Podcast appearances and mentions of Harry Belafonte

We were supposed to talk about Deacon King Kong. We did not.    When Jen sat down with Pulitzer Prize-winning novelist James McBride to discuss the Jen Hatmaker Book Club's May selection, the conversation took a hard left turn into something far richer — a wide-ranging tour through one of the most remarkable lives in American letters.    James opens up about a scrappy and troubled adolescence in Brooklyn, getting straightened out in the heat of the Louisville, Kentucky summers, and the music that quite literally saved him. He reminisces about touring Europe as a young musician and playing saxophone alongside Stevie Ray Vaughan at Antone's in Austin, traveling with Michael Jackson on the Victory Tour as a young journalist, surviving the Boston Globe's newsroom in the 1980s, writing songs for Anita Baker and Grover Washington, working with Quincy Jones, and getting dressed down by Harry Belafonte in a writers' room. Along the way, he reflects on race, art, faith, forgiveness, music, storytelling, old cars, and why the best writers are simply the people paying closest attention. He also shares what gives him hope about America right now — and it might surprise you.   Of course, we touch on Deacon King Kong—its unforgettable characters, humor, and heart—but this conversation became something even bigger: a portrait of the life experiences that shaped the storyteller behind the book.   Come for the book club discussion. Stay for one of the most fascinating conversations Jen has had in a long time.   Oh, and Deacon King Kong is a masterpiece. You should absolutely read it.    Thought-provoking Quotes:   Resources Mentioned in This Episode:   Guest's Links: Website - https://www.jamesmcbride.com/ Instagram - https://www.instagram.com/jamesmcbrideauthor/ Facebook - https://www.facebook.com/JamesMcBrideAuthor/   Connect with Jen!Jen's Website - https://jenhatmaker.com/ Jen's Instagram - https://instagram.com/jenhatmakerJen's Twitter - https://twitter.com/jenHatmaker/ Jen's Facebook - https://facebook.com/jenhatmakerJen's YouTube - https://www.youtube.com/user/JenHatmaker   The For the Love Podcast is presented by Audacy. ★ “I didn't grow up wanting to be a writer. We were just concerned about eating.” – James McBride★ “Years and years of playing $50, $75, $100 gigs prepares you for a life of good struggle.” – James McBride★ “People are trying to do their best. Just because you don't agree with them, it doesn't mean they're not trying to do their best.” – James McBride★ “We have work to do and I'm proud of those of us who are doing it. And for those of us who are not, maybe their children will come to it or maybe they won't. The struggle is a beautiful thing.” – James McBride➢ Miracle at St. Anna (Spike Lee movie) - https://www.jamesmcbride.com/miracle-at-st-anna/➢ The Good Lord Bird: A Novel by James McBride - https://amzn.to/4eJBPDc➢ The Heaven & Earth Grocery Store: A Novel by James McBride - https://amzn.to/4d74l0a➢ Deacon King Kong: A Novel by James McBride - https://amzn.to/4uLm4QP➢ The Color of Water: A Black Man's Tribute to His White Mother by James McBride - https://amzn.to/4tv1nYc ➢ Parting the Waters: America in the King Years 1954-63 by Taylor Branch - https://amzn.to/49Nt3Av➢ Jen Hatmaker Book Club - https://shop.jenhatmaker.com/collections/book-club?srsltid=AfmBOopIz2aHN5knpp-Y-iOHWJBAWnpj_HQTJ-kU2uedz33q6e3xyjrb To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

(Originally published on Patreon on January 29th, 2024) Get your new mustaches on because this week we're digging into one of the most infamous outings of the Smothers Brothers Comedy Hour, the season three premiere! The brothers have got Cass Elliot and Harry Belafonte on board and after a full summer off, they've got a lot to say about the chaos boiling over in the US. As per usual, this led to a lot of battling with CBS, including a whole Belafonte song being left on the cutting room floor. We look at the full, un-edited (kinda) version of the episode to see just what went down. 

  On today's episode of Vinyl Fridays Brandon & AP Lindsay pay tribute to the long running label Island Records. Inspired by the Harry Belafonte movie & song "Island in the Sun" the label was founded in Jamaica in 1959, and specialized in  Jamaican folk music, Ska, and reggae before relocating to London in the mid-sixties, where  they would branch out into jazz, British folk, progressive rock, and then Punk, New Wave, Post-Punk and more . . . .    ------------------------------------------------------------------------------------- Contact us: Instagram: @BIRP60406 Youtube: @blueislandradiopodcast7320 Patreon: patreon.com/blueislandradio Email: blueislandradio@gmail.com

Episode 105: Richard Bona is one of the most respected bass players, composers, vocalists, and bandleaders in modern music. Born in Cameroon and now celebrated around the world, Richard has worked with legends including Pat Metheny, Quincy Jones, Joe Zawinul, Harry Belafonte, Chick Corea, Herbie Hancock, Bobby McFerrin, Mike Stern, George Benson, and many more. From the Pat Metheny Group to the Zawinul Syndicate, Richard has helped shape the sound of jazz fusion, African music, world music, and modern bass playing for decades. Richard has also shared the stage and studio with some of the greatest drummers in the world including Antonio Sanchez, Vinnie Colaiuta, Dave Weckl, Steve Smith, Omar Hakim, Paco Séry, Dennis Chambers, Manu Katché, Simon Phillips, Terri Lyne Carrington, Mark Guiliana, Steve Gadd, and more. In this episode, Richard and Elmo talk about growing up in Cameroon, building his own instruments as a child, discovering Jaco Pastorius, moving to Germany, Paris, and New York, becoming Harry Belafonte's musical director, joining Joe Zawinul's Syndicate, winning a Grammy with Pat Metheny, rhythm, groove, African music, storytelling, singing while playing bass, improvisation, how to feel odd time signatures and polyrhythms, being managed by Quincy Jones, bass technique, composition, musical identity, and much more. Richard also shares stories from the road, lessons from the greatest musicians in the world, and his philosophy on music, culture, creativity, and humanity. We hope you enjoy our conversation with the great Richard Bona! Big thanks to our friends Ace Studio for supporting the show. Check them out! https://acestudio.ai/ Another huge thanks to our friends at DistroKid! DistroKid is the easiest and fastest way to get your music on over 150 platforms worldwide! Go to https://distrokid.com/vip/elmo to get 20% off your first year! Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. https://www.patreon.com/gowithelmo Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Richard: https://www.instagram.com/richardbonaofficial/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard https://www.instagram.com/jammcard/ jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Writer, Michael Elias, talks about growing up in the Catskills, where you had to make your money in the summer to survive the winter, and how that created a lot of tension. He also talks about taking acting classes, dealing with being an actor, and how acting helped him build scenes and characters. He talks about working for Glen Campbell without realizing how talented he was. He discusses his book Benders, L.A. and talks about going to Plato's Retreat and not scoring. He talks about Steve Martin and how The Frisco Kid was not what he originally thought it would be. It was originally supposed to be directed by Mike Nichols and star John Wayne. Carl Reiner may have made The Jerk better. Garry Marshall made Young Doctors in Love better, but some movies simply don't turn out the way you want them to. Michael wants people to know that Jews were all over the West and that minorities helped build this country. He says there was always a hangout somewhere. Mel Brooks was an egalitarian. Michael talks about having many writing partners, including Arnie Kogen, Rich Eustis, and Frank Shaw. He talks about getting kicked off The Ed Sullivan Show, writing for The Tonight Show, and learning from Neil Simon and Ed Weinberger.  He wishes he could tell his mother what's going on in his life now and imagines writing letters to her today. He also talks about giving yourself permission to stop reading books halfway through. He remembers me playing with the microphone at my bar mitzvah. He talks about paying rent at forty-two dollars a month while working as a substitute teacher. His father, a doctor, never really understood what he did until he saw the pilot of Head of the Class. Howard Hesseman had demands even though he was about to be fired. Bio: Michael Elias grew up in the Catskill Mountains, a Red Diaper Borscht Belt Baby in a world of artists, intellectuals, tumlers, folk singers, boxers, and Jewish gangsters, some of whom sleep at the bottom of Loch Sheldrake. His childhood heroes were Jerry Lewis, Harry Belafonte, Rocky Marciano, and Abe ‘Kid Twist' Reles. Educated in the classics at St. John's College, Elias took his knowledge of ancient Greek and philosophy to New York, trained at the Actors Studio, acted in The Living Theatre, La MaMa and the Judson Poets Theatre. From there Elias and Frank Shaw dove into the world of stand-up comedy, playing coffee shops, night clubs, with five stints on The Tonight Show. Fired from Ed Sullivan they abandoned the act and came to Hollywood where he and Shaw wrote sit-coms, variety shows, and The Frisco Kid. After parting ways, Elias participated in the anti-Vietnam War movement, earned a subpoena from a Nixon grand jury, and teamed up with Rich Eustis and created Head of the Class. Elias continues to write novels and screenplays in Los Angeles, where he lives with his wife Bianca Roberts and their dachshund Mabel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Actor, dancer and singer Ken Berry grew up in a small Midwestern town, admiring the musicals of Fred Astaire and Gene Kelly. After winning several local talent contests, he found his way into show business and was soon pulling down an impressive (for the time) $90 a week! Gilbert and Frank caught up with Ken at his Hollywood home to ask about his “two years of recess” on the classic sitcom “F-Troop” and his memories of working alongside comedy greats George Burns, Don Rickles, Carol Burnett and a then (mostly) unknown Steve Martin. Also, Ken reminisces about life as a “day player” and tells us why he had the worst stage act in the history of Vegas. PLUS: “My Mother the Car”! “The Ken Berry ‘Wow' Show”! Helen Hayes eats a cheeseburger! Richard Dreyfuss serenades a goldfish! And Leonard Nimoy covers Harry Belafonte! Learn more about your ad choices. Visit megaphone.fm/adchoices

Greetings Glocal Citizens! This week on the podcast it's an NYU affair with a side of Columbia University, Harvard University and UCLA. I first met my guest as fellow New York University students/alumni in the late 1990's, at a time when slam poetry was beginning to reaching global audiences with influences from hip hop music and other activist movements. Fast foward after more than 20 years to earlier this spring when our paths crossed again at an event hosted by fellow Glocal Citizen and Director of NYU Accra, Chiké Frankie Edozien - The Labone Dialogues. Bryonn is a poet, actor, prison activist, playwright, scholar, author, hip hop artist and professor of African American Studies, Theater, Film & Television, and World Arts & Cultures in the School of the Arts and the School of Law at the University of California at Los Angeles (UCLA). Playing over 40 characters, his one-man show, LYRICS FROM LOCKDOWN, won “Best Solo Performance” from the LA Weekly and the NAACP. Executive produced by the late and great, Harry Belafonte, the show tells stories of wrongful incarceration through spoken word poetry, hip hop theater, calypso, comedy and classical music. He founded the Prison Education Program at UCLA in 2015 and in 2019, the program and his performances at the Kennedy Center for the Performing Arts were featured on the debut episode of LA Stories, which won an Emmy Award. His work has been featured on a diverse range of stages including the Apollo Theater, Carnegie Hall, Lincoln Center, The Public Theater (NYC), National Black Theatre (Harlem), NJ PAC, The Actor's Gang Theater (Culver City), Los Angeles Theater Center (LATC), Festival de Liege (Belgium), M-1 Theater Festival (Singapore), Universidad de las Americas (Mexico) and Muteesa Royal University (Uganda), Rikers Island (New York), Marion Prison (Ohio), TEDX at Ironwood State Prison and Sing Sing Prison. He has performed at over 250 colleges and prisons in the U.S., Africa, Asia, Latin America and Europe. And soon in Ghana! Where to find Bryonn? https://www.bryonn.com On LinkedIn On Instagram What's Bryonn reading? A Survey of Muhammad Ali Biographies What's Bryonn watching? Concerning Violence What's Bryonn listening to? Blues Women Other topics of interest: What is a Calypsonian About Veteran Black Panther Jamal Joseph About Akuse Prison in Ghana 90's music roll-call - The Fu-Schnickens, Digital Underground, Tupac Shakur About Pedro Noguera About Delroy Lindo Sinners the film About Michael A. JordanSpecial Guest: Bryonn Bain.

Tom was an integral member of the Greenwich Village early '60s folk scene (playing originals regularly before Bob Dylan did). His tunes have been covered by Dylan, Pete Seeger, Joan Baez, Johnny Cash, Willie Nelson, Dolly Parton, Harry Belafonte, and many others. He received a lifetime achievement Grammy in 2009. We talk about "Rebel Gal" from Together Again (2026) (a collaborative album with John McCutcheon), "If the Poor Don't Matter" from Redemption Road (2015), "Mr. Blue" from Morning Again (1968), and "The Death of Stephen Biko" (with Anne Hills and Bob Gibson) from Best of Friends (live in 1984, released in 2004; the song was originally recorded for Heroes, 1978). Intro: "I Can't Help But Wonder Where I'm Bound" from Rambin' Boy (1964). More at tompaxton.com. Hear more Nakedly Examined Music at nakedlyexaminedmusic.com. Support us at patreon.com/nakedlyexaminedmusic.

Steve Binder is one of the most influential figures in music television, even if you don't know his name. From The T.A.M.I. Show to Elvis Presley's '68 Comeback Special, his work created moments that changed music history. In this episode, Steve shares how he went from the mailroom at KABC to directing icons like Frank Sinatra, The Allman Brothers, and The Rolling Stones, and what it was like to be thrown into some of the most pivotal TV moments of the 1960s and 70s. We talk about the making of The T.A.M.I. Show and the night James Brown delivered a performance so explosive it shook The Rolling Stones. The raw, behind-the-scenes story of Elvis' comeback, including the now-legendary sit-down sessions that redefined his career. And the cultural firestorm that followed when Petula Clark took Harry Belafonte's arm on live television. These were unforgettable music moments on TV, and Steve Binder was right in the middle of them. More on Steve Binder: ⁠Elvis '68 Comeback Book⁠ ⁠Films By Steve Binder⁠ Songs from the Episode: Elvis - "Jailhouse Rock" Lesley Gore "You Don't Own Me" James Brown - "Please, Please, Please" Elvis - "All Shook Up" The Allman Brothers Band - "Midnight Rider" The Rolling Stones - "Time Is On My Side" For more information on My Rock Moment, visit www.myrockmoment.com Follow us for photos and news of upcoming episodes at: https://www.instagram.com/la_woman_rocks Learn more about your ad choices. Visit megaphone.fm/adchoices

Put on your dancing shoes and crank up your favorite 80s beats, because on this episode of the Gimme Three Podcast, we're cutting some rug. Actor, writer, producer (and dancer) Hannelore Berlin joins Nicholas Ybarra as they deep-dive into three of the 1980s' most impactful dance films. - We start with perhaps the most iconic dance film of the decade, in which Patrick Swayze and Jennifer Grey made the entire world swoon in 1987's Dirty Dancing. - Second, we explore perhaps the most important film in hip hop history. Harry Belafonte produced this authentic slice-of-life look at the South Bronx and B-Boy culture in Beat Street. - Finally, Kevin Bacon stars in the career-making performance, Footloose.Have you seen these films? Which is your favorite? Let us know!❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can  keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

This episode explores the surprising Ukrainian origins and remarkable cultural journey of Hava Nagila, one of the most recognizable songs in the world. The story begins with the melody itself — a nigun, a wordless Hassidic prayer tune sung since the mid‑1800s — which originated in a shtetl in Ukraine before becoming a global Jewish folk standard.The episode traces Pawlina's personal connection to Hava Nagila, from early encounters on television to the enduring emotional resonance the melody continues to hold. A chance conversation in Lviv with a Ukrainian man who identified as a born‑again Hassidic Jew sparked deeper curiosity about the song's Ukrainian roots and led to further research.That search culminated in discovering Hava Nagila: The Movie, a documentary by award‑winning American filmmaker Roberta Grossman. The film investigates the song's beginnings in Sadagora, Bukovina, where Grossman interviewed Ukrainian‑speaking locals, searched for traces of the Jewish community, and visited the ruins of a once‑great synagogue connected to the melody's origins. The documentary then follows the song's path to Palestine, where its lyrics were written, and through the upheavals of the world wars, the Holocaust, and the evolving identity of the Jewish people.Featuring interviews with cultural figures including Harry Belafonte, Connie Francis, Glen Campbell, and Leonard Nimoy, the film presents the song's spiritual and cultural layers with humor and depth. It also highlights the song's modern presence, from global pop culture to contemporary performances across Ukraine.Many of these performances can be found on YouTube, along with links on the Nash Holos website to additional videos and to places where Hava Nagila: The Movie can be purchased or rented. Hosted on Acast. See acast.com/privacy for more information.

Original Release Date: Monday 13 April 2026    Description:   Dean Haglund is back in Los Angeles and he and Phil went up to the rooftop studio high atop the historic neighborhood of Los Feliz to get their drink on and to record this episode all about travel, commuter trains and movies. Dean sings the praises of Waymo, tells tales of getting “upgraded” during his flights, and says the word “bathhouse” way too many times for Phil's liking or comfort. Phil discusses a potato chip brand he really enjoys and shares the cocktail recipe for a “Manhattan Noir”. In between, the film noir classic Odds Against Tomorrow, the current Japanese movie Exit 8, and the Japanese classics Spirited Away and Shall We Dance? all receive deep-dive discussion. The great Harry Belafonte and the brilliant Koji Yakusho are both celebrated, and Dean explains a bit about Noetic Science as depicted in Dan Brown's The Secret of Secrets.

1. Wayne Shorter: The Three Maries2. Ellis Marsalis: Dee Wee3. Ramsey Lewis: Brazilica4. Joe Sample: Hippies On the Corner5. Everette Harp: Song for TootsBUMP6. Deon Yates: In the Moment7. Shawn Stockman: Vision of Sunset8. Harry Belafonte: Jamaica Farewell9. Harry Belafonte (feat.Robert Glasper): Got Over10. Ramsey Lewis: Nicolehttps://www.patreon.com/rss/TheJazzSuitePodcast?auth=T4uxFCzZG2lKrQJiZiv4PUT01vCHdkRdAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Iman Jordan is a singer/songwriter/producer whose artistry bridges music, community, and activism. He was recently awarded the Harry Belafonte Best Song for Social Change Award at the 2025 Grammys. A sought-after songwriter, Iman has written for Rihanna (“Desperado”), Jazmine Sullivan, Alicia Keys, and The Internet. On this podcast we get to know the artist, his activism, his outlook and what's next.https://www.instagram.com/imanjordanmusic/ https://www.artwellcoalition.org/ https://www.instagram.com/diprimaradio/

Nat'l Media , Historic EventI am BOTH a Northerner & present Washingtonian who was born after the Historic Marches for My Civil Rights to Vote, Education, Public Accommodations,Transportation & EmploymentMajor Media Nationally & Internationally covered in the Marches. Citizens & Celebrities also participated:Joan Baez, James Baldwin, Harry Belafonte, Tony Bennett, Leonard Bernstein, Sammy Davis, Jr., Billy Eckstein, Dick Gregory, Lena Home, Mahalia Jackson, William Marshall, Johnny Mathis, Nina Simone, Susan Sarandon, Pernell Roberts, Peter,Paul & Mary....My Guest is the Reverend Clarence Varner who was in Grade School when he joined the Marches for Civil Rights in the 1960's. Although it cost Him is Part-Time Job while a Teenager, He held on to his Beliefs to Stay in the Fight, even getting Arrested Several times & Tear Gassed, Cattle Prod Shocked, Attack Dogs & Fire Hosed because he stood with others to Petition the the Governor for the Right for Blacks to Vote.Rev. Clarence Varner served  The United States in the Marine Corps for 8 years & served in during Vietnam during the War , he was wounded. Today he serves his God,  Country & Community in the continued fight for Civil Rights*In 1965, Blacks could not: *go to eat, Blacks were served at the Side or Back Door.*Social Movie Theatres, & Clubs too*Schools in the South & other State were Segregated*Housing was Segregated in Much of America. Redlining was the norm.* Thriving Middle Class Black Business's in Black Communities were forced out of Business due to the Federal Highway's that were built OVER that land.* Separate water Fountains & Bathrooms*Separate Transportation on Buses & Trains, etc.* Upper Corporate Jobs were not opened to most Blacks These Marches were ignited by the Death of SCLC local Jimmie Lee JacksonWhat did Jimmie Lee Jackson accomplish?Jimmie Lee Jackson, was a Vietnam veteran, Baptist deacon, activist and martyr of the Civil Rights Movement. Jackson, active in the fight for equal rights, had tried multiple times to register to vote in Alabama and was denied each time.When Jimmie Lee Jackson saw his frail 80-year-old grandfather rudely turned away from the registrar's office in 1962 after attempting to register to vote in Marion, Ala. He knew he had to join the civil rights movement.On Feb. 18, 1965, he was among more than 200 people participating in a night march in Marion. Before they had walked a block, they were confronted by state troopers and the police chief, who ordered them to disperse.Jackson and his mother huddled for safety in a café. When Jackson's grandfather entered the café bloodied and beaten, the young man tried to take him to a hospital. But they were quickly shoved back by a crowd of club-swinging troopers and terrified marchers. Another trooper pulled his pistol and shot Jackson in the stomach. It was two hours before Jackson arrived at the hospital in Selma. He died eight days later.At one of two services for Jackson, Dr. Martin Luther King Jr. told a crowd of 2,000: “Jimmie Lee Jackson's death says to us that we must work passionately and unrelentingly to make the American dream a reality. His death must prove that unmerited suffering does not go unredeemed.”© 2026 Building Abundant Success!!2026 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

National Pig day. Entertainment from 2015. March, Deadliest avalanche in US history, Lindbergh kidnapping, Hoover Dam completed, Ohio (1803) & Nebraska (1867) became states. Todays birthdays - Harry Belafonte, Robert Conrad, Roger Daltrey, Dirk Benedict, Alan Thicke, Ron Howard, Catherine Bach, Tim Daly, Mark-Paul Gosselaar, Lupita Nyong'o, Kesha, Justin Bieber. Jack Wech died.Intro - Good did good - Dianna Corcoran   https://www.diannacorcoran.com/The pig song - Pudding TV Kind of a drag - The BuckinghamsI'm a lonesome fugitive - Merle HaggardBirthday - The BeatlesBirthdays - In da club - 50 Cent     http://50cent.com/Banana boat song - Harry BelafonteWild Wild West TV themeMy generation - The WhoAndy Griffith TV themeSaved by the bell TV themeTic Tok - KeshaSoryy - Justin BieberExit - Cigerettes and bad decisions - Timothy Craig  https://www.timothycraig.com/ countryundergroundradio.comHistory & Factoids about today webpagecooolmedia.comHistory & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.com

Sunday the first of March: J & K are back on deck for The Swap Meet. Turns out it was a good day to be born - Oliver Sain, Willie Mitchell, Norman Connors and Harry Belafonte all blew out candles on this date, so naturally we pay our respects. We also took a moment to celebrate some fifty-year anniversaries: Dr Tree's landmark New Zealand fusion record, the Ohio Players' Contradiction, and Kool & The Gang's Love & Understanding all turning half a century old still killing. And we said farewell to Willie Colón, the South Bronx trombone legend who helped build salsa into what it is, gone this week at 75. Fresh music from Mark de Clive-Lowe, Andrea Lombardini, Tommaso Cappelato and Larry June inside the jam too, alongside the usual gear for the weekly rummage. Press the button.

Gina Belafonte, co-founder of Sankofa.org previews the inaugural fundraiser celebrating what would have been her father Harry Belafonte's 99th birthday.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

Master filmmaker Raoul Peck envisions the book James Baldwin never finished, Remember This House. The result is a radical, up-to-the-minute examination of race in America, using Baldwin's original words and flood of rich archival material. I Am Not Your Negro is a journey into black history that connects the past of the Civil Rights movement to the present of #BlackLivesMatter. It is a film that questions black representation in Hollywood and beyond. And, ultimately, by confronting the deeper connections between the lives and assassination of Medgar Evers, Malcolm X and Martin Luther King Jr., Baldwin and Peck have produced a work that challenges the very definition of what America stands for. Featuring: Film Participants: James Baldwin, Harry Belafonte, Dick Cavett, Marlon Brando, Robert F. Kennedy, Martin Luther King Jr. Medgar Evers, Malcolm X and many more Credits: Host: Anita Johnson Executive Director: Jina Chung Engineer: Jeff Emtman Digital Media Marketing: Lissa Deonorain Learn More: http://www.iamnotyournegrofilm.com/ http://www.magnoliapictures.com/ https://studios.amazon.com/ James Baldwin: The Last Interview: and other Conversations (The Last Interview Series) Interview with James Baldwin on Sexuality - Richard Goldstein Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world.

The iconic folk duo met at an audition for the only country music band at a prestigious jazz school in Boston. They immediately clicked, and joined the rich lineage of Americana artists that stretches back centuries.In their 20s, Gillian Welch and David Rawlings discovered they had something special when they sang together, a sort of eerie emotional resonance that is usually confined to the blood harmonies produced when siblings sing together.Ever since they've been making music together which draws on the bluegrass, country and folk traditions they love.In their historic recording studio in Nashville, Tennessee (which has withstood three tornadoes in the last century), they craft haunting songs about the ugly and beautiful parts of humanity.For Gill and Dave, the DNA of folk music is something we can all contribute to, and which contributes to all of us.Gillian Welch and David Rawlings are currently touring Australia's eastern states. You can find information about where and when they are playing on their website.Their seventh studio album is called Woodland, named after their indestructible studio.This episode of Conversations was produced by Meggie Morris. Executive Producer is Nicola Harrison.This episode of Conversations was produced by Meggie Morris. Executive Producer is Nicola Harrison.It explores music, recording, career musicians, Woody Guthrie, The Carter Family, Lead Belly, revival folk, Bob Dylan, Joan Baez, Simon & Garfunkel, Joni Mitchell, Emmy Lou, Dolly Parton, Southern America, United States, Pete Seeger, Love, relationship, natural disaster, Neil Young, Gordon Lightfoot, Leonard Cohen, Odetta, Harry Belafonte, Rhiannon Giddens, banjo, guitar, mandolin, true crime, murder ballad, Revival, Time (The Revelator), Soul Journey, The Harrow & The Harvest, All the Good Times (Are Past & Gone), Grammy Awards, Grammys, songwriting, Coen Brothers, O Brother, Where Art Thou?To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

Tonight on Triple Feature, we look at three early hip-hop films that helped translate a Bronx-born movement to mainstream America: Krush Groove (1985), Beat Street (1984), and Disorderlies (1987). Krush Groove, directed by Michael Schultz, dramatizes the rise of Def Jam and stars Blair Underwood, Sheila E., Run-DMC, LL Cool J, and the Fat Boys. Beat Street, directed by Stan Lathan and produced by Harry Belafonte, focuses on breakdancing, DJ culture, and graffiti art in the South Bronx, starring Rae Dawn Chong and Guy Davis. Disorderlies, also directed by Schultz and released by Warner Bros., features the Fat Boys alongside Ralph Bellamy in a broad studio comedy. Together, these films capture hip-hop's early crossover moment—music, dance, style, and personality moving from local scene to national platform.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Gilmar Gomes has just released his first solo album 11:11 after touring with Enrique Iglesias for many years. Gilmar is originally from Brazil but has been living in the US for over 25 years, making music with great artists like Angelique Kidjo, Harry Belafonte, Shakira, Rihanna, Meshell Ndegeocello, and more. This new record is a collection of sounds that bring light and gravity together. Gilmar is on a path of listening to inspirations and bringing them to us through his music.  He is very intentional in his composing and playing, and he’s assembled wonderful artists to join him on this his debut album. Listening to this music is like taking a trip! • Gilmar Gomes on YouTube Music by: Gilmar Gomes The post Gilmar Gomes – “11:11” appeared first on Paradigms Podcast.

Hi Ho, Cinema To The Letter here! With a new special coming soon to Disney+, it seemed like the right time to unleash our retrospective on The Muppet Show from last May onto the main feed! Join Thomas, Bryan and special guest star Heather Beattie as they discuss a selection of episodes from the original classic The Muppet Show! Episodes featuring esteemed guest stars like Steve Martin, Rita Moreno, Harry Belafonte, Liza Minelli and more!  Join our Patreon for $1 to hear monthly audio reviews of new releases which you can vote on at patreon.com/cinema2letter! Follow us @cinema2letter on socials! Artwork by Michelle Kyle! Usual theme music by Burial Grid!

Hi Ho, Cinema To The Letter here! With a new special coming soon to Disney+, it seemed like the right time to unleash our retrospective on The Muppet Show from last May onto the main feed! Join Thomas, Bryan and special guest star Heather Beattie as they discuss a selection of episodes from the original classic The Muppet Show! Episodes featuring esteemed guest stars like Steve Martin, Rita Moreno, Harry Belafonte, Liza Minelli and more!  Join our Patreon for $1 to hear monthly audio reviews of new releases which you can vote on at patreon.com/cinema2letter! Follow us @cinema2letter on socials! Artwork by Michelle Kyle! Usual theme music by Burial Grid! We're a proud member of the TalkFilmSociety podcast network! 

How's this for a holiday treat? Multi-award winning singer and actor Andra Day shares her love of Dorothy Dandridge's iconic lead performance in Carmen Jones,  as well as her perspectives on wading deeper into movie-stardom (with her latest role opposite Bradley Cooper and alongside Laura Dern and Will Arnett in IS THIS THING ON?), turning 40, and why you should never stop transforming.Then, Jordan has one quick thing about a festive little holiday picture called BLACK CHRISTMAS (the 2006 version). Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

It's our final Gloria Grahame Acteurist Oeuvre-view episode, with which we also say goodbye to our comprehensive approach toward attaining a privileged vantage point on an actor's entire oeuvre. Of course, we cheated a little on this one and stopped short of Gloria's exploitation film era. Our oeuvre-view ends with two Westerns, Ride Out for Revenge (1957) and Ride Beyond Vengeance (1966), entirely unrelated despite their similar titles, which we liked for very different reasons, and a last Gloria Grahame left-wing film noir appearance in Robert Wise's Odds Against Tomorrow (1959), produced by Harry Belafonte's production company with a screenplay secretly written by blacklistee Abraham Polonsky at Belafonte's behest. After we reveal our Top 10 Gloria Grahame movies, Fear and Moviegoing returns with a vengeance (in keeping with the episode's themes) with three by Mikio Naruse from the TIFF Lightbox retrospective (Floating Clouds, Repast, and Mother) and two Carlton 90s retro screenings, Bryan Singer's The Usual Suspects and Greg Mottola's The Daytrippers.  Time Codes: 0h 00m 25s:    RIDE OUT FOR REVENGE (1957) [dir. Bernard Girard] 0h 22m 08s:    ODDS AGAINST TOMORROW (1959) [dir. Robert Wise]. 0h 32m 36s:    RIDE BEYOND VENGEANCE (1966) [dir. Bernard McEveety] 0h 45m 32s:    Gloria Grahame Top 10s   0h 49m 44s:    Fear and Moviegoing in Toronto – Bryan Singer's The Usual Suspects (1995) & Greg Mottola's The Daytrippers (1997) at The Carlton Cinema; Part I of TIFF Cinematheque's Mikio Naruse Retrospective - Floating Clouds (1955); Repast (1951) & Mother (1952) +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

