Podcast appearances and mentions of boris continuum complete

If you think your deadlines are tight, think again. Imagine waking up Wednesday morning knowing you have a 2-3 minute piece airing on national television in 3 days...and it hasn't even been shot yet. This is the life of SNL editor Adam Epstein who routinely turns around amazing trailers, spoof commercials, music videos, and parodies for SNL week after week under insane deadlines. In this episode Adam and I talk about his rise to being the senior film editor at Saturday Night Live, how he manages incredibly short turnarounds, and most importantly his ninja tricks for being as efficient as humanly possible to ensure his cuts never miss an air date (but he's definitely come close). Adam was kind enough to even provide screenshots of his digital workspace, bins and timelines. In the bonus guide for this episode you can learn how Adam: • Organizes his media to access it fast and efficiently • Lays out the different windows in his digital workspace • "Pancakes" multiple timelines in Adobe Premiere Pro to edit infinitely faster than working with a single timeline. Click here to download the bonus guide with all the screenshots Want to win a 1-year subscription to either Boris Continuum Complete, Mocha Pro, or Sapphire? All you have to do is take 2 minutes and Leave a review for the podcast in iTunes. We're drawing 3 random winners on December 1st, so don't wait too long! These prizes courtesy of our brand new sponsor Boris FX. Show Sponsor: G-Technology Topics of Conversation: Adam's early experiences with filmmaking and his career trajectory toward editing SNL How successful movie-making requires good relationships Cutting with Video Toaster Swinging between short-form and long-form editing The SNL weekly workflow Why Adam edits SNL pieces chronologically, integrating sound and graphics as he goes Avoiding being pigeon-holed into one genre of work Choosing the editing software that works for you Learning to start projects with "confidence keystones" How a history in short-form editing informs long-form work The importance of having a consistent workflow Zack's "hit-by-the-bus theory" Stacking timelines to increase efficiency How Adam's renders can keep up with SNL's crazy pace Useful Links: Enjoying The Show? Leave A Rating And Review HERE To Enter Our BorisFx Sweepstakes FiP Question Submission Athletic Greens FiP Facebook Group Adam's Site Guest Bio: Senior Film editor at SNL (8th season at the show) Documentary Now! editor Commercial Editor at PS260 Currently cutting Why We're Killing Gunther 32 city post-production tour "The Cutting Edge" Made of some carbon. Show Credits: This episode was edited by Curtis Fritsch, the show notes were prepared by Jakin Rintelman, and this show is executive produced by Kanen Flowers. We are a member of theTHAT STUDIO podcast network. The music in the opening and closing of the show is courtesy of Dorian Cheah from his brilliant album ARA.

A common question I get from listeners and readers is, "How can I survive the graveyard shift, and what strategies can I use to maintain my fitness and health working late at night?" We answer this question and more in the latest edition of the Q&A podcast, as well as sharing why if you are working a late night shift you should quit your job as soon as humanly possible because of how it's destroying your health and well being. And no...you can't just "sleep it off" when you're done. We also talk about ways you can dress properly if you plan to be active at the office (no funny "toe shoes" necessary), as well as what you should really focus on to maximize recovery after doing a grueling event like a marathon or a Spartan Race. Want to win a 1-year subscription to either Boris Continuum Complete, Mocha Pro, or Sapphire? All you have to do is take 2 minutes and Leave a review for the podcast in iTunes. We're drawing 3 random winners on December 1st, so don't wait too long! These prizes courtesy of our brand new sponsor Boris FX. Want us to answer you question on a future podcast and get yourself a Fitness In Post t-shirt and also be eligible to win a month's supply of my favorite greens supplement on the planet Athletic Greens? Just submit your questions here. Show Sponsor: G-Technology Topics of Conversation: How to settle back into a training routine after an intense event Natalie's training and diet transition Ice Baths, Coconut water, Vital Fuel, and staying energized during extreme activity Dressing for activity at the office How to maintain an active mindset and prioritize health during your work day Are Vibram five fingers for you? What to look for while shopping for non-restrictive clothing Staying active and healthy while working a night shift The science of sunlight, sleep, and how they work together Useful Links: FiP Question Submission Athletic Greens FiP Facebook Group Mark Sisson: Vibram Five Fingers Vibram Women's Training Shoe Vibram Men's Training Shoe Topo Anti-Fatigue Mat Show Credits: This episode was edited by Curtis Fritsch, the show notes were prepared by Jakin Rintelman, and this show is executive produced by Kanen Flowers. We are a member of theTHAT STUDIO podcast network. The music in the opening and closing of the show is courtesy of Dorian Cheah from his brilliant album ARA.

