Podcasts about Carnegie Hall

Kathy talks about surviving Trump, the Groundlings, Stand-up, her parents who loved show biz, Sia, Joan Rivers, relationships, dating younger guys, saving every dime, and why she made Jay pay for their date. Bio: Two-time Emmy and Grammy award-winning comedian Kathy Griffin is a towering figure on television, on tour and in publishing. In 2013, Kathy was inducted into the Guinness Book of World Records for writing and starring in an unprecedented 20 televised stand-up specials - more than any comedian in history. In 2014, Kathy made history again with her 6th consecutive Grammy nomination and first win for Best Comedy Album (Kathy Griffin: Calm Down Gurrl), joining Whoopi Goldberg and Lily Tomlin as the only other female comedians to ever win Grammy awards for Best Comedy Album. Her hit Bravo series, Kathy Griffin: My Life on the D-List aired for 6 years and won 2 Emmys. It was nominated every single year of its run. The series also earned her a GLAAD Media Award for Best Reality Program.Kathy starred on NBC's Suddenly Susan and guest starred on multiple legendary TV series including Seinfeld, Law & Order: SVU, Glee, You, and Curb Your Enthusiasm. Additionally, she has lent her unique voice to animated characters in Shrek Forever After, The Simpsons, American Dad, Futurama and Dilbert. Kathy's unrivaled style of humor and prolific comedy pedigree has made her one of television's go-to hosts for premier live events. Kathy drew huge worldwide audiences to CNN's New Year's Eve special, which she co-produced and co-hosted with Anderson Cooper for 10 years. Kathy co-hosted The Billboard Music AwardsLIVE three years in a row, the 41st annual Daytime Emmy Awards LIVE and AARP's Movies for Grownups Gala. Her sure-fire hosting success led to her own LIVE late night talk show, Kathy.Also an accomplished author, Kathy's memoir, Official Book Club Selection: A Memoir According to Kathy Griffin, debuted at #1 on the New York Times Bestseller List. Her much-anticipated second book, Kathy Griffin's Celebrity Run-Ins: My A-Z Index, was also a New York Times Best Seller. On the stage, Kathy has performed standup for hundreds of thousands around the globe. Buoyed by her fiercely dedicated fans, Kathy's live performances are legendary and in a class of their own. The fiery redhead has sold out shows to rave reviews throughout North America, Europe, Australia and Asia at such iconic venues as The Sydney Opera House, The Mark Taper Forum, Madison Square Garden, Carnegie Hall and The Kennedy Center. Kathy has also performed for active military servicemen and women in such war zones as Iraq, Afghanistan, Kuwait, and Uzbekistan. She has graced the covers of The Hollywood Reporter, Adweek, and The Advocate, and has had in-depth profiles in New York Magazine and Forbes.In addition to performing, writing and producing, Kathy is a renowned speaker and has taken her empowering messages of equality through activism and humor all over the country. Kathy's passionate advocacy for women, the LGBT community, and other disenfranchised groups have been displayed through numerous candid and intimate conversations with award-winning journalists and moderators from The Los Angeles Times, The New York Times, The Hudson Union Society, 92Y, as well as tech giants Google and AOL. She has been honored in this area with multiple awards including The Human Rights Campaign's Ally for Equality, GLAAD's Vanguard Award, The Trevor Life Award from the Trevor Project, Iraq and Afghanistan Veterans of America's Leadership in Entertainment honor, the Harvard College Distinguished Service Partner Award, Veterans Tickets Foundation Distinguished Donor Award, the Lambda Legal Liberty Award, a two-time Ladies' Home Journal “Funny Ladies We Love” Recipient, and a Gracie Award for Outstanding Female Lead.

In this uplifting and inspiring episode of The Common Sense MD, Dr. Tom Rogers sits down with two special guests: Yael Shumakher, an 11-year-old piano prodigy from Ukraine, and her dedicated teacher, Carol Stone. Together, they share the incredible story of Yael's journey from a war-torn country to the stage of Carnegie Hall.Hear how the power of music, perseverance, and community support helped Yael overcome immense challenges, fuel her passion, and earn her place among world-class musicians. Carol Stone, who has been teaching for decades, reveals what makes Yael so unique and the joy of guiding her gifted student. Yael's mother, local friends, and generous sponsors all play a role in this beautiful tale of hope and possibility.Alongside emotional interviews, you'll also get to enjoy Yael's stunning performances—featuring pieces ranging from works by Béla Bartók to Ukrainian composer Alexander Pisconov, whose concerto holds deep personal meaning for Yael and her teacher.Discover the transformative force of music, listen to exclusive live piano moments, and learn more about supporting Yael's upcoming Carnegie Hall debut. Tune in for an episode that reminds us how purpose, artistry, and kindness can change lives and inspire the world.What did you think of this episode of the podcast? Let us know by leaving a review!Connect with Performance Medicine!Check out our new online vitamin store:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://performancemedicine.net/shop/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sign up for our weekly newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://performancemedicine.net/doctors-note-sign-up/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@PMedicine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@PerformancemedicineTN⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Performance Medicine⁠⁠

Powerful storytelling, breathtaking music, rare and iconic archival film and images, unforgettable characters, and meticulously researched history all come together in AMERICAN HEART IN WWI: A CARNEGIE HALL TRIBUTE, a panoramic musical and visual account that brings America's World War I story to life. Created, written and narrated by historian John Monsky and directed for the stage by Tony Award winner Michael Mayer (Spring Awakening), this show is a tribute to those who fought and those they left behind.Using F. Scott Fitzgerald's The Great Gatsby as a framework, which marked its 100th year since publication this year, Monsky guides the audience from the war's origins through its harrowing climax, as seen through the wartime experiences of Fitzgerald's fictional veterans Jay Gatsby and Nick Carraway, as well as five real-life figures from the war: soldier and music pioneer James Reese Europe, a civil rights trailblazer and Harlem Hellfighter; Vera Brittain, an Oxford student and young nurse who loses everything in the war; Charles Whittlesey, a shy New York lawyer who leads a melting pot of soldiers trapped under fire in the single biggest battle in American history; combat pilot Quentin Roosevelt, son of President Theodore Roosevelt, in love with debutante and future philanthropist Flora Payne Whitney.Filmed at Carnegie Hall in April 2025 by the Academy Award-winning RadicalMedia, this living documentary features the 60-piece Orchestra of St. Luke's and a stellar cast — Adam Chanler-Berat (Next to Normal), Nicholas Christopher (Hamilton, Chess), Micaela Diamond (Parade), Gracie McGraw (BABE) and Diego Andres Rodriguez (Sunset Boulevard, Evita).John Monsky is the creator, writer, and narrator of the American History Unbound series. His historical productions premiere annually as part of the Carnegie Hall Presents series. Meticulously researched, Monsky's works include 60-piece orchestras, leading Broadway vocalists, archival photography and film, and rare flags drawn from his nationally recognized collection.His most notable productions include We Chose to Go to the Moon, The Eyes of the World: From D-Day to VE Day and The Great War & The Great Gatsby (now titled American Heart in WWI: A Carnegie Hall Tribute).Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

If we have to live in a world of extremes, I want it to be a world in which Magda Olivero reigns supreme. Her artistry combined both integrity (personal, vocal, and artistic), alongside originality and fearless risk-taking. She was never afraid to go out on a limb and it was this quality (alongside her extraordinary longevity) that endeared her to so many opera lovers. Today I have culled my Olivero collection and combined excerpts from a number of rare albums in my collection with material culled from The Magda Olivero Archives, maintained by Denis Robert, a friend and confidante of Olivero who has made it his life's work to present the great diva in all her many facets. We hear the great diva in excerpts from Manon Lescaut, Mefistofele, Traviata, Tristan (!), Bohème, Manon, Medea, and Adriana Lecouvreur (probably her most significant role). In addition, I offer up live excerpts from her two Carnegie Hall recitals as well as rare recordings of Italian songs, including an excerpt from her official farewell appearance in 1991 at the age of 81. There was never another soprano even remotely like her, and if she is your cup of tea (as she most emphatically is mine), this episode will provide an exceptional opportunity to revel in many aspects of her artistry. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Performance used with permission from the artist. Chicago based Gabi Allemana is a Brazilian-American vocalist who studies and performs with notable musicians like La Tanya Hall, Gerald Cannon, and Eddie Henderson.  Raised with a jazz foundation and Brazilian heritage, Allemana's early career included performances with Uniting Voices Chicago and collaborations with icons such as Yo-Yo Ma and Bobby McFerrin. She won the YoungArts Silver Award for Jazz Voice in 2022 and has performed at Carnegie Hall and for the United Nations Council. This performance features a mix of originals and standards, and features Tim Picard on Guitar, Ahmed McLemore on Bass, Aaron Yanda on Drums and Gabi Allemana on Vocals. From October 6th, 2024 it's the Gabi Allemana Quartet – Live at the Bop Stop.

Wenn der Saal singt und tanzt, die Musik Lebensfreude und Energie versprüht, dann ist Abel Selaocoe am Werk, visionärer Cellist, Sänger und Komponist aus Südafrika, der klassische Musik mit afrikanischen Traditionen verbindet. Mit seinem Bantu Ensemble und dem Trio Chesaba begeistert er weltweit – von der Carnegie Hall bis zur Elbphilharmonie und feiert hier sein kulturelles Erbe und seine kreative Vielschichtigkeit.

