper into their collaboration on various pieces, including the intricacies of composing and performing. They'll share insights about their teachers, including a few key lessons learned from significant figures in their musical journeys. Eric's experience with writer's block and their approach to revising works are enlightening. Chris notes concerning writing specifically for trumpet, "We're not babies. We can handle difficult music, but you need to give us a break," emphasizing the unique physical challenges trumpet players face. Stay tuned for their engaging discussions about the future of their collaborations and how their friendship continues to flourish through music.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

David Singer is an internationally acclaimed clarinetist whose career has included two performances at the White House and more than 150 appearances in Carnegie Hall. Joseph Horowitz in The New York Times wrote about David Singer, “To describe his playing would be to enumerate a catalogue of virtues.” Mr. Singer's recording of the Aaron Copland Clarinet Concerto was praised by Lawrence A. Johnson from Gramophone Magazine in the UK as “one of the finest accounts around,” and his performances have been featured on the BBC and on Sirius XM as a principal performer of the Grammy Award-winning Orpheus Chamber Orchestra, NYC. Professor Singer taught as a guest teacher at both the Yale and Princeton Schools of Music as well as at the Thornton School of Music at the University of Southern California, and is Emeritus Professor of Clarinet/Coordinator of Chamber Music at Montclair State University, NJ. He continues to coach young musicians across Southern California and performs with the Singer Chamber Players and the Channel Islands Chamber Orchestra. His debut memoir, From Cab Driver to Carnegie Hall, chronicles his remarkable journey of overcoming obstacles and ultimately becoming successful in music and life. From Cab Driver to Carnegie Hall has just been chosen among many ten's of thousands of books to be part of the Los Angeles Public Library collection. “From Cab Driver to Carnegie Hall shows how effort and perseverance can turn dreams into reality.” “This book is a testament to inspiration and resilience.” Diana Lopez, Readers' Favorite Five Star Review A Courageous Story of a Life in Music - This is an excellent view of an inspired life in the turgid world of classical music in the late 1960's – 2000's. Reading of his struggles and triumphs to reach the top of his field and survive is stirring. Baron, Five Star Amazon Review “An intimate, candid look at the highs and lows of one musician's artistic pursuit.” Kirkus Reviews Links Website: https://singerclarinet.com https://singerclarinet.com/events-media/ https://www.facebook.com/singerclarinet

Get ready, family — this week on No Simple Road, we're hanging with the one and only Larry Keel, a bluegrass legend, master picker, and true steward of the jamgrass spirit! Aaron, Mel, and Apple welcome Larry into the circle for a real, heart-forward conversation that goes way beyond the usual talk of tours and records. We dive deep into the magic of community and connection that lives inside the music — from the Northwest String Summit memories and Larry's long friendship with Yonder Mountain String Band, to the way shared stages become sacred spaces. Larry opens up about his incredible musical partnership with his wife, Jenny, and how their bond has shaped both their sound and their lives. The crew explores the evolution of bluegrass — how pioneers like Sam Bush and modern trailblazers like Billy Strings are expanding the boundaries of the genre while honoring its roots. Larry shares stories from the road and the river, including his experiences at Carnegie Hall, Japan, and his own music-meets-nature gathering, Bass and Grass. If you love bluegrass, jamgrass, or just the feeling of deep connection that music brings, this one's for you. Head over to https: larrykeel.com for tour info and more and follow larry on IG @larrykeel Visit ⁠⁠⁠⁠nosimpleroad.com⁠⁠⁠⁠ for merch, past episodes, and community updates. Support us on Patreon: ⁠⁠⁠⁠patreon.com/nosimpleroad⁠⁠⁠⁠ Leave a 5-star review & share this episode with a fellow music lover! -FREE SHIPPING from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Shop Tour Bus⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Use The PROMO CODE: nosimpleroad INTRO MUSIC PROVIDED BY - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Young & Sick⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ MUSIC IN THE COMMERCIALS BY AND USED WITH PERMISSION OF: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CIRCLES AROUND THE SUN⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ OUTRO MUSIC BY AND USED WITH PERMISSION OF: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CHILLDREN OF INDIGO⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ No Simple Road is part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠OSIRIS MEDIA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Osiris Media is the leading storyteller in music, combining the intimacy of podcasts with the power of music