In its duration, geographical reach, and ferocity, World War II was unprecedented, and the effects on those who fought it and their loved ones at home, immeasurable. The heroism of the men and women who won the war may be well documented, but we know too little about the pain and hardships the veterans endured upon their return home. As historian David Nasaw makes evident in his masterful recontextualization of these years, the veterans who came home to America were not the same people as those who had left for war, and the nation to which they returned was not the one they had left behind. Contrary to the prevailing narratives of triumph, here are the largely unacknowledged realities the veterans—and the nation—faced that radically reshaped our understanding of this era as a bridge to today. The Wounded Generation: Coming Home After World War II (Penguin, 2025) tells the indelible stories of the veterans and their loved ones as they confronted the aftershocks of World War II. Veterans suffering from recurring nightmares, uncontrollable rages, and social isolation were treated by doctors who had little understanding of PTSD. They were told that they were suffering from nothing more than battle fatigue and that time would cure it. When their symptoms persisted, they were given electro-shock treatments and lobotomies, while the true cause of their distress would remain undiagnosed for decades to come. Women who had begun working outside the home were pressured to revert to their prewar status as housewives dependent on their husbands. Returning veterans and their families were forced to double up with their parents or squeeze into overcrowded, substandard shelters as the country wrestled with a housing crisis. Divorce rates doubled. Alcoholism was rampant. Racial tensions heightened as White southerners resorted to violence to sustain the racial status quo. To ease the veterans' readjustment to civilian life, Congress passed the GI Bill, but Black veterans were disproportionately denied their benefits, and the consequences of this discrimination would endure long after the war was won. In this richly textured examination, Dr. Nasaw presents a complicated portrait of those who brought the war home with them, among whom were the period's most influential political and cultural leaders, including John F. Kennedy, Robert Dole, and Henry Kissinger; J. D. Salinger and Kurt Vonnegut; Harry Belafonte and Jimmy Stewart. Drawing from veterans' memoirs, oral histories, and government documents, Dr. Nasaw illuminates a hidden chapter of American history—one of trauma, resilience, and a country in transition. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In its duration, geographical reach, and ferocity, World War II was unprecedented, and the effects on those who fought it and their loved ones at home, immeasurable. The heroism of the men and women who won the war may be well documented, but we know too little about the pain and hardships the veterans endured upon their return home. As historian David Nasaw makes evident in his masterful recontextualization of these years, the veterans who came home to America were not the same people as those who had left for war, and the nation to which they returned was not the one they had left behind. Contrary to the prevailing narratives of triumph, here are the largely unacknowledged realities the veterans—and the nation—faced that radically reshaped our understanding of this era as a bridge to today. The Wounded Generation: Coming Home After World War II (Penguin, 2025) tells the indelible stories of the veterans and their loved ones as they confronted the aftershocks of World War II. Veterans suffering from recurring nightmares, uncontrollable rages, and social isolation were treated by doctors who had little understanding of PTSD. They were told that they were suffering from nothing more than battle fatigue and that time would cure it. When their symptoms persisted, they were given electro-shock treatments and lobotomies, while the true cause of their distress would remain undiagnosed for decades to come. Women who had begun working outside the home were pressured to revert to their prewar status as housewives dependent on their husbands. Returning veterans and their families were forced to double up with their parents or squeeze into overcrowded, substandard shelters as the country wrestled with a housing crisis. Divorce rates doubled. Alcoholism was rampant. Racial tensions heightened as White southerners resorted to violence to sustain the racial status quo. To ease the veterans' readjustment to civilian life, Congress passed the GI Bill, but Black veterans were disproportionately denied their benefits, and the consequences of this discrimination would endure long after the war was won. In this richly textured examination, Dr. Nasaw presents a complicated portrait of those who brought the war home with them, among whom were the period's most influential political and cultural leaders, including John F. Kennedy, Robert Dole, and Henry Kissinger; J. D. Salinger and Kurt Vonnegut; Harry Belafonte and Jimmy Stewart. Drawing from veterans' memoirs, oral histories, and government documents, Dr. Nasaw illuminates a hidden chapter of American history—one of trauma, resilience, and a country in transition. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In its duration, geographical reach, and ferocity, World War II was unprecedented, and the effects on those who fought it and their loved ones at home, immeasurable. The heroism of the men and women who won the war may be well documented, but we know too little about the pain and hardships the veterans endured upon their return home. As historian David Nasaw makes evident in his masterful recontextualization of these years, the veterans who came home to America were not the same people as those who had left for war, and the nation to which they returned was not the one they had left behind. Contrary to the prevailing narratives of triumph, here are the largely unacknowledged realities the veterans—and the nation—faced that radically reshaped our understanding of this era as a bridge to today. The Wounded Generation: Coming Home After World War II (Penguin, 2025) tells the indelible stories of the veterans and their loved ones as they confronted the aftershocks of World War II. Veterans suffering from recurring nightmares, uncontrollable rages, and social isolation were treated by doctors who had little understanding of PTSD. They were told that they were suffering from nothing more than battle fatigue and that time would cure it. When their symptoms persisted, they were given electro-shock treatments and lobotomies, while the true cause of their distress would remain undiagnosed for decades to come. Women who had begun working outside the home were pressured to revert to their prewar status as housewives dependent on their husbands. Returning veterans and their families were forced to double up with their parents or squeeze into overcrowded, substandard shelters as the country wrestled with a housing crisis. Divorce rates doubled. Alcoholism was rampant. Racial tensions heightened as White southerners resorted to violence to sustain the racial status quo. To ease the veterans' readjustment to civilian life, Congress passed the GI Bill, but Black veterans were disproportionately denied their benefits, and the consequences of this discrimination would endure long after the war was won. In this richly textured examination, Dr. Nasaw presents a complicated portrait of those who brought the war home with them, among whom were the period's most influential political and cultural leaders, including John F. Kennedy, Robert Dole, and Henry Kissinger; J. D. Salinger and Kurt Vonnegut; Harry Belafonte and Jimmy Stewart. Drawing from veterans' memoirs, oral histories, and government documents, Dr. Nasaw illuminates a hidden chapter of American history—one of trauma, resilience, and a country in transition. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

In its duration, geographical reach, and ferocity, World War II was unprecedented, and the effects on those who fought it and their loved ones at home, immeasurable. The heroism of the men and women who won the war may be well documented, but we know too little about the pain and hardships the veterans endured upon their return home. As historian David Nasaw makes evident in his masterful recontextualization of these years, the veterans who came home to America were not the same people as those who had left for war, and the nation to which they returned was not the one they had left behind. Contrary to the prevailing narratives of triumph, here are the largely unacknowledged realities the veterans—and the nation—faced that radically reshaped our understanding of this era as a bridge to today. The Wounded Generation: Coming Home After World War II (Penguin, 2025) tells the indelible stories of the veterans and their loved ones as they confronted the aftershocks of World War II. Veterans suffering from recurring nightmares, uncontrollable rages, and social isolation were treated by doctors who had little understanding of PTSD. They were told that they were suffering from nothing more than battle fatigue and that time would cure it. When their symptoms persisted, they were given electro-shock treatments and lobotomies, while the true cause of their distress would remain undiagnosed for decades to come. Women who had begun working outside the home were pressured to revert to their prewar status as housewives dependent on their husbands. Returning veterans and their families were forced to double up with their parents or squeeze into overcrowded, substandard shelters as the country wrestled with a housing crisis. Divorce rates doubled. Alcoholism was rampant. Racial tensions heightened as White southerners resorted to violence to sustain the racial status quo. To ease the veterans' readjustment to civilian life, Congress passed the GI Bill, but Black veterans were disproportionately denied their benefits, and the consequences of this discrimination would endure long after the war was won. In this richly textured examination, Dr. Nasaw presents a complicated portrait of those who brought the war home with them, among whom were the period's most influential political and cultural leaders, including John F. Kennedy, Robert Dole, and Henry Kissinger; J. D. Salinger and Kurt Vonnegut; Harry Belafonte and Jimmy Stewart. Drawing from veterans' memoirs, oral histories, and government documents, Dr. Nasaw illuminates a hidden chapter of American history—one of trauma, resilience, and a country in transition. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In its duration, geographical reach, and ferocity, World War II was unprecedented, and the effects on those who fought it and their loved ones at home, immeasurable. The heroism of the men and women who won the war may be well documented, but we know too little about the pain and hardships the veterans endured upon their return home. As historian David Nasaw makes evident in his masterful recontextualization of these years, the veterans who came home to America were not the same people as those who had left for war, and the nation to which they returned was not the one they had left behind. Contrary to the prevailing narratives of triumph, here are the largely unacknowledged realities the veterans—and the nation—faced that radically reshaped our understanding of this era as a bridge to today. The Wounded Generation: Coming Home After World War II (Penguin, 2025) tells the indelible stories of the veterans and their loved ones as they confronted the aftershocks of World War II. Veterans suffering from recurring nightmares, uncontrollable rages, and social isolation were treated by doctors who had little understanding of PTSD. They were told that they were suffering from nothing more than battle fatigue and that time would cure it. When their symptoms persisted, they were given electro-shock treatments and lobotomies, while the true cause of their distress would remain undiagnosed for decades to come. Women who had begun working outside the home were pressured to revert to their prewar status as housewives dependent on their husbands. Returning veterans and their families were forced to double up with their parents or squeeze into overcrowded, substandard shelters as the country wrestled with a housing crisis. Divorce rates doubled. Alcoholism was rampant. Racial tensions heightened as White southerners resorted to violence to sustain the racial status quo. To ease the veterans' readjustment to civilian life, Congress passed the GI Bill, but Black veterans were disproportionately denied their benefits, and the consequences of this discrimination would endure long after the war was won. In this richly textured examination, Dr. Nasaw presents a complicated portrait of those who brought the war home with them, among whom were the period's most influential political and cultural leaders, including John F. Kennedy, Robert Dole, and Henry Kissinger; J. D. Salinger and Kurt Vonnegut; Harry Belafonte and Jimmy Stewart. Drawing from veterans' memoirs, oral histories, and government documents, Dr. Nasaw illuminates a hidden chapter of American history—one of trauma, resilience, and a country in transition. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/drugs-addiction-and-recovery