In episode number one of SEASON 6 (!), we are joined by two remarkable figures in the world of music and cherished in the brass community: Chris Gekker and Eric Ewazen. Chris is a celebrated trumpet professor at the University of Maryland and has performed as a soloist at prestigious venues like Carnegie Hall. His rich career includes collaborations with many composers, showcasing his dedication to both performance and new works. Eric, a prolific composer and educator, has a long history of writing for brass instruments, with works performed worldwide. He has taught at Juilliard and has garnered numerous awards for his compositions.In this first part of our conversation, Chris and Eric share their memorable experiences from their time at the Eastman School of Music, where they first crossed paths. They discuss their early influences, the importance of collaboration, and the creative processes that shape their work. As Chris reflects about Eric's writing, "When he writes a piece, he creates a dialogue, and it's a very creative process."[Subscriber Content] In the second part, we dive deeper into their collaboration on various pieces, including the intricacies of composing and performing. They'll share insights about their teachers, including a few key lessons learned from significant figures in their musical journeys. Eric's experience with writer's block and their approach to revising works are enlightening. Chris notes concerning writing specifically for trumpet, "We're not babies. We can handle difficult music, but you need to give us a break," emphasizing the unique physical challenges trumpet players face. Stay tuned for their engaging discussions about the future of their collaborations and how their friendship continues to flourish through music.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Powerful storytelling, breathtaking music, rare and iconic archival film and images, unforgettable characters, and meticulously researched history all come together in AMERICAN HEART IN WWI: A CARNEGIE HALL TRIBUTE, a panoramic musical and visual account that brings America's World War I story to life. Created, written and narrated by historian John Monsky and directed for the stage by Tony Award winner Michael Mayer (Spring Awakening), this show is a tribute to those who fought and those they left behind.Using F. Scott Fitzgerald's The Great Gatsby as a framework, which marked its 100th year since publication this year, Monsky guides the audience from the war's origins through its harrowing climax, as seen through the wartime experiences of Fitzgerald's fictional veterans Jay Gatsby and Nick Carraway, as well as five real-life figures from the war: soldier and music pioneer James Reese Europe, a civil rights trailblazer and Harlem Hellfighter; Vera Brittain, an Oxford student and young nurse who loses everything in the war; Charles Whittlesey, a shy New York lawyer who leads a melting pot of soldiers trapped under fire in the single biggest battle in American history; combat pilot Quentin Roosevelt, son of President Theodore Roosevelt, in love with debutante and future philanthropist Flora Payne Whitney.Filmed at Carnegie Hall in April 2025 by the Academy Award-winning RadicalMedia, this living documentary features the 60-piece Orchestra of St. Luke's and a stellar cast — Adam Chanler-Berat (Next to Normal), Nicholas Christopher (Hamilton, Chess), Micaela Diamond (Parade), Gracie McGraw (BABE) and Diego Andres Rodriguez (Sunset Boulevard, Evita).John Monsky is the creator, writer, and narrator of the American History Unbound series. His historical productions premiere annually as part of the Carnegie Hall Presents series. Meticulously researched, Monsky's works include 60-piece orchestras, leading Broadway vocalists, archival photography and film, and rare flags drawn from his nationally recognized collection.His most notable productions include We Chose to Go to the Moon, The Eyes of the World: From D-Day to VE Day and The Great War & The Great Gatsby (now titled American Heart in WWI: A Carnegie Hall Tribute).Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Dr. Luiza Raab-Pontecorvo is a 4th-degree black belt in Tae Kwon Do and Jiujitsu, a Carnegie Hall and Broadway musician, and an international speaker, wellness coach, and entrepreneur. Featured in the award-winning documentary Breakthrough, she combines her diverse expertise in performance, neuroscience, and human potential to help others reach their peak.Holding a PhD in Musical Arts, certification in Lifestyle & Wellness Coaching from Harvard Medical School, and advanced training in Neuroscience, NLP, and Tony Robbins Leadership Academy, Dr. Luiza bridges art, science, and discipline in all she does.She is the founder of Atomic Tae Kwon Do, integrating psychology and leadership into martial arts, and Empowered Coaching, focused on women's safety, peak performance, and wellness strategies. Her music career has taken her across the globe with performances in Germany, Austria, England, Korea, China, Norway, Sweden, Switzerland, France, the Czech Republic, and Poland.

On New Year's Day 2020, Adam Tendler unexpectedly received his father's final gift: a wad of cash stuffed into a manila envelope handed over in the parking lot of a Denny's restaurant in West Lebanon, NH. The strangely furtive exchange launched a musical journey.Tendler, a renowned concert pianist who grew up in Barre decided to use his inheritance to commission an all-star cast of modern composers to compose piano pieces exploring the theme of inheritance. In his pitch to his composer friends, Tendler wrote that he wanted “to plant that cash in the soil of something that may actually grow and — if you'll forgive me — live on.” To his amazement, every composer he wrote to agreed to contribute. The result is a critically acclaimed album and concert tour called Inheritances, which the New York Times has called a collection of “little masterpieces.” Tendler will perform Inheritances at the Barre Opera House on November 16.Tendler initially did not know what to do with the money that he received. Taking a trip or paying down a credit card seemed inadequate. “This is an inheritance so something should be done with it that sort of honors the gesture,” he told The Vermont Conversation. “The thing I do for a living is ideally creating experiences for people … which [are] cathartic and beautiful and [provide] a sense of connection,” he said. “What if I use it to facilitate that experience for people?” Tendler originally told his story in a 2023 essay for the New York Times, “My Father's Death, An Envelope of Cash, A Legacy in Music.”Adam Tendler is a Grammy-nominated pianist and a recipient of the Lincoln Center Award for Emerging Artists and the Yvar Mikhashoff Prize. The Minneapolis Star Tribune called him "currently the hottest pianist on the American contemporary classical scene." After graduating from Indiana University, Tendler performed solo recitals in all fifty states as part of a grassroots tour he called America 88x50. He has appeared as soloist with the London Symphony Orchestra, LA Philharmonic, Sydney Symphony Orchestra, Toronto Symphony and at Carnegie Hall, Lincoln Center and other venues. He is on the piano faculty of the Steinhardt School at New York University. Tendler took a circuitous route from Barre to the concert stages of the world. After college, he worked at the landfill in Coventry and was a substitute teacher at U32 and Twinfield high schools. His relationship to his hometown is both affectionate and ambivalent. “I love Barre, I love Vermont, but it wasn't really the most easy place to grow up as a queer kid,” he recalled. “Music was a safety hatch … a real place within which I could hide, protect myself, express myself. I created a little fortress within it.""That vessel motivated me to actually start to really train to the point of getting into conservatory.”Tendler said that his work on Inheritances transformed his complicated feelings about his “semi-estranged” father “into something that feels like a companion in a good way.”“This project and having to sort of confront him on a human level, even though we're talking about music, has brought me back to him. I am my father's son. We are family.”

Sit Back. Block. Fly. The Blueprint for Strong, Confident Back Handsprings. From Broadway Dance Center to Acrobatic Arts, Maria Cherniske has built a career inspiring dancers to move with confidence and joy. A professional performer, gymnastics coach, and Acrobatic Arts Course Conductor, Maria joins Loren to talk all things back handsprings; the progressions, drills, and mindset that help dancers master this milestone skill safely. From sit backs to shoulder blocks, she shares simple ways teachers can build strength, power, and confidence in every class. About Maria Maria Cherniske was born and raised in Connecticut where she took her first class at the age of three. Since then, her passion for the arts has continued to flourish. In addition to being a performer, Maria has taught dance to students of all ages for the past twenty-four years and is a coach for competitive level gymnastics. Maria was a competitive gymnast trained by 2004 Olympic coach Alan Hatch and 2004 two-time Olympic silver medalist Annia Hatch. Following college, Maria continued her dance education at the Broadway Dance Center in New York. She trained under Rhapsody James in the 2012 winter session of Motivating Excellence. She was also a member of New York based dance companies Jamie J & Co and Humans Collective. Maria has worked with choreographers such as Lisette Bustamante, James Jackson Jr, Dana Foglia, Rhapsody James, Luam Keflezgy, Kelly Peters, Derek Mitchell and Tanisha Scott. She has performed at Carnegie Hall, Radio City Music Hall, in an ad for Rocawear clothing, with super-model Coco Rocha at NYC's Fashion's Night Out, on national television with Icona Pop, in a live performance with Jordan Fisher for Nintendo and in a national commercial for the Wendy Williams show. She was also a principal in a commercial for Affinity Bank. In addition, Maria has done work for Nike and Adidas. She appeared in Music Videos with popular up and coming artists and performed live with artists Matt Hunter, Carey Nokey, and L Michelle. Maria was the assistant choreographer for Rob Thomas' music video “I Trust You”, an ad for New Jersey Lotto “Cash Pop” and co-choreographed for the Off-Broadway hit “La Cancion.” Maria is on guest faculty at Broadway Dance Center in NYC. In 2012 she was selected to be a mentor for the program Creating Opportunities developed by world-renowned choreographers Lisette Bustamante and Chonique Sneed. In 2021 Maria became a member of the staff at Acrobatic Arts as a course conductor and adjudicator. Maria is passionate about dance education and loves helping dancers build their confidence and find their voice as an artist. www.MariaCherniskeDance.com Weekly Mini Episodes Mentioned by Maria: Jill Ford | 5 Drills for Back Handsprings (Weekly Mini Ep. 58) Vicki Fletcher | Key Elements for a Solid & Safe Back Handspring (Weekly Mini Ep. 20) If you'd like more amazing content more tips and ideas check out our Acrobatic Arts Channel on YouTube. Subscribe Now! Connect with Acrobatic Arts on your favourite social media platform: Instagram: https://www.instagram.com/acrobaticarts/ Facebook: https://www.facebook.com/Acroarts Twitter: https://twitter.com/acrobatic_arts/ Learn more and register for our programs at AcrobaticArts.com

David Singer is an internationally acclaimed clarinetist whose career has included two performances at the White House and more than 150 appearances in Carnegie Hall. Joseph Horowitz in The New York Times wrote about David Singer, “To describe his playing would be to enumerate a catalogue of virtues.” Mr. Singer's recording of the Aaron Copland Clarinet Concerto was praised by Lawrence A. Johnson from Gramophone Magazine in the UK as “one of the finest accounts around,” and his performances have been featured on the BBC and on Sirius XM as a principal performer of the Grammy Award-winning Orpheus Chamber Orchestra, NYC. Professor Singer taught as a guest teacher at both the Yale and Princeton Schools of Music as well as at the Thornton School of Music at the University of Southern California, and is Emeritus Professor of Clarinet/Coordinator of Chamber Music at Montclair State University, NJ. He continues to coach young musicians across Southern California and performs with the Singer Chamber Players and the Channel Islands Chamber Orchestra. His debut memoir, From Cab Driver to Carnegie Hall, chronicles his remarkable journey of overcoming obstacles and ultimately becoming successful in music and life. From Cab Driver to Carnegie Hall has just been chosen among many ten's of thousands of books to be part of the Los Angeles Public Library collection. “From Cab Driver to Carnegie Hall shows how effort and perseverance can turn dreams into reality.” “This book is a testament to inspiration and resilience.” Diana Lopez, Readers' Favorite Five Star Review A Courageous Story of a Life in Music - This is an excellent view of an inspired life in the turgid world of classical music in the late 1960's – 2000's. Reading of his struggles and triumphs to reach the top of his field and survive is stirring. Baron, Five Star Amazon Review “An intimate, candid look at the highs and lows of one musician's artistic pursuit.” Kirkus Reviews Links Website: https://singerclarinet.com https://singerclarinet.com/events-media/ https://www.facebook.com/singerclarinet

Samedi 4 novembre 1961 : Bob Dylan entre dans la légende au Carnegie HallLe 4 novembre 1961, un jeune musicien de 20 ans, quasiment inconnu du grand public, se produit pour la première fois en solo sur la prestigieuse scène du Carnegie Hall à New York. Son nom est Robert Allen Zimmerman. Ce concert, bien que peu médiatisé à l'époque, est le point de départ de la carrière hors du commun de Bob DYLAN.-------------N'hésitez pas à aller visiter notre site racontemoinewyork.com Retrouvez tous les liens des réseaux sociaux et des plateformes du podcast ici : https://linktr.ee/racontemoinewyorkHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

On the November 4 edition of the Music History Today Podcast, Bob Dylan plays Carnegie Hall to not a lot of people & Dylan also has a bad rumor said about him.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday 

This Big Conversations, Little Bar episode spotlights a life steeped in swing, storytelling, and the American Songbook. Patrick Evans and Randy Florence welcome guest Billy Stritch who shares how a Houston kid with a portable cassette recorder became a New York mainstay—shaping shows, accompanying legends, and commanding intimate rooms like the Purple Room and Birdland. He recalls opening for Mel Tormé at Carnegie Hall, meeting Princess Diana after a Royal Albert Hall performance, and the serendipitous piano-bar moment that led to decades of collaboration with Liza Minnelli. We hear about London's Crazy Coqs, the curated Cast Party at the McCallum Theatre, and the electric connection only a small cabaret can deliver. His pandemic livestreams—65 consecutive weeks—kept creativity alive and a community together, proving music's power to sustain and unite. From early influences (Gershwin, Ella, Nat King Cole) to arranging, Brazilian flavors, and unforgettable stages, this conversation celebrates craft, friendship, and the joy of bringing a room to hush with a single chord.Takeaways:The magic of small rooms: intimacy, faces, and instant connectionSerendipity at a piano bar sparked a 25-year creative partnershipPandemic livestreams built community and kept the music—and rent—goingCast Party thrives in New York and a curated McCallum Theatre seriesCareer highlights include Carnegie Hall, Royal Albert Hall, and Hollywood BowlInfluences span Gershwin, Ella, Nat King Cole, bossa nova, and moreStories of working with icons like Liza Minnelli and Tony BennettMusic as a unifier in divisive times—and a lifelong calling#BigConversationsLittleBarPodcast #PatrickEvans #RandyFlorence #SkipsLittleBar #MutualBroadcastingSystem #CoachellaValleyResidents #SkipPaige #McCallumTheatre #BillyStritch #LizaMinnelli #PurpleRoom #Birdland #CastParty #TonyBennett #LindaLavin #CrazyCoqs #RoyalAlbertHall #AmericanSongbook #PalmSprings #JazzPiano

Historian John Monsky previews “American Heart in WWI,” a Carnegie Hall Tribute, followed by Charles Spira's moving memory of survival as a hidden child in Belgium.

Get ready, family — this week on No Simple Road, we're hanging with the one and only Larry Keel, a bluegrass legend, master picker, and true steward of the jamgrass spirit! Aaron, Mel, and Apple welcome Larry into the circle for a real, heart-forward conversation that goes way beyond the usual talk of tours and records. We dive deep into the magic of community and connection that lives inside the music — from the Northwest String Summit memories and Larry's long friendship with Yonder Mountain String Band, to the way shared stages become sacred spaces. Larry opens up about his incredible musical partnership with his wife, Jenny, and how their bond has shaped both their sound and their lives. The crew explores the evolution of bluegrass — how pioneers like Sam Bush and modern trailblazers like Billy Strings are expanding the boundaries of the genre while honoring its roots. Larry shares stories from the road and the river, including his experiences at Carnegie Hall, Japan, and his own music-meets-nature gathering, Bass and Grass. If you love bluegrass, jamgrass, or just the feeling of deep connection that music brings, this one's for you. Head over to https: larrykeel.com for tour info and more and follow larry on IG @larrykeel Visit ⁠⁠⁠⁠nosimpleroad.com⁠⁠⁠⁠ for merch, past episodes, and community updates. Support us on Patreon: ⁠⁠⁠⁠patreon.com/nosimpleroad⁠⁠⁠⁠ Leave a 5-star review & share this episode with a fellow music lover! -FREE SHIPPING from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Shop Tour Bus⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Use The PROMO CODE: nosimpleroad INTRO MUSIC PROVIDED BY - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Young & Sick⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ MUSIC IN THE COMMERCIALS BY AND USED WITH PERMISSION OF: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CIRCLES AROUND THE SUN⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ OUTRO MUSIC BY AND USED WITH PERMISSION OF: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CHILLDREN OF INDIGO⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ No Simple Road is part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠OSIRIS MEDIA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Osiris Media is the leading storyteller in music, combining the intimacy of podcasts with the power of music

On tonight's show, lots of live concert performances: Red Norvo, All of Me (Live) [feat. Frank Sinatra] Frank Sinatra, One for My Baby (And One More For the Road) Ramsey Lewis Trio, Fly Me to the Moon (Live) Ella Fitzgerald, Count Basie and His Orchestra & Tommy Flanagan, L.O.V.E. (Live) Dave Brubeck, Rotterdam Blues Paul Desmond Quartet, Take Five Stan Getz, Infant Eyes Gerry Mulligan, Mel Tormé & George Shearing, Jeru (Live) Lew Tabackin and Toshiko Akiyoshi, How Do You Get to Carnegie Hall? Shirley Horn, Once I Loved (Live) Piano Connection & Marcs Boogie, I Remember Jimmy Yancey Bucky Pizzarelli, Jersey Bounce

This week, we're talking: some big considerations following last week's hypnosis episode, Halloween, money shame, soft-pitching “The Cancelistas,” speaking on panels, smoked fish, Ralph Lauren Christmas, the continued government shutdown, SNAP benefits, the White House Ballroom renovation, $230 Million from the Justice Department, Kristi Noem's private jet, being a Patriot for Gymnastics, and the Louvre burglary.  Check out the JVN Patreon for a BTS vlog and post-show debrief of The Drowsy Chaperone at Carnegie Hall starring JVN, Laverne Cox, Dylan Mulvaney, Betty Who, Alex Newell, Peppermint, and many many more! www.patreon.com/jvn  Follow us on Instagram @gettingbetterwithjvn Jonathan on Instagram @jvn and senior producer Chris @amomentlikechris  New video episodes Getting Better on YouTube every Wednesday.  Senior Producer, Chris McClure Producer, Editor & Engineer is Nathanael McClure Production support from Chad Hall Our theme music is also composed by Nathanael McClure. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 00:15:39 - Qigang Chen : "Er Huang" - Shao-Chia Lü, Chun-Chieh Yen et l'Orchestre philharmonique de Taïwan - Né à Shanghai, élève d'Olivier Messiaen et Betsy Jolas, Qigang Chen est devenu l'un des plus éminents compositeurs de son pays de naissance. Commandée par le Carnegie Hall et créée en 2009, sa pièce "Er Huang" rend hommage aux opéras pékinois que le compositeur a voulu remettre à l'honneur. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:39 - Qigang Chen : "Er Huang" - Shao-Chia Lü, Chun-Chieh Yen et l'Orchestre philharmonique de Taïwan - Né à Shanghai, élève d'Olivier Messiaen et Betsy Jolas, Qigang Chen est devenu l'un des plus éminents compositeurs de son pays de naissance. Commandée par le Carnegie Hall et créée en 2009, sa pièce "Er Huang" rend hommage aux opéras pékinois que le compositeur a voulu remettre à l'honneur. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:39 - Qigang Chen : "Er Huang" - Shao-Chia Lü, Chun-Chieh Yen et l'Orchestre philharmonique de Taïwan - Né à Shanghai, élève d'Olivier Messiaen et Betsy Jolas, Qigang Chen est devenu l'un des plus éminents compositeurs de son pays de naissance. Commandée par le Carnegie Hall et créée en 2009, sa pièce "Er Huang" rend hommage aux opéras pékinois que le compositeur a voulu remettre à l'honneur. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This episode of The Other Side of the Bell, featuring trumpet performer and recording artist Dave Adewumi, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Dave Adewumi trumpet interview"   About Dave Adewumi: Dave Adewumi is a trumpet player and composer recognized as one of the leading new voices in jazz. A graduate of the New England Conservatory and The Juilliard School, he went on to win 1st place at the 2019 Carmine Caruso International Jazz Trumpet Competition, the 2024 ASCAP Young Jazz Composer Award and Gregory Morris Composing Fellowship, and in 2025 received the NYSCA/NYFA Artist Fellowship. Adewumi has been voted a “Rising Star” in the DownBeat Critics Poll and has performed on some of the world's most celebrated stages, including Carnegie Hall and the Kennedy Center, and has appeared on The Late Show with Stephen Colbert and The Tonight Show Starring Jimmy Fallon.  His collaborations span a wide spectrum of artists, from Harry Connick Jr., Raye and Busta Rhymes, to Mary Halvorson, Jason Moran, Ingrid Laubrock and Dave Douglas.   Episode Links: Dave Adewumi website: daveadewumimusic.com Dave on Instagram (@str8outdawumi) Altus Band on Instagram (@altus.band) Altus Band website: altus.band   Upcoming Events: Greg Black Mouthpieces, November 7 & 8 North Carolina Music Educators Association Conference, November 9 & 10 Book your alignment here!   Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - Dave Adewumi Audio Engineer - Ted Cragg

This week, we're talking: Warning labels on wigs, The Drowsy Chaperone at Carnegie Hall, what hypnosis can do for you, the Politico article on Young Republican leaders and their White supremacist, racist, and deeply offensive Telegram chat, the world gymnastics championship, our love of Peacock, Sunday Scaries, apple cider & apple cider donut flavor stories, Bette Midler's bangs, and RIP Diane Keaton. Follow us on Instagram @gettingbetterwithjvn Jonathan on Instagram @jvn and senior producer Chris @amomentlikechris  New video episodes Getting Better on YouTube every Wednesday.  Senior Producer, Chris McClure Producer, Editor & Engineer is Nathanael McClure Production support from Chad Hall Check out the JVN Patreon for exclusive BTS content, extra interviews, and much much more - check it out here: www.patreon.com/jvn  Our theme music is also composed by Nathanael McClure.Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The award winning pianist Terry Eder talks about her love of Bela Bartok, her new album featuring the music of Dohnanyi, her concert series at Carnegie Hall, and much more.http://www.terryeder.com/index.cfm?e=inner&itemcategory=68983

Franciele Spinelli, Doutoranda da Universidade de Queensland defende tese em 180 segundos e vence competição acadêmica estilo Ted Talk. Na economia circular nada se perde tudo se transforma. É também aí que Brasil e Austrália se encontram. Fadistas portugueses fazem tributo a Amália Rodrigues no Carnegie Hall em Nova York. Tudo pronto para o lançamento do livro 'Asterix na Lusitânia'.

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Joseph Alessi, principal trombone of the New York Philharmonic. About Joseph Alessi: Joseph Alessi was appointed Principal Trombone of the New York Philharmonic in the spring of 1985. He began musical studies in his native California with his father, Joseph Alessi, Sr. As a high school student in San Rafael, California, he was a soloist with the San Francisco Symphony before continuing his musical training at Philadelphia's Curtis Institute of Music. Prior to joining the Philharmonic, Mr. Alessi was second trombone of The Philadelphia Orchestra for four seasons, and principal trombone of L'Orchestre symphonique de Montreal for one season. In addition, he has performed as guest principal trombonist with the London Symphony Orchestra in Carnegie Hall led by Pierre Boulez. Mr. Alessi is an active soloist, recitalist, and chamber music performer. In April 1990 he made his solo debut with the New York Philharmonic, performing Creston's Fantasy for Trombone, and in 1992 premiered Christopher Rouse's Pulitzer Prize- winning Trombone Concerto with the Philharmonic, which commissioned the work for its 150th anniversary celebration. His most recent appearance with the Philharmonic as soloist was in performances of the Tan-Dun Trombone Concerto in March of 2024. Mr. Alessi also has appeared as soloist with the New York Philharmonic in performances of concerti by Kazimierz Serocki, Bramwell Tovey, William Bolcom, Chick Corea, and William Grant Still. Composed especially for Mr. Alessi, he performed the world premiere of the Chick Corea Trombone Concerto with the Säo Paulo Symphony Orchestra in August of 2021. Joseph Alessi has recorded and performed extensively with five prominent trombone quartets; The New York Trombone Quartet resulting in the only recording of Bartok's 4th String Quartet, Aries Trombone Quartet, Four of a Kind Trombone Quartet, the World Trombone Quartet, and Slide Monsters Trombone Quartet. Other solo engagements have included the New Japan Philharmonic, Nagoya Philharmonic, Gulbenkian Symphony, Costa Rica Symphony, National Symphony Orchestra of Taiwan, Tokyo Metropolitan Symphony, Orchestra of Teatro Bellini, Mannheim National Theater Orchestra, Hauge Philharmonic, Helsinki Philharmonic, and the Colorado, Nashville, Alabama, Santa Barbara, Syracuse, and Puerto Rico symphony orchestras. Mr. Alessi has also participated in numerous festivals, including the Festivale Musica di Camera in Portogruaro, Italy; Cabrillo Music Festival; Swiss Brass Week; and Lieksa Brass Week in Finland. He was featured in the 1997 International Trombone Festival in Feldkirch, Austria, and the International Meeting of Brass Instruments in Lille, France. In 2002 Mr. Alessi was awarded an International Trombone Association Award for his contributions to the world of trombone music and trombone playing, and in 2014, was elected President of that association. Mr. Alessi is currently on the faculty of The Juilliard School; his students now occupy posts with many major symphony orchestras in the U.S. and internationally. As a clinician for the Eastman-Shires Instrument Co., he has also given master classes throughout the world and has toured Europe extensively as a master teacher and recitalist. He has performed as soloist withseveral leading concert bands, including the U.S. Military Academy Band at West Point, U.S. Army Band (Pershing's Own), and the U.S. Marine Band (President's Own).  In addition, he has performed with the Maria Schneider Orchestra, the Village Vanguard Orchestra, and has recorded with jazz greats, J.J. Johnson and Steve Turre. Mr. Alessi's discography includes many releases on the Summit record label, including the Trombonastics, and a disc with New York Philharmonic Principal Trumpet Philip Smith entitled Fandango; he also recorded New York Legends on the Cala label. His live recording of the Rouse Concerto with the New York Philharmonic can be heard on Volume II of the recent release, An American Celebration, on New York Philharmonic Special Editions, the Orchestra's own recording label. Mr. Alessi was invited by the International Trombone Association to record a solo disc of newly composed works, which was distributed to the Association's membership of 5,000 trombonists. in early 1999 and is now available as Beyond the End of the Century through Summit Records. His recording of George Crumb's Starchild on the Bridge record label, featuring Mr. Alessi as soloist, won a Grammy Award for 1999– 2000. Other recordings featuring Mr. Alessi are with the Canadian Brass (Sony Classical and Philips Records). Further information about Mr. Alessi can be found on his website, www.slidearea.com. Mr. Alessi plays exclusively on a Shires- Alessi model trombone.   As a conductor, Mr. Alessi has conducted the Juilliard Trombone Choir, the Danbury Community Orchestra and the New York Concerti Sinfonietta in Carnegie Weill Recital Hall and will conduct the World Doctor's Orchestra in November of 2025. 

This week, we're talking: a National amendment to enshrine abortion access as healthcare, JVN Holiday Box Gift sets, navigating online “therapy speak,” The Drowsy Chaperone at Carnegie Hall, the fate of Ophelia music video, Tiktoks overtaking our algorithm, the unfolding ceasefire, prosecuting political enemies, supporting NPR, Dylan Mulvaney's one-woman-show, posting pictures of your partner on instagram, and Starbucks Protein Coffee.  Follow us on Instagram @gettingbetterwithjvn Jonathan on Instagram @jvn and senior producer Chris @amomentlikechris  New video episodes Getting Better on YouTube every Wednesday.  Senior Producer, Chris McClure Producer, Editor & Engineer is Nathanael McClure Production support from Chad Hall Check out the JVN Patreon for exclusive BTS content, extra interviews, and much much more - check it out here: www.patreon.com/jvn  Our theme music is also composed by Nathanael McClure. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Shane Sager joins me on episode 144.Shane is from Boston. In his early teens, a hand injury forced him to give up drumming, so he turned to the harmonica and never looked back. At Berklee College of Music he studied drums, as harmonica wasn't offered, but left after two years to focus fully on the harmonica, studying with top teachers — especially Mike Turk, who helped him shape his chromatic playing.In his early twenties Shane performed with Sting, later joining his touring band in 2019 and going on to travel the world with him for six years.He now continues to perform and record with various acts and has a couple of albums of his own coming out soon. An avid writer, he publishes on Substack and released his first harmonica book, Beyond Breath, in 2025, with two more in the pipeline.Links:Shane's Substack: https://shanesager.substack.com/ Shane's book 'Beyond Breath': https://tinyurl.com/5heaf9twNorth Carolina Harp Fest: https://www.ncharmonica.com/Videos:Shane's YouTube channel: https://youtube.com/playlist?list=PL0_bbSLOzrEFkvFCWiPvWahu0O_PQpoOx&si=XPeZ_DtDCvHdjf1nShape of My Heart with Sting: https://www.youtube.com/watch?v=7jPFdg4CNss&list=PL0_bbSLOzrEFkvFCWiPvWahu0O_PQpoOxPlaying with Sting at Carnegie Hall: https://www.youtube.com/watch?v=0AW8uIFxeAk&list=PL0_bbSLOzrEFkvFCWiPvWahu0O_PQpoOxPlaying with Sting at Time's Square: https://www.youtube.com/watch?v=se1HT8F2c2kSting and Stevie Wonder playing ‘Fragile': https://www.youtube.com/watch?v=FPjj8edvjgMShane playing at SPAH 2025: https://www.youtube.com/watch?v=ldhIDlz5TeABill Barrett playing Sunny Side of the Street: https://www.youtube.com/watch?v=9_EW85IYO3wLiam Ward interview with Shane: https://www.learntheharmonica.com/post/sting-harmonica-player-shane-sager-interviewPodcast website:https://www.harmonicahappyhour.comDonations:If you want to make a voluntary donation to help support the running costs of the podcast then please use this link (or visit the podcast website link above):https://paypal.me/harmonicahappyhour?locale.x=en_GBSpotify Playlist: Also check out the Spotify Playlist, which contains most of the songs discussed in the podcast:https://open.spotify.com/playlist/5QC6RF2VTfs4iPuasJBqwT?si=M-j3IkiISeefhR7ybm9qIQPodcast sponsors:This podcast is sponsored by SEYDEL harmonicas - visit the oldest harmonica factory in the world at www.seydel1847.com  or on Facebook or Instagram at SEYDEL HARMONICAS--------------------------------Blue Moon Harmonicas: https://bluemoonharmonicas.comSupport the show

What if everything you thought about consistency was wrong? In this session, Shirin Eskandani unravels the hidden pressures and privileges behind “showing up”—especially for moms. Discover why self-compassion, not perfection, is the real key to growth, and how redefining consistency can transform your daily life. This session will help you challenge old beliefs and find a kinder, more sustainable way to create consistency in the areas that matter most for you. Get the Basic Pass to watch and/or read each speaker session for free through Sunday, October 12th. Upgrade to the All-Access Pass for ad-free listening on a private podcast feed, + lifetime access to all content visual, audio, and written.    FREEBIE for all: Reclamation: 7 Day Guided Journal   Shirin Eskandani is a coach, writer and public speaker who has been featured as a wellness expert on the Today Show, The New York Times, The Doctors and Shape magazine. Prior to building her successful coaching business she was an award winning opera singer, performing at Carnegie Hall and The Metropolitan Opera. FOLLOW ON IG WEBSITE COACHING CERTIFICATION WEBSITE Learn more about your ad choices. Visit megaphone.fm/adchoices

We have an extended episode of the podcast for you today. It's a rare, full 90-minute CBS broadcast from October 1945 called Stars in the Afternoon. This previously uncirculated broadcast originally aired live from Carnegie Hall, and was a special, designed as a big promotional preview for CBS's fall lineup. Produced by Norman Corwin, you'll hear snippets and appearances from popular shows of the day, including The Aldrich Family, Inner Sanctum, We the People, Take It or Leave It, and The Thin Man. It's a fascinating time capsule from the golden age of radio, and gives a real picture of what radio entertainment sounded like in 1945. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

Mandy Gonzalez is an accomplished film, TV, stage actor. Her Broadway debut was in the musical Aida. Then Mandy brought her talent to Lin-Manuel Miranda's, In the Heights, where she originated the role of Nina Rosario in the Tony Award-winning show on Broadway, where she received a Drama Desk Award. As a proud Latina-American, the story of Nina resonated deeply.  Mandy then soared as Elphaba in Wicked and left an indelible mark in the megahit Hamilton, where she starred as Angelica Schuyler for 6 years. Mandy garnered  an OBIE Award for her performance in the Off-Broadway production of Eli's Comin'. Mandy has been seen in recurring TV roles on such shows as Madam Secretary, BULL, Quantico, Only Murders in the Building. On the big screen, Mandy appeared in Across the Universe, Man on a Ledge, and she can be heard as the voices of Mei in Disney's Mulan 2 and Mother Rose on Disney series Alice's Wonderland Bakery. Mandy has performed with the New York Pops, Boston Pops, The National Symphony Orchestra, Houston Symphony and Cincinnati Symphony Orchestra to name a few. Mandy released her debut album FEARLESS, with Warner Music East/West, which debuted in the top 20 of iTunes pop charts. In her quest to create positive change, Mandy is the proud founder of #FearlessSquad—a social media movement for inclusiveness and positivity. Mandy is also an accomplished author who recently published her Young Adult series, FEARLESS -- a 4-book middle-grade series that follows young thespians whose brushes with the supernatural teach them about theater, friendship and themselves. Mandy serves on the boards of BCRF (Breast Cancer Research Foundation) and BCEFA (Broadway Cares/Equity Fights AIDS), where she actively promotes awareness and fundraising efforts. Mandy is fresh off her guest-starring role as Norma Desmond in Sunset Blvd. and headed back to Carnegie Hall with world-premiere of Everything I Know, a dynamic production that pairs Gonzalez's powerhouse voice and emotive prowess with a full accompaniment, creating an unforgettable celebration of Lin-Manuel Miranda's iconic works. 

Welcome back to the Create Podcast. Just in time for the fall season, I am joined by Pam Grossman, a writer, curator, teacher, and practicing witch whose work beautifully bridges creativity, culture, and magic. Pam is the host of The Witch Wave podcast (called “the Terry Gross of witches” by Vulture), the author of Waking the Witch: Reflections on Women, Magic, and Power, and co-editor of Taschen's Witchcraft volume in the Library of Esoterica series. Her essays have appeared in The New York Times, The Atlantic, TIME, and more. She has also organized exhibitions such as Language of the Birds: Occult and Art at NYU and spoken at institutions including MoMA and Columbia University. Her brand-new book, Magic Maker: The Enchanted Path to Creativity (Penguin Life & Hay House UK, October 14, 2025), is a guide to connecting with the creative force through ritual, history, and practice. It explores how artists and visionaries such as Hilma af Klint, David Bowie, Octavia E. Butler, and Leonora Carrington have used magic as part of their creative process, and how you can do the same in your own life. In This Episode, We Discuss Pam's creative roots and how she began merging her artistic and magical practices Misconceptions about witchcraft and how the archetype of the witch has evolved How Magic Maker links art and magic, showing that creativity itself can be a spiritual practice Practical rituals to protect your studio time and invite inspiration, from lighting candles to leaving offerings or simply asking for guidance The idea of “low frequency” and “high frequency” desires in art and business, and how to balance material needs with higher intentions Pam's experiences speaking at institutions like MoMA and casting a love spell on stage at Carnegie Hall with Jinkx Monsoon The role of research, fascination, and intuition when writing a book Artists who inspire her including Leonora Carrington, Remedios Varo, Hilma af Klint, Max Ernst, and Kurt Seligmann Resources and Mentions Books by Pam Grossman Magic Maker: The Enchanted Path to Creativity (Penguin Life & Hay House UK, 2025) → Pre-order here Waking the Witch: Reflections on Women, Magic, and Power (Simon & Schuster, 2019) What Is a Witch (Tin Can Forest Press, 2016) Witchcraft (Taschen's Library of Esoterica series, co-edited with Jessica Hundley, 2020) Podcast The Witch Wave – Pam's long-running podcast on art, culture, and magic Exhibitions and Projects Language of the Birds: Occult and Art (NYU, 2016) → languageofthebirds.org Art of the Occult by S. Elizabeth (recommended resource) The Spiritual in Art: Abstract Painting 1890–1985 (Los Angeles County Museum of Art, 1986) Artists Mentioned Hilma af Klint David Bowie Octavia E. Butler Leonora Carrington Remedios Varo Max Ernst Kurt Seligmann Create! Magazine Open Call We are now accepting submissions for our fall curated exhibition and catalog: The Spirit World. This virtual show explores the mystical, eerie, and uncanny, making it the perfect theme for the season. Deadline: October 31, 2025 What selected artists receive: inclusion in the curated online exhibition, a feature in the professionally designed print and digital catalog, a blog post on Create! Magazine, and a spotlight across our international platforms.

Today, we welcome two remarkable guests: composer Amy Scurria and Dr. Ryan Gardner, Associate Professor of Trumpet at the University of Colorado Boulder. Amy, a multi-award-winning composer, has seen her work performed worldwide, including at Carnegie Hall. With a unique perspective shaped by her late autism diagnosis, she began composing at just eight years old, using music as a language to explore her emotions. Ryan, originally from Santa Monica, California, has spent over a decade teaching trumpet and is known for his innovative approaches to performance psychology. He also serves as the artistic director for Music for Autism, a program that creates inclusive concert experiences for autistic individuals and their families.In this first part of our conversation, we dive into the intersections of music and autism. Amy shares her insights on neurodiversity and how it shapes her approach to composing, while Ryan discusses the transformative power of music for autistic audiences. As Amy poignantly states, "Neurodiversity means we're just scratching the surface of what the human brain is capable of and how it works." Their stories and perspectives promise to offer enlightening views on how music can bridge differences and create connections.[Subscriber Content] In the subscriber section, we delve deeper into Amy's journey as a composer and her educational experiences. She reflects on her influences, including her composition teachers at Rice University and Duke University, and shares thoughts on how improvisation has played a role in her creative process. Ryan also discusses the impactful training he received and the importance of understanding individual learning styles in music education. Their shared wisdom is sure to resonate and inspire anyone interested in the rich tapestry of music education and neurodiversity.DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

As we continue shaping the introduction to NeuroHarmonics, we're presenting a three-part series on Walter Russell. We touched on his work a few years ago, but we're returning to it now because his life so clearly illustrates what our method is all about. Since NeuroHarmonics blends timeless human wisdom with insights from modern brain science, we'll begin with some core wisdom principles and then see how Russell's extraordinary life embodied one of its deepest truths. Here are a few key teachings to consider: 1.    There is an infinite intelligence behind all creation—call it God, or any name you like. 2.    Our understanding of this power is always limited by our finite minds. 3.    This remarkable power lives within every person and can be called the “Indwelling God Presence.” 4.    Because it is always within us, we can choose to uncover it and connect our awareness to it. 5.    Focusing on it makes us better human beings and greatly increases our inner fulfillment and happiness. Now, how does Walter Russell fit in? Born in poverty in Boston in 1873, he left school after the fourth grade. Yet he became a world-renowned painter, sculptor, architect, musician, scientist, and spiritual philosopher. He was also a multi-millionaire New Yorker and a close friend of presidents, kings, poets, and artists. So how did this disadvantaged fourth-grade dropout achieve such heights? Amazingly, Russell claimed it was simple: he tapped into the Indwelling God Presence within him, which was the source of his wisdom, creativity, and initiative. This first episode in our Walter Russell series offers the amusing story of how I first heard of him, along with an overview of his extraordinary life. As it unfolds, keep in mind that he credited everything to the Indwelling Presence he contacted within himself. And most important of all, he insisted that anyone could do the same. In his view, the question was never if it works—the only question was whether you will try it. Enjoy the story…    Episode 40 – Self-Bestowed Genius                         I have found that every once in a while, some unexpected information can come from an unexpected source and make an unexpectedly major change in your outlook on life. Something like that happened to me a few years ago.             I was in the pool behind our condo and a stranger came over and introduced himself to me.  We struck up an informal conversation with one random topic casually leading to another. At one point he asked me if I had ever heard of someone named Walter Russell. I drew a complete blank. The name meant nothing to me at all and I said so.             Looking surprised at my ignorance, he launched into a string of hyperboles about this person I'd never heard of - that he was one of the most multi-talented people who ever lived, that his rags-to-riches story was one of the classics in American History, that he was a teacher of Consciousness Evolution, who claimed that we can all become geniuses if we want to and that Walter Cronkite had called him the “Leonardo DaVinci of our time,” when he announced his death on national TV in 1963. And on and on and on.            Then, he said with a sly smile, that Walter Russell was so brilliant and so prolific that he made Benjamin Franklin look like a “schlepper.”           Now, I'm pretty familiar with US history and culture, and I've been aware of Consciousness Evolution since the idea first caught my eye in the early 70s, and in all this time, I had never once heard of Walter Russell. So naturally, I was skeptical. After all, if this Russell guy was so great, how come I had never heard of him?           The stranger's looks didn't help dispel my doubts either. He was obviously a bit “out there.” A not-quite-former hippie in his mid-sixties, it seemed like he had not-quite-returned from wherever it was that his last acid trip had dropped him off.            And frankly, his Ben Franklin “schlepper” comment rubbed me the wrong way. Schlepper is a fairly nasty Yiddish term with a host of meanings, one more pejorative than the next.  It's basically a lazy dim-wit who can only perform menial tasks and can't be trusted. Just your average dolt. Now, I have always been a huge fan of Franklin's, and idea of applying the term to him just didn't sit well with me.           Suddenly, for no apparent reason, the stranger in the pool did a perfect Groucho Marx impersonation. It turned out that he did Groucho impressions for a living, and he broke into a string of jokes that were actually pretty funny. Impersonation seemed like it was second nature to him.              Then, he looked over to the far corner of the pool, rolled his eyes, sang “Hello, I must be going” and swam away. An instant later, he was playing Groucho to a few well-groomed ladies who had just come into the pool.           It was a mildly amusing event at the pool during a pleasantly uneventful summer, and I made a lukewarm mental note to look this Walter Russell up someday. I jotted the name down, stuck it in a junk drawer and forgot about it.           At least six months must have gone by before I stumbled on the note again. I was sort of killing time, which is something I've been known to be a master of, so I thought I'd do a quick Google search.           I was expecting to find a few miniscule bits of information that I'd browse for a few moments, then move onto something else. But what I found really was something else and in a matter of seconds, I couldn't believe what I was reading. And I don't mean that as a figure of speech. What I mean is that I actually couldn't believe what I was reading. It seemed preposterous, like it couldn't possibly have been true. I had never seen anything quite like it before.           Walter Russell had been a prominent 20th century figure, a self-made millionaire who lived in New York City and had a studio in Carnegie Hall.  A master painter and sculptor, he had also started a large architect firm in the city and had been intimately involved with the construction and financing of seventeen significant buildings. He owned a stable of Arabian horses in Central Park and was a renown equestrian. He took up figure skating in his forties and won the US national championship against competitors in their twenties. And later in life, as he got involved in the study of chemistry, he helped upgrade the periodic table of elements.           His name was always in the papers and he ran with quite a crowd - Theodore Roosevelt, Mark Twain, Rudyard Kipling, Thomas Edison, Nicola Tesla and FDR, to name just a few. Not to mention his close friend Thomas J. Watson, Sr., who founded IBM.           And yet not one person that I knew had ever heard of him. It was incredible. How could someone who had accomplished so much, in so many different fields, on such a grand scale, be so unknown? It didn't make sense. After all, this wasn't ancient history and it certainly didn't happen in a vacuum.           I was astounded and kept reading. Two books that were several decades old caught my eye – “The Man Who Tapped the Secrets of the Universe,” and “The Secret of Working Knowingly with God.” The titles surprised me. I didn't see their connection to the subject matter I had been reading.           I looked them up and the price was right, so I ordered them blind. When they came a few days later, it was immediately clear that this whole story ran much deeper than I thought.  I was stunned by the books and couldn't put them down.           To begin to grasp the depth of the story, the first thing to understand is that Russell was basically uneducated. Born into a very poor family in Boston in 1871, his parents got him in a job in a grocery store when he was about 10 years old.  To help support the family, he dropped out of school after the fourth grade and never went back. So, amazingly given all that he had accomplished, he had no college, no high school or even junior high.           Yet, he went on to become one of the most accomplished people in history - a self-made millionaire, friend to presidents and kings, an internationally renowned painter, sculptor, musician, architect, scientist, sportsman, businessman, and master teacher. His resume was obviously well-documented and his vast accomplishments were completely verified.           Although what he did was truly amazing, even more amazing was how he said he did it. According to him, from the time he was a young boy, he experienced a series of inner illuminations that continued throughout his entire life. And these inner illuminations tapped him into a vast storehouse of wisdom, indeed the wisdom of the universe.           It all started when he was seven years old.  He was playing marbles with some friends and suddenly, “Something tremendous happened to me, something indescribable, something so beautiful, so wonderful, a sort of complete blotting out of everything concerning the physical universe, concerning my body.           “A great burst of changing colors – blue, violet, orange seemed to fill and pervade all space and me. I was swallowed up in it. Then that ceased and there was a blinding flash and I stood motionless.”           He couldn't function at all for several hours and it took him over a week to recover his normal consciousness. But he really wasn't the same. In fact, he was never the same again.           It happened to him again the following May. And then it happened every May for the rest of his life. Every seven years the episode would be particularly intense, lasting for several days at a time. Once, he was in the altered state, in tune with this universal intelligence for 39 days.           Following each experience, he would find that he was different, as though his whole being had been elevated. Sublime understandings would crystallize in his mind. He seemed to have direct access to new levels of information. His existing talents would deepen or he would develop new ones.           For example, he could play the piano at a young age, but following one of the episodes, he was suddenly able to write and play advanced musical compositions, with a depth of emotion and pathos that was extraordinary. Everyone noticed the changes and several of the formal pieces he composed were played by symphony orchestras throughout the world.           The exact same thing happened with his skill as an artist. He had some talent and training, but it expanded exponentially after one of his episodes and he started churning out masterpieces. He soon became the artistic director of Colliers Magazine, and his series of pictures called, “The most beautiful children in America” won several awards.      He drew a portrait of Teddy Roosevelt's children that hung in the White House for a time.             On another occasion, his talent as a sculptor manifested instantaneously. He created over fifty masterpieces including busts of Thomas Edison and Mark Twain that are breath-taking in their level of realism.           Soon afterwards, in a completely different arena, he invented the concept of the co-op apartment in Manhattan and personally drew-up the first co-op lease in history, which his lawyer said was perfect in its legal detail.           It was all so hard to believe, not to mention that it was all done by a fourth-grade dropout. But he said that he had been granted the ability to transcend his mind's normal thought processes and tap directly into the intelligence of the universe which, he said, is all-knowing.            This intelligence is divine in nature and is the home of all our noble human virtues including wisdom, love and compassion, according to him.  He termed it the very life force which sustains us all and carries the genius of our consciousness on every plane - physical, emotional, intellectual and spiritual.           Russell's work output continued to explode, much of which required extreme precision. And his incredible achievements were acknowledged at the highest levels. For twelve consecutive years, he was the main trainer of the entire IBM sales force. Thomas J. Watson, the company's Founder and President, said that Russell's accomplishments were equal to seven lifetimes of achievement, all performed at peak levels of excellence.           His life became an example of a most lofty ideal – that of being able to live in a state that he termed “ecstatic joy,” while remaining completely grounded and succeeding brilliantly in his life.            According to him, this rarified state, where the inner and outer worlds are in complete harmony, is not only completely natural, it is the way we are meant to live.  And he said that it doesn't diminish with age. In fact, it increases.               He was living proof. He remained in good health well into his old age, with his awareness fully intact, enjoying profound happiness and fulfillment. He finally passed away exactly on his 92nd birthday, and that was in 1963, when the average life expectancy for an American man was sixty-six!           He always held that this genius intelligence exists within every single one of us and we are each capable of connecting with it exactly as he had. We can all become much greater than we think, but we have to make the decision to open up to it ourselves to it and connect with it in a way that is our own.           “Many have asked if I could more specifically direct them how to kindle that spark of inner fire which illuminates the way to one's self. That I cannot do,” he wrote. “I can merely point the way and tell you of its existence. You must then find it for yourself.” And he famously added, “Mediocrity is self-inflicted. Genius is self-bestowed.”           Now if you're like I was when I first got exposed to this story, with all of its implications, you're probably pretty blown out. It's a lot to absorb, on many levels.           He left behind an enormous amount of material on the subject of consciousness evolution and expansion.  His writings are vast and the subject matter is profound. A great place to start is with his “Five Laws of Success.”            In the next episode, we'll explore them and you may be surprised by how simple, natural and powerful they are. Like all of Russell's teachings, they are meant to be practical. You just try them on for size and see how they fit.           Well, that's the end of this episode. As always, keep your eyes, mind and heart open, and let's get together in the next one.