On tonight's show, lots of live concert performances: Red Norvo, All of Me (Live) [feat. Frank Sinatra] Frank Sinatra, One for My Baby (And One More For the Road) Ramsey Lewis Trio, Fly Me to the Moon (Live) Ella Fitzgerald, Count Basie and His Orchestra & Tommy Flanagan, L.O.V.E. (Live) Dave Brubeck, Rotterdam Blues Paul Desmond Quartet, Take Five Stan Getz, Infant Eyes Gerry Mulligan, Mel Tormé & George Shearing, Jeru (Live) Lew Tabackin and Toshiko Akiyoshi, How Do You Get to Carnegie Hall? Shirley Horn, Once I Loved (Live) Piano Connection & Marcs Boogie, I Remember Jimmy Yancey Bucky Pizzarelli, Jersey Bounce

This week, we're talking: some big considerations following last week's hypnosis episode, Halloween, money shame, soft-pitching “The Cancelistas,” speaking on panels, smoked fish, Ralph Lauren Christmas, the continued government shutdown, SNAP benefits, the White House Ballroom renovation, $230 Million from the Justice Department, Kristi Noem's private jet, being a Patriot for Gymnastics, and the Louvre burglary.  Check out the JVN Patreon for a BTS vlog and post-show debrief of The Drowsy Chaperone at Carnegie Hall starring JVN, Laverne Cox, Dylan Mulvaney, Betty Who, Alex Newell, Peppermint, and many many more! www.patreon.com/jvn  Follow us on Instagram @gettingbetterwithjvn Jonathan on Instagram @jvn and senior producer Chris @amomentlikechris  New video episodes Getting Better on YouTube every Wednesday.  Senior Producer, Chris McClure Producer, Editor & Engineer is Nathanael McClure Production support from Chad Hall Our theme music is also composed by Nathanael McClure. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, we're talking: Warning labels on wigs, The Drowsy Chaperone at Carnegie Hall, what hypnosis can do for you, the Politico article on Young Republican leaders and their White supremacist, racist, and deeply offensive Telegram chat, the world gymnastics championship, our love of Peacock, Sunday Scaries, apple cider & apple cider donut flavor stories, Bette Midler's bangs, and RIP Diane Keaton. Follow us on Instagram @gettingbetterwithjvn Jonathan on Instagram @jvn and senior producer Chris @amomentlikechris  New video episodes Getting Better on YouTube every Wednesday.  Senior Producer, Chris McClure Producer, Editor & Engineer is Nathanael McClure Production support from Chad Hall Check out the JVN Patreon for exclusive BTS content, extra interviews, and much much more - check it out here: www.patreon.com/jvn  Our theme music is also composed by Nathanael McClure.Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, we're talking: a National amendment to enshrine abortion access as healthcare, JVN Holiday Box Gift sets, navigating online “therapy speak,” The Drowsy Chaperone at Carnegie Hall, the fate of Ophelia music video, Tiktoks overtaking our algorithm, the unfolding ceasefire, prosecuting political enemies, supporting NPR, Dylan Mulvaney's one-woman-show, posting pictures of your partner on instagram, and Starbucks Protein Coffee.  Follow us on Instagram @gettingbetterwithjvn Jonathan on Instagram @jvn and senior producer Chris @amomentlikechris  New video episodes Getting Better on YouTube every Wednesday.  Senior Producer, Chris McClure Producer, Editor & Engineer is Nathanael McClure Production support from Chad Hall Check out the JVN Patreon for exclusive BTS content, extra interviews, and much much more - check it out here: www.patreon.com/jvn  Our theme music is also composed by Nathanael McClure. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices