Podcasts about Saturday Night Live

December 27, 1980 - January 2, 1981   This week Ken welcomes author, screenwriter, movie maker Eric Miller (ericmillerwrites.com) to the show. Ken and Eric discuss satellites, the creepy paying with your palm technology at Whole Foods, when Sci-Fi actually predicts the future, Dawn of the Dead, The Running Man, Hell House, The Haunting of Hell House vs The Haunting, story prompts, Shirly Jackson, Richard Matheson, Magnum PI, how prevalent Vietnam vets were in 80s pop culture, PTSDT, the importance of character, dark sense of humor, dealing with serious topics, how you need rules to kick against, why having no problems to solve actually makes worse art, how amazing it is that anything produced in Hollywood is ever good, Full Moon Pictures, Crash and Burn, Bill Mosley, life long friends, directing Orson Wells, working with legends, Phantasm, being an intern, cigarettes, Umph in Triumph, being from Indiana, David Letterman, Breaking Away, learning there is a TV series based on your favorite movie, how everything is more or less streaming for free if you know where to look, Schlitz vs Bud in the Great American Beer Switch, Mark Twain, Hal Holbrook, Grace Kelly, variety shows, the M*A*S*H finale, gallows humor, how sometimes an awful toxic workplace can still produce a good end product, Real People, That's Incredible!, The White Shadow, Mud Wrestling, New Year's Eve, Bonanza, cop shows, setting the tone, The Muppet Movie, the NBA, basketball, Meet the Feebles, Peter Jackson, how nobody can really attain the levels of fame people had in the second half of the 20th century, Bob Cousy, Secret Agent Man, Branded, Larry Cohen, Dexter and how being a fan of television often leads us to reverse engineer story telling and interact with people (not kill them).  ALSO Ken is giving away a pair of tickets to the 945 Arts at the Armory show on November 13th where Ken will be opening for Janeane Garofalo. If you can tell Ken the reason Loren Michaels gave Janeane for why she couldn't quit SNL, email it to tvguidancecounselor@gmail.com and you will get a pair of tickets for the show.  

We went LIVE right after the Miles Teller & Brandi Carlile Saturday Night Live episode to talk about the best and funniest moments from the night! Host Jon Schneider was joined on this Hot Take Show by panelists Andrew Haynes & Law Murray!The video version of our Hot Take Show is available here:https://youtube.com/live/piFwZ7JhLk4⁠-----Welcome to the official Saturday Night Network podcast feed, where you will hear audio from our weekly roundtables discussing all things SNL. Podcast hosts, journalists, and superfans will look back at the entire history of Saturday Night Live and talk about how the legacy of Season 51 compares to all eras of the show.Make sure to follow us on Twitter and Instagram (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thesnlnetwork⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and subscribe on YouTube ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thesnlnetwork⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to never miss an episode!Catch up on other Season 51 Hot Take Shows:S51E3 - Sabrina Carpenter (Oct. 18, 2025)⁠S51E2 - Amy Poehler / Role Model (Oct. 11, 2025)⁠⁠⁠S51E1 - Bad Bunny / Doja Cat (Oct. 4, 2025)

The co-hosts dive into the weekend's hottest topics: The bombshells dropped in season 2 of "Nobody Wants This" leaves some viewers longing for their single days!  Actress Dakota Fanning reveals the cringey dating app flex from guys that make her swipe left!   Oscar-winner Jennifer Lawrence and reality royalty Kris Jenner are ushering in the new age of embracing cosmetic surgery.  Plus, SNL alums Amy Poehler and Kate McKinnon share where they go when they need a laugh. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Bob and Rob Grabowski return to The Analysis to talk funny — diving deep into two documentaries that celebrate the architects of laughter: Colin Hanks' “I Like Me” (on John Candy) and Fred Armisen's “Downey Wrote That” (on longtime SNL head writer Jim Downey). From Candy's mix of heart and heartbreak to Downey's sharp political wit, the episode unpacks how these two legends shaped the DNA of modern comedy. Expect reflections on Planes, Trains & Automobiles, the “I like me” speech, improv at Second City, SNL lore, and even Norm Macdonald's Weekend Update rebellion. It's a nostalgic, bittersweet ride through laughter, legacy, and what it means to be funny and human at the same time.

Seth takes a closer look at Trump calling criticism of his trip to Asia "almost treasonous" and threatening to send active duty military into U.S. cities.Then, Emma Stone talks about shaving her head for Bugonia while her co-star Jesse Plemons got extensions to make his hair longer, how Jennifer Aniston's role in Friends inspired a moment in the film and going on stage with Prince at the SNL40 after-party.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ask Me Anything and takeaways of the day featuring Andy, Randy, Beau, and Abe.

In today's episode, we break down a song that we both deem is one of the most important ones of Taylor's career. We just love how Taylor sings about power dynamics and how that's changed throughout her career. It's so bad ass, is it not?! Also, do we think there's any chance of Taylor appearing on SNL this season???​Share with us your thoughts on today's episode by sending an email to swiftandswigspodcast@gmail.com.​Leave us a written review on the Apple Podcasts app!​Follow and rate our podcast on Spotify! ​Check out our "new shit" playlist on Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/playlist/5LOn9LRJ8lnvnCbpl6fKVG?si=68ca3032d3aa470b⁠⁠⁠⁠⁠⁠⁠⁠⁠

When the hilarious clips of Katie Porter losing her temper went viral, I thought What a great skit that would make on Saturday Night Live. Would they dare? The answer came the following Saturday. Of course not. Why not? Because on the Left, they protect their own. The alignment of culture, media, and the Democrats has been a deadly one for them in all ways. It has caused a mass exodus of people like me fleeing the bubble for more honest and truthful alternative media. It has led to empty theaters across America and a ratings free-fall in cable and network news.Desperate times call for desperate measures, which is why CBS News hired Bari Weiss and why we're just starting to see Hollywood attempt to pull away from the monoculture. But it might be too late. As the lines go in No Country for Old Men, “Well, it's a mess, ain't it, Sheriff?” “Well, if it ain't, it'll do ‘til the mess gets here.”Welcome to No Country for Old Media, where a story as big as Arctic Frost meets deafening silence inside the bubble, where once again, Axios stands alone.Lucky for me, I listen to the Real Clear Politics podcast every day, which is where I first heard about the story. If these guys are alarmed about it, I know it's more than just partisan politics. Carl Cannon, Tom Bevan, and Andrew Walworth are straight shooters. It's a sign of how fast new media is growing that they've now announced they will be joining the Megyn Kelly channel on SiriusXM. Is it worse than Watergate? I think so. But you have to look at the big picture, not just one story. The Democrats' ten-year war to prevent Trump from representing those who voted for him and to deny half the country their right to representation remains one of the biggest scandals in American history. We've never had an administration refuse to step aside because they didn't like the winner and decide for the American people that their votes didn't matter because one side had all of the power. It was never Trump who refused to leave. It was Barack Obama and the America he believed he had forever shaped.Since the Democrats have complete control of the legacy media, they decide what matters. They have manufactured nearly every major crisis where Trump is concerned. So much so that they've inadvertently manifested a Boy Who Cried Wolf scenario for themselves, which is why they're so dangerous now. They are willing to do and say anything to win a war they've already lost. This press conference was ignored by the legacy press, but it's worth listening to. It lays out in shocking detail just how deep the rabbit hole goes.It's No Country for Old Media because they can't cover a story like this, no matter how big it gets. They don't chase the story anymore. Just as Tommy Lee Jones in the movie is always a day late and a dollar short chasing the bad guys and can't save the hero, our old media is too afraid to tell the truth and doesn't get there until much later, if they get there at all. How long did it take them to talk about Joe Biden's cognitive decline? After Nixon thoroughly humiliated the Democrats in 1972, winning every state except Massachusetts, his approval numbers were at an all-time high. Taking down a guy that popular was compelling news for the American people, who watched his approval numbers crash, and then watched him resign over it.A crash like that isn't something you see every day, and it's certainly not the case with Trump. His approvals have been steady because they have been attacking him nonstop. But the legacy media is MIA on all of it. Why? Because they're part of it. It was the massive alignment of power that I finally could see in 2020, which is why I left the Democratic Party. I believed they had too much power and that the election was anything but “free and fair.” I was a Biden voter, but I assumed we would be on a level playing field. We weren't. 2020 was a pivotal year for me and many others. I had been Joe Biden's #1 best gal until the Summer. When the violence began and the legacy media covered it up, it radicalized me, you might say, for the truth. I could see that Trump was gaining ground over that summer, with his five rallies a day and how insane the Left had become. He won Iowa, Ohio, and Florida, which meant that without the way they changed the laws for ballot collecting and counting, he probably would have won. But the election was already over long before election day. That isn't how our elections are supposed to go. Candidates make their case to the people, and the people vote.But the Democrats collected the majority of their ballots before campaigning was even over, which required keeping the public in the dark about many things, like Biden's age — they hid him, as they did Kamala Harris' incompetence. And then, there was the rising fanaticism on the Left and the violence over the Summer. They kept it all hidden from view, just like they're doing now. What I saw was not so much a rigged election as a rigged system. The “Secret bipartisan campaign” in TIME Magazine lays out exactly how widespread this effort was to subvert American democracy. They all believed it was their right to do so. But it never was. They manufactured an illusion to fool the public. It was the legacy media's job to expose those lies. They never did. Not then, not now.Trump might have been unable to lose. His inability to accept the loss might not have been what we want in our leaders. But as a Biden voter who was now horrified and disillusioned with my party and all of American society they controlled, I was grateful Trump took them on. I also knew January 6th was a much too convenient tool to dismiss everything the Democrats did to drag Old Joe over the finish line.Even now, they can't confront their own corruption, or even the plain facts about what Joe Biden did to elbow out competition in 2024, what George Clooney did, what Obama did, and how undemocratic it was to put Kamala Harris in without the voices of the people whose votes should matter more. They don't have to confront it or even talk about it because the legacy media, like Hollywood, like so much of our society, has their backs. It was never about Trump at all. It was about their refusal to step aside and allow America to change. Arctic Frost is an opportunity for them to come clean and admit everything they did to stay in power, and how badly that has hurt them as a party and a movement — how badly it has hurt America — our trust in our institutions and our ability to coexist as a country. Even if the Democrats have destroyed themselves by becoming too corrupt to function, it is how the press became their willing puppets that is the real tragedy here. We don't need more propaganda. We need more truth in our news.Getting there months or years later is not good enough. Things are moving too fast. This country is changing. Technology is changing. It's adapt or die. This is no country for old media. It's time to leave them behind. To quote another line from No Country for Old Men, “You can't stop what's coming. It ain't all waiting on you. That's vanity.” //Tip Jar This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

TALK TO ME, TEXT ITA Friday mood sets the stage: feeling strong, clear-headed, and ready to wade into some thorny stories with humor and heat. We start with the Leslie Jones and Paul Rudd clash and ask harder questions about workplace boundaries, public grudges, and how identity labels get weaponized when tempers run hot. It's not about picking a celebrity side—it's about how fast a long workday turns into permanent outrage and what that says about our culture of airing everything online.Then we dive into Glamour UK's decision to honor a group of trans “dolls” as Women of the Year and the wave of backlash led by J.K. Rowling. We explore the pressure points around language, womanhood, and representation, and why so many people feel the ground shifting under their feet. Media power, social movements, and girls' futures sit at the center of this debate, and we try to separate signal from noise without dodging the hard edges.Next up: a Rhode Island school district's reported $117,000 price tag for public records about a teacher's political comments. What should public really mean when curriculum and teacher emails are on the line? We unpack the tug-of-war between transparency, cost, and public trust—and why parents keep pushing even when institutions push back.To end on a lighter note, a negative review about a “leaf” in baked beans sparks a masterclass reply from a restaurant: it's a bay leaf, it's scratch cooking, and it's the opposite of canned. That small exchange becomes a bigger lesson about how craftsmanship and communication can turn complaints into loyalty. And yes, we want your take: how do you season your baked beans—sweet, smoky, spicy, or all of the above?If this mix of sharp stories and real-life flavor hits the spot, tap follow, share with a friend, and drop a review—then tell us your secret bean ingredient. We'll read our favorites on a future show.Buzzsprout - Let's get your podcast launched!Start for FREE Thanks for listening! Liberty Line each week on Sunday, look for topics on my X file @americanistblog and submit your 1-3 audio opinions to anamericanistblog@gmail.com and you'll be featured on the podcast. Buzzsprout - Let's get your podcast launched!Start for FREESupport the showTip Jar for coffee $ - Thanks Music by Alehandro Vodnik from Pixabay Blog - AnAmericanist.comX - @americanistblog

Barry and Abigail discuss Rockin' From the Grave and sample Pumpkin Shandy from Penn Brewery in Pittsburgh, Pennsylvania (in collaboration with Soergel Orchards in Wexford, Pennsylvania), Jack from Urban Artifact in Cincinnati, Ohio, and Pumpkin Spice Cheesecake Mind Over Matter from Magnify Brewing Company in Fairfield, New Jersey.We have gone zero episodes without mentioning the White Album or Abigail's personal White Album, Guitar Hero III: Legends of Rock. Both Black Magic Woman and a cover of The Devil Went Down to Georgia by Steve Ouimette appear on GHIII: LoR, but Abigail was mistaken about (Don't Fear) The Reaper's inclusion; in fact, Cities on Flame with Rock and Roll is the Blue Öyster Cult representation on GHIII: LoR, and (Don't Fear) The Reaper is actually on Rock Band, which Abigail has played, but the Hummels have never owned.Listen to our exploration of The Munsters Theme's many different iterations in last year's Halloween episode, New Belgium Halloween (New Wave Halloween & New Belgium Brewing)! Today, we also listened to the version with lyrics and briefly discussed Far Out Munsters, the episode where the Munsters rent their home to a Beatles-inspired rock group.Edgar Winter's justification of naming his song Frankenstein because of its “monster-like, lumbering beat” reminded Abigail of Flight of the Cosmic Hippo by Béla Fleck and the Flecktones.Watch the music video for Addams Groove by MC Hammer.Barry educated Abigail about the famous “More Cowbell” sketch from SNL, which centers around the studio recording of (Don't Fear) The Reaper!In looking deeper into the fun fact from Carlo's Corner about salt killing yeast, we stumbled upon this article on the history and science of Goses written by the brewmaster of Anderson Valley Brewing Company in Boonville, California, a brewery known for their Goses. Per the article, some Goses from the early 20th century had between 130 and 280 ppm of salt. Anderson Valley typically adds about 800 ppm of salt - but only after fermentation. It is thought that as little as 100-150 ppm of salt can cause osmotic stress to the yeast and therefore decrease fermentation rates, but the salt concentration required to completely inhibit fermentation or cause death for the yeast are much higher than humans would tolerate as palatable in a beverage.Santana's Black Magic Woman is a mash-up cover of Black Magic Woman by Fleetwood Mac and Gypsy Queen by Gábor Szabó. Abigail would much rather listen to Smooth (feat. Rob Thomas).While Abigail believes Johnny clearly won the fiddle battle in The Devil Went Down to Georgia, John Oliver strongly disagrees. Watch the boss battle against the devil from GHIII: LoR.We previously discussed the word “pompatous” (found in Clap For the Wolfman by The Guess Who) during our discussion of Steve Miller Band's The Joker in our episode Cans (k.d.lang and Cigar City Brewing).Read more about Paracelsus and the absolutely nauseatingly eye-rollingly annoying reason he took the name Paracelsus.Barry made Abigail play a little bit of Grandmaster Dee's Haunted Scratch, the original B-side to Freaks Come Out at Night by Whodini.Twilight Zone by Golden Earring was inspired by The Bourne Identity novel, and you may be able to tell this from the music video. The other song from two-hit wonder Golden Earring you may have heard of would be Radar Love.(Ghost) Riders in the Sky is a cover originally written and performed by Stan Jones. Prior to The Outlaws' version, Johnny Cash's version was the most well-known.Up next… Brothers in Arms by Dire StraitsJingles are by our friend Pete Coe.Visit Anosmia Awareness for more information on Barry's condition.Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic!Leave us a rating or a review on Apple Podcasts or Spotify!Facebook | Instagram | Bluesky | YouTube | Substack | Website | Email us | Virtual Jukebox | Beer Media Group

In this Halloween-themed episode, Veronica Breckenridge from First Bite returns to discuss her eye-opening "Industrial Bio-Manufacturing Graveyard Report." Drawing from her experience scaling companies like Apple and Tesla, Veronica reveals why 80% of bio-manufacturing startups fail—and it's not because of bad science. The conversation explores critical mistakes like targeting commodity markets too early, underestimating downstream processing costs, and the "build it and they will come" mentality that has buried promising ventures. Veronica explains why now is actually the best time to invest in bio-manufacturing, citing decreasing costs (3 million times cheaper in 25 years), rising consumer demand for healthier alternatives to petroleum-based products, and increased government support for domestic manufacturing. She shares tactical advice on patient capital structures, the importance of strategic partnerships over going solo, and why bio-manufacturing is more analogous to hardware scaling than pharmaceutical development. The episode offers valuable lessons for founders, investors, and anyone interested in the future of sustainable manufacturing.Grow Everything brings the bioeconomy to life. Hosts Karl Schmieder and Erum Azeez Khan share stories and interview the leaders and influencers changing the world by growing everything. Biology is the oldest technology. And it can be engineered. What are we growing?Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.messaginglab.com/groweverything⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Chapters:(00:00:00) - Halloween intro and SNL's Snack Homies discussion(00:04:17) - Zombie apocalypse: Could fungi or viruses cause real zombies?(00:09:12) - Beyond Meat stock surge and meme trading(00:11:34) - Introducing the Graveyard Report and Veronica Breckenridge(00:14:23) - Why Veronica moved from Tesla to bio-manufacturing(00:19:45) - The three recurring market fit errors killing startups(00:27:56) - Why targeting commodity markets is a seductive trap(00:35:18) - Downstream processing: The overlooked cost killer(00:42:31) - CapEx overruns and the importance of strategic partnerships(00:48:07) - Patient capital structures for deep tech ventures(00:53:22) - What makes this moment different: Why invest now(00:58:14) - Quick fire questions and closing thoughtsLinks and Resources:First BightThe Industrial Biomanufacturing Graveyard ReportBiowell Biotech AcceleratorGinkgo ConsultingCapgeminiMcKinsey120. Busting Biotech's Bottlenecks: Veronica Breckenridge on the Path to Industrial Scale151. Report on Reports: Cash Flow, Carbon, and the BioeconomyZombie-like effects from fungusBeyond Meat's Stock SpikeTedX BostonTechnoeconomic Analysis Tool⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Topics Covered: industrial biomanufacturing, biotech, business, growth stage, graveyard report, halloweenHave a question or comment? Message us here:Text or Call (804) 505-5553 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Grow Everything⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: groweverything@messaginglab.comMusic by: NihiloreProduction by: Amplafy Media

Unearthing this in-studio episode with a true SNL legend! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Leslie Jones joins us to discuss her new stand-up special, "Life Part Two" and take a look back at her time on SNL. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jenna and Kevin are back covering gleeking headlines like all the Glee Cast Members who will be on and off-Broadway at the same time! Chord Overstreet performing with the JoBros and his former roommate, Glen Powell, hosting SNL! Plus, Jenna shares her Halloween plans, including her daughter’s very creative boo-tacular costume ideas! For fun, exclusive content, and behind-the-scenes scoops, be sure to follow on Instagram @andthatswhatyoureallymissedpod and TikTok @thatswhatyoureallymissed!See omnystudio.com/listener for privacy information.

Welcome! This week's guest is the hilarious Punkie Johnson! Punkie and Caleb talk growing up in New Orleans, various styles of flirting, favorite moments from SNL, a certain childhood game, cooking, and much more! Join our Substack for an exclusive post-episode chat with Punkie and other bonus content! https://calebsaysthings.substack.com/ Follow Punkie! @punkiejohnson Follow the show! @sooootruepod Follow Caleb! @calebsaysthings Produced by Chance Nichols @chanceisloudTransform your living space today with Cozey. Visit http://www.Cozey.com, the home of possibilities, made easy. Upgrade your underwear drawer with tomboyx. Use code SOTRUE15 to get 15% off your order at http://www.tomboyx.com/discount/SOTRUE15 Ready to give MASA a try? Go to http://www.MASAChips.com/SOTRUE and use code SOTRUE for 25% off your first order.Use my code for 10% off your next SeatGeek order*: https://seatgeek.onelink.me/RrnK/SOTRUE10 Sponsored by SeatGeek. *Restrictions apply. Max $20 discount Listeners can save 30% on their first order at Cornbread Hemp! Just head to http://www.cornbreadhemp.com/SOTRUE and use code SOTRUE at checkout. Go to https://www.Zocdoc.com/SOTRUE to find and instantly book a top-rated doctor today. #sponsored About Headgum: Headgum is an LA & NY-based podcast network creating premium podcasts with the funniest, most engaging voices in comedy to achieve one goal: Making our audience and ourselves laugh. Listen to our shows at https://www.headgum.com. » SUBSCRIBE to Headgum: https://www.youtube.com/c/HeadGum?sub_confirmation=1 » FOLLOW us on Twitter: http://twitter.com/headgum » FOLLOW us on Instagram: https://instagram.com/headgum/ » FOLLOW us on TikTok: https://www.tiktok.com/@headgum So True is a Headgum podcast, created and hosted by Caleb Hearon. The show is produced by Chance Nichols with Associate Producer Allie Kahan. So True is engineered and edited by Nicole Lyons. Kaiti Moos is our VP of Content at Headgum. Thanks to Luke Rogers for our show art and Virginia Muller our social media manager.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jimmy addresses the latest news, like ​​Trump being served beef patties with ketchup in South Korea, before speaking with Jesse Eisenberg, Brittany Snow and Jim Downey.

Actor, comedian, and long-running SNL cast member Kenan Thompson sits down with Michelle and Craig to answer a listener's question about parenting a daughter who wants to be famous. Kenan shares his own experience as a child actor, how he helps foster a sense of community on SNL, and how he shows up as a father to his two young daughters. Plus, Kenan's kids make a special guest appearance!Have a question you want answered? Write to us at imopod.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

HAPPY HALLOWEEN! Though Death By DVD is taking a break to relocate and build a bigger and better Death By DVD studio we thought it would just be down right insane to not have at least SOMETHING to offer our fine dead studio audience for Halloween. Halloween is our favorite holiday, our favorite time of year and I'll boldly say it's down right the best time of year, so we wanted to celebrate with you and boy howdy, though short in run time we have a whole lot for you to hear on this episode.An all new movie from your host Harry-Scott Sullivan is available now to stream, we have an exclusive new song from SATANIC HEARSE RECORDS called NO LIFE IN THEIR EYES from their forthcoming record DEATH SEX GORE HORROR and of course an update on when Death By DVD will return full time. Celebrate the season of the witch and hit play and hear this episode today! SATANIC HEARSE on Bandcamp : tap here or copy and paste the link belowhttps://satanichearserecords.bandcamp.com/WATCH YOUR HOSTS DOCUMENTARY AND DARK TALES FROM CHANNEL X NOW ON BLOODSTREAM TV: tap here or copy and paste the link belowhttps://bloodstreamtv.com/show-details/dark-tales-from-channel-xLearn more about Bloodstream TV : Tap here or copy and paste the link belowhttps://bloodstreamtv.com/homeIf you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades, please consider supporting Death By DVD directly on Patreon to secure the future of this very show. ★ Support this podcast on Patreon ★ Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ CHECK OUT DEATH BY DVD ON YOUTUBE : https://www.youtube.com/@DeathByDVDDon't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

Justin Trudeau thinks Katy Perry is the perfect woman in latest fluff piece reminding us that they are a thing. Also SNL Alums Ego Nwodim and Heidi Garner talk about what it is like trying to succeed at SNL and Celebs talking in the World Series.Also Harry and Meghan getting Booed at the big game.Kendall's feet story, Elijah Wood Crashes Lord of the Rings Wedding and some NFL/Pop Culture stories. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nick revisits one of the most uneven and troubled years in Saturday Night Live history — Season 23. On paper, it should have been great: a powerhouse cast featuring Will Ferrell, Jim Breuer, Chris Kattan, Molly Shannon, Cheri Oteri, and Tim Meadows, plus the first season with Tina Fey on the writing staff. But instead, the year was marred by misfires, controversy, and heartbreaking loss. There were dreadful episodes — Sylvester Stallone flopped, Jon Lovitz coasted, Rudy Giuliani was exactly what you'd expect, and audiences were left wondering who Roma Downey was. The deaths of Chris Farley and Phil Hartman cast a long shadow, and Norm Macdonald's firing over his O.J. Simpson jokes only deepened the chaos. Still, bright spots broke through the gloom. Nick highlights the funniest sketches of the season, including Helen Hunt's great monologue with a surprise guest, a classic Mary Katherine Gallagher moment, a hysterical Celebrity Jeopardy featuring David Duchovny's spot-on Jeff Goldblum, and the debut of Tim Meadows' The Ladies Man. A messy, emotional, and unforgettable chapter in SNL's long history. [Ep 147]

A walk down memory lane ... Saturday Night Live and a Perfect Game

In an alternate timeline, we might have been watching Kevin Nealon as Sam Malone on Cheers rather than Ted Danson! Kevin joins Ted to talk about why he's glad things didn't go that way, his journey to Saturday Night Live stardom, meeting his wife Susan Yeagley, and why he's joining an effort to conserve the Appalachian Trail. Take a moment to sign the petition at TakeAHikePetition.org.Like watching your podcasts?  Visit http://youtube.com/teamcoco to see full episodes.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Rosebud Baker is fully baked and in the Mad House this week! She's back on tour after releasing a Netflix special AND writing for SNL. Oh, and she has a book coming out. So yeah, sounds like Rosebud has the cheat code for life! She and Maddy also discuss their Reddit addictions, what it's like being a mother of one, Rosebud's upbringing in a political family, and more!Call the FUPA Hotline: (347) 480-9006Check out Rosebud's special 'The Mother Lode' streaming on Netflix!Follow Rosebud:https://www.instagram.com/rosebudbaker/?hl=enhttps://www.youtube.com/@UCAaaEJdkY0ZtW7EHZLP3gnQ https://rosebudbaker.com/Follow Maddy:https://www.instagram.com/somaddysmith/?hl=enhttps://www.tiktok.com/@somaddysmith?lang=enAll tour dates: https://punchup.live/maddysmith/ticketsWant more Mad House?!Go to https://gasdigital.com/ to subscribe!Use promo code MAD to save big on your membership :)Get early access to our weekly episodes on Tuesdays, along with EXCLUSIVE episodes every Thursday.Get your Mad House x Skankfest 2025 merch here:https://gasdigitalmerch.com/products/maddy-smith-portrait-teeUPCOMING STAND UP DATES:10/30-11/1 WASHINGTON, D.C.11/7-11/8 BOCA RATON, FL11/12 NEW YORK, NY11/20 SPOKANE, WA11/21-11/23 TACOMA, WA12/5-12/6 EAST PROVIDENCE, RI12/7 BOSTON, MA12/26-12/28 ATLANTA, GASee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jimmy addresses the latest news, like Trump saying that he will extend his Asia trip to meet with Kim Jong Un, before speaking with Liam Hemsworth, Leanne Morgan and Trae Young.

Taran Killam joins Andy Richter to discuss joining "MAD TV" at nineteen, how that brief stint prepared him for "Saturday Night Live," performing on Broadway at the same time as his wife, his new NBC sitcom "Stumble," the Bob Baker Marionette Theater, and much more.Do you want to talk to Andy live on SiriusXM's Conan O'Brien Radio? Tell us your favorite dinner party story (about anything!) - leave a voicemail at 855-266-2604 or fill out our Google Form at BIT.LY/CALLANDYRICHTER. Listen to "The Andy Richter Call-In Show" every Wednesday at 1pm Pacific on SiriusXM's Conan O'Brien Channel. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Guest host Maria Randazzo is joined by performer Mitchell Fain to dive deep into "Girl Walks into a Bar," the 2012 memoir of "Saturday Night Live" legend Rachel Dratch. They unpack Rachel's journey through Second City to her "30 Rock" casting swap with Jane Krakowski all while enjoying the dating horror stories and symbolic pigs she picked up along the way. Plus: Rachel's surprise path to motherhood at 44 and the psychic moments that make this one of the most magical memoirs we've covered. Join the cookie community: Become a member of the Patreon Follow Maria Randazzo: Instagram @mariafreakin Where to find our guest, Mitchell Fain: Instagram *** Glamorous Trash is all about going high and low at the same time— Glam and Trash. We recap and book club celebrity memoirs, deconstruct pop culture, and sometimes, we cry! If you've ever referenced Mariah Carey in therapy... then this is the podcast for you. Thank you to our sponsors: Quince  - Go to quince.com/glamorous for free shipping on your order and 365-day returns.  Libro.fm - Click here to get 2 audiobooks for the price of 1 with your first month of membership using code TRASH. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Our spoooookiest episode ever! Corsets, keycards, and Kiki's - oh my! Oh, and a warning: this week's episode contains an actual literal ghost (kinda).Petty Crimes is hosted by Ceara Jane O'Sullivan and Griff Stark-Ennis.Do you have a crime that should be heard in Petty Crimes Court? Submit it at pettycrimespodcast@gmail.com!Keep up with us on Instagram and TikTok for crime evidence, events, BTS and other petty bullsh*t…This episode was produced and edited by Riley Madincea.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nick welcomes TV critic Dan Fienberg back to the podcast for another round of smart, funny, and slightly unhinged TV talk. The two cover everything from Dan's unwavering loyalty to The Simpsons to his unapologetic dislike of Seinfeld, plus a look at the latest SNL hosted by Sabrina Carpenter. Dan also reviews several new shows, including the Stephen King prequel miniseries “It: Welcome to Derry,” the cringe-comedy “The Chair Company” from Tim Robinson, and the unexpectedly gripping true-crime series “Devil in Disguise: John Wayne Gacy.” Then Esmeralda Leon joins Nick to dissect one of Hollywood's biggest misfires, “Wild, Wild West,” before diving into a celebration of cinema's most delightfully eccentric performers — Christopher Walken, Crispin Glover, Sean Young, Willem Dafoe, Malcolm McDowell, and the incomparable Tilda Swinton. [Ep 398]

Comedian David Koechner talks about growing up in a big family in a small Missouri town, and developing the need to be heard and seen by taking the attention, the importance of SNL and Monty Python. Deciding to be a performer. Making the move to Chicago, the influence of being Catholic, the fall of old show business, trying to carve out a career in the aftermath. Becoming a stand-up, how we don't own our kids, improv vs drama, feuds, apologies, Adam McCay, Del Close, and the maturity to not spill a milkshake over yourself even if you will get a laugh. Bio:David Michael Koechner on August 24, 1962, in Tipton, Missouri, his parents ran a business manufacturing turkey coops. He has two brothers and three sisters. He studied political science before moving to Chicago to pursue improvisational comedy at ImprovOlympic and Second City.  Koechner was a cast member on Saturday Night Live from 1995–1996, performing in sketches like "Bill Brasky" and "The British Fops". His breakout film role was as Champ Kind in Anchorman: The Legend of Ron Burgundy (2004), a character he returned to in the 2013 sequel. He also played Todd Packer in 15 episodes of The Office (2005–2013), a role for which Steve Carell recommended him. Koechner has appeared in numerous other films, including Talladega Nights, Thank You for Smoking, Extract, and Waiting..., and received praise for his dramatic role in Cheap Thrills (2014). His television work includes voice roles in American Dad! and recurring parts in shows like Another Period and The Goldbergs. He continues to perform stand-up comedy and tours with "The Office Trivia with 'Todd Packer'".  David performs stand-up around the country and is available for dinner if the food's good. Editing Notes: David does a LOT of shitting on priests and churches and show biz.  I think it gets boring.

Each month, Jon Schneider hosts our SNL Feedback Show where patrons and podcasters call-in to discuss the previous episode cycle of Season 51. The panelists answer questions from the SNL community and look ahead to the upcoming episodes!The video version of our SNL Feedback Show is available here: https://youtube.com/live/61PqW1B6Hfk-----Welcome to the official Saturday Night Network podcast feed, where you will hear audio from our weekly roundtables discussing all things SNL. Podcast hosts, journalists, and superfans will look back at the entire history of Saturday Night Live and talk about how the legacy of Season 51 compares to all eras of the show.Make sure to follow us on Twitter and Instagram (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thesnlnetwork⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and subscribe on YouTube ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thesnlnetwork⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to never miss an episode!

What does it take to keep your voice—and your purpose—strong through every season of life? In this episode of Unstoppable Mindset, I sit down with my friend Bill Ratner, one of Hollywood's most recognized voice actors, best known as Flint from GI Joe. Bill's voice has carried him through radio, animation, and narration, but what stands out most is how he's used that same voice to serve others through storytelling, teaching, and grief counseling. Together, we explore the heart behind his work—from bringing animated heroes to life to standing on The Moth stage and helping people find healing through poetry. Bill shares lessons from his own journey, including losing both parents early, finding family in unexpected places, and discovering how creative expression can rebuild what life breaks down. We also reflect on 9/11, preparedness, and the quiet confidence that comes from trusting your training—whether you're a first responder, a performer, or just navigating the unknown. This conversation isn't just about performance; it's about presence. It's about using your story, your craft, and your compassion to keep moving forward—unstoppable, one voice at a time. Highlights: 00:31 – Hear the Flint voice and what it takes to bring animated characters to life. 06:57 – Learn why an uneven college path still led to a lifelong acting career. 11:50 – Understand how GI Joe became a team and a toy phenomenon that shaped culture. 15:58 – See how comics and cartoons boosted classroom literacy when used well. 17:06 – Pick up simple ways parents can spark reading through shared stories. 19:29 – Discover how early, honest conversations about death can model resilience. 24:09 – Learn to critique ads and media like a pro to sharpen your own performance. 36:19 – Follow the pivot from radio to voiceover and why specialization pays. 47:48 – Hear practical editing approaches and accessible tools that keep shows tight. 49:38 – Learn how The Moth builds storytelling chops through timed, judged practice. 55:21 – See how poetry—and poetry therapy—support grief work with students. 59:39 – Take notes on memoir writing, emotional management, and one-person shows. About the Guest: Bill Ratner is one of America's best known voice actors and author of poetry collections Lamenting While Doing Laps in the Lake (Slow Lightning Lit 2024,) Fear of Fish (Alien Buddha Press 2021,) To Decorate a Casket (Finishing Line Press 2021,) and the non-fiction book Parenting For The Digital Age: The Truth Behind Media's Effect On Children and What To Do About It (Familius Books 2014.) He is a 9-time winner of the Moth StorySLAM, 2-time winner of Best of The Hollywood Fringe Extension Award for Solo Performance, Best of the Net Poetry Nominee 2023 (Lascaux Review,) and New Millennium "America One Year From Now" Writing Award Finalist. His writing appears in Best Small Fictions 2021 (Sonder Press,) Missouri Review (audio,) Baltimore Review, Chiron Review, Feminine Collective, and other journals. He is the voice of "Flint" in the TV cartoon G.I. Joe, "Donnell Udina" in the computer game Mass Effect, the voice of Air Disasters on Smithsonian Channel, NewsNation, and network TV affiliates across the country. He is a committee chair for his union, SAG-AFTRA, teaches Voiceovers for SAG-AFTRA Foundation, Media Awareness for Los Angeles Unified School District, and is a trained grief counsellor. Member: Actors Equity Association, Screen Actors Guild-AFTRA, National Storytelling Network • https://billratner.com • @billratner Ways to connect with Bill: https://soundcloud.com/bill-ratner https://www.instagram.com/billratner/ https://twitter.com/billratner https://www.threads.net/@billratner https://billratner.tumblr.com https://www.youtube.com/@billratner/videos https://www.facebook.com/billratner.voiceover.author https://bsky.app/profile/bilorat.bsky.social About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Well on a gracious hello to you, wherever you may be, I am your host. Mike hingson, and you are listening to unstoppable mindset. Today, we get to have a voice actor, person, Bill Ratner, who you want to know who Bill Radnor is, go back and watch the old GI Joe cartoons and listen to the voice of Flint.   Bill Ratner ** 01:42 All right. Lady Jay, you better get your battle gear on, because Cobra is on their way. And I can't bring up the Lacher threat weapon system. We got to get out of here. Yo, Joe,   Michael Hingson ** 01:52 there you go. I rest my case Well, Bill, welcome to unstoppable mindset.   Bill Ratner ** 02:00 We can't rest now. Michael, we've just begun. No, we've just begun.   Michael Hingson ** 02:04 We got to keep going here. Well, I'm really glad that you're here. Bill is another person who we inveigled to get on unstoppable mindset with the help of Walden Hughes. And so that means we can talk about Walden all we want today. Bill just saying, oh goodness. And I got a lot to say. Let me tell you perfect, perfect. Bring it on. So we are really grateful to Walden, although I hope he's not listening. We don't want to give him a big head. But no, seriously, we're really grateful. Ah, good point.   Bill Ratner ** 02:38 But his posture, oddly enough, is perfect.   Michael Hingson ** 02:40 Well, there you go. What do you do? He practiced. Well, anyway, we're glad you're here. Tell us about the early bill, growing up and all that stuff. It's always fun to start a good beginning.   Bill Ratner ** 02:54 Well, I was a very lucky little boy. I was born in Des Moines, Iowa in 1947 to two lovely people, professionals, both with master's degree out at University of Chicago. My mother was a social worker. My father had an MBA in business. He was managing editor of Better Homes and Gardens magazine. So I had the joy of living in a better home and living in a garden.   Michael Hingson ** 03:21 My mother. How long were you in Des Moines?   Bill Ratner ** 03:24 Five and a half years left before my sixth birthday. My dad got a fancy job at an ad agency in Minneapolis, and had a big brother named Pete and big handsome, curly haired boy with green eyes. And moved to Minneapolis, Minnesota, and was was brought up there.   Michael Hingson ** 03:45 Wow. So you went to school there and and chased the girls and all that stuff.   Bill Ratner ** 03:54 I went to school there at Blake School for Boys in Hopkins, Minnesota. Couldn't chase the girls day school, but the girls we are allowed to dance with certainly not chase. Michael was at woodhue dancing school, the Northrop girls from Northrop girls school and the Blake boys were put together in eighth grade and taught the Cha Cha Cha, the waltz, the Charleston, and we danced together, and the girls wore white gloves, and we sniffed their perfume, and we all learned how to be lovers when we were 45   Michael Hingson ** 04:37 There you are. Well, as long as you learned at some point, that's a good start.   Bill Ratner ** 04:44 It's a weird generation. Michael,   Michael Hingson ** 04:46 I've been to Des Moines before. I was born in Chicago, but moved out to California when I was five, but I did some work with the National Federation of the Blind in the mid 19. 1970s 1976 into 1978 so spent time at the Iowa Commission for the Blind in Des Moines, which became a top agency for the Blind in well, the late 50s into the to the 60s and so on. So   Bill Ratner ** 05:15 both my parents are from Chicago. My father from the south side of Chicago, 44th and Kenzie, which was a Irish, Polish, Italian, Jewish, Ukrainian neighborhood. And my mother from Glencoe, which was a middle class suburb above Northwestern University in Evanston.   Michael Hingson ** 05:34 I Where were you born? 57th and union, north, south side, no, South   Bill Ratner ** 05:42 57th union is that? Is that west of Kenzie?   Michael Hingson ** 05:46 You know, I don't remember the geography well enough to know, but I know that it was, I think, Mount Sinai Hospital where I was born. But it was, it's, it's, it's a pretty tough neighborhood today. So I understand,   Bill Ratner ** 06:00 yeah, yeah, my it was tough, then it's tough now,   Michael Hingson ** 06:03 yeah, I think it's tougher, supposedly, than it was. But we lived there for five years, and then we we moved to California, and I remember some things about Chicago. I remember walking down to the local candy store most days, and had no problem doing that. My parents were told they should shut me away at a home somewhere, because no blind child could ever grow up to amount to anything. And my parents said, You guys are you're totally wrong. And they brought me up with that attitude. So, you   Bill Ratner ** 06:32 know who said that the school says school so that   Michael Hingson ** 06:35 doctors doctors when they discovered I was blind with the   Bill Ratner ** 06:38 kid, goodness gracious, horrified.   Michael Hingson ** 06:44 Well, my parents said absolutely not, and they brought me up, and they actually worked with other parents of premature kids who became blind, and when kindergarten started in for us in in the age of four, they actually had a special kindergarten class for blind kids at the Perry School, which is where I went. And so I did that for a year, learn braille and some other things. Then we moved to California, but yeah, and I go back to Chicago every so often. And when I do nowadays, they I one of my favorite places to migrate in Chicago is Garrett Popcorn.   Bill Ratner ** 07:21 Ah, yes, with caramel corn, regular corn, the   Michael Hingson ** 07:25 Chicago blend, which is a mixture, yeah, the Chicago blend is cheese corn, well, as it is with caramel corn, and they put much other mozzarella on it as well. It's really good.   Bill Ratner ** 07:39 Yeah, so we're on the air. Michael, what do you call your what do you call your program? Here I am your new friend, and I can't even announce your program because I don't know   Michael Hingson ** 07:48 the name, unstoppable mindset. This   Bill Ratner ** 07:51 is unstoppable mindset.   Michael Hingson ** 07:56 We're back. Well, we're back already. We're fast. So you, you, you moved off elsewhere, out of Des Moines and all that. And where did you go to college?   Bill Ratner ** 08:09 Well, this is like, why did you this is, this is a bit like talking about the Vietnam War. Looking back on my college career is like looking back on the Vietnam War series, a series of delusions and defeats. By the time I the time i for college, by the time I was applying for college, I was an orphan, orphan, having been born to fabulous parents who died too young of natural causes. So my grades in high school were my mediocre. I couldn't get into the Ivy Leagues. I got into the big 10 schools. My stepmother said, you're going to Michigan State in East Lansing because your cousin Eddie became a successful realtor. And Michigan State was known as mu u it was the most successful, largest agriculture college and university in the country. Kids from South Asia, China, Northern Europe, Southern Europe, South America all over the world came to Michigan State to study agricultural sciences, children of rich farmers all over the world and middle class farmers all over the world, and a huge police science department. Part of the campus was fenced off, and the young cadets, 1819, 20 years old, would practice on the rest of the student body, uniformed with hats and all right, excuse me, young man, we're just going to get some pizza at eight o'clock on Friday night. Stand against your car. Hands in your car. I said, Are you guys practicing again? Shut up and spread your legs. So that was that was Michigan State, and even though both my parents had master's degrees, I just found all the diversions available in the 1960s to be too interesting, and was not invited. Return after my sophomore year, and in order to flunk out of a big 10 University, and they're fine universities, all of them, you have to be either really determined or not so smart, not really capable of doing that level of study in undergraduate school. And I'd like to think that I was determined. I used to show up for my exams with a little blue book, and the only thing I would write is due to lack of knowledge, I am unable to complete this exam, sign Bill ranter and get up early and hand it in and go off. And so what was, what was left for a young man like that was the theater I'd seen the great Zero Mostel when I was 14 years old and on stage live, he looked just like my father, and he was funny, and if I Were a rich man, and that's the grade zero must tell. Yeah, and it took about five, no, it took about six, seven years to percolate inside my bread and my brain. In high school, I didn't want to do theater. The cheerleaders and guys who I had didn't happen to be friends with or doing theater. I took my girlfriends to see plays, but when I was 21 I started acting, and I've been an actor ever since. I'm a committee chair on the screen actors guild in Hollywood and Screen Actors Guild AFTRA, and work as a voice actor and collect my pensions and God bless the union.   Michael Hingson ** 11:44 Well, hey, as long as it works and you're making progress, you know you're still with it, right?   Bill Ratner ** 11:53 That's the that's the point. There's no accounting for taste in my business. Michael, you work for a few different broadcast entities at my age. And it's, you know, it's younger people. It's 18 to 3418 years to 34 years old is the ideal demographic for advertisers, Ford, Motor Company, Dove soap, Betty, Crocker, cake mixes and cereals, every conceivable product that sold online or sold on television and radio. This is my this is my meat, and I don't work for religion. However, if a religious organization calls, I call and say, I I'm not, not qualified or not have my divinity degree in order to sell your church to the public?   Michael Hingson ** 12:46 Yeah, yeah. Well, I, I can understand that. But you, you obviously do a lot, and as we talked about, you were Flint and GI Joe, which is kind of cool.   Bill Ratner ** 13:01 Flynn GI Joe was very cool. Hasbro Corporation, which was based in Providence, Rhode Island, had a huge success with GI Joe, the figure. The figure was about 11 and a half inches tall, like a Barbie, and was at first, was introduced to the public after the Korean War. There is a comic book that was that was also published about GI Joe. He was an individual figure. He was a figure, a sort of mythic cartoon figure during World War Two, GI Joe, generic American soldier, fighting man and but the Vietnam war dragged on for a long time, and the American buying public or buying kids toys got tired of GI Joe, got tired of a military figure in their household and stopped buying. And when Nixon ended the Vietnam War, or allotted to finish in 1974 Hasbro was in the tank. It's got its stock was cheap, and executives are getting nervous. And then came the Great George Lucas in Star Wars, who shrank all these action figures down from 11 and a half inches to three and a half inches, and went to China and had Chinese game and toy makers make Star Wars toys, and began to earn billions and billions dollars. And so Hasbro said, let's turn GI Joe into into a team. And the team began with flint and Lady J and Scarlett and Duke and Destro and cover commander, and grew to 85 different characters, because Hasbro and the toy maker partners could create 85 different sets of toys and action figures. So I was actor in this show and had a good time, and also a purveyor of a billion dollar industry of American toys. And the good news about these toys is I was at a conference where we signed autographs the voice actors, and we have supper with fans and so on. And I was sitting next to a 30 year old kid and his parents. And this kid was so knowledgeable about pop culture and every conceivable children's show and animated show that had ever been on the screen or on television. I turned to his mother and sort of being a wise acre, said, So ma'am, how do you feel about your 30 year old still playing with GI Joe action figures? And she said, Well, he and I both teach English in the Pittsburgh, Pennsylvania school system, and last year, the literacy level of my ninth graders was 50% 50% of those kids could not read in ninth grade. So I asked the principal if I could borrow my son's GI Joe, action figures, comic books and VHS tapes, recordings of the shows from TV. And he said, Sure, whatever you want to try. And so she did, and she played the video tapes, and these kids were thrilled. They'd never seen a GI Joe cartoon in class before. Passed out the comic books, let him read comics. And then she said, Okay, you guys. And passed out notebooks and pens and pencils, and said, I want you guys to make up some some shows, some GI Joe shows. And so they said, Yeah, we're ready. All right, Cobra, you better get into the barber shop, because the barber bill is no longer there and the fire engines are in the way. And wait a minute, there's a dog in the street. And so they're making this up, using their imagination, doing their schoolwork, by coming up with scenarios, imaginary fam fan fiction for GI Joe and she raised the literacy level in her classroom by 50% that year, by the end of that year, so, so that was the only story that I've ever heard about the sort of the efficacy of GI Joe, other than, you know, kids play with them. Do they? Are they shooting each other all the time? I certainly hope not. I hope not. Are they using the action figures? Do they strip their guns off and put them in a little, you know, stub over by the side and and have them do physical battle with each other, or have them hump the woods, or have them climb the stairs, or have them search the trees. Who knows what kids do? Same with same with girls and and Barbies. Barbie has been a source of fun and creativity for lots of girls, and the source of of worry and bother to a lot of parents as   Michael Hingson ** 17:54 well. Well, at the same time, though, when kids start to react and relate to some of these things. It's, it's pretty cool. I mean, look what's happened with the whole Harry Potter movement and craze. Harry Potter has probably done more in the last 20 or 25 years to promote reading for kids than most anything else, and   Bill Ratner ** 18:17 that's because it's such a good series of books. I read them to my daughters, yeah. And the quality of writing. She was a brilliant writer, not only just the stories and the storytelling, which is fun to watch in the movies, and you know, it's great for a parent to read. If there are any parents listening, I don't care how old your kids are. I don't care if they're 15. Offer to read to them. The 15 year old might, of course, say mom, but anybody younger than that might say either, all right, fine, which is, which means you better do it or read, read a book. To me, sure, it's fun for the parent, fun for the kid, and it makes the child a completely different kind of thinker and worker and earner.   Michael Hingson ** 19:05 Well, also the people who they got to read the books for the recordings Stephen Fry and in the US here, Jim Dale did such an incredible job as well. I've, I've read the whole Harry Potter series more than once, because I just enjoy them, and I enjoy listening to the the voices. They do such a good job. Yeah. And of course, for me, one of the interesting stories that I know about Jim Dale reading Harry Potter was since it was published by Scholastic he was actually scheduled to do a reading from one of the Harry from the new Harry Potter book that was coming out in 2001 on September 11, he was going to be at Scholastic reading. And of course, that didn't happen because of of everything that did occur. So I don't know whether I'm. I'm assuming at some point a little bit later, he did, but still he was scheduled to be there and read. But it they are there. They've done so much to help promote reading, and a lot of those kinds of cartoons and so on. Have done some of that, which is, which is pretty good. So it's good to, you know, to see that continue to happen. Well, so you've written several books on poetry and so on, and I know that you you've mentioned more than once grief and loss. How come those words keep coming up?   Bill Ratner ** 20:40 Well, I had an unusual childhood. Again. I mentioned earlier how, what a lucky kid I was. My parents were happy, educated, good people, not abusers. You know, I don't have a I don't have horror stories to tell about my mother or my father, until my mother grew sick with breast cancer and and it took about a year and a half or two years to die when I was seven years old. The good news is, because she was a sensitive, educated social worker, as she was actually dying, she arranged a death counseling session with me and my older brother and the Unitarian minister who was also a death counselor, and whom she was seeing to talk about, you know, what it was like to be dying of breast cancer with two young kids. And at this session, which was sort of surprised me, I was second grade, came home from school. In the living room was my mother and my brother looking a little nervous, and Dr Carl storm from the Unitarian Church, and she said, you know, Dr storm from church, but he's also my therapist. And we talk about my illness and how I feel, and we talk about how much I love you boys, and talk about how I worry about Daddy. And this is what one does when one is in crisis. That was a moment that was not traumatic for me. It's a moment I recalled hundreds of times, and one that has been a guiding light through my life. My mother's death was very difficult for my older brother, who was 13 who grew up in World War Two without without my father, it was just him and my mother when he was off in the Pacific fighting in World War Two. And then I was born after the war. And the loss of a mother in a family is like the bottom dropping out of a family. But luckily, my dad met a woman he worked with a highly placed advertising executive, which was unusual for a female in the 1950s and she became our stepmother a year later, and we had some very lovely, warm family years with her extended family and our extended family and all of us together until my brother got sick, came down with kidney disease a couple of years before kidney dialysis was invented, and a couple of years before kidney transplants were done, died at 19. Had been the captain of the swimming team at our high school, but did a year in college out in California and died on Halloween of 1960 my father was 51 years old. His eldest son had died. He had lost his wife six years earlier. He was working too hard in the advertising industry, successful man and dropped out of a heart attack 14th birthday. Gosh, I found him unconscious on the floor of our master bathroom in our house. So my life changed. I My life has taught me many, many things. It's taught me how the defense system works in trauma. It's taught me the resilience of a child. It's taught me the kindness of strangers. It's taught me the sadness of loss.   Michael Hingson ** 24:09 Well, you, you seem to come through all of it pretty well. Well, thank you. A question behind that, just an observation, but, but you do seem to, you know, obviously, cope with all of it and do pretty well. So you, you've always liked to be involved in acting and so on. How did you actually end up deciding to be a voice actor?   Bill Ratner ** 24:39 Well, my dad, after he was managing editor of Better Homes and Gardens magazine in Des Moines for Meredith publishing, got offered a fancy job as executive vice president of the flower and mix division for Campbell within advertising and later at General Mills Corporation. From Betty Crocker brand, and would bring me to work all the time, and would sit with me, and we'd watch the wonderful old westerns that were on prime time television, rawhide and Gunsmoke and the Virginian and sure   Michael Hingson ** 25:15 and all those. Yeah, during   Bill Ratner ** 25:17 the commercials, my father would make fun of the commercials. Oh, look at that guy. And number one, son, that's lousy acting. Number two, listen to that copy. It's the dumbest ad copy I've ever seen. The jingles and and then he would say, No, that's a good commercial, right there. And he wasn't always negative. He would he was just a good critic of advertising. So at a very young age, starting, you know, when we watch television, I think the first television ever, he bought us when I was five years old, I was around one of the most educated, active, funny, animated television critics I could hope to have in my life as a 56789, 1011, 12 year old. And so when I was 12, I became one of the founding members of the Brotherhood of radio stations with my friends John Waterhouse and John Barstow and Steve gray and Bill Connors in South Minneapolis. I named my five watt night kit am transmitter after my sixth grade teacher, Bob close this is wclo stereo radio. And when I was in sixth grade, I built myself a switch box, and I had a turntable and I had an intercom, and I wired my house for sound, as did all the other boys in the in the B, O, R, S, and that's brotherhood of radio stations. And we were guests on each other's shows, and we were obsessed, and we would go to the shopping malls whenever a local DJ was making an appearance and torture him and ask him dumb questions and listen obsessively to American am radio. And at the time for am radio, not FM like today, or internet on your little radio tuner, all the big old grandma and grandpa radios, the wooden ones, were AM, for amplitude modulated. You could get stations at night, once the sun went down and the later it got, the ionosphere would lift and the am radio signals would bounce higher and farther. And in Minneapolis, at age six and seven, I was able to to listen to stations out of Mexico and Texas and Chicago, and was absolutely fascinated with with what was being put out. And I would, I would switch my brother when I was about eight years old, gave me a transistor radio, which I hid under my bed covers. And at night, would turn on and listen for, who knows, hours at a time, and just tuning the dial and tuning the dial from country to rock and roll to hit parade to news to commercials to to agric agriculture reports to cow crossings in Kansas and grain harvesting and cheese making in Wisconsin, and on and on and on that made up the great medium of radio that was handing its power and its business over to television, just as I was growing As a child. Fast, fascinating transition   Michael Hingson ** 28:18 and well, but as it was transitioning, how did that affect you?   Bill Ratner ** 28:26 It made television the romantic, exciting, dynamic medium. It made radio seem a little limited and antiquated, and although I listened for environment and wasn't able to drag a television set under my covers. Yeah, and television became memorable with with everything from actual world war two battle footage being shown because there wasn't enough programming to 1930s Warner Brothers gangster movies with James Cagney, Edward G   Michael Hingson ** 29:01 Robinson and yeah   Bill Ratner ** 29:02 to all the sitcoms, Leave It to Beaver and television cartoons and on and on and on. And the most memorable elements to me were the personalities, and some of whom were invisible. Five years old, I was watching a Kids program after school, after kindergarten. We'll be back with more funny puppets, marionettes after this message and the first words that came on from an invisible voice of this D baritone voice, this commercial message will be 60 seconds long, Chrysler Dodge for 1954 blah, blah, blah, blah, blah. And I watched hypnotized, hypnotized as a 1953 dodge drove across the screen with a happy family of four waving out the window. And at the end of the commercial, I ran into the kitchen said, Mom, mom, I know what a minute. Is, and it was said, it had suddenly come into my brain in one of those very rare and memorable moments in a person's life where your brain actually speaks to you in its own private language and says, Here is something very new and very true, that 60 seconds is in fact a minute. When someone says, See you in five minutes, they mean five times that, five times as long as that. Chrysler commercial, five times 60. That's 300 seconds. And she said, Did you learn it that that on T in kindergarten? And I said, No, I learned it from kangaroo Bob on TV, his announcer, oh, kangaroo Bob, no, but this guy was invisible. And so at five years of age, I was aware of the existence of the practice of the sound, of the magic of the seemingly unlimited access to facts, figures, products, brand names that these voices had and would say on the air in This sort of majestic, patriarchal way,   Michael Hingson ** 31:21 and just think 20 years later, then you had James Earl Jones,   Bill Ratner ** 31:26 the great dame. James Earl Jones, father was a star on stage at that time the 1950s James Earl Jones came of age in the 60s and became Broadway and off Broadway star.   Michael Hingson ** 31:38 I got to see him in Othello. He was playing Othello. What a powerful performance. It was   Bill Ratner ** 31:43 wonderful performer. Yeah, yeah. I got to see him as Big Daddy in Canada, Hot Tin Roof, ah, live and in person, he got front row seats for me and my family.   Michael Hingson ** 31:53 Yeah, we weren't in the front row, but we saw it. We saw it on on Broadway,   Bill Ratner ** 31:58 the closest I ever got to James Earl Jones. He and I had the same voice over agent, woman named Rita vinari of southern Barth and benare company. And I came into the agency to audition for Doritos, and I hear this magnificent voice coming from behind a closed voiceover booth, saying, with a with a Spanish accent, Doritos. I thought that's James Earl Jones. Why is he saying burritos? And he came out, and he bowed to me, nodded and smiled, and I said, hello and and the agent probably in the booth and shut the door. And she said, I said, that was James Earl Jones. What a voice. What she said, Oh, he's such a nice man. And she said, but I couldn't. I was too embarrassed. I was too afraid to stop him from saying, Doritos. And it turns out he didn't get the gig. So it is some other voice actor got it because he didn't say, had he said Doritos with the agent froze it froze up. That was as close as I ever got to did you get the gig? Oh goodness no,   Michael Hingson ** 33:01 no, you didn't, huh? Oh, well, well, yeah. I mean, it was a very, it was, it was wonderful. It was James Earl Jones and Christopher Plummer played Iago. Oh, goodness, oh, I know. What a what a combination. Well, so you, you did a lot of voiceover stuff. What did you do regarding radio moving forward? Or did you just go completely out of that and you were in TV? Or did you have any opportunity   Bill Ratner ** 33:33 for me to go back at age 15, my brother and father, who were big supporters of my radio. My dad would read my W, C, l, o, newsletter and need an initial, an excellent journalism son and my brother would bring his teenage friends up. He'd play the elderly brothers, man, you got an Elvis record, and I did. And you know, they were, they were big supporters for me as a 13 year old, but when I turned 14, and had lost my brother and my father, I lost my enthusiasm and put all of my radio equipment in a box intended to play with it later. Never, ever, ever did again. And when I was about 30 years old and I'd done years of acting in the theater, having a great time doing fun plays and small theaters in Minneapolis and South Dakota and and Oakland, California and San Francisco. I needed money, so I looked in the want ads and saw a job for telephone sales, and I thought, Well, I used to love the telephone. I used to make phony phone calls to people all the time. Used to call funeral homes. Hi Carson, funeral I help you. Yes, I'm calling to tell you that you have a you have a dark green slate tile. Roof, isn't that correct? Yes. Well, there's, there's a corpse on your roof. Lady for goodness sake, bring it down and we laugh and we record it and and so I thought, Well, gee, I used to have a lot of fun with the phone. And so I called the number of telephone sales and got hired to sell magazine subscriptions and dinner tickets to Union dinners and all kinds of things. And then I saw a new job at a radio station, suburban radio station out in Walnut Creek, California, a lovely Metro BART train ride. And so I got on the BART train, rode out there and walked in for the interview, and was told I was going to be selling small advertising packages on radio for the station on the phone. And so I called barber shops and beauty shops and gas stations in the area, and one guy picked up the phone and said, Wait a minute, wait a minute. Wait a minute. Are you on the radio right now? And I said, No, I'm just I'm in the sales room. Well, maybe you should be. And he slams the phone on me. He didn't want to talk to me anymore. It wasn't interested in buying advertising. I thought, gee. And I told somebody at the station, and they said, Well, you want to be in the radio? And he went, Yeah, I was on the radio when I was 13. And it just so happened that an older fellow was retiring from the 10am to 2pm slot. K I S King, kiss 99 and KD FM, Pittsburgh, California. And it was a beautiful music station. It was a music station. Remember, old enough will remember music that used to play in elevators that was like violin music, the Percy faith orchestra playing a Rolling Stone song here in the elevator. Yes, well, that's exactly what we played. And it would have been harder to get a job at the local rock stations because, you know, they were popular places. And so I applied for the job, and   Michael Hingson ** 37:06 could have lost your voice a lot sooner, and it would have been a lot harder if you had had to do Wolfman Jack. But that's another story.   Bill Ratner ** 37:13 Yeah, I used to listen to Wolf Man Jack. I worked in a studio in Hollywood. He became a studio. Yeah, big time.   Michael Hingson ** 37:22 Anyway, so you you got to work at the muzack station, got   Bill Ratner ** 37:27 to work at the muzack station, and I was moving to Los Angeles to go to a bigger market, to attempt to penetrate a bigger broadcast market. And one of the sales guys, a very nice guy named Ralph pizzella said, Well, when you get to La you should study with a friend of mine down to pie Troy, he teaches voiceovers. I said, What are voice overs? He said, You know that CVS Pharmacy commercial just carted up and did 75 tags, available in San Fernando, available in San Clemente, available in Los Angeles, available in Pasadena. And I said, Yeah. He said, Well, you didn't get paid any extra. You got paid your $165 a week. The guy who did that commercial for the ad agency got paid probably 300 bucks, plus extra for the tags, that's voiceovers. And I thought, why? There's an idea, what a concept. So he gave me the name and number of old friend acquaintance of his who he'd known in radio, named Don DiPietro, alias Johnny rabbit, who worked for the Dick Clark organization, had a big rock and roll station there. He'd come to LA was doing voiceovers and teaching voiceover classes in a little second story storefront out of the San Fernando Valley in Los Angeles. So I signed up for his class, and he was an experienced guy, and he liked me, and we all had fun, and I realized I was beginning to study like an actor at 1818, who goes to New York or goes to Los Angeles or Chicago or Atlanta or St Louis to act in the big theaters, and starts acting classes and realizes, oh my goodness, these people are truly professionals. I don't know how to do what they do. And so for six years, I took voice over classes, probably 4050, nights a year, and from disc jockeys, from ex show hosts, from actors, from animated cartoon voices, and put enough time in to get a degree in neurology in medical school. And worked my way up in radio in Los Angeles and had a morning show, a lovely show with a wonderful news man named Phil Reed, and we talked about things and reviewed movies and and played a lot of music. And then I realized, wait a minute, I'm earning three times the money in voiceovers as I am on the radio, and I have to get up at 430 in the morning to be on the radio. Uh, and a wonderful guy who was Johnny Carson's staff announcer named Jack angel said, You're not still on radio, are you? And I said, Well, yeah, I'm working in the morning. And Ka big, get out of there. Man, quit. Quit. And I thought, well, how can I quit? I've always wanted to be a radio announcer. And then there was another wonderful guy on the old am station, kmpc, sweet Dick Whittington. Whittington, right? And he said at a seminar that I went to at a union voice over training class, when you wake up at four in the morning and you swing your legs over the bed and your shoes hit the floor, and you put your head in your hands, and you say to yourself, I don't want to do this anymore. That's when you quit radio. Well, that hadn't happened to me. I was just getting up early to write some comedy segments and on and on and on, and then I was driving around town all day doing auditions and rented an ex girlfriend's second bedroom so that I could nap by myself during the day, when I had an hour in and I would as I would fall asleep, I'd picture myself every single day I'm in a dark voiceover studio, a microphone Is before me, a music stand is before the microphone, and on it is a piece of paper with advertising copy on it. On the other side of the large piece of glass of the recording booth are three individuals, my employers, I begin to read, and somehow the text leaps off the page, streams into my eyes, letter for letter, word for word, into a part of my back brain that I don't understand and can't describe. It is processed in my semi conscious mind with the help of voice over training and hope and faith, and comes out my mouth, goes into the microphone, is recorded in the digital recorder, and those three men, like little monkeys, lean forward and say, Wow, how do you do that? That was my daily creative visualization. Michael, that was my daily fantasy. And I had learned that from from Dale Carnegie, and I had learned that from Olympic athletes on NBC TV in the 60s and 70s, when the announcer would say, this young man you're seeing practicing his high jump is actually standing there. He's standing stationary, and the bouncing of the head is he's actually rehearsing in his mind running and running and leaping over the seven feet two inch bar and falling into the sawdust. And now he's doing it again, and you could just barely see the man nodding his head on camera at the exact rhythm that he would be running the 25 yards toward the high bar and leaping, and he raised his head up during the imaginary lead that he was visualizing, and then he actually jumped the seven foot two inches. That's how I learned about creative visualization from NBC sports on TV.   Michael Hingson ** 43:23 Channel Four in Los Angeles. There you go. Well, so you you broke into voice over, and that's what you did.   Bill Ratner ** 43:38 That's what I did, darn it, I ain't stopping now, there's a wonderful old actor named Bill Irwin. There two Bill Irwin's one is a younger actor in his 50s or 60s, a brilliant actor from Broadway to film and TV. There's an older William Irwin. They also named Bill Irwin, who's probably in his 90s now. And I went to a premiere of a film, and he was always showing up in these films as The senile stock broker who answers the phone upside down, or the senile board member who always asks inappropriate questions. And I went up to him and I said, you know, I see you in everything, man. I'm 85 years old. Some friends and associates of mine tell me I should slow down. I only got cast in movies and TV when I was 65 I ain't slowing down. If I tried to slow down at 85 I'd have to stop That's my philosophy. My hero is the great Don Pardo, the late great   Michael Hingson ** 44:42 for Saturday Night Live and Jeopardy   Bill Ratner ** 44:45 lives starring Bill Murray, Gilder Radner, and   Michael Hingson ** 44:49 he died for Jeopardy before that,   Bill Ratner ** 44:52 yeah, died at 92 with I picture him, whether it probably not, with a microphone and. His hand in his in his soundproof booth, in his in his garage, and I believe he lived in Arizona, although the show was aired and taped in New York, New York, right where he worked for for decades as a successful announcer. So that's the story.   Michael Hingson ** 45:16 Michael. Well, you know, I miss, very frankly, some of the the the days of radio back in the 60s and 70s and so on. We had, in LA what you mentioned, Dick Whittington, Dick whittinghill on kmpc, Gary Owens, you know, so many people who were such wonderful announcers and doing some wonderful things, and radio just isn't the same anymore. It's gone. It's   Bill Ratner ** 45:47 gone to Tiktok and YouTube. And the truth is, I'm not gonna whine about Tiktok or YouTube, because some of the most creative moments on camera are being done on Tiktok and YouTube by young quote influencers who hire themselves out to advertisers, everything from lipstick. You know,   Speaker 1 ** 46:09 when I went to a party last night was just wild and but this makeup look, watch me apply this lip remover and blah, blah, blah, blah, blah, no, I have no lip.   Bill Ratner ** 46:20 You know, these are the people with the voices. These are the new voices. And then, of course, the faces. And so I would really advise before, before people who, in fact, use the internet. If you use the internet, you can't complain if you use the internet, if you go to Facebook or Instagram, or you get collect your email or Google, this or that, which most of us do, it's handy. You can't complain about tick tock, tick tock, tick tock. You can't complain about tick tock or YouTube, because it's what the younger generation is using, and it's what the younger generation advertisers and advertising executives and creators and musicians and actors are using to parade before us, as Gary Owens did, as Marlon Brando did, as Sarah Bernhardt did in the 19 so as all as you do, Michael, you're a parader. You're the head of the parade. You've been in on your own float for years. I read your your bio. I don't even know why you want to waste a minute talking to me for goodness sakes.   Michael Hingson ** 47:26 You know, the one thing about podcasts that I like over radio, and I did radio at kuci for seven years when I was in school, what I really like about podcasts is they're not and this is also would be true for Tiktok and YouTube. Primarily Tiktok, I would would say it isn't as structured. So if we don't finish in 60 minutes, and we finish in 61 minutes, no one's gonna shoot us.   Bill Ratner ** 47:53 Well, I beg to differ with you. Now. I'm gonna start a fight with you. Michael, yeah, we need conflict in this script. Is that it The Tick Tock is very structured. Six. No,   Michael Hingson ** 48:03 no, I understand that. I'm talking about podcasts,   Bill Ratner ** 48:07 though, but there's a problem. We gotta Tone It Up. We gotta pick it up. We gotta there's a lot of and I listen to what are otherwise really bright, wonderful personalities on screen, celebrities who have podcasts and the car sucks, and then I had meatballs for dinner, haha. And you know what my wife said? Why? You know? And there's just too much of that. And,   Michael Hingson ** 48:32 oh, I understand, yeah. I mean, it's like, like anything, but I'm just saying that's one of the reasons I love podcasting. So it's my way of continuing what I used to do in radio and having a lot of fun doing it   Bill Ratner ** 48:43 all right, let me ask you. Let me ask you a technical and editorial question. Let me ask you an artistic question. An artist, can you edit this podcast? Yeah. Are you? Do you plan to Nope.   Michael Hingson ** 48:56 I think conversations are conversations, but there is a but, I mean,   Bill Ratner ** 49:01 there have been starts and stops and I answer a question, and there's a long pause, and then, yeah, we can do you edit that stuff   Michael Hingson ** 49:08 out. We do, we do, edit some of that out. And I have somebody that that that does a lot of it, because I'm doing more podcasts, and also I travel and speak, but I can edit. There's a program called Reaper, which is really a very sophisticated   Bill Ratner ** 49:26 close up spaces. You   Michael Hingson ** 49:28 can close up spaces with it, yes, but the neat thing about Reaper is that somebody has written scripts to make it incredibly accessible for blind people using screen readers.   Bill Ratner ** 49:40 What does it do? What does it do? Give me the elevator pitch.   Michael Hingson ** 49:46 You've seen some of the the programs that people use, like computer vision and other things to do editing of videos and so on. Yeah.   Bill Ratner ** 49:55 Yeah. Even Apple. Apple edit. What is it called? Apple? Garage Band. No, that's audio. What's that   Michael Hingson ** 50:03 audio? Oh,   Bill Ratner ** 50:06 quick time is quick   Michael Hingson ** 50:07 time. But whether it's video or audio, the point is that Reaper allows me to do all of that. I can edit audio. I can insert, I can remove pauses. I can do anything with Reaper that anyone else can do editing audio, because it's been made completely accessible.   Bill Ratner ** 50:27 That's great. That's good. That's nice. Oh, it is. It's cool.   Michael Hingson ** 50:31 So so if I want, I can edit this and just have my questions and then silence when you're talking.   Bill Ratner ** 50:38 That might be best. Ladies and gentlemen, here's Bill Ratner,   Michael Hingson ** 50:46 yep, exactly, exactly. Now you have won the moth stories. Slam, what? Tell me about my story. Slam, you've won it nine times.   Bill Ratner ** 51:00 The Moth was started by a writer, a novelist who had lived in the South and moved to New York City, successful novelist named George Dawes green. And the inception of the moth, which many people listening are familiar with from the Moth Radio Hour. It was, I believe, either late 90s or early 2000s when he'd been in New York for a while and was was publishing as a fiction writer, and threw a party, and decided, instead of going to one of these dumb, boring parties or the same drinks being served and same cigarettes being smoked out in the veranda and the same orders. I'm going to ask people to bring a five minute story, a personal story, nature, a true story. You don't have to have one to get into the party, but I encourage you to. And so you know, the 3040, 50 people showed up, many of whom had stories, and they had a few drinks, and they had hors d'oeuvres. And then he said, Okay, ladies and gentlemen, take your seats. It's time for and then I picked names out of a hat, and person after person after person stood up in a very unusual setting, which was almost never done at parties. You How often do you see that happen? Suddenly, the room falls silent, and someone with permission being having been asked by the host to tell a personal story, some funny, some tragic, some complex, some embarrassing, some racy, some wild, some action filled. And afterward, the feedback he got from his friends was, this is the most amazing experience I've ever had in my life. And someone said, you need to do this. And he said, Well, you people left a lot of cigarette butts and beer cans around my apartment. And they said, well, let's do it at a coffee shop. Let's do it at a church basement. So slowly but surely, the moth storytelling, story slams, which were designed after the old poetry slams in the 50s and 60s, where they were judged contests like, like a dance contest. Everybody's familiar with dance contests? Well, there were, then came poetry contests with people singing and, you know, and singing and really energetically, really reading. There then came storytelling contests with people standing on a stage before a silent audience, telling a hopefully interesting, riveting story, beginning middle, end in five minutes. And so a coffee house was found. A monthly calendar was set up. Then came the internet. Then it was so popular standing room only that they had to open yet another and another, and today, some 20 years later, 20 some years later, from Austin, Texas to San Francisco, California to Minneapolis, Minnesota to New York City to Los Angeles. There are moth story slams available on online for you to schedule yourself to go live and in person at the moth.org as in the moth with wings. Friend of mine, I was in New York. He said, You can't believe it. This writer guy, a writer friend of mine who I had read, kind of an avant garde, strange, funny writer was was hosting something called the moth in New York, and we were texting each other. He said, Well, I want to go. The theme was show business. I was going to talk to my Uncle Bobby, who was the bell boy. And I Love Lucy. I'll tell a story. And I texted him that day. He said, Oh man, I'm so sorry. I had the day wrong. It's next week. Next week, I'm going to be back home. And so he said, Well, I think there's a moth in Los Angeles. So about 15 years ago, I searched it down and what? Went to a small Korean barbecue that had a tiny little stage that originally was for Korean musicians, and it was now being used for everything from stand up comedy to evenings of rock and roll to now moth storytelling once a month. And I think the theme was first time. And so I got up and told a silly story and didn't win first prize. They have judges that volunteer judges a table of three judges scoring, you like, at a swim meet or a track beat or, you know, and our gymnastics meet. So this is all sort of familiar territory for everybody, except it's storytelling and not high jumping or pull ups. And I kept going back. I was addicted to it. I would write a story and I'd memorize it, and I'd show up and try to make it four minutes and 50 seconds and try to make it sound like I was really telling a story and not reading from a script. And wish I wasn't, because I would throw the script away, and I knew the stories well enough. And then they created a radio show. And then I began to win slams and compete in the grand slams. And then I started submitting these 750 word, you know, two and a half page stories. Literary magazines got a few published and found a whole new way to spend my time and not make much   Michael Hingson ** 56:25 money. Then you went into poetry.   Bill Ratner ** 56:29 Then I got so bored with my prose writing that I took a poetry course from a wonderful guy in LA called Jack grapes, who had been an actor and a football player and come to Hollywood and did some TV, episodics and and some some episodic TV, and taught poetry. It was a poet in the schools, and I took his class of adults and got a poem published. And thought, wait a minute, these aren't even 750 words. They're like 75 words. I mean, you could write a 10,000 word poem if you want, but some people have, yeah, and it was complex, and there was so much to read and so much to learn and so much that was interesting and odd. And a daughter of a friend of mine is a poet, said, Mommy, are you going to read me one of those little word movies before I go to sleep?   Michael Hingson ** 57:23 A little word movie, word movie out of the   Bill Ratner ** 57:27 mouths of babes. Yeah, and so, so and I perform. You know, last night, I was in Orange County at a organization called ugly mug Cafe, and a bunch of us poets read from an anthology that was published, and we sold our books, and heard other young poets who were absolutely marvelous and and it's, you know, it's not for everybody, but it's one of the things I do.   Michael Hingson ** 57:54 Well, you sent me pictures of book covers, so they're going to be in the show notes. And I hope people will will go out and get them   Bill Ratner ** 58:01 cool. One of the one of the things that I did with poetry, in addition to wanting to get published and wanting to read before people, is wanting to see if there is a way. Because poetry was, was very satisfying, emotionally to me, intellectually very challenging and satisfying at times. And emotionally challenging and very satisfying at times, writing about things personal, writing about nature, writing about friends, writing about stories that I received some training from the National Association for poetry therapy. Poetry therapy is being used like art therapy, right? And have conducted some sessions and and participated in many and ended up working with eighth graders of kids who had lost someone to death in the past year of their lives. This is before covid in the public schools in Los Angeles. And so there's a lot of that kind of work that is being done by constable people, by writers, by poets, by playwrights,   Michael Hingson ** 59:09 and you became a grief counselor,   Bill Ratner ** 59:13 yes, and don't do that full time, because I do voiceovers full time, right? Write poetry and a grand. Am an active grandparent, but I do the occasional poetry session around around grief poetry.   Michael Hingson ** 59:31 So you're a grandparent, so you've had kids and all that. Yes, sir, well, that's is your wife still with us? Yes?   Bill Ratner ** 59:40 Oh, great, yeah, she's an artist and an art educator. Well, that   Michael Hingson ** 59:46 so the two of you can criticize each other's works, then, just   Bill Ratner ** 59:52 saying, we're actually pretty kind to each other. I Yeah, we have a lot of we have a lot of outside criticism. Them. So, yeah, you don't need to do it internally. We don't rely on it. What do you think of this although, although, more than occasionally, each of us will say, What do you think of this poem, honey? Or what do you think of this painting, honey? And my the favorite, favorite thing that my wife says that always thrills me and makes me very happy to be with her is, I'll come down and she's beginning a new work of a new piece of art for an exhibition somewhere. I'll say, what? Tell me about what's, what's going on with that, and she'll go, you know, I have no idea, but it'll tell me what to do.   Michael Hingson ** 1:00:33 Yeah, it's, it's like a lot of authors talk about the fact that their characters write the stories right, which, which makes a lot of sense. So with all that you've done, are you writing a memoir? By any chance, I   Bill Ratner ** 1:00:46 am writing a memoir, and writing has been interesting. I've been doing it for many years. I got it was my graduate thesis from University of California Riverside Palm Desert.   Michael Hingson ** 1:00:57 My wife was a UC Riverside graduate. Oh, hi. Well, they   Bill Ratner ** 1:01:01 have a low residency program where you go for 10 days in January, 10 days in June. The rest of it's online, which a lot of universities are doing, low residency programs for people who work and I got an MFA in creative writing nonfiction, had a book called parenting for the digital age, the truth about media's effect on children. And was halfway through it, the publisher liked it, but they said you got to double the length. So I went back to school to try to figure out how to double the length. And was was able to do it, and decided to move on to personal memoir and personal storytelling, such as goes on at the moth but a little more personal than that. Some of the material that I was reading in the memoir section of a bookstore was very, very personal and was very helpful to read about people who've gone through particular issues in their childhood. Mine not being physical abuse or sexual abuse, mine being death and loss, which is different. And so that became a focus of my graduate thesis, and many people were urging me to write a memoir. Someone said, you need to do a one man show. So I entered the Hollywood fringe and did a one man show and got good reviews and had a good time and did another one man show the next year and and so on. So But writing memoir as anybody knows, and they're probably listeners who are either taking memoir courses online or who may be actively writing memoirs or short memoir pieces, as everybody knows it, can put you through moods from absolutely ecstatic, oh my gosh, I got this done. I got this story told, and someone liked it, to oh my gosh, I'm so depressed I don't understand why. Oh, wait a minute, I was writing about such and such today. Yeah. So that's the challenge for the memoir is for the personal storyteller, it's also, you know, and it's more of a challenge than it is for the reader, unless it's bad writing and the reader can't stand that. For me as a reader, I'm fascinated by people's difficult stories, if they're well   Michael Hingson ** 1:03:24 told well, I know that when in 2002 I was advised to write a book about the World Trade Center experiences and all, and it took eight years to kind of pull it all together. And then I met a woman who actually I collaborated with, Susie Florey, and we wrote thunder dog. And her agent became my agent, who loved the proposal that we sent and actually got a contract within a week. So thunder dog came out in 2011 was a New York Times bestseller, and very blessed by that, and we're working toward the day that it will become a movie still, but it'll happen. And then I wrote a children's version of it, well, not a children's version of the book, but a children's book about me growing up in Roselle, growing up the guide dog who was with me in the World Trade Center, and that's been on Amazon. We self published it. Then last year, we published a new book called Live like a guide dog, which is all about controlling fear and teaching people lessons that I learned prior to September 11. That helped me focus and remain calm.   Bill Ratner ** 1:04:23 What happened to you on September 11,   Michael Hingson ** 1:04:27 I was in the World Trade Center. I worked on the 78th floor of Tower One.   Bill Ratner ** 1:04:32 And what happened? I mean, what happened to you?   Michael Hingson ** 1:04:36 Um, nothing that day. I mean, well, I got out. How did you get out? Down the stairs? That was the only way to go. So, so the real story is not doing it, but why it worked. And the real issue is that I spent a lot of time when I first went into the World Trade Center, learning all I could about what to do in an emergency, talking to police, port authorities. Security people, emergency preparedness people, and also just walking around the world trade center and learning the whole place, because I ran an office for a company, and I wasn't going to rely on someone else to, like, lead me around if we're going to go to lunch somewhere and take people out before we negotiated contracts. So I needed to know all of that, and I learned all I could, also realizing that if there ever was an emergency, I might be the only one in the office, or we might be in an area where people couldn't read the signs to know what to do anyway. And so I had to take the responsibility of learning all that, which I did. And then when the planes hit 18 floors above us on the other side of the building, we get we had some guests in the office. Got them out, and then another colleague, who was in from our corporate office, and I and my guide dog, Roselle, went to the stairs, and we started down. And   Bill Ratner ** 1:05:54 so, so what floor did the plane strike?   Michael Hingson ** 1:05:58 It struck and the NOR and the North Tower, between floors 93 and 99 so I just say 96 okay, and you were 20 floors down, 78 floors 78 so we were 18 floors below, and   Bill Ratner ** 1:06:09 at the moment of impact, what did you think?   Michael Hingson ** 1:06:13 Had no idea we heard a muffled kind of explosion, because the plane hit on the other side of the building, 18 floors above us. There was no way to know what was going on. Did you feel? Did you feel? Oh, the building literally tipped, probably about 20 feet. It kept tipping. And then we actually said goodbye to each other, and then the building came back upright. And then we went,   Bill Ratner ** 1:06:34 really you so you thought you were going to die?   Michael Hingson ** 1:06:38 David, my colleague who was with me, as I said, he was from our California office, and he was there to help with some seminars we were going to be doing. We actually were saying goodbye to each other because we thought we were about to take a 78 floor plunge to the street, when the building stopped tipping and it came back. Designed to do that by the architect. It was designed to do that, which is the point, the point.   Bill Ratner ** 1:07:02 Goodness, gracious. And then did you know how to get to the stairway?   Michael Hingson ** 1:07:04 Oh, absolutely. And did you do it with your friend? Yeah, the first thing we did, the first thing we did is I got him to get we had some guests, and I said, get him to the stairs. Don't let him take the elevators, because I knew he had seen fire above us, but that's all we knew. And but I said, don't take the elevators. Don't let them take elevators. Get them to the stairs and then come back and we'll leave. So he did all that, and then he came back, and we went to the stairs and started down.   Bill Ratner ** 1:07:33 Wow. Could you smell anything?   Michael Hingson ** 1:07:36 We smelled burning jet fuel fumes on the way down. And that's how we figured out an airplane must have hit the building, but we had no idea what happened. We didn't know what happened until the until both towers had collapsed, and I actually talked to my wife, and she's the one who told us how to aircraft have been crashed into the towers, one into the Pentagon, and a fourth, at that time, was still missing over Pennsylvania. Wow. So you'll have to go pick up a copy of thunder dog. Goodness. Good. Thunder dog. The name of the book is Thunder dog, and the book I wrote last year is called Live like a guide dog. It's le