Marlissa Hudson is a celebrated soprano who has graced the stage of Carnegie Hall, yet her talents extend far beyond music. A proud Duke University graduate, Marlissa has established herself as a dynamic consultant and transformative fundraiser, known for her expertise in unlocking access to resources for Black and Brown communities. As co-founder of English Hudson, she has doubled organization budgets, exceeded fundraising goals, and broken down barriers in traditionally exclusive spaces. Driven by a profound sense of purpose and gratitude for those who paved her way, Marlissa uses her voice—on stage and in the boardroom—to champion inclusivity, courage, and lasting change. Takeaways Purpose Beyond Surface: Marlissa's journey shows that finding your “because”—a purpose deeper than just a “why”—can anchor your leadership, refuel you through challenges, and enable you to stand as a shoulder for others to climb higher. The Power of Simplicity and Courage: Being productive isn't about busyness; it's about simplifying priorities, setting strong boundaries, and having the courage to engage authentically, even in difficult conversations. Access and Impact in Fundraising: True fundraising success is not just about hitting numbers—it's about opening doors for those historically left out and ensuring that money raised directly translates into meaningful, community-driven change.  Sound Bites “If not you, then who? I know I was designed for this, but the deeper because of it all is because people poured into me at so many points in my life when I had neither earned it nor deserved it.” “Busyness is one of the biggest things people use. I can't be prepared for this meeting because I'm so busy… But if you want to really make a dent, you have to be authentic and vulnerable.” “The money is the vehicle. It is not the purpose. Connect & Discover Marlissa: Intagram: https://www.instagram.com/marlissahudson/?hl=en Website: English Hudson Consulting LinkedIn: https://www.linkedin.com/in/marlissahudson/ Facebook: https://www.facebook.com/100063699940555/about/?_rdr Album: Lust

A teen violist treats us to a sweeping Brahms sonata. We meet a tuba player who shares how it feels to perform on the stage at Carnegie Hall and an 18-year-old clarinetist recalls how his parents influenced his musical pursuits.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Sofia Rei is a Latin music star. Argentinian born, 2x Grammy nominated, singer, songwriter and producer. She's a classically trained mezzo-soprano. She combines South American folk music, jazz, pop, new classical and electronic into a fantastic mixture. She sings in Spanish, English and Portuguese. She's released 6 albums and she's worked with Bobby McFerrin, Mark Ribot and Maria Schneider among others. She's performed at Carnegie Hall, the Kennedy Center and many other venues and jazz festivals. My featured song is “Funk Latino” from the album PGS 7 by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH SOFIA:www.sofiamusic.com—----------------------------------------ROBERT'S NEWEST SINGLE:“SUNDAY SLIDE” is Robert's newest single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Vocal coach, and now Broadway star in “& Juliet.”, Cheryl Porter sits down with Jonathan Van Ness for an unforgettable voice lesson that's about more than just singing. Cheryl doesn't just teach notes — she teaches confidence, positivity, and how to let go of shame to truly find your voice. They dive into Cheryl's decades long career in Italy, watching Queer Eye dubbed in Italian, the realities of racism in Italy, and the universal power of finding your authentic voice. From unlearning shame to staying connected to your inner power, Cheryl shares how singing isn't just for professionals — it's a life-changing tool for anyone brave enough to open their mouth. Plus— JVN gets some pointers ahead of their Carnegie Hall debut in Breaking The Binary Theatre's production of “The Drowsy Chaperone.”  Full Getting Better Video Episodes now available on YouTube.  Follow Cheryl Porter on TikTok @cherylporterdiva Follow Cheryl Porter on Instagram @cherylporterdiva  Follow us on Instagram @gettingbetterwithjvn  Follow Jonathan on Instagram @jvn Senior Producer, Chris McClure Producer, Editor & Engineer is Nathanael McClure Production support from Anne Currie and Chad Hall Our theme music is also composed by Nathanael McClure. Check out the JVN Patreon for exclusive BTS content, extra interviews, and much much more - check it out here: www.patreon.com/jvn  Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On today's episode of the podcast, my wife Emily and I recap summer 2025. From the pinnacle of performing at Carnegie Hall to the hilarious nightmare of being stranded overnight in LaGuardia airport. Emily also shares a powerful and timely word about the importance of gratitude and how leaning into thankfulness has been her anchor through a season of worry and change. Let's go to the Story House!

This is your evening All Local Update for Monday September 22, 2025.