After last week's look into Avid's Pan & Zoom effect, this week we check out the Pan & Zoom effect that is included in Boris Continuum Complete 5 and later. It's a great effect that is incredibly easy to use, and we'll create a simple zoom in auto-mode (it will literally take you 30 seconds to do) and get into the nitty-gritty for more complex animations. SHOW NOTES If you haven't watched it yet, check out last week's episode on Avid Pan & Zoom: http://avidscreencast.com/asc37 The Photo that I used is by Tiagø Ribeiro: http://www.flickr.com/photos/fixe/3673304464/ Check out the blog entry for this week's episode: http://avidscreencast.com/asc38 Follow me on Twitter: http://twitter.com/avidscreencast Become a fan on the Avid Screencast on Facebook: http://facebook.com/avidscreencast

After last week's look into Avid's Pan & Zoom effect, this week we check out the Pan & Zoom effect that is included in Boris Continuum Complete 5 and later. It's a great effect that is incredibly easy to use, and we'll create a simple zoom in auto-mode (it will literally take you 30 seconds to do) and get into the nitty-gritty for more complex animations. SHOW NOTES If you haven't watched it yet, check out last week's episode on Avid Pan & Zoom: http://avidscreencast.com/asc37 The Photo that I used is by Tiagø Ribeiro: http://www.flickr.com/photos/fixe/3673304464/ Check out the blog entry for this week's episode: http://avidscreencast.com/asc38 Follow me on Twitter: http://twitter.com/avidscreencast Become a fan on the Avid Screencast on Facebook: http://facebook.com/avidscreencast

I've had several requests for tutorials on Pan and Zoom, so this week and next, this will be out topic. This week, we'll look into Avid's own Pan & Zoom effect. It is used to, well, pan and zoom into images that are larger than your sequence dimensions without quality loss (as would occur if you imported the image into a bin and then used, say, a 3D Warp for panning and zooming). We'll create simple and a bit more complex animations, learn about the different temporal and spatial interpolation parameters, and of course I'll hint at some best practices and some quirks of the effect. Next week, we'll check out the Pan & Zoom effect that is included in Boris Continuum Complete 5 or later. SHOW NOTES The Photo that I used is by Tiagø Ribeiro: http://www.flickr.com/photos/fixe/3673304464/ Check out the blog entry for this week's episode: http://avidscreencast.com/asc37 Follow me on Twitter: http://twitter.com/avidscreencast Become a fan on the Avid Screencast on Facebook: http://facebook.com/avidscreencast

I've had several requests for tutorials on Pan and Zoom, so this week and next, this will be out topic. This week, we'll look into Avid's own Pan & Zoom effect. It is used to, well, pan and zoom into images that are larger than your sequence dimensions without quality loss (as would occur if you imported the image into a bin and then used, say, a 3D Warp for panning and zooming). We'll create simple and a bit more complex animations, learn about the different temporal and spatial interpolation parameters, and of course I'll hint at some best practices and some quirks of the effect. Next week, we'll check out the Pan & Zoom effect that is included in Boris Continuum Complete 5 or later. SHOW NOTES The Photo that I used is by Tiagø Ribeiro: http://www.flickr.com/photos/fixe/3673304464/ Check out the blog entry for this week's episode: http://avidscreencast.com/asc37 Follow me on Twitter: http://twitter.com/avidscreencast Become a fan on the Avid Screencast on Facebook: http://facebook.com/avidscreencast

I was asked if it was possible to get the Glow Effect without Boris Continuum Complete. Had I been a smart-ass, I would have replied: "Sure, buy Sapphire!" But I'm trying not to be, so I came up with something that looks kinda similar, and I called it Film Flash, because "Glow Part 2" seemed lame. In this tutorial, I'll use a Blur and the Color Effect to create that Film Flash. SHOW NOTES Check out the blog enry for this week's episode: http://avidscreencast.com/asc34 Follow me on Twitter: http://twitter.com/avidscreencast Become a fan on the Avid Screencast on Facebook: http://facebook.com/avidscreencast

I was asked if it was possible to get the Glow Effect without Boris Continuum Complete. Had I been a smart-ass, I would have replied: "Sure, buy Sapphire!" But I'm trying not to be, so I came up with something that looks kinda similar, and I called it Film Flash, because "Glow Part 2" seemed lame. In this tutorial, I'll use a Blur and the Color Effect to create that Film Flash. SHOW NOTES Check out the blog enry for this week's episode: http://avidscreencast.com/asc34 Follow me on Twitter: http://twitter.com/avidscreencast Become a fan on the Avid Screencast on Facebook: http://facebook.com/avidscreencast