Podcasts about giant squid audio lab

Peter chats about his first experiences with paint spraying and we go in to the real detail of one of the most standard bread & butter joinery jobs, the installation of floating shelves. Andy discusses his ridiculously overly complicated pricing spreadsheet and confirms why you can't compete with IKEA prices. Links: Keith Brown (Rag 'n Bone Brown) on YouTube Andreeson Horowitz A16Z Podcast Links are no longer available for the Bluetooth Connected Tape Measure or Giant Squid Audio Lab lav mic discussed on this episode. Follow Us: Subscribe to Peter's 10 Minute Workshop channel on YouTube Subscribe to Andy's Gosforth Handyman channel on YouTube Subscribe to Measuring Up Podcast on YouTube Please Help Support the Show on Patreon Show Web Site and Full Show Notes at https://measuringuppodcast.com Feedback: @MeasuringUpPC on Twitter Instagram: @measuringuppodcast

Audio en formato podcast del primero de los talleres que realicé durante las JPOD 2017, organizadas de forma admirable por la Asociación Alicantina de Podcasting: Alipod. El equipo utilizado para grabar estos talleres fue un micrófono de solapa Giant Squid Audio Lab y una grabadora Sony PCM-M10.

Recorded with a pair of spaced-omni's from Giant Squid Audio Lab  I'll post more content onhttp://documentally.com/2015/10/14/an-afternoon-in-the-jungle/ I also share stories weekly here: http://Documentally.com/newsletter

See and hear the difference between popular microphones for audio and video podcasting: Heil PR40, Audio-Technica ATR2100-USB, Nady SP-1, and the Giant Squid Audio Lab lavalier.

See and hear the difference between popular microphones for audio and video podcasting: Heil PR40, Audio-Technica ATR2100-USB, Nady SP-1, and the Giant Squid Audio Lab lavalier.

I talk to Steve Wilson, mastermind behind both Farpoint Convention and Prometheus Radio Theatre. We talk of how to properly write space opera, the magic of the right convention guest, and the importance of social conflict. You can find out more about Farpoint Convention at www.farpointcon.com. You can subscribe to Prometheus Radio Theatre at prometheus.libsyn.com This episode was recorded with a microphone from Giant Squid Audio Lab. The Voice of Free Planet X theme was written and performed by Russell Collins of www.clockworkaudio.net

I moderate a panel on webcomics at Farpoint Convention with Dan Warner and Glenn Hauman manages to wander all the concerns of online media in general, the reasoning behind selling out, and what awaits you if you try to self-publish. Also, inexplicably, Warren Ellis. You can find out more about Daniel Warner at danielwarner.net. Glen Hauman's ComicMix site is located at comicmix.com This episode was recorded with a microphone from Giant Squid Audio Lab. The Voice of Free Planet X theme was written and performed by Russell Collins of www.clockworkaudio.net

WARNING: This episode is not particularly safe for work. Sex is discussed as something that exists, and naughty bits are mentioned by name. Just so you know. To get you geared up for Valentine's Day, I speak with Kali Morgan and Justine Shuey of Passional Boutique. We talk about the successful classes they've held in the past, the experiences they've had working with various age groups, and the experience that is “Show & Tell Sunday? You can find out more about the Passional Boutique and Sexploratorium, visit www.passional.net/ and www.passionaltoys.com. This episode was recorded with a microphone from Giant Squid Audio Lab. The Voice of Free Planet X theme was written and performed by Russell Collins of www.clockworkaudio.net

The Shark is a Battlefield series of interviews comes to its conclusion with Nick Popio, LARP runner, player and designer (triple threat).  We talk about the identity-splitting nature of role-playing games, the basis of wish-fulfillment, and the inter-personal interaction that this form of gaming engenders.Plus, business jargon! This episode was recorded with a microphone from Giant Squid Audio Lab. The Voice of Free Planet X theme was written and performed by Russell Collins of www.clockworkaudio.net 

We think large. We may be small creatures to you, but our lives extend far beyond the miniscule moments you possess. We think large, and we think long. Have you ever looked at a mosquito, closely? It's a strange shape, all hunched over and crooked. Even by your insect standards, it is a bizarre creature. And you never realized. It's one of the few insects that survive your winters. Did you ever wonder why? This episode was recorded with a microphone from Giant Squid Audio Lab. The Voice of Free Planet X theme was written and performed by Russell Collins of www.clockworkaudio.net

Third in the Shark Is A Battlefield series of interviews find me talking with John Morehead of Digitribe. John talks about directing GEEKIN' and THE STATEMENT OF RANDOLPH CARTER, the perils of adapting H.P. Lovecraft and what Digitribe plans to do next. It may involve me. Just saying. This episode was recorded with a microphone from Giant Squid Audio Lab. The Voice of Free Planet X theme was written and performed by Russell Collins of www.clockworkaudio.net 

The Shark Is A Battlefield series of interviews continues as I turn the tables on Bradley George, host of WFDD's Triad Arts Up Close, a interview the interviewer. We discuss the ups and downs of doing a daily arts reporting show for Public Radio and how the right watercolor painting can change your perspective. This episode was recorded with a microphone from Giant Squid Audio Lab. The Voice of Free Planet X theme was written and performed by Russell Collins of www.clockworkaudio.net

The first of the Shark Is A Battlefield series of interviews, finds me speaking with Alison Buck, sociologist. We discuss calling folks on their bullshit, the short skirts of roller girls, sociologist career paths, carving young minds, being a superhero, Live Action Role-Playing, and the benefits of knowing the best way to creep people out. This episode was recorded using a microphone from Giant Squid Audio Lab. The Voice of Free Planet X theme was written and performed by Russel Collins of www.clockworkaudio.net