This week, I'm deconstructing the Netflix film 'Sunday Best,' which explores the legacy of Ed Sullivan—a legendary TV host and cultural trailblazer who used his massive platform to advance racial equality during one of America's most challenging eras.    Discover how Sullivan used his platform during one of America's most challenging eras to champion racial equality, featuring groundbreaking performances by artists like Nat King Cole, Harry Belafonte, Diana Ross & The Supremes, and Stevie Wonder.   In this episode, we'll explore: The responsibility that comes with having a platform or a voice How Ed Sullivan's decisions advanced social justice and broke barriers The importance of embracing discomfort to create real change Why your authentic, courageous voice matters more than ever   Plus, hear a personal story from the community about stepping up to lead, and get inspired to share your own message—even if it feels uncomfortable. More from Tricia  Go from idea to stage-ready inside The Big Talk Academy Join me LIVE for my Free Monthly Workshop Explore my content and follow me on YouTube Follow me on Instagram  Connect with me on Facebook  Connect with me on LinkedIn  Visit my website at TriciaBrouk.com

durée : 00:59:59 - Amour au loin - par : Nathalie Piolé -

In its duration, geographical reach, and ferocity, World War II was unprecedented, and the effects on those who fought it and their loved ones at home, immeasurable. The heroism of the men and women who won the war may be well documented, but we know too little about the pain and hardships veterans endured upon their return home. Drawing from veterans' memoirs, oral histories, and government documents, acclaimed historian David Nasaw illuminates a hidden chapter of American history—one of trauma, resilience, and a country in transition in THE WOUNDED GENERATION: Coming Home After World War II. Nearly 16.4 million Americans served in the U.S. Armed Forces in World War II. This book “is an account of the aftereffects that lived on in the bodies, hearts, and minds of those who fought, those who awaited their return, and the nation that had won the war but had now to readjust to peace.”As Nasaw makes evident, the veterans who returned to America were not the same people as those who had left for war, and the nation to which they came back was not the one they left behind. Contrary to the prevailing narratives of triumph, here are the largely unacknowledged realities the veterans—and the nation—faced, radically reshaping our understanding of this era as a bridge to today, as we mark the 80th anniversary of the end of World War II.Nasaw presents a complicated portrait of those who brought the war home with them, among whom were the period's most influential political and cultural leaders, including John F. Kennedy, Robert Dole, and Henry Kissinger; J. D. Salinger and Kurt Vonnegut; Harry Belafonte and Jimmy Stewart. In The Wounded Generation, Nasaw illustrates the indelible stories of veterans and their loved ones as they confronted the aftershocks of World War II.David Nasaw is a historian, two-time Pulitzer Prize finalist, and bestselling author of The Last Million, named a best book of the year by NPR, Kirkus Reviews, and History Today; The Patriarch, a New York Times Five Best Non-Fiction Books of the Year; Andrew Carnegie, a New York Times Notable Book of the Year and the winner of the American History Book Prize; and The Chief, winner of the Bancroft Prize. He was the Arthur M. Schlesinger, Jr. Professor of History at the CUNY Graduate Center and the president of the Society of American Historians. In 2023, he was honored by the New York Public Library as a “Library Lion.” Nasaw's father served in the Army Medical Corps in Eritrea during World War II. He lives in New York City.#worldwar2 #authorpodcastPhoto Credit: Alex Irklievski

Nearly 16.4 million Americans served in the U.S. Armed Forces in World War II, and for millions of survivors, the fighting left many of them physically and mentally broken for life. There was a 25% death rate in Japanese POW camps like Bataan, where starvation and torture were rampant, and fierce battles against suicidal Imperial Japanese forces, like at Iwo Jima, where 6,800 Americans died. Additionally, the psychological toll of witnessing Holocaust atrocities and enduring up to three years away from home intensified the war’s brutality. This is why when they returned home, they had physical and psychological wounds that festered, sometimes for years, sometimes for decades, and sometimes for the rest of their lives. Veterans suffering from recurring nightmares, uncontrollable rages, and social isolation were treated by doctors who had little understanding of PTSD, a term that didn’t enter the DSM until 1984. Returning veterans and their families were forced to double up with their parents or squeeze into overcrowded, substandard shelters as the country wrestled with a housing crisis. Divorce rates doubled, with more than 1 million GIs leaving or being left by their wives by 1950. Alcoholism was rampant, and an entire generation became addicted to smoking. To explore this dark shadow that hung over the WW2 generation, we’re joined by David Nasaw, author of The Wounded Generation: Coming Home After World War II. Those affected include the period’s most influential political and cultural leaders, including John F. Kennedy, Robert Dole, and Henry Kissinger; J. D. Salinger and Kurt Vonnegut; Harry Belafonte and Jimmy Stewart. We look at the ways the horrors of World War 2 shaped their lives, but we also see incredible resilience and those who found ways to move past the horrors of their wartime experiences, and what we can learn from that today.See omnystudio.com/listener for privacy information.

Finding ways to feel good feels like a full time job in 2025, but it's worth it. We've had enough and by 'we' I mean our special guests Rick Torres and Charley T of the mighty Dirtycakes. Dirtycakes is back with a brand new single - an epic cover of David Bowie's "I'm Afraid Of Americans". To celebrate this soul crushing banger and to soak up some positive vibes, we're back to complete our playlist of the feel good songs we're in need of. Top Ten Feel Good Songs Volume 3 Part 2 features picks 5-1 and is sure to brighten your day, if you let it. If you missed Part 1, start here:https://podcasts.apple.com/us/podcast/episode-690-top-ten-feel-good-songs-volume-3-part-1/id573735994?i=1000731594189Listen to this, if you dare to continue feeling good. It's the official Top Ten Feel Good Songs Volume 3 playlist, featuring all songs heard in Parts 1 & 2:https://open.spotify.com/playlist/3ZvgKjDdzI88W5wvpwSLfh?si=7e28cb92226846b5Dirtycakes is in your face wherever you get music. Find out more at their Instagram:https://www.instagram.com/dirtycakesband/Listen to Top Ten Feel Good Songs Volumes 1 & 2, both guested by Ryan Blake. These go way back, with Volume 1 dropping in 2011 if you can believe it!https://www.mixcloud.com/beneisen/episode-1-top-ten-feel-good-songs-wryan-blake/?fbclid=IwY2xjawNZFClleHRuA2FlbQIxMABicmlkETFPZzhuMWhVbWNKTmhyV0doAR73SHkl3mymWE6fGSlc4o_6498wfULn3kejA91XqFWMSFTbvzNjGoMUeqDGCA_aem_AqKTzQU1-RIazniHyKLJeAhttps://www.mixcloud.com/beneisen/episode-300-top-ten-feel-good-songs-volume-2-wryan-blake/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. The Queen Of Emergency Pod Shannon Hurley returned for Volume 20 on October 1st! Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting it up about music over on the ATTT Facebook Group. Join us and start a conversation about music!https://www.facebook.com/groups/940749894391295