It’s Spooky Season, so John and Darin are watching 2023’s supernatural Hercule Poirot mystery, A Haunting in Venice, starring Kenneth Branagh, Tina Fey, and Michelle [...]

You're listening to American Ground Radio with Louis R. Avallone and Stephen Parr. This is the full show for October 27, 2025. 0:30 What drives the left’s obsession with Donald Trump? We're diagnosing Trump Derangement Syndrome—a political fever that’s gripped the media, the swamp, and much of Washington since the day Trump came down the golden escalator. 9:30 Plus, we cover the Top 3 Things You Need to Know. The American Federation of Government Employees is calling on Democrat Senators to end the Government Shutdown. Mike Braun, the Governor of Indiana is calling the state legislature back for a special session to redraw the state's congressional districts. A Minnesota Man has been arrested for offering a reward for anyone who kills Attorney General Pam Bondi. 12:30 Get Brain Reward from Victory Nutrition International for 20% off. Go to vni.life/agr and use the promo code AGR20. 13:30 We tackle one of the most uncomfortable truths in American politics—how the same media that condemns conservative outrage excuses or even glorifies violence from the left. From riots and Molotov cocktails to threats against Supreme Court justices, political violence has become woven into the left’s playbook—and the double standard is impossible to ignore. 16:30 When Zohran Mamdani tearfully claimed his aunt was too afraid to ride the subway after 9/11, the media swooned—until the story fell apart. Our American Mamas, Terry Netterville and Kimberly Burleson, dig into the facts behind Mamdani’s emotional performance and uncover a troubling pattern of deception and radical associations. From his fabricated family story to his ties with an imam who calls America “filthy and sick,” the Mamas ask: how did this man become a rising star in New York politics—and why is the media looking the other way? If you'd like to ask our American Mamas a question, go to our website, AmericanGroundRadio.com/mamas and click on the Ask the Mamas button. 23:00 We break down Chicago Mayor Brandon Johnson’s response to a question about funding for illegal aliens, exposing the left’s campaign to rewrite language and erase accountability. “Illegal alien” isn’t hate speech—it’s federal law. And when politicians start treating law as a moral insult, that’s when the rule of law itself is on the line. 26:00 We Dig Deep into the latest numbers from the Virginia and New Jersey gubernatorial races, where early voting trends are defying every media narrative. In Virginia, Abigail Spanberger’s supposed seven-point lead over Winsome Earle-Sears isn’t showing up in the ballot box, as Republican strongholds surge in turnout while Democrat areas lag behind. And in New Jersey, the margins are even tighter than the pollsters want to admit. We break down what the data really means, why the NAACP’s endorsement of Spanberger over Sears exposes the left’s hypocrisy, and why Democrats may be facing another polling meltdown. 32:30 Get Prodovite from Victory Nutrition International for 20% off. Go to vni.life/agr and use the promo code AGR20. 33:30 When is a pep talk more like a parody? When Joe Biden starts sounding like Stuart Smalley from Saturday Night Live. In this segment, we compare Biden’s latest “get up and fight” speech to Al Franken’s classic “Daily Affirmations,” arguing that the president’s rallying cry feels less like leadership and more like self-help gone wrong. 36:30 America turns 250 soon, and the Heritage Foundation is celebrating by helping us rediscover who we are — and where we came from. The foundation is working on a new project ranking historic sites across the country for their accuracy and authenticity, from Monticello to Gettysburg, and it's a Bright Spot. Unfortunately some landmarks are slipping in the ratings not because of poor preservation, but because of politics creeping into the storytelling. We dig into how ideological rewriting has distorted our view of figures like Washington, Jefferson, and even Lincoln — and why honest history still matters. From battlefields to presidential homes, history reminds us that America’s story isn’t perfect, but it’s good — and worth remembering. 40:30 Charlie Sheen — yes, that Charlie Sheen — just might be the voice of reason. On Bill Maher’s podcast, the Hollywood wild man took aim at the NFL’s choice of Bad Bunny for next year’s Super Bowl halftime show, calling it “off-putting for real football fans.” Charlie Sheen is onto. Football fans are saying, "Whoa." Follow us: americangroundradio.com Facebook: facebook.com / AmericanGroundRadio Instagram: instagram.com/americangroundradio Links: Republican Redistricting Push Hits Gas As Indiana Joins Party 'Sniper-scope red dot' death threat against Pam Bondi on TikTok leads to arrest of suspect with 'multistate conviction history': Feds Tulsi Gabbard Details How Trump Is Intimidating Mexican Cartels Following Arrest of Drug Lord Putin Faces Growing Financial Crisis Amid Sanctions Is The Climate Cult Losing? A New Poll Shows It Might Be. EXCLUSIVE: Heritage Foundation Launches New Tool To Help Americans ‘Rediscover’ Nation’s History George Washington's 221-year overdue library book: A timelineSee omnystudio.com/listener for privacy information.