Megan Gillespie, founder of Megan Gillespie Studio and Conversational English Pro, who helps performers and professionals elevate their careers through vocal technique, emotional connection, and powerful communication skills.Through her dual businesses, Megan trains both aspiring artists and English-as-a-second-language professionals to connect with their audiences through breath technique, intonation, and authentic expression.Now, Megan's background as an award-winning operatic contralto with performances at venues like Carnegie Hall provides a strong foundation for her teaching approach.And while balancing her roles as professor, entrepreneur, and performer during a challenging time for higher education, she continues to find growth in discomfort—the environment where she knows she thrives the most.Here's where to find more:ConversationalEnglishPro.comMeganGillespiesStudio.com________________________________________________Welcome to The Unforget Yourself Show where we use the power of woo and the proof of science to help you identify your blind spots, and get over your own bullshit so that you can do the fucking thing you ACTUALLY want to do!We're Mark and Katie, the founders of Unforget Yourself and the creators of the Unforget Yourself System and on this podcast, we're here to share REAL conversations about what goes on inside the heart and minds of those brave and crazy enough to start their own business. From the accidental entrepreneur to the laser-focused CEO, we find out how they got to where they are today, not by hearing the go-to story of their success, but talking about how we all have our own BS to deal with and it's through facing ourselves that we find a way to do the fucking thing.Along the way, we hope to show you that YOU are the most important asset in your business (and your life - duh!). Being a business owner is tough! With vulnerability and humor, we get to the real story behind their success and show you that you're not alone._____________________Find all our links to all the things like the socials, how to work with us and how to apply to be on the podcast here: https://linktr.ee/unforgetyourself

Today we celebrate the recorded legacy of Hildegard Behrens, but from an unexpected angle. Like George London and Cesare Valletti, the last two artists heard on the podcast, she is best remembered today for her operatic portrayals. But like both London and Valletti, she was also a recitalist, although this was not, admittedly, a prominent part of her repertoire. Nevertheless, as a recitalist, as in everything she sang, she displayed a keen musical intelligence, a commitment to the inherent drama in the text, and an insistence upon truth in expression. Today, however, we hear the great Wagner and Strauss singer not only in songs by both of those composers, but also less-expected music, including Schumann's Frauenliebe und -leben, as well as songs by Bach, Elgar, and Zumsteeg. This material was featured in her Carnegie Hall recital debut in April 1985 and subsequently recorded in Paris at the legendary (and now no longer extant) Salle Wagram. This recording is supplemented by excerpts from three different orchestral song cycles, Les nuits d'été or Hector Berlioz, the Wagner Wesendonck-Lieder, and Berg's Sieben frühe Lieder. May this episode serve as a tantalizing Vorspiese to an upcoming episode celebrating the operatic career of the great Hildegard! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Recognized for her "sensual" and "strong" voice (New York Times), mezzo-soprano Devony Smith is a versatile performer with a wide-ranging repertoire in opera and concert music. Devony is a sought-after collaborator with composers, having premiered works by Grammy-award winning composer Jennifer Higdon, Jake Landau, Eve Beglarian, and Luna Pearl Woolf.  This season, Devony has been featured on multiple album releases, including singing the role of the Lover in Kate Soper's Romance of the Rose. She also performs the alto solos on Benjamin Wenzelberg's release of his cantata, Any of those Decembers. This spring, Devony anticipates the release of her debut solo album In This Short Life with pianist Danny Zelibor, which features premiere recordings of works by composers Mark Adamo, Grammy award winning Jennifer Higdon, Jake Landau, Pulitzer Prize winner David Lang, B.E. Boykin, Eve Beglarian, and Will Liverman.Pianist Danny Zelibor, praised for his sensitive and colorful playing, is a sought-after collaborator and performer. He made his Carnegie Hall debut with baritone Jarrett Ott and has performed in recital with numerous leading musicians, including soprano Harolyn Blackwell and Canadian cellist Amanda Forsyth. An ardent lover of art song, he frequently performs with the Brooklyn Art Song Society and the New York Festival of Song and has recorded world premieres of songs by Jake Heggie, Jennifer Higdon, and Mark Adamo. On the cutting edge of new music, he has premiered and workshopped dozens of new works.  A true believer in the power of music to be a bridge and a force for good, he joined baritone Sidney Outlaw on a concert tour and series of masterclasses in The Republic of Chad sponsored by the U.S. State Department and recently performed in his first series of Well-Being Concerts at Carnegie Hall with cellist Joshua Roman and violinist Simon Porter.  Danny's debut CDs for Toccata Classics, the beginning of a multi-volume set of the piano music of Alexandre Tansman, have received widespread praise from top music publications. A fellow of Tanglewood and graduate of Manhattan School of Music, Danny resides in New York City. http://DevonySmith.com http://DannyZelibor.comMake sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review! Theme music by DreamVance.I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a discovery call from my website.  https://jennetingle.com/work-with-meI'm your host, Jennet Ingle. I love you all. Stay safe out there! 

“I ask them to sing with maximum efficiency, accessing their singer's formant, and from there, we'll ask for specific sounds. Sometimes conductors get stuck asking them to blend, to listen. When we do that, it's like giving them an 8-pack of Crayola and asking them to color. Instead, we start the rehearsal with a 64-pack and then throughout the rehearsal we might pick out the light blue #2 to color that section of the music. They're able to access the full breadth of their vocal powers in the rehearsal.”Francis Cathlina, D.M.A. (he/him) is a Vietnamese-American conductor and educator, renowned for his innovative approach to choral music. His concerts invite audiences into a world where choral artistry becomes a powerful storytelling medium.Dr. Cathlina is currently the Director of Choral Activities at the University of Memphis, where he received the 2025 Dean's Award for Creative Achievement. He oversees the Choral Area, leads the MM/DMA Choral Conducting program, and conducts the University Singers.A two-time GRAMMY-nominated educator, Dr. Cathlina draws deeply from his Eastern heritage. His work reflects a commitment to excellence and collaboration. In 2025, he will serve on the conducting faculty for Brazil's FIMUS Festival and work in the Philippines as part of ACDA's International Conductors Exchange Program. Early recognition came from the Texas Choral Directors Association (TCDA), which named him a “Young Director of Distinction.”Cathlina's teaching philosophy centers on developing masterful technicians, expressive communicators, and thoughtful citizens. Under his direction, the UofM University Singers have been invited to perform for national conferences. Recent engagements involve All-State choirs in Mississippi and Kentucky, the International Mu Phi Convention Chorus, and a Carnegie Hall debut. Dr. Cathlina's research focuses on choral tone and conducting gesture. He has presented over 69 sessions worldwide. He is published in international journals. In 2025, he served as the Headliner for the Ohio and Alabama choral conferences. In 2023, he co-led Conducting Masterclasses in Greece with the University of Macedonia and Ionian University.Dr. Cathlina earned a DMA in conducting with a vocal pedagogy cognate from the University of North Texas, an MM from Michigan State University, and a BME from Baylor University. Before his doctorate, he taught in Texas public schools. Beyond the podium, Dr. Cathlina is an avid pickleball player. He, his husband Kyle, and their dog Coco call Memphis, Tennessee, their home. To get in touch with Francis, you can find him on Instagram (@francis.cathlina) or Facebook (@franciscathlina), on his website (franciscathlina.com), or via email: franciscathlina@gmail.com.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

In this episode, we talk with poet Rosemerry Wahtola Trommer about the grief that carries love through unimaginable loss—the death of a child—and of the daily practice of writing and mindful observation that dig the groundwork for self-forgiveness, compassion, and revelation.Rosemerry Wahtola Trommer is a poet, teacher, speaker and writing facilitator who co-hosts Emerging Form, a podcast on creative process. Her daily audio series, The Poetic Path, is on the Ritual app. Her poems have appeared on A Prairie Home Companion, PBS News Hour, O Magazine, American Life in Poetry, and Carnegie Hall stage. Her recent collections are All the Honey and The Unfolding. In 2024, she became poet laureate for Evermore, helping others explore grief and love through poetry. Since 2006, she's written a poem a day, sharing them on her blog, A Hundred Falling Veils. One-word mantra: Adjust.Resource Links:* Explore these paths into Rosemerry Wahtola Trommer's work for poems that fall daily, books that gather what cannot be held, albums that sing through the dark, and talks that change the way we see.Website: wordwoman.comDaily poetry blog: A Hundred Falling VeilsDaily poetry app for your phone: The Poetic PathPodcast on creative process: Emerging FormNewest Books: The Unfolding, All the HoneyTEDx: The Art of Changing MetaphorsPoetry album on “Endarkenment”: Dark PraisePoetry album on love in difficult times: Risking Love* More from David - book releases, workshops, mindfulness talks, upcoming events, and more.Website: Davidkeplingerpoetry.comInstagram: @DavidKeplingerPoetrySubstack: Another Shore with David Keplinger* More from Shawn - free audio meditations, upcoming events, retreats, monthly essays, yoga classes, and music alchemy.Website: Shawnparell.comInstagram: Shawn ParellSubstack: The Guest HouseTogether, we're being human in an era of radical change. Your presence here matters. Bless our work algorithmically with your

Benjamin Hochman is a dual threat artist. He's a pianist and a conductor. As a pianist he debuted at 24 as a soloist with the Israel Philharmonic at Carnegie Hall conducted by Pinchas Zukerman. He's performed with the New York Philharmonic, Chicago and Pittsburgh Symphonies, and Prague Philharmonia among others. As a conductor he has led the orchestras of Szeged in Hungary, the English Chamber Orchestra, Santa Fe Pro Musica, and the Orlando, and Bridgeport Orchestras.My featured song is “Out Of Tahini”, from the album Play by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH BENJAMIN:www.benjaminhochman.com—----------------------------------------ROBERT'S NEWEST SINGLE:“SUNDAY SLIDE” is Robert's newest single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com