PopaHALLics #152 "Guinness, Ghosts, and Valley Girls"Dad and daughter dish on "House of Guinness," about a family struggle for control of the brewery; "Presence," a ghost story told from the ghost's POV; variety show host Ed Sullivan and civil rights; and more! Plus the duo likes looking back at "Romy & Michele's High School Reunion." Me too!Streaming:"House of Guinness," Netflix. In this historical drama from the creator of "Peaky Blinders," the brewery founder's four adult children, "each with dark secrets to hide," wrestle for control after his passing. Starring Anthony Boyle, Louis Partridge, Emily Fairn, and Fionn O'Shea."Presence," Hulu and Disney +. Director Steven Soderbergh returns to fine independent filmmaking form with this clever spin on a haunted house tale. When a troubled family moves in, we experience events from the ghost's perspective. Starring Lucy Liu, Chris Sullivan, Callian Liang, and Eddy Maday."Romy and Michele's High School Reunion," Hulu and Disney +. In the 1997 screwball comedy, two Valley Girls (Mira Sorvino and Lisa Kudrow) invent fake careers to impress their former classmates. The cult classic also stars Janeane Garofalo, Alan Cumming, and Camryn Manheim."Sunday Best: The Untold Story of Ed Sullivan," Netflix. This 2023 documentary makes the case that the variety show pioneer was also a pioneer in civil rights by showcasing black acts on TV. Includes archival footage of amazing performances and interviews with Smokey Robinson, Harry Belafonte, Dionne Warwick, Oprah Winfrey, and more. "Howl," Prime, various streaming services. Passengers on an overnight train are stranded in the forest with werewolves about in this claustrophobic British horror thriller. Starring Ed Speleers, Holly Weston, Elliott Cowan, and more.Books:"The Warm Hands of Ghosts," by Katherine Arden. A combat nurse searches for her brother, believed dead in the WWI trenches, despite eerie evidence otherwise in this acclaimed novel.Please click through the links to watch and read about what we're discussing. The "fair use" doctrine of U.S. copyright law allows limited use of copyrighted material without permission for purposes like criticism, comment, and education.

What do you get when you combine a horror movie audience, a spiritualist séance, and a haunted house attraction? Beginning in the 1930s and lasting into the 1960s, midnight ghost shows were ghoulishly chaotic, wonderfully campy 4D theater performances that accompanied the scary movies of the era, beloved by a mostly-teenage audience who often became a part of the show themselves. Schlocky showman Chelsey Weber-Smith tells Sarah about how magicians-turned-ghostmasters used paranormal parlor tricks, gory skits, and marketing gimmicks to create a new form of vaudevillian dark comedy. As horror obsessives, Sarah and Chelsey muse about what it would have been like to attend one of these late night wacky fright fests that paved the way for the happily trashy theater camaraderie of The Rocky Horror Picture Show. Digressions include the resilience of the horseshoe crab, dollar store competition, and plot holes in the movie High Tension (2003).More Chelsey Weber-Smith:Listen to American HysteriaOriginal music in this episode is produced + performed by Magpie Cinema Club(except for Harry Belafonte's Zombie Jamboree which is, in fact, from 1962.)Listen to their cover of Season of the VVitchProduced + edited by Miranda ZicklerMore You're Wrong About:Bonus Episodes on PatreonBuy cute merchYWA on InstagramSarah's other show, You Are GoodSupport the show

Tom Brokaw famously described America's World War II servicemen as the “Greatest Generation”. But according to the historian David Nasaw, the Americans who fought in the Second World War are better understood as The Wounded Generation. His eponymous new book describes the pain and hardships that 16 million veterans endured upon their return home - a tragic story of PTSD, racism and family breakup. Brokaw celebrated the nobility with which these ex-soldiers got on with civilian life without either complaining or even talking about the war. But for Nasaw, this silence wasn't just stoicism—it was often undiagnosed and sometimes even untreatable trauma.1. WWII Was America's Longest and Most Brutal War The average soldier served nearly three years in uniform (compared to less than one year in WWI), with 75% deployed overseas. Combat on the European front was relentless, especially in the final year, with severe manpower shortages keeping GIs on the front lines for weeks or months without relief.2. Millions Returned with Undiagnosed PTSD Veterans came home with what we now recognize as PTSD, but it was neither diagnosed nor treated. Unable to talk about their experiences, many self-medicated with alcohol. The silence wasn't stoicism—it was trauma. Writers like Salinger and Vonnegut could only process their experiences through fiction years later.3. The GI Bill Excluded Most Black Veterans While celebrated as transformative legislation, the GI Bill's benefits were distributed by local officials. In the South, this meant Black veterans were systematically denied college access (segregated schools were full) and unemployment benefits (they were told to return to sharecropping). Only Northern Black veterans like Harry Belafonte, John Coltrane, and Tito Puente could fully access their benefits.4. America Faced Its Worst Housing Crisis Ever No homes had been built during the Depression or the war years, creating unprecedented shortages when 16 million servicemen returned. This housing crisis, combined with fears of renewed economic depression, added to veterans' anxiety about rebuilding their lives. Politicians like JFK and Jacob Javits fought hard for veterans' housing subsidies.5. The War's Aftermath Lasted Decades 1946 saw record divorce rates and increased lynchings as racial tensions exploded. Veterans who liberated concentration camps or survived POW camps (especially in the Pacific) carried lifelong trauma. Nasaw's central message: wars don't end with peace treaties—the harm to soldiers and civilians lasts for generations.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

"Which artist spent more time at #1 than Taylor Swift… and how did the Kingston Trio sneak into the top 10?"In this laugh-packed segment of The Ben and Skin Show, Kevin “KT” Turner takes the reins and throws down a music trivia challenge that stumps even the most seasoned pop culture pros. Joined by Jeff “Skin” Wade and Krystina Ray, the trio dives into a wild guessing game: Which artists have spent the most weeks at #1 on the Billboard Hot 100?What starts as a fun quiz quickly spirals into hilarious confusion, unexpected revelations, and some truly outrageous guesses. From Taylor Swift and The Beatles to Harry Belafonte and the Kingston Trio, the list is full of surprises—and the reactions are priceless.

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comNancy and Sarah interview journalist Paul Kix, author of the award-winning book on the Civil Rights movement, You Have to Be Prepared to Die Before You Can Begin to Live. Paul writes about the Southern Christian Leadership Conference's ten weeks in Birmingham through fully realized characters and complicated detail, and he tells us how the experience changed him.We also talk about Paul's 2023 personal essay, “Liberals Once Embraced Interracial Marriages Like Mine. What Changed?” The conversation skip-hops around race, spirituality, faith, discipline, journalism — and Paul makes Nancy cry (twice!).Also discussed:* Marfa, too many metal chairs and cement surfaces* The Disappearance of Hotel Bathtubs: A lamentation* How Sarah changed Paul's life* Summer 2020: Oh, how it transformed us* “There's a liberalism that abandoned me”* Can a white man tell a black story?* “Mis·ceg·e·na·tion” “Man·i·chae·an” “Hag·i·og·ra·phy”* George Floyd, quite the football player* How the Eagles' Glenn Frey knew Jackson Browne was the real deal* “Bombingham”* Humanizing Bull Conner* Would you allow your children to get fire-hosed for a righteous cause?* Harry Belafonte, the George Soros of the civil rights movement* New Yorkers love to say “No”* “In the wake of war is the big beating heart of love”* How to bet on yourself* “What cause would you die for?”Plus, Sarah falls into a Weather Underground rabbit hole, an argument for more art told from the perspective of a resentful loser, why Paul kept a photo on his fridge that looked like Billie Dee Williams, and much more.This is one of our favorite episodes xx