Jimmy addresses the latest news, like Trump taking a cognitive test and undergoing an MRI for his physical, before speaking with James Corden and Lindsey Vonn.

The podcasters who cried “emergency” are back to plead their ignorance on all things. First they chat about Halloween and their best and worst costumes. Then they shift gears into Francis Ford Coppola impressions before tackling news headlines, like the major sports betting scandal involving the mob and the real reason Jennifer Aniston turned down SNL before landing  Friends. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Stephen Seidel is a TEDx keynote speaker, media expert, and brand strategist who helps entrepreneurs, startups, and HR leaders drive cultural alignment and authentic leadership. As founder of the award-winning Seidel Agency and coach to changemakers, he draws on 25 years in PR, media, and marketing to help leaders rewrite their stories, leveraging connection as currency. A best-selling author, podcast creator, and co-founder of the men's collective Gents Journey, Stephen blends humor, heart, and actionable tools to inspire resilient teams and lasting change. Steve Seidel Vroom Vroom Veer Summary Journey of Growth and Legacy Stephen discussed his multifaceted career, including his work with the Seidel Agency, which has collaborated with Coca-Cola, and his creation of Gents Journey, a platform aimed at fostering vulnerability and connection among men through a card deck called the Journey Deck. He shared his personal journey, including a TEDx talk on using grief as a tool for growth and his involvement in a fatherhood initiative where he witnessed a transformative moment of forgiveness. Stephen emphasized the importance of a morning routine and leaving a legacy, while Jeffery highlighted the value of consistent growth and prioritizing tasks. Journey of Connection and Resilience Stephen shared his personal journey, highlighting his upbringing in Utica, New York, and later Philadelphia, where he grew up in a divorced family environment. He described his role as a mediator between his parents, which shaped his identity as a connector. Stephen discussed his struggles with people-pleasing and the importance of self-love and boundary-setting. He emphasized the values instilled in him by his upbringing, including hard work, community, and resilience, and how these influenced his professional life and approach to fatherhood. Journey to Storytelling Agency Stephen shared his personal journey, explaining how his engineering background and people-pleasing nature led him to create an agency that connects individuals with their stories and partners. He discussed his experiences at CB West High School, Penn State, and his career at Motorola, while also touching on personal challenges such as hearing issues and a difficult childhood. Despite these obstacles, Stephen found confidence through his fraternity experiences and continued to pursue his passion for creative expression. Career Transition to Entertainment Stephen shared his career journey, which included acting in a Saturday Night Live sketch that was cut from the show, working as an industrial engineer at a semiconductor fab, and eventually transitioning to entertainment and creating his own YouTube agency. He discussed his experiences with emerging technologies and his involvement in various projects, including a YouTube show and a foundation created in memory of a 9/11 victim. Journey Through Pandemic Challenges Stephen shared his personal journey, including relocating to Lexington, Kentucky, during the COVID-19 pandemic while caring for his mother who had stage 4 cancer and a one-month-old baby. He described how he ran his virtual agency from a laundry room, using a makeshift setup with a logo on his shoulder. Through this challenging period, Stephen discovered the importance of self-love and the need to connect with others, leading him to join a meditation group called Meditation Hillsanga. Journey to Authentic Connection Stephen shared his personal journey of finding happiness by reconnecting with his true self and building a supportive community of entrepreneurs and fathers. He discussed the creation of a card deck with conversation starters to help men connect on a deeper level and address mental health issues. The discussion included examples of questions from the deck, such as "How do you show appreciation?" and explored various ways to express gratitude, including handwritten notes and voice messages.

Christian Bladt welcomes back to the show Ron Motta, David Brody and The Voice of the Bladtcast himself Fard Muhammad to compare the first episode of Saturday Night Live from October 11, 1975 to this year's 51st season premiere from October 4, 2025. There's also LOTS of conversation about many of the episodes in-between.

We're joined today by one of the fastest rising comics in America, Laura Peek (tonight show, dont tell comedy)! Drago and Laura talk about southern women, SNL after parties, how to communicate in relationships, and role playing! JOIN THE PATREON FOR A WEEKLY BONUS EPISODE AND EARLY ACCESS TO REGULAR EPISODES: https://www.patreon.com/c/youreanidiot Buy tickets to Alex's upcoming shows here: https://linktr.ee/alexdrag

 Johnny Mac covers a range of topics, starting with Roy Wood Jr.'s take on making humor out of bleak politics and Joe Rogan's controversial suggestion that Trump should run for California governor in 2030. Leslie Jones discusses the changing landscape for female comedians and the need for more diversity in late-night TV. Tiffany Haddish's new docuseries exploring Africa is announced, and Sebastian Maniscalco's Riyadh Comedy Festival appearance is highlighted. The episode also touches on BJ Novak's food service venture, Judd Apatow's reflections on Adam Sandler's SNL audition, Jim Gaffigan's love of bourbon, and comedic insights from various other personalities.Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news-with-johnny-mac--4522158/support.Become a premium subscriber! (no ads). For Apple users, hit the banner on your Apple podcasts app which says UNINTERRUPTED LISTENING and the bonus “DCN8” show.You also get 25+ other series  (it's only $4.99 a month with a free-trial month)Contact John at john@thesharkdeck dot com  Media Thoughts is mcdpod.substack.com dailycomedynews.substack.com DCN on Threads: https://www.threads.net/@dailycomedynews https://linktr.ee/dailycomedynews www.buymeacoffee.com/dailycomedynews  

Melisa is moving and discusses the stress and excitement of packing up her life. Meghan has an immediate problem: a new neighbor who's already acting bizarrely. Then, they pivot to global news and gossip. They giggle about the robbery at the Louvre and have the perfect soundtrack for the heist. Switching gears to pop culture, they share their thoughts on Sabrina Carpenter's SNL appearance, was it a highlight or a flop? Finally, they dive deep into the latest, must-know TikTok gossip and drama. Join our Patreon: https://www.patreon.com/dontblameme Subscribe to Don't Blame Me! Apple Spotify Subscribe to But Am I Watching? Apple  Spotify Call In for DBM - 310-694-0976 (3 minutes or less) Write In for DBM - meghanpodcast@gmail.com (300 words or less) DBM Submission Form Buy Our Merch https://crowdmade.com/collections/sister-sign Follow Us! instagram.com/meghanandmelisa @meghanrienks instagram.com/meghanrienks https://twitter.com/meghanrienks @sheisnotmelissa instagram.com/sheisnotmelissa instagram.com/diamondmprint.productions Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on @betches, Jordana kicks it off with a major life update: two Baby Betches are on the way as she shares a pregnancy announcement!!! Then, we launch Betch of the Year and ask you to submit the most viral 2025 moments. From there, we spiral into parenting trends (how do four year olds know what a labubu is) and the “material things don't buy happiness” debate. We also break down the Louvre heist (looking forward to the netflix adaptation already), play the “would you turn your partner in?” dilemma, and react to Kristen Bell & Dax Shepard's anniversary caption. Is dark humor funny on an anniversary post? Plus, Professor Charlie Puth's pop theory breakdown, Sabrina Carpenter on SNL, and Olivia Rodrigo's management shake-up. Don't forget to nominate your favorite person / moment / thing that had the biggest impact on pop culture in 2025 for Betch of The Year at betches.com!!! Go to the Betches YouTube page to watch full length episodes every Friday: Youtube.com/@Betches  Learn more about your ad choices. Visit megaphone.fm/adchoices

The hilarious Chris Franjola is here. We discuss the fallout of Kristen Bell's post. Jen Aniston claims that she turned down being a cast member on SNL. Suzanne Somers' husband has made an AI wife of her. Why do some movies fail so badly? Nepo babies have it harder than you think. How hard was it to coparent with Britney Spears? So funny so juicy enjoy. -For a limited time, get a HUGE discount on the iRESTORE Elite + Illumina Face Mask Bundle with code JUICY at ⁠https://iRestore.com⁠  -Treat yourself to the most comfortable and innovative bras on earth and save 20% Off sitewide at ⁠https://honeylove.com/JUICY⁠  -Sign up for your one-dollar-per-month trial and start selling today at ⁠https://SHOPIFY.COM/JUICYSCOOP⁠  Subscribe to my new show Juicy Crimes!: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/juicycrimes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Stand Up Tickets and info: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://heathermcdonald.net⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Subscribe to Juicy Scoop with Heather McDonald and get extra juice on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/JuicyScoopPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/juicyscoop ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Watch the Juicy Scoop On YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@JuicyScoop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shop Juicy Scoop Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://juicyscoopshop.com ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Me on Social Media: Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/heathermcdonald ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@heathermcdonald⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@HeatherMcDonaldOfficial⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this Pop Culture Thursday episode, Jared breaks down the week's biggest celebrity headlines with his signature comedic flair. From Joe Jonas's post-divorce dating life to Keith Urban's marriage updates and new music, Jared brings sharp insight and humor to every story. He dives into Britney Spears's ongoing family drama, Mick Jagger's age-gap relationship, and Brandy's sudden concert exit before wrapping with Sabrina Carpenter's bold SNL monologue. It's a laugh-out-loud mix of pop culture, relationships, and entertainment that only Jared can deliver.Support the show & get 15% off your Bioma order with the code JTRAIN at https://gobioma.com/jtrain

In connection with this week's "Fun For All Ages" episode about Johnny Carson's 100th birthday, GGACP revisits this 2019 interview with comedian-historian and host of "The Carson Podcast," Mark Malkoff and Emmy-winning writer and producer (and lifelong Carson fan) Phil Rosenthal. Also in this episode: The flamboyance of Monti Rock, the “magic” of Uri Geller and Johnny locks horns with “Saturday Night Live." PLUS: Mark (finally) lands Doc Severinsen! And Phil discovers the infamous “Jack Frost” sketch! Learn more about your ad choices. Visit megaphone.fm/adchoices

Would you tell someone if they had a sticker on their butt? Find out how Casey handled that awkward situation, plus Chris Kattan sharing fun SNL memories. (00:00:00) News & Sports(00:12:52) Entertainment News(00:48:55) The Noticer(01:16:55) Bizarre File(01:28:15) Would You Tell Someone They Have Something On Them?(02:02:20) Chris Kattan, Just Sayin' Institute(02:45:48) Bizarre File(02:55:48) Hollywood Trash & Music News, Concert Announcement (03:07:44) Wrap UpSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week Jackie and MJ are joined by Cinnamon Spice Chai-ara Klenk to goss' 'bout how no one realized "Kiss of the Spiderwoman" was already out, and the fact that there are photos floating of JLo and Benboy lookin' at each other with heart eyes once again! JLo addressed one of her many many lores, RBatz and JLaw did a movie that's comin' out called "Die My Love" and the released fight scene has been raising their eyebrows, and Sabrina Carpenter did an SNL performance that wasn't very well researched, plus the Reebok x Bravo COLLAB that is aimed right at Kara! Plus Ashton Kutcher is bein' super whiney about his missed roles. Then we got a LIST of times that celebrities low-key humiliated themselves by starting one-sided beef with a celeb that was totally unbothered, the blindz, and then Jackie's Snackies starts around 1:14:48.311, with an MJ's Minute Munchies at 1:20:54, and runs until 1:25:04! All that and more on this week's Page 7!Want even more Page 7? Support us on Patreon! Patreon.com/Page7Podcast Subscribe to SiriusXM Podcasts+ to listen to new episodes of Page 7 ad-free.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

#354: Are we done with "6 7" yet; The boys debate the legitimacy of "the hung smile" which may or may not correlate to penis size; Skeery went to the SNL afterparty and had a conversation with Sabrina Carpenter; Judging your doctor's success by the car they drive: Cashiers are lost and can't count change anymore when you pay in cash; If they eat a lot at dinner, you're not getting laid; Brody expects a free side of pasta with his chicken parm entreeSee omnystudio.com/listener for privacy information.

Mike Mitchell (Birthday Boys/The Doughboys Podcast) talks about getting into sketch comedy, what UCB was like when it first opened, and discusses his "holy trinity" of fast food restaurants. Listen to The Doughboys here: https://headgum.com/doughboys Subscribe to Brooks' travel substack here: https://brookswheelan.substack.com/

Join Opie and Ron the Waiter for a wild morning ride on the Opie Radio Podcast! This episode is packed with hilarious tales, from Opie's down-and-dirty barbershop experience to heated rants about New York City's mayoral race and Trump's cement-loving antics at the White House. The duo dives into local politics, roasts Curtis Sliwa's cat sanctuary dreams, and debates the shocking story of a baby abandoned at Herald Square. Plus, nostalgic gems about Dane Cook's comedy legacy and SNL cast parties. It's a chaotic mix of humor, hot takes, and heart as Opie juggles podcasting with his wife's birthday prep. Tune in for laughs, surprises, and a tease about tomorrow's mega-star guest!

Shohei Ohtani showed us why he's Him while the uncs of the NFL faced off in Thursday Night Football. Vintage Joe Flacco and Aaron Rodgers game to play, which left fans with a 2010s sense of whimsy. Simpler times. Meanwhile, Simone Biles flipped for the first time since getting her new cherries (IYKYK) and NFL WAGs Kylie Kelce and Olivia Culpo got clear on two things: 1) men need to stop saying “we're pregnant” when expecting a baby and 2) that becoming a mom will probably give you an identity crisis – and that's OK.  In this episode of Well Played, we also cover:  Drake Maye putting up Tom Brady-esque numbers Which WNBA star is Dallas Cowboys' CeeDee Lamb's good luck charm Why Mike Vrabel always addresses women first in press conferences  Whether Joe Burrow is emo or dressing up as Conrad Fischer from “The Summer I Turned Pretty” for Halloween Thanks to our presenting sponsor, Beats! Visit beatsbydre.com to learn more. Send Its:  Bridget Condon of NFL Network shows us moms really can do it all: https://www.instagram.com/reel/DPym4v0jlJj/?igsh=YmdkNzFkaW9yNjM4 Simone Biles debuts her first flip in a year: https://people.com/simone-biles-alludes-to-new-boob-job-11830995 80-year-old Natalie Grabow makes us feel like we can do anything: https://www.youtube.com/shorts/J-S3Hd9frrw  Maya Rudolph shares hot take on athletes on SNL: https://www.tiktok.com/@nglwithkylie/video/7561980555223436575  Blake's IG: @blaaakkkke Caroline's IG: @cghendy theSkimm's IG: @theskimm Want more sports? Sign up for theSkimm's sports newsletter at theskimm.com/sports. Learn more about your ad choices. Visit megaphone.fm/adchoices