Welcome back ragers to the best movie review podcast on the planet. The rage rolls on from the Film Rage Studio. This week the Film Rage Crew went to the sequel nobody asked for in Freakier Friday, the latest from the director of Barbarian, a dark family film that came from an unexpected studio, a film starring Scarlett Johansen doing an accent that is directed by Kristen Scott Thomas and a Canadian drama about a family dealing with a Parkinson's Disease diagnosis among other things. Than Bryce had to watch Harry Belafonte and John Travolta in White Man's Burden. I wonder if it is as bad as Bryce remembers? Introduction-0:00 The Amazing Murman Predicts-1:39 In Cinema Freakier Friday (2025)-5:44 Weapons (2025)-17:39 Sketch (2025)-28:47 My Mother's Wedding (2025)-38:45 Shook (2025)-48:37 Murman Minute-57:24 Open Rage Jim's open rage-Promos too late-1:02:26 Bryce's open rage-Me again.....again-1:04:43 The Lists Stephen Merchant-Mesmerizing?-1:08:21 Rage or Dare White Man's Burden (1995)-1:11:20 Jim pulls from Bryce's Bag-1:18:22 Outro-1:20:13 Thanks Ragers for listening to our film review podcast. Rage On! https://www.filmrageyyc.com/ https://filmrage.podbean.com/ https://www.facebook.com/filmrageyyc https://nerdyphotographer.com/social/ https://www.leonardconlinphotos.com/

TVC 701.3: From August 2016: Steve Binder, Emmy Award-winning producer and director and the co-author, along with Mary Beth Leidman, of Fade Up 26: The Movers and Shakers of Variety Television, talks to Ed about the controversy involving Petula Clark and Harry Belafonte behind the scenes of Clark's 1968 special for NBC, and why both The Ed Sullivan Show and The Smothers Brothers Comedy Hour really shaped the genre of variety television as we know it today.

And you thought Amos & Andrew was wrong-headed! This week, the guys discuss the colossal misfire White Man's Burden starring John Travolta and Harry Belafonte in a real racism mix-'em-up. It's as troublesome as it sounds! Does the premise completely miss the idea of classism? What's up with the weird 1950s sexism? Was that the most ridiculous downer ending? And just WHAT IN THE HECK is Travolta doing with his voice?! GOOD GOLLY. Next week: Our double whammy of Pop Star Summer begins. What We've Been Watching: Beneath the Planet of the Apes "The Trades" Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/wwttpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/wwttpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.twitter.com/wwttpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/wwttpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Theme Song recorded by Taylor Sheasgreen: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/themotorleague⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Logo designed by Mariah Lirette: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/its.mariah.xo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Montrose Monkington III: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.twitter.com/montrosethe3rd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ White Man's Burden stars John Travolta, Harry Belafonte, Kelly Lynch, Margaret Avery, Tom Bower, Bumper Robinson, Carrie Snodgress and Andrew Lawrence. Learn more about your ad choices. Visit megaphone.fm/adchoices

Langston Hughes, the great African American poet, said decades ago, “Fascism is a new name for that kind of terror the Negro has always faced in America.” Fascism can and has led to genocide. Progressive African American intellectuals, writers, poets, and musicians have had a long tradition and history of solidarity and resisting fascism and genocide, from Frederick Douglass to Gil Scott-Heron, from Sojourner Truth to Angela Davis, from W.E.B. Du Bois to John Lewis, from Paul Robeson to Amiri Baraka, from Ida B. Wells to Malcolm X, from Ella Baker to Dr. King, from Harry Belafonte to Sonny Rollins, from James Baldwin to Cornel West and up to the present moment where Robin D. G. Kelley warns “We're witnessing the consolidation of a fascist police state.” Recorded at the University of Massachusetts.

This week we look at how truth stumbles in the marketplace - in the Church of Scotland;  the Pope; The war in Italy fought over a bucket; Woke history in the UK; Masterchef; English literature without novels; Cross Country trains and Pride;  How to get free health care in Australia; Country of the week - Uruguay; Is Israel killing 14,000 babies? Why Greggs symbolises Broken Britain; China's new super plane; Starmers EU betrayal; The rising cost of Net Zero; Tim Vine; the Christian influence on Crystal Palace; Eurovision; Icecream and winged horses in heaven; Alpha's good year; and final word of the Love of God - with music from Tears for Fears; Harry Belafonte and Odetta; Yuval Raphael;  JJ;  Dolly Parton;  Pindingo;  and Simon Khorolskiv

GGACP celebrates Bike to Work Week and National Bike Month by revisiting this memorable interview with veteran actor and environmentalist ED BEGLEY JR. In this episode, Ed talks about the glory days of the Troubadour, the timelessness of “The In-Laws,” the absurdity of Hollywood urban legends and the career of his Oscar-winning dad, Ed Begley. Also, Forrest Tucker takes a nip, Steve Allen checks into St. Eligius, Harry Belafonte shuts down Rodney Dangerfield and Ed hits the rink with Charlie's Angels. PLUS: Wheeler & Woolsey! “Amazon Women on the Moon”! Mr. Warmth lowers the boom! Ed remembers his friend Peter Falk! And the unsolved death of John “Stumpy” Pepys!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Bo Snerdley discusses the unprecedented arrest of Wisconsin Judge Hannah Dugan for obstructing an immigration arrest. The episode delves into reactions from various news networks, opinions on the matter, and broader implications on immigration and law enforcement under the Trump administration. Also featured is a humorous segment on Sheryl Crow's environmental suggestions from 2007, topics on student loan debt, and tributes to notable figures like Steve Ferrone, Harry Belafonte, and Ella Fitzgerald. The podcast also touches on the sentencing of George Santos and a critical commentary on the political climate and the role of the Catholic Church in immigration issues. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Everything is upside down!”The Midnight Miracle crew, along with guests Jon Stewart and Q-Tip, get real on what's f'd-up in America. Featuring: Bill Murray, Arthur Jaffa, Pharoahe Monch, Jon Stewart, and Q-Tip Contains audio clips featuring Maya Angelou, and music from (in order of appearance) Harry Belafonte, th1rt3en, Bekon, Kahil El'Zabar, Charles Wright & The Watts 103rd St Rhythm Band, Willie Dunn, and Quincy JonesRecorded in Ohio. Executive Produced by Talib Kweli, yasiin bey, Dave Chappelle, Noah Gersh, Jamie Schefman, Nick Panama, Kenzi Wilbur, and Miles HodgesProduced, Edited, and Composed by Noah Gersh and Jamie Schefman for SALTStory Producers: Lee Adams and Imran Malik Production Manager: Liz LeMayProduction Coordinator: Diana Chammas Recording Engineers: Federico Lopez and Adrián Bruque for NPNDAssistant Editor: Noah Kowalski Additional Score by Jasper van Dijk Transcription Supervisor: Sam BeasleyMixer: Jordan GalvanPodcast Artwork: Leeann SheelyStill Photography: Mathieu BittonThe Midnight Miracle is a Luminary Original Podcast in partnership with Pilot Boy Productions and SALT.Special thanks to Paul Adongo, Cipriano Beredo, Elaine Chappelle, Ivy Davy, Rikki Hughes, Sina Sadighi, Deborah Mannis-Gardner, Nicolle Johnson, Donna Dragotta, Carla Sims, Pete Amaro, Clint Balcom, Jennifer Branigan, Taylor Dalton, Miles Hodges, Zainab Khan, Christopher Landry, Coral Lee, Jayme Lynes, Mykola Logvynenko, Rishi Malhotra, Mohan Nerkar, Brian Parsons, Lauren Perkins, Kyle Ranson-Walsh, Matt Sacks, Betsy Santoyo, Lisa Schrader, Akhila Shankar, Leeann Sheely, and Mark Silverstein.Photography made available courtesy of Pilot Boy Productions, Inc. Copyright © 2022 by Pilot Boy Productions, Inc., all rights reserved

Harry Belafonte is most famous for introducing America to calypso music, with hits like Day-O and Jump In the Line. But he was also one of the most earnest and hard-working fighters of injustice America has ever produced and he deserves to be celebrated.See omnystudio.com/listener for privacy information.